#and honestly? it kind of is pissing me off

[loveanddeepdick]

sweetheart

obsessed!pervy!roommate!geto x f!reader

cw: roommates with tension to lovers, pervert geto, he’s kinda insane lol.., tracking, obsession, piv sex, kinda angry sex, creampie, possessiveness, panty stealing/sniffing/licking, NOT PROOFREAD IM JUST HORNNNYYY 😜😜

notes:part of my obsessed!geto series hehe, not completely the same as my hcs, but it kinda just combines all of them as best as i can 🫣

┈┈・୨ ✦ ୧・┈┈

“care to explain, suguru?”

you were holding up three pairs of your panties, dangling it in the air in front of geto as he’s standing in the doorway of his room.

┈┈・୨ ✦ ୧・┈┈

you’d moved in with geto nearly three months ago. you thought it was too good to be true, the rent was a little too cheap and the apartment looked somehow nicer in person. you knew suguru, he was close friends with satoru who’d been nothing but kind to you your whole time in high school and now in college as well.

suguru’s aura seemingly changed after the first month of you two living with eachother. you felt his eerie, purple eyes boring into your space and your eyes. you felt the air around you almost tense up when you mentioned guys. it was like he was gripping your soul sometimes.

of course, he knew you were looking back at him as well. when he got out of the shower and his towel was clinging onto his abs. maybe even when he came back from the gym and untied his slicked back hair while his black locks fell onto his muscular shoulders.

one night on your birthday when you both came back from your birthday dinner, he’d given you a special present, a small heart locket. he held his breath as he stood behind you, clicking it into place as he watched how every hair fell from its root in your scalp, how smooth your nape was, how your delicate hand held your hair out of the way.

he had hid a small, unnoticeable tracker inside the locker, tucked away in small details carved into the heart. the way you were carved into his.

he was whipped for you

however, naive of the deeper issues that were lying under your nose, for the past few weeks, you noticed that your underwear had been going missing at a concerning rate. it’d gone from reasonable to unexplainable and it pissed you off. honestly, you wouldn’t have even expected it was geto until he slipped two days ago.

you’d been running around the apartment, checking under tables and in drawers for your missing undergarments that you set out on your bed as you prepared a bath. you groaned before calling out for him

“sugu, have you seen my underwear?” you yelled while pacing the living room, hoping he’d hear you from his room.

“no, i dont even go near your bed”

you huffed, turning away before taking out an old one from the bottom of your underwear drawer until it hit you.

how would he know it was on your bed if he didn’t go in?

┈┈・୨ ✦ ୧・┈┈

there you were, snooping through his closet when you found exactly what you were looking for, your missing panties. you picked up a fraction what was hidden away in his closet and called out for him while you held them up. he came quickly, stopping at his doorframe as he watched you with the stolen undergarments.

you knew he wasn’t stupid, i mean, he had kept it going for so long. maybe he let it slip on purpose , maybe he wanted you to catch him.

“shiiit, looks like your laundry got in the wrong room,” he chuckled, wiping the shocked expression off his face before stepping into the room, “lemme put that in the laundry basket for y—“

“hell no!”, you shrieked, pulling your panties away, “you’re the reason why they’ve gone missing!”

geto bit the inside of his cheek before sighing and throwing his hands up, “you think they just grew legs? yes, it was me. think about it, sweetheart, who else would it be? the boogeyman?”

your jaw dropped at his words while he quietly laughed at his own joke. he’s perverted and corny. you hadn’t expected such a straightforward response from him. did this man have no shame? he stared at you while you were trying to find the words.

“cat got your tongue? i like you, sweetheart,” he lowered his hands as he grinned, his eyes traveling to the little locket he gifted you, “hope you’re not mad at me, i mean, i’ve seen your browser history, m’not the only person with some fucked up kinks—“

you threw your panties to the side before walking up to him. fuck it. grabbing him by his plain black shirt, you pulled him down and crashed your lips against his. he smiled against your lips, leaning into you before you pushed him away again.

“you asshole! you’re so weird, stealing my underwear when you could’ve just opened pornhub,” you huffed, wiping your mouth and chin with your sleeve.

“running away so soon?” he smiled as you turned away. you wished you could punch him in the mouth.

“yes.” you flatly stated as you try to push past him. he caught your wrist, pulling you back into his chest as he wraps his arms around your torso.

“don’t go, sweetheart. i know you want me,” he leaned in, taking a short sniff of your hair before he rested his chin on your head.

“i don’t want—“

“then pull away. i’ll stop everything, leaving you alone, and pretend nothing happened,” he mumbled, pulling away and holding you by your shoulders. his eyes bore into your face as your eyes wandered elsewhere, ignoring his gaze.

