#and at this point as she was telling me this story i was like ''... well maybe she meant it like a joke?''

[rue-isabelle]

rueee, i have a funny idea about the aphrodite series(?) tho it'll be a little bit different from how it goes so far... so... maybe let it be an au of it? like they(drivers) be like all into her but she's actually w toto n susie if you're into that 😂 lovelovelove the series and been reading it on repeat aaaa

No Part 2! This is not the ending, just a side idea

Aphrodite of Formula 1 (side story)

Susie and Toto had been quietly enjoying the chaos Yn caused among the grid and their partners. Their shared secret—that Yn wasn’t just Toto’s assistant but the third, cherished member of their relationship—made every stolen glance, every awkward encounter, and every dramatic meltdown far more entertaining.

For months, the paddock had turned into a soap opera, and Susie and Toto had front-row seats.

---

The day Alexandra had her infamous meltdown, Susie and Toto couldn’t contain their amusement. Watching the footage on their phones, Susie laughed so hard she nearly spilled her coffee.

“She’s throwing a tantrum like a spoiled brat,” Susie chuckled, showing the clip to Yn, who smiled awkwardly, unsure how to respond.

Toto, always direct, smirked. “Ungrateful brat,” he corrected, his tone dripping with amusement. Later, when a journalist asked about the incident on live TV, Toto didn’t hold back.

“Well,” he said with a sly smile, “some people don’t know how to handle being second choice. Or third.”

The comment went viral within minutes.

---

Toto and Susie loved adding fuel to the fire.

One afternoon in the paddock, Kelly and Alexandra were lingering nearby, clearly irritated by the drivers’ infatuation with Yn. Susie nudged Toto and said loudly, “Isn’t it funny how Max and Charles always seem to be wherever Yn is? Almost like they forget they’re supposed to have girlfriends.”

Toto smirked. “You’d think they’d be more subtle.”

Both women bristled, glaring daggers at Yn, who was blissfully unaware of the jab.

---

It was Susie who came up with the idea to get Pierre and Kika to buy Yn something extravagant.

“Tell them you’re looking for new lingerie,” Susie whispered to Yn during a quiet moment in the motorhome.

“What? Why?” Yn asked, confused.

“Just trust me,” Susie said with a wink.

Later that day, Yn casually mentioned to Pierre and Kika that she was thinking about updating her wardrobe. The next morning, a luxurious box of designer lingerie appeared in Yn’s hotel room, along with a handwritten note: Only the best for you.

Susie burst out laughing when she saw the gift. “I can’t believe they actually did it,” she said, wiping tears from her eyes.

---

Whenever George and Carmen were nearby, Toto made a point of complimenting Yn loudly.

“You look stunning today,” he’d say, his eyes lingering on Yn in a way that made George’s jaw tighten.

Carmen would smile politely, oblivious, but George’s thinly veiled frustration was obvious to anyone paying attention.

---

It was during a quiet conversation between Susie and Rebecca that things got out of hand. They were discussing Yn’s flexibility, something Susie praised enthusiastically.

“She’s so graceful,” Susie said with a knowing smile. “Her yoga practice really shows.”

Rebecca agreed. “It’s impressive, really. She can bend like—”

Carlos, who had been within earshot, suddenly choked on his drink, his face turning beet red.

“Carlos, are you okay?” Susie asked innocently.

He muttered something incoherent, quickly crossing his legs. But when Susie and Rebecca started laughing, he stood up abruptly and left, muttering an excuse.

“Too easy,” Susie whispered to Rebecca, who was now in on the joke.

---

Eventually, though, Toto and Susie’s amusement began to wear thin. The drivers were monopolizing Yn’s time, and both felt the sting of jealousy creeping in. So, they decided to make a statement.

At the next Grand Prix, the three of them arrived together, and the paddock was stunned.

Susie held Yn’s hand tightly, her fingers laced with hers, while Toto’s large hand rested possessively on Yn’s lower back. The trio moved through the crowd like royalty, heads turning as whispers spread like wildfire.

When they reached the Mercedes garage, Susie turned to Yn with a mischievous smile and leaned in, pressing a deep, lingering kiss to her lips. The kiss left no room for misinterpretation—it was passionate, intimate, and utterly unapologetic.

By the time Susie pulled away, Yn’s cheeks were flushed, and Toto was smirking. “Don’t be late,” Susie teased, winking at Yn before walking away, her confidence leaving everyone else in awe.

Toto, ever the gentleman, placed a hand on Yn’s waist and gently steered her into the garage. “Shall we?” he asked softly, his voice full of warmth.

The paddock was left stunned, the realization hitting them all at once: Yn wasn’t just Toto’s assistant. She was part of something far deeper, something none of them could touch.

[thetadispatcher]

Peter frowned a bit at Willow's remark, but he decided not to ask for an explanation of what she thought was so easy just in case it wasn't directed at him specifically.

"Deviants have the same issue, if they get too stressed they'll self destruct... Not like explode, but bash their own brains in on whatever they can find. So far Vincent is the only one I've seen hit one hundred percent stress and not self destruct, we theorize his fear of loud noises overrides the self destruct protocol." He still had yet to find what the cause of self destructing was, as it was hard to find out what goes on during the event when the android effectively destroys the one thing that would hold the answer. And he didn't want to trigger it in a monitored android, it was too risky as he had no way to stop it once it began.

"But I understand the importance of keeping this from getting out, so don't worry about that." He knew it wouldn't lead to anything good if other found out about the existence of human brains in a digital format, and he didn't want to be asked about it as he wouldn't be able to provide any kind of suitable answer.

"And I don't really care to know why you have digital copies of human brains, something tells me the reason isn't something I would like to know." If someone had felt the need to do such a thing, and if the people the scans belonged to were no longer around, he had a feeling something terrible had happened. And he really didn't want to know what that something was, as Strasky's appearance made it clear just how terrible whatever had happened had been, and he didn't want to randomly start thinking about it.

Nines turned to look at them again when he heard his model mentioned, he had been listening as Brent hardly ever spoke well he was working so there wasn't much for him to do well he waited. "It is not the first time I've heard a threat on Kamski's life, nor will it likely be the last. Gavin makes them regularly, and I have heard androids say such things as well." He commented, hearing the creator of Cyberlife be issued death threats wasn't new to him, in fact he felt it was just a common thing to hear at that point in time.

"But if you must, try to not make it obvious it was you. I am a detective unit, so it would likely fall on me or my predecessor to solve it." Nines knew he shouldn't say such a thing, but after hearing stories from humans and androids alike of their experiences with the man he could care less what happened to him.

Peter looked away from Nines once he realized he was being spoken to again, answering with a small shrug. "He just kinda showed up and made himself at home. He hasn't done anything worth kicking him out for, and he seems to be friends with Vincent even if he refuses to admit it." Sure the android was rather odd and strange, but so were quite a few who also lived in the house, so it wasn't anything too surprising for Peter. And it was nice to see Vincent socializing with anyone that he wasn't initially forced to acclimate to, which felt like a good step in the right direction for the AP700 and he didn't want to risk compromising that. "Sure, he makes demands of me, but I promised never to make another android like Dan." And that wasn't a promise he planned to ever break as he trusted Dan to never hurt someone just because he had the ability to do so, and Dan would get upset if he broke it which he really didn't want.

Dan glanced at Peter before some movement out in the hall caught his attention, the movement being Sixty and a Jerry messing around with something he knew they shouldn't be. He carefully removed Peter from him before getting up and approaching the two, who quickly noticed him and took off. Dan gave chase as he saw they were still holding something they likely shouldn't have.

Nines watched the scene looking mildly amused to witness the PL600 have to chase down androids behaving like children. Peter seemed indifferent as it was a very normal occurrence to him, he was already looking at the pictures Strasky was showing to him on the Omnitool well listening to him explain the role of each person so he'd know how to build the custom units.

"That would be the RK800 that was mentioned earlier and a EM400, a hivemind android. EM400 are naturally child-like as they are used at amusement parks, and now some are finding other ways to entertain themselves like what was just seen." Nines explained as Peter was busy jotting down notes and getting the photos he needed from Strasky to explain the function of an EM400, and why one would be following around Sixty. "They call themselves Jerry, and as of right now there are only two present on the property. The other is likely with Ralph, a damaged WR600, to keep him from getting into any danger."

Whatever joke Rook had planned to make was set aside as she eyed the two. She obviously saw nothing wrong with hanging out with alternative versions of herself. It was kind of like meeting a distant cousin, expect they were unlikely to disappoint like most relatives do. Even Bishop had little to complain about his. They both acted the way one would expect from the likes of him.

Really, it was his fault for being an asshole. She glanced at the agent, then turned to Nines. It didn't seem like a smart idea to make android cops, but that world didn't exactly shine for its bright ideas.

"Oh, you have it so easy around here." Willow scoffed, rolling her eyes, "Those engrams have a tendency to destabilize. I'd prefer to resolve any compatibility issues myself. Whatever funding you may need, consider it covered. Again, feel free not to question the source. Not every corner of the world is as content with the existence of digital beings, it'd save me some extra work."

"You should consider moving here." Bishop suggested, a faint grin on his face. He found the concept of adopting androids amusing. Some people truly went through great lengths to find humanity in everything.

Not that he cared to understand it when he hardly contemplated showing basic decency towards the aliens he had captured.

"Having to share the planet with Kamski is miserable enough. I have no intention of moving any closer."

"What about your plans to murder him?"

"Please, do not quote me in the presence of the RK900."

"Oh, he really wants a katana up his ass." Rook mused, before turning to Peter, "I think it's cool that you've got brothers. What I don't get is why you're keeping the Bishop shaped one around."

[felassan]

David Gaider on Cassandra (the last of these retrospective character threads), under a cut for length:

"This is the last of the (major) characters I wrote during my time on Dragon Age. I could go into others, and considered moving onto Stray Gods... but I feel like fewer would be interested, and I honestly can't keep up the pace. So let's make this the last, for now. So, yeah. Cassandra. We knew early on that Cassandra would come into DAI as a companion, along with Varric, that this was part of what DA2 set up for the sequel. Now, I'd written Cassandra's short scenes in DA2, yes, but I wasn't her writer for DAI. Initially, she was Jennifer Hepler's character. By mid-project, in fact, Cassandra was more or less fully written. Jennifer did a great job - solid character, solid quest. The sticking point, it turned out, was her romance. Now, to be fair, Jennifer told me straight up when we began that writing romance wasn't her forte, but she'd give it a go. The problem with the romance as she wrote it wasn't in its execution but more a clash between the character as Jennifer envisioned her and the requirements of her being a romance. See, I mentioned previously that a romance arc inherently limits the kinds of stories you can tell with a companion. Many responses I got can be summed up as "lol skill issue", but consider this: a companion romance isn't a fic you can just throw up on AO3. It's an investment of a lot of resources. If a companion has one, most of their resources need to be devoted to it - it's not "now let's ALSO add a romance"."

