#and also what got me back into the fandom

[waywardworldhopper]

I... don't know how I feel about this statement. I mean, the statement itself is well written, and I like how they gently go "hey if you want to do activism there are better options than harassing some internet comedians."

But just... validating the complaints with this kind of response seems dangerous, especially given Dropout clearly recognizes they're tenuous at best. Like, I'm all for them taking an explicit stance on Palestinian liberation and directing fans to charities, but it feels like giving these accusations the time of day is encouraging more harassment.

🍉🍉🍉

Additional resources to support the people of Palestine:

Demand a Ceasefire in Gaza

Palestine Children’s Relief Fund

UNRWA

UNICEF

Gaza eSims

[vintagegeekculture]

I remember a friend of mine had some LPs that were Star Wars themed disco albums, and it brought back a very weird memory from back in the 70s (yes, I'm old!) of listening to a Star Wars disco mashup on the radio. What was all that about? I also remember something like that for Close Encounters, too.

You remember correctly, and this went on for a long while. In 1983, disk jockeys around the country played a record that involved an Ewok rapping the plot of Return of the Jedi in Ewokese. This made it to #60 in the Billboard Top 100.

This is hard to explain to people who weren’t there….but in the wake of Star Wars in the late 70s and early 80s, scifi was so beloved and mainstream that the orchestral music for nerdy scifi and fantasy movies about outer space were remixed and sampled into Giorgio Moroder-esque Italo-Disco dance numbers. And the most astonishing thing is, instead of being consigned to convention acts the way “horse famous” Brony dubstep acts are, this received national airplay on the radio, reached the pop music charts, and were played in discotheques. And incredibly, this continued for years and expanded from Star Wars into Star Trek, Wizard of Oz, Black Hole, Close Encounters….

All of this was the work of one specific person: Meco (or Dominico Monardo). The term “ahead of their time” is thrown around a lot, but Meco really was: a combination producer-songwriter and Italo-Disco pioneer in the style of Giorgio Moroder, he did several things that are now absolutely standard: he used remixes and sampling before hiphop made that standard for musicians, he wrote “fandom music” on a Moog synthesizer decades before Bronies turned their conventions into cringey dubstep concerts with songs like “Everypony Dance Now.”

It's stunning to me that Meco has not been rediscovered, considering every single trend in the culture essentially went his way.

The most startling thing about Meco’s Star Wars disco album, the one that got the ball rolling on this trend, is this: I always assumed it was some kind of cash in created by a record label mandate, a label executive’s completely cynical choice to hop on a hot new trend. That isn’t a crazy thing to think at all, since Star Wars is and always has been the most merchandized and sold out scifi property ever. But it wasn’t! You see, it was all the product of a single man’s specific vision: Meco had to convince his record label to make the record because they were skeptical.

When Meco went to see Star Wars in 1977 on Opening Day (what an experience that must have been) with his friend and fellow Italian chest hair/gold medallion enthusiast Tony Bongiovi, he was already an experienced producer-songwriter who had worked with Gloria Gaynor, Diana Ross, and formed DCA, the Disco Corporation of America. If you've ever listened to Diana Ross's "I'm Coming Out," Meco actually played the trombone solo in that song. Seeing the Star Wars movie for the first time, though Meco thought the movie was nothing short of a religious experience. Originally, he wanted to do Star Wars music as a b-side on a Gloria Gaynor album, but expanded the idea into an entire album.

In Meco’s own words:

"When I think about what I did, nobody came to me, nobody said 'Meco, why don't you do this.' Nobody says 'Here's some money go make a record of this movie.' It was just my own... It was magical, it was just out of this world when all that happened."

Not only did this album hit platinum, not only did it actually outsell the Star Wars soundtrack, his remix of the Star Wars theme also went to #1 in the charts. It’s actually the best selling instrumental single of all time. A record, that, incidentally, it holds to this day.

Dick Clark, host of American Bandstand, had this to say about Meco:

"In 1977, Meco Monardo accomplished something no one else has ever done to the best of my knowledge. He was the first one in history to out-sell the soundtrack of a motion picture with his own distinctive version of a film's music. The music was totally danceable, and broke new ground. It's no wonder the STAR WARS THEME went to # 1. I loved his treatment of music from THE WIZARD OF OZ. Again, Meco created something innovative. The fun and the excitement gave a whole new feel to that totally familiar and well-loved music."

Like a lot of studio producers, Meco had an insane work ethic and hit when the iron was hot: he did an album about Close Encounters that exact same year, but also did a Star Wars Christmas Album, one of the strangest pieces of Star Wars kitsch around.

One of the most interesting things about the Star Wars Christmas album is that one of the songs, “R2D2’s Wish You a Merry Christmas” is the first professional vocals by John Bon Jovi, who was Meco’s friend Tony Bongiovi’s seventeen year old younger cousin (he was initially known as John Bongiovi). It's incredible to hear a squeaky voiced teen Bon Jovi on a kitsch album about a robot Christmas.

1978-1979 was really his best year. Meco made an Italo-Disco remix album entirely devoted to Superman, and at this point, Meco had the pull to get access to John Williams's sheet music for the score before the music even came out. In my personal opinion it's the best of them because he has to recreate it entirely with his own instruments, leading to a very unique sound.

He also did an album based on the Wizard of Oz:

And a combination album of Star Trek/Black Hole. It's probably the earliest remixing date of Goldsmith pieces of music: the Motion Picture Theme (which is now associated with the Next Generation - hearing it done in Italodisco is uncanny) and the Klingon Theme:

Incidentally, I think the design here of the Meco Enterprise, which had to be modified for legal reasons, would make a wonderful canon starship if anyone wants to be inspired by it. It reminds me of the same concept that would be used in the very next film for the Reliant-class of ships.

Meco eventually retired from music in 1985, but unfortunately he is no longer with us, as he passed into the next dimension in 2023. I think he showed us that creativity is often about transformation, and was inspired to make his art by a legitimate awe of space, the cosmos, and human imagination that the scifi movies of the 1970s and 80s provoke.

[bellisima-writes]

Some Rebellious GO Fanfic Recs

Hey there fandom fam,

It’s been an absolute wretched couple of days. I had expected many different outcomes to Tuesday, but the decisiveness with which my country elected a convicted criminal to its highest office left me shocked and numb.

And I know we all don’t come here for politics and real life. We come here to escape. But if you’re like me, and you have this itching need to fight, to organize, to lift up the vulnerable and protect those most at risk, then it’s hard to be here and escape right now.

And that sucks.

But this is and will remain a fanwork blog, and so I offer you some solace - here are some GO fanfics that focus on fighting. On breaking a broken system and protecting humanity, no matter the cost. Because, as much as we love Aziraphale and Crowley, that’s what the original work was about. Love and connection and humanity as an act of rebellion, and we sure do need those themes right now.

So if you’re angry and in the mood for some more plot/action based fics, with a flaming sword and maybe a dash of BAMF Aziraphale, I got you.

I am going to start with my own here, because I've not found one as outrightly rebellious as this yet in my own reading.

The Last Angel by me - (E, 162K) A canon-divergent AU where Crowley and Aziraphale are never assigned to Earth, Hell wins Armageddon and Angels are all but extinct. The story follows Crowley, the Grand Inquisitor of Hell, and Aziraphale, the last Angel alive, as he is captured and brought to Hell to face his execution. But, Hell hath no fury like an Aziraphale scorned...

So, was he really captured, or does Aziraphale have a plan to seek revenge on the beings responsible for destroying everyone he ever knew? And how will the way the Grand Inquisitor makes him feel affect his plans?

Tether by @gingiekittycat - (E, 45K) - a post Season 2 story in which Aziraphale is summoned back to Earth by Crowley for reasons he doesn't understand. This one has all of the sexy goodness you come to expect from a gingikittykat work, with a heartwarming take down of Heaven's Second Coming plans.

What are you doing here by @alphacentaurinebula - (E, 68K) sexy and popular season 3 speculation fic that encompasses both the humor of the source material shockingly well while also providing a rebellious and on brand end to the conflict between Heaven and Hell. Because sides don't matter, working together matters, and this story delivers that theme beautifully.

The Beginning of the End (Again) by @addledmongoose - (M, 79K) a post Season 2 story where Crowley and Aziraphale work to convince Jesus to not go forth with the final judgment. This one stands out for its take on Aziraphale as a guardian angel, fierce, protective, and an ending where he shows his true colors and fights for everything he loves. BAMF Aziraphale in the best way.

Echo by @snae-b - (E, 52K) a story of waking up to find an invisible hand controlling your life, and fighting back to break it and create a new world for everyone.

And a current WIP that's not complete, but the last chapter left me with chills and I am SO excited to see how it will end - And I Did by @di-42 - a Season 3 speculation fic that has Aziraphale as Supreme Archangel in Heaven and Crowley as Grand Duke of Hell. The story is rich and complex, and the cast of characters (both favorites from the show and book as well as new additions) are wonderful. There are two chapters left and I can't wait to see how it all turns out!

Please add on to this list with your own works and favorite rebellious fics!

[katy-l-wood]

What I'm Going to do Going Forward

I think it is important to have clear goals right now, so here's mine:

I'm still going to get top surgery, but I talked to my original surgeon and got my deposit back. While I would love to stay with him, he is far more expensive than other options and I will now also be planning on getting my tubes tied, so I'll need money for that as well.

I am going to be focusing my activism efforts on emergency response and natural disasters. That is my niche, and that is where I feel I can do the most good. I will still lend my voice, signature, and vote to other causes, but my focus will be here.

I came up with an idea for a big project related to individual safety during disasters about a month back, and I'm going to do my best to get it out within a year. Don't want to talk about it too much just yet because it's still somewhat nebulous, but I'm super excited for it.

I'm still going to apply for a PhD in Emergency Management next year. If the program I want isn't getting funded due to the issues we are now facing, I will still be doing my planned dissertation topic as a non-fiction book.

I'm going to be more active in fandoms, and probably write more fanfiction. Need my little dose of happy, and fandom has always been a good way for me to get it.

No more social media before bed. Just reading. And less social media that I can't filter as well (so less TikTok, less Reddit).

I am still going to publish my books (and I've got a handful ready to go!) but that may have to look different if it becomes too expensive to produce special editions out of the country, or produce physical editions in general. We'll just have to wait and see on this one, but one way or another there will be books!

