#also. this is the first scene of them meeting. so

[thenamesblurrito]

so. Transformers ONE was a good movie

i HIGHLY recommend going in blind, i do think it's incredibly effective with as few spoilers as possible beforehand! seeing it on the big screen is really really nice too, i encourage you to watch it in theaters without reading up on it first if you can!

long full-spoiler review and dissection of elements below (i reached the text block limit a couple times oops):

general stuff:

gorgeous. just genuinely visually gorgeous. so many details, colors, textures, everything was so beautiful. the stylization itself may not be my favorite but it was executed so well that i ended up loving it. their optics! their colors! their movement! the way the visuals serve the lore and the story is extremely well done too, i felt like everything i was seeing was deliberate, relevant, and a treat for the audience instead of just "ooo visual noise look at how powerful our cgi rendering is" (which is how i felt about the "live action" Lion King prequel(????) ad they showed before). all the little cameos and repaints and everything in the background? mwah. GORGEOUS MUSIC TOO AAAA THE WAY THAT TFP'S MOTIF IS IN THERE AAAA

the visual effects and action, the way they USED their roboticness/transformation sequences/vehicle modes in fighting and moving and emoting, it was VERY GOOD. Orion grabs a Death Tracker and RIPS THEM INTO PIECES BY TRANSFORMING AROUND THEM AND FORCING THEIR FRAME TO SHATTER. insanity

this is ABSOLUTELY the origin story movie the fandom has wanted. even if it wasn't your preferred origin story, this movie SHONE with love and respect for the franchise and drew on so many influences to craft a powerful version of the beginning we all wanted to see

in some ways i wish we had more, i think it would've been extremely effective to see things expanded upon, especially D-16's emotional descent and maybe some more Quints. actually looking at the content and pacing of the movie though, and the audience it's aimed at, i don't think there's anything they should've cut in favor of other stuff. i understand why it wasn't dwelt on more, but hooooo i would've liked to see Dee breaking apart a little more thru the middle of the film. apparently the novelization has more scenes of this and i would love to read it

i had so much fun watching this movie. it was a rollercoaster. it was a TREAT. i was sitting there enjoying every second both times i saw it because it was a good film that rewarded me greatly for being a Transformers fan, giving me so many easter eggs and injokes, while also being perfectly understandable and fun for a complete newbie. excellently balanced appeal to old and new fans alike

there was no wink to the audience about how stupid and childish a movie about robots is, there was no lampshading of how silly sci fi is, there was no betrayal of the emotional tone of the film. so many stories now kneecap themselves by mocking their very concept, and the audience watching them, in a very cinema sins-style irony poisoned way. this movie never does that. its humor is fitting, its drama is real, its emotion is all SINCERE and i love how i was never mocked by any part of the movie for engaging with it sincerely

this movie loved being a Transformers movie

anyways. specific stuff:

love how Wheeljack managed to explode everything despite not even being a scientist. he's just THAT good

THE INJOKES AND REFERENCES. "you don't have the touch OR the power." calling them Gobots. the corny More Than Meets The Eye bits. "don't be a glitch" is a headcanon swear i've been using for years now and they canonized it!! "High Guard, eject". "paging doctor Ratchet." the new take on "all are one". the really interesting way that the term Transformers is an actual significant in-universe name, and how Orion and Dee ARE NOT Transformers at first!

the sheer number of cameos is ASTOUNDING. what an excellent mix of masc/fem designs too, they really made it normal on this Cybertron which i appreciate! apparently Blurr exists here, his name was on the leaderboard!!!!!! good job Chromia i am so proud of you for winning. and the shots of the bots getting cogs at the end was aaAAA!!! <<33 my HEART! Jazz's little smile looking at his new doorwings!!

I GOT ALL MY SILLY OLD DEMIGOD FAVES I GOT THE THIRTEEN EVERY SINGLE ONE OF THEM AAAAAA ALPHA TRION MY GRANDPA god i'm so sorry you're dead but i can't believe you showed up on the big screen <<333 you and your rockin rhino unicorn lion alt mode. and your superpowers. god you're so cool. "old timer" NUH UH HE'S STILL BETTER THAN YOU!!!!! using Zeta for the thirteenth was an interesting choice! i did think he was Overlord for a hot second. it's the lips. Solus wasn't fridged by virtue of everyone else died too yippee!! ALSO MEGATRONUS THE COOLEST ONE WOOOO HES NOT JUST A FIERY EVIL GUY!!!!

