#and hire me as a storyboard artist

[soosmain]

Lyrics from "Hold them down" from the Epic musical,

I love Judas and Jesus from th,e Bible

Bonus: art process! From maddened scribble to full peice

[e-adlirez]

Spoilers for Sinsmas/Sinsmas ramble

So I had Sinsmas paused on my browser to do life stuff as usual, I Will Be Okay was in my head, and I walked back to my computer after life stuff and realized the frame I had it paused on was

D

Do you see what I'm seeing

Their positions aren't just similar, they're reversed. In "I Will Be Okay", Via is on the floor and Stolas's shadow is standing up, looking down on her and reaching a hand to her from above, which she swats away. At the end of Sinsmas, Stolas is kneeling on the floor, with Via looking down at him from above, and her hand resting on Stolas's, which she pulls away from.

AND THE PARALLELS AND REVERSALS DON'T END THERE

From what I could see, it seems like there's only one instance where the parallel doesn't totally apply.

This.

Merry Sinsmas, Helluva Boss fandom :D

:'D

[justadudesdrawings]

I got a new portfolio website! https://dominick-van-der-hoff.weebly.com/

[kianamaiart]

🌟KIANAMAIART FAQ🌟

FAQ wahoooo!!

GENERAL QUESTIONS

Who are you?

I'm Kiana, I'm a queer, Japanese Jamaican woman, and a Director/Storyboard artist who works in animation. I'm currently at Disney Television Animation.

What are your pronouns?

I usually go by she/her but I don't really mind any pronouns~

Where did you go to school?

California College of the Arts (but I dropped out when I was hired at Disney)

How did you get hired at Disney?

My bosses found me on twitter. They liked my drawing style and asked if I wanted to take a storyboard test. I did, I passed, I got interviewed and moved to LA two weeks later to start storyboarding.

Your work seems familiar. What do I know you from?

I've been on the internet for a long time! It could be a number of things. As maimai97 on dA I had a comic about next gen Pokemon characters called Pokemon 25 Years Later. As kilala97 I had some popular next gen ponies and also had a Steven Universe gemsona named Larimar. I'm also @yamujiburo, known most for drawing Jessie x Delia (hanamusa) a lot. I also work professionally! I've worked as a storyboard artist and director on Disney Channel's Big City Greens, I was a storyboard artist on one of the Steven Universe anti-racism shorts and I was a storyboard artist on Pokemon: Path to the Peak. Most recently I've been on season 6 of Dropout's Game Changer!

What program and brush do you use to draw?

Default brush in Storyboard pro. Photoshop sometimes just for compositing or specific effects.

PPPIDWTBAMG QUESTIONS

What is this project?

This is a project that started off as a silly idea that has since grown into me creating a 10 minute pilot animatic.

What does "pilot animatic" entail?

It means that it's effectively a pilot/episode 1 of a (potential) larger series. It's fully voice acted but is not fully animated. It's an animatic, meaning it will be comprised of storyboards in video form.

When and where can I watch the pilot!?

Now and right here!

What would this series be rated?

Ideally like PG13/TV14! Or whatever they call it. Definitely more geared to a YA audience. Not completely kiddy but also not what most people would consider adult animation to be

What are you planning to do with the project now that the pilot has released?

Don't know yet! There has been a lot of studio interest and even offers, so I'm in the process of talking with them and seeing if I can find this show a home or if I want to try doing it on my own or if I want to even continue with it at all. I know you guys are curious, but even if I wanted to tell you I couldn't. Just trust that I will make announcements as they come~

You said Aika had teammates, will we see them?

Because of the studio interest and potential for more of this show, there's some stuff I'm still holding close to my chest. This is one of them.

Do the characters have parents??

Zira does! As for Aika and Eclipse, this is something I'm still developing and don't really know myself haha

What are the characters' sexualities?

Don't know right now. Headcanon away!

Is "Star Guardian: Guardian of the Stars" a reference to that vine?

Nope! It's more so a parody for just really long and redundant titles which I love. Similar to the title of this project, which is called "Pretty Pretty Please I Don't Want to be a Magical Girl"

[madamequackers]

Demo dayyy

[mjbarrosart]

My Dragon Prince Boards season 7, episode 705, part 2: The Moonberry Surprise.

