#and am constantly playing catch up

[bookwyrminspiration]

I think hydrated people are fucking lying it’s a trick there’s no way it’s possible how the fuck are people hydrated hydration is my worst enemy it’s impossible

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[feroluce]

Lucid Dreamer (2/2)

part 1

Gepard stalls almost a week before he finally goes out to the safehouse, and it takes him a couple days to find it because Sampo didn't have the time left to be wasn't super specific about the location. But he does find it.

It's pretty bare bones, really. Gepard knows that was probably to be expected, but… It feels crushing, when he realizes there are so few personal things here. It's nothing specific to Sampo. Just some food, some medical supplies. A cot and a heater and a lot of mismatched blankets. Nothing to remember someone by.

But he does find the letters, in a metal box stashed away under the bed.

There are two for him. Three for Natasha, and two for Seele. One for Hook, one for Serval, one for Pela, one for Bronya.

Bronya's is mostly business. They knew each other from the whole Stellaron incident, but not much beyond that, and the incoming catastrophe is a more pressing matter. Seele's is actually two copies of the same letter, and Gepard realizes why when Seele is so angry she rips the first one up without reading it. He gives her the copy a couple days later, and she slinks off without a word.

Pela seems completely normal after hers is delivered, but Gepard knows better than to trust that. The next day, he finds her asleep in bed with Serval, bottles abandoned on the floor, both their eye makeup smeared and running and Pela's glasses horribly smudged and crooked on her face. Serval doesn't read hers in front of him, but she's clingy with Gepard, Pela, and Lynx for quite a while after. She throws herself into her work a lot. She insists the heater from the safehouse is busted and she needs to keep it. It's too dangerous for use by someone who's not an engineer. Might burn their house down or something. Gepard doesn't argue.

Hook's letter is short, with easy to read words. The rest of it is actually a treasure map, and she and the moles spend the next several days running through the Underground, finding hidden candy and toys. Hook asks them when Sampo is coming back, because one of the marbles she found from his map looks green, just like his eyes, and she wants to give it to him. Natasha shoos Gepard out of the clinic before he can even begin to think of an answer.

Natasha refuses to let him see what's in her letters, which ok, fine, he'll respect that. He hears from Bronya who heard from Seele who heard from Natasha herself though that one of the letters was a map and the other a catalogue, with all of Sampo's hidden "warehouses." Gepard promptly marches himself back out to the frontlines, where he can turn a blind eye. If a ton of stolen goods suddenly enters the black market, and if the orphanage and the clinic suddenly have new supplies, well, technically that's none of his business.

Gepard goes to bed, curls up under mismatched blankets and closes his eyes.

He doesn't dream.

One of Gepard's letters was also business, like Bronya's and Natasha's. He and Bronya follow everything meticulously, down to the letter, because there has to be some good to get out of all this, there has to be. Gepard can't let it all be for nothing, it would bury him.

And so the catastrophe passes. Not without casualties, and not without a lot of damage and destruction. But Belobog survives.

And after that, time just kind of…goes on. Gepard has been a part of the Silvermanes since he was old enough to enlist. The Fragmentum had gotten so much worse in the years before Welt sealed the Stellaron. He knows the statistics, it is literally his and Pela's jobs to keep track. He knows when he sees a face everyday in the camps and then it's suddenly gone. He's not unfamiliar with things like grief and loss.

He still catches himself checking the trashcans and the supply crates and soldiers' footprints sometimes, though.

But there comes a night where Gepard goes to bed, holding the mismatched blankets to his face, and he dreams. And it's strange, it's off, it sticks with him. Sampo doesn't look the same. He's thinner. His muscles have atrophied. He looks like how Gepard has seen soldiers after months in the hospital.

The most unsettling difference is there's a scar across the left side of his head, Gepard can see it over his ear, peeking out past his hairline, carving towards his cheek. Sampo is always careful about his face. Gepard once saw him dodge a Fragmentum monster and literally let it cut across his neck just to keep his face clear. He wouldn't let that happen for nothing.

Their actions in the dream itself aren't new. Sampo seems tired, run down and worn out, but he announces his presence with aplomb by lobbing a bunch of smoke bombs off the rooftops and sending his soldiers scrambling. Same shit, different day.

The new part is what he says when Gepard chases him out to the edges of the camp, tackles him into the snow. Gepard pins him to the frozen ground to detain him and Sampo doesn't even fight it, just looks up at him like he's seeing sunrise for the first time in months.

