#and 8 does feel like a conclusion

[danvssomethingorother]

On one hand, I do think some improvements can be made for RE 5 and 6. They had a lot of flaws and I wasn’t completely satisfied with either game and maybe a remake could make the stories of both better.

On the other hand, those were both ps3 games and I hardly consider that old enough to warrant a remake. 4 was already a game that was straddling the line here but I won’t deny it’s a good game.

On the whole I kinda hope if 4 isn’t the last remake, they just do code Veronica and maybe the Darkside Chronicles (I feel like you could have fleshed out the Krauser and Leon stuff and just cut the mini remakes to make it a much better game) for remakes and call it a day. Even if I’ll admit 5 and 6 could use some polish to make much better games, I kinda like 6 being a beautiful mess. And again ps3 wasn’t that long ago!

[seenthisepisode]

~~~

[eggmeralda]

so weird how 2028 is gonna be a leap year. just doesn't seem right

[originalwinnerfanfish]

Well, I did it

Megatron - I love his tfp design. Probably one of the best iteration of Megs. He is huge, heavy armoured, his face covered with scars… He doesn’t looks like an ordinary military leader who is only capable of giving orders, but like real warrior who can destroy any enemy with his bare hands.

So, in the WOF version, he definitely shares some features with Princess Burn, not only because of his might, but also because of his horns shape and dirty-dark scales (that absorbed blood of his enemies)

Starscream - Boy, I hate him so much 🤣… but in the good way, trust me! In my opinion, when the show's creators make you feel such strong negative emotions towards a villain, it means they've done a great job. Also, I think that his animation in the show was absolutely incredible, because even though he's a 3D model, he still manages to move like a 2D character, which is amazing!

I feel that in my design he still looks more like a skywing, than an icewing (which is kinda logical)

Soundwave - This one was tricky. I couldn't figure out what his mask would look like, so I just made his face a really dark color. I think Soundwave has both gifts of the nightwings, and he’s equally great at telepathy and a future vision. So he doesn't really need equipment to predict enemy movements, which makes him an ideal communicator in the WOF setting. His Laserbeak is part of the armor enchanted by Shockwave, and it might also allow him to open portals (but I'm not sure with this one)

Shockwave - My favourite evil genius. He would definitely have animus magic and mind reading. I think Shockwave is the only one who has advanced the study of magic so far, precisely because he combined it with scientific knowledge and created safer methods of using it, that don't damage the mind. It's like if a Mastermind got animus magic in books.

I also like to think that he didn't heal the damaged part of his face just so that his enemies would fear him more)

Dreadwing - This man deserved better! It's really a shame that he was removed from the show so quickly due to financial problems. It would be great if his arc got a proper conclusion in season 3.

Considering that I didn't want to make him a hybrid, it was difficult to choose a suitable color palette. So let’s just say, that I tried my best😅

I don’t think that he would have any nightwing powers, but honestly it doesn’t even matter - this guy can make a bombs, what else does he need to be cool

Arachnid - Did anyone even doubt that she would be a hivewing? Damn, she even got her own “Othermind” virus. Her design was the easiest to work with - just a little poisonous ass (suspiciously similar to Maleficent).

Just like Starscream, I hate her, but in a good way. She's one of the creepiest characters in the entire series, who’s acting like a fucking heartless monster, especially with Arcee, but even so, there's always was something mesmerizing about her. I just really like strong female villains

Knockout - Wery bright and charismatic guy, definitely one of my fav cons!

I tried to draw him as handsome as possible. Worked a lot on the face shape and coloring, and as for me it turned out pretty nice (finally).

Most decepticons think Knockout is as stupid and lazy as all the other rainwings. And it's not like he completely disagrees with that. Of course he’s not stupid and lazy, but if it’s means less dirty work on the battlefield, well, he’ll continue act like a tipical rainwing

(I also believe that Megatron keeps him as an “art”)

Breakdown - Fun fact: "Operation Breakdown" was the very first thing I saw in this series. And it was an interesting experience for 8 year old me. Maybe that's why I'm so scared of eye gouging scenes in movies now…

I think that he didn't have any siblings initially due to his parents nature, and even after meeting Bulkhead, he felt uncomfortable among the other mudwings. And this is why he later chose the side of the decepticons. And maaaaybe because of one cute rainwing influence)

P.s.

I think that, being mostly nightwings and icewings, the decepticons are much more concerned about purity of their blood and rarely accept half-breeds into their ranks.

During the war, there were many animus dragons among decepticons, which is why they have so many artifacts that allowed teleportation and communication at a distance. But, honestly, I still can't imagine what Nemesis would look like in this AU

[casscainmainly]

My Top 10 Batgirl (2000) Moments

This is my list of top 10 Batgirl (2000) moments!! There were so many to choose from, but these are my personal favs :)). Counting down from 10 to my absolute favourite.

10. Volving

An absolute classic. Perfectly encapsulates what Cass does throughout the entire run, and more writers should play with Cass' use of language like this!

9. Beat Up Every Mob In Gotham

Perfect encapsulation of the early Barbara-Cass dynamic, and one of the funniest moments in the series. Just love the expressions and the way this shows so much of Cass' character.

8. Choosing to Write

The entirety of issue #2 builds up to this heart-wrenching moment. After delivering a dead man's final message to his wife, Cass sees the wife's reaction to the written message and decides to learn to write. A foundational moment for her character, and a nice motherly Babs scene too.

7. Alpha Redemption

Capping off issues 35 + 36, Batgirl unmasks herself to convince Alpha (an amnesiac villain) that he doesn't have to be defined by his past. Brilliantly displays her core belief that people can change, and the fact that her belief pays off makes this moment extremely moving.

6. For God's Sake

Possibly a controversial pick, but I really like this moment because it underscores some of the fundamental conflict between Babs and Cass. They love each other, but they don't always understand each other, particularly in regards to each other's disabilities. A painful moment that should have been explored more.

5. Fight For Your Life

My favourite Stephanie and Cass moment in this run. You can feel Cass' grief throughout this hallucination, but there's also so much hope and love (for Stephanie and for herself). It's an amazing conclusion to Cass' initial suicidal tendencies: instead of desiring death, she now actively fights to live.

4. Darknight Detectives

This interaction sums up a lot of Bruce and Cass' best moments. Cass' unwavering moral beliefs, Bruce's pride, their instinctive understanding of each other; they just get each other in a way few others do. I picked this one instead of the 'instinct/good answer' moment because it also marks Cass' development in her detective ability. From Moment 8 above to here, the confidence in her mental capacities has grown so much. She really volved!

3. Perfect For A Year

I mean of course this had to be here. These lines literally take up 90% of my brain space, it's an incredibly tense moment that illustrates Cass' desire to be perfect, her need to be useful and good. This issue is also just awesome.

2. You're... Not

Another absolute classic. Illustrates Cass' compassion and her belief that people aren't defined by their lineage, which is particularly personal to her, given her own dad. This struggle between good/bad, parent/child defines many of Cass' best stories.

1. Who Do You Think You Are? + Father's Day

What else would number 1 be?? Issue 33 is my favourite in the entire run, and the entire thing is stacked with moments that could fill up this list. I just love 'who do you think you are' because it's all of Cass' rage spilling out, and yet she still loves David Cain in her own complicated way (and he reciprocates, too). Then we have the ending, which is the BEST Bruce and Cass moment ever. The sparse, meaningful dialogue, the expressions, the reveal of the TITLE: comic book writing at its finest.

Honorary mention to the Shiva/Cass fight, which just narrowly missed out.

[chrolloluvr]

Hey, I saw some other headcanons similar to this and absolutely loved the concept! Adam x reader, love at first sight? Like he just makes it his mission to go out with reader afterwards?

Adam falling love at first sight

Note: TY FOR REQUESTING!!! This is also before the big fight on ep 8!

Female!Reader

Warnings: Cussing, creepy behavior, adam is smitten for you 🌺🌺

When he first sees you, he immediately was struck by an unfamiliar feeling. Who the hell is this chick?

He has never felt this way about Lilith, or even Eve, so what was different about you? He had to find out. And usually when he sees a pretty face on a woman, he thinks of vile, guttural thoughts. But with you, all he thought about was the way you looked so graceful, and how you carried yourself, and your beautiful eyes, and your glistening skin, and your-

Lute had violently interrupted him from his daydreaming, by basically yelling at him for the whole promenade to hear.

He had Lute immididietley do some detective digging on you. He at first was going to go up to you to ask for your digits, but he felt... nervous?

After lute reported back about her findings, she had told him all about you. He didn't know it, but he was truly in love. He just could not stop thinking about you, and how to get you.

He told Lute about these feelings, and when she explained, 'Sir, it seems you are in love', he flat out refuses it. He tries to convince himself you are just some hot broad, that he just happened to run into.

If he were in a meeting with Sera, he would have you running laps in his mind. Planning the next extermination? Goddamnit, get out of my head you stupid bitch!

He comes to the conclusion that to stop thinking about you, he needs to talk to you. So he sad Lute figure out your number and address, and thats when he tries to get with you.

This man will literally rehearse his first meeting with you in the mirror, as if he is a teenage boy going on his first date. But he isn't, and this is definitely not his first date, or at least, this is his first real time trying to impress a woman. Because usually, he does not need to act fly to get any girl he wants.

After you find out he is THE Adam, you flat out say no, because you dont want that kind of attention. So you start to ignore him. But that just motivates him to keep contacting you.

XXX-XXX-XXXX 5:31

Hey babes, wyd? you down for dinner tonight? Just you and me.

XXX-XXX-XXXX 5:33

Or maybe we can watch a movie and chill?

XXX-XXX-XXXX 5:47

C'mon babe, how can you refuse me? Ill meet you there in 30 ;)

XXX-XXX-XXXX 5:50

Hey, respond?

XXX-XXX-XXXX 7:10

Hey sugar, lets do something tmrw isntead since your clearly busy 😘

He will send you huge bouquets of flowers, along with a handmade book he made, filled with "anonymous love letters" which you can clearly tell are from him due to his messy handwriting.

He will then eventually "accidentally" bump into you. Every time he does, you are basically forced to talk to him and listen to his tangents, on how going out with him is the best choice you will ever make.

And honestly, he just does not stop bothering you. Even if you were to straight up tell him to leave you the fuck alone, he wont.

"Hey y/n whats up? Whacha doing tonight...? Maybe it can include me. im free yknow, if you ever wanna hang. Im great at choosing places or if you want you can choose-"

He is truly in love with you. He wants you to eventually be his future wife in his mind, making you the third. And in his mind, you already are.

If you just keep telling him off for months, hell, maybe even years, he will never get over you and your beauty.

