#and he wouldn't vibe with that

[cardboardward]

Can we just talk about the Golden Lagoon of White Agony Plains for a moment?

And why just one line above all makes me go absolutely feral?

Specifically...this line:

Let's just fangirl over this for a moment shall we? Scrooge...Scrooge McDuck just offered to pay for anything...anything Goldie wants. And he'll only buy himself discount mustard, a knife and some buckskin boots.

Which is super easy to gloss over until you remember that this is Scrooge McDuck. Who is so tight-fisted it's a key part of his personality. It's a point even made at the start of the episode when he steals food from the buffet because it's free.

And you could, could argue that DT17 Scrooge isn't like that. Except... when you take into account this interaction in S3E14: Escape from the ImpossiBin!

He won't buy his family lunch unless they risk their lives but will buy anything Goldie O'Gilt needs.

[irenespring]

Today I would like to shout out that one random Twitter person who made up that JD Vance bragged about fucking a couch.

Imagine making a random shitpost and less than two months later your joke is being used by a major party nominee for Vice President on live television at his introduction rally, earning him thunderous applause.

That poster must be having quite the experience.

[dkettchen]

she would've told them unlike her canon! version who decided not to be an ally smh

[starry-bi-sky]

mmm throwaway conversation between Dan and Danny that popped into my head that I had to write out:

"You spent ten years being a one-man mass extinction event, then went back in time and fought me, and lost." Danny snarls, arms crossed and throat tight. His mouth pulls back to bare dagger-sharp teeth, and his eyes burn with the familiar thrum of ectoplasm heating up behind his eyes. "If I didn't believe you were half of Vlad before, I do now."

His other self -- and really, can he even call him that? He's half of Vlad too. Two halves severed from each other and welded together to make a new whole, -- snaps his head over to him. Wild-eyed and furious, he looks unlike the man Danny fought before, the one unruffled and untouched, unbothered by the world around him. It's familiar, but not like the way a reflection is.

"What's that supposed to mean." The Other hisses, matching Danny's scowl one-for-one with fangs much bigger and sharper than his.

But there's a reason lions fear hyenas. Danny matches the rumble in The Other's chest with one of his own, and shoves his face close to his. "I don't lose."

[bacchuschucklefuck]

space sweepers but they're delivery people and are at no point on screen through the entire movie

[tuometarr]

Claiming that viktor and jayce have a brotherly bond is kind of hilarious actually because we can literally compare whatever they have going on with the sibling like relationship jayce does have

I don't see him choosing to die forehead to forehead cradling the back of caitlyn's head after telling her that her imperfections are beautiful and that all he wants is to be with her

[crabsnpersimmons]

"Hair dyes or perms or just a quick snip, you can always count on your ol' pal Clip!"

it's about time i officially shared my design for Clip from my hairdresser au! here's the silly boi himself!

a.k.a. the most complicated character i've ever designed...

close ups and additional comments under the cut!

that's my boi, despite his crazy design, i love him. his silly top knot hat, the horn-like points around his faceplate, his speckled colours, his four arms, and his funky pants. he's just soooooo fun.

Clip likes to play games and knit! he even made the patchwork pants he wears (he made Sun and Moon a pair too, but they're too precious for them to wear... also a little gaudy to wear in public—doesn't stop Clip tho!). He actually makes everything the boys wear, since there's not a lot of things in their size/shape.

instead of resting at night, he can be found in their living room, playing Kirby 64 for the nth time and/or knitting something. he's just too restless to stay still, he's always gotta be doing something and if it isn't gaming, knitting, or hairdressing, then he's up to No GoodTM.

Clip... likes popping balloons. he says "Goodnight!" with each popped balloon and once he's done, he tosses up the scraps like confetti all while giggling joyfully.

needless to say, he is not fun at parties. Sun and Moon don't let him near balloons for this reason.

and yes, he has sewing needles on hand at all times. for fashion emergencies... and for unsuspecting balloons.

