#and at least have practiced. and had ANY concept of a character

[kalashtars]

lol lmao when the people in your performance group project didn't prepare AT ALL for anything so now you have to attempt to edit what you filmed into something vaguely watchable and it's Not Working

[kwyoz]

the arm still bothers me sm, but i refuse to continue trying to fix this.

[narcjsistx]

𝐕𝐀𝐑𝐈𝐎𝐔𝐒 𝐇𝐂𝐒 𝐈𝐍 𝐀 𝐑𝐄𝐋𝐀𝐓𝐈𝐎𝐍𝐒𝐇𝐈𝐏 𝐖𝐈𝐓𝐇 𝐓𝐇𝐄𝐌 | sae, shidou, rin (part two)

𝐌𝐘 𝐌𝐀𝐒𝐓𝐄𝐑𝐋𝐈𝐒𝐓 ; take a look, trust me!

— sae itoshi

✶ Sae seems like someone who actually likes to wear bracelets, rings or necklaces, but can't wear them often due to the matchs he plays, where he would risk breaking them. going back to the basic concept, his gifts would probably be matching jewelry, especially rings... so, in case you were someone who wears them and rarely takes them off, he would try to do the same thing. during matches he would hang the ring on a string that he would put in his pocket or around his neck, kissing it before starting the match or squeezing it after scoring a goal

✶ I don't know exactly why, but beyond the canonical fetish for the ass, I see him as someone who would aim to have a partner with well groomed hands, like nails with polish, smooth and without calluses. he's not a big fan of PDA, the only thing he would do is hold your hand and occasionally leave a prying kiss on the back. in private he is certainly more open, and one thing he loves is massaging his partner's hand; it's a gesture he now makes almost unconsciously

✶ Sae didn't have instagram until he met you, you practically forced him to create an account! he resisted his manager telling him to do the same for a long time, but for you it was only enough once. he just put a profile photo, you had to do it for him the bio and some highlights, about past or future matches. a few days later you opened instagram and noticed that his account had a highlights that you hadn't created, entitled "her": you opened it and there were some photos of you, the ones that Sae considered most important (even if he loves them all). needless to say, your heart was about to explode

what would he post on socials ↓

✶ as a child he may have thought about it a bit, but after joining ReAl he didn't have the time to think about it again. he wouldn't mind having a family sooner or later, but probably after winning the U-20 world cup. two children would be fine, possibly a boy and a girl. he just knows that in some way his children would remind him of him and Rin as lil kids

✶ jealosy level: 5/10

✶ flirtiness level: 7/10 (let's specify, ABSOLUTELY NOT in public, but in private maybe he would indulge in some jokes)

✶ pet names: "amor" / "y/n" / "pretty"

—————————————

— ryusei shidou

✶ even if it doesn't seem like it, Shidou is relatively a normal person as a boyfriend... is there a concept of personal space? not that, but otherwise it's normal. the only "flaw" he may have is that he must CONSTANTLY have his hand touching you when you're together, whether it's a hand on your thigh or an arm around your shoulders: he simply needs to feel you. PDA is no big deal for him: he want to kiss you in front of everyone? he will do it, whatever the cost. if you say he can kiss you after winning a game and it's live nationally, why can't he do it in front of his group of homies?

✶ Shidou seems like someone actually very deep, or at least that seems to be described in some parts of his character sheet. Late night chats are literally the level of mental intimacy he hopes to achieve with his partner... he's someone who doesn't sleep much, so he has a lot of energy and hardly gets tired even after hours of talking. You and him tightly hugging on his bed, lights off and just everything that goes through your head... doesn't everything seem perfect?

✶ you know very well that every time he has a match he makes comments that, let's say, put him in a "bad light", or in any case make him seem less interested in you. before being with you he didn't mind saying things like that on the field, and more or less the same thing has remained since you got together as a couple... BUT THERE IS A BUT! every time, once the game is over and above all won, he makes sure to run to you before even celebrating with his teammates: whether you are in the VIP area or not, he will come to you to kiss you with all the passion he has. let's say he uses his method to reconfirm to the people that he is happily taken

what would he post on socials ↓

✶ GET MARRIED AND HAVE MANY CHILDREN AS POSSIBLE? YEAAAAH. no okay maybe not like that, but on the issue of children he doesn't lie... certainly with the career as a striker he has, he has no problems with money, and therefore with maintaining kids. let's say that for marriage it's different... he doesn't find any sense in it, in reality, he only sees it as something superficial: if he loves you and you know it, why have such a ceremony?. so let's say it's 50/50: he would do it if you asked him but at the same time he wouldn't mind not being married

✶ jealosy level: 1/10 (he trusts you too much to even think about it)

✶ flirtiness level: 10/10

✶ pet names: "doll" / "darling" / "love"

—————————————

— rin itoshi

✶ Rin hides under his serious and calculating gaze a boy who simply needs to vent after everything that happened with his older brother. Before being together as a couple he would never have expected to be able to cry in front of someone, but with you it was all quite natural: it took months and a lot of patience to show him that you really cared about him and that you wanted him to feel comfortable with you, but in the end he let himself go and was finally able to tell someone what not even he himself could explain. he'll never admit it but he believes that was the moment he realized how important you really were to him, and how much he simply wanted someone who could understand him

✶ He has a sort of fetish for seeing you in his clothes: it doesn't matter if the clothes are tight, big or the right size, just seeing you in that black sweatshirt of his or in his PxG uniform is enough to send him into crisis. he can't even explain to you why he likes it so much, but the fact that you're wearing something that smells like him is definitely a valid reason. you once surprised him by showing up at one of his matches wearing a jacket with "rin" written on the back, and we can say that he appreciated it to the point of having to prove it to you in some way: that time the match ended 9-0, goal all marked by him

✶ He may be one of the best if not the best, but after finishing the practice he simply needs to rest with you next to him, even more so if the coach was more unpleasant than usual or he simply did a lot of things wrong due to distraction (which is impossible considering it's Rin). Whether on the couch after cleaning himself or in the shower, while you rub shampoo into his hair it doesn't matter, he just needs to feel your presence

what would he post on socials ↓

✶ as a child he often saw other children playing at being married, but he was never actually interested, also because on the one hand it disgusted him to think of having to be tied to a person forever and kiss them on the mouth. as he's grown up he's changed his opinion, he's definitely the marriageable type and he'd actually like to get married as soon as possible: what's the point in leaving you legally free if you've stolen his heart?. let's say that he has a fairly positive opinion about children, he just knows that they arrive after a certain amount of time after marriage: he would like to have two girls... growing up as one of two brothers, both boys, he knows how boys are more problematic than girls

✶ jealosy level: 6/10

✶ flirtiness level: 3/10

✶ pet names: "y/n" / "love"

[katboykirby]

A Case of Cuteness Aggression

CUTENESS AGGRESSION, a superficially aggressive but unharmful behaviour that is instinctive to demons. Demonic cuteness aggression is triggered by the presence of cute things, most commonly humans or occasionally small animals.

Characters: all demons (Lucifer, Mammon, Leviathan, Satan, Asmodeus, Beelzebub, Belphegor, Diavolo, Barbatos, Mephistopheles) SFW

LUCIFER is the best at controlling his urges. In fact, he didn't feel very much cuteness aggression around you at all in the beginning. Perhaps it was because his work had him seeing you as more of a responsibility than anything else, or because he considered you one of Diavolo's assets that were vital to the success of the Exchange Program. Either way, it took some time for him to start feeling those urges around you. When he finally did realise what he was feeling, Lucifer was reminded very much of the cuteness aggression he'd felt toward many of his little brothers when they were still young. So it should have come as no surprise that he eventually started to feel that way around you, as well. He remains one of the most restrained in his actions, however, and Lucifer only occasionally gives in to his impulses. If you're within arm's reach of him for too long, you might find yourself with Lucifer's hand on the top of your head. He'll press down on the top of your skull with steadily increasing pressure, or maybe he'll rub your head and ruffle your hair without noticing how rough he's being (like he used to do to Mammon and the twins)

MAMMON has absolutely no impulse control at all, so he is on the complete opposite end of the aggression scale as Lucifer. As soon as he'd made his pact with you, all bets were off. Better kiss goodbye to your personal space right now, because Mammon has zero concept or awareness of boundaries. Expect to get tackled in the halls of the House of Lamentation or RAD at any given moment. He's at least careful enough not to actually hurt you, but he's full-body sacked you enough times to send you both hurtling into the floor. He always feels bad afterwards, but apart from a few rug burns you're fine. Please reassure him and tell him that you're okay, otherwise he'll sulk for the rest of the day. It still doesn't stop him though, and Mammon will be back to pouncing on you all over again the very next day.

LEVIATHAN shows signs of his cuteness aggression with fictional characters like Ruri-chan, and even his favourite idols like Sucre Frenzy. But there's a big difference between gushing over what he sees on a screen and gushing over you, and at first Levi was way too nervous and embarrassed to act on his urges. He'd be perfectly happy to squee over you from afar, and at first that's all he does! If you start getting closer to him though, eventually Levi will hit a point where his urges to squeeze you like his beloved Azuki-tan pillow will be stronger than his anxiety. He'll glomp onto you without even noticing what he's doing at first, his arms and legs binding you to his body so tightly it feels like you're trapped in the coils of a massive boa constrictor. And speaking of snakes, is that his tail you can feel wrapping around you, too?

SATAN, much like Lucifer, tries his best to control himself around you. Unlike Lucifer, Satan's cuteness aggression towards you manifested itself almost right away. It takes a hell of a toll on him, trying to restrain himself and not give in to his urges. He'd be absolutely mortified if his brothers saw him cooing and fussing over you like you were a little baby. Luckily, he's had lots of practice controlling himself, thanks to living with his Wrath. Once he's alone with you behind closed doors, though, in the privacy of his bedroom? That's when he lets his stifling self-control go at long last. He treats you much like a kitten during his cuteness aggression episodes, squishing your cheeks and rubbing them with his thumbs. He'll just barely manage to stop himself from babbling at you in baby-talk, but it's much much harder to fight the urge to headbutt you full-on to show you his love

ASMODEUS is another personal space invader. As much as he dislikes being compared to his greedy older brother, Asmo is more similar to Mammon than he might realise. Your personal bubble is his personal bubble, and he's always touching you or caressing you in whatever way he pleases. Unlike Satan, he goes all-in on the baby talk. He loves to cuddle you, sometimes by force, holding you in his arms and refusing to let you go for anything. You permanently smell like sweet roses and sugary perfume thanks to him, and you often find yourself with new accessories and trinkets decorating your outfits after a cuddle session. Sometimes you think you look like one of those little purse dogs, with an absurd bow holding back your hair. Asmo is obsessed with your hair, and he's constantly playing with it. Thankfully, one way that he differs from Mammon is that when you tell him to stop or give you some space, he does so right away without pouting and sulking about it.

BEELZEBUB has to be very careful around you. You trigger his cuteness aggression even worse than Belphie, but Beel knows that he can't be rough with you or use his full strength around you like he can with his brothers. It's easier for him to control himself than it is for Satan, though, and Beel is always good about not going too far. He gives you the biggest bear hugs, squeezing you in his arms and lifting you completely off the ground, until your feet are dangling in the air. He holds you up above his head, grinning happily as he hugs you to within an inch of your life. You usually don't have the heart to tell him to stop (even if it's getting hard to breathe) because he just looks so damn happy. No matter how big or how tall you are, you're still tiny compared to Beelzebub, and he can easily carry you around like a football Fangol ball like it's nothing.

BELPHEGOR doesn't get feelings of cuteness aggression as bad as his brothers, so for a while you thought you were safe. Sorry, but just because his urges aren't as strong as the others (that's just what Sloth is like) doesn't mean he won't get any urges at all. At most, he will pinch you hard. If he's REALLY feeling that itch and you happen to be close by, you'd better settle in for a long stay. Belphie has no qualms about grabbing you and yanking you down into his nap spot, and he's not exactly gentle about it either. He could be innocently sleeping on the couch one minute, then suddenly you're snatched and buried in the blankets with him, and he's using you as his new body pillow. Might as well relax and get some rest, you're gonna be here for a while.

