#and i don'T even have to OPEN the original post

[cazort]

I mostly agree with this post. I think a critical point that may be missing though, is the important distinction between trust and moral judgment or a sense of superiority.

A member of a marginalized group not trusting a member of a privileged group until that trust is earned, until they have proven or shown themselves to be safe to interact with and not overtly bigoted?

100% common sense. Often even necessary if you are to navigate our world safely.

But condemning a member of a privileged group, assuming ill intent, without ever giving the person a chance to prove otherwise?

This is unnecessary, maladaptive, and often ends up alienating people and worsening the bigotry. It predictably and understandably makes people defensive. Yes, it's an understandable reaction when people are traumatized. But we need to gently guide people away from this sort of reaction if we are to fix our culture.

Making this distinction is important because I see too much of it being blurred and people confusing one with the other, both ways.

I see people (usually right-leaning) condemning or shaming marginalized people for exhibiting reasonable (and often necessary) caution. But I also see people (usually left-leaning) defending or rationalizing the assumption of bad faith and reacting to criticisms of it with a strawman argument defending the marginalized people's lack of trust, when the original point being made wasn't that they need to trust, but just that they are being too quick to condemn. And similarly, they wrongly condemn the privileged person's defensiveness saying "You don't need to feel so defensive, no one was attacking you, don't take it personally." when someone actually WAS attacking them. (e.g. a woman making comments like "Men are trash." in front of men)

Sometimes the best course of action is to reserve judgment: no trust, no condemnation. Wait till the person shows more of themselves. Give them space to establish either their bigotry or their open-mindedness. Assuming either is no good.

And if you're reacting to a person's reaction? PLEASE examine the original person's words and behavior before automatically taking sides. The response may have a valid criticism in it. Or it may not. Use your brain. A person is not automatically right because they have a marginalized identity nor is a person automatically wrong because of their privileged one.

Shouldn't-be-so-hot take but coming out as straight after experimenting with queer labels and realising you weren't queer after all should be as celebrated as coming out as queer is because it's never a case of one group "gaining" or "losing" a person but rather a case of the person learning who they are

[skulkingfoxes]

A post-mortem of "Good Morning, Rose"

A few weeks ago, I posted my addition to the comic anthology GLIMM*R, a short comic called "Good Morning, Rose".

The reaction to it has been so uplifting and exciting. It really seemed to struck a cord with people, which, really, the best thing for me to hear as a creator. I absolutely love writing and making short comics, you can do much with so little, explore such interesting stories. The feedback I've gotten has been very heartwarming! It makes me want to explore short stories even more!

But, first, I want to talk about some of my feelings and about the process of making "Good Morning, Rose". This got a bit long, so you'll have to indulge me a bit. You should also read the comic first before reading this. Don't worry, it's only 8 pages.

Now the preamble is out of the way, lets go back to the beginning.

The idea of "Good Morning, Rose" was a nugget in my brain for a long time! Originally it was actually from the Dreamwalker's point of view, where she was a faceless entity who had a long term relationship with Rose and was trying to figure out how to explain that their relationships only were in Rose's dreams. It was a story about seeing, accepting, and loving each other truly and fully, and the trials and tribulations of getting there. Also a cute girl with an ancient eldrich being is always fun to explore.

A lot of it was too convoluted, emotionally and storywise. It also required to get into what the Dreamwalker actually was, which I ended up really not liking. So, ultimately, the idea didn't work, and I put it down. I ended up going to do my short comic Twigs instead.

When I was invited into the wlw anthology GLIMM*R and was told that the theme was "dreams", I decided to take another stab at the concept. This time, I inverted the pov, it's now Rose's story. And instead of a long term relationship, it was about the powerful first feeling of a perfect (maybe even too perfect?) first date.

One of the hardest thing to write in romance is getting readers to care about the relationship in the first place. To have the readers believe in the character's feeling, to be invested in their romance. This is even harder to do when you only have 8 pages to do it. Focusing it around a first date helped a lot in that case. There I'm not trying to sell that these two character will love each other forever and forever, just the fluttering first butterflies of realizing you're developing feeling for someone. It's why I leave it so open-ended about whether the two of them meet again at the end of the comic, or even if it was real in the first place. It's just not the point of the story.

That's something important about writing short stories, I find. You really have to hone in on an idea, on a thought. Take a simple idea and try to find all of the interesting layers. It's too easy to try to stuff a short story with too many ideas that ultimately go unfulfilled. In fact, the first draft of the comic, at the time called "Dream Date", there was a big problem with this and the pacing.

Here, take a look at the first stab at the roughs:

(BTW, there is something so fun about roughs for me lol. The art is so kinetic and loose, all about just getting the story across)/

As you can see, a lot of the ideas and imagery made to the final version of the comic. But both the initial readers and I agreed that the beginning and end were good, but the middle was messy and slowed things down. You can also see that I got stuck in the same problem I did when I first conceived of the story, it's bogged down trying to understand the Dreamwalker in a way that actually hurts the story. You simply dont have any room for bad pacing a short comic like this. I need to focus more on the character's and their emotions and exploring their actual relationship rather than blandly trying to explain the situation. A friend also suggested that I should hone in on the fluid dream-like aspects of the first couple of pages, especially since it's so fun to explore in the medium of comics. So I got to work gutting it out and trying again with the new, much stronger imo, direction.

Also there were some issues with the page format that needed changes for printing, thus the final spread had to be split up. Which is a shame, but oh well, it still works. I also honed in a lot more on Rose and her insecurities. I ended up putting a lot of myself into Rose. I'm glad readers seems to able to relate to her.

After figuring out the the story and the pacing, I went and, well, made the comic. Once you've done as many comic pages I have at this point, once you figure out a process, the actual drawing is fairly straightforward. Eventually, after thinking, and drawing, and toiling, and revising, and thinking hard about my life choices, I come out of the other end of the tunnel with a comic. One that I ended up really liking. One that other people ended up liking, which is always crazy to me.