Clip's not allowed to have a phone (just imagine all the in-app purchases Sun and Moon would have to deal with), but he likes to keep up with his customers and their games, even if he doesn't get their fixation over bluenets he'll never openly admit it but he prefers curly-haired blond hunks that look sweet in soft pastels but could also squash him like the spider he is

also, he's great at microbraiding! though i imagine if Sun and Moon are free, they'd come help to shorten the wait but also to compete and see who braids the most (Clip always wins of course—make anything into a game, and he's winning)

aaaaand there's this! i wanted to make sure Clip would be able to freely rotate his waist so his arms could have their full range of motion, and this was the solution i came up with: a crop top on top and a wrap around his waist. and Clip here is being a sneaky little scamp about it.

[lizzybeeee]

Am I the only one who thinks it's fucked up that the Mortalitasi are parading about King Markus's corpse...as opposed to letting the next in line rule??

He's alive in DAI - old, but very much flesh and blood - and we know this because the venatori use blood magic on him to get him under their control. So, what is he in DATV then? Are they implying that he's a lich? That he still has his mind? That they've got a spirit in there?

What do they gain from this? Cassandra's, what, 64th in line for the throne? So there's a bunch of potential heirs just hanging about -> potential heirs who want the crown because we know that Cassandra's parents were executed for trying to overthrow him.

Cassandra may not be fond of her family, but I can't imagine her letting this slide. This is the type of shit that gets an Exalted March called down on you! Especially if she's divine?! Nevarran's can be 'death-focused'* yes, but they let the living rule and not the dead.

It's their belief that when their soul passes through the Fade it results in a spirit being displaced - so they have the Mortalitasi find the spirit a new home in the Necropolis. That is their job - they maintain the Necropolis and, according to DATV, sometimes deal with awry magic.

The potential relation to a Divine or the Head of the Seekers, the King of Nevarra, is having his corpse puppeted about by a mage...and no one seems to care?!

Is this not super fucked up to anyone else?!!!

------------------------------------------------------------------------------

Edit - I put this down in the tags but I think it's important to point out: In all the previous games up to this point not once has a mage, manipulating a corpse like this, ever been portrayed as quirky or funny. This is not the norm of what the Mortalitasi are supposed to do - they honour the dead they do not puppet them.

Thedas is a world very strongly intertwined with faith, especially the Chantry. It is Nevarra's attitudes towards death and their burial practices that distinguishes it from other Andrastian nations - they still have the Chantry, the Templars, and the Circle of Magi just as the rest of Southern Thedas has.

It's impossible to imagine any Divine (Leliana, Cassandra, or Vivienne) hearing of this occurring and not taking action against this. It's extremely strange that Emmrich bemoans that half the nobility know this has occurred when this action should be seen as nothing short of an abomination to the faithful - including Emmrich.

[hua-liansimp]

Gravity Falls canon divergence AU where Bill does send someone to steal Ford's eyes and then possesses Fiddleford to approach blind Ford. Fiddleford/Bill nurses Ford back to health, and then pretends to be sorry for leaving Ford, he sticks around to help him adjust to losing his sight. Eventually, an extremely exhausted and broken Ford breaks down and confesses everything that truly happened during their partnership, and Fiddleford/Bill "comforts" him. He promises to never leave him, saying that he won't let that "monster" hurt Ford ever again.

Bill thinks it would be too risky to convince Ford to continue with the portal so soon, afraid of arousing his suspicion, so he just ends up moving in and caring for blind Ford, gaining his trust everyday a little more. What Bill doesn't expect is that he enjoys their current situation way more than he thought he would (Ford is dependent on him once again, he doesn't even know he's being tricked, the fool, but also Bill can be close to him again, they can play and banter and it's like nothing ever changed), and years pass without any work being done on the portal as they grow closer and closer.

It's only decades later that Bill slips up and leaves for some business in the middle of the night. Ford wakes up for a cup of water to find mind broken Fiddleford wandering around his kitchen muttering about a demon living in his head and keeping him trapped.

[fisheito]

still thinking about those promo pics where they locked the tops and bottoms in separate rooms

[dailyloopdeloop]

loop and mirabelle. That's it that's the ask

DAY 84: enrolled in the gossip wars

[internetskiff]

honestly, and this is coming from a Wheatley enjoyer here, methinks some people in the fandom either forget or consciously suppress the fact that he has an undeniable egotistical and self-serving streak to him that's prominent even before he gets put in the GLaDOS Chassis. Like, let's be honest, when he broke Chell out and assisted her he was in it for himself at least PARTIALLY, and personally I think initiating a core transfer was at least slightly motivated by his desire to retaliate after GLaDOS crushed him like a tin can and tossed him away. He was very clearly enjoying himself as he carved her head up to stuff into a potato. He also like.. blatantly has bottled up resentment towards Chell that he lets pour out after he secured his spot on the Chassis.

