#and ended up not really even talking about their narratives or anything

[mixupmycota]

kinda upset by how many people are insisting that davrin's narrative is more about assan than davrin

it's really not

everything revolving around how davrin interacts with assan is also him talking to himself

which is a perspective problem that all of the companions have

they are all people who are too in their own heads to be able to resolve some of their deeper fundamental conflicts, because all of them are deeply lonely and alienated from their respective social environments, convinced in various ways that they cannot relate too others or be related too in turn, which is one of the things that makes them the perfect team to hunt down solas, who has the same problems writ large across the ages.

and in overcoming their issues and turning to rook and each other for external opinions while solas observes rook it demonstrates that other courses of action are possible and that there is value in trusting others with their loneliness and vulnerability but ANYWAY

davrin pretty clearly projects his feelings about his own upbringing onto assan, including the very

clearly present problems he has experienced as a dalish warden, if we let ourselves see them. he's not turning around to us and saying directly that he's been treated like shit by humans for most of his life in any run i've had so far. he also doesn't need too. he demonstrates it with the positions he holds.

how he advocates for not revealing the truth behind the origins of the elves, because it will make their lives harder than they already are.

how he tells assan that he needs to toughen up or he'll get chewed up by the world. that he's meant to be a hunter. that it's in his blood. it's what he's for.

how he changes his mind when he sees assan interact with the halla. how it clearly reminds him, along with his reconnection with endrin, that he was once a little boy who sang to halla. that he is more than violence, more than the hunt, more than a living weapon meant to be used once and then disposed of.

i've barely touched on his romance at all in my current run but like. please. even without it, just from my first run:

davrin is so clearly afraid of abandonment, of rejection. of letting his guard down and letting people in because it might compromise his dedication to his chosen path - *as are they all, in different ways, which is on purpose* - that he is trying to raise assan to protect him from davrin's own pain.

which doesn't work! that doesn't work.

davrin looks at assan and names him arrow. davrin looks at himself and calls himself a weapon. davrin doesn't let himself return to his clan because he anticipates their rejection. because he already didn't fit in with them to start with. davrin never gives us his last name.

the unity between warden and griffon comes when davrin stops just projecting his own pain and fears onto assan, and learns how to work with assan as he is. In doing so, it makes him realize he can be more than a weapon. That there's an option for him beyond sacrifice and vigilance. That he can find peace. it is a reconciliation of disparate aspects of his Self, which is another recurring narrative thread in the game.

Davrin doesn't have to completely disconnect from his people. He doesn't have to himself separate and away from everyone, protecting them from what he perceives as his inevitable end, or from harming them. Assan can just be Assan, and Davrin can just be Davrin, and they love each other.

he reconciles himself with his complex feelings around his clan, finds value in the lessons they taught him that he chafed against as a younger man. he reconciles himself with the complex history of the wardens, and looks for a different future with them too.

assan is bright and vibrant and alive and new and, to borrow davrin's word, "pure". He can be anything. He reminds Davrin that he can be anything, too. Assan is a catalyst, he's not the actual focus. He is the catalyst for realizations in every scene we see him in in Davrin's personal quests, which are always actually about Davrin.

[hhhoneyed]

narrative concepts in kpop are so under appreciated,, enhypen ateez txt come to mind first but there are definitely a ton more,, even concept wise they help endear me so much to the groups

enhypen especially ive come to appreciate so much more recently. ive always loved the group but when the dark blood teasers started coming out it reminded me how much i love their vampire concept and all i did for days was watch and read as much lore stuff as possible, alongside watching their regular group content which led into them joining my lineup of ults again. its definitely fine when they have slightly different concepts for music videos and stuff but i think the aesthetics were something that felt kind of missing from manifesto day 1 as fantastic as the album was

[edwinisms]

it’s actually so wild to me that this fairly quirky YA type show gave both of its main characters deaths that can, in one way or another, solidly be considered hate crimes. they were both flat out murdered as a result of being A) gay and effeminate or B) brown (south asian, specifically) and you could argue whether or not those kids thought of it that way in the moment or whatever but the bottom line is that they would not have been in the situations that killed them if they weren’t of their respective minorities. like legitimately that is a ballsy choice for this kind of netflix show, let alone for the two Main Characters, and i respect it big time

[designernishiki]

as much as a i understand and respect ace kiryu truthers, i really feel like kiryu is the type to really take the idea to heart that sex is something vulnerable and meaningful and thus reserved for someone completely trusted and special to him– someone who feels right. after years and years he’s still never legitimately voluntarily slept with someone, always tries to turn women away or is at least apathetic when they try to get physical with him, never feels that deep and specific bond with a woman– nothing compared to some of his bonds with other men throughout his life. and maybe, hopefully, one day it’ll hit him that there’s a pretty big, glaring reason why no women have ever felt “right” to him.

[icharchivist]

i’m still not talking about the game i’m playing and obsessing over (sorry, one look at the fandom means it’s typically the type of games i don’t want to connect with people over unless they’re people i already trust) but i’m laughing so hard 

because, there’s one chara i was obsessing over so hard that when i found his figurine in the manga store i somewhat bought it right away while i was still very early in the game, and i knew people hates this chara because of something he did later in game (i’m calling, betrayal and murders) and i had vague spoilers about what his deal was about but i couldn’t completely put those spoilers back in context

so there was a moment of fear of, was buying the figurine a good idea? would i finish the game thinking his crimes are too much for me to bear? (i mean i do have figurines for characters i don’t really like so i doubt i would really resent the buy since it’s a pretty figurine, but yaknow?)

But now i’m at a point where, they didn’t reveal what his deal is yet, but i have most of the pieces to know more or less what his crime is, and most of all, he’s currently lying extremely blatantly to everyone while going very 😇 about it (lies i only can totally figure out because of the spoilers i know), and i’m absolutely hysterical because it actually makes him even more my type than he was at the start of the game where he just seemed cheeky yaknow?

i was told everywhere this character’s twist is enough to have people hate him and instead the more i’m building to the twist the more i’m absolutely hysterical because he’s taking all the steps to be an Ultimate Fav Of Mine by checking all the boxes for my dubious fav character type (Sweet Talker, Criminal, and Massive Hypocrite Liar). I’m living. 

[homo-house]

hey uh so I haven't seen anyone talking about this here yet, but

the amazon river, like the biggest river in the fucking world, in the middle of the amazon fucking rainforest, is currently going through its worst drought since the records began 121 years ago

picture from Folha PE

there's a lot going on but I haven't seen much international buzz around this like there was when the forest was on fire (maybe because it's harder to shift the narrative to blame brazil exclusively as if the rest of the world didn't have fault in this) so I wanted to bring this to tumblr's attention

I don't know too many details as I live in the other side of the country and we are suffering from the exact opposite (at least three cyclones this year, honestly have stopped counting - it's unusual for us to get hit by even one - floods, landslides, we have a death toll, people are losing everything to the water), but like, I as a brazilian have literally never seen pictures of the river like this before. every single city in the amazonas state is in a state of emergency as of november 1st.

pictures by Adriano Liziero (ig: geopanoramas)

we are used to seeing images of rio negro and solimões, the two main amazon river affluents, in all their grandiose and beauty and seeing these pictures is really fucking chilling. some of our news outlets are saying the solimões has turned to a sand desert... can you imagine this watery sight turning into a desert in the span of a year?

while down south we are seeing amounts of rain and hailstorms the likes of which our infrastructure is simply not built to deal with, up north people who have built everything around the river are at a loss of what to do.

the houses there that are built to float are just on the ground, people who depend on fishing for a living have to walk kilometers to find any fish that are still alive at all, the biodiversity there is at risk, and on an economic level it's hard to grasp how people from the northern states are getting by at all - the main means of transport for ANYTHING in that region is via the river water. this will impact the region for months to come. it doesnt make a lot of sense to build a lot of roads bc it's just better to use the waterway system, everything is built around or floats on the river after all. and like, the water level is so incomprehensibly low the boats are just STUCK. people are having a hard time getting from one place to another - keep in mind the widest parts of the river are over 10 km apart!!

this shit is really serious and i am trying not to think about it because we have a different kind of problem to worry about down south but it's really terrifying when I stop to think about it. you already know the climate crisis is real and the effects are beyond preventable now (we're past global warming, get used to calling it "global boiling"). we'll be switching strategies to damage control from now on and like, this is what it's come to.

