#and i have no idea why people think he’s unlikeable for that

[stradakiev]

Ok I’ll talk about it

I love this idea and agree with it soooooooo much and it’s my favorite Martha take ever

From Martha’s first story Smith and Jones she is figuring things out as if the doctor would without first seeing the doctor do it. She talks about how the windows aren’t exactly air tight and that there must be something keeping the air in. She figures out the genetic transfer, gets the Jadoon to catch the plasmavore, and brings the doctor back so he can fix the scanner. If you want to dig deeper with this episode the doctor is not introduced as his character he is John smith and Martha is studying to be a doctor. Foreshadowing she will play his role at the end of the season.

We don’t see much of this in the second episode because it her out of here element for real this time and she’s taking it in but still a very active character in the story.

Gridlock we get to see Martha separated from the doctor and kidnapped onto the highway. Martha is the one descending to the lower lanes and learning the stories of the sounds at the bottoms and putting the pieces together. It’s her quick thinking to turn the engines off to save them until the city was open by the doctor and they could drive up.

Daleks take manhattan and evolution of the daleks is when we see Martha start to boss the doctor around. Unlike other companions we’ve seem Martha spends a lot of her initial time traveling with the doctor actually away from him. When the doctor wants to just go off and see why the daleks changed their minds she asks if he’s just going to leave Hooverville to die. She is the one thinking of how to keep people alive like a doctor like the doctor. I like to think that the doctor hiding from the daleks behind Martha is symbolic of the doctor hiding from his grief and in many ways responsibilities and becoming more reckless while Martha holds things together.

The Lazarus experiment- the only part of this episode I want to focus on is the ending. The doctor suggests “one more trip” and she tells him she’s not going to keep doing it like that and that it’s either a full time passenger or good bye and the doctor agrees to it. Her being the one to have the power to chose to travel with him and be a full time companion makes her fulfill the role of the doctor as she decides who will be traveling in the tardis and he agrees like a companion typically does to an invitation.

42 her and the doctor are again apart for most of the episode and once the doctor has saved Martha he is possessed for the rest of the time while Martha cools his temperature and ejects the fuel from the sun saving both the day and the doctors life. So again companion doctor reversal once the doctor has saved her from imminent death.

Human nature and the family of blood- do I need to go into it? The doctor literally turns into a human and leaves everything up to Martha so she is the doctor for the episode and is the only one using the tardis (we’ve never seen her touch the console this much).

Blink- my man isn’t processing his grief with rose and now is separated from his ship. I can only imagine how much he was struggling. Martha was keeping them afloat with her job in the shop.

Utopia and the sound of drums!!! You can see Martha this whole episode just process more and more how poorly she’s been treated by the doctor by the way he interacts with jack and the stories of rose. She moves the story around narratively with the watch which. From here to where he family is kidnapped in the next episode (and we get the iconic scene of her yelling at the doctor) she is transforming herself through her actions until when she finally uses the vortex manipulator (the first type of time travel she has used by herself) she becomes the doctor.

Last of the time lords Martha is fully acting in the doctor role walking the whole worlds by herself without a weapon spreading a message of home. Her message is the doctor but in that moment she is the doctor. She embodies everything he is while he is removed from having control in the story.

I think the sound of drums/last of the time lords is Martha’s version of dark water/death in heaven. Martha is a lot more emotionally healthy than Clara and also has a live she has dreams for on earth so she chooses to leave. Martha has to cope with the consequences of becoming the doctor so she becomes a unit soldier I think to cope with how she has changed fundamentally but it also nicely brings those two lives together for our successful Queen. Whereas Clara becomes the doctor and no longer has anything or any dreams connecting her to earth to she toxically spirals out until she dies and then becomes not human so we love our toxic queen too

So basically I like to call season 3 the season the doctor was numbing his grief with reckless decisions, straight up not existing, and he’s classic running from it with adventures bc they have a savior complex. He got away with falling apart this much for a whole season bc Martha is a queen and held shit together.

Clara becomes the Doctor but can we talk about how Martha is also the Doctor. Besides being an actual doctor, she also becomes a soldier and tries to justify it to herself. She went through hell and saved the earth and bore that weight alone, and was never thanked for it. In the Doctors Daughter she is forced to watch as her Hath "companion" sacrifices themself for her and dies horribly, and she has to leave them behind. Is this thing on

[outofpocketonepiecethoughts]

I love the transfem sanji headcanons and fanarts and fanfictions to pieces, but I think there is something so so important about him being a man who has personally suffered because of patriarchy.

Spoilers for whole cake island, and 3D2Y/marineford, under the cut

I’m sure it’s been said before, but Germa as a culture is patriarchy incarnate. The men of germa are expected to be emotionless killing machines, to the point where the king robbed his son’s of their emotions through genetic experimentation. And it’s not lost on me that Reiju still had her emotions in tact, because in Judge’s eyes women are supposed to be emotional. And Reiju had to spend her life suppressing her emotions in order to be seen as competent, for fear of being seen as just an emotional woman.

And then there’s Sanji. He’s everything Germa culture believes a man couldn’t be. He’s emotional, weak (by their standards), and soft (kind). To Judge, and Germa as a whole, those are very feminine traits, and that’s considered a bad thing. To them, being a man with feminine traits is worse than being a woman, and that’s why Sanji is abused so horribly.

It’s important to me that despite later developing a rough exterior and bad attitude, he retains these traditionally feminine qualities while still being a man.

Now I wanna talk about Kamabakka kingdom. I don’t know if the okama’s are supposed to be trans or if their drag queens or a combination of both, so forgive me if I get something wrong, but the important thing to note is that the second they meet Sanji, they essentially try to forcefem him. I think to them, his natural personality is like the ideal of femininity. Like in germa, Kamabakka kingdom sees Sanji’s emotionality and kindness as feminine traits, but unlike Germa, they see it as a good thing. Germa tried to force Sanji to give up those traits and beat the femininity out of him. Kamabakka kingdom wanted Sanji to embrace those traits but tried to force Sanji to become a woman because of them. And it works for a couple of weeks (until he sees what happened to Luffy in that one funny scene where the makeup literally melts off his face), but he’s not like them. He is not a woman, doesn’t want to be a woman, and doesn’t want to be perceived as a woman. He can love women and know he is not one.

Sanji isn’t a trans woman (canonically, but I absolutely love all the fanart and fics. This little analysis has no bearing on my love of non canon depictions of Sanji as trans). He is however, gender nonconforming in the context of the culture he was born into. I think in that brief time he went along with the okama’s ideas of him being trans, possibly had a lot to do with the doubts germa’s ideals cast on him about his gender identity. Germa taught him being emotional and kind were woman things, so with the Okama’s trying to convince him that he did feel that way, he might start to think, ‘well maybe I am a woman’, but the second he sees something that reminds him of Luffy, all that confusion goes away and he immediately goes, ‘no I am a man’.

Because Luffy doesn’t try to force Sanji into any kind of gendered box because of the traits that so many people he’s known have seen as feminine. Luffy doesn’t try to force him into traditional masculinity or try to force him to become a woman. To Luffy, Sanji’s kindness and emotionality are his best traits, and those traits are not connected to gender at all. Within the strawhats, Sanji has a freedom of gender expression that he didn’t have anywhere else (the baratie didn’t force anything on him but they were all kind of macho men so I don’t think Sanji would have felt super comfortable expressing his full range of emotions).

I think Sanji as a gender nonconforming man, fits better with his character narratively than sanji being transfem. Everything with Germa is a demonstration of how patriarchy is damaging to both men and women and nonbinary people. I think him being a man is very important to his relationship with the strawhats, and how he found acceptance with them as a man with a lot of traditionally feminine traits (in addition to him being emotional and kind, there’s also the fact that he’s a cook and is the only man on the crew to bathe everyday, specifically, he bathes as often as the girls). With the strawhats he is able to express himself fully without fear of judgment or of a label being forced onto him.

I guess my main point is, Sanji is an example of how patriarchy can hurt men, and how deconstructing traditional ideas of gender norms allows people to live more honest and fulfilling lives.

Sidenote 1: Luffy giving Sanji a space for freedom of expression is perfectly in line with his ideals of freedom.

Sidenote 2: Sanji’s sees woman as naturally emotional (a good thing to him) and kind because the only people he knew with thise characteristics besides himself were his mother and sister.

Sidenote 3: I sometimes see transmasc Sanji headcannons, which I love because they fit so well into his story.

[silvermoon424]

I have a serious question for you. In my country, we grew up watching american shows, movies and cartoons, and in every single one of them the republicans were depicted as evil and greedy. Americans made those shows, so you do know republicans are evil. Why do you keep voting for evil people that is known for being evil?

Imo it comes down to this:

Lack of education:

The state of education- particularly public education- in the US is abysmal, and Republicans constantly demonize college, teachers, and education as a whole. There's a reason why highly educated people tend to be left-leaning, and the GOP knows this; it's why they've been attacking education for decades.

Treating politics as team sports:

Most people do not actually know what the politicians they vote for advocate; they just vote for them because they have an "R" or a "D" next to their name. Imo this is the biggest problem with Republican voters; the idea of voting for a Democrat is so unthinkable to them that a pedophile Nazi (Roy Moore) almost got reelected in Alabama a few years back, just because he was running as the Republican candidate.

Propaganda and socialism being demonized:

What's infuriating about a lot of Republican voters is that they do agree with leftists on a lot of topics, but they've been conditioned to have a kneejerk reaction to terms like "socialism," "capitalism," etc. I've talked to a lot of conservatives and got them to agree with me on concepts like work reform, healthcare reform, environmental protection, taxing billionaires, etc just by avoiding leftist terminology. In my experience, the average conservative very much agrees with left-wing ideas; you just have to present them as "common sense" and "bipartisan."

"Owning the libs"

A lot of conservatives (especially younger ones) are so fucking spiteful towards liberals and leftists that they're willing to tank our entire country just to "trigger" us. They love Trump for pissing people off; they love how he says and does awful, offensive things that "own the libs." The world could end in a nuclear apocalypse and they'd be lying in a cave slowly dying of radiation poisoning thinking "at least we got to trigger the libs, that was so funny."

As a final note, the movies and shows you're referring to were likely made in Hollywood; Hollywood- and the entertainment industry + the arts as a whole- are very liberal. It's not a conspiracy or anything, it's just that artists and creatives tend to be left-leaning. So yes, Americans made media depicting Republicans as evil, but it's very unlikely they're Republican voters themselves.

Republicans have actually attacked Hollywood for decades, claiming they're "biased" and "woke" or whatever. Some conservative media outlets (like the Daily Wire) have tried to start their own media empires, but so far they're total failures because explicitly conservative art is usually dogshit lmao.