It's true, the Moonberry Surprise moment, it is my fault

I hope you can forgive me for my sins. Hahahaha.

Ok, let's talk about this little sequence. But first, some... context?

Ok, so, Dragon Prince was my first job as Storyboard Artist, before coming to DPR I was working as a Storyboard Revisionist in Lego NinjaGo Crystalized. So I applied to Dragon Prince with not hopes that they will hire me, and when the offered my the job I was in awe.

So basically, I arrived to work in season 4 as a Junior Storyboard Artist. They gave me little sequences during season 4 (I was mostly helping my unit director with revisions) they gave me more during season 5 and 6, working on my strengths, emotional moments, long talking sequences and some combat. You know what was not there? comedy, because it was not one of the things I knew well how to do. But after a year and a half working in the show, I was seasoned enough to be a proper Storyboard Artist, not a rookie anymore. So they finally assigned me a comedy sequence.

I was terrified. Today after years in the industry, I can say that I am not scared of comedy anymore. But when I read the script and I realized that they were expecting a big comedy moment from me , I knew I was in trouble. But as they say, "you fake it until you make it" I took a deep breath and smile to my unit director like "Of course I can do this!"

But ok, lets talk about the sequence. We start nice, with the moon fam enjoying some time together. Was an opportunity to work with Runaan and Ethari, and that is always cool! I love how Ethari is just happy of everyone being there, and Runaan just wants to kill Callum (in an affectionate way, like he is just a protective dad, you know, a no nonsense dude)

So yeah, they talk a little and Rayla handles Callum a slice of Moonberry Surprise. Is like this almost mythical dessert that is said tastes like nothing else in all Xadia. And Callum is so excited to try it!

So, the script did not call for anything you saw in that sequence. The script instructed to reveal the Moonberry Surprise like something out of this world, and then have Callum almost having an epiphany when he tries it. My first idea was to have Calum almost levitating on his seat while eating it, while the rest of the moon fam looked at them in confusion. But during the launch of the episode (this is the stage where directors and in the case of DPR writers, tell SB artist what they want for every sequence we will board, we pitch ideas, and so on) was more clear to me that they were expecting something more of an "out of this world experience". Like the "I love books" moment that Callum had on season 5, episode 2, but on steroids.

So I was ok, lets make it as trippy as possible. So we have this fast zoom in into Callums face, that lead us into this "dimension of flavor" he is being transported to.

And he opens his eyes and he is floating in this space of color and flavor, his spirit being lifted by this experience.

He is experiencing all this flavors, eating this huge blue berries (this was my Unit director idea, Thanks Katherine!!), when something catches his eye. A figure, looking to him from the above, almost like a god.

And Callums looks up, revealing... this:

So, I have a really particular sense of humor (not unique, because I feel a lot of people share it, particular because really specific things make me laugh a lot). I was born late 80's grew up on the 90's with all the weird cartoons and anime of that time. For me adding muscular arms to things is the best joke ever.

This is peak humor to me:

So I was like, what if, Callum does the Titanic spinning thing, with a muscular slice of pie? So I did that... And I was SURE they will reject it.

So I finished my roughs, and I sent them to my Unit Director. She was "this is so stupid" (in the best way) so, she added some placeholder music, and send it for review from the directors, while both of us were expecting to have it rejected.

A couple of days after, our Storyboards Supervisor was like "WHO DID THE MOONBERRY SURPRISE SEQUENCE??" And I was like "me?", and he was like "Aaron LOVED IT!" and I was like "?????" so, yeah, was approved.

So yeah, that is my legacy, I guess. I am Runaan in this shot:

So well, those are all my sequences in episode 705.

Sorry again for being responsible for the birth of that thing. But that is my son now, and I kinda love him, even if he looks like that....

Next post will be my last! So yeah, stay tunned for my last post about my boards in The Dragon Prince, episode 708!

[the-return-of-yagamimi]

REVENANT

"Revenant: Prologue" is a 3 part animated indie short series that my team and I are making! You know the drill - vampires, cyborgs, pixels, polygons, awkwardly named gifs, etc. We're hard at work putting this thing together, and we could really use some support!

