#and in terms of fanfic the lead up is usually better written confession scenes and anything after usually not so

[playingonedchess]

is it just me who finds the kissing as part of romantic fanfics like confession scenes totally boring and anticlimatic. like it usually feels like a scapeout, cant think of what to put there so just resolve it like that. it just isnt compelling writing when it uses that as a device, it isnt narratively satisfying, lacks interesting tension and actually well thought out romance as a concept

[mithrilwren]

Fanfic ask game for procrastinating on writing, which as of this week is actually accurate, since I’m finally writing again! (or, more specifically, editing what I wrote two months ago so I can get back to writing.)

Tagged by @essektheylyss! Thank you, this is exactly the kind of activity my brain needed tonight.

1) How many works do you have on AO3?

72! I was hovering at 69 for quite a while, sad to break the streak haha

2) What’s your total AO3 word count?

~550K, which is somehow both more and less than what I expected

3) How many fandoms have you written for and what are they?

Many, lmao. According to my Ao3 (omitting any blanket tags) I’ve got 22 there, plus at least two more over on ff.net from back in the day, and probably a couple more just on Tumblr. Most of them I’ve only written one fic for, though. I think the only fandoms where I’ve written more than one are Critical Role (35), Supernatural (15), Haikyuu!! (3), The Exorcist (2), Dimension 20 (2), and Yu-Gi-Oh! (2)

4) What are your top five fics by kudos?

Pick a Number, Any Number

Surprisingly, my number one is NOT a Critical Role fic, nor is it even one of my longer multi-chapters! It’s actually a one-shot I wrote for Haikyuu!! back in the day that took off far beyond what I expected. I wrote it for DaiSuga week, which was a ship I (to be completely honest) wasn’t even terribly invested in, but I had a fun idea and people seemed to like it! (It’s also much fluffier than what I usually write, which might be part of its broader appeal ;))

A Winter’s Ball

Unsurprisingly, the next four are all CR ;). This one was a M9 x VM crossover that I primarily wrote between the hours of 3-8am over the course of two insomnia-wracked nights and honestly, I think it shows in its uncharacteristically unstructured format (compared to my typical style, which tends to favour shorter scenes with very intentionally-placed breaks between, as opposed to scenes that flow into each other without pause). That’s not to say I think it’s a bad thing! The story, which follows Beau as she drifts through a party in Whitestone and observes the interactions between the various guests, actually flows better without that kind of interruption. This was also my first Beaujester piece. I started writing it right before Beau’s confession aired, and published it the week after, which definitely pushed me to make what had been only subtextual in the first half of my draft into the emotional lynchpin of the story.

Only the Nightingale Sings

I’m really glad this one still ranks as high as it does, because this story is absolutely my pride and joy. At one time (though I’m not sure that’s true anymore) it was the longest gen fic in the fandom, which is pretty cool! Plot-heavy, twist-heavy, angst-heavy, with seven points of view to follow and multiple interwoven storylines, it was a beast of a thing to write, and took almost exactly a year to finish, but the long process was oh-so worth it. Literally nothing makes me happier today than seeing a new comment or kudos on this story.

Closer Still

One of my earliest shadowgast fics, this one asks the question “how can you make the ‘stuck in an elevator trope’ fantasy?” The answer is, as always, demiplanes. This fic, perhaps more than any of my other shadowgast fics, is interesting to revisit, because it was written before the ep 97 reveal, but literally everything Essek does in it would suggest otherwise. It reads like I already knew he was a spy working with Trent, and yet I was firmly in the “Essek is NOT the spy” camp at the time. Gotta chalk that up to Matt telegraphing his growing guilt into the preceding episodes - even if I couldn’t see it, it was clearly there.

your dust from mine

My other novel-length CR multichapter, this fic brought me so much joy in the otherwise bleak summer of 2020. Most of my best memories of those four months come from working on this story. A Fjorclay adaption of The Goose Girl (my favourite fairytale) this story is about healing, growth, and figuring out what happiness means to you. While I know most people don’t read stories for this pairing anymore, for obvious reasons, I still cherish your dust from mine for how much of my heart I poured into it, and I look back on it with a huge amount of fondness.

5) Do you respond to comments, why or why not?

