#and i have no fucking regrets about it either

[slimybeth69]

"i'll be here."

rating: explicit- for drinking and joel's dirty thoughts. This is pure fluff NO SMUT and it's probably kinda corny but I DON'T CARE.

summary: Joel wants to make sure your New Years Eve isn't lonely.

tags: jackson!joel, Joel's POV, no use of y/n, no physical description (just an outfit) fluff, so much fluff, pining, age gap, him being handsome and perfect, mentions of food, drinking, being intoxicated so maybe dub-con (but not really)

w/c: ~3.6k

a/n: the holiday was hard as hell this year and it really didn't feel like christmas at all, so i wrote this for myself because i was sad. i hope any of you all that needed Joel to come and sing you songs and play gui-tar find some comfort in this.

thanks for @creepycorbeaux for reading this over. thanks to @thelastofgala for those beautiful gifs and thanks to @saradika-graphics for the dividers.

Joel wasn’t exactly sure what he was doing walking to your house with a bottle of whiskey in one hand, and his guitar in the other, but he couldn’t stop thinking about what you had said last night on patrol. 

“Whaddya end up doin’ f’Christmas?” 

The face you make when you look over at him almost makes Joel smirk for a split second. The way your nose scrunches and the corners of your mouth turn down slightly. Like you’re confused and upset with him ,and all he did was ask you a simple question.

Then you respond, “Whachya mean?” 

Joel doesn’t know how to answer that because… what do you mean? Your eyes are still squinted— like there is some sort of distrust in your soul. Like Joel is playing a joke on you right now.

“Uh, well… Ellie and I went to Tommy and Maria’s...” Joel is uncomfortable suddenly; he forgets that not everyone is as lucky as he is to have family here in Jackson. He doesn’t know you nearly well enough, so now he feels like an ass. He shouldn’t be asking you anything like that.

Or anything at all not pertaining to patrol. 

You don’t say anything for a while, you just hold onto the strap of your rifle over your shoulder, and then adjust your grasp on the reins with your other hand. “I just stayed home,” you answer him quietly, almost like you don’t really want him to hear you. “Made myself a nice dinner, read a book and went to bed.” 

That ‘put your foot in your mouth’ feeling creeps into Joel’s stomach and he wants to ask if you’d like to give him a nice rocket to his left jaw. He doesn’t stay quiet for too long, he doesn’t want you sitting in this awkward smog he’s created. “That doesn’t sound t’bad, honestly. Whaddya make?” 

Joel watches you out of the corner of his eye as you once again adjust the reins in your hand, waiting for you to either respond to his question or tell him to shut the fuck up. 

He wishes you would tell him to screw off because he never tries to make small talk, and this is why! He always regrets it!

“Just a venison roast with veggies from the greenhouse.” You finally tell him with a little more life in your voice this time, like you were actually proud of what you cooked yourself. “What did you and Ellie do at Tommy and Maria’s?” 

“Had a few drinks, ate some food. Nothin’ crazy.”

Joel didn’t have the heart to tell you that Tommy and him spent most of the day drinking and reminiscing, laughing about being young, stupid kids. Or that Ellie and Maria baked all day, listening to Christmas music someone had found a while ago. He didn’t wanna subject you to all that, knowing now you were home alone.

Since that night on patrol, Joel can’t get the image of you sitting at home on a holiday all by yourself. 

Probably being sad. 

There isn’t any particular reason why he feels so compelled to come knock on your door, there are plenty of other lonely souls that spend every holiday with no one else around. 

There was just a pull. Something inside of him that said go go go. 

Go to her.

He doesn’t really even know what he’s going to say to you if you decide to open the door for him. Hell, he’s not sure you’re even going to let him in! You’ve only ever gone on two patrols together. Y’all never really talk outside of that, but that’s mostly because he doesn’t see you around.

Not like he’s looking for you, or anything. 

When he knocks, it’s like his heart might hammer right out of his chest. Why is he so nervous? He’s just here to offer you a couple drinks so you don’t have to ring in the new year all alone. 

Ellie was with Dina and the rest of her friends, Tommy and Maria wanted to call it an early night because of the baby, and so Joel had two options: the bar, or sitting at home alone. 

It’s not that Joel didn’t like being alone. He had been alone since Tess, and that was still something he didn’t like to think about too much.

Too much loss for not enough of — whatever they had been. Losing her had almost been the final nail in the coffin, and if it hadn’t been for Ellie -

Don’t think about it.

Now Joel finds himself on your front porch, holding the screen door open with his large frame, and knocking lightly with the ass end of the bottle of whiskey.

From inside he can hear you moving around. His breath hitches in his throat when you finally open up for him. Joel watches your eyes scan him very quickly, taking in the picture in front of you. Your eyes go wide for a second like you don’t understand why he’s here.

Joel Miller on your front porch with a bottle of whiskey and his guitar. 

“Whaddya doin’ here?” 

Joel holds the bottle up for you to inspect closer as you wrap your arms around yourself like you’re trying to hide from him. 

Joel’s never seen you without your winter jacket, hat and gloves. Right now in your house, you have on a blue sweater, a pair of tight elastic tights that Joel wishes he could see you in more often, and the warmest looking socks he has ever seen.

His eyes scan the length of your body again involuntarily. His gaze lingers on your pants once again– so tight and they hug your curves (that Joel didn’t even know you had) in all the right ways.  

“Well, I reckon I came over here hopin’ you had cooked another roast, since it sounded so damn good when you told me ‘bout it on patrol–”

Joel continues his bullshit rambles about why he came over here as you start to smirk, and take a step back so the door can swing open a little wider and he can make his way in.

“The guitar?” You ask as Joel toes off his boots so he doesn’t track snow through your house. He hands you the bottle of whiskey, shifting the guitar between his hands as he takes off his jacket. 

“Figur’d if you wanted to share any of the food you made– I could share the whiskey… maybe play a lil gui-tar for ya.”

The last time he played the guitar for anyone besides Ellie– Sarah was still alive. 

Who is this man?

There was just something about the way you said ‘I just stayed home’. Joel was thinkin’ maybe you didn’t read a book and go to bed. 

Maybe you cried a little, missing whatever you remember from home. 

Joel knows all about that, all about the sleepless nights when you just can’t turn your brain off. You can’t stop thinking about the people that are no more, about how different things are now and how you’d give anything for them to go back to the way they used to be. 

Joel has Ellie and Tommy. Who do you have?

“You’re in luck because I did cook tonight,” you’re smiling at him and he thinks this is the first time he’s ever seen you smile, too. 

So many firsts for Joel, he feels like a teenager as you lead him further into your house - which is clean and smells phenomenally good - and into the kitchen. 

Joel hadn’t expected you to actually offer him food, he didn’t know if you cooked dinners like that for yourself all the time, or only on special occasions. 

You take the guitar from him and pull out a chair at your kitchen table. For a moment he feels like his brain malfunctions and he’s not sure how to react. 

“You can sit,” You’re already in your living room. “I’m just gonna…” Then you trail off. 

When Joel peers around the corner to check on you, you’re very carefully leaning the guitar against the wall, holding your hands out to catch it in case it leans too far one way or the other.

Joel feels heat creeping up his chest and neck as he watches you, slightly bent at the waist. The tightness of your pants— 

Nope.

Once you’re satisfied that the guitar won’t fall, you turn around and smile at him, even though he’s just standing there watching you like an idiot– blushing!

Blushing?

Part of him thinks this was the worst idea he ever had. How could you be doing this to him and you’ve done absolutely nothing? 

He should go home. 

“Sit!” You urge him to take a seat at the table while you basically prance into the kitchen to start serving him a plate. Everything is still sitting on the stove in the pots you cooked in.

You explain that you already ate because you weren’t expecting company. 

Joel almost tells you not to worry about the food, but then what would he do? Play guitar for three hours? Getting drunk and talking all night seems like a terrible idea. 

What the fuck was he thinking? This was the dumbest thing he’s ever done, it really was. 

He shuts his mouth though when you set down a plate of steaming food in front of him. 

“Dig in! I have more than enough if you want a second plate.” 

The way you talk so casually, like you’ve known Joel your whole life while you walk back into the kitchen makes him jealous. 

How are you so nice? Sweet? 

You haven’t even been here for four months and this is the first time either of you have said more than ten words to each other that didn’t have to do with patrol. 

It’s the way your body moves when you walk without all your winter gear on. You sway… almost like you’re floating.

Knock it off, old man. She’s half your age. 

Joel has to squeeze his eyes shut for two seconds until he hears your feet padding back to the table. When he opens them, you’re pushing one of the glasses in his direction.

“You brought the booze, so you have to pour it.” 

The smile on your face makes Joel feel a mix of pride and guilt. 

What are you expecting of him? He can’t give you more than just tonight. He knows that, he hopes you know that too.

Joel opens the bottle and pours each of you a decent, sippable glass.He should have poured himself less. 

Probably should have poured you less.

The food tastes better than Joel’s had in years. He even finds himself asking for seconds, something he rarely does.

You’re making small talk as he eats, asking about his travels and how long he’s been in Jackson. If he likes it here, how old is his daughter.

Joel decides not to tell you that Ellie isn’t really his daughter, because biologically she isn’t, but it hasn’t felt that way in a long time.

