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#and i can ESPECIALLY be made to care when The Character is somehow an embodiment of Space and/or Fantasy Materiality
scribefindegil · 11 months
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also normally you could not pay me to care about SFF geopolitics it's just not where my heart lies but i can EASILY be made to care about Space and/or Fantasy Materiality so thanks Ann Leckie for the hack
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jaennwrites · 1 year
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Stain Them. I Don't Care.
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Hi guys it been a long time and although this isn't my comeback I just felt in the writing spirit. I will try my best to write stuff but the truth is y'all my attention span has been gone since TLOU (HBO) ended. However, I'm trading in fortnite videos (jonesyXreader coming soon ofc) for Peaky Blinders. I'm on S2 E2 so this little blurb doesn't have much show lore but I love Tommy, I'm a Cillian Murphy fangirl and I love a good dangerous man who gets soft and obsessed for their women. Anyways let me actually shut up.
Word Count: 1,410 Pairings: Tommy Shelby x Fem Reader (fairly gender neutral but reader is referred to as a wife), Established Relationship (married :3). Warnings: Blood, Mentions of Gun and shooting, Character (you) death. Completely SFW.
All interactions greatly appreciated, hope I can find the motivation to write more, thx guyzers <3
Tommy Shelby was an interesting man, it was even more interesting that he devoted himself to someone like you. It wasn’t an insulting thing, it’s just that many people didn’t understand Tommy’s obsession with this ordinary woman. The circumstances of your meeting was a kept secret of course but as everyone knew, you weren’t a whore, or spy, or other gang’s  daughter or wife, you were just you.
So when Tommy got off of his stressful often bloody days just to see you either sitting peacefully or cooking something, it made him happy. When people had the stupidity to question why Tommy was with you, he’d simply respond with his usual menacing stare. Sure, he didn’t run around town boasting about his wife but you knew he felt prideful when he was with you. Especially when he could bring you around people he considered enemies, you were his walking proof that he could attain and be acquainted with good people. 
The true ‘fuck you’ to those who didn’t know peace for Tommy Shelby had the embodiment of it right by his side always. 
Your head perked up at the sound of the front door smiling as you saw Tommy tiredly walk through the door. You often spent chunks of time waiting for him, more recently than ever before. Thomas Shelby by no means was an open man, but he always allowed himself to be vulnerable with you, he could never not when it came to you. 
Being around you felt like an adrenaline rush that never ended; from the day he first saw you to the day he asked you to marry him. Everything about you made him nervous and scared; he somehow couldn’t rest peacefully with you in his life yet his time with you was more peaceful than he had ever known. 
“You look wide awake” You joked resting your head on the back of the couch.
“Funny” He smiled, a smile that couldn’t fade as long as you were there smiling back at him. 
You rested your head on his shoulder and looked at his bruised hands before squeezing them tightly with a smile. Tommy no doubt carried a lot of baggage into the relationship. On an almost agonizing constant loop you could still vividly picture the first death at the hands of Tommy that you had witnessed. Although he’d never tell you, he remembered it too, the guilt ate him alive everyday. The way you looked at him that day made him physically sick. When you agreed to see him again after that, the look was gone but he’d never forget it. 
“How has everything been?” “Business wise” You asked. 
“It’s getting better” He reassured.
“So can I come with you tomorrow? To the Garrison”
“Would you not prefer to sit here? Safely” Tommy teased.
You rolled your eyes unseriously knowing that simple gesture alone would be enough to convince him. Tommy often had a problem saying no to you, it was chronic at this point. There were times he was a little more resistant but eventually he’d break, just for you. Partly because he trusted your judgment, and you never asked for anything insane. You two were in many ways polar opposites but the borderline paranoid danger/bullshit meter you shared were identical, he trusted you.
“Fine” “Didn’t know you loved my boring meetings” He joked
Your nights consisted of you two sitting sometimes doing some light drinking but for the most part you just enjoyed each other’s company. No matter what Tommy went through during his day, to be able to come home to you or come home with you was his cure all. It scared him to death how much he loved you, some nights it was all he could think of, the fear and happiness you produced. 
Then the morning would come and that feeling would be a distant memory because you’d still always be there. This morning was no different, he woke up right next to you, your sleeping face somehow even more beautiful than when you both fell asleep. Tommy was not a man who was very vocal about his affections but his eyes never lied. You could melt into a puddle whenever he looked at you, when he looked at you it was as if someone had captured love, melted it and injected it into your veins. 
That morning Tommy fulfilled his promise and you happily came along with him to his meeting, you didn’t want to admit that it was indeed boring but god you were bored. These weren’t his sly threat here, sly threat there meetings, just simple boring money managing. 
“This is boring” You whispered, eliciting a smile from your husband before excusing yourself into the main portion of the bar.
However the bar also bore you, a bunch of men drinking all of them too afraid to even glance in your direction. Tommy had planned to be done with this meeting by now but unfortunately it seemed to be taking longer and longer. He sat letting his mind wander a little as the time felt slower and slower while your eyes searched for something to keep you busy. 
Tommy had a big dislike for you walking alone and you understood dislike, however simply standing outside of the bar surely was a loophole. The smell of alcohol was weirdly insufferable today so without a second thought you headed for the front door, opening the one and then the second. 
You hadn’t noticed for the first few seconds, but the wet feeling rapidly spreading from your chest pulled you into the dark reality. You looked up at the gunman to see a face full of regret, from that look alone clearly you weren’t the target
Your husband was. 
The gunman had been young, clearly trigger happy but nevertheless a wonderful shot because by the time your body fell back you were gone. Tommy practically had leaped over the table at the sound. As he opened the door to his private room his eyes scanned the bar full of equally worried faces but had yet to see yours. 
The commotion coming from the front door prompted him to quickly check and confirm the nightmare he had been dreading since the day he first met you. The guttural shout he let out quieted the entire street, anyone moving stopped, anyone working stopped, the entire world seemed to stop. 
Tommy couldn’t remember the last time his hands shook at the sight of a dead body. His shaky hand intertwined with your lifeless one and his arm wrapped securely around your neck. He pulled your body close to his chest, the still fresh blood now soaking into his suit. Nobody around dared to move, hell not even breathe for it would only be a reminder that you couldn’t.
Thomas Shelby sat in that doorway for hours, whispering various pleas and prayers to Gods he didn’t even believe in. Soon enough his family convinced him to allow your body to be taken and for everything to be cleaned up. 
The wedding ring that was removed from your finger felt like it weighed pounds as it moved in his pocket. All that movement just to bring him to an even harsher reality as he stood in front of your shared home. He sat on the front steps for a while, it rained, drunk men passed, various things passed and he sat not daring to move a muscle. 
When Tommy finally made it into the house his heart felt as if it was attempting to break out of his chest. His eyes watered as he slowly shuffled over to your side of the bed falling to his knees beside it. Slowly his head descended before resting into blankets that filled his senses of nothing but you. The sheets smelled of you, the feeling of the blankets brought back every lovely memory of you. 
Thomas Shelby couldn’t remember the last time he cried, like really truly cried. Quite frankly he couldn’t remember anything in this state. A place that once was home to your laughter and voice was now full of the muffled sobs of your husband. 
Tommy’s hands held his blood soaked chest wishing that he had covered himself in your blood. He prayed it would stain every item of clothing he owned, stain his hands, his face so that he could never be without you. 
"I fear to stain your clothes with blood" "Stain them, I don't care"
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giddlygoat · 1 year
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whatever. i keep thinking about dt17 LP and drake.
launchpad has been all over the world and made tons of friends and connections, but can’t seem to connect with anyone on a more meaningful level. i think it’s safe to say watching darkwing duck was his only constant in the time he spent traveling and he looked up to the character as a guiding light amongst all the uncertainty. iirc he was kicked out at a young age by his parents [in the classic shows at least] and honestly at this point that is cemented as part of his character for me. the majority of my LP hcs are total speculation bc we don’t have much to go off of but. i think the people who mattered to him most probably told him to get his head out of the clouds or get out of the house and the next thing he knows he’s up in them for good. isolation is launchpad’s nightmare.
drake’s autistic ass got bullied big time as a kid and darkwing imprinted on him heavily because he identified with the character and latched onto the idea that he would stand up against injustice and prevail because that’s the only option he has. he couldn’t even consider staying down after being beaten so many times, it just doesn’t register as a possibility for him. he would just get back up. he doesn’t strike me as the kind of guy who had much support at all growing up, but he still chooses kindness. you can’t separate drake from his natural inclination towards compassion. and yet ….. ! he absolutely FEEDS off attention. he’s starving for it. he just needs someone to notice him and look at him and listen to him or he will wither. he needs love and validation and respect or he becomes a shell. been there, buddy
do you think when he got the role as DW in the movie he even thought of it as a job at all. i think drake didn’t have to act. i think drake knows the character so well and embodies all he stands for to such an extreme that playing darkwing was like breathing. it’s not hard for me to imagine that drake had moments where the line between him and the character faded, and he would stand at the top of some high tower in the lonely shoes of his hero and look down at all the broken teeth and singed feathers waiting for him and it would not be this profound or unfamiliar thing. i think drake recognizes himself better in the mask.
or you know, maybe he’s a totally normal well adjusted person with no self image issues whatsoever, but somehow i doubt it.
launchpad, meanwhile. hewboy. what if your worth is inseparable from the services you provide for others? what if you give everything you have every chance you get and never ask for anything back? what if the pain and the loneliness that follows the headfirst run into the emotional divide feels more like home than any one place ever did. what if every night you watched a cartoon about a flawed and flamboyant hero who protects a whole city and never takes his mask off for anyone - except maybe a very close friend - because this silly and attractive man can provide the ultimate service on an extreme scale and still be deeply flawed and still be loved.
i think LP naturally needs to follow someone. he’s not a leader, and he doesn’t want to be one. he takes charge when he’s needed, he’s dependable and kind, he cares so much it hurts. but i think following a lead makes him feel secure. he needs to see everyone else rise into their best selves and become self sufficient and content in their lives, but he doesn’t know how to do any of that without someone to build up in turn. launchpad needs validation, especially from the ones he admires, but he’s so programmed to give that he doesn’t know how to ask for anything. i’m guessing half the time he doesn’t even know that he needs help.
launchpad has put himself apart from everyone else, not on a pedestal, but down in the well that never runs dry. he’s forgotten that being happy to help isn’t the same as never needing it.
when him and drake met i think something amazing happened. i think there were a lot of emotions but the strongest had to be relief. drake let launchpad praise and encourage him and launchpad had someone to support and take care of, with the same hyperfixation, no less. two people who had made themselves unreachable suddenly couldn’t separate from each other, and they both know what it’s like to need to look out for everyone else. i think letting their guard down with each other came naturally and vulnerability put itself on the table. they’re both experiencing an easy and strong connection for the first time and it’s beautiful!
i hope these characterizations aren’t too far off, but i wouldn’t be surprised if it seems askew. it’s very difficult for me to keep my thoughts in order but i hope it’s coherent enough. this post is long enough already so i’m going to end it before i talk myself out of sharing it lawl
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ephemerensis · 2 years
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To You; February // Bakugou Katsuki x GN! Reader
ya new character 4 me ik,, anyways this is formatted as a love? letter/ monologue from katsuki 2 u! no pronouns or physical descriptions just… a lot of rambling. pretend ur birthday is the day after valentines pls </3 u can argue that it’s out of character but i disagree 🤨☝️ not proofread as always xoxo love yall
Something about February has always invoked in me a sense of docility.
It doesn’t make sense.
I have coined myself as an embodiment of passion and rage and discontent. It's against my nature to feel so calm.
I wouldn’t go as far as to say something stupid, like the love of the season settles onto me. I have sought none and I seek none. I’ve never had the desire. Love isn’t real; at least not the way it’s made out to be.
They make it seem so trivial. As if to be with someone defines it. I see in them, the fear of being alone and the fight for having someone over intertwining with someone. It’s almost melancholic. It’s completely idiotic. I reject every suitor in my path.
I don’t care for public displays of affection. I never have. Only morons need to parade around something so vulnerable like it’s a show. I care even less for sweet nothings. There are so few words that ever carry meaning anymore. How could a person be in love without ever presenting everything they are to the other? They mean nothing when they claim that my eyes are the most dazzling they’ve ever seen. Or maybe those idiots do mean it, everything glimmers if you squint. They see it without seeing me. If it were real, it would be too raw to be spoken. It would be whispered like a prayer. To salvage it from being stolen, or worse, remade and copied and sold until everyone has it. It becomes nothing.
At the very least, if I’m going to vocalize the most susceptible, intimate parts of me it should rivet through your soul and be yours alone.
Yet paradoxically, Valentine’s is my favorite holiday. I find myself more tolerant. Sometimes I’m even happy for them, because despite the intentions and deceit and falsehoods and inflations of avoiding a fear— at the very least they have succeeded. I find myself happy. Maybe it is something stupid. I’ve never had nor wanted another person, but I once had a soul shattering inkling of you.
Of course, we weren’t together then. We were never together. But we were never friends. Stuck somewhere on the cusp of both and yet impossibly far away from either. And somehow still, in that platonic complacency you managed to breathe an innate sense of comfort into me. It’s like my persona was unfired clay, I crumble to you. Your words meant nothing, but when you called me dumb I couldn’t have been more irrevocably enamored. I found myself content. Like a moment of clarity in the midst of noise. Especially, on a day I so often found to be profane. But I can hardly justify my favoritism through the confines of contentment alone. It’s too ordinary.
That’s not to degrade contentedness. It’s a peace I spend my longer days pining for. Above joy, it is ecstasy to know the permanent renderings of contentment.
But I would be lying to say it’s the only reason. Really, it's something more technical. The day after, forever and inevitably, was always your birthday. When you first told me, I said it was unfortunate. Who would want to celebrate with you when the world was too caught up in the whims of chocolate coated affections. But you said you didn’t care, validation never meant so much to you. That congealed loneliness I so often expected you to feel doesn’t exist. I know that now. As if anyone else ever mattered in our lives, yours and mine.
It was then I began waiting for Valentine’s Day. I looked forward to it. There was a time when I even pined for it to end, because it was a permanent, promised excuse to talk to you. We spoke so often but every sentence we’d exchanged always entranced me. You still do. But February especially was always yours.
It became my favorite holiday to justify all that. Then it became less about you. Half because I was never vocal about my feelings, and half because I grew too fond of platonic complacency. Until I did believe it was my favorite. It’s true now— although I’m not sure it was ever really a lie. I think somewhere in my mind I equated the two.
For the first time in years, I almost forgot your birthday. If you didn’t text me the day prior, I might’ve. But that contentment you stirred in me perpetually rolls in with the month, with or without your presence. It is yours. I don’t believe in love, but I can’t deny I do love you. You have bewitched my soul. That calm, content forever. A promise of nothing. We were never meant to be together, and I love you.
likes and reshares appreciated !
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rahadaddy · 2 years
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We are either one session or one session and an epilogue away from finishing the campaign I've been DMing since December 2021. I've spent a lot of time eager for my next campaign and wanting to just be done with the current game.
And then last night, I did something I should have been doing all along. I took my anxiety meds before, not during, the game. There was laughter, sincerity, and mortal peril. Strahd and Patrina were eerily the calm before the storm, the PCs gave passionate speeches and came up with insane plans to fight, the resurrected Dusk Elves took a very wounded Rahadin as a willing hostage, and the party is now spending the night in the Amber Temple "under Patrina’s protection"... and at dawn, they will fight the Dark Powers with a few wrenches in the works. If they win, there will be a glorious ending and an opportunity for the PCs and for me to give an epilogue, maybe hint at a future, wider Ravenloft campaign.
But... what if they fail?
I worry that after a year and a half of the game, the final battle can and will be a struggle. It isn't unwinnable, but it is the most challenging thing I'll have thrown at them. I have faith in my players. I don't have faith that I balanced things right.
Even if they win (when they win), I worry it's finally going to hit me in full force that this is some kind of goodbye. I confessed that I had tried to kill Rahadin in the Amber Temple (and other times before) but also that I realized that killing him would be killing my players' evidence of the good they've done. They've healed this man and become a family. He's become better for them and for his and Scout's unborn children. He's made friends and has come to care about people in a way he thought he couldn't since Sergei's death. In turn, they have changed Strahd in such a way that I know if I do the final battle right, it will hurt. If they defeat the Dark Powers, there will be huge wins and some losses. It will be bittersweet and beautiful and it will let them reunite their families and create the homes they've made with the people they love.
But how do you say goodbye to those characters? I would love to embark on a pan-Shadowfell/Ravenloft campaign with these characters but I don't have the time or the plans in place. We are about to embark on another "Curse of Strahd" game with some other friends. My players will have new PCs. I will be playing the CoS cast again, which is somehow harder than I thought. I feel as if operating Rahadin without Scout will be taking away an arm, a leg, a lung, his heart from him. I feel that Strahd is getting such a makeover that she (the next one is a woman) will have a new lease on life. What of the others? I've embodied a hundred NPCs for a year and a half and to reinvent them, relearn them, feels sharp and scary. Who are they when we take them back to Ground Zero? It gives me a chance to do justice to characters I struggled with the first time, like Ismark, the baron, Anastrasya, and the Wachters. But what about the ones I got so right that I don't know who they'd be if they were any other way? What about my Victor Vallakoviches, my Father Lucians, my Ez D'Avenirs, and most especially my Rahadins?
I'm crying as I write this. Quietly. I'm trying not to wake my girlfriend, who has played an amazing cleric and an amazing paladin for this campaign. She held me last night when it first hit me how sad I am. I'm grateful.
