#and i enjoy how he puts queer people in his work

[brainswarm-apollon]

Let me see the detective's husband let me see him let me see his kids and grandkids let me see his family let ME SEEE LET ME SEEEEEEEEEEEEEEE

[bulbabutt]

no offence to people who genuinely enjoyed james somerton and feel cheated but you could kind of tell he didnt give a shit about anything he ever said. there was no passion or personable anecdotes in anything he ever made, and the fact he was constantly posting videos was crazy. like if you watch your more popular video essayists theyre always coming from a point of 1) education in a field 2) passion in a subject and 3) being open about themselves

like , this man hopped on the video essay train because of the popularity of his peers and just tokened himself into "the gay video essayist" as if so many other people werent already doing that? and the lack of care for intersectionality was obvious. i stopped ever watching him after he took it personally that some marvel show was about black exploitation in america and not about two men kissing each other, cuz it became abundantly clear that was the only experience he gave a shit about (his own)

[talentforlying]

one of these days i'm going to write up all that i've changed from azzarello's bullshit era and the one (1) piece i've kept from milligan (and also changed) and the only thing currently stopping me is that it is going to be so, so inside-baseball incomprehensible. and i almost never want to go reading/screencapping azzarello and milligan to add references but i Want to add references.

canon is goop, just know that we continue to ride the bus down "hellblazer ended at #250 and looks like swiss cheese before that" street.

[canichangemyblogname]

Actually, no. The shippers in the 911 fandom who primarily complain about Tommy and his past don't actually care about Tommy's past or his actions that contributed to the previous toxic workplace environment and harassment at the 118. Not everything is about a fucking ship, believe it or not, yet the only time they bring up his behavior is in relation to shipping. And because the only time they bring up a valid critique of Tommy's character is during shipping "discourse," I'm convinced it's not brought forth in good faith. Finding a way to tie everything to a ship—especially things like racism and misogyny—is cheap and tasteless. Not everything is about "shipping;" shut up about the shipping.

I don't think they actually want to discuss how white queers contribute to the marginalization of others, including other queer people, by weaponizing the patriarchy and/or white supremacy in their favor because so many of them are fellow white queers themselves. They don't care about how Tommy inadvertently, because of his past, provides a realistic portrayal of how white queers divide or hurt the larger community because of an inability to find solidarity with people of a different background, culture, or race (especially if it would "inconvenience" them or if it does not directly benefit them, like Chim saving Tommy's life). White people would rather choose misery and isolation over standing with or up for non-white people. White people are generally not willing to put in the work to build community; they'd rather contribute to the system or fly under the radar to avoid being shunned by the structures they, and the Ol' Boys Club, benefit from, like white supremacy or the patriarchy. Most white queers would rather be complaisant, complacent, and complicit. It's the white queer's adherence to oppressive systems that divide the community, not people's calls to tear those systems down. And it's only the white queer who can change their perspective on this.

Tommy only has himself to blame for his jealousy and alienation from a supportive and familial community, and only he can take the steps to ameliorate the situation. Tommy was an absolute fucking dick to Chim and Hen, and that has had long-term consequences on his life. Only he can correct for his behavior. He contributed to a toxic work environment, referring to Chim as a Chinese takeout delivery man, actively participating in Chim's hazing, and telling Chim that he did not like the man (mostly because he didn't know him). He would later call Hen "bitchy," and the men of the 118 would leave the "domestic work" to her as they did Chim, actively contributing to her hazing. He did not (verbally) stand up for her, iced her out, and also contributed to a homophobic work culture that made same-sex attraction the butt of jokes. He contributed to this toxic culture to fly under the radar, and that directly hurt people he should have extended a hand to.

Unfortunately for most of the fandom, this is, ultimately, a show that loves stories about redemption and resolution. And there is actual, explicit (meaning, non-subtextual) evidence that Tommy has put in some work to remedy what he did and who he was (including being able to 1.] own up to his past actions, 2.] understand how he hurt others, 3.] recognize why he did what he did and how that it is an explanation, not an excuse, and 4.] begin to make amends or rectify the situation, like reporting Gerrard and changing his mind about Hen and Chim). Hen and Chim would not have invited him for drinks regularly if they thought he was "irredeemable." The 118 would not have thrown him a going away party if they disliked him. Chim would not call in favors from Tommy on more than one occasion or even describe him as "so cool" if they weren't—well—cool. Eddie wouldn't enjoy ring-side fights and basketball games with Tommy if he didn't enjoy the man's company. Tommy also clearly refers to the type of man he was in the past tense, implying change over time. It can be argued that he has not put in enough work, but that's not what's being argued. We're getting bad faith arguments that Hen, Chim, and Eddie hate Tommy or bad faith arguments where Tommy's past actions are only brought forth as some sort of "gotcha" when a fan prefers canon representation over homophobic fan fiction tropes. You don't have to like Tommy, but making up non-textual reasons to dislike him is absurd.

Tommy, as a character in a narrative, provides a lesson for the general audience (GA), the majority of whom are white. It's not just important to see queer people on screen; it's important to see white people learn and change and admit they were wrong. It's also important that the show—well—shows the GA that whiteness and man-ness affect people's perception, position, and treatment. Tommy isn't just a gay man; he is a white gay man, and this has had a direct impact on how he navigates the world and how the world interacts with him. Gerrard treats men like Sal and Tommy differently than men like Chim or women like Hen, and staying in Gerrard's good graces—like the good graces of oppressive power structures—requires one to conform to a very narrow definition of a "real man," like being straight, white, palatable (like... not kinky, not risqué, not queer, all the things the fandom seems to actually hate Tommy for), and not helping oust regressive figures from positions of authority for the way they treat your coworkers. The audience got to see how Tommy went from being the prodigal son to being openly mocked by men like Gerrard. And it's important to show the GA that someone can and will be happier if they go against the grain and that admiration from men like Gerrard means very little in the grand scheme. Tommy is happier now after having been "rebuked" by men like Gerrard than he was when he strove for their praise and acceptance.

It's also important to show that men like Gerrard and his beliefs belong in the past, even though they exist in the present. This is a network TV show. A non-zero number of men like Gerrard catch this show weekly. It is still important to show that Gerrard is not the "type" of man anyone should aspire to be. His beliefs and actions are not commendable, and the show is very heavy-handed about this. The show is going to once again compare Gerrard ("bad captain") and Bobby ("good captain") to show how Bobby has created a good legacy at the 118. It began this parallel with Bobby Begins Again, continued to reinforce Bobby's good legacy in Buck's coma arc, and then revisited how Bobby has had a positive influence on the lives of the 118 in his season 7 montage. Now, the show is going to compare and contrast him and Gerrard to reinforce how important Bobby is to those around him. The show will also continue its inadvertent parallels between Buck and Tommy, showing how Buck is a different man under similar circumstances because he has had good influences (re: Bobby, Hen, and Chim) in his life. Buck and Eddie's relationship was shaping up to be very similar to Tommy and Chim's relationship: oppositional because of one-sided disregard and dislike, but it didn't because they had a good influence: Bobby (given the rather... fucked timeline, Tommy was likely newer to the 118 when Chim joined and, like Buck, his hostility and posturing were also likely influenced by insecurity and a desire to secure his position at the table).

Most unfortunately for many, the show is also going to show how Tommy has changed due to the same influences (re: Bobby, Hen, and Chim). They wouldn't have re-introduced both Tommy and Gerrard and mentioned their dynamic on more than one occasion if they weren't going to do something with that. Season 7 set up Tommy's upcoming arc very nicely. He knows the man he was, he knows the man who shaped him into that, and he knows how and why that was wrong. We'll get Tommy confronting his obvious daddy issues, jealousy, and desire for community (and why he didn't get a family-like dynamic at the 118, re: Gerrard *and* Tommy's own behavior). Tommy has been explicit about this, literally telling Buck that he envies the relationship the people at the 118 have and mentioning that he was not a good person, and this played a part in why he didn't have the same rapport.

9-1-1 is not a perfect show, but it does reflect some of the positive changes of our time. It's important to see representations of comp-het—like Buck, Tommy, and Michael—and how it negatively impacts people's character or relationships, and then how they—the character—can amend that. It's important to see stories that depict how silence is complicity and how refusing to be silent—as Hen refused to be—makes change and changes minds. It's important that the show reminds the audience that Hen is a black lesbian and that this has impacted how people see her and treat her, but that she is just as capable, if not more so. This includes men like Chim. Because I see nearly none of the people who "critique" Tommy in the name of "shipping" ever bring up how Chim has leaned on the patriarchy for support and a position at the table. He may have been the kindest to Hen, but he was by no means normal about women. And it is important to see how non-white men benefit from the patriarchy even as they are victimized by white supremacy. It's also important that the show shows the GA that non-white men are not affected by white supremacy equally, as Michael and Harry have had discussions about blackness and police brutality, a conversation that Chim is never going to have to have with his children, but that doesn't mean that Chim won't have to one day have a discussion with Jee-Yun about how and why some people treat her differently.

