#and I think Michael and David both know that

[ingravinoveritas]

So what ur thoughts on the bafias nominations David been nomination for best comedy actor while Michael hasn't been nominated for anything and the fan on twitter can't understand why now I personally think after Al aggressive behaviour on a post when they got his name wrong on his favourite radio station and how her stories on ig recently just werid behaviour do u think Al may had sabotaged his chances of getting a nomination for anything

What ur thoughts

Hi there! So I am once again on the road and attending a conference in Las Vegas that just wrapped up, and now I finally have a chance to comment on today's exciting news.

I'm sure everyone has seen by now, but congrats to our lovely David on his first (main) BAFTA nom for Male Performance in a Comedy!

It seems almost surreal that David has never been nominated for a (main) BAFTA before now, and given the breadth of his other recent TV performances (Des, Litvinenko) nominating him for Good Omens season 2 is certainly a choice...especially in the absence of a nomination for Michael. Looking at the list of nominations, it appears that Best Interests was nominated for Limited Drama, as was Sharon Horgan for Leading Actress...but no nomination for Michael for Leading Actor, either. So very quickly, this starts to look like a visible and intentional snub.

In terms of why Michael would be snubbed, I think there are a few possible reasons, but none of them have anything to do with AL. Readers of my blog know that I am never hesitant to call Anna out when it is merited, but in all likelihood the BAFTA nominations were decided long before now, and in my opinion she would not have any influence on whether Michael is nominated regardless of when her social media posts were made. So it does not make sense to place blame on her in this instance.

My feeling is that the reasons for Michael's lack of a nomination (and really, David's nomination specifically for GO) are likely twofold. One is that I'm guessing Amazon/whoever submitted David for consideration didn't want to pit Michael and David against each other. If they were both competing in the same category, it could split the votes, so only nominating one of them seems the best way of avoiding that. The second reason (again, in my opinion) seems to be political.

I was surprised to recently learn that Prince William is the president of BAFTA--British followers, help me out here, because this is very, very weird to a confused American--and as we know, Michael has spoken out on a number of hot button issues over the last few months: Opening a conversation about Welsh independence. The question of the devolution of the crown estate to Wales. And of course, abolishing the title of Prince of Wales. Not to mention all of the backlash incurred by the release of The Way, which was roundly savaged in the press and accused of promoting anti-English sentiments.

Granted, there have been politically active nominees and winners at the BAFTAs in the past, but it really feels like the combination of all these things is somehow working against Michael. Let's also not forget this epic picture from the BAFTA film awards last month, with Michael giving Wills the side-eyest of Welsh side-eyes:

All this said, it is difficult (if not impossible) to think of Michael and David's performances in GO as separate things, because they are so inextricably intertwined. The reason that we got David's incredible performance as Crowley is because Michael was there as Aziraphale, and vice-versa. I think David and Michael themselves would be the first ones to say it, as well as to be in awe and so supportive of each other's acting. The response of fans to this nomination news--saying Michael is a better actor, Michael deserved to be nominated instead, etc.--is so perplexing to me, because I think he was probably the first one in line to congratulate David, and would chew out anybody who put down David's acting for any reason.

I also think that if the lack of a nomination is due to the above-mentioned political reasons, then Michael is probably wearing it like a fucking badge of honor. I think he is also happier for David than anyone else on the planet right now (because that's his boyfriend, damn it), and I truly hope the stars align and give us Michael presenting David with an award again like at the NTAs in 2021. (Michael subsequently carrying David off the stage bridal style would be the cherry on top of the already extremely homoerotic cake.)

I also feel that there is no question David is as taken aback by his nomination/Michael's lack of a nomination for GO as much as the rest of us are. While I have no idea what David's chances of winning truly are, I think he would wholeheartedly and enthusiastically share that award with Michael. And I think he will share that night with Michael no matter what, regardless of what happens on the broadcast.

So many possibilities come to mind, really. I can imagine David and Michael re-enacting Every (without the heartbreaking bits, of course) on stage. I've seen people making references to the infamous Slow Show fic/how it parallels to real life, and while I've only read part of it (haven't gotten to finish), the thought of any kiss between Michael and David is beyond gorgeous to contemplate. Not for the sake of "content" or as a joke, of course (because I don't think they would be willing to kiss as a joke, because if they were, they would've done it by now), but because we would see a facet to Michael and David's relationship that's always been there in private become public. And it would be their choice to share it with us.

Those are my reactions to the BAFTAs announcement today. I'd love to hear from my followers as well with your thoughts and comments. Thanks for writing in! x

[ourtubahero-blog]

They look so married in this photo.

[gray-omens]

I wanna know if Michael Sheen's improv was an "Aziraphale wouldn't resist" or an "Aziraphale says it's time to get risqué" kind of chest touch

[iwhoneverbelievedinwar]

My dad watched good omens and his comments were:

-He doesn't like David Tennant's face bc he looks "too English" (I guess he can't have good taste in everything)

-He loves how Michael Sheen played "an absolute buffoon of a man-shaped guy" (affectionate)

-He said he liked s2 more than s1 because "I don't give a shit about the antichrist plot I'm just here for their relationship"

-He said his favorite part was seeing their friendship progress "up until the red haired one kisses his friend"

-He's looking forward to them finally getting together properly in s3

[ingravinoveritas]

I wish I could explain what it was like to see this at the time it aired, in 2019. Completely magical, from start to finish. Seeing the sparkle in Michael's eye after he says "Oh my god" and knowing he went from thinking David was perfect to "I would suck this man off right now if there wasn't a studio audience present," and then seeing David utterly basking in the glow of Michael's approbation and the light flush on his cheeks was absolutely everything...

Michael Sheen falling in love with David Tennant on national television

[mollyrealized]

How Michael Met Neil

original direct link [MP3]

(Neil, if you see this, please feel free to grab the transcript and store on your site; I had no easy way of contacting you.)

