#am I kicking? not really

[sirswooshnoodles]

I saw this posted, and decided to mark it up. I then talk about stuff for a bit and get a lil dark. I’m not quite sure how to tag it to keep it off the dashed of ppl it might upset so instead I’m putting in a readmore and this warning.

In conclusion, I ain’t doing so great

“How much longer can I keep this up”

Without distractions from a reality I currently can’t/ don’t know how to change, not long at all.

I’m tired. So tired. Why is 21 years so long? How do people manage decades of this? Is this life?

I keep holding on in case things get better

But I’m tired. Exhausted. Existing is the best I can do, and no one is happy about it.

Normally people become more capable as they grow up. I’ve only grown more fatigued, and run down. Tasks I could do a few years ago now seem nigh impossible.

I’m tired. But sleeping doesn’t make me feel rested. The only relief is to distract myself from this all consuming fatigue.

There is no escape, from that which exists inside of you. It hurts. And I’m tired of it all.

[egophiliac]

doylist explanation for why Gidel is only in Fellow's non-idle lesson animations: probably something about space constraints and making sure two sprites in one seat aren't covering anyone else when they're not in focus

watsonian explanation for why Gidel is only in Fellow's non-idle lesson animations: he snuck in and is hiding from the teachers, don't give him away 🤫

(I've reached my limit of unsuccessful attempts at pulling them before I need to save keys for Halloween, so I've been living vicariously through youtube videos...but the fact that Gidel just pops up from under the desk to wave his arms around happily is really testing my resolve. D: I'm gonna die when they finally get to do alchemy...)

[clouvu]

Cooking up an older Clervie outfit design so I don't have to keep drawing her looking like her child self but Long

[a-jasminator]

could you meet me in the middle?

[zan0tix]

Rain - (Demo Ver.)

[chez-cinnamon]

Sometimes I forget Fionn can draw (he WAS an animator and IS a draftsman after all) so- Wally in his style!! <3

Fionn adores life/observational drawing, and after some time he gets back into it, sketching the puppets, his niece and two other certain gentlemen.... shall I say a lot! Teehee!!

[lovesickeros]

zhongli and neuvillette fighting over their reader 🤭🤭

scary dog privilege wherever you go, draconic courting gestures that would scare any regular person, they send each other deadly glares the moment you turn away,

stealing your clothes to just get a whiff of your scent, marking their territory all over your house - making it a battlefield basically, neuvillette (in my hc) is cooler and zhongli is warm so the cuddles are always so comfy ☺️😍,

they give you anything you want - you don't even have to lift a finger, they make you travel between the nations a lot though 😒 sooo clingyyy, extra gentle in their dragon forms as to not squish you, don't even get me started on the size difference 😍😍

just a little thought 🤭☺️

- 🐈‍⬛

Neuvi being colder is so real and canon. I see him as being colder + a lot more lithe, kinda lanky with smaller but sharper canines versus Zhongli who's warmer and a bit shorter then Neuvi + bulkier with bigger but not as sharp canines.

They've also got very different habits – Zhongli is very prideful not just of himself but his nation. He'll personally give your a tour and purposely drag it out as long as he can. Complimenting Liyue is basically complimenting him, checkmate Neuvi. Especially if he convinces you to try on some local Liyue fashion. Harmless and just a nice gift to anyone else but Neuvi sees it for what it is (since your wearing something from Liyue, technically wearing something of his. He loves his technicalities when it comes to staking a claim over you). Adds salt to the wound by touching you in totally innocent ways like to adjust you towards something he wants to show you or accidently brushing against you when he takes the bags of spoils he's practically drowning you in but really he's just making sure his scent sticks. He's just a sweet, nice gentleman with absolutely no ulterior motives trust.

Neuvillette does love Fontaine, but his habits are more about himself then the nation. He'll take you around if you ask or if the idea strikes him, but you'll probably stay around the making city area or the opera house specifically. He enjoys more personal time with just you and him then anything else. He values the immaterial to the material. Zhongli spoils you with gifts, but Neuvi tries to offer quality time irregardless of physical gifts (though he still gives them just not to the extent of Zhongli). He'll take you to see different operas if that's to your fancy, or leverage a bit of his authority to maybe see a few films since those seem to be hitting off in Fontaine recently. Bet that creaky old archon doesn't have those huh. He feels awkward if you want to watch a trial, but he'll reluctantly agree because. well. it's you. just don't wave or anything he's trying to work and he just Really wants to see you smile at him like that again and it makes him lose his train of thought. gets custom clothes designed by Chiori to replace your clothes from Liyue because they smell of Zhongli and it makes him sulky + he likes to match.