I feel like part of the tragedy to it is that a healthy dynamic between him and Chell is literally physically impossible because he only pauses to reflect on his own actions after he has been tossed out into space. Even if he was detached without being sent out into orbit he would be immediately tortured by GLaDOS while Chell is sent to the surface with her Companion Cube. The Companion Cube is quite literally the only object within Aperture that provided Chell with companionship without expecting anything from her in return. Wheatley had her running around sabotaging equipment to further his own plans - the game quite literally makes a point about this during his boss fight, when he rants and raves how in reality he's the one who's been bossed around. He's quite literally spent his entire existence as an object used and passed around from odd job to odd job by Aperture's staff, and unfortunately for Chell she's the only human being left that he can finally take his anger out on.

Let's be honest, much like GLaDOS, Wheatley isn't a good person - that doesn't mean he can't become one, but the whole point of the ending is that that ship has sadly sailed for him, he can't apologize to Chell, leaving him with nothing but an eternity of self-reflection as he floats among the stars. He was designed to be stupid, and that's all that was expected of him. And he only begins to see his own flaws when he's stuck in an environment where he is physically incapable of making stupid decisions.

[essenceofarda]

A quiet corner in the houses of healing... moments before a fateful introduction...

Still having fun with style exploration :) the bg was inspired by/a semi-study of the work of Loïc Locatelli Kournwsky :>

[a-deep-ocean-of-secrets]

Home Is Where I Want to Be (But I Guess I'm Already There)

Summary:

The thing is, Buck didn't mean to move in with Tommy.

Read below or on AO3 (3.8k words)

The thing is, Buck didn't mean to move in with Tommy.

Those first few giddy weeks and months (like bubbly champagne buzzing through his veins every time he saw Tommy’s smile, kissed Tommy’s full lips, found himself tangled in Tommy’s bed sheets) of staying over in his boyfriend's cozy, Venice bungalow have him living almost exclusively out of his trusty duffle bag. Which isn't a big deal. He's used to lugging that ratty thing back and forth from the firehouse to his apartment. 

Can it be annoying sometimes? Sure. His clothes are constantly wrinkled (which majorly sucks when he's trying to dress to impress on date nights) and he's always forgetting or running out of one toiletry or another. If it’s not his deodorant then it’s his mouthwash. If it’s not his aftershave then it’s his moisturizer. Minor inconveniences, really, but worth it every time to wake up in Tommy's king-sized bed with Tommy's strong arms wrapped around him and Tommy's hot breath on the back of his neck.  

It doesn't take long for that to change. Like a seed beginning to take root, Tommy, as he’s done since the very beginning, makes room for Buck in his life. Just as he opened his helicopter to Buck and his friends and flew them headfirst into a raging hurricane on nothing more than an outlandish hunch. The same way he took time out of his busy schedule to grant Buck a private tour of Harbor Station and answered all his jumbled questions as Buck nipped at his heels like an overeager golden retriever, tail wagging a mile a minute, wanting nothing more than to be closerclosercloser to the cool guy with a megawatt grin, who called him ‘Evan’ and had his heart skipping a beat even if he couldn’t identify the why of it all at the time.  

So it’s not a surprise at all when he carves out precious space in his closet and lets Buck's colorful and patterned button-ups and polos blend in with Tommy's neutral henleys and shackets. They’re two big guys with a penchant for working out, so their wide array of tank tops, sweatpants, and basketball shorts become indistinguishable from each other. Their LAFD-issued shirts are so interwoven that they've given up trying to tell them apart and frequently go to work wearing the other's name branded on their backs, much to their coworkers’ loud and endless amusement. 

Buck’s grapefruit shampoo and citrus body wash relocate to the shower niche alongside Tommy's own sandalwood and frankincense-scented products. On the vanity, Buck's red toothbrush is a companion to Tommy's green one. 

All these minute modifications to Tommy’s home are simple and understandable ripple effects of Buck regularly spending a few nights a week there. 