I don't know why it's so different with this game ending than it has been when Kid Strahd ends at the end of a school year. (I do, I do. Kid Strahd is always meant to end, always meant to be a little ridiculous. This was such an earnest labor of love). I'm not ready. I have to be. I don't know that I can ever be as good a DM. I have to be better. I may never have the same intimacy of a three-person party again. It will be okay.
How do other DMs handle this moment when they see the end in sight and it no longer looks like a finish line, but a sudden drop into some kind of creative death? How do you pick up and run the same module with a twist without feeling the phantom of your past self following your every move?
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flaringfoxsoul03 · 1 year
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Hi! Are you still open for match up Obey me? I want to take a request BUT! ofc if you don't mind and not tired ( don't forget to rest well dear! ) Okay! I'll start by introducing myself, Pronouns are She/They/Them Pansexual and someone who has an ISFP personality. I personally am someone who is neutral. Energetic and Calm at the same time and I have experience (let's just say I'm a free psychologist for my friends) and knowledge as a psychologist. I don't really like being in crowded and noisy crowds but I can handle it and because of demands that make me HAVE to be in it so... I'm getting used to it, I might be the type of person who easily reconciles with the past and easily adapts to new environments, I'm not the type of person who likes to find trouble or get stuck in it so I tend to stay away from it but if it has anything to do with it with someone I know/care about then I should AT LEAST try to straighten that out if it doesn't work? Well, let's say I have to throw my hands, I'm an understanding and nosy person regardless of the situation :'∆ I want to make people feel better! So that's why I'm learning psychologist thingy :D I'm a hard worker but the moment I decide to take a break, no one can stop me! (maybe) If I'm angry, I'll end up sad somehow, but I refuse to cry! nobody's perfect and neither am I. I have a problem being a bit rude to someone I consider bad who I don't even know very well, I easily belittle other people too... I feel bad now
my view on love? huh, love in a platonic view I think is an incomparable love for the person you care about whoever it is for you! but my view of love romantically? is like a small part of your heart that is finally filled and a feeling that you have to take care of, I like to do whatever my partner likes and the type of person who pays attention to them, ideal type? with anyone who makes me fall in love :) but i would melt if they had a gentleman attitude and giving me a headpat or any physical affection? Please they're too perfect to me! And I want to treat my lover whatever makes them comfortable, and for obey me character? Hmm I don't think I'm suit to solomon and Simeon, I love them platonicly and I think they love me Platonicly back ( give me a brothers like them >:'/ oh yeah! I almost forgot i can sign language so I will do some sign language to my Lovers whether they understand or not (funny if they don't they won't know that I said 'I'm yours' in sign language)
I like all kinds of music and reading history from all corners of the world that I find interesting, I'm not picky about food. i eat everything :v i also like to collect memorable photos ( even the embarrassing ones ) i love and hate animals at the same time, my style of dress? fashionable and tomboyish, i like pearls it's beautiful and stunning I also have a pearl necklace that my sister gave me and I always wear it (I was very moved when she gave it)
Physical characteristics? 5'0 tall, Tan skin, Shoulder length brown hair, mole above my eyebrow and hazel eyes, and 1 heart ( lol)
and that's all! Have a nice day or Sweet dream dear, take a good rest a talented writer must have a good rest! 👋 bye~
You are just as cute as a button and as elegant as the kitsune my darling! And I have a match made in hell for you~.
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I match you with…
Lucifer!
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So you asked for a brother like Solomon and Simeon and to be honest, it’s literally just Lucifer all over. Like this has to be a perfect match for you my darling. You both fit the vibes so well together and basically do the same thing day in and out. Why not combine those powers together to become the ultimate powerhouse couple?
Let’s admit it: Lucifer and you did NOT get along at the beginning. This demon is literally the embodiment of Pride and you’re a stubborn donkey when it comes to putting your nose into other people’s businesses, especially when they drag you into it. Nothing was ever just a conversation, it was a whole ass event every time the two of you were in a room and talking. Satan turned it into a reality show for himself due to the aggressive amounts of drama that resulted in it just by you two existing. After the “Attic Incident” something changed between you two, and ultimately leads you down to your relationship with him after what Satan would call it, “boorish mating ritual of heightened aggression”
Enjoys that he’s not the one having to always corral his brothers around and manage them, he’s got backup on that front and even better? Pacts definitely help the going, less so when you don’t specify enough and pull him into the shenanigans. But Lucifer isn’t always making you manage his brothers, he’s personally gotta have some responsibility over them when you’re barely managing them effectively due to the constant wear and tear of your energy. But he sees you help his brothers in easy he could never let his pride down long enough to do in all his years of living with them. And to that, he’s eternally grateful for you helping his brothers become the best demon versions they can be for demons
Despite being alive for so long, Lucifer barely has any time for personally recreational activities such as expanding his languages. I mean, he definitely smart enough to figure out most human languages given that he must know more than enough for Lord Diavolo and for his dreams to come to full fruition, but he definitely didn’t know American Sign Language (ASL) at first. He might’ve seen it during his time picking out exchange student resumes, but it’s canon that he just kind of gave up and showed Lord Diavolo the first one he picked up after a gust of wind blew all the stacks of papers everywhere. My guess is that he didn’t really see your ASL certification on your paper so he absolutely doesn’t realize this for a good long while. When you do start signing in front of him, he’s confused but not like “Oh woah!” it’s more of a “what the hell” kind of light bulb moment. He eventually learns ASL but for awhile you’re able to get away with telling him super embarrassing things you’d never say out loud. But will he let you know once he’s fluent enough to know what you’re signing to him? Maybe he’ll let it go on for a little while longer, he certainly enjoys the praise you give him~
Doesn’t always love that you try to capture everything in pictures. He’s literally had wrestling matches with you over pictures he deemed too embarrassing to ever exist but due to your insistence, occasionally an awkward pic here and there makes it through inspections. In the end of it all, Lucifer loves that you have memories in all your photo galleries, even the ones he wishes weren’t taken, they remind him that you’re there with him and not anywhere else
Definitely likes that he’s bigger than you and you’re such a small human being. I feel like he’s about 6 foot something, but definitely not on the short side compared to the normal human (as normal as you can get) exchange student. Finds it very easy to pick you up and take you wherever he wishes. Very effective way to get you to shut up if your having arguments, especially the ones that get him more wound up than usual~
Will get you matching earrings to help make your pearl necklace have that much more meaning every time you look at it. He thinks all things gifted by siblings should be treasured and he definitely doesn’t want that pearl necklace to go to waste. It should be shown off every chance you get, he might get just a tad bit excited and prideful when he gets a chance to show his lovely partner off
===================
And the follow ups are:
Satan
And
Barbatos
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And that’s all folks!
~Fox
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not-bcring · 9 days
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The scene opens up on a grand throne, ornately crafted golden frame with red velvet seats. Daisuke sits upon the throne with a devil-may-care expression plastered to his face. He adorned official-looking royal guard, complete with a crown and a shoulder cape. Upon seeing the camera had turned on, a smirk found itself on his face before he addressed a non-existant audience. "Greetings, Kingdom of Araya. I am Prince Daisuke of Yume, and I'm addressing you all today to let you know there's been a little change of management around here. But you don't have to take it from me," he announced, ending his statement by motioning to Ayumu standing off set. ( Gift for your pink brat. ) - ✧ ˖ ˙ 「 @ncughty-uwu 」 ˙ ˖ ✧
「 ☆ 」 Ayumu had been eager to try out this scene since Daisuke first propositioned it—his boyfriend has the most wonderfully creative and filthy imagination —the videographer slipping into daydreams whilst in the middle of work. Contemplating how he wanted to play his character. Would he be sheepish and subdued? The poor fallen Prince of a recently conquered kingdom. While it goes against his nature, it can be fun to indulge in a more demure demeanor. Especially when about to be corrupted by a dominant force... But perhaps he should be more combative and cocky?
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With his head still held high and expectations of somehow reclaiming his rightful place. Even if he must first face insurmountable odds... as well as the firm and teasing hand of a new ruler. The simulated humiliation would be delicious. Unraveling before an imaginary audience of his subjects, brought to his knees before the ruthless tyrant who invaded his home. Going from brattish to potentially begging... What can Ayumu say? He's not immune to the allure of acting. Nor is his boyfriend, evident by the ease of which Daisuke slips into the smug role.
When given his cue, Ayumu has made his decision... He can't help but meet that smirk with an equivalent challenge.
Sucking in a steadying breath as he embodies his role, spine is straight and chin is raised as he smoothly enters the scene. Each proud step is accented by the rattle of the chains binding his hands and dragging along the ground. Ayumu wears the symbol of servitude as if it were merely an accessory befitting the Prince he ❛ used to be ❜ . Chosen ensemble is sheer and shameless, barely acting as concealment for the body it's complimenting. Extravagant with its golden-thread embroidery, it hugs his curves and pairs with the ribbons interwoven in his hair; pink locks done up in messy buns for the occasion.
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Sparing a brief glance at the camera as if regarding his former subjects, expression doesn't change from regally dismissive. Paying no mind to having been adorned as though a prize for the victorious Prince of Yume, the defeated Prince of Araya beholds the man perched upon his throne. ❝ I suggest you enjoy this while you can... because you won't be on that throne for long. Besides— ❞ A cheeky smirk takes the place of indifference, dare-say flirtatious as Ayumu lets his eyes flit up and down Daisuke's royal form, only to brattily declare, ❝ It doesn't suit you. ❞ 「 ☆ 」
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exovapor · 3 years
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I'm OBSESSED with your writing. Can you try.. Maybe, Donnie being a filthy boy being an 'stalker-ish' of his long time crush? Be checks their FB for new posts, saves every picture of them he finds? He doesn't mean to be a creep, feels guilty, but just doesn't know how to ask for more than friendship?
Good afternoon Anon. Here is my short story in relation to your ask.
I wasn't sure where you wanted me to take this, so I had to do a bit of guessing on my part. I hope this something like you were wanting.
I will admit that this ask was a bit of a struggle for me, not knowing a clear direction to take it outcome made me a little unsure of my writing and guessing abilities LOL. However, I will admit to crying along with the characters in this story more than once.
Thanks again for the ask and the initial compliment. I hope to continue to earn your favor in future posts.
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· Stalker [noun]: 1a person who harasses or persecutes someone with unwanted and obsessive attention. 2a person who hunts game stealthily.
· Donnie stared at the definition on his one of his monitor screens while his various other screens were busy flashing receipts of files downloaded, text trail streams from your phone, notices of any social media post/update/like/heart/emoji, a GPS line grid of your routes today (overlayed over the routes you’d taken previously), and data search hits of anything and everything that pertained to you.
· At this point, the boy had literally every picture you had ever posted, anywhere, of yourself. In fact, he had all the pictures that other people posted of you in them. He had even gone through the effort of designing a face recognition program that picks you out of the background of total strangers’ pictures and, yeah, he had those in a file too.
· He has special file folders that compile things that you like, things you don’t like, things that make you happy, things that make you sad. He is your own personal Pinterest and you didn’t even know it… and maybe that is the part that keeps bothering him so much.
· He sits staring at that word and definition and chewing his bottom lip. True, he knows the word and the meaning, but he needed to LOOK at it, analyze it, mull it over in his guilt ridden brain.
· He just KNEW the word Stalker couldn’t apply to him.
· After all, he isn’t harassing or persecuting you, you don’t know! So, it isn’t necessarily ‘unwanted attention’. It is just…unknown attention.
· Stealthily, hmmmm, did that part apply to him? Well, He isn’t EXACTLY being stealthy.
· If you knew about technology like him, then you would probably see his programs running on your devices and be alerted to his activities. AND, if you shared his love and view of technology, then you would probably be more understanding of his activities and not consider them stealthy…just data mining. In fact, you might applaud him.
· ‘Ok, that was taking it a bit too far’, Donnie thinks to himself and he feels a band tighten and squeeze around his infatuated heart.
· He is almost certain that you would be shocked to learn of his extra curricular activities and how they revolve around every aspect of you.
· Regardless of how he tried to spin the truth and wiggle out of the definition of stalker, Donnie still felt guilty for invading your privacy. However, he honestly couldn’t help himself…at least not anymore.
· He has fought the urge, the nagging thoughts and the burning need, to know more about you for what seemed like an eternity.
· Listen to him, he is starting to sound dramatic like Mikey! What is his turning into? He is losing his rational edge!
· To be accurate, it hasn’t been an eternity. In fact, he has known you 1 year, 36 days, 14 hours, 11 minutes, and 23 seconds to be exact. However, you started occupying space in his mind 2 minutes into meeting you and your claim over his mind has grown exponentially over time.
· You were quiet and reserved during that first meeting, so there wasn’t much to go on. It started as a simple visual interest with a thought of ‘Oh. She’s pretty’.
· However, then you started talking and that changed everything.
· You opened up more and more each time you hung out with their little group, revealing layers and layers of interests and personality. You were fascinating…and that’s when his thoughts about you really started to snowball and spiral out of control.
· You went from being a simple pretty face to being a walking embodiment of everything he seriously ever dreamed of having in a mate.
· Early on, there were three sticking points that really made Donnie’s feelings problematic. 1. He was a nearly seven foot tall walking talking turtle and you weren’t. 2. You had a boyfriend that you were deeply in love with and adored. 3. Donnie was too insecure about #1 and how you felt about inter-species dating to let you know that you had started to OWN his heart.
· Now, thanks to his surveillance, there were only two sticking points….#1 and #3.
· He still remembers the feelings of that day, 44 days ago, when the blip of information popped up on this screen alerting him to the fact that your boyfriend was starting to stray.
· Donnie had severely conflicting feelings bombard him at once and it was overwhelming.
· The initial knee jerk reaction was elation, one of the problems blocking him from you may soon be null.
· However, the feeling of elation only lasted for a second or two before the intense anger and sadness set in. Donnie was honestly shocked at the depth of his anger, he didn’t even know he had that level of malice in him. Had he been in physical proximity to your boyfriend at that moment in time, Donnie isn’t sure that he wouldn’t have hurt your guy…or worse.
· How COULD this guy do this? WHY would he? He HAD YOU! What the heck was this guy thinking? Not only did he have you, but you thought the world of him. When you spoke about him you would smile so genuinely, your eyes would shine and gaze off into a bright imagined future. Donnie was always so jealous to watch it happen, he wondered what it would be like to be THAT GUY. And here the idiot was throwing it all away and meeting up with another girl!
· WHAT THE…(yes, this called for a curse) HELL…IS WRONG WITH HUMAN MEN?
· As the anger set root in his heart, the sadness engulfed Donnie like an all-consuming wave. He realized he was going to have to share this information with you, somehow, and that he was going to have to watch as it destroyed you.
· At first, Donnie had a plan to try and save you both from that fate. True, it would hurt him more to save your relationship, but he would rather be the one facing the pain and not you.
· He TRIED to circumvent the situation. He sent anonymous messages to your boyfriend stating that he knew about the infidelity and that he would tell you if needed. However, it didn’t seem like your boyfriend cared because he sent messages back stating Donnie could, basically, go fuck himself.
· Life had cruel sense of irony, thought Donnie, that is exactly what I do since this moron has the woman that I love.
· So, after trying for nearly two weeks to stop what was happening behind your back, Donnie had no choice but to let you in on the secret.
· Donnie couldn’t come right out and tell you that he caught your boyfriend cheating by hijacking your data streams and the data streams of those around you. So, Donnie intercepted some texts between your boyfriend and his mistress and he then sent you a text, under the guise of your boyfriend, telling you to meet him at a specified restaurant for a date.
· It had been a gut wrenching night for Donnie. He remembered watching it all play out on camera feeds from around the restaurant and street outside. He watched you dressed up in your pretty dress get out of your cab in front of the restaurant. You had such a lovely smile on your face, you must have thought you were in for a romantic evening.
· He watched as you walked inside and how the hostess got flustered and confused by a 2nd girl showing up for your boyfriend’s seated-for-two table.
· Donnie stopped breathing as your eyes found the new couple holding hands and giving each other sweet kisses across the table. Hands and lips that were supposed to be yours were touching some stranger.
· Donnie watched your smile and eyes die…the light of your inner sun go out…
· …and it killed him.
· He’s not sure who was crying the hardest, you standing there in that restaurant witnessing the scene or him back at the lair watching your world crush around you on his monitor.
· It had taken a while for you both to recover from that night.
· His brothers noticed his melancholy mood for a couple of weeks but Donnie wouldn’t tell them what was bothering him. And you stayed in your bed, refusing to face the world, for nearly as long.
· Eventually, the group began to notice your silence and absence, so April stopped by your apartment to check on you. She was the one to pull you out of bed, get you to shower and eat. She visited everyday and made sure you had someone to vent to and a shoulder to cry on.
· Donnie was glad that April could be there for you when he couldn’t. He didn’t think it was appropriate for him, a male, to be your confidant at that time. Especially since he felt so much guilt over having to be the one to expose you to that pain.
· No, he didn’t CAUSE the pain, but he did have to make you face it and he didn’t like not being able to protect you from it. You were such a rare, precious creature and watching you in pain felt like he was suffocating slowly.
· There were some points during those first few weeks that he questioned if he did the right thing, but logic told him it would have eventually come to pass with or without his involvement. It was better to rip the bandage of quickly and let you start to heal than it was to let you linger and drag out the inevitable.
· Donnie did secretly check on you every single night during patrol. And, of course, his surveillance feeds were always running. He watched from a distance as his beautiful phoenix burn down to ashes and, eventually, started to rise again.
· Now, it’s been over 3 months and you’ve begun to be more like your old self. Donnie can tell there is a silent sadness there, but you are able to laugh and smile with the group during your get togethers. And each time you two are left alone, his mind nags at him about those last two sticking points.
· Would you be at all interested in him? And HOW does he go about telling you that you have become the center of his world?
