#and i love fluffy things
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finnleyandsillys · 9 months ago
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I was going to change the lighting but then I got lazy sooo he's just blue
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But the sudden motivation I needed to change that light got me up to change the LED remote to off. Now I had to be very sure to press the off button on said remote. Pressing the on button would have led to a disaster. Destruction of the world we know and love. I managed to free myself from the blue LEDs grasp and went on to live a very happy life of my own under the control of no blue light. No light would tell me what to do any longer. And I wa-
Whoops sorry got a bit carried away there. That ramble has no underlying meaning I swear.
Where did that even come from?… anywho
@juaneloriginal sorry for tagging you so much today :’) also sorry for making you go though whatever (Gestures up) that was.
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fl00mie · 6 months ago
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ink and blackberry
ink by @/comyet
blackberry/error by @/loverofpiggies
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keferon · 2 days ago
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What are your thoughts on a decepticon prowl?
Oh I'm all for it. But! Only if he's actually a Con. Like. Wholeheartedly.
Not "nnnooo we're doingg a bad thing and I kind of dont wanna do bad thing but I have no choice poor me".
You know how in canon he truly believes he's on the right side and makes everything to ensure that Optimus wins the war? You know how he's willing to make every tough decision so Optimus doesn't have to risk his reputation? You know how he literally makes Autobots look like shiny brave and clean heroes who did nothing wrong ever?
I want all that but the other way around. I want him to do that for Megatron and for the Decepticons. The implications would be so fucking dramatic I could write a whole essay.
Low rank Cons would hate him so fucking bad.
Starscream would try to murder him at least once a day.
Megatron would absolutely treasure him. Autobots would have it r o u g h
Can you imagine
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imaredshirt · 2 months ago
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Give me a Stan who thinks Fiddleford doesn't know how to throw a punch, much less defend himself in a fight with your average goon, so one morning he takes it upon himself to show the nerd a few basic jabs and hooks and maybe an uppercut or two behind the cabin, because let's face it, there's gonna be a time when Stan can't be there to take a hit for the guy or defend his nerd butt. So he's gonna teach him some stuff for his own peace of mind.
Fiddleford just kind of genially goes along with it, following Stan around the back of the cabin and watching with hands on his hips and a smile as Stan gets into position.
"This is one of the most basic punches in the world, so pay attention, 'cause I'm not gonna show you again," Stan says, knees slightly bent and fists up.
Fidds nods. "You've got my full attention, Stanley."
Stan isn't sure if he's imagining the way Fidds is eyeing him up and down, but he automatically flexes his arms a little more than he needs to. Up ahead, Ford is sitting on a tree stump and taking samples of the air or something (Stan had stopped listening to Ford's explanation once his words went from interesting to Big Science Shit that Stanley Does NOT Care About) and he's watching them with this amused grin, rolling his eyes skyward when Stan won't stop flexing and showing his arms off.
Stan ignores him and rolls his shoulders before jabbing his fists forward in a quick one-two. "There - you catch that?"
Fidds has got his arms crossed now and gives Stan a thumbs up. "Sure did!"
"See, just like this," Stan says, and shows him again despite saying earlier that he wouldn't.
He shows him a few more punches, going over each one a couple times before telling the engineer to mirror him, even getting in close to adjust the guy's scrawny arms and balled fists. He's being real professional about it and everything and doesn't understand why Ford keeps grinning and shaking his head at them, which is making him a little incensed but he stamps it down because Fidds is watching him with this nerdy, dopey smile while letting himself be maneuvered around and he's gotta learn to defend himself 'cause Stan can't stand the thought of some jerkwad wiping that smile off the nerd's face.
"See," he says near the end of the lesson, tapping his fist right against Fidds’s chin. "Do it right and your fist'll hit right here."
Fidds tilts his head a fraction at the touch. "Well alright then, seems easy enough."
"Yeah, like I said, if you do it right. Gimme your hand-" he takes Fidds’s wrist and taps the guy's balled fist against his own stubbly jaw. "Right here. You got that?"
Fidds nods. "Sure do!"
"Good." Stan drops Fidds’s wrist and gets into position again. "Then come on - lay one on me."
Fidds pulls back and blinks at him. "Come again?"
"Hit me!" Stan taps his jaw. "Right here!"
The guy suddenly looks nervous and galnces over at Ford for help. "Hit you? Stanley, I don't think-"
This is what Stan means. Fidds isn't always gonna be able to look to him or Ford to save him. He gets this weird, uncomfortable feeling in his chest at the thought of Fidds facing off against some asshat on his own, and that alone is enough to keep him from letting the guys off easy, if only to get rid of the weird feeling. Maybe a bit selfish but he doesn't care.
"Ah, come on, one little punch ain't gonna hurt ya, Fidds."