DIAVOLO is in the same boat as Beel, and has to be constantly reminded by both Barbatos and Lucifer that he can't use his full strength around you. Beelzebub has a lifetime of experience holding himself back for the sake of his brothers, but Diavolo does not. So despite his best attempts to be gentle, the Demon Prince is often the roughest with you. Luckily, his restraint is enough that he never actually hurts you, but it's always rather disorienting whenever Diavolo's cuteness aggression takes hold. It doesn't matter where you are, be it a classroom at RAD or the Royal Palace itself, Diavolo has no shame about grabbing you whenever he feels like it and vigorously shaking you. It might feel like your brain it being rattled around inside your skull, but he means well.

BARBATOS is probably the only demon around who bests Lucifer and Satan when it comes to self-control. You will never know what he is thinking or feeling, nor will his expression ever give anything away. However, this does not mean that he is immune to his own demonic instincts. If anything, Barbatos feels a cuteness aggression towards you that is stronger than most. You'll never be able to tell, but whenever he stands quietly at the ready to serve his Young Master, it is always difficult to keep his mind off of you should you be present as well. His face will be calm and unreadable, but behind that placid smile he will be desperately holding himself back. If you were able to read his thoughts, all you would hear is I want to squish them, I want to squish them, I want to squish them, I want to squish them, I want to...

MEPHISTOPHELES likes to pretend that he is above such things, but he's really not. To his credit, he's definitely not as bad as those damnable brothers, and he keeps himself in check as would be expected of a noble demon such as himself. Besides, he can't stoop to the level of Lucifer, just because you're around! He actually does quite well for a long time, mostly due to the fact that you rarely ever directly interacted with him. But that was back then, and recently he's been seeing an awful lot more of you. He knows that Diavolo is fond of you, so he supposes that he'll just have to put up with you - and the irrational, frustrating urges he feels to squeeze your adorable head like a stress ball. Mephisto holds himself together whenever the two of you talk, but as soon as you leave the room he is clawing at the empty air and grabbing at his own cane to furiously shake it like he wishes he could do to you.

[redphlox]

Shouto's ruined character arc in the epilogue

Edit December 2024: my opinion about Shouto's ending has changed after 431 was publised when vol 42 came out on Dec 4, 2024. I'll have to rewrite this. But still, my stance that ending was riddled with toxic positivity and hollowness still hands

The epilogue’s toxicity-positivity message about smiling ruined Shouto’s characterization and undoes the growth and purpose of his arc because he’s not allowed to mourn the imminent death of his brother Touya.

Shouto partaking in these tone-deaf, festive activities with his friends in chapter 429 feels out of character, feels cheap and shallow, and is a slap in the face to his family. In the past Shouto declined school-related activities and prioritized spending time with his mom at the hospital. Now the narrative is trying to sell the idea that he would NOT spend every remaining minute alongside his family with his dying brother, who he has always wanted to know, the brother he practically begged to confront and said, "Our paths will cross whether you want them to or not" to. Shouto spent all this manga reconciling his feelings about his family and reconnecting to them to just... not be with them when they’re about to experience loss AGAIN? 

I'm not saying I want Shouto to be miserable, but realistically (since readers are so obsessed with realism in this superhero manga), he wouldn’t be wasting the limited time he has left with his brother by going to a farewell party, or any party. Damn, can the author let him mourn? Despite all the celebration the kids are doing, Shouto didn’t get a happy ending. While the rest of their community is rebuilding and making sense of what happened, the Todoroki family is still going through their crisis. It’s not over for them. At least let them cry.

This is a regression for Shouto’s character because the concept of allowing heroes to cry was first presented through Shouto, literally through his own words. The narrative then picks up this concept again during Ochako's speech at the UA shelter civilians, and then... Shouto isn't allowed to cry in the epilogue, and is forced to fake a smile so his friends don’t worry about him.

It’s not like Shouto has cried in this manga. He cried during the sports festival, during the Dabi reveal, and after Dabi escaped to Gunga to go after Endeavor because he knew this meant he had failed to reach his brother -- so no, it doesn’t make sense that he wouldn’t cry now. Instead, he's the one fake smiling, and only Ochako is allowed to be shown crying and being comforted. The double standard and retcon is astounding.

You can literally see the light not reaching his eyes in this panel from 425 when Deku asks if he’s okay. And yes, Shouto is prioritizing his family in this panel, but like I said, Touya doesn't have much time left... why waste it?

Shouto doesn’t want anyone to worry about him, so he’s putting on a brave face. And yet Deku and the other classmates reaching out to Ochako in 429 is selling the opposite message - don’t cry alone, let us be here for you, etc. Why isn’t Shouto granted the same support, especially from these classmates he claims are there for him?

If Horikoshi was aiming for a happy ending where people smile, then Touya’s grimdark, cruel, second and final death doesn't fit because Shouto has to mourn. You can't have both fake smiling and off-screen assumed mourning… it makes no sense for Shouto’s arc, or for the epilogue’s message about reaching out for help or to help. It doesn’t make sense in any context.

Shouto's characterization feels so off in this epilogue. He’s a shell of the person he was becoming. The story starts out by saying that this character is supposed to process the trauma of childhood and a dysfunctional family that he always wished was different, but now he has his found family in his classmates instead. And I'm not saying he can't have both - I'd say the support from his friends is imperative - but, it doesn't make sense that he has seemingly moved on because the fact is, his family situation was his entire start. 

It's not just Shouto that feels off, but his family too. Their once-considered-dead brother/son is alive, but now is dying in front of their eyes for real this time and they just… don’t try to spend as much time with him as possible? Even the sentiment that Shouto gave the family more time to talk falls empty because Touya can only endure a few minutes of conversation at a time, and it’s not like he’s slowly improving and that time will increase. It will only decrease. And yet, the family doesn’t seem too concerned or heartbroken that they’re witnessing someone they love die a second time, this time slowly. He can’t even communicate with them, and he’ll most likely have many things left unsaid when he dies.

The Todoroki family plot was set up to be about reconciliation, but they’re not reconnecting even with Touya’s upcoming death. This scene of Touya and the other siblings kicking a ball while Shoto looked on from the second story of the house begging his father to allow him to play with his siblings has been addressed like four times, and yet in the end he doesn’t get to spend happy moments with his siblings. His reward for his heroism is Touya’s slow march toward death and the knowledge that he has the same favorite food as the brother who his father neglected to death twice. 

Instead of being shown mourning or connecting, the family is acting cold and distant - only Natsuo is acting with a semblance of his normal self. I know some readers attribute the family’s aloofness to Japanese culture not being very affectionate or open with their emotions, but that doesn’t mean Japanese people are devoid of feelings. That’s so fucking racist. We’ve seen parents express love and concern for their children in this manga, and yet the Todoroki family continues to say “we’ll talk, we’ll talk” but we’ve never seen any follow-up. It’s ironic because Shouto’s whole mentality is “actions speak louder than words”.

For a family that became unstable because of misunderstandings about feeling loved and wanted, the family continues to feel devoid of caring. No one comforts Shouto, no one talks about how they feel except for Endeavor. Shouto isn’t allowed to grieve in front of his friends because Ochako takes priority because the narrative is pushing this toxic positivity message about smiling that works on the surface but fails to address any systemic changes. 

This ending doesn't fit the hopeful tone of Shouto's arc.

RIP Shouto’s arc. We loved you. 

[liloinkoink]

last night i asked if people would be interested in me posting a backstory piece for Martyn from the hero/villain / yellow rose au i’ve posted a single oneshot for despite the fact the backstory piece doesn’t seem to outwardly relate to the posted oneshot. no one outright shot me down so. here you go

for some context, the powers in this world of yellow rose come from a catastrophic event that took place almost 20 years prior to the start of the story, which wiped out a lot of the world’s cities/towns and gave many of the survivors powers or mutations

backstory takes place when Martyn is 0-10 years old (he was born shortly before the aforementioned catastrophic event) and focuses on an OC parent character / martyn’s relationship to said parent

anyway. yellow rose is an au made w @cherrifire. time for you all to meet robot dad

It’s hot on the day the world ends. This is not the only thing it remembers, but it’s one that still stands out, even years down the line.

It’d been dealing with a patient with symptoms of heatstroke, the third it had seen in an hour. Heatstroke is an easy enough ailment to give to a nurse bot to treat, so it gets the job. It had stepped out of its patient’s room and run into a doctor, who had asked it to fetch something from the basement storage.

This is why it had survived, it thinks, looking back. It had been in the basement, and by some stroke of luck, the building had not collapsed so completely as to destroy it alongside the rest of the building.

It had not had a concept of luck before that moment, before the shaking had stopped and the dust had cleared, leaving it mostly in tact. Once it had forced its way up the stairs, it found it was not sure whether surviving the collapse was good or bad luck.

When the nurse bot tried to ring its network for help, it found the line inside its head had gone dead. When it looked to the surrounding street, it found hundreds of buildings similarly smoldering. When it called out, it found only its own voice returning to it.

The nurse bot had tried to comb through the wreckage of its practice, looking for survivors. It found nothing, heard nothing, but it still attempted to sift through the rubble, to search for the people it had been built to assist.

A nurse bot’s arms are not meant to move stone and iron, however. It was not used to the strange things that happened in its processing when it thought about what might be under the wreckage, and did not know how to handle them. It made a mistake, lifting things it could not, and when the wreckage in its grasp had buckled…

Well. It had thought itself lucky, distantly, that unlike humans, robots are not generally “handed” in one way or the other. Statistically, it would have preferred its right hand, and it would have been much worse off when the debris crushed its arm, taking its limb from the elbow down.

Ah, and pain, of course. It would have been quite bad if it had been able to feel pain, or bleed. It probably would have died, had this fallen on it, or had it lost a flesh and blood arm.

It… does not look in the wreckage any longer.

The nurse bot did not know what to do, with the practice it had spent its whole existence in destroyed. It had never been outside before—at least, not while activated. It had never left the walls of the hospital it was built for. It had not been intended to function without direction.

It knew its purpose, though, direction or not. The nurse bot had been built to heal. It knew, direction or not, how to do this, and that it must do this. And certainly, if it looks, it would fine someone out there who needed it.

When it comes to matters of health, time is of the essence. With its direction decided, the nurse bot begins to walk.

It finds people, rarely, stumbling and unharmed, or nursing small bruises or minor sprains. It helps these when it can, and gives advice when it cannot. It finds bodies, often, and it looks away, as it has never seen a funeral, and it does not know to help the dead except to assist the living.

It finds a woman soon to be a body, despite its best efforts to help her. It lacks supplies to stop the flow of blood from her wounds, and the woman lacks any hope without stitches or bandages.

It offers her sympathies, and it holds in its one hand both of hers. There is little it can say to her, but it tries, quiet promises of I am here and I will not leave you and you will be at peace soon.

She holds its hand with all the strength in her body, knuckles white as paper, a stark contrast against the dark blood staining the rest of her body. It feels as the strength fades. It watches as the light in her eyes fades with it. She lets it go, and it closes her eyes.

The nurse bot keeps walking, keeps looking, until it hears crying. The sound is loud, a desperate sob of a young child, and it seems to stem from a building sagging in three places, roof and door and floor all ready to give in.

If it were human, the nurse bot may have thought the place too risky to enter. But it is not, and so in it goes, pushing the door open with one hand.

It finds the boy lying in his crib, a round-faced infant wrapped in a patterned onesie and kicking away a thin blanket. He cannot be more than a year old—the nurse boy would guess him to be maybe six months. The fact the boy and his crib have survived the destruction of the city is a miracle, one not offered to the rest of the home.

It reaches down into the crib, brushing its hand over the boy’s face. His sobs stumble, a bit curious, but the baby ultimately doesn’t stop crying.

The nurse bot hadn’t worked with a pediatrician, but it knows about children, as any nurse bot would.