· Still staring at the monitor and the Stalker definition, Donnie sighs and rubs the bridge of his snout to release of the pressure now pushing against the inside of his head. The memories of what has happened, the emotions of what was and what is, it was all starting to be too much.
· “Bro, what’s all this?”, Mikey says standing behind Donnie’s chair, talking around a mouth full of pizza.
· “NOTHING!”, says Donnie, voice breaking from the stress of being caught. A startled Donnie quickly taps some keys on his keyboard and the screens revert back to the standard lair camera feeds.
· Mikey may look or even come off as naïve at times, but he’s no fool, he can sense that his older brother is trying to hide something. “Dude, seriously, what was that? I’ve been standing back here reading the screens. I saw Y/N’s name and that looked like her phone number on that other file…, you know the file that looks like texts messages. And why is there a plotted map of the area around her apartment, her work, and to the lair? What’s up?”, Mikey said giving a disapproving look at being thought a pushover.
· “Just standard surveillance, Mikey, nothing to worry about.”, Donnie says trying to placate Mikey’s curiosity. Donnie hates lying, especially to Mikey, but he’s feeling so guilty about being such a…(inward sigh)…stalking creep that admitting the truth is hard to do.
· Mikey stands there staring at Donnie and, as he does, Donnie begins to fidget with his computer chair armrests.
· Mikey stuffs the remnants of the pizza slice into his mouth and does his best Leo impersonation by crosses his arms and staring down at Donnie as sternly as his jolly face can achieve, “Dude, I’m not going to ask you again. You’ve been weird for months. We’ve let it go for the most part but now you are hiding things from me…from ME, dude! You and I, we’re like peanut butter and jelly, we’re ice cream and chocolate fudge, we young dudes have got to stick together. Trust me, bro, I’ve got you!”.
· Donnie stared at the floor, too ashamed to meet Mikey’s eyes any longer. He gave a heavy sigh and reluctantly started to speak, “Sorry Mike, I…I honestly don’t know what’s come over me lately. I’m doing things I never thought I would do, I’m feeling so guilty about it, but I don’t know if I can stop doing it either. I feel…lost.”.
· Mike relaxed his leader stance and leaned against one of Donnie’s lab tables, “Bro, I can tell you’ve been carrying some heavy stuff lately. You need to let it out.”
· Donnie felt the heat rise up through his body like he was suddenly being consumed by a fire and he ripped his glasses off his face and drew them down on the desk in frustration, “Mikey, I’m in love with Y/N. I have been for a while. I have been…”, Donnie hangs his head in shame, “…tracking all her digital foot prints and watching her. In fact, I’m the reason she found out that asshole boyfriend of her's cheated.”
· Mikey’s mouth drops open at Donnie’s demeanor and use of the word ‘asshole’, “Whoa, dude, why didn’t you say something earlier?”.
· Donnie can feel a stinging at the corners of his eyes, this was so embarrassing, so frustrating, so…..so many things at a once. He didn’t have a response for Mikey, all he could do was shake his head.
· Still with his head hung down and staring at the floor, Donnie starts to hear Mikey chuckle. Donnie looks up to see Mikey’s eyes on him and for some reason they are full of merriment at his painful dilemma. Donnie stares at his, normally, very considerate brother in astonishment, this isn’t like Mikey at all!
· “Mikey, I’m more than serious here, now is not the time to make fun of me. What is so funny?”, Donnie asks exasperatedly.
· Mikey shakes his bald head and claps his brother on the shoulder with his green hand, “Bro, she thinks you’re cute.”.
· “W-What?!”, Donnie stammers out.
· Mikey, still chuckling, says, “Yeah, dude, that’s why I asked WHY you didn’t say something about liking her sooner, she’s always thought you were cute. She and I talk about it all the time.”.
· Donnie just stares at his jolly brother in silence. His mind is too blown to form a sentence.
· Mikey turns to leave stating, “And by the way, dude, stop watching her like that…that’s just creepy.”.
@turtle-babe83 @tmntspidergirl @kokokatsworld @nittleboo @the-second-circle-of-shell
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djarinsbeskar · 4 years
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PREQUEL ARC: PART 2 - THE HOUK
A/N: Part 2 is here! First and foremost, can I just say thank you so much for the reception Part 1 received and to those who (gasps!) actually want me to tag them for updates??? I don’t know how to react??? I’m so touched??????? It’s so motivating and has reminded me why I love sharing my scribbles!
There’s a greater focus on world/character building in this chapter so if it feels a bit rambling or description heavy, I do apologise! Like I said, I’m trying to build some context to the reader-insert before we get to the smut, and I hope that I’ve kept her general enough that she doesn’t cross the line too much into OC territory and becomes unrelatable. As always, constructive criticism is welcome! My style of writing leaves much to be desired so I would love to know if something doesn’t make sense so I can improve and fix it. But enough of that, on with the show!
Pairing: Din Djarin/Fem!Reader
Word Count: 5.2k
Rating: 18+ (NO Minors)
Warnings: Language and slight injury detail.
Plot: You encounter Mando suffering one misfortune after another.
AO3 | Stitches Masterlist | Main Masterlist
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8 ABY, Mynock, Dandoran.
The second time you met him, he had dislocated his shoulder after a nasty clash with a Houk.
Your dealing with the Mandalorian on Klatooine had moved to the back of your mind and you rarely, if ever, thought about it. It was merely another encounter with a rough character that needed some medical attention. You wouldn’t have been able to hazard a guess at how many similar characters you saw in a week while you worked at the clinic. Even more so when you’d left Klatooine after becoming disillusioned that the New Republic were actually trying to make a difference.
You had heard stories from the Core and Mid Rim planets. Stories of the investment and progress being made to rebuild after the tyranny of the Empire, of the billions of credits being poured into the development of new ship building centers on Corellia and large, extravagant residencies for government members on Coruscant. Things, you were sure, that were not actually urgent necessities as they were desires. Especially given that the funds you received from that same government to sustain the clinic thinned before drying up completely a few months after your encounter with the Mandalorian.
…Hemorrhaging more credits than is justified for the benefits we’re seeing in return.
The busybody politician with a colorful title and even more colorful robes waxed poetically, hiding the sentiment of disinterest in ways only a politician could. Half-heartedly trying to distract you by his explanations with empty praise and gratitude for your service during the Rebellion and your humanitarian work now, a true embodiment of what the New Republic stands for. He crowed like the colorful bird he looked like, dressed as he was with fine feathers lining the lapels of his robes.
You bristle at the memory of the hologram’s eyes flickering to look at anything besides you, running down the time you had spent weeks trying to get.
That was when the memory of the Mandalorian surfaced, surprisingly. How the day after you treated him you arrived at the medical center and saw  a familiar pouch of credits sitting innocently behind the check-in desk. When you enquired with the receptionist, she told you it was sitting there once she opened up earlier that morning. The only note left being on one of the datapads behind the desk, the scrawling font reading; to help with your work. You had let out a chuckle to yourself as you checked your schedule, wondering if the brutish male you had treated last night really was as cold as he portrayed himself to be.
The memory had incited a righteous anger that a bounty hunter was more willing to support a voluntary clinic than the government that set it up in the first place was.
I thought the Empire were the ones who put a credit limit on what a life is worth. You had hissed in return, interrupting what you were sure was a well-rehearsed and well used speech, before hanging up. You pressed the heel of your hands into your eyes, taking a shuddering breath as you tried not to be nihilistic in thinking that you had spent nearly half your life thinking you could make a difference, when, you were just serving the Empire in different clothing.
It wasn’t a fair comparison; you knew the New Republic was neither as cruel nor as tyrannical and oppressive as it’s predecessor, but you had been made so dreadfully aware that in places like the Outer Rim, people would always be overlooked by those in power because they simply didn’t offer enough to be worth looking at.
The realization was a raw wound to your soul. You had lost brothers and friends to the fight for liberation, but it didn’t seem as though the grass was much greener on the other side. Maybe elsewhere in the galaxy it was, but where you were needed most, the grass was dehydrated and dying under the relentless sun.
With the clinic penniless, your meagre pension from the Rebellion was not nearly enough to keep it functioning. Add to that the reluctance of the other medics to run the clinic alongside you out of their own pocket and the intergalactic beacon for medical aid that alerted anyone in the parsec of where to go being disengaged, traffic stopped. The native Klatooinians preferred their own healers and very rarely, if ever, sought out medics from the New Republic.
For the first time in your life, your path wasn’t clear. If you even had a path anymore.
That was how you found yourself on Dandoran, flying off a week after the last of the medics left Derelkann to the first planet that was habitable to humans. But by the Maker, it was even rougher than Klatooine. The temperate climate and lush greenery were more comfortable for you, but the city you found yourself in, Mynock, was to say the least, undesirable. Having once been Hutt Space, there were still several illegal operations active that kept the city going and you learned early on what areas to avoid and to always carry a blaster with you. But at least where there was activity, there was work for you.
***
You met Biran Sonter the very day you arrived, asking directions to the nearest medical facility, hoping they could use another medic. He was an elderly Mirialan male with a wealth of history behind him, his facial tattoos creased with deep wrinkles and a kindly smile that reminded you of your grandfather.
You were flabbergasted to learn that during the time of the Galactic Republic, he acted as the royal physician to the palace on Naboo.
As you choked on the tea he had kindly made for you at that revelation, you couldn’t ask him quickly enough how he ended up here? On an Outer Rim backwater skughole of a planet and his tale had been sobering. When the Republic first fell, anyone who did not immediately surrender to the rising Empire was terminated. Biran had, at the time, only heard word of the death of the beloved former Queen Amidala and blamed the Empire vehemently. Escaping on one of the last shuttles from the Mid Rim planet before legions of clones descended, he arrived on Dandoran where no one, not even the Hutts cared enough to notice him. All they knew, was that he was an excellent doctor who charged little for his services and kept to himself. That was good enough for them. While he treated a vast number of criminals ranging from thieves to bounty hunters, he was not wholly merciful. He somehow managed to avoid or talk his way out of treating anyone in the organized crime syndicates or known traffickers and killers. It may have gone against a physician’s code to do ones best to save every life, but he like many, made their own code in the Outer Rim.
You fell into a fast and easy friendship with the Mirialan after that, your similar histories of working in the medical field despite being decades apart giving you plenty to talk about. The practice Biran ran in Mynock was always busy and he was only too grateful when you offered to take the weight off his old shoulders and gradually, his clients began to expect to see you most of the day and Biran for a few hours in the early morning. You were never short on work between cantina brawls, accidents and the downright attacks that took place in Mynock and the next eighteen standard months seemed to pass in the blink of an eye, Klatooine a distant memory, as was the Mandalorian you met there.
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The night you saw him again, was no different to any other you spent enjoying a quiet drink before heading back to turn in for the night.
You had been in the process of leaving the cantina, recognizing that the later it grew, the rowdier and aggressive the clientele became. You could handle yourself as well as anyone who made their home in Hutt Space, but you knew better than to be blatantly reckless when you were on your own. It wasn’t like you had the squadron you stayed with throughout the Rebellion for backup as you once did, and your closest ally would probably break in half if you pushed him too hard. So no, you were not staying late with Mynocks newest resident of a Houk warlord and the company he seemed to attract.
The Houk in question was a cruel and belligerent brute, a former local warlord by the name of Gappo Teff. His reputation for inflicting punishment disproportionate to any slight committed against him or the Empire was one of the many echoes of the former imperial rule that was still being felt in the galaxy nearly three years after its collapse.
The stories of the chokehold he held over Sullust would make even a hardened soldier’s stomach churn. How he managed to escape the liberation of the planet without being dragged to the noxious surface of Sullust to suffer for the pain he had caused so many, was a mystery. But there he was, sitting like a king in the cantina you found yourself in, bellowing laughter ricocheting obnoxiously throughout the space, not a care in the world that he was a wanted felon.  
It might have been to do with the fact that he was at least seven and a half foot tall, with a mass that could easily fit three of you side by side across him and still not be seen. It might have been to do with the cold, milky blue of his small eyes, sunk into a skull so large it could probably shatter ribs and rupture organs if one were to be headbutted with it. The last thing anyone wanted was those eyes focusing on them. It could have been the heavy artillery modified blaster he kept laying on his lap; the weapon more of a cannon for those of a more regular stature. Whatever the reason, very few bounty hunters and even fewer New Republic guards came to collect him. He was probably one of the most easily found quarries on all Guild registers and New Republic wanted lists and yet, he languished in Mynock as if the Empire had never fallen and his reign was still assured.
Making your way to the entrance, you came up short as someone walked in, your nose coming abruptly close to a reddish-brown durasteel chest-plate. Taking a step back, your eyes did a double take at the familiar unpainted beskar helmet. Subconsciously, you had stepped to the side, the Mandalorian continuing to walk without a word as if you hadn’t nearly walked into him. Mandalorians were a rare sight these days, so you could be forgiven for staring. Though, you were most likely staring for entirely different reasons compared to everyone else in the cantina.
The armor was the same, if not a bit more worn, as was the dark boiled woolen cape and pulse rifle strapped to his back. But it was the gait; how could someone walk both gracefully and arrogantly, almost cocky in his self-assurance that he was in control wherever he went. It explained why he was so determined not to let his injury be known by his walk the last time you saw him. Because you had seen him before, there was no doubt in your mind that this was the same irritable reek of a Mandalorian you met in Derelkann years ago.
He stood in the middle of the cantina, assessing the place as his helmet scanned the area. If you didn’t know any better, you say he was…
“Oh, you gotta be kidding me.” You muttered to yourself when the helmet stopped on Teff. When you said bounty hunters didn’t bother to come after him, you should have been more specific. Smart bounty hunters didn’t bother hunting Gappo Teff, which explained why the one you knew of was right there looking for him.
A choice lay before you. Leave now and lock your doors until morning… or wait. For what, you couldn’t be sure. But if the Mandalorian wasn’t killed tonight by Teff, he was going to wish he was with the injuries he would probably sustain.
You let your head fall back on your shoulders as you exhaled. Why were you so soft for lost causes and wayward souls?
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The Houks bodyguards left much to be desired, crumbling to the ground before they had even drawn their blasters, smoke rising from the blaster wounds inflicted effortlessly by Din.
The bodyguards weren’t what worried Din. Their boss hardly needed protecting, and he wasn’t going to go down without a fight.
The groan and screech of the metal table being shoved away by Teff as he stood to his full height made Din grit his teeth, arms open as he boomed, “Ah Mando, I was wondering when you’d try your luck at me. Your reputation is becoming rather infamous throughout the parsec.”
A guttural, wet laugh left the purple skinned quarry as Din remained silent and kept his blaster aimed. Damn, but the piece of bantha crap was big. He quickly scanned his peripheral, but it seemed the residents of Mynock had more self-interest than to trade blaster fire over one warlord, the barkeep casually making his was into the backroom of the bar to keep out of harms way.
“Why don’t you hang up that Guild work and let me make you a better offer.” Teff boomed, taking a swing of his drink, streams of the yellow fluid running down the sides of him mouth as those frosty eyes stayed trained on the bounty hunter.
Din rolled his eyes behind his helmet; negotiations by the quarry were his least favorite reaction to being caught but he knew better than to think he had captured the colossal male yet. Until Teff was either dead or frozen in carbonite, he was a danger. Luckily, the orders were to bring him in dead or alive. Seems the New Republic were fed up with him still breathing. He couldn’t say he blamed them.
“No?” the Houk pushed when Din didn’t respond, “Too bad, you’d have made an excellent addition to my collection.” And with more speed than Din had anticipated from the large male, he charged.
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You had the good sense to leave the cantina as soon as the first blaster shot was fired, pulling the hood of your dusty grey jacket over your head while you made your way back to the practice to gather a few things. Things that would be completely obsolete if he died but you wouldn’t think that far. You were a realist, not a pessimist. The Houk might have had the advantage of height and sheer strength, but the Mandalorian was quicker, possibly smarter, and decked with enough firepower to make a starfighter pilot drool.
So, you put the odds about sixty forty in favor of the Mandalorian. Not that you would ever tell him that.
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Teff roared in anger as Din rolled out of the way again, shooting his grappling hook to latch onto the Houks shoulder and yanked hard enough to throw the male off balance. Despite his large size however, Teff was able to slide his foot back to catch himself, putting him in direct line with Din.
He was on his feet in no time as the Houk charged at him, lowering his head so that on contact, Din’s left shoulder was thrown back into the wall of the cantina. His breath left him as the impact winded him, a dull but growing pain throbbing from his shoulder before Teff’s vile breath permeated even his helmet and a large hand wrapped around Din’s throat. He could feel his feet leave the floor and the weight of his body pulling downward made the pressure on his windpipe all the heavier.
“Oh well, at least you tried.” Teff gloated, his head leaning closer as if to peer into the visor and that distraction was all Din needed to lift his hand and engage his flamethrower, engulfing the Houk in flames. Din gasped in a breath when he was dropped, the squeals of pain coming from Teff disconcerting as he staggered around the cantina, desperately looking for something to extinguish the inferno his clothing and more vulnerable tissue had become.
Din waited a few more measured breaths before lifting the blaster and shooting the quarry in the vulnerable side of the neck, satisfied with the resounding bang the body made as it fell to the ground, flames still burning bright until he picked up the half-drunk tankard on Teffs table to douse the fire lest he be completely unrecognizable upon delivery.
Din looked around, the cantina was empty; the silence suddenly deafening as he looked back down at the body.
Now, how to get him back to the Razor Crest.
Din sighed.
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“We have to stop meeting like this.”
You held up your hands unsurprised when the Mandalorian spun on the ramp of his ship, blaster raised and aimed right at you. He tilted his head slightly, taking you in and you tried not to fidget under the gaze you could feel raking over you despite not being able to see his eyes. What you could see though, was how limp his left arm was hanging to his side.