I got a lot of interesting reactions to the comic. One demographic thinking it was sweet, wanting more of it (always a flattering thought), and enjoying the romance. Other remarking on the bittersweetness of it all, finding your soulmate in a dream, maybe never to see them again if they were even real in the first place. There were a lot of people remarking how they had a similar dream, one where they met someone they seemed totally and completely convinced that they were real and told the dreamer so, until the dreamer woke up. There was one person who asked if I had met the dreamwalker myself. Alas, my dreams are not this romantic and straightforward.

But all of us can hold hands, nod at each other, united by one universally true statement: big eldritch lady hot.

There's a lot of little bits I can talk about, like how Rose's dress is actively modeled after selkie dresses because I think they're cute, or some other trials and tribulations. But I think I've finished all I have had to say. I hope you enjoyed this and will stick around for my future projects! I definitely want to explore more short stories in the next year, especially as I am illustrating big graphic novels for my day job and don't have the time or energy for huge projects.

Till then, thank you so much! Happy holidays and have a good new year!

[mimicha-arts]

LC - YINGDU EP1 SPOILERS, TW - blood, death scenes

Yeah I logged in just for LC to sum up things in my DMs with Forest (love u), mostly about dives.

Still have too many ideas about how mechanics actually work, as well as abilities transmigration, so I'll focus on differences of dives and some things from previous seasons.

Scene with Vein.

In my understanding, the opening scene already includes 2 different developments of events.

1, where CXS, after being wounded, was led by LG into the room, while Vein went to pick up the gun. We see bloody footprints, traces on the table, but that's all.

2, where Wayne is already standing at the closed door, clearly shows other events - a chair, other objects scattered on the floor, according to the blood prints, the body seemed to have been dragged + there are no prints on the tabletop.

What is also interesting is that the background is slightly different in both scenes, if you pay attention to the shelves on the left.

There is a difference in the photos too - the first version shows only a crack, the second - a broken glass.

For me, the conclusion is that already here we see 2 different timelines.

Lu Guang's injury

In the first option, although Vein shoots at the door, he misses (time ~ 23:11), Lu Guang closes the door and is not injured

So , missing scene

We don't know what happened for about an hour. In the second version (cause it has stains on the floor, overturned things), the blood on the photo already speaks of the not shown scene. I doubt that Vein simply changed his mind and left, so Lu Guang had to "deal with" him.

At this point, he himself is deeply wounded, but the most important thing is that in these shots we are shown his yellow eyes - this is already a dive in a dive, some kind of repetition of the events.

s2ep12

At the same time, this drive is different from the drive that was shown in the second season.

The blood pattern on his clothes is similar, but even if we exclude the fact that he doesn't look out of breath/in pain, there are other details.

- blood stains on his face - furnishings, of objects on the table - blood on hands (by the way, in the scene with Vein, when he raised his hands in front of him, both of his hands were covered in blood)

Lu Guang's watch

For us as viewers, the watch on his right hand is a familiar part of the design, he wears it on his right hand in both s1 and s2

So, after diving, the first thing he tries to do is check the time, and looks at his right hand.

We still don't know the origin of his watch, since he didn't wear them in almost all the flashbacks. Except for the new one, where the watch is on his left hand.

Thus, Yingdu gives us a new diving point - April 12th (in addition to the dives on September 13).

Maybe the time of this dive will correlate with the time indicated in s2 (but with which there were no associated events)

Except for the poster, the watch on Lu Guang's left hand appeared in the flashback of CXS's death in s2, which probably separates this variant of his death from the ones shown in the scene with Vein, and perhaps the difference can give us insight into the timeline's chronologies later on.

September and April

To be honest, this whole thing makes me very excited, because of the existence of the old theory about the broken time in April and September - I wrote about it in detail a year ago in that post

Emma, April-September and chronology

For me, this means that circumstances of the case, who the unknown victim was, although they have faded into the background now, will still be a key.

Pretty sure this has all been discussed, but thanks for reading. Let's all… have fun with the new season ~

[lalalian]

choosing weapons + what I'm choosing and why | aethergarde academy

date: december 24, 2024

The most common weapon riders choose to fight with is the sword. The sword is the most practical and it's definitely a lot easier to fight with than like a battle axe.

If you're as picky as me, you may be wondering about the practicality of some of the weapons students are able to choose to learn in the academy.

I know I know, this is shifting, why worry about practicality? First of all, true, but like... let me have my moment ok 😒😒

Today, I'll just be talking about what I chose to go with, why, some practical aspects, and an easier variation for those who don't want to suffer as much as I do (yall are smarter than me).

table of contents:

my primary weapon: close combat weapon

phasing: a skill

my secondary weapon: long range weapon

easier variation

primary weapon

Before I even redid the aethergarde script, I wanted to fight with a scythe-- so that's gonna be my primary weapon. As I was doing some research on the technicalities of this... I was... uh... a bit disheartened.. BUT! Riders aren't human, and magic exists... so... I do think we can get away with a few things, can't we?

I did use chatgpt to help me come up with how scythe fighting would work, but I will be explaining how it works in my own words here.

Fighting with a scythe isn't easy in the slightest. I assume that most riders also wouldn't choose to have a scythe as their primary weapon, mostly bc, well, there is a pretty steep learning curve.

Scythes are originally meant for cutting grass and harvesting crops; the main point of the design, the curved blade, is the biggest obstacle when talking about practicality. However, that is what makes a scythe cool so... I'm keeping it 😒

When you look up how practical fighting with a scythe would be, a lot of people would just hit a foam head with the blade facing down, right on the forehead. I never intended for scythes to be used in that kind of brutish way, it's just so inelegant honestly and takes away from the opulence of the scythe, so i kinda was like 'mm... yall are just haters' and kept researching. Then i came across another guy that tried to execute that kind of classic beheading motion-- and that also wouldn't really work out due to strength imbalances and some general balance issues in general.