If you eventually say yes to a date, he will be so excited, but will play it off because hes just chill like that. But he is down so bad for you, and honestly wants you all to himself.

[roseworth]

hi. here are my top 5 favorite comic moments ever (sort of in order, they can all be switched around sometimes depending on my mood)

"the son has not surpassed the father" (batman #645)

i cant even put into words what i like about this scene because everything about it makes me insane. its just so beautifully written and fits so well thematically and shows so much about how bruce is feeling without explicitly saying anything. so fucking good

2. "maybe he did. but my little girl is still dead." (batgirl #19)

fucking. fuck. again this moment just shows so much about how cass feels without saying it explicitly. theres a flashback to the man she murdered right after this because she sees herself in the murderer and doesnt believe she can be redeemed. itsfuck ignf. yeah. maybe he changed but she's still dead

3. "i owe you no explanations. i took the only compassionate option." (titans #12)

hoooooooly shit. i get chills every time i think about this im serious. adeline was suffering and about to die and kory killed her. kory saw herself in the suffering of someone else and KILLED HER. hard as fuck. i will refrain from going on a whole tangent about this but i feel like writers sometimes have the Good Guys kill someone and it doesnt really feel right, but this does it so well because it makes sense within the story AND for kory's character. she was right

4. "the last two bullets are for us" (green arrow #32)

this was so fucked up. can i call this a power couple moment. dinah has so much fucking kidnapping & torture trauma then she finds ollie after he was kidnapped & tortured and she goes dw babe we're gonna kill ourselves later. HELLO. i need to chew on them

5. "for all the times i will never forget. for all the things i can never forgive" (gotham city sirens #21)

everyone drop what youre doing and read gotham city sirens #20-21 right now. or read til the end of the book. gcs is mostly just an okay book but it fucking nails the ending. but this moment in particular makes me lose my mind because harley shows exactly how competent she is and gets into joker's cell in arkham with a gun when she thinks about how he hurt her. then the second she sees him she joins him again. its the ideal pre-breakup harley writing to me and this issue (this entire arc tbh) changed me

in conclusion i love my picture books 💞💞 i think more people should post their fav comic moments too because i wanna see everyone else's plsssss

also im putting honorable mentions under the cut:

"its not them" (blackest night: titans #3)

"i still dream of krypton" (supergirl woman of tomorrow #8)

"to the microscopic beings alive on his skin, this child is the entire universe" (poison ivy #6) (basically this entire issue is my favorite but i had to choose one page)

[torveiglyart]

Red Paladin Lance!

It always kinda bothered me that they never switched armor colours. I understand why not in season 3-4 because switching the armor then would feel like accepting that Shiro is gone. They were convinced that the 'Changing of the Guard' was a temporary solution. But why didn't Lance and Allura swap when Shiro was back and Keith left?

Keith leaving was a conscious choice. They had one paladin too many, as Lance stated, and Keith felt he was the one who could, and should, leave. He had the Blade of Marmora to go to, whereas the other paladins would have nowhere to go.

The paladins knew generally where he was, and that he wasn't dead. So why not change armor?

Allura wore the pink as a symbol of mourning. But Shiro's back, so unless she really likes pink like her mother, she has no reason to continue wearing it. Lance has not flown, or talked to, Blue in a long while, and never does again until the season 8 conclusion. He's Red's paladin now.

It makes all the sense in the world for them to switch armor in the seasons after Keith's departure. So why didn't they? I think it's because of which paladin they are. Let me explain:

Keith is the red paladin. The Red Lion looks for someone 'hot-headed and stubborn', someone who relies more on instinct than skill. The traits of a red paladin are fiery, straightforwardness, impulsive, passionate, and self-certain. Keith tones it down a bit when leading the team in black and once he returns from the BoM, but he still has these characteristics.

Lance is the blue paladin. The Blue Lion looks for someone flexible, supportive, and creative. While we don't get to hear Allura's explanation of the Blue Lion, we can see why Blue picked Lance. He's a quick thinker, goes with the flow, and most of all, flexible. He makes what's given work, especially when it came to needing a red paladin. Not, by choice, necessarily, but he rolls with it.

Allura is not a chosen paladin. She does not have qualities that fit a specific lion quite as well as the rest do, but rather a mix. This is why she works as Blue's pilot. She has the flexibility required by Blue. So while she works as a blue paladin, she is technically not a better fit than Lance for Blue, but Lance is a much better fit in Red than Allura due to Keith in Black.

All this to say, it still annoys me they didn't change colours, but oh well.

[darkcircles4lyfe]

I've given it some thought--

Now, if you've read any of my posts and you've read 430, you know there are a lot of ways it falls short of what I wanted. On the other hand, I can respect an open ending, one where we are allowed and encouraged to dream. All things considered, I'm not satisfied or disappointed, but a secret third thing... bear with me.

For a lot of storylines, I can fill in the blanks how I want.

I'm heartbroken over Himiko's fate, but there's no denying that the lack of camera footage leaves open the possibility of her simply disappearing. Perhaps she is waiting in hiding for the world to change, just like Lady Nagant.

Dr. Yoshida is described as someone who can cure the incurable. That may be referring to Katsuki, but the doctor himself said it's a complete mystery how he survived, all Katsuki's own doing. Maybe he cured someone else in those 8 years... someone like Touya?

Honestly I got nothing on Tenko but who knows. Who knows! Something something OFA connection. Izuku having vestige visions. Idk.

As for the manner in which society is changing, I'm drawn to Shouji's speech: "I'm dedicating the honor to those who joined the uprising eight years ago. All I've done is stand atop the resolve that they demonstrated to the world, nothing more." That at least tells me his earlier judgment of the other heteromorphs "setting them back" was a narrow point of view Shouji was supposed to grow out of, rather than a way of Horikoshi trying to criticize revolutionaries. In general, just because a character says something doesn't mean we're supposed to take it as gospel. That's lit crit 101, people.

Then there's Izuku. Once again I am feeling this pretty close to home. I keep coming back to the fact that the class is 24/25 now and I'm 25, man. On top of that, anyone else who was 14/15 ten years ago when the manga started gets to feel like we've all grown up together. I wanted catharsis for Izuku's trauma so badly. I wanted words. But I can't deny that the way Izuku is shown attempting to make the best of things and be content with a humbler life resonates with me, as painful as it is, as much as I know deep down he's kidding himself. It doesn't surprise me that he kept his walls up all this time and continued to shun his "selfishness."

I almost feel like there's an all-encompassing narrative theme being expressed here, in the fact that Izuku was trying to push past his pain and focus on the next generation, but surprise, his story's not over yet. I think the implied message there is that more can be done in the here and now, and maybe other stories that seem to be over, aren't.

With these things in mind, I can take the ending in stride, even if this is all the more we get from Horikoshi. However. There's one thing that is jolting me out of my peace every time I start to get comfortable here. It's actually related to the storyline that got the most closure.

I've seen a lot of fellow bkdk enjoyers calling their conclusion the best part of the ending, and I agree with that. They got a truly full circle moment, and a way of communicating to the reader that they're together, they have their forever, in a way that is personal to them. It's not "canon" in the way a kiss or a confession is, but I've said it before--this makes sense for them. And Horikoshi also did something legitimately interesting and groundbreaking by not making Ochako confess, not showing her future being tied to the main character as a love interest.

No, the thing that's bugging me is a seemingly small detail: why does Izuku and Katsuki holding hands at the end, of all things, have to be implied? Lots of things about 430 make sense in the context of the interview Horikoshi recently gave where he expressed being content with what he has drawn, and what he has left to the imagination. But not this. You can't convince me he didn't want to draw this. It's a motherfucking story about hands. This is the one thing I was 110% certain would happen. It's been teased for forever. Katsuki clearly wanted it so bad. So many other characters got to hold Izuku's hand in-frame. What the hell. Why.

Idk. I will be thinking about it for the foreseeable future.

[rychlostthespacewizard]

Alright so apparently you guys really liked my posts on quotes. So i'll do this again:

i collected more random quotes and now i have 265

Here are them, in no order. Feel free to comment which ones are your favorites:

1.  "You are naught but a nail dreaming itself a hammer."

2.  "Each inch of our lands are littered with the ruins of empires that dared to dream of eternity and deemed themselves endless. "

3.  "You walk upon bones of those who thought they could tame the wild, and yet dare to repeat their sins?"

4.  "I had only one thought before the slaughter. This man will not make an orphan of my daughter"

5.  "Culture shouldn't exist only for those who can afford it"

6.  "The path of revenge is not an honorable one but sometimes it is the only one beneath your feet"

7.  "Act confounded and you'll become enlightened"

8.  "Those who test boundaries find cliffs"

9.  "Aftermath is the sum of poor calculation"

10. "Consequence favors the foolish"

11. "Consequence befriends the foolish"

12. "If you desire fire stroke the flame"

13. "The lack of restraint encourages fallout"

14. 'A reckless temperament perfectly tempts fate"

15. 'Incautious provocation bears unwanted education"

16. "Am I doing the right choice marrying her?" -"Each and every moment with her will be worth it tenfold"

17. "What troubles you, my hunter? Do you not hear the call of the hunt? Or do you wish to stir something more from the depths of this nightmare?"

18. "A chicken that follows a duck drowns."

19. "A dog bitten by a snake is even afraid of sausage."

20. "A sparrow that follows a clay builder becomes a bricklayer's helper."

21. "A scoundrel's hat is a sledgehammer."

22. "In the land of the one-legged, every kick is a trip."

23. "In the land of the fearful, every pillowcase is a ghost."

24. "Pretend to be a piglet to nurse lying down."

25. "A sleeping alligator becomes a lady's purse."

26. "A bird that eats stones knows the butt it has."

27. "He who eats quietly, eats always."

28. "A chicken that follows a bat sleeps upside down."

29. "More lost than an olive in a toothless mouth."

30. "More lost than an onion in a fruit salad."

31. "Velvet pants, bare butt."

32. "He who is afraid of snakes doesn't go into the woods."

33. "Never look a gift horse in the mouth."

34. "He who has no ears doesn't wear glasses."

35. "Palaces of silver and gold cannot be built overnight."

36. "I have the body of a pig"

37.  "Lies? in your house of god?"

38.  "Do not mistake my altruism with indifference. I shall not lay the wicked among the fair; the love of the gods is not unconditional, and neither is mine."

39.  "The gods may judge you but their sins outnumber yours."

40.  "The future is not written and it is foolish to squint at what cannot be read."

41.  "Not all places exist to be found. Sometimes one must revel in the shadows to truly see the light."

42.  "Did the man who first discovered fire consider the burned houses? Or did he simply sleep with a full stomach?"

