#and being very unhappy about that

[ok-pop-1]

i dont wanna be a magical girl...

fanart for @kianamaiart! background image credit here

[turtleblogatlast]

[ cw: death mention / strangulation mention / stabbing mention / blood mention / self-sacrifice / codependency mention in tags / ]

I think a lot about how common it is for Raph to be the one to have direct focus put on him when Leo gets into all his near death experiences.

Like, when Leo is thrown off a building, it’s Raph who’s right there jumping after him, not even thinking about the consequences to himself when he does. When Leo almost gets skewered by the Krang, Raph’s right there to take the blow and send Leo to safety without a second thought. When Leo’s being strangled to near death, it’s a Krangified Raph doing the job, doing exactly what Raph would never, ever want to do. When Leo is telling Casey Jr to close the portal, it’s Raph who tries desperately to convince Leo otherwise.

Likewise, Leo is consistently very single minded when Raph gets forcibly separated from them. Both when in the sewers and by the Krang, Leo is dead set on finding Raph first and foremost.

I also think it’s interesting that during each of Leo’s near death experiences, the lightheartedness of his words during them goes directly hand in hand with both how close Raph is to him physically and how much danger Raph is also in in that moment. From a literal “I told you so” as Leo’s falling away from Raph to a soft joke about how “hero moves” are Raph’s style - both of these are on the more morbidly carefree side and both of these notably take Leo farther away from Raph and, in turn, have Raph not in immediate danger.

On the other side of things is the apology from Leo, heedless of the danger he himself is in as he seriously and genuinely speaks to a Krangified Raph face to face. Then there’s Leo’s freezing and desperation as Raph takes a hit meant for him and sends just Leo to safety, leaving Raph himself behind. Both of these involve much closer proximity and Raph being directly harmed - these together make Leo much more vulnerable in his words and actions, something not even the threat of death can make him.

These two care about each other so much, and they’re way too much alike for their own good.

[al-luviec]

something simple to try to get out of art block (it didn't work)

[statementlou]

Tbh i am not surprised that a person who openly talked about having drinking problems since 1d days, because of how crazy 1d worked has been agressive. What surprises me is people being surprised (they never seriously saw drunk person?). But i am also confused about this whole book. Apparently Maya said that that book is not fully bout Liam but compilation about her exes and some of the worst parts are not about him. But recently she said that the book is “ofc about him” so what is true then? Or did she meant it that ofc some parts are about him or that whole book is about him?

Sorry, just confused

I also am not surprised- we've learned so much more about the real stories of things and about the guys' actual lives over the last years, and the story that has unfolded around Liam has been totally consistent throughout if you've been following it, and so the information Maya is telling us is shocking and upsetting but not difficult to believe. I got an anon yesterday saying they were worried about getting similar revelations about the other boys, like "if Liam could be doing this we just don't know, any of them could", and while in a way that's always true I guess, anyone could be doing anything in private like... that doesn't really concern me. Because none of these Liam revelations are coming out of nowhere, there have been many MANY steps along the way leading us here if you've been watching, and he has talked openly about both his mental health struggles and his addiction issues. So to answer that anon... to find out something similar about Louis would in contrast contradict everything we know about him and no I'm not worried about it. Is he an abuser or a loose cannon, well that news would truly shock me to my core, I will be honest. But anyway as for the book I don't find it strange that she was nervous when it came out and treading lightly and later decided, fuck it. In the absolutely on point tiktok she dropped today (YES👏GIRL👏FUCKING TELL THEM👏) she even mentions attempts to keep her from publishing the book, presumably by Liam's team, that I am riveted by and cannot WAIT to hear more details about actually- like I said I don't find it at all strange that she was nervous and downplayed it a bit then. But if she says now that it's just about Liam, well, I would say it's been clear from the beginning that the book is their story. Maya herself brought up the parallel of songs being written about stuff and I think it's the same thing; it's true (she was in an abusive relationship that involved certain kinds of events) but maybe not 100% literal (I'm sure details were changed to make the story work, it's not like a word for word timeline of their interactions or whatever).

