#and boy howdy do I have things to say

[they-lived]

The Veilguard Post

I have a lot of thoughts about the new Dragon Age game.

Spoilers for all games and critical analysis below (and I do mean critical I have some nice things to say and some really not nice things to say) if you’re not here for that kind of content then keep scrolling….

Alright now that we’re alone, my beloved, I have some big thoughts about this game.

First, let me introduce myself as a Dragon Age player. Years ago I started trying to play Inquisition because I wanted to play my first real big kid game (I was like… 15 I think) but I was very lost so I went to my brother who gave me Origins and his copy of DA2 and told me to ask him if I had any questions.

I played over 500 hours of Origins - I played every origin, romanced every companion, played every angle and got every single stinking achievement the game had on offer INCLUDING all of the DLC achievements. I loved the hell out of that game and honestly still believe it is one of the best games I’ve ever played. It taught me how to mod! I love modding my games now and she’s the reason!

I didn’t love DA2 nearly as much but I still enjoyed parts of it. Honestly, if the game had ended after Act 2 I would have probably loved it just as much, I just feel like it doesn’t hold its drama very well at the end and truly if the Anders confrontation had more gravitas to it I would have enjoyed it a lot more. For context, I’ve only played her three times but I did help my sister play through all three games in their entirety. So to be clear I have played through romances for Fenris, Sebastian, and Isabela, and my sister romanced Anders (yes I did watch Merril’s romance so I do know what happens in that one as well).

Inquisition was my pandemic game, I played the hell out of her. I have easily clocked close to a thousand hours in that game between all five playthroughs because I was mentally unwell during the pandemic lol, but I digress. I played that game as much as I could, modded it to high heaven and unplayability frankly. I romanced Cullen, Dorian, Cassandra, Bull, and Solas (if I go back and do another playthrough which is likely at this point, frankly, I’m open to doing Josephine or Blackwall). Trespasser is an all-timer for me, one of the best DLC expansions I have ever seen, I was gagged, gooped, dead and deceased on the FLOOR.

All of this to say, my love for these games runs deep (I have a whole world in mind that I may one day bring myself to fully write but alas… Idk man shit’s hard). I wrote fan fic for this world and I cherish it deeply.

So… Veilguard… honestly, I was expecting it to be worse, I was expecting to hate it. I went in knowing it had been stuck in production hell for 10 years, had cycled through writers and layoffs, you name it, they suffered through it. But while what we got was not terrible… it was not great either.

I will say, I enjoyed some quests and some ideas in there. Here’s a short list:

The siege at Weisshaupt was a treasure, it even made me briefly enjoy gameplay! (I universally play on easy mode but this one felt smart)

Solas being inside of your head when you’re trying to get to Elgar’nan’s arch demon was dope as hell

All of Emmrich’s quest was exceptional, especially the ending was firing on all cylinders. Truly a great quest

When I got Lucanis romance it was pretty stellar (just lacking in content which we’ll get to)

Honestly, having my romanced inquisitor ending was satisfying for me. Really, I was getting the flutters in my heart watching it.

Ok so… now lets get into why you’re really here, the disappointments. In ten parts because I have too much to say apparently.

Let’s start with the art: I know some people love what they did with the art style and I will say I appreciate that they stuck with the style throughout and made the game feel cohesive… I still felt like it was too fortnite cartoon-y for what I prefer in a Dragon Age game.

Second: The companions… I feel like… I feel like this was ‘therap-ize your friends’ the game at times. The amount of times I only responded with ‘I’m sorry’ or ‘you’re allowed to feel that way’ or ‘this is hard’ was so often I genuinely wondered at times if it was the same sound bite being played every time.

I heard someone say that you can’t even be mean in this game and I-... they’re right… you can’t really be mean in this game. I can’t unsee it. And this is coming from someone who played a full evil campaign of Baulder’s Gate 3 and had to play a sixth time to cleanse my soul after being a meanie and feeling dirty about it… I believe being evil and cruel (or at least being a dick) is kind of essential in an RPG and I personally feel like you should be able to disagree with your companions and make them hate you.

I don’t recruit Sera anymore because she bothers me, I don’t love Merril or Fenris and I straight up hate Morrigan (more on this later) and Oghren, and the games before allowed me to be a bitch to them if I wanted to.

In this game I vaguely like my companions but they all feel like ideas and not people. I didn’t like Sera but she felt like a person, so did Merril and Morrigan - they’re people and I don’t like every person. My least favorite companion in this game is Neve and she’s not offensively bad, just a vague idea of a cynical detective who fights the man and doesn’t take anyone’s shit… but beyond that… nothing.

We spend a lot of the companion quests just kind of… walking around and talking to them… but I feel like I don’t actually learn about them. I think that half of my companions avoid this - Davrin, Harding, and Emmrich feel like fully realized characters with passions and history. Their walk and talk quests felt more immersive and like I was genuinely learning about a new friend and I enjoyed it but too few of my companions sucked me in this way.