“use your words, baby,” he whispered, his hand coming up to cup your face as you unconsciously lean into him.

“i-i do..” you admit, looking down in shame.

“aww, baby, s’okay..” he chuckled, bringing you back into his arms as he squeezed you, “i know, i know.. don’t be embarrassed, i’m sorry for taking your panties,”

it felt like he was babying you but you couldn’t help but reciprocate his actions, slowly returning the embrace. you look back up to him, his eyes already on you as you go on your tippy-toes, capturing his lips.

“i want you, sugu”

┈┈・୨ ✦ ୧・┈┈

geto wastes no time, throwing you gently onto the bed as tugs your pajama shorts off, prying your legs open as he smiles as the small damp spot on your panties. embarassed, you try closing your legs but he keeps them open, clicking his tongue in faux annoyance.

he dips his head in, pressing his nose up against your little clit, rubbing it a little as you whimper. he sharply inhales, whining from your scent before his tongue darts out to taste your slick on your panties.

“s-sugu!” you yelp, jolting from the feeling of his tongue and how shameless geto was being

“shh, shh, jus lemme do it,” he whispered, his tongue darting back out to lick back and forth from your clit to your clothed pussy. he pulled back finally, to admire how sheer your little panties had gotten before he pressed his nose in one last time, whining as he inhaled the mess he caused.

he stood back up, gesturing for you to sit up on the edge of the bed, guiding your hand to his crotch. you look up at him for approval before he nods, your hand cupping his erection before unzipping it, his black boxers doing nothing to hide his huge cock.

there was a small trail of black hair making your mouth water, a stairway to heaven, or maybe hell. you cautiously pulled his boxers down, his hard cock springing out as his tip slapped against his tummy.

geto hissed as his cock finally spring free, watching you wrap your hand around it. he couldn’t believe his eyes, he’d been fantasizing about this for weeks, seeing his little roommate beneath him, seeing you finally accept him in.

the moment you wrapped your lips around his cock, he couldn’t do it anymore. he already felt like he was going to cum in your mouth and he’d be damned if his first time in you wasn’t in your little pussy.

pushing you down again on the bed, he yanked your panties off, giving your clit a small spank as you gasped.

“please, sweetheart, lemme cum in your pussy first. we can do whatever you want after,” he whined, pumping his cock as he lined himself up to your wet pussy.

you nodded frantically, reaching down to the bottom of his abs and trailing to his neatly cut pines above his cock. he groaned, his eyes rolling back as he pushed inside you.

“f-fuck.. yes, baby, fuck, i’ve been wanting this for so l-long..” he groaned, loosing himself in the feeling of your wet heat.

“be—shit! be quiet suguru.. just fuck me!” you cried

his head snapped up, his cock hardening impossibly more as he moved his hips, suguru’s girthy cock pushing all the way up and kissing your cervix. he loved you this way. being able to submit yet put him in his place, he loved you.

“fuck, fuck, baby, you feel so good!” suguru’s head dipped down, his eyes widening almost maniacally as he watches his special necklace bouncing in tandem with your tits.

he reached down, running his hands over your chest and the necklace as he pounded your pussy mercilessly. suguru moved his hand down, running your clit with his thumb as he watched his cock disappear into your pussy over and over again, making a translucent white ring of juices form around the base of his cock.

his tip was dragging over your g-spot in an almost euphoric way as he groaned profanities in your ear. he ran his tongue along your collarbone, licking up to his neck to leave marks on your neck.

“say it, sweetheart, say you’re mine” he pleads with you, his eyes furrowing as he grabs your face gently, making you look at him.

“i’m yours, sugu..” you mumble, drunk on his cock as your drool on his hand.

“use your big girl voice, baby, ‘can’t hear you”

“i’m yours! all yours!” you cry, “f-fuck, sugu i’m gonna cum!”

his pace quickens, continuing to hit your g-spot until all you could see was white.

“cum for me, sweetheart, cum all over my cock.. fuck!”

you unravel on his cock, squirting all over his cock, making him cum as well. his cock shot warm ropes of cum deep into your sweet pussy as he paused, not pulling out just yet. he leaned back, admiring you as he rubbed your clit, letting you ride out your orgasm before giving your tits a small spank as well.

“good girl, good fuckin girl.. you’re all mine now, sweetheart”

[boobachu]

I'm saying that "being" illegal in America is a very realistic thing that could happen if the Republicans win. Or honestly have a plurality cuz the democrats ain't gonna shut down the government over that cuz they haven't the past four years over the ICE camps. So while it's not guaranteed, it's possible. Tho you do bring up a good point, in many ways America's already kind of that for queer people that don't pass and that's (usually) non-whites that are getting the worst of it. So eh, I guess we're already that county, but it could get to the "Actually the law says we have to execute you cuz you have a gay little walk that pisses me off" like literally.

some of yall will be like "be gay do crime!!!" but then torrenting is too scary n diy hrt/medication is too dangerous and shoplifting is too risky and i think the only crime u guys r comfortable committing is "being" illegal in a country you'll never visit who's people you've never had to recognise as actual human beings

[razorblade180]

Inspiration

Ruby:Yo-yo?

