#and good for me because now i know more

[badcountryofficial]

Like it was never about me or what was best for me...I have to laugh because of how absolutely ABSURD it is

[poorly-drawn-mdzs]

A whole new meaning to Gay Chicken.

(For: Anonymous raffle winner!)

[uncanny-tranny]

This might seem like an "old man yells at cloud" situation, but it's just wild growing up and being told how dangerous distracted driving is - how, at highway speeds, you can traverse the length of a football field (100 yards, 91 meters) in a matter of seconds - how one split second sending a text while driving could result in a potential fatal crash, and then getting on the road as a driver and being surrounded by billboards. Their entire purpose is to catch one's attention, so they're lining major roads, which tend to be highways. How is it that you're told how important it is to never be distracted while driving, but still being advertised to?

At best, this type of advertising is an eyesore to pedestrians and motorists and a general waste of electricity to light it, and at worst, it is an active danger considering they are there to advertise and therefore, must catch people's attention.

I'm not even against advertising in theory, but this particular mode bothers me so much and I hate how pervasive it is - especially in large cities or highways.

[egophiliac]

Hi it's just to let you know that the official romanization of Revaan's name is Raverne ! Also they have romanized Baul's name to Baur !

Twst coming back at us again with the least expected romanization! thank you everybody (oh god my inbox) (no it's great, I literally asked for this and the reactions have been INCREDIBLE, thank you all!)

I do like Raverne though, I think it's got a nice fancy sound to it! (I had kinda suspected it was going to be an R instead of an L, so the fact that it's SO close to Laverne except for that is hilarious to me personally.) and Dragoneye Duke is honestly probably the best translation for his title, I wasn't envying the localizers that one. :') Baur instead of Baul I was NOT expecting, but in retrospect I think his name's supposed to be a reference to the Bauru crocodile, so that actually makes way more sense!

someone else also said Meleanor has become Maleanor, which is the REALLY weird one to me, because I was so surprised it was written as Mel instead of Mal in the first place?! oh god no I can't decide which one I like better. 😭 (I wonder if they might change it to Mal...they have made romanization changes before) (like I remember House of Distraction being corrected to House of Destruction in Playful Land) (I did check and she's still Mel for now, but I dunno, they might Mal her up and some point and save me from having to make a decision about which one to use) (HECK I CAN'T DECIDE)

uhhhh thank you for letting me ramble about anime names, let's just say MONOGRAMMED SWEATERS FOR EVERYONE

[lazylittledragon]

do any other artists feel like. yeah you're a 'good artist' because you draw things that look nice, but like. TECHNICALLY? you're really not great

i really hate that i can recognise that yes, my art is good, but is it VARIED? is it dynamic?? is my anatomy good? is it full of texture and colour theory? do i know how to do This? can i do That? no, not really. and that's quite painful actually

[turtleblogatlast]

I love Raph and haven’t said that enough so to be more specific I love that Raph is a soft boy who loves bear plushies, a gross boy who eats an assortment of things that are definitely better left alone, a smart boy who is more than capable of taking down villains through planning and fortitude alike, a strong boy who is dedicated to training his muscles and fighting prowess, a teenage boy who loves his brothers but is more than happy to tease and roughhouse with them, an angry boy who sometimes lets his anger take a hold of him to cover the fear, a gentle boy who is generous with hugs and affirmations to those he loves, a capable boy who takes on more than should ever be expected of a teenager, a good boy who just wants to be a hero and slowly comes to realize the cost of that duty, a good boy who has no reservations about putting himself in the way of harm coming to his family, a good boy who’s a great brother and son and person and deserves only the best the world has to offer.

[starry-bi-sky]

Blood Blossom Au: Baby's First Commissioner Meeting :)

TL:DR This Post: Danny (orphan) gets poisoned with blood blossom extract by Vlad. He runs away from him and ends up under the care of one Pre-Robin Battinson Batman! Starry is loudly pushing her batdad agenda.

(Also known as "Late At Night, When The Nightingale Sings" on my ao3!)

This was a fun rough idea I've been sitting on for weeks, thinking about how Commissioner Gordon and Nightingale's first meeting might go.

