#am i insecure?
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oldfarmerbillswife · 1 year ago
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I could be much worse than I am but you don't even consider that.
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ginger-grimm · 2 years ago
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Theme week day one: Mafia/Red Carpet
Commentary: I tried my best, never invite me to anything. I didn’t show the shoes on purpose.
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hinamie · 3 months ago
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unconditionally
#my art#jujutsu kaisen#jjk#yuji itadori#megumi fushiguro#itafushi#fushiita#fanart#jjk fanart#jujutsu kaisen fanart#megumi#yuuji#im shaky and numb the way this took years off my life#genuinely cannot believe i thought it was smart to make it a comic i could have stuck at a painting and it would have been fine#but nooooooo in my hubris i thought Surely im an expert at this longform stuff now Surely i can do it :)#and then it killed me it killed me dead this is like over twice as long as the train comic and 4 times as detailed#backgrounds . angles. i yearn fr death.#AND I HAD 2 WRITE THEM ACTUALLY TALKING GGSDH i am actually so insecure abt the way the dialogue flows gomen....#i wanted to add more to it to fix how clipped and rushed i think it reads#but that would mean drawing more expressions would mean drawing more panels would mean more gd hyDRANGEAS#so ultimately i decided 2 have the conversation take the hit because let me tell u.#if i have to draw. one more blue petal i will snap i will lose it#i knew tht would happen n wanted to alleviate some of the pain so i found a few brushes that helped speed up the process#but the thing w a lot of premade flower brushes is they also come preshaded n look uniform in a way that stands out badly against my style#so i had 2 render over them anyway........#yuuji's domain rly putting me through the wringer first the train station now death by a bajillion petals smh#all that to say tho . my labour of love . i am going to take a nap#hina.comic
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lotus-lost-n-found · 2 months ago
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Some Batfam Headcanons because the brain never stops;
Jason hates being called "Bruce's Son". But he hates it more when hes called "One of Wayne's Orphans/Wayne's child" because fuck you I'm his son-! wait no--
With the exception of Damian, they rarely refer to Bruce as "Dad/Father". Either it didn't occur to them/didn't see the need to/thought it would be strange. But when Dick/Jason/Tim/Cass are tired or injured it might slip out. And Bruce might just crumble a bit at it
Doesn't mean they don't say it to their siblings when Bruce is out of Earshot.
"Dad said you couldn't." "What do you mean Dad said I couldn't use that mug? It's my mug!" "You snooze you lose Timmy Boy-" "Jason don't be an asshole-"
That being said Bruce says "son/daughter/child" at every available opportunity he can after he knows that they have acclimated enough that they wouldn't be uncomfortable/know they can tell Bruce that they don't want to be called that.
First time Bruce called Dick "son" in a way that meant "You are my kid" and not in a "This police officer just called me son with a brow furrow" way Dick grinned and carried on with the conversation. Later he wondered if his dad wouldn't like someone else calling him Son; but Dick thinks about the life he was given because of Bruce and thinks maybe his dad wouldn't mind.
Calling Jason "son" is a hit or miss situation, even before he died. The first time it happened he was confused, he didnt think that was the relationship they had and it made everything change for him. He got frustrated--not angry--with himself and Bruce at this sudden emotional turmoil. Wasn't he just the kid Bruce picked up in an alleyway? Wasn't he just some street rat in bright Robin clothing? (He lets himself believe that he can be Bruce's son. If for only a little while).
Tim cries after Bruce is out of earshot, it would've been a year or so after his parents died and he was adopted. He didn't think he could have been wanted like that again. Even if you think the Drake's had A+ Parenting or not, I don't think he would have gotten a lot of confirmation of being wanted otherwise.
Cass smiles, emotions carefully concealed under her expression. She's grateful she found Bruce and he doesn't mention it if she leans a bit closer in a request for closeness.
Damian doesn't expect anything less, he only appears satisfied. But also relieved that he has gotten the confirmation that yes, Bruce wants and accepts him.
EDIT 10/11; hiii, i have added Duke, Steph & a Bonus in a reblog you can find on the same blog under my 'batfamily headcanons' / 'sore rambles' tag. have fun :)
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oatmealdoodles · 5 months ago
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“I want you to stay with me, because you want to. Only if you want to”
also a version with strings:
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OG:
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Everybody raving about the “I didn’t realize you think sow low of me” while I’m still obsessing abt this
edit: forgot to add the second ver. so adding it in now
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egophiliac · 7 months ago
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Wait, did you put a photo of Vil and Neige as kids in Eric’s office??
oh good, I was afraid that wasn't going to read properly and people would just be like "what is this supposed to be". :') but yeah! I like to think Eric was pretty fond of Neige as a kid! single dad sees orphan child approximately the same age as his own son and goes "hmm. okay, you guys are going to be friends now." (this did not go as well as he'd hoped.)
