#and everybody associated him with that work instead of me

[fickleminder]

the matchmaker

Happy birthday Barney woooooo 💜

- You’re a matchmaker who works mostly with nobles, seeing as they’re the ones still rooted in traditions and such. Personally you believe in marrying for love, but this pays the bills so…

- You’re damn good at your job too. You know how to read your clients; you can suss out what kind of demons they really are underneath whatever front they put on for you. You can tell which personality traits are likely to work well together, and if you’ve had a hand in helping lesser demons from bad families escape to safer and more comfortable lives, they would never tell.

- One day this little demon no more than several centuries old walks into your office asking for a marriage partner.

- “Not for me, for my big brother!” He clarifies while you’re mentally cursing the noble families who still follow child bride practices.

- Said big brother barges in not two seconds later apologizing for his rudeness and trying unsuccessfully to stop his sibling from spilling his entire life story.

- You recognize Mephistopheles immediately. Not only is his family well-known in your network, but you’ve done business with many of his associates and one of his underlings had interviewed you for an article before.

- Apparently he’s under pressure from his family to marry, despite not being open to the idea at this time. You know how messy noble politics can be, so you don’t pry and instead get him started on the process. At the very least, you can match him with someone he won’t completely detest. Best case scenario, he finds an accomplice to fake a relationship with.

- (After a preliminary screening, it seems like Mephisto’s ideal partner is Lord Diavolo himself, but rumor has it he’s already infatuated with one of his students, so he’s off the table. Not that you’d go anywhere near the prince, especially with that butler of his constantly by his side.)

- You soon discover that Mephisto is one tough customer. He finds fault in every single match you send his way, even when you suggest that he pick someone just for show. He insists that even a fake partner has to check all his boxes, but you suspect he’s being overly selective on purpose to delay any potential marriages.

- But he’s never rude about it either. His matches tell you about how he’s always the perfect gentlemen on their dates, how he’s polite even when turning them down at the end of the day. He’s essentially wasting everybody’s time, going through the process for the sake of it while trying to change his family’s mind, but he’s still paying you for your efforts despite everything, so you continue to do your job.

- You tweak Mephisto’s matches with every feedback he gives you, and you start to wonder if there’s anyone he’d be willing take a chance on, even if it’s to play pretend and get his family off his back.

- His little brother tries to help out. The little demon often visits you behind Mephisto’s back, telling you stories and sharing every tidbit of information he can think of to better help you help his brother find happiness. He doesn’t quite understand why Mephisto doesn’t want a partner (he’s used to fairytales with happily ever afters), but he’s determined to make sure his older brother gets his happy ending too.

- One day one of your old clients visits you out of the blue, looking much healthier than when you first found her taking shelter in your office building. She warns you that there’s been unsavory characters loitering in the area recently. She recognizes some of them from her old circles and warns you to be careful.

- You’re no stranger to this. There’s a reason nobles have entourages of bodyguards with them wherever they go, and working so closely with them has put more than one target on your back over the centuries. You always make sure to keep magical wards in the area to warn you when demons with malicious intent have entered the premises, and stash a few teleportation talismans for a quick getaway if needed.

- It’s during one of the days Mephisto’s brother drops by to chat with you that your wards go off. You don’t hesitate to grab the little demon before activating your talismans, teleporting both of you to safety. You don’t reappear in front of your house, no; you don’t know if your own home has been compromised, so you told the frightened demon in your arms to picture the safest place he could think of—

- You land in a puddle of mud in the middle of a nondescript field, barely managing to catch him before he gets all dirtied as well. There’s a stable nearby, and the guards stationed there immediately notice your arrival and surround the two of you.

- Things happen quickly after that. Mephisto’s brother vouches for you even as he’s crying for his sibling, and after verifying your identity and giving a brief rundown of what happened, the two of you are escorted to the family manor.

- Mephisto finds you within the hour, throwing decorum out the window and bursting through the main doors to rush to you and his brother. Poor kid wouldn’t let go of him for the longest time, while you stand quietly in one corner to let them have their moment, not wanting to track mud over the pristine marble floor more than you already have.

- “You kept him safe…” Mephisto acknowledges you with an indescribable look in his eyes and, to your surprise, grabs you in a hug as well, muddied clothes be damned. “Thank you.”

- He promises to personally fund and oversee the repairs, your office having been thoroughly thrashed by the attempted kidnappers when they had trespassed in search of his brother. They’d been stalking him for weeks and knew he often snuck away from his bodyguards to see you, and they thought it’d be a golden opportunity to ransom him for a hefty amount of Grimm.

- Mephisto also prepares a security detail for you, despite you insisting you’re not high profile enough to warrant one. He decides that so long as you’ll be working closely with his family, he’ll make sure you’re protected too.

- Business goes on as usual after that. Mephisto still meets with you to go through his matches, still turns everyone down at the end of the day, but somehow you get the feeling he’s already made up his mind. Sometimes he doesn’t even look at the documents you give him before rejecting the candidate, which kind of annoys you given how much work you’d put in—

- And then his brother tells you that their parents already backed off the marriage idea weeks ago. Whatever phase they were in had passed, and now they were focused on the next big thing in noble society.

- …Oh. Well then.

- The next time Mephisto meets you in your office, you bring up the subject of payment for your services. He confirms that your fee is scheduled to be deposited into your account at the end of the month as usual, but you suggest he takes you out for dinner instead.

- Mephisto pulls at his tie and looks away, only mumbling something about picking you up at 6 before marching out of your office with steam coming out of his ears.

[organic-homegrown-boyfriend]

.

[prettyflyforawhitelie]

I love your Husk pieces! He's my favorite =^.^= I wanna hug the shit out of him 😆

If you have time, could you do one where Charlie planned a movie night for "bonding" lol and the reader ends up falling asleep on Husk? Everyone ships them and encourages him to confess to her? So much fluff please! Thanks hon! ^.^

A/N: This is so adorable!! Love this! I hope you enjoy! XD

Pairing: Husk x fem!Reader

“Until I Smile at You” - Husk x Reader

After living at the Hazbin Hotel for a while, Charlie’s “trust exercises” had become less of an annoying nuisance and simply a part of daily life. Actually, they were kind of refreshing and - dare you say - fun! They ranged from trust falls and share circles to your personal favorite - movie night. Movie night happened once a week and every week the person who chose the movie rotated. This week was supposed to be Angel’s turn, but ever since he chose his movie to be the most graphic porn anybody had ever had the displeasure of seeing, he was banned from choosing the movies. Instead of Angel, the group decided to let Alastor choose. He was always a marvel, as his movies ranged from silent films to disgustingly gorey horror movies. Tonight, however, he picked a noir detective film that he enjoyed while he was still alive (not before endlessly complaining about how radio is the superior media form, though).

One thing that nobody could stand about Alastor’s movies was how much he talked during them. I guess it's because he's so used to working in radio that he cannot comprehend that maybe, just maybe, not everybody wants to hear his voice all the time. He would either explain every little detail about the leading actors or talk about a living memory that he associated with the specific scene.  This night, though, Alastor seemed so enamored by the movie that he was completely silent. You were sitting on the couch with Alastor, Angel, and Husk, and found your eyes getting slightly heavier with every passing minute. The combination of the dark room, boring movie, and precious silence was just what you needed to drift into a peaceful slumber. Slowly resting your head and body on the irresistibly soft and warm cat demon beside you, your consciousness fades in and out until your mind is finally met with sleep.

The second Husk felt your head meet his shoulder in a gentle embrace, he froze. He had only ever imagined this happening, and was nowhere near prepared for it to actually happen tonight. Despite his hard and tough facade, Husk craved nothing more than soft affection, and knowing that you trusted him enough to not disturb your slumber flattered him. He remained completely still (so as not to wake you) for more than an hour until the movie finished. Charlie, using the remote to find another movie, said, 

“Thank you guys for spending tonight with me! This was amazing! I think I’m going to put on another movie, if anybody wants to stay down here, but you’re welcome to go upstairs and go to slee-'' she is cut off when she turns around to see you asleep on Husk, practically beaming with joy. “AWWWWW-” she is cut off by Husk’s “Shh!”, partially because he is embarrassed but also because he doesn’t want you to wake up in embarrassment. This caused everybody’s attention to turn to the two of you, not quite as surprised as Charlie.

“I mean, are we shocked? He’s been fawning over Y/N ever since she moved in. Don’t shame the poor guy…” Angel says in a mocking tone.

Everyone’s eyes slightly divert, not wanting to completely show that Husk’s attraction to Y/N is anything short of obvious.

“Shut the fuck up, man” Husk replies. 

“I’m not saying that she’s told me that she likes you back… buuuuut you should definitely just tell her. Trust me.” Charlie says, literally gleaming with excitement. 

Hearing this, Husk’s insides flip, his internal monologue running wild.

‘Did she- does she- could Y/N actually like someone like me? She’s just so… perfect. I don’t deserve her. But - let’s just - don’t get your hopes up, man. This could just be Charlie being Charlie, saying shit to make people leave their comfort zones or something.’

“Alright idiots, let’s not wake her up.” he says, sighing and gently picking you up. 

“I hear a single word about this tomorrow, and I’ll kill ya.” he says, while quietly walking to your room. 

He rolls his eyes while listening to Angel making fun of him and Charlie trying earnestly to defend you guys, saying something along the lines of “But this is how Vaggie and I started to fall in love!”

Opening your door as quietly as possible, he gently places you down on your bed. Covering you with blankets, he turns to leave until he hears your soft voice call to him:

“Was all that stuff they said about you true?”

Shit. You heard? Should he deny it? Pretend he didn’t even hear you?

“What?”

Deny it is.

“The stuff that Charlie and Angel said… about you liking me. Is that true?” you ask.

“I don’t know what kind of dream you were having, but everyone was dead silent during the movie, because, yknow, bonding time or whatever.”

He was avoiding your gaze until now, hoping that you would just accept the lie and go back to sleep. Instead, when he looked at you, he was met with your disbelieving face staring right back at him. 

“Mhm.” you say sarcastically. 

Moments of awkward silence lead to Husk trying to make a quick escape, muttering goodnight and walking to your door. He’s halfway out of the doorway when he hears your voice again.

“It’s a shame, I was hoping that what they were saying was true.” you say teasingly, just loud enough for him to come back into the room.

“What did you say?” he asks.

“Oh, nothing” you reply, smugly. 

“Don’t do that.” he says, clearly intrigued but trying to seem annoyed. 

“Do what?” you say, teasingly.

“Satan, just tell me what you said. I don’t like playing games.” he says.

“Oh, but, clearly you do, if you’ve been ‘fawning’ over me since the day I've walked in,  yet.. said nothing.”

He looks - embarrassed. Almost hurt. 

“Fine, yeah, I like you. No need to rub it in and be an asshole about it, I know you don’t like me.”

You look at his diverting eyes and immediately regret your teasing tone.

“Oh, Husk, I wasn’t making fun of you, I was just being stupid. Come here.” you say, patting the spot next to you on the bed. 

He sits next to you, looking confused.

“Here.” you say, while holding his hands in yours. 

“Listen. I wasn’t trying to embarrass you. I’m sorry if it came across that way. I mean, obviously I like you too. Was it not clear?” you giggle. 

Husk’s eyes widened in shock.

“What- I mea- You like me? Why?” he blurts out.

“Why? Come on, don’t be dumb. You’re the funniest person I know, you’re always willing to listen to me, and you’ve never once turned me away when I needed help. And, you're truly handsome, but that’s just a bonus. You’ve made being trapped in Hell actually enjoyable, which is something that you should be proud of. I wake up everyday excited to see you, to talk to you. I just wish you would've told me that you liked me sooner (and yourself)” you say.

Husk’s eyes are glued on you like you’re the last thing he’ll ever see, like he has to memorize your every feature before he blinks. He has never been more enamored with anybody before. 

In lack of a better response, all he can blurt out is, “Thank you!?”

You giggle, a slight blush creeping up your face. 

“And you are clearly tired. How about you sleep in here tonight? We can cuddle, or talk, or just sit with each other.” you ask.

“That - That sounds great.” he says, truly letting his guard down for the first time in years. As he lays next to you, finally becoming truly comfortable, he swears that he can see a white, fuzzy hand holding a phone by the slightly-ajar door.

“Angel, if that’s you by that door right now, you’re gonna want to run.”

You can hear the spider’s screams of “I GOT IT GUYS! THE FULL VIDEO!! AHAHAHAHA!” as Husk reluctantly leaves the bed.

“Excuse me,” he says, “I’m gonna go take care of this. I’ll be back.”

As he leaves, you start to realize how you got from the couch to the bed in the first place. Smiling to yourself, you savor the fact that, though you were condemned to eternal damnation, these people that you have found could not have created a better heaven for you.

[berensteinsmonster]

Henry Ventriloquest, mirror reflection of Henry Stickmin

(reblogs help my posts be seen :)

Resident SILLIEST guy, a clever little trickster, one of Capt. Bailfalse's three evil henchmen, somehow everybody's friend, improbably reality bending funny man, and well known unkillable immortal. He's very aware of all these facts and is just living life to it's fullest, for the entertainment of himself of course.