My last resort was chatgpt, and now I feel like I have a solid foundation on how to use a scythe and trust me, it's not boring or too impractical (maybe a little, but let me know what yall think).

As I mentioned earlier, riders aren't human-- even before they meet their bonds, they aren't technically human; more information abt that in this post. Riders are fundamentally different than humans-- especially higher ranked riders. Higher ranked riders will have more stamina and endurance than humans; since the way I planned out scythe fighting requires more energy than most weapons... lower tiered riders and humans are highly discouraged from specializing in scythes.

Scythes require the user to have a lithe but agile physique. You need to be light enough on your feet to execute rotational attacks, and it's best to have some kind of rhythm so as to not distort balance. Core strength is also important to maintaining balance.

Another big thing with scythes is that there would inherently be a lot of space open when you fight-- this would be especially detrimental when fighting with more than one person. Honestly, this wouldn't be too much of an issue anyway because all riders are taught to use their aura to shield their bodies, but while extremely rare, there could be some situations where you should not/cannot use magic. Even with the shield, I did implement another move that would fill in this gap; phasing.

what is phasing?

Phasing is almost a scythe-exclusive skill. Phasing allows the fighter to move quickly from one position to another-- it's similar to that quick dodge feature in many fighting games. Phasing also doesn't take too much energy to execute, but it does take a little getting used to when you use this skill a few times. Phasing is mostly used with scythe masters because scythes (in this DR) help control balance by using your own mana to power weights inside the staff. The heaviness of these weights will vary as you move and use the scythe. Phasing is best used to cut through tough things or to simply move from one position to another quickly. Phasing would be a great skill to use among all riders, but it would take more effort for those who don't swing their weapon around their body often. Since scythes disperse extra bits of mana around your body as you fight, it's far easier for you to phase. A sword fighter would need to not only focus on fighting, reflexes, stance, defense (including strengthening their body with mana + using mana as a shield for attacks that cannot be defended in time physically), but also on gathering mana in a bubble around the body and focusing just enough on phasing to do said skill. Scythe masters can learn to phase through longer distances, but it's not super easy to do.

You will be learning how to use scythes with magic and without magic-- meaning that those weights would essentially not work or vary as you move. You'd be wearing culltine jewelry of some kind to block off your aura to practice not using magic when you fight + get used to the feeling of not having mana.

secondary weapon

Note that whatever secondary weapon you choose should cover the weaknesses you've got with your main weapon.

My secondary weapon of choice is a tessen fan. Initially, I was just going to go with the classic longbow because of its flexibility, but I think a tessen fan would provide a bit more flexibility in terms of transportation and fighting close-up + long-range. I can't decide which would be better, a spiked fan or a smoother fan...

PHOTO 1) These kinds of sharp points are better for those with weapons that are a lot more long-ranged-- like spears, chains, whips, or throwing knives.

PHOTO 2) This fan is similar to what I'm going to use. I def won't have that pattern on the ends of the fan bc it'll weaken the edges (😭😔) but I think I'll try to get one with some sort of pattern on the hilt + the inside of the fan. This kind of fan is best for defense and close combat (slashes).

If you are going to use a tessen fan, make sure you get one that supports auto-loading (the auto-loading enchantment allows you to not have to replace the boshuriken every time you throw one-- this enchantment would definitely double the price of the fan unfortunately, but it really is worth it!).

example of fighting with boshuriken + the fan (long range)

One of the biggest reasons why I chose this weapon is because it can be used closer to the opponent— way more than the scythe— and I can use it to shoot at stuff. It also looks fancy and it's pretty easy to transport.

easier variation

While the sword and a longbow are not technically a bad option, consider changing up the sword for a different weapon. Swords are the most predictable compared to something like a battle axe. Longbows are always a great choice for a secondary weapon even if they are common; this is mostly because you can quickly shoot arrows in a short amount of time, the arrows travel pretty damn far, and they can do a generous amount of damage.

An easier weapon combo would be:

Tessen fan (Long and close) Throwing knives (Long range): Both can be used close and long range, and I'm sure you could get a waiver to excel in the tessen fan only if you wanted to. You can substitute the throwing knives with a long bow if you want to be able to fight from a wider range.

[starstruck-sillies]

Honestly this was refreshing to see, a lot of people who reblog typically don't even try to listen to what we're trying to get at, but I can definitely tell that you put a lot of genuine thought and actually listened, I appreciate that.

I am aware that there are many that do try to keep to themselves, and those people are (mostly) fine to me, but there are an awful lot I've seen saying a lot of...strange things. Some say that "Because some endos experience trauma they belong in CDD spaces" (Yes, that's an actual thing I've heard) And I'm definitely not trying to say their experiences are invalid, I'm just skeptical about how similar they are to us, and I'm not entirely convinced that they're actually systems like we are. If they say they are multiple people, that's fine by me, I just feel like they try awfully hard to seem like us at times, which irks me. I do see quite a few endos trying to claim that they are "so similar to us", maybe we just found different sides of it I suppose? Another thing I forgot to mention here is that there's a lot of anti-traumagen rhetoric prevalent in endo spaces. I highly doubt this is completely intentional, and I don't think that many actually realize they have this belief, but I have seen many that seem to have this idea ingrained in them that they're better than us, simply from being formed from means other than trauma, and while I think most of them are completely unaware of it, I can tell that a concerning amount of them do have this kind of rhetoric oozing from their posts. It's part of the reason that I stay away from mixed-origin and pro-endo spaces, I feel unwelcome and judged every time I try to go into these spaces.

Personally, I can't stand being in any mixed-origin spaces, though if they work for you and you feel safer there that's completely valid, and I'm glad it's worked out for you.