"That means it needs to take priority in who they are as a character and their arc. What's more, they need to be *appealing* to a big chunk of the player base - or at least someone we can imagine being broadly appealing, anyway. Thankfully, there are still many many stories this can accommodate. 😊 This, however, wasn't one of those. Was Cassandra a fascinating character? Absolutely. Her romance, though... Well, Jennifer DID warn me. She'd written Cassandra as a serious, self-righteous, pious woman who put the Inquisitor on a messianic pedestal. Romancing her meant changing her view of you. You did this by being... pushy. Jennifer didn't mean it to, I'm sure, but sometimes it came off as, at best, negging. At worst, a bit harassy. And Jennifer would have fixed it. This was a 1st draft, and the issues - while serious - were something a skilled writer like her could handle. No problem. Thing is, Jennifer left. You may not remember, but this was around the time a bunch of GamerGate dudes decided Jennifer was somehow responsible for ALL of BioWare's faults. Oh, the power she wielded! She, a writer, could even command the combat Bio made! The result was a LOT of ugly harassment. 😞 Is this why she left? You'd have to ask her, but it undoubtedly didn't help. The important thing is, she left - and there was nobody as senior nor as superhumanly fast as her to take over any unfinished work. This is where Patrick Weekes comes in: a solid, senior writer who could fill her shoes."

"It was great timing - not only did Cassandra need a writer, I'd slowly fallen more and more behind. It was clear by that point that I'd never be able to write Dorian AND Cole AND Solas as planned. They needed to pick up two. And I let them choose the ones who interested them, like all my writers. Patrick taking Solas was no surprise, and while I had Big Plans for Solas in the future I knew at least he'd be in good hands. I was reeeeaaaally hoping Patrick would then pick Cassandra... but they wanted Cole. My baby. Who I created in Asunder. I grumped, but Patrick clearly loved the character. They had ideas for Cole which... yeah yeah, sounded cool. Fiiine. 😅 Now I had to figure out what *I* was going to do with Cassandra. We couldn't move the romance to someone else, all the other female characters were well underway, and I didn't know the character well enough to fix her with tweaks. That meant a re-write. I didn't WANT to erase all that good work, but I needed to start from scratch. Yet how? A pious, self-righteous character was already a risk in terms of romantic appeal. There are only a small number of traits sorta considered universally unappealing but they're on that list. In this instance, Cassandra already being a known character helped. I came across a webcomic (by aimo, I think? AHH I wish I could find it now) that made a joke about Cassandra reading Varric's books. Off-hand, no basis for it, but funny. 😆 And I thought: YES. THAT'S IT. THAT'S WHAT I'M MISSING."

"I sat down and wrote the "fangirl" scene, just to test it out. Everyone loved it, and it served to change my image of who Cassandra was - a view of the inside, at the idealistic and awkward passion she felt, for so many things... AND the Maker. "Yes," I thought. "I could fall in love with this." Who knew Cassandra could be funny? Not anyone, coming out of DA2, yet here we were. It worked so well and her voice came so easily. Miranda Raison was game ofc, and amazing. Though Caroline did gripe that, if we ever met more Nevarrans THAT accent meant we'd have the Tali Problem all over again. 😅 Cassandra's romance is burned into my brain as the time when we THE most awkward conversation with the animators ever. See, that moment during the sex scene on the picnic blanket when she leans back and... there were suddenly these strategically-placed candles, juuuust covering the Sordid Bits. Thing is, they were so obviously placed just to do that. Plus, we'd already decided to do full nudity in DAI, hadn't we? WHY WERE THEY EVEN THERE? Turns out, the nudity thing was still pretty new to the team. They'd forgotten and put the candles there almost as a reflex. So prudish. So Canadian. 😂 I do find it kind of funny that, these days, what I mostly hear about Cassandra is from female fans upset at me because she wasn't a lesbian option. I mean, right? Who wouldn't want that? Technically not my decision, but I guess I WAS behind the companions having set preferences so... fair enough?"

"Some of them do take it to an entitled place, though, like Cassandra *should* have been a lesbian. Why? Because she looks like one, apparently, and that that's a bit of stereotyping which feels... odd? But it's not as if lesbian players are spoiled for choice left and right, so again: fair enough. It did lead to the best end credits VO perhaps ever, and overall I'm pretty happy with how Cassandra panned out. Things never end up like you expect, right? But such is game dev lyfe. 🥸🖖 Did you know Cassandra was THE most-romanced DAI character, by a good margin? Least, by a good margin? Dorian."

[source thread]

User: "Did you have any hand in her writing for Dawn of the Seeker?" David Gaider: "No, none. Nobody at BioWare had any hand in Dawn of the Seeker, outside of maybe Mike approving the script or direction? Only he could say for sure." [source]

User: "Was Miranda a specific casting choice by anyone on the team (similar to your picks for Merrill/Fenris/Solas), or was she simply a lucky find? I loved Miranda on the BBC series "Spooks", so I was very pleasantly surprised to learn she voiced one of my favourite DA characters" David Gaider: "I don’t remember how Miranda was cast. Auditioned, I expect, and she had a good “steely warrior voice” which is surprisingly uncommon among actresses. The accent she made up was all her, as well." [source]

User: "What's the Tali Problem?" David Gaider: "When Tali was the only Quarian, the actress doing a made-up accent was fine. Once there were others… do we get them all to mimic her? That’s a tall order!" [source]

User: "I'd say Solas is the most popular nowaday, but you need to be such a specific race/gender combo + most straight guys wouldn't go for him, i get hes not on top of the list, but I'd have expected Josephine over Cass." David Gaider: "You can’t go by how fans online talk about playing the game. There is almost zero correlation between the playstyles of the vocal hardcore and the masses." [source]

User: "I was a Dorianmancer. The cut content in Trespasser DLC was sad to read, it definitely felt short/abrupt for Dorianmancers. Anyway to share what was cut at all?" David Gaider: "I don’t know what was cut out of the conversation, as I never played it. I just heard about it after the fact." [source]

User: "Those end credits are truly incredible. Do you remember who wrote them? I'm guessing a combination of Mary Kirby & you?" David Gaider: "I wrote them, but I recall the entire team kind of took part in brainstorming the pieces of it." [source]

User: "I’m very curious- Do you know what direction you would have taken Cole and his story if you’d kept him?" David Gaider: "It's hypothetical at this point, but I suspect I would have been less willing to lose the serial killer aspect... or, at least, would have made that transition occur as part of his arc in DAI. Yet that's easy to say from this side of the divide. Who knows, really?" [source]

User: "With Cassandra you created one of the best characters in DA history." David Gaider: "Personally, my favorite response of hers is where she gets mocked for loving romance and she comes back with a retort about how it's a strength - how loving something and striving for the ideal takes courage. To me, that's central to her core." [source]

User: "inquiry: did you not write any of the Awakening characters?" David Gaider: "I wrote Anders, Justice, and Nathaniel in Awakening - but it was such a hurried project, my memories of it are pretty much a blur. "Yes, I worked on that" is almost all I can say about it, I'm afraid." [source]

[chronicsyd]

I'm gonna be so serious, y'all are remembering POWDER and Ekko and not JINX and Ekko when screaming about how much you "wanted Timebomb endgame over Caitvi"

shoving JINX in a relationship with her current mental state is not a good writing choice whatsoever, because Ekko literally had to keep rewinding time because she kept trying to kill herself. If Anything, That relationship would be rushed and fanservice because they would have jumped the gun in 2 episodes vs the 2 seasons it took for Caitvi and showing their ups and downs throughout their whole relationship.

The alternate universe works because Powder doesn't become Jinx and the two don't separate, unlike this universe where the two have been at odds for 7 years and almost kill each other back in Ep 7 of S1.

"But Cait never said sorry!" she didn't really have to, because Vi never stopped being in love with the girl that she Knows Cait is at heart, the Cocktail Molotov scene in Act 2 makes that VERY apparent. Cait saying that she was waiting for Vi to recover to address Jinx is the start of it because Act 1 Cait wouldn't have even Considered doing that, because she was so gung-ho about putting a bullet into Jinx that she Demanded Vi move out of the way for her to do so. She holds herself accountable with the mistakes she's made ("We can't erase our mistakes. None of us." that wasn't just a line targeted at Jinx to prove a point, there's deeper meaning behind it), and moving the guards out of the cell proving that she trusts Vi and her judgment on Jinx is that apology, Caitlyn has always been an "acts of service" kinda person over being a "verbal" kinda person; it's all over the place in S1 but Especially here in S2. But even after she takes Vi's shirt off, you could tell by her eyes and body language that she was most likely going to stop herself again to apologize for hitting her because the wound was in the same spot she initially hit, which was part of the lead up for This wound to even happen, but Vi's the one that just pulls her back in instead.

I'm also gonna add on that Vi thinks she made the wrong choice in trusting Jinx and thinking Jinx's changed because Jinx locked her in the cell and ran away again. So why in the Hell would Vi go chasing after her Again to be met with the same result time and time again? Vi isn't responsible for Jinx's mental health and y'all saying that are just weird. And I think it's apparent that Stillwater probably wasn't even in the top 10 things in her head being with Caitlyn, she was just running wild on emotions that she hasn't allowed herself to feel like-- Ever. And even if it Was Vi probably would have said she wasn't comfortable being in a jail cell of all places.

What was I talking about? Oh right, Timebomb.

Like Yes, it's shitty that Ekko doesn't get a happy ending considering he's the most unproblematic in the entire show. But people tend to forget that at the end of the day, Arcane is a TRADGEDY. It's not She-ra, it's not The Owl House, it wasn't going to be wrapped up in a neat little bow where everyone gets to smile and walk into the sunset with their loved ones, especially considering the fact that this season's being used as build ups to other stories, it's relatively clear that this isn't the last we're going to see of a lot of these characters. When they come back into play? well... who's to say?

But also, let's address that a lot of the Caitvi hate is just straight up homophobia at this point because a lot of people can understand Mel's admission to manipulating Jayce as an apology but Cait's actions we're suddenly braindead and need shit completely spelled out. like good lord I'm so tired of this. Y'all would NEVER have survived Catradora let me tell ya...

(My next post is gonna be a long winded rant about Maddie so stay tuned for that...)

