#and also some random thoughts about representation in IF

[khaire-traveler]

Hello there! I'm very new to hellenic polytheism and came across a question that I am not sure how to approach. I would be really grateful if you could let me know your thoughts on this (please don't feel obligated or anything, tho. I know I am just a random person asking a random question 🫣). So, for a while now, I've been getting more into greek mythology and from there into fandoms that depict the deities (e.g. Epic the musical which I love a lot). Would you say it is inappropriate to seek out fanfiction or fanart (especially those including ships) in those fandoms, or should I refrain from doing that as it would be disrespectful? Or are there limits I should be aware of? Thank you so much should you choose to answer this 💜 (I apologise for missing paragraphs. I am not sure how to do those on mobile.) (Also, is there a right way to end these kinds of letters/messages/questions? Like a way to express my gratefulness?) (Sorry if none of this makes sense. I always get anxious messaging strangers, but I couldn't find answers anywhere, so I thought I'd just ask🫣)

Khaire, Melie!

Ah, yes. The age-old question. How sinful is fanfiction, exactly? /joke (wanted to start this off light-hearted)

In all seriousness, I'll start with this: If you want to know how the gods feel about it, ask them. There is no better answer than the one that comes directly from the source. I understand the nerves around asking this question; some Hellenic Polytheists feel VERY strongly about it, and honestly, seeing their strong opinions has made me doubt my own interests in such media. Remember that some rando's opinion online, however, isn't the law, regardless of how strongly they feel about it or how desperately they want you to do exactly what they're doing. Opinions are opinions; facts are facts - they are separate things. Personally - and this is MY opinion -I think never engaging with modern media depicting the gods is a little too strict of an approach, and by following that, I feel that a lot of people are banning themselves from engaging with fictional media that they might enjoy. Each piece of modern media about the gods is a creative interpretation of Greek mythology, and people have been doing this kind of thing with other religions - that they don't believe in - for AGES. It's entirely normal, even if it is kind of annoying sometimes. Now, some retellings, games, shows, etc. genuinely take things too far, in my opinion, and warp the mythology so completely that it might as well be a different story entirely. I'm bordering on a tangent, so I'll move on.

Modern media about the gods isn't an inherently abhorrent, evil thing that should always be avoided, however, but personally, I do draw the line of engagement at shipping.

First and foremost, live your life the way you want to. Engage with your practice however you wish. I'm not the law-maker of this religion - no one is - and while I might disagree with someone's approach, I'm not going to shit all over them for doing things differently from myself. Now, into my opinion. I don't think shipping gods - be it from a modern form of media or not - that you worship is appropriate, personally. In my experience, it will blur your actual perception of those gods. I've seen it happen over and over again that people confuse the fictional representation of their God in media with the actual god, then feel the need to distance themselves from the media in order to regain something they feel that they lost. Like I said, you do whatever you wish, but I find it's just better to avoid the awkwardness of shipping entirely.

If you want to read fanfiction about the gods in fictional media, go for it, but I'm not personally a big fan of that. I don't know how the gods feel about it; I can't speak for them (no one can). For all I know, they could be reading the fanfiction themselves and laughing their asses off, who knows? But as a worshipper, I'm not personally comfortable with the idea of reading it. Again, do what you want with your life. If you want to read some spicy fanfic of one god with another, I'm literally not going to stop you, but make sure you're able to separate the fictional characters from the gods you actually worship before you do so - that's my advice. Too often, people end up conflating the two. When a fandom or fanfiction begins affecting your worship, practice, or even just the way you view the gods, that's when it's a problem.

I think the community has been torn on the topic of modern media for a while. Some people love it, while others utterly despise it, and you'll notice that answers will vary from person to person. In my opinion, these pieces of media become problematic when they swarm the fuck out of a small religious community that already struggles to be taken seriously. An example of this is what happened with Lore Olympus a while back. When the comic got popular, a ton of people would swarm and attack worshippers of Apollo online, calling them all sorts of extremely vile things, all because of a comic that literally wasn't even mythologically accurate. In my opinion, fandoms can get out of control sometimes, and when you're engaging with one based around the gods, I advise you to just be careful and aware. For some people, fanart and fanfiction of the gods are extremely uncomfortable, similarly to if someone were to ship Buddha with Jesus in the regard that it just...feels weird for people who actually worship those figures. Other people could care less, being able to fully separate the fictional characters from the gods they worship. Base it on your comfort, and the comfort of your gods.

I hope this helped to give you my perspective. I'm not going to tell you what is or isn't the right choice because honestly, different people will give you a different answer, and I'm anything but a religious authority. You're allowed to do as you wish, but I will always advise you to tread with caution and check in with yourself about how it feels for you personally. Reach out to your gods and directly ask them (such as through tarot, or another form of divination), "Hey, how do you feel about me engaging with this?" Asking directly is ALWAYS a good idea, in my experience. Take care, Melie. 🧡

[galadrielspeaks]

just thinking about thranduil and how he categorises his life and how the events of his life affects the way he rules his kingdom…. how so much of his development was defined by huge cataclysmic tragedies… thinking about how his youth is defined as before Doriath and his adulthood is defined as After Doriath… how when he became a prince he probably held on to his more idealistic beliefs only to be sternly reminded of the fickleness of life during war….. how the entire kingdom of the woodland realm probably has a Before Dagorlad and an After. how could you not after losing your king and the majority of your people? it is incredibly telling how these events of Thranduil’s past has affected his rule and everything about him down to his parenting. he understands he’s alone. that’s tragic. but he also understands his kingdom is alone. he’s a lonely king. there's no one higher than him, no one to seek advice from. he understands he is the final defender of a kingdom and he is fighting an inherited war, he has first hand witnessed the tragedies of this war and has been directly critically affected by it, he is just as much a victim of Sauron as his people. his nobility offers him zero protection, at any point he could lose everything, and yet he remains empathetic. he remains kind. he remains generous. he obviously sees the worth in fighting, he refuses to give up fully. he is (reasonably!) incredibly cautious which some call him an isolationist or consider him fickle for, during events like his refusal of gandalf’s invitation to the White Council but it becomes incredibly clear why he is like this when it’s put into context of his past. he has trusted allies before, he has seen what has happened. to join an organisation full of ring bearer’s as the sole leader of a nation with no ring to protect his people is almost an insult. they would not and do not understand what it takes to lead in that situation. Thranduil and all of his people are living in the after of the war of the last alliance. why would they join another? Thranduil has put his people first. He recognises that they themselves are the only ones who understand just how at risk they are. and yet with all of this in mind it should noted that he allies himself with men (who historically have experienced and understand the dangerous climate of their respective nations) and creates trade routes with them to provide for his people and also provides aid to them. and it is noted in the text that Legolas has been raised incredibly happily, and he is well-adjusted. throughout fighting a seemingly losing war thranduil found it implicitly important to raise his son with joy and hope. i like to believe he understands the importance of childhood whimsy and enchantment and worked to instill and maintain his child’s innocence. he raised his son as trauma-free as he could (saying this bc we do not know if his mother is dead or sailed or not but either way to be without the mother is traumatic but besides that Legolas appears to be generally mentally healthy). despite knowing first hand just how cruel and painful life is he did not feel the need to raise his child to be prepared and worried about very real threats. rather he raised his child happily, and simply worked to give his son the skills he needed to survive and to defend himself. usually military father's who have expreienced a great deal of trauma and haven't processed it correctly tend to succumb to the urge to raise their children to understand the cruelty of the world, and loathe their children for their innocence. i think that in thranduil not doing this with legolas, we can infer that he has taken time to healthily process his experiences. I believe that Thranduil is an incredibly important figure in the Lord of the Rings because he is truly an incredible example of someone who learns from their mistakes, learns from tradegy, who learns from life. i think that Thranduil never wanted to be a King, it is a responsibility that fell into his lap unwillingly and that is why he is a successful and well-loved ruler.

