#and I don't know if I'll be able to get the first episode done before the second one tonight

[miraculouslbcnreactions]

Since you've mentioned Scarlet Lady in one of your posts, what's your opinion on it?

I've mentioned before that I'm a big Scarlet Lady fan, which is the only reason that I'm comfortable answering asks like this one. I don't publicly criticize the content of hobby creators. That's wildly inappropriate! Punch up, not down.

The linked post was a general discussion of the adaptation process and how @zoe-oneesama did a fantastic job, so for this one, I'm just going to do some general gushing because I do actually like praising and enjoying things!

Scarlet Lady's chosen format (comic) allows it to have this wonderful conversation with canon where it can rely on the framework of canon to tell it's own story while also using canon for jokes and meta commentary. This means that Scarlet Lady is about as close as fan content can get to a direct reboot because it's able to have moments like this one from the comic's first post:

[Image description: Adrien standing in his room after transforming into Chat Noir for the first time. He is beaming and his eyes are shining with excitement as he exclaims, "This is gonna be awesome!"]

A single picture that communicates everything we need to know about Adrien getting his miraculous. When I've done this same thing in fanfic, I had to write out the full scene because that's how novels work. You have to give the full picture. With a comic, you can just quickly acknowledge this thing that we all already know and then move on to the new stuff. A picture really is worth a thousand words! (Or, in my case, more like two thousand...)

This allows Zoe to keep the same akumas that we get in canon without her story feeling like a boring rehash because she can focus on what's different in her version. A novelization of the same content would have to show both the stuff that stays the same and the stuff that changes for it to be coherent. That's a lot less fun to read and write. It's why I basically never revisit canon akumas in my own stuff. It's just too derivative for the written word.

This is one of the big reasons that I loved Scarlet Lady. Because it was able to have that more directly conversation with canon, it was able to take canon and say, "hey, why don't we embrace the tone that you established in season one and retell the story with that vibe?" That's something that I desperately wanted to see, but that is totally unsuited to my chosen artistic form. It couldn't be a novel. It had to be a comic.

If you want to know what a true formula show version of Miraculous would look like, Scarlet Lady is it. It does everything that Miraculous should have done:

Sticks to a lighthearted tone where nothing is ever super serious

Keeps Gabriel entirely unsympathetic

Has slow character development and background hints at a bigger plot as the only serial elements, allowing the individual episodes to be their own story while never feeling incomplete or rushed

Allows characters other than Marinette to shine while keeping Marinette as the clear main character

Makes Adrien narratively important

MAKES THE LOVE SQUARE CUTE SO I CAN ACTUALLY SHIP IT

Understands that Lila and Chloe can't coexist as antagonists

Reverses the love square, which is the best way to tell their story. Yes, I will die on my "love diamond" hill. It's a good hill. Come join me. I'll bring cookies.

I could keep going, but you hopefully get my point. While Scarlet Lady is certainly not the only way to do a formula version of canon, it's proof that a formula version does work! You don't have to go the serious route for Miraculous to be successful.

I want to take some time to gush about the ending, but I don't want to spoil it, so I'll put that gushing under a "read more" in case anyone hasn't seen it. I'll finish out this less spoilerish section with this:

I feel like some people are surprised when they learn that I love Scarlet Lady because - as some of you have probably picked up - it is quite different from my ideal version of canon. I'm not sure why that would stop me from enjoying a thing, though. It's important to remember that our personal ideals are not the only way to tell a good story. There are lots of ways to take what canon gave us and make something wonderful! It's part of the reason that I enjoy being in a fandom.

If I only wanted to see my ideal take on canon, then I'd stick to writing/imagining my own stories. But I don't want that! I like seeing alternate takes, too. Scarlet Lady is one of my personal favorites. It's completely different from anything that I'd ever think to write and that's why I'm so glad that it exists! I like being entertained just as much as I like creating my own entertainment and I don't want to only read stories that look like something I'd write. That's boring!

Spoilers below:

I've mentioned before that there are many, many ways to properly handle Chloe's character and Zoe did such a good job with her take on that! Chloe isn't absolved of all the things she did wrong, but she's also treated as a young woman with the ability to change.

While the comic bares the name of Chloe's alter ego, she was the never the main character. She never went on a journey. The story kept her to her shallow season-one self: a petty brat who just wanted attention. It did this because that's who Chloe was in canon and who Chloe needed to be for the comic to work.

The first time we see any complexity from Chloe is in the comic's final few episodes, which was absolutely the right call for Zoe to make! In a recent post, I talked about how the end of a formula show is the only time when you can break the formula in catastrophic ways and that's what Zoe did. She kept Chloe static until it was time to end the story and that's when the formula breaks. That's when Chloe gets depth because, once she has depth, the formula doesn't work.

That depth is not used to redeem Chloe, but to show us that there's hope for Chloe. That this petty brat who we've been dealing with has some serious issues and needs help. Help that she's going to get far away from the people that she's hurt because her issues aren't an excuse for what she's done. They don't erase the harm that she caused. At the same time, understanding her issues makes us hope that she can be better now and Scarlet Lady took a moment to give us that hope. To show us the START of Chloe's true story.

That is the kind of ending that I have wanted to see in so many properties!!! It was so wonderful to finally get one that did this right. A story that understood that full redemption to the team and damnation to death/suffering are extremes on a scale of possibilities. You don't have to go to extremes! You can fall in the middle and the middle is a perfect, natural place for Chloe to land in this kind of story. Fully redeeming or even fully damning Chloe simply doesn't work in lighthearted formula content. It's too big a lift as canon has already demonstrated.

I also loved Zoe's take on Emilie. I've mentioned that I don't like evil Emilie in part because it makes her revival feel like the start of a new story. She's back and she'd bad, so we have to take her down now! But I don't want that. I want the story to end when Gabriel is stopped. Zoe does this by giving us an Emilie that is another perfect middle ground. She matches canon's uncomfortable implications without feeling like a true villain who is a threat to society.

[welcometohellfilm]

Congrats to everyone who has been working on W2H2! 🎉 If it's alright, I'd like to ask to ask 2 questions:

Is there by chance an official ref of colors for Debbie, or is it still up to interpretation at the moment?

Would you say that your personal, real life experiences within the 10 years moving from W2H to W2H2 shifted the tone/story of the series in some way? Something that I've always been fascinated with when I started looking more into W2H was the shift in Sock's character from the original comic -> first film -> second film, and Jonathan's character from the first film -> second film.

Thank you! ✨

I actually just made some 'official'-ish colors for Debbie! Her voice actor Kaitlyn wanted something to use on a banner for conventions haha... so here you go!

2. I'm not really sure how to answer this one, haha. I mean I've definitely changed as a person over the course of making each iteration of W2H. I started the comic while I was at community college, before I went to art school. I adapted it into an animation for my graduation project. And I started W2H2 a couple years after I graduated college. So there's a good 2-3 years between each attempt at W2H I've done, haha. I think a lot of my original ideas from the comic had to change because it needed to be condensed into a short film. I didn't even GET to Jonathan yet in the comic! Some things just didn't make sense to me anymore, like the idea of Sock already having a human body count. It'd just be absurd for him to be able to hide it for so long! Plus, if I made it so that Sock has only ever entertained the idea of murder, it makes his new job that much more appealing-- it's a chance for him to really lean in to this thing he's always had to hide. Between the first and second films though, I mean... I think there's been some tonal shift, for sure (I don't know about a character shift? We'll get to that haha) But basically, when I was first thinking about W2H2, my idea was "Sock and Jonathan hang out and attempt to figure out touch physics, also there's some drama about a journal Jonathan keeps." All of the hell stuff is something that came from bouncing ideas around with my friends, Michael and Neil. I was worried that sending Jonathan to hell would be too bonkers for a "2nd episode", but we all kinda agreed that enough time had passed that the fans would probably enjoy something higher stakes, so it would be fine. (I'll give everyone a moment to realize this conversation would've been happening in 2015-16... ha.)

We also kind of thought, y'know... I have no idea how many more of these there's even gonna' be, so why not go a little bigger with this one? W2H2 is a higher stakes story than what I set out to make in the beginning, that's for sure. It is interesting to compare all of them.. the employee handbook was actually from the comic and I cut that because it wasn't helpful for W2H... but then it became helpful for W2H2, so it came back! Haha. I'm curious to know in what ways people think the characters have changed though. (And is that a good thing or a bad thing?) Especially a character like Jonathan, no one's really even seen that much of him yet, I think most of the characterization comes from fandom, or like... art I've drawn, I guess? Haha... I'm not sure! I guess Sock's a little more confident and antagonistic in this one (though he'll have his moments of hesitation... we're only at Part 1 right now!), and Jonathan has had to become a more vocal/active character, just by nature of the kind of story it is, I suppose. But yeah, I'm not sure! Happy to hear your guys' thoughts though!

[thankskenpenders]

Happy new year, everyone! Welcome to 2024, the year that will mark the 10th anniversary of Thanks Ken Penders. I'd like to go over my plans for the blog for this year.

First of all: in the very near future, I'll have a post with my thoughts on Sonic Dream Team, and I'm sure I'll write one last Sonic Prime review once the final episodes drop on the 11th. I've also been sitting on an unfinished piece about the Sonic LEGO sets. I wanted this to be longer and more detailed piece that not only reviewed the sets but also went into the weird disconnect between homogenized image of Sonic the Brand and the actual fiction it's based off of, but it'll probably end up getting cut down a lot just so I can put something out. Let's just say I did a fun little thing with one of the sets.

Second: yes, I would like to return to regular TKP updates this year. As I've said many times, I wanted to do this in 2023, but I've been suffering from creative burnout after finishing SLARPG and have generally been unable to focus on any of my creative goals this past year. I'm hoping that this year will be better and I'll be able to get back into the swing of covering Archie Sonic issues. Even doing one issue every week or so would be vastly preferable to continuing the hiatus. I'm still only halfway done!! But aside from burnout, my other main hurdle is that I need to reread my own archive to refresh myself on all these things after nearly three years away. This will take some time.

The thing is, though, this year I'll have an extra incentive to go back through my previous writing and brush up on all things Archie Sonic. Because you see...

I've decided that I want to make a video essay about Penders. The comics, the copyright battle, The Lara-Su Chronicles, everything.

The why

I've thought about doing this before, but I never committed to the idea. I was too busy with gamedev, or I thought it'd end up being too long, or I figured that there were already enough videos on the subject, or I just lacked confidence in my ability to put together a video essay. So I told myself it wasn't meant to be, and let the multiple YouTubers who have cited me as a source on their own Penders videos fill that void.

Recently, though, a few things have happened that have convinced me it might be time. For one, YouTube video essays/media retrospectives/etc. are just getting longer and longer. When Quinton Reviews is out here doing 21 hours of videos on Sam & Cat, a subpar Nick sitcom that only lasted one season, I don't feel so crazy for wanting to make a video about several hundred comic books and two lawsuits that'd be at least an hour or two long lmao. Admittedly, I've also been self-conscious about doing a long video essay like this as a trans woman who has yet to do any vocal training. But these days I feel like I see a lot more transfem YouTubers who have done little to no vocal training, and that's given me more confidence on that front.

But the big one was Hbomberguy's recent plagiarism video. As I sat there watching it, I kept thinking about the time I found a CBR article that was just a crude 800 word summary of my two previous articles on Penders, published by a CBR writer who's put out over 4000 articles since 2019. If I've already been plagiarized before, and my writing is so frequently passed around as a go-to source on Archie Sonic drama, then I wouldn't be shocked if there were YouTubers out there straight up just plagiarizing me. I don't watch other peoples' videos on Archie Sonic, so I'd never know! So if people are just gonna paraphrase me when covering these topics anyway, why not take matters into my own hands and make what I would consider to be the definitive video on the subject? If hacks like James Somerton and iilluminaughtii can churn out these shitty video essays and people will still watch them, surely it can't be that impossible to make my own, right? (And also, uh, Hbomb literally told me I should make the video lol. If you're reading this, thanks for the encouragement.)

The what, how, and when

So here's the plan.

Part of this video essay will be an adaptation of my Medium article on the recurring themes of Ken's Archie Sonic run, with its content touched up and expanded upon. There were a few things I skimmed over in the article because I didn't want it to get too long, but again, people are out here watching ten hour videos about bad Nickelodeon sitcoms now. I can get away with elaborating a little more. I can add a few paragraphs talking about the Chaos Knuckles arc, or throw in a little more historical context I've discovered in the years since.

After covering the comics, the back half(-ish?) of the video will be dedicated to the copyright battles and their ensuing controversies, trying to give an accurate picture of what actually went down, the sheer scale of how bad Archie fucked up, and what our takeaways should be. This will have some similarities to my New York Magazine article on the subject, but I'll be rewriting it from scratch. I REALLY had to keep things short for that article because I was already way over the expected word count, and my tone was a little more straight-laced than normal because I was trying to keep things Professional. I can riff more and insert more of my own opinions this time, like I normally would.

I'll inevitably have to touch on some of Ken's Bad Tweets when discussing things that have happened after the lawsuits, but I don't want the video to just devolve into a list of times people got mad at him on Twitter, so I'm gonna try to keep that to a minimum in favor of focusing on his actual work. Things like the Scourge the Speed Demon incident and his continued statements on certain characters' copyright statuses probably warrant mentioning, though. And finally, assuming that the book really does come out this summer, I would like the grand finale of the video to be about those first couple chapters of The Lara-Su Chronicles.

I don't currently know when this video will get done, but it'll probably be in the back half of the year, especially with me waiting for the book to either drop or get delayed yet again. But I've actually already started writing a bit of the script, and will keep chipping away at it for a while.

So, uh, yeah, look forward to that? Wish me luck?