[angelbarelywrites]

♡ slashers scenarios | your first time together is…your first time (part 2)

♡ fandoms; Friday the 13th, House of Wax, Black Christmas, Scream, Dead by Daylight, Hannibal (TV) /Silence of the Lambs, Texas Chainsaw Massacre (og), slashers (general)

♡ characters; Jason Vorhees, Bo Sinclair, Vincent Sinclair, Danny Johnson, Billy Lenz, Hannibal Lecter, Bubba Sawyer

♡ reader; gender neutral

♡ cw; graphic sexually content!!, mentions of vouyerism, documentation kink (yay Danny), manipulation, breeding kinkish content, lots of cumming inside, light pet play elements

♡ notes; seven babes in one post wowowowow! i’m just trying to get caught up with everyone else before i start doing new prompts. but! i have a big list of new ones do not fear

these weren’t written in one sitting like some of my other fics so i’m sorry if the quality wildly varies

•┈••✦ ❤ ✦••┈•

Jason Vorhees

> It’s been gentle coaxing towards each step of the relationship with Jason

> And while you have the patience of a saint when it comes to that man, you’re also incredibly pent up. You’re just as much of a virgin as him and starting to wish he’d fix that.

> But you keep it to yourself, not wanting the pressure him into anything and getting yourself off when he’s not there. It worked well enough before after all.

> One day he comes home when you’re in the middle of mastrubating and you quickly scramble to hide the fact

> He knows somethings up right away, you’re covering yourself with a blanket and red faced…He’s repressed, not stupid.

> You apologize meekly and expect him to walk away - instead he grabs the blanket and pulls you forward by your thighs

> “J-Jason- baby? Are you going to-?”

> He pushes his mask up and goes down on you like a man starved… he may or may not have been home earlier than you realized, listening to you whimpering and moaning his name

> And getting you off ends up getting him very excited- excited enough that he doesn’t care about anything but doing it again

> And if you want him inside you, he’s more than happy to oblige.

> You shyly straddle him and sink onto his cock, holding onto him tightly

> He hides his face in your neck as you slowly move, murmuring sweet words of encouragement to him

> “Jason, it’s so good- you feel so good-“

> After a bit he holds your hips, fingers digging in as you get him closer and closer

> You gasp as he comes inside by accident, too shy to admit you liked the feeling

> He doesn’t even pull out as he holds you, knowing that as soon as he can, he’ll be helping you ride him again

Bo Sinclair

> It slips out when you’re cuddling and watching but not watching some silly movie with copious sex scenes

> “What’s your favorite position, darlin’?”

> “Hm? Oh, I dunno?”

> “Top three then-“

> “Bo I haven’t even-“. You blush bright red as he slowly grins

> He doesn’t leave it along the rest of the day- he has cute little innocent virgin partner

> He likes it way too much- and you like his fixation on it too much

> When you get him alone again you huff and straddle him “Stop teasin. Show me your favorite position, then.”

> You don’t have to tell him twice- and he’s a gentleman, letting you ride his face before he finally fucks you

> He’s got chest against your back and hand between your legs as he slowly uses you

> “Fuck- you’re squeezing my cock so tight- pretty little fucking virgin-“

> His dirty talk gets you both off…again, and again, and again…

> He doesn’t stop until you start whining and pushing his hand away, overstimulated and sore

> “Fine, fine…we’ll try the other top two tomorrow,”

Vincent Sinclair

> Honestly, Vince isn’t huge on sex

> When you offhandedly mention you haven’t done anything before he doesn’t mind and he doesn’t get overly excited like some people.

> He let’s you make the first move

> …or at least he’s going to, but you don’t say anything about it for a long while

> He finally asks softly if you want him to touch you.. and meekly you say yes

> You’re not sure who’s happier- you as he makes you come with just his hand, or him getting to watch you

> After a few days of this you finally get the nerve to ask to do more- his good side goes bright red at the idea of you touching him and you giggle and praise him the entire time.

> But about halfway through he makes you stop and pins you- still gentle but very daring for him

> You giggle again “…wanna go all the way?”

>He nods eagerly and he positions you- very gentle missionary with his forehead against yours

> Even inside you he stops so he doesn’t cum, coaxing you over the edge twice before he gets too close

> The third time you cum you wrap your legs around him and make sure he can’t pull out

> He’s so apologetic after he cums inside- but quite pleased in the same breath

Danny Johnson

> The conversation comes up when he asks you to model for him- a boudoir shoot, naturally

> You’re his muse already- but he wants to shoot more than just your pretty face and the hickies he leaves

> He’s surprised when you’re shy and look away, mumbling that you aren’t pretty enough for that

> “Course you are babydoll- no way no one’s ever told you that. Unless you were screwing them with the lights off-“

> “Danny I haven’t screwed anyone.” You pout

> He tries his best to hide his perverse excitement and looks determined- he’s got an idea…Those usually don’t end well

> Next thing you know he’s pulled a mirror to face the bed and has you on his lap, kissing at your neck and feeling you up.

> He spreads your legs and makes you look as he starts to touch you- you’re not sure if it’s the lewd situation or just him that makes you cum faster than you have ever before

> He makes just as much of a show of cleaning up the mess you’ve made on his hand, and you can feel how hard he is against your ass

> You pull yourself together enough to pout and grind down on him- that’ll show him

> Your revenge quickly backfires as he manhandles you to your hands and knees, grinding against you in a much more expert manner

> It doesn’t take long before you’re babbling beneath him, begging to take him

> He takes his sweet time teasing you- once he’s finally inside you’re pushing yourself back against him, fucking yourself with him

> He lets you do the work- it makes it easier for him to enjoy the show

> At least until he’s about to cum

> Then he pulls you up, making you watch in the mirror with one hand and holding you against him with the other

> “Fuck- look at you- that’s my good fucking baby (/girl/boy)!”

> When he pulls out it splatters across the mirror and he grins and gets a picture- just your bodies in the reflection

> If you thought you’re getting away to rest though…you were mistaken- he had a lot more pictures to take, and a lot more methods to get you to make pretty faces for them

Billy Lenz

> Billy takes things fast. He’s depraved an eager man.

> You aren’t very far into the relationship when he lets his hands wander while you’re cuddling

> He frowns when you push his hands away insistently- you’d talked so confidently about this on the phone…

> “I wanna touch my pretty toy-“

> You mumble something he can’t hear- making you pout as he tilts his head and leans in closer curiously

> “You’ve never- oh.” His grin is huge and excited

> After some convincing you make it a game- how long can you two go without going too far?

> While you want to have sex with him, you’re nervous, so you figure that’ll buy you time to muster up enough courage

> But Billy being Billy, it isn’t long until he finds a shortcut- he bites and kisses and laps your neck and grinds up on you every single time he gets the chance

> If it was PG-13 before, you were heading fast to an R rating

> Finally you can’t stand it any more as he’s got you on his knee, pushing it up as he oh so innocently rubs your hips and kisses you

> “Billyyyy- please — I need it-“

> “Need what?” For once he’s acting coy- so you quickly show him as you undo his pants

> He’s all giggles and moans when you blow him- cumming down your throat quickly

> And before you can move he flips you, going down on you and to your chagrin already hard before you cum once

> But he’s not a monster- or maybe he is, because before he’s even got it in you you’re whining that it’s all too much

> He licks away your overwhelmed tears as he slowly pushes in, cooing softly for once

> Though as soon as your comfortable he’s saying the filthiest things in order to coax louder and louder moans out of you

> Without warning or real permission he cums inside, grinning at the mess and finger fucking whatever leaks out back inside as he coaxes you to another orgasm

> Once he’s finally done late into the night, he holds you tight and continues to coo praises - Billy’s baby was so good! -and he knew they’d be just as good for him in the morning

Hannibal Lecter

> Hannibal knows almost everything about you, especially if you ever began as his patient

> Even if you don’t tell him expressly, he has his theories- but he’s not trying to be too forward

> It’s going to be your idea when he shamelessly uses you :)

> He has it planned to the T as well- you’re having a sweet little date night in and he’s admiring you on the couch

> Perched on his lap you giggle and shiver as he gently brushes your neck, and your thigh, and your stomach- each a little “accident”

> Not that you’re complaining or he’s apologizing for the increasingly lingering touches

> “…darling? Ah- we’ve never done anything before but…”

> “But what my love?”

> “Can you pretty please touch me?”

> He’s so proud of his little pet and tells you as much as he lays you down right there, going a step forward and using his mouth

> Of course he wants, needs to taste you

> But he doesn’t let you come- not yet

> No, he makes sure you’re already riding him slow and deep by the time he makes you come for the first time

> He stops and showers you in praise before helping you move again

> He wants you to crave him inside- and by the way you’re already whimpering with every little move he thinks it’s working

> He’s territorial- coming inside isn’t even a question, even if he pretends it it

> “Good puppy…Very good. Master’s going to cum- are you going to let me cum in that pretty little hole?”

> As you manage a blissed out sound, you’re sent over the edge and he takes the moment to cum inside

> You only hum an acknowledgment as he pulls out and lays you down, practically tucking you in with him

> What a good pet you made…

Bubba Sawyer

> Bubba is so scared of sex at first…Well, small correction- he’s scared of having sex with you.

> I mean Drayton’s idea of sex ed was simply not telling him about it because he didn’t ask “Sex is- well nobody knows!”

> And from what he’s read in books and heard on the radio, it’s sinful and dirty and ruins you

> And he’d never want to dirty you. You were the nicest, cleanest thing in his life.

> So when you ask him if he’s had sex he vehemently shakes his head and you tell him you haven’t either. Good!

> “Well- ah- would you want to? With me, I mean?”

> He’s absolutely shocked- didn’t you know it was dirty?

> “We don’t have to- I just- I really like you. I wanna make you feel good.”

> Maybe he had some details wrong. That’s what he tries to reason as he lets you take his mask off and undo his pants. He’d try it, but if he felt wrong, he’d stop so you both stayed clean…

> It takes all his will not to immediately buck up into your throat when you put him in your mouth.

> You’re sloppy and clumsy and he’s just the same, groaning and whining and gripping the sheets. Before he can finish you pull off and he pouts.

> “C-can we- I mean- can I-“ You huff and get frustrated at your own embarrassment, starting to slip your shirt off and hoping he gets the message.

> He goes red and nods quickly, practically tackling you and kissing you sweetly before he moves into position

> You help him ease himself into you , whimpering and making sure he’s comfortable too

> “Oh my god- that’s it baby- just like that,”

> The praise makes him move harder than he means to but god you’re grateful

> When he does come he pulls out and paints your stomach- and as soon as he realizes you haven’t done the same he uses his hand to correct that.

> He holds you tight and doesn’t let go the rest of the night, keen on trying more in the morning

[epickiya722]

Sometimes, I forget that there are people who find protagonists like Izuku, Tanjiro and Yuji "boring" because "they exhibit typical shonen protagonist traits" and one of them woukd be "They're nice, they're kind, they're all sunshine".

Which, okay, have your tastes, that's fine.

But when it comes to characters who are kind and/or nice, there's layers to them.

Just because a character is nice, doesn't mean they're kind and vice versa.

A character can be the most evil one in that story and still show kindness to some people somehow. A nice character may be the one to do immoral things, Yuji being an example.

The reasons for why a character is nice and/or kind varies, too.