"I'll be home in one week."

[tamagotchikgs]

i hate when i can feel things affecting me but i dont know what to do about it. i dont know what to use 2 counter it

[oldtestleper]

god I am not keeping up

[chishigure]

[pepprs]

feeling misery and despair about going back to work btw. im trying to suppress it and i did a good job but the inevitable is inevitable

[vimbry]

I haven't looked at any other game info at all bc I want experiences to be unspoiled, but the curiosity of the radio shoutout got the better of me (which I think is easily missable anyway? that's how I'm justifying myself), and it made me notice, the way evrart is described in the narration vs kim lol. oh harry's like, Into Him into him.

[rivalsforlife]

one of my more frustrating traits for myself is that I have spent so much of my life deeply immersing myself in One Piece Of Media For Years that I really don't have anything that can be called "taste", just a collection of facts and opinions about like one thing at a time. I have no variety and it is a significant effort to get me to experience something new instead of the same thing I like for the twentieth time. and I am very aware that this is one of the worst things you can do to yourself as a writer.

[phoenixcavalier]

Pink sunset last night :)

[fingertipsmp3]

Everybody: physical therapy hurts! You’re going to feel like you’ve been beaten up after you get out

Me: yep okay

Me when the physical therapy hurts:

[bf-xml]

🎤 Look he’s pogging lol

🎤 I wonder what he’s missed...maybe the tags will give a hint or two.

(That means read the tags teehee thank you)

[dirt-str1der]

Whatever kiryu does to you might not always be the best or even safest option but he will always do it with a lot of love in his eyes so you have to forgive him

[not-neverland06]

Kid?

Logan Howlett x fem!mutant!reader A/N: I haven’t watched X-Men since I was a child, so I can’t promise this is going to be canon-compliant. I haven’t watched DP & W either, I’ve just been influenced by that one gif where Hugh Jackman shakes his head like a dog. I feel FERAL Also, I am not good at superhero names or coming up with creative powers. So you’re a mutant with matter manipulation and they call you Flux. I mean, superhero names are inherently ridiculous so I think this works. (Don’t judge me, I’m just here for the sexy man) Summary: You walk in on Logan and Jean in a compromising position and feel your heart break. You really thought he loved you, you were so wrong. (Or were you?)

It was your own fault, you should have knocked before you busted through the door. You only have yourself to blame as you struggle to catch your breath and swallow down the lump in your throat. The image of Logan standing between Jean’s bare legs is going to haunt you for a while. Their faces will keep you awake at night, cringing at yourself while you remember the humiliating moment. 

You rush towards the door, a stupidly giddy skip to your step. You were a mutant, a superhuman, and getting a chance to talk to your crush should not have you giggling like a schoolgirl. Still, you’re blind to all logic when it comes to Logan. 

You turn the corner, spotting the medbay and nearly ramming into the door you know he’s lurking behind. Charles had told you where to find him. Of course, you hadn’t paid attention to the odd tone of voice when he had very clearly warned you to knock. All you’d heard was Logan’s name and you’d zoned out for the rest of the conversation. 

And, of course, you don’t knock. You grab the door’s handle and bust in, “Hey!” Your eyes widen and your stomach plummets with a depressing plop to the floor. Your eyes nearly bug out of your head when you see the way Jean and Logan are entangled in each other. He’s leaning over her, the muscles and veins in his neck pulsing with strain. Normally, that sight would have you nearly drooling. 

Instead, all you can see is the flush on Jean’s cheeks and the way her pupils are dilated with want. Her nails are digging into his back, bare legs twined around his waist. There’s no way to misinterpret this. No way for you to later assure yourself that this was all just a misunderstanding. 

The words stumble out of your mouth in a disjointed mess that even you can’t decipher. You stand there, jaw opening and closing like a fish out of water before you finally get it together. “Charles,” you stutter out, his name sounding like a question. You wince and finally tear your gaze away from them. “Sorry,” you chuckle, trying to play off your hurt as humor. “Charles needs us all for a mission.”

You don’t give them a chance to respond, you slam the door closed, ignoring what you think might be someone calling your name. 

You shake off the mortifying memory and groan. Your head falls into your hands and you grip at your face until the pain distracts you from the embarrassment. It’s not too hard to push it all down, to pretend what happened didn’t make your heart crumble away into nothing.

Maybe it’s because you’re a mutant that you’re so used to rejection. You’re used to constantly being disappointed by people around you. Your childhood was nothing but cruelty, your crush not liking you back can’t compare to half of what you went through. 