As he eats, and you chat, Joel starts to relax a little. Your presence is calming, and he finds himself enjoying your company more than he thought he would. He pours both of you another drink, his regrets of pouring less last time completely forgotten.

The food is gone and you’ve cleared his plate. But the two of you are still sitting at the kitchen table. He’s not sure if it’s the fact that this is another first— seeing you up close like this. In the light of your kitchen Joel can really take in your features; your cheeks when you smile, and the way your eyes light up when you laugh at some dumb joke he tells.

You ask him about his life before the outbreak, and Joel hesitates before giving a very brief summary of his past. He doesn’t like talking about it all, and he avoids bringing Sarah up completely.

Not tonight. Probably not ever.

You listen attentively and ask Joel questions that show you’re actually interested in what he’s saying.

Joel continues to pour the two of your drinks each time your glasses are empty and you never tell him to stop. You suggest moving to the living room where it’s more comfortable, and Joel agrees without hesitation.

Go home. This is going to end badly.

There is a fire going in your fireplace, and Joel can’t sit down until he puts another log or two on, and he has to move some things around to get it going again.

“I can do it myself,” you say from directly behind him, sounding a little offended.

Joel doesn't even look at you when he responds, "I know you can. Just helpin'."

When he finally turns around, you quickly look away. Joel can’t help but smirk and feel that familiar in his lower belly.

Had you been staring at him?

Joel watches as you sink down into the brown leather couch, curling up with your feet underneath you. He settles beside you with just enough distance to be polite.

“What songs do ya’ know?” Your voice is soft and your words are slightly slurred. The alcohol has definitely started to affect you, but Joel doesn’t think you’re that drunk yet.

Joel looks at the clock on your wall and it reads 10:45 PM. He can do this. An hour and fifteen minutes left, then Joel can escape.

Not that he wants to. He has to or something bad is going to happen. Something he regrets. 

Something you might regret. 

But when you ask him about songs, he can’t help but smile. The alcohol is going down too easily, way too easy for both of you.

Joel clears his throat. "Whaddya wanna hear?"

You shrug, your cute blue sweater sliding off one shoulder. Joel has to fight himself to keep his eyes on your face as you mindlessly tug the sweater up. It’s like you didn’t even realize it happened. You kept your eyes on him the entire time.

"Somethin' that makes you happy."

The fact that you’re moving your feet to tuck your toes underneath Joel’s right thigh is sending electric shocks to his brain. He leans and grabs the guitar off the wall– careful to not move too much so he can keep the contact between the two of you. 

Shit. What is he getting himself into?

Joel holds the guitar, fingers tracing the old wooden curves. It's been a while since he's played at all. The strings feel ice cold under his calloused hands.

Joel strum a couple cords, “Know a few songs,” he says, clearing his throat. “Might be a lil rusty though,” he smirks at you and gives you a sideways glance. 

You smile from behind your whiskey glass and Joel feels something shift inside him. Something he hasn't felt in a long time. 

Something dangerous.

Your eyes are glittering in the firelight— different than they had looked in the artificial light of your kitchen. It casts a warm glow across your face, softening the edges that Joel has only ever seen sharp and alert on patrol.

He clears his throat once again and continues to move his fingers along the frets. The first few notes come out slightly off-key, but Joel quickly finds his rhythm. He starts with a Garth Brooks song.

Joel knows he’s not the best at the guitar and he doesn’t play it nearly as often now that Ellie is so busy with her own life. 

You don’t seem to mind, and sometimes Joel misses a chord or messes up completely because he can’t stop glancing over to watch you watching him.

He starts to sing, his voice low and gravelly. It's not a perfect voice - never was - but there's something raw and honest in the way the words tumble out.

… Blame it all on my roots, I showed up in boots And ruined your black tie affair The last one to know, the last one to show I was the last one you thought you'd see there

You shift slightly, your toes still tucked under his thigh, and Joel catches you watching his hands. Even as he continues to sing. You never take your eyes off of him. Not once.

… 'Cause I've got friends in low places Where the whiskey drowns and the beer chases my blues away And I'll be OK Yeah, I'm not big on social graces Think I'll slip on down to the oasis Oh, I've got friends in low places

Joel's voice falters for a moment when he notices the concentration of your gaze. His fingers momentarily stagger on the guitar strings, creating a clashing note that lingers in the air for a moment before he continues.

You don't seem to notice, or care. Your eyes are locked on his hands, watching how they move across the guitar with a kind of reverence that makes Joel's breath catch. 

Joel finishes the song, letting the last chord ring out softly in the quiet room. For a moment, neither of you moves. You're still watching him, your eyes heavy-lidded from the whiskey, but there's something else there too.

Joel’s eyes fall on the clock on your wall and it’s only 11.

He’s completely fucked.

Joel becomes acutely aware of how close you are.

Your toes are still tucked under his leg, and the warmth of your body seeps through the denim of his jeans. Joel swallows hard, trying to ignore the way his heart is racing.

"Another song?" you ask, your voice soft and slightly husky from the whiskey.

Joel clears his throat. "Sure," he manages, repositioning the guitar.

Joel starts strumming again, this time a slower, more mournful tune. His fingers find the familiar chords of an old country ballad, something he used to play for Sarah when she was real little. Before the weight of being a single dad started to apply pressure.

The memories threaten to overtake him, but he forces them down, focusing instead on the way the light flickers across your face. He can feel the heat of your body against his leg, the whiskey making everything feel soft and blurry around the edges. His voice is lower now, almost a whisper, like he's singing just for you.

Joel sings a couple more songs, a few at your request.

"That was really good," you say softly, your eyes meeting his. There's something in your gaze that makes Joel shiver - it’s a weakness, a longing that mirrors something deep inside himself.

When he looks at the clock again it’s 12:30.

“We completely missed new years,” Joel points to the clock and chuckles. He had completely forgotten that’s why he came over here originally. Once the music started, everything else kind of faded away. 

It was just the two of you while the rest of Jackson, and possibly the rest of the world stopped existing in that short time. 

“I was havin’ a good time,” you’re still smiling at him and now he can see how glassy they are from the whiskey. 

“Y’look like y’were havin’ a good time, darlin’.” Joel smiles and starts to stand up from the couch. It’s not until he’s standing directly in front of you realize what’s happening, Joel watches your eyes shift and change. 

Are you panicking?

“Are… were–” you cut yourself off and shake your head, waving a hand at Joel dismissively. “Nevermind. Thank you for coming over.” When you turn to look at him, your eyes are rimmed with a glossy sheen. The whites of your eyes had turned a hazy shade of red.

“S’wrong?” 

You shrug your shoulders, your sweater falling off your shoulder again. You don’t notice and twirl your whiskey glass in your hand slowly. “Nothin’. I had a good time… just sad you gotta go.” 

Joel knows he shouldn’t, but he gently replaces your sweater, his fingers lingering on the warm skin of your collarbone for a moment before he pulls away. “I’m all outta songs, sweetheart.” 

“You don’t wanna stay?”

Joel swallows hard and then cuts you off, “For what?” Joel whispers it and you snap your head up to look at him, almost as astonished as he is. Joel knows that the liquor and the way you had been looking at him all night is a recipe for disaster. 

Make me leave, please. Kick me out. Don’t ask me to stay again because I won’t be able to say no.

You finish the last of your whiskey before setting your glass down on the coffee table in front of your couch. 

“You know what.” 

“I do… but we’ve been drinkin’... ‘n I don’t want ya’ regretti–”

“What is there to regret?” you whisper. Your hand snakes into his and Joel doesn’t pull his away or nothing. “You gotta know more songs.”

Joel sits down beside you again, sighing loudly like this is a giant inconvenience to him, but a part of him knows that this isn’t going to end–

Not at all. 

Once he takes you upstairs, it’s over for the both of you. It’s like he can taste it in the air. 

“One more,” Joel nods his head at you. “Then I’m leavin’.” 

He and you both know that’s not true. 

His fingers find their holds on the neck of the guitar and he looks over at you before he strums the first note. 

You shy away from him, tucking your toes back under his thigh. Joel lifts his leg slightly so you can slip them deeper under his leg. 

There's no stronger wind than the one that blows Down a lonesome railroad line No prettier sight than looking back On a town you left behind There is nothin' that's as real As your face that's on my mind

Joel changes the lyrics just a little, and he doesn’t know if you notice, or even if you know this song. He's not ready to sing about love, not at all.

He confidently sings you the next part though.

Close your eyes I'll be here in the morning Close your eyes I'll be here for a while

hopefully y'all had a better time than I did.

love you all so so much

[sp0o0kylights]

Part One

A large part of the Steve Harrington lore was that he left his throne, his popularity, childhood best friends behind--for Nancy Wheeler. 

This was a lie. 

It wasn’t even one he encouraged--and Steve had done some damage control in the aftermath of that whole thing with the tunnels. 

He volunteered, dropped hints to the right crowd. 

It took time, but eventually, his insistence that he’d changed, left his old crew behind to become a better version of himself, began to stick.

Or at least it did with the people who mattered.  

It took Starcourt for him to realize that wasn’t really the truth either. 

Steve did want to be a better person. He was working actively on being a better person. 