It’s about cyborgs, vampires, and a world recovering from catastrophe, inspired by the likes of Metal Gear Solid, Death Stranding, Berserk. Cowboy Bebop, Trigun, and much more

It will be followed by "Revenant", an Action-Adventure-Social Sim indie game inspired by Onimusha 3, Yakuza, Majora's Mask, and more. (Not yet in development)

Meet our crew!

Yagamimi - Project lead, writer, director, art director, concept artist, storyboard artist, character designer, creature designer, mechanical designer, weapon designer, CG artist, animator Bongfish - Writer, voice actor @guysullivan - Writer, co-director, voice actor @caffeinatedartificer - Writer, concept artist, character designer, storyboard artist @pg--animation - Storyboard artist carnage-queen - Fight choreographer, fight scene writer, storyboard artist, weapon designer, concept artist Evie Lepidoptrix - Concept artist, animator, mechanical designer, weapon designer DOMROM - Character designer @demon-dai - Character designer, creature designer, vehicle designer Gobl1n - Concept artist Lisa Mc.Rad - Sound design Troubled Dreams - Composer Cicada Sirens - Composer

Meet our main cast!

Lauren Kong as Nova (Click here to learn more about her) Benji Buckley as Tristan Indigo Ross as Vita funnywes as Quinn TarooiMono as Raul Sean Letourneau as Dunham Vivian Reed as Pike Maganda Marie as Kim Phillip Sacramento as Renfeld (will replace this with a better image once all their models are done)

REVENANT PROLOGUE PART 1 - RAPTOR

Part 1 is currently being animated! Keep an eye out! It stars Lauren Kong, Peter Wicks, Tom Schalk, Heather Nichols, and Guy Sullivan

REVENANT PROLOGUE PART 2 - T.O.M.B

Part 2 has been fully written and recorded and we're gearing up for storyboarding. It stars Benji Buckley, Sean Letourneau, Phillip Sacramento, Guy Sullivan, funnywes, Tom Schalk, Bongfish, and Scott "KaiserNeko" Frerichs

REVENANT PROLOGUE PART 3 - UNDERWORLD

And all details pertaining to Part 3 are going to be kept under wraps until it releases, but you can listen to this track Cicada Sirens made for it in the meantime

and while you're here, listen to this track by Troubled Dreams too please

If you want to see this come to fruition, you can support us on Patreon for as low as $1 a month

Or if you want to support me personally so I can survive (because I am frequently broke, perpetually on the verge of homelessness, and seemingly no place wants to hire me) you can donate to my ko-fi

You can find more stuff for the project through these links, I'm most active on Bluesky and the 3 Part Prologue will be on YouTube

Sonic Blog | Apron Strings Blog | Patreon

[keferon]

Was there any classes you had to take to be a storyboard artist? I’m thinking of going into a field like that!

I took an online course (Not telling which one because their whole thing significantly dropped in quality over time)

and that was pretty much it. But to be fair - I had decent amount of experience of drawing comics beforehand. It helped significantly because I was already familiar with the concept of visual storytelling through composition and expressions.

I was like. CRAZY passionate about learning to storyboard so I was doing all the homework and watching aaall the lessons and then they were giving optional homework for people who wanted to really lock in and optional-optional little things that no one even expected us to draw. But I was making ALL of them. All the time.

So when the course ended my teacher was like goddamn you got a lot of energy in you huh? And he contacted one producer he knew and basically went "hey I have one student who has zero experience but will work and learn really hard"

And that producer went "Okay I trust you" and hired me without interview haha

[briskchips]

Devsis definitely should hire you to storyboard their cutscenes. You’re such an amazing and creative artist that we desperately need in these trying times. The sudden decline of handmade animations or any animations in general in favor of AI is really disheartening. Individuals like you are what gives me a bit of hope that not all is lost and that there is indeed room for creators make a name for themselves.

This is so sweet, thank you so much 😭 I cannot stress enough how much I appreciate it 💕

I am also very adamantly against AI replacing real world artists, so I will ALWAYS keep creating with my own hands and my own brain, and will ALWAYS support the other incredibly talented artists I get the chance to share the world with in any way that I can

[dakooftacos]

So wouldn't you know it...I'M AVAILABLE FOR WORK

I haven't posted recently because well - last week was actually my last week at DreamWorks! That will be it's own post but now I am OPEN FOR WORK! Please consider hiring me for Storyboards and Revisions - I WOULD LOVE TO DRAW FOR YOU!