DAVID TENNANT: Tell me about @neil-gaiman then, because he's in that category [previously: “such a profound effect on my life”] as well.

MICHAEL SHEEN: So this is what has brought us together.

DAVID: Yes.

MICHAEL: To the new love story for the 21st century.

DAVID: Exactly.

MICHAEL: So when I went to drama school, there was a guy called Gary Turner in my year. And within the first few weeks, we were doing something, having a drink or whatever. And he said to me, “Do you read comic books?”

And I said, “No.”  I mean, this is … what … '88?  '88, '89.  So it was … now I know that it was a period of time that was a big change, transformation going through comic books.  Rather than it being thought of as just superheroes and Batman and Superman, there was this whole new era of a generation of writers like Grant Morrison.

DAVID: The kids who'd grown up reading comic books were now making comic books

MICHAEL: Yeah, yeah, and starting to address different kinds of subjects through the comic book medium. So it wasn't about just superheroes, it was all kinds of stuff going on – really fascinating stuff. And I was totally unaware of this.

And so this guy Gary said to me, "Do you read them?" And I said, "No."  And he went, "Right, okay, here's The Watchman [sic] by Alan Moore. Here's Swamp Thing. Here's Hellblazer. And here's Sandman.”

And Sandman was Neil Gaiman's big series that put his name on the map. And I read all those, and, just – I was blown away by all of them, but particularly the Sandman stories, because he was drawing on mythology, which was something I was really interested in, and fairy tales, folklore, and philosophy, and Shakespeare, and all kinds of stuff were being mixed up in this story.  And I absolutely loved it.

So I became a big fan of Neil's, and started reading everything by him. And then fairly shortly after that, within six months to a year, Good Omens the book came out, which Neil wrote with Terry Pratchett. And so I got the book – because I was obviously a big fan of Neil's by this point – read it, loved it, then started reading Terry Pratchett’s stuff as well, because I didn't know his stuff before then – and then spent years and years and years just being a huge fan of both of them.

And then eventually when – I'd done films like the Underworld films and doing Twilight films. And I think it was one of the Twilight films, there was a lot of very snooty interviews that happened where people who considered themselves well above talking about things like Twilight were having to interview me … and, weirdly, coming at it from the attitude of 'clearly this is below you as well' … weirdly thinking I'm gonna go, 'Yeah, fucking Twilight.”

And I just used to go, "You know what? Some of the greatest writing of the last 50-100 years has happened in science fiction or fantasy."  Philip K Dick is one of my favorite writers of all time. In fact, the production of Hamlet I did was mainly influenced by Philip K Dick.  Ursula K. Le Guin and Asimov, and all these amazing people. And I talked about Neil as well. And so I went off on a bit of a rant in this interview.

Anyway, the interview came out about six months later, maybe.  Knock on the door, open the door, delivery of a big box. That’s interesting. Open the box, there's a card at the top of the box. I open the card.

It says, From one fan to another, Neil Gaiman.  And inside the box are first editions of Neil's stuff, and all kinds of interesting things by Neil. And he just sent this stuff.

DAVID: You'd never met him?

MICHAEL: Never met him. He'd read the interview, or someone had let him know about this interview where I'd sung his praises and stood up for him and the people who work within that sort of genre as being like …

And he just got in touch. We met up for the first time when he came to – I was in Los Angeles at the time, and he came to LA.  And he said, "I'll take you for a meal."

I said, “All right.”

He said, "Do you want to go somewhere posh, or somewhere interesting?”

I said, "Let's go somewhere interesting."

He said, "Right, I'm going to take you to this restaurant called The Hump." And it's at Santa Monica Airport. And it's a sushi restaurant.

I was like, “Right, okay.” So I had a Mini at the time. And we get in my Mini and we drive off to Santa Monica Airport. And this restaurant was right on the tarmac, like, you could sit in the restaurant (there's nobody else there when we got there, we got there quite early) and you're watching the planes landing on Santa Monica Airport. It's extraordinary. 

And the chef comes out and Neil says, "Just bring us whatever you want. Chef's choice."

So, I'd never really eaten sushi before. So we sit there; we had this incredible meal where they keep bringing these dishes out and they say, “This is [blah, blah, blah]. Just use a little bit of soy sauce or whatever.”  You know, “This is eel.  This is [blah].”

And then there was this one dish where they brought out and they didn't say what it was. It was like “mystery dish”, we had it ... delicious. Anyway, a few more people started coming into the restaurant as time went on.

And we're sort of getting near the end, and I said, "Neil, I can't eat anymore. I'm gonna have to stop now. This is great, but I can't eat–"

"Right, okay. We'll ask for the bill in a minute."

And then the door opens and some very official people come in. And it was the Feds. And the Feds came in, and we knew they were because they had jackets on that said they were part of the Federal Bureau of Whatever. And about six of them come in. Two of them go … one goes behind the counter, two go into the kitchen, one goes to the back. They've all got like guns on and stuff.

And me and Neil are like, "What on Earth is going on?"

And then eventually one guy goes, "Ladies and gentlemen, if you haven't ordered already, please leave. If you're still eating your meal, please finish up, pay your bill, leave."*

[* - delivered in a perfect American ‘serious law agent’ accent/impression]

And we were like, "Oh my God, are we poisoned? Is there some terrible thing that's happened?"  

We'd finished, so we pay our bill.  And then all the kitchen staff are brought out. And the head chef is there. The guy who's been bringing us this food. And he's in tears. And he says to Neil, "I'm so sorry." He apologizes to Neil.  And we leave. We have no idea what happened.

DAVID: But you're assuming it's the mystery dish.

MICHAEL: Well, we're assuming that we can't be going to – we can't be –  it can't be poisonous. You know what I mean? It can't be that there's terrible, terrible things.