“The demon medic from Klatooine.” He muttered, finally placing your face and lowering his blaster slowly while you lowered your arms.
“I’ll take that as a compliment.” You snorted before nodding to his arm, “And you’ll probably be calling me a lot worse when I tell you that that arm needs tending to.”
He shifted slightly, turning his body so you wouldn’t be able to see. You just crossed your arms across your chest and stared at him pointedly. He held your gaze and was still as a statue. You could play the silence game too if that was how he wanted to do this. It was only a matter of time before one of you broke and you weren’t the one with a dislocated shoulder, so you’d say that the odds were in your favor.
It seemed like time dragged on before, without saying anything, the Mandalorian sighed and turned towards the ship.
You bit down on a smile, but you could still feel it creeping upon your lips as you congratulated yourself on winning. Two nil, you tallied in your head, not bad girl.
The ship… well the ship was a fossil and that was being generous. But it was clean and obviously well taken of, if the tidy hull was anything to go by.
Apart from the charred corpse lying in the middle of course, but those were just details. Easily overlooked. The smell however… that was a different story, but you held back any comments. You still couldn’t fathom how he’d managed to drag a fully grown Houk through the town one-handed, but then you knew that the strength and discipline of the Mandalorians was unrivalled. He could have done it through sheer determination and honestly, you were lucky to have found him at all. But people in Mynock liked to talk, so following the rumors' had let you there relatively easy.
A sigh broke your train of thought, “Let’s get this over with.”
The warrior seemed resigned to his fate as he stepped over the corpse and you followed suit, mind instantly running through the correct procedure and treatment.
“We have to get the bone in the upper arm into the correct position before it slips back into joint, otherwise the force will just break your arm.” You explained as you moved to stand in front of the large warrior when he sat back on one of the many crates pushed against the wall of the ship. You could barely hear the short exhales coming from the modulator and you could only guess that he was holding back speaking, whether in pain or frustration that you had strong-armed him into accepting treatment again.
“But hey, look on the bright side.”
His visor tilted slightly to look at you.
“No droids needed.” You shrugged a shoulder and sent him a grin when he said nothing. When he looked away, you focused your attention back on the problem shoulder; it wasn’t immediately clear that it had been dislocated, the pauldron he wore hiding the jutting ball of the joint that was no doubt pressed uncomfortably against his flesh. What you could see was that his left side was hanging just a bit lower than his right, and the inability to move the arm was a dead giveaway.
“Are you just going to stare at it or actually do what you said you would when you barged onto my ship?” The rasp was closer to you as he turned his head, the rumble of his voice decidedly deeper than you remembered last time. Or perhaps it always had been, and you just hadn’t been paying enough attention, more focused on the very real threat of having a dead body on your hands as the poison spread. You rolled your eyes; or it was all the short and biting commands he only seemed to know how to give as opposed to actually speaking that made you forget the voice. The man could be attractive, if he wasn’t so frustrating.
“I can’t see it properly.” You replied, agitated with him again. He got under your skin too easily, and ruined your cool demeanor.
“You dealt with the problem just fine before.” He snapped back, pain making him cranky.
“You didn’t have a bone out of place last time!” You stopped yourself, sucking in a breath before releasing it to prevent yourself from snapping again.
“At least,” you bartered, “let me remove the pauldron. I can feel around the duraweave to get an idea. I won’t see any more of you than I did last time.”
He didn’t say anything again for a time and honestly, he was the slowest person you’d ever met at receiving emergency medical care. Half the men you treated during the Rebellion would yell until you’d taken care of the worst of their injuries before they even considered if it was what they wanted or not.
“Fine.” Was all he responded, making no move to remove the offending piece so you took that as your cue to feel around the curved metal cautiously, feeling where it attached to his duraweave and releasing it into your hands before placing it down on a separate crate.
“There, that wasn’t so hard, was it?” A warning growl echoed in the hull, turning you back to your task with a hum.
It seemed the joint had popped forward, no doubt from caving in as Teff collided with Mando’s shoulder. You leaned forward, your fingers feeling around the area as gently as you could while his breathing came out a little shorter. You sent him an apologetic smile.
“I’m going to have to ask you to stay still, okay? Usually I’d have someone to hold—”
“I can keep myself still, just do it.” He snapped finally, turning to look at you before he looked away again. You said nothing more as you took his gloved hand in yours, turning the forearm over and feeling the hand clench in yours when he hissed.
“Shh, nearly there.” You soothed, moving your hand under his elbow to lift it so it was aligned with Mando’s shoulder. You stood, keeping the arm in place and twisting yourself to stand facing his side.
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You were definitely out to get him. There was no other explanation for why he only seemed to be seriously injured in your presence. Din tried to tell himself he was being over-dramatic and irrational, that you hadn’t even been on the same planet when he was injured the first time, but then you opened your mouth and he felt justified in his petulant thoughts.
“On three.” He heard you warn and all he could offer was a single nod; the sooner he got this over with the better.
“One…” You jerked the arm forward and slipped the joint back into place quickly with a sickening crack and searing pain took his breath away before it began to ebb immediately.
“DANK…. FERRICK!” Din yelled as his good arm reached across to grip his left, bending forward as he breathed through the flash of pain. You moved out of his way, waiting for him to look back up at you through the helmet, deep pants making his chest heave. You cocked your head to the side when his eyes found yours, a clear question there.
He groaned as he sat back, leaning his head against the hull, “It… doesn’t hurt as much anymore.” He admitted, thinking that the smile you gave him was somewhat worth the knock to his ego at having to admit such a thing in the first place. And like last time, before he could even worry about the concerning direction that thought had led to, you were fluttering about opening crates and bins as if you owned the place.
“What the hell—” he made to stand indignantly.
“Do you have any spare cloth?” You interrupted, “Your arm needs to be bound for a few days. If you have bacta it might reduce the healing time a bit but honestly, I don’t think dislocations can be rushed despite recent studies. Rushing back to heavily lifting or activity for at least six weeks is a sure way to hurt yourself again.”
You were rambling now as you set a pile of disused yet clean cloth you found on your lap, sitting across from him as he just blinked at this enigma of a woman. Giving him orders in his own ship, were you daft?
Your eyes sharpened and shot to his and he was suddenly glad you couldn’t see behind his mask. His eyes had widened guiltily at the thought that you had read his mind.
“You will do what you’re told, understand Mando?” You warned as your fingers tied a loose sling from strips of cloth you’d pulled apart without even having to look at it, deft fingers looping the material and strengthening it with several more layers woven in for good measure.
“If you insist on getting injured so often, you live with the consequences. And the consequences are doing what you’re fucking told and being happy about it, got it? Sulk if you want, so long as you keep the arm bound and don’t take on any jobs for at least two months.”
He opened his mouth a few times at the audacity, did she have a death wish? He couldn’t remember the last time anyone had spoken to him as if he were no more than a child and it made his blood boil. But just as quickly as the anger arose, it simmered as she muttered while watching her fingers tie off the sling,
“You don’t actually seem like a bad guy, and the galaxy can’t afford to lose anymore… not bad guys.” She seemed unsure of giving out even this level of praise but then again, she only had their first encounter to go by.
He grunted; not sure how to respond. And when Din was uncomfortable, he resorted to silence.
You got to your feet once the sling was suitably strong enough to support the weight of his arm without unravelling or breaking and you indicated to him, “May I?”
He jerked his head up in affirmation and you maneuvered the sling to sit correctly under his elbow and forearm, coaxing him to lift it slightly with a tap before you looped the tied end over his helmet, adjusting the length slightly to fit against him.
“You left Klatooine.” the statement rose from the warrior, his tone quieter than you’d heard him all day. Was he... trying to make conversation? Din told himself that it was merely out of curiosity from seeing you by chance on two totally different planets.
Blinking in surprise, you sat back on the crate in front of him, crossing one leg over the other and leaning back on one of your hands, “New Republic stopped funding the clinic and I realized that they’re all the same when it comes to the Outer Rim.”
He snorted in agreement, honestly, he wasn’t surprised to hear the New Republic had cut their losses on charity. It wasn’t in their nature to funnel money away from the Core planets.
“But it’s not all bad,” you continued, “I work with a doctor here. He’s old now so he should be enjoying his retirement. I’m kept busy and…”
He watched you while he waited for you to finish, surely there was more? But when you just shrugged and sent him a tight smile, he felt an uncomfortable niggle at the back of his neck, a familiarity that made him almost want to smile back even if you couldn’t see it. Almost. But not quite. He was unnerved at the… empathy he had for your situation. He too just… kept busy. It wasn’t towards any end beyond supporting the covert and the foundlings there. But for himself, he just kept working towards some translucent, non-existent goal, one job ended, and another began.
Something in your eyes told him you were doing the exact same thing. It unnerved him to think about.
“Echoy’la…” the word left him without knowing and you blinked,
“Hm?”
He shook his head and stood, grunting a bit at the ache in his shoulder when it jostled a bit, “Nothing. It seems I owe you my thanks again, demon medic.”
“I do have a name you know.” You snorted, letting the previous topic go as it seemed to just make him more awkward and grumpy than he already was. You packed away the medikit and replaced the unused cloth back where you found it.
“Somehow I don’t think it’ll be as fitting.”
“Whatever, sunshine.” You looked over your shoulder at him, the sling looking so out of place as he hooked a thumb in the utility belt he wore. It was amazing that he could still look as intimidating as he did. You gathered your things and started down the ramp leisurely. He followed you silently until he was standing at the entrance to the ship.
“Demon or not… thank you.” He called out as your feet hit the dusty ground of Mynock once again. You looked back over your shoulder and gave a single wave, calling something back to him that did make him smile behind his helmet this time.
As you disappeared into the streets of Mynock, he tested the name you had thrown back to him, rolling the syllables, and testing the vowels as he repeated it to himself.
Pity, he thought. He hated being wrong about anything, but somehow, your name was a much better fit than demon medic.
Not that he would ever admit that to you, of course.
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Text
Shield (one-shot)
Synopsis: To the new Captain America she might just be a human shield. But Bucky can see there’s more to it. What he can’t understand is why she stays.
Pairing: Bucky Barnes x fem!Reader
Genre: angst, lil bit of fluff
Warnings: mentions of blood and guns, swearing, torture, low mental state etc.
Word count: 3591
I am going absolutely feral about the fact that a portion of the series takes place in Latvia as I am Latvian :D Just seeing the signs and streets (which are not really ours cause they filmed in Prague, but are similar enough I can envision it), especially because we’re such a small country is amazeballs, so to be in such a huge show with my MCU faves is insane. Had the same kind of reaction to Brooklyn Nine-Nine with Nikolaj and the Captain Latvia episode. Riga hammer for the win :D 
P.S. John Walker is not Captain America cause he does not posses America’s ass. Also Zemo is one hundred percent Bucky’s and Sam’s sugar daddy. I won’t accept any dispute over this.
P.S.S. please also remember - John Walker is a character not a real person. John Walker is played by an actor who is doing his job the same way the actor who played Joffrey did. Do not harass him etc. but rather appreciate the insane talent he has. This place is a Wyatt Russell stan place.
P.S.S.S. Kinda spoilers for the show so if you haven’t seen it, don’t read this.
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He hated him. Bucky genuinely hates him. He never thought he had despised something or someone so much, not even HYDRA, as much as he hated John Walker – the new Captain America. He wanted to scream at that, at the fact that this arrogant asshole was carrying Steve’s shield, the symbol of freedom and everything good, while in reality, he embodied none of what it stood for.
           Walker and what he’d learned his sidekick was Battlestar, had swooped in from a helicopter while Sam and he had been following the Flag-Smasher vehicles, and, well, they hadn’t been a lot of help, which he shouldn’t be too surprised about. But what he had been surprised about was when they’d all been thrown off of the semi-trucks and scattered all around a field, someone else had been in the mix as well. 
A young woman with Y/H/C hair and determined Y/E/C eyes was rushing towards them, screaming for them to stay on the ground. When Bucky looked behind, he could see why given how one of the radicalised people had jumped from the trucks and was barreling at them with an automatic cocked at them
           But it wasn’t Walker who jumped up running past her, shield at the ready to take on the fire. No. He just remained sitting as the stranger kept her pace. She leapt at the two with a grace of a cat, pushing him and Sam back to the ground and immediately got blown back by the received ammunition, gasps leaving her mouth as the bullets entered her body.
           Sam’s wings extended and created a body length shield as Bucky snatched one of the knives strapped to the man’s side and flung it with deadly accuracy into the Flag-Smasher’s neck, dropping him to the ground. 
           There was blood when he looked back. There was so much blood, and once again it was all over Bucky’s hands, and he couldn’t breathe properly, pressing down on her abdomen and shoulder and side, and. oh god, there were too many bullet wounds...
           Two wide Y/E/C eyes stared back up at him, mouth gasping down shallow breaths as he held down on her wounds trying to stop the blood from pouring out. God, there was so much of it.
           “Don’t close your eyes,” he gritted, his body trembling. “Well get you help. You’ll be alright.”
           But then Walker spoke up, and Bucky saw read because of a different reason. “She’s fine, just leave it.”
           His head snapped to see that arrogant bastard cross his arms as he hissed. “Leave it? She’s fucking bleeding out! She took those bullets for you, and you just want to leave it?!”
           Walker just smirked, nudging his chin towards her body. “You’ll see.”
           “You let her use herself as a shield while you did nothing!”
           “Yeah,” he scoffed. “Because that’s her whole point.”
           And that’s when Bucky felt her skin shift underneath his hands. Slowly the blood stopped pouring out, Y/N’s breathing evened, and her eyes closed not because death was calling, but because of relief as the regenerative cells kicked into high gear.
           Bucky gazed in wonder as the wounds closed up, and when only scar tissue remained he snapped his blue eyes to her, Y/E/C ones already staring back at him.
           “Who are you?” he whispered
           “A human shield that’s what,” Walker answered in her stead, but Bucky just sneered.
           “I asked who, not a what. She’s a fucking person.”
           Once more he looked back down and saw a strange look in her eyes. It was as if she was trying to decipher what those words meant, but once the shock from such a huge assault had ended, she gulped down a breath and gave him a crooked smile. “I’m Y/N Y/L/N.”
           A lopsided one came to grace his own face. “I’m James Buchanan Barnes, but you can call me Bucky.”
           “Bucky.” Her eyebrow rose. “Well, it’s very nice to finally meet you.”
           He smiled at her, and not the painful smile he’d given the senator before her arrest, but a real genuine smile, one that made the skin around his eyes crinkle. 
           “And it’s very nice you didn’t decide to die on us.”
           “Yeah, yeah, can we cut this meet and greet shorter?” Walker interrupted them, and if Bucky hadn’t been holding onto Y/N’s shoulder as she tried to rise from the ground, he would’ve punched the guy. 
           “I told you she was going to be fine.”
           Bucky threw him his best murder glare but stopped when he felt Y/N squeeze his hand as if saying ‘don’t bother.' His brows furrowed in confusion. She just shook her head.
           “We should still find you a hospital.” He talked to Y/N directly, ignoring what the new Captain was saying. “It doesn’t matter that you can survive something like that, I’d rather make sure you’re checked out by professionals.
           “It won’t be necessary.” Walker slipped the shield on his arm and nudged his partner to start walking with him, pretty much expecting the rest to follow. “It was her choice anyway to take the hits.”
           “It doesn’t mean she should!” Bucky pretty much hollered, startling even Sam.
           At that, he saw Y/N’s eyes widen and her head snap up to look at him. All the breath got knocked out from Bucky at the emotion in her face. It was like she didn’t believe what he was saying like she didn’t know it was a possibility to not put her own life before someone else’s, that maybe someone is supposed to do it for her, someone could protect her.
           “She absorbs fucking bullets and infuses them in her body.” John mocked. “I’d say it’s a win-win on both sides. Everyone else stays safe, and she gets stronger, right? The whole bleeding thing is a hitch in the system, but our guys say with enough scuffles that should stop as well.”
Walker looked at her. Y/N just gulped, staring back down at the ground between her knees. 
           When he looked back at everything the moment he’d seen Zemo in the cell and the asshole had said something still remained in him from the Winter Soldier, came back to connect with the scene. He’d hated that sentence because Bucky knew it was true. The Soldier would always be a part of him, but that was what therapy was for – to accept it and let go. But in that minute, he wouldn’t have cared one bit if the ruthless assassin came to the surface if it meant snapping Walker’s neck like a stick. 
           He treated the woman as if she was below him, as if Steve’s shield somehow made him better than her, better than anyone, and yet, even when he’d been given the privilege to carry it, he’d rather use a human person, no matter if they had powers, as a shield.
           A soft hand touched his side, and Bucky looked at Y/N, his breathing heavy at Walker’s words. 
           “I’m alright.” Her voice was softer than he thought it would be. Maybe it was because she was trying to stay out of John’s earshot, but even the gentle whisper made something in Bucky’s chest stir. “Thank you,” she said. “For checking up on me.”
           Bucky stiffly nodded, standing up and offering both his hands for her to take, but even with that, it took Sam holding her by the waist to be able to stand. The Falcon had to catch her, in fact, when she took her first steps, an awkward chuckle escaping her mouth. 
           “It’s been a while since a hit like this.”
           Sam quirked a brow and smirked. “You always have a tendency to do stupid shit like that?”
           Y/N’s whole body relaxed as he said so, and a sting went through Bucky’s own. How bad were they treating her if basic kindness and a little bit of joking made her feel so safe?
           Just as he was about to ask her more, to offer to take her with them, Walker spoke up again. That conversation was an absolute disaster, and the fact that Walker thought Sam and him would actually ever consider working with him on this mission was idiotic. 