Bellara constantly talks about how hard things are and how much she misses her brother (and also her romance serials which are my favorite interactions with her). Taash’s mother is the most interesting part about them and their arc is just not very compelling (or tied to basically anything else happening in the game beyond the Dragon King is working with the evanuris but I digress). And Lucanis… dear sweet Lucanis you had so much potential but they stuck you in a predictable story and gave Spite no actual substance. Also apparently Spite is a spirit of determination which I had to find out from Solas at the end of the game… like huh? What? Excuse me? Why wasn’t that explored more? That's a fascinating concept.

Who are these people? They’re just kind of… vaguely awkward, supposedly good at their jobs, and wasted potential.

I think that’s what it comes down to for me. There’s so much potential to have really interesting characters here. If you want me to do a deep dive on how I would re-write these characters let me know maybe I’ll do it lol. This post is already long enough.

Third: Romance full disclosure, I fall into the category of - I want my RPG to also be a dating sim - so this one I get is not everyone’s cup of tea… that having been said the romances in this game are really lacking. Not only are they flat or uninteresting there is practically no content!

I romanced Lucanis and I genuinely mean this - when I did get romantic scenes with him I loved them. They were sweet and tender but so few and far between it didn’t feel earned. I loved the scene after being pulled out of the Fade prison - I replayed it like six times. I felt like it was so sweet and so well executed and I craved more of that.

Watching the other romances it’s clear that this game lacks content for the romances, full stop. Everyone gets a grand total of about half an hour of content for their romance start to finish. And like… huh? Why? Dragon Age is known for its romances! Even the more surface level romances in other games have more going for them!

Sebastian’s romance is easily the weakest romance in any DA game and I think that his romance somehow still has more content that’s actually romantic than any of Veilgaurd’s… and listen I know I’m the rare Sebastian defender but his rival-mance (the superior option imo) requires you to challenge him and his faith. It’s interesting, it’s got substance and grit and is thought provoking… Veilgaurd doesn’t offer that.

I’ve watched all the romances at this point and it seems that - once again - Emmrich has the most content. Davrin and Harding are close behind, but all of them still lack true romance. Half the time the flirtatious option just reads as being nice and there’s so little pay off that arguing these romances are slow burn is dead on arrival in my opinion.

Not to mention that most of the romantic scenes are interrupted by something goofy or awkward. Lucanis, Neve, and Emmrich all have kisses that are interrupted for one reason or another and frankly I didn’t care for it. It felt like padding and I want my romances to be more present.

Fourth: And this one is big for me. Your choices basically don’t matter… like at all.

I need it to be known that my friends and I regularly call big choices in our DnD games ‘Dragon Age choices’ these games are hugely influential in how we run our DnD games. We love a morally gray, ambiguous, ‘things will never be perfect make the choice you can live with’ type of stakes. And this game frankly has none.

There are three big choices in this game - by my count - and none of them have weight or substance. The only companion that has one even remotely close to the other games is Emmrich’s - which I will admit took me all the way the fuck out and I genuinely couldn’t decide if we should resurrect Manfred or let Emmrich become immortal. I was floored by his quest in general.

Anyway, big ‘choices’ in this game are as follows:

Save Minrathous or Treviso

Punch the First Warden or talk him down

Let Harding or Davrin Live

So following my first playthrough I knew I wanted to romance Lucanis so I saved Treviso and I was initially taken aback by how fucked things were in Minrathous… except they’re not really that fucked to be honest. Yes the venatori took over… and yes the Shadow Dragons go into hiding… but you still have access to the dragons and the Viper - even infected with blight - lives throughout the rest of the damn game.

Like… huh? I thought this would be pivotal. In Origins once you leave Lothering you literally cannot return because the blight is beyond devastating. It’s horrific, blight sickness is so horrible that in DA2 you have to kill Aveline’s husband and one of your siblings either dies or becomes a warden, it’s so bad that nothing can be done about it. But the Viper just casually sticks around for the rest of the game and the Shadow Dragons can still help you in the end. Not to mention that either Bellara or Neve can be cured of the blight at the end of the game for some reason…

Can you imagine in Inquisition if you still got to hang out with the Templars after Samson absolutely decimates them? Like… that would simply not happen and I like that each game gets a different minor villain and ending based on your choices, it’s juicy, it’s diabolical, it’s interesting. It inspires further investigation and playthroughs.

I understand that not every choice can matter in a video game because then a game would just be impossible to play and that’s what DnD is for… but BG3 did just fine and they have dozens of choices that really matter (note I have clocked 700 hours in BG3 over 7 playthroughs including evil playthroughs). Within the franchise you have dozens of choices that really matter. Hell in Origins the Redcliff quest has about four different endings at least, depending on how and when you do it. We’re not asking for a lot, we’re asking for what is honestly, at this point, an industry standard for an RPG.