Storyboard Artist and Revisionist for Animation

5+ Years Animation Industry Experience at DreamWorks TV (~2years in Production work, almost 4 years as a Revisionist)

Experienced in 3D Pipelines, and open to learning 2D Pipeline

Skilled in Drama and Action, strong draftsmanship

Confident in Storyboard Pro, Familiar with Photoshop and Blender

Looking for Fulltime, Union Work - but Open to Part Time and Freelance

So if you're interested in checking out my work, please take a look at my website! And you can find my social media accounts on my Carrd!

[secretsivekept]

Hey guys!! I can finally announce here that I got hired at Steamroller Animations as a Junior Storyboard Artist!! :D So if you see me disappear completely for a while, that's why LOL!

I'm so excited, though, I finally have my foot in the door in the animation industry and this is a GREAT first job to have. The leads I'm working with are super nice and are willing to teach me everything I don't know!

But yeah, posting art wise things will definitely slow down a lot more than they already have, but I just wanted to share this life update with you all!!

[yamujiburo]

✨YAMUJIBURO F.A.Q.✨

Should've made this a while ago! I'm starting to get a lot of the same questions in my inbox nowadays tho and I feel bad for clogging up y'all's timelines with the same questions haha

GENERAL QUESTIONS

Who are you?

I'm Kiana, I'm a queer, Japanese Jamaican woman, and a Director/Storyboard artist at Disney Television Animation.

What are your pronouns

I usually go by she/her but I don't really mind any pronouns~

Where did you go to school?

California College of the Arts (but I dropped out when I was hired at Disney)

How did you get hired at Disney?

My bosses found me on twitter through my Team Rocket fanart. They liked my drawing style and asked if I wanted to take a storyboard test. I did, I passed, I got interviewed and moved to LA two weeks later to start storyboarding.

Is this a repost blog??

No, you might know be better as @kianamaiart. This is just my Pokémon sideblog where I post exclusively (for the most part) Team Rocket and Pokémon art.

What does your username mean?

It's a combination of the main 4 Team Rocket members' Japanese names: Yamato (cassidy), Musashi (jessie), Kojiro (james), Kosaburo (butch)

What program and brush do you use to draw?

Default brush in Storyboard pro

**************************************

GENERAL POKEMON QUESTIONS

Who's your favorite Pokémon?

What are your favorite ships?

Any ship with Jessie. Yamushipping, Rocketshipping and Hanamusashipping are my top three!

Who do you ship Ash with?

I was a big Pokéshipper when I was younger but nowadays don't really feel strongly about any of the ships involving the kid characters. I'm also in the "Ash is aroace" camp.

Do you have any trans headcanons?

You can find em here along with other headcanons! It should be noted that I don't usually marry myself to one hc (unless it's for a specific AU I'm trying to build out) and love seeing various interpretations of a character! Trans woman Jessie, Trans woman James, Trans man James, Genderfluid Jessie, give em to me!

Do you play the games?

I've played all the mainline Pokémon games and very much enjoy them! But I am much more invested in the anime and the characters in the anime.

**************************************

HANAMUSA AU QUESTIONS

Where can I read all the comics in order?

Here! I update anytime I make a new comic and list them in chronological order (since I just draw comics at random points in the timeline as they interest me). This post also already answers some of the frequently asked questions about this AU like: How did Jessie and Delia meet? What are James and Meowth up to? How old are Jessie and Delia? etc.

What does "Hanamusa" mean?

Hanamusa is a combination of Delia and Jessie's Japanese names, Hanako and Musashi respectively.

When does this AU take place?

It takes place sometime after the Mezase Pokémon Master/To Be a Pokémon Master series. So all the events that happened in the series, unless retconned within the series, happened. Ash is 10 at the start of the comics.

What's the status between Jessie, James, Meowth and Giovanni/Team Rocket?