So the next day was the Oscars, which is why Neil was in town. Because Coraline had been nominated for an Oscar. Best documentary that year was won by The Cove, which was by a team of people who had come across dolphins being killed, I think.

Turns out, what was happening at this restaurant was that they were having illegal endangered species flown in to the airport, and then being brought around the back of the restaurant into the kitchen.

We had eaten whale – endangered species whale. That was the mystery dish that they didn't say what it was.

And the team behind The Cove were behind this sting, and they took them down that night whilst we were there.

DAVID: That’s extraordinary.

MICHAEL: And we didn't find this out for months.  So for months, me and Neil were like, "Have you worked anything out yet? Have you heard anything?"

"No, I haven't heard anything."

And then we heard that it was something to do with The Cove, and then we eventually found out that that restaurant, they were all arrested. The restaurant was shut down. And it was because of that. And we'd eaten whale that night.

DAVID: And that was your first meeting with Neil Gaiman.

MICHAEL: That was my first meeting. And also in the drive home that night from that restaurant, he said, and we were in my Mini, he said, "Have you found the secret compartment?"

I said, "What are you talking about?" It's such a Neil Gaiman thing to say.

DAVID: Isn't it?

MICHAEL: The secret compartment? Yeah. Each Mini has got a secret compartment. I said, "I had no idea." It's secret. And he pressed a little button and a thing opened up. And it was a secret compartment in my own car that Neil Gaiman showed me.

DAVID: Was there anything inside it?

MICHAEL: Yeah, there was a little man. And he jumped out and went, "Hello!" No, there was nothing in there. There was afterwards because I started putting...

DAVID: Sure. That's a very Neil Gaiman story. All of that is such a Neil Gaiman story.

MICHAEL: That's how it began. Yeah.

DAVID: And then he came to offer you the part in Good Omens.

MICHAEL: Yeah. Well, we became friends and we would whenever he was in town, we would meet up and yeah, and then eventually he started, he said, "You know, I'm working on an adaptation of Good Omens." And I can remember at one point Terry Gilliam was going to maybe make a film of it. And I remember being there with Neil and Terry when they were talking about it. And...

DAVID: Were you involved at that point?

MICHAEL: No, no, I wasn't involved. I just happened to have met up with Neil that day.

DAVID: Right.

MICHAEL: And then Terry Gilliam came along and they were chatting, that was the day they were talking about that or whatever.

And then eventually he sent me one of the scripts for an early draft of like the first episode of Good Omens. And he said – and we started talking about me being involved in it, doing it – he said, “Would you be interested?” I was like, "Yeah, of course."  I went, "Oh my God." And he said, "Well, I'll send you the scripts when they come," and I would read them, and we'd talk about them a little bit. And so I was involved.

But it was always at that point with the idea, because he'd always said about playing Crowley in it. And so, as time went on, as I was reading the scripts, I was thinking, "I don't think I can play Crowley. I don't think I'm going to be able to do it." And I started to get a bit nervous because I thought, “I don't want to tell Neil that I don't think I can do this.”  But I just felt like I don't think I can play Crowley.

DAVID: Of course you can [play Crowley?].

MICHAEL: Well, I just on a sort of, on a gut level, sometimes you have it on a gut level.

DAVID: Sure, sure.

MICHAEL: I can do this.

DAVID: Yeah.

MICHAEL: Or I can't do this. And I just thought, “You know what, this is not the part for me. The other part is better for me, I think. I think I can do that, I don't think I could do that.”

But I was scared to tell Neil because I thought, "Well, he wants me to play Crowley" – and then it turned out he had been feeling the same way as well.  And he hadn't wanted to mention it to me, but he was like, "I think Michael should really play Aziraphale."

And neither of us would bring it up.  And then eventually we did. And it was one of those things where you go, "Oh, thank God you said that. I feel exactly the same way." And then I think within a fairly short space of time, he said, “I think we've got … David Tennant … for Crowley.” And we both got very excited about that.

And then all these extraordinary people started to join in. And then, and then off we went.

DAVID: That's the other thing about Neil, he collects people, doesn't he? So he'll just go, “Oh, yeah, I've phoned up Frances McDormand, she's up for it.” Yeah. You're, what?

MICHAEL: “I emailed Jon Hamm.”

DAVID: Yeah.

MICHAEL: And yeah, and you realize how beloved he is and how beloved his work is. And I think we would both recognise that Good Omens is one of the most beloved of all of Neil's stuff.

DAVID: Yes.

MICHAEL: And had never been turned into anything.

DAVID: Yeah.

MICHAEL: And so the kind of responsibility of that, I mean, for me, for someone who has been a fan of him and a fan of the book for so long, I can empathize with all the fans out there who are like, “Oh, they better not fuck this up.”

DAVID: Yes.

MICHAEL: “And this had better be good.” And I have that part of me. But then, of course, the other part of me is like, “But I'm the one who might be fucking it up.”

DAVID: Yeah.

MICHAEL: So I feel that responsibility as well.

DAVID: But we have Neil on site.

MICHAEL: Yes. Well, Neil being the showrunner …

DAVID: Yeah. I think it takes the curse off.

MICHAEL: … I think it made a massive difference, didn't it? Yeah. You feel like you're in safe hands.

DAVID: Well, we think. Not that the world has seen it yet.

MICHAEL (grimly): No, I know.

DAVID: But it was a -- it's been a -- it's been a joy to work with you on it. I can't wait for the world to see it.

MICHAEL: Oh my God.  Oh, well, I mean, it's the only, I've done a few things where there are two people, it's a bit of a double act, like Frost-Nixon and The Queen, I suppose, in some ways. But, and I've done it, Amadeus or whatever.

This is the only thing I've done where I really don't think of it as “my character” or “my performance as that character”.  I think of it totally as us.

DAVID: Yeah.