And I do agree that there's too much focus on alters in CDD spaces, there's so much more to these disorders than alters, and it's frustrating to see that people only ever talk about that part of it. It makes it harder for us to open up about the other parts of it, and it's extremely unhelpful.

I don't think I'll be changing my stance anytime soon, but this did put some things into perspective, and I think you taught me some things. I would be interested in hearing from endos, I haven't heard much from them, and I feel like I keep finding the bad ones, it's hard for me to find any that are decent. I still do pretty firmly believe that there needs to be more separation between traumagenic and endogenic, though I do agree that having some shared spaces would be a good idea, just that there should be more distinction between them.

(Sorry that I didn't respond to all of your points, I'm tired lmao, plus there are some I need to think on)

-Kaz

Keep seeing posts of pro-endos who used to be anti-endo talking about "Ugh, anti-endo spaces are so toxic" which is not necessarily bad, there are bad anti-endo spaces out there and people are allowed to vent about how those spaces hurt them

I do have a problem when they use that as an excuse to call us all toxic and cruel. I've seen many saying things like "Anti endos are so horrible, I'm so glad I'm not one of those monsters anymore"

You need to understand we aren't the monsters you make us out to be. We're traumatized people, trying our hardest to survive with something debilitating, who can't help but see endos as mocking, whether they truly are or not. We can't help but see endos as invading our spaces.

We didn't get to have safe spaces most of the time. We didn't get to be around people who cared about us and understood us. Even those of us that did have a safe space had it poisoned by trauma elsewhere. We spent our childhoods afraid, isolated, and so agonizingly alone, feeling like we were better off dead, that we were freaks, that we were the only ones in the world going through this. This community we made for ourselves was one we had to fight through years of hell to get.

So when random people come over trying to insist that they're "just like us" and demanding to be let in, despite having only one or two things in common that we couldn't even trust they truly had, of course we'll be fucking defensive. In our eyes, you're trying to take the safe spaces we fought tooth and nail for away from us, whether you truly are or not. In our eyes you're people who know nothing about us or what we went through, and continue to go through, trying to barge into our havens and bloat it with bullshit, whether that's what you're trying to do or not.

We've been hurt so many times, by so many people, for so long. Why the fuck would we take a chance on people that are so suspect? You claim to have alters just like us, yet without any of the other symptoms of our disorders. You claim to be systems, yet without being caused by the immense trauma we had to suffer through. Hell, some of you claim that you made your alters for fun, just because you can.

Of course we're wary and defensive. We don't want to even risk losing the spaces we worked so damn hard to get.

If you've had a bad experience with anti-endo spaces, and are pro-endo now because of it, that's fine by me and I understand completely. But that doesn't make us all villians. That doesn't make us all evil monsters.

And besides, many of us have been hurt by pro-endo/mixed origin spaces too. We've seen people have horrible experiences with them. (Let's not forget endos started as natural multiples, who were notoriously shitty, cruel, and discriminatory toward any and all traumagens, and that a lot of that same rhetoric is still rampant in the community, AND that the community at large has basically just decided to pretend that never happened.

-Kaz

[tomatette]

For the love of all that is unholy - will people PLEASE start reblogging more again? It's fucking frustrating omg. It didn't use to be like this! When did it change? How? Why?

If you know, please enlighten me, because it makes no sense to me. I love a post, I want to share it with my friends, hence I reblog.

A like is a polite "I have seen your post and I think it's awesome, but it doesn't really fit the theme of my blog or whatever". It does nothing for the OP other than telling them exactly that. Which is nice, don't get me wrong. But it won't boost the post.

There's no elaborate algorithm pushing a post onto people's dashes based on the likes it got.

ONLY REBLOGS WILL PUT A POST ON OTHER PEOPLE'S BLOGS!

🔁Reblogs are love🔁

[bixels]

In the past, people in the Animal Crossing community would make fun of Tom Nook as a sleazy landlord. Since then, he's really rehabilitated his image as this 'heart of gold' businessman (he's the one who puts bells and furniture in trees for you to find! he adopted orphans! he donates to charity!), but New Horizons genuinely paints the most devious version of him.

He's successfully privatized settler colonialism: you pay HIM to move to a "deserted island" (which apparently the oceans in the AC world are just full of) and start a colony that he is directly invested in. At best he's running a weird vacation package scam (you arrive on the island with no money and in debt for "using his services"). At worst, he's using you to set up company towns. For god's sake, he literally has his own fake currency that he forces you to use to pay off your debt. But don't worry, he's repackaged it in a way that definitely doesn't sound like an MLM scam: the Nook Mileage Program!

You're no longer just his tenant or his temporary part-timer, you're his business lackey. The entire tutorial section of the game has you spending actual weeks running around completing tasks and doing hard labor to set up his colony. You're even tasked with preparing his properties and finding buyers for them. No, you aren't a tenant anymore. You work for the landlord. You are directly responsible for finding tenants for him. And he doesn't even fucking pay you. Not for setting up town hall and museum, or his nephew's shop –– which is the ONLY store on the entire island that sells necessities –– or bringing KK Slider to town, or helping populate his town. Not a single cent. No, actually, you have to pay HIM to BUY infrastructure like bridges and stairs and park benches. And all the while, he's telling you're the "resident representative"; you get to call the shots! That the reward is the community's progress. That what you're doing is in everyone's best interest (but most importantly, his).

Since NH's release, people have done a lot of legwork to say that Tom Nook isn't a capitalist while the game shows him at his very worst. He owns the only general store in town. You're forced to use a phone that he modified and branded as his own. Buy Nook-branded furniture and merchandise at the self-serve kiosk in the town hall, a governmental building! There's no conflict of interest here!

But hey, if you're tired of being the landlord/business mogul's goon, you can also find work as a deluxe resort home designer for a company that also pays you in their special company currency that can only be used to buy their products instead of a real salary! Because that's what the Animal Crossing franchise needs! More vacation homes!!!