I don't like to be alarmist but it's hard not to be alarmed. I'm sorry that I can't end this post with very clear intructions on how people overseas can help, there really isn't much to do except hope the water level rises soon, maybe pray if you believe in something. in that regard we just have to keep pressing for change at a global level; local conditions only would not, COULD NOT be causing this - the amazon river is a CONTINENTAL body of water, it spans across multiple countries. so my advice is spread the word, let your representatives know that you're worried and you want change towards sustainability, degrowth and reduced carbon emissions, support your local NGOs, maybe join a cause, I don't know? I recommend reading on ecological and feminist economics though

however, I know you can help the affected riverine families by donating to organizations dedicated to helping the region. keep in mind a single US dollar, pound or euro is worth over 5x more in our currency so anything you donate at all will certainly help those affected.

FAS - Sustainable Amazon Fundation

Idesam - Sustainable Developent and Preservation Institute of Amazonas

Greenpeace Brasil - I know Greenpeace isn't the best but they're one of the few options I can think of that have a bridge to the international world and they are helping directly

There are a lot of other smaller/local NGOs but I'm not sure how you could donate to them from overseas, I'll leave some of them here anyway:

Projeto Gari

Caritás Brasileira

If you know any other organizations please link them, I'll be sure to reblog though my reach isn't a lot

thank you so much for reading this to the end, don't feel obligated to share but please do if you can! even if you just read up to here it means a lot to me that someone out there knows

also as an afterthought, I wanted to expand on why I think this hasn't made big news yet: because unlike the case of the 2020 forest fires, other countries have to hold themselves accountable when looking at this situation. while in 2020 it was easier to pretend the fires were all our fault and people were talking about taking the amazon away from us like they wouldn't do much worse. global superpowers have no more forests to speak of so I guess they've been eyeing what latin america still has. so like this bit of the post is just to say if you're thinking of saying anything of the sort, maybe think of what your own country has done to contribute to this instead of blaming brazil exclusively and saying the amazon should be protected by force or whatever

[shrimp1y]

"wrio isn't a cop hes a king"

Can someone with brains please please PLEASE talk about the disgusting portrayal of cops, crime, court proceedings, justice system and prison incarceration in genshin impact's fontaine update because I cannot SIT HERE and see people completely destroy their brain cells just so they could play a mediocre game and make some fictional men fuck in their mind

I'm deadass surprised there isn't more people talking about it??? I'm honestly so ??? It's literally presenting prison labour as a good thing. Wriothesley, the prison administrator, got rich off of making his inmates build police robots for the state AND HE'S PRAISED FOR IT. AND THEY'RE PAID IN COUPONS THAT CAN ONLY BE USED IN JAIL. HE WAS REWARDED FOR IT WITH HIS DUKE STATUS.

The fact that the fucking MC's mascot was like "oh the prisoners get one free meal a day? you're making life too good down here what if no one wants to leave :(" what in the bullshit. What in the. There's also a fighting ring in the prison, by the way, and you can bet on it with your coupons you just can't bet on both fighters.

The. This is a scene people think is hot. "But that's a bad guy!" THAT'S HOW THE NARRATIVE IS WRITTEN. THEY ARE ALWAYS THE BAD GUY IN FICTION. THAT'S HOW COPAGANDA WORKS, they make you think people in power can just beat the shit outta anyone and of course the person deserves it because they are clearly always the bad guys! And the people in power are always right! This is sarcasm btw.

Neuvillette and the magic judgement machine are literally seen as undeniable justice ordained by magic and NO ONE KNOWS HOW IT WORKS. NEUVILLETTE HIMSELF HAS NO CLUE WHAT HE'S DOING HE'S ACTIVELY FIGURING SHIT OUT AS WE SPEAK. And yet it's what sends people to The Worst Most Dangerous Super Scary Prison Ever Where There's No Laws [but 1 meal a day's great /s].

"But he feels bad!" Genshin has repeatedly chosen to highlight the pains and troubles of the oppressors [Eula] [Ei/Shogun] and there's literally never any repercussions for them aside from when they portray The Haterz clearly as villains or they turn it around and say "Well it was a misunderstanding all along! No one's to blame here!"

I'm not smart enough to go into details I'm just saying. This. needs to be talked about. I'm not telling you to stop the game bc Hyperfixations not really smth that can be controlled or whatever I get It I Got Back into the game when the first trailer dropped I drew neuvillette fanart and then everything just went downhill since then and I'm like why the fuck did I expect anything better than racist, pro cop dogshit from Mihoyo It needs to be talked about ESPECIALLY by people who still cares about it to critically. assess what the fuck you are absorbing because this shit isn't okay. This is literally paw patrol for weebs they just didn't call anyone a "cop"

PLEASE. TALK ABOUT IT.

[imsosleepyofyourbull]

I firmly believe that Kabru is autistic but masks so hard that he’s convinced himself and (almost) everyone around him that he’s neurotypical.

That man’s special interest is people and how they work, but he just thinks it’s him Being So Good At Socializing — like he doesn’t spend 95% of his time people watching and adjusting his personality in response to the traits he witnesses and obsessing over the intricacies of human interaction while mapping an ever growing relationship chart in his head. For fun. He even admits it in the manga!

Like, look at him!!!

It’s such a shame that — because he’s the narrative foil to Laios and his interest is generally considered more “socially acceptable” in both their world and our own — more people don’t realize this about him. He’s constantly misinterpreted as a horribly manipulative person who only acts the way he does to use the people around him, when that’s explicitly shown to not be the case at all. Kabru is naturally empathetic and is almost always thinking about other people, regardless of whether or not they’re right there with him or a thousand miles away.

I mean, his most defining motivation is his desire to do everything he can to avoid another tragedy like the one at Utaya. Someone who doesn’t care wouldn’t have a goal like that, and they most certainly wouldn’t go about it the way he does. He’s constantly working to help people who can help everyone else and tries so hard to make sure that anyone who seems like a threat is actually someone he needs to worry about before doing anything about it. His supposed aversion to Laios is only because of the ridiculous trolley problem he’s set up in his own head.

Outside of that, he (rather justifiably) hates monsters but is desperate to understand Laios’ love for them and his apparently most selfish goal in getting close to the guy was literally just to become friends with him.

When he’s interacting with the canaries and they imply that they’re going to take him and all of his friends to the West, his first thought is of Rin and how much she’d hate to be stuck in the place that gave her so many bad memories.

He helps Kuro learn Common when Mickbell is asleep and firmly looks forward to the day that the half-foot and Kuro can communicate properly so that their relationship can get properly started without any miscommunication.

And he understands Mithrun with only a handful of weeks AT BEST interacting with him, getting enraged when the elf seems to give up and immediately trying to help him find a new motivation for life.

I’m excited just thinking about the day that Kabru starts unmasking more and more around his friends — both new and old — because if being with my current friend group has taught me anything, it’s that hanging out with anyone so unabashedly themselves is bound to make you more comfortable with yourself too. It’s part of the reason why I like Labru so much! There’s something nice about imagining them hanging out in the throne room or laying in the grass outside and talking for hours on end about their special interests. They might not strictly understand what the other finds so fascinating about monsters or people, but they can grasp that shared feeling of love.

They probably influence each other in really good ways too, with Kabru helping Laios figure out what people are thinking even when it doesn’t make sense or Laios helping Kabru understand that not everyone and everything needs to be analyzed a thousand times over. They both get to learn that there are people like them and people who will love them without them ever having to change a thing about themselves. They deserve to know that they’re fine the way they are.

[felikatze]

QoL as Kindness: ISAT's diagetic tutorials

This is the hopefully first of a series of posts I'll be doing reinterpreting ISAT's Loop through the lens of START AGAIN: a prologue's context. As such....