Carmine:Hmm?

Ruby:Ren told me you paid a visit to him for some training. Said you did pretty good.

Carmine:Not really. Stances were okay but aura manipulation is weird. Probably won’t rely on it too much.

Ruby:Seems like you’re drawing inspiration from everyone you can. If that the case, I have something for you.

The reapers reveals a long weapon’s case. She puts in the ground in front of her daughter and taps it with her foot, causing it to open up. Two curved blades lay brightly inside. Their detail is so intricate in the engravings and design. It’s obvious they’re meant to combine. Carmine picks them up to find they have little heft to them but are drastically lighter than her own sword. She might as well be holding nothing.

Carmine:Wow, these are crazy looking. Not necessarily my style but I can see how they could be useful.

Ruby:They’re what Cinder uses.

Carmine:…….What? How did y-

Ruby:These are replicas I made and trust me when I say they’re identical. If you put them together then it can fire arrows.

Carmine:Why would you ever make these?

Ruby:Because, my little huntress, I can be as petty and spiteful as anyone else when pushed far enough. Use these on patrol and missions for the next month; study them well. Utility, movement, reach, all that you can.

Carmine:“Know thy enemy” right? I have to admit, I wasn’t expecting this from you considering our differing views on how to handle the situation.

Ruby:I made a vow to you the day you were born that I will be a mom before a huntress when it came to making sure my family was safe. I still plan on finding and taking out Cinder myself, but if for some reason you find her first or she finds you, then by all means, give her every layer of hell you can.

Carmine:I don’t suppose you’ve made me a parasol blade too?

Ruby:If only that’s all it took to learn Neo’s moves. I mean this, just avoid her. She’s at least a three person job and two of them need to hate her.

Carmine:Heh, okay then. Mind if we go a few rounds then?

Ruby:…It’s better if you ask Ren?

Carmine:C’mon. I know you don’t like training me but-

Ruby:No, it not that. I just…I might go too hard if you’re using those.

Carmine:So? Honestly you’d be doing me a favor. Everyone always talks about how intense you can get, all the stories of your passion and hardcore moments. I don’t get to see that. I actually feel weird for never seeing you angry. I get angry all the time!

Ruby:Sweetie, what kind of a parent would I be if I took out repressed rage on my child in a sparring match?

Carmine:…Better than Raven. Better than your mom too.

Ruby:!? Wha-

Carmine:I think you’re pretty cool, despite everything that’s happened. We always try to our feelings out but honestly it never really works well. I get you’re trying to be an example, but it’s okay if normal being a mom doesn’t come as naturally as a huntress. Mix both. I don’t care. I kinda need both. I mean if I can survive you then Cinder would be easier by comparison. Plus…it’s not like I could stop myself from swinging at you seriously either.

Ruby:Did you..are you saying I piss you off?

Carmine:You’re my mom. Every daughter gets pissed at their mom.

Ruby:That’s not…inaccurate. Sigh Are we really doing this?

Carmine:Are my eyes silver? *points blade out* Well, Mrs. Hero? Show me why Cinder is too chicken face you head on!

Ruby:Fine, but name a restaurant first. You may think I prefer being huntsman 24/7 but I’d like to have some regular quality time with my daughter after this.

Carmine:Hmmm, how about your home cooking?

Ruby:…*smiles* Deal.

[theloganator101]

An Alastor Fan Rants about one of the Season 2 Leaks

I’m making this as a way to voice my opinions on the whole Alasor and Rosie leak alongside his backstory and just how it doesn’t work… and ruined Alastor as a character in a span of minutes.

So first off! Rosie being the one to own Alastor’s soul! Out of ALL the characters it could’ve been, they chose Rosie. A character who was rather chummy with Al and seemed rather nice, and gave NO hint or implications of this being a possibility. That shows how they just pulled this out of their ass and prove the theorists wrong that it wasn’t Lilith or Roo, both that would’ve made way more sense in terms of story.

And quite honestly, I didn’t really care who it could’ve been as long as the execution was decent enough. But that’s not what they did! And not to mention that the song that follows after Alastor’s backstory, after we learn he’s a poc and whatnot, the song itself feels very… racist and uncomfortable to sit through. How the lyrics are all you’re my pet and you have to do everything I say, like Vivzie… are you actively trying to get people pissed at you? You’re already in deep shit with being accused of being sexist and lazy with research, why you gotta add racism into the mix?