The offshoots of that single seed deepen into winding vines without Buck even noticing. 

First, it's Buck's lucky set of boxing gloves hanging innocently alongside Tommy's Muay Thai gear in the garage. After a frustrating and tedious shift, he enjoys nothing more than a few vigorous rounds with Tommy’s punching bag. Then, Buck's large and varied assortment of books (ranging from biographies on famous figures such as Marie Curie to The Book of 10,000 Incredible Facts to the new YA fantasy series that is all the rage among Christopher and his friends) slowly but steadily find a home among Tommy's WWI & II aviation history collection on the shelves of the reclaimed redwood bookcase Tommy crafted by hand. 

His favorite cast iron skillet and Instant Pot take up permanent residence in Tommy's kitchen, alongside his garlic press and waffle maker. His 'Buck Off' coffee mug (a gag gift from the 118) is always ready to go for lavender and daffodil-colored mornings spent on Tommy's front porch overlooking the canal as kayaks and paddle boards drift by in the early morning light. The sinfully soft, ocean blue afghan Carla knitted for him during the pandemic is draped over the back of Tommy's unfairly comfortable sectional. Christopher’s US History textbook is lying open on the coffee table, left behind after a pizza and study session. The newest season of The Bachelor (the combined forces of Maddie, Chimney, and Josh got him hooked. What can he say? He loves love.) is TiVoed on Tommy's flatscreen TV. His Jeep has its own designated spot next to Tommy's ’71 Bronco. 

The roots of their budding relationship grow deeper and extend farther than the eye can see. 

Buck's most cherished brand of coffee is readily available in the kitchen cabinets. His all-time favorite blend just so happens to be named The Beast. A fun fact that never fails to stop him from leering at Tommy and waggling his eyebrows every time he brews a cup. His favorite cereal is stocked in the cupboards and his favorite yogurt is in the fridge. The same fridge that is currently plastered with Jee-Yun's vibrant crayon drawings alongside pictures of Tommy’s nieces and nephews in Chicago. A true collage of sparkly princesses and menacing dragons beside Polaroids of beaming faces on the sandy shore of Lake Michigan and sitting in the stands of Wrigley Field with messy hotdogs and giant foam fingers. 

Even food Tommy turns his perfect, aquiline nose up to but Buck loves (like quinoa and chirimoya) are now staples in his pantry. His most treasured cookbook, battered with stained, dog-eared pages with the margins filled in with his own corrections in his scratchy scrawl, holds a place of honor on Tommy's countertop on a wooden stand Tommy scrounged up at the local flea market. 

He has to rack his brain to remember the last time he spent a night at the loft. The last time he had been there, to pick up some clothes from his rapidly depleting wardrobe, it had looked even emptier and barer than usual with hardly any food in the fridge, the bed sheets stale and unloved, and a thin layer of dust on his kitchen island. The industrial, modern space had felt cold and clinical and nothing like a living, breathing home. 

It lacked the wooden floors Tommy had spent weeks refinishing as he lovingly sought out the perfect stain. It lacked the extra-long, extra-wide hammock hanging off Tommy’s back patio where Buck delighted in taking the occasional catnap on sunny afternoons. The loft hadn't inspired even a fraction of the warmth that Tommy's home did every time he walked through the door with the key Tommy had given him three months in, dangling from a helicopter keychain that made him grin like a dope whenever he pulled it free from his pocket. 

Buck doesn't realize any of these very important and essential truths until one morning when he nearly trips over his running shoe that was lying discarded by the front door. At the sound of his clumsy stumble, Baron, Tommy's five-year-old Shepkita ("That's not a word, Evan. He's an Akita Shepherd.”), raises his head from where he's lounging on his overstuffed dog bed, exhausted from their early morning run at the beach. 

At the sight of Buck being Buck, Baron lets out a jaw-cracking yawn and puts his head back down to resume his beauty sleep. Kicking the offending sneaker out of the way, Buck stops dead center in the living room, hands on his hips and wearing Tommy’s faded USC sweater that’s been worn soft from years of washings and smells tantalizingly of Tommy’s laundry detergent, and can't help but survey the terrain and take stock of how much of himself is residing in Tommy's space. He's visible in every nook and cranny. 

He has completely, and totally, infiltrated Tommy's home. 