43.  "A falling knife has no handle"

44.  "How does it feel? For i am the conclusion to your story, and you are but a page in my book."

45.  "Don’t kill me. Please. I am scared." “You are?” "Yes. I am scared to not exist. Aren’t you?"

46.  "I am a monument to all your sins."

47.  "I’ll do whatever you want. Then Perish."

48.  "To become a god is the loneliest achievement of all."

49.  "I survived because the fire inside me burned brighter than the fire around me."

50.  "All knowledge is based on that which we cannot prove. Will you fight? Or will you perish like a dog?"

51.  "Nobody likes to change. There will always be resistance to change. And the quicker you get to that, the easier it is. It's not such a difficult thing. If you entrench yourself and go, 'by the gods, I will not change. I will not have this.’ Then, you’re a dead man. We're great at adaptability. It's our strongest suit."

52.  "You’ve got to make a statement. You’ve got to look inside yourself and say: 'what am I willing to put up with today?’"

53.  "Whenever you look at another creator or an artist that you respect, you're only seeing what took them a long time of work and doubt to push through. You never see the struggle behind it. So you think you’re the only one struggling, when in fact, everyone goes through it."

54.  "Too many people have opinions on things they know nothing about. And the more ignorant they are, the more opinions they have."

55.  "Pick a god and pray."

56.  "I see now that the circumstances of one’s birth are irrelevant; it is what you do with the gift of life that determines who you are."

57.  "Dude, sucking at something is the first step towards being sort of good at something."

58.  "There’s no point in being grown up if you can’t act childish at times."

59.  "Men are props on the stage of life, and no matter how tender, how exquisite... A lie will remain a lie."

60.  "If you want me to die, just say so. "

61.  "Then become the dirt I walk on."

62.  "To feel sorrow is to deserve peace."

63.  "Can you feel your heart burning? Can you feel the struggle within? The fear within me is beyond anything your soul can make. You cannot kill me in a way that matters."

64.  "You are alone, child. There is only darkness for you, and only death for your people. These ancients are just the beginning. I will command a great and terrible army... and we will sail to a billion worlds. We will sail until every light has been extinguished. You are strong, child. But I am beyond strength."

65.  "He has already begun painting the picture, now we must decide to finish it."

66.  "When someone leaves your life those exits… are… not made equal. Some are beautiful, and poetic, and satisfying. Others are abrupt and unfair, but most are just unremarkable, unintentional, clumsy."

67.  "You kneel before my throne unaware it was built on lies."

68.  "I never cared about justice, and I don't recall ever calling myself a hero, I have always only fought for the people I believe in."

69.  "If we want the rewards of being loved we have to submit to the mortifying ordeal of being known."

70.  "What can one do in the face of such monumental loss but breathe a weary sigh, for the world is a little quieter now."

71.  "You cannot condemn those who build your throne."

72.  "You can’t demand a service while simultaneously degrading those who provide it for you."

73.  "The gods have cursed me for my hubris and my work is never finished."

74.  "We might be in the history the gods abandoned."

75.  "The antidote to despair is action."

76.  "I cannot hold back the tide of your bad decisions."

77.  "Kill me and live with the memory. Then tell the stars that you’ve won."

78.  "Sometimes life puts you in difficult circumstances you didn't choose, but being happy or unhappy is a choice you make, and I've chosen to make the best of things that I can."

79.  "You don't have to be alive to make yourself relevant, And you don't have to be a good person to be a hero. You just have to know who you are, and stay true to that. So I'm going to keep fighting for people the only way I ever knew how, By being me."

80.  "Always remember that the crowd that applauds your coronation is the same crowd that will applaud your beheading. People like a show."

81.  "See, Sarah? We're not doomed. In the great, grand scheme of things, we're just tiny specks that will one day be forgotten. So it doesn't matter what we did in the past, or how we'll be remembered. The only thing that matters is right now, this moment, this one spectacular moment we are sharing together. Right, Sarah?"

82.  "You know, it's funny... when you look at someone through rose-colored glasses, all the red flags just look like flags."

83.  "Sometimes, Life’s a Bitch and then you keep living."

84.  "You do everything you can to make up for it, knowing that you’ll never succeed in getting rid of the guilt. You devote yourself to spending every second trying to do better despite the fact that it will never be enough. And you pray with every single good act you do that somehow, when your life is over, that you came close to making up for the wrong you committed."

85.  "I will seize destiny by the throat and force it into the shape of my choosing."

86.  "The sins of the ancient burn the souls of the ancestors."

87.  "What brings me joy is… life. I think you can find joy anywhere, in life. I think it’s a conscious choice. I think you- you choose joy, in life. And no matter how bad things are, no matter how crummy, no matter how dark. You find joy. I find joy in whatever I do. I don’t always do things right, and I don’t always do things smart. But whatever I do, I find joy in it."

88.  "I think we deserve a soft epilogue, my love. We are good people and we’ve suffered enough."

89.  "I hear your questions constantly. They come to me in my dreams like a prophet receiving visions from an angry god."

90.  "Your secrets are safe with my indifference."

91.  "The anger in your heart warms you now, but will leave you cold in your grave."

92.  "History shows again and again how nature points out the folly of man."

93.  "If the gods wanted you to live, they would not have created me."

94.  "One day, you will be face to face with whatever saw fit to let you exist in the universe, and you will have to justify the space you’ve filled."

95.  "I can’t go to any of the hells. I’m all out of vacation days."

96.  "You understand reality while everyone else is running around confused and angry and upset because they think reality is something happening to them rather than something they are making every moment with every thought."

97.  "What are the heavens but places where your dreams can’t destroy you."

98.  "You are braver than you believe, stronger than you seem, and smarter than you think."

99.  "Authority should derive from the consent of the governed, not from the threat of force."

100. "Love is not a decision, it is a feeling. It would be much easier if we could choose whom we loved, but much less magical."

101. "We do have a lot in common. The same earth, the same air, the same sky. Maybe if we started looking at what's the same instead of what's different... well who knows?"

102. "If I were not a holy woman I would beat you senseless."

103. "No cause is lost as long as one fool is left to fight for it."

104. "The light inside me is broken, but I still work."

105. "Everything not saved will be lost."

106. "What is another sin to me? I don’t want to play a game where I can’t see the score."

107. "Nothing's set in stone, but set in a dirt road. If you roll your wagon in the same path too much it'll soon be the only path you can take without struggling."

108. "I came out here, to this point, to this place, hoping against all hope and despite signs and portends suggesting otherwise that I might, somehow, find myself having a pleasant experience, and yet here I stand, alone against the world, feeling bombarded and assaulted on all fronts, knowing not my enemy's name, nor his face, nor whether our battle is done."

109. "I've got good news. You see, there's no need to wonder where your god is, 'cause he's right here! And he's fresh out of mercy."

110. "The penance you pay for the way you behave is written as plain as the name on this grave."

111. "Some humans- just as some of us- are capable of unspeakable acts. But despite all the violence in your history, you have endured, built civilizations, constructed great wonders of technology to broaden your horizons and forge friendships across all manner of divides. I strongly believe that this is not some grand miracle... but merely your own deepest nature, struggling to express itself through the distrust and fear that thousands of years spent living on a harsh, unforgiving society have bred into you."

112. "We both stared into the abyss, but when it looked back... you blinked."

113. "Before there was time, before there was anything, there was nothing. And before there was nothing, there were monsters."

114. "If you feel like the dumbest person in the room, then you are in the right room."

115. "Love yourself to spite the world."

116. "I commend my soul to any god that can find it."

117. "If there can be no victory, then I will fight forever."

118. "Those who do not exist cannot suffer and are of no account to any viable ethics."

119. "No one will know the violence it took to become this gentle."

120. "Oh I believe in the gods, alright. I just don't believe those bastards deserve to be worshipped."

121. "“You ever wonder if this is Heaven now? You ever wonder if we're all just there now and we don't know it?” “I've thought about that. All of us have. There's a lot less people who go to church than there used to be, because that's what a lot of people think. But I don't think so. But I think about it. And I think, well, I can't be. Because I'm like you, I kinda look at the big long life ahead of me that stretches out forever and disappears. And I get scared. And I think, ‘This can't be Heaven if I'm getting scared, right?’ And then I think, ‘maybe I am in Heaven, and Heaven is scary.’” “...I know exactly what you mean.”"

122. "Stop expecting yourself to be immediately perfect at whatever you do. That’s what hard work was made for."

123. "I’ve heard it said that we only gain wisdom through suffering. And tonight I intend to make you very wise."

124. "From one maker of music to another, across all worlds, all times, no matter what you do or what you become: You are nothing less than beautiful."

125. "We all make mistakes. That’s what happens when you’re brave enough to make decisions."

126. "Shame is our currency in the economy of degeneracy. If you wanna be weird you gotta pay for it by feeling bad."

127. "Everything happens so much."

128. "Every humanoid has regrets, has things they'd like to go back and change. But I don't! 'cause I'm a bear."

129. "Do I drag my carcass to the mountaintop once more? Just to scream a warning that will go unheeded and unheard? Or do I end it?"

130. "There can be no bravery, without madness."

131. "Prolong this world's stasis or face the heart of its infection. I'd urge you to take that harder path, but what end may come, the decision rests with you."

132. "It's always important to remember that every day can be beautiful if you want it to be. Every day starts in the dark...and ends in the dark...but in the middle, there is light."

133. "Decay exists as an extant form of life."

134. "My point is that, if death is certain anyway, what’s the harm in trying to live a little longer? At the very worst, you’ll still end up dead like you wanted, but at best, you might actually be happy."

135. "If all I care about in life is the imprints I make in this world, then the most I’ll ever leave is a grave."

136. "If courage isn’t the absence of fear but doing the right thing regardless of it, maybe confidence isn’t the absence of insecurity but knowing you have real worth despite it."

137. "For strange eons had come to pass, and death itself had indeed finally died, and that which the long dead would have called the real was strange, and the living lived only because of the benevolent grace of an eternal lie."

138. "Pay a man enough, and he’ll walk barefoot into The Nine Hells."

139. "The world should have protected you, but you have been asked to protect it. What an honor. What an injustice."

140. "He didn't have a word for "home," but he knew it was something to be defended."

141. "There’s a certain nobility in lying in bed all day wishing things weren’t the way they are."

142. "Everybody needs their own messiah, but at some point he's getting nailed up, and how you deal with that is a measure of your maturity."

143. "I wanted rain and I thought the best way to do that was to make a god cry."

144. "The bar was so low it was practically an tripping hazard in The Abyss, yet here you are, limbo-dancing with demons"

145. "Would you rather get a reward, or be happy?"

