#and he hears ‘kill yourself actually’
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tofics · 2 days ago
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🥲 With the way my period went last week, this fic was on my brain constantly. But my god, Bug, I needed time to digest this masterpiece. (I've also saved various of your other works in my drafts to comment on later. I apologize for the reblog spam that is about to happen.)
Kay, now. Let's dive in, shall we? 🥰
Joel wakes up early the next morning and greets you with a kiss pressed to the side of your head. “Fuck off,” you mumble, your voice is still thick with sleep but he knows you mean it so he lets you sleep in a bit while he cleans the bathroom for you. He works as quietly as he can, scrubbing it and mopping it from top to bottom. He empties the trash can and the laundry hamper, he makes sure there’s a fresh bar of soap and a new washrag for you. Joel’s just finishing up and wiping dust from the mirror when you find him in the bathroom. “Mornin’, sunshine,” he says as he kisses the top of your head. “How do you feel?”
What a sweet, sweet, kind man. If I woke up to a freshly cleaned bathroom while on my period, I'd probably cry.
“I didn’t ask you to do that,” you mumble. “The bleach you used makes my head hurt worse.”
🥲 Ma'am. I get it. But. The sweet man.
If looks could fuckin’ kill, Joel thinks. You’re glaring at him. He takes that as his cue to leave. You shrink away from him as he gently brushes your arm when he walks past, then shut the door loudly behind him. Ouch. Joel knows not to take it personally, though. You’re crampy, but you’re also probably hungry. He’ll make you breakfast, something with protein because he knows you need it. 
Sorry, did you say saint??? Saint Joel???
“I didn’t hear ya, sweetheart. Speak up, please.”  “I said yes,” you snap.  Your clipped tone cuts like a knife. Joel bites his inner cheek as he takes your plate from you.
😫 The disrespect. The bitten cheek. (Loved that bit. His annoyance is growing, but he's still keeping his cool. Again, did someone say saint??)
“No. I don’t care,” you interrupt, which hurts Joel’s feelings a little. A lot, actually.
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S' OKAY, SWEET BABY. C'MERE. MAMA'S GOT YOU.
“Your glasses broke.”  “Yeah. I see that.”  “I didn’t mean to,” you tell him defensively. “Right.”  “But you really shouldn’t leave your glasses there, Joel.”
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Breaking the silence, Joel finally clears his throat and continues his thought, “I’m gonna give you two options,” Joel says. “You can walk the fuck away from me, or you can get on your knees. Whichever you choose, you do so silently. Nod if you understand.” 
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“You’ve earned yourself brownie points choosin’ the latter of the two options, but this still ain’t gonna be fun for you,” he says.
S' okay 🥲 I was a bitch 🥲 I deserve it 🥲 Do with me as you please 🥲🥲🥲
He draws out of your mouth entirely only to force his way back in, making you gag and sputter. You attempt to pull away but Joel keeps his hand firm on your head and holds you right where he wants you. “Nuh-uh. I don’t know where you think you’re goin’, hon.”
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“Quiet,” he growls. “Heard fuckin’ enough outta you today. You keep quiet.”
🫡 Sir yes, sir.
“Let it be a lesson to ya, then, if it hurts. That mouth ‘a yours has done nothin’ but bitch and moan at me today. S’a punishment, ain’t ‘sposed to feel good.”
I have really bad news for you, then. Ahem.
“Because if I don’t fuck you,” he says, “Then I’m gonna strangle you. So which would you like?”
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“I will wash the fucking sheets. We can add it to the list of all the things I’ve done for ya today, hm?”
Ohhh, he's done done. I just *loved* this bit. The frustration, how fed up he is with the reader. Suddenly you're concerned about causing a little bit of work? Oh, hohoho, no no no. Too fucking late.
Joel had assumed sexual frustration had been playing a role in your attitude today. Cramps, headaches, all sorts of things going on with you and a needy, aching pussy to boot. He does feel sorry for you, but he feels sorry for himself too. It’s why he got his first, but now it’s time for you to get yours. An orgasm should set you straight, or two or three. Whatever he feels is necessary. 
😩 Ma'am. Please. I can only take so much. The hotness in just this ONE paragraph. PLEASE. 😩 "An orgasm should set you straight, or two or three. Whatever he feels is necessary." 🥲 I am a puddle on the floor.
Joel takes his free hand and uses it to press down on your lower stomach, intensifying the feeling of it all. You come hard, gushing on his fingers as you whimper his name.
🫠🙃🫠🙃
“Quiet,” he commands. He begins teasing your slit with his cock once more before he speaks, “So this is what we’re gonna do: you’re gonna take what I give you, however much or little it is. You’re not gonna cry or complain ‘cause you’ve done enough of that today. Right?” Joel pauses, “Nod your head.”
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“I know, I know, sweetheart,” he coos at you to quiet you down. “You’re all out of sorts today. M’gonna fix it. I always fix it, don’t I?”
*inhales* - *screams*
He fucks you without discipline, no tenderness at all to the action with those sloppy thrusts, but you’re more lost in him than he is in you - he’s focused on your face, watching you make an ‘O’ with your mouth, and he’s focused on your bouncing body, your twitching thighs spread wide. Your moans, your whimpers and your whines, babbling nothing but nonsense. Joel’s brow is furrowed as he breathes heavily through his teeth, his soft body jerking above you as he hits that sweet spot inside you over and over and over… “It’s all ya needed, isn’t it? The whole goddamn time,” he pants. “Didn’t need to go an’ bitch me out all day if you needed lovin’ like this. Woulda been nice f’ya just said so.”
😶 I have died and am now reading this from the depth of hell. Fuuuuck me!
“Always the tears with you, huh?” he taunts. “Always somethin’. Oh, I know. I know.” 
The fucking "I know"s kill me. Like, I didn't know two simple words like that could do the things to me that they're doing. But here we are. Is that a kink? Is there an "I know" kink? I think I have it.
“You’re gonna tell me what you need,” he instructs, “And you’re gonna ask for it. Nicely. So that means usin’ your manners. Please, Joel. Thank you, Joel. Remember those words?”
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You’re surprised when he returns to you, pelvis covered in your blood, and scoops you right up in his arms. He helps you to your feet and on shaky legs, guides you to the bathroom. It no longer smells like bleach but instead, lavender. He’s got a candle lit on the sink and the bathtub is filled with warm, bubbly water. “Picked out a bubble bath for you earlier when I went out. Wanna test it out with me?”
😭😭😭 SAY IT WITH ME: JOEL MILLER IS A FUCKING SAINT. A SAINT THAT FUCKS, BUT A SAINT NONETHELESS.
Christ on a cracker, this was delicious from start to finish. I think you have had a lasting impact on how I see (and am trying to write) smut. 😮‍💨😮‍💨😮‍💨
Thank you indeed. 🙌 A masterpiece!!!!
Seeing Red
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“Because if I don’t fuck you,” he says, “Then I’m gonna strangle you. So which would you like?”
Joel’s sorry that your period sucks, but he's reached the end of his rope with your attitude. (6k)
Tags - 18+ smut, brat taming, blow jobs, face fucking, rough period sex, fingering, mating press, overstimulation and multiple orgasms, creampie, aftercare in the form of a shared bubble bath, all things periods and period symptoms so headaches, breast pain, cramps, irritability that reader takes out on Joel. You will feel so bad for being such a cunt to this man but he gets to fill two of your holes with his cum so it all kind of evens out. takes place in jackson Fic help - @beefrobeefcal and @joelsdagger for all of their love and support and eyeballs, @noxturnalpascal and @endlessthxxghts thank you both for being my compass and giving me direction and helping to make this fic perfect. I love you <3 A/N - if you're on your period, i'm sending you a hug <3 if you're not i'm hugging you too
I was reminded of my friend @covetyou's fic "Sleepless" which is a lovely piece of classic literature, just like the rest of her works, and I'd like to credit her for inspo. Thank you Lo 🤎🩷💚
You should have guessed there’d be a bloodstain in your underwear, but despite the headaches, your sore breasts, and your cramping abdomen, you’re surprised when you’re met with rusty red in your panties. Fucking great, you whisper, dripping with sarcasm, this is not what you needed today. You had so many things you wanted to get done and now you were going to be spending the whole day miserable and in pain.
“Joel,” you loudly call out. You wait a beat, nothing. “JOEL,” you yell louder. 
You hear the faint sound of his recliner, the popping of his knees and the creaking of the stairs as he walks up them. His two feet are visible through the space between the floor and the bathroom door and then he knocks, “Whatcha need, darlin’?”
“New underwear,” you answer. “And a pad. Also in the underwear drawer.” 
Joel walks away and returns with what you’ve asked for and slides both items under the door. You change your panties and secure the pad made of old rags and t-shirts with the clothespin attached to it. “You got it?” he asks.
“Yeah,” you reply.
“Guessin’ you just started your cycle, then.” 
“Mhm.” 
“Can I get you anything?”
“Nope,” you answer. “I think I’m just gonna go to bed.” 
“Alright. I’ll join you, then.” 
 You wash your hands and rinse the bloodstain out of your panties with annoyance in the sink, wringing them out before tossing them in the dirty laundry hamper in the bathroom. When you unlock the door and leave the bathroom, Joel’s already asleep in your shared bed. He sleeps curled on his side and yet he still fucking snores - between that and the pain you’re in, you know it won’t be a restful night of sleep. You look at Joel, sleeping peacefully like a baby, and yet you wanna beat the living fucking crap out of him. You curl your body around his, stealing his body heat to soothe your cramps. 
Joel wakes up early the next morning and greets you with a kiss pressed to the side of your head. “Fuck off,” you mumble, your voice is still thick with sleep but he knows you mean it so he lets you sleep in a bit while he cleans the bathroom for you. He works as quietly as he can, scrubbing it and mopping it from top to bottom. He empties the trash can and the laundry hamper, he makes sure there’s a fresh bar of soap and a new washrag for you. Joel’s just finishing up and wiping dust from the mirror when you find him in the bathroom. “Mornin’, sunshine,” he says as he kisses the top of your head. “How do you feel?” 
“Shitty.” You grab at the mirror and Joel’s skin crawls as you touch the glass with your thumb, the smudges left behind from your fingertips clear as day on the freshly cleaned glass. He’ll just touch it up later. You pull out your toothbrush and frown, your nose scrunched in disgust. “It smells like bleach in here,” you complain.
“Well, yeah,” Joel chuckles. “I just cleaned it for ya. ‘Course it smells like bleach.”
“I didn’t ask you to do that,” you mumble. “The bleach you used makes my head hurt worse.”
“Oh,” Joel scratches the back of his head and frowns. “M’sorry, then. Well, we can let it air out for a while, we’ll leave the fan on. Shouldn’t smell for more than a day or so.”
“Yeah, I guess.”
If looks could fuckin’ kill, Joel thinks. You’re glaring at him. He takes that as his cue to leave. You shrink away from him as he gently brushes your arm when he walks past, then shut the door loudly behind him. Ouch. Joel knows not to take it personally, though. You’re crampy, but you’re also probably hungry. He’ll make you breakfast, something with protein because he knows you need it. 
He cleans the kitchen first. He washes the dirty dishes you must’ve forgotten about last night and wipes crumbs from the table. As you come downstairs dressed in sweats and a shirt you stole from Joel, he’s finishing up making your breakfast. “Sit down, I made your favorite.” 
You sit down at the table with your head in your hands. Joel puts a plate with two slices of perfectly golden brown toast and two over-easy eggs in front of you, then a fork and a knife on either side. He fills a glass with water for you as well. He walks away to clean up the stove, then turns around to check on you. Your face is contorted in disgust and you’re not eating. “What’s the matter?”
“I don’t want this,” you grouse.
“But s’your favorite. You love your eggs over easy,” Joel says. “And the toast, that’s fresh bread and butter. Eat up.” 
“Yeah, but I wanted scrambled.” 
Joel stares at you for a moment, dumbfounded. You usually hate scrambled eggs, and he knows this. But you’re not smirking or holding back laughter like you’re fucking with him. So maybe your tastes have changed, who knows. “Okay. Would you like me to make you scrambled eggs instead, then?”
“Yes,” you mumble in a small voice. 
“I didn’t hear ya, sweetheart. Speak up, please.” 
“I said yes,” you snap. 
Your clipped tone cuts like a knife. Joel bites his inner cheek as he takes your plate from you. He quickly scarfs down the perfectly cooked eggs and toast as he makes you a new plate of breakfast, this time with scrambled eggs. He places it in front of you with a little less care than before and waits for you to take a bite. “Better?”
“Just okay.” 