But the fandom approaches everything in a very... Catholic way. They don't approach this from the view that people can change and should be pushed to change; rather, they shun people like they've been marked by original sin. The structures we live under have deeply affected each and every one of our worldviews. "You are not immune to the propaganda" includes your personal philosophies and ideologies as well as the things you were taught since you were a child, consciously and "subconsciously." But, people would rather condemn everyone else as "irredeemable" than look critically at their own behavior out of fear of being "one of the bad ones." They'd rather *not* accept the fact that everyone has learning and changing to do as that would reflect upon them, too. This leads to being very resistant to being told that you're mistaken, you've hurt others, or that your behavior and beliefs contribute to repressive, dangerous, or toxic ideas (and we've seen a lot of that; y'all do not create safe online spaces). This leads to a lack of personal change as well as a lack of change at the interpersonal level because rather than teach or challenge, they stick up their nose and turn the other way. "Their barbaric bigotry; my enlightened neglect."

So, really, they've learned nothing from a character like Tommy.

[giddyfatherchris]

📱skz texts —how they react/comfort you (when you're going through a rough patch with a friend)

| including. bang chan, lee know

warnings. mentions of homophobia, anxiety and depression (but not going in depth with any of these subjects)

a/n. FINALLY!! channie and lee know’s part babyyyy honestly i kept procrastinating but today i decided enough is enough.😤 again, these are not in order but i cannot be 🎶booOoOoOthereeeddd🎶 so :) hope you enjoy mwah xxx

changbin, seungmin & i.n

hyunjin, han & felix

Lee Know

He knew from your texts you were not in your normal state. You were usually such a bubbly person, but when you answered so drily to his questions, he knew something was wrong.

As he waited for you to come home, he couldn't help but pace in his apartment. You weren't living together yet, but you spent so much time at his flat that you claimed it as your second home comfortably. In the 15 minutes it took for you to arrive, Lee Know had prepared himself for many scenarios, but he could have never predicted how you opened harshly the door and slammed it shut. Your ritual of crouching on the floor, calling for his three cats, was brutally ignored as you stomped to the kitchen.

"Hi, baby." He tentatively tried. Cautious, he kept his distance as you grunted in answer. You opened the fridge door, looked for a milli second before you closed it, then repeated the same process with the pantry. You made yourself a glass of water, didn't even take a sip, and grumbled as you looked in front of you, not really seeing anything. You abandoned it on the counter, ready to stomp away, when Lee Know put himself in your trajectory.

"What's going on?"

You would have kept walking if he hadn't grabbed you by the shoulders and blocked you from carrying on.

"Uh?" you looked at him as if you were just now seeing him. "Nothing, something at work, it's enraging." 

"Then please tell me so I can know who to kill," he replied in an equally angered tone. His hold on your shoulders tightened slightly at the thought someone had hurt you. 

You looked at him, surprised. "What, kill someone?" 

"Please, Y/n. I've never seen you like this. I don't know what happened, but for it to put you in that state, I'm guessing it's pretty serious." 

He had to pull it out of you, but you finally explained how you discovered one of your coworkers, who you considered a friend, was, in fact, a raging homophobic, queer-hating asshole. When you first heard him comment on someone else wearing a rainbow pin, you had laughed it off, thinking he was being dumb, but he kept adding on, and you realized, horrified, that he was being serious. 

Cherry on top, when you told him you were pansexual, he had stared at you with this idiotic air and asked if you were attracted to kitchen appliances. It ended up with you terminating that 'friendship' and leaving the office completely enraged. 

Your boyfriend listened carefully to your story. His piercing eyes set on you when he finally stated, "I have no idea how you managed not to smack him in the face." 

You let out a dry chuckle, telling the story again only egged you on, and brought up a familiar gloom you hadn't felt in a while. Immediately, he noticed the change in your demeanor, how the burning rage had simmered to a profound sadness. "Hey, it's okay, you can report the bastard, you know. He can't go around saying stuff like that."

You wrapped your arms around your middle, your lower lip softly shaking as you exhaled. "It's been a long time since I've been directly in contact with someone like that. I'm mad at myself for not seeing it maybe others knew, and they considered me badly for hanging out with him. I feel so bad."

He pulled you to him, softly resting his chin on top of your head. "Some people are really good at hiding who they truly are. He never said anything before, you never could have known."

"I know, but I somewhat feel like a traitor to my community," you covered your face with your hands before hiding in his chest. "Is that dumb?"  

He softly pushed you back and leveled his gaze with yours. "That is a little dumb because you did not betray your community, okay? You can't betray someone if you've also been fooled. And you know what's the best thing to do now? Report his ass. I'm sure if you do, there will be others who feel comfortable speaking up."

Your eyes lit up at his suggestion. "You're right. I want queer people to feel safe at work. The thought that I might have been seen as someone who would threaten that makes me sick. But if I speak up, that could change. Maybe we could even create a committee to do sensibilization about homophobia in the workplace." The gloom in your eyes was replaced with a fire. "One thing is sure, I won't let it happen again.

He gave you an adorable grin as he softly grabbed your chin. "My little fighter, I'm proud of you."

Your eyes disappeared into a happy smile as you hugged him again. "Thank you for always supporting me, although I am slightly scared of how little it took to convince you to kill someone." 

He laughed before grabbing you over his shoulder and whispered with a diabolical expression. "You shouldn't." 

Because really, there shouldn't be a doubt in your mind that this man was ready to make anyone who hurt you pay a terrible price. 

Bang Chan

The leader rubbed his hands on his face in an attempt to wipe away all the exhaustion. He looked back at his computer screen, feeling a violent cramp in his head causing his eyes to squeeze shut of their own accords. 

"Okay, okay. I get it. No more computer today."

He grabbed his phone before getting up, pleading his eyes to survive one last exposure to the light of a screen. He clicked on your name and quickly typed in, asking you what you wanted to eat for dinner but all signs of fatigue disappeared once he saw your answer. Worry replaced any feelings in his heart, his tired eyes fixed on the device.

What could have happened for you to be so down? He knew you were dealing with a difficult friend lately, but could it have gotten this bad so quickly? He wondered if he should push it, ask you more, but as his eyes started burning again he realized it would probably be of no help and he should wait for you to get home. Chan looked around the apartment, an uneasy feeling in his chest, a restlessness agitating his limbs. You were hurting and he couldn’t stay still, waiting for you to arrive. Then it clicked, he looked at your messages once again, closed the app and started dialing a number he was starting to know very well. As the line rang, a smirk slowly took place on his full lips.

You tiredly entered your apartment, welcomed with a delicious aroma. You kicked your boots off, more than ready to change into comfortable clothes and hug your boyfriend. 

Your heart melted at the sight waiting for you in the kitchen. Chan, his sleeve rolled up, showing his strong forearms, was very focused on the pots and pans burbling in front of him. He softly hummed to the soft jazz music playing in the background, completely oblivious to the world around him. You silently walked to him and wrapped your arms around his middle, loving how his strong back felt on your cheek through his clothes. 

"Jesus! You scared me," he whined, still, you could hear the smile in his voice as his hands wrapped around yours. "How are you?"

You didn't answer, feeling tears prickling your eyes and that burning sensation in your nose when you knew you were about to cry. You buried your face in his clothes, hoping it would muffle the sound of your sobs. 

"Y/n?" he quickly turned around, realizing you were far from okay. "Hey, baby what's going on?"

Violent sobs shook your body as you slid to the floor engulfed in Chan’s reassuring embrace, allowing you to let it all go. Once you calmed down enough to take a big breath, he asked again. "Baby, what happened?" 

Softly, he brushed his fingers through your hair. He was a calm and reassuring presence for you in all the chaos. You knew you could trust him, knew you could tell him anything and he would be there for you.

"You know my ´friend’, our relationship was already rocky, I knew that, but I thought it was getting better. When we studied together the other day, we talked so much, about anything and everything and even personal stuff. I thought we were getting over that petty argument, but today I heard them tell other people from my classes how I was faking my anxiety disorder and depression symptoms. They said I only did it to get attention and that I- I was an addict." Your voice broke on the last word, horrified that such words could have come out of their mouth.

Chan had to fight everything in him not to go after them right now. If there was one thing he despised it was when the ones he loved were hurt. He couldn't bear it. He knew how hard it had been for you to get a diagnosis and start taking medication. How could someone be heartless enough to make such comments? 

"I heard some of the people in the group defend me, but still... I can't believe it. I'm so stupid, I never should have told them about it."