MICHAEL: The two of us.

DAVID: Yes.

MICHAEL: Like they, what I do is defined by what you do.

DAVID: Yeah.

MICHAEL: And that was such a joy to have that experience. And it made it so much easier in a way as well, I found, because you don't feel like you're on your own in it. Like it's totally us together doing this and the two characters totally complement each other. And the experience of doing it was just a real joy.

DAVID: Yeah.  Well, I hope the world is as excited to see it as we are to talk about it, frankly.

MICHAEL: You know, there's, having talked about T.S. Eliot earlier, there's another bit from The Wasteland where there's a line which goes, These fragments I have shored against my ruin.

And this is how I think about life now. There is so much in life, no matter what your circumstances, no matter what, where you've got, what you've done, how much money you got, all that. Life's hard.  I mean, you can, it can take you down at any point.

You have to find this stuff. You have to like find things that will, these fragments that you hold to yourself, they become like a liferaft, and especially as time goes on, I think, as I've got older, I've realized it is a thin line between surviving this life and going under.

And the things that keep you afloat are these fragments, these things that are meaningful to you and what's meaningful to you will be not-meaningful to someone else, you know. But whatever it is that matters to you, it doesn't matter what it was you were into when you were a teenager, a kid, it doesn't matter what it is. Go and find them, and find some way to hold them close to you. 

Make it, go and get it. Because those are the things that keep you afloat. They really are. Like doing that with him or whatever it is, these are the fragments that have shored against my ruin. Absolutely.

DAVID: That's lovely. Michael, thank you so much.

MICHAEL: Thank you.

DAVID: For talking today and for being here.

MICHAEL: Oh, it's a pleasure. Thank you.

[vroomvroomwee]

I know we're all blown away by David and Michael's performances in the finale, but I don't think we're talking enough about how realistic it was.

It was incredible, but it was also so fucking realistic. Something you don't see even class A actors do.

The way Crowley had to pause, look up, as if expecting something, someone, to give him the words, the strength because he was losing it with every sentence. The way he looks up because he can't look at Aziraphale otherwise he'll break down. The way he can't catch his breath because his heart is beating so fast and he needs a few seconds to collect himself. The way you can actually feel that lump in your throat whenever you're close to tears, the one that pushes up when your eyes are losing their capacity to hold back tears, when he breaks off and let's out that desperate sound. The way he looks away immediately afterwards. The way he starts fumbling for words when he mentions Bee and Gabriel because panick is taking in and all his concentration is focused on not crying and not being able to form sentences and collect his thoughts. Then lamely ending it with "you and me, what do you say?" Because he can't physically talk anymore even though he has so much more to say, to confess, but he can't.

And then being absolutely wrecked with Aziraphale's "I need you" the moment he sees he's not the only one on the brink of crying, that it's mutual, that they both feel like this.

The entire scene wasn't acted out dramatically or over doing it, as if they were in some american teenage drama, it was realistic, it was how real people would handle the situation and how real people would feel and act in real life. It was fucking amazing

[denimbex1986]

'...“It’s fun playing bad, but actually he’s not,” the actor says, smiling as he reflects on his character, Crowley. “He’s a villain with a heart. The amount of really evil things he does are vanishingly small.”

...As it always has, “Good Omens” dissects the view of good and evil as absolutes, showing viewers that they are not as separate as we were led to believe growing up. Aziraphale and Crowley’s long-standing union is proof of this. The show also urges people to look at what defines our own humanity. For Tennant — who opted to wear a T-shirt emblazoned with the words “Leave trans kids alone you absolute freaks” during a photocall for Season 2 — these themes are more important now than ever before.

“In this society that we’re currently living in, where polarization seems ever more present, fierce and difficult to navigate. Negotiation feels like a dirty word at times,” he says, earnestly. “This is a show about negotiation. Two extremes finding common ground and making their world a better place through it. Making life easier, kinder and better. If that’s the sort of super objective of the show, then I can’t think of anything more timely, relevant or apt for the rather fractious times we’re living in.”

“Good Omens” is back by popular demand for another season. How does it feel?

It’s lovely. Whenever you send something out into the world, you never quite know how it will land. Especially with this, because it was this beloved book that existed, and that creates an extra tension that you might break some dreams. But it really exploded. I guess we were helped by the fact that we had Neil Gaiman with us, so you couldn’t really quibble too much with the decisions that were being made. The reception was, and continues to be, overwhelming.

Now that you’re no longer bound by the original material that people did, perhaps, feel a sense of ownership over, does the new content for Season 2 come with a sense of freedom for you? This is uncharted territory, of sorts.

That’s an interesting point. I didn’t know the book when I got the script. It was only after that I discovered the worlds of passion that this book had incited. Because I came to it that way, perhaps it was easier. I found liberation from that, to an extent. For me, it was always a character that existed in a script. At first, I didn’t have that extra baggage of expectation, but I acquired it in the run-up to Season 1 being released… the sense that suddenly we were carrying a ming vase across a minefield.

In Season 2, we still have Neil and we also have some of the ideas that he and Terry had discussed. During the filming of the first one, Neil would drop little hints about the notions they had for a prospective sequel, the title of which would have been “668: The Neighbour of the Beast,” which is a pretty solid gag to base a book around. Indeed there were elements like Gabriel and the Angels, who don’t feature in the book, that were going to feature in a sequel. They were brought forward into Season 1. So, even in the new episodes, we’re not entirely leaving behind the Terry Pratchett-ness of it all.

It’s great to see yourself and Michael Sheen reunited on screen as these characters. Fans will have also watched you pair up for Season 3 of “Staged.” You’re quite the dynamic duo. What do you think is the magic ingredient that makes the two of you such a good match?

