#and frankly good for them!!!!!

[chamerionwrites]

Not to engage in the worst kind of generationposting, but I need the boomers to understand that anytime they set up an anecdote with "so here's this kid with GREEN HAIR and TWENTY PIERCINGS" (subtext: this is the villain of my story), I am wholly and immediately on the side of the punk kid until proven otherwise

[eydilily]

would you bite the hand that feeds you?

[morgenlich]

the thing about saying “violence against [fascists/pedophiles/etc] is always justified” is that people immediately begin to expand their definition of who counts as a [fascist/pedophile/etc] to include people they personally don’t like, in order to justify violence against them, whether or not they are actually a [fascist/pedophile/etc] or whether they are actually doing harm (or are very likely to do harm) to others. the solution to dealing with the fact that [fascists/pedophiles/etc] exist in society should never be to go looking for a reason to do violence, or to train yourself to treat violence as a reflexive action.

[dicipher]

I think an interesting idea- considering some people argue that there isn't much romance in homicipher, is that this game IS full of love, just not traditional kinds. Variety! Woo!

"Unconditional love, simply put, is love without strings attached. It's love you offer freely. You don't base it on what someone does for you in return. You simply love them and want nothing more than their happiness."

"Someone is said to be suffering from delusional love disorder when they feel that that their feelings of love are reciprocated, despite glaring evidence of this being not true. People with delusional love disorder often feel that other people are in love with them."

"A love-hate relationship means that you hold both positive and negative feelings toward something. In the case of relationships, a person with a love-hate relationship with their partner both loves and hates something(s) about said relationship. These feelings can be both simultaneous or alternating — someone might go from loving to hating their partner very quickly, or experience a complicated mix of both at all times."

"One-sided love, also known as unrequited love, occurs when one person has romantic feelings for another who does not reciprocate those feelings. This situation can arise in various contexts, including friendships, crushes, or even long-term relationships where one partner may not feel the same way." (Note: this refers to the player's love, not his)

"Caring, on the other hand, can be seen as a broader concept that encompasses concern, empathy, and a willingness to support and help someone. While love is often seen as a more intense and emotional state, caring can be a more practical and action-oriented expression of concern for someone's welfare." (Note: custodial as in, in charge of someone. Like a caretaker, parent, etc)

"Ludus is playful, noncommittal love. Ludus covers things like flirting, seduction, and casual sex. Ludus means “play” or “game” in Latin, and that pretty much explains what ludus is: love as a game. When it comes to ludus, a person is not looking for a committed relationship."

"Conditional love is often characterized by the idea that affection and support are given based on specific conditions being met (eg, behavior, achievements, or circumstances)." (Note: Gap's love is ironically, transactional)

"Platonic love is a type of love in which sexual desire or romantic features are nonexistent or have been suppressed, sublimated, or purgated, but it means more than simple friendship" (extra: "Self-love is a state of appreciation for oneself that grows from actions that support our physical, psychological and spiritual growth. Self-love means having a high regard for your own well-being and happiness. Self-love means taking care of your own needs and not sacrificing your well-being to please others."

"Childish/child-like love is blind. It buys love and doesn't hesitate to manipulate in order to do so. Childish love tends to control and hang onto and therefore doesn't set us or the people we love free." "Selfish love in a relationship is when one prioritizes their own desires and needs over their partner's. It often involves manipulating or expecting the relationship to cater primarily to one's own comfort and goals."

[dukeofthomas]

Here's my controversial opinion; if you're trying to write Bruce as a non-abusive, good parent, you should also write him respecting his kids' privacy, boundaries, and not stalking&surveying them.

[heliomanteia]

I'm honestly so glad they introduced a new protagonist. Not just because Rook is a darling, but also because Inquisitor would have been a horrible choice for the story they wrote.