"Y/n. You are not stupid. They are the assholes. You are not stupid for trusting someone you thought was a friend okay? I don't ever want you to think you are stupid for that."

You looked at him with teary eyes. He felt himself melt and soften, all anger disappearing when he realized how badly you needed him. "You are not stupid. You are not faking anything." he softly stroked your cheeks, wiping away the tears as he did. "I'm so proud of you for reaching out for help. I'm proud of you every damn day, and you know the people who really love you do too." You closed your eyes, relishing in his warm touch, allowing his soft voice to erase every doubt and fear. He softly kissed your forehead, "Okay?"

"Okay," you whispered. "Thank you I don't know what I would do without you."

"You would still do amazing because you are one of the strongest person I've ever met."

You chuckled at his comment. "You're so cheesy. Still, I'm pretty happy to have you." You lifted your head towards the stove. "Especially if you tell me you've been cooking for me." You took a deep breath in, finally registering what it was you were smelling. You looked back at him, already smiling, a look of surprise on your face. "Is- is that my mom’s… How, how did you do it?"

A proud and satisfied expression was printed on his features. "You wanted your mom’s spaghetti so I called and asked her to help me make it. Turns out the recipe isn’t that hard." He tucked a piece of your hair behind your ear while you stared at him like he was the most magnificent thing you had ever seen, which he was.

"I can’t believe you did that. My mother has never told anyone her recipe!"

"Yeah, about that. I might have had to make a deal with her to get it…" You rolled your eyes, ready to hear some embarrassing stunt your mother pulled on your boyfriend. "I had to explain why I wanted the recipe, and she might have made me promise we’d go visit your family in two weeks while you’re on spring break."

You squealed and wrapped your arms around his neck, asking him a thousand time if he was kidding, if this was really happening, while he promised over and over again it was. You pulled back to look at the satisfied smile growing on his lips. Chan was a sure value in your life, maybe the only true one, and as you looked at him, his dimpled smile and the satisfaction he had in preparing all this for you, you knew this was it. He was everything you would ever need.

[andy-wm]

So...Who then?

A BRIEF SYNOPSIS of WHO:

Jimin is searching for the girl he thinks is out there for him (one who he can give the world and more to). He can't understand why he hasn't found her. Who is his heart waiting for?

Clue: it's the person who literally falls into his path. This is the ONLY person for him - everyone else has walked away.

I have to confess... I didn't hear WHO as more than a generic pop song the first couple of times i listened. I was in my car driving home from work when i first listened, and then bustling around with domestic stuff as i listened a second time.

Its very unusual for me to be so casual and negligent with first listens but my head wasn't in the game. I didn't want to push it.

So I consciously put it aside until i could give it the attention it deserves.

I want to clearly state that if WHO was purely a fun and impersonal pop song i wouldn't be judging the song or Jimin for that. It's got a catchy tune and i enjoyed it, and I'm not expecting everything Jimin creates to speak to me personally.

Some things are just for fun and that's okay.

But I think there more to this song...

As with much of Jimin’s work, what seems simple on the surface is more complex when you dig a little deeper...

I watched the mv with the lyrics onscreen and my impression is forming (It's still basically a first impression though so i probably missed things)

What i notice, reading the lyrics as i listen, is that it's not the love song i first thought it was.

It's not a love song at all.

This song is all about about Jimin

and it's full of questions...

She's always on his mind, this woman he has yet to find. He thinks about her every day.

He's not telling us his standards are too high, or all the girls he likes are unavailable, or he never goes out to meet people.

He's telling us he's been searching but he hasn't even MET her yet.

Hes telling us he doesn't know why he hasn't found her.

((Why the insistence that it has to be a 'her'?

That's easy:

Anyone who was raised in a hereronormative environment is going to go through life thinking they will find love with the opposite sex. It's the default expectation. Everything in society tells us this from advertising, to entertainment, to the government. For a lot of gay or queer people, you expect that to happen. You kiss a lot of girls or boys and you expect to feel that spark (shoutout to the enbys who nobody can see).

And the spark just isnt there, so you keep looking. You search for that one individual who will make you feel the way you're *supposed* to feel.

The lyrics of this song are basically saying exactly this.

If you believe - as i do - that Jimin struggled with his identity and that he didn't recognise his love for JK as ROMANTIC love until JK started returning his affection, then it makes sense that he believed he would (or should) fall in love with a girl.

And look, he dances with ALL the girls. He has a red hot go at this. He really tries, but nothing sticks.))

Now back to the song...

He tells us that he goes out and meets a lot of people:

But he still doesn't know who she might be.

HE'S NEVER MET HER...

"We've never met" he says it twice in succession. So he hasnt even met a girl he thinks COULD be the one?

🤔

Can i take a guess?

MAYBE THERE'S A CLUE HERE:

"Who is my heart waiting for," sings Jimin as a BILLBOARD falls from the sky.

Its "crash landing on you" but figuratively, not literally.

The face on the billboard looks very familiar 🤔

And also...

KEEP GOING>> says the billboard.

When asked in an AMA what he would say to his debut self, Jimin said "You nice. Keep going."

We know how tough things were in the lead up to debut, especially for Jimin. He nearly lost his place in the group several times. And it's no secret that as a group they struggled to be taken seriously by the industry.

But wait... what else does the billboard say?

W H O

Not 'WHO?' but WHO

It's a statement, not a question.

If you're looking for a sign, this is it.

THIS IS LITERALLY A SIGN

Dont forget that this billboard/person crashes into his life - falls directly in his path - when hes alone out there.

There's nobody there but Jimin.

And for Jimin, there is nobody else

🐰🐥

ETA: Here's the next part of my response to 'WHO'. This post looks at the MV Specifically.

[eternalbuckley]

Taking Care. — evan buckley

SUMMARY: You got hurt on a recent call and Buck takes care of you as your friend but you end up agreeing to go on a date with him. — check out the request!

word count: 915

genre: fluff | gn!reader, queer!reader, bipoc!reader and plus-size!reader friendly

warnings/tropes: one mention of hospital, mentions of a broken leg (reader), talks about injuries, english is not my first language, i'm not a professional in medical things so it might now make comepletely sense (it's fiction alright), slightly proofread — if I forgot something, please let me know!

disclaimer: please do not repost or try and take ownership of my work or post this anywhere without my consent. do not translate my work and post it anywhere — i give you no permission to do that. i only post my stories here, so if you find my work anywhere else please let me know! reblogs, likes and comments are appreciated and welcomed!

⋆౨ৎ˚⟡˖ 1k celebration | navigation | masterlists | taglist

“Buck I’m fine I swear,” you huffed, slightly in pain, as you walked up the stairs to your flat while Buck had his arm under yours to keep you up.

On a recent call, you hurt your leg heavily and have to take off a few weeks to get better again. It was not a very chaotic call, it was a car crash between two people and you weren’t quick enough to get away from the scene as another car drove into the scene and hit you slightly. Everything happened quickly and you hurt your leg. Buck has made it his mission to take care of you now and help you to feel as good as possible. He even took off the next few shifts to spend his time with you, so you wouldn’t have to be alone.  

“I’ll help you. I promised you,” he reminded you of the promise he made to you as you waited in the hospital for your test results.

As he took your key and opened the door of your flat, you went in with your crutches and sighed as soon as you were able to sit down on your couch. After Buck closed the door and put down your bag, he rushed towards you and helped you to put up your leg on your couch. He reached out his hand to you and pointed to a cushion that was next to you. Without needing words, you gave it to him and he gently put it under your leg. Making sure you feel more comfortable.

You eventually sighed and closed your eyes for a moment. “Thank you, Buck,” you smiled in a relaxed way.

“No need to thank me,” he quietly said. It was his way to show people that he cared about him. If he was able to help anyone he cared about, he’d do it. Especially with you, the one person who made his heart beat faster whenever you talked, had the slightest body contact, smiled at him, looked at him or even more. Anything that had anything to do with you, would make his heartbeat faster. There was no way he could deny it at all and despite everyone telling him to shoot his shot with you, he didn’t do it. He respected the friendship you formed too much and didn’t want to risk it. He didn’t want to make anything uncomfortable between you or even risk losing you as a friend.

It's been two weeks later. You already felt better whether it was because of being able to rest or because Buck basically took care of you in as many aspects as he was able to do it. No matter how many times you told him, that he wouldn’t have to do it, he did it and you were still thankful for it. You adored him, especially if he wouldn’t back away from any promises he made. It was hard to be close to him every day since your injury, as he basically wouldn’t leave your side as soon as he got back from his shift. No matter how tired he was, he’d make sure you felt better first, even if you were capable of doing it alone. Sometimes he took his role of taking care too much and you needed to remind him but it got better afterwards. You would be lying if you said that you didn’t enjoy spending your time with him, especially because you liked him. You had liked him for some time now but never dared to make a move. You were too afraid to risk your friendship or even lose him.