           It ended with the two Avengers watching how Walker threw an arm around Y/N’s shoulders, making her knees buckle with the weight, her from still regaining strength, but he didn’t care, just dragged her along with him and Battlestar.
           “Are we just gonna let ‘em do that to her?” Bucky sneered, arms crossed watching their retreating forms over the field.
           He felt Sam glower next to him. “There’s not much we can do.”
           He hated that he was right.
           Bucky couldn’t stop thinking about Y/N. One meeting had left him shaken to the core not just about her, but about how there was something deeply off with the new Captain America, that if they didn’t take action something horrible would happen, not just because of his arrogance, but because of some seed he could feel had rooted itself in the other man’s heart.
           But by that point they’d been in Madripoor, had met Sharon who’d been on the run from the US government ever since the dismantlement of the Avengers, and had now followed a lead to where the Flag-Smashers had settled in Latvia.
           Zemo seemed to not only have a billion cars, but a billion apartments scattered around the world, this one being in the heart of the Old Town. 
           Bucky was on the roof looking over the twinkling lights of the city. His bed had been too soft as it always was, and even the floor wasn’t it for him, not a wink of sleep coming his way as his thoughts were flooded by Y/N.
           Well, the sleep part wasn’t true. He had been able to drift off, only to dream of how the woman didn’t get better, didn’t absorb those bullets and had died right in his arms. That’s when he decided he needed a breath of fresh air.
           The sound of shuffling feet made him whip around from the scenic view only to be greeted by a form he’d now recognise in a full-on ski-suit in pitch-black darkness.
           “What are you doing here?” Bucky stood up wanting to stride over and check her for any wounds she might’ve gotten while around Walker. Any new scar on her body would mean the same number of teeth he’d knock from that Walmart-version-Captain-America’s mouth.
           “Came to warn you.” She shrugged, soft winds making her coat flutter. “John and Lemar are resting, but come morning they’ll be on your ass, so you might wanna make a move now.”
           Bucky shook his head. “I don’t get you. You’re nothing like them, I can see that you know how wrong it is, for him to be carrying that shield, that he’s making a mockery out of the name and legacy Steve built, and yet…”
           Y/N hung her head lifting her shoulders, hands in her pockets. “I gotta do what I gotta do.”
           “He’s an asshole,” Bucky hissed. 
           Y/N gave him a painful look. “I know. But I don’t have anywhere to go. Besides… you have your own way of making amends. Well, this is mine.”
           Dark brows furrowed. “What do you mean?”
           She let out a painful chuckle, not because of the memories now plaguing her waking thoughts, but because her wounds were still healing, and instantly Bucky came closer and took her hand, running a soothing thumb over her palm. Wounds he was sure were new.
           Y/N froze at his touch, and Bucky was about to pull away when she put her own thumb over his. He had to bite back tears at how tenderly she was looking down at his palm. Like no one had ever comforted her when it hurt. 
           “When the Blip happened,” she started, voice low and quiet. “I watched how my sister and mom disappeared right in front of my eyes. We were driving over the Golden Gate Bridge, and there was a truck before us. It was carrying loads of metal scraps. The driver of the truck got blipped as well.” She swallowed harshly. “I can still feel how the beam went through my shoulder, how it broke the bone and skin, and how I just wanted to disappear like they had just to make the pain stop. But I didn’t. It hurt so bad.” Y/N looked at Bucky, tears running down her face. “It was burning and tearing, and so much pain… and all I could do was scream, but no one heard me because everyone else was screaming, and I was just one of the thousands doing it.”
           Y/N shook her head, and when Bucky leaned closer to wipe away the tears, she sighed at the feeling. “I passed out sometime later. From the pain the… well, everything. And when I woke up, I heard people outside the door, trying to rip it open, I could see red lights flashing, but where I expected that beam to be was nothing. When I looked down at myself there was a hole in my shirt, but instead of a hole in my shoulder, a round scar was the only thing left from that moment.”
           “They took me to the hospital, and when they tried to put an IV in, my body just swallowed up the needle.” She took a shaky breath, and Bucky squeezed her side. ‘Go on’ he tried to convey with the touch. ‘I’m here.’
           “That’s when the tests started. They were fine at first. Blood samples when they managed to get any, saliva and all that good jazz… but then they started poking. And poking turned into slicing which turned into stabbing until I was their personal pincushion, as they tried to see what my body would and wouldn’t take.”
           Y/N was shaking by that point, but not because of the wind that had picked up, but because of anger, of the horror, she’d had to go through. It took everything in Bucky to remain calm and let her continue.
           “Two years they did that. And then one time they went a bit too far. Someone had stolen a vibranium spear from the Dora Milaje.”
           Bucky’s breath got caught in his throat. He wasn’t moving a muscle.
           “They wanted to know if I could absorb the strongest metal on Earth, so slowly…” Her hands went to her front, to the white blouse she was wearing and started popping open the buttons. Bucky was just about to protest when he understood.
           “They pushed the spear too far.” Her finger ran over a rhomb shaped scar right in the centre of her chest. Right over her heart. “Pushed it right through.”
           “How did you survive?” Bucky was appalled, but in awe at the same time. 
            Y/N shook her head. “I didn’t. I died then and there on the table. They took my body and dumped it in some ditch. From my own calculations, it took me about a day to heal. They’d sown in a scalpel in my stomach a few hours before, so I’m assuming it used that as the binding material for the cells.”
“I was so angry.” She looked at him. “At everyone, at myself, that I couldn’t help my family, that I allowed them to just use me like that, I just went off the deep end. I did so many bad things…” A tear slipped down her cheek. “I read about the Winter Soldier, y’know. His whole thing was efficiency, quickness. I – “ She choked on her words. “I wasn’t. I wanted to drag it out. Wanted to find each and every one of the bastards who laid their hands on me and make them suffer as I did.”
           Bucky’s hand settled on her waist as he pulled her closer, feeling her body keen at the motion as she looked for reassurance. “I’m not a good person, Bucky. This.” She motioned with her head to her body. “This is my repentance for what I did.”
           “What he’s doing is not right. What they’re making you do is not right.” Bucky shook his head. “Just because it might not kill you, doesn’t mean it doesn’t hurt. No one had any right to touch you.”
           “It’s the price I pay for what I did.”
           “Pain?”
           Y/N nodded. “Eye for an eye. Pain for the pain I caused.”
           Bucky shook his head. “That’s not right.”
           “How else am I supposed to do this?”
           “By getting help yourself first.”
           Y/N’s eyes widened, and Bucky sighed. He understood how impossible that thought seemed, that someone who’s done so much bad could deserve help from others, but he understood her situation better than anyone. “Being here,” he said, “being able to say these things… I can only do that because I got help. It was mandated by the state, but nevertheless…” Both chuckled at that, and Bucky’s heart lightened at the sound, at the genuine sound of joy from her. “But the therapy… I hate to say this, but it helped. It’s not easy. I sometimes detest going to the sessions, and I might be failing them quite miserably right now, especially with rule number two –“
           “What’s rule number two?”
           “Don’t hurt anyone,” Bucky mumbled. “And I’ve broken it quite a lot recently, I know that which will either make me end up behind bars or will add more therapy sessions to the list, but I’m not afraid anymore.”
           Y/N gulped, gazing just as intensely at Bucky as he was at her. “Of what?”
           “Of reaching out.” He tucked a strand of hair behind her ear. “Of asking for help. Of understanding that I deserve help, and I deserve to receive it.”
           “Yeah, but the thing is I’m not like you.” Y/N looked away from him. “No one forced me to do this, no one brainwashed me. I did everything out of my own volition. Me. No one else. You deserve that help because HYDRA did all those things to you. You are a victim of war. I’m not. All those horrible things I did… I did them. Not some alias of mine.”
           Bucky’s heart hurt at the fact that Y/N couldn’t see she was a victim of her own circumstance, and how now the government was punishing her for it. And that’s when another brick hit him – it was exactly like Isaiah’s situation. Both came from marginalised groups, parts of society where the ones in power have been trying to oppress and control them for as long as he could remember, he just couldn’t see it. He could see Sam’s point of view now. Maybe not as clearly as he should, but he was starting to wipe away the fog.
           “They used you just as much as HYDRA used me.” He asserted, and Y/N’s eyes widened at his sure statement. “Just because a pile of shit has a bowtie on now, doesn’t mean it’s no longer a pile of shit… Come with us.” Bucky’s forehead pressed to hers. “Let’s do this the right way.”
           “It’s mandated by the US government that I stay by John’s side and help him.”
           Bucky smirked at that, nudging his nose against Y/N’s. “Well, it’s a good thing we’re in Latvia then. Besides Captain America has no pull here.”
           She laughed, warm breath slipping over Bucky’s skin, and he had to close his eyes as the thought of her breathless and underneath him invaded his mind. “Unfortunately, this deal stands whether I’m inside the borders of USA or outside.”
           Y/N looked over the skyline to where the country’s national monument stood. A woman, hands up in the air outstretched with three stars in her palms, with words she couldn’t understand when she'd arrived etched on the granite at the bottom. Some local had translated them for her. For the Fatherland and Freedom.
           After the blip and the experiments, she didn’t feel like she had a home. She’d been imprisoned and prodded like some lab bunny to see what her body could do. What her body could be used for.
           Bucky followed her gaze as she kept looking at the statue. Different stars, different saying, but still with the same meaning of what he saw when he looked at the Captain America shield. Freedom. Justice. For the love of their home.
Something deep started to burn in her chest, and even Bucky could feel the shift. 
           A ferocious look appeared in her eyes as she looked at him. “Let’s get that shield.” She wasn’t going to let Walker taint that star, she knew would happen if he had it for much longer.
           They’d had a single meeting beforehand, and during that half-hour, he’d been terrified for more than two-thirds of the time about how Y/N might die in his arms, die because she’d taken bullets meant for him. 
           He was so glad she hadn’t, not because it would be another life lost because of him, but because he felt like he’d found a twin flame – someone who’d understand him and his troubles. Someone he could help.
           Maybe that could be the true way he could make amends – help someone in the same situation.
           Bucky smiled.
           Y/N did so too, and his heart skipped a beat looking at the woman.
           Her body might be able to absorb the metals piercing it, Walker might call her a human shield, but he knew she was so much more than that. And he’d spend however long it took him to prove so to her. Maybe even in more ways than one.
_________________________________________________________________
Please reblog if you like this. For whatever reason my Bucky fics aren’t appearing in the tags :(
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love-takes-work · 5 years
Text
When someone toxic needs a friend
I just wanna add a little personal reflection to the discussion of Spinel’s treatment in Steven Universe: The Movie.
A few signposts so you know where I’m starting with this:
A criticism I’ve seen: 
Steven was not particularly warm to Spinel. He did not hug her. He did not offer to be her friend. He spoke carelessly and triggered her toward becoming murderous again. He only cared about what she could do for him.
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A perspective I’ve seen: 
LOTS of people with borderline personality disorder or strong feelings about abandonment personally relate to Spinel and are critical of Steven from this perspective.
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Rebecca Sugar’s commentary on Spinel:
The thing about Spinel is that she’s a really toxic person. 
She’s so toxic that she’s literally trying to poison people. 
In my interactions with friends who have had a history difficult enough to make it hard for them to trust other people and sometimes even actively want to hurt others, it’s just a very difficult situation to navigate. In the case of Spinel and all of these characters, that’s extremely exaggerated because cartoons have the ability to be extreme exaggerations. I wanted to explore what it’s like when you’re trying to help someone who really doesn’t want to help themselves, who wants to embody the negative feelings that they have about themselves. I think that’s something really real. I hadn’t seen that in a cartoon before. 
Spinel, unlike many other characters, actually has the goal of hurting people, which is new territory for the show. She really wants to hurt Steven, and there’s a reason that she does—because she’s in so much pain. I just wanted to explore all the dimensions of that.
I also think Steven has his way of trying to handle and dissolve conflict. It’s not necessarily a good way for him to handle this situation. It really leaves him in a difficult state, and I think what I wanted to show in the way that they interact is that at a certain point, when you can’t help someone, you have to be able to protect yourself. 
Ultimately, he can’t really convince her to change. It’s something she’ll have to want for herself. But what he can do is protect himself from her, making it impossible for her to hurt him. 
It’s sort of up to you if you would like to love her. If you watch this movie and she, you know, frustrates you, that is totally fair. I want that to be a big part of who she is.
[From the AV Club interview]
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So here are a few things I want to shed light on.
It’s very interesting that Rebecca intended Spinel to be read as “a toxic person” because so many fans fell in love with her, said they’d be her friend, hated intensely on Pink Diamond because of what she did to abandon the poor Gem, and sympathized with her directly. But Rebecca was looking at Spinel from Steven’s perspective. And that’s also what I did.
I’ve been Steven. I have VERY much been Steven.
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When you meet someone who was done dirty, when you recognize the horror they’ve been through, when you see how much pain they are in and agree they have the right to be angry, it’s natural for empathetic people to offer themselves as comfort.
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But when you’re Steven, you also know it isn’t YOUR fault either. Before you have the ability and experience to set boundaries, you can get sucked into other people’s stormy waters and think you’re helping if you drown in solidarity with them. What’s really important to preserving yourself is learning that you can stand on the boat and toss a life preserver. That it doesn’t ACTUALLY HELP to jump in the water and sink with them.
Some folks are angry that Steven didn’t jump right into sacrifice himself on the altar of friendship in the service of an intense, literally murderous stranger who tried to poison him and his planet and lash out at his friends, robbing them of their rich pasts and their relationships because all of it hurt HER so much. It is SO easy to understand WHY SPINEL WAS ANGRY. But nothing she was doing to Steven, his friends, or the Earth was going to fix her problems, and furthermore, she FULLY UNDERSTOOD that it was NOT THE FAULT of any of the people she took her anger out on. It was irrational, yes, and that is part of her dysfunction. But also, in these situations, what helps explain it still does not excuse it.
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Some have railed at Steven saying he somehow forgave genocidal tyrants like the Diamonds but couldn’t be friends with a damaged Gem like Spinel who just wanted friendship. The big difference there is that Steven got involved with the Diamonds when both parties believed he was a different person. The Diamonds believed he was the lost Pink Diamond, and Steven has also spent much of his superhero life believing he WAS his mother and was therefore obligated to accept punishment for her crimes or to clean up the messes she made. Now that he knows he is not her and that she did some pretty horrible stuff, he also wants the right to stop feeling responsible for every person Pink hurt in the entire region of space.
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Steven gave Spinel basically compassionate treatment. He did not abuse her. He did not insult her. He occasionally coddled her when it seemed important (and though some said he was too businesslike while he pursued his mission, he was literally looking at the world ending within two days if he didn’t solve the problem). And most importantly . . . .
He let her leave the garden.
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Spinel stayed in the garden all those millennia because Pink Diamond told her they were playing a game. All that time, she had visions of Pink returning so she could see her smile, hear her laughter. We see a sequence where she tried to follow Pink out of the garden and Pink manipulated her into staying willingly. We watch those feet leaving and one pair of feet staying behind. We see Pink disappear.
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When Steven goes to leave the garden, Spinel follows in the same manner. Some have criticized him for letting go of her hands.
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But he invited her out of the garden. He didn’t say stay. He said come with me.
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As he sang about her deserving someone better, he was sincere. But he did not say the person to make her feel found should be him. He did not want to take on another person with thousands of years of baggage who would require a specific brand of attention and so much tenderness to avoid snapping. He did not allow her to be held by the hand and led out. He recognized that she needed encouragement to leave this place because of what was done to her, but he wanted her to take the steps.
Compassionate people are crushed all the time under the weight of needy people who make it hurt to love. People like Steven can acknowledge that Spinel deserves love and deserves to be happy without accepting that it’s heartless to stop short of personally doing it. Especially when you literally have to take physical, mental, and emotional damage as a general consequence of offering support and counseling. It is sometimes just beyond what you can do.
I made the mistake several times of getting very close to someone who treated me poorly while taking comfort in my presence. I cared that they were hurt and I didn’t know how to say “You deserve love” without stepping in and loving them. In EVERY case I was involved with, the person went from initially grateful to “why don’t you help me more?” shockingly quickly, and two of them deliberately tried to create situations where I would be trapped with them and isolated from others. 
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I could get very personal here but I don’t think I need to. Those of us who relate all too well to Steven wanting to help others will have been in this situation. Your heart hurts for people who live with pain that has never touched you, but when they’ve made it clear with one of their first actions that they feel satisfied at the idea of ruining your life, trusting them could mean the end of you. Especially if they demand that you risk life and limb to fix and save them before you’d dare to call it love, and especially if they want to be fixed without feeling responsible for initiating any of it. Some people mistake suffering for working hard toward a goal. Both can hurt but only one is constructive. If I’m expected to spend extensive resources on someone, I need some partnership in the goal, and I can’t accomplish that with someone whose wish for companionship manifests as “I want you to feel as bad as I do, and will take steps to hurt you so I have someone to cry with.”
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Steven risked his actual life while he didn’t have powers so he could go talk to Spinel, and he wouldn’t fight her when she wanted to fight. He protected himself while she spent her anger. He STILL put himself in the line of fire far more than a less compassionate person would. He took time and tenderness to listen to her story and sympathize with her, tell her she deserved better, bear witness to what she’d become after being treated like a discarded plaything, and bring her hope with promises of a new future and a way to feel found.
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Sadly, Spinel flipped back to being murderous at the first sign that Steven might be about to prioritize someone other than her, reframing his reasonable needs as if he was planning to abandon her, isolate her, discard her. This was a trauma reaction, yes, and she isn’t entirely to blame for being upset because she was worried she was just being used and none of her actions were logically thought through. 