‘Just okay’. Of course you think it’s ‘just okay’, they’re scrambled fucking eggs - which you don’t like. You’re just being - 
Joel needs to cool off. Hopefully once you’ve eaten you’re a little less irritable. “I’m gonna head out an’ do some errands. Be back shortly,” He’s met with no answer from you, which he expected. 
-
He comes back an hour or so later with a few things from the market he’s been needing along with a couple of VHS tapes that he rented from the library. “So,” Joel says, “I picked out some movies for ya.” He lays four tapes down on the coffee table in front of the couch where you lay. “When Harry Met Sally, that’s a good one,” he begins, “Next is How To Lose a Guy In 10 Days, then Blade Runner, and I picked out My Cousin Vinny,” Joel says. He thinks you’re gonna pick out Blade Runner because it stars Harrison Ford, who he knows you have a thing for. “My Cousin Vinny is pretty good, I don’t think we’ve seen that one yet f’ya wanna give that a try.”
“Mmm, no.” 
Shot down. “Okay. How ‘bout Blade Runner, then. S’got Indiana Jones in -”
“No. I don’t care,” you interrupt, which hurts Joel’s feelings a little. A lot, actually. “I wanna watch this one,” you point to How To Lose a Guy In 10 Days. “He’s cute.” 
Of course you picked the Matthew McConaughey movie. God, Joel fucking hated him. He always seemed so skeezy, if there’s anyone who should’ve bit it on Outbreak Day, it should’ve been Matthew McConaughey. “Yeah, okay. Whatever. Do you think he’s dreamy too?”
“Fuck off, Joel.” 
So teasing’s off the table too, he’ll add that to the list of things that have pissed you off today. Joel turns on the TV and puts the tape in the VHS player before he sits back down next to you. At first you rest on his shoulder, then you spread out and lay your head on his lap. It’s not long before you fall asleep on Joel, leaving him to watch this dumb fucking movie all by himself because god forbid he move you and disrupt your nap. He knows better than to do that. 
-
“So fuckin’ stupid,” Joel whispers to himself as the movie plays, though he did find himself enjoying the part where the Kate Hudson sings “You’re So Vain” by Carly Simon. He always did like that song. 
“Mmmm,” you groan, shifting onto your back. Joel’s hand is stroking your hair as you look up at him, but you push it away. “You’re too close to me,” you grumble. 
“What’re you talkin’ about?” 
“You’re crowding me. I feel smothered.” 
Joel scoffs. “Oh, you feel smothered? You’re the one who laid on me.” Once again, your glare is all that you need to say. “Alright then, I’ll move.” Joel concedes. He lifts your head gently and scoots down to the opposite end of the couch. And then he hears you huff. “What?”
“Well, now I don’t have a pillow.” 
Joel sighs as he gets up to grab a throw pillow from the opposite couch. 
“The other one.” 
You’re referring to the other throw pillow that’s absolutely indistinguishable from the one currently in Joel’s hand, but he gets it for you anyway. “Lift your head,” he says softly, putting the pillow under you. He sits back down in the spot you made him move to as you both watch the movie play, but your soft groans interrupt. You’re no doubt in pain from all the cramps right now. “I’ve got somethin’ like a heating pad,” Joel says, looking at you. “S’a big sock filled with rice, I heat it up and use it for neck and back pain. Would that help with them cramps?” You nod without making any effort to meet Joel’s eyes, which he finds a little rude. But still, you’re hurting. He’ll give you grace. 
So, once again, Joel gets up for you. He goes upstairs to get his rice sock from his nightstand, then comes back downstairs and heats it in the microwave for a couple of minutes. He pokes the sock to make sure it’s plenty warm for you and then gives it to you to take. “Here,” he says, “Hold it on your tummy.”
“JESUS,” you yell at him. 
“What?”
“It’s too fucking hot, Joel, why would you make it so hot?” 
 “Just give it a second, sweetheart, you’ll get used to it.” 
“No. It was burning me.” 
“Okay, then let me have it and we’ll let it cool off a minute. Christ almighty.” Joel takes the sock back from you, and he knows his hands are pretty calloused but…it doesn’t feel that hot. When a few minutes have passed, he gives it back to you. “This should be better.” 
You lay the big, warm stuffed sock across your stomach and frown. “It’s not warm enough.” 
“You have gotta be kiddin’ me.” 
“Mm-mm,” you shake your head, giving Joel back his sock like you just assume he’ll heat it up again for you. 
“Just a couple minutes ago you screamed bloody murder about it burnin’ you. And now it’s not hot enough?”
“Yeah, that’s what I said.” When Joel doesn’t jump immediately to reheat the sock for you, you look at him impatiently. “Joel.” 
“You can ask, you know.” 
But Joel gets the hint and gets up for you a third time to reheat the sock he’s letting you borrow. You don’t say please, and when he returns with the sock reheated, there’s no thank you either. What does he get from you? “It’s too hot.”
“Then tell me how I should rectify that for you, because last time I let it cool off and it wasn’t warm enough for ya after.” 
“I don’t know,” you snap. “You’re just really upsetting me right now. Everything hurts and your voice is grating.”
“I’m upsetting you?” Joel repeats your words back to you. “And my voice is grating.” 
“Yes.” 
He’s about at his wits end. “You know, you–” Joel decides not to finish that sentence. Instead, he sighs as he pinches the bridge of his nose and breathes out on the count of five. “Two, three, four…You need to drink some water. S’your first issue, you’re probably dehydrated. Did you drink any water?” 
“It’s not your business.”
 Jesus fucking Christ. “Okay, well I’m makin’ it my business.” Joel gets up for the fourth goddamn time and slams the cup cabinet before filling a glass with water from the sink. He marches back to the couch, “Sit up,” he says. “Drink.” 
“I don’t want to,” you whine. 
“It’ll fix your headache. Drink.” 
“It won’t actually, that’s a myth.” 
“Right, what do I know when you’ve got an answer for fuckin’ everything. Drink.” 
You sit up, scowling at Joel as you take a sip. 
“All of it.” 
You drink the rest of it, glaring at him the whole time. He’s so full of shit, as if any of what you’re going through could be fixed by drinking a glass of water. Water won’t fix your cramps, won’t fix your aching and sore back. When you’re done, you slam the glass on the end table next to you and in doing so, break Joel’s reading glasses. Oops. Didn’t see those. The lenses aren’t shattered, but one of the arms is all bent now. When you look at Joel, he’s biting his bottom lip and breathing deeply. “Your glasses broke.” 
“Yeah. I see that.” 
“I didn’t mean to,” you tell him defensively.
“Right.” 
“But you really shouldn’t leave your glasses there, Joel.”
“Yeah, right. Shouldn’t leave my glasses on the end table,” Joel says. “I should leave them where, exactly? Maybe the floor?” 
“Somewhere else.” 
“Right. Somewhere else.” 
He’s hoping that by repeating your words back to you, you start to hear how absolutely ridiculous you sound. But you don’t seem to. Joel turns and walks away before he fucking throttles you. 
“Can you put on the next movie? I wanna watch My Cousin Vinny.”
Now, now you want to watch that movie. And Joel’s gonna miss out, because he can’t stand to be around you for one minute longer. “Are your legs broken?” 
“Yes.” 
Walked into that one. “You’re fuckin’ impossible. Fine. I’ll put it on, then I’m goin’ away for a bit.” 
“Good.”
Oh, he could fucking kill you. This whole day he’s heard nothing but complaints from your mouth, no pleases or thank you’s at all. Everything he’s done today has been for you, and you couldn’t give a flying fuck. 
Joel puts on the movie, grabs his bent glasses from the end table and heads out to the garage without saying a single word to you. You wonder what bug crawled up his ass. 
-
My Cousin Vinny plays just fine until Vinny shows up in his ridiculous suit to the courthouse. The tape begins to skip a whole bunch, the movie barely making sense, and you have no idea how to fix it - not that it’s your job to know, anyway. So you call out the name of the man whose job it is. 
“Joel.” 
No answer. 
“JOELLLL,” you yell. 
Same deal. You sigh as you sit up and get off of the couch, walking to the garage door. There’s finally a break in your cramps and you’re feeling halfway-human for the first time since yesterday. Entering the garage, you find Joel sitting at his workbench, he’s working on bending the frame of his glasses back into shape. “Joel.” 
He doesn’t turn around to look at you and in fact, he heard you calling for him. He had just ignored you. “Looks like your legs are workin’ now,” Joel replies, without looking at you. “S’a miracle. Means you can follow me around now, terrific.”
You choose to ignore his sarcasm. “Whatever. You need to do something for me. The VCR is messing up and you have to fix it.”
“Hm,” he hums.
“What’s hm?” 
“I’ve fixed lotsa things for you today,” he says quietly. “I need some time to fix my glasses that you broke. S’a difficult task on account of the fact I need my glasses to see.”
“You can do me one favor, Joel. It won’t kill you.” 
Joel stops and gently places his broken glasses on his work bench. He turns to his right and glares daggers at you. “One favor,” he scoffs. “Oh, you’re a fuckin’ peach. You wanna try that again?”
“Try what again?” 
You’re fucking with him. You have to be fucking with him. Why are you fucking with him? You’re not antagonistic like this, not usually, so he concludes that you must be looking for a fight. At this point, Joel is too. 
“I’ve done you countless favors today, sweetheart,” Joel gripes.
“Yeah, but-” you begin.
Joel’s large, warm hand suddenly covers the lower half of your face, silencing your argument. “If the next words outta this mouth aren’t thank you, then I don’t wanna hear ‘em. In fact…”
He bites his inner cheek, nodding his head as he thinks. The way he stares at you, his dark eyes piercing through you - you feel the chill deep in your bones. A wave of clarity hits you as you recall some of the details of the day, the way Joel was there at every turn and while you were busy being cranky and achey, he was trying to wait on you hand and foot. Shit. You’ve been a Grade-A bitch to him all day, a total fucking cunt.
Breaking the silence, Joel finally clears his throat and continues his thought, “I’m gonna give you two options,” Joel says. “You can walk the fuck away from me, or you can get on your knees. Whichever you choose, you do so silently. Nod if you understand.” 
It’s like you’re watching a scene from a movie. You hear Joel’s words, but you almost don’t believe they’re real and so they don’t quite register. He pulls his hand away from your face slowly. Your mouth falls open a bit but you don’t say or do anything.
“Nod. If. You. Understand.” You nod quickly. Joel awaits your decision as you look at the garage door and contemplate your clean way out from this situation, “So what’ll it be?” he asks. Despite it all, that uneasy feeling in your gut, you drop to your knees anyway, eyes still lingering on the door before you look up at Joel. You trust him to take care of you and you think you might owe him this obedience after your behavior today. “You’ve earned yourself brownie points choosin’ the latter of the two options, but this still ain’t gonna be fun for you,” he says. It should scare you - and it does - but you’re still thrilled by it, by the way he sighs and his knees crack as he gets off of his barstool, by the cold look in his eyes as he reaches under his thick belly to unbuckle his belt. Standing above you, he pulls out his half-hard cock and pumps it, feeling it grow to full length in his hand. He’s thick, veiny, and generously sized, a pearly white bead of precum sits atop his slit. His cock is just an inch or two away from your mouth as he holds it between his fingers, his thumb on top and middle and forefingers on the underside. With his other hand, he cards his fingers through your hair and pulls you close, the tip of his cock pressing against your lips. “Open.”
You part your lips open and with that, Joel pushes himself into your mouth inch by inch. You smell him first, that musky and heady sort of scent. Next, you taste the saltiness of his skin and his precome on your tongue and for a moment it’s pleasurable, with his cock halfway in your mouth. You wrap your hand around the end of his shaft like you know what he wants but you don’t know, not really - Joel holds your hand in his own and squeezes it so that your knuckles grind against each other a little bit. He pushes himself further and you can’t lick him or savor this like you wanted to, you just feel his cock intruding, sliding into your mouth. Joel’s testing you, making sure that you can handle all of him and if you can’t, you know he’ll make you. 
He draws out of your mouth entirely only to force his way back in, making you gag and sputter. You attempt to pull away but Joel keeps his hand firm on your head and holds you right where he wants you. “Nuh-uh. I don’t know where you think you’re goin’, hon.” 
There’s no gentleness to it, he fucks your mouth heatedly so that you’re drooling and choking on him, your eyes springing with tears as that pressure builds behind them. “Breathe through your nose,” he reminds you. “In and out. You ain’t done jus’ ‘cause you’re cryin’.” Your lips are sore with the repeated action, your jaw is aching. He rolls his hips, his cock is deep down your throat as he relishes in your warm, wet mouth and the way it makes him feel. 