But…

(But he still heard screams from a bus in the junkyard when he slept. Felt fear lick down his spine as he charged in, knowing he was the only thing standing between three dumb kids and a painful, shitty death. 

But he still heard Dustin, full of conviction, tell his friends that Steve was the only person he could find. 

But now he had a “bad” shoulder, a “twinge” in his ribs, and a head that was plagued by migraines, all of which made him look in the mirror and ask himself “What if I hadn’t gone with them?) 

…you couldn’t be there for someone, couldn’t protect someone, if you were too busy playing high school bullies with your friends. 

Robin would likely argue these were simply the reasons he wanted to be a better person, but Robin now ranked as one of Steve’s top 10 personal regrets--even if he was pretty sure they’d become best friends.

Because Steve was the oldest. He’d graduated high school for fucks sake, he should have shut Dustin down the second he realized what was happening was legitimate. 

He absolutely should not have let Robin get involved and Erica--

He can’t even really think about Erica, no matter how much Erica herself argues elsewise. 

At the very least, Steve can admit to himself he protected them in the end. 

Got beat to shit and had to fake his death alongside Hopper to do it, but they all got out. 

Alive.

Unscathed.

Hopefully to put this whole fucking thing past them once Owens finished cleaning house in the government. 

Unfortunately life--and Eddie fucking Munson--was not ready to put anything to rest. 

Munson in fact, seemed hellbent on disturbing what he could--and Steve, wholly haunted by the fact the kids always came to him, couldn’t let him do it alone.

At least, he thought with grim distaste, as he followed Munson’s weaving path to the ruins of Starcout,  he was getting his car out of it. 

xXx

Uncanny valley doesn’t do Steve’s feelings justice. 

Starcourt was laid out in a giant L, and coming at it from the outer edges like he and Munson did means everything looks disturbingly normal. 

Off putting, if only because it’s 10 in the morning and not a soul is in the mall, but otherwise? 

Like nothing ever went wrong.

As they move closer to the center, things begin to unravel. 

It’s not noticeable at first. Not unless you’re looking. The litter on the floor, the little piles of weird looking debris. 

The stains.

Nothing that outwardly screams “something horrible happened here” but it's coming--and though Munson is creeping along just as quietly as Steve is, he knows the guy isn’t on edge in the same way. 

Why would he be? Nothing Steve said had managed to deter him, and given Steve can’t exactly explain what happened or why he’s playing possum, Munson was plenty confident about going forward with his little B&E. 

At least not until they finally turn the corner, and the destruction hits them full force. 

Glass and chunks of plaster cover the ground like confetti. Lights hang sideways or lay smashed on the floor, as do pieces of doors (and railings and half of the entire upper floor.) 

The place looks like something out of a disaster film--which Steve supposes, is exactly what it is. 

If the disaster was supernatural in nature, and also caused by a giant monster made out of the melted flesh. 

(God, his life was weird.)

“What the hell happened here?” Eddie said, eyes wide as he took in the damage. 

Steve tried to imagine what it must look like for him. Looked at the scene and tried to pretend he was someone who wasn’t in the know, who thought the mall had been destroyed by a fire and subsequent structural collapse.

Could almost convince himself one could buy it--if it weren’t for the smears of blood that still stained the floor. 

He stared at said smears, trying to match up which puddle was the one Billy died in, in comparison to all the other stains that the feds hadn’t bothered to remove. 

Recalled the way Max screamed, fighting her way towards her step-brother when he finally fell.

The yell Billy himself had let out, when he’d managed to shake off the Mindflayer, long enough to give El the time she needed. 

Steve hadn’t really thought about it until now. 

Billy’s death.

 Hadn’t really had time too, given Owens had pulled him and a handful of others out of the ambulance and forced them into hiding.

(From the fucking Russians still hanging around, apparently, though that had been Owens flimsy excuse. Murray and Hopper and long guessed it was something far closer to home. 

“You ever think about how weird that was? That Russians made it to Hawkins and no one ever noticed?” Hopper had asked, a beer in the same hand that had an IV sticking out of the back of it. “Given the lab was right across town you think they’d be watching for that kinda thing.” 

“Please Jim, I am begging you, for once, to use your head. They didn’t get here without assistance and they certainly didn’t do it without help from our own government.” Murray had scoffed in return. 

He held two lit cigarettes in his hand, and was reaching for a third.

“Why the hell would the US military let in Russians?"

“An excellent question, and I’ll return it with one of my own. If we assume we are being lied too, and all the Russians are actually gone, why would Owens still need to hide us?"

“...Fuck.”

“Fuck indeed.”)

Now, Steve found he had all the time in the world to contemplate Billy Hargrove and his mostly unnoticed possession. His supposed sacrifice. 

 Had it redeemed him, the way movies and TV shows always said that kind of death, did? 

Steve imagined the sneered grin on Billy’s face that night at the Byers. Felt phantom knuckles brush across his face, the fury that had ignited within him when Billy hadn’t gone for him, but for Lucas.

Compared it to his own fight with Jonathan in ‘82. 

The words he’d allowed Tommy to spray upon the theater sign regarding his own girlfriend. The camera he’d destroyed. 

The demogorgon in the Byers house, lights flashing as it tore through the wall. 

If things had been different, if Steve hadn’t survived back then--would people wonder the same things about him? Would they ask themselves if his sacrifice was worth it--if it proved he was a good person, under it all? 

“Harrington?” 

Steve jumped, startling when Munson nudged him. 

“You good, man?” He asked, and Steve almost laughed at him because no, he definitely was not good. 

He can’t say that though, and so he does what he always does. Shoves the thoughts down, puts the feelings back inside a box in his mind. 

Lies. 

“Yeah--fine.” He said, brushing off his staring. “Come on, Scoops is that way.” 

He gestures, ignoring the concerned look that’s overtaken Munson’s face. 

Panicking he knows, will not get his keys back, and neither will it help him learn what idiot is poking around the Upside Down this time. 

Because for all of Murray's conspiracies, he doesn’t actually think the feds are Munson’s benefactor. Owens had been inclined to agree, when Steve first reported this entire situation back. 

It’s definitely not his parents, who are conveniently overseas in London. 

That leaves very little options, including a disturbing possibility of a new player to the game, and given all the green goo Steve had seen, the way they all know it does--something, to help power the gate... 

It’d be nice to get ahead of things for once, instead of scrambling to catch up. 

(Screw Hopper and Owens and everyone who told Steve to stay out of it.

He knew damn well Munson wouldn’t listen to his warnings. 

Wouldn’t back off and definitely wouldn’t leave it alone.

Hopper’s half-delirious (and morphine fueled) rants about this finally being a wakeup call for Munson if he didn’t listen wasn’t going to make up for the blood on Steve's hands if the guy went in there without him and died. ) 

Walking through Scoop's is almost more unnerving than walking through the mall itself. Likely because Steve spent time here, and seeing it in it's destroyed state--lights off, ice cream melted and fouling the air with the a rancid stench do him no favors.

The You Suck board is laying haphazardly on the floor.

Steve forces himself to walk by it, and breathes only through his mouth.

“Your locker, my liege!” Munson crows as they enter the back part of Scoop’s, throwing out an arm at it like he’s presenting a game show prize. “Shall we see if the treasure we seek is behind door number one?” 

Steve rolls his eyes, but remains quiet as he steps up and enters his combination. 

It swings open as easily as it ever had, and there, hanging from the crooked hook, is the car keys Steve is so desperately after. 

Munson throws his hands in the air, like Steve’s just shot the winning basket of a game. 

“Score!” He yells, and Steve grins reflexively even as he shushes him. 

“Now," Munson says dramatically, "the hunt begins for our second prize.”

Steve rolls his eyes.

“I told you I don’t have a class ring.” 

“And yet they have me searching for one anyway.” Like a hound zeroing in on a trail, he immediately orients to the back of Scoop’s, waltzing through to the backrooms like this was everyday for him.

Given his confusing and handwaved excuse of how he got involved in this, Steve suppose it could be. 

(He had decided, sometime between the first and fifth time he’d tried to get Eddie to explain how, exactly he’d been roped into this little mission, that the man could never meet Dustin.

Henderson was already too good at steamrolling over Steve, explaining nothing other than the facts that would force them all to do what the little shit wanted, all the while leading them further into trouble.

He didn’t need to befriend someone like Munson, whose mastery of the same bullshit had him doing, well.

This.) 

To the end of the hall Eddie skipped, and Steve kept his eyes on his jacket. Some sort of demon thing was posed on the back, a shirt that had been ripped up and resewn to be a backpatch. 

It was better than looking at anything else back here.

It took them no time at all to reach their destination. 

The door down had a shiny new lock on it. A big thing, with chains so thick Steve briefly wondered if they were worried about containment. 

Had they pulled something through the gate, before it had exploded?

The base was large--larger than Steve had seen, and he'd passed room after room when running around down there.

No one had the time to explore, and one would assume any and all monsters had been removed from the premise but there was always that little tickling feeling.

The one that chanted 'What if...'

Unfortunately, the lock did nothing to detour this little jaunt. 

Munson dropped to his knees in front of a door, hair pin in hand. He fiddled with the lock for a moment and Steve took it to visualize how different things might have been if the older teen had been there with them. 