My favourite thing is to talk abt VQ's opposite-ness to Sticks so here I goooo-! Primary details include the fact its color motif is orange, opposite to Sticks' associated blue. He's more sociable and talkative. And what else uhh oh yeah he literally CANNOT DIE how could he this toon runs on slapstick. It could be turned to ash or squashed by a truck and he'd still come out fine (with birds spinning around his head or perfectly okay, whichever he finds funnier as a result).

Misc details include: Since Sticks is animated by Flash, the opposite of that would be something hand drawn, which is (In-Universe) where VQ originated from. And Stickmin being mostly recognized for his eye design, so Ventriloquest has a misaligned eye condition. Both still function, but his left eye isn't as good as his right. He's learned to live with this disability ever since he was created.

//AN: When I talk about his origins, I can only speak about his disability using research. Feel free to send me any corrections about Strabismus because I really do want to keep this part of his character. He may act silly but he doesn't have misaligned eyes for that reason, he is just playing god which is unrelated

But he also works as Stickmin's reflection, just a silly guy here for the thrills with inguity to get themselves out of trouble. How they both don't care too hard about the consequences until it devastatingly affects them! — but that's hv au plot development for next time.

He plays the role that RHM would have, just being a powerhouse that can whip HRM's hiney at any given point. But the difference here is that Henry V is alot more affectionate and giddy during these beat down that he considers as playing, and is cartoonishly violent instead of lethally violent. RHM causes destruction as a means to an end, but Ventriloquest causes destruction because he loves it. He's a force of discordance....For the funny.

And if you ever cross or make fun of him he'll drop an anvil on your skull ^_^

[thosetrollkids]

MONSTOBER: DESIGNS

Part 1: Teen Cast!

HELLOOOOO everybody! Welcome to my project, Monstober! A series of several posts with large, in depth looks at different aspects of my AU, Monster Kids, that I wrote during October this year. Special thanks to @eurazba for listening to me ramble over all this and helping with the AU over the years <3

This post will be going over the general monster designs for notable teen characters, as well as some thoughts as to why I chose said designs :D

There will be a second post for the main adult cast, and once posted, you can find it linked here :)

Jim / Toby / Claire

Jim Lake Jr (Sphinx): It's him! The poster boy! Wahoo! Honestly, I don't have many notes for his design process, because his design has stayed relatively similar since the early drafts. His was the very first design, and other than being a typical lion/eagle sphinx for like. two drawings, and then a panther/blackbird for two more, once the snow leopard/blue jay combo was struck, he's only really changed in small ways. I chose a blue jay, because they're one of my favorite birds, they're blue, and I'd used them to be an accent to Jim in a previous drawing. Snow leopards are also my favorite big cat! So similar reasoning for that particular aspect. If I were to design him today, blank slate, I miiiight have changed his cat species, but I still am way too attached to the leopard/jay combo.

Toby Domzalski (Gargoyle): Toby's design also hasn't changed much! The main trio haven't, other than minor adjustments. He originally had yellow eyes, but they're back to standard green. He also used to have larger wings, and while I liked the idea of the main three being able to fly together, I decided to go with a different route as I leaned into his design looking more aquatic, and he instead has wing shaped back fins! They fold down and sit under his clothes, as he only really can use them while swimming.

Claire Nuñez (Harpy) Also another design I haven't changed since conception! Harpies were always something cool to me, and I was inspired by an illustration of harpies in a mythology book I had bought at the time. Her design was originally just 'bird' until I tired to find a more specific species that fit. I landed on barn owls, and coincidentally, they are also associated with brujeria/witchcraft in Mexico! Win-win. With her stronger connection to magic overall, she's also the only member of Team Trollhunter that can fly reliably; her magic feeds her energy enough to keep in the air (Jim's wings are too small for anything besides light gliding and cushioning falls).

Steve / Eli / Krel / Aja

Steve Palchuk (Faun): Steve's design was always pretty formed in my head. For the guy that tries so very hard to be an all-American boy, an icon of that is the whitetail deer buck, and it very quickly fell into place! His design is fairly simple, which is why it works so well for him, IMO. Fun fact, he has a set of scars on his cheek from the equivalent of the fight he had with Jim in S1. More to expand on in a later comic, >:3c

Eli Pepperjack (Bat Humanoid): Eli was actually also a sphinx originally, but I wanted Jim to stay fairly unique among the main teens, so my follow up design was something more batlike! I did do plenty of research for monster bats, or hybrid bat monsters, but what research I could do didn't produce much (then again, could always be wrong!), so I went with 'attributes'. He's based on a Little Brown Bat. He little >:) His wings are also not capable of flight, they're basically large hands, all the better to hunt down creepers with, my dear.

Krel & Aja Tarron (Amphibious humanoids): WAHOOOOO!!!! I'm very proud of these, because you have NO IDEA how many months I struggled to find a design I liked for them. They have been (checks notes) spidertaurs, a few other passes of various insectoid tries, I was going to attempt something more seal like, because I knew the main group's designs were already mammal-heavy, and something aquatic or insectoid was what I wanted to balance the group out. Then my beloved @eurazba, listening to me ramble one night, helped me come to the idea of their 'human' transductions looking closer to old monster movies! Creature from Black Lagoon was an easy pick, I did some research about CFBL and Shape of Water (thanks Del Toro), and bada bing, bada boom! My fishy twins! Also Krel is the only one wearing shoes. Just realized this...

Mary / Darci / Shannon

Mary Wang (Dryad): Mary has also gone through a lot of changes (turns out, I was very indecisive outside of the main trio, AJDJSBSJFHB). She was actually a -taur alongside Darci! Specifically a unitaur (saw a lot of alternate Monster Falls art of Mabel Pines as one, and I really liked the idea. The overall AU was inspired by the Gravity Falls AU, now you know!) She stayed that for a while, then also went through some bug-like redesigns, and then a couple months back, I decided on a dryad! Before that point, I was trying to stay strictly to animalistic monster designs, but it became a little too confining, so she exploded into my sketchbook and became real. Her tree is a california redbud, and her 'antlers' are like the branches of the tree, and leaves/flowers bloom in time with the season on them. The hooves were based on a Zelda design from an artist I liked a lot (truffe.art on IG!)

Darci Scott (Praying Mantis-taur): HERE COMES THE BUG PAYOFF. Some of you may remember my design for Darci hasn't changed for quite some time, and while I liked the look of the cervitaur (a centaur, but deer), it didn't feel... as unique as I wanted? And I was still missing my BUG. So, debating over this, I did a few passes of her mixed with a bee, spider, etc etc... and then once again, @eurazba was like "hey! praying mantis." and I fell in LOVE with the concept. (Very quickly sketched her up as I was doing these sheets, actually NDJSNJKJD)

Shannon Longhannon (Gorgon): Last design of the group, another that has hardly changed since conception. Nagas, gorgons, lamias- whatever they're called, I love the visual of a reptilian character slinking around gracefully, and she helped balance out all the mammalian designs as well. She was originally a typical green/yellow snake, but when I inevitably color her, I picture something more ruddy, reddish brown, to match her hair :) She indeed is able to turn someone to stone, but as she was not born a gorgon, this ability is dulled, and only lasts for a few hours, working only if she focuses completely on doing so to someone. She's taken to wearing shades more often to not scare people who don't know this.

[maxphilippa]

Nickel and Balloon's arc and why you may be wrong about it, and why you are wrong about Suitcase and Nickel as well.

Nickel didn't trust Balloon because Balloon was a dick on s1 (something that the fandom forgets so fucking much), and of course he wouldn't trust Balloon being a part of the alliance either since Baseball (Nickel's best friend) and Suitcase (Nickel's ally/Baseball's closest friend) were part of it. "But Nickel didn't care about Suitcase-" he did, Adam himself did say he did care for her, but he strongly lacks emotional intelligence to truly get her. So of course, he didn't want to risk it, even if he does believe that Balloon wants to change, he doesn't want Suitcase to get involved with the guy.

Although Nickel doesn't want Balloon near and is an asshole towards the guy, I think that all of you kind of also forget that at one point on s2, Nickel did say that he thought that Balloon wanting to change was something good, but that he still didn't want to be associated with the guy. Which is, yes, shitty on his behalf, but it makes sense character wise. It's a case of "it's great that you want to be a better person, but i don't want to be near you even so", which is something most people felt at one point of their life.

Adding to this behaviour of his, again, it wasn't just because "Nickel is a dick without excuses", protecting his loved ones (his alliance) is. Kind of his whole thing. You know. He cares about them but sucks at showing it (this includes how he treated Baseball, looking at you all), he has the thought that if he's on control of a situation, no one will get hurt. He sucks at communication. Hell, it's even said on the series, he is afraid of change and also about accountability. ACCOUNTABILITY.

So yes, the way he treated Balloon isn't justified, even Nickel says it himself, but he has his reasons as to why he acted like that. But I think that you guys also need to remember some more important stuff as well. Nickel wasn't like this because he fully wanted to, but his behaviour towards Balloon was also constantly justified by Baseball.

And so here's the main question that troubles everybody so fucking much it's stupid.

"Why did Nickel change his mind on Balloon on s3 like that? It doesn't make sense"

Listen.

The reason as to why Nickel actually gave himself a chance to know Balloon properly is because of two very important factors. So I know that some of you might not be familiar with the official II comics, but the first reason is in one of the comics actually.

Especifically on the Letters Comic.

The plot of the comic is Balloon writing letters to those who he wronged/had a bad relationship with, and this includes pretty much all of the S1 cast (excluding the ones that are still on S2). And guess what, Nickel gets a letter as well.

There isn't a canon outcome as to what Nickel did with the letter. We don't know if he threw it away or took a look at it. But to me, I think that he did took a look at it. I will explain why later on in this post.

The second reason as to why Nickel's behaviour with Balloon changed on S3 was because, Baseball wasn't there to try to justify Nickel's hatred towards Balloon. In fact, what he got instead was Box, and we know that Box is like, Nickel's best friend on s3. What Box does is basically telling Nickel to get his shit together, stop holding onto stupid grudges and do it for the team.

And he does! And mind you, that was on the first episode of season 3! He decided to put away his petty feelings so the team could work, which pretty much already tells you that meanwhile early s3 Nickel has as much snark as S2 Nickel does, he actually recognizes when it's time to play on the game and when it's time to be petty. He's more of an nuisance towards Balloon on the first ep all things considered, but it seems that unlike S2, Balloon has grown a lot of confidence as well, and isn't sad at Nickel's comments, but rather calls him out on them. And even IF Nickel didn't exactly like to side with Balloon, as the eps went by, despite Box was the main reason as to why they were hanging out, Nickel was actually experiencing Balloon's change. He didn't want to be involved on s2 because BB told him that his distaste was justified (and that ended up messing everything for the Grand Alliance), but now he's "forced" to accept and know the guy because Box told him it was the best for the team. On early s3 they tease eachother, yes, but their relationship seems to be better than before.

As well, it wasn't out of nowhere either way, since Balloon does imply that both Nickel and him hanged around just to mess with Yinyang back at the Hotel.

That's my main reason as to why I think that Nickel DID read the letter in fact, but still had very complicated feelings towards Balloon, because in his mind, to him, Balloon was the reason as to why Suitcase, someone who Nickel really got attached to (even if you can't believe it), "betrayed" him. But we know that's not true. But at the end of the day they do end up hanging around well.

"But Max, why did they end up having a fall again? Aren't they supposed to be healthy?"

First of all there is a reason, second of all, oh my god conflict won't fucking kill you. You see. Nickel SUCKS at communication. He can't let out his feelings as much as he would like to do so, because he's scared of getting hurt and such. So yes, Nickel and Balloon were good friends there, but the down fall was necessary for them in order to ACTUALLY be a healthy friendship. The problem is that Nickel doesn't get that he fucked up a lot more than he thought and that he is the problem.

He still thinks that Suitcase left his side because of Balloon and of course that hurts- but he feels so bad about the way he treated Suitcase as well, even if he's not fully aware of why he feels like that. So that's why the conflict HAD to exist. You can't just expect them to be okay like nothing without talking about S2 properly, it doesn't work like that. Yes, they both care about eachother, but they STILL had to talk about it.

Now, on the yet, most controversial scene when it comes to Nickel's arc: Clover's therapy.

Some people say that Nickel didn't have to just be talked like that and that they expected more, but dare I say, that's exactly what he needed. To talk properly about his feelings. It's like you guys didn't catch up on that. Nickel's thing is being overprotective over those he loves, and seeing the things that might harm said loved ones or himself as threats that he needs to get rid off in order to be okay, and that he is afraid of change. Nickel knew he messed things up, but he still kept on thinking that Balloon was the one that made Suitcase betray him, when that's not really true.

He needed the talk to realize that it was truly his fault. Please take note at the way he looks to the side once he realizes it. It wasn't just a recent thought, it was always there, but he was scared of it coming true. Clover's talk made him open up properly about it and Clover also says it, "but don't you want to?" and then he says "mhm, maybe", but he really does want to, which is why he changes so much on Ep 16.

So before you say that Nickel didn't regret what he did and that he only did because of Clover: how can you be so wrong about something.

And, oh.

Oh, episode 16.

It treated them so well.

What Nickel says here is that he was scared of falling in Balloon's tricks, he was scared of being manipulated. Again. It wasn't out of nowhere. The way he treated Balloon WASN'T out of nowhere.