“Mmm,” you moan, you’re not sure if the noise is indicative of your pleasure or discomfort.
“Quiet,” he growls. “Heard fuckin’ enough outta you today. You keep quiet.”
Your nose is buried in that thatch of coarse curls as he rocks his hips over and over, his soft and pillowy tummy bouncing against your forehead. You squirm and whine as his tip teases the back of your throat and your mouth feels so full, uncomfortably so. Joel picks up on that. “Let it be a lesson to ya, then, if it hurts. That mouth ‘a yours has done nothin’ but bitch and moan at me today. S’a punishment, ain’t ‘sposed to feel good.” 
He’s grunting and groaning, eyes screwed shut as he uses you, pumping in and out of your mouth. Your jaw aches with the brutality of the way he fucks your mouth, and just as you think you can’t take anymore, you feel Joel’s cock begin to twitch and pulse. He comes in your mouth without a warning, painting your tongue with his hot spend. It’s salty and bitter and warm on your tongue. Once you’ve swallowed, Joel reaches down and yanks you up by your bicep. He thought fucking your mouth and coming down your throat would make him feel better but honestly, it doesn’t. As he looks at your face, all puffy with tears and swollen lips, he can’t quite find it in himself to let go of his anger. Not yet, at least. “Let’s go,” he grunts as he drags you with him towards the garage door. He marches you though the house and up the stairs. 
“Where are we going?”
“Bedroom,” Joel growls, answering your question like it’s obvious. You suppose it should be, but you figured he was done with you. But he’s not. The regret begins to set in when you realize the retribution you’re about to be met with for the way you’ve treated Joel today. You’d be lying if you said that while wallowing in your pain you didn’t notice how your curt tone got under his skin, hurt his feelings and frustrated him immensely. The dread you feel can’t save you, it’s all too late now. 
 “Because if I don’t fuck you,” he says, “Then I’m gonna strangle you. So which would you like?”
“Fuck me,” you whisper. 
“Exactly.” 
Joel pushes you into the bedroom and locks the door behind himself. “Lie down on your back,” he says. 
You protest, “But the sheets, Joel. The blood–”
“I will wash the fucking sheets. We can add it to the list of all the things I’ve done for ya today, hm?”
When you don’t jump at his request, Joel takes initiative. He pulls off your - his - shirt from your body and then bends you over the end of the neatly made bed, the old and worn comforter feels rough on the skin of your cheek. Joel pulls down your sweatpants and panties in one motion and then flips you over onto your back, your legs hanging off the end of the bed. You feel embarrassed when you catch a glimpse of your bloodied pad and underwear, moreso when you feel yourself making a mess on his bedding and between your legs. 
“You didn’t make yourself come today, did you?”
“Uhh–” you stutter. “I - I…”
“No point in gettin’ bashful now, darlin’. Just gimme an answer.”
“No,” you tell him. It’s been a while. 
“Figures.”
Joel had assumed sexual frustration had been playing a role in your attitude today. Cramps, headaches, all sorts of things going on with you and a needy, aching pussy to boot. He does feel sorry for you, but he feels sorry for himself too. It’s why he got his first, but now it’s time for you to get yours. An orgasm should set you straight, or two or three. Whatever he feels is necessary. 
Joel undresses himself before pushing your thighs apart and hitching your legs around his waist. Slowly, he slides his thumb through your folds and then circles your clit. He knows you’re vulnerable like this - bleeding pussy on display for him as you make a mess of his sheets. But he’s patient, and he massages your clit calmly until you finally let a moan, a little mmm slip. He smirks at that. 
He pushes his middle two fingers inside you, pumping in and out slowly. He then curls his fingers, searching for that sweet spot on a woman he loves so much. “Fuck,” you cry out, legs instinctually closing shut around him, and he knows he’s found it. 
“Don’t fight it,” he says, opening you back up. He curls his fingers and circles your clit in tandem, making all sorts of lewd noises with your cunt. He admires your body all laid out for him like this, your breasts and your pebbled nipples, soft tummy rising and falling with your breathy oh’s and ahh’s, thick curls framing your pretty pussy like a picture just for him. Joel takes his free hand and uses it to press down on your lower stomach, intensifying the feeling of it all. You come hard, gushing on his fingers as you whimper his name. 
Joel pulls his fingers from your core and wipes them haphazardly on his own torso. “Joel,” you gasp when you feel the thick head of his cock at your entrance.
“I am sorry,” he begins, notching his tip inside you and popping it out. He slides the blunt head through your folds and over your clit, then taps the sensitive part of you with himself. “That you’re in pain. It isn’t fair and I know that. But you’ve done nothing but take your hurt out on me.” He presses himself inside you again, “I’ve got a half a mind to take my own hurt out on you, y’know.” His voice is dark and angered, but he speaks calmly in a way that contrasts the darkness but maintains his authority all the same. “And I think I’m gonna.”
“Joel, I– ”
“Quiet,” he commands. He begins teasing your slit with his cock once more before he speaks, “So this is what we’re gonna do: you’re gonna take what I give you, however much or little it is. You’re not gonna cry or complain ‘cause you’ve done enough of that today. Right?” Joel pauses, “Nod your head.” 
 You obey his rule and nod, yes.
He drags his cock up and down your cunt again, the soft skin of your labia rubbing so nicely against his thickness. He notches himself inside you over and over again, pushing in a little bit deeper each time and pulling back out. You whine, rolling your hips in search of more. “I know, I know, sweetheart,” he coos at you to quiet you down. “You’re all out of sorts today. M’gonna fix it. I always fix it, don’t I?”
Yes. You nod again. Quiet.
“S’right,” he says. “Good girl.”
With that, Joel pushes his leaking cock into you entirely, one gradual slide that has you sucking in a breath that comes out in a strained sort of whimper. His hard, warm shaft parting your insides, filling you whole. Joel hears it in the way that you sigh, that this, this is what you needed. He rocks his hips once, twice. Experiments with shallow thrusts, inching his way in and out of you before he draws out of your pussy entirely only to thrust himself right back in, deeper and harder than before. 
With the fullness of Joel inside of you, everything seems to melt away - all that anger, misplaced or not. Joel’s rhythmic thrusting soothes you, sort of. The soreness of your body, the aching cramps in your abdomen are all gone as you focus on the in and out, the in and out. He builds a comfortable pace, but one that borders on too much too soon. His hands on your waist, pulling you towards him as he pushes into you in equal measure. 
He fucks you without discipline, no tenderness at all to the action with those sloppy thrusts, but you’re more lost in him than he is in you - he’s focused on your face, watching you make an ‘O’ with your mouth, and he’s focused on your bouncing body, your twitching thighs spread wide. Your moans, your whimpers and your whines, babbling nothing but nonsense. Joel’s brow is furrowed as he breathes heavily through his teeth, his soft body jerking above you as he hits that sweet spot inside you over and over and over…
“It’s all ya needed, isn’t it? The whole goddamn time,” he pants. “Didn’t need to go an’ bitch me out all day if you needed lovin’ like this. Woulda been nice f’ya just said so.” Joel reaches for your breasts, harshly squeezing the tender, sore flesh. You wince in pain and he loosens his grip, focusing on your nipples instead. He twists and flicks the sensitive buds and your moans become louder, more high pitched. Joel fucking loves it when that happens, you never realized. 
“Oh, Joel,” you moan, “Yeah, fuck.” 
With one hand still teasing your nipples, he brings the other to your pussy. A few strokes of his thumb on your clit is all it takes to send you over the edge a second time, wanton moans and choked sobs spilling from your lips as he fucks you through it. 
And fucks you, and fucks you. 
And keeps fucking you. 
It doesn’t end, he doesn’t slow himself and you never feel that come down, that descent from pleasure. It keeps going, like pressure with nowhere to go and you feel like you might break. “I can’t, I need you to stop, stop, Joel.”
“Nuh-uh,” he shakes his head, thrusting still. “You can take it, be a good girl. Gonna fuck you good and deep like you need. You brought this on yourself, anyway. Two more.” 
This whole time, he doesn’t stop. It’s so much at once and when you thought it was going to end, it doesn’t. Tears of overstimulation spring in your eyes and flow freely down your cheeks. Joel lets you cry because he knows you need it, he knows the release is good for you. You poor thing, how much you must be feeling right now, both physically and mentally. “It’s too much, Joel, I can’t,” you plead.
 “Always the tears with you, huh?” he taunts. “Always somethin’. Oh, I know. I know.” 
It’s the way you look at Joel that causes him to cave, eyes all wide and tear-stained. You’re spent and he knows it, what with all that your body’s put you through. You’ve had a rough day and though he did too, he can’t help but feel sympathy for you at this moment. “Oh, my sweet girl. What am I gonna do with you, hm?”
“I don’t know,” you sniffle. 
“Know you don’t, ‘n you don’t have to. S’my job,” he soothes. With his clean hand, he traces the side of your face and rubs his thumb over your cheekbone. “How about this, then - what are we gonna do next time you’re not feeling so good?” 
“I’m - I’m–”
“You’re gonna tell me what you need,” he instructs, “And you’re gonna ask for it. Nicely. So that means usin’ your manners. Please, Joel. Thank you, Joel. Remember those words?”
“Yeah,” you nod, “Yeah, I remember.”
 “But you forgot ‘em the whole day today,” Joel says softly. “I think you gotta learn to compromise, too,” he adds. The guilt had begun to set in before, but you really start to feel the burn now. You were unkind to Joel, and he’s been nothing but sweet, doting on every one of your needs. “I think an apology’s in order for the way you treated me today.” 
He’s right, and you know it. “I’m sorry. I’m really sorry, Joel.”
“Oh, I know you are. You just needed the reminder, s’okay,” You hadn’t even noticed how his thrusting had slowed to a still until it picks up again slowly, as he presses kisses to you. Your cheeks first, then your lips. “I’ll compromise too - I’m only gonna make you come one more time, not two. Sound good? Sound fair?”
“I don’t think I can, Joel…”
“Yeah, you can, s’the last one. Take it good for me,” he encourages. “Take it good.” 
That’s what he repeats as his thrusts build again, fucking you deeply. Take it good, take it good for me. He hikes you up further on the bed and joins you so that he’s no longer standing at the floor, he’s got you pressed in half instead, your knees on either side of your chest and your feet above his shoulders. This angle intensifies everything and he knows, oh he knows how much it is for you. You’re tired, sore, overstimulated. But you’ll be done soon, he’ll be done with you soon. He takes your hand and wedges it between your bodies, pressing your own fingers to your clit, “Let go for me, I wanna feel you let go for me,” he says. “Focus right here. You’re gonna come with me, keep your eyes on me…”
You don’t even have to massage your clit, the way Joel angles himself has his body doing all the work, his pubic bone adding pressure to your fingers adding pressure to your clit. It’s intense, all of it - deeply energetic, overwhelming. You can’t quite discern your orgasm as it builds, there’s no definitive start but it’s powerful, devastating almost. Washing over you in waves, you feel it in the base of your spine first. You feel it in your gut, the backs of your thighs all the way to your toes. You hardly register that he’s coming with you, filling you deep with his come. His jaw is clenched tight and he’s groaning, grunting as he milks himself in you.
He leaves you there, whimpering, twitching on the bed. You hear the faint sound of running water, you figure he’s washing himself off. You’re surprised when he returns to you, pelvis covered in your blood, and scoops you right up in his arms. He helps you to your feet and on shaky legs, guides you to the bathroom. It no longer smells like bleach but instead, lavender. He’s got a candle lit on the sink and the bathtub is filled with warm, bubbly water. “Picked out a bubble bath for you earlier when I went out. Wanna test it out with me?” 
“Yeah,” you sniffle. “Yes. Please.” 
Joel sits in the tub first, spreads his legs and welcomes you to sit between them. He washes the blood from your poor, sensitive core and your thighs, washes it from his own body as well. When he’s done, he pulls you back into his chest and his hands find your breasts. “They’re tender, huh,” he murmurs into the side of your head. 
“Super, yeah. Sore.” 
“I’ll bet,” he says. He gently massages the tissue for you, his strong hands working you out in a way you can’t quite do. 
“Thank you,” you whisper. 
Joel chuckles. “Bout fuckin’ time you thanked me,” he says. “You’re welcome.” 
If you enjoyed, please reblog with thoughts, leave me a comment, or send me an ask! Your words motivate me to keep writing for you all 🩷
Least helpful cats award goes to these two 👇 if you’ve ever wondered what takes me so long to put fics out, it’s this. I try to write and I’m cockblocked by these fuzzballs.