[jackredfieldwasmyjacob]

idk if it's because my mum worked in a tv magazine or what but all the media wars and backstabbing and stuff happening behind the cameras is so so interesting to me

[angorwhosebabyisthis]

honestly it's been really healing being back to actively contributing things and writing out thoughts on tumblr the last week or so, because while twitter tends to be easier for me to write out Thoughts on without getting overwhelmed, the environment in the twitter fandom circles i'm interested in is not only infested with antis but cliqueish in a way that is caustic to the fucking soul if you try to express a thought that's more than three sentences long--a hundred times over if you're autistic in slightly the wrong way--and it's incredibly reassuring to come back to an environment where the very kindest and most inclusive people toward you are not clearly thinking the r-slur the entire time they interact with you lmao

[bogos-bint3d]

Post that has rerouted my brain

[raiiny-bay]

they've come a long way

[theonlyqualitytrash]

No need to thank me, Berry—honestly, you should be thanking yourself! (Really, everyone should thank you for requesting more fics like this!) When I saw your post asking for more Fyodor winter fics, I just knew I had to do something about it. I couldn’t resist! :>

I’ll try not to ramble too much:

Honestly, I haven't seen many Fyodor x Reader stories set in cozy winter settings either, and I wanted to make sure this one felt original. ;-; I was a bit uncertain about the flour battle scene at first, because I know not everyone has read the manga, and they might find it a little out of character for Fyodor. But this is the same guy who threw eggs at a wall while in prison. If he can be a bit silly in those moments, why can’t he be that way here? (I can't even remember the chapter—it’s been so long)

And yes—yes, I am totally stealing that idea for next Christmas. I am already planning a mountain retreat, cozy vacation-type fic with Fyodor and the reader. You’ve made me so excited that I’m already impatient for next year! I’m like, “Wait, I have to wait 365 days for this?!” You need to stop giving me ideas. >:( (please don't stop giving me ideas)

But really, really, don't mind me while I sob over how sweet your message was. It honestly fills my heart to know that it made you feel so warm and happy. Because that's exactly what I wanted—to give you a bit of cozy, heartwarming joy. If a fluff fic doesn’t have you rolling around on your bed, screaming and crying happy tears, then I haven’t done my job properly. :> I’m so hopeful that our friendship will bloom into the next year. Here’s a huge, comforting virtual hug from me to you ^^ hug

---

Gosh, what a deeply hurtful thing for them to say about you. I really hope they realize the impact of their words and properly apologize because that kind of comment isn’t something anyone should have to endure. I’ve been in a similar position before, where people that were close to me said things that just didn’t sit right, and it can really take a toll on your spirit.

I completely understand the fear of letting someone in, especially when you’ve never had experience with dating and love. It’s terrifying to open up and risk being hurt. But I want you to know that people like us—those who crave love in a very specific way, who want something deep and true—are not naive or foolish. If anything, it makes us stronger, more aware of what we deserve. We’re not settling for less, and that’s something to be proud of, not ashamed of.

I believe in love coming to us in all sorts of forms and at different times. So, as much as it can feel daunting, don’t ever doubt that love can find you, and it will come in a way that honors your heart. You deserve a love that meets you where you are, that sees you fully and unconditionally.

I’m so glad to hear that you’re not letting their words shake you. Your spirit, your kindness, your willingness to believe in something better—those are beautiful qualities. Keep holding onto that hope and trust that the right people will see and appreciate that in you.

🤍🌻

P.S. Yes, the title does translate to Blessed Winter, and I’m so glad you caught that! ^^ Every Fyodor fic I will ever write will have a Latin title, mostly because they’re just cool, but also because I headcanon him as someone who knows Latin. Plus, it’s a little homage to his timeless nature. He’s been around so long that Latin feels fitting.

Beata hiems - Fyodor x Reader

Synopsys: Holiday special—On a chilly winter morning, you and Fyodor set out together for a festive task, finding warmth in each other's company as you navigate the day.

No warnings, just fluff

A/N: Happy holidays, everyone! The most important thing during times like these is spending quality moments with the people you love. I realized I’ve written a lot of angst lately (and not ideal situations) that I almost forgot I can write pleasant things too :> Also, I ate way too much zacusca while writing this...

Word count: 3,300

Both you and Fyodor woke early, a habit born of necessity, yet today carried a rare air of anticipation. The quiet of the morning felt different—not the product of lingering work or duty, but a purposeful calm you both had sought together. The shared goal ahead of you—choosing the perfect yolka for the season—lent an unspoken warmth to the air, even as winter’s chill lingered outside. 

The sun had barely risen, painting the sky with strokes of pink and orange as you and Fyodor prepared to set out. You wrapped your scarf hastily against the cold, eager to step outside but not prepared for the bite of the crisp winter air. The moment you crossed the threshold, the frost nipped at your cheeks, and you tugged the scarf higher, but it was no match for Fyodor’s keen eye. 

“Come here,” he murmured, his voice low and smooth, cutting through the soft crunch of snow underfoot. His gloved hand reached for the scarf you had wrapped hurriedly around yourself. He adjusted it, deftly tucking the fabric snugly against your neck. His touch lingered—more delicate than necessary—and his sharp violet eyes softened in the golden light of the sunrise. 

“You’re always so particular,” you said softly, your voice carrying more fondness than teasing. 

A faint smile ghosted across his lips, one only you were privileged to see. “It’s merely practical. Keeping you warm spares me the concern.” Though his tone remained calm, the undercurrent of care made your chest tighten pleasantly. 

“Practical, yes,” you said with a smile, a playful impulse to tease him flickering in your mind but quickly fading as you gently brushed your fingers against his hand. “But thank you.”

His raised eyebrow and the slight curve of his lips suggested he’d noticed your reaction, but he said nothing, instead gesturing toward the road ahead. “Let’s go. The trees won’t choose themselves.” 