How much easier some of it would have been. 

(Not that Steve wanted to involve anyone else in this mess.

He'd carry the guilt of dragging Erica and Robin both into it for the rest of his life, not matter what either had to say about the matter. Dustin he knew he couldn't stop, but then, Steve doubted they'd have even made it that far without the girls.)

A click sounded, and Eddie looked up, eyes bright with a wild grin on his face. 

“Open sesame.” He purred as he stood, the door opening under his hands. He pushed on it, revealing the dark gaping maw of a stairwell.

Dread hit Steve like a wave.

“We shouldn’t go down there.” He said.

They had already had this conversation, but Steve felt the overwhelming urge to revisit it on grounds that he still isn’t sure how exactly, Munson got him to agree to come in the first place, and also, now that he was thinking of it, because the guy reminded him of Dustin.

“We shouldn’t be here at all.” Munson countered, springing back to his feet. “But some of us need this little thing called money.”

He rubbed his thumb and forefinger together, as if Steve needed the extra visual.

“If you’re giving me the car--and the car keys--what's the point of going after the ring?” Steve tried, staring down the stairwell before him. “Aren’t they gonna like, not pay you for not finding anything?”

Munson made a dismissive noise, waving his hands in the air like he was dispersing smoke. 

“Eddie.” Steve said, and knew by the way Munson looked at him that the use of his first name hit as intended. “I mean it, man.” 

There was no point in going through with the rest of it. No point at all.

“And I told you I was given a side mission to my main mission, and a little industry secret for ya here Harrington,"

Steve watched as cheshire-cat like grin lit up Munson’s face, in a way eerie similar to Dustin’s gummy smile. "the side missions always pay more.” 

“What's under there isn’t--this isn’t--it’s not safe.” Steve fired back, hating how he fumbled the words, like a ball slipping through his hands. 

Munson scoffed.

“Life ain’t safe.”  

“This is different.” He tried to argue and hated how stubborn Munson was being about this.

It almost made him feel bad about all the time’s Robin had protested. 

(Idly Steve wondered if this was how she felt. Like she was getting dragged along--like she had to go. 

Did her insides feel scooped out? Stomach hollow and head hurting?

Or had the excitement blinded her too much to feel the way the walls seemed to press in?)

Steve’s gut clenched with worry, and he shook his head to clear the anxiety.

Met Munson's gaze and desperately thought of something to say to convince him to walk away.

Some of that must have bled onto his face, because Munson was giving him an odd, searching look.

“I’ll make you a deal, Steve-O." He said. "You give me two good reasons why we shouldn’t go down there, and if they’re really convincing, I might agree to skip it.” 

“I signed NDAs.” Steve sighed, because this was an argument they’d also already had. 

Twice in fact--once, when Eddie first found him, alive and very much not dead as reported, and the second time when he approached Steve with his “retrieval project.” 

(Both times at the goddamn gas station, which Steve would now be avoiding for life.) 

On eyebrow raised. “Over a mallfire?” 

“I think,” Steve said dryly, gesturing around to the destruction that surrounded them, “that you’ve figured out it wasn’t a mallfire.” 

Technically he wasn't even supposed to say that, but then, Steve had long stopped caring if he actually broke the stupid thing.

The real issue was that the story sounded like something out of a bad horror film--fake and ridiculous. If he tried to explain it, Munson would assume Steve had finally cracked.

Or, more likely, decide he was being made fun of, and react accordingly.

(They couldn't afford to fight here, and neither did Steve want Munson storming off.)

“Well duh. But then, you’re the one who won’t say what really happened here.” Munson waggled his eyebrows in a way that was so cartoony Steve was mildly impressed a person could pull it off. 

He sighed a second time. 

“You wouldn’t believe me.”

“You keep saying that and you keep not trying me.” Eddie leaned against the door frame. “Come on Harrington. Two reasons.”

Steve tried.

Ran through what might convince Munson to leave it all alone. 

Figured the guy was kind of like Dustin, in that he couldn’t be too vague (because it would just intrigue him) and he couldn’t be too honest (because any idiot could see Munson would be all over some kind of government conspiracy.) 

“The fact the building might pancake on us at any moment isn't enough?" He asked, unsure if sounding desperate was the right move here (an equally unsure if he could hide it if it was.)

He’d hadn’t tried this route before--hadn’t thought Munson would go for it. 

Not when he'd waived off every other attempt Steve could think of, to stop this.

“Nah, I trust my source, this place will hold.” Munson leaned forward, deep into Steve’s space and though Steve waivered back, he let the older teen get close. “You’ve been off ever since we came in here, Harrington. I want to know why.” 

“I was in the fire. Munson. I did almost die."

He still had a bruise left to prove it.

"That ain't it and you know it."

"I don't know what else to tell you then." Steve said, angry. why was the guy making this so hard? Why couldn't he just fucking listen!?

“Not even two reasons?”

“There’s not--” Steve closed his eyes, frustrated. “I’ve given you far more than two reasons!” 

“Not any good ones.” 

“I don’t know what you want from me. "Steve admitted finally. "because I told you, you wouldn’t believe the rest of it--” 

Munson didn't let his rant pick up steam. instead he pulled himself back, interrupting Steve.

“Then down the rabbit hole we go, Alice!”

Quick as a flash he was  down the stairs and Steve bit back a curse as he rushed to follow.

“Munson--come on, wait!” He yelled back.

Eddie, of course, did no such thing. 

It took everything he had in him to rush after, but Steve did it anyway.

What else was he good for?

[blackbirdsblackberries]

You know, if they ever figure out MC whole identity. Tim is going to regret it so bad, that he won't even spill his hero identity as Red Robin. Especially, when Aranea says she doesn't like the Wayne's much. Either try to convince she should like the Waynes or hide their civilian identities even more. Like, it's funny that after her reveal, she won't go near Batman, cuz she knows he's Bruce Wayne. Like, amicable as co-workers, but that's it. And with reveal that she has a not good home life, and hating Aranea, was this her way of being self loathing (is what the Batfam, or atleast Tim thinks).

Also, brrruuuuuhhhhhh to Stephanie. Like instead of calling 911, she records it? Wow, she is on my shit list. Also, everyone is on thin ice. Heck, they ain't even on ice they are in the cold ass water of the North North America's. Only Duke (and maybe Cass) are on the ice, the rest fucking drowns.

I'm wondering how the reveal of MC being Aranea will go. Is it through the diaries that Tim snatched? Or through the blood test? Or something bad that a face reveal has to happen.

Sorry I haven't answered this ask for so long, I keep meaning to but get distracted!! 😭

Once Tim finds out he'd go one of two ways:

1. He'd hide any and all traces of him being associated with the family, who cares about the others, that's their problem.

2. He'd delude himself into thinking you'll change your opinion once you know his identity. After all, you guys are a great duo on missions!!

Batman is kicking rocks and cursing like a sailor when he finds out. Especially when you distance yourself from them - from him.

Jason is throwing punches at your parents abusers. Dont worry, Batman will turn a blind eye to roughing them up.. two less bad people won't change anything 😙

My girl Stephanie needed that content 🙏🏻😭

It's like when you watch a video of some stranger getting beaten up and you're like "Woah! That's crazy.." then scroll

All of them are so far in the ice cold water they ended up in hell (AND THEY'RE STILL SINKING)

Don't have much hope for Cass and judging by everyone's reactions to others Duke will be on the top of your shit list!

[leclerc-s]

track seven - i don't regret it one bit, 'cause he had it coming

series masterlist

WINTER BREAK 2023

ines_alonso, oscarpiastri, and charles_leclerc posted new stories

last night's gingerbread houses, 3 guesses which one's mine babysitting duties today 😁 watching bluey because according to the kiddos it's the show that reminds them of danielricciardo, for the record he does give off bandit energy, so i agree petite fraise is very happy at the alonso-leclerc-piastri home gotham's greatest protector is so cute, villains tremble before him

liked by lilymhe, francesca.cgomes, kellypiquet and others

ines_alonso first year hosting in the alonso-leclerc-piastri home this year in spain next year its monaco, trust me. p.s. charles is officially banned from stepping foot in our kitchen.

tagged: charles_leclerc, oscarpiastri, fernandoalo_oficial

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maxverstappen1 oh my god, what the hell did he do this time?

oscarpiastri the firefighters were involved this time max, that's all you need to know charles_leclerc okay, you people are being dramatic and i am not being dramatic ines_alonso THE OVEN WAS ON FIRE! THERE WERE FLAMES CHARLES! charles_leclerc you're being dramatic, there was no fire oscarpiastri the firemen laughed at you charles, there was a fire.

user1 two cats and charles leclerc? how the hell do they manage?

oscarpiastri i ask myself that same question every day charles_leclerc fuck you, i'm a delight ines_alonso except when we have to call the firemen because someone lit the oven on fire BAKING COOKIES!

user2 the matching pjs and slippers?? oh i'm in love with this trio

user3 inés, how did you convince them to get matching pjs and slippers?? i need tips on how to convince my partner

ines_alonso threaten to withhold sex, it does wonders user3 why didn't i think of that? fernandoalo_oficial i can read this... charles_leclerc what's sex? never heard that word in my life 😅 oscarpiastri what is this sex she speaks of?? fernandoalo_oficial watch your backs going into turn 1 in bahrain user4 peepaw, stop causing controversies, this is why they call you a war criminal

francesca.cgomes marry me and make me delicious treats??