[shigiaki]

Not My Girlfriend

Sasuke!xReader / Fakedating!cheating

Enjoy<3

You were dating Naruto, the popular kid known for his delinquent behavior and outgoing personality. Teachers either loved him or hated his guts. His family was influential and well-known, making him even more prominent in school.

Unlike him, you weren’t part of the rich kids' clique. Your best friend, Ino, quickly took a liking to your kind and funny nature. She loved having you around since her other close friends were both boys—having another girl in her life made her feel understood.

You and Naruto had been dating for over a year, and you got along effortlessly. Your friends and his quickly became acquainted, making it easier for everyone to connect.

You fell for him fast. He was an idiot but a lovable one—funny, kind, and gentle, even if he wasn’t exactly the smartest when it came to relationships. Things were great. Dating him and being part of the popular crowd had its perks. But little did you know, it wouldn’t last.

Naruto started acting strange and distant, and you had no idea why. You kept asking if something was wrong—maybe he and his best friend had fought again—but he only made dumb excuses. You brushed it off, hoping he’d come to his senses, but things only got worse.

He became secretive with his phone, quickly turning it off when you were around. He even added a passcode. That wouldn’t have been a big deal—most people had one—but he refused to tell you what it was, which felt odd. His replies to your messages became more and more delayed, and in big groups, he barely spoke to you anymore. He was always out, doing God knows what.

He also grew less affectionate. Whenever you tried to take the initiative, he’d brush you off, saying he wasn’t in the mood or was too tired.

Something was definitely wrong.

After almost two months of this, you couldn’t ignore Naruto’s behavior anymore. Your friends started noticing too, even asking if you two had broken up—which you denied.

Finally, you decided enough was enough. While Naruto was napping, you made up your mind to go through his phone. Carefully, you sneaked it from his side as he slept in your bed and slipped into the bathroom as quietly as possible.

Luckily, he had fallen asleep while watching a show, so his phone was still unlocked. Your heart pounded as you scrolled through his messages—everything seemed normal at first. But then, you checked his camera roll and his saved snaps.

Your stomach dropped.

There were countless pictures of him with some girl. You couldn’t tell who she was, but the way they were together in those photos told you everything you needed to know.

For days, you felt lost, unsure of what to do. You considered breaking up with him, thinking it might end the pain and heartbreak. But alongside the sadness, there was anger—a deep sense of betrayal. You wanted him to feel the hurt he had caused you. It wasn’t just your emotions at stake, Sasuke’s feelings were tangled in this as well. In the end, you made up your mind—tomorrow, you would confess everything and tell him the truth.

You had slipped a letter into his locker, asking him to meet you on the rooftop after school, but you hadn’t signed your name. The entire day, you found yourself muttering under your breath, overthinking every possible scenario, and doing your best to avoid looking at him in class, pretending everything was normal.

But then, your eyes met Sasuke’s by accident. His gaze was sharp, almost as if he could see right through you. It was impossible not to feel intimidated.

Sai and Ino watched you with concern, convinced you had completely lost your mind.

As the final bell approached, students began packing up, eager to leave. You, on the other hand, took your time, slowly gathering your things, stalling for as long as you could.

"girl hurry up!" Ino rushed you as Sasuke passed them exiting the room, "I have to talk to the teachers about something," you lied, Ino looked confused but didn't pry, "alright see you tomorrow" she said sighing before leaving with Sai.

After a minute or two, you began making your way to the rooftop. They don’t tend to lock these doors until all the other students have left, as some have clubs or are on cleaning duty. You reached the door, taking a deep breath before opening it.

There he stood, his face turned toward the view. He finally turned upon hearing footsteps behind him. He wasn’t surprised it was you—almost as if he already knew you were the one who wrote it. You, on the other hand, were surprised he even showed up.

He stared down at you, making you feel extremely nervous. You cleared your throat before speaking.

"I have something to tell you," you said in a serious tone. He frowned, annoyed. "What is it?" You take a deep breath before speaking again.

"Sakura is cheating on you." He frowns, clearly annoyed. "Yeah, right," he scoffs. My hands clench into fists. "With Naruto," I say, my expression darkening with frustration.

He steps closer to me, his expression shifting from annoyance to disbelief. "What?" he says, almost like a question, as if he didn’t fully process my words.

I take a shaky breath, my frustration boiling over. "Both of us are getting cheated on by our own partners—with each other," I say, louder this time, needing him to hear, to understand.

His jaw tightens, his hands clenching at his sides. For a moment, he just stares at me, searching my face for any sign that I might be lying. But I’m not.

The silence between us is thick, filled with tension and unspoken emotions. "You're serious?" he finally asks, his voice quieter now, but laced with something dangerous, anger, betrayal, maybe even pain.

I nod, my throat tight. "I wouldn’t lie about something like this."

His eyes darken, and I see the moment the realization settles in. He turns away, running a hand through his hair, exhaling sharply. "That bastard," he mutters under his breath.

I cross my arms, biting my lip. "That makes two of them." I sigh. "What are you going to do?"

Sasuke's body tenses even more at the question. He hesitates, his voice cold when he finally speaks."That's none of your business."His grip tightens around the edge of the rooftop, his knuckles turning white. He's barely restraining himself, his entire body coiled with the urge to storm off and confront Sakura right now.

"Don't act rashly," I begin, my voice firm yet uncertain.

"Too late. I'll kill them both." He mutters darkly. Unknowingly, he releases a wave of killing intent, the air around us growing heavy. Jealousy, rage, and betrayal swirl inside him, fueling the fire burning in his chest. His mind races, the same words echoing over and over.

"Then let’s cheat on them back."

The words leave my lips before I can stop them, bold and reckless. The air between us crackles with tension, and for a moment, he just stares, his expression unreadable.

He freezes. His dark eyes snap to my face. He must have misheard, right? He swallows hard, his jaw tightening. When he finally speaks, his voice is dangerously low, each word slow and deliberate—like a knife pressing against my skin.

"What did you just say?"I flinch instinctively, fear prickling down my spine—but I don’t back down. I meet his glare, my own emotions bubbling to the surface.

His body tenses, coiled like a snake ready to strike.

I step closer, ignoring the way my instincts scream at me to run. My heart pounds, but I force myself to meet his gaze, refusing to back down.

"Let's get together and cheat on them." My voice is steady, serious. The weight of my words lingers between us, thick and suffocating. The tension crackles like a storm ready to break.

Sasuke's eyes widen momentarily in shock before narrowing dangerously. He doesn't move, hardly seeming to breathe. When he speaks, his voice is eerily calm. "You can't be serious..." His gaze traces down your body contemptuously. "Think carefully about what you're suggesting."

I bite my lip, clenching my hands into tight fists. My nails dig into my palms, but I barely feel the pain. "I’ve thought about it," I say, my voice shaking with frustration. "I won’t let them get away with treating me like a fool! Treating us like complete fools!"

My anger spills over, my voice rising as I shout, the weight of betrayal pressing down on my chest. My breathing is uneven, my body trembling—not from fear, but from the sheer rage bubbling inside me.

I stare at Sasuke, waiting for his reaction, daring him to challenge me.

Sasuke's expression darkens, his eyes flashing with a mix of anger and something else—perhaps a spark of understanding. He steps closer, his voice low and dangerous. "You want revenge." It's not a question.

I nod, looking up at his tall figure.

Sasuke's gaze holds yours for a long moment, his expression unreadable. Then, he lets out a low, bitter laugh. "You know what? Fuck it." He steps even closer, his voice dropping to a whisper. "If they want to play dirty, we can too."

I look into his eyes, searching for an answer, for anything that will tell me what he's thinking. "You'll help me?" My voice comes out quieter this time, but the desperation lingers beneath it. I need to know, I can't do this alone. My heart pounds as I wait for his response, the tension between us thick and suffocating.

"Yes. Let's make them regret ever touching someone else." He reaches up, gently catching your chin in his fingers. "But don't you dare think this means I want anything more than revenge."

"wouldn't dream of it" I muttered

"Good." He drops his hand. His mind races with plans. He looks at you, really looks at you for the first time. You're pretty - really pretty. He hardens his expression. "You know what we need to do?" He asks seriously. I nod, my expression unreadable. "Do what they did," I say nonchalantly, my voice void of hesitation.

"We have to cheat back," I continue, my tone unwavering. "Just like they did."

"Correct." He crosses his arms. "We need to act like a real couple. Hold hands, sit close, all that..." He pauses, his mind wandering to more intimate details. "We need to kiss." His face remains stoic, but his heart pounds unexpectedly in his chest. He pushes the thought away. "We'll start tonight." He looks at you.

I nod agreeing, "alright but where would we meet?"

"My room." He says bluntly. He turns and starts walking, expecting you to follow. As he walks, he sends a quick message to his 'girlfriend', telling her he's going to 'hang out with a friend' tonight. He smiles to himself, already enjoying this little game.

I stood there, momentarily shocked, before quickly following after him. "I’ll need your contact, I don’t have your address," I began, trying to explain.

"Right." He mutters, sending you his contact. He adds you on Snapchat too, because why not? He watches your display picture - a cute selfie. He hardens again. "Meet me at my place tonight. Eight sharp." He sends you his address. "And..."

I paused as I added him back, my fingers hovering over my phone. "And what…?" I look up at him, waiting for him to finish, my heart pounding in anticipation.

"...Wear something that'll piss them off." He says coldly, a smirk tugging at the corner of his mouth. "Something really low-cut. Really short." He glances down purposely, then back up at your incredulous face.

ˏˋ°•*⁀➷

... part 2?

(new to tumblr pls give tips/ tricks on how to make my posts more cute and aesthetic!!")

[maxdibert]

From the way you talk, it sounds like you’re defending murderers, like they’re not even bad people 😅😅. And I’m not even talking about cases like self-defense or anything like that.

Legally, Snape didn’t kill the Potters or torture the Longbottoms, sure. But let’s be real—if it weren’t for him, they might still be alive. And he was a Death Eater for three years—do you really think he never killed anyone in that time? And why would he care? He didn’t give a damn about what they were doing until it affected him personally. Hе begged them to spare Lily… Like, who cares what she actually wanted? He wanted to save her after bringing this whole mess on them himself—even if it was by accident. If it had been any other family, he would’ve stayed a Death Eater and kept being a piece of shit till the end.

And how many times did he actually save Harry? Once? Twice? Maybe three times? (And no, I’m not counting that scene in the movie where he supposedly protected the Golden Trio from the werewolf—that wasn’t in the books.) He became a spy shortly before Voldemort’s death, and then again when Harry was in his fourth/fifth year. And the rest of the time, he just sat around doing nothing, like everyone else. So yeah, reading about his “20 years of nonstop dedication to the forces of good!!” just feels ridiculous to me.