[dovveri]

aftermath

bachelorette masterlist - part 1 ▸ part 2 ▸ part 3 ▸ part 4 ▸ part 5 ▸ part 6

synopsis: the finale! and then the afterparty :')

warnings: suggestive, cursing, sana kisses a fictional man im sorry

w/c: 2.9k

a/n: surprise! double feature release! bcs theyre both quite short compared to the other chapters and i lwk just wanted to close this series and be done with it - im v happy w and vvvv grateful for all the support ive received w this - it was my first ever published fic and 36.7k words later im pretty happy w how it ends :)) stay healthy and safe!! mwah <3

⊱✿⊰

true to her word, sana ended up telling everyone that she had gained feelings for you during the filming experience. you had wanted to go with her but she insisted it would be easier for those who had gained feelings for her to accept it if you weren't there. so you were stuck at home, twiddling your thumbs watching reruns of the last few episodes anxiously waiting for her to come home.

you're up in seconds when you hear the door click open softly, rushing to greet her.

"hey! how'd they take it?"

sana's a little surprised to see you in such a hurry, but recovers quickly, smiling and tilting your chin down to peck you sweetly.

"hello to you too. they were okay." you help her organise her things as she settles in, "jihyo was obviously eliminated after house visits like i promised i'd do. i still have a soft spot for her but it was easier to talk to the other three when she wasn't there, probably because i could get my entire story across uninterrupted. unfortunately, jiwon decided to forfeit herself after the news which she has every right to do. the producers are going to mark it off as a family emergency and say she can no longer participate in the filming."

"oh... and the other two?"

"momo took it pretty hard, but jacky seemed to already have a clue what was going on. they both agreed to stay on until the end of the season though. i still feel terrible for having to put them through this, especially the last 2 dates with each of them, knowing that they don't have a chance with me anymore..."

"hey, it's okay. they agreed to stay right? they're being good friends right now and feeling bad or sorry for them and not giving it your all for the last few days isn't going to be helpful for them."

she sighs, "you're right. after all this craziness is over i'll definitely try and do something for them."

you smile, pecking her temple, "and i'll help you."

⊱✿⊰

because there were no more group dates, and the season would end after the final 2 dates and the decision sana makes, you weren't really needed for the filming of the rest of the season.

so most of your time was spent at home, lounging around in the pool or in the kitchen while sana was out on extravagant dates not with you, and completely bored out of your mind.

at nights, you'd bound excitedly up to sana and find out what adventure she went on, completely attached to her, even sitting on top of the toilet seat while she was in the shower so you were never apart. the seperation anxiety for just a few hours was definitely something that caught you a little off guard but after spending practically every minute together while filming, combined with your newfound romantic love for her, you couldn't bear being apart from her.

soon enough, the final day of filming came. it was set in this beautiful meadow with flower strands that reached mid-calf. sana was in the most perfect sundress, like she belonged in the meadow, like she was aphrodite herself born not from the sea, but the flowers.

typically, the final choice is snapped together with flashy editing between tension building scenes of sana walking up to both of the final contestants in two different settings. they filmed her rejection shot the day before already, so there wasn't much suspense watching as sana walked through the meadow towards her final choice. not that there needed to be, you were enthralled enough just being able to take in the breathtaking view that was minatozaki sana, just imagining it was you she was walking gently towards.

but it wasn't. and the mindless chatter of the cameras and crew served to remind you that again, you had to stand in the background while the love of your life confessed to someone that wasn't you. no amount of reassurance from her would be able to get the feeling of utter despair out of you.

⊱✿⊰

sana walks forward with a gentle, rehearsed smile.

"hi."

"hey sana."

"how are you feeling?"

"could be better. i'm either about to have my heart broken in front of the entirety of korea and my family back home or i'm about to be able to call the most beautiful girl on the planet my girlfriend. pretty big moment."

sana giggles, "welll... jacky... regardless of the outcome-"

"oooooh that word's not a great sign is it?"

she hushes him, "shhh, just let me finish. jacky... the time on this show, the time you've given me, has been absolutely incredible. from the first time i met you with your charming smile and lively wit, it was hard to forget your dual entrance with eunji, both of you looking absolutely dapper in your suits. and then on our individual date, you dared to go on that hot air balloon at the asscrack of dawn to watch the sunrise with me, and even though i'm not totally sure if you did see it or not, the fact that you went up there, and you overcame that fear, it was so inspiring and courageous of you. it was that moment that really made me realise the kind of person you were, and the courage, and fun you'd bring into a relationship, and even to a family in the future. that is... if you wanted to officially become my boyfriend?" she finishes her piece with a shy smile, a strand of hair falling cinematically over her face while she peers up at him under her eyelashes.

jacky gapes a little, and then he's grinning, hoisting her up in a whoop and spinning her around on the spot, stopping finally to plant his lips on hers.

when they break apart, they both have the widest smiles on their faces, eyes glowing in adoration of each other.

"yes! yes of course i'd be honoured sana! i hope to spend the rest of our lives together until we grow old and wrinkly and our kids have to come dote on us in the retirement home while we annoy them with how unbelievably cute we are even in our old age. and i look forward to watching reruns of our season and being able to show our kids how absolutely gorgeous their mom looked and how incredibly lucky i got being able to be the one at the end of it all!"

there are happy tears and more kisses, hugs, and spins, and with that, the bachelorette season for 2024, is officially over.

⊱✿⊰

"eugh, did you seriously kiss him?"

sana throws the popcorn at you playfully, "yes but it was all planned babe and you're a way better kisser anyway."

"show me."

"oh i will." sana grins, sliding into your lap, pushing the bag of popcorn aside, lips immediately finding yours while the credits for the final bachelorette episode run in the background.

you smile into the kiss, hands finding their place naturally on her waist while her hands cup your face, tilting her head slightly to angle the kiss better.

she breaks away with an over-exaggerated smack that has you rolling your eyes and wiping at your lips in mock disgust.

"so now that the final episode is out... are we allowed to be seen in public together yet?" you're voice is whiny, pleading with her.

she coos, "my little babyy, i thought you weren't big on pda?"

"well i'm not but i'm sick of everyone thinking that you're with someone that's not me!"

sana giggles, "just think how this is for jacky right now. poor eunji..."

you scoff, "eunji will be fine. she's never been one to care about what the public thinks anyway."

"everyone says that but no-one is immune to societal pressure." she boops your nose with her finger gently, "but to answer your question, yes. we'll be able to go public soon i promise. and soon enough the tabloids will get bored of me and move on to the next big celebrity or whatever anyways so it'll be fine. now c'mon, we gotta get ready for the reunion, get your cute lil butt into your fit for the night."

you groan, pulling her back down when she tries to move off of you, "nooooo one more movie?"

sana laughs, pushing you out of her neck, "absolutely not. i'm not gonna be the only star for tonight, this time we're both gonna be the centre of attention, and we cannot be late! i swear if we don't get ready now you're sleeping here on the couch tonight."

"what?! you wouldn't!"

"i would."

"you couldn't survive without cuddles anyway."

"i can replace you with mr. bean."

"not my arch nemesis... i knew winning that bear for you was a bad decision... i'll rip off his stuffed head..."

sana laughs freely, "as if winning was a decision for you. you went back to that stall like 6 times."

"i should've left him there the 5th time..."

"nope! so if you don't want me getting all close and personal with him tonight you're gonna come get ready now with no funny business."

she stands up and you let her, your hands still attached as she pulls you up as well.

you smirk, "what funny business? i never pull any funny business!"

"yeah like the time you fucked me in a bathroom while everyone was waiting for us outside to start filming for national television. and then did it again at a public amusement park like a week later."

"i don't recall you saying no."

"well i'm saying no funny business now."

"okaaaaaayyyyy." you grin, fingers crossed behind your back while you follow her to your room to get dressed.

⊱✿⊰

"y/n!"

"miyeon oh my god!"

miyeon's running towards you with her arms outstretched, easily wrapping them around you the moment she sees you.

you laugh into her, hand still held in sana's while you greet her.

"sana too hi!"

miyeon breaks away from you easily, going in to hug your girlfriend with her everlasting friendliness.

"how are you guys!? i heard through the grapevine that after the filming ended you were finally able to get together officially, even though you kinda had to keep it on the down low so it wasn't like publicly official but it's a step further?"

you laugh, "awwwh yeah you heard right, but now that the show is officially over..." you bring you and sana's intertwined hands up to your lips, kissing her knuckles, "we can say we're officially together!"

miyeon squeals happily, "yay! i'm so happy for both of you. really. no jealousy sana?"

sana laughs as well, hitting miyeon playfully, "noo don't remind me."

"oh i'm afraid it's permanent now. unless they burn every single copy of this season the day you broke my heart is forever recorded in history."

"oh god... y/n... swear to me you'll never show this to our kids."

"can't do that babe. gotta show them their mom in her prime. the sweetheart of korea at one point in her life."

"just one point?"

"sweetheart of mine for my whole life obviously."

sana grins, kissing you cheesily, miyeon doesn't even mind, simply happy to see both her friends together.

"are jacky and eunji here?" you ask miyeon when you break away with a smile.

"i haven't seen them but i also haven't said hi to everyone yet. c'mon let's go!" she leads you into the garden where the party's being hosted.

you and sana are attached by the hip, if one of you has to let go of the other's hand, another body part will eventually replace it, your skin contact is constant, never parting from one another while you greeted all the old contestants.

some were still a little surprised to see that sana had come with you in hand and not with jacky, but she explained what happened patiently, apologising for the confusion.

"jacky! eunji!" sana spots them first, calling them out.

you grin at the sight of them, wearing matching suits, hand in hand, waving them down.

"hey couple of the hour! how are you guys faring tonight?"

"oh says you. finally got the girl jacky?"

jacky blushes, "crazy how things turned out right? just two sets of best friends realising they're in love with each other and not the person they're both dating. kinda lucky it turned out that way so we could fake that finale sana. it's just a shame for momo..."

"yeah i felt terrible especially after all she did with that home visit in japan. but i talked to her after filming ended and we actually get along really well as friends, we have so much more in common and so much more to talk about when we're not in a controlled environment like the filmset!"

"you guys talking about me?"

you turn in a flash, surprised but excited to see momo coming up behind you.

"momoring!"

sana goes in for a hug first, which momo gladly returns with a giggle.

"hi everyone. it's nice to see you all again outside of the filming."

"of course! it's great to see you again too. how have you been holding up?"

"oh alright. i was contacted already to be on the next season of bachelor in paradise which is always just a massive orgy i swear, so i won't be going on, but i heard jiwon accepted a place!"

sana pouts, "i hope jiwon's okay... she's the only finalist i haven't talked to since breaking the news. i thought it'd be too soon to reach out to her after she left..."

"you talked to me right?" momo playfully nudges sana's shoulder, "jiwon's doing better. she's happy for you both, really. and she's getting her second chance so there's really nothing she's complaining about."

sana smiles gratefully, "i'm glad."

momo turns her attention to the other couple, "and jacky, eunji! i can't believe you guys got together in the end! i mean i was pretty oblivious in the house but nayeon always swore there was something between you two. guess she was right."

eunji laughs, "it came as a surprise to the both of us as well. i guess we just spent so much time together in the house that it was a lot like old times and then when seeing each other go off with sana and realising we weren't jealous of each other but jealous of sana, well that did it!"

"this entire thing is honestly just a mess of feelings. i don't know how you guys do it as contestants. i had a hard enough time not even being a part of the competition."

"to be fair you did kinda insert yourself in pretty heavily when you started sleeping with sana."

"hey!"

there's laughs and teasing all round. the night goes on like this, in the company of people you've grown easily close to in a very short amount of time, and holding hands with the woman you fell in love with.

⊱✿⊰

"sana, y/n, can i steal you both for a minute?"

you both turn, surprised to see jihyo there, looking a little sheepish. you squeeze sana's hand, looking to her for confirmation. she nods, clearing her throat, "yeah. sure jihyo."

jihyo leads you to a quieter clearing, then stands in front of the both of you, eyes on the ground, awkwardly rocking back and forth on the balls of her feet.

"i just wanted to say i'm sorry for how i acted the last time we saw each other. i was jealous and petty for bringing sungbin and i wanted to throw sana off her game so that she'd admit she was in love with you on national television. i went into it wanting to embarass sana and i'm sorry."

sana sighs, gripping your hand reassuringly, "we know. it's okay jihyo. i'm sorry about how it went down between us. i do hope you find the right person one day."

jihyo looks up then, "thank you. really. and it probably doesn't mean a lot coming from me but i am glad the two of you ended up finding each other. she makes you happier than i've ever seen you sana. i genuinely hope for all the best for the both of you."

"thank you jihyo." sana smiles at you then, and you return it softly. "she does make me really happy."

"after some time... maybe you could both come by again? my siblings and my parents miss you lots and i'd like to make it up to both of you for the last time you were there."

"we'd love to. thank you jihyo."

jihyo smiles gratefully, bowing and leaving the two of you alone.

sana sighs, turning to you and looping her arms around your neck.

"you okay?"

she hums, closing her eyes and pressing her forehead against yours. "never better."

you giggle, stealing a quick kiss, "the headlines are gonna get pretty crazy once they get wind of the current couples."

"let them have their drama. all i need is you."

"cheesy."

"you love it."

"i love you."

"i love you too." she grins, bringing you into another kiss, sealing the love you have for each other between your lips.

[cherrirui-official]

Friendlocke Violet Gijinkas (Part 1/7)

Since the edited episodes are starting to come out, I figured that bc of that and the fact that I've been keeping this in the back burner for a loooong while now, might as well complete all my friendlocke violet gijinkas!! Some are gonna stay the same while others are gonna have slight/ complete redesigns, so please keep that in mind!