ines_alonso meet me at the courthouse tomorrow?? pierregasly absolutely not! oscarpiastri now i'm thinking we should've had you and kika get fake married instead of charles and max charles_leclerc why are you always feeding into this shit? oscarpiastri why not?

user5 she has style and yet her partners always dress in the same skinny jeans and shorts

user6 oscar needs to step up his fashion style user7 charles needs to wear something that isn't those fuckass tiedye jeans user5 those jeans are a horror to humanity

alex_albon there is not a single thought behind those eyes, just like oscar

oscarpiastri stop slandering my name alex_albon tell your girlfriend to stop flirting with mine and i'll stop oscarpiastri carry on, there's no use in me telling her, she'll never stop

user5 nano living up to the chaos of fernando alonso

user6 i bet he knocked down the tree ines_alonso he did and the charles scolded him, it was quite hilarious to see

georgerussell63 why does honey always look like that?

ines_alonso like what? georgerussell63 lost charles_leclerc she gets it from her father oscarpiastri fuck you, she gets it from you georgerussell63 this was not about either one of you but i fear i may have just started a war

jensonbutton the wife is demanding to know where you got those slippers from

ines_alonso i'll send her the link in exchange for pictures of you in them! brittnybutton deal! ines_alonso pleasure doing business with you mrs.button

ximena.gomez nice holiday?

ines_alonso i'm still mad at you but they're at each other's throats ximena, help me. pierregasly at each other's throats or in each other's throats? ines_alonso blocked and reported.

user8 wait, so they did get a place in spain?

user9 it looks like they did but it could be a rental for the holiday season? user10 honestly, i would love it they got a place in spain because that would mean the s*inz mafia can't get away from them even in spain use8 they can't get away from them even in sp

user11 honestly can't tell who i'm supposed to be more jealous of, inés for having two hot boyfriends or charles and oscar for dating inés

user12 charles and oscar because they have inés. i mean who gets jealous over the men? user13 all three?? user11 i think all three is the only right choice

FEBRUARY 1ST, 2024 AKA DIVORCEGATE

FEBRUARY 7TH, 2024 AKA GASLIGHT, GATEKEEP, GIRLBOSS

liked by charles_leclerc, oscarpiastri, fernandoalo_oficial and others

ines_alonso i've always looked good in navy 💙

tagged: redbullracing

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charles_leclerc words cannot describe how proud we are of you mon soleil. looking forward to racing against you next year! ❤ by ines_alonso

oscarpiastri so excited to be racing against you again sunshine. i can't believe we finally get to share the same tracks again, looking forward to it! ❤ by ines_alonso

patriciooward felicitaciones hermana! this is what you deserve and so much more, i can't wait to see what you do on the track! ❤ by ines_alonso

alex_albon INÉS JESSICA ALONSO, HOW COULD YOU DO THIS TO US?!

ines_alonso my middle name is not jessica alex_albon I DON'T CARE! HOW COULD YOU NOT TELL ME, YOUR BEST FRIEND?? AND I FUCKING BET MAX EMILIAN VERSTAPPEN KNEW! maxverstappen1 I HAVE AN NDA YOU DIMWIT?! alex_albon I DON'T CARE?! THIS IS THE SHIT WE TELL EACH OTHER!!

fernandoalo_oficial no hay suficientes palabras para describir lo orgulloso que estoy de ti. te mereces esto y todo lo bueno que hay en tu vida. [translation: there are not enough words to describe how proud i am of you. you deserve this and everything else that is good in your life] ❤ by ines_alonso

ines_alonso papa, voy a llorar fernandoalo_oficial it's okay, i'm crying too

jensonbutton going to miss one of my favorite co-hosts, who else will help me terrorize the evil woman?? but congratulations baby alonso, glad your dream finally came true. ❤ by ines_alonso

ines_alonso it's okay jenson, we can terrorize her post race together, i promise. and thank you, it means a lot 🥹

isahernaez felicitaciones pequeña!! te lo mereces, no dejes que nadie te diga algo diferente! [translation: congrats little one!! you deserve it, don't let anyone tell you anything different] ❤ by ines_alonso

ines_alonso gracias isa! espero verte en una carrera pronto! [translation: thank you isa! i hope to see you at a race soon] isahernaez obvio! nadamas dime cuando y ahí estoy, tengo que apoyar a mi pilota favorita [obviously! tell when and i'll be there, i have to support my favorite driver] userxx i love the survived carlos sainz jr club ❤ by ines_alonso and isahernaez

sabrinacarpenter CONGRATULATIONS!!!

ines_alonso THANK YOU!!!

user14 wait, so who's the wag now?

oscarpiastri we're both her wags charles_leclerc we're just ken and she's everything user14 down bad, both of you

louieee BITCH?! HOW COULD YOU NOT TELL ME?!

ines_alonso I'M SORRY BABY!! I COULDN'T TELL YOU!! louieee I'M SO PROUD OF YOU BABY!! YOU DESERVE THIS AND EVERYTHING GOOD IN LIFE!!

carlossainz55 wow, what a way to stab your own brother in the back

ines_alonso womp womp oscarpiastri womp womp charles_leclerc womp womp maxverstappen1 womp womp louieee womp womp patriciooward womp womp fernandoalo_oficial womp womp alex_albon womp womp jensonbutton womp womp logansargeant womp womp aussiegrit womp womp pierregasly womp womp sebastianvettel womp womp lewishamilton womp womp kimimatiasraikkonen womp womp user15 KIMI? WHAT THE HELL ARE YOU DOING HERE?!

redbullracing looking forward to working with you in 2025! ❤ by ines_alonso

user16 SHUT THE FUCK UP?! RED BULL RACING JUST EARNED A NEW FAN!!

user17 carlos sainz jr found screaming and throwing up in a ditch somewhere

schecoperez felicitaciones baby alonso!!

ines_alonso gracias checo!

taylorswift congrats little alonso 💙 ❤ by ines_alonso

ines_alonso I'M RACING WITH THE NUMBER 13 MOTHER!! patriciooward i'm begging you, be normal for once taylorswift that's a great number to pick 😉

user18 i bet oscar and charles are glad to have red bull in the house without seeming like traitors for going out and buying it

user19 bestie, what the fuck does that mean? user18 oscar once said he doesn't like monster but he does drink another energy drink (red bull i'm guessing) and charles just seems like he's hopped up on red bull 80% of the time. user20 those bitches love to drink red bull and you can't convince me otherwise

tkelce congrats inés and good luck next year!

ines_alonso i might be freaking out a little bit right about now but thank you! danielricciardo no inés, you must stand strong, go bills! ines_alonso i'm so sorry mr. kelce but my loyalties align with the honey badger tkelce okay? user21 nothing is better than someone like travis kelce getting involved in the world of formula 1 because these people are insane and he's not ready for their chaos.

kellypiquet congratulations, looking forward to spending time with you in the garage next year 🩷

ines_alonso thank you kelly, looking forward to terrorizing max with p 🩷 maxverstappen1 p does not terrorize me, you and alex on the other hand... alex_albon okay, so find other friends bitch. oh that's right, you can't!

pedri felicitaciones!!

ines_alonso gracias pedri!!

user22 all these people congratulating inés because it's what she deserves is making me tear up a little bit.

aussiegrit congratulations inés, there's no doubt you'll do amazing.

ines_alonso be honest, is oscar holding you at gun point? aussiegrit they're going to think i hate you ines_alonso jury's still out to be honest

lewishamilton it'll be an honor to share the track with you inés

ines_alonso thank you lewis, that means a lot coming from you

nicorosberg make sure you terrorize max for me

ines_alonso will do britney 🫡 maxverstappen1 i will wipe the floor with her nicorosberg i will destroy you on sky sports and will tell fernando exaggerating lies that you said about inés ines_alonso i just sit back and giggle at this chaos

danielricciardo make me proud baby alonso!

ines_alonso always honey badger user23 and this one goes to all the haters who were saying what about daniel? clearly he was aware of this and is fine with it. y'all are just misogynistic.

eliasowens congratulations kid, i might give you a lot of shit for stealing my kids but you deserve this, don't let lord voldemort ruin this for you

ines_alonso elias, i love your kids, jury's still out on you but thanks. eliasowens you suck sometimes inés

¡taglist!

@minmira95 // @lesliiieeeee // @vroomvroommuppett // @prongsvault // @justtprachisblog // @scuderiadevils // @cataf // @chezmardybum // @formulaal // @lilsiz // @norstappenvibes // @ironspdy // @nikfigueiredo @hinamesgigantica // @niniluvsainz // @matchaverse // @fakeikeastore // @theseus-jpg // @six-call // @81folklore // @emppusofi // @luvsforme // @nichmeddar // @loloekie // @luvpedro // @donttouchthegnote // @nothaqks // @inferiusreggie // @mochimommy2002 // @rach3164 // @clove08 // @clove0 // @lillysbigwilly // @jenxjar // @blupblupfish // @thereadinggremlin05 // @meowiarty // @magical-spit // @camdensreg // @laneyspaulding19 // @ocyeanicc // @yelenasloverrrrr // @percervall // @blushmimi // @spilled-coffee-cup // @greantii // @ietss // @yeanoskrrt // @brakingboundaries

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¡leclerc-s speaks!