Like, I can ONLY see this working if it results in Alastor and Charlie growing closer together, like Charlie genuinely cares about him and doesn’t treat him like he’s a monster or a pet, to have him realize her kindness and accept it.

Okay, let’s step away from Rosie and talk about Al’s backstory, because it does a HUGE disservice to Alastor and what he’s supposed to be in Hazbin Hotel.

So from what we’ve seen of him before the leaks, he’s shown to be cunning and manipulative. Using his sharp tongue as a weapon and to be able to turn the tides in his favor, he had this air of mystery to him as to why he’s so powerful. So it leaves viewers second guessing as to what he’s gonna do and if he’ll go as far as to backstab the main cast in the process.

… Well FUCK ALL THAT!!

He’s a serial killer just because! No motive or anything, he’s in it for the lols! Oh and he contacted a demon (AKA Rosie) to give him power when he dies so he can continue his reign and all that!

Which… What the actual fuck is this?

This doesn’t sound like Alastor at all! He’s someone who would put in work for the things he wants, not just ask for it on a silver platter! And what about his mom and dad? Are they just not in the picture anymore when they could’ve been used effectively for how he turned out?

And it’s like okay, I can understand if when he did arrive in Hell he tried to rise up but got curb stomped by demons stronger than him and did way worse things than he did. Thus leading him to meeting Rosie and accepting the deal just so he can feel in control again like when he was alive, but this just feels VERY out of character for him!

Usually when a creator has a favorite character they tend to coddle them and give them what they want, so why does it feel like Alastor is getting the short end of the stick this season? Even more so than Charlie!?

It’s just… as someone whose favorite character is Alastor, seeing how things are gonna turn out for him this season is not giving me hope that this season will get better.

[hamsterrodent]

I finally chose to use the relationship chart @onelittleornotthing made, so here's a simple overlook of their relationships!

And under the cut, some more detailed descriptions of their relationships👇

"Peppino is very interesting; he used to be super aggressive towards me, but now, he's actually really nice. I don't know what changed, but I don't mind. He's nicer than- uh.. n-nevermind.."

"I've-a warmed up to him, but he can still sometimes bug-a me. Although, I always have-a this odd, familiar feeling around him.. yet something I only could wish-a for.. like me with Maurice, but.. sweeter?"

---------------------------------------------------

"Gustavo has always been so patient with me! I really appreciate his care and kindness."

"Rattino is so cute! I've always been a fan of little critters, and although it took a while, he became very fond of me!"

---------------------------------------------------

"I've heard about her, but.. I feel uneasy around her. When I see her, I always go to a different room as fast as possible.."

"Fakie tells me about him; this Rattino guy sounds so adorable! But I never see him."

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"The tax guy? Mysterious; all he cares about is that green paper stuff.."

"Spaghetti's rat? It's a weird little rat, especially since Peppino complained about shorty having a rat in his pizzeria."

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"B-boss..? He made me.. and he kept me.. but he treated me.. bad..? N-no, that can't be it..."

"Oh, that critter? I'm surprised mister rage guy took it in! At least it's off my hands.."

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"T-the boss always talked about it; I never see it, but sometimes, I feel as though a presence I don't recognize watches me.."

"Pizzahead's 'failed creation', as he called him. But honestly, Pizzahead was a little insane and unpleasant. So I want to investigate him for myself. He seems nice enough. After all, I can do what I want with that a**hole gone.."

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"He talks.. a LOT.. b-but that isn't to say he's b-bad!!! I-I PROMISE!"

"A shame, I wanted to be able to examine his body and do art studies on him. And perhaps make art of him? He should be similar to Mr. Peppino, but.. I don't think so."

---------------------------------------------------

"Vigi is very kind and understanding. I like talking to him, and he makes great cocoa!"

"I've always been more sociable with animals rather than people, but Rattino is a nice in between. I can have full, normal conversations while still technically speaking with an animal."

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"He talks about cool stuff. But.. he sometimes says and does unreasonable things; mostly to Mr. Peppino, but he does it to me as well.."

"Eh, I don't care about him much. But he listens to me, doesn't argue, and it pisses off the italian man when we talk. Up yours, chunky!"

---------------------------------------------------

"I never met him in the tower, but I wish I had! He's so cuddly and loving.. but I've been told it wasn't always this way.'

"(Rattino's so cute and small! Don't touch him, or you regret life choices.. Rattino is like baby brother to me; special..)"

[captnbunnie]

Oh man, I had been waiting to read this post!! Problem was that everytime I remembered I could not find where I saved it haha (spoiler: it was on my own chat lol)

Anyways, oooh this is very interesting!! It makes Odysseus such a human and complex character, it's incredible the levels of mastery that Homer had with his sotries!