"I'm not worried about me," Fidds says, and then frowns when Stan barks a laugh.
"You think you're gonna hurt ME?"
Fidds is still frowning when Ford calls over in an amused, warning tone, "This is not a good idea, Stanely!"
"Just worry about your air test or whatever and leave us alone," Stan calls back. Ford shrugs and scribbles something in his journal, and when Stan turns back to Fidds, Fidds is finally getting into position.
He looks unsure, watching Stan nervously as Stan stands before him with his arms crossed.
"Hey, not bad form - you ready?"
"Well, I suppose so," Fidds says, accent coming in a little thicker than before. "Stan, if you're sure, I should probably warn ya-"
"Don't tell me nothing, just punch me!"
Fidds presses his lips into a line and throws his fist - and jabs Stan on the chin just hard enough to tilt Stan's head half an inch to the side.
"That's it?" Stan guffaws and shakes his head. "That was barely a tap!"
"I don't wanna hurt ya!" Fidds says, sounding so conflicted that Stan gets this urge to pull him into a headlock and ruffle his hair and drive the worry away.
Instead he riles him up.
"Please," he says. "Fidds, look - one of these days I'm not gonna be there to take a hit for you, and then what're you gonna do? Just let some jerk punch ya around?"
Fidds looks slightly perplexed. "Where is this all comin from? No, Stanley, I am NOT gonna just let some jerk punch me around."
"Good! So you gotta learn to defend yourself!" Fidds still looks unsure, so Stan tries a different angle. "Okay, how 'bout this - what if some jerks are beating up on me and Ford, huh? You're just gonna let em?"
Fidds looks up. "What? No, I am not!"
"You're gonna defend us?"
"Dangnabbit, Stan - of course I am!"
"Not gonna let us get our teeth kicked out?"
"What!? No!"
"Then show me!" Stan slaps a hand against his own chin. "Right here, come on! I'm some jerk who just threw your friend Stan to the ground and I'm about to kick him in the gut, what're ya gonna-"
The blow lands hard. Stan's head jerks to the side and he's thrown off balance, and he sees actual stars before his vision clears again and he realizes he's crumpled on the ground. His head swims as hands pull him around onto his back.
"Mother o pearl!" Fidds gasps. He's got his hands on Stan's face, careful touch at complete odds with the punch he'd just landed in the same place. "Are you alright? I am so sorry! I hit ya and you weren't even ready and - you just got me so riled up and I tried to tell ya and I shoulda said earlier instead o just lettin ya show me all those moves, but I just wanted to, well - goddangit, Ford, this ain't funny."
Ford's laughing as he comes up behind them, looking down at where Stan is staring kinda dazedly up at Fidds, who's kneeling by his side in the cool grass. "We did try to tell him, Fiddleford."
"Tell me what?" Stan demands. His jaw is already aching but Fidds’s hands feel kinda good so he doesn't tell him to move.
"Fiddleford was a boxing champion back back in his hometown," Ford says.
Stan blinks. "Bwuh-?"
"Not much of a champion," Fidds says with a wince, but he's blushing a bit as he goes on, "It was never anythin official, but - well, I did win more than a few matches at some backyard parties, see, and - well, people usually don't think I got any hittin power or can defend myself, but my Ma's been all too happy to teach me since I was little, and-"
The guy's rambling, and Stan quits being able to understand what he's saying half way through cause the accent is coming in thick and Ford’s chuckling and standing there looking proud of his best friend and Stan’s a little worried that he's still jarred from the hit, cause when he looks at Fidds kneeling there, one hand one Stan's chest and the other bashfully rubbing his neck while he rambles on - he's still seeing stars.
Later, while Stan sits in the living room with an bag of ice in his jaw and Fiddleford sitting next to him, still rambling about all the times he'd knocked a few guys into the mud in some backcountry hoedown get-together or whatever, Stan can lean back and relax and grin, knowing Fidds is gonna be just fine.
He can't wait to teach him wrestling.
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bylerblogger · 8 months ago
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I'm sorry, but the old bowl cut can't come to the phone right now.
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Why?
Oh!...
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Cause it's dead. ❤️
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loves2spwge · 1 year ago
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a very sweet & loving stankyle kiss i commissioned from @currrsy 💙💚
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corpusdiem-seizethedead · 6 months ago
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*camera filming like a documentary. Vaggie is narrating. The camera focuses on Husk reading on the couch*
Vaggie: This is Husk. He enjoys his personal space-
*camera pans out to reveal Angel laying across Husk’s lap*
Vaggie: This is Angel. He also enjoys Husk’s personal space.
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shortkinglogan · 23 days ago
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I may be alone in this but I just want Logan to be in a happy relationship with many people.