[padfootastic]

Hello,

Please feel free to ignore this ask because it may contain sensitive topic to some people. What's your opinion about trans James ? In most fanon works , both art and fics, it is Sirius who usually is headcanoned as one. I have not seen many works with trans James or him being gender fluid , etc . Do you think it is because the way his character is described in the books , which in all honesty is not much or is it because Sirius had been described as really handsome? It doesn't do anything with handsomeness, I know , but the fandom works strangely like that 🙊

well, hello there, friend! so sorry for getting to this so late.

so, my opinion on this is really just my usual for identity hcs--i personally dont care much for them. that's not to say they're bad (i've seen some beautifully done stuff) just that it hits too close to reality for my escapist ass.

i see where you're coming from with the sirius comparison, tho! i think partly it's also because sirius is just...more popular? james is a pretty niche character, i'd say, even within mwpp compared to the others, so just by virtue of numbers, trans james doesnt get so much attention.

(there's a part of me that also thinks its also bc so much of the queerness in fanfiction comes from. wanting representation rather than caring about writing a queer character. and that means there's no deeper engagement than outward aesthetics. which means no real transgression is taking place. so u have repackaged cishetero norms circulating. but what do i know about that)

[vigilskeep]

hello! you know a lot of dragon age lore so i thought id ask you— i saw a post earlier that was discouraging to me aa trans person where the op said that veilguard having top surgery scars in the cc goes against established worldbuilding. does it make sense for top surgery to be possible in thedas? thanks

my rule of thumb is that in a world where healing spells exist, there’s absolutely no logical, believable reason for it not to be possible. you don’t have to go back and provide sources about historical surgeries—which is something i personally know nothing about—for this to be true

like, i just can’t take this line of thought seriously. ohhh we can have floating cities and magical neon lights and spirit healers who can mend injuries just by passively standing next to you, but we draw the line as soon as it’s something that would make our trans players happy! it’s so transparent. do not listen to these people or let them discourage you

if you want to get into the worldbuilding potential of it—which is just fun to do—we can probably guess that for the top surgery scars to be as neat as they seem to look in the veilguard character creator, similar to modern ones, magical healing was involved. now i do believe that the chantry might get suspicious of body-altering magic, that magical power is hoarded by the circles in the south and the wealthy in the north, and also that “out” trans people are a minority in thedas. so i’m not saying that this is something easy for your average guy to get hold of. that’s where you can feed it into backstory. are they powerful and connected enough that they could find specialists willing to go beyond the ordinary? or do they have underground connections to hidden apostate healers, whose only priority is what helps (or perhaps just how much you’re willing to pay)? do they belong to a culture that might not be restricted by the chantry’s norms about gender or magic, like the dalish or the rivaini? or do they belong to a mage-focused community or order, who among themselves do whatever they like? endless options

some might be referring to a line in dai from krem, a trans man, where you can ask him about potentially changing his body with magic and he essentially says he wouldn’t let magic that could do that anywhere near his body, though when he was younger he might have dreamed about the possibilities. firstly, krem is absolutely not the gold standard for trans representation and nobody should care about being flexible from what bioware put out a decade ago. secondly, krem is a random mercenary who knows one (1) mage, who spends the entire time insisting she’s not a mage. i very much doubt he’s the no. 1 source for what might be magically possible in this or any regard

also ultimately, and i cannot express this enough, you can do whatever you want forever. it could be absolutely fundamentally impossible in-world somehow and it would still not be that serious to be “unrealistic” in the dragon video games. don’t let anyone discourage you from making the character you want to make. it being an option makes it canonically part of thedas, end of. they put it in the game and nobody bitching about it can take it out

[elusiiev]

Basil's Somethings

YIPPEEE OK I HAVE WANTED TO TALK ABOUT MY HEADCANONS FOR HIS SOMETHINGS FOR A WHILE NOW AND now i can because theres a visual so

spoilers for the truth a little !!!!

coming from front -

this is when basil's guilt is catching up to him. it resembles mari's dead body more clearly, with hair strands extending towards him and strange misshapen arms doing the same. this reaching out both feels like the creature is begging for basil not to hang her, but at the same time reaching to drag him down too. this is more for gradual thoughts of guilt and shame throughout the course of a day. (tactile + visual hallucination)

coming from behind -

this one is more based on hellmari's appearance, however it shows itself to basil in multiple ways. for example, lying, especially in terms of mari's death, causes this monster to appear. it grabs for his mouth as he feels out of control spewing lies just to keep him and sunny safe, and tugs at his heart, actively making him feel worse about himself as the lies go on. it can also show itself during random intrusive thoughts, with the hair tendrils seeming to choke basil in every way. (vivid tactile + visual hallucination)

corrupted basil -

this is one of the strongest ones, it is a hallucination onto himself. he feels the darkness and lies spewing out of his mouth while he's covered in the blood of his best friend, a rope tied around his neck - this rope gets tighter especially in panic attacks. basil sees this in his mirror or when he looks at himself, normally around the hours of the night. to him, this is a representation of the monster he believes he is as the evidence overtakes him. hair tendrils continue to swirl, especially around the head, to where he can feel headaches after. this is not a constant hallucination and mostly appears during major depressive episodes, panic attacks, and anxiety attacks. (tactile + visual hallucination)

YAY OK THOSE ARE THEM!!!!!!!!!!!!!!! i plan on drawing how basil sees sunny because i have some ideas for him that would be super interesting !!! these are just my personal headcanons, and i know they most likely do not align with the canon but honestly thats fine im just being Silly!!!!!!

[qqueenofhades]

Good Omens Season 2: Some Thoughts (and also Screaming)

First, /screams

Second, obligatory disclaimer that this meta contains MAJOR SPOILERS for all six episodes. If you somehow have managed to remain virginally unspoiled, look away now, scroll past, or add "good omens s2" and "good omens spoilers" to your block list, as those are the tags I have been using for all posts and reblogs.

Third, /screams more

Okay okay okay. Deep breaths.

Anyway, so, uh, how about all that, huh? First, the good thing about the tone of the season overall was that it felt considerably darker and more adult, in a good way. We didn't have the precocious kiddies, the kitsch and literally-comphet Anathema and Newt, the so-clever narration, etc. All that was gone, which makes sense when you consider that a) the end of last season saw them reboot into an entirely new universe, and b) the fact that God has gone silent is, in fact, a major plot point for the season. We don't have Her slyly telling us the story, or indeed anything, and everyone is left to make their own judgments and take their own actions. Which, obviously, gets them into a lot of trouble, especially when Metatron (the Voice of God, aka someone acting in the belief that they're speaking for God and therefore doing terrible harm) swoops in with the ultimate buzzkill at the end of episode 6. But we'll get to that.

The downside was that the main, present-day plot (hiding Gabriel in the bookshop and trying to get Nina and Maggie to fall in love) was fairly thin, felt stretched out and at times weirdly paced, and otherwise existed mostly to get us to That Ending and the setup for season 3. But the ending was so damn good (if obviously, very painful) that I can't be TOO mad, not least because we spent six episodes with them just making absolutely no pretense about the whole thing being as incredibly homosexual as possible. I'll be honest: I did not think they were going to actually, explicitly go there. Neil Gaiman has been so consistent about "your interpretations are valid and you're welcome to read it however you want, but the only canon is what's on screen," which I think is frankly a good thing (not least since the Neil GAYman Cinematic Universe is consistently very, very good to us queers), that I just... didn't quite think they'd pull the trigger. Sir Terry is dead and can't have active input, this is based on a book published 30 years ago, maybe they didn't want to make it LIKE THAT... etc. I certainly hoped, but I didn't really think they would.