That’s what you tell yourself, at least, to try and pretend it doesn’t hurt as much as it does. You shove it down until you think you can’t feel that dull ache anymore. And when Jean and Logan walk into the room, looking more put together, you smile at Logan like you always do. It doesn’t turn down at the corners, your eyes don’t water. You take in a deep breath and look utterly unaffected. 

He sits down beside you and leans towards you. “I can explain-”

You cut him off and shake your head. “Forget about it. I should have knocked.” You turn towards Charles who wheels himself to the front of the room. You dismiss Logan and ignore the way his stare burns into the side of your head. 

Charles looks to Jean and Logan, a smile starting. Then his gaze drifts towards you and your chest deflates when you see the look on his face. He knows, the old miser probably coasted over your thoughts and he knows. He sends you a sympathetic look that makes you feel like a little girl who just got told unicorns don’t exist. “Jean, Logan, glad that you’ve finally joined us.”

Logan nods and leans back in his chair. But his eyes remain fixed on you and it makes you wish you could stab a fork into them. You let out a short, irritated huff of air and frown at yourself. Maybe you were a little more angry than you would like to admit. 

You blame Logan for that. You never would have fallen so deep into infatuation if you hadn’t believed there was even a sliver of a chance with him. Always speaking so kindly with you when he would barely spare anyone a second glance. Constantly doing checkups on you after a particularly harsh training session with Charles. 

Your mind runs over all the small things with him, everything you’ve done together. And you’re hit with a sudden nauseating thought. Oh my god, what if he sees me paternally?

You force yourself not to physically react but inside your throwing up and fucking freaking out. You feel a sudden spark of alarm from Charles and quickly do your best to fortify your mind so he doesn’t see your major mental freakout. 

You’re not that much younger than him. Well, it’s not illegal, your crush on Logan. But what if this entire time, when you’ve been falling harder and harder for him, he’s just been platonically taking care of you? You’ve seen him do it plenty of times for the younger kids, as reluctant as he is to admit it. 

You’re spiraling further and further into panic. So much so that you have no idea what’s even being discussed or what’s going on. You get onto the jet and have to ask Storm what you’re doing. She gives you a confused look but tells you nonetheless. Just some recon on a potential mutant trafficking ring. Nothing out of the ordinary, as depressing as that is. There shouldn’t be much violence, which is why your group is particularly small today.

You nod your head, moving like you’re in a daze as you throw yourself onto a seat. Logan sits beside you, an alarmed look on his face. “You alright, kid?”

The nickname, which is used to make your stomach flutter, makes you want to throw up. How have you missed it for this long? It was laid out so plainly before you. Of course, he doesn’t want you. Not when he has perfect Jean. Bile rises in your throat with a vicious ferocity when you glare over at Jean. 

There’s a sudden petty, vindictive rage fueling you. The type you should have abandoned in high school, especially now that you’re grown. Instead, you feel like giving into Logan’s idea of what you are. You feel like reacting to all of this petulantly. 

You ignore Logan and instead catch Jean’s eyes. Slowly, and with as much intention as you can force into your gaze, you look from her to Logan and then Scott. Her eyes widen and Logan scoffs beside you. She shakes her head minutely, silently begging you not to say anything. You smile at her and stand up.

You take a step towards Scott and Logan calls out an irritated, “Kid.” You ignore him and Jean eyes you warily as you approach. She stands like she’s ready to fight you and take the jet down just to keep you quiet. You reach Scott and can hear the way Jean takes in a sharp breath. 

“Scott,” he looks up at you with his brows raised. There's a pause before you speak. Dragged on too long for Scott not to realize you’re planning something. 

Jean takes a step towards you and you grin, “Mind checking my cuffs?” Scott gives you an odd look and his confusion only gets worse as Jean slumps onto the seat beside him. She’s not even trying to hide her relief. Scott shakes his head and holds his hands out, fingers gently probing around the cuffs on your wrists. The ones that keep your powers in check. 

You’re still new to welding them. And they’re too entwined with your emotions for you to just have free range with them. If you hadn’t had the cuffs on this morning, you’re afraid you might have just turned everything around you into nothing but dust.

“They look fine, Flux.” His tone betrays his thoughts. He doesn’t know why you’d come to him for this when it’s Charles who usually deals with it. But this stupid, petty little display wasn’t for poor oblivious Scott. It was for the woman sitting next to him. The redhead whose still drilling holes into your skull. 