[nightunite]

slides u twenty dollars can we consider jealous johnny if he sees reader is only that avoidant with him and no one else… i don’t want to rush ahead in case you have something else planned but like, johnny hearing that there are rumors one of the baron’s newest maids is pregnant and the timing just lines up a little too well 😵‍💫😵‍💫

-noona bc tumblr refuses to let me send asks from sideblogs

Hiiiiiiiii Noona 💖

Thank you for the twenty, I'm gonna spend in on blind boxes, it's not an addiction, I can stop anytime I want. Spoilers concerning reader's pregnancy under the read more:

Gonna answer only the first part of this and save the second half because I don't wanna give away too much just yet. I will say that at the point this piece of the story takes place, our dear reader is indeed aware she's pregnant and has informed Konig, who insists on her having someone with her when she goes out into town. Anything could happen, and he fears the idea of her falling and harming herself or the baby, or having to do so much heavy lifting. They're just on friendly-ish terms though for now, as this isn't by the time reader has started showing, so no rumors have started flying yet. Also, curious how one section of this will be interpreted. Johnny exhaled as he stepped out of the shop, breath a thick fog in front of him as the winter chill set to work stinging his cheeks. Snow had fallen last night and stayed, keeping the roads slick. The thick woolen cap he wore snug around his head crushed down his signature hairstyle, but he'd rather have flat hair than a raw scalp. He rubbed his gloved hands along his wrists to fend off the shivers, the door behind him shutting with a clatter and the ring of bells as he moved along the walkway towards his next stop a few streets over. Four stores in, and he had yet to find what he was looking for. He wasn't entirely sure what that was, mind you, only that whatever it was remained elusive. It let him move about town all the same to get out of his house which had felt odd these past few weeks. Too loud, too quiet, achingly lonely yet also too many people nearby setting his nerves on edge. Impossible to get anything done, his irritation grew erratic like his thoughts. All he wanted was a moment of peace, a chance for his ever-restless thoughts to let him breathe lest he take it out on his staff.

Try as he might to deny it to himself, he knew why this happened. She wasn't there anymore. Packed up and left in the wee hours of the morn, when the fog was thick and the duchy silent as a graveyard. Didn't bother to inform him, merely the head maid whom had given him a look that said he was a fool. Shortly thereafter, word had gotten back to him that she had taken up a position in the Baron's home. He'd had to take a swift walk to handle that knotted up wad of string wrapped tightly in his gut.

If he were an honest man, he would say she hadn't truly been there even longer. It made his throat close up, the way she seemingly wasted away in his halls, sunken in on herself like a sunflower wilting in the frost. Like a cold snap at the start of winter, suddenly she had no time for him. Always quick to pull away from him, to find some task to do that kept her preoccupied from the start of the day until well past it. Hesitation whenever he asked her what was wrong, a momentary pause before she would tell him nothing was the matter, addressing him as 'my lord', as though the name she had permission to use would not escape her mouth.

Eyes always downcast, fixed on the floorboards or over his shoulder when she would bring herself to pretend to look him in the eye. Truth be told, he preferred it in some ways, the relief of not having that direct connection. At least then he didn't feel the weight of his inadequacy of caring for her, like a verdict cast down upon him. This way he could pretend that he was the man he was supposed to be. He stopped attempting to touch her in any way when he caught how she tensed, braced herself for contact. The kissing followed shortly thereafter, her strained smiles and broken laughter making him feel worse, like he never should have even tried. Anything further wasn't even on the table, and the thought of even broaching the subject made his insides churn. And so, he stopped. Filled his time with the other maids, though that never lasted long either. They weren't right; laughter too loud or high pitched, smile too far to one side, hair the wrong thickness between his fingers. It left him feeling further unease, as though he kept going down the wrong hallways in a maze that he had no chance of escaping. Like a picture set at the wrong angle, or shoes that are a size too small. It pinches him, makes something inside him pace like a beast in a cage, keeps him up at night. He knows what felt right, what kept him sated and content in his days. Eyes that gazed at him like he was her salvation, her sun, always turning towards him with a smile that made his own lips turn up. Soft hands even after hard work, rubbing over the calluses of his palms and stroking over any scars, pressing gentle kisses to them. Laughs and squeals that made his heart race like a schoolboy, cheeks flooded red with the desire to keep her that way, keep all of her attention on him. Even now as he turns the corner, he feels a small smile coming up from those memories, only to freeze awkwardly on his face.

Across the street there she walked, a small box wrapped in her free palm. He hadn't anticipated her being out, assuming she had remained indoors lest the chill finally do her in. He felt his breath leave his lungs at the sight while his blood raced at a fever pitch, heart beginning to hammer. She looked beautiful, the way she had before whatever had occurred at the duchy. Cheeks fuller than he had seen since this past fall, eyes bright and a small smile on her face, she looked radiant to him. Some piece of him, deep in his soul perhaps, relaxed in relief at the sight of her hale and hearty. Another part of him, a part of who he is as a man, feels the stirrings of bitterness at the fact she seems to flourish again once out of his reach. But he couldn't help the way he wanted to grit his teeth and snarl at who stood at her side. Baron Konig, the man who had poached her from him. Still draped in his silly shroud, he was covered head to toe, a thick peacoat covering him and sturdy boots making contact with the ground, clicks following. Even with the coat in the way, Johnny's eyes narrowed at the way her hand was tucked into the crook of his arm. Why does that bastard have the right to touch her? He must have said something under that hood, for she looked up at the Baron and let out a chuckle, breath pluming out for a moment before she responded with something that he nodded in return to. In his free arm he held several packages, looking for all the world as though they weighed nothing. To a man of that size, they probably didn't.

Johnny felt the acidic tendrils of jealousy lance through him, searing him from the inside out while he fought the need to bare his teeth and tear into the man. He couldn't help it, truly he couldn't. That should have been him with her, guiding her down the street while she looks up at him and laughs at whatever he tells her. Actually no, he thought, she shouldn't be out here at all. She should have been back in the duchy with him, playfully seated on his desk, fire roaring and keeping them both toasty while he pretended to work. He would reach out and cup her face, stroking the apple of her cheek, while she would lean in and reward him with a kiss for his hard work that day. A game they had played before, the two of them wrapped up against the bitter outside world, a secret shared between their hearts.

Why does she not look at him that way? What did he do to harm her? What must he do to have her return to him? Just look at him again, please. Even just a passing glance, something to show that she still recalls who he is, who he can be to her.

Words of adoration and touches that feel like absolution dissipate from his eyes, Johnny swallowing a small noise behind his teeth when he sees how she leans into the Baron so she can stretch slightly higher and say something in his ear. Never before has Johnny wished to be lesser in society so as to step forward and take her hand and pull her home, show everyone who she is meant for. Unable to bear the sight any longer he hunches his head into the collar of his coat and swiftly turns around. His attempts at finding peace have only led him to further turmoil.

As he heads back to his carriage, his thoughts circle over and over, ruminating and digging furrows into his sanity.

He doesn't deserve this, none of this. Not with a woman like that, not with her. When he returns to the house, he has letters to write.

[amirasainz]

Can u do an Oscar x driver!reader fic where she is meeting Oscar’s family for the first time and is really nervous but they got on really well xx ♥️

Enjoy reading and send some requests!!!

-xoxo babygirl 🧡

The Piastri family

It was a sunny morning in Melbourne, the kind of day that made everything feel a little too perfect. Yn adjusted her sunglasses nervously as Oscar maneuvered his car through the suburban streets toward his parents' house.

“You’re going to be fine,” Oscar said, glancing at her with a soft smile.

“I’m not so sure,” she muttered, her hands tightening on her lap.

Oscar chuckled. “Yn, they’re not going to interrogate you. They’re just excited to meet you.”

“That’s the problem. What if I say the wrong thing? What if they don’t like me?”

“They’re going to love you,” he said firmly, reaching over to squeeze her hand. “Besides, you’ve already won over Mark. My family isn’t half as intimidating as he can be.”

Yn snorted. “Mark doesn’t count. He’s a Red Bull guy. Of course, he likes me.”

Oscar smirked but didn’t argue. Instead, he pulled into a driveway and put the car in park. Yn’s stomach flipped.

“This is it,” he said gently.

The front door opened almost immediately, and Oscar’s mum, Nicole, stepped out, her face lighting up at the sight of them. Yn barely had time to unbuckle her seatbelt before Nicole rushed over and enveloped her in a hug.

“Yn! Oh, it’s so wonderful to finally meet you!” Nicole exclaimed.

Yn blinked, startled, but quickly hugged her back. “It’s so nice to meet you too, Nicole.”

Oscar was grinning as he grabbed their bags from the boot. “Told you,” he mouthed to Yn.

Nicole looped her arm around Yn’s and led her inside. “Come in, come in! Chris been dying to meet you too. He’s got a hundred questions about racing.”

Oscar laughed from behind them. “Mum, don’t scare her off.”

Nicole waved him off. “Nonsense. Yn’s a racer; she’s tougher than that.”

Yn smiled shyly, feeling some of the tension in her chest ease. Inside, the house smelled like fresh coffee and baked goods, and she could hear chatter from the living room.

“Yn!” Chris, Oscar’s dad, greeted warmly. He extended a hand, but Nicole swatted it away.

“Don’t be ridiculous, Chris. Give her a hug!”

Yn found herself laughing as Chris pulled her into a quick, slightly awkward hug. “It’s great to meet you,” he said sincerely. “We’ve been following your season, of course. Fantastic stuff.”

“Thank you,” Yn said, feeling her cheeks heat up.

“Right, right,” Chris continued, his enthusiasm bubbling over. “So tell me, how are you finding the car this year? Any big changes for Melbourne?”

Oscar groaned from the doorway. “Dad, at least let her sit down first.”

Chris chuckled, holding up his hands in mock surrender. “Fine, fine. Coffee first. Questions later.”

Yn exchanged a glance with Oscar, who winked at her before guiding her to the couch. She settled in, feeling more at ease as Nicole bustled around, offering snacks and drinks.

“Hey, mate,” came a familiar voice from the kitchen.

Yn turned to see Mark leaning casually against the counter, sipping a mug of coffee.

“Mark!” she said, standing to greet him.

“Yn,” he replied with a grin. “Good to see you.”

“Good to see you too. Wait, what are you doing here?”

Oscar rolled his eyes as he sat beside her. “It’s Mark. He’s always here.”

“Pretty much,” Mark admitted with a shrug. “I couldn’t miss the big introduction, could I?”

Yn laughed. “Fair enough.”

Nicole returned with a tray of drinks, setting them down on the coffee table. “Mark’s like part of the family. You’ll get used to it.”

Mark smirked. “I’m just here for the food.”