Not great terms since they were fired, but also not the worst terms. Giovanni just let the three of them go without any further issues. I will say that I've always loved the theory that Giovanni keeps Jessie specifically around because of her parentage and he as a soft spot for her that he keeps a secret. I feel like Matori was the one that got the three of them fired and Giovanni wasn't able to make an excuse for them this time (without showing nepotism/special treatment) so he was forced to let them go.

If you headcanon Delia as a lesbian, how did Ash come to be?

Delia was young when she had Ash and I hc that she just didn’t really explore her sexuality much! I myself didn’t realized I liked women until I was 18 and didn’t know I liked ONLY women until like 2 years ago. She got married, had a baby and realized after her husband left that she liked women (trans people exist obviously but I’m also interpreting Ash’s father as a cis man).

Who do you think Ash’s dad is?

I don’t know and I don’t really care to explore it. I’m going off of the novel interpretation that he’s just a deadbeat that left to be a trainer, failed and never came back because of the shame. He’s not important.

Isn’t Giovanni Ash’s dad?

That’s a common misconception that people remember wrong from the Pokémon Live show. Delia mentions she dated Giovanni but then left him and his gang after meeting Ash’s father. I also don’t consider the live show canon personally! I follow The Birth of Mewtwo timeline where Madame Boss founded Team Rocket.

Do you think Delia and Giovanni dated at least?

Nah, I think he’s too old for her? I always got the vibe from The Birth of Mewtwo that he was quite a bit older than Jessie and it’d be sus if he was dating Delia when she was married to, and had a child with her husband at 18/19. He’s a bad guy but not a BAD guy.

You mentioned you still ship Jessie and James. Why not make a Jessie, James, Delia polycule?

I have a few reasons I’ve mentioned before! 1. I’m in super deep with this AU already and I feel it’d be very confusing for casual viewers of my stuff if James was added into the relationship haha. 2. I’ve drawn Jessie and James together since 2011 and took this AU as an opportunity to try my hand at writing them as queer, platonic besties bc I love that interpretation of them a lot as well. 3. I’m not poly myself and the way I write this ship is largely based off of my experiences with my girlfriend. I just know I’d favor the Jessie/Delia of it all which isn’t fair and not a good interpretation of a poly relationship. All that said, I DO super enjoy seeing peoples’ poly headcanons and art!

Who does James end up with in this AU?

No one. He's aroace and is happy to be single

Do Jessie and James have all their Pokémon in this AU

I think they have all the Pokémon that they did by the end of Mezase Pokémon Master (all their Pokémon that were left at HQ). Most of their released Pokémon have stayed released and the Alola Pokémon are still in Alola. I bring back Arbok and Weezing post-Jessie and Delia getting married. I may bring back Chimecho, Growlie and Cacnea if I think of an idea I like!

What are Meowth and James up to in this AU?

Hop back to the top of this post under the "Where to Start" section. All your questions will be answered.

Does Ash travel with anyone at this point of his life?

I don't have anyone in particular in mind! I could see him making new friends (Nemona???) or traveling with different combinations of old friends. Like him, Misty and Goh, him, Dawn and Cilan, him, Serena and Lillie etc.

Will Delia ever get over her phobia of snake Pokémon

Not fully! I think overcoming fears is fine and good but I think real PHOBIAS are much harder to get past and I don't want to cheapen it. She slowly gets used to Jessie's Seviper specifically and gets to the point where she can pet it comfortably with Jessie in the room. But otherwise, still scared and would need that same amount of time per Pokémon

Is Jessie gaining weight or is it just me?

Not just you! Jessie puts on a bit of relationship weight overtime as you'll see in the later comics in the timeline. Jessie grew in poverty, never knowing when her next meal would be and that continued into her life as a Team Rocket member. Once she was able to settle down (with a woman who runs her own restaurant no less) she's able to live a healthier lifestyle with regular meals and puts on some weight because of that.

Does Jessie ever feel self conscious about gaining weight?

Nope! She feels happier and healthier and hotter. She's also unreasonably excited to clear out her old clothes and get a new wardrobe.

Would Jessie and Delia ever have kids together or adopt?

Nah, Ash is enough for them! I have come up with hypothetical kids for them but they're not canon to this AU. Just a fun little thing for me.

Will you ever put this on webtoon?