He was currently sitting next to you and took the plate of you to put it down on the couch table. Buck made some dinner for the two of you and it kind of felt like you were a couple but you quickly tossed the thought of it away. Even if it gave you a little jump in your stomach. He just finished his story of the last shift and leaned back, tossing one of his arms around you. It was something you’ve been doing your whole friendship. After a few moments of comfortable silence between you, you decided to break it.

“How can I ever repay you for all your work?” You quietly asked him as you looked up to him from your current position. You played with his hand that was wrapped around you.

Buck was quiet for a moment and thought about an idea. One that stuck in his mind for a long while now. You watched him and noticed a subtle change in his face. He seemed nervous.

He slightly moved his head, so he could look at you. “Once you get better, I would like to take you on a date,” he whispered. Hoping you would agree and not tell him to leave. “If- If you’re okay with it. I mean if not, just forget what I said I-“

You put your index finger on his lips to shush him and smiled at him, your heart beating faster and heat spreading to your face. “I’d love to go on a date with you, Buck,” you smiled at him happily.

His body immediately relaxed and he gave you one of his biggest smiles. “Really?”

“Yes. Really,” you chuckled and caressed his cheek.

It would be the start of a wonderful relationship that would continue to blossom as long as you were together. Happier than ever.

[kinardsboy]

Prefacing this by saying i don’t hate Eddie or buddie in any way, im only tagging this as anti buddie so people can filter out criticism on a ship that they enjoy ❤️

This post doesnt really have a specific theme, I’m just kinda rambling here so bear with me lol

Something that has been bothering me for a while about the gay eddie hc, is that at least the canon basis/evidence for it, is honestly a little homophobic? Most often people claim he’s gay because of how he treats women poorly and how many failed relationships he’s been in and I just.. first off have you MET a straight man?? 😭 thats how they are..(For the most part). Secondly it’s a negative stereotype that gay men dont treat women well, so having that be one of your main points to make Eddie gay rubs me the wrong way, especially when it comes from non queer men. The other main point I see is the quote “it feels like a performance” but the thing about that quote is , its taken extremely out of context.

He was literally talking about being set up on dates, being FORCED to date instead of letting it happen naturally. Thats what feels like a performance.

I have never understood why Eddie also cant be bisexual if queer at all. he has been clearly shown to enjoy having sex with women.

And another thing that bothers me is that buddie fans shout all the time about wanting whats best for Buck, and then want him shoved in a relationship with a man that has never treated a romantic partner fairly. Again, this isnt Eddie hate but the guy needs serious therapy. He’s a good friend and a good dad, ultimately hes a good person too but he’s not a good partner and that wouldnt change just because he dates Buck.

Bob’s are constantly forcing a heteronormative role onto Buck, especially when it comes to taking care of Christopher and it just, thats not going to solve anything? Like at all? It really makes me feel like they dont understand mlm relationships at all, and what they look like and how they work, especially based on their reactions to how Tommy and Buck interact.

People probably arent going to like this take, but I see fics or posts that constantly put Christopher as Buck’s 1 priority and I just dont think its true. Dont get me wrong I really enjoy the relationship they have, but if any kid on the show has his highest priority, its Jee. Buck spends so much time with Chris because Eddie needs help, if Henren needed help or babysitting more often Buck would seem close to Denny and Mara as well. Im not saying Buck doesnt care or want to hang out with Chris of course, but I feel like people definitely overplay their relationship to an extreme extent. The same goes for buddie in general, especially these last few seasons I dont see buck and Eddie being any closer than eddie and hen or buck and hen or something. Especially considering in 704 Eddie literally didnt invite him to trivia which he knows (or should know) Buck likes lol

And another thing about Christopher is that they turn him into this buddie love child who is SO obsessed with his dad’s sexuality and its just so weird to me. They completely strip him of any independence and personality and turn him into this buddie advocate, and then put him away when he’s no longer useful or needed. Its ableism. Chris is his own character and his story shouldnt focus around Buddie or his dads romantic endeavors AT ALL.

Anyway if you read all of this thanks for indulging my rambling lol

[normansnt]

As you've likely seen by now, I've been reblogging nearly every Hazbin fic you have, which I apologize if that bothers you at all. I simply see a lack of the x male reader department for this show, which is ironic considering mostly all the characters are queer and so are the creators. So thank you for what you write and how well you write it! I was hoping I could make a request for a part two of a fic I rather liked "(Vox x bar tander!Male reader)" this one specifically. The reader left off having their soul contract bought and offered to be a bartender at the Vee's private bar, and I was wondering what would happen from there?

HIIIIII

THANK YOU FOR THE REQUEST

Im really sorry it took so long😭

Also THANK YOU SO MUCH for the reblogs is doesn't bother me at all IM SO HAPPY YOU LIKE MY WRITING💗💗

I HOPE YOU LIKE IT, I THINK IT TURNED OUT PRETTY GOOD😌

ENJOY READING LOVELY PEOPLE

Warnings: Attempted Rape, violance V@lentino

Habit of saving

as a thank you pt.2

Vox x bartender!male reader

"I just dont fucking understand why the fuck you prefer the company of a lowly bartender over mine"

You hear Valentino's yelling from the other room, again.

This was not uncommon. Since you became the bartender in the Vees manor Vox visited the bar more often than before.

You guys spent hours talking and just because of the drinks either, he barely drunk anything cuz he was busy talking to you.

However, this of course annoyed Valentino. He wanted Vox's attention purely on himself.

"I don't." Said Vox, you know, like a lier.

"Work has just been really stressful lately and I need more drinks than before."

This was all lies. But Vox was not in the mood to be taking Valentino's shit, he would much rather go get a drink with you.

"Bullshit, I know how your work is and you blame everything on it, you dont even want to fuck me anymore are you a fucking moron do you know how many people want to get with ME."

And here he goes again. Vox was a little embarrassed though. It was true that since you arrived he was never in the mood to do it with Val, but he found himself having much more sex dreams with you.

He got red at the thought of that.

"You know what, I don't fucking care, go be happy with your boy toy; but don't you dare forget that you are where you are because of me." Ended the Argument Valentino as he grabbed a bottle from above your head, and walked out of the room.

You were silent during the whole argument. You knew it was not smart to start defending Vox you tried that once and, well, Vox had to stich you up afterwards.

"Care for a drink, sir?" You asked Vox. He was still, just standing in the middle of the room looking at the door.

He felt weird. Well, not weird, happy. But that was strange. Usually he felt guilty or annoyed when Valentino stormed off after a fight, usually he wanted to go after him. But not now. Now he felt...calm. Relieved even. He really wanted to sit down and have that drink with you.

"Yes, I would love a drink, and I've told you multiple times to call me Vox."

"Yeah I know but I didn't want to risk Val still hearing it." You chuckled.

"So, the usual, Vox?"

"Obviously." He answered back.

"Are you ok?" You asked as you poured his drink. You two were close enough for this not to be an awkward question. You were the bartender, you have comforted him after a night of drunken crying and put him to bed multiple times. He always asked you to stay. You never did. You just didn't feel ready yet.

"Getting better by the day, his antics don't affect me as strongly anymore." He commented calmly.

"I'm glad." You gave him his drink and you two continued talking.

And you talked, long into the night. Vox got a bit drunk again.

"All right mister I think it's time to get you to bed." You said smiling softly as you were about to jump from behind the bar and help him to his room.

"I can take care of him." Came a creepy calm voice from the door way. You saw Valentino.

He had a fake smile on his face. You knew this was trouble but he was kind of your boss.

"All right, sir." You just answered quietly, as Val took Vox and started to take him to his room.

"What-no, you-- (Y/N)--I, don't"

Vox mumbled drunken.

When they left the room you had a silent debate with yourself.

Yes Val was your boss. But you knew that taking advantage of someone while they're drunk was not below him.

"Fuck it" you mumbled to yourself as you jumped from behind the bar and tried to quietly run after them.

Thankfully you found them when they were about to enter the room.

When they got in you made sure to put your foot between the door and the frame so it doesn't close.

You peered into the room and you saw Val throw Vox onto the bed.

"You fucking whore, you couldn't keep your hands of the cute bartender boy could you."

He started angrily as he stepped onto Vox's screen, breaking it. You already wanted to barge in there when you saw this but when he started unbuckling his belt, thats when you snapped.

You jumped on Val, literally. And while the man might be powerful he had close to no muscles so he crumbled under you.

You knew you had close to no chance of winning. But you didn't care. You had to save Vox.

You tried to cut off Val's breathing by holding onto his neck for dear life. You might have been physically stronger he was still an overlord. A very powerful one.