I plan on posting them in order by groups of three, so there's gonna be seven parts in total, all of which I'll be linking here when done vvv

(Part Two) (Part Three) (Part Four) (Part Five) (Part Six) (Part Seven)

!! These will contain personal headcanons I have for the cast, little fun facts, and also spoilers for Friendlocke Violet (for both the edited vids and the streams) !!

@saltydkart-reblogs

And that's pretty much it, designs under the cut!

LARK:

HUGE nerd. spent most of his time during the Uva Academy studying different kinds of pokemon as well as different fighting styles he can utilize once he is able to go out on his own journey with his very own trainer! Too bad that didn't really help in the long run...

His entire wardrobe consists of McDonald's related outfits. It's fucking insane. He even has some from long LONG ago that aren't available anywhere else.

The bubble pattern on his hair is able to move and change. Nobody knows how this is possible, not even Lark himself. All Lark knows is that his hair looks incredibly stylish!

Speaking of bubbles, he has the ability to blow bubbles whenever and wherever he pleases!

Often keeps himself extremely clean and gets upset if even a small speck of dirt gets on him, despite this he somehow smells like McDonald's food and axe body spray. Disgusting. He's so cool!

Even after death he still likes to hang around the other team members as a ghost, often getting to know the newer members as well as reuniting with the old ones. Sometimes they see him, sometimes they don't. It usually depends.

SARA:

Due to being a human in her past life, Sara is able to actually speak with the other humans in the pokemon world. However she usually doesn't due to it being seen as extremely weird and out of place. She did slip up once while talking in the presence of Arven, who thought it was the weed making him hear things.

Oinkologne are usually unable to do much with their hooves but Sara spent nights practicing how to knit with her new hooves and now she's able to do it flawlessly. I don't know how she managed to do that but go queen!

When first joining the team she'd often have the urge to eat her food related companions. It was a strange time for Sara, but she managed to overcome it.

When Peppy gets sick, she usually is the one who nurses him back to health. She was a human once so she often is able to figure out whatever sickness Peppy has and treat it properly. I suppose she's like a second mother to him.

The bag she carries with her is full of thread that she collected from various Tarountula she encountered on the journey, as well as little things she knits together in her spare time.

For the most part, Sara forgives... but NEVER forgets.

Did you guys know that Sara has a new YouTube channel? Check it out!

Pastey:

Before joining the team, Pastey was a nameless wanderer. He's been down every road in Paldea and knows almost the entire region (except for Area Zero) like the back of his hand.

He's gotten hurt pretty badly throughout the run (ie. the Mikey fight, the Atticus fight, and ESPECIALLY the final battle), however, he does not gain any (physical) scars from those fights. This is bc he's basically an axolotl, and axolotls are usually able to heal without scarring.

Pastey's "arms" are, to put it simply, mud prosthetics. More info here vvv

Pastey HAS met Mall Bingo once before the run, however, he doesn't recognize her. The only reason he does not recognize her is bc she wears glasses. (You know how people somehow aren't able to recognize Superman bc he wears glasses in his civilian attire even tho his face remains the same? It's basically like that lmao)

Unlike the lightbulbs he eats, the gasoline he drinks isn't really mandatory to his diet. Gasoline is like alcohol to him and he drinks it like an absolute CHAMP.

He goes fishing when there's nothing else to do or when he can't sleep at night. He doesn't do this bc he thinks it's fun or anything, only bc it's a "good time passer" or so he claims. Other members of the team will often sit with him and vent out anything that's troubling them at the moment, and Pastey is always there to listen to them.

And that's pretty much it. Next is Joe, Hannah Ü, and Mykyie!

[sonkitty]

The Food Curse

Here is my currently forming head canon based on little clues from the Good Omens story of seasons 1 and 2.

Crowley either does not eat food at all or Crowley is never allowed to be seen eating on camera.

There's more to it than that because he can eat indirectly, but that's the core thing I'm going to ramble on about in this post. It's going to sound like one of my theories, but that's force of habit from how I come up with questions and check my own theories.

I'll acknowledge that I've seen more than one Good Omens fan post about food being equal to sex in Good Omens and say that you're not going to find that kind of discussion here. It's my head canon, and I prefer my incoming approach to it.

I don't talk about my religious background much because it's personal, so you'll have to make do with me saying I have learned the following from reading Good Omens posts and not being well-versed in biblical references already. I don't remember if any sources I read this information from expressed a similar theory or head canon though you would think that's where I got the idea.

I'm under the impression the GO universe favors the New King James Version of the Bible, and according to a quick Google search, that one says of God addressing the serpent who tempted Eve:

Because you have done this, You are cursed more than all cattle, And more than every beast of the field; On your belly you shall go, And you shall eat dust All the days of your life.

...

An interpretation of this curse is that it means the Serpent of Eden cannot eat food, or, if he does, it will turn to dust.

Let's examine the clues provided by the story, for fun and/or curiosity.

In season 2, episode 1, during Before the Beginning, we see Crowley's wings are graying, indicating to us that his Fall was a process. It was not an instant thing. It started with this questioning and frustration at learning the fate of the universe ending in a mere 6,000 years.

In season 1, episode 5, Crowley is found getting drunk and talking about his Fall. One of his remarks is, "Oh, hey, the food hadn't been that good lately."

These described events would be from before the temptation that caused this curse, but I noticed them all the same because I'm looking for such things.

We catch glimpses of other supernatural beings describing events before the Fall, but I don't think any of them ever mention food for that time period.

From the scenes we have of Eden in the first two seasons, the story skips over God saying such a curse exists to the serpent. We see Crawley slithering on his belly and then able to rise, transforming into a man-shaped demon with black-feathered wings. He's not eating dust.

Well, even though we never see God curse the Serpent of Eden, the story leaves clues that something resembling this curse is active with Crowley. You know, in case you want to form a head canon about it.

In 2500 BC, Crowley successfully tempts Aziraphale into eating food, and he looks very pleased with himself at his success.

My head canon at this point goes that Crowley himself is feeding off the success of his temptation. Crowley feeds off Aziraphale when Aziraphale eats. This feeding does not last for only this one session. It can and does happen from that point onward. Crowley feeds off Aziraphale this way at least when the two are near each other by some unknown distance.

In Rome, 8 years after 33 AD, Crowley says he's never eaten an oyster. Aziraphale quickly goes into saying something about letting him tempt Crowley into...oh wait, that's Crowley's job. Crowley was successful at this job with Eve and later Aziraphale, for getting each of them to eat something while he himself did not visibly eat anything.

In 1601, Crowley shows up while Aziraphale is ordering food at the Globe Theater. The two have a conversation, and Crowley, as usual, expresses no interest in eating the food himself. He can still be feeding off Aziraphale eating.

On and on it goes. In season 1, episode 1, Crowley and Aziraphale reference Paris, 1793. Aziraphale says, "We had crepes." Well, if Aziraphale ate the crepes, and Crowley fed off Aziraphale eating the crepes, that's a way they had crepes. Aziraphale doesn't feel the need to rephrase it in that way. It's a thing they did together nonetheless.

Crowley plans a heist in 1967 at the Dirty Donkey. No one is having food at that meeting. The other three with him are all humans.

When Crowley meets up with Hastur and Ligur at the graveyard for the "11 years ago" of season 1, episode 1, Crowley departs, saying, "Ciao." Ligur asks what that means, and Hastur answers, "food." No one ate food of course, but since we're looking at Crowley with a possible food curse, it's a curious thing to be there, just like him mentioning "food" when drunkenly talking about his Fall.

When Crowley convinces Aziraphale to go with him to the Ritz for the "11 years ago" time period, Crowley does not have a plate of food. He has a cup with a spoon a saucer, presumably for a drink. He strokes his chin to show him enjoying himself, feeding off Aziraphale eating.

In season 1, episode 2, Crowley and Aziraphale go to a cafe. Crowley is not shown to be enjoying himself feeding off Aziraphale eating, but Crowley's side of the table definitely lacks a plate while having a cup. That indicates he's fine with drinking something, not bothering with eating something, just like when they went to the Ritz 11 years ago.

In season 1, episode 3, Crowley meets up with Shadwell at a diner. Crowley has no drink and no food while they meet. Neither does Shadwell.

In season 1, episode 4, Crowley is found mostly alone in a theater with a container of popcorn. We never see him eat the popcorn, but we at least know he was holding it, and Aziraphale is not around. That could be for show since he considers it part of the human experience being in a theater. I could just be wrong, it's just a head canon after all. He may have done it anyway and just eaten the dust that formed once it went into his mouth. Or, maybe he can eat, but the silly rules of the Good Omens story are that he's never allowed to be seen eating on camera due to his food curse.

In season 1, episode 6, Aziraphale, while pretending to be Crowley, orders them some ice cream and passes one to Crowley, while Crowley is pretending to be Aziraphale. We don't see what became of Crowley's ice cream, but it disappears from the framing very quickly once the camera moves away from him, then back to him. During the actual kidnapping, his mouth is even taped shut. Much like the popcorn in the theater, the ice cream could have been for show. He may have endured eating the dust. He may have devoured it very quickly when the camera wasn't looking.

Later in the same episode, at the Ritz, the table has plenty of food though actually both Crowley's and Aziraphale's main plates where you would expect food to be are empty.

Whatever happened to that plate of Eccles cakes in season 2, episode 1? I don't know. We may never know, but this head canon offers something.

Aziraphale is implied to have ordered those Eccles cakes for Crowley in the hope that they will calm Crowley down with the news about Gabriel being in the bookshop. We know that those Eccles cakes are shown untouched and uneaten before Crowley stormed out.

Crowley is shown to angrily walk away in the street after shooting out lightning that traps Maggie and Nina in the coffee shop. Then a scene in Heaven happens. By the time we get back to Earth, Crowley has calmed down. He's still upset, he's tired, but he's calmed down. So, maybe, very very big maybe, Aziraphale ate those Eccles cakes, Crowley fed off it or felt it, and calmed down. Even if that's true, that suggests some allowable distance with thresholds between them for this magic to work.

Obviously, things happen to get Crowley worked up again with being summoned to Hell, but he had calmed down. When Crowley returns to the bookshop, the plate of Eccles cakes is no longer there.

Over the course of season 2, we don't see Aziraphale eating as much as what we saw in season 1. To my recollection, he only visibly eats one time during the present day storyline, and it's a travel sweet while driving Crowley's car. We learn that Crowley can feel his car despite the distance between them. He can feel quite specifically that Aziraphale eats during that drive and even what Aziraphale is eating. My head canon figures that's part of Crowley's demonic power able to feed off Aziraphale when Aziraphale eats.

In season 2, episode 5, Aziraphale passes a platter to Crowley saying, "Have a vol-au-vent." Crowley is left speechless and eventually drops the platter in annoyance, never shown to have eaten any of the food on it.

Aziraphale sometimes seems aware of this curse and sometimes doesn't. That would be part of the curse's own magic. The more caught up Aziraphale is in what he is wanting or doing, the less aware he is of the curse itself being there.

Another thing about this curse is that if Crowley touches food or the container holding the food, it's usually a bad omen for him. When he has the popcorn in hand, Hastur shows up on the screen to threaten him. When he's holding the ice cream, he is kidnapped. With the plate of Eccles cakes, he is confronted with Gabriel being n the bookshop. For the vol-au-vent platter, that one's a little different since a threat is already known with him on alert, and it takes a longer amount of time for something as dramatic as the brick through the window.

So, with all these little clues that Crowley can feed off Aziraphale eating food, the next question for a silly fangirl like myself is, "What does that mean for all of humanity?"

Crowley tempted Eve into eating the apple. Did he feed off that? Does he feed off humans whenever they eat anything or just apples or just giving into temptation?

Well, the story doesn't say so much as it leaves room for something to be imagined. If Crowley is on screen, humans might be seen drinking and they might have food near them, but I am yet to find any scene of them putting actual food into their mouths to confirm that they can and will clearly eat when the camera is watching as Crowley is on screen with them.

So, what do I imagine?

Well, my instinct is that Crowley himself would flicker in visibility if the camera were watching since we're not allowed to ever see it.

That's just my instinct.

From there, I just go with what I like of fantasizing him as a powerful demon. He feels it. It affects him. And yes, he feeds off it. We're not allowed to see it happen, but he does. He is a very well fed demon.

...

Oh, and another little oddity with this idea is that during the big food fight for Warlock's birthday, party, the food definitely does not land on Crowley, even if it gets on the kids, on Aziraphale, and some of the other wait staff. That could be Crowley's own magic in guarding himself, just not wanting to get messy, as some other explanation, if I wanted to venture that way with this head canon. I'll stick to it being part of this food curse since it's part of the broader group of little clues.

...

I have a generally good memory of events in the show by now, but things still slip between trying to remember it all. So, if I remember something worth adding or noting or correcting, I will do whatever seems best for those options.

[spopsalt]

How to show and how not to show a serious topic, Hazbin Hotel and Rick and Morty comparison.

WARNING THIS POST CONTAINS GRAPHIC DECEPTIONS AND DISCUSSIONS OF S//A AND ASSAULT TOWARDS MINORS. IT IS ALL FICTION. IF ANY OF THESE ARE TRIGGERING FEEL FREE TO LEAVE

So I was watching Rick and Morty Meseeks and Destroy and it baffled me how they handled a sensitive subject much better than Hazbin Hotel. Let's start off by Hazbin Hotel's depiction shall we? For context for those who don't know, Angel Dust is a porn star who gets s//a by his boss Val for what seems to be in the regular. This is shown in a song with very suggestive lyrics while he is heavily sexualized. Feels a lot like fetish content.

But that's not even the worst part, there are s//a scenes made by someone who fetishizes s//a. Warning these images are graphic and can be triggering. These are also randomly shown throughout the song, they also give no warning for this so you can't even fully skip the scene since its not one scene.

And they also joke about s//a in a later episode,which I like dark humor,but make it make sense. What do you want people to take seriously?