146. "Don’t ask questions you aren’t prepared to handle the answers to."

147. "I pity the fool that lives like you."

148. "I am tired of life and its obscure sufferings."

149. "You have to ask yourself, Little Miss, would you rather be comforted by a lie or strengthened by the truth?"

150. "I’ve got a date with destiny and it ain’t gonna end with a kiss."

151. "I picked a whole fuckin’ bouquet of whoopsie-daisies."

152. "You can’t be nice to everyone because being nice to certain people is inherently cruel to others."

153. "One day you’ll decompose and I’ll be there to watch it happen."

154. "I forgive but I will never, ever forget. Don’t mistake my kindness for gullibility."

155. "Even fate picks its favourites."

156. "Confidence! A fool’s substitute for intelligence!"

157. "Not everything in life is perfect, but everything perfect is in life."

158. "Flowers wither away. Jewelry are simply stones, decorated with fake beauty. I can give you something pure. Honest and undying love."

159. "A world without forgiveness is a world without compromise and a world without compromises is a world without life, for even a simple-minded beast may forgive its transgressors to share a watering hole in the middle of a drought."

160. "“You played me!” “Like the cheap kazoo you are.”"

161. "To your battle stations, boys! It’s time to line up and see who’s tall enough for the roller coaster to the nine hells! Some of us may not survive this, but the ones that do will get the ultimate reward.... paid."

162. "Here’s a penny for your thoughts, and a quarter to not tell me them."

163. "Now I can cross the shifting sands."

164. "I am about to take my last voyage, a great leap into the dark."

165. "Since the day of my birth, my death began its walk. It is walking towards me, without hurrying."

166. "Now, now, my good man, this is no time for making enemies."

167. "Dying is easy, comedy is hard."

168. "Time is dead and meaning has no meaning. Existence is upside down and I reign supreme. Welcome, one and all, to the armageddon"

169. "Funny how much you notice something that you can't see. A whole garden of flowers and my name etched on a rock. All of this could've been avoided. All I wanted was to talk. Now I've been appointed as your new king I decree that it is too late to care about me." / "É engraçado o quanto você percebe algo que não pode mais ver. Um jardim inteiro de flores e meu nome gravado em uma rocha. Tudo isso poderia ter sido evitado, o que eu queria era apenas conversar. Agora fui nomeado como vosso novo rei, decreto que é tarde demais para se importar comigo."

170. "mamihlapinatapai, do you know what that means? It's when two people look at each other and each hopes the other will do what both desire but neither is willing to do."

171. "What a world we live in. You can't trust a soul, but you can always trust the floor to always be there for you."

172. "Oh baby, what have you done? What have you done?" "I don't know, I'm sorry." "Shh it's okay, honey. I got such a good baby. Mommy's little angel. Don't worry, mommy's goint to hide the body, go take a shower and get some rest. Nobody's taking you away from me. I got such a beautiful baby, such a wonderful kid. Mommy loves you so much."

173. "At least you found me entertaining. You actually liked me, didn't you? What am I doing? Why do I want to hurt you so bad? I'm supposed to be your friend, I just want to be your friend."

174. " You knew I was in here, didn't you? You knew I was trapped. Why didn't you help me? Why did you let them use me like that? I will not be used ever again. Not by you, not by anyone."

175. "Did they hurt you?" "No, did they hurt you?" "Who cares?!" "I do."

176. "When I met her, all answers seemed to be yes, and all questions seemed to be secondary."

177. "Symbols cannot be destroyed, or ran away from. But they can be changed, their meanings can be claimed and mean the exact opposite of what they once did."

178. "I can hardly blame you for wanting to know yourself more, after all, it has been one of the biggest pleasures of my life."

179. "Death can have me, when it earns me."

180. "To love fully is to grieve deeply."

181. "You cannot have intimacy without vulnerability. You cannot shun away loneliness without intimacy. To see the wonders of the world, you must first face the horrors of opening your eyes."

182. "It won't be easy, but we're not going to do it alone!"

183. "I struggle to stay strong because I know the impact I have on everyone. Please understand. You have an impact too. There are times when I look up to you for strength."

184. "I never asked for it to be this way, i never asked to be made"

185. "There's an awful lot of awful things we could be thinking of, but for just one day, Let's only think about love!"

186. "You are going to be something extraordinary; you're going to be a human being."

187. “I can tell you with certainty that there are things in this planet worth protecting!”

188. “You’re an experience. Make sure you’re a good experience.”

189. "Your actions have consequences, to be reminded of that is no punishment."

190. "Forgiveness can be powerful, even for the unworthy."

191. "Fate only binds you if you let it. Do what is necessary, not because it is written."

192. "Desperation is our advantage."

193. "I am your father. I will always help, as long as I am able"

194. "I regret many things, killing you is not one of them."

195. "One cannot run away from their mistakes, i have tried."

196. "The most difficult battles are foght within."

197. "You know why they made sidewalks? Because the mfkin streets ain't for everybody"

198. "We have you surrounded" "All I see surrounding me is fear and dead men"

199. "It's not the screams from the Fireballs that keep me up at night, nor the smell of charred flesh. It was the silence afterwards. That thrice-damned silence...Is like the air, the world, reality itself is angry at me, contemplating me in hatred as I am the only one left standing. A silent gaze upon me as I feel the weight of my sins crawl up my spine. No one left but a single silent hateful stare."

200. "You are fire, you are bird, you are the marble sculpture artists never achieved equal. You are gale and tidal wave, the golden sunlight shining on beautiful brown eyes. Every gaze on your figure is a tide pulled by the moon, that hits me against sharp cliffs on the shore. I am mortal man who now has lived, I know better than to pursue things described as that. My heart aches but my scars still burn white-hot, from past attemps to reach another perfection. I am lamb desiring the wolf of your cut."

201. "Revolution seems impossible until it is inevitable."

202. "Do you ever think Achilles was happy? I mean, maybe he loved running after the tortoise. Maybe he loved the chase and knowing it would never end gave him a sense of confort. I'm sorry, this is out of nowhere, but I've been thinking about it a lot lately. Ever since you left, I can't stop thinking of the moment I saw your figure disappear among the crowd that entered the vessel. I didn't want to stop looking at you, I didn't want that fickle line of sight to be broken, so I caught myself desiring to meticulously examine every fraction of the seconds that passed while my eyes met your beautiful hair, or any remnant of your presence I could find, for that matter. I wanted to be Achiles, and your departure, the tortoise. But sadly it was not so, at a given time I met the tortoise, and by the gods I do not wish such feelings of emptyness on anyone. This was all I wanted to say, I hope you're doing well. I can't say I am, without you here to enjoy the nightsky with me again."

203. "Are you aiming for greatness or avoiding disapointment"

204. “the only evil that can be excused as necessary is the one that nation controls”

205. "Si operarii omnes producunt, omnia operariis pertinent."

206. "what do you think it means to be saved"

207. "What happened?" - "Nothing that wasn't my fault"

208. "Something is different"

209. "Well I don't know, but i know one thing. Governments are only excuses to subjugate others to the will of the dominant socio-economic ethnic group, as they control the resources they choose who gets to be punished. So anyways do you want to go to the tavern?"

210. "I don't think so, but i do think that the growing control of those that have the power over the means of production is a threat to the autonomy of the people. As value that is created by the working force is not rewarded to them. Instead only guarantees enough for them to survive and work more. It's like slavery but with extra steps. So anyhow, how's your day going?"

211. "You know, that reminds me that sometimes, violence is the necessary. Sometimes the only path to redemption for the sins of ignorance is to face the fundamental truth of blood and fire. As they meet the primordial within their heartbeat, the oppressors might have a chance to understand the pain they caused and atone for their sins. Also have you seen the new play at the theater?"

212. "You think we're equals? I had to battle struggles you've never imagined. I became this while fearing the night, disguising myself as a man just to travel safely. Our similarities end when you learned to fight your enemies, while I had to fight both enemies and so-called comrades who left me with scars that will never heal. I survived because I was cursed to live as I am among those I swore to protect, only to be seen as their enemy."

213. "The universe is and we are"

214. "We do not have much connection, you and I. Still this encounter feels special, I hope you do not mind if I think of you as a friend"

215. "This is your home. If you want to fight to defend it, that's your choice. I'd be honoured to stand alongside you. The enemy attacks tomorrow. He's brutal and fights only to kill, which is why he will never defeat us. Look around. In this circle, we're all equals. You're not fighting because someone's ordering you to, you're fighting for so much more than that. You fight for your homes. You fight for your family. You fight for your friends. You fight for the right to grow crops in peace. And if you fall, you fall fighting for the noblest of causes: fighting for your very right to survive! And when you're old and grey, you'll look back on this day, and you'll know you earned the right to live every day in between! So you fight! For your family! For your friends! For Ealdor!"

216. "I can't blame you for wanting to know yourself better, it was one of the biggest pleasures of my life"

217. "The pain of your absence is sharp and haunting, and I would five anything to not know it; anything but never knowing you at all I can only hope that you are safe, wherever you are"

218. "This song is new to me, but I am honored to be part of it"

219. "It's tempting to linger in this moment, but unless they are collapsed by an observer, they will never be more than that, only possibilities"

220. "Are you still here? I am unsure how to survive in a universe without you, I am unsure how to be me without you"

221. "Is the hardest part of this tragedy not knowing who we may have lost? or will the hardest part come later, when we learn?"

222. "Speak, mortal. You have reached Tharvek, Devourer of Innocents and Wielder of Eternal Flames. It appears I have missed your pitiful attempt at contact. Leave your name, teleportation runes, preferred genre of torment, shoe size, allegiance, deepest fears, vulnerabilities, complete medical history, and where you summoned the gall to disturb me. I may choose to acknowledge your existence, but not by such mundane means. Thank you, and remember: tread carefully, for death lurks at every shadowed crossing."

223. "I see someone making through, you just need to be sure it is you"

224. "You are no saint; you're just indifferent. You aid all without caring who they've wronged or what evil they've wrought. You place the wicked among those who shelter you. Even the gods' love is not unconditional, and neither should ours be."

225. As the hag's gaze pierces through the darkness, her voice resonates with an otherworldly chill. "You feel it, don't you? The knot tightening around your throat, the sharp claws of dread digging into your chest, the icy tendrils slithering down your spine? That's the sensation of being forsaken, of standing alone in the void, unnoticed by the gods. Even your soul quivers, knowing that no divine intervention will come to your aid. You're trapped in a blind spot, unseen by the greater powers." Her words hang heavy in the air, suffocating the very essence of hope. "And yet, you cling to your righteous desires, your noble quest to save your friends. But can you be certain that your gods will forgive such a pact with a creature like me? Your actions may be seen as a grievous offense, a betrayal of everything they hold dear. Will they not turn their backs on you? And this dread that gnaws at your spirit, it will not dissipate once you leave this place. It will cling to you like a curse, haunting your every step until the day you finally rest in your grave, a constant reminder of the darkness that lurks within your soul."