He did the bare minimum for someone trying to redeem himself after all the shit he’d done—he literally had no other choice.)

Ah, the classic “Snape did the bare minimum and didn’t even care” argument. Let’s break it down.

"Without Snape, the Potters and Longbottoms might still be alive"

This is, at best, an absurd oversimplification and, at worst, an outright lie. Snape didn’t point Voldemort toward the Potters or the Longbottoms. He passed along information about a prophecy to his boss (which was literally his job as a spy at the time). He had no idea Voldemort would choose to target the Potters specifically, and when he found out, he did what no one else did: he tried to stop it.

Was his initial motive Lily? Yes. And? Snape was caught up in a supremacist organization from a young age, but unlike many others, Snape completely switched sides and became the double agent who ultimately led to Voldemort’s downfall.

Neither Dumbledore nor the Order could prevent Voldemort from going after the Potters. Snape tried. He failed, but at least he did something.

By the way, where was the rest of the Order in all of this? Why didn’t anyone else foresee what would happen to the Potters? Oh right, because Peter Pettigrew betrayed them. But sure, let’s blame Snape for everything. And let's blame him for begging for Lily and not Jame who was literally his long term abuser lol

"Did he kill anyone as a Death Eater?"

We literally don't know and in fact there is a huge insinuation during canon that him ceirtainly didn't.

But let's think he killed people. So what? History is full of people who have committed crimes and later changed sides. Snape isn’t a pure hero—he’s an antihero. If we demand that Snape must have a spotless record in order for his redemption to be valid, then shouldn’t we also discard characters like Regulus Black or Draco Malfoy?

What matters is that he changed sides and actively worked against Voldemort. He didn’t just say, “Oh, I don’t want to be a Death Eater anymore.” No. He became the key spy who kept Voldemort in the dark about Harry, the Order, Dumbledore’s strategy, etc.

“If it had been any other family, he would’ve stayed a Death Eater”

This is pure baseless speculation. Snape had prejudices, sure, but even before switching sides, he was never a fanatic like Bellatrix or the Carrows. He was an outcast who found power in the wrong group—until he realized what being a Death Eater truly meant.

Yes, at first, he only cared about Lily. But if she was the only reason for his change, then why did he keep fighting for years after she died?

If he only cared about Lily, he would’ve stopped after her death. But he didn’t. He stayed, kept spying for Dumbledore, risked his life daily, and in the end, he died for the cause.

“He only saved Harry three times”

First, that’s not true. Second, saving Harry wasn’t his only job. His role as a spy was far more important. Here are some things he did besides saving Harry:

Maintained his cover as a loyal Death Eater, earning Voldemort’s trust.

Protected the students at Hogwarts (yes, even the ones he disliked).

Drew suspicion away from Quirrell in Philosopher’s Stone.

Stopped Umbridge from torturing students in Order of the Phoenix.

Tried to protect Draco Malfoy from becoming a murderer and saved him from Voldemort’s wrath.

Provided the Order with critical intel on Voldemort’s plans.

Successfully deceived Voldemort until the very end, allowing Harry to win.

Saying “he only saved Harry three times” is like saying a resistance soldier only contributed because he shot three enemies—completely ignoring all his strategic and intelligence work.

“He did the bare minimum because he had no other choice”

Really? Who else in his position did the same? How many Death Eaters switched sides and risked their lives daily for 17 years? Why didn’t Lucius Malfoy become a spy? Why didn’t Regulus Black act sooner? Why did Karkaroff just run away?

Snape had plenty of other choices. He could’ve fled like Karkaroff. He could’ve pretended to switch sides and just stayed out of the fight. He could’ve let Harry die from the start and washed his hands of the whole mess. But he didn’t.

He even admitted to Dumbledore that he would never forgive Harry for surviving while Lily died. But he protected him anyway. Because it wasn’t about what he wanted—it was about what was right.

Snape wasn’t a perfect hero, but he wasn’t a one-dimensional villain either. He was a deeply flawed, complex character who, in the end, was instrumental in Voldemort’s downfall. He didn’t just do “the bare minimum”—he sacrificed his entire life, reputation, and future to ensure the Order had a chance.

If you think that’s not enough, the problem isn’t Snape. It’s that you refuse to acknowledge what he did.

PS: Do you even know what it means to be a criminal lawyer? I mean, I get the feeling that you don’t know how to read. Yes, I defend criminals. Yes, I have defended people who have killed others or hurt them very, very badly. So, I’ll insist again: you can try all the mental gymnastics you want to change my opinion, but if I have firmly believed that a person who left someone else in a coma deserved to be defended—a real person, with real consequences in the real world—you are not going to change my opinion about a fictional character whose story is literally based on a redemption arc that lasts seven books and whose only crime was criminal association when he was a teenager. I mean, I get the feeling that you’ve never actually left your house, you don’t know many people, and you’ve never interacted with anyone outside of your church in your little town.

[neverenoughmarauders]

Let's talk! So I agree with most of this!!!

However... there are a few things I would challenge, because this post is based on a lot of interpretation, which is consistent with canon but it is only one interpretation. And I love canon. I also love opening up everything that isn't canon to explore multiple universes and situations that could be true (and see how that has ripple effects for our understanding of the story).

We do not know when the war started, but we have a window from 1965-1975

While we do not know when the war started, there are a few pieces of evidence to suggest it started in 1970, which is a year before the Marauders started, not long before.

“You can’t blame them,” said Dumbledore gently. “We’ve had precious little to celebrate for eleven years.” [Nov 1981]

Now 'little to celebrate' doesn't necessarily equate with the war, either way. Things get bad before wars break out, and things can have gotten a whole lot worse a few years into the war. Yet this is one of the first pieces of information we get in the series, so it seems probable it is JKR giving us the time of the start of the war.

In fact, late 1960s/1970 seem like a strong marker to fit other anecdotal evidence. For example, we know that by the late 1960s (which is when Molly and Arthur married) things were clearly not that well in the wizarding world.

“Well, that’s not very long! I know why it’s happened, of course. It’s all this uncertainty with You-Know-Who coming back, people think they might be dead tomorrow, so they’re rushing all sorts of decisions they’d normally take time over. It was the same last time he was powerful, people eloping left, right, and center — ” “Including you and Dad,” said Ginny slyly. “Yes, well, your father and I were made for each other, what was the point in waiting?” said Mrs. Weasley.

Another piece of evidence we have for any sort of timeframe is that Voldemort returned to England after Dumbledore became Headmaster. We know Dumbledore was not Headmaster when Remus was bitten, in early 1965. While I am a firm believer that Voldemort made bad stuff happen before he returned to the UK, I doubt we can say that the war started before his return.

Finally, we know that Eugenia Jenkins was ousted in 1975 because she wasn't seen as sufficiently capable of handing the situation with Voldemort, so it feels unlikely the war started later than that.

In any case, it is my interpretation that the war started in 1970 because that's the most direct piece of evidence we have ('last eleven years') - and my key point is that the fandom isn't wrong for interpreting it as such or around the time the Marauders started school in 1971.

Lily and James as people who made chilling choices during the war

I keep seeing this interpretation that James and Lily murdered people, and while I agree with the idea that Harry does not have the full picture of his parents during the war, it is just this - an interpretation.

Here are some of the things I rarely see discussed in relation to Sirius' view of the war, and which I (again just interpretation) view as likely to be similar to James' own views, given how close they were:

'Well, times like that bring out the best in some people and the worst in others. Crouch’s principles might’ve been good in the beginning — I wouldn’t know. He rose quickly through the Ministry, and he started ordering very harsh measures against Voldemort’s supporters. The Aurors were given new powers — powers to kill rather than capture, for instance. And I wasn’t the only one who was handed straight to the dementors without trial. Crouch fought violence with violence, and authorised the use of the Unforgivable Curses against suspects. I would say he became as ruthless and cruel as many on the Dark Side. He had his supporters, mind you — plenty of people thought he was going about things the right way, and there were a lot of witches and wizards clamoring for him to take over as Minister of Magic.' 

'I’ll say this for Moody, though, he never killed if he could help it. Always brought people in alive where possible. He was tough, but he never descended to the level of the Death Eaters. Crouch, though ... he’s a different matter ...'

To me, it seems clear that Sirius does not view himself in the same boat as Crouch. 'Crouch fought violence with violence' 'he became as ruthless and cruel as many on the dark side'. At no point does Sirius say 'and so did the rest of us Harry.' In fact, this is very much part of Sirius' 'she’s got the measure of Crouch better than you have, Ron' speech to the trio.

Moody, on the other hand, Sirius seems to want to exonerate by pointing out that he never killed if he could help it. As Sirius puts it, Crouch, though... he is a different matter.

Tangent... Sirius really appears to dislike dark magic. He doesn't like people who aspire to it, and he rates people who distance themselves from it.

'Snape’s always been fascinated by the Dark Arts, he was famous for it at school. Slimy, oily, greasy-haired kid, he was,'

'Crouch fought violence with violence, and authorised the use of the Unforgivable Curses against suspects. '

'And Snape was just this little oddball who was up to his eyes in the Dark Arts and James — whatever else he may have appeared to you, Harry — always hated the Dark Arts.'

Going back to the POA scene, I think it's an entirely merited interpretation that the fact that Sirius finally stops his plan to kill Peter, something he has been obsessed with, is because Harry is right. James wouldn't want them to become murderers.

“Get off me,” Harry spat, throwing Pettigrew’s hands off him in disgust. “I’m not doing this for you. I’m doing it because — I don’t reckon my dad would’ve wanted them to become killers — just for you.” No one moved or made a sound except Pettigrew, whose breath was coming in wheezes as he clutched his chest. Black and Lupin were looking at each other. Then, with one movement, they lowered their wands.

I get the fun with interpreting it as them not having the heart to tell Harry that James would have been okay with murder, but it is again, an interpretation, and one which relies on interpreting how the circumstances of the war would have changed them, rather than relying on anything in canon that points to this being directly true of Lily and James. (In fact, Sirius' distaste for the unforgivable curses makes me think Harry goes further than Sirius and James by the end of the war, and that's also interesting to explore.)

In canon, we see a Lily who cries when Order members die, a Lily and James who are not at all prepared for Voldemort turning up at their doorsteps, a Sirius who still judges Crouch for using the unforgivables freely and murdering DEs unnecessarily, and a Lily and James (and Sirius) who trusts Peter with their lives (and we don't know if Lily or James ever suspected Remus). If anything, an equally valid interpretation of Lily and James is two people who grew up in war times and never let it change their values.

Hello! We need to talk about the marauders era war!