The conversation flowed easily after that. Nicole asked about Yn’s travels and how she balanced racing with everything else, while Chris peppered her with technical questions that she happily answered. Mark chimed in occasionally, sharing stories from his own career that had everyone laughing.

At one point, Oscar’s younger sister popped her head in from the backyard. “Yn, you have to see the purple kangaroo that keeps hopping around out here!”

Oscar groaned. “Not this kangaroo again.”

Yn grinned. “A purple kangaroo? I have to see this.”

The group moved to the back patio, where they spent the next hour chatting, laughing, and keeping an eye out for the infamous purple kangaroo. Yn couldn’t remember the last time she’d felt so at home.

As the sun started to dip lower in the sky, Nicole wrapped an arm around Yn’s shoulders. “You’re part of the family now, Yn. There’s no escaping us.”

Yn felt a lump in her throat but managed to smile. “Thank you. That means a lot.”

Oscar watched the interaction with a soft expression, his heart full. Later, as they were leaving, he turned to Yn and took her hand.

“Told you they’d love you,” he said quietly.

Yn smiled, her earlier nerves now a distant memory. “Yeah, you did.”

“And for the record,” he added, leaning in close, “I think they’re right.”

[burst-of-iridescent]

well since i can already tell that we’re all going to be subjected to the same old tired mai & mai.ko discourse for the foreseeable future, let’s get it clear right now that the atla comics have never been, and will never be acceptable mediums of character development, and here’s why:

1. the comics are given the benefit of hindsight, which impairs organic character growth.

it’s become extremely clear over the last few years that many of the comics are made as, or include, direct responses to criticisms of the original show — especially when it comes to katara, mai, and the canon pairings. aang didn’t ask katara for consent? look, he’s checking if he can kiss her! mai doesn’t care about fire nation imperialism? here, she’s an anti fascist! iroh was a creep to june? don’t worry, here he is apologising!

many of the things the characters do or say in the comics feel unnatural because they are not written as characters, but as mouthpieces for the creators to address fandom complaints from the original show.

“but that’s good, right? they’re trying to make it better!” i mean… sure? it still doesn’t change the fact that it’s damage control, and that no matter what stories span the middle, the arcs of these characters still begin and end with avatar: the last airbender, and the legend of korra, both of which are fixed and immutable. the comics cannot retroactively fix the issues of either show, because they’ve already been defined as the goalposts of the characters’ lives, and there is no way to undo that.

it’s like if you eat a meal that isn’t to your satisfaction, and maybe the chief makes you another dish, which is all well and good — but it doesn’t fix the fact that the original meal still sucked! sometimes, accepting criticism means accepting that there’s no way to go back and fix it but to do better next time, with the next story you wish to tell.

if the legend of korra didn’t exist, and the arcs of the characters were left open after atla, then maybe there would be for the room for the comics to function as character development if not for the fact that…

2. the comics are intended for a very different audience than the show.

it’s obvious that the audience for the original show vastly outnumbers the audience for the comics, likely by thousands, if not millions. this isn’t the mcu, where the installation of any atla property is vital to understanding the next, and so on. you can skip the comics and miss nothing whatsoever (and honestly your life would be far improved by doing so).

those who read the comics are likely only the real diehard fans of the show — and the creators know this, which is why we have the whole issue of point one above. but this difference in audience matters, because it reflects the significance of the story being told, and how important it is for the audience to know it. this is why, if the characters’ development and storylines in the comics truly, genuinely mattered, it would have been in the show already.

i’m not saying that the gaang wouldn’t have continued to grow and change post-atla, but generally stories exist as closed circuits, self-contained within themselves. when you end atla, you’re meant to believe that those arcs are finished. that’s the whole reason the comics deal mostly with fun silly adventures, or with quick, temporary conflicts instead of grand, overarching narratives, because they are not truly meant to function as a continuation of the story of atla, or its characters.

(if you ask me frankly, they’re meant to be nostalgia cash grabs, but that’s neither here nor there.)

creator intention matters with the atla comics (or any atla property, in fact), because creator intention was the subject of criticism for the original show in the first place. why must we rely on the comics or the cookbook or avatar legends to tell us that katara did things with her life outside of aang? why do we need to turn to something released nearly two decades after atla to find any evidence that mai denounced the fire nation’s imperialist indoctrination, when she’s romantically involved with one of the show’s most important characters? why are these stories relegated to a medium with far less reach, far too late?

the answer is that the writers didn’t find those stories to be originally worth telling, and that is the real problem fans have been pointing out since 2008.

so, tldr:

[lostintransist]

Secrets Are For Grown Ups | Part 3

CW: Paperwork. I hate paperwork.

Shout out to the fabulous @xbirdiex. It's better than reading my words for the first time because she is so good at articulting to me how everything makes her feel.

Part 1 here.

John pulled off his glasses before rubbing his eyes so hard the kaleidoscope of colors blurred his vision for seconds after he blinked to clear them. He needed to retire. The years of being trapped at a desk and only let out for training had sapped him of the will to continue. He had given the greater good all that he could, but if one more file got sent to him as half digital half paper copy he would start launching things out the window or possibly set his office ablaze.

He had stayed longer than he should have again but the frozen dish of lasagna and beer at his flat did not entice him home. The trill of his ringing phone pulled him from his languorous thoughts. Number hadn’t been saved in his phone. Odd. The same tickle in his brain that saved him on countless missions twitched now. Answering it in silence he waited.

“Is this Captain Price?”

“Not a captain anymore, but this is Price. May I ask who is calling?”

The woman on the other end blew out a breath.

“I worked with you several years back on a visa from the US. I’m not sure if you remember me,” her tone indicated a question as she searched for more words.

John could only remember one such woman in his time as a captain. You popped into his mind in technicolor.

“I do remember. I haven’t heard from you since you left for your family emergency. Has something come up?”

He swore he could feel you vacillating on the other end of the line. You had been so painfully expressive in your communications the year you had worked for him. For you to call out of the blue after so many years, something had to be wrong.

“Yes. You could say that.” You blow out a slow breath before continuing. “This is a…a bit of a long story. Do you have a moment?”

Settling back into his office chair with a creak John gets more comfortable.

“For you, I can take all day.”

Leave had been approved fairly quickly. John had an overabundance of it that brass and the HR and accounting teams hounded him about taking. They all claimed it made their jobs harder if he let it build up so high. He could take off six months without putting a dent in his overall amount of leave. Also if he weren’t there to bitch about the paperwork brass would more likely pass it off to someone else.

Last-minute flights were a pain in the ass to schedule as well as to pay for but like everything else in his life money tended to pile up because he rarely had time to spend it. John packed the same way he would for a long mission, though this time he packed his good underwear. You had offered to let him stay with you after he provided the contact information for one Nyla MacTavish.

His phone rang as he zipped up his large suitcase. Glancing at the name John wished he had a cigar to add a hint of nicotine-laced clarity to his thoughts. Flicking open his phone with a thumb John lifted it to his ear.

“Been expecting your call.”

“That’s never a good way to start a conversation, John.”

“I agree. Now tell me what happened?”

“Did you know?” The quiet, pained question could bore through bone. Simon, one of his muppets, his strongest men, sounded on the point of tears.

“Not until a few hours ago,” pinching the phone between his ear and his shoulder John settled his wheeled luggage on the floor.

“Good,” Simon repeated it to himself as if confirming his belief in John stood strong. “I had to dose Johnny with part of an edible he didn’t know we had in the house. He wanted to break down her door for answers.”

The idea of Simon handing Johnny an innocuous candy or baked good to dose him into a stupor that wouldn’t lead to criminal charges caught John as funny.

“I think your husband is going to have something to say about that in the morning.”

Simon snorted, “Knowing him he is going to have a lot more than a single thing to say.”

“Mmm, you might be right.” John paused to lock his flat door behind him. “Give me twenty-four hours Simon. I am headed to the airport right now and out to you.”

“Did she invite you or are you coming to keep us in line?” Simon’s voice edged into Ghost territory.

“For your information, I was invited,” John replied, mock offended.

“You would have come anyway.”

John could hear the rolling of his eyes even across the line.

“Yes, but this way I get to meet your boys and don’t have to pay for a hotel.”

Simon sucked in a breath.

“Boys? We thought she had a boy and a girl.”

“Nope, she clearly referred to them as the boys or her boys.”

A wet cough cleared the phone line.

“Okay. Let us know when we can meet with her and discuss this all.” Simon sounded defeated, unmoored.

“Are you wanting her back?” John asked carefully as he stepped onto the street to wait for his cab.

“Not…not like before. Johnny and I are happy as we are, but if the boys are either of ours we both want to be involved. We deserve that much.”

John didn’t know if the word deserved had any place in this sticky of a situation but he let it slide. That would be for you to explain.

“I will see you in a day or so, Simon. Keep your husband on a short leash until I get there. We both know explosions from Johnny weren’t only from bombs.”

A light chuckle from Simon is the only warning before the call ends. John sighs through his nose as he tucks his phone away.

What a hell of a story this would turn out to be.

Secrets Masterlist | Masterlist

@love-kha1 @bdbdhshhs @persephone-kore-law @vmaxis @splaterparty0-0 @momowhoo @talia-the-gemini @redkarmakai @aethelwyneleigh27 @asexualbuthorny

[freakenomenon]

someone else pointed this out before me but the fact that anya ( THE WHITE WOMAN ) from mouthwashing is currently getting everything a character like hers deserves in terms of fandom reception ( with a few bumps because every fandom is like that ) then if you look at ellen from ihnmaims who is basically the exact same god damn character in a different font. the most you will get is something about her being the least problematic or ( checks notes ) having straight hair despite being a black woman.

im sorry is it not worrying anyone else that the notion of jimmy x curly in any context is IMMEDIATELY shut down because of anyas existence. but ted's general bigotry toward ellen is simply ignored for the sake of mediocre yaoi. the fact that anyas situation is set and stone in everyones minds and never questioned the moment its implied she was assaulted and didn't want what jimmy did. but almost everyone's interpretation of ellens situation ( specifically in the short story ) is "oh!! oh!! but no she wanted to do that because because-" WHEN STORY EXPLICITLY STATES THAT SHE DIDN'T WANT OR ENJOY HAVING SEX WITH ANY OF THE MEN. AS WELL AS THE IMPLICATIONS OF THEM "TAKING TURNS" WITH HER. THE BLATANT DEHUMANIZATION OF THIS WOMAN IS PRACTICALLY SLAPPING YOU IN THE FACE.

but of course if we acknowledge that we have to acknowledge that the men around ellen are sexual abusers! then we wouldn't be able to woobify them!! so let's defend the white men over the ONE person in this story with basic human decency.