(also I do love how it's kind of a running joke that everyone loves Neige except for Vil, who's standing over in the corner and just seething with furious irrational hatred. someday maybe he'll find someone who doesn't think Neige is the best thing since cinnamon rolls.)
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rotisseries · 1 month ago
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pre calamity era zelink was so funny. the legend of miss hatergirl and her one-sided feud with the king of minding his own business
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mjtheartist04 · 19 days ago
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Sorry for the lack of posts yall please take this genya doodle while I try to get my motivation for art back up again🙏💜💕
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casscainmainly · 2 months ago
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The Feelings About Tim Drake Alignment Chart
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Cass and Dick versions. Yes I do subscribe to oifaaa's Jason doesn't know Tim's name headcanon. Also, as usual, open to change!
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nikinikori · 4 months ago
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“What is honor compared to a woman's love? What is duty against the feel of a newborn son in your arms, [...] We are only human, and the gods have fashioned us for love. That is our great glory, and our great tragedy.”
— Maester Aemon Targaryen: "Game of Thrones"
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jel-jel-jel · 9 months ago
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I have to get these out quick before side order releases
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peteytheparrot · 4 months ago
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Ok I enjoy Billford as like, toxic yaoi, but if we were to be serious about this for a second like- Ok, Ford IS an abuse victim, straight up, it’s pretty much in canon. When Ford didn’t do what Bill said he tortured the ever loving shit out of him, showing Ford that he can make him feel unimaginable pain if he wanted to. When Ford finds his family reading The Book of Bill he’s terrified, but he just finds them all laughing about it. Of course he’s still terrified of Bill even after his death, he went through hell with that triangle, but now he’s realizing that he’s not a ‘God’ that was above him, he’s just some loser, Bills a loser, that beat the shit out of Ford for no good reason because he had the power too. Bill is also just messed up in the head, he burned down his own dimension and is terribly lonely and fucked up from that all, so he gets attached to Ford. So when that doesn’t go his way he just gets angry by it all and immediately does the one thing he’s best at which is destroying everything. He calls what burns down his home ‘a monster’ because that’s all he sees himself as now, a monster. Bro NEEDS therapy and the Axolotl knows this. (Ford also probably needs therapy ngl ☠️)
DOES ANY OF THIS MAKE SENSE HELP I DIDNT REREAD THE BOOK FOR THIS ☠️
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maddymoreau · 2 years ago
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Thinking about how Diavolo’s feelings transcend time and how in the Nightbringer UR+ card Demon Lord’s Castle Tour this conversation happens.
When asked, “Do you wish to see your father?”
Diavolo responds:
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“I suppose I do . . .” isn’t the typical reaction to how a child would feel about wanting to see their parent. Especially when said parent has essentially been in a coma for a year.
Along with how Diavolo describe his father.
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It makes more sense why when you learn in Lesson 56 how Diavolo was treated by him growing up.
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Diavolo can tell when others are lying but is unable to understand his father’s intentions.
Diavolo mentions that he lived a very sheltered life growing up. That from a young age his father never allowed him a chance to talk to anyone outside the castle.
His childhood friend was Mephistopheles. A demon literally RAISED to be his friend. Putting a barrier between the two because Mephistopheles would put Diavolo on a pedestal.
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The isolating childhood he experienced riddled with his strict father constantly scolding him.
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Despite everything MC is so important to him he wants to see his father again so we can meet.
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literaila · 3 months ago
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Reader meeting gojo parents when since they’re confirmed to be alive ☹️
the next time gojo satoru claims to be a “grown man” you’re going to pull his annoyingly soft hair and shove him down a sink drain.
this child, this infant—the very same one who got lost exactly one minute after you told him not to wander off—is going to be the death of you.
you’d always thought that you might go out peacefully, in your sleep or lying in a hospital bed. or, at least, heroically. saving some innocent bystander, leaving the world with some witty last remark.
but no.
instead you’ll die of a heart attack. instead you’re going to look for gojo and accidentally wander into some den of cursed spirits and die before you get the chance to pull on his ear at least one last time.
even tsumiki doesn’t get lost this much—and she gets distracted every time she catches a glimpse of pink in a window.