You expected to be thrown down onto the floor any minute when the struggling finally stopped.

Your eyes opened widely as you hurriedly got off of Valentino.

You started panicking. What the fuck did you just kill an overlord? No, no there is no way he is so powerful why didn't he stop you.

You kneeled down and checked for a heart beat.

When you felt faint beating a boulder fell off your shoulder.

"Thank fuck" you commented to yourself. He probably just passed out.

But still why didn't he stop you.

You thought about it a but when it hit you. He was probably batshit drunk himself. You saw that when he walked away from the bar he barely managed to walk straight.

You were still panting.

You looked over at Vox and a strong feeling of sadness filled you.

You stepped over Vals passed out form and lifted up Vox.

He was lighter than you thought. You carried him all the way to your room where you knew you had a first aid kit.

Sure you could have just bring the first aid kit to him but you were not going to leave him alone with Valentino jot even for a second. Not even when they're both passed out.

After you put Vox's screen back together and batched him up you laid him down onto your bed.

This gave you time to think things through.

Even you couldn't explain to yourself why you cared about Vox this much.

Its true you have become very close during your time working here.

But there are people who you have known longer yet do not love as much as him.

...love?

You love him?

"(Y/N)"

While you were occupied with your thought you didn't notice the time. It was morning already.

"Yeah, Vox?"

"What the fuck happened?" He asked as he started touching his patched up screen.

You told him everything. You also told him that you will very likely have to leave because once Val wakes up...you don't want to know what he'll do to you.

"He can't do anything your soul is mine you are under my protection." He said firmly. He sat silently after that. Like someone who is contemplating something.

"Can I ask you something?"

He asked after a long silence.

"Of course"

"Why did you save me?"

This surprised you.

"Well, I mean I know what Val is like and...I just did what any normal person would do really-"

"No. You know no one in hell would to that for the demon that owns their soul. Not to mention this was the second time you saved me."

"...I honestly don't know why I did it the first time; I guess I just felt like...I dont know"

"And the second time."

You couldn't answer this. You knew the answer but you didn't want to say it.

"Well, you are a nice boss you treat me with kindness and-"

"No one would attack a powerful overlord just to safe their boss who is just 'nice'; try answering truthfully this time."

Well fuck. You knew Vox was a smart man but that didn't help you in this situation.

"I..." you didn't know what to do. You could come up with another lie but he would detect it no problem.

"I love you" you blurted out before you could stop yourself. The moment the words left your lips you smacked your hands onto your lips.

"I'm sorry sir I will leave-"

Vox took your hand in his when you wanted to stand up and pulled you towards him.

With one swift movement he placed his lips on your in a tender kiss.

You have never kissed a screen before but you were pretty sure it wasn't supposed to be like this.

His lips were soft but cold. It was an amazing kiss.

"Oh, you're not going anywhere." Said Vox while he let out a little chuckle.

"Because I love you too."

[dmfromtheblacklagoon]

It seems people really enjoyed the last headcannon post, so I have returned, this time with headcannons for the non-romanceable characters!

I love all of the characters in this game, and have created so many little dumb ideas for them, so here ya go!

We have confirmation that Linus came from a wealthy family, but put this life aside, donating his money to various charities and organizations to help others, and I like to imagine that he still enjoys working with these charities from time to time, whether this be shelter work, environmental care, or supporting other people!

Willy never had children, but took in Elliot as his own, teaching him everything he would need to know regarding the seas, and quickly takes in Farmer as well, after learning about their love for fishing.

Gus is a trans guy! I don't have any evidence for this, but I just adore Gus so much and need this in my life.

Gunther is a long-time DM, and runs a small group with some of the local teens, and maybe some of the adults! I feel like his fascination of antiques and old treasures has assisted his DMing skills, or possibly the other way around!

Kent has learned how to sew, knit, and garden in order to get closer with Jodi and the kids once he returned to Pelican Town. (He's trying to be a better dad, he already is such a good guy :])

Mr. Qi is quite close with both Sandy and Gus, considering them friends!

Pierre was a college dropout, yet still considers himself a "man of study", I'm sorry, I just can't see this man as anything but an arrogant asshole.

The Wizard is incredibly supportive of the queer folks in the town, and Farmer, and will offer help with anything. Gender change? He's got you. Voice manipulation? He's got the stuff. Just be careful if he invites you to share a pipe!

Marlon and the Wizard are the local salty gay couple, Statler and Waldorf style, and lurk in the back during the flower dance, taking the last dance for themselves.

Pam loves thrifting and going on antiquing sprees with Harvey, and she knows how to absolutely steal a deal, girlie would most definitely punch an old woman over an auction item.

This is all I have atm, but if you want more, please let me know!! I love making stupid little theories for the glorbos. :]

[wendynerdwrites]

A Measured Response: A Measured Response

Above please find the video I'm responding to, "A Measured Response" by James Somerton. If he deletes later (and I suspect he may), I will reblog with an embed of a copy of the video.

Also note: Much of this is taken from comments I made on his video. But I believe he may be deleting them. Or I got caught up in the spam filter because I commented more than once out of sheer frustration with what I was hearing.

James,

Okay, I am going to start off with a couple things I will give you credit for:

1) Acknowledging the shitty effect nuking your channel had on Nick's career and prospects. That's actually something that hasn't been discussed much and it is genuinely good of you to volunteer that to your audience. As someone who once had her own portfolio nuked by former partners, that's a good thing to bring up. No notes there. That was a good move.

2) You actually used the word 'plagiarism' this time.

I would also like to say that I am glad that you are safe and I am glad you are still alive.

I'm hearing lots about insurance, and your mental health struggles, and the move YOU chose to make "disrupting everything" and your mom's death, "not citing things correctly", how ADHD apparently made you plagiarize, and how hard things are for you. And how people harassed and doxxed you. How you totally want to prove yourself!

Here's what I'm not hearing about:

1) The harassment campaign you launched against your accusers that literally caused them to go into hiding. Sorry, but you don't get sympathy points about death threats and doxing without at least expressing remorse when you did that to others. You haven't mentioned it once. you also falsely accused OTHERS of sending harassment your way and have not acknowledged it.

2) The multiple transphobic and misogynistic lies you told.

3) The tangible impact of queer erasure YOU ENGAGED IN. You barely mention any of the people you stole from. Believe it or not, James, but those people? They also had lives, and jobs, and obligations. Some of them also had dead parents. Then there are the queer people you erased the identities of, slandered, and insulted. Becky Abertelli had to deal with YEARS of the same sort of harassment you're complaining about because of people calling her straight. And even after she was FORCED OUT OF THE CLOSET, you perpetuated that lie again. And yes, YOU DID, JAMES. PUTTING HER IN THE 'STRAIGHT AUTHORS' CATEGORY IS CALLING HER STRAIGHT, JAMES. THAT'S HOW CATEGORIES WORK. Then when she briefly corrected you, you lied about her repeatedly and inserted nasty little vague comments about her so that you could bait your audience into asking about it and claim she harassed you on twitter for not liking her show (which never happened once. She didnt even bring up you straight-washing her on twitter. It was in your comments section.). So not only did you lie, you went out of your way to create opportunities to lie about her more.

4) The outright dangerous rhetoric you engaged in. Such as:

a) You lied about the AIDS epidemic and generations of actual queer activists who you claimed didn't care about employment discrimination and just wanted to have "big gay weddings" because they were "boring. This is a false and dangerous retelling of queer history, not only isolating new generations of queer people, but also erasing the tangible benefits of the legal benefits you enjoy now, James. THEY WANTED MARRIAGE SO THEY COULD HOLD THEIR DYING LOVERS' HANDS AS THEY PASSED AND ATTEND THEIR FUNERALS, JAMES. THEY WANTED MARRIAGE SO THEY WEREN'T KICKED OUT OF THEIR HOMES AND STRIPPED OF BENEFITS DURING A HEALTH PANDEMIC, JAMES. THEY DID FIGHT FOR EMPLOYMENT RIGHTS, JAMES. THAT'S HOW SEXUALITY BECAME A PROTECTED CLASS. Lying about and downplaying the legal rights these valiant "boring" people fought for misleads current generations of queer people into caring less about their history, the people who have done the most for them, and protecting the legal rights so desperately won.

b) All the gay Nazi shit. I feel like I shouldn't have to explain why inventing facts about all the Nazi secret police and youth counselors being gay and extorting people for sex under the Reich is so insanely dangerous and disgusting, but here's a hint: it casts your own community as being the vile, perverted criminals that THE ACTUAL PEOPLE WHO WANT YOU DEAD (you know, homophobes? Not people on the internet who noticed you plagiarized the Celluloid Closet) perpetuate in order to sell their draconian policies to the masses.

c) all the misogyny. I get it, you want to erase the discrimination against women (and people you claim are women) have faced, especially as queer women. You wanted to pretend Radcliffe Hall was allowed to "carry on with her happy little life." You wanted your audience to believe that. You wanted your audience to shit on women for moral panics you made up. You wanted to erase the queer identity of a woman who had already been through Hell and then pass it off as justified. With the rising tied of renewed misogyny,, incel attacks, and reproductive rights being stripped from us, you really, really wanted to sell the message of women being whiny, jealous bitches who get handed everything, never deal with consequences, and hate people for not liking their work. (TBH, it feels a bit like projection on your part) thank you for spreading so much incel rhetoric and transphobia and making your audience ignorant of the great contributions women have made to LGBTQIA history.