I do my absolute best to respond to every comment someone leaves on a story of mine, even if it occasionally takes a month or two. Replying to comments is one of my favourite parts of the fic-writing process - it gives me a chance to revisit peoples’ kind words and (often, incredibly insightful) observations, and I hope it also shows how appreciative I am of each and every one. 

6) What’s the fic you’ve written with the angstiest ending?

Though I write a lot of angst, I honestly tend more towards bittersweet endings than straight-up sadness. The only one I can really think of is What You Own - mind the tags if you follow the link, this is definitely one of the gnarlier things I’ve written for CR - whose ending is, admittedly, bleak. But this story so far removed from canon that I don’t think it’s the kind of angsty ending that lingers with you, as much as it packs a punch and then lets you go on your way.

7) Do you write crossovers? If so what is the craziest one you’ve written?

I tend to enjoy thinking about crossovers moreso than actually writing them. I’ve brainstormed a few, but none have ever made it much farther than the first page.

8) Have you ever received hate on a fic?

A few times! Not often, thankfully. Only one time in particular really sticks out to me, mostly for how it rocked my confidence in a way that I don’t think any comment could now, since I’ve had a few more years to build up faith in my own writing.

9) Do you write smut? If so what kind?

Very, very occasionally.

10) Have you ever had a fic stolen?

I hope not! 

11) Have you ever had a fic translated?

Nope!

12) Have you ever co-written a fic before?

Oh man, back in the Glee days... yeah. Yeah, I have. Nothing that ever got published, though ;)

13) What’s your all time favourite ship?

Not sure I have one! Ships come and go with the seasons, and sometimes they’re best left in the era you found them.

14) What’s a WIP you want to finish but don’t think you ever will?

The Shadowgast figure skating AU. It’s never going to happen, but I wish it had.

15) What are your writing strengths?

I would say probably structure, in terms of constructing narrative arcs and through-lines. I’m organized with my writing in a way that I am in few other areas of my life, haha. I’d also say my sense of place - I think I’m pretty good at constructing living, breathing settings and exploring how my characters interact affect/are affected by them.

16) What are your writing weaknesses?

I have a tendency to be wordy (which you might surmise from the length of this post, lol) and repeat myself, usually by going over emotional beats that don’t need the extra reinforcement. On the other hand, I tend to underexplain certain elements (particularly, important plot details in fic, and character motivation in original writing), which can lead to confusion.

A couple years ago I would have said dialogue, but I’ve put a lot of practice into it and I honestly think I’ve improved a lot, which is pretty cool!

17) What are your thoughts on writing dialogue in other languages in a fic?

I’ve never done it myself, and it’s not generally my favourite thing to read (like @essektheylyss said, it makes me hyper-aware that I’m reading words on a page, especially if I have to follow a footnote somewhere). That said, I’ve definitely also seen it used effectively, so I think it’s more down to whether it suits the particular story!

18) What was the first fandom you wrote for?

Yu-Gi-Oh!

19) What’s your favourite fic you’ve written?

As mentioned above, Only the Nightingale Sings.

[nerdsideofthemedia]

Should the term “Mary Sue” be retired?

The original. 

I didn’t have any intention of posting my non-RWBY, non-MHA blog posts here, but here’s this one seems to be becoming important with the rise of the claims that Arya Stark is a Mary Sue. So here it goes:

In my walks through Dan Olson’s twitter, I came across this:

Which got me thinking: is the term “Mary Sue” completely pointless?

Before I wonder about this question, let’s take a quick journey through time. In the 70s, Paula Smith noticed a character pattern among the Star Trek fanfic and created a parody to point this out, “A Trekkies’s Tale”, whose protagonist was called Mary Sue. During the following years, the “Mary Sue” wasn’t necessarily considered as something bad, instead it was considered as a phase every writer will go through as it was intimately associated with self-inserts and was only applied to fan-fictions1;2.

In recent years, the term has left the fanfic and began being applied to original fiction too, losing its meaning along the way and gaining a pretty negative connotation. In fact, nowadays, “Mary Sue” is such an extremely subjective term that even TV Tropes admits:

“TV Tropes doesn’t get to set what the term means, the best we can do is capture the way it is used.” 1

Hell, I’ve even come across with this subjectivity, as once I called Orihime from Bleach a Mary Sue, on youtube, and one person defended my use of it by explaining she was liked by everyone, which wasn’t the reason I considered a Mary Sue to begin with and consider that justification to be pretty dumb.