G-d forbid these two are in the same room as you because it's a war of attrition at that point. Constant accidental brush of the hand against your shoulder or elbow but it's just them trying to get rid of the others scent. they are side eyeing each other behind your back while being all smiles whenever your looking. If it's hot and you lean into Neuvi more he's practically GLOWING. not even smug he's just absolutely smitten and happy to be of service. immediately takes off his gloves and presses his hands to your face asking if your okay and if you want to go back with him. if it's cold out and you seek out Zhongli more hes smug as hell beneath the calm veneer. Offers you his coat and stay as physically close to you as he can under the pretense of being worried you'll catch a cold if he doesn't warm you up.

don't even get me started on your house either because you probably have tons of gifts from both of them accumulated everywhere. if Neuvi sees you use a tea set from Zhongli suddenly he had a fantastic gift idea he thought you'd like. he even got some tea included with it so why don't you let him make you some? Zhongli sees you using a goblet Neuvi gave you (totally a coincidence it's similar to his) and suddenly you have 27 square cups in your cabinets that you have no idea where they came from. if the goblet is mysteriously missing oh well. who knows :]

[moeblob]

So does he, Gallagher.

[cuteiemonster]

Honestly I don't have much of an explanation outside of I like the irony of a Blind Watcher. And. Well. Grian is right there for things to go awry like that. So,

This was created for the 2024 Reverse Big Bang hosted by @mcytblraufest !! Us artists had to create artwork for the writers to claim this time around! >:)

and speaking of writers.. my art garnered the attention of not one, but two writers, who both created fanfics based off of my art!! It's been such a cool experience seeing how differently they've both taken things and they're both VERY WELL DONE!!!!!!!!

" Glass " by @honeylashofficial

Parts make up a whole, but Mumbo hasn't been a part of anything for a very long time. He was okay with that though. The world was more than welcome to continue outside his window, as long as he had his oven and his cable tv all to himself. But every once in a while, the outside world comes inside, and he has to chase it back out with a broomstick. This time, his technique backfires in a way he never could have imagined. Or... Mumbo could count the number of his friends without even raising a hand. Who knew that a 30,000 year-old creature stealing his bed comforter could change that?

" Lost To The End " by Sary_Sary

Six months ago, Mumbo’s closest friend vanished without a trace, leaving nothing but unanswered questions. 6 months later, a strange creature appears in his bedroom, with no inkling of how or why. With no clue how this creature got there or what it wants, Mumbo is thrown into a whirlwind of confusion as he tries to figure out what is going on. Now, Mumbo has to continue trying to figure out where Grian went, all while learning what this creature even is, and how to help him without harming him in the process. To make matters worse, the only person who can help him unravel this mystery is the one person Mumbo swore he would never work with: Scar.

[starry-bi-sky]

Stuck in the middle of a forest made of

Flesh and bones and they're all scared of

A lost little boy who has lost his heart

Fear's not enough, they have to

Tear him apart —-------

There are two things Daniel Fenton knows that his family knows as well: 

He’s adopted.

He can’t remember anything else before that.  

‘Adoption’ is a loose term, implying that they went through the official legal processes and troubles of adopting a child into their home willingly, and with the full intention of doing so going into it. That is not what happened. What happened is that Jasmine Fenton found a half-dead child, in strange clothing, in the middle of the woods at her Aunt Alicia’s cabin, and then she went and got her parents. 

What happened is that a twelve year old Danny woke up in the same cabin, wearing clothes much too big on him that didn’t belong to him, and with very little memory of before that moment. He wakes up like a spring being set loose, sitting up so fast he scares the daylights out of Jasmine Fenton sitting next to him. He wakes up, reaching for his sleeve for something that isn’t there, and when it isn’t his mind stutters, like he’s tripped at the top of a steep hill. 

