#and I'm thinking more the latter

[woollenpharaohs]

Headcannoning Dave as autistic because he always sounds sarcastic or bored but he's just answering interview questions as they are. He's super honest and has found people find him saying what other people don't dare to say funny so he keeps doing it. He's insanely good at remembering music facts and isn't so much interested in people but the music itself, until he becomes friends with the musicians. But it's always Steph who people want to stay friends with, he's more standoffish at the start but softer once you get to know him. Whereas Dave is what it says on the tin and he's off playing with a weird vintage instrument when Steph is entertaining upstairs.

[lgbtlunaverse]

Thinking of the Nie disciple that told Nie Mingjue it was Meng Yao who stayed behind to clean up corpses on the battlefield today.

Nie Mingjue didn't just randomly stumble upon poor lil meowyao eating bread in the novel, he was already looking for him to thank and reward him for his work.

That's what makes it so fun that nieyao's first conflict will end up being about someone else taking credit for Meng Yao's work.

And I'm sure that Nie Mingjue's actual opinions on plagiarism are a lot more nuanced, all we really get from him in this scene is "well you shouldn't kill someone over it!" which leaves a lot of room for what punishments he thinks are appropiate. But I bet that it isn't occuring to him in this moment that the only reason he knows Meng Yao at all, the only reason he got such a capable deputy, is that he noticed someone was taking care of the dead and cared enough to want to know their name. And then the Nie disciples didn't lie to him. The disciple he asked could have said "it was me, Zongzhu" to rise in the ranks himself, but he didn't. He went and asked others, who all also could have taken the credit, but they didn't. Someone saw Meng Yao working and decided to be honest about it and that simple decision is the catalyst for Meng Yao becoming Nie Mingjue's deputy.

Meng Yao can't just work hard to get results, others have to acknowledge that work. If they don't, it's as if he didn't do anything at all.

[dr-mothman]

I think not a lot of people talk about AM's self-esteem issues and self-destructive tendencies and it makes me sad.

[m3tr0n0m333]

Miles "Nine" Prower who doesn't like physical affection. That any sort of touch had made him uncomfortable (or worse) in the past. Unprompted, intolerable contact that is imposed on him and makes him want to rub off the lingering feeling of their grubby fingerprints.

Except, he can't help the warmth that spreads through his heart when a certain blue hedgehog had run up to him and wrapped his arms around him, even though the fox's face had held a contrasting miffed expression. Or the fluttering joy when their hands had made contact in a quick high five- the giddying feeling rising into a genuine chuckle that he hadn't heard from himself in years.

And the overwhelming desire- the need to prompt a hug himself, lest he lose his final chance. His final chance, to have an experience where he likes touch. And it was warm, despite the flickering of Sonic's existence in his arms. And it was comforting, despite the war that had raged only moments before.

He wishes he could keep the feeling forever, have it linger. But it faded too quickly, as did Sonic's presence in his life.

Miles "Nine" Prower, who didn't like physical affection, but would give everything to have it again now.

[downtohide]

The thing that I really do love about No Children is that it represents such a turning point. Like, if you're interpreting Tallahassee as a linear progression of events, I do think that that song is the moment when our heroes go from attempting to salvage a wreck to just embracing the wreckage.

In all of the songs previously, there's at least an element of optimism. They are fixing up their house. They are buying each other lavish gifts. Yes they're sitting in the living room drinking all day, but 𝘦𝘷𝘦𝘳𝘺𝘵𝘩𝘪𝘯𝘨'𝘴 𝘨𝘰𝘯𝘯𝘢 𝘣𝘦 𝘰𝘬𝘢𝘺 𝘴𝘰𝘰𝘯. Of course there's all this foreshadowing that everything will go up in flames at the end, but the Alpha Couple don't accept that.

And then No Children happens, and that slight ray of hopefulness is gone from all the subsequent tracks. They get a lot more reflective, but it's presented like they're looking back at their odd, ill-fated version of glory days. There's no more trying to keep our spirits high. There's only the damage we've done, and the worse things that we'll do.

[son1c]

i'm thinking so deeply about my sonic prime au... of course, sonic and the boscage crew succeed at their little game of hacky sack. sonic catches the shard right as he grabs hold of shadow's hand and they both get zapped out of there. the prism shard falls to the forest floor and the megaflora is FURIOUS at they lost their precious "gift"... their rapacious roar follows him out into the void, but it's already over. they can't reach him or shadow anymore. as the two of them pass through the gate to no place, sonic curls around shadow (who hasn't moved or said a word) while their momentum sends them into a free fall.

in an awesome moment of coincidence, there just so happens to be a small wooden skiff floating empty in the vast sea below them. sonic manages to point himself and shadow toward it, and they're able to get on board (though sonic basically had to drag shadow's limp body over the side). the boat is in pretty rough shape, with seaweed growing over the bow and a strong sense that no one has used it in many years. but it still floats, and that's better than treading water, so sonic is grateful.

sonic hasn't let go of shadow. they're both sitting in the boat, but shadow has this dead-eyed stare to him that freaks sonic the fuck out. he saved him, right? they're in a totally different world now, so the plants can't get to him anymore... right? well, yeah. that much is true. but after spending weeks under their green thumb, shadow's not unchanged.

behind that blank stare, shadow is waiting for the plants to tell him what to do. but it's so deafeningly quiet that it unnerves him. it wakes him up. slowly, he comes to his senses. and that's when he asks sonic if he's free and those sketches i made take place. after being forced to work and move and fight nonstop for those weeks by the plants, shadow is exhausted. he's finally free... and that means he can finally rest.

and sonic could wake him up. he could be like, well, i'm happy you're back, but we gotta save the universe NOW... but he's already fucked up once by ignoring his friends. he already destroyed the universe once by being hasty. so, he doesn't do that. and he lets shadow sleep as the little boat rocks softly on the waves...

i think shadow wakes up first. and for a minute, he's back to that almost catatonic state like, he's suffering from Plant Withdrawal(TM) or something. but then the disgust settles in and he snaps out of it again. finally, he remembers where he is and who he's with and he's able to take in, for the first time, just how BEAT UP sonic is. because it was no east task fighting through a whole jungle of killer plants just to save him. and ofc sonic wouldn't show it... he's tough... but shadow can see with his eyes that he's injured.

so he uses his chaos powers to help sonic heal. and when sonic wakes up he feels really good, and can see the last of the glow fading from shadow as his powers recede. and he understands without words that that was his "thank you."

but yeah, i wanted them to be alone for this so they could have a cinematic moment where the sunrise is coming over the vast sea, and they have a little handshake of understanding, and sonic grins his wide determined grin and things finally look like they're gonna start getting Better. like maybe they Can do this. now that they're working together. now that shadow understands that sonic truly regrets his mistake and is willing to do ANYTHING in order to fix it... which sonic proved by nearly destroying himself to save shadow. yk? i just think it really works.