Uh. Well.

As I said in my various semi-coherent liveblog posts, I honestly don't think there was a single straight person in the entire season, among both major and background characters. Aziraphale/Crowley and Maggie/Nina are the obvious paralleling couples, but Beelzebub (using "they" pronouns and addressed as "Lord" despite presenting as femme/femme-adjacent) is clearly nonbinary and therefore also queer, and the countless gay/queer side characters were just /chefs kiss. From Job's son making a sassy pass at Aziraphale, to the random Scottish goon with Grindr on his phone (which he then gives to Aziraphale, because what is subtlety), to the interracial couple with the trans spouse at the Pride and Prejudice ball, there was just a lot of casual, unremarked, non-story-critical queer representation visible at every turn. It's like the NGCU saw the bigots wailing about Sandman season 1 being extremely gay and went CHALLENGE ACCEPTED, LET'S MAKE GOOD OMENS 2 EVEN MORE GAY.

God bless.

Obviously, Jon Hamm as Amnesia!Gabriel stole the show (he was SO fucking funny) and it was also incredibly fun to watch Miranda Richardson repurposed as a scheming demon. Nina Sosanya also reappeared as Nina the coffee shop owner, which leads us into the Maggie-and-Nina subplot. They're obviously, wildly, incredibly clearly an analogue for Aziraphale and Crowley themselves, but they're also each, crucially, a mix of both. On the surface, Maggie is Aziraphale: the plump, blonde, earnest, sweet-natured one owning a slightly dated book music shop and somewhat clueless about emotional nuances, while Nina is (also on the surface) Crowley, the hard-edged dark loner who doesn't want to open herself up to people or be spotted caring. But emotionally, Maggie is Crowley: the one openly pining, clearly besotted, only wanting to hang around their crush and do whatever they can to make themselves useful, while Nina is Aziraphale. Interested but reticent, attracted but conflicted, trapped in an abusive relationship with a demanding offscreen "lover" (Lindsay/Heaven) who tries to constantly control and shame them without ever offering much, if anything in return. By the end, they bring themselves around to what Maggie/Crowley are offering, but by then, well. We've got a lot more problems on our hands.

As I also said in my earlier posts, this entire thing has always been a metaphor for religion, queerness, and what religion -- especially abusive, fundamentalist, organized religion -- does to queer people, but they really cranked the FUCK out of that metaphor this season. Aziraphale is guilt-tripped, controlled, and shamed for his attraction to Crowley at every turn. He is torn between his imagined duty to Heaven, in all its ignorant, uncaring, bureaucratic, gratuitously cruel system that he still insists on seeing the best in because he can't bear the alternative, and the chaotic and sometimes grey but genuinely more good morality that Crowley offers him. (Can I just say, we were explicitly shown that the two of them together doing "just a little miracle" are more powerful than Heaven AND Hell combined.) And at the end, he's told that the only way he can be with Crowley -- what Metatron explicitly blackmails him with -- is if they both go back to heaven, submit themselves to the cruel system again and give up everything that has made them who they are: their home in London, their human friends, their reliance on each other, their independence, their own ways of doing things. You can be queer in this (religious) framework, but only the limited, watered-down, controlled, controllable, constantly-under-supervision kind of queer, which relies on both you and your lover "converting" back to the true faith. And if you don't cooperate, they will literally kidnap you, lie to you, manipulate you, take you from your soulmate, and force you right back into doing the one thing (destroying the world) that you never, ever wanted to do in the first place, because in their minds, that is still better than this. It's for your own good.

Ouch.

And the thing is: that's why the ending a) hits so hard and b) is so fucking painful, because of course Aziraphale agrees. He has no conception of being able to defy Heaven on his own; he has always, always needed Crowley for that. In the flashbacks, when Aziraphale is faced with an order from Heaven that he desperately does not want to carry out (such as letting all Job's children get killed), he still relies completely on Crowley to "outsmart the rules" and find a better way. Crowley is A Crafty Demon; that's what he does, and so Aziraphale rationalizes it to himself that therefore that must be fine. Even in season 1, when he really didn't want the Apocalypse to happen but initially thought it was his duty as a good Heaven footsoldier, he relied on Crowley to talk him out of it and allow him to do what he really wants instead. That's their whole dynamic in a nutshell, as exemplified in that scene in episode 2, where Crowley tempts Aziraphale with the "pleasures of the flesh" while sprawled on his back in Ravish Me mode like the giant walking gay disaster that he is. (Sorry, buddy. That beard. Can't do it.) Everything that Aziraphale's existence is, that makes him who he is, that he loves and cherishes the most (in this case, food and wine) comes from Crowley. Everything else is just background noise.

Throughout the season, what we see is Aziraphale increasingly coming around to the fantasy of being with Crowley. He's coy and flirty; he talks about "our car" and expects Crowley will let him (which he does); he wants to have a Jane Austen ball and for them to dance together (oh my heart); he even thinks, at the crucial moment, that the best way for them to be together is to go back to heaven just like they were in the beginning, once more perfect angels, as if those entire six thousand years of struggle and grief and pining and separation and falling didn't happen. And Crowley -- poor, poor, brave, devoted, heartbroken Crowley -- has just heard for the first time in said six thousand years that actually telling the person you love how you feel is an option. Maggie and Nina tell them point-blank that their whole stupid plan failed because people aren't chess pieces who can be moved and automatically achieve the desired result. And of course this gobsmacks the dearest and dumbest Ineffable Husbands, because they can't conceive of anything else. People are chess pieces in the Great War of Heaven and Hell; Aziraphale and Crowley themselves are chess pieces who have been desperately trying to get out of being moved by external forces, but that doesn't change the fact that that's what they are. They don't have volition or agency aside from that which they can sneak for themselves in brief and stolen moments. That's it.

Until, well. It's not it. They discover that this whole would-be war is actually an elaborate ruse to cover up another angel-demon romance, that of Gabriel and Beelzebub. (I'll be honest, I'm 99% sure they did this storyline because they saw the fans crackshipping them, but I appreciate a fictional narrative that values and incorporates its fans' input, rather than trying to constantly "trick" or "outsmart" them or "do what they don't expect.") And Gabriel and Beelzebub get to be together, but only by leaving their world forever. They have to desert their homes, their structures, even their own identities, and never return. And Crowley and Aziraphale are so rooted in their "precious, perfect, fragile" life in their little corner of Soho, with their bookshop and their Bentley and their dining at the Ritz (which they didn't get to do in the end because METATRON /shakes fist), that that just doesn't work. Neither of them can conceive of doing that. So Aziraphale thinks "go back to heaven and try to make the terrible system do some good and take what we can in terms of being together" and Crowley just... pours out his heart. He's ready to fucking propose. He barely stops himself from saying something to the effect of "I want to spend eternity with you." He begs, he pleads with Aziraphale to go away not in the literal sense, but the emotional/metaphysical: to finally break this toxic dependence on Heaven and tell them once and for all where to stick it. And because he is desperate to make Aziraphale understand, he finally throws all caution to the winds and recklessly, desperately, adoringly kisses him, the one thing he's wanted to do for ages and...

Gets. Shot. Down.

Ugghhhhh. I'm suffering all over again. Aziraphale wants him, hungers for it, for them, and yet he's been so abused and so conditioned by Heaven (he's still blithely repeating to Crowley's face that "Hell are the bad guys!") that he just cannot accept that kind of desperate, blind, limitless, lawless affection. He even forgives Crowley for this "transgression," just to really twist the knife, and Crowley just can't take it, can't face up to how terribly this has all gone up in flames, after he went to heaven trying to find the answer for Gabriel's situation. Gabriel, who he fucking hates. Gabriel, who tried to kill the angelic being he loves (and for which Crowley has transparently never forgiven him). And yet at one pouty puppy-eyed look from Aziraphale and a warning that whoever is harboring Gabriel might be in danger, Crowley leaps headlong into the Bentley again and rushes to the rescue while "Good Old Fashioned Lover Boy" is blaring. He stoutly protects Gabriel; he does a miracle to disguise him; he lets him have hot chocolate and stay in the bookshop; he guards him from the literal demonic horde outside. All because of Aziraphale. That's it. And then, it still doesn't work. Not only that, Gabriel's absence and decision to forego Armageddon gives Heaven the one tool they finally need to take Aziraphale away from him.