--- 

The tree market was alive with the bustling energy of the season. Vendors called out their wares, offering everything from firs and pines to handmade garlands and wooden ornaments. The scent of mulled wine and roasted nuts mixed with the sharp, earthy tang of pine, creating an atmosphere that was as festive as it was chaotic. 

You walked alongside Fyodor, arm in arm, his quiet presence shielding you from the full bite of the winter cold. His long coat and composed demeanor made him seem almost impervious to the freezing air, while you found yourself fiddling with your gloves and scarf for warmth. Yet his close proximity—so steady and reassuring—seemed to cast a blanket of warmth around you. 

“Look at this one,” you said, pointing to a tall, lush pine with branches that stretched wide like welcoming arms. You tilted your head, imagining it standing proudly in the corner of your living room, adorned with sparkling lights and delicate ornaments. 

Fyodor’s gaze swept over the tree with a critical eye, his gloved hands tucked neatly behind his back as he stepped closer. “It’s sturdy enough,” he remarked, reaching out briefly to test the firmness of the trunk. “But do we truly need something so ostentatious?” 

You chuckled, the sound warm despite the chill. “It’s not ostentatious; it’s festive. And it’ll look perfect with the handmade ornaments we’re about to pick out.” 

His lips quirked into a subtle smirk, the faintest flicker of amusement dancing in his eyes. “Handmade ornaments? Are you assembling an art gallery in our living room?” 

“No,” you replied with a laugh, nudging his arm gently. “Just something unique for our tree. Help me find the perfect one.” 

The two of you wandered through the aisles, debating over height, fullness, and symmetry. Fyodor’s meticulous approach—inspecting every detail, pointing out subtle flaws in the trees you favored—somehow complemented your more intuitive choices. Where he saw imperfections, you saw character; where he sought balance, you admired the charm. 

Eventually, his resolve softened, and he let out a soft sigh, gesturing toward the very tree you’d first pointed out. “This one, then,” he said, his tone carrying a hint of indulgence. “If only to avoid spending the entire morning debating in the snow.” 

You grinned, stepping forward to examine the tree one last time, your fingers brushing against the soft needles. “I knew you’d come around.” 

His gaze lingered on you for a moment, and though he said nothing, the faint upward tilt of his lips betrayed a rare contentment. Together, you flagged down a worker to help carry the tree, already envisioning the warmth it would bring to your home. 

--- 

The shelves at the decoration stall were a flood of color: glass baubles, painted wooden ornaments, strings of beads, and garlands in every shade imaginable. The scent of pine mingled with that of beeswax candles, adding a rustic charm to the lively atmosphere. Your fingers lingered on a set of painted ornaments shaped like matryoshka dolls, their intricate floral patterns catching the light as you turned them over. 

“These are beautiful,” you said, holding one up for Fyodor to inspect, the delicate ornament resting gently in your palm. 

He took it from your hand with care, his long fingers brushing yours as he did so. He examined the ornament thoughtfully, tilting it slightly to catch the light. “I do like them,” he admitted. “But do we plan for the tree to carry only traditional designs?” 

“Not at all,” you replied, already picturing a mix of old-world charm and contemporary elegance. “I thought we’d pair them with something simpler, like gold and white baubles, to balance it out. What do you think?” 

Fyodor’s gaze lingered on you for a moment, his violet eyes reflecting a softness that contrasted with his usual guarded expression. “Elegant, yet practical. A perfect mix, really.” 

Pleased, you placed the ornaments into your basket and continued to wander through the stalls together, occasionally pausing to admire other unique finds. Your eyes lit up at a garland of shimmering beads hanging high above, just out of your reach. Before you could even try, Fyodor stepped forward, his movements fluid and precise, and plucked it effortlessly. He draped it lightly over his arm before turning to you, his expression unreadable but somehow fond. 

“Teamwork,” he commented dryly, earning a quiet laugh from you. 

As you browsed further, a bright red ornament shaped like a cheerful bear caught your attention. Without hesitation, you slipped it into the basket with a mischievous grin. When Fyodor noticed it moments later, he plucked it out and held it up between two fingers, his expression hovering between disapproval and amusement. 

“This one will disrupt your balance,” he remarked, the faintest trace of dry humor in his voice. 

“But it sparks joy,” you countered with a soft laugh, tilting your head as if daring him to disagree. 

He regarded the ornament for a moment longer before sighing, his faint smirk returning. “Unnecessary distractions,” he muttered, though he placed it back in the basket without further comment. “Still, it’s not without charm.” 

His quiet concession made your smile widen as you linked your arm with his again. “Thank you, Fyodor.” 

He glanced at you briefly, his eyes softening before he turned his attention back to the rows of decorations. “I simply indulge your whims,” he said, though the subtle warmth in his tone betrayed him. 

--- 

Back home, the tree stood proudly in the corner of the living room, its presence filling the space with the earthy scent of pine. You began unpacking the decorations while Fyodor set up the stand with the quiet precision you had come to expect from him. Even the simple act of adjusting the tree seemed graceful in his hands. 

“Before we start decorating, why don’t we drink some eggnog?” you suggested, stepping back to admire the tree’s placement. 

Fyodor glanced up, a faint smile tugging at his lips. “It will keep you warm after being in the cold. I’ll prepare it.” 

In the kitchen, the two of you worked in quiet harmony. Fyodor took charge of whisking egg yolks and sugar until they turned pale and creamy, his movements deliberate and exact. Meanwhile, you heated milk and spices on the stove, the warm aroma of cinnamon and nutmeg filling the air. The rhythmic sounds of his whisking and the occasional soft crackle from the stove added to the serene atmosphere. 

Unable to resist the tranquility of the moment, you stepped behind him and wrapped your arms lightly around his waist, leaning your head against his back. His steady movements didn’t falter, but his voice softened as he acknowledged your presence. 