Nah. People mostly ask me this because they want to read everything in the order of the timeline but to my knowledge, you can’t reorder chapters or installments which would defeat the purpose. I also don’t think nintendo fan stuff would fly there. Also, also it’s just extra work and another place to upload and I want to keep this all fun for myself~

[38sr]

How did you get where you are now? Job wise I mean? Were you a college student before doing this or did you go looking for jobs in the art industry straight away?

Oh, well it's been quite a journey for me in terms of how I got to where I am right now but here's the full timeline (?):

August 1996 - BIRTH

April 2007 - I watch Brave Story at Tribeca Film Festival, life is changed and I decide to purse animation

June 2014 - Graduate high school and accepted into Montserrat College of Art for Animation & Interactive Media

Summer of 2016 - Studied abroad in Japan attending Niigata School of Art & Design

Summer of 2017 - First animation job as an animation intern for Sesame Street (yes that Sesame Street)

December 2017 - Graduated from college (yes I graduated early due to having college credits in high school), did not have a job lined up

2018 to 2019 - Living back in NY with my parents, working on indie animation productions, creating emotes and animated intros for content creators, applying and getting rejected from many job listings, received and fail multiple storyboard tests, developing my own projects and story ideas after years of not being able to for school work

July 2019 - Fly to California for the first time, made the decision to move in order to further pursue a career in animation, at this time the Nickelodeon Artist Program were accepting submissions so I busted out boards for a personal project in 3 days and submitted it (please do not be like me, take your time haha)

September 2019 - I receive a call from Nickelodeon and I go through a series of interviews for 2 months straight

Thanksgiving 2019 - I receive news I was selected as a trainee for the Nickelodeon Artist Program

January 2020 - Move to California and begin work as a trainee at Nickelodeon (specifically for Rugrats reboot)

March 2020 - The pandemic

July 2020 - I leave Nickelodeon and move onto Titmouse as a storyboard revisionist for Star Trek Lower Decks

November 2020 - My Supervising Director for Lower Decks recommends me to the first Critical Role show Legend of Vox Machina

December 2020 - I do freelance boards for Vox Machina and get hired as a full time revisionist for season 2

January 2021 - I receive a interview request for a job on WondLa at SkyDance due to one of the directors finding my work online, I heavily consider the job

May 2021 - My Adventures of Superman is announced, I draw a piece of fanart that goes viral

July 2021 - Vox Machina season 2 wraps, I receive an offer to return to Lower Decks season 3 as well to work on X-Men 97 (I said yes to Lower Decks)

August 2021 - Spiderman Freshmen Year (now known as Your Friendly Neighborhood Spiderman) asks if I be interested to do boards, I decline not knowing what it was for

September 2021 - Showrunner for Spiderman contacts me personally for interview, my Superman fanart from May 2021 finds it way in front of the eyes of one of the creators for MAWS, still currently doing revisions for Lower Decks S3

October 2021 - Accept job offer as board artist for Spiderman, freelancing on MAWS as a character designer (first time doing this job), turn down SkyDance job offer

December 2021 - Wrapped on Lower Decks S3

January 2022 - Launch as board artist for Spiderman at Marvel Studios, still been developing my own personal projects at this point

February 2022 - Studio Shaft offers layout and genga work for Madoka Magia Record after seeing animation work of my personal projects, I accept

April 2022 - My episode of Madoka Magia Record airs, Studio Pierrot sends offer for work on Boruto

May 2022 - After my first episode on Boruto I am offered to work on Bleach Thousand Year Blood War, I accept and continue to on Bleach as of this post (3 seasons in total), Studio Mir offers me animation work for XMen 97 (I accept but only work on the first episode)

Summer of 2022 - Working on Spiderman, animating on animes, I think at some point this is when I was offered to do animation work for Castlevania Nocturne

November 2022 - Complete season 1 of Spiderman, Marvel/Disney lays me off for *reasons*, I receive an email about potential work on an unannounced show at Nickelodeon, I'm unemployed at this point

January 2023 - Collecting unemployment, freelancing on animes, trying to survive in general, also approached by Colosso to create my own course

February 2023 - Land a short gig on Big City Greens movie over at Disney TVA, Studio Mir once again offer me work but this time for second animated Witcher film