Major spoilers for both ISAT (all acts, including optional content) and SASASAP (all endings).

One of the biggest differences between ISAT and SASASAP is it’s QoL – it’s Quality of Life. QoL refers to all the little things that make a game just that little bit more playable; quick to navigate menus, quicksaving… tutorials.

It’s not really a surprise that SASASAP is as RPGmaker as RPGmaker gets. This isn’t a criticism, just an observation, and also a compliment to how much Adrienne’s skills with the engine improved between releases. Still, there’s some things that ISAT has over SASASAP.

ISAT’s QoL is absolutely essential to making it bearable. Anyone ever watch an ISAT playthrough where the player sighed in relief as the tutorial on picking where you loop came up?

SASASAP lacks a lot of ISAT’s QoL because it’s an earlier project without a studio backing it, but what impresses me is how this change ties into narrative.

Because the greatest chunk of ISAT’s greatest QoL is provided by Loop.

Even before you ever meet them, they’re already over your shoulder. Loop is the tutorial, speaking to you inside your brain. It’s genius, in that no player is ever going to question this. Hell, SASASAP’s movement tutorial is the exact same thing with less flavoring

This reframes what the QoL is – it’s not just a convenience to the player, it’s a convenience to Siffrin, too. It’s diegetic. It’s not something the game is giving you, it’s something Loop is giving you. Let’s look at what Loop gives you, and more importantly, why.

Zone Out

The first of the QoL features I want to talk about is the Zone Out function, the absolute bread and butter of not making this game a total slog.

The Zone Out feature as is did not exist in SASASAP (because Adrienne didn’t know how to do it yet) – instead, some doubled scenes let you just skip them entirely outright. There’s only two extremes: listen to all of it again, or none of it.

ISAT’s zone out system is much more dynamic, since it fast forwards dialogue line by line, letting you zone in whenever you’d like, and forcing you to zone in whenever a) something notably new happens, or b) whenever Siffrin speaks.

The way this feature is introced by Loop is kind of genius. Because Loop’s tutorial is about one thing – it’s okay to skip.

“You might miss what your party is saying, but who cares, right? If you make them mad, you can always loop back and they'll have forgotten all about it!”

It’s a cruel joke, or at least it seems that way on the surface. It’s also genuine advice. And a cruel joke at the same time. For Siffrin, freshly starting the loops, this is scandalous, but for Loop, who’s long since desensitized, it’s the same old same old.

What Loop’s doing here, by joking about Siffrin not listening to the party, is alliviate Siffrin’s guilt when they inevitably take Loop up on the offer. Because, even though Loop loves their party members…

From SASASAP, when sitting outside the bathroom:

(Will you get farther this time?) (Will you live this time?) (Or are you stuck listening to the same lines forever?) (…) (Stars, you’re so tired.)

Loop knows intimately well that Siffrin is going to drive themself insane trying to be a people pleaser every single loop, so this joke is telling the outright – don’t bother.

At first, Siffrin (and the player) still might. I really enjoyed reading the same conversations five times minimum because they’re fun and I’m deranged, but at some point I did start skipping them. And it was a relief to know there wouldn’t be anything new.

Siffrin: “Should I check everything again?” Loop: “You mean, should you check the same barrels, the same closets, the same objects on tables every loop?” Loop: “I mean, you can, but… You know things won’t change, right?” Loop: “If you really want to get a certain item again, or listen to your friends repeat something funny, you should!” Loop: “I personally would only check two or three things every loop, and ignore the rest.” Loop: “It will just make you crazy to expect something to change, when nothing will.” Loop: “All that might change is your reaction to it!”

The game is telling you, Loop is telling Siffrin, don’t drive yourself insane playing, please. The characters aren’t going to remember if you skipped something.

In the course of my script wizard activities, I’ve gotten an in-depth view of just how much that actually holds up. Pretty much all major differences are by Act, unrelated of how often you’ve done something. Minor variations apply for other things, but… those variations are minor.

And this also points out what all those variations are. Siffrin’s reactions!

Loop’s pre-empting Siffrin’s guilt, cuz they probably felt it themself. Hell, we do know they felt the pressure to perform and make sure nobody notices anything’s wrong, in SASASAP! Right up until the finale, Loop was driving themself up the wall.

(You have to act, you can't crack, you have to fake it and play it exactly as you did the first time for the whole way through so your friends don't find out anything is wrong) (You don't want to know what would happen if they knew their quest was in vain) (If they knew their quest for justice and change always ends in stillness and death!)

Acting everything out perfectly is one of the ending paths for SASASAP, which results in… complete and utter failure. Obviously.

(You acted perfectly normally, didn't you?) (Nothing out of place, nothing weird, every line the same as it might've been the first time?) (Ah…That was your mistake, wasn't it…?) (Because… Didn't your very first time… end exactly like this?) (The King throws the Housemaiden's body onto the floor again.)

Zoning out for too many conversations actually awards weird points in SASASAP, locking you out of the Perfect Ending. On the other hand, acting “perfectly” in ISAT… has no awards whatsoever. No special scene or or optional event or anything at all. You get nothing for paying attention!!!

So spare yourself the pain already, m’kay?

(On that note: I don’t think Loop not being sarcastic about it would’ve like… worked. At the start of ACT 2, Siffrin isn’t going to believe Loop when they say “Stop forcing yourself to relive the same thing over and over because you’ll start seeing your friends as disposable actors and lose touch with reality.” That all comes later, when Siffrin can look back on Loop’s words and see how right they were.)

Loop Back

The second biggest sigh of relief in any given ISAT playthrough is probably this specific tutorial.

Loop graciously shows you that you don’t need to loop back all the way to the beginning every single time. You can pick and choose where to go, even going forward by paying up with Memories of Skirmish.

This is a feature SASASAP does not possess, for the reason that it is much, much shorter, only covering about as much as one floor of ISAT’s three floor House.

But… since this is a character showing this to you, Loop showing this to you, we can ask… when did Loop learn this? After all, START AGAIN, Loop’s loops, do not have this feature.

“It'll save you time, so it's important, so listen up!”

This feature not existing in SASASAP means this is a thing that Loop did not know exists during their own time as Siffrin.

And that’s just the thing, isn’t it? SASASAP’s Siffrin does not know how to do this. They cannot pick and choose where they end up, as demonstrated wonderfully by SASASAP’s True Ending. There’s an even more wonderful implication, though –

On SASASAP’s Perfect End path, when exiting the final room before the King, Isabeau says this:

Isabeau: “…I'm glad you're feeling better, though!” Siffrin: (…?) “What do you mean…?” Isabeau: “Oh!!! Um, you were…” Isabeau: “Well! You were acting a little weird when we were way closer to the Castle's entrance……” Isabeau: “You weren't really listening to us, you were kinda smiling the way you do when you're actually not happy…” Isabeau: “…and you like, almost acted like you knew exactly where you were going?” Isabeau: “But clearly you're feeling better now! You're acting just like normal!!!”

SASASAP’s Siffrin knew how to do this, somehow managed to lock themself into the House’s last floor… and then forgot how to get back. By making this tutorial, Loop is ensuring that Siffrin never will.

“What can I do next?” – SASASAP’s greatest flaw

So, if you’ve had the pleasure of playing START AGAIN START AGAIN START AGAIN: a prologue yourself (as you should), then you’ve probably faced this scenario, or some variation of it:

I got to the end, I died to the King, but… what do I do next? The game tells me to go for the extremes, but how do I do that?

(edit: apparently some of yall just managed to speedrun sasasap in two loops. You're gonna need to stay with me here, please. Suspend your disbelief a bit, because a lot of people [including me] were dumbasses about it)

Maybe you try another loop, but just get the same ending again (or a differnet one, depending on a coinflip). You’re getting frustrated. Getting the Perfect Ending demands pinpoint precision to avoid everything weird, the True Ending demands good memorization of every single damn key in the game, and the order you do everything in. (Though, to be fair, the requirements on that one are actually more merciful than one might expect.)