AND EVEN IN THE GAME. WHEN IT IS EXPLICITLY STATED THAT SHE WAS RAPED BY THAT MAN IN THE ELEVATOR. immediately. immediately. NOTHING but jokes about the yellow. sexualization of the lines where AM is specifically mocking her for BEING RAPED. YOU CANNOT TELL ME THAT THERE ISNT AN INHERENT BIAS HERE.

and i see. none of this done with anya.

maybe i am just being mean because im black and i find the treatment of black women in fandom spaces to be generally horrendous but. this is just kind of disappointing to me. I haven't had a genuinely angry rant on here in a while. i hope this makes sense and doesn't just sound like me screaming into the void cause GOD i need to feel like im not insane for this

[eerna]

Am I the only Jinx fan that takes no solace in the whole "she's alive actually" thing? Like with the way she left, she might as well be dead tbh. Blood of Olympus ass ending (I wasn't a fan of Leo going back for his gf while his friends mourn him either). It just doesn't feel like a natural culmination of the arc they've been setting up for her this season. We just convinced her to live 2s ago but now she's convinced her loved ones are better off without her. I also don't think they did a good job of making the audience believe that Vi is better off without her sister, like happiness for Vi is manifested as her relationship with Caitlyn for some reason (as in Vi "choosing to put herself first" means choosing to be with Cait) and it doesn’t make sense to me. As if pursuing a relationship with her sister is detrimental to her but pursuing a relationship with Cait brings nothing but joy. Yet the happiest we've seen Vi this season was when she was with her sister (and Vander) and the only time I recall Vi being genuinely happy with Cait was the sex scene.

I don't mind a tragic ending where the sisters can't be together but it has to be well written. I feel like with the way they wrote it, it should be framed as a tragedy instead of a reasonable decision that Jinx made because as an audience member I am not convinced that Jinx being in Vi's life at this point in the story (where they, for the most part, have made up) is a bad thing. Vi losing her whole family all over again while being in a relationship with an unresolved power imbalance dynamic feels like the "bad thing" to me. Again, I wouldn't mind it as much if it was framed as a tragedy but it's being framed as a somewhat hopeful, bittersweet ending and I personally don't find anything hopeful or sweet about it. It's like there's a disconnect between what they're telling us and what they're showing us. I feel like what they intended with this writing just does not match what ended up on screen.

You'll be delighted to know you're not alone, we've talked a whole bunch about this exact thing on here! It's an ending that's the worst of both worlds, a tragedy that isn't aware it is a tragedy and thinks it's hopeful. "BoO ass ending" so true

[musashi]

Musing on Movie!Nessa's Future in Part 2

A lot of people simultaneously expressing confusion alongside their celebration of Nessarose finally being played by a wheelchair user, because her being able to walk in act 2 is obviously a huge plot point--the spell cast on the shoes is what turns them into the ruby slippers which establishes the continuity and leads to a bunch of other plot threads, etc etc.

This is obviously the reason a lot of people give for her being played by an able-bodied actress in the past, it's obviously a bullshit reason because a huge majority of wheelchair users are ambulatory and can walk and stand for varying periods of time just fine. So like. They could have still had an ambulatory wheelchair user playing her, but I digress: the point is she is played by Marissa Bode in the movie. A wheelchair user, hurray!

These are just the opinions of someone who is not a wheelchair user so take them with a grain of salt (and please speak up if you have your own stuff to say as a member of the community!) but from what I can see as someone who's been insane about Wicked for about 15 years now, the movie did a lot of good for Nessa's character. Previously, the ableism toward her was baked into the metanarrative itself, but it's now been moved to a more realistic place--the characters within the story.

Previously Nessa was treated with little agency or autonomy not only by the characters but by the people writing the story. Most notably of all, her chair is constantly being grabbed and wheeled around by other characters. The movie corrects this--she is very rarely wheeled around except by her father (and he is called out for his coddling/infantilizing of her by Elphaba within 2 minutes of their introduction) and the one time a stranger tries to do this in what reads even to me as a genuinely traumatizing and far too familiar scene for any wheelchair user to have to sit through, Elphaba immediately fucking goes apeshit and starts throwing fucking furniture. Nessa herself also tries to advocate for herself and tell the professor in question to stop kidnapping/assaulting her and is, again, realistically not listened to.

This last bit obviously happens in the stage musical too but Nessa's own agency is much less pronounced. The movie adds little things here and there to give her more of that agency--Elphaba's protectiveness is much less "I have to help and watch over my poor disabled sister" and much more "I have to make sure no one underestimates or takes advantage of her." Even the plot detail that Elphaba was not there to be her caretaker but just to drop her off and make sure she got settled in her dorm adds leaps and bounds to Nessa's autonomy. Her and Boq's shared look in the opening ceremonies where they both bond beforehand at their inability to see over the crowds' standing ovation. And of course, the dance scene, where he no longer wheels her out but instead beckons her to follow him!

These little details add up in ways that are, at least in my opinion, very meaningful. They also extend to the production itself--where the sets were made accessible for Marissa and she was even allowed to do her own stunts, in her wheelchair! That part in the beginning where Elphaba levitates her was her in a harness in her fucking chair and all. Dope as FUCK.

So I am mentioning all of this because I think the people working on this movie have shown that they are unafraid to make changes to Nessa to be more respectful to her agency. The ableism she faces, which is still plentiful, is framed as such instead of just casually brushed off & baked into the narrative. By making these small changes, Nessa is not just an unfortunate stereotype of a disabled woman, but a real and fleshed-out person who is dealing with the consequences of those exact stereotypes in the society she lives in. I really liked that! I don't know how others feel about it, but I thought it was very well-shifted.

All that said, 'curing' your disabled character is obviously, like, the biggest no-no of writing a disabled character. And that plot beat is a huge one in every version of Wicked... so far. But here's the thing. We have a shot of Dorothy wearing the slippers. And they... are silver.

Why. Are they silver.

And they are silver in all of Dorothy's small little cameos. Every single one. Even though this shot, which was used primarily for promotional material to draw people in like "Hey! Wizord of Oz! This is What The Refrance!" did not make the choice to even suggest that they should ever be red. One of the most important pieces of iconography, consciously and notably absent.

I genuinely don't think Nessa's going to have her disability taken away in part 2. With how much love to this part of her has been done to the retooling of her character, I do not think it is a stretch to assume that they will find a way to advance the plot without removing her disability. I believe this because that is the right thing to do for Nessa, to ascend her character, however you feel about it--she should stay in her chair. She deserves to continue on the way she is.

I realize this little change effects a lot. But after seeing part one, I am confident they can do it and do it well and replace what the change takes away with something just as good. I have so much faith in the direction of these movies. I really, truly believe it will happen and it will be good and satisfying and perfect.

It might still happen, sure--Marissa might get a stunt double, or CGI, or some other brand of movie magic. The shoes may still get enchanted and stay silver to pay homage to the original Oz books. But I can't help but consider that idea and keep asking myself... why. That makes so much less sense. Why not give movie audiences the red slippers, draw them in with the imagery, give them one more lion cub in the bike basket or Boq talking about how much he cries or poppies putting the whole class to sleep. Why not give us the ruby slippers when you... could.

I think because this is going to be a big, long awaited improvement. And I think it is hiding there in plain sight.

[misspelledwordswizard]

Can I request a Time content?

The Chaín except Time asking Reader his type or things she likes of a man. She mention some qualities but she specify "Older Man".

Time all blushing because he is in love with reader and Reader likes him too.

Time Content, yeay! I loved writing this asdfkqaj I hope you like it! <3

I like older men

— Oh, come on, you have to have a type! – Warriors exclaimed, referring to me. He’s been pestering me for a few minutes to tell me what type of man I’m attracted to. 

— I don’t think I have an exact type. – I kept giving the same answer. My taste can be quite flexible, I’d say. 

We were all around the campfire, talking, sharing stories, after the meal. The conversation was going smoothly until they got to the subject of relationships, which Sky dominated, by the way. The Captain has some experience in short-term relationships, so to speak, some of the others seem to have traumas, while the rest simply have never had anything with anyone until now, totally fair.

But, apparently, my romantic life became the central point of the entire conversation after I said I was single, and had never been seriously involved with anyone before. From what I understand, this information is somewhat shocking to them. 

— But not even some things you find attractive in men? – Wild suggested, he wasn’t helping me either. 

Unconsciously, my thoughts took me to the leader of the group, who was the only one who wasn’t bothering me with the subject. I can’t tell if it was because he was not interested in the subject or simply out of respect for my dignity. 

He didn’t even seem to be paying attention, to tell the truth. Leaning so calmly against a tree, with both eyes closed, I couldn’t even tell if he was awake. Avoiding looking at him and ending up generating comments among the heroes, I sighed and accepted my fate. Okay, I just need to wind them up. 

— Hm, let me think. – I said, raising expectations in the boys around me. – I guess we can say I like tall men. – Out of the corner of my eye, I had the impression of seeing Four wilt in his place, did he feel offended? – And strong ones too, something more natural... – I could feel my cheeks blushing. I wouldn’t mind talking about it at a sleepover with my friends, but with the men I’ve been living with for the past few months? What a nightmare. 

They remained silent, indicating that they expected more. Damn, damn gossips. 

— Well, I find light eyes attractive, I would say. And tattoos... Oh, and men who wear black, especially those tight, high-necked shirts. – Okay, I think I’m going too far. My cheeks looked like bell peppers. Oh, right, there’s one last very important one. – And, mainly, older men. 

I concluded, unable to bear all this pressure of stares while I talk about something so personal. I closed my eyes, expecting their provocative comments or something like that, but I was surprised to notice the silence that followed. Was that really that shocking? 

I opened my eyes to see their reactions, and, to my surprise, they weren’t looking at me. All eight boys looked with shock, surprise or curiosity in Time’s direction. Confused, I turned to look at him too, and, after some time processing the information, I understood the reason for their exaggerated reactions, feeling my face even hotter than before.  Time kept his eyes closed. His face, so relaxed before, was now tense, his lips pressed together in a line and his good eye closed a little tighter. What was surprising, in fact, was how rosy his cheeks were. 

In all my life, or rather, since I met him, I never thought I would see the hero of time blush. Because of me. Damn, am I not going crazy?  Well, I am definitely to blame for this, without realizing it, I ended up almost describing him in this silly joke. 

Oh man, I want to bury my face in a hole, I couldn’t have made it more obvious! Great, now I will have to deal with the provocations of this bunch of idiots. I looked away, no longer having the courage to look at him, and just accepted my cruel fate. 