Punching the First Warden or not is such a minor decision all things considered that like… it genuinely baffles me that it’s even a choice at all because even when you knock his ass out cold he still staggers back to the fight and gets pulled into the abyss. Sure, you’ll see him later in Davrin’s quest and he can react differently to you based on this choice but there’s just… no weight to it. The Wardens still help you, you cannot lock yourself out of any of the factions, you can please everyone. Which I love doing in a DA game don’t get me wrong - but it’s much more satisfying when I have to work for a good ending where everyone��s happy.

I think of Redcliff in Origins or Wicked Eyes and Wicked Hearts in Inquisition, these quests have choices that matter and you have to work to make sure you get the ending you want. Saving Isolde and Connor in Redcliff takes work; getting the exact right combo of rulers in Wicked Eyes and Wicked Hearts, takes work. It’s not easily handed to you, you have to pursue it by interacting with the world around you and understanding what’s actually going on.

The Harding vs. Davrin choice is so cheap and I really have no other way to describe it. First, we have no reason to believe that this choice will lead to the death of our companion, especially since we’ve spent all this time making sure we level them up and follow their quest lines to their end. But that doesn’t matter, it feels like it was done for shock value more than a story reason. It’s not even really brought up again except for brief mentions in the Lighthouse before the final march. They’re also the only ones who get locked into this type of ending which makes it feel even cheaper!

Neve and Bellara can be saved even after being infected with the blight and no I’m not over it! It’s just a real slap in the face that Davrin or Harding - two of the best characters in the game imo - are sent to their death for what feels like no reason except that… checks notes… their idea was better in your opinion? They don’t even die on their side mission, they die WITH YOU IN A CUT SCENE. It doesn’t matter what you do, one of them will die and I wouldn’t mind that except… no one else is ever put into this kind of peril.

It also feels like no other choice I made up until that point matters. It doesn’t matter that Davrin and I chose to release the Griffons to forge a new path, it doesn’t matter that Harding chose forgiveness instead of being consumed by the rage of her ancestors. It doesn’t matter that we helped the gray wardens or that I asked Harding about the inquisition or that I took them on any number of side quests, it doesn’t matter if you romance them.

You just pick which of them you don’t mind finishing the game without and that’s that. It’s grinding my gears the more I think about it so let's move on.

Fifth: The Morrigan of it all… Okay, full disclosure, I’m a Morrigan hater. I find her romance in Origins gross, I think it’s stupid she became an advisor to the Orlesian Empress in Inquisition (homegirl was raised in a swamp, what do you MEAN she’s an advisor to the Empress!?!?), and I hate that her solution to your problems is trust me intrinsically and also let me have sex with someone who expressly does not want to. BUT I truly did enjoy the Mythal lore and Morrigan becoming Mythal is interesting.

Just one itsy-bitsy problem is that I just spent three whole games spanning in-game decades trying to make sure this didn’t fucking happen. And yet, here we are, with this… happening. Ooooo Bioware when I catch you it’s on SIGHT. Not only does this make everything else you did with her feel like a colossal waste of time… it ultimately feels like nothing mattered. Who cares if I spent two in game decades handing Morrigan her own autonomy on a silver platter? Who cares that I did everything in my power to make sure she could do what she wanted instead of bending to the whims of her abusive mother?

Ignoring the fact that apparently Morrigan and Isabela (who are both easily in their 50s at this point, remember how Wynne was barely cresting 50 and the game treated her like she was a granny?) haven’t aged a day cause I guess women can’t age… did anything I do matter? We get a weird vague line from Isabela about family and Morrigan seems to think she and the inquisitor are besties… which they are reluctant allies at best in most playthroughs I’ve seen and played. And oh by the way, that kid she maybe had, that could be an elder god? Yeah he either doesn’t exist or she’s an absent parent whoopsie.

Sixth: The lore… I understand this game is trying to take the world in a new direction but this was not the way to do it. We could have gotten a better shot at a DA2 type of game. A smaller, more contained story but they went scorched earth with so much that it feels… like a huge let down.

Not to mention that as a recovering catholic I loved the lore of the Chantry. I loved dissecting the intricacies of a huge religious institution that has good people but a rotten core. Examining faith and how sinister it is when institutions get a hold of something that imbues so much meaning into people's daily lives was genuinely cathartic for me. And this game basically tells you that the chantry is wrong and to go fuck yourself because it doesn’t matter and it never did. It takes away so much nuance and realism within its own lore (not to mention they just hand wave it off when Harding rightfully brings this up as an earth shattering moment for her. What a weird thing to ignore). The answer is Elves, if you have a question the answer is elves, and I’m sorry I don’t love that answer. I’d rather have no answer, I’d rather be able to draw my own conclusions.

I love how nuanced and messy the lore of Thedas is, personally. I loved learning about how twisted the Qun is and how fucked Antiva is and that Ferelden is no better. I found it so fascinating no one place is good and just. They really did some revisionist history with Tevinter and especially the Crows (this game had one too many freedom fighter groups for my liking but I digress). All interest, morally gray intrigue, and nuance was sapped out of the world. All the bad guys are venatori or antaam, all the answers are Elves did it, and it feels so… devoid of intrigue. It was such a let down.