Point is, in SASASAP, it’s incredibly easy to get stuck in that endless loop of “What the fuck do I do now?” It’s not uncommon to think you got it right only to get the same result anyways. What does one do in this situation?

They consult a guide, obviously.

START AGAIN’s ending requirements are frustrating. They are. When I tried to go for either the Perfect or the True Ending, I saved inside every single room, just so I could get right back to it when I inevitably fucked up five times minimum. This is both criticism… and praise. Because Loop is the major reason that ISAT does not suffer from this same problem.

Whenever you’re stuck in ISAT, Loop is just a single loop or call away at any times. And besides that, no plot requirement in ISAT demands nearly as many moving pieces all at once as SASASAP does – the “Sus Route” has been relegated to an optional ACT 4 exclusive event, instead of the game’s True Ending.

Instead of consulting an external guide on how to progress, you have one right there in the game, always ready with the next tip. They’re not infallible, mind you – enough time in Isatcord’s #game-help proves that, but Loop solved all of the moments I got stuck and frustrated in ISAT for me.

(Primarily that one time you need to figure out that a photo is similar to being stuck in time. That moment in particular is actually commendable, as you need to ask Loop about it twice before they tell you, leaving you a last shot to try and figure it out on your own.) Loop is a feature that nullifies SASASAP’s greatest flaw in its successor, and they choose to do so.

Memory of Keys

In my humble opinion, Loop does this because… they do not want Siffrin to suffer as they did. They want Siffrin to escape. And there is no greater example of their kindness than how Loop treats keys.

First of all, all keys in the game have a sparkling effect on them if you’ve picked them up at least once before, making it immediately clear where in the room they are. This means you don’t need to search every single room top to bottom for them, as you had to do for any keys and Star Crests in SASASAP. It’s some nice QoL that just means you don’t have to re-search the same area if you happened to forget which specific cupboard the key was in.

Key point being: SASASAP did not have this feature. In SASASAP, you did have to memorize where all the keys are, and doing so is expected if you want the True Ending.

Loop does not want Siffrin to have to do this. Because…

From SASASAP’s True End:

(The torch in the infirmary? That’s important!) (The key in the book? Soooo important.) (The names of your friends, that have been by your side throughout this entire adventure?) (Not worth remembering.)

Compared to ISAT’s ACT 2:

Siffrin: “How come I can see where the keys are?” Loop: “Whaaaaat? You caaaaaan? How can that beeeeeee?” Siffrin: “Is it thanks to you?” Loop: “Maybe.” Loop: “I figured you'd have other things to worry about than where a stupid key is.” Loop: “No need to thank me.”

To Loop, that they memorized the House’s layout over their friends’ names is a defining moment to their own failures. After all, in all likelihood, the True End of SASASAP is the last loop before they called it quits. It’s a traumatic experience from them, one that came from having to remember all the dumb fucking keys.

They do not want Siffrin to experience this. They do not want Siffrin to have to memorize the House, to push away what actually matters in favor of efficiency. So Loop is directly, personally, giving them a boon, so that Siffrin does not have to.

Conclusion

There’s probably more tutorial things I could talk about, but I feel like you’re seeing the pattern now, even if I don’t bring up saving level ups or keeping equipment or the “You’re stuck” signifier, least of all cuz they don’t have direct points of comparison with SASASAP like my other examples do (SASASAP has no changeable equipment, and saving levels doesn’t matter if you only have one floor, and you can’t softlock either.). So.

Loop’s tutorials all belie a fundamental kindness to their character. Everything that made their own experience trapped in the timeloop just that bit worse, they’re choosing to do away with it for Siffrin. They are choosing to make Siffrin’s time here easier.

Zoning out too much lead to them never paying attention to their friends, forgetting their names, so they make sure that Siffrin can still zone back in whenever something new happens.

Loop trapped themself for years on the final floor, locking themself out of progress that might lie further back, so they’re ensuring Siffrin knows exactly how to loop forwards and backwards so it doesn’t happen again.

Loop lets Siffrin keep equipment across loops to cut down on time spent doing the exact same thing over and over.

They are saving Siffrin time, and they are giving Siffrin comfort. At every single turn, Loop is saving Siffrin from the same pitfalls they fell into without anyone to guide them out.

It's honestly incredible to transform an increase in skill into an actual narrative element. Yes, SASASAP sucks more to play. But ISAT sucks less, because Loop wants it to. It's the perfect marriage of real world circumstance and storytelling. I could... probably pull another comparison here, saying it's like a game and its remake - overhauled graphics, expanded story, and loads and loads of QoL, because the makers of the remake realized something. They love the original, but parts of it do suck, and there's so much that can be done to make a new player's experience smoother. Metanarrative commentary,,,, woah,,,,,

Every single one of these QoL elements I’ve mentioned function as a crutch for a player’s failing memory, but also Siffrin’s (similar to what I talked about in my previous essay on ISAT’s ludonarrative - the player and Siffrin are always in sync, even in how tutorials benefit them). Loop doesn’t know the player exists though (only the Change God does), so they do everything for Siffrin.

To keep Siffrin from forgetting. To help Siffrin focus on what’s important. To make Siffrin’s journey just a little bit less miserable. Loop directly improves ISAT’s QoL. For you. For Siffrin.

From Loop’s introduction:

Loop: “See, I’m useful! I’m very useful! That’s why I’m here, helpful Loop.” Siffrin: “Why are you helping me?” Loop: “…” Loop: “Because I think you should be helped.” Loop: “I won’t always have the answers, but… I think having someone on your side to talk to is better than dealing with this alone.” Loop: “Right?”

From Loop’s hangout:

“But it’s fine.” “Whether you believe me or not, I’m here to help you.” “So you can escape this loop.”

And finally, from the start of ACT 3:

Siffrin: “Are you really here to help me?” Loop: “Stardust…” Loop: “…” Loop: “Yes.” Loop: “If you can believe anything, believe that.” Loop: “I asked to be here, so I could help you.”

And I do believe them. Loop’s feelings on Siffrin are… complex, to say the least. They love Siffrin, and they hate him in equal measure. They’re jealous, and spiteful, but underneath everything…

In SASASAP, if you die to a Sadness thrice, you get this monologue:

(Sometimes, when you loop back here…) (In the corner of your eye, you can sometimes see someone that looks just like you.) (Is it a you from another loop? Remnants of your past failures?) (Are you going crazy?) (May they succeed where you cannot.)

[maxdibert]

Alright, let’s dive into the dumpster fire that the Marauders fandom has become last years and threw any sense of canon or character integrity out the window. Because let’s be real, the way this fandom has twisted the characters of the Marauders and the Death Eaters, all while turning Severus Snape into some one-note “creepy stalker,” is embarrassing. The fandom seems obsessed with scrubbing characters clean, romanticizing abusers, inventing tragic backstories for literal sociopaths, and piling up headcanons that turn a few lines in canon into fully fleshed-out, fanon-only OCs. And somehow, the only character who gets relentlessly dragged and demonized is Severus Snape—a character who has actual complexity and trauma. It’s hypocritical, classist, and downright gross.

Let’s start with Severus. Canon Snape is a guy who came from nothing: poor background, abusive father, dead-end town. He didn’t fit into the wizarding world, was relentlessly bullied by privileged Marauders, and still somehow managed to survive and make something of himself. But instead of acknowledging any of that, the fandom loves to reduce him to this “creepy obsessive” stereotype. People act like he spent every waking moment pining for Lily and never did anything else, as if that’s all his character is. Never mind the fact that he was actively trying to get out of a miserable life, or that he was, you know, bullied on a daily basis by James and Sirius, who had wealth, status, and freedom to do whatever they wanted. Nope, to the Marauders fandom, Snape is just the “weird stalker”—because acknowledging his struggles would mean admitting that their golden boys were actually kind of awful.