— Look... – Warriors began, and I was already mentally preparing myself for the humiliation that was to come. – ... it seems that we have finally discovered the Old Man’s type as well. 

I turned my head abruptly to look at him, in time to see his eye widen and his mouth open in surprise and indignation, but nothing came out of his mouth. With his face even redder, he sighed and stood up, leaving the group in search of a moment of peace. 

These brats are still going to kill Time with these provocations, and in addition, they are going to kill me too. 

[soulfulazrael]

Haven't watched Mastermind episode (and wont), but will talk about stuff I saw from it and heard about it

So... I as you who follow my ramblings here probably know (all 2 of you probably). I do not watch this show anymore because I don't care about it's story. Apparently this new episode is BEST OF THE SEASON, but since rest of the season at best gave me a feeling of pure apathy and at worst INCREDIBLE disdain and lack of faith in humanity I say good middle ground is talking about pieces I saw because at this point I don't think I can stand watching this show for longer than 5 minutes at a time.

I make my own story for HB/HH so I will make some comparisons to my own story and plans... Maybe one day I will do bigger post about how my versions of Sins and other things look. No arts though... no talent on my part. Eh... Or maybe... Eh we will see. Probably not, but... Maybe... I dunno.

Comparisons will be mostly about Sins. And the thing I reference is a fic called Song for the Quiet Bird that for now is center of my AU where I make things of Hellaverse in my own way.

So first off. Stella moment. Probably the first thing I saw from it when I heard about it. When I saw that scene I was like: Wow. Actually proper moment where Stella shows more of a character and maybe nuance aAAAAAAaaaand the smirk...

You are amazing at failing every expectation aren't you HB? YOU KNOW SHE LE EVIL!? YOU KNOW SHE BAD!? YOU KNOW STOLAS GOOD!?

Yes I do. I am deaf from the amount of SCREAMING you are throwing at me about this every other minute. Thank you. I am not a 5 year old. She evil. What you do with it? Also apparently NOW she has a brain compared all other times besides season 1 where she had more of a peanut there? What is it? Also incest with her brother? Great... Keep on going with this. I am sure at some point even completely blind AND deaf people will understand how evil she and Andy Magic are. I sadly missed the part where I am supposed to find them interesting. But HEY at least it gives such a great explanation of why Octavia sees Stella as better parent than Stolas which is clearly shown in some of that promotional material... entire one scene... that is not a minute long even and has no dialogue between them. No chemistry or anything... Let's be honest though. For most fans that's probably enough. Just slap one or two scenes later of Andy Magic and Stella saying how bad Stolas is and you are golden... Fuck my life as it is not even a joke. Jesus.

Okay. Besides that... tragedy? I dunno. There is also SINS! Leviathan and Belphegor...

Well... that's just amazingly underwhelming. You know there is a problem when I cannot tell if a character is even meant to be someone special. Because what the Hell (get it? HELL!) is this? They look like about nothing Demons. They are barely more interesting visually than any other shmuck we saw in this world. Ozzie keeps being the best design out of all of them with most distinct and accurate one and I am starting to feel like it is only because Viv took years in making it before hastily making ones for everyone else. Seriously, would you even be able to tell they are meant to be important characters? Because they look like everyone else in this world.

Now funnily enough I have my own concepts for those in my AU. Not exactly more interesting visually as again... not an artist and it is still more concept thing as I keep figuring things out, but this is the current form I want to get them across. I think they do the job on some level in terms of what they are meant to be. One is Leviathan. It is... interesting to portray it with 2 heads... a reason for that kind of eludes, but who am I to judge? But I know in my version it will just honestly a large beast swimming across endless waters of Envy. A giant sea monster that keeps itself in a giant form among domes of Envy where cities are with immeasurable wealth and power, a creature meant to be envied. But also a creature that envies deeper than any other over the loss of their partner at the hand of God, not being able to be close with anyone or even be understood. A creature who's deep resentment and pain created entire Ring around them.

If I made a scene like that with 'sins' meeting I think it would be with a High Demon that serves as a high priest/priestess of the Leviathan faith. As all very high rank demons like Sins, certain Goetia Kings and other VERY important figures have their own religion that Hellborn MUST adhere to, in a way choose their deity and in this case it would be a Demon from said church of Leviathan that interprets them... cluelessly.

While Belphegor would not be much different as a creature that also is a larger than life being. But this one being like a giant, anthropomorphic crocodile like being similar to SCP 682, but more... static. Basically giant center point of a garbage heap that is Sloth in my AU. In some ways beautiful, but also incredibly toxic and dangerous to everything wasteland. Very bottom of Hell. Horrible place where you can be killed by some horrifying monsters with no real mind that prey on the helpless. As Belphegor itself (dunno if it even has gender) exudes aura of sloth where most Demons that come to sloth will be at some point forced to lay down and stay in place. "Bask under non existent sun" which is a term used in that version of Hell a bit to call someone lazy and it comes from that which can spell someone's horrid death.

Those are my ideas for those. But next one is the big boy himself. The Big S. Adversary. Satan.

He looks alright. Nothing you would not imagine a Satan to be. He looks dragon like, buff (even if he skipped leg day) and has funny horns of Imps. Also he has little therapist... which is funny because in my fic I also have a trial with the main judge there (in that case Lucifugus or Lucifuge Rofocale) who also has his own little therapist thing (alongside some other annoyances... and far more misery). It is funny how I guess both me and Viv kind of agree people in high political power in Hell would have their own therapist. In my version though he keeps them deep within the tower he resides in. But either way. Can't say his design or personality is something I did not see coming.

As for my version I will go with... yeah it will be quite different. Better or not. Your choice. A centaur like being that has 4 big arms, molten lava in his veins and skull on top of his body looking like a goat or dragon like being (still thinking on that). A demented monstrosity who's head went awry due to their perpetual rage who can now think of nothing, but drowning everything in so much blood that he will one day swim on that tide of gore to the Pearly Gates and smash them open in ultimate showing of their superiority over all of creation. Something his kin the Imps for the most part also believe and praise. A promise of sea of gore and glorious war. Not the kind of creature that would hold a trial. In that world it's more of a Lucifuge thing... or Lucifer if he is mood for jokes and tormenting some poor souls for their amusement.

Also I hear Stolas lost all his wealth and power over... NOT the shitty things that he did, just that he was forced to lie for the sake of I.M.P.... Eh... The avoidance of responsibility continues. Even when characters face consequences it can NEVER be over their own actions. It has to be something that can be proven wrong and goddamn will that probably be true with Via as well. Because let me tell you they are most likely going to make her be in the wrong for hating poor little Stolas baby and I hate it already. I know making assumptions is not good, but by GOD were they good at making those expectations of nuance low so far...

Actually what expectations? I don't watch this show anymore. But I am passionate about it's ideas... and that hurts me. A lot. I made this entire post because of those... and make a fic that has now few HUNDRED THOUSAND words. Damn. No idea if my version is better or worse... but it is one I prefer. It is different definitely. Even though in certain ways it's weirdly similar.

[creepyclothdoll]

I set Angel Free

All of this is gonna sound pretty mean but let me preface this by saying that this girl, Angel, thought she was God’s gift. And I mean that in the most literal sense. Like she’d literally introduce herself by saying, 

“My name is Angel, because I’m a gift from Heaven.”

She’d say it with this smile that was so fake and sickly-sweet you could taste your teeth rotting just looking at it. All her mannerisms were stolen from disney movies, like how she’d talk in this high-pitched little girl voice that she thought made her seem so cute. Like, yeah, yeah, you’re supposed to be nice to people like that, but it was so hard to tolerate her. 

So we messed with her. It wasn’t because she was in a wheelchair, I wanna make that clear. I don’t have a problem with people in wheelchairs. Just Angel. You’d feel the same way if you knew her. Honestly everyone did. 

She literally didn’t know where babies came from. Like one time my friends were joking about having Nick Jonas’s babies and Angel was like “how would you make the baby his?” And we had to literally explain to her where babies come from and ask where she thought they came from. She said, and I quote,

“When a mommy makes a very special wish, and gives it a special kiss and sends it to God, God cuts a piece of Heaven in the shape of a baby and wraps it in the wish and sends it back to the mommy, to grow up and be loved and kept safe on the earth forever.”

This was, by far, the stupidest thing I ever heard in my entire life. So of course I responded by telling her her mommy was lying to her, most likely because she was a whore. 

This made everyone at lunch laugh really hard because her mom, Ms CJ, was the school’s frumpiest old cat lady, and she literally had those 80’s coke-bottle glasses like that guy from Trailer Park Boys and the idea of her getting sexed up for dollar bills was enough to make you piss yourself laughing. 

Angel started crying and doing that annoying pouting thing. Frankly I doubt she even knew what a whore was, just that it was bad. I think she wanted to storm off, but it’s not like she could go very far. Which I pointed out as well, to uproarious laughter. 

Okay again, I don’t have an issue with people in wheelchairs. It was just really easy to mess with her. But this was the incident that, for some reason, made everyone think of me as the Designated Angel Watchman. Like, any time Angel did anything weird and cringey, everyone would look at me like they were Jim from the Office and I was the camera. And then if I didn’t say something funny about it, they’d get all disappointed. But when I did say something funny, it became the new Angel Thing Of The Week that everyone would be saying in the halls between classes, and I’d feel like a genius. Did it go too far sometimes? Sure. But that’s not my fault. All Angel ever had to do was act like a normal person for once and it all would have stopped. 

Angel was homeschooled her whole life until seventh grade, which is probably why she was so weird. 

I wanna be clear– she wasn’t like, mentally disabled or anything like that. That would make me look pretty bad. She was just weird. She was always singing by herself– pop songs, disney princess songs, sometimes songs in japanese from anime. She was convinced she had the best voice in the class, and flaunted it all the time like she thought we were gonna be impressed. She wore these huge ugly cat sweaters with glitter and frills every single day. 

And any time we watched a movie in class, she’d laugh this awful snickering long laugh at ANY joke and then bawl her goddamn eyes out if there was even a little bit of a sad part. It was so annoying!

She refused to do anything outside her comfort zone– no scary stories, no new foods, no games she’d never played before. She turned her nose up at anything unfamiliar.

So let me be clear: Angel deserved most of what we did to her. 

But she didn’t deserve what I did that last day.

Before I met Angel, I thought Ms CJ was okay. After, though, I realized she was batshit. She only let Angel come to our school for seventh grade because she knew she’d be Angel’s homeroom teacher and that she’d be able to flit in and coddle her throughout the day. Ms CJ was Angel’s constant guardian, which should be humiliating for anyone who has shame, but Angel loved the attention. She’d beg Ms CJ to stay with her longer every time she popped in during class. And that sucked, because I couldn’t say shit about anything cringe Angel did when Ms CJ was around, so I missed a lot of really good opportunities to mess with her. 

