#and feel badly about themselves because they don't actually like it

[quoth-the-raven-wtf]

I've blocked a lot of endos [I'm clustering tulpas in the same "origin category," btw], and I hope that they'll respectfully do the same in return when I post things like this. I will never be the first to interact with them, and more often than not I delete their comments from my posts and block them in order to keep myself from interacting in a pointless argument altogether.

That being said, I still want to put my thoughts out there.

Heads up, this is a long one. The rest is below the cut. Per usual, summarized points are highlighted in red for faster viewing.

I know for a fact that a majority of endos aren't claiming to have a CDD [complex dissociative disorder], which tends to be the main argument endos like to use in order to explain that they aren't invading OSDDID spaces or harming communities built for those who are disordered. That doesn't make their claims of being "plural" any less harmful to the CDD community. They are still claiming to have symptoms of dissociative disorders, which waters down the severity of the actual disorders themselves.

Being a system means having a fragmented identity [which is what alters are]. A fragmented identity is a disordered identity. A disordered identity is a disordered brain. Having parts is not typical, and endos claiming that it is possible to have alters without a disorder creates this misconception that plurality is completely normal to experience.

[Don't get me wrong, I'm also irritated by the perspective that everyone with OSDDID is constantly suffering and cannot experience any joy, or even enjoy being a system—because that view is just as uneducated as the endo one.]

Here's the thing—watering down the disorder isn't actually one that matters much to those outside of people who interact with the system sections of social media, because I guarantee you that most people don't even know what "endogenic" means. The issue with watering down symptoms of disorders that result in alters are how they harm actual systems. I've seen multiple systems on this app and even a few others on social media who claim to be endogenic, but talk about having other symptoms of CDDs and having childhood trauma that they don't consider severe enough to be "traumagenic." Seeing things like that is honestly heartbreaking. There are so many systems out there who are completely convinced that they simply can't have originated from trauma because "they weren't hurt badly enough."

It's bizarre to me that this is what the internet has come to.

Here's the thing; if there was actual evidence of endos and tulpas being fully, scientifically capable of existing, I wouldn't be so strongly against their claims. Hell, I've done research in my spare time to actually look for the supposed proof that endos say there is on the ability to be plural without a disorder, and I've reached countless dead ends. Masterlists of "endo-affirming resources" are either incredibly vague, non-credible, or take me straight to an error message [as in, the page has since been taken down]. Aside from those resources, the strongest argument I've seen is that "there's no proof that endos don't exist," which doesn't make any sense either. You could say that about anything you want to, despite currently existing evidence that already suggests your claim is nonsensical.

I am genuinely open to information that is credible, but so far, it just doesn't seem to exist. Anyone is welcome to share some with me, and I will truly approach them with an open mind; that doesn't mean I'm not going to point out lack of credibility when I see it.

In no way do I feel malice or hatred for systems who identify as endogenic, but I'm afraid that directly interacting with endos through areas of syscourse will, and has clearly already created bitterness. I refrain because of how hostile syscourse has gotten, and I encourage others who share my point of view to also keep the hostility to a minimum. I think everyone needs to be more open-minded—both endos and antis like myself. Unfortunately, that's only achievable in a perfect world.

[hairtusk]

i never actually finished watching normal people, but i genuinely appreciated it putting realistic sex on TV. it's becoming increasingly rare to see sex that isn't extreme bdsm / borderline torture/rape in shows, even involving teenagers or young adults, and i fear for the young girls who are going to suffer enormously for the example it's setting

[anxiouspotatorants]

Actually you know what I need to rant about this: while literati is technically a good girl x bad boy dynamic it is written so incredibly well and avoids so many pitfalls and stereotypes that it makes a good girl x bad boy hater like myself (I’m only half joking — I don’t think any trope is inherently good or bad but I tend to dislike most pairings with this dynamic) fall head over heels for their story and relationship.

So much of what makes the two of them work is the contrast between how others perceive them and how they truly are. Don't get me wrong, there are plenty of people who understand who Rory is as a person (Lorelai, Lane, Paris, Richard and Emily to a certain degree for starters), but she's constantly met with the expectation that she just does good and is supposed to make everyone proud 24/7. Stars Hollow as a group especially are big on this, as seen f. ex. through how Taylor takes Rory's one comment about an inappropriate DVD and twists the whole thing into a censorship crusade and makes Rory its poster-child even though she wants nothing to do with it and tells him so repeatedly. But instead of hearing Rory disagree with him (like he would Lorelai and Luke) he assumes that she actually agrees with him - and why shouldn't she when she's the perfect sunshine paragon of good who would never disagree with her elders? Also her grandparents treat her as incredibly fragile and childlike, like she must be too innocent to ever do anything wrong and so whenever she does something it has to be somebody else's fault (usually Lorelai, but occasionally Jess or whoever else was present). Time and time again Rory is treated like something innocent and naive and weak — but not by Jess. He sees her as a person.

And it obviously goes the other way too. Jess is treated like shit by pretty much everyone else. Either people hate him unprovoked or very much provoked (he did do a lot of pranks in his first few weeks and while I'm a Dean-hater I'm not blind to how much Jess picked fights with him), or they’ve simply given up on him. He tells Rory himself that every authority figure he had back in New York gave up on him too, from teachers to principals to his very own mother. But Rory doesn’t treat him like a lost cause, she treats him like the smart, brilliant and asshole-ish teen that he is. By having faith in him she also often holds him more accountable than others. Where f. ex. Lorelai or the other adults just roll their eyes, Rory physically drags Jess into doing his shifts at the diner. While others write him off, Rory chews Jess’ ear out for not helping Luke more and for willfully making enemies out of the Stars Hollow adults.

They don't put each other on pedestals or below each other. Jess doesn’t try to make a sinner out of Rory and she doesn’t try to make a saint out of him. There’s genuine respect between them. They expect each other to have integrity and treat others with kindness and honesty, and the rest is good old chemistry and common interests.

I particularly love how in so many of their scenes (especially pre-relationship) when they spend time alone they just get to be these goofy nerdy kids. They argue about controversial authors and dig through records shops and eat hot dogs and make fun of each other and try to make each other laugh. It’s not just sexual chemistry as it too often is in a dynamic like this (and often uncomfortably sexual when writing teenagers - looking at you Gossip Girl), and not just well written intellectual chemistry — they have platonic chemistry too. A hell of a lot of it actually.

While I don’t think ASP wrote them through a purely deconstructionist lens on the good girl x bad boy dynamic (if she did plan on writing the dynamic at all), there is something to be said about how where many around them treat them like stereotypes they treat each other like people. To so many people, Rory is a perfect small town princess, a little miss sunshine with booksmarts for days but too delicate and sweet for anything with grit and weight. To a lot of the same people and many more Jess is a pathetic brutish and maniacal lost cause, hell personified in a chainsmoking leather-wearing teenager. But to each other they are actual human beings. Kind and mean and flirtatious and scared and reckless and smart. Rory really thinks that with the right motivation and mindset Jess can be the kind who does (and at the end wrote) incredible things. Jess really believes that with a little more practice and support to step out of her comfort zone she can be the amazing journalist she wishes to be.

They don’t have this stupid «we’re so bad for each other but we can’t stay away» thing that too many trope users rely on and don’t even justify in the plot. Everyone else might think they’re not fit for each other, but they knew they were each other’s person from the very first day.

[bonebabbles]

im curious, do you think there is any good way to portray a redemption by death? like, can a character truly be made a better person by dying? or is it just an all-around bad trope? i vaguely saw what the authors were trying to do with tom and sandgorse's situations, but they just sucked too bad and gave it the absolute wrong effect imo

I think there's a way to make anything work! So I won't say "NO NEVER." But personally, I have a big bone to pick with it so I avoid it

A redemption death doesn't give the character time to meaningfully change, imo, or truly make up for their actions. That all has to come before the death itself. And even the very idea of giving your life up to "redeem yourself" just... sits uncomfortably with me.

Dying never makes a person better. It just kills them. A person who's dead is not changing nor growing.

So Tom and Sandgorse... what their deaths are supposed to do is re-frame everything they did before that point. With no apology on Sandgorse's end for how badly he hurt his son or wasn't there for his mate, he was a good enough person to die for someone else and thus must be forgiven. Tom thrashes two women and they both die because of him, but he was still willing to heroically throw his life down for his child, and so he is 'worthy' of being avenged and honored.

No growth. No change. No acknowledgement. The death is supposed to add sympathy to them, while there's no actual reckoning of how they hurt their victims. Not even a real consequence. "Their intentions were good, and this is proven through the ultimate sacrifice." As if that changes anything. It doesn't.

I think if there's an decent example of a redemption death in warriors, it's Bluestar's. I still have problems with how it believes Stone and Misty have to "forgive her" for some reason, REALLY don't like the fact that this series has always equated redemption and forgiveness... but that aside? Just focusing on Firestar, ThunderClan, and Bluestar?

I think what makes the moment so strong is that it is a moment of clarity through her cruelty arc. We saw the heroic person she was at the start of TPB. We know that her actions are coming from anger, spite, and paranoia. That is never shown as a thing to be excused. But while she's wrapped up in her own misery, Fireheart is being the leader she isn't.