Meanwhile, the same people are out here bending over backward to make people like Barty Crouch Jr., Evan Rosier, and Regulus Black look like misunderstood anti-heroes. Let’s be clear: in canon, Barty Crouch Jr. was a straight-up torturer, Evan Rosier died laughing as he fought Aurors, and Regulus was a kid raised with a silver spoon who only started doubting Voldemort when he realized he’d been signed up as snake chow. But no, fanon has turned these guys into “tragic, complex Slytherins” who were “just trying to survive.” It’s like they’re desperate for some tortured prince narrative, so they invent personalities out of thin air to give us this dreamy aesthetic of sad, beautiful Death Eaters who “didn’t really want to be evil.” Apparently, actually following the text is too much to ask when you’ve got fanon fantasies to uphold.

Regulus Black, in particular, has become this absurd fanon martyr. In canon, Regulus was a kid indoctrinated into pureblood ideology, who joined the Death Eaters without much hesitation. Maybe he had a change of heart eventually, but it wasn’t out of some grand moral revelation; he just realized Voldemort’s loyalty was to himself alone. Yet, according to the current fandom, Regulus is some misunderstood hero who was only “pretending” to go along with Voldemort and was “forced” into his choices. They’ve built this tragic romance around a character who, in the actual books, doesn’t have even half this depth. This Regulus in fanon is practically an OC at this point, and people cling to this made-up version of him so hard that they’ll defend it like it’s canon. It’s hilarious, and it’s also just plain wrong.

And let’s talk about the Marauders themselves. In canon, James and Sirius were rich, spoiled brats who spent their school years bullying anyone who didn’t fit into their world. They were kids with every privilege, and they used it to torment people like Snape, who had nothing. But the Marauders’ fandom has turned them into these fluffy, “good-hearted” rebels who just made “a few mistakes.” I’m sorry, but nearly killing someone as a “prank” is a bit more than a mistake. Yet people will ignore that or wave it away as “boys will be boys” just to keep up the illusion that James and Sirius were lovable scamps. It’s maddening—and it’s also classist as hell. They erase all the ugly realities of the Marauders’ behavior and then turn around and judge Snape for being “obsessive” and “weird” when he was just trying to survive in a world stacked against him.

The classism in this fandom is so blatant it’s laughable. Snape is written off as creepy and unworthy of sympathy because he didn’t have a cushy upbringing or the social standing to make him likable. Meanwhile, characters like Barty and Regulus, who came from wealthy pureblood families, get excused and romanticized to no end. It’s like the fandom is saying, “Well, Snape deserved it because he was poor and awkward, but the rich kids? They’re just misunderstood.” It’s the kind of privilege blindness that makes you wonder if people actually read the books or if they’re just projecting their own biases onto the characters.

And let’s not forget the army of new OCs the Marauders fandom has invented just to justify this headcanon universe (Mary, Marlene, Dorcas, that that Pandora no one knows why suddenly appears here lol) You’ve got random “best friends” for Sirius, unnamed Slytherins who magically have no ties to pureblood supremacy, and love interests for Regulus who supposedly saw the “real” him. All these characters are based on nothing more than a few throwaway lines, yet people have fleshed them out to a level that they’re practically new characters in the universe. It’s like they need this entourage of made-up people to back up their version of the Marauders and Death Eaters because, without them, their headcanons would fall apart. And all of this, while they keep painting Snape as this creepy loner with no real friends or worth. The hypocrisy is unreal.

At the end of the day, the Marauders fandom has taken a bunch of characters with clear flaws and complexities and rewritten them into these sanitized, tortured souls while dumping all their scorn onto Snape. They’ll go out of their way to redeem a literal torturer like Barty Crouch Jr. or turn Regulus into some tragic hero, but they can’t bring themselves to even consider Snape’s trauma or the systematic abuse he endured. It’s all about maintaining this fantasy where their favorite characters are perfect and untouchable, even if it means twisting canon and ignoring the ugly truths about class, privilege, and abuse that is reflected into the story. And that, honestly, just makes the fandom look shallow, hypocritical, and completely disconnected from the reality.

[httpknjoon]

the truth, the lie, and the surprise | jjk

plot | After Wooshik receives the surprise meant for your boyfriend, Jungkook is put in an interrogation situation to talk about his undisclosed relationship with a certain 'Princess'.

words | 1.6k+

genres | fluff, crack,  secret relationship au, established relationship au, friends to lovers au

pairing | jungkook x reader

note | this one's long overdue! the end is coming for this series. enjoy reading.

main masterlist  |  drabble series masterlist

“I really feel like I’m not your friend anymore.”

Jungkook rolled his eyes at his friend’s dramatics. His eyes have traveled everywhere in the diner except to Wooshik, who’s sitting in front of him. Jungkook looks down at his chocolate milkshake, playing with the straw while listening to his friend. 

This all began with the surprise flower arrangement you sent for him– which he loved by the way. It was special for him, especially since you included tiger lilies, his favorite flower, in the center of the arrangement. It was his first time receiving one and he would have loved indulging in the fleeting feeling of having flowers sent to him. But, just less than an hour ago, Wooshik received the said delivery sent by you meant for him. At that point, Jungkook knew he had to reveal his relationship status because how else would you explain someone sending his flowers a day before Valentine’s? 

At first, his stomach dropped when Wooshik asked him who Princess was. But now, sitting here in the diner near the bowling alley they initially talked about going to, he just keeps on biting his inner cheek to stop himself from smiling or even chuckling at how dramatic Wooshik is.

Wooshik continued after taking a sip from his ice-cold soda, “You know? I feel like you’re keeping secrets from me. I’m your best friend, Kook. Why are you hiding stuff from me? I never hide anything from you.”

That’s when Jungkook had to interfere, “Freshman year, 2015. You didn’t tell me you got to go out with Grace Lee for not just one– or two– or three dates with her. You two went out for like a month. You knew that–”

“Okay. maybe that. But that was one time and she came on to me in Bryan’s house party.” Wooshik defended himself, maintaining the same narrative he told him years ago when Jungkook found out about him and the girl he had his eyes on in the first couple of months of their freshman year.

“Okay. Then, this is my one time too,” Jungkook replied, leaning back to the vibrant red faux leather of the diner booth.

“Yeah, but this one’s pretty serious. I mean, she sent you flowers! And everything is starting to make sense now.” 

Wooshik recalled how his best friend gradually stayed lowkey every time they would go out. He was beginning to wonder why Jungkook stopped entertaining women who would come up to him at bars or any other place they went to. Plus, in Wooshik’s knowledge before this, Jungkook has been single for too long. It is unusual not just to him, but to everyone in your friend group. Jungkook used to be the subject of teasing by everyone because of how he struggled to commit to a relationship.

“Did you not tell about this because we bet on your relationships a long time ago?” he asked, recollecting when he, Jenny, Blaire, and occasionally Dara would take bets on how long his relationship would last. You always just laugh at them doing that but never join.

“Maybe,” Jungkook answered shortly. It is one of the factors you and him decided to stay private about your growing relationship.

“Why keep her a secret? Does she know you’re keeping her a secret?” Wooshik began throwing rapid-fire questions.

Jungkook remained calm, “Yes, she knows. It’s a decision we made. We’re not totally a secret, we’re just private.”

“What?” his best friend mumbled, confusion written all over his face. “What’s the difference— Has she met your mom?!”

“Yes, a thousand times.” 

“And she never told me about it?!” he exclaimed.

Being friends for almost half of their lives now, Wooshik is basically Jungkook’s adoptive brother. He is close to his parents, especially to his mom, who treats him as her own. They would call each other at times like a real mother and son. But knowing these two people in his life, Jungkook knows that there was probably a time when his mom probably slipped on telling Wooshik about you. But he probably missed it.

“Okay, just ask anything right now. I’ll answer anything I can.” 

“Is Princess her name? Or it’s just some kind of nickname?” Wooshik asked.

“A nickname.”

“How long have you been together?”

There was this weird tension in the air when Wooshik asked him these questions. Jungkook finds it funny that he feels like a criminal being interrogated by an officer, who is just his friend being naive and curious at the same time.