Ms CJ always sat with her daughter at lunch, which was honestly bad parenting because there was no way Angel would ever be able to make any friends like that. Ms CJ never let Angel join the rest of us for recess. Or for field trips. Once during a group project in French class, as a joke, I invited Angel to a made-up party in the woods. Angel replied by saying,

“I can’t go if it’s in the woods, silly! My mommy doesn’t let me outside!”

She said this like it was the most normal thing in the world for her, so I asked some clarifying questions. She explained, in her girly sing-song voice, that she’s not ever allowed to be outside for more than a few seconds at a time, and only when her mommy is there to hold her hand. 

“My mommy doesn’t want me to get lost,” she said.

“It’s not like you can run away,” I joked.

“I can run,” Angel replied, pouting. “Look.” She kicked her legs slightly. I heard the clack of chains. 

That was the first time I ever noticed that Angel was shackled around her ankles. 

“I run all the time at home,” Angel bragged. “I run alllll over, over all the rooms. I wish I could run here too, but it’s too dangerous. The windows,” she added, like that would clarify it. I was baffled. So she didn’t even need the wheelchair.

“Um, why are you chained? Are you like, under house arrest or something?” I asked.

“No. My mommy just doesn’t want me to get lost. She’s the only one with the key.”

“Your mommy sounds like a psycho. You should call the cops,” I replied.

The French teacher overheard her crying and she got me sent to the principal’s office again. But I swear this time I wasn’t being smart or anything, I was genuinely freaked out for her. I told my friends, who all agreed with me that it was weird. But I guess I hadn’t been the first one to notice the chains. The others who had assumed it was because Angel was like, prone to fits or something. That made sense for Angel, but it still made me feel weird and didn’t sit right.

My mommy doesn’t want me to get lost.

I started to feel sorry for her. She was still weird and annoying, but she was weird and annoying because her mom was out of her mind and wouldn’t let her be a normal kid. How was she supposed to learn to be normal if she couldn’t even go outside, for god’s sake? 

I still messed with Angel when she did weird stuff like quote anime characters in class and bring stuffed animals to school. But if it was ever just her and me, I was nice to her and asked her stuff about her life. 

Her favorite movie was The Little Mermaid. No, she had never been to summer camp. Her favorite time of the week was church. She disliked onions and wanted to be a vegetarian except that her mom was very insistent about her getting enough protein in her diet. She loved those Warrior cat books and wanted to be a veterinarian someday. She didn’t have a dad. Ms CJ took the shackles off her ankles only once they were inside their house and all the doors and windows were closed and locked. That was also when Ms CJ took the locked metal bar off of her chair so she could get up. The bar went over her waist and prevented her from standing. She wore those big ugly cat sweaters every day so we wouldn’t see it. Her mom didn’t want people to know about her special condition, which, as far as I could tell, was all made-up. Any time I asked about her “condition,” she’d just say some stuff about being a very special heaven baby or whatever.

“Do you ever think about running away?” I asked finally. “Why don’t you just… leave?”

She looked shocked.

“Of course not!” she said. “I love my mommy. Where would I even go?” She shuddered visibly. 

The shudder pissed me off. I blew up at her and called her a whiny scaredy baby until she cried, and I got sent to the principal again. 

 She didn’t even want to be normal. That’s what pissed me off the most. 

It was springtime, and the snow was finally mostly gone. I’d been in Mr Bevends’ science class before, so I knew what to expect that day– first real nice day of spring was always a “class outside” day. We’d go out and look at moss and leaf buds and stuff and he’d talk about natural changes during the season. It was all a big excuse for us to get outside– no one liked it more than Mr Bevends himself. He was so excited to announce we were taking class outside, he didn’t even notice Angel’s face go stark white as he led the rest of the class out the doors.

“I– I can’t–” she stuttered, but I interrupted her.

“It’s the most beautiful day in months,” I said. “It’s a perfect day. You’ll love it.”

“I’m not allowed,” she whispered, embarrassed. 

“You wanna be a baby forever?” I said. “Come on. You’ve never broken a single rule in your life. Live a little.”

After a long moment, Angel nodded. She followed me out the back doors of the school, onto the sidewalk. I walked next to her for awhile. She looked scared, but also fascinated by the dripping icicles from the roof gutter above us, and the ice-blue sky above, and the rows of black trees stretching up into the air. 

“It’s cold,” she said. 

“Yeah, that happens when you’re outside for more than a few seconds.”

“I think… I like the cold.”

We caught up to the rest of the science class, and listened to Mr Bevends talk about leaves and crap. Angel oscilated between this vibrating excitement and a frightened, hunted look, like her mom was gonna show up at any second and punish her for disobeying and doing one normal thing in her life. Angel touched the trees reverently. My friends made fun of her for “fondling the foliage.” I didn’t join in this time. I had bigger things planned.

When we broke off into groups of two, I went with Angel. My friends knew I was up to something great then, so they followed us, chuckling eagerly. I grinned back at them when Angel wasn’t looking.

We were supposed to identify different types of trees in the woods behind the school. I helped push Angel’s chair up the hill– it was insanely heavy. The wheels snagged on the muddy grass, but it didn’t matter. It’s not like she actually needed the thing.

“What are you doing?” Angel asked with rising terror as I leaned over her and produced the key. 

Everyone knew Mr Bevends always had class outside the first nice day of spring. It was really easy to slip the key from Ms CJ’s lanyard when she always left it out on her desk during homeroom. It was the one with little white wings on the chain. 

“I’m setting you free,” I said. I unlocked the shackles around her feet first, then the bar around her waist. She screamed at me to stop the entire time, but I knew I was doing the right thing. Someone had to teach her to be independent. Someone had to throw her out of her comfort zone. 

And that’s what I did. I set Angel free.

Angel rose from the chair. 

And rose. And rose.

Her shoes went over her head. She kicked her legs wildly as they drifted rapidly upwards. Angel shrieked and tried to grab onto the top of the chair– the handles, even trying to clutch a handful of my hair– desperate to stay anchored to the ground. But it was too late. She was already six feet in the air. 

Then twelve. 

Then thirty.

I couldn’t do anything other than watch on in shock as Angel shot up into the sky like a helium balloon. She twisted and clawed at the open air. 

It happened in seconds. One second, we were watching Angel make frantic grabbing motions at the ground, howling with terror, and the next second all we could see of her was the glint of the sunlight on her glittery pink cat sweater as she disappeared up into the vast emptiness above.

When Mr Bevends came to see what was the matter, all any of us could do was to point up. But by then, she was just a pinprick against the deep, endless blue sky. 

Then there was nothing.

[harkingspot]

Heyo it’s me, I’m here to ruin ya day

Thoughts on Mitzi and Mordecai’s parallels and how desperate they are to find answers about Altas’s death?

mordecai heller and mitzi may: a piece on grieving.

FIRST of all, i apologise that this response took a very long time to cook up. i wanted it to be as fleshed out as possible because i do have a lot to say in this regard. the train of thought initially departed because of the widespread misunderstanding around mitzi’s character. to which i thought to myself: well it’s strange that people can easily extend their empathy towards mordecai, who (to me) has undoubtedly done worse. but what’s even worse is that, if you really look closely— if we made a venn diagram for these two, there’s a large chunk of overlap between them.

(p.s. now that i am proofreading all of this i realise its a bit different from what you asked but nonetheless i hope it captures the complex nature of grief as a theme in lackadaisy, especially when discussing the parallels between mitzi and mordecai)

so let’s break it down.

if someone wanted to read lackadaisy and asked me if there were any main themes that circled around the story— i would say: grief. more specifically, the consequences of untapped grief. mean the story itself starts off with the mysterious and brutal death of atlas may, who was THE big cat behind the lackadaisy. atlas himself was an enigma, and i have mentioned this before in another post. his position within the story bears a lot of similarities to rose quartz as they play the ghastly spouse that haunts the narrative.

however, this is not about atlas, but instead the two people that served as his vessel after his passing:

his wife, mitzi, and his right-hand man, mordecai.

instead of dissecting this theme individually, finding the differences between the two, i thought it would do the analysis more justice to extract it directly from the source material itself. initially i wanted to talk about how this grieving bleeds out onto others around them (e.g. mitzi forging a check from wick, mordecai kneecapping viktor).

let’s take “hamstring” and “monomania” for example, as they both converse over asa’s claims at their lunch. but if you really think about it, it was never about that.

this scene embodies a power struggle between the two. for one, mitzi’s mentions of mordecai’s “obsession” as a deflection. she sees his rigid loyalty as both a flaw and a threat. by framing mordecai as overly fixated, she’s able to position herself as the more pragmatic party who is trying to keep afloat. which is true and mitzi, rightfully, views mordecai as a “relentless former associate.” his meticulous nature, his refusal to let go of the past, and his allegiance to ideals that no longer align with business’ survival paints him as the wildcard to her. then again, it’s hard to take empty words from someone that had abandoned the very concept he claims to protect.

that’s not to say mordecai doesn’t return the sentiment, because he very much does. to him, mitzi’s pragmatism looks more like opportunism, evident in her willingness to bend rules, and in his perspective, betray atlas’ vision to keep the business alive. while she plays the capable leader, that imagery clashes with his perception of her as someone who lacks discipline— possibly bred by the history that mordecai knows her to be atlas’ wife and nobody more. he sees mitzi as culpable in the lackadaisy’s downfall and he makes sure she knows this.

but at the end of the day, they are having this conversation inside the same car. while one might interpret this being the main divergence between the two, we can see a striking commonality in which they are failed actors starring in roles they never wanted.

what do i mean by this? while the dont outwardly acknowledge it, grief survives in this scenario as a subtext. you can tell by the use of dialogue. mitzi’s sarcastic tone and pointed remarks, almost shoving the spotlight towards mordecai, suggests a stage of denial and pain that comes with her grieving over atlas. remember what mordecai said to mitzi in response?