The thought instantly fills him with indescribable joy that blossoms like radiant sunflowers inside his chest. For all of ten seconds. He then remembers the last time he unknowingly moved in with someone and the heartbreaking consequences of it.

Abby.  

She had been so terribly sad and broken in the wake of her mother's death. It had been as easy as breathing for Buck to step up, to prove himself, to try and do everything in his power to fix her with his love and devotion. So he stayed with her day and night, and his things had steadily trickled into her apartment. It had been easier back then to do, he had had so little to his name other than the Jeep and his clothes. And he can't lie, it was a relief to get out of that glorified frat house filled with Connor and the others. 

It had seemed natural to move in with Abby (even if she had been unaware of it). He thought they were building something special together, something made to last. He hadn't known at the time that while he saw a new beginning, she saw entrapment. For her, she would be trading one role of caretaker for another. Going from a sick mother to a young punk (at 26, he had still been a kid) who was stumbling like a newborn giraffe through his first serious relationship. Had she stayed, there would have been so much handholding on her part as he continued to figure out all the volatile nuances of life and commitment. And that hadn't been fair of him to ask that of her when she was so vulnerable, he understands that now with valuable time and distance. She had been so lost that the only thing she could do to find herself again was travel halfway across the world and leave him behind in the process. 

He had lived (however briefly) with Abby. He was living with Tommy, even if he hadn't clocked it until just now. 

And he wants it, he realizes with a jolt not unlike the bolt of lightning that had struck him. He wants to live with Tommy. He wants to wake up with him every morning and come home to him every night (demanding schedules permitting, of course). He wants their high-energy workout sessions that always turn into a different kind of workout and their sunset strolls through the canals with an enthusiastic Baron (complete with goofy selfies in front of David Hasselhoff’s house from Baywatch). He wants their weekends at the Venice Farmers' Market. He wants their monthly meetings of the LGBTIQA+ book club that Hen and Karen started and that Tommy and Buck have hosted twice now inside this very house. 

He wants Tommy. Plain and simple. He always wants Tommy. Tommy, who has the world’s worst fake mouth static, but jokingly brags all the same about winning a medal for it. Tommy, who acts big and tough on the job and up in the air, but he never fails to shed a tear whenever they watch the climax of a romantic comedy. Tommy, who always has a heating pad and massage waiting on standby for rainy days when the pain in Buck’s bum leg flares up like relentless flames. 

Tommy, who has no idea that they're living together. 

An icy sliver of fear sluices down his back at the terrifying thought that once Tommy learns they're essentially playing house with each other he might turn tail and run away, just like Abby did. Or, perhaps, even worse, he won't run, but he won't want Buck here anymore either. He can already see it in crystal clear HD: Tommy's handsome face shuttering to stone as it does when he's uncomfortable but doesn’t want to show it. His blue eyes darting away and his lips thinning into a brittle line as he tells Buck that this is all moving far too fast, that maybe they should take a step back and put some space between them, and then Buck will be banished back to his sad, pathetic loft that doesn't have Tommy waiting for him in it. 

He cuts the catastrophizing off at the knees before it can spiral into something far more treacherous. Tommy, for all his flaws — he drinks orange juice straight from the carton like a Neanderthal and he doggedly believes that his directions are better than the GPS ("I spend most of my time in the air, Evan. I know all the shortcuts throughout Los Angeles County.") — isn't the kind of man who runs away from a fight when the going gets tough. He's the kind of man who digs his heels in and comes out swinging the next round. And he's been nothing but kind to Buck the entire time they've known each other. He enforces tough love when he deems fit, but it always comes from a place of kindness and gentleness. 

They love each other. And they live together. It's time Tommy knows it. 

So, screwing his courage to the sticking place (Jee-Yun loves Beauty and the Beast), Buck shuffles his way into the kitchen where his boyfriend is manning the stove and making their breakfast. In the oven, a frittata bakes away in Buck’s cast iron skillet and on the stovetop, turkey bacon sizzles as it fries. Tommy, hair curly and wet from his earlier shower, flips crispy pieces while humming along to The National playing softly in the background on the radio. 

God, Buck adores this man with everything in him. 

Tommy catches him out of the corner of his eye hovering there like a massive dweeb and flashes a dazzling smile his way. 