[serpentface]

Do you conlang? I was wondering if you had naming languages (or possibly even more developed ones) for pulling the words you use. I tried to search your blog but didn't find anything, wouldn't be surprised if the feature is just busted tho. Your worldbuilding is wonderful and I particularly enjoy the anthropological and linguistic elements.

Ok the thing is I had kind of decided I was not going to do any conlanging because I don't feel like I'm equipped to do a good job of it, like was fully like "I'm just going to do JUST enough that it doesn't fail an immediate sniff test and is more thoughtful than just keysmashing and putting in vowels". And then have kinda been conlanging anyway (though not to a very deep and serious extent. I maybe have like....an above average comprehension of how language construction works via willingness to research, but that's not saying much, also I can never remember the meanings of most linguistic terms like 'frictives' or etc off the top of my head. I'm just kinda raw dogging it with a vague conceptualization of what these things mean)

I do at least have a naming language for Wardi (and more basic rules for other established languages) but the rudimentary forms of it were devised with methods much shakier and less linguistically viable than even the most basic naming language schemes, and I only went back over it LONG after I had already made a bunch of words so there's some inconsistencies with consonant presence and usage. (This can at least be justified because it IS a language that would have a lot of loanwords and would be heavily influenced by other language groups- Burri being by far the most significant, Highland-Finnic and Yuroma-Lowlands also being large contributors)

The 'method' I used was:

-Skip basic construction elements and fully move into devising necessary name words, with at least a Vibe of what consonants are going to be common and how pronunciation works -Identify some roots out of the established words and their meanings. Establish an ongoing glossary of known roots/words. -Construct new words based in root words, or as obvious extensions/variants of established words. -Get really involved in how the literal meanings of some words might not translate properly to english, mostly use this to produce a glossary of in-universe slang. -Realize that I probably should have at least some very basic internal consistency at this point. -Google search tutorials on writing a naming language. -Reverse engineer a naming language out of established words, and ascribe all remaining inconsistencies to being loanwords or just the mysteries of life or whatever.

I do at least have some strongly established pronunciation rules and a sense of broad regional dialect/accents.

-'ai' words are almost always pronounced with a long 'aye' sound.

-There is no 'Z' or 'X' sound, a Wardi speaker pronouncing 'zebra' would go for 'tsee-brah', and would attempt 'xylophone' as 'ssye-lohp-hon'

-'V' sounds are nearly absent and occur only in loanwords, and tend to be pronounced with a 'W' sound. 'Virsum' is a Highland word (pronounced 'veer-soom') denoting ancestry, a Wardi speaker would go 'weer-sum'.

-'Ch' spellings almost always imply a soft 'chuh' sound when appearing after an E, I, or O (pelatoche= pel-ah-toh-chey), but a hard 'kh' sound after an A or U (odomache= oh-doh-mah-khe). When at the start of a word, it's usually a soft 'ch' unless followed by an 'i' sound (chin (dog) is pronounced with a hard K 'khiin', cholem (salt) is pronounced with a soft Ch 'cho-lehm')

-Western Wardin has strong Burri cultural and linguistic influence, and a distinct accent- one of the most pronounced differences is use of the ñ sound in 'nn' words. The western city of Ephennos is pronounced 'ey-fey-nyos' by most residents, the southeastern city of Erubinnos is pronounced 'eh-roo-been-nos' by most residents. Palo's surname 'Apolynnon' is pronounced 'A-puh-lee-nyon' in the Burri and western Wardi dialects (which is the 'proper' pronunciation, given that it's a Kos name), but will generally be spoken as 'Ah-poh-leen-non' in the south and east.

-R's are rolled in Highland-Finnic words. Rolling R's is common in far northern rural Wardi dialects but no others. Most urban Wardi speakers consider rolling R's sort of a hick thing, and often think it sounds stupid or at least uneducated. (Brakul's name should be pronounced with a brief rolled 'r', short 'ah' and long 'uul', but is generally being pronounced by his south-southeastern compatriots with a long unrolled 'Brah' sound).

Anyway not really a sturdy construction that will hold up to the scrutiny of someone well equipped for linguistics but not pure bullshit either.

[introspectivememories]

what's wrong with data analyst bernard?

summary: tim's a workaholic ceo. bernard is, to put it simply, a down-on-his-luck loser with a kid to take care of. somewhere along the line, they meet. (very loosely based on the 2018 hit kdrama, "what's wrong with secretary kim?")

A/N: for @chamiryokuroi bc this fanart has given me brainrot since the moment i saw it. but also bc, i missed writing and your art helped. i hope you like it. (more notes at the end.) (AO3 LINK)

Today is a good day, Bernard thinks happily, brand new ID badge bouncing on his tie. It's his first day at Wayne Ent. and Mori had sent him off with a hug and muttered, "have a good day, Tou-san." It's been bouncing around in his head all day. Tou-san, Tou-san, Tou-san, he's really a dad now. He's got to make sure Mori has everything he needs and this new job is going to make sure he can do that.

Shaking his head once to clear it, he takes a sip of the complimentary coffee a team member bought him for his first day. His team leader, Young-joon Lee, is taking him on a tour of the building. Young-joon is a wonderful man in his late 30s but it's very clear that he's been consumed by the office lifestyle.

"...and here is our magnificent lobby!" Young-joon is saying as he tunes back in. His team leader spreads his arms wide out as he speaks, "Everyone knows the lobby but it's my personal philosophy that making friends or at least being on amicable terms with the ground floor staff will make your life easier."

Bernard laughs politely, "I know what you mean. I can't tell you how many times being nice to the host at the restaurant I used to work at saved my butt during rush hour."

"A man after my own heart!" Young-joon says, smiling widely as he leads him to the help desk.

Bernard tilts his head up to look at the skylight. It's a gorgeous thing with little animal motifs running alongside it. It lights up the lobby bringing a welcoming feeling into it. With the sunlight pouring into the room, along with the din of busy workers in slacks running to and fro, it really feels like stepping into a movie.

Are you seeing me Darls?, he thinks with a childlike glee, hand coming up to thumb at his badge again, I made it!

"This, my friend," Young-joon says, pulling up to the help-desk, "is our wonder-duo. Tamara and Abhishek. They practically run this building. Lord knows we'd be tripping all over ourselves without them."

Tamara and Abhishek smile as they get introduced.

"They run this building?" he asks confusedly.

"You see, young padawan," Abhishek says, "not only do we help the people that come in here asking questions or for instructions, we also answer any questions the staff has for us."

"Things like, 'What's HR’s number?' or 'Can you page Data for me?' or 'No seriously, I'm calling HR on this man right now. What is their number?'" Tamara says grinning.

Bernard laughs. It feels like that's all he's been doing since he got here. "You have to tell me the story on that one day."

"Sorry," Tamara says, faux-apologetic, "the minimum clearance on that story is half-a-year. Gotta level up."

His cheeks hurt from smiling. This is his and Mori's new beginning. This is where they level up. Nothing's gonna stop him now.

