#and a few for the expression actually

[waffles-and-flapjacks]

I jumped in the river and what did I see?

black-eyed angels swam with me

[hinamie]

unconditionally

[seishiroses]

This episode was amazing because we got:

Nagi being so cool 🔥

Nagi being so cute 🥺

But most importantly

Nagi being absolutely spooked 🤣

[stressfulsloth]

I've seen a couple of takes about Disco Elysium being copaganda going around recently, and beyond the fact that DE is relentlessly critical of the police force in general and makes explicit reference to the failures of the system that allow the officers in game to abuse their power, I also think it's important to note that there very literally is an in-world version of copaganda that the writers of the game use to parody that romanticised view of the brutality of policing. The RCM at their inception were structurally inspired by in-world copaganda- their culture, their "fashions, even weapon preferences, borrow heavily from classic Vespertine cop shows." Every investigation is it's own little drama, every officer imagining themselves to be the bad-ass hero of their own crime serial. Detectives name their cases like they're naming episodes of a TV series in a "robust but literary system"; a title that "draws inspiration from snoop fiction and Vespertine cop show staples". They give themselves nicknames to sound like cool, suave fictional officers- Ace, Dick Mullen, etc.- from the cool, suave world of copaganda.

The legend of the RCM's inception, the "point of contention" over its uncertain origins, is even an extention of that; the whole organisation is shrouded in this self-fictionalising mythos that allows for distance that in turn obfuscates much of its violence to the officers that participate in it. They get to convince themselves that they're not abusing their power; they're the hero of the story! The dichotomy of "good guy" taking out the "baddies," a manifestation of the libertarian fantasy of the "good guy with a gun" who does what it takes, just like in Annette's detective novels, and at the same time who rails against oversight bodies like Internal Affairs/'the rat squad' because due process slows down the immediate satisfaction of Swift Justice, despite Internal Affairs existing to protect the citizens from overreach on behalf of the police. "Wanton brutality" from police in their real world is a cold bitter reality but Dick Mullen was "made to crack skulls," "bend the rules and solve cases no one else can," and which version of that story is more comforting to the overworked, underfunded officers of the RCM?

The level of fantasy and detachment required for the cops to still see themselves as the good guys after everything that they do in the line of duty mimics The Pigs and her breakdown too; she parallels Harry so clearly. Both "did right by the kids" in the past, hoping for a better future- Marianne (The Pigs) by looking out for Titus and the Hardy boys when they were young, Harry in his role as a gym teacher. Both abandoned and left behind by the system that the RCM uphold- a brutal capitalist landscape with no safety nets. Both turning the source of their trauma into a costume, a performance, a shield, shaped by "radio waves and cop shows." The Pigs uses RCM items scavenged from the Esperance where they'd been thrown away, while Harry uses the Dick Mullen hat that Annette gives him but both are essentially in costume.

Harry identifies himself with the fictional detective as a kind of wish fulfilment; Dick Mullen is "wicked smart." He doesn't fuck up his cases and when he's sad it's not pathetic; it's effortlessly cool brooding and everyone sympathises. Everyone loves him. His violence- "skull crack[ing]"- is justified because he's a "good guy" enacting that violence against the victims of police brutality sorry "bad guys". He doesn't ever face repercussions; "Dick Mullen won't be sent to the clink for the sake of some legal niceties!" So if Harry is Dick Mullen then his failures, his breakdown, they're all just a part of being a "bad-ass, on-the-edge disco cop." He's not wrong, he's a hero! This idealised fictionalised idea of the police force, this "new, sadly better, reality" that both Harry and The Pigs cling to is "escapist stuff," "receed[ing] into a ludicrous fantasy world," so far removed from the brutal material reality that they're in.

My point is, idk. Disco Elysium is so far from being copaganda. It is a multi-million word long dissection of it, of the purpose of policing, of state sanctioned violence and its interaction with capital and the fallout experienced within the wider community as well as the trauma cycle created for individual officers. A dissection of how copaganda interacts with RCM culture and perception, and by extension how we interact with irl perceptions of police through that lens.

[biblically-accurate-dca]

moon looking at my sleep schedule lmao

[thatonechocogirl]

some headshots of bear boy :]

[hibiscus-intern]

YOOOOO DAISUKE! congrats on the internship, tho how the heck did you end up in the freighter business??? didn't think that was ur thing... or that they did internships over there in the first place LOL. how's it been so far?

Maybe this is where I find my thing! Boss has me doing so much reading that my eyes are starting to huuurt. I've got to learn something!

Slight elaboration on the second panel in tags!!

[perfectlyfrosty]

*throws this at u*

I think he’s funny

[deliriuxe]

...Yeah, I'd whore myself up for him like this. Next question.

[edwinisms]

seriously wondering why WW1 was never brought up at all throughout the show in regards to edwin and the life he was living before hell. I mean fuck we get a WW1 ghost in the FIRST EPISODE but edwin doesn’t say a single thing about his familiarity with the soldier’s garments and circumstances. you’d think that would come in handy in some way, or at least be an interesting thing to reference to emphasize edwin’s age (for lack of a better word) considering this was all during the expository section of the first episode.