Some are just genuinely born that one. Some may be selective as to who they show those sides, too, because of their own morality. Maybe, a character is being kind or nice to also manipulate others. Some characters may choose to be kind because who will, despite the cruelty of the world?

Also, I feel like, even with people outside of a fandom, they hear or seen a character being nice and kind, they just stop at that and don't think they're capable of being ruthless.

Like, Tanjiro canonically has a pure soul, but multiple times he has shown he is not only a menace in a fight, but he has shown to be one in casual situations. Sometimes, he's not even aware he is because he is so nice.

Izuku, he's a sweetheart, too. But even he will just shut off that "sunshine" to literally tear into you. He has been told in canon to hold back his emotions, the most prominent one being his anger. When he's angry, go apologize!

Yuji, look, let's be real... he is sunshine and rainbows, but that boy is probably the least sweetest one out of these three examples. Hold back? Yuji don't know what that is. No, no, he really don't. I kid you not, this kid doesn't. You can't even use the fight against Junpei as one because he punched Junpei UP into a window. Had Junpei not have that shikigami, he would have gotten major injuries.

My point is!

Just because a character is kind or nice or both, it doesn't mean...

A) it's the only trait they have.

B) they're not capable of not being kind or nice.

I think some see nice and kind and associate it with being "soft" in a derogatory manner.

Which, first off, there's nothing wrong with being soft.

I'll be honest, it will sound silly (go ahead and laugh actually, I encourage it), but if you asked put a character like one of the mentioned protagonists in front of me along with their villain and asked me "who I'm more scared of" I'm pointing at the protagonist.

Listen to me. Don't let that cuteness fool you.

With a villain, I am well aware of that villain being evil and will hurt me no matter what I do.

With someone like Yuji or Tanjiro or Izuku, they look nice, they look kind but it's like you have to be careful to not to trigger them in a way to set them off. You're caught off guard but those sweet faces and then next thing you know, BOOM! You got knocked out.

If anything, as much as people like to clown on these characters, they're only just following the footsteps of the ones before them.

Just like those legends, they started from the bottom and grew stronger over time and even with being a chill person or don't want to do evil, that doesn't exempt them from being not "a sweetheart".

I said it before, but a sunshine character to me is a character who is warm but lethal, like sunlight.

[wings-of-fire-confessions]

Okay, imma be real? I think this fandom gets way too upset over characterization differences between books (this'll be a long one just let me explain).

I see a lot of posts in the WOF fandom about how certain characters got ruined in the next books or how their characterizations were completely screwed over. A lot of posts also are like, "Oh, Tui messed up X character in this book so badly!" Or "All their personality has changed in this book, what happened to my favorite character?" and so on like that.

This kind of thing, ESPECIALLY after rereading the series recently, then coming back to the fandom, pisses me off to NO END for a couple of reasons.

1. Tui wasn't "ruining" your favorite characters personality in the next book, because the focus of the next book wasn't the character in question. The spotlight is on another character entirely, and trying to micromanage THAT many personalities to their truest form is INCREDIBLY difficult.

2. Plotting out character personalities is a GRUELING process, coming from someone who does a lot of writing. ESPECIALLY if it's original characters, because then you can't just pull from fandom or canon, you gotta do that shit yourself. And over the course of the canon, their personality is gonna change!

This brings me to my last point and probably the biggest reason:

3. EVERY BOOK IS FROM A DIFFERENT PERSPECTIVE.

This has been a STAPLE of the Wings of Fire books from the VERY BEGINNING. With every new book, we as readers are jumping from one dragon's mental space to the next, learning about their traits and quirks and how they perceive the world around them, every single time we pick up the next book in the series. It's what helps give us those deeper insights into the characters that yall get so angry about when they aren't immediately represented in the next book, when that dragon is no longer our spotlight.

Also, when we are learning about the other dragons before we jump to their perspectives, the character that we are reading about is already making assumptions and assigning traits that they think correlate with the character in question! We are seeing the world through their eyes and thoughts, so when we move to another perspective, that dragon is doing the exact same thing, even though now we know more about one of the other characters!

And then the fandom gets hissy when the first character gets relegated into the background and assigned some base personality traits, even though that's exactly what happened before.

Personally, I think the ones who suffer from this the MOST are Clay in Arc 1 and Moon in Arc 2. Clay, according to fans, gets boiled down to nothing but his love for food, even though we see in his, Sunny's, and Peril's perspectives that he's more than that. His behaviors also directly correlate to why he gets that kind of background trait (although that's a whole other rant), and every time I see someone saying that Clay got screwed over by characterization, I take psychic damage.

And Moon. God, yall, Moon gets it THE WORST FROM YOU. I've seen SO MANY POSTS about how she got boiled down to nothing but a love triangle piece in the later arcs, which is only partly true, but we also see from ALL OF THOSE PERSPECTIVES (Qibli and Winter specifically) that the traits they're assigning her are both different aspects of how her character worked in the first book and what two lovestruck, moons-blinded dumbasses are seeing and choosing to view her as.

Her book even SHOWS how much of a NIGHTMARE it would be to have every character be deep and know their inner thoughts at all times. Moon herself gets mentally and physically overwhelmed near CONSTANTLY during the majority of her book, and I'm not even technically factoring in Darkstalkers' influence.

All of that to say, Wings of Fire fandom, is to stop losing your SHIT over how your characters might seem flat or not like they were in their books. All of these perspectives are different, and if you motherfuckers actually took some time to reread the books while actively LOOKING for those hints of your silly guys being the same silly guys, just from another dragon's POV, then maybe yall wouldn't be so pissed off about characterization in the books nearly HALF as often.

I don't even care how much discourse this is gonna spark I just felt the incredible urge to tell yall to use those skills you learned in English class and chill the FUCK OUT on this topic.

Thank you for coming to my Ted Talk. Now go use your eyes :>

.

[coraniaid]

Reverse Unpopular Opinion: Amy Madison

[Reverse unpopular opinion meme.]

This is an interesting one because I think there’s a solid argument to be made that the character of “Amy Madison” does not, in fact, actually exist on the show Buffy the Vampire Slayer.

By which I mean … look, okay, yes, obviously, there is a character in an early Season 1 episode called Amy Madison, played by Elizabeth Anne Allen.  And there’s a character with the same name in a Season 2 episode, and [in an admittedly weird coincidence] she’s also played by Elizabeth Anne Allen.  And there’s one in Season 3, and a one in a few episodes of Season 6, and one in an episode of Season 7, and all of them are played by the same actor.

But … I mean, come on.  There’s no way these can all be the same character, right?  They don’t have the same basic back story or the same relationship to magic or to Willow; they certainly don’t have anything resembling a definite personality or set of motivations or a consistent character arc.  No, surely what’s going on here is that there are several different “Amy Madisons” in Sunnydale – just like there are several different characters called Anne or Nancy on the show – and in a bizarre in-joke the writers simply decided to cast the same woman to play all of them.

Now, ordinarily, simply being written inconsistently over a handful of episodes and not having anything resembling the same personality from week to week would be no obstacle to having a few die-hard fans.  But – as far as I can tell, anyway? – there’s no “fandom Amy” either.  She never really gets mentioned when people want to talk about how all the Scooby Gang had awful mothers [even though Amy actually did, explicitly and inarguably, have a very, very awful and openly abusive mother!].  There’s very little in the way of Amy/Willow shipping going on here or on AO3 [even though witchcraft is heavily coded as a metaphor for being a lesbian and Amy, one of the first witches we meet on the show, is repeatedly linked to Willow throughout the show’s run].  There are no adorable drawings of Amy as a rat staring out of her cage at Willow and Tara (or if there are, they aren’t getting as many notes as they should be getting).  

No, it looks like most people who are still watching and talking about the show twenty-five years later have about as much interest in poor Amy Madison as the writers did.  She’s a plot device.  A punchline.  A cipher.  A blank slate.  She’s whatever the plot requires her to be to further the stories of the actual characters on the show, and she’ll never ever be anything else.  Which is a little sad, if you think about it.  I think Amy – or, well, most of the different Amys: The Killer In Me’s smirking evil-for-evil’s-sake Amy I’m not so sure about – deserved better.

[As I write this the thought occurs to me, belatedly, that I might be one of Amy Madison’s biggest fans.  Pretty grim news for her if so.]

OK. Enough stalling.  Five positive things about Amy Madison [with, as ever, the usual caveat about the comics, which I’ve still not read anything about and still don’t exist].

Witch, Amy’s debut appearance, is a solid episode!  One of that season’s best, I think (though not, of course, one of its very best).  And I think the duo of Elizabeth Anne Allen's Amy Madison (and Robin Riker as her mom Catherine) is a big part of why that episode works: no, they haven’t got a huge amount to work with, but I think they both do a pretty good job switching between evil witch Catherine and innocent victim Amy.  Catherine’s bodyswap spell foreshadows (albeit unintentionally) the bodyswap artifact that the Mayor gifts Faith in This Year’s Girl / Who Are You? and I’ll always have a soft sport for it because of that.  And I really like that the episode ends with Amy alive and hanging out with Buffy in a way that suggests that they are going to stay friends, even if we don’t see any evidence on screen that that happened.

Sarcasm aside, I’m really glad the writers brought Amy back in the second season.  To me, part of the appeal of the high school years are the recurring minor characters – I talked about Principal Snyder before, but also Jonathan and Devon and Percy and Harmony and … yes, Amy too.  The show obviously doesn’t care about her very much, and you have to do a lot of mental gymnastics to fill in the missing pieces of her story and make her arc make sense (why is she starting to do magic in Season 2?  When does she start hanging out with Willow?), but … well, I do care and I have done those gymnastics.  At least Amy didn’t end up like Marcie Ross or Buffy’s old flame Owen or any of those poor kids who must remember eating Principal Flutie. 

I’ve been reading a few old interviews Elizabeth Anne Allen gave recently (here and here, for example) which I think have some pretty interesting insights into how the character of Amy developed.  Had you ever heard there were persistent rumors at one point that Amy was going to be one of the starting regulars on Angel?  It’s mind-boggling to think about a world where that happened.  Allen seems to have put a huge amount of thought into her character, too, at least for her first few appearances, which … uh, I guess makes me feel a bit shitty about those opening paragraphs. [Not enough to delete them though…]  Also in one of the linked interviews she says that she “hopes she won’t be a rat much longer” – and that’s an interview she gave before the Season 3 finale had even made it to air, which made me pretty sad to read.  Forget appearing on Angel, imagine if Amy had been de-ratted in Season 4.  Imagine if Superstar was about Amy instead of Jonathan.