Is it justified? No. Does II or Nickel himself ever say that it is? No. The series as a whole is telling you that it was awful of him, characters do call out Nickel on his shit behaviour (even if you think they don't, they do, calling out isn't always strong words, sometimes calling out acts as feedback. as pointing things out. of course he also gets called out in the other way on the series, but PLEASE don't say that he didn't get called out because of his actions, he quite literally died because of them), Nickel HIMSELF recognizes that he was awful to Balloon and he is okay with the possibility of Balloon not wanting to forgive him either way.

But they ended up talking things out in the end. They ended up okay, because Balloon can genuinely see that Nickel wants to change. The walls he put are gone. He can see how genuine the guy wants to be.

"But Balloon shouldn't forgive Nickel, not after all the pain he caused to him"

Listen. Both of them commited mistakes. Balloon recognizes that he wasn't a good person back then and wanted to change things. Nickel finally got that and Nickel also showed Balloon that he does mean well. People that had complicated relationships CAN work things out, crazy I know, and I'm saying this as someone who had beef with their now best friend over similar stuff. We apologized and now we're close. It happens.

Balloon really cares about Nickel. And Nickel really cares about Balloon.

And Nickel is okay with Balloon winning because that's his friend now. Nickel changed for the good. And it makes sese character wise.

Nickel regrets what he did to Suitcase and Balloon as a whole. And Balloon and him are best friends now.

So, no, Balloon and Nickel aren't a toxic relationship, much less a problematic ship given all of the circumnstances, and saying that they are is missing on the whole arc they went through. They were complicated and they both had their reasons at the end of the day. No, Nickel wasn't purposefully an asshole to Suitcase, he was seeking to protect her, but ruined everything on the process. Yes, Baseball and Nickel needed to be separated in order to grow because they weren't healthy to eachother. Yes, the Nickel and Balloon arc had to go as long as it did in order for it to end properly, and it's not even done yet, Baseball and Suitcase are still waiting. Yes, Nickel meant good with the things he did. No, it doesn't justify any of the things he did. And, finally, the Grand Alliance arc is well executed, just because it's complicated it doesn't mean it's bad.

And those are statements that can coexist.

Thank you for reading. :]

[specterllaw]

Mommy or Ma'am? - Mike Ross x Reader / Older Brother Harvey

Summary: After a hospital scare, Mike is put on babysitting duty, which quickly turns into a fun morning for you both

Warnings: SMUT, Switch! reader Switch! Mike

Harvey knew getting Jessica to hire you was a bad idea, he thought he could fully trust you though. You were twenty two it was your first real job, even it was just making copies for everybody in the office when needed.

I was going smoothly for awhile until Monday Morning rolled around, Y/n was on edge because not only did she have tests coming up but she also had sports, work, and helping her older brother Harvey keep his penthouse and office clean and neat. She felt like she was losing it, so whenever she was woken up at 6AM to go to the office she wanted to start crying, she hadn't even been to bed really, only falling asleep twenty minutes before Harvey even woke her up.

You were stuck in the copier room, taking stacks of papers from different associates, and partners and just coping them over and over again. It was working smoothly until you dozed off coping papers and mixed up the order of them, now realizing you messed up very important documents your breathing started to shallow. You heart rate was speeding up and you started to feel dizzy and hot, holding onto the table next to the copier tightly you heard somebody's rushed footsteps approach you all before your eye sight went black. "Woah woah woah" Mike said taking in your unusual state holding you up quickly as your body went limp "Louis! Rachel!" He yelled trying to shake you lightly "C'mon Y/n, wake up" He whispered nervously, not knowing what was going on with you, as he saw Louis walking up to the door he took a breath of relief "Stay here with her, I'm gonna call an ambulance and go get Harvey" Mike said urgently, gently laying you on the ground, using his suit jacket as a cushion under your head, waiting until Louis knelt next to you to try and wake you before rushing through the firm "Donna! call 911! now" He said checking Harvey's office only to see it empty "Mike! Calm down what's going on?" Donna asked worried standing up and resting a hand on his chest "I walked in to get copies from y/n and as soon as I walked in, she fell to the ground- where's Harvey?" He asked quickly before rushing to Jessica's office seeing Harvey sitting in front of her desk. "What do you need, Ross? We're having a very important-" Mike cut Jessica off quickly, and rudely. "Y/n passed out, I don't what happened" He whispered, Harvey looked at Jessica and then Mike "Damnit" he huffed standing up quickly rushing to the copier room right as paramedics were coming up from the elevator and rushing to the same room as him.

Whenever you woke up seeing your room empty made your heart hurt, not even Mike showed up to check on you? What even happened? Right before you could decide on what happened you hear the door latch and in rushes Mike and Harvey fighting on who gets in the room first. "Y/n" Harvey sighed sitting on the side on your bed "Don't ever do whatever you did again" He demanded, thinking he was talking about you messing up the copies and files you started to tear up "I-I'm sorry" You whimpered, terrified you might get fired for all of this "For what? I mean..Whenever you feel worked up..come find me..I understand more than you know, y/n/n" he whispered running a hand over your hair to smooth it out "I get panic attacks too...instead of...blacking out..I puke"He whispered, you studied his face, that explained all the mornings before his trials he'd get sick. "Same goes for you then..come find me" You whispered to him grabbing his hand squeezing it "So what happened?" You added on tilting your head "Exhaustion, y/n" Harvey said sternly "Which means, you're taking the next two days off, to rest, recharge" He said turning his head as Mike coughed awkwardly. "Okay kid, I'll let you speak, but I swear if you try anything with my sister I will kill you" Harvey stated seriously and confidently "Okay okay" Mike grumbled raising his hands up in the air before taking Harvey's seat, Harvey taking a step out into the hallway to call Jessica.

"Mr. Ross" You mumbled, you still felt a little sleepy from whatever they gave you but you were desperate to wake up "Ms. Specter" He quipped back running his hands down his pants legs. "You okay, Mike?" You asked softly sitting up to rest a hand on his shoulder "Y/n..I like you" He whispered "More than a friend, more than a co-worker, and I wanna like you as my girlfriend..but I don't want your brother to kill you" Mike added on resting a hand on yours "How long have you felt like this Mike?" You whispered using your other hand to cup his cheek "Weeks.....You're just..so kind and sassy, and the way you give Harvey shit is just...the proud look you have on your face after you make him speechless is adorable" He rambled "I would have you make copies of random words I had typed up just to see you..that's what I was on my way to do whenever I came into the copier room and found you leaning on the table about to fall.." Mike rambled even farther before you giggled and kissed him deeply

"Can you not shut the hell up Mike?" You mumbled against his lips as he resting a hand on yours, jumping away whenever he heard the door open "Excuse me!" Harvey yelled looking at you both "Care to explain yourselves, children?" He asked crossing his arms like a mother.

You were surprised to see Harvey agree to let Mike stay over, he claimed it was just to 'help you sleep, like you claimed' but you felt like he preferred you not to be home. As you walked into your room you smiled as Mike who was already ready for bed, striped to nothing but his boxers, truth was you and Mike had slept together, a couple of times, you both had agreed it was strictly friends with benefits until just yesterday at the hospital. "Ready for me to help you sleep?" Mike quoted playfully "Yes sir" You giggled climbing onto the bed, straddling Mike's lap as you looked down at him "Ah ah, Princess needs to rest, let me do all the work, baby" he whispered before using his hips and body force to flip you two over to where he was hovering over you.

"Look. At. Me" Mike demanded, you were on your third orgasm now, Harvey was long gone at work now and Mike was spending the day inside of with you, specifically taking turns making each other cum, but now Mike had taken it into his own hands to make you forget your own name, and you were 10000% okay with that. You felt Mike's hand grab your chin forcefully having you look up "I said look at me." He growled as he kept grinding his hips, his dick still buried six and a half inches deep inside of you, you moaned loudly leaning your head further back into the pillows, biting your lip as you made eye contact with Mike, whining and moaning loudly again. You couldn't help it, between his shiny lips from going down on you, to the messy ass hair from you pulling on it, or making the sex drunk look with the lazy smirk as his face as he fucked you into oblivion. "F-Fuck Mike!" You whimpered as he spit forcefully down where his cock entered inside of you before rubbing your clit with two fingers. You couldn't take it, you wanted to scream but you knew your brother would get a noise complaint and he'd know what you two were doing, home alone.

"My slut can take it" Mike whispered in your ear as he wrapped a hand around your throat, squeezing tightly as he started to thrust his hips alot faster than he previously was "Fuck fuck fuck Mike!" You screamed trying to close your legs but Mike just held them back open, continuing the sweet abuse on your clit, you could feel yourself getting close to the breaking point of cumming again and you knew Mike didn't care. You gasped loudly arching your back as he started fucking you alot faster, the hand around your throat tightening and it just added to your pleasure. "Cum, slut" Mike growled, not letting his hips falter its pace as he watched you cum, the way your face scrunched up, or the way your pussy squeezed around his cock as tight as possible, or maybe it was the fact you were screaming his name while leaving scratch marks all down his back but whatever it was, he wanted to remember it forever. You started to whimper, his cock moving inside of you beginning to become way too much for you to handle "Hold on baby..Use your words, you know what to say to stop, Daddy's so close though" Mike panted as he kept fucking you, his little whimpers were enough to get you wet yet again, but this time it sparked an idea. Once Mike started to pull out you glared at him, giving him a look that says 'you'll regret that' "Keep fucking me, baby" You whispered grabbing his boxer waist band that was tugged down below his cock, using it to pull him back closer, and his cock back deeper inside of you "Keep fucking mommy" You moaned arching your back, Mike whined before rolling onto his back pulling you ontop of him "Fuck keep talking please, you're so fucking hot" He moaned grinding his hips up "So Mike Ross is also a bottom?" You gasped playfully before holding his hips down "In that case, hips down, slut" You demanded before starting to grind and bounce your hips slowly on his lap, moving his cock in and out of you at a slow pace, making Mike try and sit up quickly, once he realized that wasn't happening he attempted to try and speed up your pace by thrusting his hips up but you just grabbed his hair and tugged it back, using the opportunity to leave hickeys down his neck. "F-Fuck Ma'am" Mike whined sitting up holding you close to him before taking one of your nipples in his mouth, swiping his tongue over it along with gently nipping at it, all making you increase the speed you were going. Mike was a whining wiggling mess, desperate to fuck you again and get his pleasure, he hadn't been a bottom since high school when he fucked the popular girl so this was extremely extremely hot for him.

"You wanna fuck me, baby?" You whispered in his ear dragging your nails down his back "Yes. yes yes yes Mommy, ma'am, yes, whatever you want me to call you just please let me fuck you, I wanna make you cum again" He whined trying to move his hips up against you as you lifted your hips up so it was just the tip inside of you. "Then take whats yours, Mike.." You whispered before kissing him deeply, he flipped you again, fucking you alot more erratic and harder, slamming into your pussy like it was the last time he'd ever fuck anybody. "Fuck!" You both shouted, yours more of a moan while Mike's was a full whine. You gasped feeling him cum inside of you, something you weren't expecting considering he had a condom, you couldn't think too much about it as you felt that familiar knot in your stomach snap as you came for the fifth or sixth time that morning.

As Mike pulled out you watched him stare down in horror and shock "Y/n..The condom broke.." He mumbled looking towards you as you were laying down trying to catch your breath.

[luminaryvinestaff]

Hhhhhhhhi

Can I request uhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhhh

Banhammer headcanons :3

A/n ;; SORRY THIS TOOK SO LONG :((( the school work got to me...

Banhammer talks about you to his mother a lot, maybe even concerning the poor deity with how much he can say about a singular person that he met during a private match. If Banhammer ever invited you to his mom's house, there'd definitely be threats if you ever "treat him badly," when in reality you could feel your eye twitch whenever he ruffled your hair or started hitting you in the middle of laughing. . You definitely have to bite back a sentence containing that her son alone can make you a pancake if he ever puts on more force on his constant abuse of your arm whenever he's laughing. 

He probably tried to cook for you once when you were sick; Banhammer forgot the water when he was making soup somehow. You still ate it just for him to not feel upset (or make another one and make the kitchen a mess). Least to say you got woken up with the smell of something burning and several complaints of smoke leaving your room. The neighbors probably recognize banhammer from a mile away since the "kitchen incident," which caused a lot of commotion! 

Broker definitely tried to use you as an escape plan. When Banhammer saw him interacting with you, he had an underlying suspicion about something. When he realized that Broker was using you as an escape plan, he definitely got a beating that left other prisoners scared to even look at Banhammer properly. Broker never associated you with his plans again after that. 

Banhammer definitely brings you to his workplace! Just to show you off in front of everybody else, he also probably compares you to the other prisoners, ” like [NAME] would never try to break out of prison,” ”I'd prefer to be with [NAME],” causing a little one-sided hatred towards you without your knowledge.

He usually visits you often if you have a job!! He'll bother you until you start giving him attention instead of doing whatever you're supposed to. You probably received a couple of complaints from others, but Banhammer manages to get you to forget about doing work until he finally gets out and leaves you alone.

[gyernon]

SYMPHONIC INSANITY || INANIMATE INSANITY AU

(actual deets below the read more)

hi guys I have no idea how to format this shit, I'm not new to tumblr but I've never actually thrown out my ideas for AUs into the wild. i'm a violinist and i'm using my experience being in some form of orchestra for half my life to write this yippee. alot of this au also draws from my experience being in my current community orchestra :]

inanimate insanity, except they're all in an symphony orchestra!

i literally came up with this yesterday, so things will probably change as time goes on. check back on this post for edits. however, i'm mostly confident with the assignments i've given everyone. deets below the cutoff.