“Comfortable?” he asked, a hint of amusement lacing his tone. 

“Very,” you murmured, letting the warmth of the scene seep into you. You lingered there, feeling the quiet strength in his posture, before he turned slightly, nudging you gently to take the mug he had prepared. Reluctantly, you let go, accepting the drink with a soft smile. 

As he handed you the mug with a faint smirk, his violet eyes glinted with quiet satisfaction. You sipped the warm drink, savoring the rich, spiced flavor. 

“It’s truly perfect,” you said, meeting his gaze over the rim of your mug. “You have a talent for making even simple things feel special.” 

His expression softened, and he inclined his head slightly in acknowledgment. “Perhaps it’s the company that elevates the experience, my dear.” 

Your smile widened as you set your mug down and began gathering ingredients for cookies. “Ready for the next round of teamwork?” 

Fyodor raised an eyebrow as you tossed an apron in his direction. “You expect me to assist with this?” 

“Yes,” you said, tying your own apron and flashing him a playful grin. “You’re a fast learner.” 

The two of you began mixing ingredients, your approaches naturally complementing each other, creating a rhythm that felt both efficient and effortless. As you sifted flour into a bowl, another mischievous idea struck. Without warning, you flicked a pinch of flour at him, leaving a pale dusting on his sleeve. 

He paused, slowly turning his head to regard you with an expression of calm menace. “You’re playing a dangerous game, lyubov’...” 

Laughing, you grabbed another pinch. “Am I?” 

With a swift motion, Fyodor dipped his fingers into the flour and smudged a streak across your cheek. You gasped, your eyes wide with mock indignation. As you reached for a small handful in retaliation, his hand closed lightly over yours, stopping you mid-motion. His violet eyes gleamed with a quiet gaiety. 

“Dear...” He spoke slowly, as if daring you to continue. “Do you really wish to escalate this?”  his voice calm, though the faintest trace of a smirk betrayed him. 

Of course, mischief took the better of you, and in the blink of an eye, the kitchen erupted into chaos. Flour flew through the air in soft, white clouds, settling like snow on the countertops, the floor, and both of you. Laughter spilled from your lips, a sweet, carefree sound that danced in the space between you.

The aprons did little to catch the fallout, now more a futile shield than anything useful. It didn’t matter. The room was filled with the rhythm of playful war—dashes of flour as ammunition, mischievous glances exchanged between you both, and the occasional breathless chuckle escaping your lips as one of you narrowly avoided a flour bomb.  

When you finally waved the white flag, Fyodor stepped closer, his voice calm but laced with quiet authority. “Do not start a war you cannot win,” he murmured, brushing a bit of flour from your hair. Despite his stern words, the glimmer of mirth in his eyes betrayed his amusement. 

“Then let's declare a truce,” you said, smiling up at him. His gaze softened as he nodded, and together, you returned to baking with a newfound warmth between you. 

--- 

After dinner and tidying up, the two of you finally began decorating the tree. The room was bathed in the warm, flickering glow of the fire in the hearth, casting a soft, golden light over everything. The air smelled faintly of pine and the lingering scent of the meal, creating an intimate, peaceful atmosphere as you carefully unpacked the ornaments and strings of lights. 

“The gold garland should go first,” Fyodor suggested, his fingers brushing over the shimmering strands before he draped them with precision along the branches. 

“Quite the expert on this decorating business,” you teased with a smile, stepping closer to adjust a section he’d already placed, your fingers brushing his as you did.

“I simply prefer a bit of order over chaos,” he replied with his usual calm, though a hint of amusement flickered at the corner of his lips, betraying his composed demeanor.

As you both worked together, the sounds of soft laughter and the faint rustle of ornaments filled the air. You held up a small ornament shaped like a bell, turning it in your hand with a questioning look. “Where should this go?” 

Fyodor stepped closer, his presence quiet but commanding. His hand brushed yours as he gently took the bell from you, his fingers warm against your skin. “Here,” he said, his voice softer than usual, placing it with deliberate care near the center of the tree. 

You hummed in satisfaction, stepping back to admire the spot he had chosen, feeling a small, unexpected warmth at how he treated each ornament with such attention. Reaching into the box again, you pulled out a bear ornament—one you’d picked up earlier that day. The little bear was a reminder of your shared experiences, and it felt like a quiet piece of your heart woven into the holiday. 

Without a word, Fyodor took it from you with a reverence that spoke volumes. His gaze lingered on the ornament for a moment, his fingers caressing it gently before he placed it with quiet care on the tree, the gesture speaking more than any words could. 

You reached into the box again, this time pulling out a sprig of mistletoe. Holding it playfully above your head, you couldn’t resist the chance to tease him once more. “And where does this go?” 

Fyodor’s eyes flicked to the mistletoe, and then back to you. The air between you shifted subtly, the playful tension between you both thickening. “A kiss?” he murmured, his voice laced with something deeper, something unspoken. 

“It’s bad luck if we don’t,” you replied, your voice teasing yet holding a hint of sincerity, knowing he wouldn’t let something so trivial go unacknowledged. 

Fyodor’s lips curled into a rare, genuine smile. He leaned in slowly, the warmth of his breath mingling with yours as his lips brushed against yours in a kiss that was both tender and featherlight. His kiss—how can one explain it? It felt like he had nothing to lose. Like his heartbeat was yours. Like someone who has just learned a foreign language and can only speak in the present tense, with you as the subject. Only now, only you.

The moment seemed to stretch, the world outside of the two of you fading away as he pulled back just enough to murmur softly against your lips, his voice low and warm. 

“We wouldn’t want that kind of luck,” he whispered, his smile lingering as his eyes met yours, holding you in a quiet moment of shared connection. 