Now, how does Rick and Morty handle it? They do show a different subject,with Morty nearly getting violated by Mr. Jellybean. You may not need context since this scene did get popular,but Morty made a bet with Rick that they could do a simple, fun adventure. Morty is around 14 while Rick appears to be in his late 50s early 60s.Rick agrees to the bet and they go on the adventure. They do make a joke about r*pe but it is done by Rick which is in character with him being cycincal and this was done before the scene.

Now eventually they are walking down steps and Morty stops by the bathroom. In the bathroom he meets Mr. Jellybean.He appears to be nice which shows how predators aren't obvious. They normally seem nice

Now everything seems fine, but then Mr. Jellybean gets...touchy. Morty gets uncomfortable and attempt to leave but Mr. Jellybean forces him to stay.

Now this is where the triggering scene starts, trigger warning. Nothing happens thank god due to Morty being able to fight him off. And the scene, while triggering can be skipped easily since it's one scene as a whole.

This scene was made to show how horrifying attempted r*pe is. There is a dark joke about how Rick is having a good time but this does fit with the show's dark humor

I do believe they should've put a trigger warning,but that's my only complaint about the scene in general. Morty goes out of the bathroom and begs Rick to just go home, Morty cries for the first time in the series and it's really easy to feel bad for the poor kid who was clearly traumatized.

Rick catches onto what happens and choices to comfort the kid, arguably the biggest piece in the show is nice for the first time here.

This cheers Morty up for the moment until they see Mr Jellybean again and Morty immediately leaves with Rick.

He does eventually get his karma shortly after by getting shot by Rick

Rick and Morty handled this better by not sexualizing their character while spreading awearness, treating the situation seriouslt and showing how horrifying it is, and not getting some who fetishizes r*pe to make the scene. We also get to see the biggest piece of shit in the show be nice for the first time. It shows how predators often come off as nice. This is definitely the darkest I'll ever get with my posts, but I hope you enjoyed reading it and agreed with me.

[mclzandaya]

My Candy Love New Gen - Episode 3 Guide

This episode cost me 1411 APs on Roy's (+Jason) route with jokers, without Archibald. 1212 on Amanda's route (didn't meet Jason), with jokers, with Archibald. 1431 on Devon's (+Jason) route with jokers, with Archibald.

Key:

Negative affinity result: - Neutral affinity result: = Positive affinity result: + Needs to be checked: *

Illustrations: 5 (See at the end.) None of them are automatic, you can get 2 of them in one playthrough if you're on Roy/Devon's route.

Archibald: You can find him at the west end of the shopping mall once you're done shopping. You have to ask him if he wants to come as well. (details at the shopping mall with Amanda.)

Outfits: The yellow jacket one is for Roy/Devon/Jason, the purple skirt one is for Amanda/Thomas.

The answers for Devon and Thomas are translated from French, Thomas' answers may be incomplete. Amanda, Devon, Jason and Roy's guide are complete! Idk if I'll update Thomas' answers as I won't be playing his route anytime soon, if you have his exact answers (with personality) don't hesitate to message me/leave an ask!

------------------------------------------------

DIALOGUE 1: (Everyone looked at me and applauded again.)

(I stared at the table, a bit embarrassed by all the attention.) 40 + Amanda and Elenda (I modestly nodded as a sign of thanks.) 40 + Thomas and Brune*(I joined in the applause, a smile on my face.) 40 + Roy, Devon and Elenda DIALOGUE 2: (choose the person you want to get the illu with) Devon: You can go with one of us, there will be enough of us to finish things up here...

Roy, how about a walk around the mall? 80 = Amanda, do you want to come with me? 80 = I'll admit that if you accompanied me, l'd feel more legitimate using this card... 80 = Thomas, do you want to go for a walk? 80 =

DIALOGUE 2 (bis): if you choose to go with Thomas You won't let yourself be surprised?* I wouldn't be able to function like that. I'd feel limited.* That's not a bad idea. I might try that. +*

Go to the mall to do the shopping.

OUTFIT CHOICE: Yellow for Roy/Devon/Jason. Purple for Thomas/Amanda.

A little window shopping before you go shopping can't hurt!

IF YOU GO WITH AMANDA:

DIALOGUE 3 Amanda: With little cups, and everything... It's too cute, don't you think?

Sweet: It is pretty cute! 56 + Energetic: It is cute, but it's really expensive! 53 = Rebel: Funny, I wouldn't have thought that was your thing. 49 -

DIALOGUE 4: Amanda: And you? Is there anything you like?

I could definitely see myself wearing those overalls! = I like that little dress. It's elegant, and simple... = How do you think I'd look in those shorts? =

DIALOGUE 5: [...]

The drinks. That way, we'll have the heavy stuff at the bottom of the bag. = TRIGGER JASON'S ROUTE (see roy's route dialogue 6) The food. That way, we'll choose the rest in accordance. = Things to snack on. It's no use to carry heavy things around with us. =

To meet Archibald, you need to go to the west area of the shopping mall once you bought everything that you need, but before going back to the office! DIALOGUE 6: You aren't going to follow me there, right? 40 Oh, actually... do you want to come? 40 TAKI'S OUTFIT I can't be late. 40

IF YOU GO WITH DEVON:

DIALOGUE 3: [...]

Rebel: I'd say children's clothing store? 53 - Sweet: The game store, or the DVD one... 60 = Energetic: I'd say... None. It's the first time you''ve stepped a feet in here. 46 +

DIALOGUE 4: Devon: I mean, in general. I imagine that you haven't had the time to completely explore the shopping mall... 

I like home decor shops! =* Libraries. No shops fascinates me as much. = Any clothing store, I love it. =*

DIALOGUE 4: [...]

The drinks. That way, we'll have the heavy stuff at the bottom of the bag. = TRIGGER JASON'S ROUTE (see roy's route dialogue 6) The food. That way, we'll choose the rest in accordance. = Things to snack on. It's no use to carry heavy things around with us. =

IF YOU GO WITH THOMAS:

DIALOGUE 3 I know Thomas offers you an ice cream I think?

I think I'm part of those people... * I don't mind at all. Here you go. = Is there a third option? idk*

DIALOGUE 4: [...]

The drinks. That way, we'll have the heavy stuff at the bottom of the bag. = TRIGGER JASON'S ROUTE (see roy's route dialogue 6) The food. That way, we'll choose the rest in accordance. = Things to snack on. It's no use to carry heavy things around with us. =

IF YOU GO WITH ROY:

DIALOGUE 3 Roy: Everything looks good.

Energetic: Plus you can afford it! 53 =* Sweet: Yes, it's always a dilemma... 56 + Rebel: It's funny, I thought that great athletes paid attention to their diet... 49 -*

DIALOGUE 4: Hey! Can't you watch where you're going?!

Energetic: And you?! Can't you be polite?!* Sweet: I'm sorry, I wasn't paying attention... = (Roy defends you) Rebel: Why don't you watch where you're going?! *

DIALOGUE 5: Roy: Well, it looks to be out of harms way.

Energetic: We make a good team! = Rebel: Thanks, but I could have handled that just fine on my own.* Sweet: Thanks. It's rather practical to be accompanied by a tall and strapping man like you. =

DIALOGUE 6: [...]

The drinks. That way, we'll have the heavy stuff at the bottom of the bag. = TRIGGER JASON'S ROUTE The food. That way, we'll choose the rest in accordance. = Things to snack on. It's no use to carry heavy things around with us. =

DIALOGUE 6 (bis): Jason: What am I going to do with my evening..? Certainly bore this poor gentleman until who knows when. 80 = I don't want to know. 80 = You, Sir, can come, if you want. 80 = JASON'S ILLUSTRATION

DIALOGUE 7: (this dialogue is slightly different on Amanda's route but it's the same outcome, idk about Thomas.) [...]

(Pizzas and mini-quiches to share.) = (We decided to take various pre-cooked dishes directly from a deli.) = (A whole assortment of little things to nibble on for an appetizer buffet.) =

Go back to the offices to drop off what you bought. (See Amanda's Dialogue 6 above for Taki's outfit before going back.)

DIALOGUE 8: [...]

I really want to have the party at my place. 80 TOWARDS DEVON OR ROY'S ILLU Let's go to the park! 80 TOWARDS AMANDA OR THOMAS' ILLU

Go take a shower.

Just go to your bedroom.

IF YOU HAVE YOUR PARTY AT THE PARK:

Go to your welcome party at the park!

DIALOGUE 9: Brune: Did you choose the park to avoid upsetting Amanda?

Sweet: Yeah, I thought it'd be best. 56 = Energetic: I found her idea of a neutral space a pretty good idea. 53 - Rebel: That's not really why I did it... 50 +

DIALOGUE 10: [...]

I'm one of the ninety percent of people who loves mini-quiches! = I confess that I am intrigued by the asparagus toasts... = I think I'm going to try your tapas, Brune... = I'll take some raw veggies! I want to save room for the cake. = towards amanda's illu?*

DIALOGUE 11: Brune: Let's say I'm in between... And you, Candy?

It's not really my passion either. = I love to cook! = I'm like you, Brune. =

DIALOGUE 12: [...]

So, Thomas, you have a motorcycle? TOWARDS THOMAS' ILLU Wouldn't it be time for dessert? TOWARDS AMANDA'S ILLU

IF YOU CHOSE THOMAS ANSWER:

DIALOGUE ???: thomas dialogue [...]

No, I think it's scary... * It never really tempted me. * I've never had the chance before, but I'd be curious to try! THOMAS ILLUSTRATION

IF YOU CHOSE AMANDA'S ANSWER:

DIALOGUE 13: [...]

What, it's not prestigious enough for you? 80 AMANDA'S ILLUSTRATION Come on! It's no fun alone! 80  Well, I'm going... If you don't come with me, it'll be even more ridiculous. 80

DIALOGUE 14: Amanda: The good times. When everything was easier...

Because things are complicated now? 40 = My mother was the one who took me to the park. 40 = It's true that everything seemed simpler when we were children. 40 =

IF YOU HAVE THE PARTY AT YOUR PLACE:

It's time to party!

DIALOGUE 9: [...]

What do you think of Roy? =* And you..? Well, I mean... tell me a bit about yourself...? = And you, do you get along well with Devon? =* What do you think of Thomas? =*

And you, you seem to get along very well with Brune... = Do you get along well with Amanda? =*

Show Elenda, Roy and Devon around your house.

DIALOGUE 10: [...]

Energetic: I think I'd start by taking revenge on my ex. = Rebel: It's obvious: Id rob a bank. = Sweet: Maybe I could become an investigative journalist? =

DIALOGUE 11: Elenda: No, no, I'm kidding: I don't really want to know more.

Energetic: I wouldn't mind a few more details... 53 + Roy, - Devon Rebel: Me neither, l'm not sure I'm very interested... 50 + Devon and Elenda, - Roy Sweet: (I was careful not to share my opinion.) 55 =

DIALOGUE 12: [...]

I hope that the card is for Devon... 80 TOWARDS DEVON'S ILLUSTRATION (I wonder what this card'll have in store for me...) 40 (I hope that the card is for Roy...) 80 TOWARDS ROY'S ILLUSTRATION

IF YOU CHOSE DEVON'S ANSWER:

DIALOGUE 13: [...]

You mentioned a wildcard a few seconds ago..? 80 (Delighted, I smiled at Devon from ear to ear.) 80 DEVON'S ILLUSTRATION Isn't it a little... inappropriate? 80

IF YOU CHOSE ROY'S ANSWER:

DIALOGUE 13: [...]

You mentioned a wildcard, didn't you..? 80 "Kiss", it can be on the cheek! 80 (After all, it's the game... Roy is attractive, here I go!) 80 ROY'S ILLUSTRATION

[mdhwrites]

Honestly I personally believe Sasha Waybright character arc was better written and engaging than Hunter and Amity’s arcs combined mostly because there was more agency in her arc and while the other two characters who go from enemies to allies to friends just didn’t engage me as much as Sasha’s.

I’m especially dissatisfied with Hunter and how his story while interesting wasn’t as cool as it could’ve been

So I've talked a lot about this in the past but the angle I'll take this time is simple: Sasha is more compelling as a villain to ally arc because the show let her be a villain.

That might sound simple but it's clearly something TOH itself struggled with. One could argue that ALL of the redemptions in TOH follow a pattern of one bad action followed by them being tenuously on the same side and then on the same side. Amity is out of character for her first episode and then Luz is actually at fault for Covention, even if Amity takes it too far. Then Amity is weirdly antagonistic during Hooty's Moving Hassle and then NEVER AGAIN. Three episodes into knowing her and she is now the person we are supposed to sympathize and want around and her biggest crime feels entirely out of character for the rest of her portrayal.

Hunter is similar. His first appearance is not Hunter. It's the Golden Guard who is WAY more fun a character than Hunter ever was and kind of a bastard. Then the mask is removed in his second real appearance (not counting the stinger in Escaping Expulsion) and he is someone to start sympathizing and working with. He is the sad but mad boy by his third major appearance and his second appearance makes him somewhat sympathetic, just like Covention did for Amity... Or For the Future does for The Collector despite lines like "I can't wait to play amongst the bones!" in Hollow Mind that feel, drumroll please, OUT OF CHARACTER TO THE REST OF HIS WRITING!

Lilith is the only to subvert this... Kind of. No, they actually go out of order but still the same essentially with her. Her first appearance makes her sympathetic and not properly a threat because she's still willing to play ball with Eda for a one on one competition, then she spends the second half of S1 just palling around in shenanigans she should not be allowing but is because... Fuck you. Then we get her one truly evil action in kidnapping Luz, coupled also with having been the one to curse Eda but that's also used to show she's a good person now so the kidnapping is the bigger deal here. Then... She's just a good guy afterwards.