1916 is directly in the middle of the Great War, and depending on how long edwin had been 16 by the time he died, he would’ve been somewhere between 1-2 years off from being conscripted and sent off to the trenches– ie; really not far, so it inevitably would be a huge weight on his mind at the time. since it was the middle of the war, he would’ve known decently well the horrors being faced out there– the mustard gas, the widespread illness, the shellshock– from newspapers and such, and I have to think that he’d feel like there was a clock ticking, counting down the days until he’d be sent to his inevitable death (considering he’s not the most athletic and physically resilient boy to say the least). and if he was exempted from conscription? it could very well be for “mental illness” and/or “moral indecency” if he didn’t hide his “effeminate” behavior well enough. all-around, it’d have to be an incredibly stressful time period for more reasons than just being bullied, alienated, and repressed at school– and yet we never hear about the elephant in the room. will they do something with it later? will it play into his family background in some way? for gods sake I need to KNOW

[lord-squiggletits]

One of my favorite parts of phase 2 (and indeed one of the few moments I resonated with IDW Prowl) was when the neutrals were coming back to Cybertron and Prowl said that he refused to let Autobots be pushed aside and overruled after they were the ones who fought for freedom for 4 million years (the exact wording escapes me atm).

And I mean, that resentment still holds true even once the colonists come on bc like. As much as it's true that Cybertron's culture is fucked up, and as funny as it can be to paint Cybertronians as a bunch of weirdos who consider trying to kill someone as a common greeting not important enough to hold a grudge over.... The colonists POV kind of pissed me off a lot of times, as did the narrative tone/implications that Cybertronians are forever warlike and doomed to die by their own hands bc it just strikes me as an extremely judgemental and unsympathetic way to deal with a huge group of people with massive war PTSD and political/social tensions that were rampant even before the war?

Like, imagine living in a society rife with bigotry and discrimination where you get locked into certain occupations and social strata based on how you were born. The political tension is so bad there's a string of assassinations of politicians and leaders. The whole planet erupts into an outright war that leads (even unintentionally) to famine and chemical/biological warfare that destroys your planet. Both sides of the war are so entrenched in their pre-war sides and resentment for each other that this war lasts 4 million years and you don't even have a home planet any more. Then your home planet gets restored and a bunch of sheltered fucks come home and go "ewww why are you so violent?? You're a bunch of freaks just go live in the wilderness so that our home can belong to The Pure People Who Weren't Stupid And Evil Enough To Be Trapped In War" and then a bunch of colonists from places that know nothing about your history go "lol you people are so weird?? 🤣🤣 I don't get why y'all are fighting can't you just like, stop??? Oh okay you people are just fucked up and evil and stupid then" ((their planets are based on colonialism where their Primes wiped out the native populations btw whereas the Autobots and OP in particular fought to save organics. But that never gets brought up as a point in their favor)) as if the damage of a lifetime of war and a society that was broken even before the war can just magically go away now that the war is over.

Prowl fucking sucks but he was basically the only person that pointed out the injustice of that.

And then from then on out most of the characters from other colonies like Caminus and wherever else are going "i fucking hate you and your conflicts" w/ people like literal-nobody Slide and various Camiens getting to just sit there lecturing Optimus about how Cybertronians are too violent for their own good and how their conflicts are stupid, with only brief sympathetic moments where the Cybertronians get to be recognized as their own ppl who deserve sympathy before going right back to being lambasted.

Like I literally struggled to enjoy the story at multiple points because there was only so much I could take of the characters I knew and loved being raked over coals constantly while barely getting to defend themselves or be defended by the narrative so like. It was just fucking depressing and a little infuriating to read exRID/OP

[void-existence]

mafuyu

yuki

own

i misplaced one card bc working this on mobile is a nightmare but generally everything else is correct

additional little diagram i drew

is this anything

do you get it

do you agree

can anyone hear me

[gayestcowboy]

one of the reasons i hate generative AI is that i have a chronic injury that makes me unable to write by hand for longer than a few sentences and therefore i need a keyboard in order to write essays for classes, and i’m a bit worried that professors won’t allow me to type essays as a result of potential AI use, even though i have a perfectly valid medical reason to need a keyboard. i’ve seen a few posts online saying that the only way to prevent students from relying on AI is to make them write by hand, and while i understand the sentiment and don’t even necessarily disagree with the general point, the matter of accessibility still needs to be addressed somehow, and it’s just a bit frustrating on a personal level as someone who has had to fight with teachers and professors in order for my needs to be met even before the era of chatgpt

[gammarads]

someone (me) should write a fic where jayce feels so bad after killing viktor that he throws himself into the timeloop again and he fucks around in several different timelines trying to change the outcome and do whatever he can to ensure viktor doesn't go down the path he does. but none of it really matters because he couldn't stop viktor the time it mattered

maybe, just maybe, jayce finds a timeline where things feel right. and he does things differently this time, and things are okay, and maybe things even work out. viktor doesn't go off on his own and jayce takes care of the hexcore and it's all okay. but no amount of fixing things and growing old with viktor in this timeline will ever feel real or right enough because jayce couldn't stop viktor the it mattered

[tmntkiseki]

Dem poses

[schneiderenjoyer]

This part has provided and honestly confirmed an insight that's been implied occasionally, but never openly stated as much as this moment.

Arcanists are less durable.

It's mentioned a handful of times how it's important for combat between arcanists to be quick and efficient. While they can be physically strong even beyond human standards, their limits are far shorter in comparison. They're far more prone to taking physical and mental damage quicker with their quick healing/recovery to make up for it, but not change just how fragile they are.

This is very insightful too as to why arcanists would be more inclined to fight using arcanum instead of physically as much as possible. Their arcanum gives them an upper hand where their physical stamina is lacking.