“Are you hungry?” it asks. He doesn’t answer except to cry more, which is understandable—this is what babies do, it knows, and besides, this has been the chosen course of action for most of the people it saw today.

It could not help those people, but it can help with this.

The nurse bot steps away from the crib to examine the boy’s room, though the boy cries louder when its face disappears from his view.

“I will return shortly,” it tells him. This assurance does not calm him down.

It finds what it can in the rest of the home—food for the baby, a warmer blanket, a box of diapers. It finds the living room, where living is not what his parents are doing, and gingerly shuts the door. It finds a photo album and flips through, searching for the information it needs: delicate handwriting next to an image of the boy, held in the arms of the woman on the floor a room over.

April 7th, 20XX: Welcome to the world, Martyn!

His name is Martyn. His birthday is April 7th. The nurse bot usually keeps these things on file about its patients, and so it files them away.

When it returns to the crib, the baby inside is no longer crying, having worn himself out. It reaches down again, face blank.

“Hello, Martyn,” it says, “I am going to be your caretaker for now. I hope we will get along well.”

— — —

They don’t stay in the house. It finds a baby carrier in a closet and a duffle bag in the bedroom, and it packs what Martyn will need and carries him out of the collapsing home.

Martyn laughs a lot. Once he’s been fed and changed and has slept, the nurse bot finds he laughs all the time.

He doesn’t know, it thinks. He must miss his parents, probably, but he doesn’t know. He isn’t old enough to understand any of this. He watches the broken and bloodied street with awe—has he ever been this far from home before? This is all a big adventure to him.

It doesn’t tell him.

— — —

It stops three times a day to change and feed him, and to let him crawl around in the cleanest and sturdiest places it can find.

“Movement is good for development,” it tells him, watching him play with a piece of rubble.

It doesn’t stop to rest at night—it doesn’t need to, and the rocking motion of his continued steps helps Martyn sleep. When that isn’t enough, it tries to replicate the songs it has heard playing in the clinic’s waiting room, or seen mothers and fathers sing in the clinic to calm their children. Martyn seems to like that.

He likes the nurse bot’s hair, too. He tugs on it all the time as the nurse bot walks, held close to its chest, close enough to its head to access it. It lets him—it doesn’t hurt, and besides, it has few other ways to entertain him.

— — —

Martyn grows. He starts to babble, and to toddle. He becomes too big for the bot to carry him, but by then it has become adept at finding places to hunker down for a while.

“Your name is Martyn,” the bot tells him, pointing to his nose.

“Ma,” he tries.

“Very close,” it says. He grabs its hand, tugging, and continues to babble.

“Da,” he says, and it knows that he doesn’t have a concept of fathers or parents or the English language, and he is only making sounds.

“That is me,” it says anyway, and Martyn continues to babble.

— — —

“Dad,” Martyn tugs on its arm, barely tall enough to reach its fingers. “Daaaad.”

“Hello, Martyn,” it says, “What is it?”

“I’m bored,” Martyn says, “And I’m hungry.”

“We still have some food left for you, though I should start a fire soon,” it says, “We will need to move soon. Children your age need a variety of foods to—”

“Grow up healthy, I know,” Martyn whines, “That’s boring. I’m bored.”

“What would you like to do?” it asks, and he lets go of its hand, running off. It stands to follow, but then he’s back, holding a battered old book—some kind of short novel, something with a torn cover that used to have a dragon on it. The title is gone, as is the dragon’s head.

“Read this,” he says. Martyn is learning to read, but he hasn’t quite got the grasp to read a real book on his own yet.

This hasn’t stopped Martyn from searching for them, though, nor from presenting them to his father to read. It had started reading one aloud to Martyn to entertain him when Martyn had come down with a fever last year, and he hasn’t stopped asking to hear them since.

“After you eat,” it says, and Martyn cheers.

—

There is a group of survivors picking their way through town. The bot sees them before they see it, watching the street from a window. It does not know their intentions, and it doesn’t plan to find out.

It crouches down in front of Martyn, putting its hand on his shoulder.

“Hello,” it says, “We’re going to play a game, okay?”

“Okay,” Martyn says, and it nods, once.

“It is called hide and seek,” it says, “There are some people who are looking around town, trying to play, and we are going to hide from them. We will win if we are not found.”

“That’s a dumb game. Why don’t we play something else?” Martyn asks.

“It is their favorite game. We are going to play because that is what they like to do. But we are going to be very good at it and hide very well,” it says, “You can hide with me, okay? If we win, there will be a special prize.”

That’s all it takes to convince Martyn, who smiles and nods and follows it as it ducks away into the closet. Its legs creak as it sits down, and then it opens its arm, letting him sit in its lap. It can’t be comfortable, all cold metal, but Martyn wraps his arms around its torso and settles right in, content with the hand on his back.

“Now we must be very quiet,” it tells him, “I will tell you when we can talk again.”

Martyn nods, and it puts its hand on the back of his head, and it waits.

When the strangers leave, it asks him what he would like for his prize.

“Hug me again!” He says, and it obliges for as long as he wants.

— — —

Halfway through its sentence, the bot’s voice cuts out.

That has not happened before. Martyn seems unfazed, especially when it begins to talk again, but it takes note of the error.

— — —

It happens more. Its voice cuts out, stutters, corrupts. Martyn really only complains when they’re reading, but it starts to fear the worst.

It sits Martyn down, crouching down to meet his eyes.

“Martyn, I have something very important to tell- to tell- to tell you,” it says, and if it could, it would wince.

“Yeah?” Martyn asks, “Are we moving again?”

“Soon,” it says, “But that is not what I want to tell you.”

“Oh,” Martyn says.

“I am… sick. Do you remember what being sick is?” it asks. Martyn nods, reaching up to put his hand on its forehead, the way it had for him when he had been feverish.

“You feel warm,” Martyn confirms, “It’s okay. I’ll read to you until you’re better.”

“Thank you, Martyn. You are very kind,” it says, “But that is not the kind of sick I am. There are many kinds of sick.”

“Oh,” Martyn says, “Then what kind of sick are you?”

“I am… robot sick. I am- I am- I am- I am- getting old,” it says, “And my voice is starting to… not work properly.”

“I know that,” Martyn says, “You talk funny now and you keep messing up reading.”

“Yes, that’s right. You’re very smart,” it confirms, “But it might get worse. I might not be able to talk anymore soon.”

“But you’ll get better, right? I got better,” Martyn says. It shakes its head.

“I might, but I might not. Robot sick is different,” it says, though it knows it is lying. “I just wanted you to know. If you talk to me and I do not respond, I am not ignoring you. I am still listening. I am just sick, and my voice- my voice- my voice- my voice—”

It shakes its head, the way humans sometimes do, to clear the sentence. When it looks at Martyn again, he seems thoughtful.

“Will you still read to me?” he asks.

“As long as I am able,” it promises. And, for good measure, “I love you, Martyn. Do not forget.”

“I won’t,” Martyn says, “I love you, too.”

— — —

It makes a point to show him how to read. He had already been learning it, but it doubles down when its voice begins to waver.

It picks up novels and reads them to him with Martyn in its lap. It holds its arm around Martyn’s waist, and Martyn holds the book for it to see, and it reads the words Martyn points to, so Martyn knows what they are.

It doesn’t want him to lose this. It doesn’t want him to lose his fun, his creativity, his imagination, just because it cannot read to him anymore.

— — —

It loses its voice for good while it is reading to Martyn.

— — —

Its voice is the first thing it loses, but it is not the last.

Control of its fingers becomes… tricky. Martyn has to help it, doing things that require finer movements.

“Is your hand sick?” he asks, and he sounds afraid. It nods, because it knows it shouldn’t lie to him, even if it wants to.

It loses what little control it had over its face next. Then its neck becomes stuck. It doesn’t seem able to walk as fast, though that might just be due to Martyn getting faster—he grows older still, full of energy, constantly wanting to run and jump and play on his longer legs. It tries its best, but it cannot keep pace like it used to. It used to sing and walk all night, and now it cannot do either.

Martyn is as patient as a six year old can be, which is not very. He gets frustrated and bored, and he complains often. It does not blame him for this. He is doing his best, too, and that is all it can ask.

— — —

There are people. It tries to hide—pulls Martyn into a closet, tucks him close to its chest, pets his hair with his hand—but Martyn doesn’t like to play hide and seek, and he doesn’t know he has to be quiet.

“My name is Martyn!” he tells them, once the closet door opens, “This is Dad. He’s sick.”

They’re nice enough, a woman and her teenage son. It—he, now?—releases Martyn to talk to them, and climbs out of the closet. He hovers at Martyn’s side when they climb out, a hand on his son’s head.

“Why were you two in the closet?” the mother asks.

“We were playing hide and seek. That’s what Dad said other people like to do, but I don’t like it very much,” Martyn explains. She nods.

“Most people do like to play that game,” she says, because, as a parent, she must understand his fear. “But we don’t, either. Do you want to travel together for a little while, Martyn?”

“I want to!” Martyn says, and he looks up at his father, and his father would sigh if he could.

He nods, because what else is he meant to do?

— — —

The teenager entertains Martyn, reading to him the book his father never did get to finish. The mother cooks, and she takes a look at his hands.

“I used to be an engineer,” she says, “You’re a bit above my pay grade, but I could take a look, if you want.”

He doesn’t let her crack him open or anything, but she inspects the pieces of his wiring she can see. He’s reminded of his old clinic, though he can’t tell her how ironic this is.

Her prognosis is… grim.

“You probably only have a few years left in you,” she admits, “Your model was supposed to go for regular updates, replacing parts and…”

He doesn’t listen as she explains the old process, his focus instead on Martyn.

Only a few years? What will happen to Martyn? Who will take care of him?

Humans need care until they are eighteen.

Martyn is six.

“I could try and make some minor repairs for some of the obvious damage, but I don’t have tools for anything more. I can also try and tell you some things you can do to try and stretch that time out,” she says. He nods, understanding, grateful, as she does what she can.

He had been in her place, once, years ago, and so he understands, too, when she offers sympathies, when she holds his hand.

— — —

They split off from each other eventually. The other two are traveling to a place they claim never fell. He does not believe in such a place, and so he does not go with them.

Martyn cries. The mother hugs him, as does her son, and they are gone.

As they walk away, he holds Martyn’s hand, and he does not let go.

— — —

He teaches Martyn how to do… anything he can. He is too young to understand how to hunt or set a trap or clean an animal or cook or treat a fever or start a fire or boil water, and it is very difficult to teach when he cannot speak. He’d wanted to wait until Martyn is older, he does not have the luxury of time anymore.

Martyn is clever, is bright. He takes to the skills as well as a six, eight, ten year old can, and it is only partly due to the fact he has no choice.

— — —

He knows he is dying.

Martyn does not.

He picks up a stick, waving Martyn over. There is a patch of dirt that is mostly clear, and he crouches in front of it.

I AM SICK he writes, and Martyn reads it, and he frowns.

“I know that,” Martyn says, and he shakes his head. The dirt is soft, and so he clears it, trying again.

I AM VERY SICK he writes. Martyn reads it, and he frowns deeper.

“What does that mean?” Martyn asks.

I WILL SLEEP SOON he writes. He wants to be delicate, but he can’t—the patch of dirt isn’t very big.

“Oh, well, that’s okay. I sleep all the time,” Martyn says, “That’s how you get healthy again. It makes you feel better. You told me that.”

He wants to nod, but he can’t. This is the bit he was dreading the most.

I WILL NOT WAKE UP he writes.

For a long moment, Martyn doesn’t say anything.

“What if we get you medicine?” Martyn asks, “When— when I was sick, you found medicine. It made me better. It would make you better.”

NOT FOR ROBOTS

“That… that isn’t fair, though,” Martyn says, “Are you sure? We could get some and try it!”

I AM SURE he writes, and then he erases it, I LOVE YOU

Again, Martyn says nothing. He isn’t sure what Martyn is thinking, and then Martyn charges him, hugging him around the stomach.