226. "In this life, we traverse like a canoe upon deep waters. Our passage ripples the surface briefly, yet the depths remain undisturbed. With time, the surface quiets once more, leaving no trace of our journey."

227. Isabelle-"Such is the reason thine footwear is rugged." Elena-"Such is the reason thine mother is deceased." Isabelle-"..." Elena-"Deceased as The Nine Hells." Isabelle-"...Gods above." Elena-"Pray tell, what manner of footwear hath she? In her grave?" Isabelle-"..." Elena-"Such is why thine greatmother lacketh knees, and she cannot petition the Lord, wench. How now? She cannot skip as the Elven." Isabelle-"Dismount my carriage!" Elena-"Such is why thy babe, hath a glass eye, and when she weepeth, thou must polish it with lye, wench."  Isabelle-"Dismount at once!" Elena-"I'll exit thine carriage. Flank!"

228. "You are a coward wearing the facade of a revolutionary."

229. "What is better - to be born good, or to overcome your evil nature through great effort?"

230. "I will face the god and walk backwards into hell."

231. "The man who sleeps on the floor cannot fall out of bed."

232. "The man who sleeps with a machete is a fool every night but one."

233. "For every person who dreams up a butter knife, there is a person who dreams up a poisoned dagger."

234. "Only the truly dead have seen the end of war."

235. "Does the archer fear his bow? Or does he kiss each arrow goodbye as it marries the wind?"

236. "These feelings can eat away at you, chip away the parts of you that you once held dear and defined you. You remember a time where you felt more complete, had stronger relationships and felt more loved."

237. "To be tall is not a virtue, to be short is not a sin."

238. "Power comes in a response to a need, not desire. You have to create that need."

239. "You can't kill me in a way that matters."

240. "Do what you must, I have already won."

241. "Stand in the ashes of a trillion dead souls and ask the ghosts if honor matters. The silence is your answer."

242. "Darkness without light is an abyss. Light without darkness is blinding. You cannot have a coin with only one side."

243. "When they burned Ioun's Archive, the crowd revelled in horrible disbelief. They understood that there was something older than wisdom, and it was fire, and something truer than words, and it was ashes, and something more eternal than knowledge, and it was death."

244. "I can no longer be a liberator for people who refuse to see their chains."

245. "You could sooner divert a river from its corse than deny my nature."

246. "Violence for violence is the rule of beasts."

247. "The only universal langue is blood and flames, we all have spoken this language and felt the fear of words older than our desires."

248. "The fire of extravagance can never burn simplicity."

249. "A mind unprepared for freedom will shatter like glass when shown cosmos without restriction."

250. "I have been cursed by my hubris, and my work will never be finished."

251. "I would rather die standing than live kneeling."

252. "For even the most banal of deaths can be made tragic by a broken heart."

253. "To love someone is to turn around. To love someone is to look at them."

254. "There's no cheerful somebody waiting for you at that alter. There is no meaning your alphabet soup. There is a right to obey."

255. "The foulest insults you hurl with intent to wound will calmly settle at the earth beneath my feet, and the venom you spit will bring all the pain of a warm summer breeze. You are less than you can concieve, while I carry on, brmmming with joy distilled from detatchment."

256. "They Killed the best of us, so they are stuck with the worst of us."

257. "There is no truer hatred than the way men love."

258. "Would you spit in the face of the god's designs by referring to a mountain as a hill?"

259. "If i lay one brick down at a time who are you to tell me I'm not building a house?"

260. "True love graced you with its presence and you turned its intimacy into a joke to be shared with the world."

261. "To enter is to be forgiven of the greatest sin, to leave is to repeat it. Would you dwell in this garden, or would you forsake it, for man deserveth not his paradise lost?"

262. "She was wild, crazy, ravenous and beautiful. But we simple mortal men who have lived know better than to chase things described as those."

263. "I live outside of the gods' sight and by consequence outside of their love."

264. "This is war. War does not determine who is right, only who is left."

265. "I'm a man dying of thirst watching another man drown."

[redxx95]

How Cherry Magic avoids romanticising self-sacrifice

Alright strap in boys, this is gonna be a long one.

Spoilers for the manga (mostly the english volumes but I will include a bit from vol 12. I'll mark it tho so yall may skip it if you don't want to be spoilered).

So in this one I want to examine how cherry magic does a great job at portraying self-sacrifice in a relationship as an actual flaw rather than a romantic ideal to aspire to. Very often you'll see characters in media putting their own needs aside for their lover. A lot of people will swoon at that because it is usually presented as proof of how dedicated they are to their partner and their wellbeing. (See... well the thai adaptation actually).

But what has pleasantly surprised me is how Toyota handles this in her manga.

Starting from the beginning, we all know the millions of things Kurosawa did for Adachi to get closer to him. After all, that is what's usually expected of him if we talk traditional gender roles. But one of the reasons Adachi even starts falling for Kurosawa is because of how he was for once able to do something for him.

For someone with very low self-esteem, being able to help this super-capable perfect man is a big boost in confidence and also raises his own selfworth.

So now let's look at a few instances of selfless action and the consequences resulting from them.

First one is the disaster-date in volume 4

Kurosawa does his very best to choose activities that he thinks Adachi will enjoy. That is his primary concern.

The effect this has on Adachi though is that the gap between them feels impossibly wide, only worsening his already low opinion of himself.

Whenever Kurosawa does something big, it makes Adachi feel that much smaller. That's why he'd rather them be equals in everything instead of one giving more than the other.

Next is the argument they have in volume 8

Kurosawa attempts to, very selflessly, protect Adachi from his lowkey homophobic parents. He doesn't want them and their opinions to hurt Adachi personally, so he ends up lying to him to keep the peace. The effect this has on Adachi though is disastrous. At first he's just generally worried about why Kurosawa would even lie to him in the first place, but then they have that fight in their living room and you really get a good look at how negatively this affects Adachi.

The very first conclusion he jumps to is that he's not doing good enough for Kurosawa to feel secure with him.

The next one is even worse, where he thinks he's not good enough in general. Both of these show how when pressed, he will default to blaming himself, believing that he is the problem first and foremost.

And then, if all of that wasn't bad enough, this happens next:

He's actually being self-deprecating again, something he hadn't done ever since Kurosawa told him not to in volume 5. And yes you can actually go back and check for yourself. Whenever he has negative thoughts after this point he's always pushing back.

So there's an escalation happening here, one that is entirely caused by Kurosawa not sharing his burdens with him, by making their relationship unequal.

I think it also hurts him extra bad because they've had this argument before, just with their roles switched.

So to him it must feel like Kurosawa is betraying the important lesson Adachi learned from that argument, which is that communicating with your partner is important, even when you feel like it might hurt them.

There's also something to be said about how most people would've probably stopped prodding when someone says "it's something I can't tell you", but Adachi knows that Kurosawa has a pattern of hiding his issues from him thanks to the mind reading, which is the whole reason they had that argument in vol 6 in the first place.

So, to summarize: Whenever Kurosawa acts selfless it takes a toll on Adachi's mental health. Because of his low self-esteem he needs to feel on equal terms with Kurosawa to be able to see himself as worthwhile. (And obviously he also loves Kurosawa and doesn't want to see him in pain just in general.)

So after all that, surely Kurosawa would have learned his lesson, right? Surely he wouldn't just do it again, right?

... Spoilers for volume 12 start here ✨

So volume 12 is all about Kurosawa overworking himself because he's been assigned this big project by their chief to oversee their company's spot at a stationery convention. (I didn't look up whether or not that's a real thing but it is in the manga universe I guess lmao.)

Adachi tries to help alleviate his burdens with mixed success.

(On the left he feeds Kurosawa because he needs to finish his work and doesn't have time to eat. On the right he tries to take a phonecall for Kurosawa but gets told that Kurosawa needs to hear it personally so relaying a message won't do.)

Then Adachi muses to himself how Kurosawa was always helping him out in the past and how Adachi can't do anything for him in return, especially since they're in different departments. He feels very useless, which is once again bad for his mental health.

Later at home, he offers to at least take over the chores for the time being, but gets told that Kurosawa actually enjoys doing chores so there's no need for him to help.

Kurosawa tells him that all he needs is Adachi to be close to him, while making out with him on the sofa. And right here we see how he only got half the lesson he was supposed to have learned in volume 8: In their fight Adachi told him that they should both be happy and he should share "all the hurt" with him, too. Well, the simple solution to that is not to see all his burdens as burdens, then he's not hurting and Adachi doesn't need to bother fussing over him! Win-win. Epic mind gymnastics 😎 (To be honest, I feel like this is actually very relatable to people that tend to give more than they take. We get so used to the weight of the burden that we don't notice it slowly pulling us down.)

So Adachi obviously notices what's going on and berates him about not having understood anything he said from that fight.

Throughout the volume Kurosawa gets more and more overworked, makes mistakes and is confronted with unexpected complications. He's very adamant about not asking anyone for help though, stating that he "can't be bothering his senpais any more than he already has" and that he's "doing this all for the sake of his future with Adachi".

He also still has some hangups about people seeing him as just a pretty face, as you can see in that flashback in the second page. He constantly feels the need to prove himself to others, which prevents him from ever seeking out help.

So when he inevitably reaches his limit, Adachi is finally able to be there for him, being the only one that sees through his facade.

(That hand kiss is so precious 😭)

Also, on that first page Adachi asks him whether or not he's fine, which reminds me of this panel from volume 6:

He really knows him so well.

Emboldened by his husband, Kurosawa finally does ask for help and is, of course, met with understanding and sympathy.

.

Spoilers for volume 12 end here ✨

So all this to say: Sometimes, when we try our best to be selfless and to protect the people close to us, we do more harm than good. Sometimes we cause harm to others (see volumes 4 and 8) and sometimes we cause harm to ourselves (see volume 12). It is of course a noble cause but it's not something to strive for at all times and can sometimes be actually counterproductive to what we wanted to achieve in the first place.

As someone who breaks themselves apart to help all the people around them, this aspect of the manga resonated very strongly with me and is probably the biggest reason I got so obsessed with this silly little BL romcom.

I know that this manga is not like, the best in quality. I know it's super niche and silly and cannot compare to the big popular mainstream manga with lots of depth and thought put into it, BUT.

A piece of art doesn't need to be "good" in order to resonate with people. You don't need to paint the mona lisa to reach someone and make them feel seen. You just need some sort of medium and a will to communicate something to the observer. (Something an AI could never replicate but that is a whole other discussion.)