There is a second or two in Season 6’s Smashed – no more than that – when Buffy and Amy are catching up again (“How have you been?”  “Rat.  You?”  “Dead.”  “Oh.”) and you can, if you’re quick, delude yourself into thinking that the show is going to do something interesting with the obvious parallel it’s just set up. Willow has now not only brought Buffy back into the regular human world [and left her struggling to live and find meaning as a college drop out with a dead mother and an absent father last seen on screen about five years ago], she’s also brought Amy back into the regular human world [and left her struggling to live and find meaning as a de facto high school drop out with a presumed-dead mother and a presumably-now-absent father last mentioned about five years ago].  Surely this must be deliberate?  Well, no: the show doesn’t do anything with this idea ever again, because Marti Noxon had very different [worse] ideas for Amy’s character this season, but if you pretend it might be about do something like that it’s a pretty exciting couple of seconds.

The fact that “Amy Madison” exists as a (technically!) canon character means that I can write (or daydream about writing) fanfiction in which Willow has a friend in high school who is also a practising witch. One with a vague but miserable home life, who is secretly in love with Willow but too afraid to admit it (and so she keeps professing to be interested in men who she can’t possibly ever expect to date, either because they’re unpleasantly vile toward women or openly gay or both). And I can do that while, just about, pretending that I have not created the most embarrasingly psychologically revealing OC you ever heard about in your life.  Thanks Amy!

[magicomens]

Hello, how are you :)?

Mh, I just wanted to let you know that I loved your comic, and that it gave me a sense of inner peace and tranquility that I haven’t felt in a while.

Do you know when your life is constantly stressful, and then your days go bad on top of it all, but strangely, you make some time for yourself to sit alone for a moment on whenever soft surface you find, and exhale a long sigh? I released a sigh each time I read your comic, and when I finished reading it, I had a huge smile on my face. To give some context, there has to be something really impactful for me to change the expressions on my face, and when I read the finale a second time, I still had my smile on. It calmed me down, and Merthur being lesbians, cottage girls and marrying each other was the sweetest, yet more fitting finale you could have given them, after everything they have endured, alongside Aziracrow being the supporting couple on the side, full of sweetness too. I liked this comic from start to end, and I still remember being gobsmacked that someone literally had had my idea of Arthur coming back in a new and unexplored way, and also adding another tv show that I really loved with it, mixing everything together to make an interesting comic out of it. I’ll forever be grateful that people like you exist and do this purely out of love, and because you like what you do. I hope my message will be enough to let you know that what you do is incredible.

It’s people like you who keep fandoms alive, and I’m so happy for it.

Thank you for writing an idea, for writing entertaining and deep dialogues and for drawing my dream of a silly and forever heroic Arthur coming back in this day and age, with his faithful servant and friend and the powerful warlock Merlin by his side, helping him and loving him as much as he had loved him when he first got to know him (and for fixing the tremendous finale they gave us, for which I still mourn😔 *shakes fist towards the sky* Damn you, BBC!).

A beautiful and majestic dream became reality.

I hope you had a great time working on this comic, and that you’ll be able to do more projects in the future, enjoy them as much as you enjoyed this one, and as much as I enjoyed it🤍!

I truly admired it.

Have a great day and a fulfilling life :)!

P.S.

You inspired me into drawing my ideas☺️. One day, I hope I’ll be able to write my own comic.

So thank you so much again!

Oh now you're just trying to make me cry :'D and saying I inspired you was the nail to the coffin!

I'm really glad you found some happiness while reading it, this is what makes the work worth it <3

[ohwatson]

Hie!!

Do you have any johnlock fic recs :3

( or parentlock, it consumes me )

Ooh so you want to go down this rabbit hole with me, then!

These are in no particular order, just fics I've read recently or just a handful of the many authors this fandom has to offer whom I respect deeply.

Parentlock has been all I've been reading for the last several weeks, honestly, been on a real kick & need it like oxygen!

I can't reccomend anything by JenTheSweetie on ao3 highly enough - her Parentlock is just deliciously in-character, witty and tangible. instruction manual not included and Immune to Your Consultations (feat. teenage Rosie, which we don't have nearly enough of in my opinion) have been my most recently read and are just *chefs kiss*

@lurikko also has written Ten Years (feat. scheming matchmaker Rosie) and A Weird Place (which is tagged 'Just raising their kid and being confused' and...yeah, succinct, brilliant summary, have re-read this one several times)

@arwamachine has written Indefinite Lines, a gloriously long post-S4 casefic featuring lots of lovely family dynamics between Sherlock, John and Rosie in between (one of the parentlock fics of all time, in my opinion) and I also got done reading Winning the Goat, which is so amazingly witty and comical and just generally wonderfully written.

Swan Dive by @hitlikehammers is 5+1 featuring an emphasis on the relationship between Sherlock and Rosie and is once again, brilliantly characterized and wonderful to read

Keep on Changing by philalethia is a good, spooky post-S4 parentlock fic (read it for Halloween, did not disappoint!)

I know @missdaviswrites has also written heaps wonderful parentlock stories and there are plenty of stories that feature Rosie as a character and lovely domestic/parenthood fluff out there on ao3 that I haven't listed (these are mostly ones I've read recently or that come to mind)

As for general Johnlock fics...! (Most of these, again, are what I've been reading recently or first come to mind)

until we fall asleep by @itsonlytext is set post-TLD and is angsty, tense, realistic, soft, quiet, and in-character all at once and is such a little hidden gem that not nearly enough people are talking about right now!

A Thrill Failed to Deliver by @jbaillier who I know by her dozens of stunning medical realism and angst fics, in my opinion never disappoints. Have never been happier to see an author come back from a hiatus, lol!)

An Ounce of Cure by @bakertumblings is another great medical realism fic, this time with John as the one getting hit with all the angst and whump

What it Can Be by @naefelldaurk is a spin on the end of TLD and offers a much more satisfying end, brilliantly in character and wonderfully paced.

@calaisreno just finished When Harry Met Mary which follows the events of S3/4 through Harry Watson's POV (brilliant fic for those who are sick of Harry getting reduced to nothing more than John's alcoholic sister; her role in this is brilliant, developed and enjoyable). Also read Déjà Vu which is part of her genius Off-Axis series (frankly in love with all of her AUs)

The Fallen series by @engazed is one I've started just recently but has already hooked me!

Thirst by @holmesianpose is another one I've just started, so not too far in, yet, but still wonderfully written thus far!

@gaylilsherlock wrote Cutting Out the Middle Man recently (along with the several other Johnlock fics they've been putting out at admirable speeds), featuring getting-together between John and Sherlock and Greg Lestrade as a wingman and the delicious Watson & Lestrade pub scene!

Double or Nothing by @crowson75 is a study in John's bisexuality, gripping casefic, wonderfully smutty and realistically characterized, post-S4 and finally sees these two idiots figuring themselves out.

Not a Johnlock fic (there is background Johnlock, though!) but instead it’s a Mystrade one, is The Habits of a Lifetime by @out-there-tmblr and is definitely a Greg x Mycroft story but also a beautiful and realistic 54k words of a Mycroft character study and is just too much of a favorite of mine for me not to put on a rec list.

I also highly reccomend anything written by @totallysilvergirl, @the-reading-lemon, @weeesi, and @7-percent.

Realizing so many of these are post S4 or S4 compliant but I just love some good fix-its, I suppose. Hope some of these are to your liking, as they are all certainly to mine :)

[itsclydebitches]

RWBY Recaps: Vol3E1 "Round One"

Hello, everyone, and welcome to a new collection of RWBY Recaps!!

This is a unique project in that instead of writing purely for my own entertainment, these recaps are part of the Fandom Trumps Hate auction (you can check them out here if you're interested in learning more). Specifically, these recaps are a gift for the lovely Kae who requested some meta on the earlier Volumes, or work that focused on Ozpin and/or Ironwood. I figured that Volume Three would touch on all those requests and, frankly, it's an era of RWBY that I was already interested in covering. Volume 3 was a turning point for RWBY's tone and overall mythology and I'm eager to see what I think of it in 2024, after six additional seasons and a rather chaotic overhaul.

(If anyone is reading this from the future, one of the reasons why it took me so damn long to get the first recap out is because finding official streams of RWBY has become a fool's errand as it changes ownership. Fun!)

Anyway, the game plan is simple: cover all of Volume Three at an undetermined, though hopefully steady-ish pace from here on out. Technically, the deadline for our FTH fandowrks is at the end of 2024, however, I absolutely plan to continue this series past my 5k promise. As always, this will be a RWDE-focused meta (though I'm eager to see how much nostalgia carries me through the season), so if you Don't Like; Don't Read.

Everyone got that? Great!

Now, indulge me for a moment and cast your mind back. It's October of 2015. Pizza Rat is a tumblr icon, Left Shark still reigns, and everyone is arguing over whether a dress is gold and white, or blue and black (it's the former FYI ;). Amidst such quality memes RWBY begins airing again on the 24th, presumably bringing with it another season of stellar choreography and simple, if entertaining conflict. Team RWBY has just helped contain a massive breach courtesy of Cinder's machinations, Torchewick is in Ironwood's custody, the White Fang is falling under Salem's puppeteering, Penny has revealed her android identity as well as her supposed fate to save the world, the girls are beginning to acknowledge the responsibility of their chosen career path, and the mysterious Raven has been identified as Yang's birth mother. All in all, RWBY has a lot to play with going into its third season.

It's notable then that we open peacefully. The viewer is treated to a number of environmental shots to set the scene, including one of the forest with its iconic falling Fall leaves. Ruby is positioned at the edge of a cliff with her signature rose petals drifting behind her. Stylistically it fits the scene, though from a literal standpoint it also implies that she used her semblance speed to get here. Given the momentary reveal that she's speaking to her mom, that's a rather heartwarming detail.

Sidenote: has anyone given any thought to cliffs in this series? It only occurred to me recently how often they show up, often during character milestones. Here we have Ruby talking to Summer for the first time, her (bodiless) grave situated at the end of a cliff. The Beacon initiation involves chucking the kids off a cliff and seeing how they fare, an action that is the catalyst for the group's introductions/growing dynamics. Shooting Oscar off the edge of Atlas solidifies Ironwood's turn from anti-hero to outright villain. Though I'm far from a fan of this scene, Ruby's (ridiculous) near-fall off the cliff during the fight with Cordovin preludes her (supposed) growth in leadership as she stands up to Qrow. Penny lets herself fall from Amity after sacrificing herself to get it up into the air. Then, of course, we've got the girls falling off of Ambrosius' bridge, taking them to a world where - execution aside - the intention was for them all to go through major developments: Ruby is literally reborn, Jaune experiences a lifetime of struggle, Yang and Blake finally admit their feelings, and Weiss... gets over her whole country being destroyed?

Idk, we'll have to come back to that one.

I clearly don't have a big takeaway here, just the acknowledgement that this is a visual RWBY gravitates towards. Might do a whole side meta on it some day...