---------------

Commissioner Gordon likes to think that he's adjusting to the new normal of Gotham very well, -- the new normal being grown men running around dressed like bats, in military-grade strength body armor, committing acts of vigilantism, -- and slowly, little by little, he was no longer being surprised when this new normal pops up out of the shadows like the world's most terrifying daisy. His shaving lifespan thanks him for it.

....

The kid is a surprise though.

Granted, he seemed to be a surprise to the Bat too.

There's been a string of murders lately, -- which, in Gotham, is kind of like saying there's been another storm during monsoon season. And there's just been another; in some dilapidated building down in south Gotham, with the broken, boarded-up windows and mildew-crawling walls to match. The victim is a man in his thirties, multiple gunshot wounds to the chest, left in the center of the room for the blood to pool out around him.

The place is already secured when he arrives, the building swarmed with officers and the forensic detectives. The Bat emerges shortly after he does -- or, he might've been here the whole time, hiding someplace dark and shadowy. For his own sanity, Gordon doesn't think about it too hard.

The kid is a surprise, and he appears like a bolt of lightning.

He shows up in the middle of a conversation Gordon is having with the Bat.

A whistle, sharp and loud, slicing through the air, meant for open air rather than a confined space. Gordon's ears pierce and protest the sound, and the solemn, murmured chatter floating through the room abruptly cuts off like the swing of a gavel. As he turns towards the sound -- as they all do -- he swears, up and down, that he sees Batman's shoulders jump, just slightly.

At the source, perched on the window, is a boy. A boy in a gray-blue scarf and an oversized black hoodie, one that hangs off his frame and has ace bandages wrapped around the wrists in some attempt to cinch the sleeves. The hood is up, big like the rest of it, and threatens to swallow the upper half of the boy's face whole in the fabric. What upper half Gordon can see, is smeared with some kind of opaque, black face paint. He's holding onto the side of the frame with one hand, on his hip is a grappling hook. A familiar grappling hook.

Gordon has multiple questions, and his officers tense up.

Martinez puffs up, brows furrowing as his face shapes into a frown. Shoulders rolling back. "You can't be here, kid--"

The reaction is immediate, like a spark to gunpowder, the boy yanks his fingers from his mouth and his mouth twists into a scowl. Head snapping over to Officer Martinez, his hood manages to stay on but Gordon swears that as he bares his teeth, the glint makes them look sharper than they should be. His voice is rasp and quiet and harsh; snappish in its hissing; "Put a fuckin sock in it, Martinez. I'm not stayin."

Martinez reels back, and the boy immediately veers his attention off him. Like a switch, his demeanor drops. Despite half his face being covered, his mouth twists into a cringing, apologetic smile. Slanted and off-beat, embarrassed. It'd be disarming if this wasn't Gotham, and if he didn't just hiss at Martinez like he was about to bite his head off.

"Sorry." He whispers, voice deceptively polite and softer now. Gordon has to strain his ears to hear him. "I was looking for him."

He points his finger towards-- Gordon? No, Gordon follows the direction, and finds himself looking at -- the Bat.

The Bat, who always looks stiff as a pole, now looks even stiffer. Somehow. Well, the explains the grappling hook attached to the boy's waist.

"What are you doing here?" The Bat says, gruff and unable to completely smother the stumble of surprise in his tone.

The boy still holds a sheepish smile, and slips off the window ledge. His feet hit the creaky boards with a near-silent thud, the Batman finds his feet and rapidly begins crossing the room.

Gordon notes the slight tremble in the boy's legs as he straightens. He adjusts his scarf, which droops close to his knees now that he's standing, and slings a backpack -- how long has had that? -- off his shoulders. When the Bat reaches his side, he does as he always does, and looms over the boy like a spectre. A threatening mass of shadows cloaked in all-consuming black. Standing next to him, the boy looks teeny in comparison.

The Bat is a man who terrifies even the most hardened criminals, Gordon has seen grown men shiver in fear at the mention of his name. And yet when the boy looks up at him, he doesn't even flinch.