And her last life is a return to form, spending it the way she is supposed to, as a leader, and as his mentor.

Her arc could never be about 'growth' because... she WAS a great leader. She WAS selfless, long ago. Her redemption death is a return to that, and a plot necessity. Bluestar and Firestar cannot both exist.

But, anyway, it's generally a trope I'm not fond of. I think that nearly anything can work in the right context, but I think it's so situational that I personally avoid it when possible.

[cham0mileteacake]

what's good fuckers. i'm back. not forever. but. just to say i am.

[allsadnshit]

I think one of the major mistakes in modern romance is being super specific and decided about the details without ever meeting a person and letting things come naturally - people know exactly what they want people to do and what they want the love they have to look like and it leaves no room for a real person who has their own wants and wounds to fit anywhere

People have entire weddings planned saying things like "now I just need to find the groom" and it proves how much those kinds of people view spouses and lovers as accessories to their life rather than partners to grow and share it with and I think it is so deeply inorganic and unromantic to have the idea of love cemented regardless of who's going to play the part

It really feeds into the notion that so many people have a really harmful sense of intense hyper independence and seeing themselves as the main character and accidentally slamming the door on real connection because they just want someone to fit a standard and make them feel a certain way rather than actually getting to know someone and falling in love together

And I think that's why so many people go through these back to back break ups or are chronically dating without anything changing even though they want love and marriage so badly

You might as well just get a pet if you don't want another persons ambitions and needs to be a part of the relationship

[bramblebeau]

Alright I told myself I wouldn't interact with fandom when s2 came out, and I haven't and don't plan to except to say this about people deciding Caitlyn is the Worst or that the writing is OOC.

As someone who has had a family member violently killed, I cannot stress how much it shakes up everything you thought you were and stood for. My beliefs in proportionate compassionate justice and the rights of all human beings are some of the strongest I have (stronger now because of the way that experience affected me personally), but they were pushed to the absolute limit when it came to an individual who had killed my loved one, showed no remorse, and laughed in our faces outside court, among other things.

People generally like to believe it wouldn't be them or their peace-loving family members being talked down from seriously considering violent revenge, consequences be damned. People like to believe they wouldn't lash out at people closest to them under that pressure, that they wouldn't build walls around the kindest and most sensitive parts of themselves because those parts are the ones feeling pain you never thought possible, that they wouldn't stalk the killer, make notes on all their family and friends, and fuck up their hands punching walls in anger wishing so badly it was flesh and bone because they can't handle the fact that there's no way to turn back time to stop it all from happening. People like to think they're "better" than that. But the reality is messy and painful as hell.

With Caitlyn, she has the added guilt of having actually had the opportunity to stop Jinx before she fired the rocket, but she hesitated just long enough for it to result in the deaths of her mother and other councillors and in the cities being plunged into chaos. Not only that, but the person close to her she's lashing out at is the person who caused her to hesitate, and just so happens to be the sister of the killer.

Furthermore, her behaviour is entirely in character. We have seen her set up as someone who becomes obsessed with achieving a goal and will do pretty much anything she wants to get there. In S1, we agreed with her methods because her goal was exposing and taking down Silco, and because it led to Vi being released. In S2, she's doing a similar thing but it's fuelled by fear and a type of pain she doesn't know how to deal with, rather than being fuelled by a need to prove herself and solve a case, and it leads to her making morally questionable decisions and to hurting Vi. She admits herself, albeit privately to Vi, that she does not know what she's doing and doesn't know how to fill this hole in her chest (and the hole in the city leadership). She has been sheltered from the real world for almost all her life, and as a result she has no experience of functioning or making decisions under this kind of pressure. The real world blew up in her face in the worst way and she was given power and a loaded rifle, and then shoved into an even more elevated position by a very experienced warlord who is manipulating the shit out of the whole situation.

I'm not saying that you have free rein to hurt people when you're grieving and facing extreme stress. (If you think that's what I'm saying then idk I'm not sure there's much hope for you in terms of critical thinking skills). What I'm saying is that Caitlyn is exhibiting pretty normal human behaviour that most people would be susceptible to in those circumstances, not the behaviour of someone who is some kind of heartless abusive bastard.

TLDR: Caitlyn is being written in a way that completely makes sense and is also not OOC, and if someone told me there would be no chance of them reacting in similar ways I simply would not believe them.

[cinnasweetss]

rickenbacker (p.sh)

synopsis: sunghoon wants to get his hands on the popular indie band's guitarist at his uni. might come with some sacrifices though.

or the one where sunghoon betrays his friend for pussy (deserved!)

genre: smut, pw minimal plot.

characters: guitarist!reader, loser!sunghoon, mean!hyung line

wc: 3.6k

(content under cut)

content: bullying, homie hopping, betrayal, slight voyerism if u squint, oral (f receiving), unprotected sex, sunghoon doesn’t believe in pulling out, dirty talking, minimal plot, etc etc

sunghoon first sees you at your university's summer festival. 

he meets you three weeks later when youre accompanied by heeseung. not exactly on his arm, but its rare to see him with a girl he hasn't slept with. 

sunghoon develops his newfound attraction to you then. when he sees you off stage, away from the big lights and loud music played by your guitar. sure you were pretty up there too, but up close, god. he can feel his heart thump in his chest the moment you step inside the room with your bandmates. 

he's heard the rumours, that the all-woman band in his university has a knack for attaching themselves to one male friend group a month. thanks to heeseung, he guesses, it's their turn now. 

there's four of them, and only one of you. plus the two other girls you came in with, who seem to have drifted right over to Jay and Jake. it doesn't bother him, really. he can pay way more attention to you without having to entertain some girls. he's quickly pulled from it though, when heeseung nudges him with his foot, "Dude, get the beers." 

It's embarrassing when you snicker, vampishly nudging his shoulder with an overly drawn out "Don't be so mean, hee." after sunghoon finally makes himself useful. 

He sets the cans on the table, watching as multiple hands reach out to grab them until the table is cleared. "You don't drink?" Your voice rings in his ears, coated with disappointment as you watch him shake his head. "He's always been like that, don't mind him."

.....

Sunghoon knows he shouldn't be letting the six of you treat him like this. making him store-run with his own money, ordering him around, expecting him to buy dinner everytime the seven of you go out. 

he only does it so he can glimpse at you every now and again. wants to get the most out of these last two weeks he probably has with you before you run off with another group of guys. even when he catches you talking about exactly who that next group is. 

You sent him out to buy you a pack of cigarettes just down the block as the other five bullshit around at the bar. He finds you outside, cigarette tucked between two fingers adorned with white nails. "Thanks, hoon" you really have to admit, this is a new dynamic. whenever you and your bandmates attach to a group of guys that outnumber you, the ones who aren't picked seem to fuck off. 

sunghoon either doesnt care, or enjoys being the groups water boy. either way, it's fucking weird having him constantly hovering around. "Sit next to me." You invite, scooting over and patting the area beside you. Of course he listens, sitting without a word.

you have to admit, you haven't heard him say anything other then small phrases. you don't even know if he's able to hold a conversation if you tried. 

"you're pretty quiet...are you always like this?"

That feels like a knife in the chest. he so badly wants to say no, that it's only like this because the six of you are too busy obsessing over each other to know he's even there. but he knows that's not true. he knows he's heard that too many times for it to not be true. "Yeah, kinda." It leaves him in a mumble, prompting you to shift your body to his to hear him better. over the sound of music from the bar and the sound of cars zooming by. 

"I've got another friend, do you want to meet her?" 

you don't mean harm by it, you're just curious if this is actually how he is, or if he's only acting this way because his friends are excluding him. which, you are too, but you can only handle one guy at a time. based off experience. 

"I'm fine, thanks." it's another mumble you can barely make out, but you know he's declining by the way he doesnt even look at you. 

he'd have a greater chance at being picked if he took those glasses off, put some bass in his voice and told his friends "no" once in awhile. 

you quickly decide it isn't your job to fix this man, and decide to leave to the next girl who comes around. hopefully she comes quickly enough for him to enjoy his youth. "I'll see you inside."

that leaves sunghoon with his thoughts. with the realisation that his first and likely last conversation with you went to shit just because he can't communicate properly. 

he can't help that you intimidate him. maybe its the fact that he knows that youre unreachable despite almost always being a few feet away from him. you're the same on and off stage, too high for him to reach. too pretty to even think of him the same way you think of heeseung. 

"Fuck!" it all settles into anger, resulting in an outburst louder than he'd like. it takes him a few minutes before he decides to join the group, eyes settling on you and heeseung tucked away in a booth together. 

.....

youre not sure what exactly made you change your mind. 