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But does someone ever “deserve” the friendship of a specific person who can’t feel warm toward them because of their OWN bad experiences? 
No! 
Steven has a big heart but he has his very own huge storehouse of trauma, and being physically attacked with his family and planet put in danger over the actions of his mother is at the top of the list. Instead of assuming that the person who has trauma the loudest is the most hurt, can’t we just acknowledge that Spinel’s and Steven’s respective traumas make them NOT the best match for friendship?
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The ending of the movie, with Spinel going off with the Diamonds, might seem a little disturbing with all the codepencency floating around there, but if you want to talk about compassion, I think this is a good place for Spinel to start. 
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She just wanted to make Pink Diamond laugh and enjoy her life. She longed to do that for so long and then it all ended when she found out she would NEVER GET TO DO IT. I think bonding with the other Diamonds and having a familiar, safe place to experience the kind of love she’s used to will be a good FOUNDATION for building herself into a person beyond that. For now, she needs comfort. I hope they treat her well.
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n1kolaiz · 3 years
Text
"Man fears death and yet, at the same time, man is drawn to death. Death is endlessly consumed by men in cities and in literature. It is a singular event in one's life that none may reverse. That is what I desire."
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Character Analysis: Dazai Osamu
Age: 22 || Ability: No Longer Human
I've done a lot of research concerning Dazai's character because of how complex he'd initially appeared to me. It is still a question as to what his personality type is; some say he's an ENTP while others argue that he's an INTJ, and his enneagram would most likely be 7w8 (The Realist), but that isn't the thing I'm going to focus on.
According to general databases and fan analyses, his temperament is dominantly melancholic. A person's temperament is basically how they react to and live in this world. For those of you not interested in such details, don't worry, I'll get to my point.
The melancholic behaviour is characterised by individualism, self-reliance, and reservation. People of the melancholic temperament are described as having been overcome with sorrow and depressive thoughts, which is beyond the feeling of "just being sad."
Nonetheless, they are generally calm beings, with a tendency to hide how they truly feel by keeping their composure, even in events that demand severe reaction otherwise. Other aspects of melancholic temperaments is that they are absorbed in the cruelty and tragedy of this world, and tend to get lost in their thoughts.
Sound familiar?
Dazai is seen to be as the comic relief of the adaptation, and he'd never fail to bring about a sense of lightheartedness to relieve the serious moments; we all know that for sure. Remember the time both him and Kunikida found Nobuko Sasaki in that godforsaken hospital, and how Kunikida asked him about his opinion on the current state of affairs?
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But, despite having developed a calm and serene personality, Dazai's dark side was more apparent during the Dark Era. There was a type of intimidating and arrogant flair evident in his behaviour, or even on his face. It was the type of demeanour that came off cold and terrifying to the rather unlucky people he dealt with. In a moment's notice, they could literally die by his hands. And I believe most of them usually did. It was during this time, he was more brutal and vicious. He lacked remorse. Plus, Dazai's suicidal ideations were more dense during this Era, and his suicidal tendencies did not do anything to alleviate the depth of how dark his character was posed to be.
Side note: Unfortunately, people misunderstand this 'depressed' part of Dazai; they minimise his character so much to the point that people use only a single word to describe him: suicidal. He is, in fact, so much more than that. I'll elaborate more on that in a while.
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"Hey, Odasaku, do you know why I joined the Mafia? I joined the Mafia because of an expectation I had. I thought if I was close to death and violence—close to people giving in to their urges and desires, then I would be able to see the inner nature of humankind up close. I thought if I did that… I would be able to find something—a reason to live."
Dazai's approach to life is that of an aimless soul, weary of the world's oppressions and exhausted from the concept of living itself. Nevertheless, what he said above about having an expectation made me realise something: he had a goal, which he wasn't that enthusiastic about achieving—seeking for a reason to carry on with life. So he joined the Mafia.
And there, he met Oda Sakunosuke.
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Despite how resilient Dazai carried himself to be (especially during the Dark Era), this specific excerpt stands in direct opposition of how he effortlessly embodied all things daunting:
"With every step I take, I feel as though the earth has opened up into a bottomless pit as I fall endlessly. As Dazai pointed to his forehead and approached the muzzle, the look on his face – like that of a child about to burst into tears – had already been branded upon my eyes."
- quoted by Oda Sakunosuke, excerpt from Dazai Osamu and the Dark Era Light Novel.
When I read this, it sent my mind into a spiral of despair and confusion. It was so vague, yet it made so much sense. Dazai was desperate to escape from this life, but part of him seemed to live in conflict with his desire for death. I won't elaborate more on this, because this specific excerpt has personal meaning to me, as I'd expect it to have for others as well; so I wouldn't want to ruin anyone else's perception on it.
Back to my point: Odasaku was one of the only characters who managed to interpret the complexity of Dazai's mindset and was able to compartmentalise the specific details of his persona that made Dazai the way he was. Oda knew that Dazai wasn't just suicidal.
"For most things in life, it's harder to succeed than fail. Wouldn't you agree? That's why I should attempt suicide rather than commit it! Committing suicide is difficult, but it should be relatively easier to fail at attempting suicide!"
Others boasted about how he was just a suicidal maniac, and that was only because of how good Dazai was at concealing his own feelings whilst flamboyantly priding himself in new, risky techniques, which he sometimes elaborated on. But Oda, on the other hand, saw through his jokes, and empathised with his friend, never wanting to ever barge into his vulnerability without Dazai's permission, but still trying to be there for him.
"Listen. You told me if you put yourself in a world of violence and bloodshed, you might be ale to find a reson to live. You won't find it. You should know that. Whether you're on the side that takes lives or the side that saves them, nothing beyond your own expectations will happen. Nothing in this world can fill the hole that is your loneliness. You will wander the darkness for eternity."
Notice how Odasaku recognised Dazai's despair, before Dazai even dared to acknowledge his very own emotions? That was why, at Oda's death, he took the initiative to uncover Dazai's bandaged eye to show him that there was no use in concealing his feelings anymore.
Odasaku's last words to Dazai was to "be on the side that saves people," for he was aware that even though Dazai didn't believe there was a clear distinction between good and evil, he thought that perhaps Dazai would find meaning in his life, even if it was just a little bit of purpose.
In Dead Apple, we briefly relive this moment, but I'll write more on that some other time.
And when Dazai joined the ADA, he loses that dark side to him. No, wait, let me rephrase that: he loses a part of that dark side to him. He eliminated the raw sense of bitterness against the world from his face, and instead, he is seen to be a little more passive, and a little more adaptive. No doubt, he still does explicitly state his desire to die, but his wishes are very specific, if you know what I mean.
And a few years later, his journey with Atsushi began.
Atsushi and Dazai's relationship is just one of a kind. I think it isn't a matter of whether Atsushi needed Dazai, or whether Dazai needed Atsushi. It's the fact that they both needed each other. It's the way they both worked hand in hand, and how they sustained each other in ways they were lacking.
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The two were polar opposites, but they had a tender kind of warmth embedded in their protectiveness for each other. Atsushi was just as lost as Dazai, but somehow, they worked together just fine. It was like their duality was meant to be. It was the type of symbiotic relationship, where their care for each other was implied, but very deep.
Does this also sound familiar... perhaps, in relation to Dazai's friendship with Odasaku?
Side note: Oda and Atsushi have the same enneagrams, which is Type 2, 'The Helper.'
There is a sort of balance that is brought about by two opposites. Odasaku taught Dazai many things, and I believe Oda learned a lot about a man's life from the way Dazai lived out his life with the innate desire to die. Atsushi sought for the right to live, while Dazai searched for a reason to live; in addition, Dazai validated Atsushi's feelings, and Atsushi was able to acknowlegde the amount of pain Dazai was going through.
Despite how Dazai's perspectives and beliefs stood in contrast with those of Oda's and Atsushi's, a type of inseparable bond connected the man who no longer felt like he was human, to the people who was the most human.
No Longer Human in the Japanese romaji is 'Ningen Shikkaku.' Ningen means "human," and Shikkaku means "disqualified." The late author, Dazai Osamu, wrote the book No Longer Human. He had gone through the rough throes of trauma and wrote this book as a semi-autobiography, whose plot was centred around a man who faked happiness, for he was tainted by the truth that everyone around him was fake themselves. He turned his life into a joke in order to protect himself from the delusions of this world.
This brings us back to the melancholic temperament, where a person was too deeply immersed in the sad truths of reality and the world itself.
And that's what Dazai's character and ability is based on: being disqualified as a human being, because he wasn't well-versed with what being human was actually like. The fabrications of being human sprung up all around him, but he wasn't willing to be fooled by how ingenuine the world truly was.
“I am convinced that human life is filled with many pure, happy, serene examples of insincerity, truly splendid of their kind—of people deceiving one another without (strangely enough) any wounds being inflicted, of people who seem unaware even that they are deceiving one another.”
- excerpt from Dazai Osamu's No Longer Human.
People who don't feel human emotions or don't react to circumstances the way humans do have a variety of ways of explaining how they feel inhuman. They are highly intelligent, which separates them from the average class of humankind, since they've analysed and untangled the truths of life in order to attain understanding, which they value above all else. But, this understanding of the world and its painful truths results in a deep kind of sorrow, which only a few people can seem to empathise with in order to help them out with that burden.
“Pain and suffering are always inevitable for a large intelligence and a deep heart. The really great men must, I think, have great sadness on earth.”
-excerpt from Fyodor Dostoevsky's Crime and Punishment.
Don't you think that this deep sorrow that lies in the heart of the intelligent, makes them the most human of all? They're too human, to the point where they don't feel human. Perhaps, it is a type of defence mechanism, where the mind numbs the heart from feeling normal human emotion, because logically breaking down such concepts is easier than feeling them. But it comes at a price. The heart is willing to recklessly comprehend and fathom any sort of emotion, including pain in its true form, but the mind bears more pain in understanding such concepts because it seeks to decipher every single agonising detail of how complex human emotions are. The mind thinks, the heart feels. There is a clear distinguishing factor between the two. Whether feeling hurts more than thinking, or thinking hurts more than feeling, or whether both these processes work hand-in-hand to make up the reality of life itself, is up for an individual to decide.
Only a few people can seem to empathise with intelligent people who are deeply sad at heart, in order to help them out. As for Dazai, it was Atsushi and Oda. They never took away the pain, but they made him grow from it; it worked vice versa, too.
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Of course, there are less tedious and more appealing aspects to the concept of Dazai's intelligence. Dazai was seen as a threat to his enemies because of how manipulation and his keen skill of deduction made up how sharp his mind was. Besides, no one could commit '138 murders, 312 cases of extortion, and 625 cases of fraud, along with various and sundry other crimes,' without having a certain level of intelligence, right?
Dazai had the moral alignment of 'chaotic neutral.' He was more focused on using his intellect to achieve the desired end results of a predicament, and he wasn't afraid to use the wrong means. A famous example was when he deflated the airbags of Ango Sakaguchi's car in order to gain the assured protection of Kyouka Izumi.
Justice is a weapon. It can be used to cause harm, but it cannot protect or save others.
Another example was when he blew up Chuuya Nakahara's car.
Just kidding. That was just a simple pastime (;・∀ ・)
His moral alignment points to what Oda said about him: the part where he mentioned that Dazai didn't really see any difference between good and evil. As long as his ends were achieved, especially if it were in the benefit of his fellow colleagues, he wasn't afraid to exploit, threaten, or endanger others' wellbeing. Because, at the end of the day, the end result triumphed the morally bad methods utilised to achieve it, correct? He always had a reason for his motives and actions, even if those actions were evil and inexcusable.
(eg. action: the psychological abuse he bestowed upon Akutagawa Ryunosuke.
motive: to enable him to hone his own ability favourably and to curb his arrogance)
But the consequences of one's actions will always catch up with a person, no matter what heights they've achieved.
Okay, we're reaching the end of my rambling very soon, I promise.
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“If I had to go, I’d like to go out just as beautifully.”
“I’d prefer you don’t go.”
This part of the post is highly inspired by iwachuwu!!
An important factor of Dazai's development is highlighted BSD Wan's episode 10:
I'd like to appreciate that this scene focuses on how much Dazai actually means to Atsushi. When Atsushi responds with "I'd prefer you don't go," he said it lightheartedly for he thought Dazai was joking. But he wasn't. And once Atsushi absorbed the fact that Dazai meant what he said, he was overwhelmed with anguish at the thought of ever losing Dazai. Dazai, on the other hand, had a sense of longing on his expression. There was that look of pure desperation on his face. He was so desperate, yet he knew he couldn't act on his desperation due to a promise he'd made to someone dear to him. But keep in mind, Dazai is unpredictable, so we can never be sure of what's going on in that headspace of his.
Nevertheless, this time, Atsushi recognised Dazai's suffering, as no one usually cared to do, and Dazai didn't put in any effort to hide how he truly felt, as he habitually did. And this mutual emotional connection happened countless times during all the times Oda spent with Dazai as well.
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To summarise,
Dazai's character had been carefully wired and patterned out in a way only a few would put in the effort to understand. Dazai was more than just suicidal; he was a being wandering from place to place with no specific aim. He was too smart for his own good. Dazai understood too well of how the world worked and deemed it void of any sort of hope.
Side note: Yes, the truth does come at a price, but it all comes down to how a person understands the truth. As for Dazai (both character and the author he was based off upon), well, it was quite tragic. But that's the way it is for some people, I suppose. But everyone has a different path to travel on, remember that.
His transition from working with the Port Mafia to the Armed Detective Agency was proof of how well-executed his character development was. It was two different personas morphed into what he is today: a womaniser with questionable morals a person who is still standing even after the rough refining process endowed upon him by the realities of this life.
However, he had people along the way come and teach him a thing or two, which perhaps made his life a little more interesting. Perhaps these people were passing clouds that hid the void out of sight for just a moment, and Dazai was always seen to be grasping on to these moments, and letting them go whenever it was time to let go.
His outlook on life makes his intellect look all the more intriguing. It shows that not only does his intelligence contribute to his own wit and shrewdness, but also the practical sense of realism that explains how tired he is of the concept of living because of the truths there are to bear.
However he's enduring the pain right now is by far the most bravest thing a person could commit themselves to doing. It takes courage, and it takes strength, but only a few would ever take the time to recognise such efforts.
Dazai has one of the most beautiful character developments, but I do hope that the development doesn't reach its end anytime soon.
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fanart credits: @S7dOZPN3jWBB6cW on twitter
“Now I have neither happiness nor unhappiness.
Everything passes.
That is the one and only thing that I have thought resembled a truth in the society of human beings where I have dwelled up to now as in a burning hell.
Everything passes.”
excerpt from Dazai Osamu's No Longer Human.
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Oikawa + Blushing (pls and ty ❤️)
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words: 1.1k
characters: oikawa tooru
warnings: nada
a/n: i’m trying to keep these under 1k but leave it to oikawa to have me go overboard 😒
➰ send me a character + adj request!
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soft morning sunlight filtered in through the window, filling the room with an almost ethereal glow. strong, muscled arms held your form close, puffy cheeks from just waking up being squished into firm pecs.
you were a fool to think that you would spend a rare day off not being practically glued to oikawa’s body. somehow, you both had a day where practice wasn’t mandatory and work was gracious enough to give you a day or two to breathe.
peeling open your eyes softly, you lazily pulled your head from his warm chest, locking eyes with a glowing pair of chocolate. the edges of his eyes crinkled slightly from the smile on his lips, and oikawa tooru has never looked more gorgeous than now, bathed in the soft argentina morning sunlight.
it filtered through his hair and lit up the chestnut locks to a dizzying array of hues, the beams streaking across his cheeks and straight into his right eye. the brown orb looked almost amber, a startling contrast from the richer cocoa of its twin hidden from the rays.
a soft “good morning” rumbles past slightly chapped lips, dry from him breathing through his mouth while he slept. the raspiness of his morning voice sent an indetectable shiver down your spine, and you lightly hum in response, droopy eyes crinkling in content at him.
tooru’s gaze takes in your morning form, drinking in your soft cheeks and mussed hair with greedy eyes. normally, were you more awake, the intensity of his gaze on you would’ve made your skin tingle and a familiar heat would spread across your face; making you blush and fluster over his gaze and words is something that tooru is prideful of.
but sometimes, if the stars are aligned just correctly, you find yourself in a position to finally turn the tables on the charming bastard. the warm giddiness that floods through your system whenever that rare sight of crimson taking over his features is a feeling like no other.
and it seems that the gods have decided to answer your unconscious prayers because the rare opportunity has presented itself to you once more.
love filled eyes watched as you silently trailed your hand down his chest and underneath the blankets, brows quirking in amused curiosity as your warm fingers found his underneath the fabric.
grasping his larger hand, you gently tug it up until it breaches the safety of the covers. nothing can prepare tooru as he watches you bring his hand up to cup your face tenderly, plump lips curling into a small smile as you close your eyes and nuzzle into his calloused palm.
you know how well he takes care of his hands, how they are his strongest asset and key piece to his extraordinary talent and skill. quite honestly, it’s one of your favorite parts of his body, but sometimes you feel as if you don’t let him know just how much you truly adore them.
they’re a pretty sight to behold; the way his long and dexterous digits, strong and powerful from years of playing, gently caress your skin or hold your hand tightly in its grasp steals your breath away.
with wide palms with attractive veins and sturdy knuckles, the way you can see his tendons and muscles flex as he moves them should be downright illegal, and you just can’t get over how his hands are powerful, gorgeous, versatile, yours.
so you decide to physically show him whenever your words fail you, as they often do whenever you’re in his presence. humming softly to yourself, you nuzzle further into his palm, relishing in the unique feeling of his callouses against your soft cheeks.
your hand that had dragged his up in the first place is resting against his as well, and tooru can’t tear his eyes away from the sight, your smaller hand looking so adorable gently pressed up against his.
with your eyes still closed and a sleepy smile on your lips, you finally respond to his good morning belatedly. “good morning love,” you rasp softly, and you can hear the way his breath lightly hitches at your words.