This all makes for the most shallow, bullshit uses of this trope I think you can do while being allowed to claim you did it. After all, a key point to all of these redemptions aren't "Then they sided with the good guys," it's just "Then they're a good person." They don't bring who they were as a villain with them. The strengths that led to their villainy are just gone and they're hard to say what they were in the first place, what they add to the narrative in their redemption and joining of the main party because who were they before they joined. What are they actually fighting against as a person instead of just deciding not to be evil anymore or wanting the cookies that the light side offers?

It'd be like if after Sasha was redeemed, she was as bad as Anne at being able to lead and use people. If the show went "To better erase all the crimes she's done, not only will we say Sasha only is a bad person because her father is Ultra Satan but also she now is entirely incompetent in what she was good at before." Amity loses her intelligence. Her plans are always the most straightforward after she starts getting a crush on Luz and she canonically started having her grades slip. Hunter is the most pathetic character in the main cast with I think zero wins in his belt besides his first appearance despite being the only one with combat training. Lilith is just... Sad in how much they reduce all she was for over forty years of her life to go "Now she's a silly nerd girl. Fuck ambition."

And, of course, their bad sides being blamed on mother, uncle, mother kind of for Lilith actually, just that the exposition for that comes after her redemption, and the Archivists and Belos for the Collector. They aren't bad people, they just were forced to spend time with the wrong people. Now that they're nerds and led by nerd Jesus, everything is okay.

There is a VEEERY real problem in TOH of Us vs. Them mentality that comes from these arcs that's really gross. Swap Luz to a white, male jock and suddenly the show becomes WAY MORE UNCOMFORTABLE!

Sasha dodges all of this because no one tries to excuse Sasha. Sasha never tries to pretend she's anyone other than who she is except for when she's explicitly putting on an act. This means everything compelling and good about her as a villain can cleanly transition to when she is a hero, even if it's hard to believe that which the show even calls out.

There is no Sasha's Angels in TOH. That might be a weird one to reference to you because it doesn't include much Sasha but it nails on the head what makes this trope so exciting. To Anne, Sasha letting others do the work while she gets to theoretically kick back looks like the same old Sasha that she now is suspicious of. Someone who is self serving and so Anne lashes out. However, it's not the case. Sasha's ability to manipulate always came from being able to read a person's weaknesses and strengths. She's a MUCH better manipulator than Belos in this way because she doesn't leverage on you or for you to already be siding with her. She can read you like a book and tear apart your pages until she plays with your spine. And as a hero, that's going to mean she's a great delegator. She's the sort who would go "Nah, we don't need to save them from what you see as certain doom. I know he can deal with it." And she's right. Not because of blind faith but because of the same skills that made her villainous.

Something that wouldn't hit nearly as hard, or feel reasonable on Anne's part, if we didn't get so many examples of this being who Sasha is. Of the fact that Sasha uses other people for her own means. And even now, you can claim the same... Except it's not for her means. It's for their needs.

It actually is part of what makes her becoming a therapist so pitch perfect. A good therapist can call you out when you're trying to hide behind something to not get to the core of your problems. They can catch what is at the root of your issues even as you don't see it yourself. They also can see your value and use your strengths to help combat those problems after helping you identify them. It's actually pretty close to how she tried to get out of Toad Tower in her first appearance. Bring in someone, earn their trust, use their passions against their weaknesses and make them better. The only difference is that now she cares about making them better.

Amity, Hunter and Lilith could never have such a satisfying future because again: What are their strengths? Hell, post redemption, that statement stands true. You can call Amity good at magic I guess but Hunter and Lilith are pathetic people who kind of luck out in being useful at times and that's really it. These aren't people who have anything going for them. They're as good as goons with one of them being an elite in a one off episode as far as villain forces go and that's not very compelling for a redemption of this sort. Not unless you're really going to get into that and A: Lilith was one of the strongest mages on the Isles and studied her ass off so you'd think she'd mocked less for sucking at her job and being a fucking moron and B: they didn't even try for half a second with Hunter who I don't really know if they intended to make look as pathetic as he did skill wise.

So their futures are just random factoids introduced during the story. Does Amity being an inventor say anything about her redemption? No. In fact, it really sucks because Odalia would have LOVED her daughter to follow in her father's footsteps because that's the most profitable option for their company. Good job show. Hunter just takes up the job that connects him with the only thing we know is explicitly Caleb related, no conjecture needed, which sucks for a character who was supposed to be his own person. Then Lilith is... A historian. Because she likes that I guess. Does that have anything to do with her time as the coven head? No. Her ambitions? GOD NO. It's just a random choice that puts her in line with the inoffensively nerdy cast.

And before ANYONE says anything about the shortening, I want to say I've done a blog comparing the fact that Amity, in S2A (so before the shortening) has as many appearances as Sasha does in Sasha's entire redemption arc. You didn't need more time to do this better, the show needed to actually commit to its concepts. Actually needed to be willing to do its tropes rather than slapping it on for marketability and to make lazy analysts happy.

Because enemies to allies is not one of those tropes you can half ass. Not unless you want none of its power and boy, these are some weak character arcs. At least we've got Sasha.

======+++++======

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.

A Twitter you can follow too

And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.

[all-pacas]

i know i've talked about it before but god. when house and chase are alone together their vibe is just.

chase is usually deeply and pretty happily subservient to house. he's the boss/mentor, chase is the underling. where cameron and foreman both push to be house's equal, chase really never does: he's happy to follow along. but then you get them alone. every now and then chase just strolls in and reveals he can see through house perfectly, and house … never really gets offended or annoyed by this. he's pretty indulgent. he even enjoys it. "sometimes i forget why i hired you," he says, pleased.

in the jerk chase calls him out for cancelling foreman's interview. unlike when foreman did the same, house admits it, clearly pleased to be caught. chase offers him advice:

CHASE: You cost him a good opportunity and gained nothing. HOUSE: I cost him a crappy opportunity. New York Mercy's where you go to treat boils and cysts and build a 401K. CHASE: If you want him to stay, tell him. HOUSE: I don't and there'd be no point. CHASE: You do. And the point would be to make him feel like he's wanted. HOUSE: He doesn't need that. CHASE: All right, then. It'd make him feel like maybe you weren't evil. He needs that. Talk to Foreman.

he gives him orders. and house doesn't push back, doesn't dismiss chase for trying to lecture him, answers honestly.

in human error, they actually briefly continue this conversation; chase's frustration at house not taking his advice leads to his outburst that leads to his firing. (not that house fired him for getting involved or nosy.)

and then no more mr nice guy comes around, and they go bowling. first of all: this is the only time in the series house has ever invited anyone who is not named wilson out without it being a bet or a bribe. he really needed a bowling partner and went chase. but the same thing happens.

CHASE: So what are you going to do to screw up Wilson's relationship so you don't have to listen to me while you bowl? HOUSE: I wish the best for them and their tragically deformed children. CHASE: Well, she's good… At being bad. You might not be able to destroy her. HOUSE: Well as long as I give it my best shot, I can hold my head high. CHASE: Cameron had this one insufferable friend. She wasn't going to get rid of her and I sure wasn't going to join them, so I just said, see her on Thursday's. I know it's not as exciting as an exploding birthday cake, but, hell, I don't want to hang out with her every night anyway. HOUSE: That's amazing. Cameron only has one insufferable friend?

(insufferable friend you will always be a legend) chase just! jumps in! gives advice! completely casually, like it's nothing, house not blowing him off or dismissing what he says. later in the episode, he takes this advice and tries to work out joint custody with amber.

it isn't that house never takes other people's advice. he quite commonly solicits opinions. cameron and foreman have also both offered house their takes, and he's sometimes even listened. but usually he's dismissive. he's sarcastic. he doesn't have a conversation about it, he listens and does what he wants. chase can just stroll in and say stuff and house engages.

and of course there's my favorite example of all, from the social contract, when house needs a surgery done:

CHASE: You want me to help you? Tell me why. HOUSE: Why what? CHASE: Why you care. The puzzle's solved. The guy's alive. And the odds of coming out of this surgery with that same status aren't that great. HOUSE: My patient has a quality of life issue. CHASE: He says awful things. Hardly a medical condition. HOUSE: When he leaves here, he's going to lose his family. He's gonna alienate the people he works with. And if he ever finds a friend who's willing to put up with his crap, he'll be lucky. Until he drives them away too. CHASE: …I'll see what I can do.

he gets the truth. house all but says i identify with this person, i want the surgery done for me. chase doesn't ask questions, he gets it. but also he asks house why, and he gets an answer. no bullshit, no evasion.

we've all joked about how chase gets house, but it's like. he really does. he's incredibly observant, he's good at reading people, it's why house hired him. but he also doesn't… push. he doesn't use this ability to push house. he's not constantly trying to poke and prod and fix and understand house (because he kind of already does), but in return it means chase can jump in and just say stuff. because he doesn't make demands, because he doesn't ask anything of house, the few times he does, house tends to respond honestly in return. it makes me. insane

[spaceorphan18]

The Lady Whistledown Papers : 1x08 After the Rain (Part 2)

Welcome back, Gentle Readers, to The Lady Whistledown Papers, where I’m taking an in-depth look at Penelope Featherington and Colin Bridgerton’s character arcs and romance within the show Bridgerton!

For previous issues, follow tag : The Lady Whistledown Papers

This is going to be a very musical issue, guys ;)

Boxing Match

So. We're here at this boxing match where Will's going to face an ethical dilemma, Simon's going to be involved, Lord Featherington is going to face some consequences of his actions, and Anthony's going to fuck Siena against a wooden beam in the back.

And Colin... is going to sit and happily chat with Benedict in the background. Apparently, he's not in a moody mood over Marina anymore.

I like the top hats though. There are times when this show veers so far into fantasy that I don't necessarily recognize the 1800s. But the top hats feels very much like 1800s. And I appreciate that.

Well, this scene might not really have anything for me to meta but... I'll bring in a BTS thing...

Apparently, Jonathan Bailey, Luke Thompson, and Luke Newton spent Season 1 harmonizing this little tidbit and it makes me wish that Bridgerton was a musical, because these boys can sing, and this is absolutely delightful. I wish this was better quality and longer.

(Bringing it up here - because I think this was filmed around the time of this boxing match? The costumes look similar.)

Anyway... there should be more singing on this show. Just, there should. That's how I feel about that.

Speaking of more singing...

Family Time

Omg, it took me forever to find this gif.... But I wanted to use a gif here because I wouldn't be able to still Colin because he's moving so much. Anyway...

We've got one of our big family scenes again. And as I've said before, I've always liked these scenes because the family dynamics are always richly on display, and one of the aspects the show does really well. The interplay between all of the different storylines is great here, as each one kind of gets a little nod as they weave in and out of the scene.

So, let's talk about this almost blink-and-you-miss-it Polin moment.

Francesca is back in town, so are Simon and Daphne, and the family is in high spirits (since we're at the end of the season and wrapping this thing all up). And they get Colin to sing in a catchy little tune (which I'll get into in a moment). And, as much as Colin was sulking and in such a bad place in the previous episode, he's bounced back rather well. And while he's not over it (Colin, we're learning, seems to hold onto things -- and the Marina stuff isn't done yet), he's come back from the heartbreak rather quickly.

Which... I think really speaks to the nature of Colin's feelings more than anything -- as they weren't that deep. Do I think Colin cared for Marina? Yes. Do I think he got caught up in a grand fantstical romance? Yes. Do I think he actually loved her? No. Because as his family members mentioned in the previous episode -- he didn't really know Marina. He just liked the idea of her. And those shallower feelings are easier to bounce back from.

So, we have here a Colin who is in better spirits. And the thing that really sticks out to me in this scene is how young Colin looks. He's singing what's essentially a child's play song, like London Bridges or Twinkle, Twinkle Little Star. Colin was pushing himself to be An. ADULT. But he's not fully there yet. And I feel like this scene kind of pushes Colin back to where he was at the start of the season. That sweet, charming young kid. Only he's not that anymore. Not really. Experiences do change a person.

Meanwhile, we have Penelope. She comes into this a little hesitantly. She's clearly there for Eloise. This is the first time we really see her in the family dynamic. Even though we don't see it -- it's implied that Penelope is often over there, and feels pretty comfortable being in the Bridgerton drawing room. She grew up there. She and Eloise's friendship formed there. And there she can be around Colin in an appropriate way. It is a home for her.

So, it's interesting that she comes into this room with that hesitancy. She takes a moment to watch Colin while he's singing - and I do believe in this moment she doesn't regret what she's done with Lady Whistledown. Because she's seeing Colin be happy again. Things are back to the way they were. And Colin feels like /her/ Colin again. And, oh, her longing look for him. Her love is always just radiating through her that it can't be contained.

There is also a small, little detail that I absolutely love. As she comes in, he's in the middle of a line, and his voice wavers and catches when he sees her. And I mean, not only does he see her - which is notable in that she's the girl who hides on the sidelines and doesn't get notice. But the sight of her is enough to catch him off guard. There's an unresolved tension there. And the moment acknowledges it, even if it can't address it.

Eloise, oblivious as usual, is going to jump in and steal Penelope away -- she's got news about Lady Whistledown. And the look of pure panic and terror on Pen's face as she worries that Eloise has discovered her secret...

But Eloise isn't there to unmask her, she's there to say that her sluething has brought her to the conclusion that Madame Delacroix is Lady Whistledown.

Penelope has a myriad of emotions that cross her face at this news. She's relieved that Eloise hasn't figured out her secret. But she's grateful that Eloise is on her and her family's side, and that Eloise's intentions are to have Lady Whistledown make a retraction to restore the Featherington name. It's an act of true friendship -- and Pen is so grateful that Eloise is her bff.