I repeat: Ugghhhhhhhh.

(In a good way. Ngl, I love this angst. This is the kind of angst my brain Thrives on, the Thematic Parallel Romantic Character Arc kind. Nom nom nom. But also: AGONY.)

I also need to talk about Aziraphale driving the Bentley, aside from the obvious metaphor of him being in Crowley's home while Crowley is in his. Last season, we had the "you go too fast for me, Crowley" scene with them sitting in said Bentley, which was Aziraphale saying he's not ready for a relationship. In this season, as noted above, we see Aziraphale increasingly embracing the potential fantasy of being with Crowley. But here's the catch: when he's in the Bentley this time, driving it, setting the pace, acclimating to the idea, he's driving his own idea of what the Bentley/his relationship with Crowley is. It's not the real thing. He plays classical music; he supplies himself sweets; he turns it yellow; he drives too slow. Crowley calls him in another old-married-couple snitfit to complain that Aziraphale's messed it up, but what Aziraphale has actually messed up (or will, by the end of the season) is far more consequential than just a car. He's changed the entire shape of their relationship to the one he thinks can make it work, and it just doesn't. It has to be them -- "we could have been... Us" -- or it's not even close to the truth. It's not worth their time.

I repeat: Ouch.

Speaking of the writers validating fan theories, I know we all picked up and screamed about on Crowley's idea of Peak Romance Guaranteed To Fall In Love being sheltering from rain and gazing into each other's eyes, which confirms that that poor bastard was indeed ass-over-teakettle gone as soon as he met Aziraphale (again) in Eden. I also need to talk about the 1941 redux, because wow. This time, the danger comes from Hell, which we see being its usual self: gleefully, pointlessly cruel, pettily backbiting, dirty, sniping, tedious, endless, determined to mindlessly destroy because They're The Bad Guys and they like it. So they blackmail, spy on, miracle-block, illicitly photograph, and try to prove that Aziraphale and Crowley are secretly a couple, right after Aziraphale himself has just had the Light From Heaven realization that he's in love (which we all also picked up on in s1). They're forcibly outing them (to speak of more Religious Queer Trauma) in order to break them up/get them into trouble with their authorities/families. Aziraphale and Crowley manage to escape it mostly by dumb luck, but Crowley having an altogether freakout, hands shaking, barely able to actually point the gun at Aziraphale even in the knowledge that it's supposed to be fake, is just... wow. He can't even fathom the idea of ever trying to destroy him in earnest, especially when he knows on some level that Aziraphale also finally just realized his own feelings. So I just need to --

/screams

Anyway, Aziraphale's entire arc this season is doing what he thinks is the right thing and then inadvertently causing harm and damage as a result. In the Edinburgh flashbacks (live slug reaction of me: SEAN BIGGERSTAFF???!!) he tries to stop Elspeth from stealing bodies and gets Morag killed and Crowley drinking the laudanum to save him (though that part with David Tennant just riffing left and right, using his natural Scottish accent, and being Tiny Crowley/Huge Crowley was hilarious). He invites his neighbors to a Pride and Prejudice ball and makes them all the target for demonic attack. And of course the Job episode: Aziraphale, horrified at Heaven's callous cruelty, desperate not to get Job's children killed, willing to go along with Crowley's tricks to save them somehow, tempted by Crowley to do the fucknasty with their angel bits eat some food and decide that he likes it. As mentioned, the whole thing about God being silent this season is a major thematic choice. The only time we see/hear God is Her communing with Job from afar. Aziraphale enviously imagines the answers he must be getting (he's not, he's baffled and perplexed), while Crowley longs beyond words to even have the opportunity to ask the question: why? Why do this? Why is this your plan?

And of course, this absence culminates in the Metatron, the Voice of God, the person arrogantly claiming that they're speaking for God and know exactly what Heaven wants, being able to seize Aziraphale by the short hairs and absolutely fuck him over. Gabriel is gone/decommissioned/eloping with Beelzebub, so Heaven needs a Supreme Leader (God apparently is no longer a factor in the equation). And what this Supreme Leader needs to do is finally unleash the Apocalypse that Gabriel decided to pass on (the Second Coming). Aziraphale needs to be punished, taken away from Crowley's influence/love, and put back under Heaven's explicit control, so Metatron spots a great opportunity to do all three at once. It's not an accident that the exact tool he uses to get Aziraphale to agree is "now you can actually be with Crowley!" Aziraphale and Crowley have been trying so hard to hide out from their respective Head Offices, but now all at once, there's this seemingly miraculous opportunity for them not to have to do that anymore! They can be together! They can be sanctioned by Heaven! They can give up all this hiding and sneaking around and lying! Isn't that better?

... As long as, of course, they give up absolutely everything that makes them who they are. No big deal. Minor catch. Probably nothing.

Metatron doesn't let Aziraphale have time to escape, or think it over, or reflect, or anything. He pressures Aziraphale to come with him immediately, or be once more subject to Heaven's implicit wrath/destruction/judgment. Believe me, Aziraphale already KNOWS he's made a huge mistake, as soon as he hears what Metatron really wants: bringing him back to unleash the Apocalypse that Aziraphale and Crowley have given up literally everything to prevent. He doesn't need time to reflect. By the time my man is in that elevator, he's well aware of what a catastrophic misjudgment he's made, and yet --

Aziraphale needs this. He has, as noted, literally always relied on Crowley outsmarting Heaven's cruel orders in order to prevent himself from having to do them. He's relied on Crowley rescuing him ("rescuing me makes him so happy," WELL BUB, IT'S BECAUSE YOU ALWAYS NEED IT). He admits to Crowley's face that "I need you!" He hates Heaven's sadistic meanness, but he has absolutely no framework, in and of himself, to defy it. When the rubber hits the road, he will crumple and try to go along with it, and now he's been put in a position where he's going to have to stand up, defy Heaven, and make the break once and for all BY HIMSELF. He doesn't have Crowley around to do it for him, he has no support, he is going to arrive in Heaven and be shuttled straight off to the Apocalypse 2.0 War Room. The only way he gets out of this is if he actively stands up, if he chooses himself and Crowley and their life, and he has to.

The thing is:

Aziraphale has lived his entire eternal existence Looking Up. Up is the direction of Goodness and Heaven. Up is where Angels go. Up is where Aziraphale comes from and where Demons and Hell are not. But now he's going Up, in a position to take over the whole shebang, and it's the last thing he wants.

So he's going to have to come back Down.

He's going to have to Fall. He's going to have to get back Below at all costs. He's going to have to finally, once and for all, understand what led Crowley to make the choice to leave Heaven and never come back. It's only then that they can possibly be together on any kind of conscious, equal, deliberate footing, claim their own agency, reject Heaven AND Hell, and try to really earn that South Downs cottage and that happy-ever-after, and it's gonna hurt so good.