You’ve got leverage over her that you’ve never had before. Scott wouldn’t take her little foray with Logan very well. And all it would take is a flick of your wrist to give him a very clear image of exactly what you’d seen. Then, her picture-perfect relationship would be over in a matter of seconds. You’re sure Logan would be more than pleased. But he doesn’t seem to understand that Jean just wants to have fun with him, she’d never choose him over Scott. 

“Thanks,” there’s a bite to your tone that you’re not used to. You usually keep your emotions relatively in control. That way you won’t have to wear these cuffs one day. But you feel volatile today. You’re channeling your hurt and turning it into misguided anger. 

You drop your wrists to your sides and stalk toward the front, hovering behind Charle’s and Storm’s chairs so you don’t have to look at the others. It doesn’t take long for you to feel the floor trembling under heavy booted steps. 

Logan’s arms rest on the headrest of the chairs, bracketing you in between them so you can’t escape. He leans forward until his chest is pushed against yours and you can feel every ridge of his muscled torso pressing into you. You try not to suck in a breath, try not to play into the cliche of instantly forgetting why you’re angry when you’re faced with those muscles of his. It is hard, though, because he’s so handsome and so warm and you just want to melt into him. 

“Wanna explain what the hell that was?” His voice is so low, whispering against the shell of your ear so only you can hear. You feel the vibrations of it against your back, his tone more gravelly than it should be. 

You glance over your shoulder at him, face placid and blank. “What? Just needed some help.” Storm looks over at you both and rolls her eyes. 

Logan opens his mouth to say something but she cuts him off. “Put a pin in the lover’s spat, we’re landing.” Using just a bit of your power, you push Logan off of you and head towards the back of the jet. There’s a slight jolt as you land and then the ramp opens up and you’re practically running into the snowy forest. 

You don’t know where you are, mainly because you weren’t paying attention, you just know it's fucking freezing. The leather of your suit isn’t doing much to help fight against the chill. Charles stays on the jet and reminds you all that this is only meant to be recon. You’re partnered up with Logan, and as much as it irritates you, you’re not stupid enough to argue against it.

You have to put aside your personal grievances for this mission. You can’t risk the safety of mutants because the guy you like likes another girl. Logan seems pleased about it, stubbornly staying by your side even when you make it clear you want space. 

You both linger behind the other’s as Storm leads you through the forest. Jean is being more touchy with Scott than normal. Either to assuage her own guilt or to rub it in Logan’s face, you’re not sure which. You nearly gag as you watch them whisper to one another, you glance over at Logan to see if he notices. 

You’re startled when you see him already staring at you. His lips tick up into something mischievous when he catches your eye. That smug smirk on his face as he leans in towards you. “Wanna tell me what’s got you so pissed off?”

You roll your eyes and tamp down the rising tide of anger. “Nothing,” you bite out, jaw clenching the longer you stare at the back of Jean’s head. You’re surprised you haven’t chipped a tooth with how hard you’re grinding your teeth together. 

He scoffs, not believing you for a second. He doesn’t say anything, just gives you an expectant stare. You can taste the words forming on your tongue, an irritating urge to just spill your guts overcoming you. Before you can stop yourself you blurt out, “I’m a little surprised that’s all.”

“Oh yeah, ‘bout what?” You hate how amused he sounds, the chuckle just lying in wait under his words. Like your anger is funny to him, like he didn’t just break your stupid fucking heart. 

You stop walking, not feeling as intimidating as you want while you shiver and huddle into yourself. He seems perfectly at ease in his leather jacket and beater, still refusing to wear the uniform. He leans back and looks at you with a fondness that you can’t tell if you love or hate. “You and little Miss Perfect.” You spit the nickname with enough venom to make both of your eyes widen. 

Logan rolls his eyes and takes a step towards you, again, Storm interrupts you both. “Guys, really?” Everyone turns around to stare and you will the heat in your face away. “Not the time,” she scolds and you brush past Logan to catch up with the others. 

You come upon a warehouse, it’s nearly camouflaged under all the snow. You see two guards waiting outside the metal doors and you all disperse behind the trees. Storm glances towards Jean who focuses on the guards. They drop to the floor and you wave your hands, their guns melting into puddles of metal. 