It’s a slightly alchemical thing. We knew each other in passing before, but not well. We were in a film together [“Bright Young Things,” 1993] but we’d never shared a scene. It was a bit of a roll of the dice when we turned up at the read-through for “Good Omens.” I think a lot comes from the writing, as we were both given some pretty juicy material to work with. Those characters are beloved for a reason because there’s something magical about them and the way they complete each other. Also, I think we’re quite similar actors in the way we like to work and how we bounce off each other.

Does the shorthand and trust the two of you have built up now enable you to take more risks on-screen?

Yes, probably. I suppose the more you know someone, the more you trust someone. You don’t have to worry about how an idea might be received and you can help each other out with a more honest opinion than might be the case if you were, you know, dancing around each other’s nervous egos. Enjoying being in someone’s orbit and company is a positive experience. It makes going to work feel pleasant, productive, and creative. The more creative you can be, the better the work is. I don’t think it’s necessarily a given that an off-screen relationship will feed into an on-screen one in a positive or negative way. You can play some very intimate moments with someone you barely know. Acting is a peculiar little contract, in that respect. But it’s disproportionately pleasurable going to work when it’s with a mate.

Fans have long discussed the nature of Crowley and Aziraphale’s relationship. In Season 2, we see several of the characters debate whether the two are an item, prompting them to look at their union and decipher what it is. How would you describe their relationship?

They are utterly co-dependent. There’s no one else having the experience that they are having and they’ve only got each other to empathize with. It’s a very specific set of circumstances they’ve been dealt. In this season, we see them way back at the creation of everything. They’ve known each other a long time and they’ve had to rely on each other more and more. They can’t really exist one without the other and are bound together through eternity. Crowley and Aziraphale definitely come at the relationship with different perspectives, in terms of what they’re willing to admit to the relationship being. I don’t think we can entirely interpret it in human terms, I think that’s fair to say.

Yet fans are trying to do just that. Do you view it as beyond romantic or any other labels, in the sense that it’s an eternal force?

It’s lovely [that fans discuss it] but you think, be careful what you wish for. If you’re willing for a relationship to go in a certain way or for characters to end up in some sort of utopian future, then the story is over. Remember what happened to “Moonlighting,” that’s all I’m saying! [Laughs]

Your father-in-law, Peter Davison, and your son, Ty Tennant, play biblical father-and-son duo Job and Ennon in Episode 2. In a Tumblr Q&A, Neil Gaiman said that he didn’t know who Ty’s family was when he cast him. When did you become aware that Ty had auditioned?

I don’t know how that happened. I do a bunch of self-tapes with Ty, but I don’t think I did this one with him because I was out of town filming “Good Omens.” He certainly wasn’t cast before we started shooting. There were two moments during filming where Neil bowled up to me and said, “Guess, who we’ve cast?” Ty definitely auditioned and, as I understand it, they would tell me, he was the best. I certainly imagine he could only possibly have been the best person for the job. He is really good in it, so I don’t doubt that’s true. And then my father-in-law showed up, as well, which was another delicious treat. In the same episode and the same family! It was pretty weird. I have worked with both of them on other projects, but never altogether.

There’s a “Doctor Who” cameo, of sorts, in Episode 5, when Aziraphale uses a rare annual about the series as a bartering tool. In reality, you’ll be reprising your Time Lord role on screen later this year in three special episodes to mark the 60th anniversary. Did you always feel you’d return to “Doctor Who” at some point?

There’s a precedent for people who have been in the series to return for a multi-doctor show, which is lovely. I did it myself for the 50th anniversary in 2013, and I had a wonderful time with Matt [Smith]. Then, to have John Hurt with us, as well, was a little treat. But I certainly would never have imagined that I’d be back in “Doctor Who” full-time, as it were, and sort of back doing the same job I did all those years ago. It was like being given this delightful, surprise present. Russell T Davies was back as showrunner, Catherine Tate [former on-screen companion] was back, and it was sort of like the last decade and a half hadn’t happened.

Going forward, Ncuti Gatwa will be taking over as the new Doctor. Have you given him any advice while passing the baton?

Oh God, what a force of nature. I’ve caught a little bit of him at work and it’s pretty exciting. I mean, what advice would you give someone? You can see Ncuti has so much talent and energy. He’s so inspired and charismatic. The thing about something like this is: it’s the peripherals, it’s not the job. It’s the other stuff that comes with it, that I didn’t see coming. It’s a show that has so much focus and enthusiasm on it. It’s not like Ncuti hasn’t been in a massive Netflix series [“Sex Education,”] but “Doctor Who” is on a slightly different level. It’s cross-generational, international, and has so much history, that it feels like it belongs to everyone.

To be at the center of the show is wonderful and humbling, but also a bit overwhelming and terrifying. It doesn’t come without some difficulties, such as the immediate loss of anonymity. It takes a bit of getting used to if that’s not been your life up to that point. I was very lucky that when I joined, Billie Piper [who portrayed on-screen companion, Rose] was still there. She’d lived in a glare of publicity since she was 14, so she was a great guide for how to live life under that kind of scrutiny. I owe a degree of sanity to Billie.

Your characters are revered by a few different fandoms. Sci-fi fandoms are especially passionate and loyal. What is it like being on the end of that? I imagine it’s a lot to hold.

Yes, certainly. Having been a fan of “Doctor Who” since I was a tiny kid, you’re aware of how much it means because you’re aware of how much it meant to you. My now father-in-law [who portrayed Doctor Who in the 80s] is someone I used to draw in comic strips when I was a kid. That’s quite peculiar! It’s a difficult balance because on one end, you have to protect your own space, and there aren’t really any lessons in that. That does take a bit of trial and error, to an extent, and it’s something that you’re sometimes having to do quite publicly. But, it is an honor and a privilege, without a doubt. As you’ve said, it means so much to people and you want to be worthy of that. You have to acknowledge that and be careful with it. Some days that’s tough, if you’re not in the mood.