Now if you will excuse me, /screams

[dunmeshistash]

in regards to skin tone variation in DM, i do think a lot of it is colorism/racism too. theres a few characters of color, but not many (just like how theres some fatter characters, but none of them are main characters (even senshi & other dwarves arent really depicted as fat)).

ryoko kui has surface representation for these people, but it lacks much substance, and the brown characters she does draw arent given brown facial features, and are almost always colored with very ashy skin. a lot of them just look like a recolored white person (especially cithis, kaka, & kiki). her random portraits of characters who dont actually appear in the series otherwise tend to be much better about this, but the actual characters that show up and play a part all seem to suffer from this issue.

im not saying kui is like, super-duper racist and we all need to stop reading DM etc etc, but i think its important to recognize and point out everyday/usually-overlooked colorism & racism when we see it, and i know im not the first or only person to point this out about her character designs. if she can draw fat people and actual brown people as part of the portraits, why cant she or wont she do the same for any of the featured characters in the series?

(i know the orcs are fat, but its not a good thing the only consistently fat people are the ones who are a fantasy race based off of violent racial stereotypes, who are also pig people, while none of the main cast of "real" humans are fat except *maybe* the dwarves, who still have small waists and flat stomachs, and the lord of the island, who is depicted as corrupt & decadent)

Well yeah.

I'm just a lore blog so I don't like to get too into real life issues or make assumptions about how the author feels about these subjects. What I talked about on the skin tone post was assumptions as to why she thought it would be important to show skin tone variations on certain races as a character design choice. (In the sense that her character design is very purposeful)

I realize some people over praise Kui's designs when most of it is pretty safe for what it is, but even if it's just a step closer to better representation it's something that's rare to see in anime. So I understand why some people get so excited about it.

It is important to realize this isn't the ideal either (Dark skinned characters with the same features as the others, mostly well build characters on the thinner side) but I personally don't like to criticize these type of stories on what it "could/should have been".

As someone who is fat and not white, I'm happy we get some diversity in dungeon meshi. I hope this opens up the possibility of better character design in the future even if what we got now wasn't perfect.

It shouldn't be the case that this piece of art filled me with so much joy I teared up cause I had never seen someone with a similar body to mine drawn with so much respect and objectivity. But unfortunately that's the world we live in and I don't think it's wrong to be happy for what we get for now while acknowledging it's not perfect and that it should be better.

I'm also super happy the anime chose to make the dark characters even darker.

[grouper]

thinking about the implications of THIS THING

long post, just exploring the question of what changes turbo made to his own code to become king candy.

in this scene, king candy moves the "medal" asset from the trophy pot to his own node. when he does so, it materializes and appears around his neck.

if that implies that every asset within his node acts upon his code in some way, we can quantify the changes he's made. each asset represents a change. over 15 years, he's accumulated this many modifications, integrated this many assets into his own code. since the "medal" asset's symbol associates directly with the physical medal object, it can be assumed that each symbol also accounts for a physical object*.

in this close up, we're offered a glimpse into what assets he's integrated into his node. we see:

assorted candy symbols. visible in the image are jawbreakers, wafer cookies, pastries, candy canes, cookies, ice cream cones, lollipops, chocolate chip cookies, and slices of cake. not going to attempt to count these, as i believe they function as space filler on the part of the animators. attention to detail can only go so far, even in a wonderfully detailed movie like WIR. conversely, we could interpret the assorted candy symbols as Turbo filling his node with random junk. you decide!

NINE cups. they are of course stylized and simplified, but their distinctive shape belongs to glasses used for brandy, sherry, or liqueur. out of all the symbols in the image, they occur most often. their placement close to the action front and center in the frame further highlights their importance. Alcoholic!Turbo is canon!

four symbols (demarcated with a question mark),which look like.... puppies. four visible here. the animators decided he needed 4 puppies.

and 2 race cart symbols (circled). pretty self explanatory, but still a cool and thoughtful addition. it would make sense that he'd want multiple race carts!

*it isn't depicted here, but i'd assume some of the assets would also have to do with his physical appearance, since each node is supposed to be a representation of the raw data of the game. not to mention, the "medal" node was not originally from Sugar Rush, it was from Hero's Duty. that means external assets can be integrated into his node. it's also explained in the movie that things like programmed memories can be affected by modifying nodes. altogether, we are given the sense that pretty much anything can be changed or added via the game's code.

what else did turbo add to his program? what did he change? what did he lose?

[tanadrin]

Honestly, I *don't* want to mix things with proportional representation. I see proportional representation as an excellent way of increasing the importance of dealings between politicians and reducing the incentive effects of the voters. But in my ideal world I'll need to negotiate with people who do like proportional representation, and this system is a compromise I could get behind. Plus you can plug and play any three different electoral systems for different compromises.

First past the post is a bad, undemocratic electoral system. First past the post privileges large parties by making small ones unviable, and distorts the composition of parliaments by wasting votes. It can be gerrymandered in a way proportional representation cannot be. It produces highly unrepresentative outcomes. It is a bad electoral system! All good voting systems are to some degree inclined to more proportional results.

I've never heard the accusation that PR "increases the importance of dealings between politicians," but look. I don't know how else to put this. That is a stupid objection. Just absolutely boneheaded. You haven't thought about this at all, I reckon.

People hate on "politicians" as a generic class, but it's like hating on lawyers as a generic class. You need politicians. You want politicians. You want people whose specialized job it is to read legislation, fight about what should go in it, represent your interests, and come to balanced compromises about those interests. People percieve politics as messy, venal, and corrupt, and it can be all those things, but guess what? The alternative to career politicians is part-time citizens who don't know what the fuck they're doing, have no expertise in the legislative process, and therefore are at the mercy of lobbyists who can walk them like a dog because they're naive and inexperienced.

There's this especially (but not exclusively) American pathology that is a suspicion of government that works too well. This peculiar notion that if only we sabotage government a little bit it will keep tyranny in check and make politicians more honest... somehow. But filling government with random yahoos doesn't get you a noble collegium of Tocquevillian citizen-lawmakers, it gets you a pack of Marjorie Taylor Greens and Lauren Boberts. You know--morons. Americans will support all these ballot initiatives that fuck up government on purpose, like term-limiting legislators and keeping their salaries low so only rich people can afford to go into politics (and even then are only willing to do it as a stepping stone to other gigs), and vote for people who promise to make government work even worse by cutting the budget and lowering taxes, and then have the absolute gall to whine about how badly the government works. My fellow Americans, you did that on purpose.

(And there's this weird paradox where Americans all loathe Congress. Who keeps voting these creeps in? Well. You do. Congresscritters are generally pretty highly approved of by their own constituents. The stereotype of lazy, stupid, venal politicians always seems to apply to the other guys.)

And you will also note that since the abolition of things that used to facilitate deals between politicians in the U.S. congress--since the abolition of earmarks and chummy socials between congressmen and the post--generally, since the post-Gingrich upheaval in the House--it has gotten harder to pass even necessary, basic legislation, because it is harder to make the basic compromises necessary to keep government functioning. Having three separate legislatures that each can claim a different sort of democratic mandate isn't a recipe for good legislation, it's a recipe for paralysis and constitutional crisis.

[eff-plays]

What are your thoughts on some of the wording that is used to describe Taash's gender dysphoria in Veilguard?

Anytime their gender identity crisis is discussed, it's always called "non-binary stuff." There is also one character in the wetlands who is non-binary and they say that another character helped them with their "non-binary" stuff.

Surely, the terms gender dysphoria, gender identity crisis, or even just saying "helped me figure out that I was non-binary" would have been better writing.

It feels like they didn't have faith in people to understand other terms or context clues.

Please note that this ask is not meant to be in bad faith and there is no pressure to answer.

I am generally curious if this is an example of bad writing or if non-binary stuff is the correct term over gender dysphoria or gender identity crisis in this context.

I think it all goes back to just using "non-binary" in the game itself. And while I get how some enbies think it's important to use our language to describe us in fiction, and that's a justified opinion to hold, I'm going to disagree. Games with heavy and extensive lore and actual conlangs shouldn't just fall back on hyperspecific modern terms when we all know they're capable of delivering the same message in a way that doesn't lean on the fourth wall or break immersion. Krem, for all the clunkiness that surrounded him, got a whole in-universe explanation for how he fit into the Qun.