At no time did I ever feel conflicted about what I was doing, at no time did things ever make me question if I was doing the right thing. I never even really had to think very hard about what I was doing because most choices were pretty benign, like I could do no wrong, like I was being spoonfed my heroism. I didn’t have to think, for the most part, and that makes me sad.

Seventh: Varric… oh Varric… my sweet beloved child they did that to you didn’t they? I don’t inherently have a problem with Varric dying, honestly I don’t. The execution, however (pun intended), was garbage. I echo what others have said… why is Varric the one chasing after Solas? Varric was close to everyone in the inquisition, sure, but I’m not sure he and Solas were besties.

If Cole were the one going after Solas I’d get it. If it were Bull going after Solas to beat the shit out of him, I’d get it. If it was Dorian going after him because he’s the closest in proximity I’d get it… but Varric being the one to try talking him down ‘because he’s my friend!’ is frankly, bad writing. I feel like the team wanted to send him off but this was not it fam. Varric does love his friends this deeply… but for Solas it feels wrong and weird and (dare I say it?) out of character.

Honestly, if they had him actually be alive in the Lighthouse and being that mentor figure I would have much preferred it. I could have overlooked the narrative wonky-ness if Varric had lived… but him being dead pissed me off. I can't even lie about it. It felt like shock value for shock value’s sake and I hated it.

It feels like we should have been with the Inquisitor tracking Solas down or at least hired by them… but instead we get dead Varric and no substance… awesome.

Eighth: The God’s Prison… of all the weird retconn-y odd narrative choices that were made this one irks me the most… just… the very concept of Solas and the other gods not being able to get themselves out of the Fade prison but you can is so… just dumb honestly. I think, in theory, the idea that you have to work through your regrets to release yourself from that prison is actually really interesting… but here’s the problem with that:

Solas did work through his regrets and he has been able to let go at least somewhat. He knows what he did was wrong and he wants to change… He’s just the king of over correction lol. I just find it laughable that you can get out of this supposedly impenetrable prison but no elven god can because they’re too proud. Elgar’nan and Ghilan’nain I can buy, but Solas I simply don’t buy it. It’s just… I don’t know, truly laughable is the only word I can use to describe it.

You’re telling me that Solas - who learned about the power of friendship and individual autonomy all throughout Inquisition - hasn’t learned to navigate his regret? Solas who can look romanced quizzie dead in the eye and tell her ‘I love you, you taught me so much about this world and I am still learning. I’m going to end this. I’m going to fix my mistakes. I’m going to make the world better.’ hasn’t had to grapple with what he’s done? Are y’all for real Bioware?

Ninth: Solas… Solas, Solas, Solas, my sweet summer child, you are the biggest case study of missed opportunity that I see in this game. I think he was severely underutilized, talking to him, his memories, and just having him around was genuinely the best part of this game for me. I love him fighting with Elgar’nan in my head, I love him being saucy with me in my dreams, and the romanced quizzy ending is cannon to me. But he just wasn’t present enough! He felt like a vague threat but I also… I also don’t really think this game did enough to make him a threat.

In Trespasser I genuinely feared this man, I thought ‘oh fuck we aren’t going to be able to stop him easily’ but then he is just… so easily taken out it’s laughable.

I think this game’s biggest flaw is that we get no build up to Solas as Rook. This game relies on the fact that you know Solas from Inquisition but then we don’t even really get that Solas (see bad ending where he calls himself a god oh Bioware I am in your YARD he would never say that). If we spent the whole game trying to find him, gathering allies, looking for clues only to meet him at the end and triumph by sealing him away… only to find out we released the evanuris into the world (obvious sequel bait is obvious but hey games do what they must) that would have been dope as hell!

I feel like the writers of this game felt like they had to deliver a sequel when honest to goodness I think it would have been much better if they didn’t. I think if this game had been divorced from the main series and truly had an independent story it could have been great. I keep saying if this game was a precursor to the ‘let’s take down Solas’ game it would have been epic. If this game introduced us to Rook and co, then at the end we meet the inquisitor and they’re like, “Hey losers do you wanna save the world!?” That would have been so cool.

But at the end of the day it IS a sequel and it’s a bad sequel. I truly like this game when it’s not trying to follow up Inquisition, but as a sequel it fails at every hurdle. Solas is a fascinating villain, he is a character I adore and really find interesting, compelling, tragic, and downright terrifying. And they didn’t use him to his fullest extent at all.

In theory - Rook is Solas’s foil. We get to accomplish what he couldn’t, saving the world and all that… but Rook and Solas are not actually parallels, their life experiences and their goals are nowhere near aligned enough to make this argument. If Solas were really watching us become him or if we saw ourselves becoming Solas that would have been interesting. Instead, Solas points out our similarities ‘you’re willing to do whatever it takes’ or ‘you’ve got fire and passion to do the right thing’ or ‘you do what’s right and say fuck the man when you need to’ but our reasons feel achingly hollow compared to his. We are not the same. So him thanking us at the end of the game feels out of place. He should be thanking the inquisitor for coming back to him - because really she is the one who saves him. Her love saves him, Rook just bought her time to get to him.