Maybe the fact that heeseung is boring the shit out of you, his head sucks, he doesn't really care about getting you off, or maybe sunghoon is just that much more interesting because of heeseungs recent performance. 

maybe its the fact that sunghoon isn't one of the men screaming and shouting so loud you can barely hear the notes from your own guitar. the fact that he's tucked behind heeseung in the crowd, though his eyes are still seemingly stuck on you. doesnt even seem like he's listening, he's just staring. observing from afar. 

two nights ago is what really solidified it for you. when heeseung rolled over after cumming once. without even thinking about trying to get you off, even when you pulled the "im gonna cum" line to get him to keep going. it wasn't hard to begin thinking about someone else. thinking about the boy who doesnt say much, barely says anything at all. is completely unreadable, and has no people skills whatsoever.

you haven't said much to heeseung. short texts since then. instead you've made plans to see sunghoon. away from his friend group. 

sunghoon is too thrilled to receive a text from you that Friday night almost immediately after your performance.he's supposed to be running to the store for heeseung, grabbing beers and shit for the guys- what the fuck ever. they're gonna turn into a beer if they keep drinking like that.

he doesnt even think twice. you don't even think twice, sending the location of your studio before he can even respond. 

it takes him virtually no time to wander off, shoving away Jay when he tells him he's going in the absolute wrong direction. that the store is that way, not that way. his eyes darting around to find the building your studio is inside of. 

its not hard for him to find a door with the name of your band plastered right in-front of it. unlocked. 

you're tucked against the wall when he comes in, those same prettily manicured hands that often hold a cigarette, strumming at the strings of your blue guitar that sits on your lap. still in the same outfit you wore onstage, making this all the more surreal. 

the soft click of the door is what pulls you from it. "Lock it, yeah?" Sunghoon can barely hear you over the loud thumping in his chest, still he manages to do just that. awaiting another order from you. "You can sit. There." the way he moves is awkward, eyes moving around the room, looking at anything but you once he finally sits. 

you move your guitar from your lap, joining sunghoon on the leather couch. so close your shoulder brushes against his. "Did you like it? the song, I mean..."

sunghoon only nods, eyes still avoiding yours. "You can talk to me, you know. I don't bite..." he doesn't shy away when you reach out to touch his arm. 

usually a guy would gush about how sexy you look on stage, ask to touch your guitar, ask you to teach them a few chords. you don't expect him to fall for the bait, nor notice your attempts at flirting. 

your only other option is to not beat around the bush, tell him exactly what you what from him. "I called you here 'cause I wanted to tell you liked you, hoonie." wasn't at all what he was expecting to hear from you next, not when its well known that you're with heeseung. 

"You like me too, right? that's why you stick around even though you don't have to." you have no evidence to back this up, might even be super far fetched, but its worth a try. "Yeah, but, you've got heeseung." not too far fetched it seems, "But I want you, hoon." you quickly shake your head,   leaning your upper body against his shoulder. 

sunghoons got a million things going through his head at once. the fact that if he does anything with you he'd be betraying a long time friend, him being so incredibly turned on beyond belief just because you've got your tits in his hands, almost. the visual of you leaning in to kiss him right now, not knowing whether or not to kiss you back or push you away when you finally do. 

you think he's going to. going to push you away and take the side of his friend that wouldnt think twice about doing this with you if the roles were reversed. he's continuously proved you wrong though, wrapping his arms right around your waist. 

he'd be absolutely stupid to not kiss you back. he can't believe he even thought about rejecting you. cant believe he thought about sparing heeseungs feelings. 

the incessant ringing in his pocket forces you two away, a soft "Sorry..." leaving him as he pulls his phone out of his pocket. 

speak of the devil. 

"What the fuck, you left thirty minutes ago dude!", "hurry the fuck up, seriously." 

you can't stand to hear that asshole yelling at him over the phone. he thinks he's hot shit just because he's the oldest and they all listen to whatever he asks. "Don't let him talk to you like that, hoonie..." It's low enough for sunghoon to hear only, "stick up for yourself, hm?"

Sunghoon would rather shoot himself in the foot than look like a fucking loser infront of you. your hand rubs encouraging circles against his chest, head resting on his shoulder. "Get it yourself. I'm busy." he makes sure it's firm, just so you know that he is standing up for himself. "What?! No, I told you to do it. that means do it now. not when you feel like it." 

"You didnt fucking hear me? I said I'm busy. Tell Jay to get off his ass and do it for you." you can't lie, that sounds so hot coming from him. it puts a smile on your face, only because you knew he had it in him. even if it did take a little encouragement from you. "Hang up." this time you make sure your words are loud enough to go through that speaker, making sure heeseung hears you. 

"Who are you with?"

With heeseung in his ear, and you practically on his lap and pressing kisses against his cheek, it's clear he needs to get off the phone. "Don't worry about it. It's not your fucking business." it's just as harsh as his words before, and yet all heeseung can say is "Who the fuck are you with, sunghoon?!" 

he knows exactly who he's with. that goes without saying, especially when you whine a "Pay attention to me, hoon..." right. into. the mic. 

you both can hear heeseung go absolutely ballistic as you push the phone away from sunghoon's ear, cupping his face so you can finally get back to kissing him. you're sure heeseung got a earful of heavy breaths and kisses before you finally make sure the call disconnects. 

Sunghoons new found confidence comes with a bit of dominance to it seems, leading the kiss even when you straddle him and immediately grind against him. his hands instinctively move to hold your hips, only cause he wants to seriously focus on kissing you for awhile. wants to enjoy the taste of your lipgloss after he pushes his tongue past your lips. 

neither of you can really do that though, not when you're both pulling at each others clothing at the same time. you want his pants off to see what he's working with, and he wants a tit in his mouth. your hands are constantly fumbling around each other, so much that you pull away with a laugh. you quickly pull your shirt off, tossing it to the side. 

he's got an eyeful of your tits in your cheetah print bra, and an even bigger one when you reach behind your back to take it off. he's practically drooling, mouth hung open, focused right on the metal that runs through each nipple. 

"holy shit." 

he nearly cums right then and there. maybe he does, he's not too sure, wouldnt be surprised if he did. especially because when he does get a tit in his mouth, its absolutely euphoric. coldness of the metal pressed right against his tongue, grazing his teeth. your other tit sits perfectly in his hand that's switching between groping, and tugging right on your sensitive nipple.

your hands are fumbling under his shirt, trying to unbuckle his belt so you can stick hand in his pants just to cop a feel. a soft "Can I eat you out?" stops you. how can you ever say no to such a request?

You nearly fall trying to get off of him quickly so he can find a spot between your legs. suddenly the size of his dick doesnt matter, as long as he's good at this. which, he quickly proves that he is. doesnt even bother taking off your panties, nor your skirt for that matter. he just flips it up and pushes your panties to the side.

your jaw falls open, hands immediately reaching for the head between your legs. the feeling his tongue brings is pure bliss. he knows exactly where the clit is, when to switch from licking to sucking, when to push two fingers inside and- "Fuck!" he's just barely started, yet you're already this much of a mess. 

its not his fault he can't stop mouthing away at your cunt, moaning each time his tongue flicks against your clit. you just taste so good, no matter how much he licks away at you, it isn't nearly enough to satiate him. he has to pull away, take those damned glasses off his face so he can bury himself deeper between your legs. 

His fingers plunging in and out of you to match the rhythm and speed of his tongue only tighten that coil in your stomach. if he manages to make you cum from this, you'll be keeping him a lot longer than usual. especially because he seems to be enjoying this just as much as you do. moaning each time your hands tug on his hair and you grind against his lips. 

You're unable to stop the plethora of sounds that leave you with each flick of his tongue and movement of his fingers. it's no surprise that you're just minutes away from succumbing to your orgasm."Don't stop!" Sunghoon doesn't dare think of stopping, keeps his pace steady as he eases that orgasm right from you. his eyes lock right on your face, watching as your brows furrow and your face contorts beautifully after your "I'm cumming!" he eats you through it and then some, until you stop squirming, and your grip loosens on his hair. 

You genuinely believe you've seen god, that he told you to never ever settle for anything other than this. Sunghoon emerging from your legs with the same fingers that were previously inside of you now tucked between his lips, makes you wonder if he's god with the way he just sucked your soul right out of you.

you watch as he undresses himself. unveiling a surprisingly built figure you didn't know he had. and the fact that he's hung on top of all that. can't deny, you can't wait to figure out of he's as good with his dick as he is his mouth. 

neither of you think twice about a condom, not when he climbs on top of you and kisses you again. you'd be fine with just this, honestly. just kissing him all night. "Ready?"

you think its really cute that he asks, not saying the bar is in hell, but its still a nice gesture. you smile up at him, a soft "yeah" and a head nod is all it takes. he shoves a hand between your bodies, lining himself up with your entrance.

you wince as he slides in, sunghoon watching intensely for any other obvious signs of discomfort. his jaw falls open, forehead pressed against yours once he finally bottoms out. he gives you a second before his hips retract and slow meet yours once again. you're relieved he doesnt immediately begin to pounce on you, as this is enough to have you clawing at his forearms. 

youre just so tight, sucking him right back in anytime he pulls away. the constant clenching and trembling of your walls around him is enough to have him cum just from these very soft and cautious movements of his.

his lips find yours again, kissing through the next few thrusts in which he goes impossibly deeper, and quicker. "Fuck, you're so wet..." those words force a moan out of you that you didnt know you were holding. "Pussy's creamin' already." so not only does he know exactly what he's doing, he's talking you through it too. 

you'd be satisfied if today was your last day on earth. if you died right here, right after hearing those words leave his mouth. you had no idea he had all this in him. that he was even the type, honestly. you know what they say about the quiet ones though.

you don't even have to tell him faster, its like he's reading your fucking mind. like he's became one with you so he knows exactly what to do and when to do it. its the first time you haven't had to coach a man through the entire thing. that is, if you want to get off. you'll be damned if you let this one get away. 