Honestly everytime I read one of your analysis I cannot stop myself from comparing the Odyssey to Epic, and it just makes me realise more and more how much the musical missed and what we could have had! The idea of listening to a musical in which Odysseus is helpless in the face of fate, where he does his best in saving his men, having an objective that is not just about him (seeing Penelope and Telemachus again) but is about all the men that are with him (trying to save the most men he can and take them home with him), just gets me yearing for one!

I still keep thinking about that post you made about Circe, how it would have been so much better if we'd have seen Odysseus not being able to reject Circe's proposal, and him just calling to Penelope and the gods,,, and then later how it would have sounded if instead of "embracing" violence, he had just felt depressed and humiliated after Charybys and Calypso, with only his desire to see his family and kingdom again to push him forward, maybe also as a tribute to remember the sacrifice of his men and their efforts during the war and the travel,,,

I really don't like much how he became a violent beast in the last saga, I think it's very out of character for him (as if everything that happened earlier wasn't lol), but as you said in many other of your posts, I think it would have had a better inpact if the end point of the travel was to show a desperate man trying to come home but left to face the force of nature alone. I think it really does a better job at translating how, even if he has all the resolution in the world, even if he has a very strong wish, even if he tries his best, it does not mean that he'll be able to get what he wants. It doesn't mean anything in the face of reality and nature and fate, much stronger forces then a mere man. I truly enjoy those kind of stories much more because they portray something real, something that could happen to all of us. Instead Epic decided to go to the more "edgy" route, which maybe I would have appreciated more when I was younger haha.

Also while reading this I was listening to "Monster" (one of the songs of the Underworld saga) and it made me just yearn harder for a different adaptation of the Odyssey in Epic haha because I think that that song, if taken out of context (so ignoring everything else that happens in Epic) maybe could have been a song that represented Odysseus in a more "just" way?

Before continuing, I gotta say that I've read only some excerpts and some analysis of the Odyssey, so what I'm about to say might be very wrong haha (but that's why I'm sharing my toughts with you, cause I'm curious to know what you think about this)

Anyways, I think it would be actually a nice song related to him, I really like how he shows empathy towards his "enemies", after all, if I didn't read those scenes wrong, he does the same in the Odyssey. When he enters Polyphemus' cave, even if he knows he might be in danger, he still decides to follow xenia and give Polyphemus a chance to show hospitality (even if it doesn't work out), he is also shown to give Calypso sympathy, when he is about to get home, and see things from her point of view (even after all she did to him). So I think it's a good moment of self reflection for him, it shows that he is not in search for enemies but he just wants to go home.

Even the way he talks about Poseidon, saying "Or does he keep us in check so we must respect him / And now no one dares to piss him off?" I think it does reflect in a way what the Odyssey, or just any myth, tries to warn men about, respecting gods and nature because they are bigger forces that cannot be contrasted (which is very ironic if interpreted like this, because the last saga shows us the exact opposite lol)

And the last verse too "Does a soldier use a wooden horse to kill sleeping trojans cause he is vile? / Or does he throw away his remorse and save more lives with guile" I think it could go along with what you say in this analysis, that he makes decisions that others cannot to save as many people and lives as he can (even if he doesn't get many results,,,) and it also highlights how some people say that he played "dirty" with the wooden horse, but here it makes you realise why he did so, and that his plan is as honorable as attacking directly is.

The only thing that I think is kinda out of place in this interpretation of the song is that here he says that he still has to become "ruthless" to save his men, thus becoming a "monster", which I feel undermines what I said until now, that is that what he did, what others tought was "playing dirty", is actually that, an unjust plan.

Anyways, all this just to say that your analysis have been plaguing my mind and I keep thinking about a different version of Epic, and this song absolutely dealt a blow on me because, it has potential!!!! And yet, it's not used. It makes me yearn so hard for a true adaptation of the Odyssey.

I feel like if one were to adapt the Odyssey with songs, it would be a much better fit a musical series , like hazbin hotel haha (yeah, I want the songs that badly, I love musicals XD)

(Sorry if I started talking about Epic under such a good analysis of the Odyssey, I know that it seems kinda out of topic (and it probably is), but I don't think a comment would have been fit to write all this stuff haha)

Why didn't Odysseus's crew stage a mutiny against him in the Odyssey? (An analysis based on Homer's Odyssey)

It has been a while since the last time I did some Odyssey Analysis and here is an interesting question that goes on in this. A very valid question actually.