What sucks is that Solas is so endlessly interesting to me. This is a character that created this world and he regrets it. Can you imagine a god that regrets their creation? That idea has me physically unwell and they squandered it.

Tenth: The thesis of this game. Now let me start off by saying, not all games NEED a thesis. But some of them have them regardless and the Dragon Age games like having something to say. So bear with me while I opine about a very watered down thesis for each game. And it could be argued these games have multiple or different ones than I present but this is my hear me out post, get your own, lol.

Origins poses the question ‘how far will you go to save the world?’ We are constantly asked to do morally dubious things to save the world. Do we recruit slave labor from the Golems for a better army? Do we save the Circle mages or do we let the templars slaughter them? Do we recruit Loghain as a gray warden knowing the crimes he has committed? Do we let Morrigan conceive a god baby to save our own life? These questions are answered by our choices and it makes this game interesting. It makes each Hero of Ferelden different and it makes our choices matter, people we meet and grow to care for live or die by our decisions and it makes the player feel important.

DA2’s thesis is ‘we are the product of our circumstances’. DA2 is, at its heart, a tragedy, people are victims of their circumstances, including Hawke. No matter what we do, we lose our siblings and our mother to circumstances beyond our control, with or without our heroism. No matter what we do the qunari will rampage through the city. No matter what we do the chantry is destroyed and we must side with the templars or mages. Yet, in spite of the horror, Hawke can choose how they respond to their situation. We get to choose to be kind or brutal, we can choose to seek justice or be pulled through it kicking and screaming. We are dealt a shit hand at every turn, what we choose to do with it matters.

Inquisition’s thesis is ‘how do we forgive in the face of corruption?’ Every organization we meet in Inquisition is corrupt as fuck. They are terrible, they treat others without dignity or care, they spit in the face of decency but WE can change that. We as the player can step in and be the change we want to see in the world, literally. We can beat back corruption and evil with compassion and understanding… or you know, we can make them worse, because Inquisition gives you the option to be a dick if you want. We are tasked with saving the world and we can either be selfish about it like every other organization we encounter or we can be the altruistic light in the darkness - the dawn in an otherwise bleak future.

It feels like the thesis of Veilguard is ‘you can’t do anything alone’ when it should have been ‘what are you willing to sacrifice for the greater good’ or even better ‘it is easy to become the very thing you fought against’.

We spend the whole game watching how Solas made the hard choices in a losing fight, that he became something he never wanted to be because all he saw was the end result and not what was being lost along the way. Solas was a good leader, Solas had people fighting with him, and Solas was not afraid to make sacrifices for the greater good. Which would have been fascinating if we - Rook - had any hard choices to make at all and could relate to that.

We tread dangerously close to something great in this vein, the idea that we can be good leaders, get the job done, and do minimal harm - but it is done in such a way that it is made seriously unrealistic and uninteresting. We get through mostly unscathed with minimal losses that we care about beyond the vague answer of ‘normal people died/got hurt’ but we never really see that (don’t get me started on the mourning scene in the final battle, I was surrounded by sheets? I can only assume if your friends died you’d see their faces but mine didn’t soooooo). We are a better leader than Solas by virtue of our situations being significantly different. We are facing a known foe, with a clear cut way to beat them, allies who help us with minimal persuasion, and no insurmountable problems. He didn’t have any of that, he led a grassroots rebellion with basically only slaves and spirits to help him against people who were doing things he’d never seen before. The difference is just… they’re incomparable.

Can you imagine if we really had to face the idea that we are becoming the very thing we sought to destroy? Can you imagine the slow, creeping realization that we are just like Solas. If we had to sacrifice one or two or even more of our faction alliances to proceed through the game? If there were actual STAKES!?! If Solas saw us as his equal or another incarnation of himself? If he saw us going down the same path he did and it sparks empathy in him? If he wanted us to actually succeed because he has learned to see the good in this messy creation of his?

The DA games are - at their core - about sacrifice, what you are willing to give up for the greater good? In these games, the goal is to save the world, so how will you fight for it? We have nothing to fight for here because it’s not really a fight at all.

This idea that you can’t do anything alone is nice… but being alone is never an option for us. Solas puts himself in exile, Solas is alone but Rook never is. It’s not an option not to recruit your companions, you have to. It’s not an option to turn any of them away or to have them leave your party, and they’ll always love you if you do the bare minimum for their quests. The only time they ‘leave you’ is if they die but that’s not until the very absolute end, and even then they die in service of you - you are not ever alone in this fight.

If this game wanted to say something about how our people make us better we should have been met with a point in the game where we are alone. Fade prison doesn’t count because really nothing happens there; it's all cerebral internalized shit and you’re pulled out of it relatively quickly. We should have been hit with the idea that without our people - the bonds we choose and those we love - we are nothing and we were never faced with that potential reality.