“More than two years,” Jungkook replied, looking straight into his friend’s eyes. That’s when he sees Wooshik’s eyes get bigger as more realizations set in his head.

“Two years?! Have I met her before?” he asked so loudly that the couple from the table next to them looked in their direction.

His tone was almost accusatory. Out of context, if you’re a stranger listening to these two men, you would assume that they are a couple and that Jungkook cheated on Wooshik. Jungkook turned his head to the couple and slightly bowed his head to offer a silent apology for the bother. Then, he looked back at his friend.

“Yes, you already did.” 

Wooshik’s jaw dropped to the diner’s checkered floor. He was left with no words while trying to recall every woman he met around Jungkook. He tried to trace back every woman he met because of him. But with him having a brain like a sieve, it’s hopeless. And as if Wooshik’s jaw can get lower, Jungkook continued.

“A lot of times already actually.”

Is it rude that Jungkook is enjoying this? At this point, he is just teasing his best friend for his reactions. Feeling his mouth run dry, Wooshik closed his mouth.

“Am I… the only one who didn’t know about this?” he asked slowly, admittedly feeling a little dumb with not realizing this secret Jungkook had been keeping.

“Will it make you less offended about this whole thing if I tell you you're the first to know in our friend group?”

Wooshik nods his head slowly, “Maybe.”

“Okay.” Jungkook nods. “You are the only one who knows.”

He smiled even wider, knowing full damn well that he is lying.

An hour after they arrived there, the two ended up walking back home after finishing their drinks at the diner. The plans of going to the bowling alley next door were all gone when Wooshik remembered that he had lesson plans and school activities needed to prepare for the upcoming week.

“So, Princess. Two years. I met her before. I’m the first one to know.” Wooshik recited every vital information he learned today.

“Yup.” Jungkook nods.

As soon as they got back in his house, Jungkook was asked of another question.

“Will you ever introduce her to me and everyone?” 

And without even pausing for a second, he replied, “Of course. We already talked about that.”

Because you two did. A few times before and after you drunkenly revealed your relationship to Blaire. But there is still no crystal clear plan for it. Just discussions that sometime this year, you will tell your friends about everything.

“When? When are we gonna meet her?”

“I don’t know. Maybe we’ll just surprise you.” Jungkook laughed.

Later that day, Jungkook went to your place. You just got home from your Galentine’s Day celebration with your friends. You gave him a small box of vanilla cupcakes you baked on your own during the baking class you, Jennie, Blaire, and Dara took that day. Your boyfriend also took notice of your newly dyed hair, complimenting you on the color you chose. He then thanked you for the flowers and what escalated after receiving them. You two exchange stories about your equally eventful day while Bam sleeps on his soft bed in the corner of your living room. 

“And what did he say when he learned about how long we’ve been together?” you excitedly asked with a grin already forming on your face.

Instead of answering your question, Jungkook acted out Wooshik’s reaction. It was exactly like what was in your head. You laughed, softly slapping his arm. He smiled before turning his head again back again to his sketch pad, that you bought some time ago at a dollar store. He has been sketching since you handed him that pad minutes ago.

“He didn’t overreact, did he?” you asked, a little worry can be heard in your tone.

Jungkook looks up, sensing the tone. He smiled while reaching for your hand, “It’s Wooshik. Of course, he overreacts.”

Unexpecting that, the tightness in your chest cleared off and was instantly forgotten as you laughed. Jungkook chuckled too.

“Anyway, what do you think about this? Do you think this is something you would love to have on your skin forever?” He then turned his sketch pad to you, showing you what he’s been working on.

You gasped, “Babe, I love it!” 

You reached for the pad and looked at the different pieces he drew. Since you brought up the idea of getting matching tattoos during your recent picnic date, you also asked him to draw the tattoo you two would get to make it more special. You would draw it yourself but you knew Jungkook is much better of an artist than you.

You snapped a picture of the drawing, “I’ll send these to the artist and maybe we can get it tattooed tomorrow.”

“Are you getting them all?!” he asked as he drew three separate objects that symbolize something from each other.

“Yeah, I know I cannot just choose one from any of them.”

TAGLIST (closed)

@hobiuwusunshine @alinerl @bbangtanlove95 @daydreamiies @craftymoonchaos @awseokjin @yoonabeo @luvrsofbts @bloopkook @chvngbiin @takochelle @wildarmy @cuddlysoftbear @luv-minhyun-world @shydestinyyouth @bbtsficrecs @fan-ati--c @rjsmochii @jkbabiey @hopeworldjimin @chieftoadturkeynickel @ppeachyttae @tannies-luv @loomipee @sanctify-mp3 @stuffy16 @di0rgguk @tswisal1 @amara-mars @jksgirlhere @callmejimmeo @rapmonie2047 @petalsofink @daemontargaryenwhore @juju-227592

[genericpuff]

holy crap okay so

I'm two episodes into Kaos

normally I keep my expectations pretty minimal because, let's be real, the Internet - and especially Tumblr - has a tendency to severely overhype new series to be way better than they actually are and it often leaves me sitting there like "that's it? that's what people were freaking out over for weeks?? that was just a bunch of cheap ships and tropes that i've seen 123785902380 times before" LMAO

BUT thankfully compared to other series like Hazbin Hotel and The Amazing Digital Circus, I haven't been worn out on excessive fandom exposure prior to watching Kaos, so I didn't really know what to expect going in besides what folks have told me so far - it's a modern-day Greek epic, and it stars Jeff Goldblum as Zeus (which is, unsurprisingly, peak casting).

That said, I'm very pleased to say that so far, the show is absolutely blowing me away. The set designs, characterizations, weaving of all the players into a central narrative led by a very coy narrator, all of it feels both refreshing and respectful to the source material at the same time.

so uh yeah that LO animated TV show... we have reason to believe now that it's gotten picked up by Amazon Prime, at least according to the showrunner's LinkedIn and posting history from February of this year that seems to imply LO may have been picked up by Amazon-

(but still, nothing's really been confirmed because they're being so tight-lipped about this you'd almost think it's because there isn't a show happening at all cough)

But even then, that means at best we still won't see anything of the LO TV show adaption for another 2-3 years, depending on how production goes.

Why am I talking about LO right now? Well it should be obvious - Kaos double-whammied LO by beating it to the punch at its own game.

I mean, just look at the creative choices alone in the design of the Underworld and its rulers, our beloved Hades and Persephone.

And yes, the entire Underworld is color-graded like this, something so simple and yet effective in communicating the nature of the Underworld and what it stands for - a place where the past lives on through the dead, paused in time, devoid of the vibrant color grading found in Olympus - or "Olympia" as its been named in this retelling - which is, by the way, a visual treat to take in every time it's featured.

(and yes, that is S-tier-companion Billie Piper on the left, but I will not tell you who she's playing, you actually really should go into this show as blind as possible for the thrill of figuring out these characters as they're introduced <3)

That's not even getting into the narrative structure of the plot itself or the phenomenal casting and acting, but again, I don't want to spoil too much as the show is quite new, and I want to actually finish watching the show myself before I get more into the details of its story and how it delivers it (I'm very much hoping I will still be singing this show's praises at the end of its 8 episodes, please for the love of god don't jump the shark, I don't think my heart can take that kind of pain again.)

All that's to say though, Kaos is, so far, exactly what us disappointed fans of LO deserve after all these years, and frankly, I feel like whatever is coming for the LO animated TV show is really gonna have to step up to the plate to both live up to the bar that Kaos has set as well as stand on its own without being affiliated as a cheap Amazon knockoff living in its shadow. Sounds a little familiar and a bit ironic, doesn't it?

[loriache]

do you ever think about how delgal never blamed the winged lion for what happened to thistle?