𝜗𝜚 i hope all of you that celebrate christmas had a great one, this was originally supposed to go up yesterday but i forgot to post it.

𝜗𝜚 and yes, this is 100% what the poll i posted ages ago was about, so writing this part, that deals with 2024 preseason is insane to me because the 2024 season was just so chaotic and heartbreaking. i am so not ready to write out logan and daniel's departures, even writing this part knowing what i know about daniel and red bull breaks my heart. plus even though it's a fanfic i don't feel good about this plot point and me just blatantly putting yuki to the side this way. i know why he didn't get the red bull seat but i have every right to be upset about it either way and i will be for a while.

¡disclaimer! 𝜗𝜚 this is in no way making assumptions about the people involved in this story, this is all fake. it is a fanfiction please don't take any of what is said seriously. this is all for entertainment purposes and as a creative outlet for me. enjoy!

[ashyjingles]

jason grace headcanons

as requested by @sacrifical-lamb-core

ive been known to enjoy some more feral leaning jason grace but this is more of an authoritative take on his personality if you will. feel free to add to or dispute anything i have here!! this is all kind of a jumbled mess of first-come-first-serve deal in my head and i have yet to go through and weed any out

he has problems with authority. not outwardly; in fact, to everyone else, he’s the picture perfect kid who follows all of the rules. but that’s because he’s terrified of what would happen if he stepped out of line. he grew up with lupa, who was incredibly harsh to ensure survival in her pups. and then when he got to the legion, all of the officers were required to uphold the law. jason saw what happened to people who stepped the line, and the results were never pretty. (in son of neptune they mentione tying someone in a bag with weasels and throwing them in the little tiber for fuck’s sake) he grew scared to even TOE the line. 

because of the previous hc, he’s scared of kids. he knows how rambunctious they get, and he knows that if it came down to it, he would have to punish them and follow through on it by necessity. its what all his predecessors did after all. but he doesn't want to harm them. hes always had that soft spot for the new and/or younger kids. so he’s not scared of kids themselves, he’s scared of being the one to give them consequences to their potential actions. he leaves that to someone else with more guts

the previous two leave him with a lot of cognitive dissonance that he never really gets over. he’s an incredibly empathetic person and no matter how much he tries he can never really stop that feeling of regret when he has to punish someone who clearly regrets their actions. but give them an inch and they'll take a mile. he has major problems with dissociation where he removes his sense of self from the scenario and lets his logical processing take over without any emotion. reyna has had to pull him back from it a few too many times.

between the dissociation, magical amnesia, adhd, and constant brain damage, that boy has one of the worst memories youve ever seen

he really likes steak. specifically rare steak. (wolf!jason truther…)

he can see electrical currents! and can. see? wind currents. its more of a knowing the wind currents are there without thinking about them rather than a visual thing though. its how despite his poor eyesight he was an excellent fighter before he got the glasses

jason has really sharp canines! so does thalia! they get it from their mom, who filed her own canines down for a softer appearance and would have done the same to her kids once they were old enough for that type of dental work. 

jason is left handed, but because of military-style training early on it was forcibly trained out of him either because nobody realized he was left-handed or because they looked down on left-handedness for the sake of unanimity in the formations on the field. he just thinks hes naturally ambidextrous

gay. mlm. boy kisser for certain that man does NOT like girls. he treated reyna and piper the exact same despite one of them being his girlfriend (and treated reyna in a way where she thought he might have liked her back) because he treats them both in accordance to his emotions toward them: ie, he likes both platonically, which is why theres no difference. he just cant tell.

he fucking LOVES mint. says brushing his teeth and chugging a cold glass of water makes his mouth feel like being up in the air and 15 thousand feet with the wind in face.

he’s half asian! beryl grace is asian (i usually go with either thai or vietnamese) and usually i just went with wasian but then the show came out and now i go with blasian. or maybe beryl grace is wasian? whatever the case, i always pictured him and thalia as having some sort of asian descent.

hes really good at archery. dont tell anyone its just him controlling the winds though

hes such a dog person oh my god

his eyes light up like circuits/lightning when he uses his powers. specifically his lightning powers. 

jason doesnt have dyslexia but he does have dyscalculia. like, really bad dyscalculia. but he still greatly prefers reading in latin!

jason hated reading for the longest time because they didnt have any books purely for enjoyment on base. in new rome itself they had bookstores with plenty of books. (they were mostly classics because they didnt have too much contact with the rest of the world, but they were more than just military reports or old historic scrolls you needed express permission to even breath on) but when he discovers newer books he finds himself really liking them! though his favourite genre is definitely classics, and when someone breaks the news to him that he couldve had these books the entire time hes devastated

when he was younger he was better at latin than english because most kids who arrive at camp jupiter know english already and theyre well equipped at teaching people latin, but not english. they had to send him to a school off base/in new rome for younger kids to learn some more rudimentary skills

it was under juno’s orders that he lived on base. she wanted him to be as prepared as possible for his future, which meant starting his training bright and early. otherwise he probably would have spent some time in camp jupiter as a normal kid until he could at least, oh i dunno, read and write. tie his shoes. eat with cutlery. take a bath by himself.

if jason had been there long enough without the swap ever happening, when he stepped down from praetor (not for another longggg few years) he would have done law in new rome. 

if post swap jason grace had the opportunity to do law in new rome, he would have pushed for rules regarding kids safety. of course, if another jason case were to happen nobody would have been able to deny a god(dess) but jason was never a normal case, was he?

can you tell i like lawyer!jason

less of a headcanon more of commentary on his character but as strong of a character as he was, camp half blood taught him how to have a back bone. in rome he was incredibly disciplined and had no trouble ordering other people around, but it was always in accordance with new rome’s laws. camp half blood taught him how to abide by his own moral principles rather than ones that someone else gave to him. (after all, new rome was about unity while chb was about individuality.) 

he honestly really likes his work as pontifex maximus. it fulfills his inner desire to be doing the ‘right’ thing by rome’s standards (especially because the title is highly revered) while giving him the room to express his creative desires, which is something that he had never been able to do. its also not at the cost of someone else, which usually ended up happening when he was upholding the law as praetor

this one works in contrast or in tandem with my previous bullet on his sexuality (specifically the comment on how he treated piper and reyna): he knew that reyna had a crush on him. he didnt know why he couldnt feel the same. queer culture wasnt really a thing in the modern world for the time it took place, and i dont imagine new rome was any more progressive. he didnt understand lots of things about his sexuality at the time. he didnt know that not liking girls might have been an option, and that he didnt have to like reyna back. so he tried his best to convince himself into having feelings for her, which led to reyna thinking they were reciprocated. once he met piper, that confusion happened all over again and even without his memories he found himself repeating the process

his favourite is blue like the sky, and ironically his and thalia’s eyes

thalias eyes are slightly darker than jason’s. more grey as well. jason’s are the brightest fucking blue youve ever seen. think the clearest, sunniest day youve ever seen, and it still doesnt hold a candle to his eyes. thalias are more like the sky before a storm.

jason can feel (along with see as given by previous bullet) electrical currents. he could feel someone switching a light switch from half a mile away if he thought about it

hes constantly brimming with static electricity and WILL shock everything he touches. a handshake? you get shocked. he tries to open a car door? literal sparks. as a kid he had to wear electricity resistant gloves because he didnt have a hold on it and it became dangerous because when his emotions are heightened, so are his powers. if he gets angry or excited or sad the air around him smells like ozone, and sometimes you can even see the sparks

cows really like him. straight up adore him. theyre his favourite animal!

he smells like ink, ozone, and something metallic. some people say blood, but hazel says its something like copper or nickel

[predninja]

Behold!!

The dork urges

Durge is an amnesiac paladin who journeys with the bard Alfira he swore to protect with his life, this oath becoming more demanding after he hurt her one night. His encompassing facial scar comes from such, and while Alfira has remorse for it, Durge doesn't. He's an Oathbreaker, despite not meaning to break said oath but urges

Dirge is not the direct creation of Bhaal, but the son of said creation. After discovering his own lineage and ending up in the Bhaalist cult at a young age, Dirge ended up organizing a coup with his cousin Orin and killed his father, unintentionally inheriting the cult before being betrayed later on. He woke up in a farm house rather than the Nautiloid before making his way to Moonrise in search of answers of both his past life and murderous urges. He often mitigates said urges by either mercilessly killing those he deems a problem or issue in his path, or he fucks them out He's a Sorcerer with an elemental affinity, and multi-classes as something of a brawler

Julikar is the newest of the dipshits and suffice to say, he likes dwarf, is remorseful of every time his urge takes over, and is constantly in a state of bloody half health He's a War Cleric of Lathander (originally a knowledge cleric but I, the player, did not play that very well)

Vorcarion is a behemoth of a dragonborn who may look and fight like a barbarian but he has a cunning, manipulative mind that catches many off guard. Each decision has an ulterior motive and he does not stand weakness, even his own, which has become its own issue when it comes to expressing his softer feelings. Although his black stripes are indicative of draconic sorcery, Vorcarion hates using magic, with anything beyond a cantrip causing discomfort, nausea and pain that he's sourced to being the result of some sort of pstd from his hidden past. He is a berserker barbarian with some magical capabilities