Instead, his sheepish smile melts away like ice under the sun, holding only traces of his previous embarrassment. It remains as a shadow on his face, a small upturn at the corners of his mouth. The boy pushes his hood back just enough to reveal glinting, ice-flint eyes surrounded in tar-black face paint. He holds the backpack up with one arm. "You forgot this."

[shalom-iamcominghome]

I am absolutely begging people to stop treating nazism as their big, bad blorbo caricature they can just invoke when they're mildly irritated about people who (they think) have Bad Opinions.

Nazism is not just "any time a Bad Guy does Bad Things." Nazism is not your final jojo stand you can invoke to win discussions or debates. It is a real life ideology that is intrinsically linked to the radical antisemitism it espouses and ignoring that is fundamentally harmful to the point of being radically antisemetic.

Since this is on-topic, I've been reading People Love Dead Jews (I am on chapter two), and I think downplaying nazism is absolutely part of de-emphasizing and reprioritizing antisemitism to make it about everything else but the antisemitism. When nazism is everything, then it can't be fundamentally antisemetic. You won't have to acknowledge that jews are the primary target of nazis and nazism if nazis are everything else. It's not a coincidence, especially seeing how many jews people call nazis. This is part of the dead jew that people love - if your eye is turned away from the fact that jews both exist still and are affected by violence and oppression, you get to say, "the jew is dead!".

Regardless, you will never live in a world without us**

עם ישראל חי

[crabsnpersimmons]

exam 5 for me... tomorrow!

honestly have been feeling really nervous for this exam since my classmates have either failed it or just barely passed. and i had less time to study this time around because i rushed to book the exam.

so i drew this little encouragement early cuz i need the reminder that no matter what happens tomorrow, i did what i could and i didn't compromise on my boundaries—and that is its own victory.

and i hope that you'll be reminded to celebrate your own big and small victories too!

"You are nervous and that's okay! You did your best! You set boundaries! You took breaks! We're so proud of you, Starlight! Whatever happens, we'll always be here, cheering you on!"

[dykedvonte]

You ever just see a Mouthwashing take that makes you want to bang your head into a wall? I literally just saw someone claim Curly couldn't have been emotionally abused by Jimmy before the crash because he was in a higher position of power than Jimmy.

-Shrimp Anon

The mouthwashing fandom has shown me that people genuinely do believe that certain types of abuse are not as detrimental as other types especially when they deem those immune/resistant, ergo, believing one is objectively worse no matter how it affects the person nor the intersections of power, history and dynamics at play.

Get ready cause this is a yap session:

Cause like it's heavily implied that Curly and Jimmy's friendship was toxic and abusive, pointedly in the direction of how Jimmy uses Curly's belief/comfort in him. Curly wasn't forced to enable Jimmy but he was emotional and mentally on edge around him in almost every scene in some way. Mental and emotional abuse are not contingent on what positions you have at work. Yeah, he's Jimmy's boss but he was Jimmy's friend first and it's like getting into Psych discussion to talk about how social power tends to overshadow any perceived organizational power in the human mind. People are concerned about their jobs ofc but they tend to hang onto and put more value/investment into their personal relationships, hence why there tends to be laws and restrictions around mixing the two.

I always see the sentiments that "Curly is a grown ass man", "Curly is bigger than Jimmy", "Curly is Jimmy's boss", "He just needed a backbone" as criticisms of Curly and while I do agree that on the surface level all of these to be true and viable ways Curly could've taken more control of the situation, I often look at the parallels of Anya and Curly as victims of Jimmy pre/post crash.

The way Jimmy talks to Anya post crash is how he talked to Curly in the pre-crash segments. It's hard to pin-point mainly because we know he hates and wants nothing to do with Anya compared to his contrary but similarly handled obsessions with Curly. It's a weird sort of "honey-moon" effect of abuse Jimmy does in terms of emotional and mental victimization. He is always horrid to Anya, always talking down or questioning her abilities and thoughts in a situation, this of course includes the harassment and assault. However, he has a moment of attempted gentleness/conditioning when he question her about the mouthwash when she's contemplating drinking it at the table. The key difference is he has no personal investment in Jimmy outside wanting nothing to do with him, meaning there is no sort of romanticized version of him that he can condition her off of. He knows this, hence, why he always reverts to trying to make her to scared to oppose him.