SOME THINGS TO NOTE:

I like ships. I will tag them accordingly but just be aware that Toipad and Knifecase will probably be talked about when I post about this au

Everyone is fully humanized (including Meeple devices and bot)! There are no fantastical elements to this au.

I am confident on the assignment of instruments, minus the brass section lol. I saw a lot of people that played brass instruments respond to my post so if you guys have better suggestions, feel free to give your input on that. However, I am unlikely to change the string instrument assignments. I'm not even religious, but god came down and told me that Lightbulb is a violist.

With that, anything is bound to change because this au is still pretty new.

The events of Symphonic Insanity are not a one-to-one match with the events of II! However, there are parts of the au that do line up with events or character roles/arcs in the show.

I'm not sure yet what I'll do with this au, I'll probably draw art here and there and maybe put some writing on AO3.

ALSO I AM NOT A BAND KID. If I get anything wrong, please let me know!!

Also if you have questions, feel free to ask me! I love yapping about this au. Plus, it'd help me continue to flesh things out.

All posts about this au will be under the hashtag #Symphonic Insanity

MePhone is a conductor familiar with the music scene. He becomes the director of a small orchestra, finding local musicians willing to join. This initial group consists of the season 1 contestants.

They have a concert which draws more attention to the orchestra, and the new group of people that join are the season 2 contestants. Along with that, MePad and Toilet join in as conductors.

After another performance, more people are drawn to the orchestra and this last group of newcomers are the season 3 contestants.

In the beginning, MePhone's orchestra is tiny and he's kinda just handling everything by himself. After their first concert and the addition of Toilet and MePad (along with some others), Mephone now has a team to help him run everything. The orchestra gains attention and popularity overtime, which gets the attention of Steve Cobs.

Steve Cobs is Mephone's estranged father, for good reason (I also imagine Mephone is adopted in this au?). Cobs originally was a solo violinist when he was younger. In the present, he is an influential figure in the music world. Maybe a professor at some school or the head of a music association? A distinguished composer? Who knows, but he's definitely highly regarded.

The growing popularity of Mephone's orchestra would put him on Cobs' radar, chaos ensues... but that's for later.

The story I want to go for with Symphonic Insanity is that of growth. I think quite a few characters would have arcs as musicians that would match/relate to their arcs in the show. I realize writing this that the nice thing about this au is that nobody is competing against each other. At least, they shouldn't be. Instead, they are all working towards the same goal--to put on a good show and improve as musicians.

Everything I laid out above is the general idea of the au. Everything will probably get fleshed out with art or writing as time goes on. With that being said, here are the assigned instruments/roles for everybody:

NON-MUSICIANS

Conductors:

Mephone

Mepad

Toilet

Staff:

Cabby (Logistics)

The Floor (Finances)

Bow (Social Media Management)

Dough (Sound Tech, handles getting recordings and helps out with misc tasks. Also Dough does play the piano, but he just doesn't perform with the orchestra.)

MUSICIANS

Strings

Violin:

Silver Spoon

OJ

Test Tube

Pepper

Salt

Viola:

Clover

Paper

Lightbulb

Bot

Cello:

Soap

Paintbrush

Baseball (can also play Bass)

Bass:

Pickle

Woodwinds

Piccolo:

Balloon

Flute:

Suitcase

Marshmellow

Apple

Clarinet:

Taco

Tea Kettle

Oboe:

Goo

Bassoon:

Nickel

Brass

Trumpet:

Trophy

Knife (for some reason, I am tempted to give Knife Bass Clarinet)

Tuba:

Tissues

Bomb

Trombone:

Cheesy

French Horn:

Blueberry

Percussion

I usually see percussionists being able to play multiple instruments so the ones outside of Piano and Harp aren't strict assignments.

Piano:

Fan

Microphone

Harp:

Candle

Marimba:

Cherries

Timpani:

Lifering

Misc/Plays multiple instruments:

Yin Yang

Aaaand that's everything you need to know about Symphonic Insanity! At least for now. Like I said, art and writing will come in the future if I don't lose steam lol. I do have some posts planned already but I think this is a good start. I hope y'all like it :D

[eschergirls]

November 2024 Escher Girls Updates & Patreon Thank You!

Hi everybody!  It's November, so it's time for a monthly update and to thank all our wonderful Patreon subscribers!

For a quick update about Tumblr, if you've been following the blog you probably noticed that in late September/early October, the Escher Girls Tumblr ran into the infamous "shadowban" bug, which is not actually a shadowban but just a bug that happens to random blogs on Tumblr (more info here). After bugging Tumblr about it a few times, they finally fixed it, which means everything is back to normal and I can send and receive DMs and messages as normal on Tumblr (just in time for the Caption Contest which was handy for giving out prizes to the winners!)

I appreciate everybody who helped me figure it out and especially @haveievermentioned who messaged me to let me know that they weren't getting updates from the EG Tumblr! In the future if you run into any issues with Tumblr or the main site, please don't hesitate to let me know!

Also, if you missed it last month, I've been fixing up the main site and I updated the submission guidelines and also the submission form which now lets you choose a name to submit with and also let me know if it's okay for me to reply to your email address if I need more info about your submission. The new and improved form can be found here: https://eschergirls.com/form/submit-content

And, all new posts on EscherGirls.com now link to the corresponding Tumblr post so site users can easily navigate to the Tumblr cross-post and see what Tumblr users are saying. And when I fix up old posts, I'm now fixing up the Tumblr version as well and adding a cross-post link. It's twice the work but given that many people still view the site on Tumblr, I figure it's worth it to everybody. :3 There are some posts without a Tumblr cross-post link because the Tumblr post has been deleted/hidden because of Tumblr's mercurial algorithmic flagging which can't tell the difference between stuff like a coloured body suit and nudity.

As usual I've spent a lot of time this month working on fixing up old posts, restoring broken images or finding higher res versions of old images, and fixing broken links, etc, also fixing all the formatting of older posts and finding sources.

Here are some of the posts I fixed up this month (for any that want to check them out, the links to the Tumblr versions are included in every post):

This "How To Draw" book depicting women's waists as a ball joint (which explains a lot about why artists think women can just swivel around like rotor blades), and an associated post with that infamous Jennifer Blood cover

The infamous "muscleboobs" how to draw page depicting women's breasts as muscles 

Two different Soul Calibur posts: one with Talim in a boobs and butt pose (and a redraw fix of it), and another with Xianghua, Talim and Ivy in various states of rubberization

Black Canary described by my friend as a miracle of modern plumbing

War Goddess giving up War Goddess-ing and instead going into the butt-selling business

The infamous Glory/Avengelyne cover (the first time I posted Liefeld on this blog after the first 800 posts without him to prove a point that it wasn't just him putting out the insectoid women art) and an associated post

And a caption contest with Avengelyne and Ravyn in pretty hilarious poses and also the winners of that contest

And now I want to give a big thank you to Escher Girls' Patreon subscribers for October!

Thank you so so much to:

Anne Adler Cat Mara Chris McKenzie Em Bardon First Time Trek Greg Sepelak Ken Trosaurus Kevin Carson Kim Wincen Kristoffer Illern  Holmén Leak  Manuel Dalton Mary Kuhner Max Schwarz Michael Mazur Miriam Pody Morgan McEvoy randomisedmongoose Rebecca Breu Ringoko  Ryan Gerber Sam Mikes Sean Sea SpecialRandomCast  Thomas 

And a very very special thank you to JohnnyBob8 for buying me a coffee on Ko-Fi!!!

Thank you so much for helping to keep the site running! The Tumblr technical issues and algorithmic flagging are reasons why Escher Girls has a dedicated self-hosted site, and why I appreciate the support on Patreon and Ko-Fi so much as it helps me pay for hosting, domain costs, and site upgrades and keep the site running.

And thank you to just everybody, all of you interacting with the blog on both Tumblr and on the main site, and who participate in caption contests, and submit things to me, or just generally send me kind words. Thank you all! You make running the site so worth it. :)

Ami

PS: As a reminder, we added a button that links to the Escher Girls Tumblr and to our RSS feed for those who want to follow that way. (For newbies, RSS stands for Really Simple Syndication and is basically a feed you can read using an RSS reader. Simply copy and paste https://eschergirls.com/rss.xml into an RSS reader and it will keep you up to date on Escher Girls!)

Make sure it is eschergirls.com and not eschergirls.tumblr.com, as that is Tumblr, and not the self-hosted site.

If you have any issues with the site or suggestions to improve it, please do not hesitate to contact me and let me know!

If you wish to support Escher Girls, you can subscribe to our Patreon at: https://www.patreon.com/ami_angelwings or donate through Ko-Fi at: https://ko-fi.com/amiangelwings.

[screamting]

Do you have any examples in mind for the Alfred as Bruce's handler idea? What would be the sort of thing that's weird? Because keeping him up-to-date on politics and taking care of his diet, or even talking him down from fear gas attacks doesn't seem that weird to me. Especially with how their lives are going. What specifically are you thinking of? This is such an interesting take, would love to hear more about this

"With how their lives are going" is sort of the point. A butler is a household manager, so like yes, there's some overlap with controlling and organizing lots of people-- but like, not their boss? In a smaller household butlers might do things like take on valet and housekeeping duties, which is probably what happened after the household downsized after Martha and Thomas died. That's also probably when he went from Mr Pennyworth to Alfred.

And people know it's a weird situation. Like. Okay. So the one potential relative the Waynes may have had (Jacob Kane) is too young to take Bruce in, or Martha and Thomas just fuckin hate their other living relatives and specifically write that if anything happens to us Bruce goes to Alfred, or Bruce goes to a relative for like 2 months and it Does Not Work and either Bruce or Alfred bribe a judge to make Alfred his guardian. Lots of options, all of them A Weird Situation Everybody Knows About.

I think partly because of trying to maintain normalcy in Bruce's life (and because of his own emotional issues) Alfred does hold onto the butler/valet thing maybe a little harder than might have been ideal, but if he dresses Bruce he's just lying clothes out for him on the bed or helping him get dressed up for important events. There's no point for Alfred to drive him around-- by all rights Alfred should have his own driver-- and they should have a cook and housemaid and maybe they have Dory like in the batman 2022, but it's still a weird thing to be, essentially, raised by the staff.

(I think maybe that's a separate point but I do think it should play more into the conception of Brucie as a person. He's not just comfortably empty headed and kind to 'the help' because he's stupid and never had parents to teach him how a rich man ought to behave. He's that way because he was raised by the help. Not even in the normal way where you pay/kidnap a nanny to raise your kids instead of her own. Just straight up the butler and the housekeeper and the family physician. [Bruce knows Leslie's a surgeon but his association is still like, 'ah, yes, my pediatrician who showed up to all my birthdays whether I wanted one or not.'])

The thing is that when this is happening as Bruce is a kid, it's weird, but like, it's normal too. They get a closer relationship than child and butler usually do. It's normal for a younger kid to not control his meals too much but once he's an older teen he makes requests for dinner and it happens. He starts growing independent and comes to Alfred less for advice, sometimes making him worry, but he's becoming an adult and soon he won't need Alfred at all!

...and then Bruce runs off with a few hundred thousand dollars in cash and vanishes for years without a word.

When he comes back he's got this absolutely deranged idea in his head about going out and violently making the city a place people are afraid to commit crimes. Sure petty theft and carjacking, but no: he's going to make mafiosos afraid. He's going to very specifically make them feel unsafe in their own homes. He's going to terrorize every crooked cop and politician until quitting and struggling for the rest of their lives sounds like a better option than continuing to take an extra 10k home a month.

....so anyway, Alfred unfortunately loves this kid too much to throw him into Arkham, and it seems like he'd be pretty hard to wrestle now after going through all that assassin training.

So early Alfred takes on what eventually sort of gets outsourced to Oracle, because even if he hasn't been around it since Martha and Thomas were alive he remembers more about upper crust society behavior and Bruce needs to nail it down. So it's not just "here's the summary of the daily newspaper master bruce" it's "this is Julia Danvers she's the only heiress to an oil field fortune and has an allergy to shellfish. She's sort of into environmentalism but isn't really thinking it through and any real complicated solutions that would cause damage to the business make her feel like the end of her family line, which of course ends with a woman and they're going to blame her for being a woman and ruining the business for everyone else. So when you talk to her, here is what I think you should do..."

Bruce doesn't pick his meals anymore because he barely eats so Alfred makes a protein shake with so many other added nutrients that you do have to ease yourself onto them unless you want to absolutely annihilate your gut and suffer in the bathroom for three days. Of course, Bruce never had to think about this, because Alfred did the easing on himself by varying the inputs over the course of a month gradually with the rest of his meals that were easy digestables.

Talking down from fear gas isn't something they plan for but it is something that like: Bruce is seeing a monster. It is telling him the terrible things it will do.

It is using Alfred's voice, so Bruce has to believe there's a good reason for it to do those things, and gives himself over to it.

It's not just that Alfred puts aside what he'd carefully raised and hoped for to ruthlessly try and keep alive what he has. It's that Bruce knows he's being handled, and allows it.

[aspoonofsugar]

Weiss and Jaune = Knight + Queen

Mirror Help me Who am I?

Weiss and Jaune are strong foils (mirrors), who can be analyzed through a specific motif.