Anyway, as said we realize quickly this is Summer's grave with her name carved into the headstone along with "Thus kindly I scatter." Notably, she also has her rose motif there and it's likewise prominent on Ruby's belt in this scene. Looking back, we can see how RWBY did a better job at the start of sprinkling in these significant character details before, you know, dropping them completely and then attempting a rapid-fire resurrection. Meaning, I would have bought into the emotion of Ruby giving her pendant up in Volume 9 if we'd gotten these moments consistently throughout the story's run. It wouldn't take much, just a reminder every couple of episodes to maintain the momentum. Give Ruby a scene where she explains that this rose was left by Summer before she disappeared and she's treasured it ever since. Show a flashback where we learn that it was really left behind for both girls and Yang handed it down to Ruby when she was old enough to keep track of it. Give us a minor conflict where it's lost during battle and Ruby unnecessarily endangers herself in an attempt to retrieve it (perhaps in Volume 8, setting up that the object itself is not as important as the intangible love it represents). Hell, keep it lighthearted where Yang gets Ruby something rose related at the gift shop, Nora tucks a Rose into her hair while wandering the wilderness, Qrow gives the pendant a cheeky flick while talking about how Ruby's as stubborn as her mom. My point is there are a million ways the show could have built towards that scene in Volume 9 - ways like showing us that rose on Summer's gravestone - but the show dropped the ball halfway through.

Here and now though, Ruby begins catching Summer up on everything that's happened to her since she started Beacon, which serves as a useful way to catch the viewer up too - both those who, for whatever reason, may have started RWBY with Volume 3, and those who just need a hiatus refresher.

Ruby is delightfully awkward here, a personality trait that I think becomes more forced as the series goes on. She jokes that she hasn't gotten kicked out of Beacon yet - while doing that cute little rock on her heels thing - and says that she's able to "keep [Yang] in line" by being on the same team. She follows that up with, "...that was a joke" which is just quintessential Ruby to me. Love it.

She recaps that Yang has grown a lot as a fighter since Summer left, the rest of their team is made up of Blake and Weiss, together they form Team RWBY and yes, that's as confusing as it sounds. She's stopped bad guys and met some "odd" teachers, including Ozpin.

(THAT'S MY BOY!!!)

Looking back, this is actually a fascinating couple of lines. At least, I think they have the potential to be fascinating if RT had followed a clear writing path. Ruby wonders again why Ozpin let her into Beacon early, but shrugs it off under the assumption that he'll tell her one day. "You know how he is."

Yeah, I do, Ruby. Do you?

We already knew from their initial interaction that Ruby knew who Ozpin was - she recognizes him on sight - though him posing the question implies that he never visited Patch post-her birth. At least, not recently enough for Ruby to have formed a memory of them meeting. I can only assume then that she's heard enough about him from Tai and Qrow to a) be sure of his identity (any promotional material/news about Beacon would have helped with that too) and b) believes strongly that her impression of him formed since entering Beacon aligns with what her parents presumably said about him: "You know how he is." The fact that this is in reference to Ozpin's secret keeping makes me wonder how often that came up around the dinner table. Did Tai ever express frustration, a la Ironwood, that they're clearly being kept in the dark about things? Did Qrow ever dodge the girls' questions about where he's been because he can't be honest about his spy activities, aligning Ozpin's reputation with secrecy by virtue of working for him? The casualness with which Ruby shrugs off Ozpin's secrets to Summer heavily implies that Ozpin's cagey history is both well known to the family and accepted.

Honestly, I would have loved to see this woven into Ruby's core characterization, perhaps even an extension of her "simple soul." Give me a girl who is intrinsically accepting of people, including their need to keep certain things close to the chest. Teammate deliberately kept her faunus identity under wraps? Friend hides the fact that she's an android from the whole world? Ruby accepts them. Ruby gets it. The fact that Ruby does, canonically, accept their duplicity without so much as a blink is, I think, one of the reasons why I expected her of all people to be more sympathetic towards Ozpin's hidden identity. We can argue about the girls' right to the truth via participating in this war till the cows come home, but at the end of the day Ozpin's secrets are intrinsically tied up in his family, his history, and the trauma surrounding both. Let the others get mad, prioritizing information over personal motivations (that does fit their characterizations well, with Blake perhaps being an exception), but Ruby? The show has never been willing to commit to the kind of dark story that would result in a 180 character growth - endlessly forgiving protagonist becomes jaded and cynical as she experiences The Horrors - and little moments like this one further emphasize to me that Ruby, specifically Ruby, is uniquely suited to helping Ozpin not just fight, but finally finish this war. It should never have been (just) about her talent with a scythe, or even the rarity of Silver Eyes. The Gods wanted Ozpin to unite humanity and here's a young woman who unabashedly loves everyone that the world tends to despise: secret keepers and drunk uncles and faunus and Schnees and scary androids. Ruby should have been the emotional bridge!!

Okay, I swear I'm not going to make this series a rehash of my issues with the later Volumes lol. Inevitably some things are going to crop up though.

Moving on, Ruby mentions that Tai is here too and the viewer gets to see his avatar for the first time, albeit from a distance. In keeping Summer updated on her... husband? Wait, were they married? Well, in keeping her updated on her partner, Ruby says that, "He's, you know... Dad," which, unlike the Ozpin line, is just plain funny. Sure, most of her talk is very exposition-y and absolutely functions as a soft lead-in to new content, but that's not to say a story should ever put absurd dialogue in a character's mouth simply for the sake of the viewer. That is, Ruby should never say, 'Oh, Tai is here! You know, my Dad?' because the person she's talking to, Summer, knows damn well who Tai is. Television has actually gotten better about this as a whole. Once upon a time a medical drama would have the doctor yelling, 'Her skin is turning yellow - she's jaundiced! Her liver is failing!' to ensure that the viewer understood precisely what 'jaundiced' meant, never mind how absurd it was for a professional to be shouting that among their peers. (Granted, medical dramas as a whole are absurd. I say that with love.) Despite RT's general inexperience, RWBY belongs to an era of televised storytelling where leaving certain things unsaid is par for the course.

Here, the unspoken information is what it means for Tai to be, you know, Tai. We don't really know who Tai is yet- personality-wise, I mean - so Ruby's comment functions more as a way to set up our expectations rather than to connect with us in agreement. We now expect Tai to be the kind of guy who does things to make his teenage daughter sigh and go, 'That's Dad...' and we, presumably, look forward to seeing that.

Granted, the three things we do know about Tai at this point in the story consist of:

He's a fellow Huntsmen (which is an insane job)

He let his daughter join Beacon two years early to also become a Huntress (also kinda insane but I support him)

He maintains a relationship with said daughter and daughter Sr by sending them their dog in the mail (do I really need to say it?)

Based on that I suppose we can guess as to what Tai is like lol.

He calls Ruby away so they're not late for the match and she sends a last message to Summer over her shoulder: "It was good to talk." As we transition, a murder of crows flies across the sky. Or is it an unkindness of ravens? I can barely tell in real life, let alone when they're animated blobs, but either option works well enough given the upcoming revelation about the Branwen twins.

Cutting to the arena a little time in the future, the viewer is treated to some establishing shots that, while simple, are honestly pretty cool. I believe this is our first introduction to Atlas' floating environments and showing a bit of Beacon Academy in the background helps give us a sense of scale.

This event is clearly popular, with the stadium absolutely packed with people (even more are trickling in from ferrying ships) and, to RT's credit, they did a bit of work to convey diversity in this world. We see a decent variety of skin tones as well as faunus characteristics, to say nothing of the cool designs many of the competitors will get. Beyond the main cast still being overwhelmingly white, I'd say the biggest issue here is the lack of body diversity, what with everyone having the same, stick-thin figure. Yeah, RT is clearly using the same base model copied a hundred times and I'm very aware of their previous status as a small, independent company, but such visuals nevertheless stand out in a series that's been pushing a minority plotline for three seasons.

The camera swoops down to follow Team RWBY in the midst of a battle which, again, is staged in a way that's clearly meant to catch up/invite in new viewers. It's very trailer-esque as each shot lingers on Weiss, Blake, and Yang for a moment before finishing with Ruby, complete with a twirl of Crescent Rose. This is the show visually reminding you of what it's really about. Sure, we might have started with Ruby speaking peacefully by a grave, but at the end of the day RWBY is the story of a team engaging in combat situations.

Oobleck and Port are announcing the event and Oobleck throws out his standard "Doctor" when his title goes unacknowledged.

You know, I started RWBY nearly a decade ago. Four years ago I secured a PhD, so I feel that now.

Port provides another handy info dump for those "just now joining us." AKA the viewer who has no idea what a Vytal Festival is, but this is as good an excuse as any given that people are still entering the stadium. Simply put, all the Kingdoms' huntsmen schools are competing as teams first, then as duos, then as individuals to determine the final winner who will have achieved "victory for their kingdom!" Age and year are irrelevant, which makes perfect sense given the nature of RWBY's combat. You've got young prodigies like Ruby and people who sneak into Beacon like Jaune, and though the other schools/years probably don't have as much drama going on, the variety of semblances, weapons, dust use, and personal experience really makes this anyone's game. A first year might easily beat a fourth year if they won the genetic lottery with their semblance, or a student from School A might trounce someone their age from School B, depending on how much their school has sent them into real combat situations.

Given all that, I kinda wish the Festival had developed the other Kingdoms more, given that it's the perfect opportunity for the cultures to learn from one another and/or butt heads. In a perfect world, one where RT had some sense of where their story was going, I would have loved to see:

Strong development of Vacuo's citizens, especially given that it will be the focal point of Volume 10 and possibly the end of the series (if we ever get that...).

Though the gag that Weiss excepts strict, militaristic fighters from Atlas only to get Neon is funny, that 'Don't judge a book by its cover' lesson really doesn't align well with what Volume 7 and 8 try to push. Better, perhaps, to set up Atlas' dictatorship tendencies before swinging hard in that direction (and I'll get into how what we do see doesn't make the cut).

How Remnant's racism gets displayed in a highly public competition. Do Blake and the other faunus face more discrimination now that they're in the public eye? Do asshole citizens challenge wins because no way did a faunus beat that human?

How different schools approach training their huntsmen. Specifically, everyone seems to abide by the four-person team structure, so why would this competition eventually highlight duos and individuals? It seems counter to what Beacon, and by extension all the other schools, are trying to promote. This setup would make more sense if we were shown that different schools have radically different curriculum. Maybe it's eventually 1v1 because Vacuo's individualist, survival-based culture teaches huntsmen to fend for themselves; teammates are just another liability. Maybe Atlas, being militaristic, prizes safety in numbers and has students train in groups of six rather than four. Maybe Mistral is incredibly semblance-focused (a way to develop Neptune's phobia rather than just making it a gag; a fighter who can't or won't use their semblance is considered effectively useless) and if you can negate that aspect of their style somehow, you find they're lacking severely in weapon-based combat.

Again, I know that RWBY, particularly early RWBY, only had so much time per episode, but looking back it feels like there are a lot of missed opportunities in this world-watched event. None of this is even taking into account Cinder sneaking into the school, or Penny being outed as an android. If any RWBY rewriters are reading this, the Festival is a potential goldmine of characterization and cultural development. If you're going to write random RWBY books, write some about that!