But also, there's a little bit of deflation there, too. It's a hard read, but the conversation takes a turn -- Penelope commenting on the fact that it's impressive that Madame Delacroix can run her business and be Lady Whistledown. And I'm not sure if it's out of a twinge of sadness that she can't tell Eloise that she is Lady Whistledown, or the fact that she's concerned that Madame Delacroix might be posing as LW, or just the fact that even if Penelope is rich -- Delacroix being able to live her life freely is a sad reminder that she can't.

Eloise loves the idea that Madame Delacroix can live life as she pleases, and aspires to be like her -- the unmarried and doing her own thing being the biggest appeals. But Penelope admits she can't be like that. She tells Eloise the fact that she has a sister who is a duchess will make it easier for Eloise to do whatever she likes -- including being a working, unmarried woman.

But Penelope isn't like that. Here she blames it on her family, and it's tattered reputation. Eloise can coast on her family's good fortune, but Penelope will always be fighting against her name and placement in society. But what is unsaid, too, is that while Penelope wouldn't mind making her own money (and, in fact, she already is), she does want to be married -- she does want love. And herein lies the comedy/tragedy of Penelope/Eloise friendship -- each has what the other one wants.

Of course, neither of these issues are going to be resolved here, so Eloise does something she doesn't even want to do with her siblings, and shares her chocolates, which brings a grin to Penelope's face. because they are good bffs.

And, of course, the ending moment is punctuated by the end of Colin's song, where he dissolves into a fit of laughter. And I just adore when Colin laughs, because he's such a sweetheart when he does.

But, okay, let's take a second and talk about the song -- which is called Now We Are Met. And, guys, I tried. I really tried. But I couldn't find much about this song, other than it was written by composer Samuel Webbe sometime during this era? There's not much to meta out of it -- other than it's a fun little song that you sing with your family around the piano, and it's usually done as a round. In case you're unfamiliar with rounds... here is a choir singing it (which, honestly, is really cool)

I would love to know the reason the show picked this particular song. Is it just a children's song that kids in the UK sing? Or is there some other meaning to it? I have no idea. Would love to hear from anyone who knows more about it - as I love discussing the use of music within story.

Yellow

Tying it to the boxing scene, Lord Featherington won a bunch of money, and now the Featheringtons aren't as badly off as they were - (even if society isn't that fond of them, still), and they're able to get bran new dresses for the Hastings' ball. Prudence is excited because she gets to let hers in. Phillipa finds hers to be perfect.

And... Penelope's is yellow.

It's such a great little comedic beat. (and, I mean, the bit with Portia telling Phillipa she can get married now that they can give her a dowry and Phillipa asking when it was lost is so hilarious. I'm so glad they pushed in on the comedy angle during Season 3.)

And, oh Penelope just isn't there yet -- she doesn't have the confidence to push against her mother's wishes. She doesn't have the power to let her clothes reflect the person she really is. She's still going to be that girl stuck in yellow, clinging to the walls of the ballroom for just a while longer. And that's okay. We've got a lot of great story to go!

And on that note, I'm going to end this musical based post with a cover Coldplay's Yellow -- a song, as you know, means a lot to this story, as we'll talk about a lot more come Season 3. :)

[bellaxgiornata]

Ask the boys! What are Mikey and/or Matt's favourite comforting ways to decompress (with reader)?

Ohhhh, thank you for this one!! I had to sit them down for this little dialogue! As always, I'll throw everything under the cut because this'll be longer. But please enjoy this gif depicting Matt's enthusiasm levels today at me being distracted from a particular fic update he wants.

Bella, dramatically shouting: So who's ready to play ASK THE BOYS?!

Mikey, cringing a little on the couch: D'ya really need to say it like that, pet?

Matt, raising a brow: Yeah, we're not exactly on an episode of Family Feud. This isn't a game show.

Bella: No, but could you imagine if you were? Maybe Fog could be the fourth player. And you know what? I'd actually pay good money to see that because it'd be hilarious. But now that you say that, I think I want to play Ask the Boys like it is a game show every time someone asks for it. So thank's for that, Matty!

[Matt dramatically sighs loudly on the couch beside Mikey]

Frank, shouting from the kitchen as he makes coffee: Can you just let the lady have some fun? Play along, dammit. Don't you know better than to argue with a pregnant woman, anyway?

Mikey, settling into the couch: He has a point. Best not to argue.

Matt, reluctantly: Fine. What's the question?

Bella: Okay, since you're being a sourpuss I'm asking Mikey first. What's your favorite comforting way to decompress with Reader/a significant other?

Mikey, scratching his beard in thought: Suppose I'd say...somethin' calming. Like takin' a walk, just holdin' hands and enjoyin' each others' company. Or maybe cuddlin' up in bed or on the sofa with a book and just readin' together, not even sayin' a word. I deal with enough excitement with my family, don't exactly need anymore outside o' that, y'know? I'd rather just...slow things down for a bit together. Be able to hold them and just be with them.

Bella: Ohh, I like that. You definitely do need less stress and a slower paced environment with some of the stuff your family puts you through constantly. Or like...an entire change of scenery that isn't Dublin.

Mikey, humming in agreement: Ya can say that again.

Bella, focusing on Matt: Now Matt, same question.

Matt, growing a sheepish smile: I'd have to say...in my bed with both of us not wearing clothing--[quickly holding up a hand to quiet everyone before they interject] solely because it's far too irritating if I'm trying to decompress and relax with too much outside stimulation, not for any other reasons. I'd rather just feel them over anything else. Because I'd prefer to focus in on their heartbeat and their breathing, listening to the sound of their voice as they talked. Sometimes outside stimulation just gets to be too much with my senses, and that's where I'd feel the most comfortable with a partner while trying to decompress. Somewhere without some of that extra stimulation. And uh...I wouldn't mind being the one who was being cuddled instead of doing the cuddling, I guess, too...

Bella, nodding: Makes sense. I think we're all well aware of how touch starved you tend to be--especially for a touch that isn't someone punching you in the face for once. Obviously for you to decompress with a partner, you'd want them doing the comforting. Though I highly doubt you'd ever just, you know, ask for what you wanted, so you'd need a partner that already could intuit that. But you know, there's nothing wrong with asking for what you need, Matt.

Matt, abruptly rising from the couch: Okay, I wasn't expecting this to turn into a therapy session. Are we done now?

Bella, rolling her eyes: If it was a therapy session with all of you, we'd be here for months. But yes, that does answer the question for this round of Ask the Boys!

Matt, grinning: Great, now maybe you can get back to that thing you're almost finished writing for me. You know the one.

Bella, sighing: Fine, fine. I'll let you three get back to pre-baby panicking in here for now while I finish it.

(Bella's Follower Celebration Post for those who want to join in the fun!)

[chahnniesroom]

tenderness | chapter 6: on my own

[noun] /ˈtendərnəs/

1. the quality of being gentle, kind, or loving

2. the feeling of pain, aching, or soreness

pairing: bang chan x female reader

summary: in a world where soulmates are rare and precious, you don’t know why the universe has decided to give you one. you never could have imagined that they would be an idol, and one that you worked with at that, or the challenges that would arise from your bond.

chapter word count: 4.8k

chapter warnings: jealousy (? not really a warning, but i'll include it anyway)

a/n: i was blown away by the response for chapter 5 (and the rest of the fic too). thank you everyone so much!! can't believe that we're already past the halfway point of tenderness, hope that everyone continues to enjoy it!

previous chapter | masterlist | next chapter | read it on ao3

It feels like you’ve barely fallen asleep by the time that your alarm wakes you. The hum of Charge between you and Chan is faint through the layers of clothing that you wear. For once, it doesn’t bring you any comfort. Although the two of you had maintained physical contact throughout the night, it feels like you’re miles away compared to the previous nights that you’ve spent curled around each other. You have no idea when he had finally gotten back to the dorms even though you had a fitful sleep.

The second you extricate yourself from the sheets and break contact from Chan, your stomach drops. Exhaustion seeps into you and you have to steady yourself on your bedside table to avoid losing your balance. In his sleep, Chan shifts, rolling towards the warm spot where you were previously lying, but doesn’t wake up. Remembering what happened last night makes things worse, so you do your best to compartmentalise it so that you can focus on the day ahead. One day with less sleep and less Charge can't hurt you, you think to yourself.

When you check the time on your phone, you realise that you must have slept through your first alarm and you’re going to be late if you don’t leave in 15 minutes. The adrenaline is enough to fully wake you up and you stumble to the bathroom in the dark. Somehow, after getting ready as fast as you can without waking anybody, you make it to the company in time. You’re lucky that the early hours mean that transiting was smoother than usual and you didn’t have to fight your way onto the bus. 

You unpack your things at your desk and head down to the room that was booked for the interviews planned for the day. The bright studio lighting that has already been set up exacerbates a pounding in your head that you hadn’t noticed before, but you ignore it to greet the staff that are already there.

When Eunsung enters the room and sees you, concern immediately creeps into his expression. He sidles up to you and bumps your shoulder with his.

“Rough night?”

You lean in close to him and whisper as if sharing a secret, "stayed up late rewatching a drama."

"Ah," Eunsung nods, immediately accepting your lie at face value. "Which one?"

"Moonlight Lovers. Last few episodes."

"Say no more. I've never been able to watch that without shedding a tear." You both laugh at that, knowing Eunsung could cry at a sad commercial. You don't know if he believes your story, but you're just grateful that he's playing along that nothing is wrong. He knows better than to prod too much, it’s a sure way to get you to instead close down even more.

"Is it really that obvious?" you ask quietly, fingers reaching up to poke the eye bags that you had hastily covered up this morning. You’re pretty sure that last night you had done a decent enough job making sure that your eyes wouldn’t be swollen today, but hadn’t had a chance to look at it carefully. Since you had barely enough time to get ready, you had hoped that you might be able to touch up your makeup more before starting work, but had been swept away in preparations the second you had arrived.

"No, I just know you too well." He laughs when you swat his shoulder half-heartedly.

The boys file into the room right after you’re finishing getting everything ready, but before you have a chance to leave the room. You smile and greet them with the rest of the staff, but studiously avoid looking at Chan. Just the brief glance when he had first walked in had stung. He looked… normal. Maybe a bit tired, but he always looked tired and well, that was what had gotten you into this mess in the first place.

Maybe to him, last night was just another night and you were being too sensitive. But his harsh words had reopened a wound in you that you thought had long scarred over. Somehow, it hurt even more thinking that he was totally unaffected.

You quickly try to pack up everything you need, handing out a timeline of the day to the team who are helping film that outlined which interview is for which company, what props, if any, are required, and whether or not a company representative would be present to help facilitate the interview. You make sure Eunsung has a copy of all the questions that Stray Kids are supposed to be asked and which are off limits, both in English and Korean. Almost all of the members are familiar enough with English that the interviews go smoothly without any other help, but a lot of the staff aren’t as fluent. You have a quick chat with the company translator and make sure she’s also comfortable with the schedule and what’s expected of her.

After making sure that everything on your checklist has been completed, you finally grab your things and leave, almost colliding with Felix in the hallway.

“Oh, you’re not staying, Y/n?” He asks, grabbing onto your arms to steady both of you. He smiles at you and you return it but look away quickly, not wanting to meet his eyes, and shrug off his hands.

“Sorry, I have some meetings that I can’t miss this morning. I hope the interviews go well Felix-ssi!” you call as you head to the elevator. When you glance back, his smile has faltered and he’s still standing in the hallway, looking a bit lost.

You’re not sure if he’s more surprised that you’re not going to be attending the schedule or your sudden return to addressing him formally. You had done your best to keep things more professional while at the company, but it had been surprisingly difficult, especially when most other managers also addressed the members more casually.

You feel a bit guilty, but last night had served as an important reminder that no matter how close you seemed or felt, you were still just staff. This time, you won't forget your place.

—

When you finally get back to your desk and open up your laptop after finishing all your meetings for the morning, you despair at the number of emails that have piled up in your absence. You start to sift through them, filing away the ones that don’t require any response. It’s probably a good thing that you’re not in a hurry to see Chan or any of the members, there’s a lot of work that you have to do in the next few days and not enough time to be distracted by attending schedules.

Your phone pings and you see a message from Eunsung waiting.

[12:14 pm - received]

lunch?

Huh, you hadn’t even realised it was already noon. Even though you hadn’t had a chance to eat this morning, you still don’t have much of an appetite. So far, tea has been enough to sustain you as well as provide the much needed caffeine after your late night. You’d had enough foresight to throw a protein bar into your bag before you left, but it still sits untouched on the side of your desk. You know that you should probably eat to help make up for the Charge that you missed last night, but you can't bring yourself to take a bite. Just looking at the bar is enough to make you nauseous so there's no way that you'd be able to stomach any other food. 

[12:15 pm - sent]

sorry. have a mountain of work to do so i don’t have time today

[12:15 pm - received]

:(

want me to bring something to you?

[12:17 pm - sent]

no thanks! i’m fine for now

[12:17 pm - received]

:(

you sure?

[12:19 pm - sent]

please do not bring me anything.

[12:19 pm - received]

:(

:(((

:((((((((

Amused, you lock and put away your phone and focus on your work. You really are scrambling to finish everything and probably wouldn't have taken a break even in normal circumstances. 

Only 15 minutes have passed before there’s a knock at the door. Nobody else is using this work area today and you’ve learned over the years that Eunsung is one of the most persistent people you know.

“Oppa,” you whine, not bothering to look away from your screen. “I told you I didn’t need anything for lunch.”

“Uhm.” Your neck hurts with the speed that you whip your head around to look. Chan’s standing halfway through the open door, looking out of his depth. 

He’s still in his outfit for the press junket, hair carefully styled and makeup immaculate. He looks like a different person. Sometimes you forget that the bare-faced, curly-haired boy in shorts and a hoodie that you’re used to is the same as the polished idol that is presented in front of the camera. He seems so far away, even though he’s right in front of you.