Now, to be clear, I'm not saying I value immersion over representation, or that nonbinary people are immersion-breaking. That's an insane opinion to hold. It's just that I, personally, feel more out-of-place and alienated when a fictional world's attempts at including me uses modern terminology. It doesn't tell me that I belong in that world and there is space for me in it, but that there isn't. This vast world, which has fantastical locations and magic and Blighted old gods and dragons, which has room for all of those things, but doesn't have room for language and identities unique to it that might reflect mine? It has to use language that doesn't belong there to explain people that supposedly do? Do you get my issue here? There is an inherent contradiction in this approach.

By not bothering to integrate nonbinary people into Thedas, by falling back on and insisting on modern terminology, BioWare isn't telling me "you're valid, you belong" it's telling me "your presence is so incongruous with our world that we couldn't do anything but use existing terminology to describe you." In their attempt to be inclusive, they just didn't bother to actually integrate nonbinary identities into its world. Then they keep highlighting their own failure by pointing at my identity and telling everyone in their world how valid it is. Imagine you're just existing in a crowd and some motherfucker points you out and goes "YOU. YOU'RE VALID! EVERYBODY LOOK AT HOW VALID THEY ARE!" That's what's bothering me the most. It makes me feel like a freak, not like I belong. And maybe that's a me problem, but given the responses I've seen to my Taash posts, I don't think it is.

Anyway, sorry for that tangent. I don't think gender dysphoria or gender identity crisis would've been better writing, personally. I was pretty confused for why this random NPC told me about their gender identity at all, to be frank. Especially when they, in the first conversation, gave us their pronouns in a very naturalistic way, and Rook + the companions repeated those pronouns later. Like, for me? That, combined with Flynn's very androgynous appearance, was enough to clue me in to who they were. We only have two interactions with this person (AFAIK, if they show up again then I haven't gotten to that point in the game yet), there really doesn't need to be a spot where they clarify their highly personal discovery of their gender identity.

However, if you're very desperate to include this as explicitly as BioWare intends, I have a solution: have them only mention the "non-binary stuff" to a trans and/or nonbinary Rook. My Rook is nonbinary and people know this about them, and since Rook is becoming well-known, people will know their pronouns and identity. So, have Flynn be like "Yeah, my mentor helped me figure myself out. You know how hard it can be to do on your own, Rook." Ya know? Suddenly, you get what they're talking about without having them to be like "ah yes, have I mentioned I am non-binary today?"

I get wanting to make things explicit, but it happens at the cost of believability and actually representing how enbies exist as people. I don't talk to friendly strangers like "I had a hard time figuring out I'm nonbinary, but I got there in the end!" Most of my classmates only know I'm nonbinary because it says so on my Discord profile, and the same goes for the ones I know are nonbinary. Most of it is just clocking each other across the room or hearing other people use our chosen pronouns.

As for Taash's dysphoria ... That's another long-ass can of worms type post that I might make once I'm finished with the game and have a complete image of their storyline. But rest assured, I have plenty of thoughts on that, as well.

[starshinesluvr]

:¨ ·.· ¨:⠀ `· . ୨୧ various edward nashton hcs & thoughts !!

contains: a mention or two about his killings in the movie, religious trauma, & drug usage. word count: 1.4k

writers note: hi friends! guhfhkj i am being brave and posting some writing on main.... ( ;´ - `;) here are a few headcanons and general thoughts that've been Marinating in my mind for a while. i felt like this was getting quite long, so maybe i'll have another post with some more soon.. because i have many thoughts..enjoooy! ^_^

♡ obviously he is obsessive. and loves repetitive actions and routines. his main special interest would be the renewal fund and the wayne family. (obviously) he has a big sense of moral justice. ⋆⭒ one of his main repetitive actions would be counting. he does this a lot with his fingers, the books on his shelf, or even the letters on a neon sign outside. just quickly under his breath. ⋆⭒ he also would sway. he usually does this in his apartment, when hes scrolling nigma or something. it really calms him. i think he would be too self-conscious to do it in public though. the King of masking. but occasionally he cant help himself when he's really focused at a café or something.

♡ but some of his other interests include: retro games, ancient civilizations, and general puzzle games. and god this man is a consistent minesweeper frequenter. heavy on frequent. loves 2048, sudoku, does the daily crossword on newspapers.

♡ half of the apps on his phone has to be games. 'games on his phone?' yes.

♡ i think he also has a undying love for pokemon. unsure what his favorite type would be, i think he would cycle through different types every single time the interest pops back up in his head again.

♡ AND GUYS GENUINELY HERE ME OUT. i think he helped code the club penguin rewritten website . im So. so serious on this one.

♡ OH OH. OHHH!! one of his longest lasting special interests? languages. how this starts? i imagine young edward back at the orphanage, already finished reading every single book he could find... every single english book, that is. maybe he'd sneak into the library. he's sure those books have riddles that can only be solved if you understand its language first. ⋆⭒ he finds interest in the progression of languages especially. how they change over time, and the origin of words and their sounds. ⋆⭒ though i don't think he would be a polyglot. but he'd know a lot of random words here and there, and some slang words no one would expect him to know from many languages!

♡ but a language he especially would like is ASL. he'd have a heightened interest of any form of communication that doesn't involve words. like, the font wingdings y'know? any kind of 'code.' ⋆⭒ he'd especially love learning ASL on his own during his younger years, since he struggled with speaking more often back then. he doesn't talk to anyone much now a days anyways, unless its small talk. (okk i see you selective mutism representation! >_< )

♡ he is sadistic. not a headcanon, just fact. this can be seen in his killings in the movie. though he primarily killed to give a point to the city of gotham, and to become a symbol much bigger than himself, he never gives these people quick and simple deaths. he enjoys these killings. cutting off the mayor’s thumb while he was still alive, sticking rat poison in officer savage, and sticking his head in a rat cage, waiting for them to eat him alive shown for everyone to watch. these were thought out, and he enjoyed watching. he enjoyed putting on a show, and their deaths were his entertainment.

♡ though outside of being the riddler, edward has a lot of self hatred. this fronts as anger, standoffish and anti-social behaviors. he doesn't mean to be mean, its just deep rooted. a combined hatred of everyone who'd hurt him prior.

♡ even though he hates himself, he also thinks of himself as better than anyone else. he feels as if he is worthy, and he has the intellect to show it. he consistently searches for small, daily positions that keep him in power.

♡ has a love/hate relationship with his own intellect. he wishes he wasn't cursed with his knowledge, sometimes he just wishes he could be blind and stupid to the darkness of the city. but he prides himself in being smart, especially in being good with numbers. its something he knows he can actually do correctly. he loves the certainty of numbers, how they never change or lie.

♡ i think would mostly hate how smart he was when he was younger. he hated how it distanced himself from genuinely everyone, and at one point he wasn't sure if he just enjoyed being reclusive or if he simply just got used to it. ⋆⭒ he would hate how the other kids or his classmates would only talk to him when they needed answers for their work and how they would expect him to know everything. (he sadly did.)

♡ he loves consistency. but hates complacency. he knows things can change, things could be better. but he finds comfort in his routines, even if it makes his world grey.

♡ due to religion being constantly drilled into his brain throughout his childhood, he experiences severe trauma. when he does something that is not pleasing to the beliefs he was taught, he self deprecates. lots of talking down on himself. he still can remember a few memory verses and prayers, and sometimes obsessively recites them to himself. ⋆⭒ he knows some of his fears are honestly a little irrational, that maybe one day he'll just be struck down. he's trying not to let them take over his logic, but he struggles. he is constantly upset that he still has these childhood fears that bind him.