“i don’t think i tell you this enough, but i love your hands.” you muse softly, eyes still shut. it took everything in your power to not start smirking now. this was gonna be a good one.
“especially when they hold me so softly because i’m yours.” a startled choking noise emanates from the man across from you and you smirk, already knowing what scene is lying ahead of you.
when you open your eyes, they crinkle in triumph as they take in the rare but loved image of a flustered oikawa tooru.
sun kissed porcelain skin is positively on fire, the crimson spreading from the tips of his ears to the top of his chest. chocolate eyes are wide in embarrassment but you can see the adoration swimming in them as well.
cute pink lips are parted and coupled with the way his eyebrows scrunch cutely together, his face is the perfect embodiment of raw love and embarrassment. you softly snort when his pout deepens when you turn your head to press a gentle kiss to his palm.
even after all these years, he still doesn’t know how to take a genuine compliment. before you have a chance to tease him, a startled gasp escapes you as his hand is suddenly pulled away. those same hands you were just praising grab you and pull you flush to his chest while he begins to whine.
“baaaaabe~! you can’t just say stuff like that first thing in the morning!” he whined as he begins rolling back and forth with you in the bed, smiling softly into your hair at your shrieks of laughter and giggles get muffled in his chest, legs effectively tangled in the sheets now.
“don’t be mad that i’m just saying the truth!” comes your indignant reply. tooru finally stops his impression of a crocodile’s death roll, and now here you lay on his chest, cheek still pressed firmly to his pecs as you both lay there and try to regain your breath from the sudden exercise and giggling.
giggles are still slipping past your lips as you raise your head and prop your chin on him, gazing lovingly into his eyes. tooru returns it with just as much passion, cheeks still tinged pink from earlier. you decide to finally break the staring contest by leaning forward and pressing a gentle kiss to his lips, melting into everything that is him.
he pulls away first, laughing lightly at the way you softly chase after him, not wanting to part so soon. now it’s his turn to grin at you, reveling in the familiar but still loved heat that scrawls across your flesh when he murmurs out “i love you.”
you're about to whine in a similar fashion like earlier, but when he brings his left hand up to cup your face again, you catch the glint of sunlight off the gold band on his ring finger. you can’t find it in yourself to break this trance that has settled over you.
so you relax and let him hold you, basking in one another’s company in the golden light.
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poodlejoonas · 3 years
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Dad!BC AU - the moms
So wow-ihateithere and I (because for some reason Tumblr won’t let me directly @ you) have been tossing out so many amazing ideas for the BC dad AU lately that we’ve thought of pretty much every scenario under the sun. One idea I’d like to throw in here is the group that is the moms who make up their own personal wolfpack. Since they’ll be brought in as stand-alone characters soon, it would be better to have a basic introduction for each and how they know/interact with each other.
(Under the read-more for length)
Joel - Emilia (”Millie”) Hokka - The absolute baddest bitch you will meet on this planet. She's a 5′1″ sweetheart, but if you lay a single finger on her kid, her husband, her BC brothers and sisters, or any of her nieces and nephews, she will become the human embodiment of that one line from “Wolfpack.” You know the one. She’s gone viral before for Joel needing to hold her back from fighting the mom of a kid who’s bullying Enkka at school, and literally watching this tiny woman become a human hurricane at the drop of a hat was enough for this kid to immediately leave him alone. From then on, kids at school know not to come after Viktor Hokka because his mom doesn’t play around. Why would she? After all, she dedicated 18 months of her life to trying to become a mom, and anyone who dares to come after her baby needs a running start to get away from her.
Sometimes even Joel has to hold her back from doing something she probably should regret but wouldn’t if it involved her family. He knows better than to cross a line with her. Then there are other times when they work together to be the shadiest power couple on earth, like when Aleksi’s ex-girlfriend Laila slanders him in the media for talking about taking custody of their son from her. If Joel comes home pissed about something, she’s the first one to jump on board with whatever plan he has to get his point across. She would totally have a stan account on Instagram dedicated to her called “milliehokkasupremacy”. And Joel loves his wife so much that he would eat every bit of this shit up. When she tells someone off, he writes down what she says and turns it into the lyrics of Blind Channel’s next single.
In short, Millie Hokka is 100 percent That Bitch™.
Bonus bit because this idea made me laugh: (in the comments section of a post slandering BC) @milliehokka: Bitch you better take this shit down before I puncture your fucking tires @joelhokka: She's my better half ❤️
Joonas - Kirsten Porko - Kirsten’s one of the quiet BC moms, and a hell of a lot more tame than Millie. But she has her shining moments every now and then, like when she was wondering why Millie took Joel with her knowing that she could’ve easily beaten that bully’s mom’s ass without him. She has the patience of a saint, being married to Joonas and raising two (soon to be three) kids with him. But she adores every minute of their chaotic little family. Since Sohvi was the first of the BC kids, the guys were quick to show up in support of her and Joonas. She was also pretty lonely until the others started dating their wives, and she was more than happy to have more friends to bond with.
She does the most to mother the rest of the kids when they need it. They love to come to their house because Kirsten will have a fresh pan of cookies ready for them. They also like hanging out with Joonas, but Kirsten is a fun aunt on her own. She’s typically the first to show up when one of the other moms tosses out a cry for help in taking care of their kids, especially when they’re newborns and the guys are away on tour. Kirsten’s total aesthetic is the absolute opposite of Joonas’s: she’s bubbly and wears nothing but pastel dresses and soft fabrics. A lot of people wonder what a “nice girl” like her is doing with a punk rocker like Joonas, until you see them interact and know that they’re crazy in love with each other and their kids. She’s the unassuming type, but she loves pranks as much as her husband and kids; she’ll play along whenever there’s a really good one and sometimes she can totally outdo them.
Niko - Jenna Moilanen - Jenna is Millie’s co-conspirator and partner-in-crime. If Millie needs someone to back her up and Joel’s trying to talk her out of whatever she’s thinking about doing, Jenna is the first to show up on the scene. She’s very much Niko’s type - she has just as many tattoos as him, several piercings, and hair that changes color depending on her mood. She’s naturally a blonde but you almost never see her as one. A lot of people tend to pass judgement on her abilities as a mom based on her appearance, but both of her and Niko’s kids adore her (especially their daughter Lahja) and they grow up happy with their loving parents. She’s a fantastic cook and works as a head chef at a five-star steakhouse, and she’s always willing to come home and cook for her family as well. She and Millie are the two shortest of the group, and it’s hilarious because they are both absolute spitfires.
Jenna has the best intuition when it comes to deciding who is trustworthy and who isn’t. There’s no “leader” in the group, but most of the others trust Jenna when someone gives her a bad feeling. She would be the one to raise the alarm on Laila years before she and Aleksi ever break up, and Laila would find the absolute worst way to end up on Jenna’s shit list. In her time with the group, Laila does nothing to help take care of the rest of the kids or try to fit in with the group. One day, when Leevi cries because he needs something, Jenna spots an annoyed expression out of the corner of her eye coming from Laila. It takes an intervention from God to stop Jenna from ripping her apart on the scene. The most important thing to note about Jenna: she calls her closest friends “bitch” affectionately. The moment it stops being affectionate, there’s no turning back.
Olli - Kaarina Matela - The quietest and calmest of the BC moms. She perfectly matches her husband’s energies, which is why they parent their daughters so well. She was definitely more calm than him on the day they learned they were having twins, and still is to this day. When he was panicking about their pregnancy scare, she was still managing to stay collected somehow (but just as relieved as he was). She’s very much like a suburban soccer mom type, but far from being a Karen because she’s aggressively kind to everyone around her, including hardworking people. And Olli just adores her so much, sometimes he doubts if he even deserves her. She’s always the first to remind him that there’s no one else she would rather be with.
Kaarina is the arts and crafts kind of aunt. During the summer, she likes to have the kids come over for day camp style hangout sessions where they mix in time outside with craft activities. She’s the reason why Olli’s stage outfits have been so cool lately, because she’s got a perfect eye for colors and is super skilled at hand-stitching patches. If the kids need anything repaired, they’ll know to go to Aunt Rina first because she’ll either make it as good as new, or turn it into some sick artwork. All the moms get along but she and Kirsten vibe together the best. They get together and plan the summer activities for the kids, which involve Rina planning the crafts and Kirsten baking for, and with, them.
Tommi - Marja Lalli - Marja is unique in her position as a BC mom because she joined the group when her son Miikka from a previous relationship was already almost 4. For a brief time, she was worried about herself and Miikka feeling left out of the group dynamic that was already there, but they were so quick to invite her in as one of them. A lot of it had to do with her being friends with Jenna since elementary school, and Jenna knew that the sisterhood would be more than happy to accept her. She and Niko help set her up with Tommi because they both know he would love her and accept Miikka as his own. She’s chill and reserved, but she’s still a ton of fun to be around. Along with Kaarina and Kirsten, she’s one of the level-headed moms and is typically the voice of reason for a lot of things (especially when it comes to trying to contain Millie and Jenna’s tempers).
The rest of the moms were thrilled when she told them she was pregnant with Anna, but constantly concerned and fretting over her when she was on occasional bed rest. If Tommi couldn’t be with her, it was one of them coming over to help take care of her and Miikka. Marja’s health showed the caring side of the sisterhood of the BC moms, how they are willing to take care of each other in sickness as well as celebrating the good times and defending each other from drama. Even months after Anna is born, they still come over from time to time to see if there’s any way they can help.
Aleksi - Laila Pekkanen (later on, marries Hanna Kaunisvesi) - So this one is a bit complicated. For about three years, Aleksi was in a high-profile relationship with Laila Pekkanen, a producer who worked with him on a solo single before joining BC. They meet again a couple years later and begin a relationship that last for about three years. But it was far from loving, as they were just in general not good for each other. A few weeks after their break-up, Laila calls Aleksi while he’s in the studio to break the news to him that she’s pregnant, which sends Aleksi into total emotional turmoil because he thought they were being careful. Of all the guys, he’s the most careful with avoiding this kind of thing, but it was her who missed one too many days of her birth control. They’re barely on speaking terms, but they agree to try to stay cordial until Aleksi can take full custody of the child himself. She admits to having no maternal instinct and wants nothing to do with the baby.
Here’s where it gets messy. Aleksi finally decides to break his silence on the matter and announces via Instagram that he will be a father and raise his son on his own. He does his best to tell his side of the story without dragging Laila down. But she takes it personally and goes on the radio to try to attack Aleksi, feeling like she’s being treated like a villain and a bad person for giving up her child. She feels like she’s being “exposed” in thinking that Aleksi publicly acknowledging their son’s existence would ruin her career, because she’d been trying everything possible to cover it up. It becomes a major feud between her and her team, and Aleksi and the BC team, but more industry people can back him up as a stand-up guy than they can come to her defense. She nearly ends up having Noah prematurely, and yet Aleksi still shows up in support, more so for their son than for her. When Noah is born months later, she refuses to hold him and immediately cuts off all contact with Aleksi. 
Aleksi raises Noah alone and learns to support his son when he’s later diagnosed on the autism spectrum. Noah is semi-verbal and partially communicates with sign language. He uses sign in situations when he meets a stranger, and Aleksi respects his intuition when someone makes him uncomfortable. Noah has separation anxiety from losing his mom at a young age, so Aleksi refuses to date for years because he doesn’t want to bring a revolving door of strangers around him. But then he meets Hanna, who makes an almost instant connection with him. He’s hesitant to make a decision about a long-term relationship with her until he sees how well she works with Noah. She’s one of the first people he opens up to - mostly because of her experience as a child psychologist - but the moment that seals the deal is when Noah calls her “mom” for the first time (in sign to his cousins). Fans and people he works with can’t help but notice that Aleksi is so much happier with Hanna than Laila. And as much as he would like to have a baby with her, he’s happy having Noah and wants to invest his energy into ensuring his happiness. But Hanna understands, because she’s an angel and only wants the best for her family.
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qqueenofhades · 3 years
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so…now that we all know what you DISLIKE about star wars (and 400% fairly so, you have my full support here)…
what drew you into the universe, what keeps you around?
favorite characters, ships (OTPs or actual spaceships lol), overall themes, do you have a favorite random weird creature or robot that you adore? whatever you wanna talk about!
go off honey (again, but supportively 💖💖💖)
tax paid: the very nerdy star wars punk vest i made and the even nerdier matching vest i made for starsky
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Lmaooo, entirely valid. You were like "star wars?" and I was like the drunk person at the bar who can't stop shouting about how much their ex sucks. But now that I have gotten all that off my chest, let's talk about why I love it (since if I didn't love it, I wouldn't have such strong opinions). Basically my feelings on the OG SW trilogy are similar to my feelings on the OG LOTR trilogy, as that tumblr post floating around somewhere put it: sure, they have flaws, but also, they're perfect. I have a complicated relationship with the prequels, as do we all, since George Lucas cannot write dialogue or direct actors to save his life (stick to what you're good at, George, hire other people to do the rest), but even they have their moments. Like. Hit me with that "Across the Stars" love theme, John Williams. Gahh. Just like that.
Because... Star Wars wasn't actually this omnipresent corporate global entertainment monolith when it started out. It was a dorky low-budget indie sci-fi film in the 1970s which everyone thought was going to bomb. But it told a simple and compelling story in an interesting way, everyone agrees that ESB is one of the best films/sequels ever made, and then ROTJ gave it a happy ending while it was still okay to do that. My main thematic gripe with the Disney trilogy (I will try to keep those to a minimum, lol, but I have to bring it up to compare) is that it very clearly fell into the "actual happy endings are naive and unrealistic and a cynical postmodern audience won't accept anything less than things being Bad" trap that, yet again, we have GOT to thank for. It obviously existed to some degree before that, but GOT blew it up to huge levels, where the only valid situation or character is that which is Grimdark and Depressing. Which, in my view, misses the heart and soul of what SW is all about??
Like. ESB is genuinely dark. ANH was this fun plucky little sci-fi film where the scrappy good guys won the day against the Nazi stand-ins, as they were supposed to, and then ESB comes along (speaking of John Williams, let us all chant together, DUH DUH DUH DUHDUHDUH DUHDUHDUH, DUH DUH DUH DUHHHH DUHHH DUHHH DUHHHH) and things go... wrong. Leia and Han are on the run for most of the movie, then get captured and tortured by the Empire and and betrayed (however unwillingly) by Lando. The Rebellion is attacked on Hoth (I tell you, those fuckin AT-AT walkers were SCARY when you see it as a young kid for the first time), and forced into hiding. Luke loses his hand, doubts Obi-Wan and Yoda and realizes that his mentors are fallible, makes dumb mistakes, and of course gets hit with The Most Famous Line In Movie History. But it's also just adrenaline and excitement. THE ASTEROID FIELD! THE HAN-LEIA BANTER! THE FIRST LUKE-VADER DUEL! THE FACT THAT YOU HEAR TWO FRICKING NOTES OF THE IMPERIAL MARCH AND YOU'RE JUST LIKE OH YEAH OH YEAH OH YEAHHHH!
But also then... Return of the Jedi. It gets shat upon for the Ewoks and reusing the Death Star as the Big Bad and being supposedly cheesy and not as Thematically Dark as ESB. Which is all kinda silly, in my opinion, but also, can we talk about Luke Skywalker's character arc and how he chooses possibly the most radical compassion ever demonstrated by a hero in an action movie, let alone a space opera. He insists that Anakin Skywalker is still in there somewhere and puts his own neck on the line to prove it. Luke doesn't save the galaxy by being a Badass Jedi. He saves it by throwing away his lightsaber and saying "I will not fight you, Father." He saves it by trusting that even in the depths of darkness, Anakin can come back from the charred ruins of Darth Vader and finally do what he was supposed to do all along. He can end Palpatine for good and all (we don't talk about "Somehow Palpatine has returned" because it's nonsense, obviously). Anakin can avenge the Jedi and what was done to him and all the lies he believed and the pain he wreaked on the galaxy, even then. It's not too late. It's not too late. Like. I don't care if this is Lightweight or Childish or whatever. It makes me CRY every time I watch it. Especially the moment where Luke takes off Anakin’s helmet and sees how ruined he actually is under there, and yet the downfall and death of the trilogy’s chief villain is not triumphant at all but instead utterly heartbreaking. “You were right about me Luke... tell your sister... you were right.”
Excuse me, I need to just /CRIES INTENSELY/
Luke won't be tempted to the dark side for his own sake, but Leia's ("If you will not join me, then perhaps she will"). I likewise hold firmly that Anakin/Vader is one of the best movie villains/antiheroes of all time and likewise have many feelings and Strong Opinions about his arc, prequel writing clumsiness and eye-rollingly tepid love story aside. (See: he and Obi-Wan were deeply in love and in a way they still are, don't @ me. I have no problems with Padme and obviously stan Natalie Portman at all times, but Anakin and Obi-Wan’s relationship is the real love story, the heart of the prequels, and in some ways even the subsequent movies, the end.) And “so this is how democracy dies, with thunderous applause” is... raw af as a line. For being in a Star Wars prequel movie. What?? (Also, the Revenge of the Sith novelization had no business being as good as it was. If only that dude had also written the movie.)