--- 

The tree stood proudly in the corner of the living room, its soft, twinkling lights casting a warm glow throughout the space. The fire crackled in the hearth, its flames flickering and stretching across the walls, filling the room with a comforting, intimate atmosphere. You and Fyodor were curled up on the couch, a soft blanket draped over your legs, the heat from the fire adding a quiet coziness to the evening. 

Mugs of warm eggnog rested in your hands, the rich, spiced aroma filling the air as you took a slow sip, savoring the creamy warmth. Fyodor sat beside you, his hand wrapped around his own mug, a soft, almost imperceptible smile on his lips. There was a sense of peacefulness between you, the quiet sound of the fire and your soft laughter making everything feel still and right. 

You shifted a little, the anticipation bubbling in your chest as you leaned toward him, holding out a small gift. “I got you something,” you said quietly, your voice carrying a hint of excitement despite the calm of the evening. 

Fyodor’s violet eyes glinted as he glanced at you, eyebrow raised slightly in that characteristic way of his. “For me?” he asked, his tone a mix of curiosity and glee. 

You nodded and passed him the neatly wrapped box. He took it with that ever-so-gentle touch of his, unwrapping the gift with careful precision, his eyes flicking between the paper and your face. When the box was open, he held up the fountain pen you had chosen for him—sleek, elegant, with intricate golden details that caught the firelight just right. 

“It’s beautiful,” he murmured, his fingers tracing the pen’s smooth surface. “I’ll put it to good use,” he added, his usual stoicism softening further. 

“I know you enjoy writing,” you said, a smile tugging at your lips. “I thought it might be something you’d appreciate.” 

Fyodor looked at the pen for a long moment, his eyes dark with thought, before meeting your gaze. “It is perfect,” he said, the sincerity in his voice unmistakable. A small smile tugged at the corner of his lips as he added, “Thank you.” 

You grinned, feeling a warm rush of happiness at his words. “I’m glad you like it.” 

He cradled your cheek, his fingers tracing the soft skin with a tenderness born of awe. Then, his expression shifting to one of quiet amusement. He reached for a box of his own, setting his mug down beside him. You watched with curiosity as he gave you your gift.

When you opened it, you froze, your heart skipping a beat at the sight. Inside was a small, simple folder containing a series of documents. You blinked in confusion, slowly reaching for them as Fyodor’s eyes held your gaze with a steady, almost amused calm. 

“It’s a bit unconventional,” Fyodor said, his voice low and steady, “but you mentioned once that you would like to escape the city.” 

You unfolded the papers slowly, eyes widening as you realized what they were—legal documents, papers that transferred ownership of an entire mountain to you. A piece of land. A whole mountain. He had given you a literal escape from the city, just as you had hinted at so long ago. 

“A mountain?” you whispered, your voice almost incredulous. 

Fyodor’s lips curved into a faint smile. “You said you wanted to get away. I thought this might be a... fitting solution. Perhaps you’ll find it more peaceful.” 

You couldn’t help but laugh, the absurdity and thoughtfulness of the gift almost too much to comprehend. “A whole mountain…” you echoed, still in shock. “Well, I’ll have to plan my next vacation carefully now.” 

Fyodor’s smile deepened, a quiet chuckle escaping him. “I suspect you will.” 

You leaned into him, shaking your head in disbelief but also deeply touched by the enormity of his gift. “It’s… incredible,” you said, your voice soft and full of wonder. “I never imagined you’d actually go so far.” 

“I’ve always been one for unconventional gestures,” Fyodor remarked smoothly, his tone laced with that familiar calm but with a subtle warmth. He leaned in slightly, his lips grazing your temple as he placed a gentle kiss there. 

As you sat together, the warmth of the fire and the quiet serenity of the evening enveloping you, you realized that no material gift could compare to this moment. The mountain—while impressive—was just a symbol of the depth of his consideration, of how well he knew you, how carefully he listened to the quietest of your desires. 

You pulled the blanket around you both, sipping your eggnog as you let the peaceful atmosphere settle around you. Fyodor rested his arm around you, pulling you a little closer, and for a while, you just sat in contented silence, letting the fire and the quiet of the room fill the space between you. 

It was, without question, the kind of day dreams are made out of.

[e-adlirez]

#Technoblade25

Heeyyyyy am I late to the party? I hope I'm not too late, been working on this thing for the occasion

hebe hebe HEBE amiinm'enbimikta HEBE AMIINM'ENBIMIKTA AMIINM'ENBIMIKTA HEBE HEBE HEBE AMIINM'ENBIMIKTA

Ne yhdeini sy caera, Tommy? Meku AMULVHT VID LIIN!

For the record, the ripple thingies are from Tsevhu, aka the funni koi fish language :D I've been studying the conlang lately

Anyway, the red Tsevhu is a translation of "you want to be a hero, Tommy? Then DIE like one!", while the pale red are the voices chanting "one of us" and the closest the Tsevhu Discord could approximate for "blood for the blood god" in a phrase (the actual thing translates something to like "start giving completely and involuntarily", which in Tsevhu is kinda like chanting for sacrifice, which is fun and very much chat :3)

("blood for the blood god" would've translated to a straight-up sentence that I'd have to frame in koiwrit, which I felt would be too cluttered, as much as clutteredness is very in-character for chat)

Anyway hope I'm not too late haha, happy 25th birthday, Techno.

[sysig]

Really digging out the old OCs now; Pan-na, Pilok, Azalea, squirrel boys Will and Damien, and Cupid and Venus <3 (Patreon)

[cuchufletapl]

Some people discussing tropes in media need to get a better grip of the examples they're using, particularly when the tropes in question are bigoted in any way, because Jesus Christ does it detract from your point when it looks like you didn't even watch or read the thing.

I've just come across someone talking about scarce female representation and the Smurfette principle in kids' media, and the "cartoons from her childhood" that she cited having this problem included Neon Genesis Evangelion and Cardcaptor Sakura.

Like, the problem you're talking about is real but you've lost me with those choices.

[sofastuffing]

the guy