The war during the Marauders' time was far worse than most of the fandom portrays in fanfics. When Voldemort rose to power, long before the Marauders were even in their first year, it plunged the wizarding world into their version of a civil war. The Marauders grew up seeing headline after headline about the damage Purebloods (or muggles depending on your household) were inflicting on their world. They lived through supplies shortages, canceled Hogsmede trips, and saw Muggleborns hunted even in everyday spaces like Hogwarts’ halls.

At the end of Prisoner of Azkaban, Sirius and Remus wanting to kill Peter wasn’t just about revenge for betraying the Potters, though that certainly was part of it. The war had left them with trauma that Harry, only a third-year at the time of the Shrieking Shack events, couldn’t fully comprehend. It had left them with callousness, grief, and the knowledge that Harry didn’t have: James and Lily Potter would have 100% hunted down Peter and killed him themselves if they had survived Halloween.

Loyalty to the Potters—especially James—was everything. To Remus and Sirius, Peter wasn’t just a coward; he was a deserter, a double-crosser, and a murderer who had caused more death than just James and Lily’s. Peter’s spying had likely led to many of their friends dying—Remus and Sirius were smart enough to piece things together. Betrayal was the worst crime in their eyes, and they knew far more about Peter’s war crimes than Harry did. They had spent countless hours with the Order, hunting men like Peter, and knew now that Peter had ratted everyone they loved out to Voldemort.

Harry, on the other hand, grew up in a time of peace after Voldemort’s first fall. When Harry entered the wizarding world, everyone praised his parents. Everyone called them hero’s. James was brave and loyal, Lily was kind and courageous. Harry came to believe they were perfect, putting them on a pedestal and imagining they could never do anything as terrible as killing someone.

Harry told Remus and Sirius that he thought James and Lily would never want their friends to become killers. Harry told them to spare Peter’s life, in the name of his parent’s honor.

What Harry didn’t realize—at the time anyways—was that his parents had been raised by their experiences in the First Wizarding War. They, like the other marauders, had killed to protect themselves and fight for their friends. The Potter’s had defied Voldemort three times before turning 21, they were on the front lines. Although James and Lily were good people, they had to make tough choices during the war. With their lives and their loved ones’ lives at stake, their decisions weren’t always about what was “right,” but about survival.

The real difference between Harry's war and the Marauders' war wasn't just the time period in which they fought; it was how each group perceived the consequences of their surroundings and the outcomes that followed their responses to those circumstances.

For Harry, the war was about lost innocence and a chance to do things differently, to live up to his parents’ legacy. Harry’s belief that his parents would want mercy for Peter was noble, but it came from a completely different world and time.

For the marauders, the war taught them that surviving often meant making tough, sometimes chilling choices. Loyalty was everything, and betrayal at Peter’s level was something that couldn’t be forgiven. This is how the war shaped Sirius and Remus into a “loyalty or death” mentality that was shown in Prisoner of Azkaban.

[magnusthepuppet]

ok heres the thing. i know what it’s like to feel miserable because you’re forcing yourself to engage in spaces that make you feel worthless. i cannot emphasize enough how much that makes a person feel as if they’re worth less than nothing.

so when people hate stede because he left his family, i get really fucking pissed off. mind you, i grew up with one parent, i know what it’s like to be abandoned by a father figure. but jesus christ if it doesn’t boil my goddamn blood to hear that morally elitist argument that forgets that stede is human. at some point, you’re willing to do whatever it takes to just not feel like trash.

it’s the lack of understanding of that desperate state of being that it takes to do something like that that makes me angry i guess. that and i see a lot of myself in stede, so being told that his actions are self-centered and incompetent kinda fucks with me a bit yk yk.

[hsslilly-blog]

source

[ladyhre]

Rebecca absolutely would. There is no doubt in my mind. She holds so much pain over what happened to Rook, I don't she would be able to stop herself

Liza (A): It would depend on who they were and why they killed him, I think. Her whole mindset about her father is "i miss the possibility of who i could have been if he had lived, but I never knew the man, so it feels disingenuous to say that I miss him." She also does not love the idea of killing people unless she absolutely has to. And the idea of doing so as an act of vengeance isn't a great one. The most straightforward answer is probably not, but never say never.

Diana (N): This is a tricky one. I would lean probably. I mean, not if the person is sitting down in a chair in front of her, served up for her to kill. But if she's facing this person in a fight or any situation where she can convince herself that there wasn't another option... probably. She has her own level of rage about her father's death, not quite to the level of Rebecca, but it's there.

Callahan (M): No. She's not a fighter. Let's start with that she probably wouldn't even physically be able to if she wanted to, at least not in any sort of fair situation. But she also wouldn't want to. She doesn't want to kill people. She would want to seek justice in some other way. It's extremely unlikely that she would kill someone in that pursuit.

Theo (F): Yes. Full stop. Theo is a good guy, a great guy even. He's not violent by nature. He got into his profession to help people, not hurt them. But if you put the person who killed his father in front of him and gave him the option to kill them? He would take it. Theo doesn't hold onto anger about most things. He's never been the type to hold a grudge. But this, this is something that has been eating at him his entire life. He's ignored it most of the time and hid it when that didn't work. He wants the person who did it to pay, and if he can make them pay by his hand, all the better.

When answering this question, I really had to think about what would be an appropriate answer for each of my detectives. Theo's really surprised me. The others I kinda knew, Liza especially as she is the one I have done the most work fleshing out (she's my first and my favorite). But Theo... Theo was always a nice, sometimes goofy guy. He likes kids and parties, and in another life, he would be a chef. He and F are very similar in personality types, though i would say Theo is a more toned down version. But I was always aware that Theo had a hint of darkness in all of his light, and I was always aware that it surrounded his father's death.

twc question time!

if your detective ever had the chance to kill the person responsible for Rook's death - would they? plz elaborate in the tags, i want to know EVERYTHING. 🎀

also, bonus question: in your opinion, do you think Rebecca would if she had the chance?

[theflagscene]

I feel like it’s very important to point out that in 12 hours, Mhok and Day are going to have emotional (steamy?) beach vacation sex, so ya know, just keep that in mind if you need something to get you through until tomorrow lol.

[snekdood]

idk but the way evangelicals talk about the anti christ, he kinna seems like a dope dude. cares about equality... nature... helping people..... reeeally struggling to see the issue here

[cursingtoji]

summary: clan leader!gojo needs a favor from your clan but as the leader you refuse, so he proposes to give you a child since your husband is unable to.

"and what am i to do when the child comes out with a white head of hair and blue eyes?"

“if that happens…” he undoes the knot that holds your kimono together and pushes the material down your arms with no resistance from you, “…then i’ll kill your husband myself and marry you.”

nsfw ahead cw: historical au, infidelity, pregnancy, creampie, child birth, satoru is pathetically in love. featuring samurai bodyguard geto and toji.

“i thought we had solved all our business with the gojo clan” your husband says from the door he leans on.

“and i did” you emphasize the i since the head of your clan is you and only you went to the clan meetings that got things solved. you tapped your lips a little bit more to place the reddish pigment looking at the mirror, “but satoru summoned this meeting and gave no details.”

“satoru huh?” your husband points, not letting go unnoticed the fact you used his first name without formalities.

“all right” you take one step back checking if your kimono is proper, “see you tonight” you peck his lips lightly to not ruin the tint on yours and proceed to the carriage outside.

for years the gojo clan and yours avoided each other due to some very old beef that no one remembers or even was alive when it happened, so when your mother passed and you assumed as the new head you soon decided to reach out to make peace with the current head of the rival clan and a friendly relationship was restored. more often than not you two met, sometimes with other clan members or even other clans when necessary, but today gojo insisted on being just the two of you.

toji, your bodyguard, opens the carriage door when you arrive and give you his hand for you to step out.

to avoid any issues the place of the meeting was always the temple middle way your residences. from time to time your families attended the prayers there, that’s when your husband saw satoru for the first time.

“where’s his wife?” he asked the first time you pointed the white-haired man as the clan head after you made peace.

“he doesn’t have one.”

“fiancée then?”

“i don’t think so” you both watched discreetly as he greeted the monks.

“i find that quite odd. what about the black-haired man?” he pointed to geto, gojo’s bodyguard, “could they be involved romantically?” geto leaned to whisper something to his master, a little bit too close if you might add, a few more inches and his lips would be touching satoru’s ear. his romantic life was no business of yours but you didn’t like the idea of him having any partners, didn’t seem right, though deep down you knew it was very unlikely for a handsome man like him to be alone. both men somehow found your curious gaze.

“geto” you greet the known bodyguard as you enter the temple, and he bows to you, your bodyguard nods at him as well and you’re guided to the secret room.

the conversation went on for almost an hour, satoru served you tea when he noticed you finished yours, which was unusual for a clan head to do such a mundane task but he always insisted no servant join on your private meetings. you always thought he was particularly paranoid about spies, but that suspicion was dismissed when you had your first meeting with other clan heads and he didn’t oppose the people that stayed in the back of the room waiting for their master’s orders.

“satoru we went over this on the last meeting, why am i here?” you are getting impatient, satoru always seemed relaxed when he was at the temple like it’s the one place people don’t come to him with problems, so he tended to do things without any rush at all.

“so impatient…” he smirks, “i was getting to the point but fine. i need your doctors for a few weeks.”

because of the many wars and the necessity to heal mainly the samurai your clan became specialized in healing techniques and remedies instead of combat.

“is someone injured?” you raised your eyebrow, it wasn’t likely for satoru to ask for something like this when he could’ve sent a letter.

“no. but we are expecting a conflict soon and—”

“let me stop you there satoru” you raised your hand and for a second you saw a glimpse of annoyance cross his features, “we don’t get involved with battles anymore, the healers go through extensive training and i can’t risk losing them in battle.”

“so instead of putting their knowledge into practice you rather keep them locked in a room reading books?”

“they are busy with research at the moment” you raise your chin unwilling to budge on the matter.

“is that so?” he tilted his head smiling “and how many people does it take to figure out your husband is infertile?”

you widened your eyes, this is way too personal of a matter for someone else, especially another clan head, to know.

on the other side of the door, geto and toji guarded the room, they were close enough to listen to the conversation and without turning his head geto looked at toji with his eyebrow raised, to which toji only nodded confirming the rumors.

“you’re not the only one with little birds across territories, sweetheart” his smile only seems to grow.

“that is no business of yours. besides, lending you my healers will only harm my clan and, as i said, put them at unnecessary risk” you managed to find your composure back and avoid the infertility topic.

“don’t you trust i have the best warriors? you seemed to when we came to your aid” he reminded a time you asked for their men.

“i paid for that.”

“and what makes you think i won’t?”

“we don’t need money.”