I'll preface this by saying that he certainly COULD have done. most of the arguments that delgal had with thistle about returning the golden kingdom are off-page, and he doesn't seem to have relayed a lot of detail to yaad about how he understood thistle's behaviour.

however.

what we can infer, i think, is that if delgal blamed anything for thistle's increasingly erratic behaviour, it was the influence of "black magic" and power.

the winged lion is the golden kingdom's guardian deity, and that is how they understand it up to the present - including yaad. the prophecy that convinced delgal to leave the dungeon (which i assume the winged lion intended to use to attract another, more easily controllable, dungeon lord) is likely to be part of a long campaign the lion made of deliberately isolating thistle from the people of the golden kingdon and presenting itself as the victim.

we see that the lion is convincing, and keeps a facade of concern for thistle long past the point that it has any chance of winning him over - i don't have any doubt it was easy to present this narrative to the kingdom's people, including delgal.

but isn't it incredibly sad to think that the person who thistle trusted most in the world and did all of this for was unable to see the true victim, between him and the winged lion?

we see that very shortly upon becoming the dungeon lord, both marcille and laios become lost in their desires. this is standard.

Laios is only able to get through to marcille because he sees the root of her pain, and understands that ...

...the dungeon's power is evil.

thistle isn't acting rationally from the very beginning, but it is possible to reach him - if delgal could understand where his desire and his fear stemmed from, and that the winged lion is evil.

Thistle at least seems to know that the winged lion isn't to be trusted. Thus why he sealed it in the book. perhaps he picked up on what it was doing, manipulating the kingdom's people and him both.

But if he ever said that the winged lion was dangerous, not to be trusted, to delgal, he wasn't believed. to delgal, thistle sealed and misused the power of the golden kingdom's guardian deity. As a student of ancient magic, I believe thistle understands that isn't what the demon is - or at least not all of what it is - even if he doesn't know the details of why it's so dangerous, or that it can devour his desires. But as an 'outsider' to the golden kingdom, despite his (unofficial, i'm sure) adoption, and the fact he's been there most of his life, I doubt his saying so would be received well by the kingdom's people.

As far as we know delgal also doesn't understand the fear that is driving thistle's refusal to let the dungeon go -- the need to be useful that he instilled.

Even if he doesn't really realise, he is talking to a, at most, 15-16 year old in relative human years, and putting the responsibility for the kingdom on him - it's no wonder this is a weight that Thistle isn't able to let go of. Especially if this is how he attempts to persuade him:

It doesn't get to the root of why he asked thistle to do this to begin with - the fear of death. It's just "hasn't it been long enough, people want to leave." Well, if they leave, they will die - thistle's right about that! The only way to get him to accept that is what Yaad eventually does on his behalf at the end of the manga.

To admit that he was wrong to ask to begin with. To ask Thistle to accept loss and death. To accept it himself, truly.

Without doing that, there's no way he'd ever get through to him. So the route he takes - running away from thistle, begging that someone kill the "lunatic magician" - might be the last resort of a desperate man who blamed himself for what happened to his brother. But it's also something he does because he can't understand Thistle, and can't see his pain for what it is or his relationship with the Winged Lion for what it is.

The way that the lion manipulates others' perception to make him the victim and thistle the - well, the 'lunatic', the unstable villain and captor - really evokes DARVO to me. the demon as a metaphor for an abusive relationship. like.... look at this extra:

and it makes me sad that no-one realised what was going on until it was too late for thistle.

[sugar-grigri]

CSM 182 : snow or the power of forgetting

the snow, eaten by CSM recently, forgotten

the snow, the illusion that lulled Aki in his last moments

the snow, chapter 182, where you finally put the pieces together

what does snow mean ?

What if I told you that Denji's reaction to Yoru's ambivalence was the wrong one ?

I'm not talking from a moral point of view, but purely from a narrative one.

What does Yoru actually do by threatening and kissing him ?

It leads to ambivalence, to a striking contrast that is unbearable.

But life is nothing other than this same diluted contrast, this mixture of negative and positive constantly associated.

When Denji says he can't master these two facets, these dirty tricks and all the problems he has to face, that's precisely what has become his worry.

splitting himself, splitting his surroundings, seeing obstacles as ultimatums.

All this may seem off-the-wall and crazy, or like an analysis to justify Yoru's behaviour.

It isn't.

Don't see his kiss as a kiss, but as a narrative perch for Denji to finally face up to himself

Why ?

Dirty things are what he's always hoped for, they seemed in essence extremely positive, they were the way out of his misfortunes

For Denji, doing dirty things inevitably led to happiness.

Denji gradually realises, thanks to several female characters, that these dirty things are not all positive.

You might think that Denji really took his time to realise this...

But it's far from easy for him; for him, life was a deep unhappiness, always, with no prospect of happiness

Or rather, he couldn't see happiness

Because his conception of happiness was restricted to those dirty things

Pochita, Aki, Power, Nayuta, Denji realised his own unhappiness after their disappearance, he only realised the presence of happiness through his loss

Because he hadn't done anything dirty until now!

Until the end of part 1, Denji is trying to rethink his vision of happiness and is trying to break away from normality, to raise his standards higher: eating steak, 10 girlfriends.

Even though he has come close to happiness, Denji doesn't realise it, because since that happiness wasn't eternal, it wasn't happiness.

Happiness remains a way out for him.

Tasting his definition of happiness, being kissed by Yoru, makes him realise that happiness has lost its meaning.

With each kiss, Denji realises that it won't bring him happiness, because it doesn't make him happy.

Little by little, Denji tries to get closer to something for the long term, not the moment.

That's why, he asks if "Asa" loves him.

Can he finally taste that unchanging happiness? Never taste unhappiness again ?

Asa is his downside, her intrusive thoughts, her internal panics, her reflections are preventing her from living in the moment.

And she doesn't want to live in the moment, because she doesn't trust her instincts (when for Denji they are a way out).

Her instincts led her to save a cat, causing the sacrifice of her mother.

But it was Chainsaw Man who made her realise that life can be excruciatingly bitter and sometimes sweet.

Inhabited by Denji, who is as lost.

How could Denji say something as right as that crap burger if he's lost too ? Life is disgusting, it's tiring and yet we keep eating this burger, thinking of dogs, cats and ice cream.

Because Denji didn't do it.

It's Denji perfectly fused with Pochita.

CHAINSAW MAN.

A double being, symbolically realising the ambivalence of life.

Denji was Pochita's happiness, hence her sacrifice.

Pochita was Denji's happiness, hence his unhappiness.

The constant association of happiness with unhappiness - after all, that's all Denji and Pochita's meeting is about.

Except that at that moment, Denji had come to the wrong conclusion, talking about sex, hence the feeling of unease, and a sense of rupture in his speech. The hope of supreme happiness makes us eat this crap burger, it's true. But it won't make us happy.

What Yoru shows, even though he's part of Asa, is that the concept of happiness and unhappiness make no sense to a devil ; they instrumentalizes them, doesn't understand them.

So she gets hit by Asa because, damn it, this concept of happiness and unhappiness belongs to men.

So Asa takes over and says she hasn't recovered from her mother's death because this event will always seem so unacceptable and horrible to her. Bad things don't disappear.

What changes is the memories we want to bring to the fore.

Snow.

Symbolising Denji's supreme misfortune of having killed his brother to the point of vomiting with guilt.

Symbolically, it is this same vomiting that spits out the snow.

The snow is not just a trauma.

Aki was obsessed by the memory of the tragedy of his family, who were also killed in snowy weather.

And when Aki decides to visit his family's graves, to pay his respects tragically at his family's graves

He can't do it

Because two idiots divert his attention.

Forcing Aki to look away from the unhappiness of the past

To face the happiness right in front of him.

What Aki realised just before his death was that he had never seen happiness, or rather he had chosen not to.

Because happiness isn't there to be found, it's there, it's just there to be looked at, plunged in a pile of shit but it's sometimes there, but we refuse to consider that this thing is happiness, we can hope for more, can't we?

You have to eat this crappy hamburger, even if it means throwing up.

This is the taste of happiness.

Back to the snow

Which you associate with Denji's sadness and Aki's death

Yet this snow fight is Aki's last happiness

Seeing that snow again, associated with that fateful day when he lost his family

Holding that snow in his hands, and playing with his little brother, a little brother he has found again

What if this scene wasn't something he had to endure, but a choice? Aki's choice not to see, the gun held to his eyes, the choice to lull himself into one last sweet illusion, one last bandage, one last cigarette, to escape from this reality that he had always stubbornly tried to face, to escape from it.