"Do you know the story behind that one?" he asks, turning to Young-joon.

"Of course! But where would be the fun in telling you? You have to stay the six months and if luck comes my way, longer."

"You want me for longer?"

"Of course, I saw the way you worked during those practice problems in the interview. I had to fight the other team leaders for you. It was brutal."

"Get back I say!" Young-joon says, miming a sword fight. A pleased warmth builds in his chest; they wanted him, they wanted him!

Darls you better be fucking watching this. I'm movin' up in the world.

"Ooh, send me that footage. I wanna see our newest recruits skills," Abhishek says.

"You got the data team fighting over you?" Tamara asks, eyebrows raised, "I wanna see it—"

Whatever she was going to say is cut off by the sound of both of their pagers pinging. Immediately going stock still, they start typing on their computers.

Bernard turns to Young-joon confused but his team leader looks like nothing is out of the ordinary.

"The boss is coming." Young-joon says, like that's a reasonable explanation for two people shutting down in the middle of the conversation, "It's always quite a spectacle and they always have to notify the other execs. Just watch."

Still, the boss? Maybe Bruce Wayne will say 'hi' to him and he'll charm the CEO and Mr. Wayne can figure out a way to—

No, no. He's done making those kinds of fantasies. Nobody is coming to help. Bernard is going to figure out his life on his own, he is going to take such good care of his kid, and he is not going to wait for some rich billionaire to swoop in and take care of him. He got this far didn't he? He'll get even farther.

He and his team leader lean against the help desk sipping coffee as they wait for the CEO to come in and sure enough, a black Rolls Royce pulls up to the driveway in the front. The minute the door opens, flashes from the paparazzi's cameras start going off. Out steps a bodyguard in a black suit with an umbrella opened. From below the umbrella he sees a nice pair of brown loafers step out. The CEO seems to be wearing a navy blue suit today. The paparazzi roars and the flashes increase.

"Oh wow," a man remarks a few feet away from him, "the circus is strong today, huh?" His friend laughs.

A woman wearing red heels steps out after the CEO, the paparazzi flashes decrease dramatically. More bodyguards exit after the woman and form a square around the CEO and his assistant/secretary. They shuffle towards the entrance where he sees the elderly doormen greet the executives with a smile. Whatever they say is lost to the sound of the city but the doormen laugh and push the doors open.

Young-joon's been making small talk throughout the entrance and Bernard tries to keep up but whatever the hell is going on at the entrance is way more interesting than anything his team leader is talking about. As they enter the guards spread out and dissolve the square. The woman comes into view first, red heels with a black slacks and a white button down. She's holding a long coat in one hand and a laptop bag slung over her shoulder. She's gorgeous and clearly the one in charge, going by the way she barks orders at the guards.

Young-joon says something and he turns around to respond, grabbing his coffee cup off the desk counter. His CEO's loafers tap across the lobby's marble floor, something about it is comforting. A lull in the room's conversations causes the CEO's voice to carry over.

"...Tam, make sure the quarterly reports are on my desk by at least 4 today and make sure to push back the sales meeting by 30 minutes to an hour, the board wants to talk — Oh Mr. Bardakcı! Thank you for stay—..."

Bernard's heart jackrabbits in his chest. He knows that voice but- it can't be. It's not possible; he chose Wayne Enterprises for a reason. He's not supposed to be here. He's supposed to be at his father's company. Unless... there was a merger? No, that seems like the kind of thing the news wouldn't've shut up about. He would've known.

When was the last time you had time to sit down and read the news, Bear? Darls says inside his head

She's right. With filing for custody of Mori and graduating from college and the job search, he hasn't had time for much else. It's entirely possible that he could've missed one of the biggest mergers of the decade.

Fuck, Fuck.

He wasn't supposed to be here. Bernard was supposed to be moving on. He was supposed to be building a life for himself away from the shadows of his childhood. He was supposed to be forgetting that Tim Drake ever existed.

He has to make sure though. Turning his body around, he prays that it's not the man he thinks it is. But sure enough, there stands Tim Drake, resplendent in a navy blue suit and a golden tie.

Golden ties for golden boys, he thinks absentmindedly.

The suit fits him perfectly, stretching across his shoulders and wrapping around his waist. Even the tie looks knotted perfectly. How long did it take him to learn, Bernard wonders. He could never get it right back in high school. Does his assistant Tam do it- no, no! This is why he didn't apply to Drake Industries. Bernard can't do anything around Tim and Tim is never going to care enough about him to stay.

Tim's head seems to be turning in his direction and Bernard whips his head back to make sure Tim doesn’t even catch a glimpse of him. His hand twitches violently enough that the coffee cup falls out of his hand and spills all over the floor. The cup rattles deafeningly on the floor. Bernard can't fucking breathe.

"-ernard? Bernard!" his team leader's voice cuts through the haze in his head. Young-joon looks concerned, "Are you okay?"

He blinks slowly, "...What?"

"I said, 'Are you okay?’ You look like you've seen a ghost?"

No, Bernard thinks, seeing Darls would be preferable to whatever level of hell I've found myself in.

"I'm—, I'm fine." he says rather unconvincingly. His eyes dart back to the spill, "What am I saying? There's a large puddle of coffee on the floor. I—, I should get some paper towels for that."

"Do you have any paper towels, Wonder-Duo?" he asks, trying desperately to ignore Tamara and Abhishek's concerned looks.

"I already called the custodial staff," Tamara says slowly, like she’s trying not to spook him, "but if it makes you feel any better," she pulls out a huge stack of paper towels, "go crazy, I guess."

Bernard takes a handful of paper towels and gets to work. The cleaning is meditative and with each swipe of the paper towel, the puddle gets smaller. Bernard pretends the puddle is his feelings for Tim. Swipe, forget about the 4pm milkshakes and his laughter when Darls snorted milk out of her nose. Swipe, don't think about the way he used to smell. Swipe, he left and never looked back; you don't look back either.

The tap, tap, tap of loafer on marble is getting closer to them for some reason. Why is it getting closer? Does it not have staff meetings, market research, and people to leave behind?

"What is going on here?" Tim asks.

"Nothing much, sir." Abhishek responds, "Newbie just spilled some coffee."

Abhishek, no!

"Oh is that all? And he took the initiative to start cleaning instead of waiting for the custodial staff. You made a good choice, Young-joon."

"Thank you, sir!" Young-joon says, "I was taking him on the tour when you came in. Most newbies love the show so I thought we'd stop here for a little bit."

Tim laughs. Bernard hates that his heart still skips a beat at the sound.

A pair of brown loafers and a wool-covered knee slowly appear in his vision. Why is Tim crouching in front of him? Why won't this man leave him alone?

"This looks like quite a lot of work, let me help."

You can help by leaving me the hell alone, he thinks uncharitably.