Logan and Scott move forward, sliding the large metal doors open. You wince at the loud screeching as the rust flakes off the sides. There’s a collective quiet as you all hold your breath, waiting for them to give the all-clear. Once they run inside and run back out, you and the others quickly get to your feet and rush into the warehouse. Logan closes the doors again as you make it inside. 

“No one here?” Storm checks. Scott shakes his head and you frown. That doesn’t make any sense. Why would there be guards if there was nothing inside?

Your question is, unfortunately, answered a minute later. You find a pile of metal crates stacked on top of each other. A large beige tarp covers them. You tug at the corner, letting the fabric slide off. Your eyes flutter with disappointment, “Guys! Over here,” mutants sit inside the crates. Each of them stares at you with varying degrees of mistrust and fear. 

As awful as it is, you’ve gotten used to these quiet depressing missions. There aren’t usually many mutants in one place. They don’t like to keep the product in one spot for too long. There are only four kids here. The youngest is eleven and the oldest is seventeen. There’s nothing physically telling about their abilities so you assume it must be psychic powers. 

They don’t want to come with you until you all give them a demonstration of your powers. Proving that you’re not just trapping them and taking them somewhere worse. You’re nearly out the door when Charles's voice rings loudly through all of your minds. 

You wince at the volume, hands coming up to grip at your hair as he shouts, “Behind you!” A gunshot rings out, something hot rips across your wrist and you gasp in pain. There’s a clatter of metal as your cuff drops to the ground, the bullet having destroyed it. Without them both, they’re useless. One won’t work without the other. 

You glance up at Logan, a panicked look on your face. You can already feel the tidal wave of power thrashing and building in your chest. It’s been so long with the safety net that you forgot how bad it gets without the cuffs. 

“We need to get you out of here!” He shouts over the gunfire. He herds the group behind a cluster of metal shipment boxes. It provides enough cover for you all to try and figure out an escape plan. 

You listen to the other’s worried voices, each of them trying to console the kids. You don’t know their powers yet. Don’t know what might go wrong if they get too scared and can’t control their abilities. 

You can’t speak, breaths coming short and fast as you clutch your wrist to your chest. You know it’s delusional, hoping that if you keep a tight grip like the cuff you might be able to control yourself. You can already feel the energy leaking out of you, the ends of everyone’s hair stands on end. The wall in front of you warps and cracks like it can’t decide if it’s liquid or solid. 

You grit your teeth and look only at Storm. “You need to get out,” you force the words out. It causes physical pain to try and keep everything at bay. You can feel pressure building in your forehead, pushing out until you think you might explode. 

“We’re not leaving you,” Logan snaps. There’s shouting going on behind you, a pause as they all reload their guns. 

“Wasn’t a question,” you grit out. You look towards Jean and there’s a moment where you both put aside your differences. You both know how stubborn he is, how much he’ll fight against leaving you behind. Regenerative powers or not, it's dangerous to even be close to your gift now. You can see them all straining against the ebbing flow of your powers. Their skin shifts unnaturally like you’re already altering the atoms of their being. 

This is why you’re only allowed to train with Charles and Jean. They can get in your head, shut it down when you can’t. You’re not sure you’re going to survive yourself. Logan glances between the two of you and practically growls at Jean, “Don’t you fuckin’ dare-”

His words trail off into an unintelligible slur as he slumps forward, Jean having knocked him out with her powers. Scott grabs him and grunts under the weight of his body. “I’ll cover you,” you gasp the words out. Anything but focusing on your powers causes physical strain that makes you feel like you’re being tugged in a hundred different directions. “Just get them out,” you nod towards the kids. 

Storm nods and you slip out of cover. It isn’t hard to push your powers in one direction, to solidify the air in front of you so the bullets ricochet harmlessly off. You listen to the whine of the metal door and wait for the others to be gone. 

“They’re in the jet,” Charles's voice rings out. “Don’t do this,” he warns. You can’t think of a response, you’re not even sure what you would say. You never thought you would be able to approach death this calmly, or that this would be how you die. It feels almost pathetic, dying because you lost control on a recon mission. 

At least those kids are safe. It’s not a bad reason to die. Just not great. You glance down at the other cuff on your right hand, the air around it fluctuates until it melts off your wrist like liquid metal. With the last barely there tether off your powers, you close your eyes and release the tidal wave. 

It feels like a dam exploding. It doesn’t leak fluidly from you, it rips through you like a hailstorm of knives. Tears apart anything in its path and rewrites the molecular build of everything in its path. Screams echo through the air as men’s bones turn into brittle dust and their hearts morph into something inorganic. You’re blind to everything around you, vision clouded by the horrific release of energy. 