But Denji is crying at this point.

Happiness cannot be total happiness, it melts, like snow.

Unhappiness will always be diametrically opposed.

The fact remains that snow is this temporary oblivion, this misfortune that we take in our hands to make snowballs, this moment of fun condemned to melt, snow determines what we do with our misfortune and our happiness.

Snow represents what we decide to see.

It is the forgetting, or rather the silencing of painful memories.

To realize that the snow is cold is to realize the end of happiness, because you're not playing anymore.

I don't like playing snowball: I don't like pretending to be happy anyway.

These memories will not disappear, but we can choose not to see them too much

The snow will remain cold, it will be condemned to melt, it is this moment, what we do with this moment.

Because if it didn't melt, no life would develop

If happiness and unhappiness were not this constant ambivalence, this intermingling of happy and painful moments, if this ephemeral aspect did not exist

Then no life would exist.

When Denji vomits snow, it's because he realises once again the association between happiness and unhappiness that snow represents.

Disgusted by this sad reality too, of not seeing unchanging happiness, of seeing life not as a burger, but as a shit burger.

But the snow is beautiful and it won't stay.

Like these two.

[thealogie]

picture this. you're michael sheen, beloved queer-friendly welsh actor and recent twilight saga vampire. you want your favorite book to become a tv show, and you want to be the lead. so what do you do? you befriend the author. he wines and dines you, you become a confidant in the scriptwriting phase. and in the process of the GO script you decide you don't want to be crowley, actually, you want to be aziraphale. you put in the work for months to influence the author to the same conclusion. so when neil gaiman comes to you one day saying, "i know you joined on to be crowley... but how would you feel about playing aziraphale?" you say, what a novel idea! i was feeling the same way, i just didn't want to say anything! let's do it.

you're michael sheen, the lead in the adaptation of your favorite book. you meet david tennant as your leading man, a rising star (and vocal fan of yours) you've had a few vague interactions with in the past. on set you immediately find the closest friend you have ever and will ever find in your life, and you know this. the romance you have in your (yes, your) show is ambiguous, but you're michael sheen. you think that romance needs to be explicit. so what do you do? you become a nightmare on set. you get really hands-on; you make costume choices, you make story decisions, you tell your author friend at the very end of filming: aziraphale is in love with crowley and realizes it in 1941. now go do it again.

so the author goes and does it again. you get a season 2. you get 1941 part 2. you're michael sheen, and you are the lead of the adaptation of your favorite book, and the romance you littered into the character you built from the ground up has become unambiguous. everything goes according to plan. but, you see, you have a problem: the author you have baby trapped is acting a FIEND on twitter and tumblr. he's saying everything he can to imply aziraphale and crowley aren't sexually attracted to each other. he's getting a bit too bold with his character assumptions, is all i'm saying. so here's what you're going to do: you play it up with your pal david tennant. you made a show with him during lockdown. you're going to depict your lives as even more intertwined and homoerotically codependent as previously possible. you grow even closer. your wives become best friends, too, because how could they not? this has been the plan since the beginning, too. your lockdown show ends. it wasn't enough.

so you, michael sheen, of course you put in the work. if david tennant's there, you're damn sure you're there physically, spiritually, biblically, in whatever capacity you can be. it's not hard. david tennant is a big fan of yours, after all, so he MAKES SURE you're always in the conversation. you have him wrapped around your little finger, this lovely little boy, and so you know what you do next? you become neighbors. you make your directorial debut casting your best friend's wife watching her husband and male neighbor initiate sex with each other. you play into the swinging rumors (that you, michael sheen, had started). you create a narrative that you and david tennant are two homoerotic besties, and is there more going on in the background there? any deeper conspiracy? who really knows, but what you do know is that the world is talking about it.

and you, michael sheen, your entire acting career has led to this moment, your gay quips, your oscar wilde sex scene (and the interviews following), all of your queer roles, EVERYTHING has brought us to this conclusion. you have created the lab perfect conditions where season 3 must have an explicit gay sex scene. i'm sorry neil, my hands are tied! the people are clamoring for me and david tennant to have sex-- i mean aziraphale and crowley to have sex, the public decided this all on their own! i really don't think you have much choice. but of course, i would never deign to tell an author how to practice his veritable craft. i concede to whatever version of series 3 you create, and i will happy to bring this beloved character to his deserved ending.

and why do you say this? because you're michael sheen. you're just an actor who incidentally stumbled his way into leading the queer romance adaptation of your favorite book that wasn't a romance, and you just read the script the way that it was given to you. and if series 3 means an explicit sex scene between you and your best friend david tennant, then what a lovely coincidence that you had absolutely no part in making happen. because what power do you really have?

This is my favorite book I’ve read so far this year. A rare occasion where the author pulls off use of the second person pov. I really felt like I was a beloved welsh actor crossed with Machiavelli when I read this

[thewalrusespublicist]

omg can you speak more to your latest post about the reverse happening in 1980, I’ve never about the coherence of the narrative actually :O

Yeah an alternate universe would be crazzyy because our main narrator and star witness of the Beatles would be resident shit stirrer … John Lennon.

John

Fucking

Lennon.

The thing with Paul is that he’s kept to a pretty consistent narrative for the past 40 years or so: John broke up the Beatles cause he wanted to move on, army buddies, they loved each other etc. You can criticise it (I certainly do), but it’s coherent. It’s also one that has allowed John grace and promoted love and community as a core message, something that the other last surviving Beatle Ringo is more than happy to support. It works, we get it, it's a good message in many ways.

Whereas John … wooo boy. The only idea we have of what John would have been like is the 70s where he couldn’t even make a narratively coherent sentence.

If you take his comments and put them together, the Beatles break up was because the guys were blokes he got bored of but also the temple he loved too much but also a marriage that had to end but also a mistake in many ways. Simple, right?

And who was Paul again? Oh, well he was his closest friend ever but also someone he was never very close to and a genius but also artistically dead and yeah, he talks to him often but hasn’t spoken to him in a decade and could talk about him for days but also never thinks about him and is his dear one but also a straight and his ex-coworker who he didnt really work with much … wait no fiance/brother that he would do anything for. Whatever emotion John felt at that moment was his new forever truth/cope and that was the shit he was sticking to on record for those five minutes.

 And that’s John in normal factory mode. Now imagine the nuke that would be losing Paul, his Paul. Imagine every extreme feeling and every defense mechanism under the sun all going off at once and right in the interviewer's face like a deranged grief firework show. Then the added mess of Paul being seen as a saint and Paul the person not being there to reality check John’s view of him … chaos. On top of all that, if Yoko is right and John did contemplate an affair with Paul, you think he wouldn’t have spouted that at some point AMONGST OTHER THINGS WE DON’T KNOW ABOUT? 

Trying to work out the whole Beatles saga would be like trying to find Bigfoot but the compass is pointing in every direction and through several detours through an inexplicable amount of orgies, scandals and psychosexual drama.

 Who were the Beatles? God knows, apparently only the best band ever of bffs/coworkers who were so overrated and boring that John couldn’t wait to leave/never wanted to quit. Who the fuck was Paul McCartney? Duh, the most beautiful perfect wonderful genius man who had ever lived, one of the great loves of John’s life whose memory will stalk his dreams and waking hours until his dying day and has seances for on the reg. Oh he's also a sheep fucking devil who was hated and who intentionally and maliciously slept with half of London and wrote 'nogoodsongsshutup' in an evil plot to trick John to make music with him until Yoko freed him from his spell. What was their relationship? ????????? (okay maybe not everything would have changed lol but we would have so many more details on John’s side). There’d be no message from the Beatles tale, no story, no cohesion. Just a free-for-all pile of disparate tales of love, hate, treepanning and heartache to sift through.

In any case, I would love to see the madness that would be their version of Beatles tumblr.