March 2023 - Land an interview as a character designer for that unannounced Nick show, didn't get the job

May 2023 - Wrap up on Big City Greens and Witcher, fly to Japan to relax (I failed)

July 2023 - Land a layout artist position at A24 (no it's not for Hazbin Hotel), Studio Mappa offer me work on Jujutsu Kaisen Shibuya Arc

September 2023 - Land another interview with Nickelodeon (this time for storyboard artist), freelancing on layouts and animation for Castlevania Nocturne S2, A24 job is stressing me out way too much so I decide to leave, MAWS hits me up for retakes on season 2

October 2023 - Wrap up at A24, I land the board artist job at Nick, I am also drowning in Jujutsu Kaisen production meltdown, complete my online course for Colosso, wrap up on MAWS S2

November 2023 - I start at Nick as a board artist, Colosso course release, I am still dying by the hands of Studio Mappa

January 2024 till now - Still boarding over at Nick and still animating on animes (I am VERY selective now about it though after JJK), I am also in therapy now Yeah so that's like, a real rough timeline over everything from school till now (and even then I am missing a lot of work details like video games and development projects due to NDAs). But pretty much what carried me was putting myself and my art out there on social media along with building relationships with people in the studios (outside of just my production) and that's how I've been able to maintain a steady work flow even when I was unemployed. Also not being afraid to develop my own ideas and share them since most of the times that gives the leadership a pretty good idea what sensibilities I have (and they just happen to match). I hope that answered your question!

[catnippackets]

Pls do some self promo here of your art (saw your pinned, tell us about it)

I make a weekly horror comic called The Backmaker that updates every Friday that you can read here. the story is about the main character Alice (white hair) being haunted by a strange dream. it's based on some weird dreams that I had when I was a kid that I decided needed to be a full story. here's a panel of the main characters making a horrible discovery in their youth (act 1)

I've also been slowly revamping my old webcomic, Swan, in my spare time! it's nowhere near close to being fully plotted out at this point but I've been debating making it a mix of prose and comics/illustrations since it's a little complicated and I think trying to do it as a full webcomic all by myself might take the rest of my life lmao. all that I have to publicly show for it are some drawings of Keira and Cailín, who are no longer the main characters and actually just side characters (well Keira's the secondary main character but Cailín has been demoted to side character). I love drawing them they're my oldest ocs that have still stuck around and they're my beautiful girls and I love them. it's a fun faerie fantasy romp in a wild untamed magical world

I also made a full animatic with them last year which is not canon to their story but I'm still very proud of it

because I am a professional storyboard artist and STILL LOOKING FOR WORK!!!!!!!!!!!!!!!!! somebody PLEASE hire me my biggest strengths are being very fast and staying in character. I'm a valuable asset I've got 8 years of experience I won't disappoint you

I'm also taking commissions rn on account of not having a job rn so if you're interested shoot me an email ;)

[kianamaiart]

Hello ! I'm currently in art school with the goal of becoming a storyboard artist, and while I still have a few years before I graduate, I'm trying to plan out for my future a little – I was wondering if your job is entirely remote or if you have employers who prefer you to be present ? Also how quickly were you able to get in the industry, did it take you several years before being able to support yourself as a freelancer ? I hope this is okay to ask. Thank you for being an inspiration !

It was fully in person pre-2020 and since about 2022 we’ve been required to come in at least sometimes. I think in 2023 Disney wanted us to come in 3 times a week. So we’re technically hybrid now but I go in everyday if I can! There’s a lot of productions that are fully remote just so studios can save money on office space. It’s hard to say if employers care where you are at this point (I know our production does at least a little bit these days) but working remotely isn’t out of the question. Also moving to LA for a very unstable industry is scary so it’s understandable why people wouldn’t want to. I will mention though that if you get a union gig TAG only covers LA residents (?) so I’d be weary of that if you’re wanting insurance and protections.

I’ve talked about it a lot before but I got lucky in that I was hired by disney for my storyboarding position right after my junior year at CCA. They had just found me on twitter and I did their sb test then dropped out of school after they hired me. Prior to that I’d done some freelance character design for a video game and a comic book pitch during my sophomore/junior year. I didn’t have any tva experience outside of doing a test for We Bare Bears earlier that year.