♡ speaking of his time during the orphanage: his dirty unkempt upbringing and the long lasting effects of it could be seen in his living space. the chaotic and 'dirty' environment is almost comforting to him. sticky notes with ramblings of riddles and math problems. besides, his brain works too fast to care where things were placed in his home.  

♡ despite his messy apartment, he hates feeling dirty. this is also thanks to the orphanage. he’s well kempt. everything is messy, not dirty. the orphanage was sadly, both. he looks like a sopping wet rat, it doesn't mean he smells like one though.

♡ he also has a fear of smelling bad, despite knowing he thoroughly washes. ⋆⭒ i think he would smell like soap or just his laundry detergent. he wants to try different scents, he kind of likes the idea of having a 'signature scent,' but honestly some smells give him a headache if they're too concentrated. and he can't have that while doing his everyday activities. ⋆⭒ its the kind of scent where you can only really smell it on the person when you hug them, y'know? which is kind of fine to him, he'd rather smell like nothing than something bad.

♡ he absolutely despises drops. any kind of heavy drug really he stays away from. he knows just how easily it can unravel a person, after constantly watching kids as young as 12 years old become addicted to it. his intellect would go to waste if he ever decided to start using.

♡ BUT! definitely smokes weed, or just in general he smokes. he probably tried it for the first time in his early twenties, hated it and dropped it. but he CANNOT continue handling his anxieties raw. so he picks it up again in his thirties. only occasionally... kind of.

♡ he loves LOVES animals. i like to think he had a little hyperfixation on animals and the general care for them when he was younger, so despite never having a pet, he could definitely at least recommend what to feed your average household pet.

♡ not only that, but he finds interest their internal structures, and the similarities to the human body. (i honestly don't know where these hcs came from, but bare with me here.) ⋆⭒ he loves dogs, but he's found himself liking cats a bit more recently. especially strays, he finds their resilience to continue living despite their circumstances to be admirable. ⋆⭒ he'd love to adopt. but he can hardly keep track of his own health, not to mention the state of his apartment. and don't even get him started on the extra expenses. ⋆⭒ though, i think he'd be pretty scared of interacting with any stray, maybe just animals in general he'd be pretty hesitant of being around. he doesn't like the uncertainty. and hates remembering his bad experiences with animals when he was younger. ⋆⭒ i think he'd bring himself to a cat café for one of his birthdays after weighing the pros and cons, after a day that was especially rough on him or something. he usually doesn't care for the date, but he honestly just likes using it as an excuse to go out somewhere whenever he feels like it. (he probably cried either from the animals' cuteness or the fact that he was there alone, maybe a bit of both. poor employees probably didn't know what to do.) ⋆⭒ i also think it would be funny if he was allergic, but obsessed. constantly sneezing but he can't help but want to cuddle up with them. but he doesn't have to be.

[miss0atae]

Random thoughts about The On1y One (EP4)  - How to live in the present, friendship and metaphors:

I'm so glad this episode showed us how fast the relationship between Tian and Wang has changed since Wang admitted he felt lonely and Tian finally decided he would get closer to him. It's like they opened a little door, but instead of having just a small opening, it is a wide open door. It shows how just a small acknowledgment can change so much. When you're seen, you are able to do so much more. You are not lonely again. Tian is man of his word. He offered to get closer to Wang and since he said it, he has decided to stick to his word. You can also see how it affected Wang's behavior. It felt like he was coming out of his shell because he knew he had Tian, not so far away. For example, when he woke up the next day and came for breakfast, he was more at ease than before (not perfect, but he is trying at least) with Tian's mom. Before, he couldn't even stand her sight. He tried and that's already a lot.

As the viewers we know that Tian and Wang will end up together, but the characters are not yet there. As for now, it is more friendship. I'm also adding that your significant one can also be your friend. They are not mutually exclusive. I would even dare to say, it's better if it's also your friend. I believe that the foundation for any healthy relationship is friendship. Anyway, having a solid friendship is important because they make life more enjoyable and help us through the difficult times by making it more tolerable. You can see how Wang is feeling happier in some way, now that he knows Tian wants to be closer to him. It makes it easier in class to work, but also when he got in this fight with the bully, he saw Tian had his back. Tian is taking his time and energy in this friendship, but he is also gaining something from it too.

I was really touched by how he said it changed his perception of life. I admitted he used to look at the past more and so he was unable to appreciate the present or to even perceive the future. It’s not good when you’re stuck in the past. Your whole life could go by and you would feel you miss everything because you can’t appreciate what you have. It’s not easy to appreciate the present when you can’t find any joy or reason to like it. However, Tian seems to think that now he has a reason to appreciate it. It was very well-said. I tend to forget they are playing teenagers because I know the actors are older. However, it’s a feeling you can relate to at any point in your life. I may be older than the character, but it’s a lesson that I shouldn’t forget too. It’s so easy to be caught up in our daily life and then we forget the most important thing.

I believe this episode allowed us to get to know Tian better. I can't forget the moment Wang noticed all his belonging are in suitcase. It's like Tian is ready to leave at any point. When you don't unpack, it means you're not ready to settle. There is also the metaphor of a suitcase where it's kind of an extension of himself: “open your suitcase and I will tell you who you are”. There are 3 dimensions of a suitcase: it is associated with emotion (happiness, joy, fear of living or leaving, temporary or permanent departure…), it is also associated with the mixed objects we can add inside and what they tell about us and finally it is associated with the story of its owner and his family, his identity, his encounters… It felt kind of poetic, but also a representation of Tian's state of mind. I wonder if at one point, he will take his belongings out of this suitcase to put it somewhere he feels like safe enough to settle.

Of course, we also got the metaphor of the closet and it is resonated so much more when it's a queer story. That's where Wang hid with Tian and even if the romantic feelings are not here yet, they will come and how will they live with it… that's what the story will show us.

I have to say this episode was charming and I'm really getting into the story. It's a very interesting series.

[duchess-doodles]

Uuh so some more on my take on human Bill. He basically highjacks Nick's body and uses some good ol ancient rune tattoos to make him into an immortal vessel only he can possess. Some more ✨lore✨ under the cut because I have waaaaay to many thoughts about this

So Nick is just some random guy who's passing through Gravity Falls, and he stops in the dusk 2 dawn for some chips or something

Ford happens to be there at the same time. He has the very normal, very insignificant thought of seeing some dude across the aisle in a convenience store and thinking "hm. cute guy" (which I might add is a thought he's barely conscious of. My guy has layers of representation to deal with but that's a different post) and moves on with his day

Bill on the other hand, the jealous fuck, reads this in Ford's brain and has the calm, collected and controlled reaction of ghosting ford for a few weeks to go fuck with this guy. For "fun." Definitely no reason other than that nope Bill doesn't care that Sixer spent 0.2 seconds looking at another guy whaaat no why would he care

Eventually Bill manages to get Nick to make a deal with him and gets his hands on Nick's body. Nick is obviously Not Ok with this so Bill rips out Nick's eye, using the body's pain to deter Nick from trying to get it back and because he's a crazy bitch like that and also because I want my Bill design to have one eye sue me

Then Bill does all the hair dying and piercing, and then uses spellbinding tattoos to secure his new flesh puppet :D now Nick's body can only be possessed by him (thereby keeping Nick out permanently so Bill can come and go as he pleases, without having to worry about fighting for the body's ownership every time he wants to use it) and doesn't need "looking after" the way a normal human body does (so he can leave it in a closet for weeks on end and it'll be fine)

Bill then rocks back up to the mystery shack and tells Ford he can manifest a human body sometimes. Just flat out lies to him. Like the liar he is <3

He stashes the body under the porch or something when he's not using it

I have more thoughts on this but I'll save it for another post lol

[majorproblems77]

Hey Linked Maze fans! It's me! :D

Another update another ramble from yours truly! :D

I love the smol updates just as much as the large ones cause it gets me thinking ngl. Makes me wonder what's gonna happen next!