"holy shit" he moans above you, forcing your legs over his shoulders so he can fuck deeper. you cant squirm like this either, forcing you to lay and take every single inch he's giving you. it doesnt matter how hard you push at his hips so he can take maybe an inch or two out of you, he's unrelenting. 

"Hoon!" you shout, hands grabbing at the soft leather below you one you realize he's not stopping anytime soon. his thrusts are quick and short, sharp. the sound of skin slapping, moans, and the like fill the studio. more vulgar words and praises leave him, only adding to the overwhelming pleasure youre receiving from him. "Gonna keep fucking this pussy open till you stop squirming." 

to be loved is to be heard. to be loved is to be seen. to be loved is to be fucked. hard. 

"Sunghoon!" your breath quickens, heart thumps in your chest when you realise he's almost fucked you into another orgasm. there's no need to say it, he knows after observing you just once. 

" 's so big, 's too big!" you're either gonna cum so hard you pass out, or he's gonna split you right in half. either one. you'll be fine with both, really. 

the fine details are irrelevant, what matters is the absolute euphoria your walls give. his balls are so heavy and full, aching to finally release a load. he's almost there, right with you. insisting, telling you that you're gonna keep taking him until you finish. not before. 

"Hoon, i'm-" it's incredible when you finally do. your walls contract so hard, your body convulses, a string of loudly drawn out sounds of ecstasy leave you before you're even able to tell him. 

you swear you're ascending, cumming so hard you can't even hear sunghoon coax you through it. it's the first time you ever have tap out. having to beg him to stop for just a second. you're just so overwhelmed. 

he does, kissing your chest soothingly, though not for long. he does give you a second. one second and then he's back at it again. chasing his own high. "I'm gonna cum. Holy shit." 

his hips come to a hard halt. slamming into your hips one more time as he fucks his cum right into you. "Fuck!" it vocalizes in a jumble of moans, heavy breaths, and one tight grip on your hips. 

he collapses ontop of you thereafter, pulling himself out of you with a hiss. his face nuzzles in your neck, leaving soft kisses there. it's almost no surprise that he's ready for round two minutes after.  lifting himself off of you with a big dorky smile, and "Can we go again?" 

heeseung hyung i'm gonna fuck you up for this.  11:42pm

[neroushalvaus]

Okay I am going to use the Somerton situation to talk about something that is very important to me. Following the discussion I have seen former Somerton fans being disappointed in themselves and questioning how they can ever trust another video essayist again. I have also seen some people being smug because to them Somerton was obviously unreliable from the start. As a person who also saw the "red flags" in Somerton, I would like to skip the smugness and talk a bit about what the red flags were to me.

Someone else has probably posted something similar and Hbomberguy's & Todd in the Shadows's videos touched a few of these points, but they didn't focus on them or how to spot these things. I think it is a good thing: I think it would have reinforced the idea that Somerton's fans were to blame for being lied to, and these youtubers didn't want to pin any blame on the fans. Also, some of the things I'm going to talk about were not by any means proof of him being unreliable, they were common tropes I personally associate with people who are bullshitting on internet. Think of it as something like spotting terfs: If you consider following a tumblr user and find out they have at some point posted "males will always be a danger to females no matter what they say", it is very possible that they are not a terf. Maybe they were having a bad day and were just wording their post badly – But you should probably search "trans" from their blog before following them, just to be sure.

So, the tropes in James Somerton's content that I consider red flags:

Lack of sources. This one may seem obvious and Hbomb talked about this in his video, but the lack of sources in his videos was outrageous. Video essays are called essays for a reason, they are not supposed to be just a guy talking about whatever comes to his mind, they should be well researched essays. Obviously video essays should contain one's own thoughts and interpretations and those do not need citations. But James Somerton didn't come out of the womb knowing everything about LGBT history, Disney and film theory, if he actually knew something about all this stuff, he should have learnt it from somewhere. There should be sources he could point to. It is very common that even when a video essayist doesn't tell you where they got all their information, they open their video by saying stuff like "when I prepared for this video I read the book Also sprach Zarathustra by Friedrich Nietzsche and this one thrilling blog post about lesbian cruising in 1960s Sweden". From what I've seen, James does not really do this. From watching his videos you could arrive to the conclusion that James Somerton does not read any books, he just knows everything. There are situations where people don't feel the need to add sources, like when the information is considered common knowledge or when the topic relates heavily to the essayist's actual academic field or profession. This is okay and very understandable, but can sometimes be dangerous, since if the video essayist markets himself as a marketing specialist, people are more likely to take his word for stuff that has to do with marketing, even without sources. It is understandable that in many situations an essayist may think "why should I cite a source? I know this thing!", but doing your research well is partly about checking if the information you are certain of is actually true. Also, as Hbomb pointed out, if you can cite a source, your audience can go learn more about the subject. It's not about anyone doubting you know your stuff, it's about learning. That's why well-respected video essayists usually cite their sources very clearly.

Lack of pictures and screenshots. This is about different kinds of sources again, many things on this list are kind of about sources. An example: When James Somerton made a video about JKR, he mentioned something about Rowling at one time saying that trans students in 30-50Feralhogs (or whatever the wizard school is called) could use magic to present as their gender. If this was any other video essayist, you'd expect a tweet to pop up, or something else confirming Rowling ever said this. Nothing pops up, obviously because Rowling didn't say this, but you can't see anything fishy in that because things rarely pop up in Somerton's videos. He doesn't show you court documents when speaking about a court case, he doesn't show you the comments apparently mad at him for implying the gay anime is gay when he is complaining about people being mad at him. There is a reason people show screenshots and tweets in video essays. When a good video essayist says JK Rowling has tweeted that all people who menstruate should be referred to as women, the video essayist shows the tweet so people know they are not making it up. If there were hoards of annoying bitc-- I mean, angry white women whining about gay sex in HuffPost articles or Somerton's youtube comments, he should have no trouble showing you those. Remember that you should not trust someone just because they show you pictures or screenshots. Pictures can be photoshopped, screenshots can be doctored. Many youtubers are aware that you listen to their videos while cleaning or while walking your dog and don't actually see the screen all the time, and some may take advantage of that by saying something like "and here she threatened to kill me" while showing a text message where someone said "die mad about it". A screenshot alone isn't much but you should demand to see the screenshot.

Passive voice. I am once again bitching about this. Somerton repeatedly says things like "it's been said that" or "it was common knowledge that" or "a legend says that" or "according to most interpretations". He doesn't say who says it, making it very hard to fact check and that seems to be his goal in some cases.

Relying heavily on anecdotes. Writing a dense, analytical video about film theory or history can be exhausting and you may want to pepper in little fun facts. However Somerton seemed to rely on these heavily; he can't just talk about how he has totally bought every lie told by The Pink Swastika, he also needs to tell a cute little anecdote about SS men forcing sexual favours out of men. He can't just tell a story about a court case, he needs to add in ridiculous stuff about the jury booing. This is what I mean by not all the things on this list being necessarily proof of someone being unreliable. Many people use anecdotes and little stories in their storytelling, it makes the videos flow better and it's hard to decide which anecdotes are valid and which are not. A source obviously makes an anecdote a bit more believable, but here are some things that instantly make me fact check an anecdote:

It's a bit too convenient, poetic or ironic. Sometimes real life is weirder than fiction but if an anecdote is "perfect" and has an amazing punchline and you could write twelve poems about it, there is a possibility it was invented by pop science books.

It assumes your political enemies are stupid. Dunking on conservatives, MRAs and transphobes is always fun and after you've seen a lot of this kind of content it's easy to believe anything about these people. You must resist the impulse to believe everything that may make your opponents look stupid.

The person telling the anecdote implies it is an example of a larger, systemic problem. You know what's worse than taking a random happenstance from human history or internet and basing an entire political theory on it? The said random happenstance being made up. You should in general be wary of people telling one story and explaining why it's an example of everything that's wrong in the world. We live in a huge world. You can always find a white woman who loves cute gays but hates the idea of Nick Heartstopper and Charlie Heartstopper getting nasty but that doesn't mean it's an indicator of a larger issue.

Simplifying complex issues. We all know that "only the boring gays survived the AIDS crisis, and that's why gays started to only care about marriage equality and military" is a horrible, insensitive thing to say, but you also have to think about it for like two seconds to realize that it can't be correct. It kind of reminds me of the "roe v wade caused the crime drop of 1990s" claim in Freakonomics. It sounds logical and simple, like a basic math calculation. Societal issues rarely are like that, though. You should never believe anyone who tells you about a huge societal shift and says it happened because of one thing and one thing only.

These were some of the things I noticed in Somerton's content that caused me to distrust him. I hope these were helpful to you and feel free to add your own "red flags" if you feel like it!

[rifari2037]

Antis : Zutara shippers mischaracterised Katara by saying that she acts motherly towards Aang.