I'd respect you more if you would just own up to the obvious biases you clearly have.

That's not all, but my hands are getting tired.

5) That you were caught lying about the contents of Hbomb's video in your initial patreon response.

6) The worth of the people you stole from.

7) Using Nick's asexuality as an excuse for your acephobic AF bullshit about how ace people apparently never dealt with institutional oppression when they're the most likely to be sent to conversion camp and have had corrective rape used as a "treatment" throughout history. Like, holy shit, James.

8) How you tried to lay blame for your shitty, stolen work on your own audience because "you didn't wanrt to make them and they were patreon requests." You didn't have to keep video requests as a perk. Those people paid over $300 to you for those wids only for you to throw them under the bus.

9) Your complete refusal to update your Telos backers on anything besides announcing new projects that you were using to replace the projects you promised them. You could have gone on Patreon, Indiegogo, Twitter, or your channel, and explained things. Things like this happen. But instead you ghosted and gaslighted.

10) The shit you pulled about Nebula.

11) The shitsquillion dollars you spent on cameras you didn't need when you were also claiming to your patrons about being on the verge of homelessness.

"It's a documentary, no opinion just cited facts." James, you've cited "facts" like "15% of the Hitler Youth counselors were gay", "Radcliffe Hall didn't get punished for writing a book about lesbians", and "there was no fight against employment discrimination" as "facts."

Then there's the part where you're still insisting that the people who told you that you can't make a short film on 3K were wrong. You insist it's possible because you intended to use non-union labor. then two minutes later you admit a movie you put together ended up going way over-budget because you didn't realize how much things would cost.

So the Telos nay-sayers had a point, James. Why are you still acting like they were wrong. Do you just not want anyone to find Dan Olsen's tweets about your finances?

The fact that you think you have any business coming back when all you've ever managed are lies and theft is so hilariously conceited. I get it. You want to be able to "carry on with your happy little life" (the way Radcliffe Hall DIDN'T). You want to go back to being a big youtuber and for everyone to admire you once you manage to go a whole video without stealing from anyone. That's not how this works. You have no credibility. You have caused a huge amount of damage not just to your immediate audience, but also the queer community overall.

You hurt a lot more people than Jessie Gender, James.

"We weren't trying to lie about things." BULL FUCKING SHIT. YOU NOT ONLY LIED ABOUT BECKY ALBERTALLI MULTIPLE TIMES. YOU EVEN MADE AN INDIRECT DIG AT HER SO YOUR AUDIENCE WOULD ASK ABOUT IT SO YOU COULD LIE ABOUT YOUR INTERACTIONS WITH HER AS WELL. YOU LIED ABOUT WHO ACTUALLY WROTE YOUR VIDEOS. YOU LIED ABOUT YOUR CREDITS. YOU LIED ON PURPOSE. AND YOU LIED IN WAYS THAT HURT PEOPLE.

You also lie in your video saying "in the beginning, I thought it was enough to put people's names in the opening credits." No you didn't. You started using those opening credits well after the accusations came rolling in. You even admitted on twitter that in the beginning you weren't "citing my sources yet."

Do I believe much of your bullshit was pure laziness? Certainly. But there can be more than one reason for it. There's no way you knew who Radcliffe Hall was and actually thought she face no repercussions. No one who has ever heard of The Well of Loneliness DOESN'T know all the prints were destroyed. It being a lesbian book that was destroyed by the courts is THE STORY.

You lied when you said you didn't call Becky Albertalli straight. EVEN THOUGH YOU ADMIT TO PUTTING HER IN THE STRAIGHT CATEGORY.

You lied about your "adaptation" of Evil Queens and tinker Bells and the citation and schedule of when you got approval. You got approval after the fact and claiming you got it from the beginning. your own email screenshot proves it.

You lied saying the Evil Queens video was "a direct adaptation of the books" despite half the video being plagiarized from completely different works. You lied about your plagiarism accusations and HBomb's video rehashing old "debunked" accusations on Patreon. You lied about Alexander Avila. You lied about reading/watching a bunch of the media you were "critiquing." you lied about when you started with your opening credits.

These were ALL LIES YOU TOLD ON PURPOSE.

You don't "research", "write", shoot, edit, and post a video with shit like that in it and say it wasn't malicious or intentional. You put these videos out there with scores of lies, many of which were directed at various marginalized groups, and CHOSE to never check if anything you said was true. You don't invent entire fake moral panics "by accident." You don't plagiarize by accident.

Please don't spend forty minutes reciting excuses and then claim "these are not excuses." You're not fooling us.

Also - Leave your poor mother out of this. She already had to die of cancer. Let the poor woman rest.

But thank you for linking your new patreon and telling us all about your upcoming videos! I am glad you have your priorities straight. (that was sarcasm)

Just leave the internet, James. Not LIFE, OBVIOUSLY. Stay alive. But your time as a content creator is done. You have no viability in that area. The fact that you think you can just do this is equal parts entitled and delusional. That you think you can come back so soon makes it even worse. Tell you what: you can try again after it's verified that the people you stole from have been compensated and you properly apologize for everything else.

I will not believe you're truly sorry until you can actually apologize without caveats, excuses, and, yes, lies. Saying you're sorry for "not citing things correctly" is not apologizing for what you did. It's cushioning the actual facts and downplaying your transgression. You have not apologized for the misogyny, acephobia, or transphobia, which, yes, YOU DID. I don't care if you want to claim it wasn't intentional YOU STILL DID IT. You haven't apologized for harassing and slandering your critics.

So no, James, I don't really believe you're sorry. I think you're sorry this blew up and that you have to make a new patreon. I don't trust that you won't continue being misogynistic. I don't trust that if you ever see this comment, that you will actually read it instead of crying homophobia and cancel culture and "wanting you dead."

Admit that you harassed people and that it was awful. Admit the extent. Admit you lied about Becky Albertalli and apologize to her. Admit that, yes, YOU HAVE SOME REAL ISSUES WITH WOMEN and that you are ready to confront them.

I don't trust you to do the right thing here. But maybe this comment will be read by someone who might have otherwise fallen for this and it'll be easier for them to see through manipulation like this in the future.

Just log off, Bro.

[bengiyo]

We Are Sucks, and BL Will Be Worse When This Succeeds

We Are the series, the latest empty drivel from New Siwaj, has crossed a line for me that I cannot abide. This show is nothing more than loosely connected setups for BL moments that are easy to gif or clip for maximum virality, designed to fulfill a financial obligation to iQIYI and otherwise keep the B- and C-tier BL pairs occupied with work. This show is saying nothing about the human condition with any verve, and there is no queer subtext or text to pull from any of these characters that the viewer isn’t already bringing to the table. 

I had stopped writing Stray Thoughts for this show because it doesn’t really have much of a plot or story to tell, but I am not going to be able to continue this show past episode 5. This show is the BL equivalent of a cumshot compilation. It is designed exclusively as fap material to coo over known BL pairs smiling at each other. I was chatting with @twig-tea yesterday about how after five episodes we still don’t really have anything resembling an arc for these characters and how it’s just a bunch of BL dudes hanging out. Twig described it as “disingenuous to [even] call it a show” and “...a bunch of compatibility workshops strung together.”

I hate this so much. There is no story being told here. This is like watching actor reels on IG or TikTok. There is nothing here to hold onto other than your baseline fondness for the cast. There was a moment in episode 5 that felt completely unscripted between Aou and Boom that felt like Boom reacting to being teased by Aou and not a moment between their characters. They didn’t even let Aou’s character confess the specificity of his feelings because they don’t matter to this show! It doesn’t matter why he likes Boom’s character! Just that he does! Why does Boom’s character respond so positively to these feelings? Why didn’t he take initiative on his own before? What changed at all? What’s the goddamn story here? There’s nothing! We just make it up and enjoy the smiles.