When they ask him for his name, he tells them, clearing muddled thoughts from his mind; Danny. He’s twelve.

(He thinks that’s his name, at least. It sounds right; it feels right. If he thinks really hard about it, he thinks he can remember someone calling him that, utter adoration in their voice. So it must be his name.) 

The Jasmine girl convinces her parents to take him home with them, and they give him the spare guest room upstairs. He has nothing to fill it with.

It’s… a strange experience, to go to a ‘new’ home when he doesn’t even remember his old one. 

The official adoption process… happens. He can’t say it’s easy, or difficult. He’s oblivious for the most of it, Jasmine intends on helping him settle in and Danny can’t say he enjoys the smothering. He learns that he is stubbornly self-independent, that’s one new thing he knows about himself. 

His adoption papers say ‘Daniel J. Fenton’. Danny remembers staring at the name ‘Daniel’ for a long, long moment, something curdling sour in his sternum. His name is Danny, that he knows. But it’s not Daniel. But he doesn’t know any other way of saying it, so he keeps his complaints to himself.

(Jack Fenton boisterously claps his hand on Danny’s shoulder and jerks him around, grinning wide as he welcomes him into the Fenton Family. Danny’s mind blanches at the touch on his shoulder, an instinct snapping like the maw of a snake, telling him to cut off the man’s fingers for daring to touch him.) 

(He keeps the thought to himself, tension rising up his shoulders the longer Jack Fenton’s heavy hand stays on him.) 

They found Danny in the summer. It’s a perfect coincidence, Maddie Fenton says before she goes back into her lab with Jack Fenton. She says it’s enough time to allow Danny to adjust; that they’ll enroll him into the school year in the fall. Then she stuffs a canister of ectoplasm onto the top shelf, and disappears like the ghosts she studies back down the stairs.  

(There’s something eerily familiar about the ectoplasm sitting in the fridge, something unsettlingly so. Danny knows what that stuff is, but he doesn’t know where. When the house is empty, he takes a can from the fridge and inspects it.)

Jazz wants him to leave the house. Danny doesn’t want to step foot outside of the FentonWorks building until he has something that quells the feeling of vulnerability he gets whenever he does. He tried to once, and he felt exposed. Unsafe. 

He turned back around and went inside.

—-------

Where do we go

When the river's running slow

Where do we run

When the cats kill one by one

—------

One day, when the house is empty — or, as empty as it can be; the Fenton parents down in the lab, and jazz out with friends. Danny is making a sandwich, and he caves into the urge to flip the knife in his hands between his fingers. A childish impulse, but one he falls for nonetheless. It comes to him easily, like second nature, in fact. The slip of the blade between his fingers is seamless, flowing with an ease like water running down the wall.  

He’s almost startled by it; his body holds memories that his mind does not. Muscles that know which way to move and twist, limbs that know how to hold and how to throw. He continues twirling it, fascinated, as if he were a scientist discovering a new species of animal. 

It’s not for a handful of minutes when a new thought hits him; an impulsive thought that pops in the back of his mind like a firecracker; Danny moves without thinking. 

He turns, and throws the knife. The pull of his shoulder, the flick of his elbow, is familiar like a hug. He knows when to let go, and the blade flies through the air in impressive speed, embedding itself into the wall with a hearty, loud thunk. Sinking into the drywall like butter. 

Danny stares at it in shock, he feels relieved — about what? — before he feels the guilt. He scrambles across the kitchen to pull it out, heart racing in his chest at being caught, and prays no one notices the hole it left behind. 

(He runs up the stairs before anyone can find him, food forgotten, and hides the knife beneath his mattress like a guilty murder weapon.)

After that, he leaves the house more. It’s more out of fear of being caught than the desire to leave. But Danny is quickly learning that among all things, he is someone who was dangerous, before he lost his memory. Even with his mind in fractures, he is still dangerous. 

He’s not sure how to feel about that — he thinks he should be scared. He feels a little proud, instead.

—------

Hazel beneath our claws

While we wait for cerulean to cry

Unsettled ticks run through time

Enough for the hunt to go awry

—-----

There’s another thing he learns about himself. That he knows about since he woke up. He knows that he left someone behind. He doesn’t know who, but he knows they must have been close; he’s always looking down and finding himself surprised when the only shadow he sees is his own. 