"I hope you found the facilities to your liking," Tim continues, like he hadn't heard Bernard's thoughts, "My name is Tim Drake-Wayne, CEO."

I know, he wants to say. I know you're Tim Drake. I know you like to skateboard and that you stared at Tony Hawk's photo for an hour every day in high school ‘cause didn't want to be one of those people who didn't recognize him. I know you struggled with your dad not really being there. I know you loved Mrs. Winters as much as you loved your mom. I know that you like history more than any other subject even though your best was always math.

Bernard says nothing instead.

Tim laughs awkwardly and Bernard knows he isn't helping the conversation along but whatever, he's allowed to be petty, right?

"I assure you, whatever you heard in the tabloids and the news, isn't true. I promise I won't bite…," Tim’s voice trails off as Bernard lifts his head.

"...Bernard?" Tim whispers, he looks like he's seen a ghost.

Bernard tries for a smile, he's pretty sure it comes out looking like a grimace.

"Sir," he says nodding curtly, hands still moving to sweep up the coffee puddle.

Tim's hand reaches out to touch his face, as if to make sure Bernard is really there. Bernard recoils as Tim's hand grazes his cheek. Tim's hand hangs in the air uselessly.

"Bernard?" Tim says again, as if to make sure his eyes aren't playing tricks on him.

"That's my name, Sir," he says through clenched teeth, "don't wear it out."

He can feel Young-joon and the Wonder-Duo's confused stare but he says nothing. What would he even say, really?

Hey, this is my old friend Tim Drake? Hey, I used to know him like the back of my hand? Hey, our best friend died and it feels like I'm the only one still grieving? Hey, in my junior year, five different gangs shot up my school and my best friend died in my arms and he left and I had to pick up the pieces by myself? Hey, I'm the idiot that's still in love with Tim Drake?

The clack of Tam's heels comes as a welcome distraction.

"Tim!" she says, grabbing his arm and pulling him away, "What the hell do you think you're doing? We have to go talk to the board. Build rapport with your employees later."

Tim stumbles to his feet, "Yes, but—, I—, This is—"

He sounds like he's glitching. Bastard. Is it really such a surprise to see Bernard in a well paying job? Even Tam is starting to look a little concerned now.

"Explain later," she commands, dragging Tim behind her. Bernard keeps his head down and continues wiping up the coffee puddle. Sneaking a glance upward shows him that Tim keeps turning back around to stare at him.

For a moment their eyes meet, brown against blue. 'Bernard?' he sees Tim mouth. Bastard, saying his name so many times. Doesn't he know what that does to Bernard? Why does Tim insist on breaking his heart again and again and again? Was once not enough?

He's tired of putting these walls up and just for a second, he lets them come down. Let Tim see the entirety of his brokenness. Tim already has his heart, he can have this too.

'Tim' he mouths back, smiling sadly. Tim looks stunned and the rage that had been simmering in his gut begins to boil over.

Do you see what I've become? Do you see how thoroughly Grieves ruined me? Is this not your doing too? Why did you leave? Have you ever visited Darla? Why was it so easy for you to not look back? Was I not your friend? Or was it just a time pass? Why wasn't I enough for you to stay?

He watches until the elevator doors close, separating him from Tim once again. His body sags like a marionette cut from its strings and his fingers clench uselessly around the coffee soaked paper towels. A hand lands on his shoulder and he flinches.

"Hey, hey," Young-joon soothes from where he's crouched right next to him. When did Young-joon crouch down? How much time has he missed? "It's just me, Bernard. Are you okay? What was that? Does our CEO know you?"

He exhales shakily. He needs to get out of here. He needs to sob hard enough he throws up. He needs the steady press of a knife on his back. He needs things he's not allowed to have anymore.

Bernard shoots up so fast the world spins around him. holding onto the desk for support, he tries to smile at his team leader. It stretches across his face misshapenly.

"I'm—, I'm sorry," he says stumbling over his words in a rush to get them out, "I have to—"

He has to what? Pretend to not see Darls out of the corner of his eye? Pretend like his hands don't have blood on them? Pretend like he isn't seeing bullet wounds every time he closes his eyes?

"—go to the bathroom," he finishes lamely. Gathering up all of the paper towels, he walks away dazedly, ignoring Young-joon's calls behind him. He shoves the towels in the nearest trashcan, letting his feet lead him to the nearest bathroom.

The bathroom is thankfully empty when he enters and he locks the door behind him. Sliding down the door, he exhales shakily. There's not enough air in this room; he can't breathe. The fluorescent lights hum above their coverings. The one on the left flickers. Who's bright idea was it to install school lights in a business office's bathroom?

The world outside the bathroom rushes on too loudly. Somebody is talking about their vacation. Someone is bemoaning their presentation today. His chest is getting tighter. His hands come up to tug on his hair. Why can't he breathe?

The exhales are coming quicker and quicker. Something comes tapping down the hallway. It's the gunmen, it has to be. A quick glance down tells him all he needs to know: he's covered in blood.

It's Lila's, he thinks dazedly, I had to carry her into the office. Or no, it's Olu's. I held him when he died. He said, he said, what did he say?

Why can't he remember? He hits his head with the heel of his palm.

Think he tells himself, we have to tell Olu's parents what he said. He said—, he said—.

His body sags.

Oh now he remembers. He said, "I don't wanna die Bernard."

A whimper tears itself out of his throat and he slaps a palm over his mouth. There's blood smeared across his face now, he must look like he walked out of a slasher film. He has to be quiet. if he's too loud, the gunmen will find them and then they'll all be dead.

Cry quietly, he tells himself, Darls doesn't need—

Darla! How could he forget about Darla with a hole in her gut? He needs to get to her. Lurching forward, he scrabbles across Mrs. Castillo's linoleum floor. He's smearing Olu's blood everywhere. Why won't Nikhil stop fucking crying so loudly? Goddamn freshmen and their hysterics. Where is Tim? Is he safe? He can't lose both friends today, please Lord, please.

BANG!

A violent flinch tears through his body. He sobs audibly this time, gagging on his spit. It's the gunmen, it has to be. He hasn't even held Darls' hand or counted Tim's moles for the last time. Where are the Darls? She shouldn't be alone. She doesn't like violence like this.

"Why didn't you save me, Bear?" a voice asks from behind him.

He freezes. Slowly he turns around and nearly yells in shock. Falling back on his butt, he stares up at his friend.

(He has to be quiet, he has to be quiet, he has to be quiet-)

Darls is standing behind him still in her crop top and cargo pants. Her once smooth midsection, bloodied and warped. The bullet wound still drips blood.

Plink, plink, plink.

Bernard hates the scent of iron.

"Why didn't you save me, Bear?" she asks, her voice echoing, "I thought we were friends."

There’s blood dripping down the side of her mouth. Now he remembers, the blood on him isn’t Olu’s or Lila’s — although there is that too — it’s almost overwhelmingly Darla’s. He’s covered in it. Elbows deep in it. It streaks up his arms like a macabre tattoo. He wore a white shirt to school today. The stains will never come out. He is Carrie at the end of prom, mortified and humiliated.