“Sorry, I thought you were Eunsung-oppa. He was… teasing me earlier,” you explain, embarrassed.

"Ah," he says. "You didn't eat yet?"

“Not yet, I’ll get something later,” you lie. “I have a lot of work to do.”

"Oh, okay. We have a break right now. I wanted to talk." He scratches the back of his neck awkwardly. “About… you know. Yesterday.”

“It’s fine,” you say quickly, forcing yourself to smile. You try to stay concentrated on the email that you have to send, but it’s hard enough to think of the right English words to use when you're alone. Instead, you stare at the blinking text cursor, already wanting this conversation to be over. Maybe it was better when you thought he didn’t care about what he had said to you.

“No, it’s not fine. I shouldn’t have said all those things. I was too harsh. I hurt you. I'm sorry,” he insists, stepping closer. 

You finally turn to look back at him, but still can't get yourself to look him in the eye, instead focusing on the cut of his jaw. His hair has grown long enough that curls are starting to gather below his ear even after styling. You wonder how long it will be until the stylists are able to wrestle him away from his laptop and into a chair to cut it again.

“Okay. It’s not fine,” you concede. “But I forgive you. I understand that you felt frustrated. I can tell that you’ve been wanting to talk for a while and I’m glad that I know how you feel now. The delivery was just… poor, but it’s really not a big deal.” 

That's not a lie, but your fingers start to curl into your palm anyway, nails digging into the flesh there. The tiny pricks of pain ground you, not stopping the hurt that came from Chan's words from echoing in your head like they had been the whole day, but distracting you from it. 

I don’t need you bringing me food. I don’t need you reminding me about schedules. And I definitely don’t need or want you telling me when I should be resting. 

It stung, especially knowing what he really meant when he said that. 

I don't need you. 

Looking back, you could see how you were acting overbearing. Yes, there was a soulmate bond connecting you two, but really that didn’t give you permission to act in such a familiar way. More than anything else he had mentioned, it had left a bitter taste in your mouth that he compared you to your eomoni when he now had the insight that your relationship with her had caused you so much pain. It hurt even more to think that maybe that was the reason he had mentioned her, that you had been that much of a burden.  

No matter what he argues now, there was truth in what he said in the heat of the moment, frustration and lack of sleep bringing forth his honest thoughts. 

I’m good now! I’m really good now. I was also good when you were not here. When you were not my soulmate.

You had never really considered what things would be like if you weren’t soulmates, there had been no point in it. Well, you hadn’t considered it until yesterday. After half an hour of trying to sleep with no sign of Chan returning, you had rolled onto your side and reached for your phone. With shaky fingers, you had pulled up Naver and typed in 'can you break a soulmate bond.'

The results had confirmed what you thought. There was no evidence of a bond being broken before. Of course, it was possible for soulmates to live apart from each other for extended periods of time. It just required more food, more water, more rest for both people in order to compensate. That seemed even more inconvenient than the current situation and you knew it would never work for you and Chan. 

This was the next best solution. You promised yourself that he wouldn't have to pretend that he wanted you around anymore. You'd keep your distance, stay professional, just like you had done before your First Touch. 

“It’s not how I feel, I was just-” Chan protests.

“Chan-ssi,” you interrupt gently, hiding your feelings by reverting back to the formal speech that you had used when you first met. He blinks in surprise. “I don’t want you to feel like you have to hide things from me. You don’t have to worry about me. I’m really okay.”

“I know I don’t have to, but I do. I wanted to clear up everything. I know it’s not an excuse, but I was stressed.” He explains, cheeks slowly turning pink. “There was just a lot happening and then you were there and I don’t know what happened. I really really shouldn’t have yelled. It won’t happen again.”

“I believe you,” you say. “Thank you for apologising. You can go now.”

Maybe it’s a bit harsh as Chan visibly blanches, before his expression is wiped clean.

“Oh, okay.” 

“Sorry,” you say, making sure to soften your voice. “I just. I really do have a lot that I have to finish right now. I appreciate that you came to talk to me, though. I’ll see you later.”

“Right, see you later.” Chan echoes faintly and turns towards the door. After it closes, there’s a long pause before you finally hear his footsteps resume.

—

The rest of the weeks before you leave for Japan seem to somehow simultaneously crawl by and pass in a flash. You’re frustrated by how unproductive you feel like you are at work compared to the amount of things you have to do because you keep getting distracted, but once you’re off, there’s nothing that you want to do. You spend an disconcerting amount of time catching yourself staring at your phone not realising it has already timed out and all you’re looking at is a black screen.

When you confess this to Eunsung, he starts dragging you out for dinner with the rest of the team. It keeps you busy and you have fun in the moment, but every time you get back to the dorms, the emptiness that has been plaguing you creeps back in.

It’s the same today. When you enter your room, there’s no sign of Chan other than the clothes that he was wearing earlier sitting on a pile on his side of the bed. 

It’s no surprise to you, he’s been alternating between being out late at night, either in the studio or working out, or hunched over his laptop with his headphones on. You’ve gotten used to it by now and honestly don’t mind the decreasing number of interactions that you’ve had. On the surface, things are fine between the two of you, but everything is stilted in a way that it wasn’t before. Your relationship, whatever it was prior to that night in Chan's studio, has been strained and you don’t want to do anything to test the breaking point.

You shower quickly and head to the kitchen for a glass of water. When you pass through the living room, Felix is sprawled out on the couch, doing something on his phone. He straightens, legs falling back to the floor when he sees you.

“Hey stranger,” you greet him, instinctively smiling. In the safety of the dorms, with his hair fluffed up to form a dandelion puff around his head, you can’t help but treat Felix with the warm familiarity that you’ve tried to restrain the past few weeks. You had been friends with him way before the mess of your relationship with Chan and you feel guilty every time you see him at the company.

“Y/n! It feels like it’s been so long since I’ve seen you. How have you been?” You make a face at that.

“Work is crazy, you know. I think I’ve been dreaming about planning the tour, it’s basically all I think about these days.” You shrug. “But I can’t complain, I really like doing this and it’s not like you guys are spending the days relaxing. I wasn’t expecting to see you here.” You abandon your task of getting water and settle beside Felix who puts an arm around your shoulders to tug you closer.

“I miss you,” Felix says quietly. “I know that you don't have time to come to our schedules anymore, but I miss having you there.”

“Aw, Felix. I miss you too. You can always come and find me, I’m never going to be far.” You wrap your arms around his waist and rest your head on chest. You don't tell him that it was more a choice by you rather than time constraints that led you to stop attending schedules. Felix is well intentioned, but you know he would immediately confront Chan if he found out that you weren't as 'okay' as you had assured Chan and that would just make things worse. You don't want to be more of a bother than you already are.

“What were you doing on your phone?” you ask after a moment of silence. Felix picks back up his phone and unlocks it. He has to turn it horizontal to properly show you the screen and the motion means that his arms encircle you.

“It’s a new game I’ve been playing,” he explains. “I’m still not that good, but it’s been fun! I thought Hannie would be around to play with me, but I think he’s still at the company.”

“Show me how it works,” you prompt him. You aren’t really interested in mobile games, but are rewarded when his face lights up. He starts by giving a quick tutorial of the game and showing off all the characters he plays as, before continuing on where he had left off.

The steady beat of Felix’s heart combined with the gentle rumble of his commentary and the constant exhaustion that plagues you these days easily lulls you into a semi-conscious state. You’re not quite fully asleep, but only partially aware of what’s going on around you. You keep thinking that you should get up so that Felix isn't stuck on this couch with you, but can't muster up the energy to actually move.

Eventually, you hear the front door open and footsteps pad towards the two of you.

“Is she sleeping?” a voice that isn’t Felix’s whispers.

“Yeah, she must have been pretty tired, hyung. I think she fell asleep almost an hour ago.”

“Thanks for taking care of her, Lix. I’ll bring her back to our room.”

A pair of hands ease under you and shifts your weight from Felix and into the person’s arms. The Charge sparks to life and you can’t help but lean into the comforting buzz, nestling into the warm hold.

It must be Chan, you think blearily. 

You want to protest that you can walk yourself, that you don’t have to be carried back, but the Charge feels so good and so safe that you just relax further. It’s only a short walk down the hall, but the gentle rocking puts you back to sleep before you reach the bed.

—

Trying to balance concert practice, promotional photoshoots, and getting approvals for the next comeback means that it takes Chan an embarrassing amount of time to notice that something’s off.

It starts with the little things.

In between filming for a dance practice video, the members get a short break. Everybody collapses in different parts of the room, only getting up when a staff member enters with a couple trays of drinks. A small crowd forms and Chan waits until everyone else has taken their pick before heading over. He’s disappointed to find that there’s only iced americanos left. When he instead goes to fill his water bottle, he finds Felix already at the fountain.

“You didn’t get a drink?” Chan asks. Felix scrunches up his nose in response.

“They only had coffee today.”

“Don’t they usually have other options? I thought you’ve been getting that fruit tea these days.”

“That’s only when Y/n is organising the order. She always tries to get me things I like.”

“Oh, that’s nice of her.” 

“Come on, hyung, you’re the one that’s her soulmate, shouldn’t you know this? She’s the only one that remembers to get that weird custom protein chocolate smoothie thing that you always drink.” 

“I-” Chan stops to think. It’s true that he had been favouring a strange specialised order from one of the cafes that they usually get drinks from. He had stopped by there one afternoon when he had been in the area, then mentioned it off-handedly when eating lunch with the team and from then on it had appeared at a lot of their schedules. Most of the time, a staff member’s phone gets passed around to order their drinks or they just get served a variety of drinks to pick over, but now that he’s trying to recall, it’s been a while since either of those have happened. 

He hadn’t thought much of it at the time, he’d just been happy to have a drink that he liked. He hadn’t even realised that Y/n was the one behind their personalised orders, but feels off-kilter knowing that he had never thanked her for it.

—

Y/n hasn’t attended Channie’s Room in weeks either. Chan knows that everyone on her team has been scrambling with work related to the international legs of the tour, but even with a heavy workload, Y/n had never missed an episode before. Having her in the room had been a quiet comfort that Chan hadn’t appreciated at the time as much as he should have. 

He misses her.

It doesn’t feel the same. Chan finds himself playing a song and turning slightly to see what Y/n’s reaction is, or reading out a silly pick up line and then feeling his smile drop a little bit when he realises Y/n wasn’t there to hear it.

He’d like to say that he’s playing it off well, but Stays can see it too. It’s almost embarrassing how fast they catch on. The comments that scroll by, most of them too fast for Chan to read, are getting increasingly concerned for him. Where previously they had spammed messages about how happy he seemed, they’re now pointing out that he looks tired, that something is different. After enough people tell him to eat more or get more rest, he just ends the stream, annoyed and guilty at the same time.

—

Another time, Chan’s spending the evening in his studio with Changbin and Jisung, trying to finalise a guide for one of the tracks they’re planning to record.

“Oh hey, I didn’t know noona was close with Minyoung,” Jisung says. When Changbin makes a noise of interest from where he’s sitting beside Chan, Jisung flips around his phone to show them an Instagram story that Minyoung, one of their stylists, had posted. Y/n, Minyoung, Eunsung, and a number of other people are crammed together in a booth at a dimly lit restaurant. They’re all smiling widely.

Chan looks a little too long at the way that Eunsung’s arm is slung around Y/n. Even after Jisung takes his phone back, Chan keeps thinking of how natural it looked, Eunsung at the perfect height so Y/n could rest her head against him, his hand curled around her shoulder, pressing her tightly against his side.

He can't remember the last time he saw Y/n smile like that.

“It makes sense,” Changbin comments. “Y/n hasn’t been spending as much time in the dorms lately, but the tour is coming up so close. I’ve heard that her team has been going out a lot to try to keep up morale and get to know each other before we leave. It’d probably be suspicious if she keeps cancelling."

"I wish we could have team bonding dinners to keep up morale before the tour." Jisung pouts.

"That's what this is!" Changbin gestures towards the spread of empty takeout containers that fill Chan's desk.

"That's the dinner part, where's the bonding, hyung?"

In response, Changbin immediately pulls Jisung into a headlock causing him to shout.

"Don't you feel closer to me now?" Changbin looks up at where Chan is zoned out. "Hyung, don't we look close?"

"Uh, yeah. Super close. Can we just focus on finishing this guide first and leave the bonding for later? I promised that we'd send it for review by tonight."

Contrary to his words, Chan’s thoughts continually wander, straying to the blurry image of Y/n. They get the guide sent off, but Chan's not fully satisfied and he can tell the others agree.

He doesn’t know what's wrong with him.

—

Really, Chan should have known that something is up the evening he finds Felix over at their dorms.

A flare of something curls in his stomach at the sight of Y/n curled up against Felix. When she turns her head, nuzzling his chest, that something becomes a sharp twist of emotion, one that Chan still isn’t able to identify. 

He knows that Felix is strong enough to carry her to bed, but still steps in and scoops her up before he can make an attempt to get up. He lays her down on her side of the bed as gently as he can, but her face still scrunches up when he lets go of her. He cups her cheek until her expression smooths out, then steps back. 

When he returns to the living room, he joins Felix on the couch and they stare ahead at the darkened screen of the TV for a moment. Chan can tell that Felix has something he wants to say.

“Do you think she’s been working too much, hyung?” Felix finally asks in a hushed voice.

“What do you mean?”

“It just seems like she hasn’t been well recently. I don't know if something happened or if she just hasn't been getting enough rest.” 

“It’s probably her job,” Chan says noncommittally. He's definitely not thinking about a late night in his studio a few weeks ago. "Everyone has been busy these days.”