During the arduous trip in the Odyssey, the Cephallinians suffered greater loss than anything they suffered at the 10 year war at Troy. They lost almost all ships and all men were dying. They were reduced to a ship of a crew with less than 40 people and they didn't seem to get much hope. So of course one could ask; what was holding them back and didn't fight back against Odysseus apart from the indirect mutiny they did when he turned his eyes away from him to pray? Why their only mutiny was to disobey his orders and slay the cattle of Helios Hyperion? Surely more than 30 men could do plenty of damage to one man right? Why didn't they? And why is it important for the story?

So while thinking about it I came down with some possible explanations as to why that happened;

Odysseus was beloved to the gods

Regardless of their terrible situations, Odysseus probably still had the fame of someone beloved to the gods. He used to be directly communicating with Athena and was under her protection. Despite the fact that he was cursed by a god, there could be some sort of a thought running to their minds; what if we harm him and the gods strike us for it? What if there will be consequences for directly wishing harm to one who was blessed to be appreciated by gods? It could possibly be a risk that they didn't want to take. And it makes sense given how much Odysseus interracted even with minor gods during the trip (for example Aeolus or Circe). Quite frankly they might as well have wished that at some point Odysseus would appeal to yet another god for help.

Odysseus was beloved to his subjects

If you look at my other analysis here You can remember how beloved leader Odysseus was even to subjects such as slaves who in theory would have no real reason to be loyal to him. Odysseus seemed always to be a just and beloved leader and his men on the ship were not an exception. Regardless of whether they had lost faith hin him in his capability to bring him home or if they doubted his judgement, they couldn't get past the emotional connection; Odysseus had protected them during the war to the point of suffering the least possible losses, during the trip he was going to extreme measures to protect them (even the cruel misadventure in which Odysseus cut the rope from his ship to save the last ship from the Laestrygonians might as well have spoken volumes to the men that were saved). It would be hard for them to completely ignore that even in the face of mistrust. Somehow it would also be them thinking that they "owe him" till that part.

Odysseus was hiding stuff from them that could be important

Ironically the very source of their mistrust was protecting Odysseus. Odysseus didn't share with them the nature of the sack of Aeolus even if he seemed pretty clear that they couldn't touch it (and that led to their first tragedies). Later he hid the information that they would have to go through the Sirens till the very last moment where he warned them about it. Later he hid completely the information that they would go through Skylla and Charybdis. His men could think "How many more things did this man know on their way home and hid it from them?" if they captured or killed him in a mutiny how were they sure there weren't more dangers ahead that Odysseus was hiding from them and could either be informed the last moment or not at all? What guarantee did they have that Odysseus didn't know even MORE about their course? They had none. So ironically the very reason they began to mistrust him in the first place became the reason Odysseus was safe from their rage.

No one wanted to take responsibility at time of crisis!

Last and definitely not least comes for me the most important reason of all at least story-wise that shows how excellent writer Homer is into writing human nature. His men didn't stage a mutiny because no matter how displeased they were with his decisions, literally NO ONE wants to have the same responsibility to take decisions in time of crisis! Honestly, how many times do common folk feel themselves find a scapegoat usually to the face of their leaders when things go south? (and for good reason that is given that they are the ones with the responsibility to take decisions). When something goes wrong we blame the leader, the government or someone that has come forth and not only takes the decisions but also is responsible for the blame as well.

During their arduous trip Odysseus took some of the most painful decisions they could imagine in order to save what he could; he advised them to leave the Cicones and they didn't which led to their first tragedy; he tried to correct his mistake by appeasing the god Aeolus, he took the decision to sacrifice his ships in order to save the one he could knowing full well that they would never be able to fight against the Laestrygonians. He knew the 11 ships were lost cause so he acted fast cutting the ropes of his own ship and sailing away, making sure to save what he could even if that meant to the terrible loss. He traveled to the underworld even though he was alive, he chose Skylla over Charybdis knowing that the sacrifice would be too great but still not as great as to lose them all.

Regardless of their emotions at that moment; they put themselves in his shoes and realize that none of them would take the burden of leadership and take those decisions for them. Odysseus with his nerves of steel managed to save them so far even if they had so many losses and undoubtedly they realized that in his shoes they would never be able to act so efficiently and so fast. And knowing their own reactions against him; blaming him for the losses, they realize that none of them would have the guts to take not only the painful decisions but also the blame and hate that follows them. Odysseus was lifting on his shoulder as much hate and anger as very few others; not only his previous experiences at war and his actions but now his decisions of the trip. I have no doubt that even in their anger the men admired how he could carry it all.

Conlcusions:

Homer is a master of words and plot. I have no doubt that if he thought it served the plot he would have mentioned his men staging a full on mutiny against Odysseus or in one way I am almost certain he thought of the possibility being quite doable given as I said above that Odysseys was one man and the others were over 30. However knowing how great he is in protraying human emotions to his writing I think his choice of plot was deliberate.