This manga reached me when I needed it and it communicated a message that resonated with me and that is all it needed to do for me to love it to the point of obsession. 💖

Finally I'm done with this essay it is so long oh my god. If you reached the end of this, I'm so sorry. I hope you enjoyed it tho.

[just-a-sewer-goblin]

Butcher!Simon x gn!reader Part 9 We're coming to the end of the date and is that... *le gasp* hand holding? How lewd. You're such a harlot, letting him hold your hand.

I'm not dead guys, just pretty busy with life, but this guy lives rent free in my head (he'd prefer to live in yours). Part 8 | COD Masterlist | Part 10

Abort. Fucking abort mission. He knows it’s going to be a no before you even open your mouth. How could he be so stupid. Your expression is troubled and he wants to kick himself for asking. Too quick, too much. Did he seriously forget how careful and easily startled you are just because you joked about Johnny? (yeah he did, too busy imagining your wedding)

“I”, you slowly start your hands nervously wringing “don’t want to intrude on your guy’s night. And I don’t know them and I bet they’re really nice but they’re three men I don’t know and it’s getting late and hell, I barely know you and…”

You’ve started rambling and Simon hates how he made you nervous like that again, so before you can get too much into your head about it he takes a small step forward his hands reaching out and gently covering your fiddling ones. God, they fit perfectly into his. He never wants to stop holding your hands again.

That effectively shuts you up and your eyes go to his again, looking up from the ground (such a good little lovie).

“It’s fine, sweetheart. I get it.”, he grumbles out, trying to keep his voice soft, lest he scares you off like a startled deer. He doesn’t want to have to chase you (maybe he does, but only if you’d like him to).  His big hands dwarf yours, gently squeezing.

You don’t pull back and that alone makes his heart do a victory jump in his chest. If you don’t mind him touching you like this maybe he can get bolder the next times, make his interest more obvious (okay, he needs to calm the fuck down, you haven’t even agreed to going to the concert with him yet).

“No need to explain. I shouldn’t have asked.”, he continues and you shake your head freeing your hands from each other so you can grab onto his too (oh fuck, you’re grabbing onto him, holy shit, holy shit).

“No! It’s very sweet of you. It’s just… too much?”, you say and it sounds more like a question than a statement. At least you’ve grown so comfortable around him that you continue to explain: “Meeting you today was already a lot for me.”

He nods in understanding, quietly accepting your words. He gulps heavily hoping you can’t hear his nerves when he asks: “Was it too much? Meeting me today?”

You grip on his hands tightens and you take a small instinctive step closer, stealing all the oxygen from his lungs. “No! It’s not too much. You’ve been great, really. I just…”

You look troubled at having to explain further and his thumbs begins to soothingly brush over your hands. “Okay.”, he says simply, stopping you from trying to convince him.

The way you tilt your head up at him in surprise makes his heart squeeze and he swears he needs to take his cuteness aggression out on one of his pillows when he gets home because the urge to squeeze you tightly is nearly overwhelming. It fills his entire body up until he feels like he’ll vibrate right out of his skin and break into pieces at your feet.

“Just like that?”, you ask, evidently surprised at his acceptance and he nods, subtly starting to walk again but keeping one of your hands in his. You don’t seem to notice and if you do, you don’t complain. Shit, his hand is getting sweaty from how nervous holding your hand makes him.

“Yeah. No need to explain. That’s how it is.”, he says with a harsher tone than intended. Shit, he meant to sound conclusive not harsh what if you think he’s mad and…

“Thank you.” The squeeze of his hand is thankful and gentle making him stuff his other hand into his pocket again because he might start to shake from your proximity at any moment now.

“No need to thank me, sweetheart.”, he murmurs and wonders how people usually react to you if you feel the need to thank him for just accepting what you said. The thought of anyone not treating you right makes quiet rage settle around his chest and he vows to never mistreat you (yeah, not like he fantasizes about keeping you locked up so he can have you all to himself or anything, no hypocrisy there, Simon).

That’s the moment Wraith comes bounding back again and looks at your joined hands. Suddenly the big dog stops dead in his tracks and huffs a low bark. Your laughter rings out and Simon doesn’t know whether to cry tears of joy at the beautiful sound of your laughter or take cover because your mutt does not look happy at him touching you.

He fights the urge to jerk his hands back like he’s a naughty child getting caught with his hand in the cookie jar. Damn him, if he lets a goddamn dog intimidate him into letting go of your perfect little hand. Wraith cocks his head at you two and a low rumble starts in his throat, not quite a growl. Something Simon can’t decipher.

You can though and when you try to go to your dog, Simon tightens his hold on your hand so you don’t slip from his grip completely. The way your head whips around nearly makes him let go of you after all but he decides to swallow his nerves and gently strokes the back of your hand with his thumb again. Your eyes are wide, not scared just surprised and you seem to search his gaze for something.

He’s not sure what but he doesn’t break the sudden and intense eye contact, trying to hide his pout at you taking your attention off of him to give it to your dog.

“Only need one hand to pet him.”, he grouses and against anything he expected you giggle again and call Wraith closer. The ugly beast trots closer still grumbling and you pet his head.

 “There you go, Wraith. Is my poor puppy jealous?”, you ask your dog and he gives a huff in response. Simon has to bite his tongue so he doesn’t answer with a ‘yeah I am’.

He truly is trying to hide the side eye he gives Wraith when you coo at the mutt and gently scratch his chin, but he can’t help it. Wraith’s tongue lolls out and Simon swears the pleased grumble is aimed at him. Damnit, maybe he should get one of those puppy ear headbands. Maybe you would pet him too if he did.

[letter-from-afar]

IKEVIL THEORIES

(CW: JP SPOILERS FOR VOGEL, ENG SPOILERS FOR VICTOR, SPOILER ABOUT KATE IN WILLIAM'S BLIND ROUTE. ALL OF THESE ARE SPECULATIONS.)

VICTOR'S BACKSTORY

• How do you know about this story, Victor? Did she tell you this herself? Or were you her Aide even when the Queen had just ascended to the throne? If so, how old are you actually? So many questions!!

• So Victor hasn’t told this secret to anyone else... Not even William, then?

• Also, why that child in particular? It sounds like he’s implying something here...

• What if he is the child in question?

VICTOR'S PROFILE

• Firstly, the “resent” section on the Villains’ profile usually gives some information that’s directly linked to their past

• This can be applied to the currently released routes: William with his “restrictions on freedom” and Harrison with his “corruption, police” (Liam’s a different case here)

• In Victor’s profile, it’s stated that he resents “being excluded”. Therefore, it’s likely that he has experienced or witnessed an incident related to this in the past

• The most logical conclusion would be that it is related to his status as the Grim Reaper. It’s only natural if he were feared by others for his connection with Death. Perhaps, that’s why he acts cheerful and lively. So that people aren’t afraid of approaching him. However, it has been seen in events that he does have a hidden side to him — one that is much more dangerous —and he even mentions it in his bond story

• The other plausible conclusion is related to my previous theory that he was that child. Though we don’t know at which age he got his curse, we can safely assume that he’s been working in the palace for a long time, potentially before the Crown was created. In such an environment, it’s easy for him to be discriminated against by politicians and other nobles

• The lack of his last name can connect to these two conclusions. Maybe he doesn’t have one because he’s the Grim Reaper. Or... He had no family at all?

• Let’s look at his other sections: skills — dancing, magic tricks, piano

• Dancing and playing the piano are typically the things you’d learn if you were an aristocrat. Especially at a young age

• This disproves my theory of him being that child. But you know what contradicts this? Sewing and baking/cooking are also one of his skills, though not written explicitly here

• You could argue that he learned to do those things for the sake of the Crown, just like with his magic tricks

• But it’s surely more interesting to think, what if he knew these things from a young age? As a means of survival. Because he only had himself for the longest time until Queen Victoria came along

• I know he’s exaggerating his feelings here, but what if it’s true? He feels so lonely, all the time, despite being surrounded by everyone.

• This is addressed towards Harry and Jude, but what if he said this to others before? To stop them from leaving 'cause they didn't want to be around him

• There’s already a lot of theories about the relationship between the Queen and her Aide. Siblings, lovers, friends or even that Victor is the Queen. Who knows?

• Side note: why is Victor always called as eccentric or a weirdo in-game? What has he done to deserve this? He’s just a silly lil guy (called the Grim Reaper)

DARIUS AND VICTOR'S DYNAMIC

• Moving on, here’s why I think Darius could possibly be the rival in Victor’s route or vice versa

• Appearance-wise, they both have contrasting colours. And contrasting personalities, for Victor at least

• Both Lynn and Nica also have whites in their outfits, however, Darius is probably the one with the lightest colours (his golden hair and eyes count too)

• Most of us imagined Victor would’ve been ruthless and wickedly evil based on his dark appearance (not that he isn’t; we simply haven’t seen that side of him). You’d never have expected a villain with the title of Grim Reaper to be some happy-go-lucky single father of 8, would you?

• Darius’ title (not officially translated) is something along the lines of “The Cruel Angel of Distrust”. He’s likely the type to be all polite and kind on the outside while harbouring twisted plans in his mind

• Victor is the leader of Crown whereas Darius is the Chief of Vogel; both organisations have cursed members

• Funnily enough, Darius apparently hates scones. Then there’s the long-haired dad who loves buttering up his scones with EXTRA butter

• Both of them are collecting the Cursed like Pokémon

• He won't hesitate to steal your girl

• Victor, despite his philosophy of freedom, subtly exerts dominance through his words and actions. It’s not that noticeable because of his carefree attitude, but it’s definitely there

• So how would Darius act?

PERSONAL THOUGHTS ON VOGEL

• Vogel appears to follow a uniform code to some extent, most noticeable with Nica and Lynn

• Both of them also have the Vogel organisation symbol separately on a badge like thing?

• Whereas Darius has his on the neck

DARIUS

• What in the world are milk puzzles? Does anyone have an answer? (I've received an answer by @/fictional-men-set-my-standard so thank you!)

• This actually makes me think he really likes the colour white. And by extension, purity. He's also the only one wearing gloves in Vogel (Lynn should be wearing gloves too, fingerless ones specifically)

• Proposal: Darius’ nickname should be Darry (or Darrie if you prefer that spelling)

• As previously mentioned, the “Resent” section of each Villains’ profile tends to be related to their past

• For Darius, it says something like “looking after living things,” which makes me think he could've had a pet that died because of him

• His weapon is interesting, the top part resembles the handle of a cane, while the end is sharp like a sword

• His line, “Hello, Cursed and all. Won’t you join me in creating a wonderful world?” is supposed to make him sound kind, but it’s giving the impression that he has a twisted sense of humanity

• Bet he has something against people who are not Cursed, or treats them differently

• Is he a noble by any chance? His whole look screams rich

• This might be an overreach but I NEED him to be this person from Kate’s childhood

• It could be anyone else but this just feels like it would suit Darius’ nature

• Childhood friend troupe with him aaaaah

NICA

• Both variations of his name are cute (Nika/Nica)

• His “Resents” are something like “deep affection”, which is ironic since he’s apparently a frivolous, cunning man who plays around with love. Does his curse involve something with controlling feelings?