Forgive me if I consider it motherly, when two characters have exactly the same gesture as La Pieta (an art of Virgin Mary cradles the body of her son, Jesus).

The writers actually admitted that they were inspired by La Pieta, so I'm not just assuming. And the writers also said, their dynamic like babysitter and a kid she look after

Out of the 'mischaracterised' thing - because the writers themselves admit that - for some people, such a dynamic doesn't feel romantic, but weird. Very, very weird.

Antis : Katara never has feelings for Zuko. In fact, Katara is like a little sister that Zuko always wanted.

Oh yeah, a little sister who touches his face and thumb on his lips. Is that a normal thing for siblings to do???

It's also funny to me, because as far as I know Katara never examine someone's wound first when she heal them, she always streams water onto her palm and heal them straight away.

Like what she did to Jet...

Or to Aang...

Or even to Zuko in final battle...

So, what exactly did Katara think of Zuko in the Crystal Catacombs when she touched his scars????

Unless...

Antis : Zutara is the worst ship ever! Zuko and Katara can never be together. Their elements are opposites and do not mix well.

Yeah, fire and water are opposite, they can't understand each others and work together. Ever!

And it's not like there's a movie specifically about the elements of fire and water falling in love and find a way to be together, they touch each other and make steam has ever existed.

Bonus :

And they're kissing in the end

Oh, I'm sure they just forgot to say 'yet'.

Antis : I don't understand Zutara shippers. Zuko and Katara has no chemistry at all!!

Okay, well, this is the meaning of chemistry in relationship 👇🏽

For example, a story about a man who dies to save a princess he loves.

Meanwhile the princess tries her best to save him, regardless of the dangers ahead.

Despite being badly injured and very weak, the man tries to reach the princess, knowing that she is in danger.

When there's a chance, the princess grabs the man she loves who dying of his injury. She looks very sad, worried, and afraid of losing him.

The princess has the ability to heal, usually she uses her magic hair, but this time she heals the man using her tears (which means water). Miraculously, the water healed the man.

After he recovers, the man slowly opens his eyes, he looks at the princess and smile at her.

And the princess smile back in happiness.

This love story only beautiful if there is chemistry between the characters, right? Now, I wonder, which ATLA characters have the same story narrative???

[cripplecharacters]

What are some disabilities you've never or extremely rarely seen represented? As in no one's tried at all as far as you know, not just trying badly - people are at least aware wheelchairs are a thing.

Hi! Interesting question, since there's quite a lot of these (and a million of ones that I only saw done badly).

For the sake of my sanity: I will not include disabilities that I only saw represented as a one-time curiosity on a medical show because I don't feel like this counts for anything to be honest (and because some of these shows have 27 seasons and covered literally all existing conditions with 5 minutes of screentime each). Other than that, these are all disabilities I have never seen in any published media, and the vast majority of these I have not seen mentioned even in the online spaces focused on writing disabled characters (including places like our inbox).

One of my own facial differences. I don't know a single character with a permanent cranial nerve disease. Which is kinda wild to me because facial nerve palsy is really common in real life. I'd like to see someone with permanent paralysis on their face, regardless of how similar or dissimilar it is to what I have going on.

Profound intellectual disability, as in the kind where the person actually needs 24/7 care and requires help with all activities of daily living. All the intellectually disabled characters I've seen have been on the milder side - which does make sense considering the vast majority of people with ID are mildly and moderately affected, but I'd still like to see some more variety.

Spinal muscular atrophy. To be honest I was 100% sure I was missing some obvious character from some bigger piece of media because there was just no way there was none, but I wasn't able to find anything. So as far as I can think of right now, I have never seen it represented. It'd be cool to see characters with SMA of all the different types.

In a similar vein, most muscular dystrophies. Pretty much all the "characters" with them are just real people playing themselves, so I personally don't really count it (?). But even then it's basically impossible to find anything representing MDs other than Duchenne and maybe Becker.

In an also similar vein, just severe disabilities in general. Writers are allergic to the idea of making a character who has significant limitations and needs a lot of help to perform daily functions. Sometimes it's the age-old argument that the character "can't fight so what's the point" that I see online with some frequency (as if there aren't other things to do in an action series), sometimes the writer is just too ableist to consider thinking of severely disabled people as people so it doesn't cross their mind that writing a living human being who needs help with eating is a possibility.

Pretty much all characters that I know of with high-needs autism, high cervical SCIs (from C"0" to C4), severe brain damage, severe muscular dystrophies (as mentioned), severe/profound intellectual disability (as mentioned...), non-mild SMA (...as mentioned...), locked-in syndrome, ALS, they mostly don't exist; sometimes they do and die/are murdered because of the "death>being disabled" sentiment. Disabled lives are worth living and this absolutely needs to be represented more ASAP.

Most autoimmune conditions. I'm blaming it on the fact that 99% of characters that could be seen as having them just have Vague Unidentified Something that makes them Vaguely Weak. I have never heard of a character with Graves' disease or Addison's, named or at least implied enough to reasonably assume that's what the author meant. For the most part all that's out here is just Vaguely fragile characters who are Vaguely staying in hospitals and getting Vague treatments. It could be meant as representation for anything but represents nothing because it's all empty and nonspecific (I'm NOT talking about undiagnosed characters here, diagnosis or not there are still symptoms one can actually show in the story).

Some conditions are more difficult to show than others, but it doesn't change that it'd be cool to see more of them and for them to actually get named. Especially in modern settings where these conditions very much have names that can be said (even in passing) and specific symptoms that can be shown in literally any setting.

Ehlers Danlos syndrome that's not the hypermobile type. Sun Spider has hEDS and she's cool as hell but other EDS types are just completely forgotten to the point that unspecified EDS is presumed to be hEDS. There's nothing here for the classical or vascular types, let alone the ones described as rare (you don't even see pEDS or kEDS mentioned on a lot of EDS info guides).

This kind of "single type of condition with multiple types makes up 100% of existing representation" is really common for a lot of disabilities, actually. Have I seen "representation" and representation of oculocutaneous albinism? Yeah in like every other bad fantasy series. Have I ever heard of ocular albinism being included in media? Chédiak–Higashi syndrome? Hermansky-Pudlak? All the other ones that no one's ever talking about? Absolutely not. Even in the online writing space, all I have seen is a single character with one of these (actually made by one of the other mods of this blog).

You are very much correct in that people know about wheelchairs. However, a wheelchair can have a lot of variables that people are very much not aware of.

99% of wheelchair user characters use either a manual chair or a transport chair. This leaves out the borderline-mystical motorized wheelchairs. Right now I can think of one character who uses a modern-day, realistic powerchair; Saraqael from Good Omens. That's it.

People are still more or less aware of their existence though, even if it's just the "oh, like Stephen Hawking?" angle. But do they know of chin control? Sip 'n' puffs? Foot joysticks? Lever drives for the manual ones? No. Manual-shaped low backrest powerchairs are mostly out of the picture, wheelchairs modified to be propelled by foot are literally seen as a meme. Wheelchairs, despite being the disability symbol, don't have as much awareness as one would like to think.

List of disability aids I've never seen shown anywhere: posterior walkers; ankle-foot orthoses (I saw a KAFO once!); group 3 powerchairs with all their neat functions; platform crutches; refreshable braille displays; adaptive strollers; basically any of the aids made to help with holding objects... These are whole groups of things that don't get shown. Don't get me started on how non-oral communication systems are non-existent outside of American Sign Language.

A lot of the facial differences mentioned in this post.

Also, I don't really take into account how rare or how common these disabilities/aids are because 99% of writers aren't doing it either. There are more characters with ridiculously depicted congenital insensitivity to pain (is there a single writer out there who read about the symptoms outside the name of it?) which is obviously rare (and with high mortality) than ones with diabetes, which ~10% of humans worldwide have... There is roughly 0 correlation between the prevalence of a disability IRL vs in media.

The unfortunate issue of writing characters with a rarely represented/straight up never represented disability is that there will be less information about media tropes and the like, so you might need to be extra careful and talk to more people (or just get a sensitivity reader). When in doubt try to reach out to people with said disability and compensate them for their time!

mod Sasza

Thank you for your ask! I’m going to try to mention things Sasza hasn’t, though the list isn’t going to be incomplete since there are so many disabilities I’ve known people with but have never seen represented in any form (movies, shows, books, or podcasts).

Marie charcot tooth disease. I know multiple people with it but have never seen a character with it, or even any character with AFO braces (I feel like I’ve seen most mobility aids at least once but never has media even mentioned AFO braces?).

Diabetes, type 1 or 2. For all people talk about it in media (and usually negatively..) they never give it to their characters! Meanwhile it’s possibly the most common disability the people I know have.

More chromosome difference! There are so many chromosome syndromes, Turners, Williams, Cri du chat, Trisomy 13 or 18, and more. When I see a chromosome disorder portrayed it’s always down syndrome (note: I’m not saying don’t give your characters ds! It’s underrepresented in media still, but it’s also the only chromosome syndrome I’ve seen represented.), and even then most of the time it seems like little to no research has been done on it.