“Hyung,” he says tentatively. “You’ve been working a lot lately too, we’re a bit concerned-”

“What is this, some sort of intervention?” Chan’s not quite sure where the sudden burst of irritation is from, but it seems to be a common occurrence these days. “First Y/n, then I can’t get Stays off my back, and now you? Why is everyone ganging up on me so much?”

“No, it’s-”

“Felix! Just leave it, okay?" Shaking his head in frustration, Chan stalks back to his room.

Sitting heavily on the bed, he buries his face in his hands and lets out a deep breath to calm himself. Luckily he didn't wake Y/n during his conversation with Felix and he takes the time to study her for a moment.

He has to admit that Felix is right, under her eyes are shadows that never used to be there and even in her sleep, she's not fully relaxed. It's just for the next few days, he tells himself. After my deadlines have passed and once the concerts resume then we'll both be less busy and have the time to focus on each other.

In the meantime, he slides under the covers until he's right behind Y/n. He loops his arm around her waist, then pulls her closer, relieved when he sees that the tension in her body drains away.

 previous chapter | masterlist | next chapter | read it on ao3

[violetduchess]

so... there's a anime where the first episode was traumatic for many reasones. (Oshi no ko, i believe) and i want some angst about that first episode. Muzan, Akaza, kokushibo & Douma headcanons for when they see their wife (y/n) getting stabbed by a stalker that was obsessed with them? (i know all of them would kill the stalker vjbjnffj) i also want their reactions to where she wants to become a demon like them so she could see their children would grow up. tysm if you're able to do this!

I loved Oshi no ko, because I was not expecting the dark turn it took.😳

Content Warning: The following text contains references to violence and sensitive themes. Reader discretion is advised.

Muzan

Muzan's eyes widen in shock and fury as he sees the stalker attacking you, his beloved wife.

In an instant, he unleashes his wrath upon the stalker, tearing him apart mercilessly for daring to harm you.

With his heart filled with rage, Muzan cradles your injured form in his arms, trying to stop the bleeding while vowing to make you better.

His eyes flicker with concern and love as he begs you to hold on, promising that he will do anything to keep you safe and by his side forever.

The night was dark and suffused with danger as you walked the deserted alley, oblivious to the predator lurking in the shadows. Muzan was trailing behind you, his crimson eyes fixed on your every move, pride swelling in his heart as he watched you gracefully navigate the world. But before he could react, the stalker emerged, his twisted obsession turning violent as he lunged at you with a knife.

Muzan's rage erupted like an inferno. In the blink of an eye, he dispatched the stalker, tearing him apart with unimaginable brutality. He rushed to your side, his heart pounding with worry, and cradled your injured form in his arms. "Darling, hold on," he pleaded, his voice laced with urgency and affection. "I'll make you better. I'll give you everything you desire."

As you clung to consciousness, weakly smiling up at him, you revealed your truest wish - to become a demon like him. Muzan's eyes widened in surprise and hesitation, torn between his desire to keep you safe and the prospect of granting you immortality. He gazed into your eyes, conflicted yet full of love, before making his decision.

Akaza

Akaza's expression darkens, and his eyes blaze with anger as he witnesses the stalker's attack on you, the love of his life.

Without hesitation, he rips the stalker apart, his strength fueled by his desperation to protect you.

Gathering you into his arms, Akaza's eyes soften with worry as he tries to heal your wounds, his hands trembling with a mix of fear and love.

He promises to do whatever it takes to keep you safe.

The moon hung high in the sky as you wandered through a deserted park, unaware of the looming danger. Akaza's keen senses alerted him to the presence of the stalker, and he followed behind, his heart filled with possessive affection for you. When the stalker attacked, Akaza's rage surged, and with a swift strike, he ended the threat.

He rushed to your side, cradling you in his strong arms. "Don't worry, my love," he murmured, his voice trembling with emotion. "I'll heal you." His blood demon art washed over you, beginning to mend your wounds as the damage was severe.

As you weakly smiled up at him, you expressed your desire to be immortal like him, so you could see your children grow up. Akaza's eyes widened in shock and conflict, torn between his loyalty to Muzan and his love for you. But as he looked into your eyes, the love you shared broke through his hesitation, and he vowed to find a way to grant your wish.

Kokushibo

Kokushibo's neutral expression turns into one of pure rage as he sees the stalker harming you, his beloved wife.

With incredible speed, he swiftly deals with the stalker, slicing through him with his Moon Breathing techniques, but the damage has already been done.

Kokushibo holds you tenderly, his heart aching at the sight of your injuries. He uses his blood demon art to heal you, knowing that he can save you.

He vows to protect you at all costs, even if it means forsaking his quest for power. He tells you that he can't bear to lose you and will do whatever it takes to keep you with him.

The moon illuminated the night as you walked through the deserted forest, enjoying the serenity it provided. Kokushibo silently trailed behind, his adoration for you evident in his gaze. He sensed the stalker before he attacked, but he allowed you to confront the danger, confident in your abilities. However, when the stalker lunged at you, Kokushibo acted with decisive speed.

He sliced through the stalker with his Moon Breathing techniques, dispatching him with lethal precision. As he approached you, his stoic demeanor faltered, and he tenderly held you in his arms. "Please be strong," he whispered, his voice breaking with emotion.

You revealed your wish to become a demon like him, so you could see your children grow up. Kokushibo's eyes softened with surprise and conflicted feelings. He had long forsaken his humanity, but the thought of sharing his immortality with you stirred emotions he had long suppressed. He promised to find a way to make you immortal, for he could not bear to lose you.

Douma

Douma's usual nonchalant demeanor shatters as he witnesses the stalker attacking you, his precious wife.

Filled with rage, he disposes of the stalker ruthlessly, his twisted smile replaced by a fierce expression of protectiveness.

He cradles you in his arms, his heart pounding with fear and worry as he uses his blood demon art to heal your wounds.

Douma admits that he cannot bear to lose you and agrees to make you immortal like him, so you can stay together forever.

The shadows danced around you as you walked through the dimly lit streets, your carefree demeanor captivating to Douma's darkened soul. The stalker's sickening obsession with you was evident in his twisted grin as he lunged at you with a blade. Douma was quicker, and with a macabre grin, he dispatched the stalker with his blood demon art.

He approached you, his voice laced with concern. "Are you alright, my dear?" he asked, his eyes softening with genuine affection as he tended to your wounds.

As you smiled weakly, you confessed your desire to become a demon, driven by your love for your children and your wish to witness their growth. Douma's laughter faltered, and his usual playful demeanor wavered. He was torn between his loyalty to Muzan and his growing affection for you. But as he looked into your eyes, he saw the depth of your love and the sincerity of your request. He promised to find a way to make you a demon, vowing to keep you with him for eternity.

All rights reserved @violetduchess. All works of fanfiction belong to me, please do not copy, translate or repost any works without my express permission. Thank you.~☆

[starfleetshrimps]

i love star trek bc it's actually a high school theater production most of the time. We focus a lot on the over-acting, theatricality of the actors and the directors, and that's all well and amazing, but /I/ want to focus on the /TECH/ bc ASHAijnjsdnbhgaARREghghhuuagjkshdmhbAHJBSSHJHIEJBnkjsdjhbsdhjBmahbsjshsbHkjnswkjshsn yea.

FIRST THE SETS?!? they're so silly and stupid? i know they get a lot of shit but the amount of work (not to mention styrofoam) that went into building individual sets for each planet they went to? like sure about 50% of the away missions take place in the california desert (the arena, *cough cough*, etc) but the rest of them have individually made sets that look PRETTY GOOD MAN. they get the point across, they're FUN, and innovative, and they really don't reuse planet sets all that often as well.

PLUS they used traditionally /theatrical/ cycloramas with painted backgrounds and classical cyc lighting (reminiscent of mariano fortuny's domed cyc! i WILL talk more about lighting) which look really cool and once again get shit for being unrealistic.

it's not supposed to look realistic it's supposed to look cool as shit. and it does. shut up. <3

if you view the sets as being modern TV sets then yeah, they're weird, and they look sorta bad, but THEYRE NOT modern TV sets: they're THEATRICAL SETS FROM THE 60-70S. AND I LOVE THEM.

SECONDLY, THE

lighting

while it's true that some shows in the 60s were developing new lighting styles specifically for TV, remember that in the year 1950 less that 10 percent of US homes had a television. this shit was new. COLOR tv was ESPECIALLY new. nobody knew how to light these things! and actually why would you need a new lighting style, we already KNEW how to light dramatic productions, why would we ever need to reinvent the wheel Stanley Mccandles, Mariano Fortuny, and Gene Rosenthall already invented says Gene Roddenberry and Jerry Finnerman (the head lighting designer). and oh my god i am so ridiculously glad. because the lighting. is so good.

i HAVE seen others talking about how good it is in the super early episodes (Charlie X and the conscious of the King, etc.) and i do agree! but i disagree that the quality goes down. i think it just got a tad bit more subtle as the show went on and it gets less in your face, harder to notice. but i noticed. because I'M the WORST (and also a lighting tech)

the impossibility of listing every example of amazing theater lighting choice they made is absolutely horrific and nasty so i'll just lost some my my favorites:

the cyc! i mentioned before but the cyc they used on away missions was only painted when they needed a specific scene in the background, otherwise? that bitch was LIT. and i LOVE IT.

any of the scenes where they light spock's face have green and half pink? or even just washing the walls behind him? i eat that shit UP. the METAPHOR. the CONFLICT. i will acquiesce that green and pink are (and were) pretty goddamn industry standard gels (color-films) to add to lights, for subtle contrast, but this is not subtle. it is LOUD. was it purposefully done from a storytelling perspective? no idea. is it cool as shit and interpret-able as hell? absolutely. also sometimes they do it with just green when they want to emphasize his vulcan-ness and other him a bit. like they do it a lot when he's in his room in amok time. anyway.

whenever they shutter a light so they can emphasize a character's (kirk, we're talking abt kirk here. and *sometimes* spock, and also Charlie in Charlie X but yeah mostly kirk) eyes when they say something #Deep, or just pre-commercial break closure worthy line. it's so SHJSDJBFEJNKN. to add onto this, they'll do a striking half-wash over half of their face sometimes in conjunction and it looks So Good

The GOBOS. sometimes, they'll just throw light through a gobo, or wall screen, or something, for /visual interest/ and it looks so silly i love it sm. does it make sense from a realism pov? nO. but star trek is a theater production actually and they lit everything using mainly naturalistic techniques! amazing!

honorable mentions: the glowing time donut, and the entirely random colors in the hallway.

there are so many other examples but this post is long enough lmao. notice the lights next time you watch tos!!,! please!!! <3

[football-and-fanfics]

When I Let It Out - Mason Mount

Who: Mason Mount, Declan Rice Prompt: Hyperventilating Requested by: anonymous Word count: 644 Warnings: contains descriptions of panic attack and hyperventilating.

Mason wasn't one to easily talk about his feelings or emotions, never had been and still wasn't. Instead, he was used to keeping it all in and pushing it down. But at some point, in a big burst, everything spilled out. It always did.

Mason knew this wasn't the best way to go about things, and he should probably find a healthier way to deal with his emotions, but that was far easier said than done.

Today was such a day where he wasn't able to keep things in anymore. Mason instantly felt that once he stepped off the pitch after training today. He had witnessed one of his England teammates sustain a possibly serious injury, and ever since then, the foreboding tightness had settled in Mason's chest.

Mason stepped into the dressing room with the world feeling like a haze around him. The tightness in his chest only became worse, as if someone was pulling a belt tighter around him. He couldn't breathe normally anymore. Each inhale seemed to be blocked off and air could only reach his lungs in limited amounts. The familiar sense of panic that usually accompanied these episodes rose fast now.

"We're going in here for a moment."

Mason wasn't even aware at first of Declan appearing beside him and putting his arm around him to steer Mason into a side room. Declan closed the door behind the both of them to give Mason some privacy.

Mason almost gasped for breath now. "Take it easy, mate." Declan soothed. "Try to think about what you always do in these situations. You've done it before, and I know you can do it again now." Mason tried with all his might, but wasn't really succeeding yet. He stumbled over to the nearest wall and placed flat hands against it, leaning forward and bending his head low. No matter what he did, his breaths remained strained and high in his throat.

Declan watched Mason struggle silently for a little while. "Mase..." He finally started. The sadness for his friend sounded in his voice. "I'm alright," Mason answered softly, "I'll be alright." He seemed to have a little bit of breath back, although it was still far from normal. "I know that," Declan answered calmly, "but we do need to talk about this, please."

Mason slowly turned around, leaning his back against the wall now. He tried to keep the expression on his face neutral, but Declan saw through that right away. "This isn't good, mate," Declan said sadly. Mason meant to respond, but an involuntary gasp of breath took away his answer. He slowly shook his head instead. "Deep breaths," Declan guided, "try to take deep breaths."

Declan wished this was the first time he had to talk and support Mason through one of these episodes, but it wasn't. He knew exactly how Mason dealt with difficult or painful situations, how immensely hard he found that, and how his way of dealing with it surely wasn't the best way.

"I know what you want to say." Mason managed to get the words out. Declan nodded thoughtfully. "I'm sure you do." Mason took another shuddering breath. "Maybe it's time I start working on it." "I think so, too." Declan agreed. "Because this can't go on like this. This isn't healthy, mate."

Mason's breath caught high in his chest again. "But I'm scared of it." "Oh, Mase..." Declan stepped forward to rest his hands on Mason's shoulders. "That's what I'm here for. You don't have to do it alone. No matter how hard it gets, I'm going to be there for you."

Mason glanced up at his friend. The man whom he knew for basically all his life and who knew him so well. A sudden feeling of gratitude flooded through Mason. "Thank you," he whispered sincerely, "because I'm probably going to need the support."

Tags: the tags list has been moved to the comment section. If you wish to be added to the tags list, you can sigh up for it here.

Request an imagine Writing masterlist | Mason Mount masterlist