[calo-wav]

thinking abt old men kl… literally always…. bc what if they were old…and married…and if they didnt have to wear those fuckass belts…

my kl fic 🫣

[sinnbaddie]

Headcanon that Gai needs a certain number of hours to be as cheerful in the day as he is and if he’s woken up before he reaches that time he’s gonna be the biggest asshole to you about it in the most passive aggressive way

Kakashi has gotten the worst of it because 1. He didn’t know the first time and 2. He thinks Gai’s rude and brash attitude is so funny

[pynkhues]

The problem is that Claudia isn't a mirror, she's a child, then a woman, and when she is reflecting them, I do think Louis tends to see Lestat in her and not himself.

(Same Anon you were answering) Yes! Complete agreement on Louis looking for a mirror of himself in Claudia and not seeing many of the ways she takes after him. Personally I think he’s also resisting seeing her more Lestat-ish sides until he’s forced to face them. Part of the problem is that he’s only looking for the more savory parts of himself in her, not the ones he’s less than keen to admitting to and I think that’s tied to…the social and moral acceptability of loving Claudia. It’s not the best way of putting it but it’s something I’ve been thinking about for a while but I’m still struggling to express: how important I think it is to Louis that Claudia is someone that he can and should love unconditionally and without the shame and baggage of loving Lestat, both as his child and as an innocent -or as much an innocent as a vampire can be.

(x)

Yeah, I totally agree.

To add to your point about Louis and unconditional love, this might sound like a bit of a stretch, but bear with me, haha, but I think it kind of ties into this throughline of Louis placing an enormous amount of responsibility on himself to be the primary resource/provider/carer for those he loves, and as a part of that, being in denial of their needs when they need things he doesn't want to acknowledge, or has no skills or resources to meet?

I've been percolating on this a bit during my very-slow-rewatch of the series, but I really do think we see the foundation of that in the pilot where Louis' not only obviously taken on the entire financial burden of the de Pointe du Lac family, but is simultaneously trying to oversee (with Florence) Grace getting married, and the care of Paul. I talk about it a bit in my Grace post, but I think Louis shutting down Grace when she brings up the prospect of seeking help is a really telling character moment.

Not only is it indicative of his shifting role in her life between brother and father, and his paternalistic tendencies generally, but I think it also reflects his denial of the idea that caring for Paul is something he can't handle himself. It's coming from a genuine place of love, but the reality is also that none of them are equipped to help Paul in the way that he needs it, and Louis will downplay that because he doesn't want it to be true.

What Louis wants is to be everything to everyone all of the time, and I think there is a part of him that resents them for it. I mean, he basically literally says that to Claudia's face - he does see her as a burden, and that frustrates him, but at the same time, he wants that. He wants burdens, he wants people to need him, and when they need something he can't give them, well, he resents them for that too.

I think we see it a lot with Louis when it comes to Claudia, but I think we see it with Lestat and a bit with Armand too. He wants to be the person they need most, and what that looks like changes based on the person and relationship dynamic. Like I'd say it manifests very differently for Loius The Father vs Louis The Husband, but I do also think it's there with all of them, and when it's a need he can't meet whether that be growing up, or romantic love, or mental health, or healing a trauma, he denies it until he's forced to face it, and then he usually resents them for it.

I think his love for Claudia is in a lot of ways a really intense version of that specifically because she is his daughter, and the idea that he can't provide what she needs or be all the love that she needs or truly protect her is elevated by the nature of that specific dynamic. It's all fed by paternal guilt and parental ownership and the idea that by the simple fact of being his daughter, she's both his reflection and his responsibility no matter how old she gets, or how much she wants to change their roles.

[drifting-pieces-blog-blog]

Hello. I watched the show the haunting of hill house on Netflix recently. And I am really impressed with Oliver Jackson-cohen and then I remember he was a popular fancast for moonknight. he lowkey looks like Smallwood's MK and he's a great actor and he's Jewish. What are your thoughts on him as Moon knight?do you think he can do better than Oscar Isaac? Most of comic mk fans who doesn't like the mk show prefers him than Oscar isaac.

So I have not watched Haunting of Hill House and know nothing of Oliver Jackson-Cohen except what I just looked up. He looks alright. I'm sure he's amazing.

When they announced Oscar Isaac, I was skeptical because I only knew him from Star Wars as Poe, which I enjoyed very much, but I didn't know the man's range.

