#and get the hell out of here

[subconscious-deactivated20230229]

If anyone out there sees my blog, no the fuck you don’t.

[literarymerritt]

Thinking about Them 🥺

Art Tumblr | Twitter

[its-kinda-snowy]

Dan! Dan- stop fighting me- I have just made an incredible leap in our serum you must see it.

[idontknowwhatimdoing-13]

Charles Rowland really figured out how to friendzone someone and tell them you’re in love with them at the same time.

[poorly-drawn-mdzs]

Tis but a flesh wound!

[First] Prev <–-> Next

[friendly-neighborhood-furry]

for anyone who doesn't have the Return YouTube Dislike Plugin, here's how Watcher Entertainment's "Goodbye Youtube" video is doing right now

yeah... gonna throw out a yikes on that one

i suspect this number will only keep growing in the coming days/weeks, especially the longer and longer we go without any sort of response.

EDIT: its only been three hours and the number has already jumped to 206K dislikes.

[eaissilyy]

Someone’s playing music.

Hello you can’t expect me not to feel anything when you placed Mogh the Sewer Guy™ and Morgott’s seal (sealed by Morgott the grace-given btw) in front of Frenzied jumping hell. There is no way they didn’t explore every corner of the sewer (so they can find the safe and least cold place to sleep… not to find the melting eyes disease) and found this abandoned catacombs with thousands corpses by accident.

Also this is perspective practice and then I found put that 1) I have no idea how it works 2) I make it up just to look believable enough and not look at it again 🙏🙏

[stormbros]

The way Robbie plays high charisma awkward flirting versus low charisma awkward flirting needs to be studied

[dear-ao3]

think i might be losing my mind guys

i am a chronic procrastinator and i dont leave to go home for two days and for some reason i have decided to pack my bag tonight. this is the first time i have Ever done this

[hellmandraws]

I accidentally got really into X-Men lately, and I'm not immune to... them. 🥺❤️

[puppetmaster13u]

Prompt 126

You know what would be hilarious? 

Constantine comes into one of those meetings as he sometimes does every blue moon. Though the proper word would be storms into a meeting and practically slams a whole stack of papers down. “Can someone bloody explain to me why the American-fucking-government is trying to go to war with the fucking Infinite Realms?!” 

The Justice League is of course alarmed and confused- and also John weren’t you in Hell?! Yeah, he was, where the fuck do you think he found out about this? 

Now if you’ll excuse him he’s going back to the House of Mysteries with his now haunted trench coat. John, John Constantine what the fuck do you mean by that? No don’t just leave, don’t leave this mess just for them- JOHN! 

[steddieas-shegoes]

Country singer Steve Harrington, who has always leaned more into the pop country side of things (think Wanted by Hunter Hayes), but wants his third album to be more true to old school country roots.

His label agrees but only if he works with Eddie Munson, a rock star who had to leave the spotlight when he got kicked out of his band for, well, rockstar behavior gone too far.

Steve isn't amused, especially because he doesn't care for metal music or rock star shenanigans. He was "raised better" and doesn't think Eddie could sit down and write songs with actual emotion and feeling.

Cue long songwriting sessions where Eddie is trying his hardest to be on his best behavior because he knows this is his last shot at being taken seriously, and Steve being surprised every time Eddie proves that he's talented as a songwriter and musician, well outside the scope of just metal and rock.

They write a song that they're both so proud of, Steve asks if he'll record it with him just for fun. The released version would just be Steve.

Eddie agrees.

It's an incredible duet, something country music has needed forever, but Eddie doesn't want that version out there.

The label genuinely accidentally releases their version instead of the Steve only version. As soon as they realize, they remove it from official places, but it's too late.

Fans have already heard it and have gone crazy over it, begging them to let the radio play this version, begging for this version to be available for streaming. The Steve version is great, but it doesn't have the emotion that's laced in the tone of them singing together.

Eddie finally gives in when he sees how happy Steve is about the reaction to it.

But the label decides they want them to tour together, have Eddie work as his opening act, perform his acoustic songs that haven't been officially released anywhere. Eddie can't do it.

He can't go back into that lifestyle. He couldn't do it to his band, who made him promise that he'd come back to them when he got his shit straight. He can't do it to his fans, who stuck by him through some rough shit, but probably wouldn't support a fucking country music career. He definitely can't do it to Steve, who deserves to have someone with him who can be trusted not to go off the deep end.

So he runs. He hides. His uncle welcomes him home, congratulates him on finally embracing his country roots.

It doesn't take long for Steve to find him.

Because he'd been more honest with Steve than he'd ever been with anyone. He told him about his childhood, his Uncle Wayne, his struggle to make it. He told him about his worse struggle when he did make it, how he got in with the wrong people, the wrong things. Prioritized the lifestyle more than his own life.

Of course Steve knew where he'd run to.

Of course Steve came to remind him what his life could be if he allowed himself to find new priorities.

Steve's lips were pretty persuasive, but not nearly as persuasive as his promises to remind him what he could have if he kept his life his priority.

"But what if I let you down?"

"You won't."

"But-"

"No. You won't. You're gonna do amazing things for yourself. And I'm gonna be there to see it happen. That's all."

And he was.

They co-wrote Steve's entire album while Eddie worked on recording his own original songs. He liked that it was an old school rock and roll feel, some blues, some country, some hints of metal sneaking in on a couple songs.

He called his band to come help him with a song, hesitant to even ask, but they came. Of course they came.

He called his Uncle Wayne to play banjo on a song, worried that he wouldn't like the heavier electric guitar notes over it. Of course he loved being involved.

When their tour started, he let himself actually feel nervous.

But instead of running, he looked at the man who supported him through it, even when his own career was on the line.

Of course Steve was there.

[benevolenterrancy]

May your hardened heart be woken By the soft and distant song Of all you left here unspoken All the shards we keep stepping on - Take this body home Take this body home Call the wind, and let her know Take this life outgrown Take this broken soul Call the stars, call them all And take it high, take it far, take it home

[lilybug-02]

Wow. That could not have turned out worse.

Part 23 || First || Previous || Next

--Full Series--

This comic will be on Holiday Hiatus this December and January! While on a cliffhanger? What a scam! >:/

[shiraoyagi]

hot take ??

the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.

it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)

anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.

they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.

for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.

for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.

their insecurities are incredibly similar.

in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.

in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.

just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.

now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.

for mafuyu and tsukasa it's pretty straightforward.

mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.

tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.

and even then, there's some overlap.

tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.

mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.

and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.

mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.

tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.

mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.

tsukasa has not yet cut his.

[poorly-drawn-mdzs]

The Quest Continues...

(part 1- part 2)