In addition… Solas had people. He had Mythal and Felassan and he trusted them so intrinsically it became a part of his downfall. If he was your friend or lover in Inquisition he is a ride or die, he cares deeply for you and your team - so much so, he leaves because he sees himself as a danger to you. He’s only alone now because he chose to be alone… should we not also parallel this? Should we not also feel more bound to Solas because we see ourselves in him? We keep saying we’ll do ‘whatever it takes’ but it only takes the minimum to get the damn job done. We get to take the path of least resistance constantly, we get to be a hero with little to no losses that we see or care about - and perhaps this is because I did completionist this game and worked for it… but I didn’t ever feel like I had to work particularly hard.

This game ultimately fails because what it’s trying to say has no weight, what it’s trying to dictate to us is just said and never shown. We are not treated as an active participant in this narrative, we are just a consumer and I find it offensive that it was touted as an RPG when there’s minimal roleplay in the game.

In conclusion, your honor, this game is not a disappointment because I wanted Inquisition 2 - this game is a disappointment because it doesn’t say anything worthwhile. It presents ideas that, on their face, are good but never delves into them, it saps nuance out of an otherwise lively incredibly lore rich world, and it ultimately takes power away from the player to service a story that no longer wants to affiliate itself with its predecessors. Which is a damn shame because what came before it has so many interesting and thought provoking ideas this world could have built itself upon and chose to disregard.

If they wanted a relaunch, that’s fine… divorce yourself from ALL the games if that’s the case. Tell a smaller story, go back in the timeline before any other game, do anything else.

I will still probably play future Dragon Age games (because the track record is now the odd numbered games are good, the even numbered games are less good). I can find the good in these games despite my disappointment. But this game is still just that to me, a disappointment, end rant.

[stoic--rose]

ok so ive been replaying persona 1 for a video recently and. it doesnt show in her artwork but i SWEAR ayase's ingame sprite has her wearing the smt if student uniform . im not insane right

[retrogradedreaming]

I need to start thinking of ideas for the prompt list I made to get myself to sketch more in October, but instead I'm drawing self-indulgent comics about cats 😭

[faggotry-enjoyer]

oh i'm definitely gonna lose some friends for this one huh

[dungeonmeshimybeloved]

Low key I wanna make a Playlist for chilchuck and his wife bc even tho I don't ship it myself and I see them separating, they have so much potential

Speaking of I should probably rename her instead of using jaylark bc idk who originally made that name but gdi I love that name sm

In their enstrangment era

When they were still childhood friends

[deviousdiesel]

.

[dredshirtroberts]

oh shit y'all.

i've done gotten invested in Gurren Lagann. we're like 19 episodes deep in this paint and i have been emotionally compromised by the silly mechs.

believe in the me.

[nazumichi]

not exaggerating not blowing the situation out of proportion prommy but I think I’d rather do literally anything else before that chemistry group project. put me in the furnace or something. mountain. exam?? ?

[neilphen]

his gloves.....are u kiddin me....

[leatherbookmark]

actually i have discovered the only true and correct reading of md/zs: wgxn are the true Evil Men of mdzs. just look at how they’re dealing with lxc post-guanyin

[sarcasticcebby]

😥😨😰

[bittwitchy]

my gift is being annoying, see, i can hate myself and be so horrendously anxious that i think trying to make being alive easier for myself is somehow offensive to others bc thats how so many people online act like literally any accomodations not made by the doctors that dont care abt you at all are somehow unnecessary and ‘fishing for attention’ to the point i ruin myself and destroy my body avoiding accomodations bc i dont want to ‘seem like a bad person’ for quite literally needing help. but give me a tv show and 30 seconds with new information and i will either give you the most thought provoking theory or the most wildcard theory ever and always be correct.

[moonstruckme]

could i request poly!wolfstar or poly!jily where they’re pursuing reader and reader accidentally matches with them (like matching costumes) at a halloween party?

i think the teasing and flirting would be so cute!! 🥰

Thanks for requesting!

cw: mention of alcohol, smoking, Sirius makes lame and humorously objectifying jokes

poly!wolfstar x fem!reader ♡ 1.5k words

You arrive to the party late, the Gryffindor common room already bustling by the time you and your friends have finished doing your last-minute costume alterations. There are glowing pumpkins floating on the ceiling, someone has charmed the room so that a thick layer of fog drifts along the floor, and the air already smells slightly of booze and cigarette smoke. 

You lose Lily’s attention immediately, but that’s to be expected. You’re more than accustomed by now to her searching for her boyfriend whenever you enter a room. What’s unexpected, however, is her reaction when she finds him.

“Uh oh.” 

“Uh oh?” You look at her, following her gaze to the couch across the room. “Oh. Oh, no.” 

Lily laughs. “It sort of seems like fate, doesn’t it? I think it’s sweet.” 