He crawls backwards until his back hits the wall, the impact knocking him out of the worst of that night. He's back in the bathroom. The lights hum loudly overhead. Darla hasn’t left yet.

She tilts her head, “Why didn’t you help me, Bear? I thought we were friends.”

“We are,” he rasps out, “we are friends.”

“Are we?” her eyes have no pupils. His Darls had eyes that shone in the sunlight. His Darls is dead. “Then why am I still bleeding? Why am I still hurting? Why is there a bullet in my stomach, Bear?!”

She’s shouting by the end and he flinches. His hands can’t seem to stop tugging at his hair. The blood must’ve smeared all over it. Talk about taking strawberry blond literally.

“I swear I did everything I could Darls,” he sobs out quietly, voice cracking, “I followed all of Mrs. Castillo’s instructions as best I could. I put pressure and tied the dressing as tight as I could.”

“You thought that was enough?” she snarls, hands coming down to grip the wound. It twists grotesquely; he gags, “You think any of that matters when I’m dead and you’re still alive?”

“Please, please. You know I wouldn’t leave you to die, Darls. Please, please, please believe me.”

“Liar, liar!” she screams, blood dripping out of her mouth onto her pink LOVE shirt. It darkens as each drop hits it. Soon it’ll be completely drenched and she’ll be drowning in it. Where did his smiling friend go? “I’m dead, Bear! I’m dead, dead, dead and it’s all your fault! Why didn’t you save me?! Why didn’t you save me?!”

He keens, body curling in on itself. One hand goes down to press on his throat; he’s making too much noise. Nikhil’s just a freshman. He shouldn’t have to die just because Bernard couldn’t shut up for once in his life.

“Please,” he whispers raggedly, “I tried, I tried. I swear I tried, Darls.”

“It hurts, Bear,” she sobs. Darla’s too young to be sounding so wrecked, “It hurts so much. Please help me.”

All of sudden, it’s too much. The taste of iron sits heavy on his tongue and Darla won’t stop sobbing. His fingers fumble for his phone and he presses one. It rings once, twice and finally on the third ring does a voice answer.

“Bear?” the other side says groggily.

“Ty please, I can't do this anymore,“ he sobs.

Tyrone suddenly sounds a lot more alert, “Bear what’s going on?”

“Darla won’t stop crying and she keeps on screaming that it’s my fault she died.” he wails, “I know I should’ve done more but please, can you tell her I tried? That I stayed with her until the end? She won’t listen to me, Ty. She won’t listen to me.”

There’s a muffled yell of ‘Babe!” on the other end. “Yeah,” Ty breathes out, “I’ll tell her.”

“You put me on speaker, okay?” Ty instructs, “And you gotta tell me if she’s nodding or if she’s gone or if she said anything, alright? I can’t see her.”

“Okay,” he whispers, pulling the phone away from his ear to press the speaker button.

“You tell me when to start, Bear,” he says, voice filling the bathroom. Darla looks up from where she’s sobbing.

“You can start now Ty,” he rasps out, holding the phone out.

“Hey Darla,” Ty says, “Bear told me you said a lotta mean things about him. Stuff like, ‘he’s the reason you died’ and that ‘he never cared’. Darla, you gotta believe me when I say Bear never stopped caring. He held your hand the whole way through. Told you stories about all the things you two were gonna do once you got out of that nurse’s office. He tried, Darla, honest. I’ve never seen him as focused as when you stopped breathing and Mrs. Castillo had him give you CPR. He couldn’t stop sobbing the whole time.”

“But I’m still dead,” she says.

“But I’m still dead,” he repeats.

Ty inhales sharply, “Yeah,” he says thickly, “you are. And I’ll never stop being sorry about that. But you can’t take that out on Bear. He’s just trying to live his life.”

Darls’ face twists up like a childs, “But it hurts,” she cries.

“But—, but it hurts,” he repeats, voice hitching.

Ty curses, “Oh, fuck. I can’t do this. Babe, can you—?”

“Yeah, of course.” 

“Hey, Darla. It’s me, Jimmy from the football team. I don’t know if you remember me but I remember you. After high school, me and Tyrone ended up getting married. Somewhere between shitty weed brownies and bad college parties, we fell in love. Isn’t that nice?”

Darls nods; he tells them as such.

“We visited you after the ceremony. I hope you felt that wherever you are these days. But the point I’m trying to make is that from all I’ve told you just now, you can probably figure out that Ty and I didn’t go pro like we planned. The shooting fucked up Ty’s knee and and my arm. After the hospital stays, playing football for a whole bunch of people just didn’t sound appealing anymore. We’re high school teachers now. Ty teaches math and I teach gym. When it rains or gets cold, my arm and Ty’s knee hurts like hell. But Darla, it doesn't hurt forever. It gets better, I promise.”

“Darla,” Jimmy says, voice unusually serious, “you’re right, you are dead and it does hurt. I’m sorry, I’ll never stop being sorry. I don’t know if it’ll ever go away for you; I’m not too much of an expert on the supernatural. Ty’s the smart one, after all. But I love you, Ty loves you, Bear loves you. I hope that when it hurts the most you can use that as a balm.”

“Auntie Bea loves you too!” Ty’s mom hollers from the background, “Aunt Betty, too!”

Ty laughs wetly and Jimmy snorts, “Does that sound okay?” they ask.

Darls smiles, her teeth stained red from all the blood that built up in her mouth. Bernard misses her with an ache he feels in his bones. Darls nods.

“She nodded,” he says quietly. He blinks once and she’s gone. Where did she go? Doesn’t she know that the gunmen are still at large? She needs to be somewhere safe. He can’t lose a friend today.

“Bear, Bear, you gotta breathe. Take a deep breath for me, c’mon,” Jimmy says.

“She’s gone, Jim. She’s gone again. Why does she keep leaving?” he says, crying. His body can’t stop trembling. How long has he been here? How much time has he missed?

“I miss the cult,” he whispers, “I never had things like this happen when I was with them.”

“Yeah,” Ty snaps, “‘Cause you were high off of like 50 different pain meds ‘cause you let them whip you.”

“Ty, not helping.”

“Move over, let me talk to him."

"Hey, sweetheart," Auntie Bea's voice crackles through his tiny speaker, "I know you're tired and I know you're hurting. I know you miss the cult but you gotta breathe for me, okay? You're gonna pass out otherwise."

"I can't, I can't," he gasps out. 

"Sure you can, you just gotta tell me five things you can see. Can you list those five things for me?"

Bernard desperately tries to get his breathing under control, "The sink is dirty."

"Good, good. Anything else?" 

"The tiles need to be re-grouted."

Aunt Betty barks out a laugh. Bernard's lips twitch upward.

"Keep going."

"My pants, my white shirt, my ID badge," he rattles off.