[batfam-stuff-posts-0]

I'd like to imagine Tim Drake just going around killing the people who've hurt him and his family (who are not also his family)

[moe-broey]

My homunculus

Hashtag my homunculus

[hellofastudysession]

am i rlly going to write a death note literary analysis when i could be doing other things

about the discourse going on in the tag abt "death note is acab and thats why the characters couldnt better the world with the note (/written in somewhat jokey matter)" vs "death note is trying to say we all have potential for evil, especially if you get a chance to insta-hurt ppl without repercussions, and it doesnt matter if youre a cop or not", i personally feel like it ignores the things that i like abt death note, which is "both of these things are true", and simultaneously "both of these things do not matter". the first part of this is dedicated to the first point, the latter to the last.

first point. i think its an important part of the message and themes (unintentional or not, and i lean on the former because... come on, can you really say the author intended you to not think of the cops as good people, at least compared to light and l) that light is a cops son, and that almost everyone who gets the death note is cop adjacent/thinks like a cop and is already corrupt/powerful when they get it (mello raised to think hed be just like l, yotsuba group is self explanatory; you cannot look me in the eyes and tell me teru "churchill" mikami, who was hand selected by light out of a bunch of rabid kira supporters, is a normal citizen). i appreciated the cop post bc its rlly important to not gloss over that aspect.

all of this would be an argument for "only someone like them would do something like this, and i am not like them, so im above them and immune to thinking about what id do with it", but... misa is the MOST important outlier in all of this bc her murders are solely selfish in nature and shes not doing any of this for "the greater good"!!! her nature of being an exception and still a very very bad person is really really important...

or it would be if death note gave a shit about her character at all!!! im not talking about her tragic side, im talking about exploring the ramifications of her killing people the way lights murders are (somewhat) explored. that would strengthen the message greatly! but shes dismissed and that weakens it overall. firstly, she's dismissed by the characters when l only sees her as a way to get to kira and basically shelves her the rest of the time. secondly, shes dismissed by the narrative when her character is gradually ground down to a stump and (not to sound perilously close to the bad takes ppl meme about) she never faces repercussions for her actions. every other character using the death note is treated relatively seriously, but misa just dies bc her love is dead. im not saying this isnt a... fitting punishment or that it isnt in character, but it doesnt fit snugly into the theme other people are talking about of "you reap what you sow" at all.

we do have something of an equivalent to misa's grayscale motives. surprise surprise, its light yagami. first is light's characterization in the musical (i will also note that misa never kills anyone in the musical). light's thinking is coplike, yes — he literally starts his first song by talking about "throw[ing] away the key" — but also, oddly enough, could be read as progressive and therefore sympathetic to tumblr ("let the corporations make the regulations / and hold no one accountable when everything gets wrong / let the rich and famous get away with murder / every time a high-priced mouthpiece starts to talk, his client gets to walk"). compare to the anime and manga, where his bigotry and pride and disgust come from a place of lukewarm dissatisfaction and boredom. the musical has much less time to play around with lights character, so it gives the audience something to immediately hook on. more on how that actually plays out later.

in the animanga, none of this is justified from the start. animanga light could say he was just killing people to make humanity way, way worse, and that wouldnt matter, because at the root of it, it was always his boredom that made him pick up the note. of course he actually believes in justice and believes hes doing the right thing (no, he believes he's doing the wrong thing, for the sake of the world... the right thing, because he is god...), but it was boredom at the start. all animanga light says about justice and righteousness and the law is a front in the end, bc he is exactly like l and misa — amoral. selfish. searching for entertainment. hedonistic. we know this. he kills naomi misora*. he kills lind l. turner. everything hes saying deserves to be dismissed from the beginning.

"but doesnt that mean you agree with the discourse post you wrote this post to argue against?" like i said, i agree with both of them! but i... still think its not right to reduce death note to the message of "the power to kill people is bad". because that is not exactly what the story is saying, even though that's literally its whole plot and therefore reaching that conclusion is self explanatory (lmao). let's look at the concept of mu. nothingness. "there's no heaven or hell". The Real Slay The Princess (Death Note Essay) Starts Here.

in light's final moments in the death note manga, while screaming about not wanting to die, he remembers that the first day they met, ryuk told light that "there's no heaven or hell. no matter what they do in life, all people go to the same place. all humans are equal in death". it is retroactively revealed that light knew this the whole time, operated under this knowledge for all the years we watched him — the knowledge that nothing he does is actually bad, that nothing any human does is actually bad, that shinigami are not "evil", that the universe does not care. that no one cares except humans. this oblivion absolutely terrifies him more than anything anyone could ever do to him. its what he thinks of before anything else as he flails there, screaming, dying. one could say everything he does after that day is him trying to escape that fact, or wrest control over it. but it doesnt work.

here are the lyrics of requiem, the musical's final song, sung over the bodies of l and musical light, a light who was at least somewhat good-intentioned at first: "sleep now, here among your choices / then fade away / hear how the world rejoices / shades of gray / gone who was right or wrong / who was weak or strong / nothing left to learn". this is the final message the death note musical and the manga chose to leave us with. there is no judgement. even after all that acknowledged hurt, after all the damage done, there is no judgement.

in the manga and anime alike, the world is just as fucked when light picks up the death note as when he dies. sure, we as readers can guess otherwise logically (and be optimistic, believing the world was never fucked regardless), but that's not what death note wants you to think. it ends with matsuda and another member of the task force noting how the world is worse again even though they killed kira (matsuda is clearly much worse for wear, but still determined), we see the shitty motorcycle band again, it ends with misa and a whole kira cult on a mountain even though kira died a long time ago...

its extremely important that light is never killed by any human or any aspect of the law. he is always killed by ryuk: a chaotic force completely detached from human sensibilities, one that does not care about good and evil. same with l; in the anime, manga, and musical, he is always killed by rems senseless, morally gray love (and you could argue in the kdrama that hes killed by love there too lol). justice is just a set dressing.

this is not just because death note is a tragedy, because good and evil can still matter in a tragedy. the theme of "nothingness" and "good and evil doesnt matter here" is also shown in a situation relatively unrelated to light winning or losing, or being good or bad. and its in fucking lawlight of all things. we all know ls not a good person. we know lights not a good person. this is tip of the iceberg death note knowledge. but the moment they start to interact, none of that starts to matter. textually, their relationship becomes more important than the people theyve killed and hurt. and the thing is? the thing is? THAT WORKS STORY-WISE. THAT'S ENTERTAINING. AND IT'S NEVER TEXTUALLY CALLED OUT IN A LASTING WAY. l and lights relationship, no matter how much i meme it, is genuinely important to the themes and "mu" because it makes it clear that despite all the pretensions, despite everything, this was never about good and evil. and it still works in the story. this is why death note is simultaneously a comedy — isn't the battle of good and evil supposed to matter more? well, fine, i'll keep watching this anyway. that suspension of disbelief comes crashing down the moment l dies, though, and a relationship built on nothingness (the "mu" sort, meaninglessness, not "character development" nothingness, theres plenty of character development) gives way to just nothingness (again, "mu", not light's post-l depression nothingness), forever.

(an aside: there is no one to root for in death note, and the only things to root for are either interesting character relationships, convoluted plots, or complete and total destruction: for everything to end so no more damage is done.)

not to say that death note does not encourage its readers to consider what damage they might do with the death note (obviously.), or that its characters never do. look at matsuda, a much easier heroic figure to latch on to than soichiro because of his unique place in the cast dynamic and because he's willing to consider both sides of the situation and kill light instantly for all he's done. its just that the story's own stance on the subject is... complicated by the existence of shinigami worldviews and by its own insistence that the world cannot change for the better.

also, this is not to say that this is executed well by the death note manga at all. it is a very strong tool, artistically, to establish and then violently remove any emotional connections between characters and make your story only about the exceedingly convoluted lengths characters go to to survive and catch each other so the reader can realize how ultimately pointless all of this is, but like... is that a good story choice if that's all you do? i would say not really. add in a good dollop of misogyny that destroys the second-to-last character who might actually be an interesting contrast to the rest of the cast's dull one-track focus on winning and justice, and youve got yourself a shitty story that... honestly still achieves what it went out to do, just not in a way id ever want to replicate.

anyway, back to the parts death note's actually trying to say. no matter what any human does in their life, no matter how they try to hurt or help the world, they all die in the end. hey, light, they all die in the end. once dead, they can never come back to life. and the seasons turn. and the world rejoices. and you say "goodbye"...

that's all.

no analysis of death notes overarching theme would be complete without nears final monologue, the definitive roast of light, the "you're just a murderer" speech: "what is right from wrong? what is good from evil? nobody can truly distinguish between them. even if there is a god." if we take this as talking about the actual god in the room (ryuk) as well as light, then near admits that humans will never be able to withstand these overwhelming forces and that, using justice and happiness and selfishness, they are just scrabbling to find meaning in things they ultimately have no control over.

but of course, near does not stop there. "[...] even then i'd stop and think for myself. i'd decide for myself whether his teachings are right and wrong." nears alright with not having control over everything, because near can still control nears own actions. these forces can and do exist, but they have no sway over nears own humanity — unlike light, who caved.

one of the creators of death note said they believe its message is "life is short, so everyone should do their best". the first time i learned this, i was like, thats... nice and optimistic, but an awful reading of the story! "life is short, so everyone should be desperate and striving like light yagami", who literally cut off other ppls lives for his own life? what character in death note are we supposed to strive towards when we "do our best"? they all do awful things with their lives! honestly, maybe they shouldnt have tried their best, if this is what their best is!

but with the view of "mu"... it makes a bit more sense. just a little. maybe.

there is no good and evil. there is only what humans think, and no matter what we do, we all die in the end. it is easy to be crushed and terrified by this in the same way light is, but what is more important than justice and righteousness and finding meaning is... doing your best. not being a person that hurts others too much. not letting yourself get swallowed up by an ideal. not going too far. and simultaneously, trusting yourself.

it leaves a few questions, though... was the currently dead l even a little bit right about his blatantly amoral approach, then? was there a point to this pain, and me slogging through this dumbass manga, and all the people that have lost their lives to a selfish teenage cop's son and the whims of everyone chasing after him? was there a point to any of this...?

the manga** never answers this. it stays clinically impartial until the very end. the musical is anything but clinically impartial (and i love it so much for that), and its ryuk that has the last word.