the way Dee himself was, in a way, the Fallen of this continuity.... 😭

the way Sentinel was handcrafting his downfall with each touch of the blowtorch. carving the sigil of the Decepticons into the one who will kill him. dooming Cybertron in a moment of petty mockery. AND HE DOESN'T EVEN DRAW IT WELL IT'S LIKE A MESSY CRAYON DRAWING CMON

planetformer Primus in a blockbuster movie? CANONICAL EXPLICITLY STATED PLANETARY ROBO MPREG BIRTH IN THE FIRST FIVE MINUTES???? THEY USE THE WORD BIRTH. BORN. we are never escaping the reproductive insanity in this franchise

Shockwave you whiny tantrum throwing wuss. let Elita beat him up more. it's good for him. also love how that could be construed as a ref to her G1 resistance force

CASUAL MIND READER SOUNDWAVE???????

Elita was perfect, no notes. i would not like her if i met her but i respect her so much. she really is better in every way and down to business. Best First indeed

so much cool implications and fascinating timeline confusion. 50 cycles since the Primes were slaughtered? the way Sentinel leveraged their reputation to make himself beloved, casting himself as their peer? the way he didn't choose to villainize them, the way he apparently openly admitted to the loss of the Matrix and how it impacted the planet? when did cog theft start, and how old is Orion since in the novelization it states his entire generation is cogless? who remembers the og Primes? who is in the know about it all?? hoooghhghhh fascinating.

the implication that the High Guard worked with the og Primes?? the possibility STARSCREAM was a loyal guard for Cybertron's DEMIGODS????

okay i was not expecting a backstory for STARSCREAM'S VOICE in this movie but holy. god. the shippers will be going insane over this one. hoogh holy fit. what is wrong with you. the utter contradiction of being both an instigator and a coward when he gets in over his head and immediately backpedals

also obviously this is the I Love Divorce movie and megop shippers will be having a field day but i DEEPLY appreciate just how solid a friendship Dee and Orion have and how badly they fall apart, even thru a strictly platonic lens. i also appreciate how there was no forced comphet attraction/romance!! i was dreading the possibility of it, i mean Oplita was RIGHT THERE but they didn't force it at all thank youuuuuu. i would rather have this dynamic with its zero intended romance than awkward, OOC attraction shoehorned in to detract from the plot

Bee was actually good! like yeah he's def the kid appeal character and i prefer it when he's in a younger gen and not OP's peer, but he was wayyyyy less annoying than i was expecting! i think he fit the movie and did his job in it well, and i absolutely laughed at him multiple times. "i get to work for the GOVERNMENT! :DDDD" bee. please. the fact that he's been going insane and desperate after isolation for so long really helps make his character work instead of being just irritating

Airachnid you are so cool. you are TOO COOL. PLEASE TONE DOWN YOUR COOLNESS. i adore how she is not good at facial expressions thank you evil autism moments. love how her signature move is stabbystabbystabbystabbystabbystabby

Sentinel. god. Sentinel. SENTINEL!!!!!!!!!!!!!

i need to draw him getting ripped in half. it's like they distilled the worst parts of every single iteration and combined them into a SuperBad version. horrifically realistic kind of guy. i love to hate him. real Metro Man from Megamind energy. and megachurch pastor energy. the IRONY that Orion and Dee were probably actually helping him, that he was probably being genuine in the medbay when he said he loved what they did by racing, that he may have been honest when he said he was gonna have them fixed up in his own facilities and had them tour the mines! because them racing increased energon production by 150% and Sentinel needed that!!! he needed that for the Quintessons!!! i think he was being genuine when he first met Dee and Orion and then Darkwing ruined everything!!!

Darkwing is the curly straw of this continuity

the Quintessons were hoooooooooooooooo. whoooooooooogh. hoohhhhhhhhhhhh. the biomechanical. the shapes. the textures. eugh. icky. creepy. excellent. the way their ships looked like the Nemesis. the way they're STILL a looming threat. i wanted to see more of them but i get why the movie wasn't about them. i hope we see more in the future

the way Orion is the kind of guy who, in an attempt to be selfless, keeps making selfish or thoughtless decisions was SO INTERESTING. it set up the dynamic of his and Dee's friendship very well, with Orion always wanting the best for his buddy but ultimately overwriting or ignoring what Dee says!! the way Dee clings to the social contract of protocol for safety because that's all he knows and his ANGER when it's broken, even when it's Orion breaking it, because that's not SAFE it's an UNKNOWN it has CONSEQUENCES WHEN YOU DEVIATE. and then it's revealed that the social norms have been a lie the whole time and Sentinel has "broken protocol" more than ever and Dee has no safety left because it was always broken. Orion wanted to be more, he could feel there was more. Dee just wanted security