Wade, Kurt, Kevin, Scott, Jean, Ororo, and Victor (and maybe a spidey) just all sharing Logan healthily and lovingly and no one gets hurt, maybe they group up on occasion, maybe Logan's not always there, but they all agree, gotta protect this self destructive wild man from himself and let him know he is LOVED!
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makenna-made-this · 7 months ago
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BAWKmission for @inkedbantam of the lovely bearded lady, Zelda~
I'm still offering these fun little bird doodles for anyone who wants to see their bird BAWK-o-fied~ Proceeds go to helping me pay my bills and further spoiling of my already spoiled chickens<3 Links and commission info in pinned post
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myokk · 2 months ago
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clumsy🫶
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regainingparadise · 2 months ago
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Relistening to TMA Season 5, I am again struck by how goddam badly Martin and Jon need couples counseling.
I love them both. I ship them very much. But oh lord they have issues
Like, these are two individuals who, under the very best of circumstances, would really need therapy both individually and together. They are both people with plentiful quantities of relational trauma from childhood that neither of them have worked through even the slightest bit.
And then you throw them into the apocalypse. And you add a metric fuck ton of guilt, helplessness, and the dynamics of being "The Antichrist and +1"?
On a surface level--Jon is in a perpetual state of information overload. Martin is in a perpetual state of "can you please just explain the basics of what's' going on in a given situation and not just say "it's complicated" or launch into a gruesome monologue"
But on a deeper level, their childhood relational traumas have left them each with opposing avoidant tendencies: Jon is unwilling to broach a difficult conversation, which leads him to hide information until he's confronted. Martin, on the other hand, has a finely honed ability to ignore information that he doesn't like until he no longer can hide from it.
Biggest example of their avoidance tendencies: Martin's Domain
Way early on, when we barely understand any of how the hellscape works, Jon mentions it, Martin shuts it down hard and deflects quickly with a bid for affection from Jon
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Martin is in deliberate denial, but Jon admittedly wasn't particularly clear to start with.
"We all have a domain."
Jon means it, presumably, as "Me, You, and other 'Avatars.'" Jon is used to being grouped with those empowered by the Entities. Martin isn't. (see also: MAG185: Martin" Is that how these creatures see us now? As one of them?") But that's not what Jon says. And this is MAG167--they've only been through four domains, at least that we've seen. Jon is speaking from a place of knowledge, and assuming his listener has that same knowledge.
And when this issue comes up much later in MAG183, Martin has spent 17 episodes ignoring or forgetting that he has a domain, not letting that information in so that he has never processed it. (See also: Mag170: "Sometimes I wonder if I forget things on purpose. Easier not to think about them, I guess. Easier to just let them… slip away. They can’t hurt you if you don’t think about them.").
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Martin confronts Jon on his avoidance (because while Martin may be good at ignoring things he doesn't like, he's far better at bringing up challenging topics), Jon is able to manage some A+ communication on his feelings and the genuine challenging of figuring out how to share upsetting information when he has All The Information, Martin accepts that. I just desperately want a therapist to be there and make them continue this conversation and practice ongoing good communication skills!
Though they resolve this, even though Jon has an explanation that makes sense...he was really leaving this conversation to the last minute. Would he have "[brought] it up at the crossroads" as he claims to Helen? Or would he have avoided it entirely, as she accuses, or waited till they were at the threshold, as he does with The Desolation and the Hunt, leaving Martin to confront terrifying situations without forewarning or planning or explanation.
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Again, Jon kind of tried to bring up some of the potential issues with Basira and Daisy before entering the Hunt domain, but kept it Vague and Ominous ("Things aren't...good"). Martin took that vagueness as an opening to avoid engaging with potential bad news. The teensiest bit of therapy for either of them about their communication issues could have let Jon add "I know you're exited but FYI here are some specifics that you should know" and/or Martin go "I'm excited to see them but given that nothing is good right now, can you be more specific?"
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Instead, Jon approaches difficult conversations by being Vague and Ominous, Martin gets snarky or passive-aggressive at the vagueness, upset or aggressively avoidant at the Ominousness, Jon closes back up like a turtle into his shell, and the conversation only comes back up when the situation has drastically escalated, leaving them both more upset.
Jon wants Martin to trust him, because explaining what he knows implicitly is an ordeal for him, and because his upbringing by his grandmother has suggested that communicating is generally unwanted and burdensome (See: MAG081 A Guest for Mr. Spider).
Martin wants to know what is going on, because he's in an awful hellscape of shifting rules about what can and cannot hurt them, completely dependent on a brand-new romantic partner for his survival and purpose, and also because his upbringing and coping mechanisms as a caretaker rely on him knowing enough to help, and his time as an archival assistant has given him some not-inconsiderable trauma about being left in the dark (See: MAG118 The Masquerade) (There's also another post in my head about how MAG118 primed Martin for both the Lonely and his development as a more confrontational character in S5)
All that to say.