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omensandwonders · 3 days ago
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i can't be saved
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ghostface!noah x f!reader
(a/n: this is supposed to be a halloween/ bday post for our king even though it's DISGUSTINGLY late (mainly cause my blog didnt exist on his bday lol whoopsie) but BETTER LATE THAN NEVER AMIRITE HEATHENS)
warnings: cnc/dubcon, breaking and entering, mean!noah, knife play, blood play (he carves his initials into the reader lol), impact play, degradation, choking/ asphyxiation, creampie, general feral word vomit things, readers.. kinda dumb
1.3k-ish words
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it was friday, october 31st, 11.32pm. rain gently drummed against the windows, thunder rolling in the far off distance. it was the perfect night for you to cosy up with a book you had been meaning to get to for literal ages, but never had the chance to. snuggled up on your couch, a vanilla scented candle lit, you got to work.
you barely got 50 pages in before a loud crash sounded through your house, ripping you from the story you had just begun to immerse yourself in. what the actual hell was that? against your better judgement you stood up slowly, slippers quiet on the hardwood floor, and walked towards the area of the house where the sound had come from. you felt cold dread run down your spine as you saw it: one of your windows was torn completely open. the thud had been the window being thrown open and slamming into the wall. somebody was inside. mind and heart racing in panic you started taking slow steps backwards, trying to think of how to escape, when your back hit something. or better, someone. you yelped and turned quickly, now facing a tall, masked man. you couldnt see anything behind his mask, but you could see strong, heavily tattooed arms... and a knife in his hand. that's all it took for your survival instinct to kick in and you sprinted past him, a loud laugh echoing through the halls of your apartment before he took off after you, his heavy boots slamming against the floor loudly.
panting in fear you reached your bedroom and practically threw yourself under your bed. it was cliche, but maybe, just maybe he wouldnt check. you covered your mouth to muffle your breathing just as his heavy boots slid into view, coming to a halt in front of the bed before starting to slowly walk around the room. you could hear him open the closet before closing it again and it sounded like he was leaving. you were about to exhale in relief when you suddenly felt a large hand close around your ankle and yank you out from your hiding place "found you!" you could practically hear the grin in his voice, despite his face being hidden behind the mask. you screamed in fear, fists pounding against his chest until he pressed his knife to your throat "now, pet, none of that. you have any idea how fuckin' annoying that gets?" slowly you lowered your fists, hands shaking in fear. not like you had much of a choice anyways "much better. now... i was going to kill you, but... seeing you like this... that'd just be such a waste, wouldnt it?" you sobbed in fear as his free hand brushed a stray strand of hair from your face "all you gotta do is be a good girl and stay still for me, and ill let you live. isnt that nice?" he moved his knife away a little, just enough to let you nod meekly "good pet"
he barely left you time to process before taking his knife to your clothes, cutting them off of you in a few precise cuts and strong rips. it barely took a minute for you to be completely bare and shaking before him. he hummed contemplatively and let the tip of his knife slowly drag down the valley between your breasts, down to your navel and stopping just above your pussy. his free hand made his way up your soft thigh, giving it a squeeze before parting your legs roughly to give himself more space. with a soft sigh his thumb found your clit, starting to rub in slow but firm circles. he laughed at your pathetic moan "you dirty bitch, youre gettin' off on this, arent you?" he sunk two fingers into your cunt and all you could do was moan out. before you realized what was happening he put the knife down and his open palm met your cheek hard enough to send your head lolling to the side, other hand sinking a third finger into your pussy "when i ask you a question, i expect a fucking answer" "y-yes- yes, im getting off on it-" you all but sobbed out, the pain of his slap making your cunt clench and drool even more. within minutes of him toying with your pussy you were approaching your high, hips grinding against his hand, but just as you were about to fall off the edge, he pulled away, stopping all of his touches "nah, not until i say so" "please, please- fuck, 'm so clo-" he didnt even let you finish before he backhanded you again. he gripped your cheeks harshly, blunt nails digging into your soft skin and pulling you closer to his masked face "you forgetting your fucking place here? im in charge, slut, you do as i say. do i have to remind you? dont worry, i know just what to do with dumb cocksleeves like you" he let go of your cheeks, roughly letting you fall back to the floor. his left hand grabbed your throat to hold you down, other hand positioning the tip of his knife between your breasts. as realisation dawned on you you sobbed, fear running through your veins but you were helpless as he dug the blade in, not too deep, carving his initials into you slowly. NS. once he was satisfied with his work he wiped the blodd off his knife on your thigh before discarding it "there you go. little reminder of tonight for ya, mh?" he let go of your throat to grip your thigh, pressing one of your legs to your chest while the other positioned himself at your dripping entrance, your chest buzzed and ached from the shallow wound, but the scariest part was how much this all turned you on. he hilted himself with one smooth thrust and it punched the air out of your lungs. he was so thick and long, it felt like you were being split open. barely giving you time to adjust, his pace was rough and ruthless from the start, hips slamming into yours fast and hard. your wails and cries filled the room, mixed with his occassional deep groans and the sound of your skin slapping together. one of his large hands wrapped around your throat just tight enough to make your head go fuzzy, eyes rolling back with a loud moan. he was ruining you, ruining you for any other man, splitting you open on his cock and fucking you to tears. it was too good. "gonna cum? 'sokay, you can cum now, such a good fuckin' cocksleeve for me, pussy's so tight and warm- made for me, huh? made for takin' my dick like this- gonna fill you so good-" his filthy words sent you over the edge, cumming with a liud cry. with one last thrust he pushed as deep as he could, cumming inside you with a loud groan.
after you both came down from your high he slowly let go off you and pulled out before pulling off his mask, revealing the dissheveled but handsome face of your loving boyfriend, noah "did so good for me love, thank you for lettin' me try this" "i had so much fun, happy birthday baby" you laughed softly and pressed a soft kiss to his lips which he happily returned before leaning down and licking the blood off of your chest. he sat up and scooped you up in his arms "now to get you cleaned up and pamper you"
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tossawary · 6 hours ago
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I'm reviewing episode transcripts from "Merlin" to build up my worldbuilding document (character list, mostly) and, a little ways into S2, I'm kind of feeling like the show is actually quite mean to Arthur as a character sometimes? S1 E14: "To Kill the King" is one of those episodes where I forget how badly it pissed me off until I run into it again.
Like, don't get me wrong, Arthur can be a bully, entitled, hotheaded, and reckless, but he's also at this point risked his own life to save people multiple times. Both individuals whose lives were "worth less" than his own (getting the Mortaeus flower for a poisoned Merlin, smuggling Mordred out of the city, protecting Ealdor from bandits) and also Camelot as a whole (fighting the plague-causing monster in the sewers, drinking poison to lift the unicorn curse).
Arthur is giving me vibes of being both bored and frustrated (and probably not able to name those feelings or exactly why he has them) because he wants so badly to do good things, but he's not really sure how to go about it because (no one ever tells him anything, he almost NEVER knows what's really going on to make informed choices, and) he's also stuck under the thumb of his tyrannical father, who spends most of their scenes together berating Arthur for being too merciful, for not being dutiful enough, and/or not finding sorcerers for execution fast enough. When Arthur tries to be fair-minded and compassionate, Uther often essentially tells him that he's going to be a weak king with that attitude.
Arthur's pathways to betterment are limited, his parent and role model and boss here is an AWFUL person, but he's trying!
So, it's quite frustrating to get to this one episode where characters like Gaius (extremely biased, admittedly, clearly not an objective individual) are saying things like: "Arthur's not ready. The responsibility would be too great. Brave though he may be, he lacks experience, he lacks judgement."
Like, I don't know, Arthur may be only 21 and kind of a dipshit, but I personally think he'd still do a better job than the guy who tried to kill a kid (Mordred) just for existing a few episodes ago? Maybe? Gwen's father, who wasn't even a sorcerer, is dead explicitly because of Uther's awful laws. Did everyone in this episode forget that Uther tried to BURN GWEN ALIVE AT THE STAKE not that long ago (Episode 3)?
ARTHUR: "[Morgana]'s right, Father. You hear the word magic, you no longer listen."
UTHER: "You saw it for yourself. She used enchantments."
ARTHUR: "Yes, maybe. But to save her dying father, that doesn't make [Gwen] guilty of creating a plague. One's the act of, of kindness, of love, the other of evil. I don't believe evil's in this girl's heart."
UTHER: "I have witnessed what witchcraft can do. I have suffered at its hand. I cannot take that chance. If there is the slightest doubt about this girl, she must die or the whole kingdom may perish."
ARTHUR: "I understand that."
UTHER: "One day you may become King. Then you will understand. Such decisions must be made. There are dark forces that threaten this kingdom."
ARTHUR: "I know. Witchcraft is an evil, father. So is injustice. Yes, I am yet to be King, and I don't know what kind of king I will be, but I do have a sense of the kind of Camelot I would wish to live in. It would be where the punishment fits the crime."
UTHER: "I fear you're right. She's played with fire, and sadly she must die by fire."
When the adult druid (Cerdan) accompanying Mordred is killed (Episode 8), Arthur objects afterwards! On his own! While Arthur is sometimes an active participant in Uther's tyranny and otherwise complicit, he's been told all of his life that magic is inherently evil and corrupting, he was raised by the very man spreading this hateful philosophy, he should probably hate magic more than anyone after Uther, and yet he still disagrees with Uther's methods and judgments. Even though Uther is apparently VERY willing to lock both his son (Episode 4) and his ward (Episode 8) in the dungeons for disagreeing with him and disobeying him!
ARTHUR: The Druid was only in Camelot to collect supplies. He meant no harm. Is it necessary to execute him?
UTHER: Absolutely necessary. Those who use magic cannot be tolerated.
ARTHUR: The Druids are a peaceful people.
UTHER: Given the chance, they would return magic to the kingdom. They preach peace, but conspire against me. We cannot appear weak.
ARTHUR: Showing mercy can be a sign of strength.
UTHER: Our enemies will not see it that way. We have a responsibility to protect this kingdom. Executing the Druid will send out a clear message. Find the boy. Search every inch of the city.
Obviously, running a kingdom is complicated! Uther apparently won Camelot by conquest and is in conflict with many of the neighboring kings, including Odin and Cenred, and likely has more of the respect of the local nobility than young Arthur does. Uther's death would create some instability! (Agravaine de Bois hasn't been created yet, but let's assume there are many other potential vultures.)
But the show generally isn't pushing that angle. This isn't really about smooth transitions of power. Personally, concerning Arthur's "lack of judgment", I do find his ready conviction that it is his duty to die for Camelot's honor if necessary (he says as much to Merlin explicitly before fighting Valiant in Episode 2, then again before fighting the Black Knight in Episode 9) more than a little concerning, but that doesn't seem to be angle pushed here either.
The show has characters (Merlin, Gwen, Gaius) suggesting that offing the King, who regularly kills innocent people, who has forbidden use of the tool that might have saved innocent people from Nimueh's plague or the wraith of Tristan de Bois, would be wrong! It would be murder and murder is bad! It would make (in the words of a grieving Gwen) her "just as bad" as him.
Even though Merlin has at this point already killed Aulfric and Sophia (Episode 7), as well as Mary Collins (Episode 1) because they were trying to kill Arthur. And arguably got an assist with Valiant (Episode 2). And will kill many more as the show goes on. This conversation with Kilgarrah in S1 E14 is in many ways so, so funny:
KILGHARRAH: Well, young warlock, what is it you come to ask of me?
MERLIN: I need your help.
KILGHARRAH: Of course you do, but this time, will you heed my words?
MERLIN: The sorcerer Tauren is plotting to kill the King. He's made an ally of Morgana. I don't know what to do!
KILGHARRAH: Do… nothing.
MERLIN: What do you mean? If I do nothing, Uther will die.
KILGHARRAH: Don't you want Uther dead? It is Uther that persecutes you and your kind, Merlin. It is Uther that murders the innocent…
MERLIN: But surely that doesn't make it right to kill him.
KILGHARRAH: Only if Uther dies can magic return to the land. Only if Uther dies will you be free, Merlin. Uther's reign is at an end. Let Arthur's reign begin. Fulfil your destiny!
[The dragon flies off.]
MERLIN: Wait! Where does it say my destiny includes murder?
KILGHARRAH: Free this land from tyranny, Merlin! Free us all!
I feel for Kilgharrah here. He was VERY straightforward. I don't know how he could have been clearer about this.