Dee spent so much of the movie complaining and arguing and it was very funny and good characterization but it was also a hint at how much bitterness was under there the whole time. so much of his complaints were threats of violence. he always had Orion's back and then when he learns the truth he abruptly. stops. do you notice he doesn't really have Orion's back after this? he's no longer by his side? he's there, but he's not... there. he was the first to shoot an enemy and took joy in it. all of his emotions were so justified and then what he does with them is what makes it a tragedy. he didn't have to do this. augh

i really, really like the fact that they managed to pull off the ending without it fully turning into a "boohoo if we do anything violent we're as bad as the bad guys waaaa". the specific phrasing of "rebuilding cannot start with an execution" went HARD. and it's demonstrated in their actions too like, Dee was out for REVENGE and it was PERSONAL, Orion was fighting for JUSTICE and it was UNIVERSAL. Sentinel was beaten, everyone knew the truth. it was over. but Dee in his (very justified!) anger and broken trust was too overcome to back down. they were given the power to change their worlds, but Dee was thinking only of his world. Orion was thinking of everyone

ironic that as soon as Orion starts thinking of other people and considering what they need instead of forging ahead, Dee decides to center his own feelings and actions to the point of murder. even after Sentinel was dead, he just kept shooting, he did NOT AT ALL care that some of those shots were clearly hurting innocent civilians/going wide and shooting out into the city/damaging actual important infrastructure and not just Sentinel statues. i believe it's Bee who said "he's gonna kill everyone" and he proves it by attacking Elita and saying "I won't stop until every last one of his followers is dead". THE FACT THAT HE FELL SO FAR AS TO SEE ELITA, HIS PEER AND FELLOW FREEDOM FIGHTER WHO WAS THERE WORKING AGAINST SENTINEL WITH HIM FROM THE START OF THIS QUEST, AS ONE OF SENTINEL'S FOLLOWERS.... by the end of it, Dee really was nothing but blind anger

and the way kneeling was a common thread!!!!! aaaaaaa. Sentinel betrayed the world by kneeling to the enemy. Dee won respect by refusing to kneel. Orion gained followers by willingly kneeling to his peers. hooghh

Orion jumping and stumbling and falling this whole movie because he just THROWS himself into things because he BELIEVES in things, he's the one to take leaps of faith, to take that step out into the unknown! and Dee refusing to save him as one final nail in the coffin, so clearly feeling like Orion jumping in front of the blast was yet ANOTHER way Orion is forcing his hand, corralling him into doing something he thinks is best but did not consult him on, finally FINALLY saying NO and leaning in to the tragedy!! and in the exact same way Sentinel handcrafted his enemy in Dee, Dee has now handcrafted his enemy in Orion!! AAAAAAAAAAAAAAA and now that Orion took that last leap of faith and fell, now is when he RISES. ONE SHALL FALL AND ONE SHALL RISE. god. it reminds me of Spiderverse, the way they use falling and rising

the way the tragedy is worse for how well everyone was working together.... for one shining moment, the miners and the High Guard, the rescue mission, it was going so well. they were doing it. they were winning. it didn't have to turn to slaughter. if there was to be an execution it should've been by trial, by the voice of the people, not Dee deciding for Cybertron as Sentinel decided what truth was. augh.

in an abruptly different note, the way they have characters move and fly is so cool. i love the jetpacks. i love how flight is not "flyer" exclusive. it's fascinating and i think really fitting for the general city of Iacon itself. all those towers going up and down

THE TRAINS!! THE MOVING ROADS!! HOW COOL IS THAT!! LOOK AT THAT WORLDBUILDING IM OBSESSED WITH THIS CYBERTRON HOOGH. this movie was VERY good at building a rich, functional world of detail and making it very alien in a way i want to chew on forever. the moving mountains and greebled energon mines. the living planet. the deer!!! ooghghh. PRIMUS LOOKS LIKE A STAR

i do like this Primus actually, yeah it was a deus ex machina but that's the POINT. Optimus himself is an act of god and his presence heralds miracles. Dee couldn't bring justice to Cybertron because justice is restoration. justice is healing what was hurt and doing right by the wronged. yes that often means consequences upon the perpetrator but that's NOT what Dee was doing, he wasn't even THINKING of anyone else!! would killing Sentinel get ppl out of the mines? would it restore their cogs? would it bring equality to a clearly oppressive society? like he LIVED this (cogless bots with limited options, the talk of tiers as if they are social castes you can be demoted from, lower city levels where ppl can be banished, etc) but it was Orion who ultimately addressed this. i'm sorry if it feels like insult to injury to rub his Primacy in your face, Megatron, but stealing a cog just like Sentinel and declaring the age of Primes over, when it was the age of Primes ending that made you cogless and oppressed in the first place, is only an extension of your trauma, anger, and violence, and is not solving the problem!