Sitting on their usual couch are the marauders. James, predictably, is wearing a costume matching Lily’s; they’ve both come as cowboys. Unfortunately, Sirius and Remus are sitting next to him dressed as pirates. 

You’re also dressed as a pirate. 

“It’s not sweet,” you moan. “If I go back up, do you think Marlene will make me some of her fake blood? I can change and be a vampire instead.” 

Lily hums. “Think it’s too late for that, babe.” 

She’s looking back towards the couch, where the boys have already caught sight of the pair of you. Sirius is beaming something atrocious, and even Remus looks amused while his boyfriend waves you over exuberantly. 

Lily takes your hand in hers, tugging you with her as she goes to them. 

“Howdy, darlin’.” James puts on an exaggerated southern drawl as you approach, opening his arms to his girlfriend. 

“My, my,” says Sirius as you sit between him and Lily, “don’t you look nice.” 

You ignore the warmth that brings to your face. “The point wasn’t really to look nice.” 

Your costume is thrown together from things you already had, the only thing that really distinguishes you as a pirate being the bandana you’ve tied around your head. Remus appears to have gone a similar route, although the white shirt he’s tucked into his pants looks a bit more on-theme than yours and he’s clearly been forced to wear an eye patch which is currently flipped up so that it’s not covering anything. Sirius, of course, does nothing halfway. He’s wearing a billowy black top that’s been unbuttoned nearly to his navel, more belts and buckles than you knew one person could have, and a captain’s hat he surely bought just for the occasion. Altogether, you make a fairly fearsome group. 

“Not sure you can help it, gorgeous.” Sirius winks at you. “You always look nice. Did you plant a spy to find out what you needed to wear to match us, then?” 

You roll your eyes good-naturedly. “I should probably be asking you that.” 

“Must’ve just been fate,” Sirius says. It’s so close to what Lily said that your cheeks blaze, but you also don’t know if you quite believe him. Remus, too, turns to give his boyfriend a questioning look. 

Sirius catches it and scoffs, holding up his hands. “I didn’t! Honestly.” 

Remus nods, appeased. In a less booming voice than his boyfriend’s, he tells you, “You do look very nice.” 

“Thanks.” You catch yourself fingering the ends of your hair like a nervous schoolgirl and tuck your hands underneath your thighs. “So do both of you.” 

Sirius grins knowingly, and you have to fight the urge to shove your face into Lily’s shoulder for refuge. He knows as well as you do that for all of his brazen flirting, it’s Remus’ quiet sincerity that flusters you the most. You’re not sure when it started, exactly, but it’s been clear for some time now that both boys are interested in you. You’re not sure in what capacity—they could want to take you to bed for one night, integrate you into their relationship, or anything in between—but as of yet you’ve neither encouraged nor discouraged their advances. 

“Thanks, dollface.” Sirius gives a winsome crack of a smile. “You know, I’ve already acquired some booty, but I wouldn’t mind winning some more.” 

“Sirius…” Remus groans.

You feel your eyebrows pinch. “Some what?” 

“You know, like pirate’s loot? My booty.” Sirius sidles closer to Remus, giving his thigh a solid pat. 

Remus’ eyes narrow. “I will leave you here and go back upstairs right now.” It sounds as though this is not the first time this has been threatened. 

“I worked hard for it!” Sirius defends himself. 

You cover your mouth against an appalled giggle. “It?�� 

“I toiled, and I fought, and I had to battle many other fearsome ships! It’s mine.” 

“Remus,” you stage whisper, “blink twice if you need help.” 

Remus’ smile blooms, but when he starts to blink Sirius objects, “Oi!” 

“No,” you correct him, “you’re supposed to say ‘arr.’”

Sirius is grinning again, too, clearly chuffed that you’re joking around with them even if it is at his expense. “If I say ‘arr,’ you’ll agree to be my second booty for the rest of the night?” 

“I won’t make any promises. But it would be persuasive.” 

He growls enthusiastically, “Arrrrgh!” and slams his fist down on the table. The sound it makes is enough to tear James and Lily’s attention away from each other. 

“Merlin,” says James. “Did’ya hurt yourself there, Pads?” 

“No,” Sirius replies, but he gives his hand a little shake. 

Remus, rolling his eyes, takes it and kisses the side. He brings it into his lap for safekeeping. Your heart gives a painful little throb. 

You must have some stupid lovestruck look on your face, because Lily peers around James to see you better, a smile playing on her lips. She knows about your crushes on the two boys, just as well as she knows that you haven’t decided what to do about them yet. But that doesn’t mean she doesn’t like to help you along. 

“Come on,” she says to James, standing and taking him with her. “Let’s dance, and I’ll let you pretend to lasso me.” 

James beams. “Yes!” 

You watch them go while Sirius seizes the opportunity to move to your other side, the three of you taking up the entirety of the couch. 

“Phew,” he sighs, swinging his feet over the armrest. 

“You may want to take your legs out of the fog,” Remus suggests, also using the new space to bring his feet onto the couch. “It gets sticky after a while.” 