COPD (chronic obstructive pulmonary disease). It’s a fairly common disability that (9-10% of the population has it, aka roughly 780 million people!) should be portrayed more, and the fact that it’s completely ignored when people make speculative fiction, sci-fi, or post apocalyptic fiction about a more polluted world seems like an oversight to me (though please don’t only write people with COPD in these stories, they can be present in any genre!)

Congenital hand/arm differences [also foot/leg differences, but characters rarely take off their shoes]. Radial club hand, cleft hand, contractures, oro-facial-digital syndrome (OFD), congenital constriction band syndrome, anything!

Ambulatory mobility aid users. If someone is a show is using a mobility aid [which is already pretty rare] they’re using the same aid at all times. There’s no representation for people who use aids at different times for different reasons [such as fluctuating symptoms, depending on the path/time spent outside, safety, comfort, etc.] Every time I’ve seen a disabled character moving without the aid they previously had, it’s used as a reveal that they were faking the whole time, which directly impacts how abled people see ambulatory aid users in the real world.

Ostonomy bags and/or catheters. I feel like if people saw more characters with these, there would be much less stigma around them [I also recently saw a tiktok of a person who made decorative ostonomy bag covers for a friend to match their outfits, and decorating aids is so cool I want to see way more of that!].

Actually on that note, more aids in general! There are so many disability aids such as feeding tubes, ventricular assist devices, tracheostomy tubes, silver ring splints, I really want to see them more!

I hope this helps with your question! In truth the answer would be “almost every disability” since it tends to be a handful that get represented with little to no research about them.

Mod Rot

Hello,

Acute confusional migraines. These are a severe type of migraine that come with delirium-like changes in mental status. Most ACM patients are children who grow out of it, but some people either continued having them into adulthood or started getting them in adulthood, like me.

TBI that occurred when the character was very young, to the point where they either don't remember their life before it or barely remember it. It's a very different experience

Chronic headaches. Not chronic migraines, chronic normal headaches.

Vocal slur that's not from substances or a temporary head injury, that's just how the character always talks.

Myofascial pain syndrome, which is kind of like fibromyalgia's little sibling.

Bilateral waddling gait.

Global aphasia, which is a severe nonfluent aphasia that causes the loss of all or nearly all of someone's language abilities, both expressive and receptive. Here's the Wikipedia page on it

Psoriasis

Mod Aaron

Hi,

Obviously so many things have already been mentioned so I'm just adding a couple things I thought of:

Like any heart/cardiovascular condition that isn't "girl with an unspecified weak heart." And, listen, my favorite ballet has this trope – but the ballet's defense is that it was written in 1842, before we knew literally anything about any heart conditions. Modern-day media doesn't really have this defense.

On that line, pacemakers. Lots of people use pacemakers, and not just old people either.

Crohn's disease. It's not a particularly rare condition, but I have never seen a character mentioned to have it, or even a mention of it past a line or two on a medical TV show.

Narcolepsy. It's rare, yes, but not extremely so. And narcolepsy not as a "haha so funny they fall asleep," because it's not a joke, it's a health issue that can be really stressful and frustrating.

That's all I can think of right now without repeating myself.

Mod sparrow

Adding on a few of my own!

With all the jokes in media about going gluten-free as a fad or an example of being stuffy, I've never seen a character with Celiac disease or complications from it.

Adding to that - vitamin deficiencies are very common side effects of so many disorders and never seem represented, the most common being iron deficient anemia and B12 and vitamin D being other common ones.

Food allergies or severe allergies are another thing that's become a joke but is both difficult to accommodate for and more common than many people realize.

-Mod Bert

Hello!

I think everyone else covered most of it. One thing I want to add is digestive conditions or conditions that affect the digestive system in some way. They're very common but not really represented and there's a lot of stigma around them.

The way they're written doesn't have to focus on their washroom habits either. It could focus more on necessary diet changes, medication they need to take, etc.

When I say this, the conditions that come to mind are things like Irritable Bowel Syndrome (IBS), Crohn's Disease (Which was mentioned earlier), Celiac Disease (Also mentioned earlier), Lactose Intolerance as well as some lesser known conditions such as Hirschprung's Disease and Achalasia.

Cheers!

~ Mod Icarus

[basementloser]

I would've loved an episode in which Danny and Dash switch bodies.

I imagine it happens because Dash is talking to Kwan about how cool Phantom is or something, and at some point he says "Man, I wish I was Danny Phantom!"

Of course Desiree hears this, she appears before him ("So you have wished it, so shall it be!"), and the next day Dash wakes up in Danny's body. Danny Fenton's body. In Danny's room.

At this point he's pretty familiar with Desiree, and he assumes she just heard him wrong, befause Fenton and Phantom do sound alike. ("Huh, how weird! How has no one noticed this before?" We hear Wes screaming in the distance as Dash makes this observation.)

But there is no way in hell that a puny little nerd like Fenton could be Dash's hero, so something must've gone wrong. He decides to find Desiree and correct his wish.

-

Meanwhile, Danny (to his horror) wakes up in Dash's body.

He assumes he overshadowed him for some reason, but when he tries to leave, he finds out he doesn't have his powers. He also doesn't feel Dash's presence in the body.

"I know i asked for a growth spurt, but not like this!"

This isn't good.

-

Dash makes his way downstairs, and is immediately greeted by Jack Fenton, who has a million chores for him.

"Come on, Danno! Those ghosts I fished out of the ghost zone with the Fenton Ghost Fisher™️ aren't gonna put themselves back!"

Before he can object he is pushed into the lab and has to fight a couple of ectopusses. This goes very badly at first, until Dash remembers the bit of ghost hunting training Danny gave him and his classmates, when they had to rescue their parents from that big pirate ship.

As soon as he's done, exhausted on the floor (Damn, Fenton really needs to work out more!), he hears Jack yelling down the stairs.

"Son, don't forget to change the ecto filtrator! You don't want Amity Park to blow up, do ya?"

More dangerous chores keep getting added for longer than Dash thought was humanly possible.

(At some point Jack gave him some fudge, which helped.)

How does Fenton live like this???

-

We switch back over to Danny, who is now looking around Dash's room. He already knew about the cute pink teddy bear collection, but he didn't expect to find what can only be described as a fan shrine to Phantom.

There are newspaper articles, pictures, merch ("Wait I have merch? How come i didn't know that? Who is selling Phantom merch?" it's Tucker), and a poster.

(the b-story of this episode is Sam & Tucker running a Phantom merch line, and trying to stop the Box Ghost from stealing all the boxes of merch.)

Danny keeps looking around Dash's room, and finding out more about him through his stuff.

At some point he finds Dash's diary. He contemplates if he should read it or not, but in the end he decides that since Dash is always such a jerk to him, he doesn't care about morals and reads it.

Reading the diary, Danny starts to feel kinda bad, because in the entries Dash actually seems human. He's insecure, and he actually struggles with a lot. He's afraid to talk about what he's going through.

His parents are very absent, and the A-listers kicked Valerie out when her life wasn't perfect anymore. He doesn't want that to happen to him.

(I personally headcanon Dash as an extremely closeted gay guy with a lot of internalised homophobia, who hasn't stopped trying to convince himself that he's straight, but his struggles could be about anything.)

After reading all that, Danny starts to feel kinda bad for him.

-

Over the course of the day ghosts keep showing up to fight or talk to Fenton, and Dash is incredibly confused by this. Also Danny must have a weird cold or something, because he's been exhaling cold air at random all day.

"I AM THE BOX GHO- Hey! Wait! Why are you running away? You never run away. You always trap me in your cylindrical contraption of doOoOoOm!" (The Box Ghost is wearing a Phantom t-shirt, and is holding a box full of other Phantom merch. After Dash runs away, Sam and Tucker appear, chasing the Box Ghost through the street, trying to get the merch back.)

Later Johnny 13 shows up to fight, because he and Kitty broke up for the 4th time this week, and he wants to let out some steam. "Shouldn't you change for our fight, kid?" Change into what? Wait he wanted to fight, right? Dash puts on his gym uniform, and boxing gloves. Johnny looks at him weird, but doesn't question it. They have a little boxing match in the backyard.

Youngblood came by to play astronauts with him, and was very disappointed that Danny didn't fly up to space with him. (Wait didn't that dead kid kidnap Dash's parents??! Also why in the hell does he think Fenton has the ability to fly?????!! And breathe(!) in space?!!!)

After finishing what seems like a billion ghost related chores (and dealing with way too many ghosts), Dash finally manages to get out of the Fenton house, and starts to look for Desiree.

-

Danny walks out of Dash's room, and runs into Dash's dad. He opens his mouth, but he doesn't seem to care about what he's going to say. "Son I am so incredibly disappointed in you." the dad starts, then continues to list all the reasons he is a huge disappointment who should try harder. "Those weird little bears in your closet!" and "Why don't you have a girlfriend yet?"

The whole interaction is horrible, and makes Danny appreciate his own parents (weird as they may be) so much.

Dash's mom also berates him about being a disappointment, because they found his Phantom collection ("He is a GHOST, Dash! He's dangerous!"), and because his grades are so low. ("What do you mean tutor? Just study harder!")

They threaten to take Pookie away if he doesn't get his shit together.