[utilitycaster]

I've been a pretty harsh critic of Dr. Friedman and Polygon's general Critical Role coverage in the past, and while I think her latest article for them critiquing Campaign 3 is a fairly good one, it does in many ways cast an even harsher light on her kid-gloves handling of D20 and WBN. However, I want to talk about these two excerpts, because I think she hits on something I've increasingly noticed in Actual Play:

"This is where Critical Role’s strength — that Exandria often feels like a real, complex world — collided with the needs of a D&D campaign (a clear adversary, clear plans of action, forward momentum)."

and

"But the confused way D&D handles religion and divinity — polytheism as imagined by midwestern American Protestants — turned the question of how to handle this particular cosmic horror into a glue trap, paralyzing the players for dozens of hours of circular existential debates. Gods once mechanized (or digestible) become just another power bloc, and for players used to a system where in the end you are “basically gods,” the line gets blurrier still. And as D&D’s messy cosmology added friction to much of the campaign, D&D’s mechanics also don’t have the necessary friction for the interpersonal beats that make Critical Role compelling."

I agree with both these statements, as someone who, to be clear, enjoys D&D 5e. D&D supports a range of narratives, but all are ultimately a story of gaining power and fighting off or through a series of adversaries; if your characters are not doing that, it raises the question of why you picked a system that gives you few other options. (This is also, I should note, an increasingly loud question when it comes to Worlds Beyond Number; I fell behind for personal reasons after the Coven arc, but Brennan's initial statements about D&D as scaffolding were perhaps too true; almost every interesting mechanic, in a game with minimal combat that has thus far felt primarily focused on how the three protagonists have fundamentally different adversaries, has been homebrewed, to the point where the cosmology and baggage of D&D has felt like a liability rather than an asset).

D&D also has, in part due to such programs as D20, developed a reputation for being world-agnostic, and that ultimately isn't true. D&D does struggle to make the lines between "real divinity", an archfey or similarly powerful entity, and a L20 character feel sharply defined on a mechanical level; once you give a god a stat block, it can be killed (and on a metanarrative level, revealing the gods' statblocks in Downfall serves to make them both immense, yet also more fragile. The hit points are many, but still finite.) There are a number of questions most D&D worlds simply fail to address - and to be clear, this is not a flaw provided you have buy in. A level 2 warlock in D&D is, in most societies, an one-person lethal force unless the entire town swarms them at once, knowing that many of them will lose their lives in the effort; a level 2 warlock PC, however, is almost never, in-world, treated this way, and indeed is framed as an underdog in a harsh world despite usually having the ability to destroy the entire tavern.

D&D has also developed a (not undeserved) reputation as being The Dominant TTRPG put out by a massive corporation, and has developed a (not deserved) reputation as being itself uniquely problematic as a power fantasy, particularly by people who conveniently forget where Pathfinder came from. I've previously covered that, for all people demand non-D&D actual play, the viewership drops precipitously whenever a big AP show that made its name with D&D dares to branch out, and, related to that, I've seen an uptick in people who are excited for D&D to subvert itself. They wanted Campaign 3 to subvert these norms of divinity and heroic fantasy, cheered for it...and ultimately it was unable to do so. I don't think it's accurate to say that D&D's lack of interpersonal mechanics was the problem here, given that Campaigns 1 and 2 (and again, D20) have no such issue; but rather that since D&D's lack of interpersonal/RP mechanics require more effort from the players to initiate, the debates on the nature of divinity in a world and system that could not sustain them sapped any energy for the late-night watch conversations D&D can support when you're not fighting against it.

I think one of the many lessons we can learn from Critical Role Campaign 3 is that if you go up against D&D with an attempt to destroy it from within, your story will instead find itself conforming to the shape of its container, often to its detriment.

[shalom-iamcominghome]

Yet another jewish privilege: Stores putting sales on holiday items because (apparently) management has no clue when "those people's" holidays are.

They put chanukah candles on sale for $0.71 a box the week before chanukah

[chez-cinnamon]

Hey guys check out this sick new Welcome Home storybook scan I found !!!!!!!

[unpeeled-shrimp]

The... straight man...?

🤨🌈?