Why is being liked by everyone not a good parameter?

Have you ever read/watched a shonen? Most of the good guys are on good terms. Even when there is some animosity between a main character and another one, it’s usually because of the other, like Vegeta from Dragon Ball Z, who dislikes Goku because he’s better than him, not because of anything egregious the latter did. In “My Hero Academia”, Bakugo hated Midoriya mostly because of pride and arrogance (they are now on good terms).  Yes, the Avengers may have not loved each other from the get-go, but, by the end of the film, they were ready to live happily ever after. And when the sequels even stop (they never will), they will end up being on good terms.

Another definition of what is a “Mary Sue” is it’s a character that is overpowered/great set of skills + tragic backstory, (sometimes even without the latter). So let’s take a look at:

Superman: an alien whose planet was destroyed, adopted by 2 humans, and has a set of skills that would make Goku turn… Well, he would probably just find it cool, but Vegeta’s head would explode for sure as he threw a temper tantrum. His powers include flying, super speed and strength (to the point of almost completely invulnerability), X-ray and heat vision.

Bruce Wayne: a poor (not literally) orphan who was raised by his butler and whose riches go beyond Taylor Swift’s wildest dreams, let alone poor (far more literal) little us. Thanks to it, he has access to technology that has little to no limitations, yet his money never ends.

Goku: an alien whose planet was destroyed, adopted by an old man who was killed by him in giant monkey-form. Not only he can fly, he is particularly powerful even for his people even though he’s a low-level specimen according to the planet’s hierarchic structure.

Ichigo: a guy who turns out to be part-Hollow, part-Shinigami, part-Vizard, part-who-the-hell-even-cares-anymore, even though some of them are pretty rare.

Harry Potter: an orphan raised by his aunt and her family, who all treat him badly, finds out he’s a wizard and finds out his parents have left him a mountain of gold (literally). Everyone either admires him or feels jealous as he is famous for “defeating” a particularly powerful wizard as a baby, without any damages besides a scar. He’s also part of a prophecy.

What about those self-inserts?

I guess we could still use the term as just a self-insert, but considering that most of the time we don’t know the writers, then we can only know their self-insertion if they tell us.

It also doesn’t justify its negative connotation. Writers are people, I presume, which means they have flaws. So why is a character based on oneself bad? Provided the writers are realistic and self-aware, those should be some of the most realistic characters. Now, I know there’s a trap in here, which is the tendency of favoring ourselves and make us just a bit (or a lot) more special than we actually are, but 1) this doesn’t necessarily happen to every self-insert; 2) that can happen whenever writers begin to favor a character for whatever reason, even if it wasn’t a self-insert, leading it to become more and more special or less flawed.

They’re the personification of perfection.

OK, except perfection seems to be kind of subjective, since what I like isn’t the same as everyone else’s. I mean I may like active characters and some may like passive characters. You may think perfection is pizza without pineapple, while I say “you are objectively wrong”.

Jokes asides, being different human beings, usually we end up writing “perfect” characters with our definition of it, which may not correspond to someone else’s.

For example, Bella Swan is called “Mary Sue” a lot for being perfect, but she’s deeply flawed. She’s co-dependent and suicidal. Edward Cullen is the one “Gary Stu” that actually stuck, yet he’s manipulative and a stalker. Yet, there is truth to the claim they are perfect, not to me, but to Stephanie Meyers as they are both idealizations to her, regardless of our opinions of them.

I suppose a character can be drop dead gorgeous, have all sorts of skills and being loved by everyone, but, eventually, he/she will make something that many will consider to be wrong. If that doesn’t happen, then there’s probability not a good conflict, which reveals that, maybe, the problem is in the story itself, not necessarily in the character.

Speaking of subjectivity in flaws and virtues…

“So why did you used to call Orihime a Mary Sue?”

Well, because I thought her flaws were inconsequential with Bleach begging me to sympathize with her for awful reasons and smart characters being really stupid, meaning causing unnecessary plot-hole or plot-contrivance for her. The few most glaring examples I recall (and I’ve read/watched Bleach at least half a century ago, so it’s possible there are a few lapses in my memory) being:

Her almost kissing Ichigo while he was unconscious. That scene is framed as if I am supposed to sympathize with her, instead of what it actually is: creepy as hell and also falls under almost sexual assault in many countries.