“i’m not talking about money” he drops the volume of his voice.

“listen, satoru—” you rise to your feet sensing the tone of this conversation is off.

“i’m listening, for a very long time i’ve been listening” he rises as well and takes a few steps in your direction, “you know what i listen to? the rumors about your family threatening to make your brother head of the clan if you don’t bear an heir soon.”

you take a step back.

“or the resources you’ve been spending to research a treatment for your husband. tell me, darling, can he even get it up for you?” he is too close now, you can see all the details of his insanely blue eyes.

“he— that’s not a problem” you accidentally confess.

“of course it’s not, look at you” his finger brushes your cheek and the touch makes you burn under your skin, “i could give you a child” he lowers his head to your ear, running his lips on it, “a healthy, smart, beautiful child” he presses his hand on your belly over the thick material of your clothes, “and it wouldn’t even be an effort” he presses his hardened member on your hip.

“and what am i to do when the child comes out with a white head of hair and blue eyes?” you look into his eyes challenging him to a solution.

“if that happens…” he undoes the knot that holds your kimono together and pushes the material down your arms with no resistance from you, “…i’ll kill him myself and take his place as your husband.”

you gasp, not expecting such an answer from the man you always watched trying to find a way to avoid violence.

satoru kisses your jaw then your cheek and when he gets close to your lips you turn your head, your conscience only now, in this intimate act, attacking you.

“he’s not fulfilling his duty” he whispers, letting go of the knot on his kimono, taking your hand and putting it on his chest. you open your eyes, not even aware you had closed them, and see his sculpted torso, so close to you, so warm…

“it’s not your fault, can’t you see?” he raises your chin, “it wasn’t meant to be, unlike us” you know he’s just telling you what you want to hear, but in his voice everything made sense.

“you’ll see” he picks you up and lowers his body with you back to the mat in the middle of the room, his kimono is still around his arms while yours was forgotten somewhere else, leaving only the very thin, dress-like, white undergarment that pretty much showed everything.

satoru lowers his head to your chest, his tongue wetting your nipple over the material, “i bet you’ll become even prettier” he replaces your breast with his hand, big and hot, and goes to the other nipple, “with your breasts heavy and a big belly” he sucks on you, hardly, you put your hand over your mouth.

satoru raises your legs over his shoulders, “your feet will get tired” he kisses the inner thigh, “but you’ll still come and see me” you thought it sounded like a question, it was a statement.

his head goes down, as he kisses your folds your back arches, he licks a stripe ending on your clit and flickering it.

satoru starts to lose himself, he gets too intoxicated by you, almost forgetting time is running against him here. he doesn’t have much longer until your bodyguard gets suspicious and calls for you, and by the way your hand is tight against your mouth he doubts you’ll be able to give a proper response.

he wants to make you cum before he shoots his load, suguru’s intel told him you asked one of the doctors if the woman needed to come to increase the chances. it doesn’t take much medical knowledge to interpret that question.

you cum on his tongue pulling him out of his dreams where he imagined himself doing that every night after those boring fucking meetings he has to attend at every slight inconvenience in his clan.

“it’s gonna be okay, just relax for me” he pushes his length slowly before you get the chance to see his size. you whisper his name behind your hand and he can’t stand not seeing your whole face, so he takes your hand out of the way and kisses your wet lips pushing his tongue and swallowing your moans as he goes deeper and starts to pick a pace.

satoru holds back a curse, reminding himself he’s in a sacred place and although anyone would say that’s ironic given what you’re doing in the temple he would argue that’s even more sacred than what most people prayed for.

you start to feel his weight down on you as he trusts get sloppier, he’s still kissing you, holding your lips with his when he twitches and fills your insides, in your drunk mind you think it’s so much more than what you’re used to.

after he catches his breath he pushes himself up and out of you, you allow yourself to close your eyes for a brief moment but you open them wide again when satoru pushes his cum back into you with his finger, “keep it deep and warm for me, yes?”

one hour later you pass through the door your bodyguard slides open for you to enter your chambers. on the way there you realized there’s no chance he and geto didn’t grasp on what was happening inside the room.

“toji?” you call before he can close the door and go to his personal room, he stops, indicating he listens although he doesn’t respond with the formality others usually do, “i trust you won’t share with anyone what happened today” you speak firmly looking the tall man behind you over your shoulder, his scar stretches slightly with his smirk, the man bows and closes the door.

they said it was a road accident, the horse got spooked and ran, by the time they found it there was no rider so they searched your husband and found his body down the mountain.

the ritual was long, you wore the traditional widow clothing, accepting the kind words of the clan members and the prayer of the monks. though you really were sad, all this pity was making you sicker than…

“at least you didn’t have kids, no child deserves to grow up with a dead father” an old lady says to comfort you while holding your hands.

“excuse me” you turn around walking slowly to not raise suspicions and as soon as it is just you on the other side of your home you bend your torso and throw up all you’ve eaten before the funeral.

you cough and when a tissue enters your field of vision you immediately take it and clean your mouth.

you feel your stomach empty but the light volume below it reminds you of whose fault it is.

you raise with the tissue on your lips to say thank you and the sight of the white-haired man makes you choke.

“shh, it’s okay, i’m here as an ally, to give my condolences to a friend in grief” there’s absolutely no seriousness in his tone.

“what about the war?” you ask through heavy breathing.

“that was child’s play, don’t worry, your healers will return safe and sound in a few days” he puts his hand on your shoulder to calm you down, you do.

satoru takes a second to drop his sight to your belly, it has been a month since your last encounter, and by your sensitive stomach he knows that one time was enough for you to get pregnant.

“do you think you can hide it for another month until the wedding? then when the child is born we’ll just say it was a premature birth” god, your former husband’s body was barely cold and gojo is already planning the wedding and what to say about the baby.

“why now?” you look up at his mischievous eyes, he knows what you’re asking truly.

“i don’t know what you’re talking about, it was an accident right?” he touches your face, brushing away a tear that came out, more of a natural body reaction of your gagging than a sadness reaction.

“satoru, tell me” you demanded.

“i just reflect a little you know? when i said i would kill him you never asked me not to. besides, i don’t want another man to think they own what’s mine” his eyes are darker, you think he’s talking about the child in your womb but by the intensity of his gaze, you realize he’s talking about you. “if you need anything tell suguru, i’ll have him staying in the village until we announce the wedding.”

“no, i have toji, don’t want anyone suspecting geto’s intentions” you defend.

gojo doesn’t seem to like it, but he doesn’t argue either, “either way, i want to see you. meet me at the temple in five days, we’ll talk about the arrangements” he leans in and kisses your forehead before turning away and then back “i almost forgot” he reaches for something inside his sleeve and pulls out a shiny golden bracelet with gems and puts it on your palm, you know you can’t wear it now but god it’s gorgeous, “came from the west especially for you” he puts his hand on top of yours and leaves it there for a long moment as you look into each other's eyes. satoru is fighting the urge to kiss you, if someone catches you he can’t say he’s comforting his recently widowed friend, so he forces himself to let go of you and go head back to his village.

the midwife instructs you to push harder as her helper dabs a wet cloth on your forehead. you’re squatting, on your knees giving your all to push the baby out.

finally one last push is all that it takes for the little one to come out, you want to lay down and close your eyes, but you need to see the baby first so you mumble something with your arms open, the midwife cleans baby’s face through crying and screaming.

“it’s a boy” she whispers putting him in your arms. satoru enters when he hears the cries and kneels in front of you. behind him are both suguru and toji, who aren’t allowed to enter but the men are also very eager to see the child they can’t help but try to peek.

you balance the boy in your hold for a little bit till he stops crying and when he opens his eyes you see the blue sky.

“give him to the father, we’re not over” the midwife says.

“what?” you, satoru, toji and suguru ask. the last two get an angry look from the midwife and remove themselves from the scene.

“the next one will come out soon” she puts new towels below you.

“two children? at once?” you ask in disbelief then look at satoru who can only smile apologetically.

after god knows how long you’re finally allowed to rest as the babies were cleaned and fed. the second one was a girl, with identical blue eyes as her brother and father.

“i can’t believe you put two kids in me” satoru is outside the wooden tub, breaking all tradition by helping you bathe after the birth.

“can’t say i’m sorry for that” he rubs your shoulders, “you were incredible” he confesses now that there’s only the two of you. satoru refuses to even let your feet touch the floor, he takes you out of the tub once the water starts to cool down, placing you on a dry surface and getting on his knees to dry your feet, you reach out to touch his face.

“i love you, satoru” you blurt, overwhelmed by your feelings for the man who was once your rival.

he looks up from his position, taking the hand on his face and kissing your palm, then your pulse, he kisses inch by inch of your arm until his lips are on yours, “i love you.”

"pay up, pretty boy" toji approaches geto.

"excuse me?" suguru looks up from the sword he's polishing now that gojo dismissed him for the rest of the night.

"i said it was gonna be a boy."

"yeah and then a girl came out right after so the bet was invalidated."

"there's no such a thing, the boy will inherit it all anyway" toji crosses his arms, geto laughs, fishing a coin from his pocket since he knows toji will say anything to win the bet.

"and what makes you say that? there's two clans and now two heirs" toji snatches the coin as soon as he sees the silver glow.

"that's just how it has ever been" he turns his back to geto who drives his attention back to his sword.

"things are changing old man.

dividers by @/cafekitsune

[creatingblackcharacters]

No, That’s Not ‘How Color Works’. - Whitewashing

Whitewashing, as defined by Merriam-Webster:

"to alter (something) in a way that favors, features, or caters to white people: such as a) to portray (the past) in a way that increases the prominence, relevance, or impact of white people and minimizes or misrepresents that of nonwhite people and B) to alter (an original story) by casting a white performer in a role based on a nonwhite person or fictional character"

In fandom context, we know it to include:

Making someone’s skin lighter

Making someone’s hair a thinner texture

Changing someone’s nose to be thinner

Shrinking their lips

Changing the character in their entirety to be someone else

The Normalization of Whitewashing

Remember how I mentioned last lesson that despite the nature of poorly drawn Black characters, most audiences are not turned off enough to discourage the action in professional works? Similar idea with whitewashing. Not the same- unlike the Ambiguously Brown Character, which claims to have plausible deniability, overt whitewashing is usually enough to make fans speak up! But that’s the key word here- overt! It has to be “bad enough” to make enough people speak up, but as we’ve seen many a time, “bad enough” seems to have a much higher threshold for nonblack viewership (sometimes the limit doesn’t exist!)