They talk him through the rest of the grounding techniques and by the time he feels like he's in control again, he's exhausted. His eyes hurt and his throat is dry. 

"Can you tell us why you spiraled so hard, Bear? This hasn't happened in a long time," Jimmy asks.

"I spoke to Tim again," he says simply. He pushes himself up onto his feet and walks over to the sink. Setting the phone down on the counter, he grips the sink with both hands and just breathes. The Bernard in the mirror looks like he just came out of a warzone, eyes haunted, hair messed up. 

"Oh fuck," Ty says, "Where did you even meet him?"

"At my new job at Wayne Ent."

"Why would you apply there?" Jimmy asks, stressed.

"I didn't know! It's not like I've had a lotta time in the past few years to check the news!"

"Well, whatever, what’s done is done." Ty says, ever practical, "Are you going to quit?"

"No!” he says vehemently.

“No,” he repeats quieter, “Wayne has the best benefits and Mori needs that. I’ll just suck it up and try to avoid him.”

“Don’t be fucking stupid,” Aunt Betty says.

“Ma!”

“Oh be quiet Jimmy. I’ve never heard of a more stupider thing. He’s your CEO, Bear, and he knows you work there. He’s obviously going to want ‘to catch up’ or whatever. There is no avoiding him. Can you handle that?”

What can he say? Aunt Betty is right. He can’t handle talking to Tim. Even seeing Tim felt like touching a live wire. He can’t deal with another episode. Mori doesn’t need him to be fucked up, Mori needs him to be the stable adult he promised the courts he was. 

“You can’t, sweetheart,” she says softly, “you can’t handle it.”

There’s some shuffling on the other end of the phone. 

“Bear,” Ty says gently, “I love you, man. You’re my brother. Jimmy loves you, Mama loves you, Aunt Betty loves you. But you gotta start thinking about therapy.”

“I know, I know,” he sighs, “I shouldn’t’ve dragged you into this. I’m—”

Ty cuts him off with an exasperated huff, “It’s not about that Bear. I’ll keep talking to your hallucinations for as long as you need me too. Even when we’re seventy, I’ll do it for you. I don’t care about that. I care about you and I want you to be happy and healthy. I don’t want you to keep seeing Darla. I don’t want you to keep trying to scrub the blood off your hands. 

“And I know you’ve been avoiding therapy ‘cause you don’t got the money and ‘cause talking about your problems is scary but it’s not just you anymore. You got Mori now. That custody claim is going through. You can’t just avoid things ‘cause they’re hard now. You work at Wayne now; that paycheck is more than enough to set a few dollars aside each month to save up for therapy. Hell, mental health probably comes with your medical benefits. Please, Bear. If you can’t get help for you, then do it for us, for Mori. Please stop making us watch you hurt.”

Bernard exhales shakily.

“I never wanna find you the way we did after the cult, Bear. I never wanna see you in the hospital bed like that again. Please don’t do that to us, please,” Ty whispers.

Unconsciously, his hand comes up to rub at the scar left behind from the sacrifice. It stretches along the length of his sternum, jagged and rough. On good days, he can pretend that it’s a scar from a heart surgery. He doesn’t have that many good days.

Bernard presses the heel of his palms into his eyes before using his hands to scrub at his face. He’s always so tired these days.

“Okay,” he says simply, “okay.”

“Okay?” Ty asks hopefully.

“Okay, you’re right. It’s not just me anymore. Mori deserves the best and I’m gonna give it to him. And I love Tim, I think I’ll always love Tim but he clearly doesn’t give a shit about me. So I gotta make my peace with it or I’ll go crazy.”

Ty whoops, “Thank you, thank you, thank you!” he chants.

“Bear, it’s still the middle of the workday,” Jimmy says, although he too, sounds happy. Auntie Bea and Betty are muttering about a feast, he thinks. “Don’t you have to get back to work?”

“Yeah, that’s if I’m not fired already,” he mutters.

“Hey!” Jimmy admonishes, “Optimism only, no pessimism.”

“Alright, alright. I gotta get back to work now. Thanks guys.”

“Of course, we’ll let you go now. Ma wants me to tell you that we’re having dinner at your place today.”

“Aunt Betty,” he whines, “I haven’t cleaned and you and Auntie Bea are just looking for a reason to spoil Mori.”

“Absolutely,” they say, unashamed, “he’s our only grandson. We have to spoil him.”

“Fine,” he sighs but he’s smiling. Fuck, he loves these people. God knows he wouldn’t have survived the past six years without them.

“Bye Bear,” they say before he hangs up, “Good luck on your first day!”

He cuts the phone and slides it back into his pocket. Turning on the tap, he splashes some cold water onto his face. Using his wet hands, he tries to rearrange his mussed up hair into something acceptable for an office job.

Time to face the music Darls, he tells her smiling face in the mirror. She gives him a thumbs up in return.

The walk back to his office feels like a death sentence. He’s fucked this up, he knows it. Freaking out over a small interaction with his CEO and then running away only to come back two hours later? It’s over, done for. Bernard takes comfort in the fact that at least the severance package will be nice.

Stepping into the office, immediately draws the eyes of his team members. Every step towards his team leader’s office feels nerve-wracking. Just before he enters, Esperanza, the team’s second in command, stops him.

“Whatever happened,” she says, “just explain it to him. Young-joon’s a reasonable man, he’s not gonna yell at you.”

Some of the tension leaves him and he nods. Knocking on the door, he enters. His team leader looks up and smiles.

“Ah, Bernard! Why don’t you take a seat for me?”

He crosses his wrists behind his back, “I’d rather stand, sir.”

His team leader looks confused, “‘Sir’? Just call me Young-joon like I told you.”

“Anyway, after you left, I took the liberty of going through your file to see if there was anything I missed. I hope that wasn’t overstepping my boundaries.”

“No s-, Young-joon. You’re fine.”

Young-joon sighs and pushes the file he was reading before Bernard came in forward. It’s his file. 

��I’m going to say some statements,” he says, “and I want you to confirm whether it’s true or not. If any of these questions make you uncomfortable, just tell me okay? I’ll drop it immediately.”

Bernard nods.

“You went to Louis E. Grieves Memorial High School.”

“Yes.”

“Based on the dates you put in your file, you were there for the shooting.”

“...Yes. Junior year.”

“You know our CEO.”

“Yes,” he breathes out.

“How?”

He used to fall asleep on my shoulder during lunch and I would listen to him breathe. He’s got moles all over his face. Darls once connected them with a sharpie. His step-mom was so hot, I thought I’d spontaneously combust every time she smiled. HIs dad didn’t really like me and flirting with his wife didn’t help my case. The Drake condo had a crocheted flower blanket on the sofa that his mom had made during her pregnancy. He liked to skateboard but couldn’t roller-blade to save his life. I have all this love and nowhere to put it.

“It’s a little private,” he says instead.

“I’m only asking because we work quite closely with him. We see him often and if that makes you uncomfortable, then I can have you transferred to another team.”