This sort of give and take of "kindness" doesn't work on her because she knows he is just doing it to take more from her than whatever he could possibly give but it reflects even the "softer" scenes between him and Curly where he always rewords or rephrases Curly's sentiments and concerns to sound more shallow. He is feigning a deeper understanding by reworking Curly's emotions into something bad and needing to be hidden. Everything is laced with envy and resentment, an outburst just around the corner, I mean he even slams the table in the birthday party scene, a tactic in emotional manipulation to set the victim on edge and cloud their ability to respond. Even if Curly knows Jimmy won't get physical in that moment, the physical actions is intended to make him back down in the confrontation in case it does. This is something that is just not person specific. It ingrains itself into how you interact with the world and life and it shows in major and minor ways with Curly.

Post-crash, the abusive nature is more in tandem to the physical victimization Anya went through and the stripping of voice and autonomy we see take place. Like the parasite in HFIM, Jimmy speaks for Curly most of the time and puts words in his mouth, similarly to how he takes Anya's plans as his own. He very commonly, with the both of them mind you, supplements the worst aspects of himself into them; pettiness, selfishness, lack of understanding... And tries to cover himself with their best qualities; kindness, planning, initiative, etc...

These parallel are just to say that positional power has little to do with if a person can be abused and how it can even be flipped to further the abuse. There is no doubt that Curly could've picked up on Jimmy's envy of his position hence another reason he never confronted him as a Captain but as a friend as doing so would immediately put Jimmy in a space to be confrontational/combative.

I think the disdain some people have when they talk about the heavily implied if not implicitly stated emotional/mental abuse Curly experienced being Jimmy's friend is when treating it as an excuse to why he didn't do more. I can understand that completely because it is not an excuse to why he didn't do more but is a very real reason people in his position in these scenarios can experience whether in the context of a work or social environment. However, I also think the way people talk about it really does demonstrate a bigger problem when talking about abuse when somehow who is/was abused is either part of the issue or enabled it.

Harkening back to the sentiments about Curly's inaction regarding Jimmy, I think the exact phrases I used/have seen show how there is an inherent belief that it is easier to overpower the effects of emotional/mental abuse that go in tandem with the perception of Curly as someone who should be able to. There is not an age you suddenly stop being susceptible to abuse nor a set point or low where you realize how it has affected you. You don't suddenly know to stand up or put a face on to face your abuser nor admit that you inadvertently enabled them to subjugate someone else to the same treatment. Maybe it's my psych brain but their is this growing belief that direct action is somehow easy or always the best method with the game shows you instances where it is not always the case. In real life that rings true too. He should have done more, but it's not impossible to see why he struggled to find a way or didn't even if it makes us mad.

It's not easy to suddenly gain a "back-bone". You don't immediately want to resort to aggression, especially if it mirrors the type you were a victim to. You don't want to believe you allowed yourself to be treated this bad, let it get that bad or allowed something bad to happen to someone else. It is easy to be in denial, to retreat to your thoughts or make excuses to avoid the painful truth. It's frustrating but in a way we know is relatable. It why we both hate and love Curly for it. We know we'd be better, we think we'd be better, we like to think we wouldn't falter in the same ways but it's always easier to say that from the outside looking in. It's easy to see what he was doing wrong because we are seeing it, not him, but the game really does make you picture what you would do if this was your raw reality and it's why this debate about Curly seems so never ending/contradictory. We can all say what we'd do but bottom line is that's much different when you're in the moment with all the emotions and human feelings attached.

I personally think Mouthwashing tackles the themes of rape culture, enabling, toxic masculinity, types of abuse and patriarchy in ways that are meant to deconstruct the typical straightforward views we mostly have of these concepts and how little subtilities of them are just as, if not more, detrimental than the overt/obvious parts. The game deals with the idea of little details and bigger picture in a way to show that sometimes the bigger picture is not the issue but the little details that make it up. It's why I have a personal dislike of depictions of Jimmy as the typical horrible person who would of course do something like this because the game is about noticing the little warning signs, the foreshadowing and foresight.