I put a lot of my eggs in the “really get your social media presence up and show what you can do” basket and it luckily worked out for me.

Everyone’s story is vastly different though! I came in at a time where social media and the industry was popping so I won’t deny there was a lot of lucky timing on my end.

[ell-arts]

Out of curiosity, when/where did you first learn to animate? What inspires you to make your animations?

(I'm partly asking this because the urge to animate hit me like a truck once I really got into PMATGA, lmao. I've only ever made around 3-4 small ones over the span of several months)

Good question! Long answer! :'D

I've been dreaming of being an animator since I was young, because my elder sister studied animation and that's where I learned more about it. She gave me her copy of The Animator's Survival Kit from Richard Williams after she finished studying, and I've kept it with me ever since. Mind you, I never finished it, because distractions happened XD But I've read the first bunch of pages and started getting a fletchling idea of how animation worked. This was when I was around 10-14 years old. My favourite movies were almost exclusively Disney or Dreamworks classics, and my love for them grew as I grew older. I keenly observed their animations and analyzed what it was that them so appealing, long before I actually learned how to animate properly. Through observing what made those animations so appealing and life-like, I've built up references in my mind as a benchmark as to how animation is supposed to look. So when the time came to learn animation properly, I've already had a headstart thanks to observation, which sped up my learning quite a bit.

Now, let me tell you about a man named Aaron Blaise.

To say that Aaron Blaise is an animation legend would be an understatement.

He was the co-director of Brother Bear. He worked on various Disney movies that shaped our childhoods. He animated young Nala from The Lion King, Raja from Aladdin, and he also worked on Beauty and the Beast, Mulan, Pocahontas, and the Rescuers Down Under. He left Disney in 2007, but in 2012 he teamed up with a friend and decided to start CreatureArtTeacher, a website where he shares everything that he's learned, whether that be animation from his time at Disney or just art in general. He brings aboard many other professionals in the same field and beyond, where courses are offered at the most affordable prices. Often, he'll also offer lessons on various art subjects on his YouTube for free, and he livestreams frequently!

It's thanks to these lessons that I've learned more about animation. While I didn't practice often, I did start taking my first steps into doing animation, spurred on by inspiration from Aaron's videos. This was around age 16-18. Unfortunately, I can't track down my first ever animation I've made. But I did make this sometime before turning 20;

Yes, that's a BG shot from pmatga XD

So going into my twenties, I knew enough about animation to make small little snippets such as the one above, but I wasn't yet at the point where I'd consider myself an educated animator. And here's the thing; when I went to university, I studied Visual Communication & Design, which mostly focused on graphic design. In that course, we did do a little bit of animation, but it was nothing I've already known, and it was mostly cut-out animation where you control it like a puppet in After Effects. What I really wanted to do was dive deeper into traditional 2D cell animation, but we had to preferably work in 2D cut-out animation to save time. It was a cool learning experience, but also a bit frustrating because I prefer the traditional frame-by-frame method. Alas, that would take too long, and my uni projects ran on a 2-week basis (a new project every two weeks), so I couldn't push to improve my animation skills in the direction that I wanted to. I still learned quite a bit tho, and got valuable experience with different programs, so I guess the time I got a taste of animation education was around the age of 22.

But then came 2024, age 24, when I got hired as a storyboard artist at my current job. Thanks to the company's help in giving their workers the space to learn new things, I finally tackled animation in earnest. I brought out the good ol' The Animator's Survival Kit and Aaron Blaise's courses and taught myself as much as I could, along with the support and guidance of the studio. Needless to say, sometime afterwards I could make the Rubber Pac animation I did here.

So yeah! It was a combination of things. Both my sister's influence and the influence of animated movies from a young age, Aaron Blaise's courses, university, and real-time work experience are what taught me animation <3

As for what inspires my animations, it mostly comes down to music tbh. I can always conjure a scene in my head along with whatever music is playing. Other than that, it's the desire to give life to something in an intrinsically human way, especially as art. I've always felt closest to God as an artist 💙

Told ya it was a long answer xD But hey, twas a fun answer! >:D