He thinks that he must have sung to them a lot; he finds himself humming familiar melodies when he’s lost in thought. Lullabies lingering at the tip of his tongue, an instinct to turn and sing them to someone beside him. He can’t remember the lyrics, but his mouth does, it tries to get him to say them when he’s not thinking. He can’t. 

Danny’s found himself humming under his breath more times than he can count, trying to recall whatever it is his mind is trying to claw forward. 

(“That’s a pretty song, Danny.” Jazz tells him at breakfast one day, Danny screws his mouth shut. He hadn’t realized he was humming. “What is it?”) 

(Something mean and possessive rears its head on instinct, uncoiling like a snake from its ball. His shoulders hunch defensively, he bites his cheek to prevent himself from baring his teeth. He doesn’t know what song it is, but it’s not for her. “I don’t know.”)  

He misses his person. Dearly. He knows, the longer he is without them, that they must have been close. Otherwise, he wouldn’t feel like he’s missing a chunk from himself. He wouldn’t be turning to someone who's not there; reaching for a hand that’s missing, birdsong on his tongue, a story to tell. 

A dream haunts him one night. Warm and familiar, he’s holding onto someone smaller than him, they’re tucked into his side like a puzzle piece. He’s humming one of his songs that is always playing in the back of his mind, an unfinished tale of a harpy and a hare. Danny can’t remember their face, not all of it. He remembers green eyes, hair dark like his own, skin brown like his. 

He loves them more than anything else in the world, a fact he knows down to his soul. He loves them so much it fills his heart with sunlight. Danny squeezes them tight, nuzzling into their hair; he makes them laugh. Then, he proudly boasts something. That when he takes something of their father’s, that his person — a sibling? That feels right — will be… the word fades from Danny’s mind before he can make sense of it. 

His person hugs him tight, his… brother? And their mother — a woman whose face he can’t remember either, but who he loves like a limb nonetheless — appears, smiling. Her hands reach for them both, voice calling them, ‘her sons’. There’s ticking in the distance, it sounds like the fastening of chains.

Danny wakes up cold, tears streaming down his face. The details of the dream already fading from his mind like the cold pull of a corpse.   

—-------

Harpy hare

Where have you buried all your children?

Tell me so I say

—-------

When school starts that Fall, Danny joins the sixth grade class, and quickly learns more things about himself. One of those things being that he’s smarter than the rest of his grade, whatever education he had before, it was better than the one he’s getting now. 

Everyone knows he’s adopted right off the bat. He tells them when the teacher forces himself to introduce himself, but it’s not like they needed him to tell them for them to know; he never existed in their little world before now, and the Fentons are pale as they come. Danny is not.

He befriends Sam Manson and Tucker Foley; they ask him about the scars fading up and down his arms, they ask him about the scar carved diagonal across his face.

Danny, as politely as he can, tells them he doesn’t remember. He thought kindness would come second nature to him, his dream burned into his mind where he hugged his brother so sweetly. Apparently, his sweetness is only second nature to people he considers his own. 

(It becomes even more apparent when Dash Baxter tries to bully him later that day, and Danny ruffles like an eagle threatened. His mind whispers, hissy and agitated, sinking like a shadow at his shoulder, several different ways Danny could kill him for talking to him like that, and fifteen more ways he could cripple him.)

(Danny ignores those thoughts, up until Dash Baxter tries to grab him. Then he breaks his nose on the wood of his desk. It’s easy how quickly the rest of his grade sinks him down to the status of social pariah.)

(At least Sam and Tucker still talk to him after that. When Danny goes to the principal’s office later, he wisely doesn’t mention the worse things he could’ve done than break Dash Baxter’s nose.)  

—--------------

It clicks and it clatters in corners and borders

And they will never

Hear me here listen to croons and a calling

I'll tell them all the

Story, the sun, and the swallow, her sorrow

Singing me the tale of the Harpy and the Hare

—-------

More dreams come, of course they do. Each one halfway to forgotten whenever he wakes up, ticking faint in his ears. He is many different ages. He is young, shorter than a table. He is older, holding onto his little brother. He is singing in almost every single one. He is singing to his brother. 