They are both Knights (masculine):

And Queens (feminine):

This is made clear also through their respective allusions:

1 -Weiss alludes to Snowhite and plays all the different characters of the story with a specific focus on the Princess and the Prince, which is highlighted since the White Trailer:

Weiss and her inner Prince (Animus), who is corrupted and possessed by her Father

Here, Weiss fights a giant armor, which symbolizes the power her father (the patriarchy) has above her. She is fighting both for her freedom and to get back a possessed part of herself (the Arma Gigas is literally a haunted armor). If she wants to escape Jacques, she has to be her own Prince. In other words, to be crowned queen, she needs to become a knight first.

2 -Jaune alludes to Jeanne d'Arc who was both a maid and a knight. Jaune's story is about him growing into both. He needs to accept his inner maiden to become a proper knight. This is made clear in the Jaunedice's arc (this mini arc really works as Jaune's trailer). There he grows not when he gives in to toxic masculinity, but when he stands up to it:

Jaune performing his first miracle and later on being guided by his Goddess (Anima), who is none other than Pyrrha

Jaune makes progress when he nurtures his most feminine side and shows vulnerability by apologizing and asking for Pyrrha's help. A real man has no fear to show he is also feminine.

In short, both Weiss and Jaune's stories deal with the integration of their feminine and masculine parts, so that they can be full-fledged individuals.

ANIMUS AND ANIMA

Integrating the feminine with the masculine is a psychological process, which is described by Carl Jung with the archetypes of animus and anima:

The animus is the masculine part of a woman

The anima is the feminine part of a man

Each person has naturally both, but society promotes specific gender values and drives people to repress traits culturally associated with the opposite gender. So, to fully be complete a person should integrate the negated parts.

This is the case for both Weiss and Jaune, who are initially trapped in fixed gender roles:

Weiss is the rich spoilt princess. She is forced to adhere to the social role Jacques has chosen for her. She is the Schnee Heiress, which means she should always be classy, perfect and elegant:

Weiss: I'm. Not. Perfect! Not yet...

Jaune is instead the loser boy, who wants to be a knight. He doesn't really fit his gender nor social role. He is a male, but is weak, geeky and odd. He has a legacy of warriors to honor, but can't fight. So, he feels he isn't enough:

Jaune: I don't want help! I don't want to be the damsel in distress! I want to be the hero!

Basically they are both trapped in opposite ways. Weiss fits her legacy and stereotype so well people forget there is more to her. Jaune instead doesn't measure up to his ancestors nor to the classical male type, so everybody assumes he is bound to fail. This happens because Weiss and Jaune are victims in different ways of toxic masculinity:

As a girl, Weiss has to obey her father, to suppress her emotions and to be nothing, but beautiful. Think about how Jacques even weaponizes typical feminine traits Weiss has, like her talent at singing.

As a boy, Jaune has to conform to physical prowess and bravado. He has to be big, ripped and cool or else he is no-one. The idea he is not like the other boys is at the root of Jaune's insecurities.

At the same time, Weiss and Jaune are also incredibly immature and project outside the same gender roles they are trying to escape inside. Moreover, they do so specifically with each other:

Weiss: (mockingly) My hero.

This scene summarizes their whole early dynamic. On the one hand Weiss sees Jaune as the loser he is scared to be. She only sees his superficial bravado and misses who he is behind the mask. On the other hand Jaune is attracted to Weiss because he sees her as the perfect princess to his knight. So, he is drawn to the mask.

Even the reason Jaune initially falls for Weiss ties into this:

Weiss: Yeah! And we can paint our nails and try on clothes and talk about cute boys, like tall, blond, and scraggly over there!

Weiss here is mocking both Jaune and Ruby, two people she has misjudged and shows no respect for. She is being cold, superficial and rude. Still, Jaune falls for it and believes Weiss's words. He does because they describe Jaune as he wants to be perceived. So, he runs after Weiss and ignores Pyrrha.

In short, initially Weiss and Jaune can't see neither themselves nor others clearly. Luckily, this starts to change at Beacon.

ICE QUEEN AND VOMIT BOY

Sun: Ruby, Yang, Blake… Ice Queen.

Ruby: Look, I'm sorry! Vomit Boy was the first thing that came to mind.

Weiss and Jaune are given nicknames the moment they arrive at Beacon. This happens because they are both childish and self-centered, so they are called out by others. Specifically, their nicknames are light-hearted ways to criticize their perceived self-importance and the archetypes they are trying to emulate. Weiss is called an ice queen because she is acting as daddy's little princess. Jaune is instead jockingly named vomit boy because he tries too hard to look cool. They are still far away from who they want to become and their friends pick up on this. Luckily, giving them funny names is not all RWBY and JNPR do for Weiss and Jaune. Rather they help the two kids grow. In particular, Ice Queen and Vomit Boy develop in two different and complementary ways:

In volume 1 they learn to see who they are slightly better

In volume 2 they become able to see others with more clarity

Seeing One-Self

At the beginning of their stories Weiss and Jaune are running away from who they are:

I'm the loneliest of all.

Even when I told my parents I was going to Beacon, they told me not to worry if I ended up having to move back home. How depressing is that?

Both have big families, but feel lonely and misunderstood. So, they hope they can have a fresh start at Beacon, but immediately meet unforeseen circumstances:

By this point Weiss and Jaune are pursuing a superficial dream of heroes and monsters. They figure their most perfected selves beside the "right" patner.

On the one hand Weiss wants Pyrrha to be the "knight" to her "princess":

Weiss: This will be perfect! The smartest girl in class combined with the strongest girl in class! Together we will be unstoppable!

She wants someone strong (body) that complements her intelligence (mind). She thinks that in this way she can't fail.

On the other hand Jaune wants Weiss to be the "princess" to his "knight":

Jaune: Don't worry! No need to be embarrassed! So, been hearing rumors about teams! I was thinking you and me would make a good one! What do you say?

He wants someone who is beautiful and looks frail, so he can protect her. He thinks in this way he can appear strong.

Both are wrong obviously. This is why they end up with respectively Ruby and Pyrrha as partners.

Weiss needs to realize what complements mind is not body, but heart. This is why she is paired with Ruby, who lacks physical strength, but has more than enough heart to guide Weiss. Throughout the initiation, Weiss herself has to act as a Knight by saving Ruby from the Nevermore. And later on, she needs to follow Ruby's plan (so Ruby's mind) to take down the Grimm and pass the trial.

Jaune needs to realize a real knight is not physically strong, but is wise (mind) and brave (heart). This is why he ends up with Pyrrha, who is both and challenges him in two different ways. She doesn't fit feminine stereotypes and sees Jaune's value not in his superficial traits, but rather in his willingness to help. Throughout the initiation, Jaune shows this by staying behind to lead others into kiling the Grimm.

So, Ruby and Pyrrha are the ones, who can help Weiss and Jaune grow the most. However, the 2 kids struggle to accept it and enter into a conflict with their respective partners in The Bagde and The Burden and Jaunedice. These 2 mini-arcs are interesting because they do not really add anything to the main plot. Rather, they are episodes which focus on Weiss and Jaune respectively. Once again our wannabe queen and wannabe knight act as perfect foils to each other.

On the one hand Weiss is powerful enough to kill Grimms on her own, but wants to be the Queen giving orders. On the other hand Jaune has gained the title of leader, but wants to be the competent Knight slaining monsters.

In short, they want what the other has and miss what they already are. Why is that so? Because deep down they dislike themselves and can't see they have the seeds for greatness within. They don't need to look outside, but should nurture the inside.

Luckily, they are helped by 2 mentor figures:

Port: So instead of fretting about what you don't have, savor what you do. Hone your skills, perfect every technique, and be not the best leader, but the best person you can be.

Ruby: Because it's not just about you anymore. You've got a team now, Jaune. We both do! And if we fail, then we'll just be bringing them down with us. We have to put our teammates first, and ourselves second. Your team deserves a great leader, Jaune. And I think that can be you.

Port invites Weiss to grow as a person and Ruby reminds Jaune of his duties as a leader. So, Weiss and Jaune step up for the sake of their partners:

Weiss: Ruby, I think you have what it takes to be a good leader. Just know that I am going to be the best teammate you'll ever have!

Jaune: Don't ever mess with my team - my friends - ever again. Got it?

Weiss encourages Ruby to be a good leader and promises her she will be the best teammate ever. She even aknowledges she has always loved bunked beds and makes a small step in integrating with her inner child. Something necessary if she wants to blossom into an adult.

Jaune fights Cardin for Pyrrha's sake and decides to dedicate himself to his role of leader. At the same time, he accepts Pyrrha's help, so he shows vulnerability. In other words, he starts integrating with his feminine side. Something needed to become more mature.

So, by the end of their first semester at Beacon both Weiss and Jaune have come to understand themselves and their roles a little bit better. Still, they have yet a long way to go when it comes to the way they aknowledge others.

What better chance than a dance to work on it?

Seeing Others

When it comes to the dance, Weiss and Jaune find themselves in the same situation of the initiation ceremony. They are locked into "triangles":

Jaune wants to go to the dance with Weiss, who wants to go with Neptune

Pyrrha wants to go to the dance with Jaune, who wants to go with Weiss

They pursue the wrong partner and ignore another person's feelings. In this way they do to another what they lament it is done to them:

Weiss: All my life, boys have only cared about the perks of my last name.

Jaune: It's Weiss… I'm completely head over heels for her, and she won't even give me a chance. She's cold, but she's also incredible. She's smart, and graceful, and talented-- I mean have you heard her sing? I just wish she take me seriously, y'know?

On the one hand Weiss wants to be seen for who she is, not her name. And yet, she refuses to look earnestly at Jaune and doesn't even recognize his feelings as genuine (recognizing someone's feelings doesn't mean to reciprocate them by the way). On the other hand Jaune wants to be taken seriously, but the moment Pyrrha tries to open up to him, he reduces her feelings to a joke:

Jaune: Oh please, if you don't get a date to the dance, I'll wear a dress.

At the same time, both approach love superficially. Jaune has started to really like Weiss as a person, but he is still far from truly seeing the girl in all her complexity. Weiss is instead failing to recognize Jaune's good qualities and is attracted to Neptune's try hard persona:

Neptune: Haven. And I don't believe I've caught your name, snow angel.

The narrative makes it very clear Neptune is just a shallower, but better looking version of Jaune. He is a geek (like Jaune), but calls himself an intellectual. He flirts with every girl that breathes, waaaay more than Jaune does initially. And yet, he looks cooler, so Weiss is attracted by him.

This "double triangle" is solved positively in 2 different ways:

Weiss and Jaune start to display respectively more masculine and feminine traits

Weiss and Jaune learn to see others a little bit better

Weiss plays the part of the knight and invites Neptune to the dance:

Weiss: I know this is a little unorthodox, but… I wanted to ask you something. Would you… like to accompany me to the dance tomorrow?

Jaune plays the part of the maiden and wears a dress to accept Pyrrha's late invite:

Pyrrha: I had no idea you were a dancer. Jaune: Yeah, well, these things tend to happen when you grow up with seven sisters.

On a deeper level, Jaune confronts both Pyrrha (the ideal self he must aim to be) and Neptune (the past self he has outgrown).

Pyrrha: I've been blessed with incredible talents and opportunities. I'm constantly surrounded by love and praise, but when you're placed on a pedestal like that for so long, you become separated from the people that put you there in the first place. Everyone assumes I'm too good for them. That I'm on a level they simply can't attain. It's become impossible to form any sort of meaningful relationship with people. That's what I like about you. When we met, you didn't even know my name. You treated me just like anyone else. And thanks to you, I've made friendships that will last a lifetime. I guess, you're the kind of guy I wish I was here with. Someone who just saw me for me.

He realizes he has hurt Pyrrha's feelings and has failed to see her the whole time. At the same time, he calls Neptune out on how he has treated Weiss's feelings:

Jaune: Do you even care about the girls you're hitting on? How they feel about you?

And finally, thanks to his ideal self (Pyrrha), he is able to give his past self (Neptune) a good advice:

Jaune: Then just go talk to her. No pickup lines, no suave moves, just be yourself. I've heard that's the way to go.

In this way, Jaune shows he has grown more mature and crowns his evening by wearing a beautiful dress and proving he is a great dancer (differently from Neptune).

Weiss grows too. She accepts Neptune's apology and thanks to him, she is able to finally see Jaune for who he is:

Weiss: You said you were embarrassed at first. What made you come talk to me? Neptune: You're looking at him. You got some good friends looking out for ya.

She might not reciprocate Jaune's feelings, but Jaune is still her friend and cares about her as a person, not as a trophy. This moment marks an improvement of Weiss's overall dynamic with Jaune and she starts to see him as a close one, even praising him occasionally:

Weiss: Well, he's certainly improved.

This is a top off for Weiss's growth as a less judgemental person. This process starts with Blake and her prejudice against Faunus and goes on with Jaune and her misjudgement of him.

All in all, Weiss and Jaune's months at Beacon are key for the kids' early development:

Weiss grows through Ruby and Blake

Jaune grows through Pyrrha and his team

They keep walking parallel paths and slowly start to aknowledge each other more. Weiss starts to see Jaune not as a loser, but as a person who is trying hard. Jaune start to see Weiss not as a damsel, but as a talented individual with wishes of her own. Similarly, their relationship with their inner selves improves, as well.