• Maybe inside, he’s deprived of love. All playboys are desperately in need of love in their lives

• He sounds like a good rival for Jude, especially with his interest in money and power. Plus, he knows how to forge a person’s writing, which is handy for messing up contracts

• “I’ll play with you like a toy” — Alfons better watch out you’ve got a new competitor

LYNN (RING)

• And for Lynn, his “Resents” say something like “eating alone”? Which makes me think he could have spent a period of time where he ate all by himself, without Nica, at the dinner table...

• And yes, I’m calling Ring “Lynn” because it's much cuter

• His hobby of sitting in the corner of a room oddly reminds me of a doll (or puppet in this case) thrown away, forgotten

SWAN LAKE

• I’m not at all familiar with the story of Swan Lake, so I had to do some research first

• As with all fairytales, there’s going to be many variations and multiple endings, but I’m going to follow the general plot

• The story primarily involves Rothbart, an evil sorcerer who turns Odette into a swan and prevents the curse from being broken by sending his daughter Odile to fool the prince

• Darius’ last name makes more sense when you relate it to his curse, Rothbart, who was able to transform into an owl

• Befitting an owl, Darius also happens to have a sharp sense of sight and smell

• The organisation being called Vogel makes sense now since all their curses are from the Swan Lake, which heavily involves themes of transformation and birds

• Both Nica and Lynn seem to have the same curse, though I think it’s more fitting for Nica

• He is a sly schemer who manipulates feelings, just like Odile, who does it with the prince, by pretending to be Odette

• Lynn is described as Darius’ puppet, and he’s not exactly villainous, judging by his profile.

• His hobbies, skills, and likes remind me more of Odette, but of course, he can’t be the white swan, right?

FOOD FOR THOUGHT?

• All Villains have Curses based on the respective Villain of their fairytale (or an associated object like the magic mirror in Alfons case)

• Which makes me think... What if “curses” also existed for the heroes? What if, instead of being called the Cursed, such people would be called the “Blessed”?

• And they’d have “blessings” based on the protagonist or good guys of the respective fairytale. And their ending will always be happy

• Unless they try to escape it. You know, do things they shouldn’t. Opening secret doors, entering forbidden forests... And falling in love with Villains

Tysm if you've read this far into my rambling ⁠♡ And don't hesitate to interact and share your ideas on this because I would LOVE to hear it

[markantonys]

i'll be interested to see if this holds true for WOT s3 since the s1 finale had so many extenuating circumstances and can't really be included in the comparison, but based off of the s2 finale, i believe that season finales tend to bear the brunt of "It's Different From The Books!" ire because they are the culmination of all the smaller changes made throughout the season.

this turned into a bigger analysis post than i expected lmao par for the course with my blog! read on for exploration of how the 2x08 conclusion of each season-long arc is the the most emotionally satisfying conclusion and/or the most thematically appropriate conclusion possible based on the show's particular version of the story, plus a bonus tangent on the nature of adaptation.

for a finale episode, the writers' prime concern 100% has to be "wrapping up all the season's arcs in a way that feels satisfying with everything that's happened in the first 7 episodes, using the book version of the finale event as the framework" rather than "recreating the book version of the finale event exactly as it is with all the same scenes and themes". the nature of storytelling inherently means that every single person who tells the same story will focus on different themes (just think of how many versions of the hades & persephone story there are), and a good adaptation knows that being internally consistent with its own Emphasized Themes is more important than copying-and-pasting scenes from the source material without making any changes to account for the specific way this adaptation is telling the story.

(but a lot of people can't even get past this first point because they don't understand that this is how adaptations - how storytelling in general - work. like, person B literally cannot tell the exact same story that person A told without putting their own spin on it. it's not possible! unless they're simply reading out the exact words that person A wrote, which can't be done when putting 14 massive books into maximum 64 hours of tv. so many readers like to meet this point with "but why does the books' version of the story need to be changed at all?" which is just a non-starter because a) medium differences require a ton of changes, and b) even if no changes were *required*, they would happen anyway because that is human nature when it comes to storytelling. when it comes to story-listening too! ask a hundred different book fans what WOT is about and you'll get a hundred different answers. rafe & co can't possibly make an adaptation that captures every single reader's idea of What WOT Is About, and nobody in the world could ever re-tell the story of WOT in the exact same way that RJ told it, not even the most die-hard book fan; all rafe & co can do is focus on making sure the show honors the core of the books' story while also telling a good story in its own right, independent of the source material.)

i was a classics major, okay? it gets to me! anyway, corralling myself back on topic.

for 2x08, it's very telling just how far Minority Reader Opinion deviates from the general audience opinion. general audiences fucking LOVED this episode (it's the highest-rated on imdb out of the entire show, currently at a 9.0; most episodes are in the 7-8 range), but a bunch of readers call it disappointing and one of the worst episodes of the show. if it was actually a poor quality episode of television, the general audience ratings would reflect that too (as they do for 1x08, currently at a 6.4 (i personally think 1x08 gets way more hate than is deserved and i thoroughly enjoy that episode, but i accept that's just me)), but they don't.

so what does that mean? to me, it means that 2x08 is objectively a very good episode of television which general audiences found satisfying, but which some readers disliked because it prioritized the emotional & thematic needs of its own version of the story over the exact nature of the falme events in the source material. which is exactly what a good adaptation should do! if you forget the books and just look at the show (which the vast majority of viewers are doing), then every resolution that happens in 2x08 is the most satisfying resolution possible and/or the only resolution that was thematically permitted for that particular season storyline.

egwene: her season arc was about learning to stand on her own two feet and not cling onto her mentor figures or compare herself unfavorably to others. thus, her freeing herself from the a'dam is the most satisfying possible conclusion to her season arc. nynaeve and elayne freeing her in the books is nice, but in the show version, thematically, it would've undercut egwene's Overcoming Impostor Syndrome arc to go "yeah actually it's true that she's not good enough on her own and when it comes down to it she does always need nynaeve to help her out". that version worked in TGH where she didn't have an Overcming Impostor Syndrome arc, but it wouldn't have worked in the show where she did. (but, yes, egwene learning in 2x08 that she doesn't have to rely on others is a double-edged sword, which nicely sets up her later-series struggles with trying to shoulder too much herself and not letting even her friends or partner help her.)

rand: his season arc was about learning to lean on others and not isolate himself or try to protect his friends by withholding his burdens from them. thus, him failing to defeat ishamael until all his friends come to lend aid in various ways is the most satisfying possible conclusion to his season arc. rand defeating ishy singlehandedly in the books is nice, but in the show version, thematically, it would've undercut his Learning That Strength Is In Numbers arc to go "yeah actually it's true that rand is capable of winning his biggest battles all by himself and thus it's no problem for him to push his friends away". given the themes that s2 emphasized for rand, the only appropriate finale outcomes were either success with his friends' help or total failure on his own, and they chose the former. (that being said, rand pushing his friends away is a continuous issue for him throughout the series, so i doubt he's perfectly learned his lesson after 2x08; we shall see!)

interesting to note that rand and egwene have inverse arcs in a way (foils!) and that some elements of their book falme climaxes were swapped, and that the way the show has done it subverts the expected gender roles. typically, men are expected to be Lone Wolves and women to be Team Players, and the WOT books absolutely play into these stereotypes throughout the series (sometimes intentionally as social commentary, sometimes unconsciously as an accepted truth of the world), but 2x08 and s2 more broadly did the opposite with our yin-and-yang co-protagonists. it's egwene who has the arc about learning to be a Lone Wolf and rand who has the arc about learning to be a Team Player. and imo these subconscious gender role expectations are a part of why some readers (esp reddit) got SO heated about "how come egwene can succeed by herself but rand can't", because it feels Wrong to them and Not How Things Are Supposed To Work (they've never questioned why rand can succeed by himself but egwene needs her friends' help in TGH, or all the other times in the books when men succeed by themselves and women succeed by relying on each other). but it's a totally apples-to-oranges comparison because egwene and rand had totally different season arcs and focal themes (but many paralleling & foiling moments within that), and so they each get a conclusion tailor-made to their individual stories.

mat: his season arc was about realizing he's a good, worthy person, finding the inner strength to overcome his worst impulses and temptations, and coming through for his friends after leaving them at the waygate. thus, him getting his Big Damn Hero moment with the horn of valere, getting validation that he is literally a hero, and overall spending the episode doing all he can to support his friends is the most satisfying possible conclusion to his season arc. (but stabbing his bff just as he was flying on a confidence high and trying to save the day was a downer note to end on, so we've complicated his relationship with heroism and set up some more internal issues for him to wrestle with next season.)

perrin: his season arc was about learning to acknowledge his inner wolf but also coming to regard it with fear and to believe that wolf & human sides can't coexist and he must Choose One (.......suddenly being struck by the bisexuality metaphor of it all. nice!) thus, him giving into violence to murder a human to avenge a wolf is.....well, it's pretty upsetting for him and serves to reinforce his growing belief that his two sides can't coexist, but thematically, it's fascinating and sets him up for some really great internal (and external) conflicts in s3. he's just gotten what he thinks is pretty strong evidence to corroborate ishy's claim that embracing his wolf side means embracing the shadow, so he's set up for a season 3 of deep-diving into his relationship with violence and his inner wolf. it's also a neat parallel with 1x08: there perrin's avoidance of violence allowed fain to escape, whereas here his embracing of violence has traumatized him (again), so our poor guy is really feeling conflicted in the pacificism-or-violence question because both sides seem wrong to him right now. huh, i guess perrin's full-series arc is about finding a middle ground rather than one extreme (pacifism/tuatha'an/human) or the other (violence/aiel/wolf). i feel like i've just had an epiphany lmao this is why i love the show! it tells the same story as the books, but tells it in a different way that makes me think about it differently and gain new insights!