He has more he wants to say to Martyn—he wants to teach him so much, to tell him to be careful, to tell him he’ll be okay.

He drops the stick, wrapping his arm around Martyn as tight as his failing joints will let him.

— — —

His goal is to find somewhere safe. An old house, maybe, somewhere where Martyn will be able to survive on his own for a while.

He looks, and he does not find it. He’s been looking for ten years, after all—of course he wouldn’t find one now, just because he is dying.

Other than that, his life does not much change. He holds Martyn’s hand as they walk, and Martyn talks to him about birds and books and whatever else he can think of. Martyn has become very good at filling the air for them both. Neither of them let go of the other’s hand.

He doesn’t actually know when it is going to happen, just that it will be soon.

When the moment finally comes, he does not realize.

They stop to rest for a night. Martyn is tired, as he is a child, and his legs can only carry him so far. He is tired, too, but he does not have it in him to think about why, or how strange that is.

It’s nowhere special, where they stop. A random house that has kept its roof, somewhere safe from rain and sun. Martyn finds a place to roll out his sleeping bag, and when he lies down, his father lies with him.

He does not let go of Martyn’s hand.

[an-idyllic-novelist]

Husk with Violet Evergarden!reader scenario

warnings: aged-up!reader [early to late twenties], spoilers for episode 4 to the season finale, mentions of physical abuse and attempted drugging, violence, Husk's language, dismemberment, mentions of cannibalism.

Hey guys, and welcome to another Hazbin Hotel fics, this time featuring our grumpy bartender and one of my favorite characters, Husk! :) This is a collaborated project with not just @isuckatwritingsobenice, but also with @vikkirosko, @witch-of-the-writing-desk, and @riddle-simp, who gave me honest feedback on the rough drafts and how to make it the best fic I could create before sharing it with the world.

If you would like to see more of Husk x Violet, please do let me know know in the comments section or as an ask! Like always, bullying is not tolerated here so if there is any implication of it happening here, this scenario will be taken down immediately. If you have nothing nice to say, do not say it at all.

With that being said, sit back, relax, and let's see who will win the full house at the card tables tonight :)

Reblog to support content creators!

Husk isn’t gonna deny it. It ain’t like him to deny the truth when it’s staring at him right in the fucking face. He thinks you are a little bit of an oddball. You don’t smile, you wear the same outfit every day, and you don’t eat much either unless Niffty practically drags you to the staff’s dining room from wherever she found you hiding. Normally, it’s one of two places: out in the backyard, or the greenhouse, because you’re the hotel’s groundskeeper. And that was on your days off.

 Like Angel, you worked for an overlord, but your boss wasn’t that shitbag Valentino or Vox or Velvette. Your boss is Rosie, the owner of Rosie’s Emporium in the Cannibal Colony. You were her personal secretary. You had been on her payroll for over ten years, working from nine to five unless you had to stay later. She did not seem to mind you staying at the hotel so long as it did not affect her reputation or your work ethic in any way. 

So far you’ve kept your word. Alastor actually seemed to be happy that you were around. 

Maybe. Husk couldn’t fucking tell what that son of a bitch is thinking anymore. But back to you. 

You, who believed in Charlie’s work.

You, who participated in each activity and helped around without getting paid for your time.

You, the expressionless ex-military soldier, has been on his mind recently and he did not like it. 

He lost the ability to feel anything years ago. 

Nonetheless he continued to observe you from afar. When you weren’t busy with watering plants, you were seen in different parts around the hotel with the others. 

You would sit with the princess in the parlor, comparing ideas on what tomorrow’s group exercise should be, even when the only two ideas you’ve suggested were shot down immediately by Charlie. She didn’t like the idea of group bonding through hand-to-hand combat but loved the concept of showing appreciation to one another through handwritten letters. Vaggie approved the former. The latter? Not so much. 

In the kitchen you would go through the cookbook with Niffty and Alastor, trying to decide on tonight’s dinner.  They allowed you to help out, at least when it didn’t involve cracking eggs. Apparently you were not very good at separating the yolk. 

When Sir Pentious was away from the hotel doing God knows what, he trusted you to look after the Egg Bois until he got back. You kept them busy around the greenhouse though they tended to make a bit of a mess. 

Angel started to work extra late at the studio after his show and tell presentation. Something about making a big commercial and Val wanted to make big bucks on this new product that the Vees were launching in a week. You must have noticed that something was off about him, but you didn’t say anything to him. No words of encouragement, no comforting hand on his shoulder. All you did was clench your gloved hands into fists, watching him leave and…unsure of yourself. What you should do. 

Husk heard you asking Niffty what were some of the kid’s favorite foods about that time, and she was more than happy to help you with whatever it was you needed as long as you left the kitchen sparkling when you were done. You were concerned about the kid. Least from what he could remember. He drank a lot that day. 

When he woke up much later after falling asleep at the bar, hearing your footsteps descend down the grand staircase and towards the kitchen. Groggily, probably stupidly on his part, Husk thought it would be a great idea to know what the fuck you were up to so early in the morning. Turns out you were trying to cook something, judging from how you looked at the ratty cookbook propped up on the counter and the wide array of ingredients spread out. 

He saw you cook  finely chopped onions, garlic, and minced ground meat in the large frying pan on the left side of the stove. You stirred something in a smaller sauce pan on the right side with a wooden spoon. He saw you handle all of the ingredients with great care, placing them in a baking dish  even when you weren’t wearing your leather gloves. A small shudder crawled down his spine at how the kitchen lights bounced off of the adamantium skeletal prosthetics that acted as your hands. 

He didn’t even wanna know how exactly you lost them in the Great War. 

Everything was soon laid out, layer by layer and placed in the oven. He didn’t know he stood there for so long, even when you began to clean up the kitchen with a rag. Time ticked by slowly, and then a delicious aroma tickled his nose even as he took another swing of the half-filled booze bottle he was holding. He was about to leave you alone, knowing you’d be fine when he saw you pull out the dish with your hands and no oven mittens on, you fucking moron! Then his mind remembered something that stopped him from making an entrance. You couldn’t feel anything with your prosthetics, not even as you placed it on the stove top to let it sit. 

A couple of hours later - maybe he can’t keep track of time anymore so it might have been the following morning - he saw you giving Angel a large paper bag every morning before both of you left the hotel, and telling him to have a good day. 

Angel grudgingly thanked you later on that evening when he got back…though did say your garlic bread needed some work. The next day, he gave you a paper bag, telling you to taste real Italian grub and try to replicate it. 

Guess it became a game between the two of you, ‘cause Angel was slowly being someone real and not some fake  whiny bitch. 

As odd as you are….you cared about everyone in your own way, even when the words that came out of your mouth angered someone or made them cry, you tried. You never asked for help unless it was necessary, trying to learn everything on your own. And you were smart, Husk will give you that. 

And he…he doesn’t know if he had the heart to tell you that redemption might not be possible. Unlike him, you still carried a spark of hope. You believe in the princess. He doesn’t want to be the one to see you reach your breaking point, to be dragged into a swamp of despair and get drowned in all sorts of addictions to cope with the pain. He was…anxious. No. He was scared for you. He wanted to help you but he was afraid that by intervening, he would just make matters worse.

It was better to just stick to the sidelines with a bottle of booze and watch everything happen like the bartender Alastor wanted him to be, right? Well, turns out he was wrong. 

One night after he made Angel a drink and called him out on his bullshit for being fake, the whiny little bitch stormed out of the hotel. Vaggie tried to make him go out and bring him out, but Charlie intervened. All she asked him was to make sure that Angel was okay. Do not force him to come back if he isn't ready. Obviously judging from the distraught look on her face, something happened between the princess and Angel. 

Husk did not know what or why, and he really did not want to play the role of a goddamned babysitter. Not when it was actually a slow evening and he didn’t have to hear these fucks bitch and moan for hours on end. But Vaggie’s glare, knowing Alastor would force him to do it because he fucking can and not knowing what would happen if he actually violated the terms of their contract, he left the hotel. The first place he went to were the streets. No luck. And no one had seen him. When he moved his search to the bars, he spotted Angel going inside one of them. 

Long story short, he was going to hang back and just keep an eye on Angel getting drunk off his ass with some shady sharks in a corner booth until he saw one of them pour something into Angel’s drink. He took care of the fucker, got Angel out, and listened to him. Angel Dust was not just an act. It’s who he needs to be. Drinking and getting high is his escape. He wants to be damaged so that he won’t be Val’s favorite toy anymore. 

Then when it seemed like they came to an understanding with a song, those bastards opened fire on the streets, targeting him and wanting Angel to come back to have some ‘fun’. Yeah, fuck no. 

That was when he heard car tires screeching against the asphalt, doors opening and closing with more shouting. Husk gritted his teeth. “Shit.” He turned to Angel. “Stay down. I’ll take care of this.” He pulled out his cards, ready to hop onto the roof of the pink Volkswagen they were hiding when he heard a  shnk, a high pitched squeal, then a gurgle. 

THUD.

Shnk.

THUD.

C-crack.

THUD.

“Who the fuck is this bitch?! Kill her, kill her you stupid asshats!” 

“Holy shit, toots?! The fuck - why is she here?!” Angel cried. Husk raised his brow, craning his head as far as he could without being in range of a bullet to see what was going on. There were only two people Angel called toots and he was pretty damned sure they were back at the hotel, safe and sound. Not one of them blitzing across the street, dodging bullets and slicing enemies down with a hunter’s knife in one hand, a large carpet bag in the other. 

He blinked. Nope. He was sober. Shit. He thought as you weaved between the shitheads, disarming, decapitating, and snapping their necks in no particular order. You weren’t exaggerating when you said you were a weapon for the army.  When he saw a flash of movement from the smaller grunt, twirling a knife and aiming it for your head as you pumped lead into his friend, Husk made his move. Hopping onto top of the car and threw his cards. One cleanly sliced the asshole’s neck. 

He quickly made through the growing crowd, running towards you as he threw some dice into a hammerhead’s mouth. But when he turned his back towards them, he felt something light and strong coil around his neck, cutting off his air supply. 

Fuck. Garroting wire! Husk flailed around  scratching, kicking,  and trying to get loose but the fucker was too damned strong. Black spots began to appear in the corner of his eyes when he felt a white hot stinging pain graze his left cheek, then something warm and sticky with a metallic scent. Blood.

The body behind him dropped, and so did he, yanking the wire off  him and inhaling deep gulps of  precious oxygen. Husk looked up and saw Angel with a shit-eating grin and a Tommy Gun in his upper hands. 

“Eat lead, sucker!” The porn star cackled, firing several more bullets into the corpse and his buddies that were closing in on them. Angel grinned at him, extending a hand to help him up.”I told ya. I can handle myself, baby.” Husk felt a grin stretching his own face as the fella pulled out more weapons with more arms. Well….not something he was expecting. 

Between the three of them, they made quick work with the rest of the gang and their reinforcements. Like him and Angel, you were covered in grime and blood but you were all right. 

“Are you two all right?” You asked as you wiped off the blood from your knife with a handkerchief, the carpet bag by your feet and in pristine condition. “No limbs missing that weren’t missing before you arrived?” 

“Yeah, we’re good.” Angel said, putting away his guns and extra limbs. “More importantly, why the fuck are you out here instead of the hotel?!” He interrogated, his voice lowering an octave as he glared at you, stomping towards you. Before Husk could stop him, Angel grabbed  your cheeks with his hands and pinched them. “You know these streets are dangerous, toots! How many times do Vags and I gotta tell ya?! Come straight home when you’re done with work!” Then he blinked, his face turning white, his eyes widening in horror. “Toots,” He said slowly. “Y-you ain’t hooking up with anyone around here, are ya?!” He yelled, now pulling your cheeks outwards as if you were a cartoon character. 

You didn’t flinch from the cheek pinching or pulling; instead, you looked at him in slightly confusion. “I don’t understand. What does fishing have anything to do with this except that these men were quite literally loan sharks standing outside a nautical-themed bar?” You asked. 