you walk amongst the crowd, looking for long legs and a stupid blind-fold, thinking about how you should’ve brought megumi. he’s more observant than you are—he’ll look for any chance to get gojo in trouble.
namely, this one.
you sigh, dialing his number again. but you can barely hear it ring as you hold it to your ear, you can barely hear the, “it’s gojo, you must feel sorry that you missed me—“ before you hang up. he’s not going to listen to any short of breath voicemail you leave anyway.
he can teleport home, you suppose. it might be nice to have a couple of hours to yourself, to teach him a lesson for once—
(and no, you won’t miss him. that’s a ridiculous suggestion. why would you miss a third child that clings to you, and whines every time you’re not paying enough attention to him, and whispers sweet things in your ear when he’s bored, and follows you wherever you go, and always trails his hand down the small of your back because he knows—
no, okay? no.)
you’re thinking about how gojo satoru is the worst person you’ve ever met—and you’ve had to sit through meetings with the higher ups, so—when you run into someone.
you get your obliviousness from gojo, thank you.
“i’m sorry, i—“ but you look up and you’re met with the same smile you were just cursing out in your head.
though, maybe not quite the same? it’s usually not so pained and he’s usually sticking his tongue out a little bit—
“baby,” he breathes, chest inflating.
you frown. “i thought i told you to stay by me. i’ve been looking for you for, like, fifteen minutes, are you—“
he turns, just slightly, and usually you would pinch his cheek for trying to deflect but… there’s a woman standing there. looking at you—at him—like she’s seen some sort of ghost.
satoru has that effect, you suppose.
“oh, sorry,” you say, stepping so you wave at her. “did i—am i interrupting?”
“no, we—“
“it’s nothing—“
they both stop. and satoru may be blindfolded, as ridiculous as he is, but you can practically see the glance that they share.
the quick look away, awkwardness floating through the air like dust.
you tilt your head, brows furrowing.
satoru doesn’t necessarily like talking to strangers, but the man doesn’t know what social expectations are. and he’s certainly not awkward.
you wrap your hand around his arm, feeling the release of his technique (and yours), as you consider them. “satoru. who’s this?”
“she’s…” he makes a vague gesture with his hand, trying to telepathically communicate with you, and winces again.
you give him another strange look.
but the woman clears her throat, gesturing to satoru. “i am his mother.”
you still, keeping your eyes on satoru. he doesn’t look back towards you, doesn’t nod to confirm or acknowledge her in any way. his head is tilted up, eyes to the sky.
eventually, you look to the woman.
suddenly you see it, like a flash of light. her eyes are blue, and though not as breathtaking as satoru’s, still light enough to be beautiful.
her hair is a glimmering silver and her entire body is tense.
but she doesn’t look like satoru at all, you think. satoru is always smiling, always moving a million miles a minute. he’s gesturing and trying to make you laugh and he’s never nervous, he’s never caught off guard.
except for maybe now.
some hindrance in your mind thinks about how megumi resembles satoru at times—the model of his smirk or the tease in his eyes. you recall tsumiki’s laugh, the mimicry of sound when she’s laughing with satoru.
it’s not biology, you hear, but connection.
the way you mold each other, the tight grip that admiration has on the very material of your soul.
“oh,” you breathe out finally. but you don’t say anything else to her, can’t think of anything you might want to. you turn to satoru, leaning closer to him, hand gripping his arm. “satoru, do you want to—“
he finally looks forward, towering both of you. “this is my wife,” he interrupts, smoothly. “we were just shopping.”
“it’s lovely to meet you.”
the woman is trying to smile but it doesn’t mean much to you. she keeps glancing at satoru—staring like he’s some public attraction, hesitating like he might bite if provoked.
you pull on his arm a little bit, dragging him a step away. you don’t want to ask in front of her—dont want to take that means of distance away from him—but you don’t have a choice.
“do you want to go?” you whisper to him, wishing you could meet his eyes. “we don’t have to stay.”
his mouth opens, then closes. “i’m not—“ he swallows, stopping.
you’re about to say something—to tell him that he doesn’t owe her anything, that he doesn’t have to be afraid—but she clears her throat again and you turn, ready to say whatever you can to get your satoru back.
the one who’s never left speechless, never left not knowing what to say.
“satoru,” the woman speaks, saying his name like she deserves to. like it’s different when it’s in her mouth—a possession no one else can have. “i have to go—we aren’t supposed to be in the city for very long.”
you frown at her and satoru continues to stare at the side of your head.