[speckled-biscut]

help the puppets got me again

[turtletoria]

youre never gonna believe this. but i really liked the musical with the miserable middle aged man

[theboredhooman]

okay but kame and asa are literally 100% in love i don’t make the rules ¯\_(ツ)_/¯

long post overanalysing and yapping about these two lesbians + spoilers for the ‘mononoke: phantom in the rain’ movie! go watch it right now if you can 👹👹

kame is literally asa’s most precious thing. you can NOT tell me it’s not. even if you don’t ship them it is very obviously canon.

asa was soo flustered and didn’t want to tell kame about this, even blushing?? like understandable though it’s basically a confession

one of asa’s first reactions was always to check if kame was okay whenever the mononoke appeared

sure, it could’ve just been a friend thing, but asa was constantly looking out for kame in the ooku

defending her and taking the blame for all her mistakes and trying to protect her from harm, standing up to awashima and mugitani

asa i know what you are i saw that blush when kame smiled after you told her she could work with you instead of mugitani (I get you she was so cute tho)

”Such neat handwriting” asa’s eyes were so soft it actually broke my heart when i saw awashima cutting kame’s hair

the well scene….just…

asa trying to pull up kame, and kame doing the same for her

also asa being sort of lifeless while she hangs there until kame tells her that ‘it’ll be alright!/I’ve got you!’ and suddenly she snaps out of her shock, gaining emotions again

also it was so cute when they were talking next to each other at night

speaking of which, kame making asa promise to not let go while they sleep and asa adjusting to a more comfortable grip while holding hand was just; auGHHH 😩

ALSO ALSO “Kitagawa made me realise what was important, what I should never throw away,” and then KAME TURNING TO SMILE AT ASA AND ASA SMILING BACK WITH THAT ADORING LOOK IN HER EYES?? (note: there was also minor foreshadowing here with the empty doll cupboard but i think that had more to do with kitagawa)

and the cut off after saying she needed to say something important was really suspicious like what did she say??

idk how this related but afterwards she became more focused and hardworking on her job(but also more rigid and firm in her beliefs) and kame tipped out her water instead of drinking it (because she became the opposite? more rebellious/defiant maybe? idk)

speaking to the medicine seller, she said she understood kitagawa’s feelings, which makes me think kitagawa also had a thing for her friend lol like there was absolutely something going on there if she(kitagawa) fell apart after her friend left

only mildly related but i believe karakasa’s next target was probably going to be kame and she was used as bait for it (as something a redditor* mentioned was asa may have sent kame away to protect her rather than the reason kitagawa did, OR lure out karakasa) edit: nvm i remembered wrong it was utayama i believe (due to perhaps resentment within the doll’s umbrella*) or asa (following the logic that awashima and mugitani were both the head housemaids(?) favoured by utayama before asa, although again the end goal was probably to attack utayama)

also when asa was addressing the other maids of the ooku before the birth celebratory ceremony and bowed, kame bowed but nobody else did (which means they didn’t respect asa)

then kame got mad and showed her support for her girl like hell yeah 👏 and asa gained more confidence which i think was sweet

oh and asa was also like “the thing that kept me grounded was lady kame” 🥹🥹

she also said (acc. to netflix subs) “And yet, I yearned for nothing more than to share meals with Kame. And spend countless nights just staying up late, giggling and talking to her.” SHE SOUNDED SO LOVESICK 💔

btw love how the medicine seller instantly knew asa was looking for her boo lmao

anyways i think it mayyy not have been requited on kame’s side, at least canonically, but I have literally zero doubt asa was in love with her. then again homophobes and censorship. uh. it’s alright i ship them very hard either way i need more lesbians in my life hehe.

in conclusion. Harold they’re lesbians. thanks for coming to my ted talk. yeah o7

*redditors talked about the choice of karakasa as the yokai.(i reccomend reading it, it’s very interesting imo)

[danandfuckingjonlmao]

had a dream dan got cancelled so he and phil hard launched in his apology video for damage control

[ohno-wallace]

And the rest is history 💌

[freaky-flawless]

Headless Headmistress Bloodgood redesign!

I've been wanting to redesign her for a while, in a way that would marry the aspects from each of her designs that I like. I'm pretty happy with how she turned out!

At some point I would like to design some more Monster High teachers and staff, because no matter what gen, that school is struggling.