(Especially in situations like this)

Okay enough from me

A link to the comic page can be found here! Please do go and check it out and give it a lil reblog to show your support! It's wonderful.

Importantly!

Linked maze belongs too @linked-maze and its creator @frulleboi. if you've not seen it note that it's for more mature audiences! :)

without further ado!

You might not need snacks for this one, but get some water, I know you need some right now. Got some? Awesome, let's begin!

We start with this panel!

First off the saturation of the image, we know that wind's outfit is like blue blue. So it's interesting to see it so discoloured. Makes me wonder if this is how wolfy sees generally or if it's just in wolf form.

(Ha you thought I was gonna go straight to the sents right, nope :D)

But now I will

So we can see 3 colours here. A reddish pink, A purple, and cream? I'm gonna call it cream.

So this confirms something

Three people have had enough contact with this object to leave an impression.

And here we can see two of them

If im understanding this correctly, Red belongs to Sky. The purple belongs to this second figure who I am going to assume is Zelda.

Also who I can assume is Wolfie seeing this red in his eyes. A cool touch!

A visual representation of whose scent he is following I can only assume., which would defo be useful later. For like when we oh I dont know

Go looking for the cream-coloured scent owner?

This is the only frame we see this cream-coloured scent. So I'm gonna call this now and assume that this scent belongs to Angel or djævel. Probably Angel since she's the one we've seen wandering around collecting the hero's items.

He sniffin

it's the windy boi

I love him, your honour

Also totally not Wolfie pretending that sword isn't his.

It's not mine what are you talking about :))))))))))

I like this shot, it's very nice.

I am a little worried as to why Warrior looks worried. Surely he must know about dog scenes. and I feel like Wolfy has proven himself by now as to not be a threat to him.

Unless...

Do you think Warrior noticed Wolfy does not smell the sword handle? And smell the random fabric instead.

A sword handle would have the most intense smell of something right? Because of the sweat. So...

Warrior is wondering and now so am I.

This is the face of a man who knows something is up with that wolf

Man is trying to be a good friendo

Warrior dont apologise you smol cinnamon roll it's fine let the kids lead

The mix of the colours here is interesting.

(Totally not me zooming in on the coloured lines to see if I can figure out what colours they are made from)

I see mainly that pinky red here.

But something in me wants to say that there's a little bit of cream in here.

You think they are gonna use the sailcloth to find Angel later? That could be cool. Maybe get Wolfy to smell a bunch of items to build a scent profile for Angel so they can go looking for her later?

Just a thought! let me know what you think! I love doing these and it's great. Thanks again to @linked-maze for the permission to do this. I love doing them.

Thats all tho so I hope you have a wonderful day/night! :D

[kazz-brekker]

hotd episode 3 thoughts:

big fan of that smash cut from the blackwood vs. bracken blustering to the battlefield covered in corpses, just the kind of escalation i was hoping to see this season

rhaenys i love you but you have GOT to acknowledge that a peaceful path is not going to work as this point and you're making rhaenyra look bad by persuading her there might not be war

criston cole is so bad at being hand compared to otto tower, my god, the energy in that small council room was like a group project when the sole person holding it together isn't there anymore

i'm continuing to really like the dynamic between rhaenyra and mysaria, it just adds a lot of interesting depth to both of their characters

don't worry seasmoke your time is coming just be patient buddy

harrenhal is so goth! and desolate! and ruined! and damp! just as i hoped!!!

ser simon strong you're the only man i respect at harrenhal. really love his deadpan sense of humor and unwillingness to put up with daemon's dramatics, this is going to be a fun dynamic

why do i get the feeling that every hightower who sees alicent and criston standing next to each other immediately knows they're fucking lol

never thought i would feel bad for criston again but i would not want gwayne as my coworker on a military campaign, he does NOT seem cut out for this

criston is terrible but he had really nice hair so i can't believe he got a haircut :(

rhaenyra. girl. you have to made a decision about this war. i'm begging you know. a dragon ate your son! do something about it!!

rhaena having dialogue! rhaena having a character and something to do! rhaena and baela having a scene together where they both talk! i have dreamed of these days and now they're finally here!

i like how this season has carefully allotted 1 scene per episode of larys sneaking around and being like "sooooo i heard this thing you might want to know…" evil adviser representation!

ulf. my guy. if it's genuinely dangerous to be a dragonseed in king's landing you should maybe not be bragging about it to every random guy in a tavern you meet.

having a really hard time imagining aegon and aemond being united and killing people on their dragons together like the greens want them to after that last scene with them, i'm pretty sure i could see aemond trying to kill his brother via telepathy during it

baela chasing criston and gwayne on dragonback was soooo good honey i am so proud of you keep up the good work

begrudgingly awarding criston one "actually good at his job" point for noticing moondancer in the sky

audibly yelped "MILLY ALCOCK?!?!" when she turned up in daemon's dream sequence, i was NOT expecting to see her this season

alys rivers standing around creepily and saying ominous things to daemon…again, i have dreamed of this day for several years

i also REALLY was not expecting rhaenyra and alicent to share a scene together this season

by the end of the episode i was definitely getting sick of rhaenyra's waffling about her decisions but i'm glad that her conversation seems to have hardened her and she's about to commit to the war for real, it's about time

it could have been interesting if rhaenyra and alicent never communicated about the "aegon's dream" prophecy mishap but emma d'arcy's acting when rhaenyra thought viserys had truly discarded her in favor of aegon really got to me and i was on the edge of my seat hoping she would realize the truth

at this point i am really ready for some proper dragon carnage so i'm very happy that next week seems to be delivering on that :)

[helluvaartcritique]

I’d love if you critiqued the pride art helluva Twitter acc just dropped, I would but there’s way too much for me to even start with and I wanted to hear your opinion

just the art cause for some reason my brain is so confused.

Apologies for the late response, anon, but here we go!

My eyes.......

As someone who is queer myself, so many of these characters just fall into stereotypes or aren't the best representation.

1. Chaz wanting to fuck everything is a horrible representation of pansexual people.

2. The only Asexual people being a teenager (which is fine) and the fat man who abuses Fizz and is ugly yay /s (Vivziepop has a habit of misrepresenting asexuals, and as one myself, it can be pretty hard to watch.)

3. Sallie Mae is the ONLY lesbian we have? Nothing else? Wow.

4. I'm also including the lack of enby/nonbinary representation. For a queer show you'd think they include them.

5. There's a lot of pansexuals, and while it does seem nice, quality doesn't equal quantity. We have Chaz (mentioned before), Blitz (who sleeps with everyone), Barbie (a literal groomer), Ozzie (which isn't bad since he's the Sin of Lust, but eh), Queen Bee (I actually like this one, mostly because I like Bee) and a bunch of random background extras who I don't even know their names.

6. Why is that parrot guy here? Does he have a name?

7. Andre having feathers in his hair is typically a no go as it feeds into a harmful stereotype about Indigenous people.

8. Where is my boy Cole?

9. Also it'd be nice if these were confirmed in the show instead of the wiki. I don't have to do homework.

Alright, now onto the art! Hoo boy....

First off, all of the characters and flags are fighting for my attention to the point where I'm not sure what I'm looking at.

The first time I saw this, my eyes were led to Bee, as her and her lava lamp made her stand out.

The mishmash of colors made it hard to focus on Bee for long, as I was trying to figure out where everyone was. And yes, I get it, it's a Pride parade, there's gonna be rainbow colors, but at least make it so I know what I'm looking at here. They all blend in.

Apologies if my thoughts are a bit jumbled at the moment, I'm a bit sleep deprived right now.