I usually don’t want to bitch about shows I don’t like extensively on here, and I especially don’t like spamming tags with negative commentary or musing on shows. However, there are 11 more episodes of this empty nothing, and 30 more episodes of New Siwaj trash on the horizon. He has become the GMMTV BL Babysitter, and I am horrified by what this means for the genre. I try to stay patient with New because usually he captures some form of gay melancholy or angst in his shows, but there is none of that here in We Are. All of these characters know each other and are basically just hanging out for about an hour of TV. 

I worry about stuff like this being good enough to monetize. There’s nothing interesting for me in this experience with a queer lens. There is no real story being told, and caring about any details as if they matter leads to questioning the integrity of the characters (are we really doing a slave narrative in a college BL again?). It feels like the end product of giving up on chasing ratings and only chasing virality to monetize the talent for ad spots, concerts, fan meets, and merch. No longer do we even need to make stories about compelling romances between men. We just need to get passably attractive boys on screen together and just ask them to smile. 

What does it mean for the genre if GMMTV goes another step forward with this and no longer brings any robust writing to the BL table. Are we satisfied with BL as glorified slideshows of shippable actors? What happens when GMMTV is able to easily milk this over other robust productions? Is this just the filler fluff to keep people engaged with the network between their solid projects to prove their bonafides? BL has always struggled with depictions of queerness, but are we at the point where we don't even try to tell stories that even feel queer? Is just simply putting boys next to each other enough? I don’t like this at all, and it unsettled me as I watched five episodes of We Are only to feel nothing. 

I am always half-joking about being over New Siwaj, but I really am at this point. 

[thenightshadowqueen]

Top ten SFTH character couples

(in my biased opinion)

Okay, first of all I’m so sorry to anyone who followed me for anything other than Shoot from the Hip content; I swear I’ll put in more variety. Someday. (Also go check out Shoot from the Hip.) Second of all, I did not join Tumblr with the intention of making a bunch of lists, but they’re fun to write and people seem to enjoy them, so here goes.

10. Justin x the Beetroots MC (headcanon)

Listen, I do NOT condone the whole “if they’re bullying you, that means they like you” bullshit. That being said, years and years later, after both of them have grown as people, I think they could have a really sweet relationship, at least after they work through everything.

9. André Beetroot x Xavier (canon, somehow)

I kind of ship this in a joking way, but also kind of not? They make sense together in a really weird, fucked-up way, and I’m so here for it. (I cannot believe that they’ve canonically hooked up. Multiple times. I love AJ so much for giving us this.)

8. Andrew x Nigel (headcanon)

It’s so toxic. It’s so toxic, and I know that, and it would never be okay in real life, but some dark part of me is really fascinated by the possibilities. (I cannot emphasise enough how much I am intrigued by this in FICTION ONLY.)

7. Jack and Jackie (canon)

Complete turnaround from the last two, but these two are genuinely so sweet. I honestly don’t even have much to say about them, but I love them. So much.

6. François x Mimi (canon)

They are so toxic. They’re horrible people, and they only make each other worse. And I love it. (You know, making this list did make me worry about my mental health slightly. Just slightly.)

5. Toby x the meth wife (canon)

First of all, this is the gayest straight-presenting relationship I’ve ever seen, and I love it. (I totally headcanon them both as bi/pan/queer/etc., but that’s not the point of this post.) And honestly, they’re so supportive of each other. They’re, like, genuinely a healthy couple (in a SFTH play? Can you imagine?). They have so much love for each other, and I could talk about them all day, but I’m fairly sure no one needs that, so I’ll stop.

4. Andrews x Betruva (headcanon)

Listen, I might be a little biased because they’re new, but they kind of have everything I look for in a ship. They have millennia of history, which is always a good start. They’re ancient nemeses. They founded a church named after them both???? Honestly how much more gay can you get?

3. Esmerelda x the vampire slayer (canon)

I like to imagine that Esmeralda survived, and they fall in love, and they have to work through the trauma of the slayer (I think I saw the fanon name Samantha? But I’m not sure) trying to kill Esmeralda. There’s just so much angst potential, and oh, now I want to write a fanfic.

2. Bubba x Jeramiah (canon)

They’re a fucking classic, okay, and they’re a classic for a reason. They are the best gay cowboys, and I love them so much. I know I should have more to say, but I feel like it would just be incoherent screaming.

1. Derek x Titch (canon)

Listen, who else could it be? They are so fundamentally amazing. It’s a classic case of “he fell first, he fell harder” (even if we don’t get to see a lot of the “he fell harder” part, I believe it with all my heart). I love Titch working though his issues and learning to open up, and I love Derek being so helplessly in love with him. I love them so much, and they deserve the top spot.

[bidisasterevankinard]

Wip Wednesday

guees who started new wip with baby queer Tommy in his 30s and confident whore Buck in his early 20s just an hour ago? meeeee

Before going to the bar where the handsome man is still drinking beer, Evan quickly corrects the way his top sits on him, pressing his fingers to his piercing to get his nipples more pebble, makes sure that the hairstyle is great, corrects his neon red lipstick and eyeliner, and wagging his hips goes to what promises to be a hot night.

“You look lost, big guy,” Evan puts on his best smile that always helps him get anything or anyone he wants, “can I seduce you with a new bottle of beer? Or would you prefer anything else? They have amazing cherry and peach shots. Can highly recommend,” he carefully leans to the guy not wanting to scare him too fast, so he still keeps some space between them.

“I-I,” the man swallows, looking at his face, clearly fascinated by Evan's lip piercing. 

Evan grins inside, licking his lower lip so that his tongue piercing is also visible. He knows how wanting to feel it between their legs drives people crazy. And this with adding the lipstick he has on his plump lips will guarantee this guy will want his mouth on him soon.

“I was just thinking about drinking this bottle and going home, but-but thanks.”

The man definitely lies if the way his voice is almost ready to break and how he tries hard not to check Evan’s body says anything.

Evan just arches his back more, leaning on the counter, he pretends to straighten his top, enjoying how while his attention is on the bartender, he literally burns under the heavy gaze of this man. 

He loves when people make him work before falling into his bed. It's a funny game. Till they are not saying real no, of course. Then he goes away because he’s not an asshole.

“You sure, handsome?” Evan bats his eyelashes. “Those shots are best in town. But maybe you’re not comfortable with drinking with someone not knowing their name? Well, then, I’m Evan, but,” Evan leans to whisper it yet leaving some space because he want this man to close the last the distance between them tonight when he will be ready, “you, handsome, can call me anything you want,” Evan winks and then when bartender finally comes to them asks again, “so shots or should I leave you alone?”

The way for man to get away from him. If he will tell him to leave him Evan will do it. 

“Yeah, shots. And both types sound good. Love both cherry and peaches,” man nods to him and smiles a little.

Evan orders four shots of both types for now and then turns back his full attention on the brunette finally deciding to sit near him and not just stay, “so what should I call you, big guy? Or do you prefer pet names I use?” 

“Tommy,” the man, Tommy, licks his lip, definitely looking a little tense, so that Evan wants to get on his knees already and blow him so good he will lose all this tension. Later, he stops himself. I'll do it later and he will see the god himself, while coming. “You can call me Tommy.”

I will not just call you that, sweety, I’ll scream it coming on your cock while riding you so hard you’ll see the stars - Evan thinks, but says, “Nice to meet you, Tommy,” with a little stretched intonation and a voice slightly lower than necessary highlighting the name. “Really nice to meet you.”

tagged by @dangerpronebuddie @wikiangela @tizniz 💙💙💙

Tagging @watchyourbuck @ebdaydreamer @eddiebabygirldiaz @evanbi-ckley @rainbow-nerdss @rogerzsteven @the-likesofus @thewolvesof1998 @theotherbuckley @underwaterninja13 @pirrusstuff @aspecbuddie @saybiwithme @spaceprincessem @spotsandsocks @devirnis @diazsdimples @fortheloveofbuddie @honestlydarkprincess @hippolotamus @jesuisici33 @cal-daisies-and-briars @bibuckbuckley @bekkachaos @bewilderedbuckley @bigfootsmom @bi-buckrights @neverevan @monsterrae1 @daffi-990 and anyone who wants to

[thesiltverses]

Hello! I found the silt verses about three weeks ago and have listened to it several times since. I have a few things to say.

I absolutely adore that episode about the national grid workers. I think it’s my favorite episode of any podcast I’ve ever listened to. My favorite part of that first episode Paige is in is how she justifies not standing up for Vaughn, that cognitive dissonance that you wrote so well. This episode gives me what I wanted from that episode, the workers all banding together to stop the wasteful sacrifice of one of them. The actor who played the foreman did an incredible job as well. I think that having him discuss which of his workers he would sacrifice was such a significant moment, despite how brief it is. It cuts right to the big question that I took away from the podcast which is, “How much is someone willing to sacrifice in order to maintain their comfort?” And the utter disrespect of Glodditch (apologies for the spelling) refusing to cancel even the radio but asking grid workers to kill themselves for 200kw/h! Top tier episode.