Her having an obsession for Ichigo to the point of only thanking him for coming for her in her mind, even though Rukia, Chad, Uryu and Renji were also there to save her. This again is framed as I’m supposed to empathize with her, instead of thinking she’s being narrow-minded and has an unhealthy obsession with Ichigo.

About others acting stupid: Uryu takes her to where Ichigo and Ulquiorra are fighting even though where they were before, Ichigo was losing cause he was holding back to avoid hurting her. Yes, the other place was bigger, but their powers were huge and Uryu taking Orihime should have been a stupid idea (and he’s supposed to be smart).

Not to mention, of course, she resurrects Ichigo by crying and yelling his name which was also major bullshit.

And yes, it’s time to talk about the gender-thing and to admit to my own prejudices despite being a woman, because Orihime isn’t the only character I know who has her flaws not being acknowledged or being perceived as good. Many male characters have all of those yet, I still don’t call them “Gary Stu” or any other male equivalent.

Sun Wukong from RWBY has pretty much all the same problems as Orihime: he stalks Blake for months yet faces no actual consequences. And his actions were framed in the show as “needed”, even though they weren’t since the entire Menagerie arc could be written without him with only minor changes. Creepy actions being framed as right and sympathetic – check.

He also abandons his team several times, which, again, was inconsequential (even if he confesses to being an awful leader in V6) and no way in hell a combat school would interrupt classes for an entire year. He’s completely oblivious of the Faunus struggle, though he’s a Faunus and goes to school in one of the most racist territories. And Blake goes from super paranoid to so relaxed she doesn’t even believe him when he says he saw a WF member wearing a mask for no apparent reason. If I had to guess it’s because if she kept being super paranoid, it would stand to reason she would be the one noticing Ilia spying all by herself, rendering him almost useless and without interrupting her talk to Ghira, which would have made Sun completely pointless. At some point, Orihime became all about Ichigo, Sun was always all about Blake (until V6).

Like I said, I have criticized Sun for being badly written, unnecessary and the contrivances his presence demanded, but I have never ever called a “Gary Stu”. Looking back, I think it’s a combination of a few reason:

I know “Mary Sue” is a term too subjective to be used without an explanation afterwards;

We just don’t tend to hold the same standards for male characters;

Even when we use them for male characters, it almost never sticks.

And I know I’m not the only one doing this.

Once, I came across an article that accused several characters of being a “Mary Sue”, including Orihime, but because she’s too perfect (are you sure about that?) and Sailor Moon, yet claimed Goku wasn’t one.  It’s particularly funny, because Sailor Moon is written to be more flawed than Goku (even if I much higher tolerance for Dragon Ball and DBZ to Sailor Moon).

Goku is an absent father and husband, yet his family never really holds that against him. His wife may complain about it a few times during the anime, but there’s no real strife between them and Gohan never holds it against him either. He gives Cell a senzu bean so that he and Gohan can have a fair fight, even though the entire world is at stake. It still is mostly inconsequential, until Gohan’s arrogance gets in the way.

Meanwhile, Sailor Moon is stupid, coward and petty many times, and it’s clear the writers knew it because they acknowledge those flaws within the show. She is mocked because of them, and her lack of resilience even leads to the death of one of the Sailors in a season finale, if I remember correctly (admittedly, I watched it 5 centuries ago, so I might be wrong). Yes, I know they come back from the death.

This is not an argument that Goku should be called a “Mary Sue/Gary Stu”, rather that the term is heavily gendered. It’s much more applied to female characters and even when used for a male one, it almost never sticks. Even in the example I gave, Edward Cullen, which was successfully labeled as “Gary Stu”, still feels like it was gendered-motivated. Not because of his own, obviously, but for the target audience’s: the majority girls and women. So there we notice another double-standard: the sex of the target audience also affects the claims to “Sueness”.

Ultimately, I have to agree with Dan, with the term “Mary Sue” being too subjective to actually have any validity and is deeply rooted in sexism. Explaining why a character doesn’t work for us  and why we think they’re badly written is far more productive. Let’s keep in mind, we aren’t supposed to like every character writers make, even the ones who are meant to be likable and relatable.

Note: Yes, I watched Overly Sarcastic Productions’ video on the subject. While I like Red’s take, I’d say almost no character in original fiction fits the mold. That in itself wouldn’t be the problem, but the fact that it will remain extremely subjective, I still find the term to be counter-productive, heavily gendered and it needs to die.