By the time of the Vytal Festival, both Weiss and Jaune are making small steps toward who they want to become.

The Vytal Festival: Unsure Knight and Clueless Maiden

Weiss and Jaune's tournament fights display their better qualities. On the one hand Weiss sacrifices herself for Yang. On the other hand Jaune is able to lead his team well. They are both more selfless with a better understanding of their roles in their teams.

This growth is marked by important moments outside the arena.

Weiss meets Winter, who inspires her to branch out a little. This is the catalyst for Weiss's transformation into a knight:

Jaune notices Pyrrha is off and tries to step into an adviser position. Basically, he tries to do what Pyrrha has done for him. He tries to guide her by symbolically playing a more supportive role. Moreover, he tries to help Pyrrha making sense of maidenhood:

Jaune: I guess… I'm just trying to say that… you've always been there for me… even when I didn't deserve it. And I can tell there's something on your mind, so… I don't know. How can I help?

Obviously, they are both still immature. Weiss is dependent on her father and can barely summon a tiny sword. Jaune is ignorant and isn't able to give Pyrrha the right advice. Still, they both try, even if they meet an unforeseen crisis. The Fall of Beacon.

Weiss manages to step in to protect Velvet. She acts as a real Knight in Shining Armor:

Jaune does his best to stand beside Pyrrha, even in her darkest moment:

Jaune: She's right. Whoever was on that microphone… they're the ones that did this. And we have to make sure they don't take anyone else.

Despite this, they both fail in the end. Weiss can't save Beacon and loses her new found home and family. Jaune can't save Pyrrha and loses the girl he loves. So, after so much development and growth Weiss and Jaune wake up to discover it still isn't enough. So, the finale pushes them back in the roles they have tried to escape so desperately.

Weiss is brought back under her father's thumb. Jaune is shoved into a locker, forced to fly away like a loser. Weiss is once again daddy's little princess, while Jaune is once again a wannabe knight, who couldn't save the girl.

SNOWHITE AND JEANNE

Ren: Well that embarrassment - that desire to go back and tell yourself not to be so stupid - that just proves you're not the same person you used to be. You're smarter, you're kinder, you're stronger, and you're not done growing yet. None of us are.

The Mistral arc marks a metaphorical growth spurt for both Weiss and Jaune. This development manifests in the volume 5 climax, where their stories intersect:

This scene is a culmination of their respective developments and ties with both their allusions:

Snowhite dies, but is resurrected by the Prince

Jeanne D'Arc performs a mircacle and brings back a person from the death

So, it is clearly very important symbolically, but what does it mean for Weiss and Jaune's characters, specifically?

1- Weiss and Jaune overcome two fake Maidens

Vernal and Cinder are the two fake Maidens of the Mistral arc, as the opening of volume 5 suggests:

Vernal is set up as the Spring Maiden and Cinder is set up as Raven's biggest foe. And yet, neither of them lives up to expectations. On the one hand Vernal is just a red herring, while Cinder isn't Raven's true opponent, but Yang is.

At the same time, Vernal and Cinder are Weiss and Jaune's opponents during the Battle of Haven. Interestingly, they both challenge the kids about their true identities. Who are they really?

Vernal: Let's see what the Schnee name really means.

Cinder: Who are you again?

Vernal mocks Weiss by stating she is nothing outside her name and Cinder sneers at Jaune by telling him he is a nobody. These are Weiss and Jaune's biggest fears. Weiss is scared her only value is her Schnee name, whereas Jaune is terrified of being a loser. In short, both Vernal and Cinder attack Weiss and Jaune's egos and leave them shattered:

Vernal physically breaks Weiss's aura, while Cinder psychologically destroys Jaune by targeting Weiss, just like she did with Pyrrha. Vernal and Cinder's objective is really to reduce Weiss and Jaune to nobodies. And yet, they fail. That is because the self is not found in physical strength or power, but rather comes from inside:

Yang: You might be powerful, but that doesn't make you strong.

In this battle Vernal and Cinder really symbolize Weiss and Jaune's illusory sense of selves. Their ugly personas. This is why they are both fake. Fake maidens masked with strength and confidence. And yet, they are deep down made of lies.

Vernal derides Weiss because of her dependency on the Schnee Family. And yet, Vernal herself has dedicated her whole existence to the Branwen Tribe and even changed her name for Raven's sake. In other words, she has reduced herself to her Spring Maiden persona. She is the one, who is nothing more than a name. And a false one, to boot.

Cinder laughts at Jaune's wannabe hero performance, but a lucky strike by her opponent is enough to derail her. An inexperienced fighter like Jaune grazing her breaks Cinder's whole facade and shows the ugly psychological wounds she hides behind a mask.

This is why Vernal and Cinder defeat Weiss and Jaune, but ultimately fail and actually destroy each other. Vernal dies by Cinder's hand, despite how strong and smart she is. Cinder is unmasked by Raven and falls because of Vernal's final desperate attack, which ensures Cinder's defeat.

Weiss and Jaune instead are reborn thanks to each other. Weiss is physically saved by Jaune, whereas Jaune starts to psychologically heal through helping Weiss. Weiss unlocks a new summon, while Jaune discovers his semblance. In the end, Weiss and Jaune don't need to play by Vernal and Cinder's rules.

Weiss's strength doesn't lie in her individual skill, but in the relationships she has built with others. She doesn't have to survive on her own because she is full of loved ones ready to help her shine. And she can help them too.

Jaune is heroic not because he is a lonely warrior slaying villains, but because he is a good friend always ready to help. His value lies in his wish to protect others. Moreover, he can rely on them when he needs.

Weiss and Jaune's real selves are in their hearts, which are growing stronger. That is why they lose the physical fight, but win the spiritual one. They ultimately succeed, as Weiss's Queen Lancer is key to saving Haven and Jaune's Aura Amp is fundamental in saving Weiss. Weiss protects a Kingdom, while Jaune protects a girl.

2- Weiss and Jaune integrate with their animus/anima

Weiss and Jaune embrace their true selves by reconciling their masculine and feminine parts. Once again this process is conveyed through their allusions.

Our Snowhite dies and is reborn twice. The first time, Jacques (the Evil Queen) kills her psychologically by taking away her Heiress title and imprisoning her in her room (the glass coffin). Weiss is able to escape by developing her masculine side (the Knight).

She successfully draws energy from her animus (her inner Prince) and uses this new found resourcefulness to escape. She leaves behind her passiveness (feminine) and grows more active (masculine). This is why her summon symbolically breaks the window and immediately after Weiss makes the choice to leave.

The second time, Cinder (another Evil Queen) kills her physically, but Jaune (the Prince) saves her. As a result, Weiss wakes up and is crowned Queen.

Becoming Queen in fairy tales means you have reached self-actualization. So, Weiss has become her true self, which is a combination of feminine (queen) and masculine (lancer). The Queen Lancer then symbolizes Weiss reconciling with her anima (feminine part) by making it freer, more genuine and stronger through her animus (masculine part).

Our Jeanne performs a miracle and has a vision. He brings Weiss back from the death in Haven. By doing so he physically plays the part of the Knight in Shining Armor. Still, he succeeds by integrating his animus with his anima. As a matter of fact he lets go of fighting and killing (masculine) and takes up healing (feminine):

Later on, he needs spiritual guidance and finds it in his anima (Pyrrha). So, he has a symbolic "vision" of her in front of her statue:

Obviously, the woman is probably Pyrrha's mother, but it doesn't matter. The whole scene is framed up as aetherial and ambiguous because thematically Pyrrha's soul points Jaune toward the right path. So, Jaune is guided by his feminine side.

Weiss and Jaune's journey in Mistral leads them to face their fears and let go of their personas. By doing so, they succeed at integrating their animus and anima. The end result is that they grow up.

Weiss blooms into a Queen:

Weiss's royal dress is blue (melted ice) and has snowhite-like puff sleeves.

Jaune becomes a Knight:

Jaune's outfit keeps his red details and adds more gold to it.

Upon their arrival in Atlas, they are not Ice Queen and Vomit Boy anymore, but genuine articles.

QUEEN AND KNIGHT

Right now I’m just a bit surprised Cuz I feel just fine And I might just touch the sky

The sun is shining in the sky The birds are smiling so am i I’m kicking ass in every way Think this change is here to stay It’s feeling like a brand new day

In Atlas, our Queen and Knight live their best lives.

Weiss arrests her father and reconnects with her estranged family. She becomes the Queen of the Schnee family. Jaune instead supports everyone, meets the admiration of civilians and is in generally successful. He becomes a perfect Knight in Shining Armor.

Even when the situation gets dire they both maintain a mature attitude. They are not touched by the Divide and their major conflict lies rather with a family member (sibling):

Winter: You're not leaving me. I'm giving you a head start.

Ren: You cheated your way into Beacon!

Winter and Ren oppose Weiss and Jaune out of repression and frustration. And yet, Weiss and Jaune's reaction is of empathy and understandment:

Weiss: Don’t worry, they’re sisters. Sometimes sisters just have very different ideas about what’s right.

Jaune: We’re all under a lot of stress right now. I used to push people away too.

They never doubt their loved ones and when Winter and Ren come around there is no need for apologies. Weiss and Jaune simply welcome them back with warmth.

In short, our Queen and Knight are among the characters who have grown the most, so they often come up with solutions. For example, Jaune offers a way to overcome the Divide from a practical point of view:

Jaune: Okay. Okay… Then let’s go for both. Get Amity up and running and evacuate Mantle.

Weiss is instead the one to state the theme outloud before the climax:

Weiss: Trust is a risk

This development is precisely why they both get to shine in the final battle.

On the one hand Weiss holds it together while her team is in disarray after Yang's fall. Ruby is traumatized and caught up in a fight with Neo, while Blake temporally loses it. Weiss keeps on facing Cinder alone and does her best to protect Penny and the relic.

On the other hand Jaune keeps a level-head and manages to evacuate the civilians only to join the fray at the very end. He reads the situation correctly and kills Penny when there is no other choice.

Weiss and Jaune have grown into who they want to be in the beginning. This is why they are the last fighters standing. And yet, despite all their training and maturation, they still fail. They face an Evil Queen (Cinder) and are defeated when they are at their strongest. Weiss is a true Queen fighting for her home and Jaune is a true Knight fighting for the people. And yet, they are crushed and fall. Just like at Beacon.

Once again, Weiss fails to protect a Kingdom:

Once again, Jaune fails to protect a Maiden:

At the same time, they believe the other can somehow succeed, even if they don't:

Weiss: Maybe… Jaune and Winter were able to get them out, despite… everything… despite us…

Jaune: I don’t know where the others are, but… Weiss will give us time!

Weiss hopes Jaune and Winter (aka her ideal) save the relics. Jaune hopes Weiss can buy him and Penny time, like Pyrrha (aka his ideal).

In short, Weiss and Jaune grow into their ideal selves, but still lose. Not only that, but they keep on projecting their ideals on others. And yet, these others also fail. So, what to do? The only choice is to let go of unreachable perfect paragons.

FALLEN QUEEN AND RUSTED KNIGHT

Weiss: I am a citizen of a fallen Kingdom and an heir to nothing. I will not be defined by my name because I will be the one to define it. I am Weiss Schnee, and I am a Huntress!

NeoCat: You were never the brave knight either! Just more fairytale nonsense!

Weiss and Jaune's journey in the Ever After is about letting go of their Queen and Knight idealized self-images. In this way they can truly accept who they are. This is difficult at first because they are full of self-hate and regret:

Weiss: But it wasn't enough! We hatched a crazy plan that put a whole kingdom at risk, and we don't even know if we saved the Relics...

Jaune: I’m trying so hard to save them… I stopped them from becoming what they needed to be. I was being selfish because I… I wanted the rush of rescuing someone and I got that here.

Still, they both work through it in 2 ways.

They face their traumas again:

Weiss: I am so tired of leaving places in ashes…

Jaune: On that bridge… I was the only one that could do it! I was the ONLY ONE! And I… And now I have to live with that forever… In here or back home…

They change their dynamic with Ruby, who they put on a pedestal.

Specifically, Ruby becomes a paragon for both Weiss and Jaune during the Mistral arc. There, Weiss learns to be emotionally vulnerable with her partner. Jaune instead grows to admire Ruby's optimism and hopeful self.

So, after the fall of Atlas, both Weiss and Jaune go back to Ruby. Weiss lets out all her troubles, while Jaune dives after Crescent Rose and proudly gives it back.

However, Ruby is in no condition to play Weiss and Jaune's hero. This shows and it unnerves them, who grow progressively more irritated with Little Red:

Weiss: Hurry! People are counting on us!

Jaune: I know you may not care about protecting this village, but you could at least help your friends when they’re in danger.

Until Ruby herself snaps at the both of them. Interestingly, it is Weiss's demand that Ruby consoles Jaune, which sets her off. Moreover, throughout her monologue, Ruby calls Weiss out on her dependency on her:

Ruby: What about me? “No time”, right? “Gotta get home!” “Gotta help Jaune!” Gotta find someone who isn’t just going to screw everything up!

And she lashes out against Jaune's hero complex:

Ruby: I’m sorry, is this a bad time? Are we supposed to be mourning Jaune’s make-believe friends?!

She pintpoints both their flaws and then runs away. It is Ruby's outburst, though, which wakes up Weiss and Jaune.