I won't say that Merlin's character writing doesn't make ANY sense here (I do think the character writing in this show is NOT amazingly consistent), because... he IS being influenced by Gaius, who is, unfortunately, a bootlicker and also probably extremely traumatized by all of the death he's seen (big contributor of the bootlicking) (also, apparently Gaius only becomes a "freeman" at the end of Episode 6, so there's that). And Merlin is also being influenced by Arthur, who loves his father, despite everything. Merlin spends a lot of time in this show protecting a terrible status quo under some assumption that Camelot will... somehow suddenly become better under Arthur? Instead of perhaps eventually just trusting Arthur and talking to him after their years of knowing each other? There are reasons for this and I don't think they're unrealistic.
There's some tasty tragedy in this silly show, in many ways. Merlin is confused and conflicted and scared and without clear guidance in many ways. Kilgharrah is mysterious and not at all reassuring. Gaius is complacent and (very reasonably) incredibly secretive. Merlin doesn't get to see many of the moments where Arthur speaks up for magical people and tries to talk Uther down. Morgana and Arthur are both stuck here in a "The hands that cradled you are covered in an unimaginable amount of blood." "But they cradled me, yes?" nightmare scenario. (There's also a sexist element where male characters like Gaius and Merlin won't let Morgana know about her own powers "for her own good" in a gaslight-y way that's fascinating to me in how it creates a villain.)
But, also, the compelling elements here don't make certain episodes any less frustrating to watch in their execution. (I don't think villains being frustrating to watch or read necessarily makes them effective villains, especially when what I really find annoying here is the heroes' reactions to the villain. Uther has killed SO MANY PEOPLE! FOR NO REASON!) Especially when a lot of the overall results of this show feel more accidental than purposeful. I do understand why the writers keep Uther around! He's a formidable antagonist to have looming all over the place and the actor is fun.
But OOF, I felt that "Do... Nothing".
Merlin! MERLIN! LISTEN TO THE SCARY DRAGON! MERLIN, REMEMBER THAT TIME UTHER TRIED TO BURN GWEN ALIVE??? JUST BECAUSE GWEN IS TOO NICE TO GO AFTER UTHER WITH A KNIFE AND TAKE REVENGE, IT DOESN'T ACTUALLY MEAN KILLING HIM MAKES YOU "JUST AS BAD"!!! MERLIN!!! YOU HAVE ALREADY MURDERED MULTIPLE PEOPLE WHO KILLED WAY LESS PEOPLE THAN UTHER!!!
In Episode 4, Morgana says to Uther: "You can't chain [Arthur] up every time he disagrees with you." This implies to me that Uther has had Arthur thrown in the dungeons before. In Episode 3, Arthur says to Morgana: "Father will slam us both in chains if he knew I'd endangered you," and maybe he wasn't at all joking with that? Arthur is rattling the bars of his cell here, apparently fairly ready to be aimed wherever Merlin points him, bucking against being aimed at innocents by his tyrant of a father.
But nooo, Gaius says Arthur is "not ready yet" because...??? He seems less hotheaded than Uther to me, honestly. Are his tax policies not up to par yet? You can hire a guy for that. Suggesting that Arthur would be in any way worse than His Majesty "Anyone Who Talks To A Sorcerer Gets Executed Even If They Didn't Know They Were A Sorcerer" feels quite mean to Arthur, really. I think he'd do alright, in comparison, Gaius who lies to the King every single day, but I suppose you sometimes want to be a loyal friend to good ol' King "Made Merlin Drink Poison That One Time And Wouldn't Let Anyone Go Get The Cure". Good for you. Bad for everyone else.
Like, I know, I know this show is not very deep. I like that all of the characters are flawed and fumble a lot! It is a weekly burst of fantasy nonsense that is not especially concerned with consistency in worldbuilding or characters from episode to episode. But the discrepancies here are, like the ones in "Star Wars", weirdly fascinating with all of the holes and wobbly bits it creates.
This show: "Yes, our hero has once again saved the tyrannical king who kills innocents! Preventing the oblivious prince from assuming the throne and trying to do better as he so clearly wants to do! Good work, Merlin, taking the high road (which involved murdering the rightfully angry people trying to kill the tyrannical king) again!"
Me, every time: "...I am genuinely not sure how the show wants us to interpret this. What did they think they were doing with this? Was this always meant to be a tragedy from the first season? Because personally, I'm getting some kind of tragedy from this."
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kanasbinwriting · 3 days ago
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lawrence oleander with plus size reader please? :) sfw or nsfw is okay. or law with obsessive reader that’s already been kidnapped or maybe stalker reader :0! anyway, thank you. just silly ideas 🌨️
LAWRENCE X OBSESSIVE READER
Thank you so much for your request and sorry for the long wait!!! I will definitely write your other ideas too someday, so don't you worry ^^ I REALLY enjoyed writing this and I hope you're happy with the result!!!
- !It's mentioned once that Lawrence's taller than the reader!
TW: self-harm
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You don't know the odds of getting kidnapped; you’ve never bothered to look up the percentage. But one thing seems certain: you're pretty damn unlucky if it happened twice.
You never thought that you'd end up tied in a chair... again. You were quite a loner, so you thought that no one would even think about kidnapping you, but you got proved wrong. Twice.
Maybe you should've gone to therapy after the first time—or taken it more seriously and actually attended the sessions you skipped. Maybe, if you had, you would see how wrong it was that your heart beat in excitement as you watched the man with blonde hair tending his flowers. His back was turned to you, oblivious to your gawking. That is until he turned around and caught your gaze. His eyes widened when he noticed that you were awake and watching him rather intently. You felt your heart skip a beat when his eyes met yours, his blue eyes widening and his expression shifting nervously. You remember that day as if it were yesterday. From that day, you knew that Lawrence's special. You didn't even think about begging him to let you go. He was just so much more captivating than any other.
As sick as it sounds, you can't help but admire each cut he's given you, every single drop of your blood proof of your unending devotion. You wouldn't want to bleed for anyone else. You've lost track of how long you've been here. He seemed to like you in his own strange way since he hasn't killed you yet. You've managed to gain his trust and are no longer bound to that chair anymore, which you couldn't be more grateful for, as it was getting boring to be bound to that chair for hours. You got used to the coldness of his room. However, Lawrence allowed you to wear his hoodie if you were ever to feel cold, and you gladly used that privilege to its fullest.
Now, lying on his bed and holding his hoodie close, you take a deep breath, inhaling his scent.
It's been a few hours since he left to go work at the warehouse and you missed him dearly. Everything felt numb without him. There wasn't much you could do without him. He was thoughtful enough to buy you a few books, but you've already finished reading them, so they're of no help now. Oh, how you wish he were here with you. Maybe he'll let you style his hair again. Then again, he might be too drained from work, so he might just let you admire him as he does his own thing. Either way, you'd be grateful. You looked at the clock. Your eyes widened as you realized that he should have been at home by now. You stare at the clock for a few more seconds before shifting your attention outside. You felt your skin begin to itch as you looked at the night sky. Life can be so cruel sometimes. You missed how he would rant about plants and the awkward way he'd wrap his hands around you when you hugged him. A sense of unease builds as you begin scratching your arm, tears welling up in your eyes. How much longer must you suffer? You wrap your arms around yourself as your breathing gets heavier. You sulk, lost in your longing until you hear the front door unlocking. Your troubled expression instantly turned into one of joy. You didn't waste any time and sprung to your feet, practically running toward the front door.
Lawrence closed the door behind him and before he could greet you, you threw yourself at him, wrapping your arms around him. You nuzzled your face against his neck, taking a deep breath and inhaling his scent. You felt his body going stiff as you did. The smell of sweat overwhelmed you, but you didn't back away, indulging in the feeling of having him in your arms. "Hey..." he greeted you quietly, but didn't wrap his arms around you. Work must've been more tiring today. You hesitantly let him go when he puts a hand on your shoulder to softly push you away. He looked down at you with an expression you couldn't decipher. You already knew what was going to happen and you couldn't contain your excitement. "I want you to sit down on the chair." He demanded quietly and made his way past you to his kitchen. A smile appeared on your face as you made your way to the chair in the middle of his apartment and sat down obediently without saying a word. He rummaged through one of the drawers in the kitchen before looking back at you, his gaze meeting yours once more. His breath hitched and he quickly looked back down. He didn't know what your problem was. He's heard of Stockholm syndrome before, but he never would've thought that it would kick in as soon as it did. He felt your gaze linger on him. He used to feel uncomfortable whenever you stared at him this intensely, but after time's passed, he somehow grew quite fond of the attention you gave him. Maybe that's why he hasn't killed you yet. He grabbed a freshly sharpened knife and silently made his way toward you. Standing in front of you with the knife clutched in his hand, he gave you a smile you could only describe as kind of disturbing but fond in some way.
You felt your cheeks heat up as you shifted nervously under his watchful gaze. He held out the knife beckoning you to take it. "I want you to do it yourself this time." He had a sickenly sweet expression on his face as he said that oh-so-casually. You let out a shaky, uncertain breath, but took the knife from his hand nonetheless. You lined up the sharp end of the knife against your wrist and pressed it into your skin, letting out a quiet hiss at the feeling.
You looked up at him once more, only to see that his attention was solely on your wrist. A thin line of crimson appeared, widening as blood began to slowly seep out. Your breathing got heavier as you sunk the knife once more, taking in his every reaction. "Am I doing good?" Your voice was soft and meek as you sliced your skin deeper this time. He took his time before replying with just a simple hum, not bothering to look at your face and seeming to be in his own world as he watched the blood stain your skin. You let out a shaky breath as a smile spread across your face at his praise. You could've sworn that you almost felt dizzy just by the way he was looking at you. The way he quietly observed you made your head spin and your breath quicken. Or it was due to the woozy haze of blood loss. You felt your vision darken as you felt the knife slip from your grasp and hit the floor with a sharp clink, the sound echoing through the empty room. Everything felt so warm as if someone pulled you into a tight hug.
Suddenly, Lawrence's scent surrounded you; you felt at ease and closed your eyes.
You let yourself drift, breathing in the warmth, the scent, as everything gently faded to black.
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skeletboi · 2 days ago
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Part 18 of the Intridimensional Au!
TW FOR BLOOD!
First /// Previous /// Next
__________________________________________
Fiddleford watched as the portal closed in front of him, and could swear he felt his heart stop.
“So nice of you to visit, Fordsy! Although, I would have preferred if you had actually followed my directions and opened the portal for me.” Bill said from somewhere behind him. “At least you kept it up and running. It'll be easy to find another pawn to open it for me now that it's complete!”
Fiddleford looked back towards the voice and instantly regretted it. There, sitting on a floating throne in the middle of what looked like some sort of asteroid field, was the one-eyed triangle being from the tapestries hanging around Ford's study.
“A pawn… Bill- I thought-” Ford started to say, but was cut off by Bill's laughter.
“Don't get me wrong, Fordsy, I do like you much more than the other human pawns I've used over the centuries! Although, I am upset that you didn't listen to me when I told you to keep Lesser Twin away from the portal! We could have ruled the galaxy together, Fordsy!” Bill said, his eye narrowed in anger, but his voice cheerful as ever.
“I- I didn't want that, Bill. I just wanted to further my research!” Ford said, hurt and fear evident in the shakiness of his voice. “I never wanted to hurt anyone!”
“HAH! Keep lying to yourself, Ford! I've been in your brain! I know what you want!” Bill responded, seeming genuinely delighted.
“Inside your brain?!” Fiddleford said, then clamped his hands over his mouth as Bill turned to him.
“Example A!” Bill said, his arm elongating to reach Fiddleford without ever leaving his throne. “Fiddlesticks here!” He said, dangling Fiddleford by his arm like a ragdoll. “You’re always thinking about how much you care about him, but you didn't even flinch when he told you he replaced part of his arm with a machine after he broke it on an adventure with you!”
“He did what?!” Stan said, finally speaking up. “Ford, what the fuck?!”
“I- that- that wasn't up to me! I was just interested in the mechanics! Of course I cared about him being hurt!” Ford said, looking frantically between Bill, Fiddleford, and Stan.
“Right, hah! You don't have to lie to me, Sixer. You and I are the same- we care about what people can do for us, not what we can do for them! Isn't that why you left him after college and waited until you needed him again to call?!”
“NO! No! I was just distracted with my research!” Ford yelled.
“I always thought he was pointless, anyway!” Bill said, holding Fiddleford up in front of his eye. “You definitely don't need him now! But don't worry, I can get rid of him for us!” Bill said, then squeezed his fingers together, crushing Fiddleford's arm.
Fiddleford screamed as he heard metal crunch and bones crack.
“FIDDLEFORD!” Stan and Ford both screamed behind him, but he could barely hear them over the blood rushing in his ears. He watched as his lab coat turned red with blood and his vision blurred at the edges.
“Whoops! Broke your toy!” Bill laughed, carelessly tossing Fiddleford towards the twins. “That's what happens wheN YOU BREAK MINE!” He said, his voice distorting and growing louder as he spoke.