You can feel warmth leaking down your face. Blood still pours from the wound on your wrist, and fresh blood from other wounds you can’t even feel. You don’t know when the screams stop, or when you’re finally drained. But you feel like an empty husk as you drop to the floor, your head bouncing harshly against the cement as everything goes black. 

“I’m gonna kill you,” Logan says with a grin, glaring at Scott even though it’s Charles who is holding him back. He’s got a firm mental grasp on Logan, keeping him locked into place while he focuses on the warehouse. 

They’re waiting for the all-clear. The others know there’s always the possibility that they’re going to be collecting a body. But none of them are willing to say that, not with the look on Logan’s face. His muscles look ready to pop out of his skin with how much he’s fighting against Charles’s hold. 

Scott backs away from Logan with a scoff. He stands near Jean, but she can’t take her eyes off the restrained man. Nothing had happened this morning, Flux had seen to that. Interrupting them just as they’d started. Seeing the way he’s acting now, she’s starting to believe that nothing is ever going to happen. 

He’d looked like he was about to dismiss her when she started making a move. She can see the anger on his face, it seems he’s only ever pissed off. But underneath that, as much as he hides it, she can see the fear. He’s terrified that they're going to walk in there and you’re going to be dead. 

Jean can feel the fear of the others as well. They’ve only seen you lose control once and that had almost leveled the mansion. Charles had stopped you then, but the loss of the cuff had been so sudden Jean just barely had enough strength to keep the others blocked from your powers. She didn’t have enough time to shut you down. 

Jean, as much as she’s tried to deny it and dismiss her suspicions, can’t look Logan in the eye and ignore it anymore. It’s never been her that he’s wanted. The way he trails along beside you, always prodding and poking until you’re pissy and mouthing off. It’s not done because he finds antagonizing people fun, it's because he loves seeing you all worked up and passionate. He doesn’t view you through the same platonic lens he does the others. You’re something else to him, something she doesn’t want to name, afraid of the bitter taste it will leave on her tongue. 

Charles slumps back in his chair and Logan suddenly lunges forward. He looks a little surprised by the sudden freedom of movement, but before any of them can stop him he’s running out of the jet. “Logan,” Jean tries to call after him but he’s already a distant blur. 

Scott sighs and starts down the ramp. “Come on,” he mutters. He’s the last one who should be coming along. If anything is wrong with you, he’ll end up being Logan’s punching bag. Jean follows reluctantly, she’s not sure she wants to see what’s happened. 

Your powers are too similar in their volatile nature. The way they rule you and come so close to destroying you when you use them too much, is too familiar to Jean. She doesn’t want to see you lying dead on the floor and be reminded of her own mortality. But someone needs to make sure Logan is stuck on a leash. 

They reach where the warehouse should be. It’s nothing but a pile of rubble now. Throughout the wreckage, Jean can make out odd pools of liquid, some writhing, others still. She can only assume that these had been the men shooting at them. She doesn’t see your body, none of them do. But Logan isn’t giving up. 

He lifts different pieces of metal and tosses them off into the forest. Jean doesn’t sense your presence anywhere but she doesn’t have the heart to tell Logan to give up. After a few minutes of searching, she almost tells him to quit. But she can’t see him anymore. He’s disappeared somewhere behind a particularly large pile of roofing. A moment later, Logan stands up. His jacket is gone, wrapped around the body in his arms. None of them are close enough to see if you’re breathing. And he doesn’t say a word as he brushes past them, just keeps going back to the jet. Ororo, Scott, and Jean all share a silent look. None of them prepared for the potential fallout that’s going to happen after this. 

The first thing you feel is two familiar bands of metal around your wrists. The comforting feeling of the cuffs is enough to have you sinking further into the pillows surrounding you. Then you hear the beeping in your ear, feel the cool blow of AC, and become startlingly aware of the fact that you’re in a bed you don’t recognize. 

You groan, eyes peeling open painfully as your lashes get stuck on your skin. You reach up to rub at your face but your arms feel too weak to lift. You give up on the thought, instead staring up at the ceiling and waiting for your vision to refocus. 

A throat clears in front of you and you nearly jump out of your skin. Sitting at the end of your bed, arms crossed and a fierce glare on his face is Logan. His feet are propped up on the small table beside you. He quirks a brow and gives you a sardonic grin, “Finally awake, princess?”