Some visual examples

This is a link to my personal thread on a Netflix show I was watching- Worst Ex Ever. Now, while the show itself was quite enlightening, there was something I could not get over. I thought I was going crazy. And that was that no matter how dark the person of color would be in real life, the animated portions would draw this light pinkish-brown. Every. Single. Time. It's like they couldn't fathom scrolling down the color wheel. And this is a Netflix original! Netflix has plenty of money for someone to have caught this in creation. But... it was produced. And put out. And they're making more of it.

I asked all of the Dragon Age fans about the series, and uh… I didn’t know things were this bad, guys! Apparently this is a man of color, but it doesn't seem like the creators want you to know that 🤣. Jokes aside, as I’ve discussed before, the noticeable whitewashing- and that was one of many racist things I was told- was not enough to prevent sales... so why would they stop? I can only hope this new game, with all the updates, is enough to turn the tide. But the series has gone on for a while now, that if they’d chosen to do ye same olde… there clearly would not be a lack of financial support to prevent it.

Colorism as a Tool

Even when actors of color are cast, colorism often plays a role in normalizing whitewashing to audiences, even to Black audiences! People think “oh well at least they’re Black!” as if that is the only important part. It is not.

While Aaron Pierre, the actor cast for John Stewart of Green Lantern fame, is a GORGEOUS, STUNNING man, he is not the dark-skinned man that John Stewart is supposed to be and should not have been cast! To me, this is overt colorism, but clearly for many people this is not “enough” to warrant concern or even prevent the casting itself- including the studio behind the movie! Black fans have plead for years for the character of Storm to be played by a dark-skinned, preferably African, woman, and it has never happened.

It naturally happens in fan spaces as well, which is another indicator that colorism as a tool for whitewashing is quite effective for audiences. If I see one more Zendaya fan cast for Kida from Atlantis, I will scream. It’s been happening for years, and I don’t think any of the people who just want to see her and Tom on screen either understand or care that Kida is a dark-skinned character. Zendaya doesn’t look anything like Kida- it doesn’t matter if she’s Black too! Just because someone is Black does not mean they can play every single Black character! I’ve even seen people fancast Emilia Clarke of Game of Thrones fame, to which… I don’t have the words. I can’t fathom what would cause these decisions other than racism.

The Common Excuses

I must be honest. I don’t really feel like re-iterating how certain things are not okay and how to fix them, because I’ve already discussed these things in massive detail. So I’m just going to direct the excuses I regularly hear to my lessons, where you can read up on them.

“Their hair/eyes are like that because they’re biracial so-”

Relevant Lessons: 2.1, 2.2, 2.3, 8, 9, 10

There is nothing wrong with having biracial characters with a range of features. I am not saying that! Because yeah, genetics do happen!

But I mentioned this in my last lesson, and I will re-emphasize here, that using biracial identity as a way to whitewash is a sinister form of racism. The intention here- the real intention- is the issue here! The idea that somehow this character can only look the way you want them to look by "diluting" their Blackness… I don’t know how you can explain yourselves out of that one.

You don’t get to use us as an excuse for diversity while still trying to maintain your preference for Eurocentric beauty standards. Black biracial people don’t always look light skinned, thin-haired and ambiguous, and even the ones that do don’t deserve to be treated as your fetish for pretend antiracism. If you just want to draw a white person with a tan, do that. But don’t change a character’s entire look just so you can work in some whiteness. If you want to claim that canon Black character’s mother was white, then I guess they inherited some of her personality because their features should not change.

“It’s my style/It’s the color-”

Relevant Lessons: 3, 4, 10

I hate all excuses for whitewashing, but I’ve grown to despise, hate, abhor and loathe this one the most as I’ve become an artist. I wish there were stronger words to describe just how much I hate the “style” and “color” excuse.

Are style and use of color oft intertwined? Absolutely. I’m not saying they aren’t. But out of everything, there are two things I want artists to understand:

1. Style does not cancel out racism! No style forces you to choose ashy greys and to change peoples’ features. That’s you! If you look at something, and it looks offensive, you change the style. You grow as an artist!

2. “Everyone who is brown will look ashy so I just-” if you recognize that your Black characters look strange in comparison to your nonblack characters, then it’s time to try something else! I don’t understand this sudden need for “realism” when it comes to color and lighting, but not when it comes to hair, for example. No one cares about realism when giving every and all Black characters wavy tresses they probably wouldn’t have, but suddenly milquetoast watercolor attempts at brown and off-putting lighting is “how it works”. That’s not fair.

The color picker is an available tool! I use it often!

Dead giveaway of purposeful whitewashing: if someone gets the outfit color palette right via color picking, but the skin color is multiple shades lighter. That means they were looking at that character and chose not to proceed.

Dead giveaway of purposeful whitewashing: if the white characters in the show are completely correct in their palettes. Again, that means they cared enough to look at everyone else… and not the Black characters.

If you use the color picker and the color picked is… disrespectful, you do not have to use that! You can simply choose a better color that is still similar to the brown that ought to be depicted!

“It’s the lighting-”

Relevant Lessons: 4, 5

If your white characters do not shine like snow in the sunlight because of your lighting, then your lighting does not make your Black characters suddenly light tan.

If your Black characters look bad in your lighting of choice- for example, putting a very dark-skinned character in electric white lighting can be ghastly- try changing the intensity or the color of the lighting. DON’T change your character’s skin color!

I'm going to show you some pictures of South Sudanese model Nyakim Gatwech. Pay attention to the choices of light, color, and makeup.

Look how BEAUTIFUL she is! Look at the choices of intensity and color of light, and how they make her look different in each image.

Now look at this image in comparison:

In this image, whoever did her makeup and took this picture did not take into consideration her skin tone. She's also under this really intense lighting. This is an example of "increasing the lighting does NOT make an image "better"". She didn't need to have lighter skin or "more lighting" to look good. She needed BETTER lighting, lighting that worked with HER.

To see this as an example in drawn art, @dsm7 makes an excellent argument for proper lighting and color, why it is an issue to use it as an excuse, and how to solve that problem.

‼️DISCLAIMER FOR NEXT EXAMPLE‼️

Okay. I am about to show y’all a fan-created example from my personal experience. It is a TEACHING EXPERIENCE ONLY. I am not including the artist’s name in this image. It happened a couple years ago, and it’s over- they’ve chosen to be who they are despite me kindly confronting them about it. The only reason I’m including it at all is because I feel like it would be remiss to have such a clear-cut, multi-level example, and not teach with it. That said, no, I am not telling anyone to act out towards them. Again, that is not what I’m telling you to do. The last thing I need is a literal lynch mob of angry nonblack viewership for trying to teach you all, and y’all sitting there watching it happen to me. Every example of whitewashing is not going to be so obvious, but I hope you learn how to spot the examples in the art you see and share.

I'm obviously a Hades fan, particularly of Patroclus- despite my disdain for the lack of effort in his canon character design. So I've seen a lot of things. That said:

“Well it’s just MY design of them-”

Relevant Lessons: ALL

The sepia coloring did not do this. The lighting did not do this. The design is the exact same as the Hades version, even down to the shape of the hair curling in the back. The only thing that is different… is the man himself.

Y'all. Y'all! You CANNOT take a pre-existing Black character and say “oh well this is my design of them” …and the design is of a whole white person. Because if the rest of the fit is the same, and the only thing that changed is the Blackness… Racism. If you’re going to “make up your own design”, then do that!

“Blackwashing”

Speaking of: I’m sure someone edgy out there thinks they’re so smart as they retort to the screen: “but if that’s not okay, then why is Blackwashing okay?” To which I say- shut up. 😐

The “definition” by fandom: making a nonblack character Black, usually an anime character, but characters in general.

Funny enough, the actual definition in the dictionary (or closest to) is “to defame”, in contrast with whitewash (as in whitewashing history). Maybe racist fans ARE using it correctly when they say you’re blackwashing their characters, when they mean you’re making them “less likable because they’re Black now”. 🤔

Anyway: Blackwashing is not real for the same reason reverse racism is not real.

Me painting these characters brown is not going to take away from the fact that there are far more of you in media than there is of me. Me saying that I ‘headcanon a character as Black with 4C hair’ is not going to make the studio go “oh! Well they must be Black with 4C hair now!” Me saying “oh I think I’d like this character better if they were Black” as a beta tester (less overtly, obviously, because I’m not racist!) will never make a studio change that character. Black viewers have minimal value in comparison to the power of the white viewer’s dollar. I could draw white characters Black every single day of every single game media… and they would still produce majority white characters. There has not been centuries- if not millennia, when we consider Jesus Christ himself, even- of purposeful “Blackwashing” with the intent of removing the original ethnicity- and thus importance- of white people. No one has ever been allowed to forget when someone is white. No one has ever been allowed to forget or not acknowledge white people.

How it could be "solved"

Personally, I love Black edits and I welcome them here. I find them creative and fun. But if you really, REALLY didn’t want us to make those edits, then naturally, we need more Black characters in all of our media!

I wouldn’t have to make edits if I saw more of me to begin with in the things I like to watch- but when we have those characters, racists act an ass about them. We’re not allowed to even be present! I’ve seen too many gamer bros mocking the existence of Yasuke in Assassin’s Creed, and he was a real ass man. But if we made a game about African peoples in African societies, how many of the gamer bros would actually play those games? Do you think there’d be as much support, when we hear so much about Black characters that are treated so abhorrently? How many games do we have where people would love their faves just as much if they were Black? I even learned that Solas was apparently supposed to be a man of color. IMAGINE how many people would not have liked that man, with the same exact plot and characterization.

Something I’ve noticed recently: apparently "Blackwashing" is not a thing when White fans “allow” it. Take this recent trend with Miku. International Miku was beloved! But if you draw any other character as Black on any other day, there will be people that are horrid about it. Ask any artist, Black artists and Black cosplayers especially, who’s ever done it what their comments are like. I’ve read entire missives akin to white supremacist drivel on how it’s somehow morally wrong to make characters Black. Meanwhile no amount of “hey maybe you shouldn’t do this” prevented the movie Gods of Egypt from being created, with a cast full of British White people.

Solutions to Avoiding Whitewashing!

1) Using References!!

Do I think you should know what Black people look like? Yes. We’re humans. It’s 2024. Everyone knows what we look like when it’s time to hate and discriminate against us, so you know what we look like when it’s time to love and depict us. If you’re on Tumblr, you have access to the Internet. ESPECIALLY if you’re in the U.S., as Black people are the source of damn near every piece of online pop culture. If you can find my dialect to make my jokes, you can find pictures of me.

Would I rather you use a reference every single time so that you can only strengthen your depiction of my people? ABSOLUTELY.

Anyone on the Internet telling you not to use a reference or that you shouldn’t need a reference? Unfollow them. You don’t need that negativity in your life. Why would you deprive yourself of a tool to create? The greatest portrait painters in history had to look at their subjects! You are not getting paid nearly as much to do this as Hans Holbein, and he had to stare at Henry VIII correct else lose his head- you can pull up multiple references. I’d far rather be judged for using hella references than be judged for being a racist!