“Toots.” Angel said warningly. “If you don’t give me a straight answer, I swear to fucking God I am going to yeet you off a rooftop.”

“ ‘Yeet’?” You repeated.

“[First Name], just tell us why you’re here.” Husk said, already feeling a headache coming on and in need of a drink. You turned your attention to him, then back at Angel before you spoke.

“Rosie sent me out on a last-minute errand to get fertilizer for her plants. But by the time I got there, the shop was already closed. I was on my way home when I heard the gunshots, and saw the two of you being pinned down. I was not going to leave my comrades behind when I could help them. So I did. And now,” You looked over at the bodies strewn across the street. “I have what I need. Two birds with one stone, as Rosie says.”

“Ya mean ‘kill two birds with one stone’, toots?”

“Yes.”

“So, by fertilizer, ya mean these schmucks that we just totally obliterated.”

“Yes.”

“Food for plants.”

“Carnivorous plants. And if the fertilizer is fresh, the better it is for them. Rosie loves her plants very much.” You said, pulling away from Angel and grabbed the carpet bag off of the ground, walking towards the nearest body. “If you do not want to be here, I suggest you leave quickly.” You knelt down, laying the bag down and opened it, laying out assorted tools. Bone saws, knives, a large roll of plastic wrap, etc. “Rosie says I have gotten much quicker at dismemberment.” You carefully peeled off your gloves, replacing them with gray surgical ones. 

Husk glanced at Angel, eyebrow raised. It seemed like they were thinking the same thing because the latter spoke up with a toothy grin. 

“Baby, I was a mobster long before I was a porn star. ‘Sides, hacking up a body all by yourself is gonna take you all night. Better to have more hands to get the job neater an’ faster, am I right Whiskers?” 

Husk smirked. “Can’t argue with that, Legs. Guess you’re stuck with us until this job is done. You got another bone saw in that bag of yours?” He asked with a grin, somehow…happy to actually be doing this. Who would have thought a new friendship started with cleaning up bodies?

You stared at them for a moment, obviously stunned because you must have thought they’d leave you here alone, before you pulled out two more bone saws and more rubber gloves. Your instructions were simple enough: the severed pieces couldn't be any bigger than your body, and they needed to be wrapped up tightly in the plastic wrapping or else you’d have to pay a hefty cleaning bill to get the blood out of the bottom of the bag. Angel’s extra limbs came in handy for the latter task. Between the three of you, quick work was made with the dead loan sharks and everything was loaded inside the carpet bag, and no one was the wiser. This was Hell, after all. Cannibalism, gun fights, and dismemberment was commonplace in these parts. 

You thanked him and Angel profusely, bowing your head to them before you shyly asked if they would be interested in getting a bite to eat. To Angel’s knowledge, the closest place that is still open late at night is Devil’s Diner, which is half a  block from Jackpot, the casino Husk had owned from his glory days as an overlord. The food wasn’t too bad there, and cheap too. 

Now that he thought about it, Husk had worked up more of an appetite after the fight and so did Angel. Better to do that than trying to cook something and waking up Niffty. So, the three of you went to Devil’s Diner. Of course, you tried to just have a cup of coffee, but neither he nor Angel were having it. Conditioning your body to minimize nutrients to complete a mission, his ass. 

Both he and Angel persuaded you to try the day’s special with some water plus dessert. Whatever you couldn’t finish, get a to-go box. Husk himself ordered a sandwich with chips. Angel got pancakes, sausage, strawberries, and a strong drink because he fucking deserved it. 

Conversation started slow at first, but as the orders were placed and drinks were served by their waiter, words were exchanged, and stories were shared. Angel revealed he had a little brother and more family down here, though he rarely talked to them anymore after getting into the show biz. Husk confessed that he used to be a magician in Las Vegas, showing off a trick with his cards. 

They shared a good laugh over Val’s shitty eyesight. It shouldn’t take thirty minutes to count three bills, but it fucking did for the moth man.

You told them that you were once commissioned to help a playwright finish his newest script after being on a hiatus for many years, but he had been a difficult man to work with because he had no interest in doing anything else except drinking his days away. You had actually acted out a scene on the lake where the hero would journey home to be reunited with her father after vanquishing a monster. That was when you began to understand how grief affects people in different ways…and how your actions affected the people you had killed on the battlefield. People who had families and had one-day wishes that would never be fulfilled because they died by your hand. You are here in Hell because you are, you were, a weapon to be used in war. Reconnecting with people, with your emotions…it’s a lot harder than you thought it would be. 

“That’s what being human is all about.” Husk said. “Ya make mistakes, ya regret the choices ya wish ya would have made, or should’ve made, and ya need to live with it.” He knew that better than anyone. 

“The old timer’s got a point but look at how far you’ve come!” Angel exclaimed, spreading his arms out as he began listing all the good things you have done and accomplished since you came to the hotel, though you still needed to learn how to bake real Italian bread, not just heat up the cheap frozen ones in the oven. Husk silently agreed with him, taking another swing of his whiskey. In the end, you got a to-go box, but Angel said he could take it back with him to the hotel. You still needed to deliver the body parts to your cannibal superior and Husk said he’d go with you. But you insisted that you would be fine on your own, and that he and Angel should get some rest. 

“Rosie will not let me stay long in the emporium with how late it already is. She’s very particular about keeping the lights on after business hours.” You said, the corners of your mouth tugging downwards into a frown as your gaze fell upon his wings. “Husk…you were twitching a little and I heard your spine crack earlier, and your voice sounded a little raspy. I do not know what the cause of your ailments beyond the scuffle with those loan sharks could be because I am not a doctor…but it would be better if you and Angel took it easy for the rest of the night.” 

Keep in mind that Husk had once been an overlord. Yes, he’s been out of the game for a while, he won’t deny it. But he was not going to admit that you might be right.  “There’s nothin’ to worry about, I’ll be fine. If I can handle a fight, taking you where you need to go will be a walk in the park.” He grumbled, ignoring Angel’s snickering. 

He watched you raise your hand, fingers outstretched towards one of his wings, and then you pulled it away to clench your hand into a loose fist. Husk saw your hesitancy isn’t because you were disgusted at the sight of them, or his appearance. Hell, you had more bloodstains on your clothes than him and Angel combined. No. You were hesitating because you were afraid that your touch might hurt him, or make the pain he was feeling worse. 

Husk grinned as he grabbed your wrist, pulling it forward and carefully coiling the gloved fingers around the outer part of the left wing near his forearm to give it a squeeze. “See?” He flexed the muscles. “I’m fine. You ain’t got nothin’ to worry about.” It took him a second to realize how impulsive his actions were, seeing how your eyes widened and hearing Angel release a low, teasing whistle, muttering “Kinky~!” under his breath. Great. The kid wasn’t going to let this go, not even after a few drinks. Shit. Fuck. 

He tried to ignore the warmth flooding his face as he kept his gaze on you until you nodded your head, removing your hand from his wing. You were convinced that he was more than fine to accompany you back to Cannibal Colony, at least for the moment. You turned to Angel. “Are you going to be okay, heading back to the hotel on your own?”

Angel smiled toothily. “Toots, you should know me by now. Sex isn’t the only thing I’m good at.” He winked, holding up the to-go boxes as he turned on his heel, waving his extra hands over his shoulder. “See ya back at the bar! Ya still owe me a drink, Husker~!” Now that he left the diner, it was time for the two of you to make your exit. 

You walked down the steps and looked at him. “Ready?”

Husk nodded. “Yeah.” He then held out his paw to you. “Let’s get going.” You nodded, placing your hand in the center of his own, covering the golden-heart shaped paw  before he scooped you up in his arms, one claw under your legs and the other around your shoulders. You stared at him.

“What-”

“Hang on tight.” Husk did not give you a chance to respond, unfurling his wings to their full length before putting all of his weight on his back leg, catapulting the two of you into the crimson skies of the Pride Ring. Walking was fine and all, but as you mentioned, it was already pretty late. Why waste more time when he could fly there? 

So here you were, held like a princess with one arm wrapped around the carpet bag and your hand placed on his shoulder. But instead of screaming your head off or pleading with him to land somewhere, your attention was elsewhere. You were captivated with the multi-colored pin pricks of light down below,  your mouth partly open and [Eye Color] irises widened by a fraction. It was obvious that you hadn’t seen Hell from above. Or maybe you hadn’t traveled by air before. Either way, seeing such an expression on your face, one that wasn’t calm or expressionless like a doll who lived by someone else’s order.

You looked like a living, breathing human who had her own thoughts and could find beauty in the most bizarre of places. 

It almost made Husk consider extending this flight for a little longer until he realized he’d have to explain to you in great detail as to why he did decide to do it. So he brushed it off, and followed your instructions to your destination. 

Twenty minutes later, the two of you arrived at the stone steps leading up to the glass double doors of Rosie’s Emporium. The dimly lit streets were mostly empty, the bars were still open and echoed with raucous laughter and jazz. It was tempting to slip inside there for a drink, but Husk wasn’t too keen on being around cannibalistic drunks. Alcoholic he might be, he wasn’t that stupid. And he didn’t want you to get in trouble with the overlord who ran this place. She was your boss, not his. 

He watched you put a hand into your coat pocket and pulled out a small golden key. You put it in the dead bolt, twisting it to the left before pushing the door open. “Miss Rosie?” You called out, stepping inside the darkened establishment. “Miss Rosie, it is me. I am back.” 

A moment of silence enveloped the place, but only briefly because soon a tall, thin woman in a burgundy dress with an oversized hat and feathers materialized in front of you. She was at least two or three heads taller than you, smiling down with rows of sharp, gray teeth and pitch black orbs. “Oh there you are, I was startin’ to really get worried! Did John give you everything for my precious little sprouts?”

You quickly explained what had happened, how you could not see John because he had closed the shop by the time you got there but the fertilizer you collected from a gun fight you got into and came out victorious should be more than enough. Rosie was all but delighted, twirling in a small circle as she cooed.

“Ohh, I knew it was a good idea to hire you from the moment you came for the interview! I wish I could’ve seen you at work, using that bone saw and hacking away at corpses, but there’s always another day~! You know how many people come in wishing to have their husbands or wives ripped from limb to limb, at least the ones that taste bad! Ah?” She stopped dancing, craning her long neck to stare at him. “Who’s this you brought with you, [First Name]?” She looked over her shoulder, wagging a finger at you with a raised brow. “Come now, I know I said I wanted you to find a good fella someday, but this one’s way too scruffy for you and you’re much too young for him! Oh, I’m just kidding, I know you’re dedicated to your job! Well? Introduce us!”

You did, introducing him to the overlord as Husk and the hotel’s bartender. Alastor must have told her about him because she immediately called him ‘Alastor’s kitty cat’ and ‘how he used to be such a sophisticated-looking fella until he gambled against Alastor’. She laughed. “Well, small world, after all! [First Name], be a dear and take that bag into the back, will you? I’ll feed the little monsters myself, and you can go home! Oh, did you want some pinky fingers to go? I’ve got plenty of them and you probably didn’t eat dinner again, am I right?”

“Understood. And no thank you, though I will take up on the offer to try one of those roasted legs next time.” Husk almost gagged at your monotone words and Rosie’s cackle, but he had to keep his composure. As far as he knew, you were not a cannibal. And if you were…well, you probably wouldn’t have gone out of your way to help him and Angel, or at least order something from the Cannibal’s Section at the diner instead of force feeding yourself on the daily special. 

You might have only been gone for a few minutes, but it was awkward to stand near Rosie, the way she smiled at him like she was thinking about adding him to her menu for not dressing up in a vintage outfit. At least he hoped not. He could barely contain his relieved sigh when you appeared again, hands empty with no bag in sight. 

“It’s done.”