Normally the name would have you up and doing somersaults, but there’s something distinctly negative and disappointed lacing his tone. It squashes any and all butterflies in your stomach. You grimace as you try and sit up. Logan is up in an instant, an annoyed look still on his face as he helps you up. 

You can’t help your dopey smile at how gentle his hands are on you. Even pissed off, he treats you so kindly. Maybe it’s the drugs relaxing you, or the fact that you almost died, but you can’t remember whatever made you mad at him. You can only feel the slide of his calloused hands against your arms, the way you shiver under his touch and crave more. 

He pulls the chair closer to you with a loud scratch of metal feet on the linoleum. You groan at the loud sound and he huffs, throwing himself down in the seat. “How do you feel?”

Your head sinks back against the wall and you finally realize you’re in the medbay. It’s why everything smells so sterile. “Like I got hit by a semi.”

He barely lets you finish your thought before he spits out, “What the fuck were you thinking?” He doesn’t ease you into this at all and you frown. You’re not sure why you would expect him to ever beat around the bush. That’s not his style, he’s always been blunt. Even when others wish he wouldn’t be. 

“What else was I supposed to do?” You ask, voice weak. Your throat feels like it’s been ripped apart. Idly, you wonder if you had been screaming in the warehouse or if this was just general strain from the whole ordeal. 

“Not put yourself at risk like that.” He leans forward, voice stern and bordering on shouting. You know he’s holding back. As much as he wants to lay into you right now, he’s stopping himself from going completely out of his mind. You appreciate it, but you almost wish he would just yell at you. You wish you had a reason to resent him, to finally get over him. “Not have Jean knock me out like that. You don’t get to make those decisions for me.”

It’s completely inappropriate and horrible timing, but you can’t help but scoff at the mention of Jean’s name. Can you not have one conversation that’s not tainted by the mention of the redhead?

Logan’s mouth snaps shut and he glares at you in disbelief. You squeeze your eyes shut, not willing to face him as embarrassment washes over you. No wonder he always calls you kid. You’re not exactly acting like an adult. You’re being a brat and for such a stupid reason too. 

Just because you like him doesn’t mean he has to reciprocate. You can’t just force your feelings on someone. “Logan,” you whisper his name, “Sorry. I’m sorry-”

He cuts you off before you can finish. Some of the anger, but not all, has ebbed from his expression. He almost looks like he’s smiling. “Jean? That’s what this is about? Jealous or something, sweetheart?”

You sputter, shocked little noises leaving you but no words. After a solid minute of restarting a sentence you don’t know how to end you finally land on a squeaky, “Who?” If you weren’t so mortified, you might have just thrown yourself out the window. Out of every cop-out you could have gone with you chose to just pretend you didn’t know who she was. Maybe you could make this work, like selective amnesia. 

Your shame only builds as Logan laughs. You cover your face and wish you could bury yourself six feet deep and never come up. You feel two rough hands wrap around your wrists, tugging your own away from your face. You don’t have the energy to fight back, so you keep your eyes on his chin. Too afraid to meet his gaze. 

“Come on,” he mutters, gently nudging your chin up until you’re forced to look at him. You're caught off guard by the look in his eyes. You recognize it, but you’d only ever seen it directed at Jean. It’s the same way you’ve always looked at him. Pure unguarded want and desire. 

The hand on your chin drifts back, fingers tangling in your hair and gently resting on your jaw. He tugs you forward until your lips are nearly touching, breaths mingling with every exhale. “Only ever wanted you, darlin'.’”

The kiss catches you off guard. It shouldn’t, deep down you knew it was coming, but the intensity behind it, the way you can practically taste how bad he wants this, wants you, catches you off guard. You lean into him, wrapping your arms around his neck and letting yourself melt into his hold. 

His free hand drifts to your waist and clutches the flimsy hospital gown until you hear it tear. You part your lips, deepening the kiss so you can finally taste him. It’s cigars and whiskey, something you should hate but is entirely intoxicating when he’s holding you so tightly. Fireworks are going off in your mind, sparks darting between your fingers as the cuffs struggle to contain all the energy suddenly pushing out of you. 

He can feel you holding back, squeezing you like it’s a promise he can take it. Take everything you throw at him. You let go as much as your cuffs will allow you. Let the energy blanket you both so you can’t hear your heart monitor going off like crazy. So you don’t feel anything other than each other. You think you’re going to devour each other like you’ll just keep kissing until neither of you can take it anymore. You don’t want to let go of him, don’t want to lose this moment. 