a cog stolen from him at birth! and then he steals it from Sentinel in symbolic revenge, stolen again, but even that wasn't Sentinel's, it was stolen too! the way he discards the cog from Onyx, willingly gifted to him, to continue the trend of desecrating the dead! man. MAN. the name he took, the cog he took, the symbol he took, all from his hero, the one he looked up to, the coolest Prime, and THEN DECLARED THE AGE OF PRIMES OVER

the gilded pompous showmanship of it all was so gross, the way Sentinel's face was everywhere, the way he had instant access to everyone in Iacon via announcements that took over the media. but this was clearly derived from the previous Primes!! we see their statues, we see their stately tower, and unless Sentinel had all that built in "mourning" (which is totally plausible imho) he was really just setting himself up as an inheritor of that hyperwealthy standard! we don't know anything about the rule of the og Primes beyond that they're favorably remembered and loved (possibly because of propaganda but i think it was also genuine) and that they may have been losing the Quint war (considering that info was from jerkwad supreme i find it suspect) but just by comparison to Sentinel i think they HAD to be better rulers. there weren't cogless bots forced to mine for 20 shifts in a row back then!!! Sentinel is stealing their aesthetic as if that gets him the same power and acclaim. he's trying to steal their legitimacy. he paints himself across the face of Iacon to hide the fact the planet itself went into a coma because of him. he has ALWAYS been rejected. i call him a megachurch pastor but really symbolically i could say he's a fallen angel, and his visual design really fits too

i'm coming back to the deus ex machina thing bc i know it may be considered weak in a plot construction sense but i want to engage with it as literal. like, there is a literal in-universe god in the machine. they know it. they worship it, at least a little bit. i would consider this story to be analogous to Prince of Egypt, in that the deific is a real and tangible character with impact on the plot, and not a meta excuse to save the day. Orion made his choice, and as a result Primus made HIS choice. it's not necessarily a happy ending but if even Megatron acknowledges that GOD mandated this guy to be a Prime and the planet itself responds by COMING BACK TO LIFE.... i keep thinking of it like a cityspeaker, how they're the ones who commune with Titans to know their needs and tell them what needs to be done. is a Prime just the cityspeaker of Cybertron, able to help it remain healthy and functional?

the divine right to rule is REAL on Cybertron. you can like it or not but you have to contend with that when discussing fair leadership, political accountability, and representation of the masses re: Cybertronian government and Primacy

god i'm still so obsessed with the Thirteen i need to see them better i need to look at them. i love them. insane. i really need to invest in a chewtoy

also i know it may be a throwaway line but i'm very curious why Primus had to transform and sacrifice himself to save the universe. Unicron, maybe???

also how did Alpha Trion narrate the archival stuff telling the fake story of how the Primes died and the Matrix was lost. did Sentinel get a deepfake of his voice?? is that part of how he made the transition to power?? AUGH THE DISRESPECT KEEPS COMPOUNDING

Alpha Trion. my blorbo. my old man. holding you so tight. like an ancient rescue dog. im gonna groom you and give you treats and buy the biggest plushest dog bed from costco for you

anyways

good movie, guys

[northopalshore]

Descendant Persona Chart: observations

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ೀ⋆｡ The descendant persona chart tells you how you act in relationships, but also describes the type of partners you're likely to attract or be drawn to. It also gives you some depictions of your love life.

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1st house stellium

You might've gone through many relationships. Perhaps the person you are today is the amalgamation of yourself in different relationships. Your partners are likely to have a great impact to your personality, and they will also have a lasting impression of you even after the relationship ends.

ex: Matty Healy has this placement. Most of the artists that he's dated have noted him as a soft, genuine lover. Most have a special fondness to him.

Uranus in the 1st house

On and off relationships, situationships, sudden romantic encounters that come and go. You're likely to experience many extremes within your relationship. You're also not one to stay around one partner for too long. At least not until a point of maturity.