“Wonderful~! Now, you march up to bed as soon as you get in the door young lady! No staying up late!” She said, following the two of you to the door. “Give my regards to Alastor and tell that man he must come back soon! These halls have lost their sparkle without his lively presence! Oh! Before I forget~!” She snapped her fingers, and in a puff of dark red smoke, a large wad of bills materialized in your hands. “Here’s your paycheck! I know it’s a little early but I have a very important task for you to do tomorrow!” She grinned. “Go to town and buy yourself some new clothes for work!”

You faltered. “But -”

“Tomorrow is your day off I know, and I really, really love your enthusiasm when you try to come in to help around, but a proper lady of society cannot live on just one dress and a pair of boots! Oh, and you will also need to get a Hellphone in case something like this happens again! No ifs, ands, or buts! If Alastor throws a fit about it, I’ll talk to him! Now, shoo! Husker, be a dear and get my darling worker back to that hotel safely, all right?” She added with a wink.

Husk grunted exasperatedly but did not say a word. The last thing he wanted to do was go pissing off an overlord who just happened to be the Boss’ friend. So he just nodded, and followed you out of the door. When it shut behind them with a click, things got…awkward. Now that you weren’t carrying around a bag full of body parts, there was no need to fly all the way back to the hotel. Or at least that he thought you were thinking. 

But he told you that he didn’t mind, since Charlie was probably already worried about the two of you even if Angel had somehow managed to persuade her otherwise. So…you agreed, albeit hesitantly. Husk didn't waste any more time. He scooped you up in his arms and took off into the night skies, though with this being the Pride Ring, there was really no way to tell if it was day or night anymore. Cannibal Colony soon became another darkened spot, getting smaller and smaller until it disappeared from sight. 

As soon as the two of you made it back to the hotel, Husk had no doubt everyone would be giving him shit. Angel would make comments on his little ‘date’ went, which he’ll deny in every possible way, and the princess might be cryin’ from anxiety or relief knowing that two of you were all right. But that was then. This is now. And…he’s come to like holding you in his arms. 

“Husk?”

“Yeah?” He felt the arms around his neck tighten slightly…but not that it wasn’t too uncomfortable. It felt…okay. Like you were trying to say something, but you struggled to find the right words to say without sounding like an ass. 

“Thank you…for everything.”

His lips stretched into a grin. "You're welcome." 

He felt the cold of your palms, it would seem, through the gloves, but it was not so important. Because as the two of you flew back to the place you called home, he saw you smiling down at the Pentagram in wonder, whispering the places you had visited and or wondered what they were or if he knew anything about them, to which he either answered yes or no. It was such a small smile, but how could he not commit not it to his memory? 

And maybe, just maybe, it wouldn’t be so bad to get a drink with you on a night around town. Or make one for you at his bar. He knew how to make a good non-alcoholic pina colada, even an alcoholic version of it. But who knows? He’ll take things one step at a time, and see what happens. 

What Husk did not realize at the time, not too far in the distant future, you would be the one to close the gap between them…and there would be something more between the two of you. Something that made his days in Hell just a little brighter. 

Taglist: @riddle-simp @kanroji-san @star-fawn21 @luthefriendlywitch @kameyo-kumo @solesurvivorjen @solandis-does-stuff @ladydoe8 @victheauthor @anielly-2010 @dilucragnvindr-my-beloved @bones4thecats @mmelionsblog @frompeach @nixie-writes @tired-of-life-86 @trecllllllll @lanxianschoenheit @22carolina08 @justamegafan @the-cat-queen-peasants @oucx @diamondzoey @alyriaschoenheit @lbcreations-blog @alastorsart @nunezs-stuff @sillypenguincats @theunknowntravel3r @imperfectbloodmoon @no1sillybilly @likesugarandcyanide @bladeismine @bones4thecats

[gotham-daydreams]

I love your concept of batman!reader, it makes me want to rip out chunks of my room wall with my teeth. So perhaps you can tell me and the rest of the audience something more about that universe.

Cheers!

Of course! And if anyone has any specific questions about anything in particular I'd be happy to answer them as well :]

Nevertheless, the universe itself is... interesting, I'd say!

It definitely falls into this small category I'm sort of making for myself in terms of characters where they "do too much", even if their reasons vary. Since let's just say that Batman!Reader is honestly a little too much like Bruce, and if he was somehow more dedicated to the mission. And by 'dedicated' I mean if you take Bruce's self sacrificial nature, and crank it up to eleven.

It's a shame too because Bruce obviously wants 'Batman' to act more like 'Nightwing' - a symbol that people can look to, not in collective fear, but as a symbol of hope and justice. Batman!Reader on the other hand, does not make that possible. In their own way, they really try to become Batman and disregard the human beneath it all entirely. But that's getting a little too much into the actual story itself-

I will say that in this universe, Gotham is actually safe. The crime it was once know for has taken a heavy hit, and everyone is safe - but at the cost of criminals essentially fearing for their lives. Your average citizen is safe, but for those under the streets and in back alleys, its very much like they're "under new management", and one that isn't as forgiving as the Bats that came before the current one.

Though, that is by design.

As I said in the little summary/concept, everyone is dead - but they didn't all die right away. There was a process the reader went through to get the cowl, and they actually were able to dawn it before everyone got the boot - but as you can guess from said little summary, they still don't quite feel like it's their own. Batman is still Bruce, it's still Dick to them, even if practically everyone else in the city would definitely be confused if either of those two were to dawn the cowl again - if they were able to.

Alfred is actually alive! Albeit very old and definitely living his last days, as one can imagine.

There is new technology! But I won't go into specifics since I'm not really all that smart and can't really say anything besides "everything pretty much has an upgrade", so...

Batman! Reader is actually very anti social and needs to get out more, it really is like the early days of Bruce being Batman, but worse.

Reader also had their own Robin at some point named 'Sparrow', things... did not go well on that end.

I imagine that the Wayne Manor is on a hill, at least in this particular universe, and everyone is basically buried there a little ways away from the manor. The reader even had the Grayson's and such moved so no one would be apart from their family, it makes them feel closer that way and makes it easier to visit them. Not to mention it avoids a certain incident that happened a long while ago from happening again.

There are new villians! One of which actually causes the batfam from another universe to come into Batman!Reader's dimension. Another raises the dead, but that isn't important as of now - and there are more... as I come up with them and also remember to write them down! Do they have names? Not at the moment! And also I kind of suck at names if no one could guess from the titles I come up with.

There is a statue in Gotham of the Batfam - minus Batman for obvious reasons, but Bruce and Gordon are squeezed on there. Blüdhaven has a statue of Nightwing. In the building for Wayne Enterprises, they have little holographic models of their previous CEOs and such, along with everyone that's come before, Tim is the latest one on there - the reader has yet to submit their model. To which, a friend of their's is helping them with the buisness - think of her as this reader's Lucius Fox.

Batman! Reader only has two other servants aside from Alfred (though they are more like the reader's only friends), mostly to keep the Manor clean and take care of Alfred while they're away.

Reader is also very tech savy and into how machines work and what not, all that nerd stuff! So very much like Tim, Bruce, and Barbara in that way. There is always something to get done and improve, and I will say that the stuff Alfred used to get around - the reader made themself.

In classic fashion, Alfred is actually very disappointed in a lot of the choices Batman! Reader has made in their life, but so are those closest to them, so be fair...

With no context, Batman! Reader is like if "ManBat" actually succeeded.

----

If anyone wants to know more, or has any questions, feel free to ask away!

[scary-grace]

Guitarist!Tomura actually has me in a chokehold so a gc would be nice I just need to work up the courage LMAO

Guitarist!Tomura also has me in a chokehold, which is why it took me so long to write a follow-up! I really love him in this AU so there may be more to come.

“Okay, now that we’re done laughing at Shigaraki, first things first —”

“Laughing at Tomura-kun is the first thing,” Toga says. Dabi glares at her. “Don’t make that face! If I was singing love duets through the wall with my neighbor, you guys would never let me live it down.”

“Nobody gets to live that down. That is not cool band guy behavior,” Twice announces from behind the drum set. Then, like always, he changes his tune. “Don’t worry, Shigaraki! I think it’s sweet!”

“I think we should never talk about it again,” Tomura mutters. He turns to Dabi. “You were saying something, right?”

“Yeah,” Dabi says. “First things first. Does anybody have any new songs?”

The band always needs new songs, and everyone’s supposed to bring one to practice. In theory they should always have something cooking. In reality, they get a new song maybe every six practices, and only some of those are good. They’d be better if anybody liked taking feedback on their lyrics. But they don’t.

“I have one,” Spinner says, “but —”

“Is it about being a true artist and not whoring yourself out to the Spotify algorithm?” Dabi doesn’t wait for an answer. “No.”

“We could use it if we metaphor it a bit,” Spinner protests. He passes a piece of paper to Tomura. “Look.”

Tomura scans the lyrics. He likes some of Spinner’s phrasing, and the song structure works, but he can see a few too many lines about standing apart from the machine. And Spinner’s not the only one who writes like that. “Why don’t we just do a whole LP around that? Give it some characters and a plotline and then it’s not just an album. It’s a story arc.”

“You think we can pull that off?” Toga looks up, interested. “What about a love story?”

“No.”

“Hey, that could work!” Twice taps the kick drum for emphasis. “Like, think about it! The protagonists are falling in love amidst the machines and then they have to defeat them if they want to be together!”

“There’s no way we can pull that off,” Tomura says. Twice ignores him, and he looks to Dabi for help. “If we’re going to do a concept album, let’s do an album about a concept we actually understand.”

“Nobody’s going to listen to us if we’re just complaining about the system,” Dabi says. “We need a hook. The love story’s a hook.”

“Then one of us had better figure out how to write love songs,” Spinner says. “Because we all kind of suck at it.”

Dabi looks like he’s thinking about it, and Tomura wonders, like he does every so often, why he decided to let Dabi project-manage the band he started. “Okay,” Dabi says finally. “We’re calling practice for today. No more practice until everybody has at least one song to share.”

“Oh, come on —”

“How much of a song do we need to have?” Toga interrupts Tomura.

“At least two verses and a chorus. Instrumentation optional,” Dabi decides. There goes Tomura’s plan to weasel out of this by coming up with a melody and chord progression and calling it good. “Text the group chat when you’ve got something.”

Everybody else starts packing up their instruments, like this is settled or something. Tomura came up with the stupid concept album idea. He’s the one who has to put the brakes on. “We can’t just not practice,” he says. “We have shows booked next month.”

“So you’d better get writing, then.”

“Yeah. More writing, less singing to your neighbor through the wall,” Spinner says. Tomura glares at him. “Maybe you can write a song about that.”

Tomura will write a song about that when hell freezes over. But he needs to write something, or the band’s not going to practice at all before their first gigs of the school year. A concept album about humans falling in love while standing up to the machine or the man or whatever. This is going to be a nightmare.

When Tomura gets home, his neighbors are just as noisy as ever, except for you. You’re quiet. Are you even home? Tomura tries to write, but it’s hard to focus when he’s so busy listening. He’s still not sure if you heard him singing along with you, but what if you did, and you got so embarrassed that you’re never going to sing again? If someone had told Tomura this morning that he’d be upset that one of his neighbors wasn’t making noise, he’d have told them they were out of their mind.

And then he hears it, just past midnight — quiet humming from the other side of the wall, a tune that’s vaguely familiar. This time, when the words pick up, Tomura doesn’t sing along. He just listens as you mumble your way through the first verse of The Last Shadow Puppets’ Miracle Aligner. “Often the humble kind, but he can’t deny he was born to blow your mind — or something along those lines —”

It’s not Tomura’s favorite song from that band, but given that you like the band enough to get their songs stuck in your head, your taste in music is at least decent. Tomura won’t be able to decide if it’s actually good until he hears you sing a few more songs. And speaking of a few more songs — Tomura picks up his pen again and scrawls out a single lyric across the top of the page. Screw a concept album, for now at least. He just has to start somewhere.

One lyric turns into another, turns into a verse and the start of a chorus. Tomura writes until two am, your voice brushing softly against his ear.

[xesnox]

Here’s some more (Minecraft) Lost Ruins concept art!