Weiss finally realizes Ruby's pain and empathizes with her. Her words clearly have an impact on Jaune too:

Weiss: Ruby has always been the one to get us through the hard times. We say things like “We believe in you”, “We can count on you”. I know we mean well, but…

They both let go of their idealization of Ruby, which in turns helps them with their own struggles:

Weiss: I think you’re asking too much of yourself. We’ve been telling ourselves that failing means we’re no good. But I can guarantee even the best Huntsmen in history… they’ve all lost. But they were still incredibly brave… and good.

In front of a genial ruby, Weiss and Jaune manage to move forward through each other.

Jaune is spiritually guided and shown empathy by Weiss. Weiss instead starts healing psychologically by helping Jaune. In a sense, this is a parallel and an inversion of their shared moment in volume 5. There Jaune finds himself strong enough to cure Weiss. Here Weiss finds herself wise enough to teach Jaune. Both are in a self-hate spiral, but then realize they are better than they think by saving the other. At the same time, this moment also calls back Jaune's "vision" in Lost. There Jaune is shown the way by a Pyrrha stand-in. Here Weiss steps into the role of spiritual adviser.

After spending the whole volume looking for someone to guide her, Weiss discovers she can be the guide. After spending the whole volume wanting to be the hero, Jaune realizes he is the one that needed help the whole time.

They both learn the main theme of the volume:

Jaune: Maybe that Cat was right… Maybe I just needed to accept it. It’s not a place you go.

They reach acceptance of who they are. Both their good traits and their negative traits. They accept they did their best, but also that they lost. And once they do, they become able to better accept others, as well:

Jaune: I think I get it. This is how we got here, or… why the Tree brought us here. Acceptance.

Weiss: We've done everything we can. Now it's up to Ruby. Whatever happens next… we have to welcome that.

Not only do they let go of their idealized self-images, but of Ruby's too. This is why they are ready to welcome her, no matter what. Strengths and limits, alike.

Thanks to their inner development, they both get to make another step into self-actualization. This growth is shown symbolically in the finale . Weiss is finally able to summon a full Nevermore, which combines all her previous glyphs (so it is symbolic of the self). Jaune accepts Alyx's hand and goes back to his real self through her (he goes from iron to mercury). These are glimpses of who Weiss and Jaune are going to finally become.

SOPHIA AND HERMES

Curious Cat: Looking at you, wise huntress.

Alyx: Maybe it’s time for a change, to be the kind of man you always wanted to be.

So, who are Weiss and Jaune going to be at the end of their journey? It is still too soon to say, but I would not be surprised if they were to become Sophia and Hermes to each other.

Who are Hermes and Sophia? They are the embodyments of a perfected animus and a perfected anima. In short, by the end of their psychological development, a woman should integrate with Hermes and a man should integrate with Sophia. Personally I think (wish) Weiss is stepping in the role of Sophia for Jaune, while Jaune is stepping in the role of Hermes for Weiss. Volume 9 might have given symbolic hints of this.

Weiss is directly associated with wisdom, which is what Sophia means.

Jaune goes from iron to mercury through Alyx and Mercury is just another way to call Hermes. Moreover, one of the symbols of Hermes in alchemy is a stag and well... Juniper resembles one.

Now, this final integration can be romantic (my preference) or platonic/individualistic (if they chicken out). What is sure is that it's going to happen, one way or another. It is just the cherry on top on a animus/anima story.

Snowhite and the Animus

Snowhite is the story of a child growing up. The first step in self-actualization is to stop identifying with the Mother, so the mirror image changes. This transformation generates an inner conflict. On the one hand there is the side who wants to grow up (Snowhite), on the other hand there is the side who doesn't wanna change (the Evil Queen). It is only by conquering the Evil Queen (the shadow), that Snowhite can truly become herself.

And how does she do it? She succeeds through an integration with her animus (masculine side):

The King is absent and doesn't help Snowhite

The Hunter appears and helps Snowhite

The Dwarves give Snowhite a home

The Prince saves Snowhite

As you can see, Snowhite's story is full of male characters and each new one is more helpful than the one before. This is because all these characters are representations of Snowhite's interiority and of her strenghtening animus. It is initially possessed, but then it progressively blooms until it saves the protagonist.

Now, this is just Weiss's story in a nutshell:

Willow is absent and Weiss's animus is possessed (The Arma Gigas she fights in the White Trailer)

Winter helps her and inspires Weiss to pursue her career as a Huntress (After her visit Weiss summons a part of her Knight)

Team RWBY welcomes Weiss and become her adoptive home and family (Weiss becomes herself through them)

Only the Prince is missing and it will probably be Jaune (he already is in volume 5). Wait, aren't all these characters women? Yes, they are because Weiss's fairy tale is all genderbent except her. So, why should Weiss's Prince be Jaune? Because in his case, he is the genderbent one :P

Jaune can be Weiss's Prince (again platonically or romantically) only if he fully blooms into Jeanne first. He can't be a real Knight, if he doesn't become a Maiden.

The Four Stages of Anima

Jaune's journey through the anima is well conveyed through 4 stages, which stand for archetypical female figures. Each one represents a different level of maturity:

Eve is the mother - The boy has no romantic attachment and sees the woman as a source of protection and nourishment

Helen is the seductress - The boy feels romantic attraction and sees the woman as a talented individual, but pays no attention to her spiritual or inner life

Mary is the virgin - The boy fells mature love and sees the woman as a paragon of virtue, but pays no attention to her negative traits

Sophia is wisdom - The boy is ready for a relationship with a woman as an equal partner and sees the feminine as a source of wisdom with no need to objectify the woman anymore

This scale describes Jaune's relationship with the feminine perfectly:

Eve is Pyrrha - she nurtures and protects him as a mentor and Jaune feels initially no attraction to her

Weiss is Helen - she is Jaune's first crush and he grows enough to see her as a talented person, but can't understand her inner world

Mary is Pyrrha - she becomes Jaune's guide and the embodyment of heroism and virtue

Only Sophia is missing and I think she will be Weiss. In general, though, these phases describe Jaune's general approach to women and how it changes. He arrives at Beacon looking for a girlfriend because that is what a man should do, which in itself is a very childish behavior. Then he grows to see the girls around him as powerful individuals, but he can't go behind the surface. This is true for Weiss, but also for Pyrrha, whose struggles he ignores. After her death, Pyrrha becomes an ideal, but she isn't the only one. For example, Jaune believes Weiss and Ruby can save Pyrrha from Cinder and later on he keeps idealizing them. In volume 9, he learns to let go of his idealization and to see others as their own people. He is stepping into Sophia (wisdom).

MIRROR MIRROR

I looked in the mirror And I gotta say It’s been a long long time Since I felt this way

Weiss and Jaune go through perfect mirror journeys, which are about recognizing others to see their own selves and vice versa. This is why Weiss's mirror mirror motif works so well for them.

They don't know who they are (mirror tell me who am I?)

They realize they dislike their current selves (mirror tell me who is the loneliest of all? I am the loneliest of all)

They work to change (mirror I'll tell you something, I might change it all)

They overcome their narcisism rooted in self-loathing (I'm shattering the mirror that keps me split in pieces)

Now that they can see who they are better, the next step is to probably see others more clearly. This is the secondary theme of the volume, after all: empathy.

Ruby breaks Summer's pedestal and as a result she can see herself better. In turn, this makes her able to look at others in a new light:

Weiss and Jaune do the same. They break Ruby's pedestal and show empathy and forgiveness for themselves and her. Still, this is framed as just the beginning. The theme of empathy is probably gonna be explored in later volumes. This is true for both Ruby's arc and Weiss and Jaune's stories.

Wouldn't it be wonderful if the next mirror mirror song is a conversation not with the mirror, but with another person? A person that is a mirror, but not because stuck inside it like Weiss in the beginning. A person, who is a mirror because every person can be a mirror of another if looked at with empathy. And this is what beating the mirror really means. Not to look at ourselves through it, but to look at ourselves through others. And to accept them. And to accept us.

[homestuckreplay]

Sburb Cat Necromancy DLC Unlocked

(page 441-442)

8/5/2009 wheel spin: Parent Bad :( verdict: INCORRECT

This was only a two page sequence but a LOT happened, so I gotta get into it.

Rose's house covered in snow is a BEAUTIFUL panel, lots of detail for such a low contrast color scheme. I am convinced that half the reason for Hussie making Rose live in a house Like That was so they could draw cool art of the house, and I'm not complaining. It's August and I'm sweating and looking at this gif still makes me feel like frosty nights and holidays are on the way.

WE GOT A ROSE AND GG CONVERSATION. FINALLY THE SET IS COMPLETE. I guess I don't need to write a sequel to this now, and I was laughably wrong about a couple of things - I had Rose giving GG information on Sburb when in fact it's the other way around, and I had Rose being a lot more skeptical of GG's mysterious knowledge than she actually is. [But I was totally right about them talking about pets and about GG mentioning that they're not as good at games as John and Dave, so I'll take a C on this.]

Some key facts we learn from the real Rose-GG Pesterlog: Rose's birthday is in winter, she lives in a place where it snows (possibly New England), John is the person who got her into knitting (just a few months ago), and she was knitting something for him as a gift, but didn't finish in time (the contents of the purple box on p.218). This is so cute. It felt when we met her like knitting was the most 'normal' of Rose's hobbies, and this explains why. It also shows that John knows her really well, given that he knew she'd enjoy it, despite it being nothing like her other interests. Rose has clearly thrown herself into it, completing the princess doll reconstruction, the laptop cozy, and assorted clothing items in just a few months, but she still hasn't finished John's present, probably because she struggles more when there's 'strong sentimental value' to her creation.

I think Rose is the best at banter of all four characters. Dave is not good at banter, he's responding to his own brain more than to his conversation partner sometimes, but Rose has shown the ability to bounce off all three of the others in a witty back and forth (see p.187 and 333), which is cool of her. And Rose and GG are both associated with being, honestly, smartass know-it-alls who at least believe they have more knowledge than others, although they do this in very different ways, so it makes sense they would try to outwit each other.

But it's really hard to get a read on how much they like each other. GG seems so nice and earnest even when they say things like 'you see not everybody always means the opposite of what they say the way you and dave always do' which from most people would be a jab but here feels like a patient explanation. Yet they didn't get Rose a birthday present despite working on one for John for 'years', and their 'tip' for Rose, while interesting, is explicitly something she should 'talk to john and dave about' instead of an offer for Rose and GG to do something together.

On the other hand, Rose has some expectation of a gift, and clearly puts value in GG's esoteric knowledge, given that she's far more open to believing a scientifically improbable prediction when it comes from GG. It might be that they both see the relationship differently - GG doesn't consider Rose a close friend but is still very nice to her because of their general demeanor and people skills, while Rose who is only nice to a few people interprets GG's kindness as the two of them being closer than they really are.

So, despite asking 'whats sburb??' on p.169, GG was the person who tipped Rose off to its release. This clears up some stuff on Rose's end, but only adds more suspicion and question marks to GG's whole deal. With Rose, it clears up why she was so fixated on sprite prototyping, what she meant on p.440 about this whole mess being Jaspers' fault - as he was Rose's first motivation to play Sburb - and her focus on necromancy, as this concept was specifically how the game was introduced to her. To be fair, 'childhood cat necromancy' fits her whole deal a lot more than 'immersive building simulator' does, and I like the idea that Rose - and by extension, John and Dave - got into Sburb through a secondary mechanic and not through the game's main purpose. It really makes it feel like they all stumbled backwards into this story.

It also explains why Rose is playing this game inside the mausoleum, right where Jaspers' corpse is. If she's planning to prototype him with a sprite, as the text is strongly suggesting, it makes sense to keep him by her side. 'I would describe my feelings toward the animal as lukewarm.' you absolute liar, you are braving a forest fire for the chance to see this cat again you big softie.

[chimonystack]

Alright,

so there's been an Orange Side™ teased for a long time now in Sanders Sides, right? And the common theory is that Orange will be some form of Rage or Wrath, and will either take over or split from Logan, right? Well, I want to voice my opinion on this, because I believe it's extremely accurate, and could also provide an amazing character to the mix to oppose all of the sides (yes, INCLUDING LOGAN.)

So, first point:

This point is very minor, but Logan was the first side to have his name revealed. If Orange is the last side to be revealed, that would mean he'll also be the last one to have his name revealed, which is an interesting parallel.

Second point:

Logan rarely shows any emotions. Yes, he gets excited about Crofter's, he has some small amount of pride whenever he's right, and earlier in the series he feels small amounts of remorse whenever he does something that hurts one of the other sides. But, most of the time, Logan doesn't show any emotions (and in "Alone on VALENTINE'S DAY!" he even says "Call me when you have something a little less feelingsy"). He shows nothing, except for one emotion (which is fairly obvious given the intro to this post, but I'll still save it for later).

Third point:

Logan has had excellent character development since the beginning of the series. In the beginning, Logan only cared about the logical solutions for any of Thomas' problems. He would constantly fight one of the other sides about a problem until one of the remaining sides or even Thomas himself forced him to see what he was doing wrong and concede or compromise. But as the series kept going on, Logan started becoming not just more academically intelligent, but very importantly, more emotionally intelligent. He understands the other sides more, and he eventually comes to realize that every side has their merit, even Janus and Remus.