I've mentioned many times that I am always skeptical of any Moon Knight media until I can take it in for myself (Marvel has hurt me far too many times).

I think for the story they told, Oscar did an outstanding job and his need to do his own research and advocate for certain groups was amazing.

I am… Mildly... miffed that Marvel has put Oscar in other roles. (Don't get me wrong. I adore him as Spider-man 2099 Miguel. And he was in that role first before he was Moon Knight). What annoys me about it is that the re-use of an actor is taking away from someone else of that culture to get exposure, work, and representation.

Oscar Isaac is of mixed Latino descent and fits the Latino Miguel role nicely. He can use his accent and his Spanish! Full love!

Now, here's the problem. Was Marvel going to cast someone Jewish to play Moon Knight?

Did they cast someone Jewish to play Magneto? What about Billy Maximoff?

What about upcoming Ben Grimm? Arguably THE most Jewish Marvel character they have?

Ebon Moss-Bachrach is an American Jewish actor from New York (I am not going to get into any patrial lineal arguments). Baruch Hashem! It can be done!

They gave a Jewish role to a Jewish actor. THE most Jewish character they have (I'm not going to argue about Magneto here but I feel like Ben Grimm and Magneto are their own different sides to the same coin. ask me more about that later).

I feel like Marvel bit off a lot of attempted representation with Moon Knight and jumped in half cocked.

Grief stricken, Traumatized, PTSD former soldier, D.I.D,, Jewish, Avatar to an Egyptian Moon God, Autistic, anger management problem… I'm sure I'm missing a few…

If they gave this role to a Jewish Actor, it would have been purely by accident.

Moon Knight was SO underrated in the Marvel universe I just about had a heart attack when they said they were going to give him a live action series!

So now they had to take a VERY unknown character who has a history of being seen as "The Crazy face ripping off Egptian God Worshiping guy" and make people want to watch the show. People who probably didn't even read the comics as well as die hard comic fans.

How do you do that? You give them a well known and well liked Actor who will draw people in just to see that actor.

And it worked.

The number of people that started watching the show who had never done ANYTHING Marvel before SPIKED thanks to Oscar. It was a VERY smart play.

What I am VERY happy they didn't do? Cast some white guy.

Oscar Isaac's casting opened up the possibility of Sephardic Moon Knight. Comic Moon Knight is VERY Ashkenazi jewish Orthodox. Up until this point, there were people who had no idea that there were other types of Jews! Hispanic Jews? Whhhhaaaaat?!

I think that is an amazing conversation to have! And man I wish they had explored THAT prospect! Make my Moon Knight Sephardic! Heck yeah! See my boys getting down to Ladino music! A little Salsa in the club and a little gefilte fish veracruzana on Friday night!

So, yes... we could have had more comic accurate Moon Knight... But is it more important to get a guy that looks like the character or someone that can play the character and open new doors?

I would love to see Ladino Jake. The sass. The attitude. The swears.

But back to the original question: Moon Knight played by an actual Jewish Actor. I'd love to see it. Again, I don't know anything about Oliver, but I'm not a comic purist and don't need the characters to LOOK like the characters. As long as they can show up and make me believe they are the character, I'm happy.

Did you know they invented Marvel Ultimate because of Sam Jackson? White Nick Fury was so ingrained and popular in 616 that when Sam Jackson got the role, and was GOOD at it, they immediately went "How do we marry the comics with MCU so we can have Sam Jackson comics without going "Ignore all that white guy stuff"?!? And now we have Marvel Ultimate Universe.

I plan to watch the Haunting series someday (I started the other one but had to stop because life happened and I never got back to it), so maybe I'll be sad they didn't cast Oliver. But I'm not sure his role would have fit in with the style of what the show was trying to do. Maybe if they had put out a Moon Knight movie, it would have needed a different guy.