-

At some point Danny has deduced that this body situation must be some ghost bullshit, and he decides to go to Fentonworks.

Then he runs into Dash in his body, and they have a little spiderman moment

After the internal shock and "WHAT THE HELL ARE YOU DOING IN MY BODY GET OUT!"s have gone around, Dash tells Danny what happened.

Danny informs Dash that most of Desiree's wishes become permanent after 24 hours. They decide to team up to get Desiree to undo this wish before that happens.

It's noted that Dash didn't say the word "puny" or any other insult, when he says "I really don't wanna stay in your body.".

We see a compilation of Danny and Dash searching Amity Park for Desiree, and other wishes she has granted. They fight off a couple of small ghost things together.

(during this compilation we see Sam and Tucker chasing the Box Ghost around. "How is he this hard to catch?? We've done this millions of times already!!!" -"Well maybe if you didn't drop the fucking thermos!")

After the fight, Dash sighs and says "Man, I had no idea how difficult your life is, Fenton. I've only been living it a day and it sucks."

they have a little heart to heart, and Dash sincerely apologises for bullying Danny so much.

"why did you want to be Phantom anyway? I assume his life isn't that easy either." Danny says.

"I dunno, man. I just thought it would be cool to be, y'know, going ghost."

White rings appear around Dash. He turns into Phantom.

they have another moment like this:

"WHAT THE FUCK!"

"WHAT THE FUCK!"

"I"M- I- YOU- YOU'RE PHANTOM??!!!"

"NO! YES! NO TIME! FIGHT HER!!!"

Because of course, this is the moment that Desiree appears, and starts fighting them.

"I dont know how!!!"

The beginning of the fight is very awkward, with Dash not knowing how Danny's powers work, and Danny not being used to fighting Desiree without his powers.

Eventually they get the hang of it, with Danny telling Dash how to activate and use certain powers in the moment, and they defeat Desiree.

All the wishes get undone, and they suck her up into a thermos.

After that, they talk about Danny being Phantom. Danny tells Dash the story of how he died got his powers, and Dash shares some of his secrets with Danny so they're "even". (it's some stuff that wasn't in Dash's diary. Danny doesn't mention that he read that, but that can be conflict in a later episode)

They aren't friends yet, but it's a start. Now that he walked a mile in Danny's shoes, Dash feels so bad about bullying him all those years, and he starts to question his life choices. (start of a Dash redemption arc i guess). He promises to stop bullying in general, and help out Danny however he can. (He also promises to not tell anyone about Danny's secret identity.)

(The episode ends with Sam and Tucker, having finally caught the Box Ghost, only to realise that in the chase/fight all the merch got way too messed up to sell, so it was all for nothing. Tucker throws the thermos down in frustration, the Box Ghost gets free, grabs the Phantom shirt he wore earlier, yells "BEWARE!" and flies off. Sam sighs and gets ready to start chasing him again, but Tucker stops her. "I give up. Let him have the fucking shirt.")

[acid-ixx]

Dear author,

I love your batfam series SO MUCH. I like the way you describe the feelings, how you use the words, how the depression of Y/N was shown, and the thinking of Batfam when they realize that Y/N had been heavily neglectful. Every time I read this series again, I still feel the hurtful of it and it actually makes me cry a lot T.T. And I love that feeling. And the series makes me want to draw, even though I’m not good at drawing.

The first panel, I draw Y/N in my thoughts ( sorry if you feel uncomfortable) and Conner. This one is inspired from a manga called “ Veil”.

The second one, I draw some scenes from chapter 3 (I tried to draw the ways Y/N calmed themselves down, but I couldn’t 😭).

From your series, I’ve thought about ABO au, where Y/N is a beta, they can’t be marked ; so the yanderes ( romantic one) are more yandere, because they know that Y/N never belong to anyone.

Last thing to say, I VERY VERY VERY LOVE your batfam series and this is one of the greatest fics of Batfam I’ve ever read. I also very admire your hardworking and your inspiration about this series. But I hope that you also stay healthy because I saw that you’re very productive ( how you can write so fast but still focus on the details TvT). No words can reveal the love in my heart to your series.

Sorry if I either bother you or my bad grammar ( English not my native language, this is also the first time I do this ). Thank you so much because spending your time reading this piece of mine. I just want to express my feelings and thoughts about your fic. Hope you have a good day!!!<333333

— masterlist !

a/n: the topic of a/b/o is written under this post. anyways, this comic panel is so absolutely brilliant and breathtaking omg... i love all the thoughts u have compiled here and i'm so sorry I wasn't able to reply to this quick enough 😭 but i appreciate this sm !! "even tho im not good at drawing" YET U SENT ME THIS !! i absolutely love everything about this don't say ur not good at drawing bec u are 😡

so like i said, don't be sorry if u draw the reader as female bec i portrayed them as gn so anyone can interpret them as any gender and it doesn't make me uncomfortable at all as long as i'm the one not being misgendered. anyways, veil is actually one of my fave mangas and if u ask me, i could say your relationship with conner is pretty much akin to that of veil's! which means conner is very touchy-feely with you and is uncaring of their status as a wayne and would rather... have you take his last name very soon, if you know what i mean hehe.

the second scene is absolutely heartbreaking even for me, especially the panel where your mom tries to comfort you by telling you it's all alright made my heart ache real badly because that's probably the last time you have experienced; the love of a parent that's soon taken away from you. your mom's last words would be reassurance, one that both comforts and disturbs you as the memory repeats itself over and over in you head like a broken record </3

and the abo au, for me personally (tho i never have written for it) is just going to threaten more angst with your family because not even your pack is willing to take you in and care for you. despite your hopes due to being a beta unlike your family who are comprised of strong alphas and resilient omegas, you are merely average in their eyes probably, average enough to be forgotten and discarded by a pack you had thought would take you in for you must be a misfit just like them.

yet despite the pain you had to endure for feeling unloved as a beta, it would also deepen your potential with conner as your love interest because although you could never be claimed by any past sweethearts, conner would always, and i mean always make a show that he loves you in a deeper, more symbolical way. he may not be able to mark you as your alpha, but a ring and an always protective hold on your waist paired with his scent and pheromones engraved into every piece of your clothing is enough to tell everyone to "fuck off, this one's mine."

and tysm for loving my fanfic 😭 even tho i have written it impulsively, look where it got now !! yes i am very productive but this is a mere product of my attention span and hyperfixations towards the dc storyline and no my health is very bad but trust me it's not from writing, it's more from me just being very ill every single day but im trying to take care of myself <33

[wastemanjohn]

i'm not at all bothered about people disliking john because entirely valid tbh and someone else's opinion changes nothing for me. i just think the militant anti john brigade - that is, those that make up textually unsupported and entirely leftfield reasons to dislike him - are really missing out.

the thing is, we've got an absolute buffet of an interesting and irreparably fucked up character here. we could debate the absolute Horrors of john winchester and his a+ parenting for days on end literally from the two seconds of screentime he had. because he does suck! it's totally fair to say that canon john is selfish, neglectful and at best emotionally abusive. now i'm defo no apologist (see username) - but he's also the furthest thing from a cardboard shitty abusive dad. there is serious context for the things he does and the way he thinks.

john's life was hell man. his own dad, for all he knew, abandoned him. he went to war young and almost certainly came back with ptsd. these things alone don't exactly make life easy but then your wife burns to death on a ceiling and you're left a widower and a single dad to a baby and a pre schooler before you're even thirty? then discover that it couldn't even be a plain old housefire but no - there is actual Evil out there and you and your children are not safe and never will be?

the desire for revenge is understandable. the desire to do stupid and paradoxically dangerous things to protect your children are understandable. right, good or healthy? no. but understandable. and that's what makes a good sympathetic character.

basically i think a lot of negative readings of john exaggerate the badness of his intentions and ignore his humanity. it's also understandable that john is not a beacon of emotional regulation. it's also understandable that he cant always balance being emotionally and physically there for his kids with Fighting The Horrors. pour alcohol misuse onto this dumpster fire and you're not getting a perfect person, or a perfect parent. you're getting a broken human who was focused only on keeping his kids safe, alive, protected, and able to protect themselves. sure, he had tunnel vision about it. he did it very badly. he controlled sam as the youngest and parentified dean as the oldest. he made sam feel misunderstood and smothered. he made dean feel completely responsible for the welfare of his brother and dependent on john's praise and approval as his second in command.

john fucked his kids up IMMEASURABLY. he thought he was doing the right thing.

also - remember young john? remember how he's softly spoken and loves his cars and adores his girlfriend and respects his fucking elders and, to quote mary, "believes in happy endings"? remember the doting dad we see for like a minute in the pilot? is that not meant to show us that, had his life not taken the turn it did - he would likely have been an entirely different person? how is the tragedy of that not also completely DELICIOUS??

so why homophobic john? why john who beat dean senseless regularly? why john who gave no shits and wanted his boys to be miserable? why these embellishments that make him someone else, someone with nothing good inside of him, when what canon gives us is so much better?

come on guys. the tragic messy sad angry selfish HUMAN john we got in the show is an absolute treat. why are we making him an irredeemable, unfeeling and uncomplicated asshole who doesn't give a shit about his boys. ya'll saw him spending a good 50% of his screen time crying about how much he loved them right? and sam and dean KNEW he loved them. they also knew, or in dean's case came to realise, that he was a terrible father in many ways. real life is messy and nuanced. families are messy and nuanced. and imo spn got this so right.