Danny can barely remember the lyrics, he’s begun leaving a journal by his bedside so that it’s the first thing he can write down when he wakes up. He’s a storyteller, he learns. He feels like a historian, trying to piece together a culture long dead and forgotten. 

His most vivid dream-like memory is not a happy one, and for once he’s almost relieved he barely recalls it. He is somewhere that isn’t home, but his mother and brother are there. He is dressed in black, blades keen in his hands. 

They are atop a moving train. They are fleeing something. His brother is struggling to keep up, he is small, and young. It’s beautifully sunny, they are somewhere green and lovely. 

It is a fast dream. 

His brother stumbles on something, and Danny, fast as a whip, snatches him by the back of his shirt and hoists him up to his feet before he can fall. “Watch your feet, habibi.” He murmurs low, a hand on his back. It’s hard to hear, there is wind in their ears.

His brother, face obscured in all but his eyes, which are green as emeralds, nods. 

The dream blurs, but Danny falls behind. His foot catches on air — impossible, it should’ve been, at least. He never trips. — and he lands against the roof with a thud and a grunt. His mother and brother stop, and turn for him. 

The train hits a turn before Danny can get up, and he shouldn’t have, something pulls on him, he swears, but he slips. He can’t find the purchase to pull himself up, cold fear hits him as his nails scrape against the metal. 

His mother and brother’s horrified faces are the last thing he sees before he disappears off the side of the train. 

(The ticking is at its loudest when he wakes up, pounding against his inner skull. He only manages to write down ‘train fall’ in his journal, before he’s flipping over to press his head into his pillow to get the pain to stop.) 

—---  

She can't keep them all safe

They will die and be afraid

Mother, tell me so I say

(Mother, tell me so I say)

—-------

When Danny is fourteen he is still humming songs he can’t remember, his mind still in a broken puzzle. But his room is now decorated with stars and plants in every corner. He has a guitar he keeps in the corner of his room, and he plays the lullabies in his head on the strings over and over again. 

The ectoplasm in the fridge still unsettles him, still reminds him of a past he can’t recall. The knife beneath his mattress has returned to the kitchen — he doesn’t need it. He found a box in the attic last year, it had his name on it, and inside he found familiar, strange clothes, and more weapons than he thought was possible to carry on one person. 

(Even without knowing that the Fentons prefer guns to blades, Danny knows, instinctively, that they were his weapons. He was — was? Is — a dangerous person. He takes the box down to his room to sort through. The weapons all fit into his callused hands almost perfectly — the grooves worn to fit his palm. They’re just a little small.) 

(He tentatively takes a small blade with him to school one day, and feels much more comfortable with it sheathed beneath his shirt. He’s kept it on him ever since, like he’s reunited a lost limb to himself.)   

Danny doesn’t have a name for his person, his little brother, nor does he have a name for his beloved mother. He’s haunted by dreams every few weeks, many of them repeating. He’s ingrained the words he can remember to memory, and the ones he doesn’t, he writes down in his journal. His little brother; Danny calls him a bird, he can’t figure out what kind. His little bird of some kind; when Danny takes something from their father — what, he can’t remember what — then his little brother will be a little bird. 

(He doesn’t have a name for his brother, yet, but he’s calling his birdie in his head. It’s better than nothing.)

—------

Seeker, do you ever come to wonder

If what you're looking for is within where you hold

Will you leave a trail for them to follow a path

You'll soon forget

Home

—---------

When he’s fourteen, Danny dies. It does nothing to fix his fractured memories, much to his consternation. It just confirms something he already knows; that he was someone dangerous, and that he still is. 

When the shock of death has worn off, Danny inspects his ghost in the metal reflection of the closest table. It’s blurry, hard to see, but shock green eyes pierce back at him, green like the portal. Lazarus, Danny’s mind whispers, and he blinks rapidly.

‘Lazarus,’ he mouths to himself. It’s familiar. Sam shows him with her phone what he looks like, joking that he looks like an assassin. Danny doesn’t think she’s that too far off. 

He doesn’t tell her that. He tucks the thought away with the rest of his secrets, and fiddles with the hood gathering at his neck, attached to a cape with torn edges swinging down to his ankles. He pulls it over his shock white hair. It shadows over his face impossibly so, until all you can see are his green-green eyes peering out like a wolf hiding in the brush.