Fiddleford crashed into Ford, sending them both flying a hundred yards from where Stan was floating.
“NOW I GET TO BREAK THIS ONE, TOO!” Bill screamed, as he turned from yellow to red and tripled in size.
He reached a hand towards Stan, but Stan just barely dodged him.
“DON'T YOU TOY WITH ME, LESSER TWIN!” Bill yelled. “SIXER SHOULD HAVE KILLED YOU IN THE WOMB!”
Fiddleford and Ford watched in horror as Bill caught Stan by his good leg, holding him up in front of his eye like a fish dangling on a line.
“Fuck you, you geometric asshole!” Stan yelled, then grabbed his knife from his peg leg and jammed it as hard as he could into Bill's eye.
“Not the eye!” Bill screamed, letting go of Stan as he covered his face with his hands.
Stan used the distraction to get away, kicking off a piece of asteroid and making it, unharmed, to Ford and Fiddleford's side.
“Stan- I- I didn't know-” Ford stuttered, his arms wrapped around an unconscious and bloody Fiddleford.
“Not now, Sixer, we have to get out of here!” Stan said, glancing back at Bill.
Ford nodded and looked around. “The larger asteroids. We can hide in there for now.”
“Good plan, but let me carry Fidds.” Stan replied, holding out his arms.
Ford nodded again and passed Fiddleford over to Stan. “Now let's get out of here.”
They took off, jumping off of smaller rocks to make it to the main field in the distance.
“Here!” Ford whisper-shouted when he spotted a cave within one of the asteroids.
Stan followed after him and breathed a sigh of relief as he set foot on the solid ground. Ford glanced around as Stan carefully set Fiddleford down.
“This looks like it goes pretty deep, but we should be fine here for a bit.” Ford said, kneeling down next to Stan to get a better look at Fiddleford.
Stan nodded as he took out his knife and started to cut the sleeve of Fiddleford's shirt. He grimaced at the mass of gore that used to be Fiddleford's arm.
“There is not much left to work with, and I'm sure he'll wake up soon. We might have to…” Stan couldn't bring himself to finish the sentence.
“Amputate.” Ford finished for him.
Stan nodded.
“I'll do it. This is my fault, afterall. He may never forgive me, but at least I can help here.” Ford said quietly, taking the knife from Stan.
“You got conned, Ford. He'll forgive you.” Stan replied quietly.
Ford smiled weakly at Stan, turned to Fiddleford, and held up the knife.
“Woah there, stranger!” Someone said from further in the cave.
They both jumped and looked into the darkness as a hooded figure emerged.
“Don't worry, I am a refugee, too, but I have a better tool for that.” The figure said.
“A refugee?” Ford asked.
“In the Nightmare Realm. You're from another dimension, yes? We have been hiding from the Euclidean, too.” They said.
“Euc-a-what-now?” Stan asked.
“Bill. The Euclidean. We could hear him speak to you, and we can help. We should help your friend there, first, though.” They explained.
Stan and Ford glanced at each other then back at the hooded figure, and nodded.
The figure approached and pulled a knife from under their cloak. They knelt down on the other side of Fiddleford and hit a button on the knife that made it hum and glow a bright purple.
“It's a plasma knife.” The figure said. “It will cut and cauterize at the same time, but hold them down- I wouldn't want them to move and cut more than necessary.”
Stan and Ford nodded and held Fiddleford down.
“I'm sorry, Fidds.” Ford mumbled as the figure lowered the knife.
“On three.” they said. “One, two, three.”
The knife hissed and burned as it cut clean through flesh and bone. Fiddleford's eyes shot open and he screamed, looking up at Ford as he tried to pull away from the pain.
“I'm so sorry, Fiddleford.” Ford said again, tears streaming down his face as he let up on his grip so Fiddleford could move.
“It's done.” The figure said.
Fiddleford looked over at the figure and screamed again, shooting up and backing away until his back was flush against Ford’s chest.
“It's okay, Fidds. They were helping us.” Ford said, wrapping his arms around Fiddleford to try and calm him down.
Ford felt Fiddleford relax at his touch, but it only lasted a second before he realized his arm was missing.
“What in the fiddle-hoppin’ heck did y'all do?!” He screeched.
“Fidds, we had no choice- Bill crushed your arm.” Stan said.
“He-” Fiddleford said, then his breath hitched, and didn't stop. He started to hyperventilate and Ford held him tighter.
“I'm so sorry, Fidds. I'll fix this.” he mumbled into Fiddleford's hair. “I'll stop him, and I'll fix this. I- I- I'll kill Bill. He won't win.”
“We'll kill him.” Stan said, placing a hand on Fiddleford's leg.
Fiddleford’s breathing started to slow as he dug his fingers into the arm Ford had around him.
“I'm going to need an arm.” he said quietly between breaths.
“We can help.” The cloaked figure said. “Come. We can give you what you need to start your journey.”
_____________________________________________
This is not written well. Ignore that.
Might do more badly drawn comics from here on out since it's less serious plot, but there will definitely still be more written chapters.
I start my new job in like... 10 minutes... so expect less frequent updates. But there will be updates!
Also I know Fiddleford got over that panic attack hella fast... but he gets a bit more ooc from here on out because he realizes the only way to save the dimension his son still resides in is to fight back, and he knows he can help.
Anyways. Enjoy, I guess!
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animeshotsh · 8 hours ago
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Chubby Love | Various x Chubby!Reader
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Summary: Sinners comes in all forms.
Warnings/notes: Chubby!reader - Mentions of insecurity - Reader has a body type - Reader sinner form is described!! - grammar mistakes -
Lucifer
He falls hard and does fall for real.
He was flying around, trying to clear up his mind when he noticed you. Your round cute form looked squishy from above, he took notice of your two reptail tails and how some other sinners seemed to be about to attack you.
In other times he would not care, but he decides to go down and put some orden.
Only to find out you are really badass and used your two tails to trow away these lowlifes.
Satan you almost hit him too.
And then he believes he has died. Because your suprised and blushed face greets him as you apologies to the king of hell himself for almost hitting him.
Him? He is in cloud nine. Please, he loves his S/O bigger than him, by all means hurt him, he is sure lust has made its away over him.
But no time for it!! He must be a gentlemen and says its alright then offers you help with your things.
And from there is all a love story. Lucifer is a gentle lover and a slow one. While he likes you he wants you to feel safe around him first.
His flirt is subtle yet noticianble so no one dares to try and get you.
When you two start to date this man is in cloud nine. He will hug you all the time, pressing his hands on your sides (asking if you feel ok with it) leaving kisses on your tummy and cheecks.
If he ever sees you feeling down then he is there to say the most cheesy yet loving things about you. Its not only your physical apparence but all of you. Your voice, personality, hobbies, likes...he could make up a song and play it for you.
Alastor / Cannibal tendencies
Listen. Alastor is cruel and actually likes big sinners because its more flesh. Its pure luck you meet him at the hotel where he cant hurt you.
But, heavens you have him salivating from time 0.
Your sheep like sinner form does not help. All that wool around you its making feel like a predator, eyes dark and theeth sharp.
Its only when he ends meeting you for real and having to pass time with you that his desire to eat you leaves.
His desire is different now. He cant put it in words but he cares about you. And only you.
His shadows are more open and will go after you to play with your hair and pull your wool. Hell they would even cuddle.
Alastor insists its them being them and will have a hard talk later.
Not that he dreams he could lay his head on your tummy and feel your soft wool. Nono, of course not!! Or how he wishes he could try just a bit of your flesh.
You would be part of him forever, right? Well he sees it that way.
Protective like hell. This man is know for being an ass to everybody so he wont let anyone be that to you.
No one will ever think on being that with you, everybody fears him.
Vox does a side comment about your body and his place gets attacked by a full form Alastor who does not kill him yet but does leave him pretty much hurt.
Vox
You probably work for him, having robot part did help you get the job. Plus you can turn yourself into a full ball and pretty much crush anyone and also go fast to pass messages that cant be trusted online under the risk of hackers.
Vox trust you so much and honestly never looked too much into how more or less chubby you are
You do your work well, amazing and he trusts you so much.
He would probably notice he is falling for you because of how you seem to appear in his records over and over.
Its not shy to ask you out and is rather direct about how he wants a serious relationship with you.
Stolas / Not married /
Imagine a big colorfull bird, with six eyes and two pair of wings.
Thats you.
Stolas falls hard. He meets you during a gala and does a double take when he sees you pass.
Its going towards you in seconds. And starts talking and falling over his words. Its only when you laught that he seems to relax.
Then he hears whispering from Stella and her friends (god he is so glad he was able to get out of that compromise). Turns to you to see you looking sad but trying to play it cool.
Decides to take you to a place with less peopel and asks his trustful servants to get him the best alcohol.
You two end talking and just talking, you open up about sometimes feeling bad because of what other says and how society expects you to be a centrain way.
He also opens up about his own insecurities and so you two bond.
You two start as friends but soon start dating. Its a fluff and soft relationstip. Stolas loves to show you his magic and also gets you the best clothes in the nine circles.
He is a cuddle monster and will pass all morning hugging you.
Getting his garden bigger and bigger its your favorite activity, you two can relax and be yourselfs.
Charlie x Reader x Vaggie / Platonic
Charlie meets you in the streets after a bad date. You have been crying a lot and its notable.
She asks you if you need help and offers you to stay ar the hotel with her and the rest.
Charlie knows you stand out, its not only your shape but also how colorfull for a sinner you are, while you are shy and quiet.
Vaggie also opens her arms to you. Maybe its her angel self looking out for you, but she just loves how you are.
Its normal to see you with Charlie or with her both inside and outside the hotel.
Husk
Dear satan Husk is lovesick the moment you walk inside the hotel.
Blames it to your mouse atributes and his own more like sinner form then accepts he is most likely bad heads for you.
Dating you its easy. He is actually an easy partner. Loves to cuddle and wrap his wings around you whenever he can. Whispers the most sweet thins so only you can hear. And when he can, he likes to tangle his tail with yours.
Angel Dust
Oh him....he sees you and says FUCK out loud.
Because DAM you do rock.
Maybe you dont think it yourself, but Angel tells you how sexy you are and dies inside seeing your blush.
Dies more if you flirt back.
Loves to use all his arms to hug you and pull you for kisses. When you two are in the open one of his hands will be on you.
~~~~~~~~~~
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lie-lacdreams · 14 hours ago
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Thermodynamics and Turmoil (Curly x Reader pt.2)
Hi friends -- I'm putting out the second installment to this quickly to gain some more momentum! Thank you for all of the support so far - I wasn't sure how well this was going to do but I hope you've been enjoying it. If you have any questions about the story so far, pls ask! I love interacting :)
engineer! reader x Curly TW: vulgar language, mention of thermo transfer theories (EWWWW), and catching feelings (ew pt.2), oh, and the existential dread of unsatisfaction that ambition can bring to your life, leaving you hungry and wanting more Word count ~ 2.0k
“Daisuke, come back here! I’m going to kill you right now!!” A flash of pink passed Curly before halting to a quick stop to hide right behind him.
“Captain, please save me! Aaaah!” Daisuke screamed as he caught sight of (Y/N), who just came around the bend of the hallway hunting him down. 
“What’s going on here?” Curly asked, observing (Y/N’s) disheveled appearance. Her jumpsuit was zipped halfway up to her torso and her hair still looked disheveled from sleep. 
She slowed down to a stop, now embarrassed that she had been caught in such a state by the captain before replying, “This… one over here had the genius idea to turn off my alarm and I slept in three extra hours. Could you please hand him over so I could maim him?” She peered to the side of Curly to narrow her eyes at Daisuke, who let out a shriek and made himself smaller behind the man in front of him. 
“Oh? I had asked him to do that, actually,” he mused. 
“Pardon me?” she straightened.
“You looked so exhausted yesterday, you deserve a few extra hours of rest after giving yourself no breaks. He was just following Captain’s orders.”
“Oh… I see. Uhm, thank you. I guess you’re off the hook then, Dai. Has Swansea got you working on anything right now or do you want to come shadow me? I have to take a look at the pressure in the steam pipes.” she asked the intern. 
“Yes! Let’s go. I wanna hear about what you were up to all of yesterday. Swansea and I like, didn’t see you at all. Will you let me help out today?” He came out from behind Curly and started walking ahead of (Y/N), eager to please and for something to do. 