One moment of cultural significance that is shown though is the Atlas security hovering around the arena. They mostly keep to the background, without any single appearance being obtrusive (yet). This is one of those moments where (some) fans look back and say, "See? Ironwood was always a controlling, military-obsessed bastard," but the reality is that this is incredibly tame by real world standards, to say nothing of the realities of RWBY's fantasy world. Regardless of how you feel about the, uh... motivations behind the security in your country (because that's a whole other conversation), you expect there to be some level of professional oversight when that many people are meeting in one place. That's a reality we have to work with, which includes all the potential pitfalls, biases, manipulations, and accidents that come with any large-scale endeavor. Toss in the fact that RWBY's security is designed to defend against man-eating monsters and I'm honestly surprised it isn't presented as dystopian here. Meaning, we easily could have been given a story where people are comparatively safe from grimm in modern day Remnant and the security functions primarily as outside control and/or a fear-mongering tactic. It's not that security is inherently unnecessary, but those walls have done a damn good job for the last generation or so, so why is James so insistent on populating this festival with his probably not-needed robots? Seems sus 🤔.

As it stands, grimm DO attack people on the regular (that was kind of a big part of last Volume's finale), security IS necessary (according to many other council professionals once James raises the issue), and it's arguably MORE necessary now - during the festival - because there are so many potentially negative emotions just waiting to crop up. Instead of "Seems sus," the reaction to having defensive robots around is more, "No duh." At the very least RWBY might have had the characters react to the security with suspicion/fear, even if that doesn't totally track with the rest of the worldbuilding, or better yet, demonstrate that there are major issues with AI leading the charge (robot mistakes kid in grimm mask for real grimm and fires a shot!). Granted, we get that through the hacking at the very end of the Volume, but here and now the Atlas ships seem to be used primarily for transporting viewers, the crowd is fully at ease with these guys, and — as we'll see later — the prospect of additional security in the form of AI is greeted with enthusiasm, not wariness, simply because it will keep real, breathing people off the front lines. Those are all important things to keep in mind when you consider whether a) The show took a very sharp turn in Volumes 7-8 or b) The show capitalized on a long established, slow burn plotline.

(Psst the answer is 'B')

ANYWAY, Oobleck is yelling about the "Spectacular spectacles on which to speculate on!" and I love him all the more. While he and Port narrate we get some non-animated shots of people viewing the Festival from around the world, though frankly it doesn't do much to help RWBY's worldbuilding. Some people watch the fights from a camper outside, others are in a minimalist apartment, still others are in what's basically a bar... if you're looking for intriguing backgrounds to drum up interest in the world outside of Beacon, you're not going to find it here. The presence of various faunus individuals is really the only thing that distinguishes these settings from a show based in the real world.

Onto the fighting! (It's about time :p) The girls are facing off against Team ABRN (pronounced "Auburn") from Haven and they're decent for a couple of one-off characters. I like the design of the girl with the skateboard - Reese - and how her weapon, the board itself, gives her a lot of flexibility in battle. Since it functions as a hoverboard she has a lot of maneuverability, she can use the board as a shield, a projectile, adapt its abilities via Dust, and - of course - she can pull both sides apart to duel wield the guns. Looking at all that flexibility, it is a little lame that she 'loses' that particular encounter with Blake by slipping on the ice, but then we're not really supposed to care about these characters. They exist solely to get us hyped for the battles to come and give a quick primer on how those battles will work. AKA, now we've learned that the battlefield itself has hazards the girls must circumvent.

Blake is cute here though. She's so concerned and I'm like yeah, girl, that looked like it hurt 😬

This whole exchange has that same vibe: one of casual playfulness, which makes perfect sense given that this is supposed to be a fun competition. They're exhibition matches, not real attempts to take the other team out (which is why Yang's supposed act later in the tournament will be seen as so heinous). The guy with the pink hair (Nadir) full on pouts when Ruby successfully traps him in a block of ice and, of course, we have the classic "Got your back!"/"My BFF!" lines in response. The girls are enjoying themselves and that's so damn wholesome to see after all the tragedies - plot and writing-wise - of the later Volumes.

Team ABRN are able to make a bit of a comeback and - *gasp* - the girls have to actually think creatively/combine techniques in order to get the upper-hand. Blake successfully tricks Reese with a clone and catches her in the midriff with a quickly timed ribbon, cleanly knocking her out of the ring. It's here that we learn a team member can be eliminated via leaving the bounds, or having their aura dip too low (remember when that was a thing?) I know I just said there's teamwork, and there absolutely is here, but it did stand out to me how Blake just like... disappears after this moment? I mean she comes back, but it's clear RT wanted each girl to have her moment in this battle, despite the fact that any member who successfully defeated their opponent would be rushing off to help the others. That should be a near defining win condition - defeat one opponent and suddenly it's a 2 vs 1 situation for someone else - but that expectation falls by the wayside until the fight's final moments.

It's a good fight though. Not the greatest by RWBY standards, but it was no hardship to rewatch for this recap either. Weiss pulls out an epic ice hand that ensnares two of the members, now rolling chaotically across the arena, and clearly she thinks this is the end of the fight. However, Arslan — the monk-type who favors hand-to-hand combat (or the one with the "Eastern martial arts influence" according to the RWBY wiki...)— simply rolls her eyes, plants her feet, and shatters the ball with a single hit. Gotta admit, it's pretty cool.

Of course, Team RWBY still comes out victorious in the end. With all of Team ABRN now in one place, the girls have one of those lovely mind-reading moments and pull off a coordinated attack, allowing Yang to sucker-punch them all out of the ring. Again, it's nice to see that kind of teamwork, as well as the adorable way they all stand there, mildly shocked that they won.

I'll take that over the brazen, cocky confidence they've gained any day.

The only thing I'm kinda iffy about regarding this fight is how Team ABRN feels a little less like a full-fledged team to me, and more like a faint Team RWBY echo. It's most noticeable in the Yang vs. Arslan sections where you've got two yellow-coded, hand-to-hand snarkers facing off. Blake and Reese both feel like the cool, alternative style members of their teams, and then you've got the Weiss-Ruby duo trying to overtake the Bolin-Nadir duo. It's admittedly a subtle familiarity that lessens with each example, but it stood out to me in the re-watch; like Team ABRN only exists to give Team RWBY someone vaguely similar to overcome. Which, granted, they do. These are not characters we're going to follow as the series progresses, so in most respects they've done precisely what they needed to do and in a way that looks cool and feels entertaining. So this isn't a criticism, really. More an acknowledgment that RWBY is a series with limits and if we want to know more about these characters/flesh them out beyond their paralleling characteristics, we'll have to do that ourselves in the fanfic.

As Ruby jumps into the air in a victory celebration, we PowerPoint slide cut to the festival later that day where she nearly collapses, asking if anyone else is starving.

Yeah, child. You just made it through a physically intensive battle in front of an audience while existing as a teenager. Of course you're hungry. Blake's stomach gives a giant, embarrassing growl in response and Weiss sarcastically bemoans the fact that there's nowhere to eat at the food-focused festival. Good times, good times.

Ruby: "It's okay, Weiss. I forget about the fair grounds too."

Before they can grab lunch though Weiss declines a call from her father and an old 'acquaintance' suddenly shows up.

Emerald.

You know, kudos to Katie here because Emerald's laugh and, "Good to see you, Ruby" sounds so fake to me now. It just oozes, 'I secretly hate you but am pulling out all my acting skills to convince you otherwise' energy. Obviously RWBY has a host of villains/antagonists that have done a plethora of heinous things, but there's something particularly skin-crawling to me about seeing Emerald in retrospect. Part of it is the deception. I don't know about anyone else, but I personally would prefer a villain who's upfront about their nature from the get-go, rather than one who pretends to be my friend before stabbing me in the back. The first scenario just lacks the same emotional punch, you know? Though the other part of it is, of course, knowing where everyone ends up. Beacon will fall. Ozpin will "die." Pyrrha will actually die, and our heroes will be sent out into a war they're in no way ready for. Yes, Salem is our ultimate Big Bad, yes Emerald has her sympathetic moments and does a heel-turn into "good guy" territory four Volumes from now... but I think the fandom often forgets that she willingly and actively participated in this horror show. This isn't someone just along for the ride because their crush manipulated them, this is someone with a working brain between their ears who has PLENTY of time to consider the ramifications of this and still went, "Yeah, I'll lie my way into orchestrating a massacre."

All this hindsight angst is interrupted by the joke (and I use that term with great reservation) that Ruby must have dropped her wallet because "Girl pockets are the worst!" Sorry, but that has such cis-guy-trying-to-relate-to-women-and-failing-miserably energy to me. Like yeah, I also hate the super small/outright fake pockets that they often sew into women's clothing and I too have smiled at women promoting pockets as part of their independent brands... but somehow hearing the RWBY writers reference it just doesn't land. It's not #problematic, just cringy.

Emerald butters them up a bit by complimenting their fighting and Weiss notes that they haven't seen Emerald's teammates in action yet. We cut to their battle where they dominate the other team, complete with a disguised Neo showing her real eye color before she knocks the competitor out. "[They did] really well," says Emerald in the fakest humble tone ever heard.

Ruby invites them all to lunch and Emerald - clearly horrified by the prospect - dodges by claiming that her teammates are too socially awkward for a meetup. In her defense, Mercury is in the process of randomly sniffing a boot, so although this is absolutely just an excuse, she's also not wrong. Like, at all lol.

Fishing for more info, Emerald asks who's moving onto the doubles round and it turns out that Team RWBY voted for Weiss and Yang. There are three things that I love about this moment:

They voted. Yes, Ruby cheekily tries to make it sound like this is all coming from her genius as team leader, but at the end of the day they decided as a team who would represent them. It's a small detail, but those stand out so much more now that we have Ruby vocally and angrily calling the shots.

(This is a ridiculous side-note I'm 99.9% sure I've mentioned before, but every time I talk about Ruby's intense form of "leadership" in the latter Volumes, I'm reminded of Rick's, "This is not a democracy!" in The Walking Dead. If you know, you know.)

They chose Weiss and Yang. From both an in-world and meta perspective, it's actually a little surprising that Ruby isn't representing them. As established, she's team leader. The team is named after her. She's the protagonist of the show. She's also, canonically, a prodigy wielding an insanely deadly weapon. Yet it's refreshing as a viewer to have a new duo taking the spotlight and within the story-world this choice reinforces Point #1: They're a team and no matter how individually talented any one member may be - or even what titles they hold - they are, at the end of the day, all on equal footing. Why shouldn't Yang and Weiss represent?