You frown but do as he says, pulling your feet from your shoes so that only your socks are on the couch. And sure enough, when you touch a finger to your ankle it feels like there’s an odd sort of coating over it. 

“I thought it was just fog,” you say. 

“It was supposed to be,” agrees Sirius, “but James entrusted the task of making it to Marlene, and there are some who think she might’ve laced it with some sort of drink.” 

“I’m some,” Remus owns. 

You smile. “So is the point that you should be able to…drink the fog?”

“No clue.” Sirius leans over the edge of the couch. “Let’s find out.” 

“Sirius, no,” Remus says weakly, trailing off when it’s clear the other boy won’t be deterred. You both watch as he sucks in what fog he can, closing his mouth around it. “That’s disgusting, everyone’s been walking around in it.” 

“I think it might be brandy,” Sirius muses. “It’s faint, though.” 

Remus frowns. “I’m not kissing you until you brush your teeth.” 

Sirius grins. “Yes, you are.” 

“We’ll see, won’t we?” 

“Wouldn’t you rather just get your own drink?” you ask Sirius. “Rather than sampling the faint traces of brandy that have been touched by other people’s shoes, I mean.” 

“Oh, rest assured, gorgeous, I’m all covered.” Sirius picks a cup up from the table. He seems to notice at the same moment that you don’t have a cup of your own. “Would you like one, though?” 

You glance to the table cluttered with alcohol and mixers, a throng of students clustered around it. “I’ll get one in a bit.” 

“Let me.” Sirius stands. He edges around the table, stopping to pinch your chin affectionately and give his boyfriend a kiss. “Rem, my love, keep her company, would you?” 

“You don’t have to,” you object. “I can get it.” 

“No, don’t be ridiculous. A pirate has to take care of his booty, hasn’t he?” 

“I never agreed to that!” you call after him. In a quieter voice, you add, “And I don’t think that’s how the relationship between a pirate and their booty works.” 

“Let him go,” Remus advises you. You startle a bit when his hand finds your knee, resting there in fond commiseration. “If he’s going to degrade us like this, he can at least bring us drinks.” 

You feel your lips tilt. “Are you really going to let him call you his booty all night?” 

“Probably.” Remus shrugs, his eyes finding his boyfriend across the room. “Anyway, it’s nice not to be alone in it. As far as he’s concerned, you’re already his as well.”

[explode-this]

Bluey in the genocide by Omar Sakr (posted January 2, 2024)

I am maddened by how apt it is that in trying to find this poem—a stellar example of how people gloss over the presence of politics “even” in children’s television programming—I kept running into articles with headlines like “inside News Corp’s Bluey genocide beat-up” and “Iconic Bluey cricket episode is accused of promoting ‘genocide’ by Muslim poet Omar Sakr” and “Poet Omar Sakr Alleges ‘Bluey’ episode ‘Cricket’ Genocide Themed.’ There is no accusation; there is acknowledgement. Sakr has not screeched onto the page with a list of grievances. He has rather gently described watching a cartoon with his son, a cartoon they were both enjoying until the moment where his experience of the world, the various lens through which he sees and has been seen, creates a pause of realization. It’s a realization that would fly over the heads of those who do not share those lens, who are free of the burden of carrying all of the extra meaning. Rusty’s dad could have been anywhere, away and missing these moments of learning and bonding for any reason, but a creative choice was made for deployment to be that reason—and in that revelation many viewers probably worried for the pup, taking in the notion that his father may not return. The intention with the storyline—I gather—is to provide acknowledgement and understanding to children of deployed parents, as well as describe simply to their peers those particular circumstances. This scenario invites me to ask further questions: why was the parent deployed? Where was he deployed to? On either side of this equation, how many other children are cleaved from their parents by governments and the notions of “duty” and “just following orders”? How many lives are destroyed by imperialism and so-called “peacekeeping”? Asking these questions takes nothing away from feeling sympathy for Rusty’s situation; it broadens the scope. What Sakr’s poem does is quietly turn your face to see the rest of it.

Whether you acknowledge it or not, whether it affects you or not, whether you’re just watching things for escapism or you’ve turned your brain off or you’re not paying attention, every creative endeavor is informed by some aspect of politics both personal and broad. Nobody is forcing you to think about it, to analyze, to identify every theme and potential piece of commentary. But those things are still there, and they tug at the strings of our experience. Being able to overlook or ignore those things can be part of our experience, and merely having them made visible to you is not an accusation or a condemnation. Seeing them may provoke feelings and questions. If those feelings are mostly defensive, there is an option other than fighting someone else’s reality: consider how those feelings and questions can help you see things to which you are not ordinarily subjected and, in doing so, learn something.

everything has political content. sorry. theres some guys who get really really angy when you say this but its true

[literally-an-envelope]

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[dredshirtroberts]

i'm remembering why i don't stay on dating apps for long and why i have a hard time making connections with folks in general. if i have to teach one more fucking person about polite conversation with people you do not know yet, i swear to GOD.