Fourth point:

Logan often gets ignored or dismissed by the other sides and Thomas himself. Yes, Thomas calls on him for help for several situations, and Logan often saves the day, but even so, he doesn't always get the full credit he deserves. The most notable examples of him being dismissed or ignored are in "Moving On," and "Working Through Intrusive Thoughts." In Moving On, Logan makes a mistake and suggests they go to Patton's room, but once he realizes what Patton's room is actually doing (especially to Virgil), he immediately tries to get Thomas and the other sides to leave. Thomas, Roman and Patton ignore him, and Logan gets frustrated enough to leave. In Working Through Intrusive Thoughts, Logan constantly tries to get Thomas to follow his schedule for the day, but Remus keeps breaking Thomas' focus on his chores. Then, once Thomas finally gets called by Nico, the final thread of Thomas' focus on his chores is broken and he instead decides to go meet Nico to look at art. Despite all of this, Logan still tries to listen to everybody, including Janus and Remus.

Fifth point:

There seems to be a pattern with the sides and whether they're associated with more positive or negative traits. Logan, Patton, and Roman are all positive. Janus and Remus are both negative. Virgil is both positive and negative. If Orange is Wrath or Rage, this creates symmetry on both sides, with Orange joining Janus and Remus as a negative trait. This is also supported in the Sanders Sides Anime Intro (which I'm sure everybody already noticed but it's still worth it to me to bring up).

Now, to bring it all together:

If Orange is indeed going to be Rage or Wrath, it absolutely makes sense for him to either take over or split from Logan, because the one emotion that Logan shows consistently and often is anger. His frustrations whenever he makes mistakes, or when he gets ignored or dismissed, and especially his "FALSEHOOD" are all examples of how he commonly has outbursts (or at the very least, visible) bouts of anger. Logan's eyes glowing orange when he yells at Remus in Working Through Intrusive Thoughts only add to this. If Orange is meant to be a reflection/the opposite of Logan, then he'll likely show emotions constantly, with the only thing that stays the same being the outbursts of anger, just severely intensified for Orange. This also opens the door for the character development that Logan has had being completely reversed (no matter whether Logan is taken over or if Orange just splits from him). All of a sudden, the rest of the sides have somebody that simply does not care about their opinions or feelings. Orange likely will ignore all of the rest of the sides, or even lash out at them constantly, never giving them the time of day. Orange will refuse to see the merit in any of the sides' functions, which is the exact opposite of Logan, who tries to see everybody's merit. The new biggest problem becomes avoiding Wrath, but to no avail, as he keeps coming back angrier every time, until eventually they all realize that, just like with Virgil, they need to try to understand him. The only problem with that is that it's harder to understand and accept Wrath than it was to understand Virgil.

No matter what, though:

I am SO hyped for these teasers to pay off, no matter what Orange ends up being. I have no doubts at all about Thomas' ability to create an amazing and compelling character for all of us to love just as much as the other six sides.

[soulc-hilde]

The Bear

If there’s anything more frustrating is doing a series for a show that has writers who don’t properly go about their job. For example, for my series Bear in the Wild which is based on and follows The Bear tv show, Storer and whoever else is co-writing the show - probably - don’t know how they want to go about the show or what to do.

Cause what I remember reading, is that the show wasn’t even supposed to go on for this long which is a congratulations well deserved. However, I don’t think Storer was ideally prepared to take the show higher. Hear me out…

The viewers are split between those who want Carmen to find the light within his life and heal, those who wish to see him be in a relationship with Sydney, and some who may want him with Claire or any BETTER character that can be added in.

From my perspective, I can see how Sydney and Carmen can be a couple. For those who are too hooked onto the fact that they work together - Carmen’s ENTIRE family is heavily involved with the restaurant since he was a kid. That separation is non-existent.

However, the point of this post isn’t about ships. It’s about the writing and the caring of the show. The first two seasons were killer, amazing. The pacing was perfect, the plot of each season was explored within their episodes consistently, and there’s obvious chemistry between Sydney and Carmen.

Romantic or Platonic, who gives a fuck. It's there, that's material that they can work on.

Season 3 fails because it’s inconsistent, it removes our deuteragonist Sydney and replaces her with tertiary characters like the Faks. THE FAKS??

If this season’s theme, its plot, was to dive into each character’s background and how they’re tied within one another, GO FOR IT. Even better, do that but stick to your focal cast which consists of Carmen, Sydney, Richie, Natalie, Tina, Marcus, Ebra, and… maybe the Faks.

Tell us about our seven fishes, how’d they come across Michael? What was his role in their life, outside of being the boss? It’s The Beef/The Bear. Everybody is family. Tell us how The Beef became a home. Talk to us about Sydney’s family, hell Marcus’ mother died at the end of Season 2… let’s dive into that.

Instead, I’m staring at John Cena as a Fak and I’m learning about Thing 1 and Thing 2? I’m receiving vague hints that Claire’s best friend can’t read red flags to save her fucking life and got associated with a Fak? Why would anyone to do that to themselves?

How does this contribute to The Bear? Or to the Season in general?

Claire is the type of girl in reality where you have to tell them to shut the fuck up or else you’ll punch the shit out of them. She pushes and she pushes until you give her the answer she wants.

In the eyes of a WOC, she acts like a typical white woman that was never told no because she was too pretty or talked so soft when in reality, she looked like everyone else and talks as if she’s being stalked and needs saved. Claire ain’t no different than any other plain jane.

So, what makes her so special in Storer’s eyes that she gets to be Carmen’s love interest?

Can’t say that it’s the nostalgia that holds them together cause I’m pretty sure that while they were both acquainted, she wasn’t an actual friend of Carmen’s. She was the out of reach girl who he had a crush on and knew of. Instead of initiating that bond during those times, she initiates it through his family.

Specifically, Michael, Richie, The Faks, and Donna.

Instead of understanding that the fake number meant he didn’t want to talk to her, she goes through Fak and proceeds to keep calling him. He doesn’t owe her shit, not even the toilet paper he used to wipe his ass and yet, we’re watching this grown ass woman hunt this man down when he didn’t want to talk.

If this was the other way around, it would immediately be an example of harassment against women. But Claire? Oh no, this is apparently supposed to be her fighting for her chance at love or getting close to his heart.

Girl, you're a damn pest. Get sprayed.

And let's not even get into one of the promotion interviews. Why is the cast split by the comedic reliefs, the siblings, and the Blacks?? Um... Tell us how you really feel, say that shit with your chest whoever set that up.

Storer was not prepared to create another season and that happens to all shows. I mean, how many shows you've start strong but then there was either a change on staff or it received crazy hype and decided to add seasons to follow the momentum but things went to shit?

There's ways to recover from that. However, here's where Storer really fucked up.

In recent years, the generation of BIPOC have been wishing to see themselves as characters who do the things that the most overhyped white character does.

Cook? Farm? Paint? Rich? Anxious? Depressed? Happy family?

After so many years of "progression" within the industry, we receive these characters that are supposedly in these non-stereotypical roles and won't be used for the plot (especially if they're a woman of color) but then when the final product is out...

Where was that regular-degular character you had?

And thankfully, there's some shows who have been successful with giving us that representation. And it's not about us wanting white directors and writers to tell our story as people. Y'all already had that control and look where we're at now.

We want y'all to get your head out of your asses and realize that there's more to the world than Ashley with the blonde hair, pale skin, and blue eyes.

In The Bear, we get that with Sydney, Ebra, Tina, and Marcus. Now, with Sydney, as I said, she's the deuteragonist. Both her and Richie. Where the fuck was she this season? Why is her role being pushed to the back and the likes of the Faks and the Pest being pushed to the front?

They're for damn sure not on the promotional posters. Especially, Claire. They're not one of the main characters. If anything, they're foil characters and/or tertiary characters.

They are either to help further the plot to reach our ending destination, especially if they surround the main character(s), or add little substance here and there before disappearing.

Storer fucked up. He knew what type of audience he had, he saw the reception that both Sydney and Carmen (Ayo and Jeremy) received for their roles and yet when it came to this season, he played in their faces and with their time. And that's fucked up.

[definitelynotshouting]

Okay, so, question I've had for a while but never got around to asking, what the FUCK is up with Grian's wings?

If all physical differences in players (like those particularly ascribed to 'Hybrids' in mcyt fanon) in Hunger AU are a result of conscious altering of your own code for the express purpose of achieving YOUR IDEAL BODY(tm) then what does that mean for Grian and his wings? No one seems to regard Grian's wings as "What The Fuck, You Can DO That?!?" so presumably wings aren't so big of a change from normal biology that players can't do that. If so, why is it not more common? Man, if I could have wings I'd jump on that in seconds. Especially with the sheer utility the ability to fucking FLY gives players. Are wings (and maybe other larger alterations) just like, REALLY HARD to code in? If so, that might add a really cool layer of "Oh wow! They must be a really good coder!" to players who meet people like that.

On a related note, Grian seems to have a positive regard for his wings, which is interesting because I would be willing to bet he didn't have that before *insert sounds of worm-bursting and non-consensual body modification*. I imagine seeing his wings would likely feel like a reminder of the Watchers and what they did to him. BUT, Watchers manipulate their own code when they change like Grian did to, y'know, not be a worm anymore so Grian probably specifically chose how he looked, right? So, unless he did so really rushed and somehow made a mistake while doing so (which he might not be able to risk the structural damage of correcting), keeping the wings was a conscious decision. Does Grian just not associate his wings with the Watchers or is it something else? Does he just really enjoy having wings?

HELLO I AM SO GLAD YOU'VE ASKED THIS BECAUSE I HAVE ‼️‼️‼️‼️ MANY THOUGHTS ABOUT IT ‼️‼️‼️‼️‼️‼️‼️

Okay okay so these are all SUCH valid questions, lemme go through them one by one. Wings are indeed something anyone could have if they wanted to code them in-- and in fact, i do believe many other Players have wings throughout the universe!!! As far as body mods go, i like to think of them as decently popular, so its definitely not anything too weird to see. In chapter 5, i even make a mention to Pearl having moth wings she occasionally codes in due to preference!!! So wings of many different types are definitely available-- but the catch is that they're real fiddly to code. You cant just give yourself wings, you have to code in the bone structure, the muscles, the tendons, etc etc, and then you have to change your entire body structure as well to work with and fully support them. They can be awkward and unwieldy, as ive tried to show in the fic itself, and i think that alone can be a big discouragement for Players considering coding in wings, along with the sheer coding effort needed to obtain them and make them functional

And the thing is, elytra already exist-- they're far more compact, they dont take up as much space, you can take them on and off super easily without having to mess with your coding, and they basically do the same thing. Sure, its a pain to get one, but a lot of Players really enjoy the sense of accomplishment, and i think theres a bit of cultural prestige too in that regard. Server milestones are a huge thing in Player culture, and getting your first pair of elytra is a big one!!! So it makes sense to me that people who just dont want to go through the effort of coding in wings (which can then in turn complicate how they code other future modifications) primarily stick to elytra.

And everybody is different-- some people prefer attributes that arent wings. I like to think everyone in hermitcraft generally is a mix of "jeez thats effort, i could be building my base instead of doing that" and "eh im fine how i am, i like it" and "well we have elytra shops everywhere so why bother".

So in short, yeah!! Wings are a bit complex to code in. They're still pretty popular, i think plenty of Players do choose to incorporate them, but it takes a lot of hard and thorough work to make sure they function right and wont bug you out when you use them. There are billions of Players scattered across the universe, so what you're seeing in the fic right now is truly just a drop in the ocean when it comes to Player body diversity :] and then, elytra basically already help Players achieve a form of flight without the hassle of recoding their entire body structure, so i think the majority of Players just prefer to use them instead.

AS FOR GRIAN'S WINGS IN PARTICULAR......

Well..... its complicated. Particularly his feelings about them-- in the fic, i referenced them as the only good thing the Watchers ever gave him, and thats how he sees it, i think: a thin silver lining. He's had many, many years to get used to them, and i think he goes through periods where he hates them and the memories attached, too. Ultimately, he's kinda stuck with them, so i think he hit a form of acceptance (as bitter-tinged as it may be) out of sheer necessity for his own sanity.

As for why he has them, and hasnt coded them out: i think of it as a particular quirk of biology/structural coding. Watchers have a more instinctive way of coding than Players, but a Player-minded Watcher is still going to think like a Player, and thats going to muddle things a lot. Grian essentially had to relearn how to code, in a way that satisfied both Player and Watcher-style coding, and the results at first were.... a little rough around the edges. Once he managed to finally take on his original former appearance, the wings from his true form just kind of.... stuck. I like to think it took a few increasingly desperate tries before he realized he just could not figure out how to get rid of them (bc of how different his new code was), and had to accept that this was just how he was gonna have to live for a while until he finally figured it out. And then, well.... you can get used to anything, if you're stuck with it long enough. I think after a while it just stopped being a huge priority, and then he reached a point where it would be more awkward to live without them than with them, and he eventually dropped the idea altogether. And i think sometimes, they function almost like a scar, to him-- a reminder of what he went through, yes, but a reminder that he did manage to escape. And, ofc, he also just really, really likes flying skdjskdjdj

So yeah, loads of complicated feelings there about his wings, and its stuff i do plan on exploring later in the fic!!! This got a little rambly, but i hope this makes sense and answers your questions!!!! :D its a fun little complicated knot that im glad someone has gotten curious enough to ask about!!!!