“Hey, babe. What was that noise I heard?” 

He can feel an embarrassed blush rapidly bloom across his cheeks until his face is as pink and splotchy as his birthmark. “Oh. That was just me. I, uh, tripped over my running shoe,” he lamely explains. 

“They can be quite the menace,” Tommy says with his usual brand of wry humor. He chuckles quietly to himself as he turns his attention back to the mouthwatering bacon. For a tempting moment, Buck just wants to forget the stunning revelation he’s had and instead stay in this blissful, domestic bubble that seems to exist whenever the two of them are alone together. It doesn’t matter where they are or what they’re doing, there’s just an undeniable ease to the two of them existing in the same space, breathing the same air, hearts beating in tandem. 

But, alas, he’s a man on a mission. 

Reaching up and rubbing awkwardly at the back of his neck, Buck thinks through his options. He’s come to learn, through many a messy trial and error, that honestly truly is the best policy. The last time he had so thoroughly ignored the elephant in the room was when he had asked Taylor to move in with him for all the wrong reasons. 

That had been a train wreck of epic proportions, even for him. He had well and truly bucked that situation up beyond repair. 

But that was then and this was now. And the only things Tommy and Taylor had in common were their initials and their partiality to cruising around LA in helicopters. His feelings for them were night and day as well. He had loved Taylor, but by the exhausting end of their relationship, he hadn’t genuinely liked her anymore as a person. They were too different, their morals too misaligned to exist harmoniously together. It isn’t like that with Tommy. He both loves and likes practically everything about his fellow firefighter, even the traits and bad habits that annoy the ever-living shit out of him. 

“So, hey, I, uh, kinda just realized something…pretty important.” 

Smooth start. And to think, before he met Tommy he had honestly had game. But something about the self-assured pilot, from the moment they met on the tarmac at Harbor and he introduced himself as Evan instead of his standard Buck, had him tripping over his tongue in both the best and worst ways. His foot-in-mouth syndrome had ruined their first date and nearly all chances he had had with Tommy, but it was that same unfiltered nature of his that had Tommy granting him another shot and scoring him as his plus one to Maddie and Chimney’s wedding that never was. 

Which reminds him: he owes Tommy a dance. He files that tidbit into his mental to-do list for another day. 

Tommy looks at him with a quizzical raise of his brow as he lazily twirls the spatula in his hand. “What? Found some more facts about that jellyfish? What’s it called? The spotted—“

“Chriodectes maculatus,” Buck corrects automatically. “Or more commonly known as the spotted box jellyfish. Only the rarest jellyfish in the world, I might add.” 

The corner of Tommy’s lush lips curl up into a fond half-smile. “Yeah, that’s the one. I thought you exhausted all knowledge on it last night when we watched that documentary.” 

“In the words of Chinese philosopher Zhuang Zhou, ‘Life is finite, while knowledge is infinite.’ So, no, I’ll never know enough about jellyfish, rare or otherwise, to exhaust myself, Thomas.” 

Tommy mouths ‘Thomas’ to himself and looks to be gearing up a quippy retort of his own when Buck realizes with tightening dread that he’s on the road to derailing this potentially monumental conversation with talk of jellyfish, of all things. Honestly, he can’t even believe himself half the time. 

Time to pivot. 

“Forget about the jellyfish. They’re not important right now.” 

Swiveling his broad-shouldered body, Tommy gives him his full attention as his eagle-eyed gaze slowly sweeps over the entirety of Buck’s 6’2” frame. Buck, for his part, staunchly fights the urge to fidget as he knows it would give him away in an instant. There’s something almost surgical in the way that Tommy, without ever saying a word, can expertly peel back all the layers of bone and marrow of Buck’s psyche down to his bleeding center where his festering insecurities and crippling self-doubt reside. 

If it were anyone else it’d feel violently invasive. But Tommy has only ever treated these undesirable parts of him with the tenderest of care, delicately stitching up invisible wounds Buck hadn’t even known existed until the moment Tommy kissed him in his kitchen and completely shook the bedrock of all his pre-conceived notions about himself. 

“Sounds serious,” he says after a moment of contemplative silence. The only sound in the kitchen is the hiss of the bacon roasting away on the stove. Through the window over the sink, a beam of sunlight shines in and bathes Tommy in its golden rays. 