Not only was Odysseus someone that could erupt not only controversy but also superstition given his close relationship with gods before, his leadership was always admirable regardless of the results (knowing his prudent nature and how plenty of his orders that were disobeyed ended up in a tragedy and let's face it Odysseus was also a brilliant fighter. I doubt anyone would easily take the first step to fight him one on one either!) and above all he was one of the best when it came on taking some really difficult decisions, carrying on his back not only the personal guilt he felt while taking them but also the anger of others and their retalliation. And in an amazingly human writing Homer speaks on times of crisis. When people do not wish to take responsibility at times of Crisis because they know full well that their decisions rarely ever would be painless!

Therefore they couldn't retalliate against him; they didn't want the responsibility of leadership or the blame for the losses. They didn't want to stand against authority directly either. So they took the indirect mutiny decision; when authority is not present they disobey or they break their will when the force of authority.

Could we perhaps one more time appeal to the usual theory of "unreliable storyteller" and speak on how Odysseus doesn't want to mention a mutiny in his story to Phaeakes because he doesn't want to appear as weak leader in their eyes?

We could but in my opinion this doesn't seem likely. Odysseus is already humiliated; shipwrecked and a beggar in their house. He mentioned how it was ellegedly his fault that the whole domino of reactions began when he mentions how he was yelling to Polyphemus being blasphemus that not even Poseidon could put him back together if he had killed him (which let's face it is too much given that gods had no probelm resurrecting some dead before). He had already mentioned his men not listening to him and disobedience was already a heavy thing. He didn't hide most of the unpleasant experiences during the trip so why miss the opportunity of shifting the blame to his men, saying that they stage a mutiny against him thus himself being unable to react instead of stating that he fell asleep during the prayer? To show that his men fear him so they do not dare to face him? Perhaps but it seems unlikely given the whole story in which Odysseus doesn't hide his bad sides from them.

What do you guys think? Let me know to your comments and reblogs below! ^_^

[cetoddle]

lately it’s been like. i become mutuals with someone popular and unanimously loved within my general mutuals circle. i try to interact with them and be friendly. i get ignored completely. why.

[biblically-accurate-dca]

moon n ballora

[justabunchofdragons]

they were so insane for having house play "hugh laurie's cuddy's serenade" bookending "you can't always get what you want" as cuddy held her party with everyone else and their mother attending AND having her open the door only to drop her smile when it wasn't house. she really said "i DON'T want you there" and got upset when he didn't come. they drive me insane

[superloves4]

Will never forget this one person that said Tolkien made a mistake by putting Galadriel with Celeborn and that she should have ended with Celebrimbor instead, no hate to people who like this ship without being dicks about it, but because of that all I can think of this relationship now is

[edsheerankinnie]

got bored so i drew em in my style lol

[musclesandhammering]

Queer women are the main culprits of fetishising mlm relationships (both real and nonexistent ones), and I think we’re all scared to admit that.

[svampira]

normalest friend group

[camgoloud]

you ever just. become overwhelmed by a sudden out-of-nowhere wave of tenderness and affection and longing for reconnection directed towards someone to whom you no longer speak for Very Good Reasons

[supercantaloupe]

okay don giovanni review from last night. under the cut bc it's me. tldr the vocal performances were great, leporello carried the show, one of the most insane productions i've seen thus far but somehow in a new bizarre direction from normal. good snacks.

first of all i don't care how much wine you offer i think it's kind of ridiculous to charge $165 for a base ticket price for a performance that 1. isn't even in a concert hall or theater 2. is a concert performance rather than a staged performance (which was not advertised ahead of time) and 3. was not even a full production because they made the absolutely mind boggling decision to cut 100% of the recitative and replace it with Some Guy sitting on the stage narrating the plot between every 1-3 numbers

i did not pay that much gd bless. the student ticket was way cheaper.

the narration wasn't even good it was weirdly ungenerous to the women (like how do you even make elvira out be a "women, amirite" thing and also vaguely imply anna was into it in a production with zero acting? well they figured something out) and i don't think it even explained well enough what happens between each number to truly give a first time watcher a good idea of what's actually going on. not to mention that it absolutely kills any sense of momentum in the plot and makes the entire show drag like hell, because you have to wait between every single aria for either Some Guy to talk at you for three minutes straight, or wait awkwardly while people onstage walk off and people offstage walk on. it was so painfully clunky

they had a piano up there but since there was no recit it's not like she was accompanying much of anything. in practice what it ended up being used for was 1. the mandolin part for deh vieni (acceptable in the absence of a mandolin player; they were working with a limited chamber ensemble of musicians so i get it) 2. the party music at the end of act i (egregious fault imo because it absolutely kills the vibe of the scene and completely obfuscates the way the music is supposed to be adding to the tension and chaos with its different instrumental groups playing in different meters)