“Heh, sure. See you around, Captain.” she said a bit sheepishly, trailing behind Daisuke. After a good night’s rest and the initial panic of waking up late, the interaction with Curly finally sunk in for (Y/N). She typically kept her emotions so detached from the crew and her work and it almost horrified her how easily it was for her to open up to him last night in a moment of vulnerability. As much as it made her uncomfortable to realize that she had run her mouth and ranted to him, she woke up with a feeling of relief. Sure, her job was still going to be hard, but knowing that her captain believed in her and was willing to help in any way he could gave her a sense of peace. 
She stopped by some pipes in the corner of the hallway and turned to Daisuke. “Okay, let’s get to work.”
After a few hours of working and (Y/N) explaining Nusselt theory with Daisuke half listening, she finally called for a break. 
“Nerd,” he teased as he stuck his tongue out at her. “How did you even come to like any of this stuff anyway?” They leaned on the wall, sitting on the floor together.
“I don’t know. To be honest, I never really knew what I wanted to do in my undergrad. I just picked chemical engineering because it was kinda interesting but hard and so rewarding when I understood it. Getting my PhD in it after working for a few years just seemed like a natural next step.” She turned to Daisuke. “I know you’re in college now, and everyone is probably asking you the same thing and you’re sick of hearing it but what do you want to do?”
“Hmm, I don’t know,” he started. “I think everyone around me has these expectations that I’ll do something great, and I’m so scared of disappointing them. They say the sky’s the limit and that’s what scares me. I could do anything with my life, so how do I know that whatever I choose won’t be the wrong path?”
“I don’t believe in such a thing as a wrong path,” she responded. “Whatever you choose, you make the best of it and try your hardest. Everything happens for a reason.”
Under his breath, Daisuke laughed. “Man, maybe Anya should hand over the wellbeing check-ins to you. You’re like, so philosophical.”
“Oh God, no. I could never be held responsible for people like that. I’d go mad.” She stood up, dusting off her pants and held a hand to him. “I think we’re pretty much done for the day, believe it or not. Wanna go play some Uno?”
Spending the rest of the day relaxing after the past few days of struggling was refreshing and just what she needed. That night she finally joined the rest of the crew for supper, laughing with Anya about something too far away for Curly to hear. Their little family was complete tonight and it was moments like these that Curly savored. He wished that every moment on the Tulpar could be like this. 
A few days later, Curly was exiting the cockpit and was startled to nearly trip over (Y/N). “I’m so sorry, Captain. I had no idea you were in there.” She looked up from her mess of manuals, a notebook, and trusty abacus, a pencil tucked behind her ear. 
“It’s alright. Are you alright?” He asked.
“Yes, just looking at our fuel today and trying to make the Tulpar cooperate with me.” She furrowed her brows. 
“Need a hand with anything?” He offered, crouching down to look at the paper in her hands. 
“O-Oh, only if you aren’t busy, then yes, I would love some help, actually. But I don’t want to be a burden.”
He shook his head. “Nonsense. The ship’s on autopilot right now and Jimmy will take over for me in fifteen minutes anyway so I’m all yours.”
“Okay,” she flushed. “Thank you, come with me please.” She led him a few paces away. “See this? If you could read me some of the values over here that would be great. This here is the manometer, it measures pressure and over here is the oxidizer. There are a few things I need you to read aloud to me.”
After getting all the information she needed, she bid Curly goodbye and looked around for a place for her to do her calculations. Settling for the couch in the lounge, she got to work when Daisuke plopped down right next to her. 
“Hey, (Y/N),” he started.
“ ‘Sup?” She asked, distracted.
“Fuck, marry, kill: anyone on this ship.” His lips spread into a shit-eating grin. 
“Fuck Curly, marry Anya, kill Jim– wait a minute, what??” She looked up from her notebook. 
Daisuke’s eyes lit up before his face twisted into an expression of evil delight. “Ohohohoo yooo (Y/N) you wanna fuck the captain?”
“No!! Stop that!! You asked me that while I was distracted and not really paying attention. That’s not true.” She swatted at him.
“Sure, but that doesn’t change your answer now, does it? Damn, you answered that shit with no hesitation too!” He shrugged his eyebrows. “Since when did you have the hots for the captain?” 
“Sure, I find him really attractive, okay? I admit it. It’s not that big of a deal. Okay then, what about you?” She crossed her arms, face flushed and flustered. 
Daisuke’s face contorted to one of disgust. “Eww nah I can’t do this! Swansea and Jimmy are just-” he made dry heaving sounds. “You and Anya are like my older sisters, so that’s absolutely not happening. And Curly – okay I agree with you on that one but like, he’s so much older.” he shrugged. 
She let out a ‘harrumph’ before going back to her work. “Doesn’t Swansea have something for you to do, huh?” 
Daisuke shook his head. “I’m just waiting ‘til dinner.” He kept her company on the couch as she worked, playing on his gameboy and trying his best to stay quiet so she could concentrate. Supper was a quiet affair today, with not everyone showing up to eat at the same time. People came and went, in and out of the lounge, eventually going to bed. (Y/N) was still up, now in loose pajama pants and a sweatshirt, criss-crossed on the couch and reading a book in the light of the night time screen. Anya had already gone to bed and so she sat in the lounge so as to not disturb her sleep.
“Hey,” said the captain. “Mind if I join you there?” She smiled up at him before patting a spot next to her on the sofa, inviting him to sit with her. She noticed that he was still in uniform as he sat down, draping an arm over the couch and facing her. 
“You weren’t there at dinner today, did you have a chance to eat?” She asked.
“Hmm? Oh, yeah. Anya brought Jimmy and me dinner. We’re heading straight for a belt of asteroids so we had to do a bit of charting and manual steering to make sure we don’t crash. We should be fine and taken care of now,” he massaged his temples with a hand.
“You look pretty tired, Captain. If you were busy today, you know you didn’t need to help me out, right? Take care of your obligations first.” She looked up at him and the blue glow of the large screen somehow seemed to soften the look in his blue eyes. Dammit, Daisuke, she thought. Admitting the captain was handsome out loud only made her more aware of it. Even with bags under his eyes and the rugged state of his beard, she couldn’t help but blush under his gaze, so she turned to look at the fake moon on the screen. 
“No, I enjoyed helping out today. Ever since you opened up to me, I want to make sure that you have the support that you need. It’s my responsibility, after all.” He followed her gaze to look at the display screen as well.
“Don’t you ever get burnt out juggling all of this? It’s a lot to pile onto just one person, and the company makes it even worse by making things accessible only through you. And in the end, you’re the one who’s responsible for our performance on this trip.” She turned back to him now, concerned. 
“Sometimes, I guess. I started here on a pretty low rung of the ladder, but I always dreamed of doing something greater. The higher and higher I climbed, the more complicated things got, more liabilities were piled on, but I couldn’t help but keep climbing. There’s still something missing from my life, and even if I get to the top, I’m not quite sure if I’ll ever be satisfied.”
(Y/N) paused for a moment to think. “Would you ever leave this line of work to pursue something completely new, even if it meant having to start over from the beginning?”
“Yeah, I think so. I mean, I’ve done it once before, so it isn’t that intimidating to have to do it again.”
She nodded. “That’s very admirable. In a sense, it seems like you know what direction you know you want to go in, even if what you want isn’t clear. I respect you a lot for that, Captain.”
Curly shook his head. “Please, I think we all in one way or another are trying our best out here. We all have responsibilities we have to take care of by being on this ship.” He glanced at her again. “And honestly, you know you can call me Curly, right? Jimmy does it, my friends back on Earth called me that too. At this point we’ve gotten pretty vulnerable with each other over the past few days.”
“Okay, C-urly. Maybe not on duty, but right now it doesn’t sound too bad.” (Y/N) was praying that the glow from the screen concealed her hot and flushed face. After these past few days of getting to know the captain a bit better, it was so easy for feelings to snowball. Brushing the fluttery feeling she had aside, she stood up. “I think I’m going to head to bed now. I hope you’ll do the same, Curly. Thank you for being vulnerable with me.”
After he heard the door shut quietly, he sighed and rubbed a hand over his face, giving the display screen one last look before getting up and going to bed himself.
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Thanks for reading! Give me a few days and I'll be back. Cheers!
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dulcewrites · 1 year ago
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There is def a timeline where modern aemyrah take a break and Aemond is like ‘she’s gone’ by hall and oates levels of screaming, crying, throwing up about it 😭😭
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hellofastudysession · 27 days ago
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am i rlly going to write a death note literary analysis when i could be doing other things
about the discourse going on in the tag abt "death note is acab and thats why the characters couldnt better the world with the note (/written in somewhat jokey matter)" vs "death note is trying to say we all have potential for evil, especially if you get a chance to insta-hurt ppl without repercussions, and it doesnt matter if youre a cop or not", i personally feel like it ignores the things that i like abt death note, which is "both of these things are true", and simultaneously "both of these things do not matter". the first part of this is dedicated to the first point, the latter to the last.
first point. i think its an important part of the message and themes (unintentional or not, and i lean on the former because... come on, can you really say the author intended you to not think of the cops as good people, at least compared to light and l) that light is a cops son, and that almost everyone who gets the death note is cop adjacent/thinks like a cop and is already corrupt/powerful when they get it (mello raised to think hed be just like l, yotsuba group is self explanatory; you cannot look me in the eyes and tell me teru "churchill" mikami, who was hand selected by light out of a bunch of rabid kira supporters, is a normal citizen). i appreciated the cop post bc its rlly important to not gloss over that aspect.
all of this would be an argument for "only someone like them would do something like this, and i am not like them, so im above them and immune to thinking about what id do with it", but... misa is the MOST important outlier in all of this bc her murders are solely selfish in nature and shes not doing any of this for "the greater good"!!! her nature of being an exception and still a very very bad person is really really important...
or it would be if death note gave a shit about her character at all!!! im not talking about her tragic side, im talking about exploring the ramifications of her killing people the way lights murders are (somewhat) explored. that would strengthen the message greatly! but shes dismissed and that weakens it overall. firstly, she's dismissed by the characters when l only sees her as a way to get to kira and basically shelves her the rest of the time. secondly, shes dismissed by the narrative when her character is gradually ground down to a stump and (not to sound perilously close to the bad takes ppl meme about) she never faces repercussions for her actions. every other character using the death note is treated relatively seriously, but misa just dies bc her love is dead. im not saying this isnt a... fitting punishment or that it isnt in character, but it doesnt fit snugly into the theme other people are talking about of "you reap what you sow" at all.
we do have something of an equivalent to misa's grayscale motives. surprise surprise, its light yagami. first is light's characterization in the musical (i will also note that misa never kills anyone in the musical). light's thinking is coplike, yes — he literally starts his first song by talking about "throw[ing] away the key" — but also, oddly enough, could be read as progressive and therefore sympathetic to tumblr ("let the corporations make the regulations / and hold no one accountable when everything gets wrong / let the rich and famous get away with murder / every time a high-priced mouthpiece starts to talk, his client gets to walk"). compare to the anime and manga, where his bigotry and pride and disgust come from a place of lukewarm dissatisfaction and boredom. the musical has much less time to play around with lights character, so it gives the audience something to immediately hook on. more on how that actually plays out later.
in the animanga, none of this is justified from the start. animanga light could say he was just killing people to make humanity way, way worse, and that wouldnt matter, because at the root of it, it was always his boredom that made him pick up the note. of course he actually believes in justice and believes hes doing the right thing (no, he believes he's doing the wrong thing, for the sake of the world... the right thing, because he is god...), but it was boredom at the start. all animanga light says about justice and righteousness and the law is a front in the end, bc he is exactly like l and misa — amoral. selfish. searching for entertainment. hedonistic. we know this. he kills naomi misora*. he kills lind l. turner. everything hes saying deserves to be dismissed from the beginning.