Buck heavily exhales a breath out between his teeth. “It is. Or, it could be. Maybe. It really depends on how you look at it, I guess.” 

“Look at what?” Tommy asks, even-keeled as ever. It’d be infuriating if it wasn’t such a damn turn-on. 

It’s now or never. 

“Look at the fact that… We kinda, almost…sorta, seem to be living with each other?” 

Tommy freezes to the spot, his eyes going wide as he blinks, coming off as a perturbed owl for a moment before he schools his features back into his usual calm facade. He looks back down at the bacon and quickly flips some pieces before they can turn into a charred mess of meat. 

Composure regained, he asks, “Was that a question or a statement?” 

He’s always lightning-quick to toss the proverbial ball back into Buck’s court. Always willing to let him take the lead in their relationship and set the parameters and boundaries. Without fail, where Buck goes Tommy follows. It had been a sweet relief in the early days of their relationship when Buck was stumbling around blind, but nine months in and Buck needs Tommy on equal footing with him. It’s the only way forward. 

“It’s, uh, a statement.” Damn. That didn’t sound convincing at all. Closing his eyes and centering himself the way Dr. Copeland taught him, he slowly takes a deep breath, and then another, and then one more for good measure, opens his eyes, and looks Tommy square in the eye. “It’s a statement. We’re, for all intents and purposes, living together. And I want, no, I need to know what you think about…that.” 

Tommy’s gaze slides away and catches sight of Buck’s mug already topped off with his second cup of coffee for the day as swirling mist rises off of it. He sees Buck’s LAFD hoodie hanging off the back of one of the stools situated at the island. He spots Jee-Yun’s drawings on the fridge, giving the stainless steel appliance so much color and joy. He spies the Fokker Dr. I triplane chew toy Buck specialty ordered for Baron lying on the floor near the dining table. 

Tommy’s home hasn’t just been Tommy’s home in quite some time. 

He spots every single change that Buck has brought into his house with his very presence, and he gathers them to him like they’re the most precious of jewels. He turns to Buck and smiles at him. 

It nearly stops Buck’s heart for a moment. 

He loves all of Tommy’s smiles. He loves his smirk when he’s said something particularly snarky or deadpan. He loves the closed-mouth grin he does when Buck is batting his eyes and pouting and Tommy is steadfastly pretending he isn’t endeared by the silliness. He loves the smug curve of his lips when Tommy moves just right inside of him, hitting that elusive, perfect spot that has him seeing stars and clutching Tommy tighter to him until he can’t tell one limb from another. 

But this, this is his favorite Tommy smile by a far-flung mile. 

It is simply radiant. His smile is wide and open, with his straight, white teeth brilliantly on display. It stretches broadly across his rugged face, exposing his deep-set dimples on either side of his ample mouth. His nose adorably scrunches and his eyes are squinty with unbridled happiness. At the corners of his eyes, his crow’s feet spread like tiny estuaries spooling into the grooves of his tan skin. 

He looks boyish and carefree. And so very in love. 

All because of Buck. He was the cause of such boundless euphoria. No one has ever loved him the way Tommy unashamedly does. 

“What I think is,” Tommy says clearly and concisely, “I think we should make it official. What do you say, Evan? Will you move in with me?” 

Buck feels like he was socked in the gut, but only in the very best of ways. His breath is stolen from his body and he doesn’t even know if his feet are still on the ground or if he’s simply floated away with how incandescently lighthearted he feels at this very moment. 

“Y-You really mean that? You want to live together?” 

It never hurts to double-check. He does that every time with his faithful clipboard. It is truly the only way to be efficient. 

Tommy’s smile only widens further. “Evan. You’re my favorite person in the world. Of course, I want to live with you.” 

The sunflowers inside Buck’s chest come to full bloom. 

He and Tommy live together.

[chirpsythismorning]

I’m sorry but nothing will ever beat Finn’s drive playlist that he made during s3 filming, with songs like Me and Michael, The Basement, Gay Thoughts and No Woman lmaoooo

[be-queer-do-arson]

Okay yall hot take but I love aftg's boring names. If Andrew had been named Rowan or Knox or some shit i would've hated him. He needed his basic old man name and 5'0 height to humble him