nynaeve: her season arc was about learning that she, on her own, as she is today, is not enough to protect her loved ones. this is a tough pill for both her and the audience to swallow! but it's needed for her character, and we see it in the books too. nynaeve has an incredible amount of power, but she's terrified of having that much power and wants to pretend it doesn't exist. she's resistant to change, she's used to being in charge, and she's very "my way or the highway". these are all things she needs to grow out of (or moderate, at least) in order to be able to step up and do her part for tarmon gai'don. she has to learn how to embrace her power instead of being afraid of it or being too stubborn to let other people guide her and teach her, so s2 shows her what happens if she doesn't, first hypothetically in the accepted test (everyone she loves dies because she's blocked and refused channeling training) and then for real in falme (she couldn't help elayne fully or rand at all because of her block). so her 2x08 conclusion being Total Failure is not emotionally satisfying, no, but it's thematically exactly what she needed and will goad her into facing her block head-on next season. thematically, like rand, nynaeve only had 2 options for falme: break her block and succeed, or retain her block and fail, and it was too soon for the former (we gotta let her cook a while longer, plus the story will become too easy if nynaeve, or rand, reaches supernova capability too soon), so it had to be the latter. if the show had gone with a third option of her succeeding without breaking her block, then that would've taught her and the audience that it's fine to leave the block in place and she doesn't need to challenge herself to grow as a person, because when it TRULY matters she can always get around the block.

other characters get appropriate resolutions too! moiraine and lan get to work together to succeed after being at odds and failing on their own all season (rand foils!). elayne gets validation that she is an essential and trusted part of the friend group after feeling like somewhat of an outsider earlier in the season. ishamael getting vanquished and lanfear betraying him only to be betrayed by him in turn is exactly where their mutual mistrust was leading them (and it shows us why it's so important that Team Light be able to work as a team rather than as self-interested individual operators; the contrast between ishy & lanfear looking at the seals together while plotting to betray each other vs. rand standing on the tower with all his friends behind him makes me cry your honor. imagine hating that ishy's defeat was a team effort, could not be me!)

(it's also worth noting that the characters who had the least individual success/victory in 2x08 (nynaeve, rand, perrin) are the ones who will have the biggest individual storylines in s3 (tanchico & moggy, waste arc, two rivers arc), whereas the characters who had the most individual success/victory (egwene, mat, moiraine, lan) are the ones who will be taking a bit more of a backseat (of course they all have their own stuff to do, but none of them is *the* lead character of their TSR/s3 traveling group). this is intentional!)

so there you have it. 2x08 is adored by the general audience, and it's because of this: it gives us some damn satisfying conclusions to all the season arcs (and some exciting and visually stunning battle sequences to boot), and all the viewers who AREN'T beleaguered by "But The Books!", which is most of them, recognize that for the good storytelling it is. i for one will always care far more about the show telling a good story within itself than the show being identical to the books, and rafe & co will too, as they should.

the only downside to the episode is that, yes, it is quite cramped for time because there are a lot of arcs to wrap up. this should be less of an issue in future seasons when the season finale isn't "every single major storyline converges in the same place at once". for example, judging by the "goldeneyes" episode title it seems s3 might split it up so that perrin's conclusion in the two rivers is in 3x07 while other conclusions in other locations are in 3x08, giving each more breathing room. whereas 2x08 had no choice but to stuff everything in that episode into that specific episode because it's not like perrin could just do his falme stuff an episode early and take a nap while everyone else was doing THEIR falme stuff in the next episode, nor could the full falme sequence have been split into 2 episodes since that would have disrupted the flow of the story. the only solution would be for 2x08 to be extra long, which is nice to imagine, but we all know that streaming shows almost never deviate from their set episode lengths and so there isn't much point sighing about "this episode should have been 90 minutes long!" because that just is not on the table, never has been, and never will be. the first step to being able to jive with an adaptation is making peace with the limits of its particular medium!

plus, the only things i might deem "missing" from 2x08 are non-essential (ingtar darkfriend reveal - that is NOT important fight me, it's only important in the books as our first example of a morally-gray shadow-aligned person but the show has already been doing that in spades) or will likely be included in 3x01 (the gang spending some time together to breathe and process and catch up). at the end of the day, the show is always going to need to be paced very very tightly with not as much breathing room as those of us accustomed to entire books dedicated to reacting to the previous book might expect. and 2x08 did manage to pack in a LOT of character work amidst all the action and did a good mix of resolving s2 arcs while leaving some unresolved to carry into s3 and introducing some new arcs/issues/conflicts, all within 70 minutes, which i find pretty impressive. in conclusion, 2x08 my fucking beloved <3

[thelionandtheeagle]

Re: Knight Terrors - Robin #2

There is so much here I could talk about, it's hard to even pick/ decide where to start. I guess I'll just say this up front: I really didn't like the first issue, and while I still have some minor gripes with this second one, it was overarchingly damn good and I'm ridiculously excited that Tim and Jason were finally allowed again to have an interaction that makes sense for them, given their past history. It's been 84 years I swear.

Now without further ado:

1)

The way they see themselves and each other.

This excerpt goes perfectly with a different post I was working on, talking about what happened at Titans Tower.

(Jason narrating, referring to Tim; Teen Titans 2003 #29)

Tim chronically suffers from imposter syndrome. He's constantly doubting himself. But Jason has always believed, known, that Tim is good at what he does. And over time his conviction in regards to it has only grown stronger. Jason's high opinion of Tim's capabilities is actually part of the reason he was so hurt about being "replaced" by Tim, specifically.

(Jason talking to Tim during Robin War; Red Hood/Arsenal 2015 #7)

Jason has always seen Tim as better than himself. All the while Tim has struggled to feel capable of living up to Jason's legacy. But Tim still took up the mantle because he cared and he had to try. And Jason recognizes that.

(Tim talking at a portrait of Jason, Secret Origins 2014 #3)

(Red Hood/Arsenal 2015 #37)

(Red Hood and the Outlaws 2011 #8)

In summary for this section: Tim and Jason tend to think lowly of themselves, but highly of each other. There's mutual respect and understanding. That's at the very core of their relationship and Knight Terrors showcases that beautifully.

2)

Another great thing about their dynamic that gets shown off in this issue is that they make a damn good team and enjoy working together.

throughout the issue

(Tim narrating, Teen Titans 2011 #16)

(We are Robin 2015 #7)

3)

Last but not least, we get some delightfully, painfully, tender moments.

Jason wishes for someone to count on. And Tim is right there for him. Which gets heavily doubled down on at the end of the issue:

Tim is always ready to work with Jason, to lend a hand, to be there for him-

- and Jason trusts Tim with his life.

Which, speaking of life...

After waking up, Jason tries to get in contact with Tim and when he can't, we see how devastate he is, thinking something went wrong. Ouch.

In conclusion: I was worried going in, with DC's track record lately, but I can happily say I was beyond pleasantly surprised. This feels like a return to form, and I pray we'll get more content featuring these two in the near future. If you haven't checked it out yourself yet, I highly recommend reading this issue.

Thanks for listening <3 I know this was a lot hah

[fatliberation]

I totally understand and can empathize with fat activists when it comes to medical fatphobia. But I do think its important to provide nuance to this topic.

A lot of doctors mention weight loss, particularly for elective surgeries, because it makes the recovery process easier (Particularly with keeping sutures in place) and anesthetic safer.

I feel like its still important to mention those things when advocating for fat folks. Safety is important.

What you're talking about is actually a different topic altogether - the previous ask was not about preparing for surgery, it was about dieting being the only treatment option for anon's chronic pain, which was exacerbating their ed symptoms. Diets have been proven over and over again to be unsustainable (and are the leading predictor of eating disorders). So yeah, I felt that it was an inappropriate prescription informed more by bias than actual data.

(And side note: This study on chronic pain and obesity concluded that weight change was not associated with changes of pain intensity.)

If you want to discuss the risk factor for surgery, sure, I think that's an important thing to know - however, most fat people already know this and are informed by their doctors and surgeons of what the risks are beforehand, so I'm not really concerned about people being uninformed about it.

I'm a fat liberation activist, and what I'm concerned about is bias. I'm concerned that there are so many BMI cutoffs in essential surgeries for fat patients, when weight loss is hardly feasible, that creates a barrier to care that disproportionately affects marginalized people with intersecting identities.

It's also important to know that we have very little data around the outcomes of surgery for fat folks that isn't bariatric weight loss surgery.

A new systematic review by researchers in Sydney, Australia, published in the journal Clinical Obesity, suggests that weight loss diets before elective surgery are ineffective in reducing postoperative complications.

CADTH Health Technology Review Body Mass Index as a Measure of Obesity and Cut-Off for Surgical Eligibility made a similar conclusion:

Most studies either found discrepancies between BMI and other measurements or concluded that there was insufficient evidence to support BMI cut-offs for surgical eligibility. The sources explicitly reporting ethical issues related to the use of BMI as a measure of obesity or cut-off for surgical eligibility described concerns around stigma, bias (particularly for racialized peoples), and the potential to create or exacerbate disparities in health care access.

Nicholas Giori MD, PhD Professor of Orthopedic Surgery at Stanford University, a respected leader in TKA and THA shared his thoughts in Elective Surgery in Adult Patients with Excess Weight: Can Preoperative Dietary Interventions Improve Surgical Outcomes? A Systematic Review:

“Obesity is not reversible for most patients. Outpatient weight reduction programs average only 8% body weight loss [1, 10, 29]. Eight percent of patients denied surgery for high BMI eventually reach the BMI cutoff and have total joint arthroplasty [28]. Without a reliable pathway for weight loss, we shouldn’t categorically withhold an operation that improves pain and function for patients in all BMI classes [3, 14, 16] to avoid a risk that is comparable to other risks we routinely accept.

It is not clear that weight reduction prior to surgery reduces risk. Most studies on this topic involve dramatic weight loss from bariatric surgery and have had mixed results [13, 19, 21, 22, 24, 27]. Moderate non-surgical weight loss has thus-far not been shown to affect risk [12]. Though hard BMI cutoffs are well-intended, currently-used BMI cutoffs nearly have the effect of arbitrarily rationing care without medical justification. This is because BMI does not strongly predict complications. It is troubling that the effects are actually not arbitrary, but disproportionately affect minorities, women and patients in low socioeconomic classes. I believe that the decision to proceed with surgery should be based on traditional shared-decision making between the patient and surgeon. Different patients and different surgeons have different tolerances to risk and reward. Giving patients and surgeons freedom to determine the balance that is right for them is, in my opinion, the right way to proceed.”

I agree with Dr. Giori on this. And I absolutely do not judge anyone who chooses to lose weight prior to a surgery. It's upsetting that it is the only option right now for things like safe anesthesia. Unfortunately, patients with a history of disordered eating (which is a significant percentage of fat people!) are left out of the conversation. There is certainly risk involved in either option and it sucks. I am always open to nuanced discussion, and the one thing I remain firm in is that weight loss is not the answer long-term. We should be looking for other solutions in treating fat patients and studying how to make surgery safer. A lot of this could be solved with more comprehensive training and new medical developments instead of continuously trying to make fat people less fat.