1 – https://tvtropes.org/pmwiki/pmwiki.php/Main/MarySue

2 – https://en.wikipedia.org/wiki/Mary_Sue

[marypoppinswasmyfatherbitches]

Oh my goodness, I didnt see the link to your fanfic account! I am dumb. So ignore my previous ask and instead answer this one for the meme. 13, 3, 14, 1 and 2 for Happiness goes on? (I shall leave reviews on your beautiful fanfic soon I promise, they are good.)

(Hiii, sooo…this whole reply is late because I actually typed up ALL OF THIS last night, and then accidentally “x”-ed out of my browser and lost it all, because I am very very stupid. And then was too tired to retype it up before going to sleep. I hope I remember roughly everything, and apologies for that mistake.)

Oh! Haha! Alright then! Thank you! Don’t feel dumb at all for not realizing which AO3 account is mine or for your previous ask(which for others who are curious, said: “1 - 5 for all your fics! Just talk about your favs!”). I was prepared to choose 3 fics (including “Happiness Goes On” since that’s definitely the one I’m most proud of, so I guess that’s closest to a “favorite” right?), and go through the first 5 questions for each, though I won’t lie and say it wouldn’t have taken some time to answer.

BUUUT…since you said to scrap that first ask, I’ll answer these individual ones for “Happiness Goes On.” And your compliment and promise for a future review means SO goddamn much, thank you sincerely.

(WARNING / REMINDER: This is about my fic that deals with the subject of child molestation, and I do reference that a little bit in this reply. Don’t read further if it makes you uncomfortable, which I entirely understand and respect.)

**********

13: What music did you listen to, if any, to get in the mood for writing this story? Or if you didn’t listen to anything, what do you think readers should listen to to accompany us while reading?

HA! Well, American Pie obviously, for a majority of it. While brainstorming / writing / editing the epilogue? A lotta Billy Joel. ;)

The idea to use American Pie bounced into my brain when it came on the radio at the thrift shop where I volunteer, one of the rare times my own music speaker battery died. Usually a disaster, because our store radio is pretty crappy, but the sound quality wasn’t too bad that day, and I rediscovered how much I love that song and ‘Why isn’t this on my ipod again?’. Listening to the lyrics, I realized how much some of them fit the Guardians in general, and this story specifically, which I have Gamora mentally note in the fic. I was sitting and casually chatting with the manager while also thinking, ‘Google what year this came out when you get home, but I’m sure it’s the 70′s. Peter would know it, and it could be the Zune. I think it could work.’ I’m proud that I was able to reference the song so many times without actually naming it by title, but I assume most readers knew what it was, it’s just that famous. (I also couldn’t resist the light-hearted joke, later when things calmed down, of Gamora saying “This…is the longest song…I have ever heard.” and Peter smiling without even looking at her and giving a cheeky “I know.”)

In terms of using Billy Joel for the epilogue, I’m just a Billy Joel fanatic. The use of him for this story began just from the We Didn’t Start the Fire joke toward Rocket at the bar (I thought it was clever, Peter!), and later on I saw how The Longest Time fit romantically for Starmora, and some of the lyrics matched the healing themes of the overall story, and I thought ‘Maybe they’ve been playing BIlly Joel since that night; maybe that can be the joke.’ Why shouldn’t his Greatest Hits albums (at least) be on the Zune? I struggled a lot over what song should be the final one Gamora comments on before they switch artists to appease the group. I never specify which romantic Billy Joel song Peter and Gamora slow danced to during their “date night” in that six-week summary, but I like to imagine it was Just the Way You Are. I considered Keeping the Faith or Vienna for the final one, but I thought they deserved something more fun and naughty to analyze this time, so Only the Good Die Young it is. :D

In conclusion, I listened to The Longest Time, and the entire An Innocent Man studio album, a lot (as if I needed an excuse).3: What’s your favorite line of narration?

The portion in italics is my favorite line, but I’m including the entire sentence for context purposes: “She would need to grow used to him viewing Yondu as a caring parent who was extraordinarily protective of his boy, and would have hunted down this pervert to whistle a glowing arrow through her skull.”14: Is there anything you wanted readers to learn from reading this fic?