The way they both respond to this reveal is dang cute. Weiss' "I will happily represent Team RWBY" while curtseying to Emerald vs. Yang's "Yeah! We're gonna kick some butt!" while slamming her fists together. It's a great contrast and shows why these two might have been chosen. Though powerful on their own, their styles and personality are different enough to compensate for any flaws.

With all that out of the way Emerald rejoins Mercury and her smile immediately drops. She's disgusted at having to get all buddy-buddy with them, but "Orders are orders." She has this classic villain moment where she expresses shock over how they're just so happy all the time and I'm like oh, honey. Darling. Morally misaligned baby girl. Just give it a few Volumes.

We cut to Team RWBY at lunch and aRE THE BOWLS SUPPOSED TO BE THAT BIG?

I recalled that they were big as a visual gag, but not half the girls' size. Honestly? Great choice. I too want to live in a world where you can get insanely giant noodles a millisecond after you order them.

Deviating from the others, Blake nods at the seller dude and receives an equally giant bowl filled with fish. You know, I really wish RWBY had done something with the faunus' animal traits rather than turning them into an endless joke. The concept of a god merging humans with literal animals and then, generations down the line, cat-people being influenced by cat instincts as well as human instincts (because remember, we're animals too) is actually really interesting to me... but navigating the racial implications of that takes a level of nuance that RWBY was never interested in exploring. So we're just left with a Blake who is fish obsessed and chases laser pointers and hates dogs and we're supposed to laugh at all that, rather than buying into her teachings that many people use these traits to dehumanize the faunus.

Anyway, Weiss shows off a bit and pays for all their food. At least, she tries to. Turns out her card has been declined, which is more than a little confusing to her given that she was "barely into [her] monthly allowance." Hmm, could that possibly have anything to do with her ignoring her father's phone calls? Surely no one knows.

Luckily, Pyrrha shows up and offers to pay instead (it's nice having a famous BFF, huh?), but like... what were the girls' initial plans? None of them were expecting Weiss to pay, yet they act like Pyrrha is saving the day by showing up, implying that they don't have the money to cover their meal. The shop guy even takes Blake's fish away, leaving her despondent. So what? Were they planning to eat and just worry about the bill later? Actually, that sounds exactly like something these chaotic preteens would do lol. Yang especially. She was introduced while "buying" a drink before destroying the whole dang bar.

Speaking of teenagers, they all finish their bowls with the kind of appetite only seen in 14-71yos. Although, it was a near thing for Jaune. He's very close to barfing (callback!) and Nora encourages him to "aim it at the enemy!"

She continues ragging on him for a bit, failing to come up with any compliments while hyping up her team. Pyrrha is a world-renowned fighter, Ren is basically a ninja, she can bench five of herself, and Jaune is... Jaune. Nora also doesn't include him in her secondary list which implies that Jaune a) hasn't trained as much (or, more realistically, hasn't gotten as much out of it) as the others, b) doesn't possess an "awesome" weapon, and c) is still frequently yelled at by Glynda.

Poor Jaune. I don't say that very often anymore, but he's going through it here lol.

All of this leads to Nora spiraling at the possibility of them losing. This includes the oh-so-causal drop that she and Ren "have no parents and no home left to go to" which is a HELL of a thing to throw out in a comedically framed breakdown. I mean, being orphans is sad enough, but "no home left to go to" won't be explained until we learn that their town was basically wiped off the map, so damn.

Team RWBY reassures them that a fight with actual rules is nothing compared to what they've already been through. You know, the murderers, extremists, and sociopaths. "Oh," gushes Ruby, "imagine what it'll be like when we graduate!"

As Port and Oobleck call Team JNPR to the arena for their match we cut to Emerald and Mercury settling in to enjoy the festivities. In retrospect, this right here is a really nicely composed shot:

It tells us that Emerald is serious about going through with this destruction (again, she's no manipulated damsel), but she's not getting the same personal enjoyment out of it like Mercury is, as showcased by the smirk. The focus remains on them with Team RWBY framed in between. This is the villains' Volume. They're going to win. Our eyes follow the soon-to-be champions not of the festival, but the battle, while our heroes are literally and metaphorically trapped between them. Finally, Yang is the only one who looks back. We won't know this for several episodes, but she's at the heart of their plan and has every reason to cast the almost-but-not-quite-worried glance over her shoulder. Subtle foreshadowing, how I love thee.

It's shit like this that makes my brain go, "It used to be good! RWBY used to be fun AND occasionally insightful! Those overworked animators were uplifting a mediocre story and the result was good!!!"

As they take their seats who should show up but Cinder, casually using her semblance to pop a kernel of popcorn (power move). "Even if you know how a story ends," she says, "that doesn't make it any less fun to watch." True that! I mean, she's talking about knowing that Team JNPR will be moving on because they need Pyrrha to murder Penny, but I agree with the sentiment outside of that context.

Actually, do they ever explain how they manipulated the fights? I mean, they obviously entered and are winning their own battles and we know that Mercury will be staging his injury with Yang... but here Cinder makes it sound like she's pulling strings in every match. Toss that onto the list of development I would have liked for this Volume: what precisely are they doing behind the scenes? I'll have to pay careful attention going forward to make sure I don't miss anything because right now all I can recall is them looking at Penny's blueprints (presumably obtained via Watts).

Team JNPR's area is randomized into a forest and mountainous land before the battle commences. We end on that cliffhanger, complete with the superhero-esque freeze shot.

And that concludes the first episode of Volume 3! As well as my first recap in a long while. If you've followed me at all you'll know that work has been my personal Big Bad the last two-ish years. Given the scope of my responsibilities and the energy they extract, I simply don't have the time or means to write the way I used to. However, I feel like if I can muster up the willpower to finish this on tonight of all nights (people reading from the future: check the posting date and you'll understand), then I must be getting a little better at carving out writing time in my hectic schedule. All hail self-improvement!

On that positive note, everyone have a wonderful night. Or at least try to. Seriously. Text a loved one, treat yourself to a favored snack, do something that feels fulfilling. Take some deep breaths and I'll see you for the next one.

~Clyde❤️

[meeks-just-wants-to-scroll]

hi 🐊 since youre asking for them ^-^ .

im having a lot of thoughts about the micah/bill/javier dynamics and also the ways bill and javier almost seem to reflect the main two sides of micah we see (quiet, brooding, thoughtful, and terrifying vs impulsive, boistrous, rowdy, and scary) and how different their relationships with micah are, but also how they both come together when they soend time as a trio ^-^ id love to hear your thoughts on all this :)

Thank you!! I am happy the F of a Feather triad got you thinking about this.

Agreed, interesting how Javier and Bill seem so far apart in personality but somehow have a common tie between Micah.

I don’t actually have a whole lot to say… I work best when I have other fan works to build off of but so many drawings and fan fics go shallow with anything relating to the triad or even the pairs that make up the triad. The most that comes to my head is the same pitch I’ve said in almost every post relating to them.

- but to try and make something worth reading… -

Javier and bill pairing with Micah could come from Micah either matching the energy or balancing the energy of the other.

—

Micah and Javier:

I can see Javier and Micah having a nice night together by accidentally sharing quality time together: parallel play with Micah shining his weapons and Javier practicing his guitar.

I notice in game that Javier sometimes stop playing if arthur approaches, which makes me think Javier is a bit reserved and him letting people be around him while he does something is special.

Micah tries his hardest to ignore others when he is at the campfire shining his weapons, but he secretly dislikes having other people around him.

And so the both of them are at the campfire and are bemused to realize they don’t mind the other’s presence: Micah doesn’t dislike the guitar plucking, and Javier doesn’t mind the flashes of motion as Micah aims and fires his empty revolver.

…

But micah and Javier could also be boisterous dorks I am suuure. Javier is in his 20’s, so is Charles. As much as the fandom likes to treat them as perfect, neither man is this flawless chill man who never does wrong and never makes brash decisions. Give micah and Javier some alcohol and I am sure both will be thrown in a jail cell like the Strawberry situation with Micah and Lenny.

I wanna see more missions with Micah and Javier and what their dynamic would be. Javier is very much a back-up gunman, but he can lead his own smaller missions. He can do stuff solo but benefits from having someone with more seniority by his side. Micah is not higher ranked than him in the gang, but he has a longer life of gunman expertise that can prove helpful.

Micah can cook up one hell of a plan for things. His plans leave too much “I have my guns, I have you, what other planning do we need?” for Javier’s comfort, hence how he can flesh out Micah’s plan. Perhaps it feels less like one is nodding the other around and trampling each other’s egos since both of them sculpted the plan.

So basically they should get tipsy and decide to follow through on a lead for money together. Micah prefers stagecoach robberies (for the thrill!), Javier likes ambush missions. I am sure if Javier could convince Micah, he too could enjoy ambush missions. Or maybe he’d see it as too easy, like shooting fish in a bucket.

—

Micah and Bill:

Micah and Bill are troublesome together but they can actually be amicable???? Wow???

Their two of them can definitely be rough. They will literally get in a fist fight if not stopped, tho it’s rare micah actually initiates a fist fight he doesn’t see himself winning. They draw out the worst in each other. They argue and pick at each other because in the pecking order of the gang, Micah is a rookie and there is less push back for Micah to prod at a gang member who is already held in low respects.

But overall they’re actually quite chill with each other. As chill as they can be. They have that silent mutual destruction that closeted gay men have.

They can share a moment where it’s just the two of them awake late at night and neither has to say a word. Micah doesn’t like people talking to him late at night, and Bill always fumbles over his words when he is tired (regardless of if he is drunk or not).

In the cold, Bill and Micah can stand next to each other and not immediately start drawing blood. They can just exist in a space and not see it as a competition.

They can go on missions and return with no bullet holes in their bodies, sometimes they even return with cash or watches! They can work, but they work best when they have a third person to keep the peace in case anything goes wrong. Who is a pretty level-headed guy who can pull his own? Wink wink: Javier.

—

Woof ngl I don’t know where I was going with this all. I’ve been scatter brained and chipping away at answering your asks.

I am glad you’re interested in F of a Feather!

[somewhereincairparavel]

Heeeey :)) i was listening to a pjo podcast and I finally got to the start of hoo and they... debated even reading Jason's pov? Plainly disliked Jason? So sad, I had to come here! What's your favorite Jason scene?

woah woah back up. they did that in a PODCAST? I'm shook. I know it's their free will on what they want to/don't want to read, and they are absolutely free to hate jason, and are allowed to be vocal about it, especially since it's their podcast! just as ppl are free to love him openly, but what if there were heaps of jason lovers listening to that (like you!) only for them to complete skim it over and not even give it a chance. that must've been disheartening I'm sorry :( i hope they atleast gave the listeners a clear heads up that they won't be talking about jason so people can actually move on another podcast that does instead of dragging it! I'm sad jason grace slander still hasn't dissolved in some parts of the fandom :(

also can I just add that it warmed my heart when I read that you came over to my blog and sent me an ask the moment you were sad about it 🥹

As for my favourite jason moment? oh there's PLENTY.