I know you’re returning to the stage later this year to portray Macbeth. You’ve previously voiced the role for BBC Sounds, but how are you feeling about taking on the character in the theater?

I’m really excited about it. It’s been a while since I’ve done Shakespeare. It’s very thrilling but equally — and this analogy probably doesn’t stretch — it’s like when someone prepares for an Olympic event. It does feel like a bit of a mountain and, yeah, you’re daring to set yourself up against some fairly worthy competition from down the years. That’s both the challenge and the horror of doing these types of things. We’ve got a great director, Max Webster, who recently did “Life of Pi.” He’s full of big ideas. It’s going to be exciting, thrilling, and a little bit scary. I’m just going to take a deep breath.

Before we part ways, let’s discuss the future of “Good Omens.” Gaiman has said that he already has ideas for Season 3, should it happen. If you were to do another season, is there anyone in particular you’d love to work with next time around or anything specific you’d like to see happen for Crowley?

Oh, Neil Gaiman knows exactly where he wants to take it. If you’re working with people like Gaiman, I wouldn’t try to tamper with that creative void. Were he to ask my opinion, that would be a different thing, but I can’t imagine he would. He’s known these characters longer than me and what’s interesting is what he does with them. That’s the bit that I’m desperate to know. I do know where Crowley might end up next, but it would be very wrong if I told you.

[At this point, Tennant picks up a pencil and starts writing on a hotel pad of paper.]

I thought you were going to write it down for me then. Perhaps like a clandestine meeting on a bench in St James’ Park, but instead you’d write the information down and slide it across the table…

I should have done! I was drawing a line, which obviously, psychologically, I was thinking, “Say no more. You’re too tempted to reveal a secret!” It was my subconscious going “Shut the fuck up!”

[ingravinoveritas]

I...I just need to leave this here...

#What if this is my last straw

[ingravinoveritas]

Full three minute-long clip of David on the Reasons to be Cheerful podcast talking about Pride Month and gay/trans rights. Truly heart-wrenching to hear him get so genuinely emotional/choke up as he keeps going. Notable moments:

David: "When I was at school, calling somebody gay was like the worst thing you could be called in the playground, and now we celebrate it...[choking up] and it makes me a little bit emotional. That it just gives people a chance to be seen and celebrated and to be just--combating some of that snide nastiness that is...when Target have to...[trying not to cry] when Target in America have to take down their displays because people are so intolerant, I think we all need to put up our rainbow flags and we need to march and shout and--[crying] I didn't expect this to get me this emotional, I'll be honest with you, but--you just want your children to grow up in a world that is kind, and you want your children to be kind and you want your children to be accepted for whoever they are. Whatever they want to be. They should be allowed to be whoever they want to be." David: "When you look at it--when you take a step back and see how far we've come, it does give you hope. Because sometimes when you're right in the middle of day-to-day you think, 'Where are we going guys, come on?' Ed Miliband: "We were in the era of Section 28 and all that stuff. But it has to be fought for." David: "Yes, we can't take our foot off the gas, that's the thing. And we can't expect that we will always travel in the right direction toward acceptance. We've got to--we've all got to be fighting that fight every day."

[neil-gaiman]

Hi Neil! First off I just wanna say I ADORED season 2! The writing and acting were magnificent and so beautiful and heart wrenching. I’ve never had this strong of a reaction to a show before and even though the ending hurt so much it leaves such an amazing pathway for the third season!

I was wondering, with everyone hoping for a new season and trying to get the viewership as high as possible, when do you think we will hear if Amazon has approved a new season or not?

Also what has your reaction been to everyone’s reactions to this incredible piece of work?

Thank you for everything that you do for the fandom and I wish you all the luck in the world in the WGA and SAG AFTRA strikes!

I don't honestly know. And I don't know if the strikes will delay things, if Amazon does renew it. David and Michael are both SAG actors, and I'm a WGA writer. Before the strikes we had a plan and a timetable in place, and I expected that around now I'd be handing over the first draft of Episode Six of Season 3, and that the scripts would be in place and we'd just be waiting on Amazon to say yes or no, based on the viewer numbers.

[fuckyeahgoodomens]

David Tennant in one of the pre-BAFTA interviews on how he met Michael Sheen :), 15.02.2024

David: The first time I met Michael Sheen... it must have been something to do with the film Bright Young Things, which we were both in, and that would have been 2003, something like that, 20 years ago. And Stephen Fry directed that. And there was a little bunch of us that were the bright young things. I was slightly on the periphery because I played a character called Ginger Littlejohn, who was not a bright young thing. He was a sort of... although he was of the same peer group, he was a sort of fuddy duddy who wasn't one of the cool ones. So the cool ones were, let me see if I can remember, Michael Sheen, James McAvoy, Stephen Campbell Moore, Fenella Woolgar, Emily Mortimer. They were the cool ones. And then there was me, who sort of sometimes went along to the kind of rehearsal processes or the hang outs or the getting to know you sessions and sometimes didn't get invited. So I got to know Michael a bit then, but not that well because I was not one of the cool kids. It’s only in relatively recent years that we've ended up actually working together. Because in Bright Young Things we don't share the screen, I don't think. But yes, so I've probably sort of known him for about 20 years. He's very old. I'm still considerably younger.

[ingravinoveritas]

This becomes even more poignant when you realize that Michael had shot scenes before this on his own because David arrived to the set later than Michael because he'd been sick with Covid. The worry, the relief all come to a head in this one moment, paralleling Aziraphale and Crowley being back in the magic shop for the first time since 1941 with Michael and David being back filming as the characters together since 2018. "Savoring" sums it up perfectly: Savoring the moment, the familiar place and costumes that must've felt like they never took them off. Savoring the proximity of each other's bodies, Michael in particular looking like he can just feel David, holding on tight to the reality of him being there even without seeing him.