It's why I dislike the typical discussion of "bro code" and "boys will be boys" for the game because the game makes a point to avoid the standard depictions of such. It is about the type of men who still enable despite not condoning, agreeing or even perpetuating harmful beliefs because they can't see the little details or the ways it seeps into their everyday. The severity is not obvious to them as it was not obvious to Curly, Swansea or even Daisuke the way it was to a woman like Anya. There are little details about Jimmy that should ring alarms but if you are too naive like Daisuke, too distant like Swansea or too conditioned like Curly, they are just off markers.

There is 100% more constructive/concise ways to say "Curly was a victim of Jimmy's abuse on an emotional and mental aspect that clouded his judgements and perceptions in the scenario" while also critiquing on the side of "Curly still had a responsibility to protect Anya as a crew mate and Captain that he failed to do due to biases and stigma's he failed to surpass" without the weird condemnation people give him about should've knowing better than to let himself be manipulated by a person he considered a close, if not family/best-friend and had his own reasons to trust initially. Also stop being weird about victims of abuse in general with this fandom, like sorry not everyone has a like social epiphany the moment someone's nasty to them. People are treating it like you immediately know when you are in a toxic relationship immediately or comprehend when a person is actively dangerous and either it's your fault for not knowing how to leave/cut them off or you deserve it. Like the hypocrisy of people believing how certain fans treat the story reflect their irl views but not their own is crazy.

End statement is: I honestly don't even know man, I've been writing this too long and just like no man on that ship was perfect or really helped Anya when it mattered and I feel like pitting them against each other in discussion on who did the least or most or how it was justified sucks cause in the end Anya always did the most and best thing for herself.

[ultravioletbrit]

“hold” - Jegulus microfic - @into-the-jeggyverse - 488 words

this, but make it jegulus (i tried to get it as close to the original as possible)

Remus is sitting in an armchair doubled over with laughter. Sirius has fallen out of his chair and is cackling on the floor with tears in his eyes from laughing so hard. Regulus is sitting on the couch trying his best to stay composed. And James in standing in the middle of the room with more passion and fire in his eyes than Regulus has ever seen.

“Hold on! Hold on! Hold on!” James is shouting.

“James—” Regulus tries to calmly interrupt.

“HOLD ON!” James looks pointedly at Regulus and his eyes look like they’re going to literally pop out of his head. “Her sister was a witch, right?” Regulus is trying so hard to hold back his laughter. “And what was her sister? A princess! The Wicked Witch of the East, Reg.” James is yelling, not unkindly just very passionately, looking directly at Regulus and nodding his head aggressively to emphasize every point.

James starts pacing in genuine distress. Sirius is rolling on the floor holding his stomach and laughing so hard his entire body is shaking. Remus has his hands over his mouth, which is doing absolutely nothing to contain his laughter.

Regulus stands up to meet James in the middle of the room. “I’m gonna stab him.” He mumbles under his breath, which makes Sirius laugh even harder—if that’s even possible.

James whips around to face Regulus. “You’re gonna looks at me and you’re gonna tell me that I’m wrong? Am I wrong?” James asks emphatically.

And the thing is—James is, in fact, very wrong. “It’s my favorite—” Regulus tries to interject but can’t even get a word in.

“She wore a crown, and she came down in a bubble, Reg!” And that proves absolutely nothing.

Regulus knows he’ll never get James to listen to him. “I’m not fighting with you.” He shakes his head, chuckling fondly.

James makes his way out of the living room. “Grow up!” He says over his shoulder.

“I’m not fighting with you.” Regulus says again.

“Grow up.” James seems to be losing steam as he leaves the room.

“Get educated!” Regulus yells then flops down on the couch and finally lets his laughter out.

Eventually Regulus, Sirius and Remus’ laugher fades into soft chuckles as they calm down and take several deep breaths to compose themselves.  

It’s a few minutes later when James appears in the doorway with a sheepish look on his face—that Regulus thinks is adorable. He slowly makes his way over to the couch and sits down beside Regulus. He’s quiet for a few moments then turns slightly to look at Regulus.   