But you have to breathe. You don’t get to just keep living the way he does. You pull away from him slowly, every part of you dreading separating from him. His forehead drops against your own, his laughter playing along your lips as he finally hears the monitor going haywire. 

You groan, flicking your wrist and shutting it off so it can’t betray how flustered you are anymore. He gently nudges you aside so he can sit beside you on the bed. You don’t waste a second before you’re draping yourself across his chest and siphoning his warmth. He chuckles, arms coming up to wrap around you. 

“Can’t believe you were jealous of Jean.”

“Shut up,” you snipe. You look up at him and glare, “How else do you explain what you two were doing?”

He leans forward and gives you a smug grin. “She came onto me, sweetheart.” Your face screws up in distaste and jealousy. She’s going to need to learn to keep her hands to herself. He seems to feel the way you tense up, he huffs in amusement and rubs your back. “Relax, you’re gonna blow your fuse again.”

You glance down at your wrists and nuzzle further into him. You can’t believe you could have been laying on him this whole time. You never want to use a blanket again, not when you’ve got him. “I’ll be fine now that I’ve got my cuffs.”

His hand stills on your bicep. He squeezes it before his hand drifts up to your chin and he tilts your face up again. “I don’t ever want to see that again.” You’re a little surprised by the sudden shift in tone, but you knew this was coming. 

“I had to, Logan. I either took you all down with me or I went on my own.”

Logan frowns and takes in a deep breath. You place a hand on his arm, giving it a gentle squeeze. He smiles down at you, “Next time, take me with you. I’m not fucking dealing with Summers without you.”

You can’t help but chuckle. Your face grows warm and your chest expands with some odd gleeful feeling as he laces your fingers together. “Deal,” you whisper, still smiling at him. 

A/N: Okay, this might be shit, I’m not sure. I sort of rushed the ending because as I was writing this I had another idea for him. I guess I’m officially off my hiatus. 

end. — I do not own the characters or the comics/movies Wolverine/X-Men, but this writing is my own all rights reserved © not-neverland06 2024. do not copy, repost, translate & recommend elsewhere.

[inkskinned]

i think a lot about exactly 1 thing from the roman empire: the concept of bread and circus. the idea was that if your population was fed and entertained, they wouldn't revolt. you are asking us to give up our one small life, is the thing - for under 15 dollars an hour.

what would that buy, even. i am trading weekends and late nights and my back health. i am trading slow mornings and long walks and cortisol levels. i am trading sleep and silence and peace. for ... this. for what barely-covers-rent.

life really is more expensive right now. you aren't making that up. i make almost 3 times what i did 5 years ago, and despite an incredibly equal series of bills - i am still struggling. the most expensive line item i added was to own a dog. the money is just evaporating.

we were okay with it because it's a cost-benefit analysis. i could handle the customer harassment and standing all day and the manager's constantly changing temperament - i was coming home to hope, and my life planned in a blue envelope. three hours would buy me my dog's food for a month. i can give up three hours for him, for his shiny coat and wide, happy mouth. three days could be a new mattress, if i was thrifty. if i really scrimped and saved, we could maybe afford a trip into the city.

recently i cried in the car about the price of groceries.

business majors will be mad at me, but my most inflammatory opinion is that people should never be valued at the same place as products. your staff should not be a series of numbers in an excel sheet that you can just "replace" whenever you need something at that moment. your staff should be people, end of sentence.

it feels like someone somewhere is playing a very bad video game. like my life is a toy. like someone opened an app on their phone and hired me in diner dash ultra. they don't need to pay me well or treat me alright - they can always just show me the door. there is always someone more desperate, always someone more willing.

but i go to work and know i could save for years and not afford housing. i am never going to own my own home, most likely. i have no idea how to afford her ring, much less the wedding. my dog doesn't have his own yard. everything i love is on subscription. if i lose my job, i have no "nest egg" to catch my falling.

this thin life - they want me to give up summer for it. to open my mouth and throat and swallow the horrible hours and counted keystrokes. they want me to give up mountains and any non-federal holiday. to give up snow days. to give up talking to my mom whenever i want. to give up visiting the ocean and hearing the waves.

bread and circus worked for a while, actually. it was the kind of plan that would probably now be denounced by republicans as socialist commie liberal pronoun bullshit.

but sometimes i wonder if we should point them to the part of the history book that says: it worked until it didn't.

[urbanfiltered]

:-)