"there's no point at all."

of course theres no point. none of this was ever supposed to happen. that is what matters more than all the hurt and the crimes and the pain.

and that's... actually okay, because it's over now.

yes, death note has many really important themes present in its story, but its viewpoint is nihilism first and foremost. thats why its so fun and easy to play around with all the other messages, because no matter what fun or torment or awful things or righteous justice or absolute nothingness or sentimentality happens in between, there is always an end.

there is always the end.

[moldy-flowers]

The interesting experience of being pro Sasuke, anti konoha, pro tobirama, anti Naruto ending, pro Sasusaku, anti Itachi, pro Sakura, anti SasuNaru, pro Tobirama×Izuna, anti Madara, pro karin, anti Orochimaru, pro Uchiha and anti Hashirama. And also as much as I hate the guy danzo was kind of hot when he was younger...

[tinystepsforward]

ngl it makes me want to die a little bit that it's so often trans people who feel that sex is mutable but oppression is always-forever based on asab in ways that allow them to demand that information from other trans people. like it feels fucking bad. it feels bad when it's people holding up someone who posts a lot of selfies as transition goals to a degree they have to clarify what they have or haven't done or what "direction" they're going in, it feels worse when people are out there like "caster semenya is not tma" or whatever the fuck. i am, as always, not a trans woman, but here's a sentiment echoed by many of the trans women around me who log the fuck off, quoted directly from one: "people who draw a clear line where they say that semenya or khelif are tme and then call me tma are just calling me male at this point".

like i get it. i really do. we seek community and shared experiences, and we feel betrayed when people have less in common with us than we thought they did. [*more on this later.] but that's not those people's faults and my god in the case i'm seeing play out on twitter rn this poor person did absolutely nothing to intentionally mislead people, just posted pictures of their actual kid self. who looks a lot like i did, because shockingly enough "we can always tell" doesn't fucking work for trans people either!

on the one hand i move in intersex circles which are unapologetically welcoming in cis "dyadic" people with pcos, because it serves nobody to draw a clear line where mutilation or genetics or some ineffable childhood suffering are what make somebody intersex, especially when most of us (esp in places like nz) have never been karyotyped and are being treated for symptoms without a pinned-down cause anyway. the more of us there are the stronger we are, the more pressure we can exert on a medical profession which doesn't like to consider how common outliers are, how uneasy sex is at all. and then on the other hand there's dyadic trans people on the internet who've yelled me out of spaces because a couple of traumatised incarcerated trans women i worked with as a prison abolitionist assumed i was also a trans woman and i didn't immediately tell them my entire csa-involved history of being sexed in varying ways as an infant and child and/or exactly how big my phallus was at birth or where in my junk config my urethra lives so they could decide i was tme or whatever.

returning to the * for a related but not identical thought: i think presuming shared experiences leads to some fucked shit in general! "oh we all had a radfem phase" or "oh we all were channers" no we fucking weren't and it's particularly obnoxious when me & mine are trying to build trans community locally to organise and resist the growing wave of far-right backlash against our existence, and there's just white people in there on a spectrum from "straight up being antisemitic and trying to get the n-word pass" through "handwringing about how they need to make space for people who aren't politically correct" to "handwringing about how brown people are right to be mad at them but doing shit fuckall". and then the other fucking brown people in the space are on some identity politics shit where they're like "trans joy inherently excludes those of us who could get deported" or "big city white queers are killing us by being visible instead of going stealth bc it stirs up the discourse" or whatever the fuck i've heard pulled out this year. there's a bunch of reasons i primarily organise outside of trans spaces and that's one of them. i've never felt more alone in spaces where people claim we're all the same than being left as the brownest moderator or organiser in a space full of people to whom "this is a safe trans space" apparently means they get to abdicate all other responsibilities not to lapse into presumed shared patterns that are fucking racist or otherwise alienating. i've never felt more alone than surrounded by exclusively trans people who sort people into boxes and assume everyone in those boxes has the transition goals they have. like i was on cypro until it disagreed with me to the point of endocrine crisis and now i'm on t and at both those points people were so fucking presumptive or entitled to my reasons or journey or personal relationship w my body

literally just submitted on (and was invited to consult on) the nz law commission's review of the human rights act and like. it's straight up fucked how many nz trans people fully do not comprehend that any "sex assigned at birth" type definitions fundamentally exclude migrants who have no way of proving it and many intersex people who happen to have been reassigned later or many times or never assigned at all as a baby. we can't make law with this shit and that's why we have to have symmetrical protections for all genders/sexes/expressions/presentations, bc naming and defining a protected class here often leaves the people who already are left out from those shared experiences of marginalisation out in the cold when they face violence

[chuuzmii]

One thing about 911 that pisses me off soooo bad is how they keep trying to have these halfbaked harebrained ass redemption archs. Chimney and his (deadbeat pos) dad, the buckleys (do not get me started), and the diaz parents. Like for a show all about found family they sure do go on and on and fucking ON about how you need to forgive ur "real" family. SNOOZE!!! That shit they pulled with Chimneys dad just felt like the video version of ur dad telling you "well the phone works both ways" like WRAP IT UP.

The only parents i think could have had a decent redemption arch is the Diaz's. We could have gotten some good stuff abour how hard it is growing up in a strict POC household and maybe even some shit sbout generational trauma. But NOOOOOOO they just deserve to get forgiven because they are blood. boring.

[stars-on-fyre]

SO NO ONE WAS GONNA TELL ME ABOUT HOW A CERTAIN MISSION CHOICE WAS IMPORTANT IN DRAGON AGE: THE VEILGUARD??? 😭😭😭 I’M DEVASTATED NOW AND IT’S 5 AM

[hauntingblue]

Jayce telling vi she won't make it on her own.... okay mr. projector...

[starboy-ships]

Reading a piece about hope and social justice for a class and now my head is swimming with Cronus Ampora characterization thoughts because uh... HOPE 🤭

"The idea that hope alone will transform the world... is an excellent route to hopelessness, pessimism, and fatalism." <- This... THIS... I know this is just me making things up because I have no canon evidence but- BUT- Cronus during his youth perhaps wanting to make a better world but being complacent and just hoping things will be better without taking tangible steps... he leans into wizardry and convinces himself that this will right all the wrongs... so when he discovers wizardry is fake he has nothing left... if that isn't going to fix everything... if he can't fix everything with the wave of a wand and a bit of hope... then how can anything be fixed at all?

He's all talk and no action. He might believe some of the things he says... loosely... but he is too afraid of having to work and deconstruct and struggle so he just gives up over and over and over again. He buys into things for a fix and when it doesn't solve all of his issues in one fell swoop he assumes it's fake- it's broken- it's pointless without understanding change takes time and things need patience and work to be achieved.

We see him make attempts at being a better person to make people like him more, but he drops these attempts as soon as he starts them because people don't immediately like him or accept him or change their minds about him. He understands that being less classist is considered a likeable trait but when he tries to act less classist (without actually committing to this goal) people see right through him and (knowing his patterns of behavior) don't trust him. So he assumes this strategy is bullshit and switches tactics. He doesn't understand that he can't just make surface level changes to rearrange his entire life he just assumes (or dare I say he... hopes) that the basic change will wipe the slate clean.

Like... someone please say any of this makes sense...

HE JUST PLACES ALL HIS EGGS IN BASKETS MADE OF HYPOTHETICALS AND THEN GETS FRUSTRATED AND BITTER WHEN IT TURNS OUT YOU CAN'T RESOLVE EVERYTHING THROUGH SHEER HOPE AND FANTASY!!!

Cronus COULD be a parallel for Feferi but NO ONE sees this vision but me. <- (words of a guy who is off the deep end)

@adiosterror <- tagging you because i need someone to hear me and pretend that what im saying makes sense at all

[suffarustuffaru]

rating some rezero ships by um. how good they could cover up murder together

(feel free to read my tags for some explanations T^T)