I grew up in the south and went to college in Appalachia. I saw the disparity in technology and “advancement” if that makes sense that poverty brings, and the way you set up the world invokes that feeling in me again. You are an amazing world builder and storyteller.

I really enjoyed the cameos - I’m a big fan of malevolent/devisor, Old gods of Appalachia, and all of Jonny sims work, so hearing familiar voices was an absolute delight. Harlan Guthrie as an acolyte of the snuff gods might have been a bit too on the nose with some of the things that man writes, though… /pos

I’m transmasculine, and something that I really appreciate is how you manage to make a trans man do some objectively awful things, but still manage to make him a complex, full character that I was rooting for very frequently. Brother Faulkner is so, so important to me as a character. Paula Vogel has a play called “Indecent,” which is about the true story of a troupe of I believe German Jewish actors between the years of 1910ish and 1940s putting on a show called “God of Vengeance” by Sholem Asch, also a Jewish man. “God of Vengeance” has queer themes and received a lot of criticism from the Jewish community for showing Jewish folks in a “bad” light at a time when there was already so much hatred for Jewish people. Brother Faulkner being as complex and, in my opinion, malicious and cutthroat as he is at a time when trans people face so much bigotry, especially legislatively in the United States, brings this conversation about “God of Vengeance” up again for me. I also love how normalized non-binary people are in this world, without question. “Sibling this or that,” the hunter, adjudicator Shrew - big thanks from me for all of this.

All of this to say, I love this podcast. Can you talk more about the rhetorical gods? Is Babble one? What makes them one if they are, or why aren’t they? I’m fascinated by them. Can you talk more about the propaganda gods too?

Thank you so much for the thoughtful and kind words!

I'll check out Indecent, it sounds really interesting and I'm very glad to hear Faulkner works for you as a character. I think the topic of how to include and write queer characters who are capable of terrible things and thoughts (because, after all, these characters are human beings and not tutelary exemplars), within the context of both a rising movement of transphobia right now and centuries-old scapegoating / pathologising portrayals more generally, is a really knotty but a really important one, and I always want to make sure I'm approaching it with care and due responsibility as well as a sense of humility around the limitations of what, as a cis writer, I can actually achieve.

To that end, I don't want to ever take the audience response for granted, but I'm always really grateful to hear that the portrayal is working for a listener!

Propaganda gods: gods whose prayer-marks or ritual verses are fed directly to the enemy, enforcing destructive or sabotaging changes to reality (so rather than sending a destructive saint or angel to rampage over the foe, you might drop pamphlets or send radio messages to the enemy to 'convert' them).

Rhetorical gods: gods whose followers possess reality-warping powers of language itself (which is why 'rhetorical god' is a polite way of saying 'liar's god'). In other words, the paranoia around them comes partly down to the fact that a disciple like Val may appear to be a limitless shaper of new forms, rather than shaped into a limited form of their own, as a result of their worship.

[hotvintagepoll]

Propaganda

Loretta Young (The Farmer’s Daughter, The Stranger, Love is News)— Her cheekbones!! Her lips!! Her big eyes and small nose and not quite classical features!! The planes of her face hypnotize me and her smile clears my mind of anything else. She’s an interesting beauty, not a standard one, almost in a Mads Mikkelsen type way (I repeat: cheekbones). Also I’m begging people to watch The Farmer’s Daughter, a charming rom com where my babygirl Joseph Cotten falls through the ice while skating because he got distracted by how pretty she was, and where Loretta puts on a 40s-bad Swedish accent and runs for Congress! Girlboss!

Marlene Dietrich (Shanghai Express, Witness for the Prosecution, Morocco)—its marlene dietrich!!!! queer legend, easily the hottest person to ever wear a tuxedo, that hot hot voice, those glamorous glamorous movies.... most famously she starred in a string of movies directed by josef von sternberg throughout the 1930s, beginning with the blue angel which catapulted her to stardom in the role of the cabaret singer lola lola. known for his exquisite eye for lighting, texture, imagery, von sternberg devoted himself over the course of their collaborations to acquiring exceptional skill at photographing dietrich herself in particular, a worthy direction in which to expend effort im sure we can all agree. she collaborated with many other great directors of the era as well, including rouben mamoulian (song of songs), frank borzage (desire), ernst lubitsch (angel), fritz lang (rancho notorious), and billy wilder (witness for the prosecution). the encyclopedia britannica entry im looking at while compiling this propaganda describes her as having an “aura of sophistication and languid sexuality” which✔️💯. born marie magdalene dietrich, she combined her first and middle names to coin the moniker “marlene”. she was a trendsetter in her incorporation of trousers, suits, and menswear into her wardrobe and her androgynous allure was often remarked upon. critic kenneth tynan wrote, “She has sex, but no particular gender. She has the bearing of a man; the characters she plays love power and wear trousers. Her masculinity appeals to women and her sexuality to men.” in the 1920s she enjoyed the vibrant queer nightlife of weimar berlin, visiting gay bars and drag balls, and in hollywood her love affairs with men and women were an open secret. she was an ardent opponent of nazi germany, refusing lucrative contacts offered her to make films there, raising money with billy wilder to help jews and dissidents escape, and undertaking extensive USO tours to entertain soldiers with an act that included her a playing musical saw and doing a mindreading routine she learned from orson welles. starting in the 50s and continuing into the mid-70s she worked largely as a cabaret artist touring the world to large audiences, employing burt bacharach as her musical arranger.

This is round 2 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Loretta Young:

[additional propaganda submitted under the cut.]

"ms dietrich....ms dietrich pls.....sit on my face"

"First of all, there are those publicity photos of her in a tux. Second of all, I have never been the same since knowing that she sent copies of those photos to her Berlin lovers signed "Daddy Marlene." Not only is she hot in all circumstances, but she can do everything from earthy to ice queen. Also, she kept getting sexy romantic lead parts in Hollywood after the age of 40, which would be rare even now. She hated Nazis, loved her friends, and had a sapphic social circle in Hollywood. She also had cheekbones that could cut glass and a voice that could melt you."

Bisexual icon, super hot when dressed both masculine and feminine, lived up her life in the queer Berlin scene of the 1920s, central to the 'sewing circle' of the secret sapphic actresses of Old Hollywood, refused lucrative offers by the Nazis and helped Jews and others under persecution to escape Nazi Germany, the love of my life

Her GENDER her looks her voice her everything

“In her films and record-breaking cabaret performances, Miss Dietrich artfully projected cool sophistication, self-mockery and infinite experience. Her sexuality was audacious, her wit was insolent and her manner was ageless. With a world-weary charm and a diaphanous gown showing off her celebrated legs, she was the quintessential cabaret entertainer of Weimar-era Germany.”

"The bar scene in Morocco awoke something in me and ultimately changed my gender"

"Her manner, the critic Kenneth Tynan wrote, was that of ‘a serpentine lasso whereby her voice casually winds itself around our most vulnerable fantasies.’ Her friend Maurice Chevalier said: ‘Dietrich is something that never existed before and may never exist again.’”

"Songstress, photographer, fashion icon, out bisexual phenom (notoriously stole Lupe Velez and Joan Crawford's men, and Errol Flynn's wife, had a torrid affair with Greta Garbo that ended in a 60-year feud, other notable conquests including Erich Maria Remarque -yes, the guy who wrote All Quiet on the Western Front- Douglas Fairbanks Junior, Claudette Colbert, Mercedes de Acosta, Edith Piaf), anti-Nazi activist. Marlene was a bitch - she had an open marriage for decades and one of her favorite things was making catty commentary about her current lover with her husband, and her relationship with her daughter was painful- but she was also immensely talented, a hard worker, an opponent of fascism and the hottest ice queen in Hollywood for a long time."

"She can sing! She can act! She told the Nazis to fuck off and became a US citizen out of spite! She worked with other German exiles to create a fund to help Jews and German dissidents escape (she donated an entire movie salary, about $450k, to the cause). She looks REALLY GOOD in a suit. If you're not convinced, please listen to her sing "Lili Marlene". Absolutely gorgeous woman with a gorgeous voice."

Gifset link

"Bisexual icon and Nazi-hater. Looks absolutely stunning in the suits she liked to wear. 'I dress for the image. Not for myself, not for the public, not for fashion, not for men'."

"Did a bunch of humanitarian work during ww2, pretty sure a shot of her from Shanghai express was the inspiration for one of queens album covers and also her in the suit in Morocco (1930) CHANGED LIVES. I’m sure she’s already been submitted but I wanted an opportunity to submit one of my favourite pictures of her for the poll"

"would you not let her walk on you?"