Part of the issue is people draw what they’re used to, what they’re comfortable with (thus last lesson). But if what you’re used to is not what someone will look like… That’s not okay. Their features are not the issue, your skills are the issue. Learn! Practice! There is no rush. No one is rushing you to be perfect at drawing Black characters, and no one is rushing you to post them. You can just practice! If you’re not a professional, you can take as long as you need to draw! If you need to draw that piece of hair over and over until you feel like you have down the shape, you do that! If you need to use a tool that would draw the hair for you, you get that tool!

If you want to post, you can say you are practicing! If you make clear you are practicing, then be willing to accept that people may have feedback. I’d far rather deal with someone saying they’re unconfident and practicing, than someone posting a whitewashed caricature and closing their ears because “well at least I’m trying!”

2) Empathize! Care about actual Black people when you create a Black character!

Imagine, if you will, in the Twilight Zone: you went to an artist, and you asked for a white character (I typed in “regular looking white dude” on google). There’s hardly ever any white characters, you’re so super excited about this one! You paid good money, because you’ve seen just how amazing this artist creates! They’re so good at drawing characters of color! But no matter how many times you ask, they send you back an image of… Assad Zaman.

That man might be fine as hell! Gorgeous! Beautifully done! Chef’s kiss. Stunning! But… He’s not white. That’s not what you asked or paid for. You can’t even fathom how they mixed this up, they don’t even look alike! And when you confront them, they gaslight you, they call YOU the issue for not understanding how you can’t tell that this is a white man! They would never get this wrong! They have white friends, you’re the racist! But you’re not stupid, and you have functioning eyes- you can SEE what this drawing looks like! And… It’s not you.

It’s dehumanizing. It’s being told that there’s a “better way” to look like you, and that’s by… Not looking like you. You, as you exist, are what’s incorrect. Your identity is incorrect, not their drawing. It’s better to have thinner hair instead of an afro or locs, it’s better to have lighter skin, it’s better to have a straighter, thinner nose over a round one, and smaller lips.

And what makes it worse is knowing that people who don’t look like you? Probably won’t care. They won’t be willing to see- not unable, but unwilling- that playing with this caricature is harmful, that they’re propagating harm by not acknowledging it. They’re letting you know that your humanity means less to them than the clout received with a whitewashed or half-assed Black character, and that people will applaud them for that ‘attempt at inclusion’. And people will applaud! They will be entertained by the mere performance! And that hurts.

I’m going to say this, and it’s awkward and I try not to say it directly on here, but… Having Black friends and/or being around actual, real life Black people would help. I can tell from some of the questions I receive that Black characters and their traits- especially things like our hair and our cultures- are being treated as… alien concepts. But even if, for whatever reason, you legitimately don’t know any Black people, you do not need to know us individually to care about our humanity as a whole! Even if you do not know we’re there, we are, and we could possibly see your work!

By acknowledging Blackness and making room to understand what it means- and that includes how we can look- you are doing the bare minimum of acknowledging our personhood. If you cannot do even that, you don’t need to be drawing us.

Conclusion

Here’s the thing: if you want to draw a white man with tanned skin, do that. Just do it! You do NOT have to erase me to have more of you! There is not a single fandom where the majority of the white fans ever said “gee, not another white guy!” It simply doesn’t happen. God knows we wish it did sometimes. You will always have an audience for white characters. There’s no danger to any of you of “being erased”.

(Without putting on my political hat, I will say that a lot of white people who consider themselves to be far from white supremacist will express beliefs in line with great replacement theory if you push them hard enough. It is unfortunately not as uncommon an idea as you might think. I would do some self-evaluation.)

People are going to notice that you only ever draw white people, but… To be frank, that has never stopped anybody from being successful. Again, Jen Zee, at Supergiant with the terrible dark-skinned characters… Still has a job. at Supergiant. A professional studio. Dragon Age. Multiple games of consistent whitewashing and racist writing. Still going. If racism prevented creation and popularity, I wouldn’t have to have this blog. Alas, that is the society we currently live in.

But if you ACTUALLY want to depict Black characters, if you ACTUALLY want to do right and be respectful- not because you want the clout, but because it’s the right damn thing to do- then you need to commit! This means drawing them as they are meant to be! Accept that you’ll likely lose some fan base, who was there (whether they were aware of it or not) for the white and lighter skinned characters. Accept that this means that trying to appeal to those people by whitewashing characters is 1) wrong, 2) racist, which is 3) something you chose to do when you could simply have just… Drawn more white people.

I’ll say it again: antiracism is hard. It’s hard doing the right thing in a society that rewards racism so easily. It’s really hard knowing that people will stop supporting you or caring as much about your work when you start including Black characters as actively as you do white ones, especially if you start talking about the importance of it. But in my honest opinion, I’d far rather be someone that cared about others, with genuine fans, than someone that was racist for the fleeting internet clout of strangers. And that may be less ‘hopeful’ than I normally am in these lessons, but… People make choices. And people who have been informed- as you are now- are aware of the choices they are making. It’s the thought that counts, but the action that delivers- let’s choose better actions.

[honey-tongued-devil]

Arcane preference reacting to a s/o with a mental health issues (eating)

My disclaimer, as someone with this issue, I’m sorry if this isn’t what you wanted. I’ve actually been thinking about it for a while, but I was a bit cowardly about doing it, so I’m taking the opportunity now. I don’t want to go out of character, so I’m sorry if some characters come across as harsher than others. Unfortunately, I know I should write the name of the illness, but if I post it that way, Tumblr will take it down.

Jayce:

- He’s academically intelligent, but it takes him far too long to notice that something’s wrong. But you can’t blame him, it’s something so far removed from him that he couldn’t have understood it sooner.

- When he does realize, his first reaction is panic.

- Jayce can’t feel like just a blade of grass; he feels emotions deeply, taking on any blame, especially if something happens to the people he loves. His first thought is that he did something to make you feel that way, inadequate.

- But once the panic phase ends, the responsibility phase begins.

- He does the grocery shopping, he cooks, and his workouts become more regular, where he has you climb onto his back while doing push-ups or holds you in his arms during other exercises.

- He doesn’t know why you do it, but the quickest way to show you that your weight isn’t a problem is by showing you how easily he lifts you.

- And maybe, if you feel up to it, he can hold you in his arms with one arm supporting you while he cooks, letting you taste various ingredients.

Viktor:

- Unlike Jayce, it only takes two suspicious behaviors in a row for him to understand what’s happening. It’s something far from his world, sure, but he recognizes it.

- And he confronts you. He doesn’t beat around the bush, doesn’t stammer; he might even sound angry because he doesn’t understand why you’d hurt yourself like this and willingly give up your well-being.

- I won’t lie, I doubt that an open discussion about something this delicate with him wouldn’t lead to at least one hysterical cry.

- But he’s not brutal for the sake of being brutal; his suffering and frustration turn into anger. It takes him a while to calm down, but he won’t accept compromises.

- You’ll have meals together at home, either returning to your rooms together or straight to the house, so no one can see you and you won’t feel bad.

- And he won’t force you, he tries to handle it with as much care as possible, but there’s no day that goes by without him getting up from the table if you haven’t eaten at least two food items per meal.

- He loves you too much to see you hurt yourself in that way, and knowing that he can't do anything about it makes him feel powerless.

Ekko:

- It takes him a week—not to understand, but to process it.

- Having grown up in total poverty, the idea of giving up food “for whim” makes him react in a way that is only human.

- And the whole thing is too distant for him: everyone’s skin is grayish, 90% of the population of the Lanes has missing limbs and monstrous prosthetics, and everyone’s goal is to survive as long as possible. What does it mean that you’re against your own survival??

- As unsupportive as he might be regarding the issue, he becomes incredibly vigilant and concerned.

- He’ll always make sure you’re warm enough, that you’re comfortable, and no matter how frustrated he is, he’ll always try to stay close to you, even just holding you in bed until you fall asleep.

- Every single comment you make about your body, he’ll respond with, “Don’t talk about my partner like that,” 

- no one can speak badly of you, not even you.

Vander:

- The most understanding: he was young once too, and although in his size meant an advantage, he and Silco snuck into various galas when they were younger, and there, even though he never had these problems, he would feel a strange sensation seeing that he was the biggest in the room or that it was hard to find someone to steal clothes from that would fit him.

- He doesn’t lecture you or anything like that, he doesn’t get angry despite how he grew up; he just feels sadness for you that you can’t see how little that complex matters and how beautiful you already are.

- His compromise is vegetables. If you don’t feel like eating every meal every day, it doesn’t matter, but at least four days a week, you have to have three meals.

- And for the rest, he’ll cook, making sure to prepare the best dishes made from vegetables so that you don’t feel guilty and your body doesn’t deteriorate.

- But he doesn’t support your illness, he simply ensures that you get everything you need and never go below the necessary intake without having you feeling guilty about it.

Silco:

- Hoping that the most attentive and watchful man in the lanes wouldn't notice how, suddenly, meals go from moments of lightness to something you try to avoid at all costs is a bit foolish, but he says nothing.

- He waits for as long as necessary, basically to see how long it lasts and how much you're not planning to talk to him.

- When he realizes you won’t, not anytime soon, he waits for you to be alone in his office, where you’ll find a slice of cake on his desk. Sure, it’s a low blow, but it’s also the fastest way to get you to confront the issue without too many escape routes.

- He’s a big fan of the saying “dirty laundry is washed in the family,” so if you act strange about meals in front of others, he won’t allow questions or jokes, but in private, he won’t accept “no” for an answer.

- He has enough problems already without you crying from hunger pains or having psychotic episodes due to sugar deficiency, so as long as you're under his watch, under Zaun's eye, he won't let you live with unhealthy standards.

- During meals, he becomes the strictest. He doesn’t say anything, but one look is enough to make you think twice about contradicting him. In the evening, though, when your mental health is most fragile, he becomes gentler, comforting you as much as you need.

Jinx:

- You find fertile ground, but like any good bearer of the same issue: she feels she can do it, but you cannot.

- Being with her or in her space becomes like a live-action version of Thumbelina: she’ll leave sweets, chocolates, things she knows you like to encourage you to eat so you can’t hurt yourself.

- She usually forgets to eat herself when she’s caught up in her studies and work, but if she has someone to care for, it doesn’t matter how, she’ll make sure to remember. Even if it means setting a few colorful bombs with timers.

- She feeds you. In the most visible, worst way. It’s easy that if you turn your head, you’ll find a cookie shoved in your mouth unceremoniously.

