#and Tell Me You Know by Good Kid

[coriandercurry]

ME ME M E ME ME I AM THAT GUY

I AM THAT ONE GUY

cant stop thinking about this comment

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[erinwantstowrite]

will peter be like an older brother to miles in lof ?

absolutely he is

there's about an 11 year difference between them (Miles is 14, Peter is 25), so it's a lot more like the older brother type of relationship that Peter has with Tim (despite Tim being his uncle). Peter has mentored(ish) other young heroes by this point (mostly in the Bats' universe) but since Miles is another Spider-Man, Peter takes up most of the responsibility in making sure Miles is safe and teaching him the ropes. That's HIS sassy child genius, thank you, and he's not a sidekick, he's Spider-Man.

He was also adamant that Miles tell his parents immediately, and gets along great with Rio and Jeff.

Which is HILARIOUS to me because at this point in time, Peter has built up a persona for the public eye just like the Bats did. In Rio and Jeff's eyes, they're gobsmacked that the clumsy, scatterbrained, and "scaredy-cat" kid that Tony Stark adopted a while ago is Spider-Man. (Technically, none of this is a lie. Because Peter is a terrible liar unless it's For the Jokes, and often comes across this way even if he hadn't meant to.) They're wondering how he pulled that off since he's the same age as Spider-Man, who is known to be an Avenger, and associates in the same circles as Peter. It helps that Peter and Spider-Man have been in a social media war, and that Peter works at the Daily Bugle that is known for disliking Spider-Man. Peter's been taking lessons for years atp to keep his identity safe. Which is also bonus points to Peter, because the two can tell that secret identities mean everything to him, but he told them who he was in a heartbeat (literally the very first thing he did when he found Miles).

In other words: Peter was ecstatic to become a teacher for his own matching superhero kid and it's one of the most important bonds in his life. That's his baby brother now!!

[bixels]

The idea that uni protesters are "elitist ivy-league rich kids larping as revolutionaries" on Twitter and Reddit and even here is so fucking funny to me if you actually know anything about the student bodies at these unis. Take it from someone who's going to one of the biggest private unis in the US, 80% of the peers I know are either from the suburbs or an apartment somewhere in America, children of immigrants, or here on a student visa. I've heard about one-percenter students, but I've never met one in person. Like, don't get me wrong, the institution as a whole is still very privileged and white. I've talked with friends and classmates about feeling weird or dissonant being here and coming from such a different background. But in my art program, I see BIPOC, disabled, queer, lower-income students and faculty trying to deconstruct and tear that down and make space every day. So to take a cursory glance at a crowd of student protesters in coalitions that are led by BIPOC & 1st/2nd-gen immigrant students and HQ'd in ethnic housings and student organizations and say, "ah. children of the elite." Get real.

[1v31182m5]

The sessions get longer each time

[evelynpr]

You ever think about how All Might has two male exes that both have a child with blonde hair, blue eyes, and a big heart?

[cozylittleartblog]

me omw to scare mormons out of a wendys!! 🍂🖤🍟

ootd from like 2 weeks ago and yes that really happened

[sysig]

Gift (Patreon)

[tropicalcontinental]

Human fear is the window to the soul or whatever ://

[littlelightfish]

I would like to remind people that Chilchuck hasn't seen his wife in 4 years.

So he maybe wasn't there to see his daughters become adults, but he was there for the majority of their childhood.

When he left, Mayjack and Flertom were 12, and Puckpatty was 10. They reach adulthood at 14, so maybe yes, he was absent when they were still kids, but that doesn't mean he didn't maintained contact with them afterwards as far as I know. The thing he uses around his neck was a gift from Flertom, and he was using it when he met Laios's party.

[faunandfloraas]

© sminiverse_

[just-null]

are you oka- oh.

[wildsaltair]

you can’t show me this picture at 10:39 in the morning and expect me to act normal in any way, shape, or form

[dykedvonte]

Danse and Hancock work only after blind betrayal because it’s the equivalent of the one closeted person you kinda pity getting kicked out after being outted and you and your like 7 other faggot friends take them in and help them do a 180 on their outlook on life and personal style and get them to weed (possibly grape mentats in this case).

[onthewaytosomewhere]

So you want a firstprince fic with a side of platonic soulmates where Alex basically gets adopted by the Fox family? I have just the fic for you ...

Philip knows exactly who Alex is. His father had mentioned that the potential First Family of the United States would be attending some of the same events. On the flight to Brazil, Philip had skimmed the briefing packet about hopeful President Claremont and her family—her two children, June and Alex, described in dry but glowing terms. The First Son. The charming troublemaker. A force of nature. Yet seeing Alex in person—slightly taller than expected, with eyes that burn with frustration as he defends himself against the woman’s tirade—is nothing like reading about him. Philip wishes Henry were here. Henry, with his easy charm and disarming smile, would be the perfect bridge between them. It would make sense for Philip to introduce his younger brother to someone so close in age, a casual way to start a conversation without overthinking it. But Henry is at another event, leaving Philip to handle this moment alone. So, when his father finishes another seemingly endless conversation with yet another dignitary, Philip seizes the opportunity.

[somegrumpynerd]

Good heavens, look at the time! (Points to a clock where every hour is replaced with "gooptales")

@topazshadowwolf's boys will be the death of me please read it it's so good