[moonstruckme]

hey! I really really really like your writing very much!

can you do one where the reader and spencer reid are both nerds but different kinds of nerds. so the reader's more of a literature/ language nerd and spencer's basically an expert in LITERALLY everything. so she has a major crush on him but always hesitates to make a move on him cuz she thinks that she doesn't stand a chance because she struggles with basic math and physics chemistry make her head hurt

and so when spencer asks her out she's all baffled like you don't think I'm dumb?!😭😭

Hi, thanks honey!

Spencer Reid x fem!reader ♡ 1.3k words

It’s one of those rare days where you can actually afford a lunch break, and you’ve decided to take it outside with your book. Every day lately feels like it could be the last nice one you get before the cold weather comes in, and you’re enjoying the crisp breeze and warm sunshine on your face as you get settled on the bench outside the cafe where you work. 

The book you’ve been reading for the past week is good but not great; you’re sort of pushing yourself to finish just so you can say it’s over with and tell the friend who lent it that you gave it your best. Still, you’re very nearly lost in it by the time a pair of black converse comes to a stop in front of you. 

You follow them upward. “Spencer!” you say, probably with a touch too much alacrity. Too quickly, too. You might’ve at least pretended to have to think about the name of the sweet-faced doctor looking down at you. But it’s not your fault; you’ve gotten used to calling it out from the counter when he comes here to pick up his lunch at least three days out of the week. 

“Hi,” he says, teetering on the edge of bashful. “I’m surprised to see you out here, you’re almost always working when I come by.” 

It’s embarrassingly gratifying that he knows that. You’d never hold it against him if he didn’t, but you’ve come to enjoy the little bits of conversation you grab with him when he comes by, and it’s nice to know that he’s noticed you too. 

“It’s a slow day,” you reply by way of explanation. “I figured I’d grab a break while I still could.” 

Spencer smiles like he totally gets that. You imagine he does. “Good idea. Can I sit?”

“Of course!” Again, way too eager. You’ve got to work on controlling your tone around him. You move your discarded jacket into your lap. 

“Thanks,” he says, sitting in the space you’ve made for him. His legs are so long he looks like he’s squatting on the bench, knees high enough for him to set his elbows on. Which he does, tilting his head to see you. “What’re you reading?”

“Oh, um, it’s nothing. I mean, I wouldn’t really recommend it,” you laugh. Christ, you don’t want him to know what you’re reading. Spencer probably reads astrophysics textbooks for fun. “It’s not very good.” 

Spencer puts his hand over yours, far from forceful as he tips the page toward him until he can see the cover. Your brain is short-circuiting so badly it’s a wonder you don’t drop the paperback onto the pavement. 

“I haven’t heard of it,” he says, which surprises you. Spencer seems so knowledgeable it’s difficult to believe there’s anything in existence that’s not stored somewhere in his hard drive. “Why are you reading it if you don’t think it’s good?” 

He doesn’t ask it in any unkind or judgemental way, but something inside you tenses nonetheless. You know perhaps too much about Spencer Reid. It’s not like you’d gone out of your way to figure him out, but the facts had presented themselves to you almost serendipitously and you’d put the pieces together. You know that he’s in the FBI, not only because of the laminated identifier he sometimes leaves clipped to his shirtpocket when he comes in, but also because of the coworkers that occasionally come with him. From those coworkers, you also know that he’s a doctor, and you gather that he’s generally respected and admired as well as cared for by his team. He seems a bit awkward, but sure of himself where it matters, and he goes into every interaction with a kind curiosity. Most of all, you know that Spencer is smart. Like, expert in everything smart. You’d caught a few jokes from the people he’s brought in about an eidetic memory, his multiple PhDs, and the nickname “boy genius.” No matter how shy and sweet someone is, that’s intimidating. 

And it’s unnerving to have someone with an IQ higher than you can probably fathom asking about your intellectual habits. 

“Well, the plot doesn’t actually have much movement, so it’s pretty boring,” you say hesitantly. “I guess at this point I’m mostly in it for the prose. Plus my friend recommended it, so I have to finish it to keep her happy.” 

Spencer laughs at your little joke, nodding. “Wow, the prose alone is enough to keep you going? It must be pretty fascinating.” 

You want to backpedal immediately, but settle for a one-shouldered shrug. “It’s alright. I’m kind of a nerd for that stuff. Rhetorical devices and all.”

Spencer tilts his head, something igniting in his brown eyes. Interest. “Rhetorical devices. You mean like metaphor and personification?”

You nod. “Yeah, like those, but also anadiplosis and polysyndeton and anastrophe.” Spencer’s eyebrows move slowly upward as you speak, and you feel heat rising to your cheeks despite the slight chill. “I just like that there’s things that affect the emotion—or the pacing, or whatever—of writing that we as readers pick up on almost subconsciously, but were so intentional for the writer.” 

Spencer’s nodding, eyes going somewhere just slightly distant. “Yeah, that’s a good point. I mean, I know writing is a very intentional process, but I never really think about the tiny, word-level decisions authors make to influence readers.” 

“It’s so cool,” you agree. “Like, how long do you think it takes someone to land on the exact right word for what they’re trying to convey, or to structure their sentences in a way that builds momentum over the course of a paragraph? Like, so much goes into it.” 

Spencer’s smiling at you, and you realize you’re gushing, geeky zeal bursting out of you like a soda bottle that’s been shaken and finally uncapped. “Sorry. Um, what’re you reading lately?” 

“Don’t be sorry,” he says quickly, still smiling at you. “I actually just finished my last book, so I’m looking for something new. If this book has all that and isn’t up to your standards, I’d be interested to see what you really enjoy reading.” 

Your cheeks are burning hot; you hope Spencer thinks the redness is from the cool breeze. “I’d be nervous to give you a recommendation,” you admit. “Too much pressure.” 

Spencer waves you off. “I’ll read anything, don’t worry about it. Hey, have you ever been to that coffee shop on fifth? It’s in a bookstore.” 

You blink. “No, I haven’t heard of it. That sounds cool, though.” 

A bit of pink tinges Spencer’s cheeks; it’s probably from the cool breeze. “Yeah, well, you should let me take you there sometime. If you want, of course,” he adds hastily. “Don’t worry about it if not.” 

It takes you a second to realize what’s happening. And then once you do, another second to make yourself believe it. “Like, as a date?” you ask, just to be sure.

 Spencer’s smile is hopeful behind its timidity. “Yeah. Yeah, if you’re okay with that.” 

“Yeah.” You can’t think of anything better to say, your brain filling with buzzing bees. “That sounds good. Thanks.” 

He laughs, eyebrows coming together bemusedly. “Well, don’t thank me. I should be thanking you.” 

It’s more a thanks for his taking action, you think. For making a move when you’d been too scared to, stagnant with months over your anxiety that he’d think you were too dumb or trivial to want to keep talking to you after he’d picked up his sandwich. 

“Okay, great.” He stands. “Well, I have to get back, but I’ll, uh…I’ll see you? Friday, maybe? I can come by here after your shift.” 

“You know when my shift ends?”

Now even his ears are turning red. “You…around four, right? I sometimes see you if I’m leaving work around then.” 

You smile. “Yeah, four. See you then, Dr. Reid.” 

“See you then!” he turns around, and you can see the exact moment he thinks to wonder how you know his last name. You don’t bother worrying about it.

[thesummerestsolstice]

So I think one thing that really drives Feanor is his grief– he looses Miriel, and he very clearly never recovers from that. There's the pain of loosing a parent and the added layer of Miriel's death being, on some level, a choice to leave Feanor. You can't tell me he didn't internalize the idea that he wasn't good enough for his mother to stay ay least a little. And I can't help but imagine that most of Valinor really wasn't helpful. There was probably a lot of vague sympathy with no real understanding of the situation, people who in theory thought Feanor had the right to grieve but reacted pretty badly to any actual displays of grief, and some people who insisted that Miriel chose to stay dead, Finwe and Indis were happily married, and therefore, Feanor shouldn't feel sad about it anymore. Even for those with more understanding of grief, it's still a really complicated situation. But you know who would understand Feanor?

Elrond. And the reason is Elros and Arwen– Elrond knows what it's like when someone you love dearly chooses to leave you, essentially forever, not because they don't care about you or because you weren't good enough, but because they have to make the best choice for themselves. And how you can respect that choice, and be glad that they did what they needed to, but still grieve them and the relationship you had with them. He understands those complicated feelings and how to process them in a healthy and non-destructive way.

And I'm losing my mind over this because Feanor is the one who starts the kinslayings and the cycle of violence between elves, and Elrond is the end result of all that violence; born to two refugees and raised largely by Feanor's sons. But despite all that, he's good and kind and able to focus on healing instead of pain. He ends the violence and makes a sanctuary where everyone is welcome. And he's able to do what Feanor never could, and not be consumed by his pain. And that means so much.