- And every single tight-fitting outfit disappears from her lair. Magically, whatever clothes you pick up from her pile fit loosely, but if you ask her about it, she’ll claim she doesn’t know what are you talking about.

Vi:

- Want to see Vi in a panic, becoming super protective and possessive in a way? Just wait for one episode, and you’ll see everything you haven’t seen.

- She’ll check on you at least three times a day, and in the evening, when you have pain or a crisis, she’ll run back and forth from the room, thinking about everything she can do to help you feel better without making you feel guilty.

- During meals, she’ll hold you in her arms and insist that you eat, but not aggressively—in a way that’s almost frightened: she’s always been used to fighting big, real monsters, but even when it came to her sister, she could never defeat the invisible ones, and the fear of failing or hurting someone she loved again terrifies her in an agonizing way.

Caitlyn:

- Like Jayce, she’ll also try a more physical way of reassuring you, like body worshipping when you’re alone or working out with you to show you that your weight doesn’t matter.

- She doesn’t know how to react; she realizes it quite quickly but fears that by acknowledging it, she might only make you feel worse.

- One day, she gathers the courage to ask if everything is okay and tells you that she’s noticed those behaviors. When you open up to her, telling her about the issues, she doesn’t respond right away and simply hugs you.

- She becomes more caring, making sure that you don’t have to attend banquets or dinners where you wouldn’t feel comfortable, bringing you food in your room to eat together, and sometimes even leaving the room so as not to put pressure on you.

- When you mention a craving, she immediately springs into action to get it for you, even if you complain that you weren’t serious. Once she understands how your condition works, she orders everything in three portions, so she can eat with you and then be the first to say that she wants more, asking if you want to share the third portion.

- If you have fat accumulated in any area, she’ll knead it with her hands while kissing you, to let you know that she loves every inch of you.

Mel:

- She notices you're having a crisis before you even realize it yourself.

- She’s a ruler, but what she learned from a young age is that a leader must appear reliable and look good, so even if unconsciously, she too sometimes experiences small crises when she feels like she isn’t looking perfect.

- No conversations, no lectures, just an increase in cuddles, moments of intimacy, and later, she brings home sweets.

- “They were a gift to me today at the council,” she lies, but sometimes she says she got them for both of you.

- She doesn’t want to make you feel like you’re in the wrong.

- She knows that when you’re ready and if you want to, you’ll bring up the issue with her, but for now, the best thing she can do is help you get through the episode with euphoria, love, and treats that encourage you to listen to your hunger rather than the illness.

Sevika:

- Like everyone in Zaun, the idea that someone would voluntarily give up food is simply incomprehensible to her.

- But she won’t comment on your problems. She doesn’t intend to invalidate them, but she also won’t encourage it.

- “Are you sure? That’s a bit too little,” will be her comment when you eat something ridiculously small, before making you a proper portion of food herself. If you try to argue, she’ll respond with a smug smile, saying that if you eat that little, you’ll end up breaking when you’re in bed together.

- If a crisis is particularly bad, she’ll try to finish her work as quickly as possible to be able to stay with you for the rest of the day and not leave you alone.

- As much as possible, she’ll try to get the best, freshest, and most natural food, to reassure you that you don’t need to worry, but she’ll never insist that you eat if you say you don’t feel up to it.

- She’ll gesture for you to come sit on her lap and keep you there, occasionally offering you things she knows you like, telling you that she’s really craving them, and if you want them too, she’ll go get them.

[thehmn]

I wanted to make this post because we don’t see a lot of asexual characters in western media and despite him being from a hugely popular show (Seaside Hotel) you’re unlikely to know of his existence if you’re not from Denmark.

His name is Hjalmar Aurland and he’s one of the more sympathetic and realistic asexual characters I’ve seen. He lives in a time and place where asexuality as a concept doesn’t exist yet so he’s never labeled as such but rewatching the show made me realize that he acts exactly like the asexual people I personally know. Asexuality can mean a lot of things but his specific brand isn’t naive to sex nor is he repulsed by sex, sexual desire or thoughts simply doesn’t come naturally to him.

He can be convinced to have sex with his wife Helene but only if she appeals to their emotional bond. Just so you don’t get the wrong idea, he’s not being forced or emotionally blackmailed to sleep with her. It’s simply that he understands sex is a way to show emotional love too and he wants to express that love for Helene when it’s important to her, and seeing as sex isn’t unpleasant to him, just kinda boring, he’s willing to do that for her.

Unfortunately that isn’t enough for Helene and despite her love for Hjalmar she starts an affair with the dramatic and emotional actor Edward Weyse. He has a string of relationships, marriages and divorces behind him because despite what it may look like from the outside Edward doesn’t really want shallow sexual relationships. He just can’t help himself and keep falling in love with women left and right, fully and wholeheartedly, only to be dumped or dump them once the initial excitement has passed.

So Helene and Edward’s affair that was only meant to satisfy their carnal desires quickly becomes romantic. Helene feels torn between him and Hjalmar who she still loves and Edward understands the difficult situation they’re both in while also feeling jealous of Hjalmar. And Hjalmar? He doesn’t catch on for years. He’s not stupid but his brain just doesn’t jump to sex. He just assumes they’re good friends and why shouldn’t his wife be allowed to have friends, even male ones? Things get really complicated when Helene gets pregnant and she has to have sex with Hjalmar so he won’t wonder how it happened. Edward even has to join in on the seduction, reminding Hjalmar how much Helene loves him, even though it breaks Edward’s heart to do so.

But like I’ve said Hjalmar isn’t stupid. He saw the signs but chose to ignore them until one night when Helene accidentally says Edward’s name. It breaks the dam in Hjalmar’s denial and he has to face that deep down he always knew. Overcome by sadness and betrayal he wanders off into the night in nothing but his nightgown and gets a room at a different hotel where he can think in peace. Eventually he agrees to return to the first hotel with Helene and Edward and decides to take control of the situation.

He sits them both down and tells them that he understands that the three of them share a bond and that there are things he can’t really do for Helene so from now on he wants their relationship to be open and honest. He wants Helene and Edward to keep seeing each other and Edward is welcome in their house, but Hjalmar wants to be allowed to call Edward by his first name and makes it very clear that Helene and Edward’s children “belong to him” because he still thinks of himself as their dad and loves them as his own children. Both Helene and Edward agrees to it, though the emotional Edward is very flustered and confused by the acceptance and love he’s being shown by Hjalmar.

This is obviously a very tv drama situation but I was so stuck by how much Hjalmar acts like my asexual friends. Having a lover for your partner isn’t the most common solution but it’s an idea I’ve heard a lot of asexual people be open to under the right circumstances and of course that’s the most dramatic solution for a romantic tv drama.

Hjalmar is defined by so much more than his sexuality though. His main characteristic is his passion for social justice and equality, and other than some early show weirdness before they really cemented the characters, Hjamler is the only character who floats freely between the men and women. He’s just as likely to sit with the men as he is the women, often appearing in otherwise entirely female spaces. It’s never questioned or even brought up, not because he’s a “safe asexual” but because he cares and think their worries are as important as the men’s. He’s often called a pessimist by the other men when in reality he is determined to be hopeful and compassionate and spread the love he feels the world is lacking as WWII draws closer.

So yeah, I just wanted to share this sweet ace guy with you because you probably wouldn’t have known about him otherwise.

[cup-o-stars]

Relativity Falls!

Design Concepts (and my unnecessary thoughts):

Excuse the the colors, ig my apps are fighting.

I see Mabel finding success no matter what happens to her, but I really like the thought of her running an insane arts and crafts business in GF. Alternatively, if she fell in the portal, she'd come out acting confident as always, but she probably wouldn't realize how much the constant change and lack of family/stability wore her out until she settled back in. In either case, she's a bit cracked.

Dipper is investigative, but cracks easiest under stress and is not as inherently adventurous as Mabel or Ford- so the portal wouldn't treat him well. If he's not the one in the portal, he'd be into stargazing and real magic to share with people, while also warding tourists away from the dangerous stuff. In general, he'd be an unhappy adult if left to his own devices, lol.

Between Dipper and Mabel, I like Dipper being in the portal more. He's a great protagonist, but as a supporting cast member, he needs to be more insane to match the draw that is 'Mabel taking care of children,' ha. I also love the idea of there being no portal / some other looming threat for these two to struggle with (at least because Hirsche has made it clear that Dipper and Mabel are equally smart, and to me it seems like the portal would reopen way quicker with them), but I didn't plan on posting these and I don't know how my followers feel about me posting lore.

Stanford and Stanley:

Pretty much how they are in canon, but now they're in a setting where they can get over themselves, ha. They aren't quite as mature as Dipper and Mabel were at their age, but after coming to GF, they finally found other people to look out for them. Dipper could be a more emotionally available and level-headed role model (I think having people to take care of is calming for him in turn), and they'd both look up to Mabel as the peak of somebody who knows how to socialize.

Fiddleford:

He's a sweet, southern, farm-raised mechanical engineer just like in canon.

Idk why Fiddleford is in GF (visiting an unnamed grandparent?), but I really like his relationship with Ford in the journal. Following that thought, in this AU, he starts out more of Ford's friend than Stan's, and it's kind of a big deal. Unlike Dipper's arc on learning to be a kid, Stan and Ford clearly struggled a lot with interpersonal relationships / finding security outside of eachother, and that's what I think this AU could be about (it's great they realized they need each other in canon, but the part where they had no one else to turn to is also kinda crazy if you ask me).

Ford gets to meet another smart kid in a weird town, which helps him feel more normal. He has a better idea of what friendship is because of it, but also, since I can't imagine Dipper wanting an apprentice so young/vulnerable/impressionable or Mabel asking only one of the twins to stay- he'd have to come to terms with the fact that he can't live in his dream world forever. (Or maybe the apprenticeship comes from somewhere else, just because the conflict around going back to Glass Shard Beach at all, or sending Stan alone could be pretty good.)

On the flipside, I think Stan's initial jealousy of Ford and Fiddleford's friendship would force him to try finding his own friends / hobbies. I like the idea that he fails at first- and a lot- but Mabel notices his mounting frustration (which he is very keen on hiding), and her consistent and unorthodox support makes him realize he wasn't alone to begin with. He can be more open around her, which makes it easier to open up to others, and then he can make friends without having to pull any tricks. He probably starts with some animals, and then at least gets closer to Fiddleford anyways (I feel like they're both more practical than Ford and value human company more, so they'd bond easier once Stan gets over his personal hurdle).

Anyways- because that was way too much- Mabel's exes are a constant source of antagonists and Dipper is stressed about setting a good example.

(I was more of a Monster Falls fan back in the day, but I can't draw animals, lol)