"but doesnt that mean you agree with the discourse post you wrote this post to argue against?" like i said, i agree with both of them! but i... still think its not right to reduce death note to the message of "the power to kill people is bad". because that is not exactly what the story is saying, even though that's literally its whole plot and therefore reaching that conclusion is self explanatory (lmao). let's look at the concept of mu. nothingness. "there's no heaven or hell". The Real Slay The Princess (Death Note Essay) Starts Here.
in light's final moments in the death note manga, while screaming about not wanting to die, he remembers that the first day they met, ryuk told light that "there's no heaven or hell. no matter what they do in life, all people go to the same place. all humans are equal in death". it is retroactively revealed that light knew this the whole time, operated under this knowledge for all the years we watched him — the knowledge that nothing he does is actually bad, that nothing any human does is actually bad, that shinigami are not "evil", that the universe does not care. that no one cares except humans. this oblivion absolutely terrifies him more than anything anyone could ever do to him. its what he thinks of before anything else as he flails there, screaming, dying. one could say everything he does after that day is him trying to escape that fact, or wrest control over it. but it doesnt work.
here are the lyrics of requiem, the musical's final song, sung over the bodies of l and musical light, a light who was at least somewhat good-intentioned at first: "sleep now, here among your choices / then fade away / hear how the world rejoices / shades of gray / gone who was right or wrong / who was weak or strong / nothing left to learn". this is the final message the death note musical and the manga chose to leave us with. there is no judgement. even after all that acknowledged hurt, after all the damage done, there is no judgement.
in the manga and anime alike, the world is just as fucked when light picks up the death note as when he dies. sure, we as readers can guess otherwise logically (and be optimistic, believing the world was never fucked regardless), but that's not what death note wants you to think. it ends with matsuda and another member of the task force noting how the world is worse again even though they killed kira (matsuda is clearly much worse for wear, but still determined), we see the shitty motorcycle band again, it ends with misa and a whole kira cult on a mountain even though kira died a long time ago...
its extremely important that light is never killed by any human or any aspect of the law. he is always killed by ryuk: a chaotic force completely detached from human sensibilities, one that does not care about good and evil. same with l; in the anime, manga, and musical, he is always killed by rems senseless, morally gray love (and you could argue in the kdrama that hes killed by love there too lol). justice is just a set dressing.
this is not just because death note is a tragedy, because good and evil can still matter in a tragedy. the theme of "nothingness" and "good and evil doesnt matter here" is also shown in a situation relatively unrelated to light winning or losing, or being good or bad. and its in fucking lawlight of all things. we all know ls not a good person. we know lights not a good person. this is tip of the iceberg death note knowledge. but the moment they start to interact, none of that starts to matter. textually, their relationship becomes more important than the people theyve killed and hurt. and the thing is? the thing is? THAT WORKS STORY-WISE. THAT'S ENTERTAINING. AND IT'S NEVER TEXTUALLY CALLED OUT IN A LASTING WAY. l and lights relationship, no matter how much i meme it, is genuinely important to the themes and "mu" because it makes it clear that despite all the pretensions, despite everything, this was never about good and evil. and it still works in the story. this is why death note is simultaneously a comedy — isn't the battle of good and evil supposed to matter more? well, fine, i'll keep watching this anyway. that suspension of disbelief comes crashing down the moment l dies, though, and a relationship built on nothingness (the "mu" sort, meaninglessness, not "character development" nothingness, theres plenty of character development) gives way to just nothingness (again, "mu", not light's post-l depression nothingness), forever.
(an aside: there is no one to root for in death note, and the only things to root for are either interesting character relationships, convoluted plots, or complete and total destruction: for everything to end so no more damage is done.)
not to say that death note does not encourage its readers to consider what damage they might do with the death note (obviously.), or that its characters never do. look at matsuda, a much easier heroic figure to latch on to than soichiro because of his unique place in the cast dynamic and because he's willing to consider both sides of the situation and kill light instantly for all he's done. its just that the story's own stance on the subject is... complicated by the existence of shinigami worldviews and by its own insistence that the world cannot change for the better.
also, this is not to say that this is executed well by the death note manga at all. it is a very strong tool, artistically, to establish and then violently remove any emotional connections between characters and make your story only about the exceedingly convoluted lengths characters go to to survive and catch each other so the reader can realize how ultimately pointless all of this is, but like... is that a good story choice if that's all you do? i would say not really. add in a good dollop of misogyny that destroys the second-to-last character who might actually be an interesting contrast to the rest of the cast's dull one-track focus on winning and justice, and youve got yourself a shitty story that... honestly still achieves what it went out to do, just not in a way id ever want to replicate.
anyway, back to the parts death note's actually trying to say. no matter what any human does in their life, no matter how they try to hurt or help the world, they all die in the end. hey, light, they all die in the end. once dead, they can never come back to life. and the seasons turn. and the world rejoices. and you say "goodbye"...
that's all.
no analysis of death notes overarching theme would be complete without nears final monologue, the definitive roast of light, the "you're just a murderer" speech: "what is right from wrong? what is good from evil? nobody can truly distinguish between them. even if there is a god." if we take this as talking about the actual god in the room (ryuk) as well as light, then near admits that humans will never be able to withstand these overwhelming forces and that, using justice and happiness and selfishness, they are just scrabbling to find meaning in things they ultimately have no control over.
but of course, near does not stop there. "[...] even then i'd stop and think for myself. i'd decide for myself whether his teachings are right and wrong." nears alright with not having control over everything, because near can still control nears own actions. these forces can and do exist, but they have no sway over nears own humanity — unlike light, who caved.
one of the creators of death note said they believe its message is "life is short, so everyone should do their best". the first time i learned this, i was like, thats... nice and optimistic, but an awful reading of the story! "life is short, so everyone should be desperate and striving like light yagami", who literally cut off other ppls lives for his own life? what character in death note are we supposed to strive towards when we "do our best"? they all do awful things with their lives! honestly, maybe they shouldnt have tried their best, if this is what their best is!
but with the view of "mu"... it makes a bit more sense. just a little. maybe.
there is no good and evil. there is only what humans think, and no matter what we do, we all die in the end. it is easy to be crushed and terrified by this in the same way light is, but what is more important than justice and righteousness and finding meaning is... doing your best. not being a person that hurts others too much. not letting yourself get swallowed up by an ideal. not going too far. and simultaneously, trusting yourself.
it leaves a few questions, though... was the currently dead l even a little bit right about his blatantly amoral approach, then? was there a point to this pain, and me slogging through this dumbass manga, and all the people that have lost their lives to a selfish teenage cop's son and the whims of everyone chasing after him? was there a point to any of this...?
the manga** never answers this. it stays clinically impartial until the very end. the musical is anything but clinically impartial (and i love it so much for that), and its ryuk that has the last word.
"there's no point at all."
of course theres no point. none of this was ever supposed to happen. that is what matters more than all the hurt and the crimes and the pain.
and that's... actually okay, because it's over now.
yes, death note has many really important themes present in its story, but its viewpoint is nihilism first and foremost. thats why its so fun and easy to play around with all the other messages, because no matter what fun or torment or awful things or righteous justice or absolute nothingness or sentimentality happens in between, there is always an end.
there is always the end.
#*naomi was killed off bc the author thought shed solve the case too quickly. ironic. i dont think it was meant to forward a theme other than#'light evil! oh no!!!' bc it had minimal buildup and absolutely no repercussions. it is just kind of smth that happens#everything in death note is just smth that happens bc. at some point i just have to admit its NOT RLLY WELL WRITTEN#but it says something. it says many things. and i like balancing the two in my head#death note#personal#**>reduces anime ending to a footnote /j#anime ending: light regrets COMING THIS FAR- not his crimes. he sees l as another regret and dies.#another example of the tragic self (and tragic relationship) ultimately being more important than morals#l would be proud of the torment he inflicted on light if he were not fucking dead#i would also bring up the argument that the way every death note character uses the note is so extreme that its hard to compare them#to real people but lets assume that the author was trying to replicate how actual human beings work as much as possible*#you made it deep enough into the tags would you like to hear about near and mello being nonbinary—#'there is an end so why not enjoy the middle? chain yourself to a hot boy eat strawberry shortcake be bisexual and lie'#*either that or they were just explicitly trying to have fun like they said they was doing#light yagami#sure ill tag my boy#'you cant say the curtains are just blue!' well can i say the curtains were shittily made#norrie if you look at this post ever again ill death note you myself
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jin-zixun · 4 months ago
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"it's not real or selfless love if you're expecting something out of it" and the something is not being fucking murdered by the guy you did nice things for.
like yeah sure jgy's love was cheap and manipulative and conditional because he had the audacity to complain about being murdered 😭😭😭 i can't. i just really fucking can't.
"he threw all the nice things he did for lxc back in his face" after lxc stabbed him. to death. he's allowed to have some fucking feelings and yeah it's out of line to stab someone to death who has saved your life and supported you emotionally and financially for years jgy deserves to be able to say he's wrong for that jfc he was fatally stabbed and you're mad he's complaining about that? fuck off with that
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kelean · 2 years ago
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it's always funny to me when people blame jack's insanity and genocidal tendencies solely on lilith and moxxi's so-called "betrayal" and at this point i'm convinced that they played some different game because:
lilith and moxxi literally saw him kill innocent scientists only because he thought they may betray him, but there was no solid evidence for that. and even if there actually was a traitor among them, jack could've simply put them in some sort of jail or just deal with them quietly. but no. instead he decided to make a whole show out of killing them in one of the most cruel ways possible, while gathering all of his allies around. because his goal wasn't to just get rid of someone you can't trust - he wanted lilith, moxxi and roland to see what will happen to them if they dare to disobey him
after he killed the meriff he thought that it was - quote-unquote - "invigorating". killing scientists also "felt good". normal person behavior btw
he never cared about felicity. he doesn't feel any remorse or guilt after killing her, even though she was helping him this entire time. and correct if i'm wrong, but while he did need an army to take helios back, he, in the end, never actually used it. the loaders in bl:tps couldn't do much - we had to manually turn them into the loaders who can shoot or blow up stuff. and it was after we already got on helios. so basically, there was no rush to make a constructor out of felicity and consequently kill her in the process
by the time of the events of bl:tps he has already destroyed moxxi's underdome like she said in one of the side quests in bl2 (nevertheless, she still agreed to help him). and before you say anything about how he couldn't actually do that and it's a retcon because he was a low-level programmer may i remind you that he had the money to make a goddamn body double for himself. he had a fancy office. he had a chamber for angel's containment. and i think it's pretty believable that a person with that much money is capable of doing that
and yes, angel. while lilith and roland didn't know about that at the time, he has already enslaved his own daughter many years ago and used her to manipulate them into finding the vault for him in bl1. and he had the resources to keep her in her place, too
so, of course, when they saw the eye of the destroyer they knew what was going on. imagine somehow killing a monster that took down armies just to see its' eye being used by some big fucking corporation for god knows what years later
now, to the fun part - the betrayal. let's just say that moxxi’s good at reading people - she wasn’t wrong when she called jack a «power-hungry psychopath» and said that «a lot of decent people will live to regret it if you come down from helios alive» as we will see in the future events. she and others saw jack's true colors shine through during their little quest to save the moon and it was the only logical conclusion. she was fucking right
moxxi specifically asked jack to be at the eye of helios because she planned to kill him (and, well, people who agreed to work for him) and him (and his team) only. moreover, the station was already under attack by the lost legion by quite some time. so there was literally no possibility that it would've impacted any innocents (so idk from where some people got the idea that they killed "millions of innocent hyperions" - that's just called making shit up)
jack, on the other hand, didn't know how much of an impact that caused. however, he isn’t sad about the possible death of people that singularity might have caused (again, it could, but it didn’t - still, Jack doesn’t give a fuck). he isn’t even worried about his own team. all he cares about is that he lost a very valuable and deadly weapon because of «the things he could have done with it» - and it’s pretty obvious what exactly can you do with this sort of weapon. it wasn't just standing there to look pretty you know
also, while we’re at it, you can even argue how this whole “saving the moon and its’ people” thing might have been just a cover up for a real reason – that is, get this very dangerous weapon back under his control. but that's just a speculation based on some of the in-game things i've noticed, so let's not dwell on it
finally, i never really got why people are so mad at lilith for punching jack - she literally admits that she should’ve just killed him instead, as, in the end, it costed her a lot of people’s lives and, more specifically, roland’s life. she feels extremely guilty. she knows that she fucked up. her main mistake, however, wasn't that she "betrayed" jack - her main mistake was leaving him to die instead of finishing a job and thinking that he can actually be trustworthy
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caterpillarinacave · 6 months ago
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Just saw the northern lights in my backyard I am having a moment
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ech0light · 5 months ago
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JUST WATCHED THE LAST 2 EPISODES OF PERSONS OF INTEREST SEASON 2 HAS ANYONE ELSE SEEN THIS SHIT PLEASE
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risaonda · 7 months ago
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people are soooooooooooo fucking weird about demetrius sdv. hi
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tiger-balm · 11 months ago
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Made the mistake of looking at sports twitter and had to experience men discussing mitch... get a job !!! stay away from her !!!!!
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inutaffy · 1 year ago
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"i didn't want to talk in front of archie and the others .... as it turns out, peabody had a lot to say. the bounty on your pal Archie, it's not just on him. it's on anyone who's with him or is helping him. which means there is a target on your back now too jughead. it's the same if he goes back to riverdale. archie's dad, archie's friends, everyone is at risk. which is why you got to cut him loose."
"im not just gonna ditch archie, mom! he's my best friend."
here's how j/archie can still win
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