Martin needs therapy to deal with the way he chooses not to absorb information he doesn't like. Jon needs therapy to understand that sometimes it's ok to bring up important topics even if the other person will be upset. They both need therapy to cope with all the guilt and helplessness around the apocalypse so they stop taking it out on each other. They need therapy together to learn how to work through their conflicting coping mechanisms.
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finnleyandsillys · 9 months ago
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POV Your favorite artist/ idol just said something about your art/designs and now you feel the utter joy and need to express that with more artwork for them.
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I totally don't stalk their page… and no I'm not tagging them (you all know who it is by now let's be honest)
Yes I'm using a weird art set I got for Christmas bc it's actually kinda good so sue me
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fl00mie · 4 months ago
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honestamente, no sé
to prevent confusions i'm giving credits of every fankid in order (starting with the tall one)
layden (fresh x ink fankid) by @/sugary-alienn dot (cross x ink fankid) by @/yo-honne abstract (reaper x ink fankid) by CATA-824 on wattpad gradient (error x ink fankid) by @/askcomboclub paper jam (error x ink fankid) by @/7goodangel palette (dream x ink fankid) by @/angeutblogo blueprint (swap x ink fankid) by @/pepper-mint aiden (zack x ink fankid) by ariscastleart
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keferon · 3 months ago
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*clasps your shoulders gently and looks you straight in the eye*
Keferon. Please read Ninth by Kyn on AO3. I think you would love it very much. It has a large chapter count, but don't be intimidated, it's very easy to get into. It is currently unfinished, but is being updated regularly.
You are the seventh person that recommended this fic to me so ahahahaha yeah
I’m doing great Help I hate some parts of it but I love the other parts I’m spinning in the blender
…..I made the moodboard….
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#chapter 37#of 120 or something#I must be like 90k words in haha#large word count is not an intimidation. It’s an invitation haha#I love the fics that I can’t read in just one hour:)#I gotta say I don’t enjoy the concept of making robots into organic life#it’s just my preference#seeing them as humans or animals or whatever feels so fucking wrong#the concept itself drives me off#like. Strongly#But at the same time. This fic isn’t about them being ‘haha cute organics’#it’s ‘oh god. I was turned into something I’m not’#instead of teeheee they’re fluffy#it’s please free me from this fucking nightmare. please let me be myself again.#idk how to explain. I resonate I guess#it often feels very disturbing but the characters are also disturbed#So now I’m kind of stuck reading this fic because I just can’t stop lol#just politely skipping the parts that make me too uncomfortable#also#the body horror is….damn. Impressive. I didn’t expect to read about grotesque fleshy creature turning itself inside out#it’s not even aesthetic or symbolic#it literally looks like a fucking nightmare. Which is impressive also.#the flesh is g r o s s#the beginning got me struggling and skipping#but the intermission is currently ruining my sleep schedule#oh fuck….I usually send my posts to the authors of the fics I read…..but I feel like I might offend the author of Ninth if do this……..#there’s a tiny chance they’re following me….if it’s true then I wanna tell I’m sorry pls don’t take this seriously#your fic got me waay out of my comfort zone#huge points for writing Ratchet. Drift in this fic is…the grossest fucking thing I could probably imagine but Ratchet doesn’t even hesitate#he helps him and he cares for him. Which is…..imma be real my first instinct would be to set Drift on fire to end his misery
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crushedsweets · 3 months ago
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It makes me sooo sad when people make a cute/happy/familial/ship/fandomy creepypasta post and they feel the need to be like “but I get it’s totally unrealistic like it could never be canon like I know they’re actually heartless and would kill eachother but I just like when they’re happy ik it’s cringe stupid fanon though” YOU DESERVE TO MAKE A HAPPY OR SILLY OR CUTE POST WITHOUT REPRIMANDING YOURSELF FOR ENJOYING THE FICTIONAL CHARACTERS YOUVE PROBABLY LOVED SINCE CHILDHOOD!!!! YOU SHOULDNT HAVE TO DEFEND YOUR INTEREST IN LIGHTHEARTED FLUFFY CONTENT!!! IT IS A BEAUTIFUL THING TO CONSUME POSITIVE CONTENT!!! YOU DO NOT HAVE TO CONSUME HARDCORE EDGY CRUEL GRUESOME CONTENT IF ITS NOT YOUR PREFERENCE!!!! Please. We all want you to be happy. Whether you enjoy fandom-style content or dark serious horror.
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autismdurst · 5 months ago
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Limp bizkit unauthorised 'Full Extreme' - Russia, 1999
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