and 3. used to give singers their notes when the vocal line of their arias start on beat 1 measure 1, which they otherwise would have been able to get from the preceding recits (which is imo painfully amateurish for an ostensibly professional production)

all the numbers in act i were there although the narration was so bad i got jumpscared by fin ch'han dal vino because i forgot it was supposed to be there and thought we had skipped over that point in the plot. act ii had some really bizarre additional cuts made, notably they just entirely skipped over meta di voi and vedrai carino. it was like masetto and zerlina fuck off for the entirety of act ii save for, like, mille torbidi (they VERY briefly mentioned masetto getting beat up in the narration and i don't think they mentioned vedrai carino at all, they just skipped straight from deh vieni to sola sola. and also there was a painful awkward pause before deh vieni because i think the pianist forgot she was supposed to play there and the narrator jumped ahead to the next chunk of plot explanation too early). kept both dalla and tesoro (i'm fine with this ottavio was quite good though could've used a bit of ornamentation imo), kept mi tradi, kept non mi dir (more on that in a bit). no per queste which is probably a good thing not only for the show itself but also my head would have absolutely and irreversibly exploded if they had, probably

the whole thing kind of felt underrehearsed. like a quarter of the time it seemed like people didn't know what they were doing or had to be reminded where to be at that point in the show. and there were a few moments throughout where the orchestra struggled to keep up with the singers, but i really don't think they had much time to rehearse together, honestly.

and then, to my utter shock, the finale was actually really good?? like. insane compared to the rest of the show thus far. though it helps that 1. i absolutely love the harmonieband arrangements of cosa rara/i litiganti/non piu andrai, after possibly the draggiest non mi dir i've yet experienced it was like a breath of fresh air to hear that (and non mi dir was actually well performed i liked this anna but considering how much the Entire Show was dragging, the fact that they cut meta di voi and vedrai carino, AND the fact that they promised this act would be short, it felt crazy to me to keep it at that point.)

2. leporello and the don were by far the best performers of the night. so much so that i sought them out during the post show reception to tell them how great they were and enjoyed their performance. which i usually do not do, but in this like, high school recital ass production value. unbelievable relief that the final scene is dominated by the two actors in the show who most remembered that they can, and in fact Should, be acting. so much more movement and physicality and expression from those two compared to most everyone else. leporello especially, his actor apparently specializes in comedic bass roles and it shows, he was the standout all night

and 3. for the first time in the entire production they made an interesting decision regarding the physical space and staging! they had the commendatore sing from up on a balcony overlooking the audience in the foyer. the bar admittedly was set very low in the previous act and a half but the finale reminded me that i actually like this show again which is appreciated

though they then threw another curveball at me by Cutting the sextet at the end. which like didn't even piss me off at that point i was just baffled. like the don sinks down in agony and leporello sinks down whimpering in fear and the orchestra cuts off. and i'm expecting an awkward pause while they quietly get up and shuffle off so the rest of the cast can come back but nope. big orange title slate appears on the big screen behind them and the audience breaks into a roaring applause and the announcement of the wine and dessert reception. felt like i was in a fever dream

i will say the desserts were very nearly almost worth the bullshit that was the preceding show. they were so good. thank you austria for your dedication to pastry. and because i don't drink and couldn't appreciate the free wine offered i had to indulge in my own manner. spread contained chocolate oat bites (tasted as much like espresso powder as chocolate and coated in coconut, 4/10), almond sponge cake (classic, 7/10), cardamom apple bread pudding with caramel cream (not enough cardamom but otherwise very tasty and autumnal, 8.5/10) and honey cake (11/10. i don't know how they made this so good. i want more right now so much). i take both my mozart opera and my desserts very seriously.

anyway overall the production was. i would say frustrating. the singing quality was Really Good (leporello was the clear standout, probably followed by the don though i prefer my dons with a lighter voice but technically he was very good, then probably ottavio, then maybe masetto or anna. the commendatore was great but he's in it so little it's hard to compare)

i just wish they could have, like, actually done a full production. it would have been so great if they had gotten to tell the actual story and had been fully allowed to act. when there Was acting were the best moments of the show, and it's really unsurprising that most of that came from leporello, the absolute legend.

[thorinlandscaping]

WOMEN MARRYING MEN you know you can keep your maiden name right? your husband can change HIS name. you can hyphenate. hell you can come up with a third, brand new name that you both chose. YOU DONT HAVE TO TAKE HIS NAME BY DEFAULT PLEASE WOMEN!!!