“I’m not really mad.” James says in a small voice. “And you know I love you, right?”

Regulus chuckles fondly and takes James’ face in his hands. “Yes, I know you love me, Jamie.” He leans in to kiss James softly then pulls back the tiniest bit. “But you’re still wrong.” Regulus whispers against James lips.    

[poorly-drawn-mdzs]

Out of sight, out of - wait.

[First] Prev <–-> Next

[sergle]

man, you know, nobody asked me, but I have such conflicting opinions on some of the fat falin art, where on one hand: it's always nice to see A Fat Body in fanart anywhere + it's being done in positive ways, for funsies and on the other hand, there is something so familiar about how you are automatically The Fat One if you are a woman simply standing next to a more petite woman, bc I've had a 0% hitrate in seeing people change Marcille's body type and keep Falin's, or change both of them. it's just Falin

[ahappydnp]

so sorry but ive seen two different things about this now and im very lost, why did people think they were breaking up/broke up in 2012??? pls help me understand, wise keeper of the lore. thank u so much

response under the cut for general 2012 discussion/too long

basically 2012/2013 used to get (and sometimes still is) generalized as this dark and awful time period where dnp "hated" each other and us, when in actuality it was two very young very scared closeted queer people who were in the process of several major life changes at once while also dealing with a new exploding fan base

there's a few big things from that "era" that people talk about:

deleting old posts- around this era dnp deleted a ton of old tweets/formsprings/dailybooths that could read as them being in a relationship. they were blowing up online and had more eyes on them than ever before, not to mention had just starting working with the BBC (where being queer would have greatly affected their careers). also keep in mind dan was still in the closet to EVERYONE, and now he's got tons of fans going through his accounts and sending shit to HIS LITTLE BROTHER on tumblr asking if dan's gay. anyway people decided them deleting early tweets meant they had broken up

dan's customerservice tumblr blog- in the middle of them blowing up and people finding all these old posts, dan in an effort to control the narrative, makes a new blog for people to anonymously ask him questions (: which went about as well as you can imagine for an extremely defensive closeted 20 year old with undiagnosed depression. basically he said some unfortunately things out of fear

the video leaked again- won't get too much into that because of the subject matter, but the yeah the video leaked for the second time except this time way more people saw it/shared it and dnp actually had to respond to it this time. which is. just fucking awful and heartbreaking all around.

phil persona- basically this was the birth of the amazingphil persona that'd follow phil to the quiff era. he became more sanitized and less personable than original phil fans were used to (which got romanticized into uwu he's sad because he and dan broke up and now he's shutting down)

"no homo"- pretty self explanatory...people asked if they were gay (every single day constantly on every platform) and they would say no because what else are they going to say. this one particular vyou where dan's actually trying to make people think kills me (x) god he was so young. but they'd also started doing the "omg i don't want to see you naked/ew people want us to kiss" and the infamous "you need a girlfriend" "my future wife" etc etc.

the breakup rumors mostly stemmed from and became popular/ treated as fact by younger fans who kind of saw them as these fictionalized characters (which i mean not to blame them because they were literal children and youtubers were still so new that people did treat them like tv show characters you could be friends with). it also got turned into more sinister theories like the "dan is abusing phil" ones and "phil is actually gay but dan isn't and just used phil for attention and fame in 2009"

there was also factors like them moving to london in 2012 (and people were CONVINCED they'd stop being friends in london??), people thinking them getting popular would mean they'd get girlfriends like other popular youtubers (shoutout danrific shippers), and most importantly just them sharing less about their personal lives with their audience. like of course they're not going to live tweet their day/location anymore when people are showing up at their house and trying to find their families.

basically, dnp were putting boundaries between themselves and their fans, but the fans interpreted it as putting distance between each other. in actuality the 2012/2013 era was full of some really amazing memories and content and things people loved (literally the photobooth challenge is from 2013!! sleeping phil saying i hate you is from 2012!!!)

in conclusion, imagine building a forever home with your ex lmao

[front-facing-pokemon]

[moeblob]

North and Simon: (shaking hands on killing Simon potentially)