Anyway, my point is: the OG trilogy had plenty of moments of staggering emotional weight and where things genuinely sucked for the good guys and the outcome wasn’t entirely clear. The difference is that it didn’t choose to dwell on them, and it allowed for a transformative fictional space where a happy ending, fiercely fought for and squarely earned, was the right outcome. We didn’t need to go back thirty years later and make everything suck for fear that a cynical modern audience couldn’t connect with it otherwise. (Like I said, we didn’t need the new movies at all, but Disney heard that Cha-Ching of the Almighty Dollar). Star Wars was sci-fi, sure, but it also had the fantasy elements that allowed a happy ending to be the right choice for what we saw the characters go through and the philosophy that carried us through the original trilogy.
Likewise it’s just... Peak as far as dynamics go. C-3PO the fussy metal butler who worries about Everything and R2-D2 who is the droid embodiment of YOLO? Flawless. Sassy scruffy space pirate and badass politician warrior princess bicker constantly, butt heads, drive each other crazy, and then fall in love? Iconic. (And has shaped my ship tastes for... all of eternity, oops.) The above-discussed transformation of Luke Skywalker, whiny ordinary teenage kid, to the truly great man who fulfills what Obi-Wan, Yoda, AND the rest of the entire Jedi order couldn’t manage to do, because of their own flaws and blind spots and black-and-white moral views that didn’t know what to do with a man who loved as passionately as Anakin Skywalker, for better or for worse? The guy who managed to save the galaxy with love? STAN.
So... what? The Disney trilogy decides to retcon all that, throw everything that they’ve fought for out the window, make Han, Leia, and Luke miserable and rejecting the roles they grew into in the original trilogy, and die without ever really reuniting or seeing each other again as a trio? The underlying message was that “these happy endings aren’t satisfactory/realistic/sophisticated enough” and idk, maybe it’s just the shitshow of the last few years, but I’d like to see some entertainment that had the cojones to tell me that despite all the darkness and despair, maybe there’s a chance for hope. (”Rebellions are built on hope,” thank you Only Valid New Star Wars Movie Rogue One.) And Rogue One worked so well, despite being utterly GUTTING as all the heroes died one by one, because we knew what was coming next (A New Hope) and that their sacrifice was going to be worth it. I don’t care if that’s “realistic” or not. As I’ve said before, that’s what stories are for, and if I only wanted things that were Real Life, I would only read the news. Besides, the idea that happy endings never happen in reality is equally bullshit. We as a culture need to accept that more, instead of finding reasons to tear everything down.
So just... yes. The original trilogy might have flaws, but also, it’s perfect. And do I want to rewatch it all now? Kinda.
(Anyway. I warned you this was gonna be long. Oh look, it’s long, and I’m sure there is even more I could say, but still. Ahem.)
sleepover weekend asks
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destiny-smasher · 3 years
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Life is Strange: True Colors
Leading up to the release of Episode 1 of TellTale's The Walking Dead game, I was working freelance for GameRevolution at the time, lived in the area, and had the chance to play a build of the game to write a preview on it. I remember comparing it to Mass Effect because, at the time, there just...weren't games of that subgenre. Of course, by now we've seen an explosion of this type of game - the 'narrative/choice-driven game,' spearheaded and even oversaturated by Telltale to their own demise.
Out of all of the games that have come from that initial boom, Life is Strange by DontNod was and still is the most influential on my life, but I also have always harbored really conflicted feelings about it - especially with how it resolved its narrative. Hell, if you're reading this, you're probably aware that I spent a few years of my life creating a sequel fanstory which I even adapted a chunk of into visual novel format. Hundreds of thousands of words, days and days of life spent essentially trying to process and reconcile my conflicted feelings about this game's conclusion(s). Since then, I've been experimenting with interactive fiction and am currently developing my own original visual novel using everything I've learned from both creating and playing games in this genre. It's a subgenre of game I have a lot of interest and passion for because, when handled well, it can allow a player to sort of co-direct a guided narrative experience in a way that's unique compared to strictly linear cinematic experiences but still have a curated, focused sense of story.
Up until this point, I've regarded Night in the Woods as probably the singular best game of this style, with others like Oxenfree and The Wolf Among Us as other high marks. I've never actually put any Life is Strange game quite up there - none of them have reached that benchmark for me, personally. Until now, anyway.
But now, I can finally add a new game to that top tier, cream of the crop list. Life is Strange: True Colors is just damn good. I'm an incredibly critical person as it is - and that critique usually comes from a place of love - so you can imagine this series has been really hard to for me given that I love it, and yet have never truly loved any actual full entry in it. I have so many personal issues, quibbles, qualms, and frustration with Life is Strange: with every individual game, with how it has been handled by its publisher (my biggest issue at this point, actually), with how it has seemingly been taken away from its original development studio, with how it chooses to resolve its narratives...
But with True Colors, all of those issues get brushed aside long enough for me to appreciate just how fucking well designed it is for this style of game. I can appreciate how the development team, while still clearly being 'indie' compared to other dev teams working under Square-Enix, were able to make such smart decisions in how to design and execute this game. Taken on its own merits, apart from its branding, True Colors is absolutely worth playing if you enjoy these 'telltale' style games. Compared to the rest of the series, I would argue it's the best one so far, easily. I had a lot of misgivings and doubts going in, and in retrospect, those are mostly Square-Enix's fault. Deck Nine, when given the freedom to make their own original game in the same vein as the previous three, fucking nailed it as much as I feel like they could, given the kinds of limitations I presume they were working within.
I'm someone who agonizes every single time there is news for Life is Strange as a series - someone who essentially had to drop out of the fandom over infighting, then dropped out of even being exposed to the official social media channels for it later on (I specifically have the Square-Enix controlled channels muted). I adore Max and Chloe, and as a duo, as a couple, they are one of my top favorites not just in gaming, but in general. They elevated the original game to be something more than the sum of its parts for me. And while I have enjoyed seeing what DontNod has made since, it's always been their attention to detail in environmental craftsmanship, in tone and atmosphere, which has caught my interest. They're good at creating characters with layers, but imo they've never nailed a narrative arc. They've never really hit that sweet spot that makes a story truly resonate with me. Deck Nine's previous outing, Before the Storm, was all over the place, trying to mimic DontNod while trying to do its own things - trying to dig deeper into concepts DontNod deliberately left open for interpretation while also being limited in what it could do as a prequel.
But with True Colors, those awkward shackles are (mostly) off. They have told their own original story, keeping in tone and concept with previous Life is Strange games, and yet this also feels distinctly different in other ways.
Yes, protagonist Alex Chen is older than previous characters, and most of the characters in True Colors are young adults, as opposed to teenagers. Yes, she has a supernatural ability. And yes, the game is essentially a linear story with some freedom in how much to poke around at the environment and interact with objects/characters, with the primary mechanic being making choices which influence elements of how the story plays out. None of this is new to the genre, or even Life is Strange. But the execution was clearly planned out, focused, and designed with more caution and care than games like this typically get.
A smaller dev team working with a budget has to make calls on how to allocate that budget. With True Colors, you will experience much fewer locales and environments than you will in Life is Strange 2. Fewer locations than even Life is Strange 1, by my count. But this reinforces the game's theming. I suspect the biggest hit to the game's budget was investing in its voice acting (nothing new for this series) but specifically in the motion capture and facial animation.
You have a game about a protagonist trying to fit in to a small, tightly knit community. She can read the aura of people's emotions and even read their minds a little. And the game's budget and design take full advantage of this. You spend your time in a small main street/park area, a handful of indoor shops, your single room apartment. It fits within a tighter budget, but it reinforces the themes the game is going for. Your interactions with characters are heightened with subtle facial cues and microexpressions, which also reinforces the mechanic and theming regarding reading, accepting, and processing emotions. And you get to make some choices that influence elements of this - influenced by the town, influenced by the emotions of those around you, which reinforce the main plot of trying to navigate a new life in a small town community.
When I think about these types of games, the conclusion is always a big deal. In a way, it shouldn't be, because I usually feel it's about the journey, not the destination. And as an example, I actually really dislike the ending of the original Life is Strange. I think it's a lot of bullshit in many ways. The setpiece is amazing and epic, sure, but the actual storytelling going on is...really hollow for me. Yes, the game does subtly foreshadow in a number of ways that this is the big choice it's leading up to, but the game never actually makes sense of it. And the problem is, if your experience is going to end on a big ol' THIS or THAT kind of moment, it needs to make sense or the whole thing will fall apart as soon as the credits are rolling and the audience spends a moment to think about what just happened. When you look at the end of Season 1 of Telltale's The Walking Dead, it's not powerful just because of what choice you're given, but because through the entire final episode, we know the stakes - we know what is going to ultimately happen, and we know the end of the story is fast approaching. All of the cards are on the table by the time we get to that final scene, and it works so well because we know why it's happening, and it is an appropriate thematic climax that embodies the theming of the entire season. It works mechanically, narratively, and thematically, and 'just makes sense.'
The ending of Life is Strange 1 doesn't do that, if you ask me. The ending of most games in this genre don't really hit that mark. When I get to the end of most game 'seasons' like this, even ones I enjoy, I'm typically left frustrated, confused, and empty in a way.
The ending of True Colors, on the other hand, nails everything it needs to. Handily, when compared to its peers.
If you're somehow reading this and have not played this game but intend to, now is probably where you should duck out, as I will be
discussing SPOILERS from the entire game, specifically the finale.
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Firstly, since I don't know where else to put this, some criticisms I found with the game. And honestly, they're all pretty damn minor compared to most games of this type.
Mainly, I just wish the whole Typhon thing was handled a bit more deliberately. It's a bit weird to do the 'big evil corporation' thing (especially when a big corporation like Square Enix occupies as much as or even more of the credits to this game than the people who actually MADE it?) without offering more explanation and subtlety. The game certainly makes some efforts but they're mostly small and mostly optional, like background chatter or a handful of one-off bits of documentation/etc. you can find in the environment. I feel like Diane in particular needed to be fleshed out just a little bit more to really sell us on how and why things like this happen, why corporations make decisions that cost people their happiness, security, and lives and they just get to keep on doing it. I think just a little bit that is unavoidable to the player that puts emphasis on maybe how much the town relies on the money/resources Typhon provides would've helped. Again, this is minor, but it stands out when I have so little else to critique.
I would've liked to get more insight on why Jed is the way he is. No, I don't think we really needed to learn more about his backstory, or even really his motivations. I think we get enough of that. I just think it would've been great to somehow highlight more deliberately how/why he's built up this identity overtop of what he's trying to suppress. Maybe even just having Alex internally realize, "Wait, what the hell, Jed has been hiding these emotions and my powers haven't picked up on it?" or something to that effect could have added an extra oomph to highlight how Jed seems to be coping with his emotions by masking/suppressing them. Also really minor complaint, but again...there's not much else here I can think to really improve on within the confines of what's in the game.
The game doesn't really call Alex's power into question morally. Like. Max has an entire meltdown by the end of her story, second-guessing if she's even helped anyone at all, if she has 'the right' to do so, how her powers might be affecting or expressing her own humanity and flaws...this story doesn't really get into that despite a very similar concept of manipulating others. There's like one bit in a document you can choose to read in Alex's 'nightmare' scene, but that's really it. I feel like this sentiment and how it's executed could have easily been expanded upon in just this one scene to capture what made that Max/Other Max scene do what it did in a way that would address the moral grayness of Alex's powers and how she uses them, and give players a way to express their interpretation of that. Also, very small deal, just another tidbit I would've liked to see.
When I first watched my wife play through Episode 5 (I watched her play through the game first, then I played it myself), I wasn't really feeling the surreal dreamscape stuff of Alex's flashbacks - which is weird, because if you're read my work from the past few years, you'll know I usually love that sort of shit. I think what was throwing me off was that it didn't really feel like it was tying together what the game was about up until that point, and felt almost like it was just copying what Life is Strange did with Max's nightmare sequence (minus the best part of that sequence, imo, where Max literally talks to herself).
But by the time I had seen the rest of the story, and re-experienced it myself, I think it clicked better. This is primarily a story about Alex Chen trying to build a new life for herself in a new community - a small town, a tightly knit place. Those flashbacks are specifically about Alex's past, something we only get teeny tiny tidbits of, and only really if we go looking for them. I realized after I gave myself a few days to process and play through the game myself that this was still a fantastic choice because it reinforces the plot reasons why Alex is even in the town she's in (because her father went there, and her brother in turn went there looking for him), and it reinforces the theme of Alex coming to accept her own emotions and confront them (as expressed through how the flashbacks are played out and the discussions she has with the image of Gabe in her mind, which is really just...another part of herself trying to get her to process things).
By the time Alex escapes the mines and returns to the Black Lantern, all of the cards are on the table. By that point, we as the audience know everything we need to. Everything makes sense - aside from arguably why Jed has done what he has done, but put a pin in that for a sec. We may not know why Alex has the powers she does, but we have at least been given context for how they manifested - as a coping mechanism of living a life inbetween the cracks of society, an unstable youth after her family fell apart around her (and oof, trust me, I can relate with this in some degree, though not in exactly the same ways). And unlike Max's Rewind power, the story and plot doesn't put this to Alex's throat, like it's all on her to make some big choice because she is the way she is, or like she's done something wrong by pursuing what she cares about (in this case, the truth, closure, and understanding).
When Alex confronts Jed in front of all of the primary supporting characters, it does everything it needs to.
Mechanically: it gives players choices for how to express their interpretation of events, and how Alex is processing them; it also, even more importantly, uses the 'council' as a way of expressing how the other characters have reacted to the choices the player has made throughout the game, and contributes to how this climax feels. We're given a 'big choice' at the end of the interaction that doesn't actually change the plot, or even the scene, really (it just affects like one line of dialogue Alex says right then) and yet BOTH choices work so well as a conclusion, it's literally up to your interpretation and it gives you an in-game way to express that.
Thematically: the use of the council reinforces the game's focus on community; and the way the presentation of the scene stays locked in on Alex and Jed's expressions reinforces its focus on emotion - not to mention that the entire scene also acts as a way to showcase how Alex has come to accept, understand, and process her own emotions while Jed, even THEN, right fucking at the moment of his demise, is trying to mask his emotions, to hide them and suppress them and forget them (something the game has already expressed subtly by way of his negative emotions which would give him away NOT being visible to Alex even despite her power).
Narratively: we are given a confrontation that makes sense and feels edifying to see play out after everything we've experienced and learned. We see Alex use her powers in a new and exciting way that further builds the empowering mood the climax is going for and adds a cinematic drama to it. No matter what decisions the player makes, Alex has agency in her own climax, we experience her making a decision, using her power, asserting herself now that she has gone through the growth this narrative has put her through. Alex gets to resolve her shit, gets to have her moment to really shine and experience the end of a character arc in this narrative.
Without taking extra time to design the game around these pillars, the finale wouldn't be so strong. If they didn't give us enough opportunities to interact with the townspeople, their presence in the end wouldn't matter, but everyone who has a say in the council is someone we get an entire scene (at least one) dedicated to interacting with them and their emotions. If they didn't implement choices in the scene itself, it would still be powerful but we wouldn't feel as involved, it'd be more passive. If they didn't showcase Alex's power, we might be left underwhelmed, but they do so in a way that actually works in the context through how they have chosen to present it, while also just tonally heightening the climax by having this drastic lighting going on. If they didn't have the council involved, we'd lose the theming of community. If they didn't have the foil of Alex/Jed and how they have each processed their emotions, we'd miss that key component. And if we didn't have such detailed facial animations, the presentation just wouldn't be as effective.
Ryan/Steph are a little bit like, in this awkward sideline spot during the climax? Steph always supports you, and Ryan supports you or doubts you conditionally, which is unsurprising but also ties into the themes of Ryan having grown up woven into this community, and Steph being once an outsider who has found a place within it. They're still there, either way, which is important. The only relevant characters who aren't present are more supporting characters like Riley, Ethan, and Mac. Ethan being the only one of those who gets an entire 'super emotions' scene, but that also marks the end of his arc and role in the story, so...it's fine. Mac and Riley are less important and younger, as well, and have their own side story stuff you have more direct influence on, too.
But damn, ya'll, this climax just works so well. It especially stands out to me given just how rarely I experience a conclusion/climax that feels this rewarding.
And then after that we get a wonderful montage of a theoretical life Alex might live on to experience. Her actions don't overthrow a conglomerate billionaire company. She doesn't even save a town, really. If the entire council thinks you're full of shit, Jed still confesses either way - because it's not up to the council whether he does this, it's because of Alex, regardless of player choice. Honestly, even after a playthrough where I made most choices differently from my wife, there weren't really many changes to that montage at the end. It'd have been great if it felt more meaningfully different, but maybe it can be. Even if not, the design intent is there and the execution still works. It's a really nice way to end the story, especially since it's not even a literal montage but one Alex imagines - again, her processing what she's gone through, what she desires, expressed externally for us to see it. And for once, the actual final 'big decision' in a game of this type manages to be organic, make sense, and feel good and appropriate either way. You choose to either have Alex stay in Haven Springs and continue building her life there, or you can choose to have her leave and try to be an indie musician, with the events of the game being yet another chunk of her life to deal with and move on from (I haven't really touched on it, but music, especially as a way to express and process emotions, is a recurring thing, much like photography was in the original game, or Sean's illustrations in LiS2). For once, a climactic 'pick your ending' decision that doesn't feel shitty. It's pretty rare for this genre, honestly.
I could - and already have, and likely will - have so much more to say about this game and its details, but I really wanted to focus on touching upon a main element that has left me impressed: the way the entire game feels designed. It feels intentionally constructed but in a way that reinforces what it is trying to express as a story. It's not just trying to make people cry for the sake of 'emotions.' It is a game literally about emotions and it comes to a conclusion in a way that is clearly saying something positive and empowering about empathy and self-acceptance.
Storytelling is a craft, like any other, and it entails deliberate choices and decisions that can objectively contribute to how effective a story is for its intended audience.
A good story isn't something you find, after all.
It's something you build.
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