“losses are endemic to this business. you’ve brought them on yourself in your persistence… as though you could bring the remains of atlas’ estate to anything but further disgrace.”

his crticisim of mitzi isn’t just about the state of the lackadaisy, in fact, mordecai subconsciously targets himself for his own inability to move on. mordecai and mitzi are different people, that is no question. but this scene serves as a great analogy that this conversation could very much be happening in their heads. this is a conversation not between two people but between one and oneself.

here’s also another thing to note: their seating arrangement.

whether or not tracy meant for this to be intentional, there’s a lot you can take in this scene in regards to their character. mitzi sits in the passenger seat at the front, where the light is more prominent. it symbolises her active role as the current face of the lackadaisy and the one taking on visible responsibility for its perseverance. however, note that she is still in the passenger seat, not the driver’s— mitzi is losing control, she is struggling to move forward in the wake of atlas’ passing. but she’s still not fully in charge of its trajectory, think of how asa and mordecai looks down on her current position.

occasionally, she’d glance back at mordecai to speak, which definitely shows her discomfort and mistrust towards him, she’s unwilling to fully confront him. and in my opinion, not only does this reveal her vulnerability, this also shows her internal discontent.

mordecai, on the other hand, is sitting behind her (literally AND metaphorically) in the shadows. he sits in the back, detached from the lackadaisy but not completely. he observes mitzi from behind, his direct vision fixed on the back of her head, almost as if he’s reflecting on her choices and her struggles— perhaps… confronted with his own betrayal.

plus, if you’re thinking: what about the holes in the windows? GREAT question. despite how they want to present themselves, be it independent (mitzi) or calculated (mordecai), they’re both incredibly vulnerable individuals.

as they sit in this confined space together, they breathe in the air of their inescapable bond and mutual dependence. their dynamic equal parts antagonistic and deeply intertwined.

[monstersinthecosmos]

I read your answer, where did you say "Pandora is his actual type and Armand was his pet"

But how could Armand be just a pet for him? He is one of only three of his turned children. Marius speaks of him as the greatest love (along with Pandora). Although I see some hypocrisy in this. Marius loves no one as much as Pandora. But certainly more than just a pet

Well !

Babe the thing is that, I said what I said and it’s okay if you don’t agree!!! And I’m gonna take this opportunity to double down. (Assuming that you’re asking in good faith and not to pick on me for my analysis lmao please this fandom has traumatized me too much.)

(((TLDR the text never treats Armand like he’s Marius’s equal but also I never said that being a pet was a bad thing.)))

I want to start by talking about the concept of MAKER in VC and how canon tells us that vampires exist outside of human social constructs, including traditional family roles right? Like for example, the moment Gabrielle is turned, she ceases to be Lestat’s mother. 

But with Marius I think a lot about how he’s crafted a persona for himself, and tries to operate in a very rigid set of rules. And part of this is like, how determined he is to live by stoicism even when he’s a mess on the inside, but I also think about in TVL when he says that thing about how it’s easier to just knock a glass on the floor, and how he goes out of his way to appear more human and retain human gestures. 

So like, in the way a MAKER is kinda like, a parent/lover/companion/something too big for our tiny human minds to comprehend. We still get a Marius who is determined to be a father & mentor, and I think a lot about how his need for stoicism and humanity is probably also expressed with his need to be the paterfamilias. 

I’ve been also thinking a lot lately about Bad Fathers in Media—specifically people like Tony Soprano, Logan Roy, Roderick Usher—and how the toxic patriarchy affects their relationships with their sons. Tony Soprano in particular is one who resonates with me a lot when I think about Marius—Tony often indulges in anger because he enjoys being feared (he thinks it’s respect but it’s usually fear), and that’s a bit different on a material level from Marius “anger is too pathetic” de Romanus but they’re both sort of obsessed with the idea of stoicism and trying to be a ~ strong silent type ~ on the outside, even when they’re actually quite messy and emotional underneath.

But wait — put a pin in this for a second. We’ll come back to this, and the concept of fathers and sons. I want to pause real quick to swerve to clarify:

Armand being a pet isn’t a bad thing.

It wasn’t “pet (derogatory) 😒” —  it’s “pet (adorable creature that I care for) 🥰”.

Here’s the thing about MARIMAND if you will (I hate all the VC ship names oh my god theyre all hideous lmao) but like OKAY OKAY. THE THING IS. WHAT ARE WE HERE FOR IF WE’RE NOT INTO THE FUCKEDUPEDNESS ? 

Like I’m not telling anyone how to enjoy a ship, please have fun ! Do you! But to ME? That inter-species friction and 1,517 year age gap is like WHAT THE DYNAMIC IS ABOUT, THAT’S THE FLAVOR BABY!!! Anne Rice herself even said the book was about “a boy’s love for a monster” !!

WHAT’S THE POINT OF MONSTERFUCKER EROTICA IF HE’S NOT A MONSTER LOL

And YEAH I get that not everyone wants to read TVA as a monsterfucker story. That’s okay! It also reads as a savior fantasy. But I enjoy the messiness of it—I LIKE that Marius is an apex predator & ghoulish ancient thing. I like that it’s problematic. I LOVE that Marius really does love him, though, amidst all these other themes. I find it SO compelling.

But I never once said that Marius doesn’t love him. Of course Marius loves him. What I said is that he loves Armand the way we love a pet. I would fucking die for my cats. I regularly burst into tears looking at my cats because I love them so much. But they’re fucking cats lmao.

I never for one minute forget that Marius isn’t human. He’s operating on a whole different wavelength with different points of references and ethics and life experiences. Like, people get so hung up on Armand being 17 and IT WOULD BE JUST AS BAD IF HE WAS 18 OR 25 OR 30 LOL. A frail little human cannot comprehend !!!!!

What’s interesting with Marius’s fledglings though is that he tends not to treat them as equals. Like I think you could read TVA thinking: Once Marius turns him, they’ll be real partners. But no, they stick to their mentor/mentee, dom/sub, father/son roles. We don’t have tons of examples in canon of other maker/fledgling relationships but it’s not a coincidence that Roman Patriarch Marius maintains status over his fledglings. Even once Armand is a vampire, he’s still not Marius’s equal, and Marius’s age and power are still held over him. 

BUT LIKE.

That’s weird, right?

I MEAN THE DARK GIFT IS DIFFERENT FOR EVERYONE but it’s interesting to me that Lestat & Gabrielle’s relationship completely dissolves once she’s a vampire, but Marius & Armand’s doesn’t.

(Sidebar that like, I think there’s also ways to acknowledge that if we think their relationship is good that it’s OKAY for them to maintain these roles because Armand WANTS to be his sub but let me focus on my point here. We should also make time to talk about diegetic BDSM and whether or not it’s appropriate to use a D/s framework for this discussion if the roles are baked into the text and not a choice for the characters and not a game they are agreeing to but that’s for another post.)

So back to the thing about fathers.

I’ve been thinking a lot about bad father characters, specifically Logan Roy and Tony Soprano (also bad mother Margaret Chenowith) and the impossible standards they give their children. Logan and Tony are both men who are disappointed in their sons for being soft, because they were able to provide better lives for their children. They both spoil their sons with all the material wealth that they did not have in their own lives. For Logan we see how badly he resents his kids—Kendall even accuses him of being jealous of what they have—and for Tony he seems to be at a loss on how to parse his feelings. Part of him literally hates AJ for being such a whimsical little fuckup, and at the same time he wants to protect that part of AJ and doesn’t even WANT AJ to follow in his footsteps. Still, he hates to see that AJ is spoiled with no work ethic, and doesn’t know how to set an example for him.

Everything in Venice is designed to spoil Armand with all the things Marius didn’t get—it’s such a specific & deliberate opposite of how Marius was turned. And I think him seeing Armand as a pet puts a little bit of distance between the hurt he’d feel if he thought of Armand as a true son, or even an equal. He doesn’t have to resent Armand for having it easier than he did, but also doesn’t have to feel extremely betrayed by Armand fitting in with the cult. Like, let’s never 4get that by the time Marius catches up with Armand, Armand is right at home and thriving with them. A CULT? THE THING THAT KILLED ME????? Marius has no idea what the fuck they did to him, he just knows that Armand settled in just fine and has discarded everything that Marius tried to teach him. 

I think these roles are appropriately all muddled because it’s VC—like we said, the No Social Constructs series—so like, how do we compare the words SON and PET and FLEDGLING and SUB, I’m not sure. But my point is that he’s never seen or treated Armand as an equal, and perhaps never even a full adult person. 

ARE THESE IDEAS CONFLICTING? A little. But that’s okay. Am I incoherent and ill-equipped to tackle this analysis or is it because Marius is not a consistent person and never quite lives up to the ideal he’s trying to be? Does he want Armand to be his pet but secretly has feelings? Does he fail at being a father figure? Is he brushing off his Big Big Emotions so that he doesn’t have to admit how wrecked and destroyed he is and how badly his feelings were hurt? Idk man. I’m sure you can send me another anon to tell me I’m wrong. 

I wonder sometimes if like, keeping Armand at this lower status (like a pet) actually protects Armand from Marius’s ire and disappointment. Marius is sort of a father, but sort of not. He’s crafted a role for himself that is never all the way sincere, and it allows him some space to protect his own feelings of betrayal and disappointment when it comes to Armand. Marius is also classically bad at following his own rules, and never quite sticks the landing on the people he’s trying to be. 

I can imagine a version of events where Armand does gain some ground with Marius, maybe pays his dues and matures into someone that Marius trusts and respects, but that’s not the version of events we get in canon. Marius turns Armand, Armand remains his pupil, they visit Kiev and Marius is jealous of Armand’s father, they make it all the way to the raid without Marius ever confiding about The Parents. Even in the present day, during a dispute, Marius tells Armand he has the savage & ignorant soul of a child. Even in the present day, Marius won’t stop calling him Amadeo!!!! 

And like!!!!! It feels like Marius is more upset about Santino wronging him by ruining his home and taking his toys than he is about what Santino did to ARMAND. It’s more about Marius’s own feelings and possessions than it is about Armand’s own feelings and experience of what happened. AN ARMAND FRIDGING, IF YOU WILL. 

Anyway.

By never seeing Armand as a complete person, Marius never has to feel threatened by him. We see this in toxic parents a lot. Like, I want you to be good, but I’m insecure if you’re better than me. Or I can never fully respect your feelings because I always see you as a child and not a fully grown adult. And the truth is that Marius is actually quite threatened by Armand, on the inside. He is very hurt. He cares what Armand thinks of him. He’s relieved at the end of BCtu when he assumes that Armand wants to open his heart again. 

So idk like. I think the books end with a little bit of a hope for them; we see a lot of growth and self-acceptance from Marius in the last book and it’s reasonable to assume that he and Armand might have a long chat and nice long cry and work it out. I don’t think it’s completely set in stone, but it’s nice to think about! A nice happy ending. And I wonder if this is when Marius finally takes Armand seriously and listens to what he has to say without demeaning him! 

Am I gonna add 2000 more words to this point by tying it what the whole like “I fear him because I could love him again” thing in TVA means? No I’m not. But like. Again! It’s okay to be a pet, I think Armand liked being his pet. :)