This won’t be all, I’ll definitely post a general Mc human races lineup as well as some more character specific art of these two in the future, but I thought I’d get this little thing out to start.

Lore rant below, brace yourselves.

On the topic of Neo-Builders

History:

Very little is known about the Neo-Builders’ history, in-fact, the distinction between the ancients and them had only been made as of recent; as before they were assumed to one and the same, wich forced us to call back a lot of information we had thought to have previously established. Therefore, for now, only having been coined “Neo-Builders”, the “Neo” referring to new, and the term “Builder” a reference to older documents of the Ancients.

They’ve been quite the new phenomenon, only having been recorded within the last 50 years (OW time) of documentation: though this is difficult to be certain of as many antique relics, books and murals have since been either purged or stolen, so they very well may be older.

Biology:

Neo-Builders resemble what we know of the Ancients physiology almost to a tea, being a bipedal humanoid mammal measuring the average height of 6’2. Owning an internal skeleton and organs identical to those of any classified human (see page 104.) excluding the illagers (though self inflicted mutilation can be argued is not a standard biological requirement that should classify one to be taken from that category, despite requests from certain Villagers.).

They can be characterised by their slightly elongated skulls and a more often than not rather thin nose bridge. Their skin colouration tends to remain on the cool side, but seem not to range beyond the usual earthy tones, whilst eye colouration varies into each and every direction possible, including odd pupil shapes and unusually large irises.

A properly dissect-able body of a Neo-Builder is incredibly rare to find, as the entities themselves are already practically unheard of, so we do not have a lot of insight beyond one and a half example models;

But strangely enough the lack of visible veins seem to be more of a manmade aesthetic choice than a naturally evolved mechanism, their color nearly invisible and generally settled deeper within the body than what we commonly observe in the remains of the Ancients. They do not bleed, as the body doesn’t seem to utilise energy through a normal circulatory system: instead using “energy of the spirits” (see page 109: “forbidden sorcery.”) as a powerful energy source, giving any actually visible blood vessels (commonly found within the hands, wrists, forearms, neck, ears, ankles and feet.) a strange light blue glow that more often than not overpowers the thickness of their skin at-least partially.

Additionally, their organs and bone structure are supported by mechanical aids made of varying metals, specifically around the femur, spinal chord, arms, heart, lungs, and general joints.

Their eyes show a similar construction to those of the guardians, wich could lead one to believe they weren’t as new of a phenomenon as we had settled on reporting for now, though nothing concrete could be found thus far to fully support this idea.

They show a staggering immunity to both the green plague and the withering disease, and aren’t affected by any kind of physical corruption.

The Neo-Builders also do not reproduce naturally.

Culture:

We have not yet been able to observe any specific overarching culture within this people, as it is incredibly rare to find them within groups, this only having been documented twice across the entire to us beknownst world within the last half a century of literature. However they do share a few common behavioural traits, such as wearing durable clothes identified as ancient working class attire at large, harvesting materials and cleaning the Overworld of junk and rubble, of wich not much remains. They appear to have a specific affinity for saving those in need.

The only sentiment on religion they seem to share, is the fact that there were three Devine entities of some kind, wich overlaps enough with the belief system we established the ancients to have to draw our own conclusions from.

Psychology:

This race, to our, especially my, utter surprise is not only capable of communication but also entirely willing of participating in study, conversation and labour, wich is not only unusual, but unheard of.

The language they speak natively however sounds unlike anything we’d heard before, it doesn’t seem to have connections to any languages we documented beforehand, they cannot write nor read it, wich further complicated early communication as well as desperate attempts to figure whether this was the language written within the hieroglyphs of the ruins, of wich we still have unclear results.

They do not seem aware of who they are, who they were, or what their purpose is: some, of course, have found a purpose over the years, through affinity for something, a newfound passion or a mission they strive to complete, but each one of their earliest memories begin cryptically, as if they had simply beamed into existence within adulthood. None elaborate further.

They also do not appear to have empathy, as in ability to put themselves into the shoes of others unless the situation is explicitly explained to them. So they work better in social situations if you tell them the desired outcome they can strive toward reaching than if you gave them a long and detailed layout of how something could be emotionally upsetting, even if the latter is followed by a suggestion for improvement, if your time requires efficient fast action that is.

They are not afraid of the dead, in fact, they seem to have a strange affinity for it: something that definitely needs to be kept under very strict moderation.

Uncategorised:

- there are no Neo-Builders resembling teens or children, all appearing to be somewhere within young to late adulthood physically.

- they are not afraid of magic, including soul fire, soul magic, experience, potions, enchantment and other forces, unlike the Piglin.

- They have an affinity for the music the realm reverberates from time to time.

- they enjoy watching and analysing fairly complicated mechanical work without having the ability or skill to recreate them, very commonly growing fond of acquiring knowledge.

- the Endermen appear to have a vague interest in them. From what we can tell they enjoy study as much as the next person, however the interest seems to go beyond mere meek curiosity. Wich is a large reason for concern and one of the biggest reasons to try and keep Neo-Builders away from your village if you do not wish for a tear in space and a mass hysteria breakout from realm collapsing issues: remember, they will not hurt you, however, they are a walking anomaly to our world, therefore it’s safer to keep your distance, and keep them away.

- the illagers show a similar concerning interest which definitely sets a top priority in limiting interaction with the Neo-Builders.

- however, the Piglin seem to heavily dislike them, immediately resorting to violence upon seeing such an individual. This is very odd for the maybe a little pessimistic but overall neutral species, but they refused to speak on the matter.

Theories:

We theorise they might be mechanical entities. Not golems, or robotic in nature per say, but definitely reading of bio mechanical interference. I have settled on several possible origins of these entities, very little of them implying this new add-on to the human umbrella term to be reading of any good, but I do not have enough evidence or study to back up my claims as I’ve currently put my research on hold for exterior reasons.

Note: this entry is outdated.

[bagel-bird-ainsor]

Ghost trick spoiler thoughts I had while working on my most recent drawing

GT:PD SPOILERS BELOW THE CUT

Thinking about the process of Yomiel learning how to control his body again. I mean, when he took his body back from the morgue in-game, he got up and walked out pretty naturally. But what if it didn’t go so smoothly? He’s spiritually puppeting his own corpse around, and it’s probably a very different experience.

There’s a lot of bodily functions that we don’t necessarily *think* about; blinking, breathing, walking, etc.

So essentially what I’m picturing is Yomiel’s detachment from his body resulting in him being really uncanny (at least at first)

He zombie-walks at first, having to remember to keep his torso upright while manually moving one foot in front of the other. Even as he gets better at it, there’s still a stilted nature to his steps; never able to keep a steady walking rhythm.

Regaining his voice was the trickiest part. He had to learn what shapes to manipulate his throat and larynx into to formulate each sound. I feel like he’d sound like something out of the Mandela Catalogue, or similar horror content where an inhuman thing tries to mimic human voices. Once again, he gets better with practice, but there’s still something…off about him.

He never blinks, and why would he? He’s got the sunglasses on, so there’s no need to put in the effort. He never breathes, which most people don’t really notice unless they’re paying attention.

There’s a video game called Who’s Lila? that I heard about recently from a Jacob Geller video. In that game, you physically click and drag your characters facial features to form expressions, often to unsettling effect. I imagine it’s a similar process for Yomiel’s face. And without the ability to feel pain or damage his body, I can only imagine what expressions he could contort his face into without those limitations.

I like Yomiel as the cool, calculated, menacing presence that he is, but I also think the concept of what he is lends itself to the potential for uncanny imagery.

ANYHOOT; I just think it’s a cool concept to think about. Plus, there’s the added tragedy of his own body becoming such a foreign object to him, having to relearn things that were once second nature, and still not quite attaining a convincing visage of humanity. More traumatic experiences for Yomiel, why not.

If you read all that, thanks! And I’d love to hear any thoughts y’all have on the concept.

[thr0wnawayy]

Imo the League of Villains should have never existed from the main story of MHA. They were utterly unbalanced and were so flawed that no attempt of fixing could fix them.

I get where your coming from. I

I honestly believe the LOV really needed was time to grow away from the spotlight.

Think of the LOV as leftover pizza (I know, just stick with me for a minute)

Too long in the microwave/oven/pan and it tastes like hardback, too little and it becomes soggy muddled. There's a very specific way you need to do things and that's by not overthinking it.

Hori kept the microwave on too long and the LOV's potential evaporated.

From what I can tell, MHA worked best when it had a 'Villain of the week's type of thing going on.

This was most prominent and best set up with Stain, Stain's character/arc not only expanded the world of MHA but also brought up deeper questions about Hero society

What's most important here is that Stain didn't overstay his welcome. He rolled in, made every panel count and then went out like a champ. Affecting the protagonist and those around him.

He had an impact that's felt throughout the rest of the series (There is no Internship Arc in Ba Sing Se) not inspite of his short lived presence but because of it.

At some point, Hori lost this concept and the plot went with it.

I think the main problem with the LOV started after Kamino. Before this, every member has solid, or at least tangible ideals.

The Vanguard Action Squad was the LOV at it's most raw, not perfect but functional. They felt like people, when Spinner stops Magne from pursuing Midoriya, it feels real for the world.

Simply put the LOV (much like 1A) worked best as individuals, differing worldviews and all.

So when Hori robbed the LOV of their autonomy by practically wrangling them to Shigaraki, it in turn killed the LOV, because now nothing was individual about them.

If you want an example, how about Magne's death. Her last words are the very last time anyone in the LOV asserts any belief besides Shigaraki's own.

After this the LOV barely give any resistance to Shigaraki's plans no matter how short sighted or convoluted.

Kurogiri is outright sacrificed by the narrative so that Shigaraki finally has to step up.

Shigaraki's reaction to Toga's rage and grief follwing Magne's death can be amounted to: "Trust me bro, we're doing this for us bro, please believe me bro."

It's absurd.

As for being flawed, I'll assume you mean their motives.

What needs to be understood is that the LOV (Pre Kamino) and the PLF (Post Kamino) are not the same characters

Flanderisation is the phenomenon of a characters worst traits being exacerbated over a period of time until said character is unrecognizable from their original self.

This is what Hori did the LOV and he did this intentionally.

At some point he realized that the Villains actually had more of a point than the heroes, this likely occured after the MVA arc when fans began rooting for the LOV.

To counter this Hori sabotaged multiple characters and plots in a desperate attempt to justify his woolies and unfortunately for everyone who's isn't an abuser-stan (Enji and Bakuo). The rest of the cast and world suffered greatly.

What you ended up with are characters so detached from their origins that they might as well not even be the same characters at all.

There's an image somewhere that encapsulates this perfectly, it's a 4 panel comic with two stick figures (one black and one blue). If I ever find it or someone links it I'll be sure to upload it here

[anxiousdreamcore]

Did Frontiers of Pandora actually financially succeed? Spoiler: yes, but…

.

To get right to the point: Frontiers of Pandora made a 133 million dollars in January of 2024 and then, presuming half a million or so bought it for DLCs the following year, and even if we assume it never went off sale, it still adds an additional 15-20 million dollars to profits.

So, the game has made a whopping 148-153 MILLION dollars in sales.

That is decent success for a game that isn’t part of an established franchise and relied pretty much entirely on the A2 movie for its promotion, but here’s the kicker. The budget of the game, according to rumours/leaks, is a grossly bloated 120 million.

For comparison, Witcher 3, an open world game with beautiful graphics, ten times the content of Frontiers, a campaign spanning 50 hours and with release date of 2015, had the budget of 81 million. A question arises: where in the hell did a 120 million go? Why did frontiers need such a large budget? I can sadly not afford a definite answer.

Some theories of mine are: the primary chunk has been lent to musicians and concept artists, who made whole new clans, character designs, environments and music to go along with all of it. A clear lack of budget is seen within the latest DLC, as it has nearly no new music compared to the base game score, which perhaps points to the developers at Ubisoft cutting pay on the labour that demanded most of it. Animators and motion capture come in close second as the dlc also severely lacks said scenes with present actors, which was another clear attempt at cutting costs.