[vaguely-concerned]

just going about my day idly contemplating how some of the ways hawke can interact with a romanced anders are not at all unlike how they interact with leandra (and a bit of carver too, especially with a purple hawke), and then thought about my hawke in the timeline where he romances anders and was hit straight in the face with 'was he ever actually in love, or was he just desperately trying to renegotiate with his mother's ghost in any way he could' and now i need to lie down. this is the power of dragon age 2

[retros-artandstuff]

vriska + a transmasc dave doodle

[emeryandens]

one idea for a hp fanfic - that will never be written, as there’s no way it can work without some characters being very ooc - is Narcissa and Sirius somehow geting stuck together in grimmuld place during order of the phoenix. This will never happen, but the idea has so much potential.

imo Sirius and Narcissa have one of the most interesting black family dynamics to theorise about, because there’s so many interesting ways you can take it. So much angst and potential for tension/anger/feelings of betrayal etc. Some ideas for this scenario;

- Narcissa arguing with Sirius about his complete lack of regard for their house, throwing away ancient black family heirlooms etc.

- Sirius blaming Narcissa for Regulus’ death - my headcanon is, whilst Sirius spent time with the Potter’s, Regulus went to the Malfoy’s. In Sirius’ mind this allowed Lucius to get into Regulus head about Voldemort - what Sirius doesn’t know is Narcissa begged Regulus not to join (even Lucius - more subtly - tried to convince him not to).

- Sirius does a lot of passive aggressive things ie deliberately gives Narcissa Regulus’ bedroom, kept exactly as is, as a way to punish her. Eventually it cultivates to the mother of all arguments.

- Sirius calling her Cissy. I don’t know why but this just makes me go feral.

- back in the day, Narcissa’s father wanted Sirius and Narcissa to get married (relating to his own insecurities, feeling second best to his sister, not being the heir etc). This wasn’t a very popular idea, even amongst the black family first cousins marrying was.. a little too far (and I don’t think traditional arranged marriage was a thing - it was more like, here’s 10 approved people, you choose) but he was really trying to push it (if he can’t inherit, at least his daughter will). Narcissa knew this but Sirius never did. He was 4/5 years younger and by the time he would be old enough to know, it was never going to happen anyway. Sirius reaction would be hilarious if this came up somehow lol.

[storywestistrash]

i am actually so tired of the way westerners treat eastern europeans

[outlying-hyppocrate]

fun fact about silas koivunen! while his sister, freya, was actually born in finland, he was born in sweden two and a half years later. the koivunen family has moved from finland to sweden to france to the united states. the father remained in sweden, and the mother lives halfway across the state they are in (california ?) because their half-brother, kieran, whom they are currently in the custody of, lives quite far away.

[athenasdragon]

GOD I am not emotionally intelligent enough for the situation I currently find myself in

[cadere-art]

Sébastie Jayde is the foundator of Pigeon Aéropostale, an upstart entreprise trying to establish the first postal airlines.

Sébastie is the mixed-race, illegitimate daughter of the pulp and paper baron Josse Quesqueraux, born of his affair with Adénie Jayde, his secretary. When it became obvious that Adénie was pregnant, Josse, unwilling to end the affair, moved her to the office of one of his mills in Urterre, where Sébastie was born. By Iscean law, when the genitor of the child can be found the putative father of an illegitimate child must provide support for that child. Initially, Josse did only that which he must do, but as Sébastie grew and Josse got to know her on his visite to Urterre, he became increasingly attached to his natural child. Eventually, he had Adénie and Sébastie moved back to Saint-Loegaire, where he enlisted Sébastie in the kind of private school where nobles and bourgeois who are not very rich send their children, and very rich ones send their bastards.

Sébastie grew with the benefits of a full education and her father's name as a boon and a burden, never fully part of the society in which she moved. As she grew older, she became increasingly interested in machinery: the great static ones like the ones at the mill where she grew up, but moreso the moving ones: the steamboats, the trains, these new motorized carts... The first time Sébastie saw a airplane, an ugly lumbering prototype at a technology fair to which her father had brought her, was a revelation of almost divine proportions.

With Judoc's financial support, Sébastie founded a workshop where she began to build her own stuttering, lumbering flying machines, amassing expertise and experience where she could find it. She would eventually earn her name when she became the first pilot to fly an aircraft across the straight seperating Iscea and Urterre. For her, this was the beginning of aeronautics as more than a hobby, and soon after, Pigeon Aéropostale was born.

[rvspecter]

harvey and infidelity