Thinking also about how they'd spent so much of the previous year apart, only seeing each other on Zoom, I feel like the unspoken thing here coming from both Michael and David is, "It's familiar, but it's not, it's something new and unimaginable and everything feels real with you here because you were the only thing that made sense when nothing else felt real." And that absolutely informs every single thing we end up seeing on screen with the characters, and it is truly beautiful...

Ok so Aziraphale’s pause and deep audible inhalation here gets me verklempt for two reasons.

This scene in s2e5 “The Ball,” where Aziraphale and Crowley walk into the magic shop to ask Mr. Mutt to attend, is the very first scene David and Michael shot together for season 2, according to Amazon x-ray’s trivia. They are back together and it’s like a savoring of the moment.

Also, it’s likely the first time Aziraphale and Crowley have been back together to the very same magic shop when they had their romantic 1941 visit. It looks so much the same and I can only imagine what feelings that brings up for them.

I need a deep breath🥺😮‍💨💕

[ipseitydelrey]

idk if you do headcanons but I wanna know what you think each member of the BAU team would get you for your birthday?

<33

hi !! yes i def do general headcanons too, and this is such a good idea 🫶

birthday bash ☆ the B.A.U.

characters aaron hotchner, spencer reid, emily prentiss, derek morgan, jennifer jareau, david rossi, penelope garcia, tara lewis, luke alvez, elle greenaway; can be seen as platonic or romantic with any character

content just some general headcanons

aaron hotchner is incredibly observant and he cares for his team, so he will make sure you get at least a basket-full worth of stuff. he’ll likely say it’s from everyone on the team, even if he did pay for everything in the basket himself. he also goes out of his way to get presents for people he cares about (à la the halloween special where he got that darth vader mask for jack). included in the basket are some office supplies, flowers (of course), candies, and maybe a replacement of something you broke (like your favourite mug).

spencer reid will make sure to get you something that is functional from both an aesthetic standpoint and a practical one. of course, he’ll likely get you rare books with the pages yellow and worn from use, but are still delightfully charming, even if you’re not that interested in the contents of those pages. he’ll also treat you to a sort of last-minute-birthday-breakfast if you’re all called in to work, where he’ll get you your favourite pastry and coffee/tea, just the way you like it. antiquities are also a go to, whether it’s jewellery or otherwise.

emily prentiss is an enigma when it comes to gift giving; nobody knows what she’s getting for you, and nobody knows if it’s going to be a joke present or a genuinely thoughtful one (or some combination of the two). one present she might get for you are aphrodisiac chocolates because “you’ll never know if you get lucky” (her words).

derek morgan likely wouldn’t get you a genuinely thoughtful gift at first if you were relatively new to the team. but after some time on cases and at the office and such, he will put effort into his gifts. so for your first birthday with the team, he might play it safe by getting you gift cards; but after getting to know you more, he’ll get you something that is geared to your tastes, but it will be a gift that will remind you of him. although, he is just as likely as emily to get you a joke present, if not more.

jennifer jareau’s presents are quite rushed on account of her having to balance being an agent and a mom, but she does put a lot of heart into them. she knows more than anyone how taxing the job can get at times, so expect some well-deserved spa day coupons that she managed to find strewn around her place. it’s possible she’ll get you a couple instead of one. she will also likely give you a couple drawings henry and michael made, and you can bet that you’ll hang that up on your fridge at home.

david rossi in the early seasons (especially season three) would very likely not even plan on getting you a present unless he was reminded by hotch. however, in the later seasons, rossi definitely acts like the wine aunt who gives you straight up cash as a present. expect anywhere from $100 – $1k+, he has to use up the money he got from being a best-selling author somehow. also alcohol; he will get you expensive bottles of whiskey, scotch or wine, no room for argument (unless you have a legitimate reason).

penelope garcia goes all out for your birthday; obviously she puts the most effort in her gifts and more. for her presents, she will buy quite a lot, to the point where she might spend maybe half her pay check on the presents. her gifts mostly consist of decorations mostly for aesthetic purposes, but has little to do with everyday use. possible presents coming from her include paintings, pillows, fidget toys and mugs, all of which are very colourful. but she doesn’t just stop there with presents; she will likely organize a group dinner (or maybe a group breakfast, just in case of a possible case).

tara lewis is simultaneously the least expected and most expected member of the team to be a chaotic gift giver. she will also likely get you a joke present but while emily would get you something along the lines of a prank present, tara’s presents would be subtle and remind you of inside jokes either within the team or just between the two of you. also, expect alcohol, quite a number of the team will get you a bottle, including tara.

luke alvez definitely tries the hardest with his gifts (after penelope, of course), especially if he’s newer on the team. he’ll ask around for any ideas, either on what to get you or what kind of person you are with the team so he can figure it out for himself. if you have a dog (or two…or five), he will spoil the dog rotten with new toys, biscuits or dog accessories — which he probably collaborated with penelope on.

elle greenaway’s presents are ones that you shouldn’t really open with most of the team present because of their explicit nature. she’ll probably get you incredibly revealing swimwear (yet another collaboration with penelope), and also alcohol — specifically hard liquor. those are likely to be the only presents that you can actually open in front of everybody on the team without getting a lot of stares.

taglist @queermaxwooo @pleasantwitchgarden @hbwrelic @kissesforapence @theoraekenslover join the taglist!

[autisticshadowthehedgehog]

Nobody asked me for my opinion on the controversy that dropped today when the Sonic Movie cast pay rate was revealed, which is fair ig since I try to stay positive on this blog. But in case you're wondering, yeah as a certified AFAB™ I'm pissed, but not really specifically at the Sonic crew. Actor pay rates are usually negotiated between agents and the production companies so just like all the other problems with the Sonic movies, this is most likely an issue with Paramount and their patented dumbfuckery. Disclaimer that obviously it could very well be a Sonic crew issue as well, obviously I don't know the inner workings of the entire film production.