He ends up calling himself Phantom. 

(Maybe now he can start putting lyrics to his lullabies; his memories may not have returned, locked away with the sound of a clock, but the dead can talk. One of them may just have answers.) 

----------

Home is where we are

Home is where you are

Home is where I am

-----------------

Dedicated to @gascansposts for being the one who introduced me to the band Yaelokre, and thus being the whole reason I was inspired to write this in the first place >:] Those lyrics at the line breaks are all from their album Hayfields.

[pinkavtomation]

Figuring out a design i like

[sysig]

Good skeles, like you lots (Patreon)

[mossy-paws]

Sword PHIGHTING! period cramps moodboard

Gods mightiest warrior…….

Og image:

ANYWAYS EXTRA BITS!!!! So. Yeah. I wasted exactly 27 hours and 29 minutes of my life making this over a period of like. ~a week and a half LMAO????? I THINK IT WAS LONGER?? Yeah all of these are completely redrawn from the Og “panels”, replicating the dungeon meshi style is. MISERABLE I don’t know why I did this to myself holy fucking shit, all of you blame @squiffer-salad for this monstrosity she’s the reason why this exists in the first place /silly

anyways, I highly recommend looking at the panels individually because I put a lot of fun extra bits in them and just. A LOT of effort in general, any likes, reblog’s, or comments are insanely appreciated since this did take such a long time :’DDD, everything in these minus the backgrounds are completely redrawn/shaded/and colored by hand, this includes mid/screen tones as I used specific layers for those! anyways thank you for coming to my period cramp projection ted-talk I’m going back into my Everglade hole.

[aroaceleovaldez]

i think the thing i'm most disappointed about with riordanverse fandom now versus like 2014 is not only has the fandom not gotten any less racist or queerphobic or ableist (in fact in some regards its gotten worse!) but now it's just boring too. like there's no fandom infrastructure anymore - the community these days is almost entirely source material-driven - and you deviate from canon even slightly people get weird about it. whatever happened to the post-HoO fanon boom. the fandom needs to get weirder again. and self-sufficient. and less offensive.

[wigglebox]

It’s really not that hard to understand how Destiel is canon despite not having Dean verbally textually concretely saying “I love you” back, which is what most people who only consume media on a surface level understand.

You have a jigsaw puzzle. Let’s say there’s 327 pieces. One by one you put it together with some bright spots where you get a bunch of them in a row and some more complicated spots where it took you longer than you wanted and the picture made it difficult to match up the pieces.

After awhile, you get 326 of them in, even tho your dog almost ate the 326th piece and it’s a little chewed up but whatever. It’s passable.

But, you realize you can’t find that 327th piece. It’s somewhere — it’s gotta be somewhere. You can see the hole where it belongs. You see it’s shape in it’s empty space, you see how many curves it has and how many sticky-out bits it has to connect perfectly with the rest of the puzzle.

However that final piece is still missing.

You look up and down, come up with theories about where it could possibly be (did the dog eat it? Did the manufacturers just screw up and there was a glitch in processing? Was it your own fault you lost it and it’s somewhere super obvious?).

But despite you being unable to find it, you’ve stared at that empty space for so long it’s almost like it is already filled because the shape is so clearly outlined. It’s the final piece and even if it’s not there, the rest of the picture is, and, the empty space is so well defined that there is no QUESTION that’s where the missing piece should go.

So Destiel is canon because the rest of the puzzle was filled in through years and years of subtext, text, basic narrative structure, romantic tropes, queer coding, etc etc.

The one piece that’s still missing is Dean saying three words but you don’t know where that piece is, aka, we don’t know why he wasn’t allowed to say it back. But we know that’s what has to be said. There won’t be a refusal of reciprocation because if that was the case we would have gotten it when the show was airing because there’s no harm from executives perspectives in denying queer feelings. They’d probably prefer it.

Dean’s missing words is the one single puzzle piece that’s missing right now. And we are all still searching for it but that doesn’t mean that it’s clearly defined space isn’t already there outlining exactly what could only fit right. There.

[poorly-drawn-mdzs]

WAKE UP!

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