His shoulders sag, “We went to Grieves together for one year. Our mutual friend died. It’s a little hard to look at him.”

“Jesus Christ.” Young-joon says, “Okay well the offer is still on the table, Bernard. Do you want to be transferred?”

“No, I like your team. I’d like to stay,” he says, firmly.

“Are you sure?” Youn-joon asks, eyebrows raised.

“Yes.”

“Okay then,” and it’s like a switch had flipped. Gone is his serious team leader and in its place is the man he met this morning.

“If you plan on staying,” he says smiling, “then my primary recommendation is that you use the medical benefits the company gives you to find a therapist. If you need help, the infirmary here will walk you through it.” 

Oh thank god it comes included with his medical, Ty will be overjoyed to hear that. But first, he has to ask Young-joon why he’s doing all this. Bernard knows his experience with authority figures is a little skewed towards the shitty side of the spectrum but even so, people usually aren’t so kind in his experience.

“Why are you doing this? Why didn’t you fire me? Why are you helping me?”

Young-joon chuckles, “Do you want to be fired?”

“No! But still, why are you helping me?”

Young-joon sighs and stands up. Walking around his desk, he stops right in front of Bernard. Young-joon puts a hand on his shoulder.

“This city takes a lot out of its people, believe me I know. And you were so young, when Gotham took her piece of you. It wasn’t fair of you to go through that. Just like it wasn’t fair to me and my wife when we got kidnapped as children. These kinds of things don’t go away. I still get worked up over zip-ties. My wife still has nightmares. All you can do is learn to live with it.

“You seem like a good kid with a good head on your shoulders. I’d hate to see all that potential go to waste ‘cause you kept getting trapped in your mind. I had a lot of help to get to where and who I am today. Consider this, me paying it forward. One day, I hope you can pay it forward too.”

His eyes feel suspiciously wet. “Thank you,” he chokes out, “thank you.”

Young-joon laughs, “There’s no need for the waterworks, Bernard. Now, pack up your things and go home. You’re in no state to analyze data today but I expect you here at 9AM sharp tomorrow, alright?”

Bernard mock salutes, “Yes, sir.”

“Goodbye, Bernard.”

Right before he exits, he turns around and calls out his team leader’s name.

“Young-joon,” Young-joon looks up confused, “you can call me Bear, by the way.”

A wide grin stretches across his team leader’s face, “Okay then. Goodbye Bear, see you tomorrow.”

Walking out of the office, it feels like a burden has been lifted off his shoulders. Esperanza takes one look at him and snorts.

“You just got Young-joon-ed, huh?”

His jaw drops, “He does that often enough you guys have a name for it?”

The other team members laugh, “Welcome to Data Analysis Team 1, kiddo. We look forward to working with you from now on.”

Smiling, he gathers his things and leaves after a few goodbyes. Once outside the building, the smile drops. It’s an hour-and-a-half bus ride from Wayne Tower to his house. The bus stop sits right in front of the tower too. Some new initiative by the mayor to promote the city moving towards green energy. Hey look, even rich people take the bus! What a fucking joke.

The tower warps the sunlight around it and he stares up at the top floor. Is Tim watching? Can Tim see him from up there? Does he care or was it just the shock of seeing someone he once knew this morning? Has Tim ever thought about him, about them? Or were they just moments in his life? Perpendicular lines, intersecting once and then never again.

I miss you, he thinks staring at the top floor, I miss you more than anything but I’ll walk into oncoming traffic before I ever reach for you again.

The bus pulls up next to him and he snags a seat in the back. Dropping his head onto the seat in front of him, he stares out the window. Darls smiles back at him in the window reflection, perpetually sixteen. He’s twenty-two now.

Fuckin’ hell Darls, he thinks wearily, we’re really in it now.

Darls places her hand against the glass, he leans his shoulder onto it. If he closes his eyes, he can almost feel her warmth.

We’ll make it through, she says.

The bus rumbles forward and he lets the cracked streets of Gotham lull him to sleep. He’ll make it through.

A/N: chami! i hope you like it!!! i've never gifted a fic before, i don't really know how this works. and to everyone who read it, i hope you liked it too! please leave your thoughts in the reblogs or replies!!! i miss the days when td:r was coming out and we were all collectively freaking out. anyway when i said loosely based, i really did mean loosely. props to you guys if you can figure out the direct references to the drama. but this is a one-shot. i'm not gonna be writing anything else for this 'verse? au? (god i'm always so worried im using em dashes wrong)

if you have questions or you're confused by something i wrote, feel free to ask questions or send an ask or message. oh, and i know some people like know the exact wordcount. so, it's exactly 6,785 words long. nice number right?

also, please note that if you want to make art or a podfic or hell, even fanfiction of this, feel free to do so! i hope that's not too presumptuous or anything. idk i see fanfic writers make this disclaimer all the time, so i thought i'd do it to.

thank you for reading!

[vimbry]

disclaimer that I don't like the idea of openly assuming things about strangers' identities or their personal lives, especially when you're catching a glimpse of only one part of them they choose to share in the public eye. but it Is very funny when you're reading or watching some interview with a famous person, and they say things that make you do this one comic:

[wonder-worker]

"Administratively, too, [...] queens were considered the legal lords of their landholdings. [...] Grants noted that the queen's officials had administrative autonomy without being subject to the king or anyone else, and evidence of the same assumption can be gleaned from court rolls that were recorded with headings indicating the lord of the manor whose court proceedings were being enrolled. As an example, some court rolls for the manor of Haveringatte-Bower specified that it was the court of [Margaret of Anjou] that was in session, while later rolls recorded Elizabeth Woodville as the lord of the manor court."

-Michele Seah, 'My Lady Queen, the Lord of the Manor': The Economic Roles of Late Medieval Queens", Parergon, Volume 37, Number 2, 2020.

[lloydfrontera]

tfw when you write an entire novel with two protagonists that spent the entire plot getting closer to each other, becoming best friends and eventually both of them deciding they would rather die than allow the other to not live a long, fulfilling life, their friendship carrying most of the emotional weight of the entire plot and the emotional climax being one of them sacrificing his life so the other can live and then the other crossing literal universes to find him, a tearful smile in his face as he confesses how much he missed him. which is the scene you wanted to write and show the most because, again, this is the pay off to the slowburn you've been writing in the entire novel and what everything has been building up to since the very first chapter. and then you end the novel by having them share a smile, finally confident they'll be able to have a happy future.

but you also just gotta have one of them marry offscreen because everyone knows you can't be happy if you're not in a het marriage with kids lmao it's whatever it's okay i'm fiNE-

[moonscape]

i don't really like confessions blogs because i feel like they just fuel the fire for fandom discourse but ngl i agree with pretty much everything that's been posted on the is*t one so far so i'm okay with it for now lol 👍

[sydney-carton-of-sour-milk]

The Many Illustrators of A Tale of Two Cities 7: A. A. Dixon

"'Collins' Clear-Type Press, let me ask you a question.'"