These are my favourites bc he's so sarcastic, grumpy and dry lmao

[tixdixl]

Is there anything specific that you really love about your ocs?

Thank you so so much for asking this? First, I'm honored and incredibly appreciative of you for asking. And second, you really got me thinking about what I *do* love about them and why I continue to explore them even after 11 months of being in this fandom space.

So this is going to seem like a generic, generalized response, but it is something that applies to all of them.

I really love how each of my OCs, at least in my perspective, very very clearly can be traced back to their source materials while simultaneously being their own characters.

Starting with Oisín, Oisín from the get go was always meant to align both with "The Headless Horseman" and also dullahan mythology (specifically Irish and Scottish folklore). And yet, because of the way they evolved and the way I developed them in alignment with the narrative of "Twisted Wonderland", they became their own being. --- idk if folks even knew this. I never set out to have them shipped with Lilia. It entirely developed naturally and on its own. And it has turned into arguably my favorite ship out of all of them. The Headless Horseman??? Married to a Vampire???? Incredible. Amazing. 10/10

Then you have Kingsley and like... he is so at his core the Horned King, and every which way you look at his narrative, even his character development? It aligns itself in the way that the narrative of the "Chronicles of Prydain" unfolds. Even when he has his seige on the castle, it feels on par with the actions of the Horned King or any of the other antagonists from the series. His temperment and his personality? 100% - and yet his choices are his own. His narrative is his own. He gets the Cauldron. He gets to KEEP the Cauldron. Its HIS. Not Tarran's!!!!!

René, Rémi, and Eve are so painfully the main trio of "Swan Lake" (the ballet). And yet René's entire narrative and personality is contingent on a question that the ballet NEVER answers or even considers: "Who is Odile without Rothbardt?" And so the Odile we get in NRC, René, is my interpretation of who Odile would be when alone. How she would act if functioning on her own and without the evil magician. So sure, René is Odile. But René also is René. And only René.

Emil holds an incredibly special place in my heart where this theme is concerned. I don't think many people are aware of the anti-semitism in "Tangled". So when I thought of the idea of a Dame Gothel expy, I went in with the idea of creating a Gothel who just was Jewish coded but not a charicature. I incorporated elements from the original Rapunzel tale, the adaptation of "Into the Woods", "Tangled", and added flavor in the form of jewish beliefs and jewish customs. It's resulted into a character who is very very clearly Gothel in his narrative and in his personality and in his relationships, but he isnt restricted by the narrative or characterization as depicted by Disney. He has grown beyond that just like the beanstalk that ended up in his bestie's backyard. Also-- his Overblot? Chef's kiss.

Xiáng is ESPECIALLY fun here. Because when I originally created him, I didn't have a Disney character in mind. He showed up an amalgamation of different ideas and themes from stories I've read recently that I really enjoyed. And then @inmateofthemind popped into my DMs and asked me if Xiáng was twisted from Crikee from "Mulan". And I sat there. And i looked at all the drawn comparisons. And i couldn't deny.... the parallels were to strong not to lean into it. And the more I leaned into it? The more and more he showed himself to BE Crikee. And yet he so ISNT!!!!!! It's honestly so fun.

Sefu is also really fun, because they came from a rewatch of Lion King 2: Simba's Pride with @ramshacklerumble . And I honestly just gave myself permission to take the idea of Zira and REALLY LEAN into the yandere, creepy territorial fan aspect of her character. It also gave me the opportunity to explore how I personally think Zira's dynamic with Scar looked like, based on the implications set out by the film. We never get to see it in the media, which means that Sefu does have the opportunity to expand beyond the scope of Disney, and I do get to determine how much Leona actually can't stand them lol.

Alphonse too is such a fun one. Because his source material depicts the Wellies as incredibly static and yet emotionally driven characters, I get the opportunity to explore the question "What would allow the Wellies (from "Giselle" the ballet) to actually move on and rest in the after life?" It's also a fun opportunity to explore the very blurred lines between fae and ghosts in older Anglo/Irish folklore, as the Wellies were supposed to be inspired by the Otherfolk.

If you're still reading this- thank you so much for sticking around?? Genuinely, I appreciate it and I hope you enjoyed the read. If you want more specific details about any of the things mentioned, please don't hesitate to ask!

Tag list: @ramshacklerumble @the-trinket-witch @starry-night-rose @elenauaurs @rainesol

@cyanide-latte @winterweary @theleechyskrunkly @thehollowwriter @boopshoops

@lumdays @twstinginthewind @inmateofthemind

[swordsandarms]

i know you just tend to lurk (me too) but your fandomised rhaegar thoughts are very validating lol. ive always thought blue roses are symbolic of a child born from love, not symbolic of a woman. like lyanna has the roses cause she's jon's mother and rhaegar's love, not because they're her "thing"? never thought that was far fetched til coming online lmao.

OK, this was in my drafts for like a decade.

The roses aren't really the child or the woman, but a representation of the (tragic, but bittersweet) love itself. Though, of course, Jon as the "fruit"/"proof" of it is still at the centre of it all.

Used to hate the concept of "tragedy" and not understand how that can be compelling/satisfying. Turns out a lot of tragedy is badly done, hence the feeling of meaningless/pointlessness of it all some of them give you. Look at HOTD. The problem with the writing is that everything is made meaningless, not that your "favourite" isn't winning everything. It is the fact that it's all bitter and no sweet at the end of the day. (Not the book version, which is also a matter of how much better ASOIAF handles the "continuation" of the tragedy better than GOT).

I see Rhaelya as a representation of the concept: "The love was there. It didn't save anyone, it didn't change anything, but the love was there."

Once you get to look at it like that, it becomes very annoying when people in the fandom sound like a broken record of "what's nice about this?? EveRYoNE dIeS". Yeah, that's how tragedies work, but look at it as such and you'll see the nice, too.

It's not about how "oh, why would you think the author is trying to paint Romeo and Juliet as a romance when he liked Rosaline before, and now suddenly her overnight?"/"oh, it's all about how they are dumb teenagers messing up"/"oh, isn't Orpheus the dumbest for turning round".

Romeo and Juliet are young people finding a shiny thing in a shitty society that creates generational cycles of pain and hate for stupid reasons. The ending is satisfying not because the love is successful but because the characters - and readers are meant to - finally get that. Orpheus turns round because he loves Eurydice and if you did you would, too.

Westeros is a hellscape of ambition, heartlessness, and corruption. Everyone is stabbing everyone's back for a bit more of land, a bit more of wealth, a bit more political influence. Selling and pawning their loved ones for a corn chip. (Controversial opinion, neither Elia or Lyanna should have been in that position, but that's the reason why, "loving families" and all. Even more Controversial, Rhaegar shouldn't have been in that position also. And that's the "good" people - as Controversial as people might think that statement is for Rhaegar. But also OH, you mean selling off Cersei didn't work out well cause she was meant to be a pretty object and didn't have to be taught about armies and resources, just vanity? Or Lysa for some reason wasn't all that grateful to papa to give armies to the great alliance when they needed them, for reasons of keeping the one "trueborn child" she had sheltered, cause that's the one thing you promised her she could get if she did your bidding?) Looking away from what is fair when it is "lawful" according to the status quo (and fandom finds it easy to pinpoint it when it's someone deemed hateworthy, but will be 1000% lenient towards a Ned Stark, and will even hold characters they hate accountable when putting FAIRNESS ABOVE LAW).

And the thing about ASOIAF fandom is THEY LOVE THIS SHIT. They love to romanticise it all. But there's the paradox of it all. Romanticising comes with this idea of unrealistic wistfulness, I guess. If a character lives in "the cruel real world", the romanticised ideal is nice to think about. If they actually reach for ideals, they are fools who should get real about living in the "cruel real world".

Oop, I ventured far from the point. But I just love the whole CONCEPT of the blue rose at its roots. 💙 It literally means just that at its roots. Something wistful but unattainable.

[on-a-lucky-tide]

Curious what you'd say about Soap for the character ask game. You haven't really spoken about him as much as the others so I'm curious :O (id love to hear about every single character tho i wont lie to you but i have a feeling you'll get asked about those lol)

@nekrosmos asked for Soap too.

Honestly? There is unfortunately a reason. I lingered around fandom for a good few months before I got involved at all. I saw some behaviour from his fanbase that I didn't like and so I made the conscious choice that he's not a character I'd probably be creating much for. I love the art, happy to support creators, etc. Besides, there are so many delicious, delicious rarepairs to love and create for and plenty of gallant, productive, devoted Ghoapers.

He's quite compelling though, and I've got quite a few thoughts and headcanons, and I'm happy to write prompts with him. A few friends on Discord really love him and I like to create for them too, cause happy friends give me the fuzzies. So, you know, a story idea might grip me by the balls and I'll wack out a long form thing.

favorite thing about them

His journals.

Reading those finally gave me a connection with his character that I hadn't developed previously. But they really show how driven he is, how much he wants to be the best he can be, so he's not a burden, so he doesn't let anyone down. He's constantly striving to earn his place to the point that it kills him in the end.

I think he genuinely struggles with wanting to be liked (as part of 'earning his place'), and I think he is often too much for people. Ghost giving back as good as he gets is a comfortable relationship because the line for Ghost is way, way in the distance; Johnny doesn't have to worry like he does with 'normal' people. Neither of them is fuckin' normal.

Price giving him a chance would have been the first step towards the hero-style worship he has for him. "What? Me? Ye want... me? Aye, aye I will be the best fuckin' dog ye ever had, I will bite my own leg off for ye." Everything Soap does is to prove that Price didn't make a mistake. That he was a good investment. And Price, the sly fucker, knows it. He sees himself there.

least favorite thing about them

I wish they had given him a stronger accent and leaned more into that in the games. In fact, I wish that for all of them.

I also think that Soap has capacity to cause great harm without even realising it. Like, we get glimpses of it; he's nearly court-martialled for punching out a copper. In his single-minded pursuit of something, I reckon there could be a lot of collateral damage.

He lacks confidence but will cover it up by being an arsehole and doing arsehole things (such as smuggling a girl on base to impress The Guys). I say I like "least favourite"; I think this makes him compelling as a character. He's not all sunshine and rainbows. He's just as gritty, professional and flawed as the rest of 'em.

favorite line

"You sick bastard..."

"My kingdom for a suppressor..."

"Price?... This belongs to you, sir."

brOTP

Gaz & Soap

OTP

Uh... none really. Ghost/Soap?

nOTP

Don't have any strong feelings on any.

random headcanon

He's really bad at team sport. He showed no interest in any when he was growing up. Gym? Running? Swimming? Anything where the only competition is himself and his own limits? That's where Soap's head is.

unpopular opinion

Honestly? I don't know which of my opinions would be unpopular. Probably the 'not sunshine and rainbows' one, maybe?

song i associate with them

favorite picture of them