“here’s my phone number. i would like—love. i would love to speak with you, if you have the time. whenever you want. if you want.”
she holds her hand out to him and you already know that he’s not going to reach out to her.
you already know that even if he did—she would never get past the world of space between them.
so you reach out instead, grabbing it from her. “thank you.”
“no—thank you. i am…” she pauses, looking away, finally. “i am glad you’ve found happiness, satoru. i… have to go. it was nice seeing you,” she blinks at you, a slight bow as she takes a step back. “and meeting you.”
you don’t say anything but wait, watching for satoru as she walks away from the two of you—keeping him safe for just a moment.
and as soon as she’s gone, you turn to look at him, not sure what to say.
it’s not like with your mom—if satoru understands your childhood at all, you’re completely lost to his.
“you okay, baby?” you ask, staying close to him. maybe it’s a defense mechanism—trying to keep him from shutting you out—or maybe it’s so he knows that you’re there.
“i didn’t think i would ever see her again.”
“did she…” his eyes meet yours, even through the fabric, his mouth a straight line. “did she say anything before i showed up?”
he shakes his head. “no. she just stared at me. i—i didn’t realize who she was, at first.”
“that’s understandable.”
“i don’t know why she would be here.” he looks around, seeming to come to, and then finds you again. “did i get lost?”
you laugh, a bit shocked, pushing your forehead into his chest. “ran away, more like.”
his arms wrap around your back, holding you in place. “sorry. i smelled dessert.”
“of course you did.”
he takes a deep breath, then pulls away. “okay. more shopping? did you check out at the gift shop?”
“are you okay, satoru?”
“i’m fine,” he answers immediately. you stare at him, unblinking, and wait. after a moment, he licks his lip. “okay. yeah. i don’t know.”
“that’s okay.”
three years ago, he wouldn’t have said anything to you. two years ago, he would’ve feigned indifference and hidden himself away for a week.
but you’ve learned to move past these walls, learned how to fill the space and not push too hard.
and you love satoru. too much to let him fall away from you, now.
he sighs after a moment, shaking his head again. “she.. she looks different.”
“it’s been at least ten years, right?”
“yeah.”
you wipe his cheek, adjusting his blindfold for him. “do you want to call her?”
“i don’t—“ he frowns, just minimally. “i don’t know.”
“that’s okay. but you can, you know?”
“would you help me?”
“help you dial her number?”
he grabs your wrist, his cheek quirking. “help me talk to her.”
“hmm…” you tap his nose with a finger. “maybe if you beg.”
“this is why i ran away,” he says, just barely pouting.
and that’s how you know you’ve gotten your satoru back. as annoying as he is.
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forzathunder · 4 months ago
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"I have many fears, most of them about Lucrezia." — Cesare Borgia (The Borgias, 2011-2013) + hints of insecurity
that she adores someone that much / if she will reject his dark nature and act of love and violence as Ursula did / if he truly is not part of her desires / that she easily forgets him
#i have so many thoughts on these two#hes such a clingy brother wth#as much as he soothes her it is only by asking lucrezia verbally or#by looking at her that his fears and insecurities in her life can be soothed#cesare torn between - being relieved she had some joy in the ruthless marriage he had no power to prevent and did not even want to bless#or being envious there is someone else now when his little sister once said she will not love anyone as much as she loves him#but Accepting it anyways because it is impossible loves and maybe he is starting to become aware his love falls in this same category.#“should i envy this narcissus low-born who shall never see you again because of his impossible love for you when i love you just the same?”#the knife more surprise than fear. in a time when he did not love himself...“she accepts me as i am? as i do her”#biting her as if another black panther pet looking for reassurance that their love#that HE is still included in her perfect world even if he himself pulls away#“surely you're in agony as much as i am? are you already satisfied with your child and husband if we cannot share our love openly?”#“your eyes drift to mine when you say 'husband' am i not he? do you see me as so even when it was just 'tonight'?”#and then his sudden gaze as if to look for truth because how can she forget him when he only thinks of her#AND AGAIN pulling away being eaten by shame and guilt of corrupting her (when their relationship is not just his doing)#torn between hope (we have the capacity to forget and move on) and hope (our love has that much devil power over her)#cesare as the god or the devil or whatever it is that overwhelms whether at war or in love#cesare is one confident man and even if his insecurities has layers of righteousness and importance..it is still insecurity nonetheless#and only for lucrezia#lucrezia borgia#cesare borgia#cesare x lucrezia#the borgias#dailyborgia#perioddramaedit#perioddramasource#weloveperioddrama#onlyperioddramas#romancegifs#the borgiasedit
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bltchkawa · 4 months ago
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Hiding my face rn
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