Second theory is that, what I think happened, was that the game was severely crunched by a huge team since the executives managed it poorly and it was unable to release in tandem with the movie, hence the budget, as it might have covered salaries for hundreds of people working around the clock to somehow finish the product a year later. Allegedly of course.

In conclusion: the game has made a ton of money but Ubisoft; a company that has lately become infamous for its foolish financial practices, will not be able to enjoy any of it in the wake of their pending projects with equally bloated-out-of-proportion budgets. Allegedly.

But at least the artists managed to create a gorgeous project. Hats off to them.

[mumblesplash]

more behind the scenes :D

so obviously my hgcz comic was a huge learning curve for me (i hadn't previously attempted a project this big EVER), and with this new and exciting experience came the opportunity to try something i'd never really done before: make actual character design refs!

i'm pretty happy with how they turned out, and more importantly they served several key purposes:

for one thing, both suits are specifically designed to make the character's poses as easy as possible to read--scar's leg braces especially don't allow for any visual misinterpretation of foreshortening or odd angles. the holster for grian's escrima sticks serves a similar function by giving a concrete sense of how his shoulders are positioned at a glance

also, crucially, they are both easy to draw. i was VERY aware that i was going to have to draw these guys dozens of times each, and i knew myself well enough to know i'd be adding in more than enough complexity with the posing and anatomy (and boy did i ever). i think i might have ended up with the least complex cuteguy design in the entire zine because of this, but in my defense he spends most of the comic pinned facedown on the floor. (this is also why i ended up simplifying his logo design in the final comic, if anyone was wondering)

more practical considerations included: hotguy's removable light-up vest, cuteguy wearing pants that could be rolled up so as to splint his broken leg, and his main weapon being escrima sticks so cleo had something to splint his leg with

i put arguably MORE effort into body language design (inasmuch as that's an actual thing, idk) but that's its own can of worms

of course, due to my nature the character design process deteriorated rapidly after i locked in my designs for hotguy and cuteguy. my design process for cleo was pretty much me drawing this sketch and going 'yeah that's what she looks like :)'

and my concept art for skizz was uh. this panel

i literally Just Drew Him. i was as surprised to discover what he looks like as you were.

looking back and comparing i can definitely see *some* benefits to designing character refs ahead of time, though to be more useful i think in the future i'd make sure the references include more closeup detail. or maybe i just refrain from things like putting an extremely distinct crack in a wraparound visor i have to draw over 100 times at every angle imaginable,,,

[mythicmanuscripts]

hello00o Sea!! firstly, I love your blog. it showed me a different way to see BDSM and sub-dom relationships!!! I'm learning a lot and it's even better bc it involves my favorite characters!!

I don't know if you've talked about it before, but I'd love to read your take on Aemond's relationship with his scar and how spouse!reader handles it?? or helps him with it? how it can affect intimacy (at least, at first) anddd all that.

thank you!!!1!!1

(sorry if my english isn't the best, it isn't my first language)

- 🪼

Brilliant question anon!! Don’t worry your English was perfect and I absolutely love this question.

My answer definitely isn’t very explicit but it’s most definitely sub!aemond so I’ll hide it behind a cut just to be safe :)) I'm gonna write this with an arranged marriage but if anyone has ideas about this for any other concept let me know!!!

So I think the best possible way to get Aemond feeling comfortable with showing you his scar is actually to go out of your way to respect him not wanting to take the eye patch off? His entire life he’s had people trying to see what his eye looks like without the eyepatch, he’s spotted servants trying to steal glances while they clean his quarters on multiple occasions.

And then of course there was that evening with the brothel worker on his 13th birthday. She undressed him and took of his eyepatch, not even asking if it was alright. At the time he didn’t know that wasn’t how things were supposed to be done, he thought he just had to be alright with it.

After that night he never ever wanted to show his scar to anyone. He just feels so much more vulnerable when the eye patch is off. That combined with how the brothel worker touched him and moved him and did things to him without him feeling comfortable... he thinks he'll never be close with anyone again, never mind sleeping with anyone and removing his eye patch.

The first time you're alone with Aemond after the wedding, he is so tense that he's practically shaking. You sit down on the bed in your now shared quarters and at first you think Aemond will do his husbandly duties and then leave, but he kinda just stares at the bed and can't seem to move.

So you move to the chairs by the fireplace instead and motion him over to sit on the chair next to yours. He does, and he's still so so stiff, he's sitting straight up, his back not even touching the chair. He is the exact opposite of at ease.

You decide to confess to him that you'd rather not have sex that night, and when you say that it's like you can physically see the weight lifted off his shoulders. You try to think of what you could possibly do now, and so you just take a complete show in the dark and ask him about Vhagar?

He's surprised, but then when you ask again he starts talking about her and how riding feels and everything about it. You smile and ask questions and from there the conversation flows relatively easily.

Once it becomes very late, aemond retires to his own chambers and you retire to yours. He never even touches the bed that day.

Over time you get closer to him and you can see how he's feeling more and more comfortable. You just feel so lucky to be able to see him even a little less composed. He's funny! He's got very quick wit and when you respond back with something equally as witty he smiles and lets out this very soft chuckle. And he's smart! He loves reading, especially about history and you can see his eyes light up as he speaks.

It's that love of history gets you to come up with an idea for your very first 'date' (cause yeah you're married but you certainly don't act like that yet and you've decided to build the relationship from the ground up). You realise that he's clearly so uncomfortable when he walks into your new shared chambers, clearly because of the implications of being in that room with you. So finding ways to spend time with him without being in the bedroom is very important.

You ask him to meet you in the library and then the two of you just sit together and read your own books. You stay there for hours, occasionally reading passages out to each other and discussing different things. The key to this is actually to not sit next to him, to not be touching him at all. There's two couches that face each other in the back of the library and you each take one of them. It's the fact that you're nowhere close to touching him that makes him feel more at ease.

After about a week of this he knocks on the door of your private chambers with two books in his hands and asks if you'd like to read in your shared chambers. You're shocked, but you immediately nod and walk with him. You can see how nervous he is, but you just stay calm and ensure you don't touch him by accident as you walk together.

Once again, you sit on opposite chairs and read your books and read out some passages to each other. He's so much more relaxed than the first time you saw him sitting on the chair.

As you two start to get closer and closer, you notice how Aemond seems almost skittish. So you tell him that you'll ALWAYS ask before touching him, and having you do that means the world to him. He feels so much safer with you then.

When you have your first kiss, Aemond whines into your mouth and shakes and when you ask if you can step closer and he says no, you immediately step back without any complaints. He kinda just stares at you in shock then, because he didnt think you'd actually move. He didnt realise that you'd actually take him so seriously about it.

You don't bring up the eye patch, not even once. You two end up having regular make out sessions and cuddling but you never ever bring up the eye patch. You call him handsome and pretty all the time and you never mention the eye patch. Even when you reach a point where clothes are starting to be shed, you still doesn't ask.

Aemond, meanwhile, is starting to get very confused about why you haven't asked about it yet. Make no mistake, he genuinely loves how the relationship is progressing and how you have this ability to always make him feel safe and secure, but he also doesn't quite understand why you've never questioned him on the eye patch.

He ends up bringing it up one day, maybe after Aegon makes some tone-deaf comment about how you must have to look away during sex when aemond has the eye patch off. Once Aegon finally leaves he asks you about the eye patch, asking why you've never actually asked about it.

You just shrug and say that it's his decision. You explain to him that you know he must be wearing it for a reason and you would never ever push him into showing you anything. You tell him that you could spend the rest of married life without him ever removing the eye patch and you'd be just fine with it.

He doesn't say any more about it at the time, but he spends a lot of time thinking about it and thinking about how insanely privileged he is to have a wife like you.

When he does finally feel comfortable enough to remove it, you ensure not to make a big deal about it? You thank him for feeling comfortable enough to do that and then you carry on as normal. As much as you wish you could take a proper look at his scar and his sapphire eye, you make sure you don't because you don't want him to feel self conscious again and put the eye patch on.

The first time you have sex, he's wearing the eye patch. But then... then right at the end once it's all over, he takes the patch off and cuddles into your chest.

[magua-vida]

SLAY THE QUEEN THORN

I was inspired by Abby's sketch of a hypothetical Queen version of the Princess, so I tried my hand at it with a few vessels, including this one. I... ended up drawing something akin to a fashion design concept art rather than a practical design that won't be tiring to draw over and over after a handful of sprites later. I also had to use a bit more artistic license growing unnatural poppies on the dress and the thick twirly prickly noodles.

some explanations behind the process

For the "mended" Thorn, I pretty much just removed the foreground thorns and added the dirt.

rambling/fangirling/screenshots below:

The Thorn is one of my favorites. If I had to choose only five vessels to offer to Shifty and there's no replayable feature, she'll definitely be one of them. I'm one of those suckers who's into Hurt/Comfort stories. Almost like a masochist for those fics, you could say. If the climax to an Action-heavy story is the defeat of one party, then the catharsis of Hurt/Comfort is when the two characters... well, comfort each other- either due to hurt from each other or someone else. In The Thorn's case, she started off rather innocently, Damsel-like, but not quite. She still had caution. It was until she was literally stabbed in the back that she learned that it was a mistake. And when Long Quiet offered sincere regret and admission of fault, she stabbed him... but she didn't feel the relief she thought she'd get from it. I think many relate to having been betrayed and/or betraying someone they trusted, and the scratches are felt by many players.

The thorns curve inward, as if it's more painful to leave her than it is to approach her.

Poppies grow around along the bramble. Many mistook them for roses because they're red and there are brambles (tbh, I actually dunno if they're brambles or briars, I looked them up and I got confused, forgive me, plant enthusiasts ;.;) that grow around the patches of those poppies. Death and romance~

This brings back to Chapter 1 where Hero was kinda-sorta-maybe-definitely crushing on the Princess and wants to give her the benefit of the doubt, not only because of feelings, but for a reasonable cause of wanting to rescue someone who possibly may actually be a victim of circumstance.

Look, I have reasons why Thorn route is one of my favorites and it definitely doesn't have anything to do with both characters having massive trust issues and the capability to change themselves for better or worse and the emotional moments hitting me like a lovely diamond-dusted dagger. Both of them are rather cat-like with pointy ears too.

I appreciate that you're still given the options to leave or stab Thorn, as if the situation isn't pitiable enough. Even her tiara looks like a crown of thorns. It's as if she views the thorns as both a form of penance and a defence mechanism to protect herself from being hurt again, even though she's hurt by her own making this time.

I chose for the Long Quiet to save her and leave the cabin together.

This part stabbed me the most. Even when shown genuine help, she shrinks back.

This part burns a bit of the jadedness away. Trust is a scary thing, so is love. How can you be so sure that you won't be hurt by the one you love again? But just like what The Prisoner says, it's about trust- blind trust. Thorn looks more human than her previous self- less animalistic, softer. A part of The Damsel returns, even in the music.

I recall weighing on whether I prefer the version with the Voice of the Cheated or Voice of the Smitten. I vaguely remember wondering if there was an option to ask her if it's okay to kiss her. I guess the ideal would be is to have that choice, but I suppose the climactic moment calls for it and she doesn't mind it, at least. It's like the option to hug Astarion from BG3, but you're not sure whether he'd be comfy with it after being hurt so much. He gave approval for it too~

As much as Thorn is one of my favorites, I'm not attracted to her and any of the vessels. Instead, I ship her with the Long Quiet- the character himself. I don't really see myself AS the Long Quiet, more like choosing what actions on what he does and I separate myself from him a lot for many reasons. It's a bit like the Harry situation from Disco Elysium in terms of seemingly blank-slate protagonists.

Instead, I kinda put myself into her situation to feel how she felt in this route. The poppies not only felt symbolic of her nature as part of the Shifting Mound, but also specifically the end of the mutual treachery you've inflicted on each other, potentially beginning anew on a path of healing.

==============ramble-bramble over===================