Ohh geez, wow, that one is tough. I don’t know if it’s accurate to say this story was intended to educate, but just to explore the idea with fictional characters. I have no expertise on the subject, and would never claim such, or talk down to those who do. I didn’t intend to create a PSA. I suppose all of the “lessons” for Peter (if they can be called that) I hope all readers already know and agree on (basically a collection of “it wasn’t your fault” and “this doesn’t define you” and “trauma isn’t a competition, someone else suffering worse doesn’t invalidate your experience” and “you should feel comfortable talking about anything without judgement or shame” etc.).

Slightly lesser scale messages, there’s also reminders about the importance of communication, trusting each other, letting the other person speak in an argument, not letting one’s jealousy/instincts/bad mood interfere with fairness, not running away from a fight or staying angry, respecting boundaries and privacy, all that healthy relationship jazz that these two are still figuring out. 1: What inspired you to write the fic this way?

This post is already very long, and I could probably talk for hours about the decision-making process for many scenes (of my GotG fics, this took the longest to write and publish, over 2 months), so I’ll try to condense this to a few bullet points that probably don’t fit the “inspired” criteria.

- It was originally going to be in two parts, 4 scenes each, when I thought the epilogue would be much shorter. But as the lil’ wrap-up got longer (because we needed a fluffy conclusion, dammit!), I decided to make it a separate “chapter.”

- I think the concept probably started as one of those strange, angsty “what if?” scenarios I make up in my head at night that I still can’t believe I created into a full-fledged work. I liked the idea of Peter and Gamora having this conversation and her comforting him, but I knew if I was really going to throw it out there for other fans, it had be more balanced with happier moments, too. I just know I was always going to make the offender a woman - both because it would lead to the misunderstanding that she was a past consensual hook-up when Peter was an adult to spark some irritation and jealousy in Gamora, and because it’s realistically different from other sexual assault stories, since women can be pedophiles and child predators too, and they’re just as horrible. :(

- The fanfic idea of “Gamora accidentally starts a fire while trying to cook, and Peter falsely accuses and lashes out at Rocket” was in my head before, but there were two key differences. 1) It was the entire plot, not a light-hearted subplot in the shadows of something bigger, 2) Meredith’s letter was either fully or partially burnt as a result of the fire. By the end Gamora was going to confess it was her fault, that she was trying to surprise Peter by cooking spaghetti, and he would apologize both to her and to Rocket for losing his temper and getting so angry. I hated that idea later and found it too sad (he’s already lost the Walkman and second cassette tape, why would I want him to lose even more from his mother?), and in “Spark My Memory” (the Christmas fic I wrote for “12 Days of Starmora”) the Guardians put his mother’s letter in the photo album gift for Peter, completely safe and unharmed. I like to keep all my fanfics canon-compliant and non-contradictory from each other, so the letter is fine, no burning it.

Yet “Gamora started a fire cooking” still seemed fun to me, as I like the idea that she’s so badass and skilled and intelligent, but failed at something so domestic and simple. Kinda cute. I was so excited to insert it into this, because I think it worked on multiple levels. It’s a driving force for the plot (the reason the team go to the restaurant and they stumble upon that particular waitress), the reason Gamora was already in a bad mood during her fight with Peter, it could be used as a metaphor/comparison for Peter’s anxiety and Gamora’s guilt, it was something for the Guardians to put at a higher priority to tease and mock Gamora for while oblivious to the main story, something for Peter to just break down into giggles over once they changed the subject (because he earned a good laugh after that heartbreaking and vulnerable childhood trauma story), an excuse to give Rocket so many funny lines, an overall silly and sitcommy-style subplot to fall back on, and a sweet “victory!” for Gamora to have (sort of?) conquered by the epilogue. ^_^2: What scene did you first put down?

This is easy. I’ve written all but one (8 out of 9) of my fanfics in order, except for “Just Like Everybody Else.” So ya, I wrote the opening scene first, Baby Groot’s magic trick lesson and Peter’s oh-so-cruel “can only be seen once” deception. I needed to ease readers (and myself) into the angst and heavy shit to follow, and that cute idea had also been in the back of my mind for a while. ^_^

**********

PHEW, OKAY, ALL RE-TYPED! Thank you again SO MUCH for the lovely ask and wonderful questions, your actual interest and curiosity thrilled me! You see I wasn’t kidding about the incessant babbling. :P

Thank you also for the kudos you left on AO3, and take care!~