This is a very long post.

This week's edition has, in my research, become quite the edition.

Sadly, this image is the best source for the cover wrapper illustration that I could find.

You are likely familiar with Arthur Augustus Dixon's illustrations for the 1905 Collins Pocket Edition of A Tale of Two Cities. Several of them are very common to find in Internet searches and articles about the book, if not other editions of the book itself.

But the question raised by my research for this week's edition is: Are you familiar with all of them?

Thing is, as the source above states (read the whole article if you have the time, it's very interesting!), Dixon created twelve illustrations for this novel.

And sure enough, this source from the Internet Archive and this source from @oldillustrations (hello!) both have eleven of the same illustrations - with the twelfth presumably being for the wrapper, as seen in this source (previously cited) from the Victorian Web.

Alright, so that's three separate sources, all with (effectively) the same set of elaborate illustrations from 1905. Neat!

...

...but if you start counting...

...you'll notice that this seems...

...like a lot more than twelve!

Basically, there are five illustrations by A. A. Dixon that are completely unaccounted for in any of the three sources previously cited.

For the purposes of this post, the cover wrapper is considered #0 and is not pictured in these banners.

In full-size set of illustrations in this post, this source from Google Books is the source of four of those mystery illustrations:

#3: "'He stared at her with a fearful look.'" #6: "'Drive him fast to his tomb.'" #7: "He said, 'Farewell!'" #12: "'She appeared with folded arms.'" #9 ("'Patriots and friends, we are ready!'") and #11 ("'You are consigned to La Force.'") are sourced from Google Books in the full-size versions in this post simply because the Internet Archive versions of those two illustrations had cropping issues.

To me, this is mystery enough on its own. Why would another version of the book suddenly have more than the originally-stated number of illustrations by this artist? Especially considering that the Google Books source does not have #13 ("''I know you, Evremonde!''") - why would it be missing one of the "main" set?

It gets even more interesting.

As you'll notice in the banner, we're still one off: Keen-eyed observers of the full-size set of illustrations might have already noticed that #14 ("'Carton and the spy returned.'") looks a bit different than the rest of them - a bit like what happened in the previous edition of this series!

That's because that Dixon illustration comes from this completely random source - a post from a blog called the Paperback Palette dating back to 2018 - that I happened across on Google Images of all places while sitting on an airplane trying to set up this post last week!

And to top it all off, that source is missing #6!

At this point, if your first instinct is, reasonably, that perhaps Dixon didn't actually illustrate these extra five and that it was someone imitating him for later editions, then know that that was my instinct too - until I (dare I say it again) checked those signatures!!!

(I edited the colors to prevent flashing.)

All five of those illustrations bear Dixon's signature, so it's safe to assume that they are A. A. Dixon originals - from 1905, even.

Interestingly, #s 1, 10, 13, 15, and 16 don't have signatures! Does this mean anything? Probably not - as an artist myself, I often forget to put my own signature - but still, I can't resist mentioning it!

So the most likely explanation here is simply that the publishing house originally commissioned A. A. Dixon for more than twelve illustrations and then held on to some of them, eventually choosing to publish them in other editions. Still, we can't say for sure.

And as to why some are missing from the more "complete" sets - human error, most likely!

If you scrub through the Google Books source, you'll notice that #s 11 and 12 actually repeat (one even changes color, which I have no explanation for) - it's most likely either that the book was accidentally printed with repeats of #s 11 and 12 where 13 and 14 were supposed to go or that the person scanning this edition made a similar error.

As an aside, it's so interesting that the illustrations are evenly spaced throughout the book - I had not noticed that until now!

And as for the Paperback Palette source, it's most likely that the blogger accidentally skipped over an image while combing through their edition or just glossed over it when posting the batch (I understand that from experience!) We can see this by adding up the letters in some of the illustrations' captions - doing so reveals that the letters are meant to go to P, the sixteenth letter of the alphabet.

Thus, one must be missing! Case closed!

Except... It's actually (going by both the chronology of the book and the order in which this set was found in Google Books) missing the wrong letter! Here, it seems that In the Google Books source, #7 in the full set is given the seventh letter in the alphabet, G - whereas in the Paperback Palette source, "#7" is labeled as the sixth, F:

This implies not only that #6 is absent from the Paperback Palette source but also that there is a missing mystery illustration located between this source's H and K - that is to say, before or after #9!

EXCEPT... For one, this isn't the only inconsistency I've noticed - there are several places where the letters seem shifted in a strange way. I've seen #2 listed as "C" and #9 listed both as "H" and "I2i" (???), just as two examples. (My theory is that the cover wrapper and the frontispiece may be at play here, but who knows?)

More importantly, though, it seems that, for some mysterious reason, all of the sources with relatively consistent use of these letters (i.e. all but the Victorian Web) - even the sources with only eleven interior illustrations - still give #15 in the full set the fifteenth letter, O. Which, of course, may make all of this pretty moot anyway.

Dare I say..."Oh."

Suffice it to say, just as much as major sources like the Internet Archive and Google Books are vital to this sort of research and preservation work, so are smaller websites and bloggers! After all, without the Victorian Web and the Paperback Palette, we as collective netizens likely wouldn't have ever known about the cover wrapper or illustration #14 (not to mention that the versions of the illustrations from the set posted by @oldillustrations have by far the best image quality and standardization that I've found! Please go check them out if you haven't yet!).

As for the reasons behind Collins' Clear-Type Press not publishing all of the illustrations from the beginning (if that's the explanation we're to go with here), I suppose the question I'd like to ask is:

why? why would you put us through this?

& the standard endnote for all posts in this series:

This post is intended to act as the start of a forum on the given illustrator, so if anyone has anything to add - requests to see certain drawings in higher definition (since Tumblr compresses images), corrections to factual errors, sources for better-quality versions of the illustrations, further reading, fun facts, any questions, or just general commentary - simply do so on this post, be it in a comment/tags or the replies!💫

[boiled-bronze]

Day 26. On one hand I like how this art month event has pushed me to finalize and share drawings I'm not proud of, and be less harsh on what I deem "good enough" to post. On the other hand, this is a drawing I'm not proud of

[corfisers]

two weird things that happen to me more often than i'd like and feel like they are on the opposite ends of the same spectrum: forgetting that i do actually speak two languages and forgetting that some people who post here in english speak only english

[xdevilrushx]

Yuffie: You gotta admit - it's been awesome having me on the team, right?

Cloud: Hasn't been boring.

Yuffie: (fondly) You can say that again. It's been a real trip.

Cute Clouffie moment during the Jenova Lifeclinger fight.

They both have such a hard time admitting it, but they really do care for each other a great deal more than they're willing to let on (especially Cloud, with his usual too-cool-for-school attitude). Even though they might squabble like siblings at times, it's obvious that they have a soft spot for each other.