Also, if you're mad about this: please be mad about the pay gap that has been going on as long as Hollywood has been alive. This isn't a problem unique to the SCU. I know the phrase "pay gap" is thrown around a whole lot but do you guys actually know how big an issue it is?

Recent percentages are that male and female actors have "a wage difference of about 25 percent," with an estimated difference of $1-2million between star-power men and star-power women.[x][x] Basic Instinct star Sharon Stone said she made $500k to Michael Douglas's $14mil– and when she was asked to be lead in a film being made in ~2022, the lead male, who was "new", was going to be paid $8-9mil, with her salary still at $500k. Last December, Biggest Monopoly In The World Disney was sued by 9,000 women over their pay gap.

This article is from 2019 but brings up some big fucking pay gaps between leads– for instance, Gillian Anderson was offered half of what David Duchovny was for the X-Files reboot as one of the two main fucking characters, Amanda Seyfried has disclosed she made 10% of what her male co-star made on an undisclosed film, Natalie Portman made 1/3 of the salary of Ashton Kutcher in No Strings Attached, and Ellen Pompeo, the titular character of Grey's Anatomy, was paid less than the actor playing her love interest, Patrick Dempsey. In fact, Dempsey was being paid almost double what she was.

However, BIG issue with the 2019 article: it only focuses on what White actors are being paid. Research shows that Black actresses make 57 cents to every dollar white actors make on a good day. Viola Davis, one of the most popular and talented actresses of our generation, has said that black women "get probably a tenth of what a Caucasian woman gets. And I'm number one on the call sheet." Octavia Spencer had to collaborate with Jessica Chastain to make sure they both got paid the same amount of money on a film they both worked on, and revealed that her new salary increased 500% afterwards.

At the end of last year, while promo-ing The Color Purple, Taraji P. Henson broke into tears while talking about how little she's being paid when compared to her white and male contemporaries. And when she talked about the gap, I find it so fucking frustrating that the general audience response was to immediately blame the only Black female producer on the film. I have a million gripes with Oprah Winfrey but TCP cast has said that she herself managed to fix a lot of the problems on set and was nothing but supportive to them. Oh, and there were a lot of problems on set, including a lack of food and dressing space for the main actors. And this is all from celebrity women. Just think about how Hollywood is treating women who don't have the star power to speak up.

Of course this isn't even a problem solo to Hollywood, let alone Paramount, let alone just one movie. And honestly it was probably really sad that when I saw the pay rate for the Sonic 3 cast, I wasn't even surprised, because I've seen worse on bigger projects.

[maxillness]

Makkinen 2.0 || MSC47 x Häkkinen!reader

Request: Hi, I wanted to know if you can make an Instagram-au where Mick Schumacher meets hakkinen!reader ?

FC: Laila Hasanovic

Tagged f1mikahakkinen, davidcoulthardf1

Liked by davidcoulthardf1 and 267.637 others

y/nhakkinen Going with papa to work- oh, hi David 👋

User1 Why is this the first time I’ve seen a picture of Mika’s daughter?? 😭

user2 First time?? 😭 She’s literally all over tiktok right now

User1 I’m not that much on tiktok 😅

User3 Why do I feel like it was NOT Mika who took the first photo?

y/nhakkinen @/danielricciardo with his little camera 📸

danielricciardo You’re the most impossible person to photograph

Tagged mercedesamgf1

Liked by lance_stroll, estebanocon and 3.428.636 others

mickschumacher Happy to be back in the paddock after a much needed break from the simulator 💪

User4 Bro, y/n Häkkinen is there, meet her, it’d be way too good

User5 They’ve never met before because they’d be too strong of a duo

User6 Mika and Michael were friend, who to say they haven’t met when they were younger?

Tagged mickschumacher

Liked by mickschumacher and 257.739 others

y/nhakkinen Met Mick yesterday… Too German. Think he might invade Poland

mickschumacher Fuck’s that supposed to mean??

y/nhakkinen You told me that you would go the same way if you got rejected from motorsport entirely

mickschumacher I told you not to tell anyone that

User7 Bro?? 😭 Invade Poland??

Liked by mickschumacher, f1mikahakkinen and 278.927 others

y/nhakkinen Teaching boyfriend to cook because he can’t do so to save his life

User8 Boyfriend? When did this become a thing??

User9 Even if I could cook, I won’t mind playing dumb so you could teach me

User10 Same

User11 We might be surprised by the whole ‘boyfriend’ thing- BUT MICK LIKED. THEY’VE BECOME FRIENDS

Liked by y/nhakkinen, f1mikahakkinen and 3.489.423 others

mickschumacher Date nights are the best nights ❤

User12 First y/n revealing she has a boyfriend, and now Mick too??

User13 Can we just talk about how BOTH Y/n and Mika liked this?

User14 Kinda does look like her hands tho

Tagged mickschumacher

Liked by mickschumacher and 289.456 others

y/nhakkinen Embarresed him by sending these pics to his mother with the text 'Substances were consumed'... I'm definitly getting pounded tonight

mickschumacher Babe! I thought i told you to wait to make it public...

y/nhakkinen I have no patience, you know that

User15 Makkinen 2.0?!?!

User16 That's one way to make your relationship public 💀

f1mikahakkinen TMI, Y/n. TMI

y/nhakkinen Never TMI, papa

Tagged y/nhakkinen

Liked by f1mikahakkinen, lance_stroll and 3.493.894 others

mickschumacher This is why I told her to wait

y/nhakkinen I would've waited if you told me you'd ask me to marry you

mickschumacher Then it wouldn't have been a surprise, Schatz

f1mikahakkinen I already see too much of you, now i have to see more of you?...

User17 My Makkinen heart can't take it 😣

lance_stroll You're so cute together. Congrats, bud