Neptune in the 1st house

Your partners may feel very connected to you. They could also romanticise you very often, seeing you as an untouchable, gentle lover that can do no wrong. They may also worry for you often. Perhaps they see a part of you that's hidden, or broken and they want to protect that. You could also be a muse to your partners.

Virgo rising ( virgo degrees 6°, 18°)

You have a practical approach to love & relationships or partnerships . You are NOT one to indulge in one night stands. If they aren't willing to see eye to eye with you they can walk out that door. You are attracted to level-headed, mature and well perceived individuals. People could think your approach to love can be too harsh or too boring lol, but you know what you want so what? You could be into the smaller/ younger looking individuals. Twinks if you will lol.

Aquarius rising ( Capricorn degrees 10°, 22°)

You could treat your relationships as your job. Being in relationships may as well be apart of your career or ambition in life. Your relationships could shake your career status, either for good or for worst. You are attracted to the rebellious, eye catching partners.

ex: Sid Viscous had this placement. His relationship with Nancy Spungen rocked his career & both of them are a well known couple in pop culture and punk rock history. He also has eros, mars, chiron & venus in the 1st house. She was a stubborn, slightly off her rocker hot-headed prostitute who he fell in love with at first sight.

Sun virgo (9° Sagittarius)

You tend to come into relationships knowing where you want it to go. When you fall in love with someone, you think far into your future together. How will it turn out realistically? You don't play when it comes to romance. Love, loyalty, maturity. That's the key to your heart. Once you find that stable relationship, you are also the type to do anything and everything for them just to make sure they are loved & cared for.

Sun in 12th house

You might find that you have a hard time getting into relationships in general. You romanticise love and devotion, and could be disappointed when things turn out rather bleak or shallow. Also, you could decide to refrain from the dating scene for most of your life.

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Venus (18° virgo) in Libra 1st house

You're very picky with romantic partnerships. You likely know what you like, and hold yourself to a high standard. It's not as unreasonable however as Libra would make it. Rather, you want a lover that will treat you as they're supposed to; with care and comfort.

Venus (10° capricorn) in Gemini 2nd house

You could meet a lot of your romantic partnerships through work or through friends. You could talk about love a lot but may find that you focus more on gaining stability or on your career & ambitions.

Jupiter in 1st house

You long for a partner that will sweep you off your feet & change your life as you know it. Your relationships bring you a lot of fun, luck, love and prosperity. Your lovers could love to shower you with gifts. Your partners are likely older or have some sort of status to them i.e well-known & respected.

Jupiter in 5th house

You crave fun, exciting experiences in your love life. You want to be with someone you know will be a good parent, slightly dramatic but immensely romantic.

Saturn in Cancer/cancer° in 3rd house

You value gentle communication between your partners or close relationships. You may have had trouble seeing eye to eye with your siblings when you were younger, but have likely come to terms with them when you got older. In romantic relationships, you need there to be an even, mature exchange of feelings with your partners.

Pisces descendant (18° virgo)

You long for a hopeless romantic. Someone who can feel the depths of your emotions, and connect with your mind, body & sail. However, you also want someone logical. Someone that will understand you both mentally and spiritually. A realistic but deeply romantic faithful partner. You want to be able to connect to them on the spiritual and physical lane.

Mercury (24° pisces) in Leo 12th house

You could daydream & fantasize about love often. Perhaps you'll have dramatic scenarios playing in your head " what if he leaves me?" Tragic music playing in the background. " What if one day he betrays me?" Lol. Very dramatic, always thinking of the worst case scenarios. Usually it's not something that would realistically happen, it's just that your fears can cloud your judgement when it comes to love & romance.

Moon (19° libra) in Leo 12th house

You need to feel worshiped by your partner. Feeling loved, cared for, hopelessly devoted to & being the only one they see lol. There may be a tendency to be a little selfish with your lover but that's because you know how deep you go when you show affection! You need to feel like they truly love you to the ends of this earth. If you start to question what you mean to them or if they neglect you, that's a sign for you to leave because you know you deserve better. You want to love as deep as you are loved. There is an equilibrium that needs to be met for you to feel loved. There is a tendency to see what you want to see however (usually assuming the worst outcome).

Moon (18° virgo) in Scorpio 5th house

You need someone mature, someone deep, loyal and freaky lol. You want to have fun with someone who knows their limits. You crave for a love that is practical yet at the same time not shallow or too serious. You want to feel uninhibited in relationships, being with someone you know will be there for you no matter what happens at the end of the night.

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Gemini Midheaven at leo° (5°, 17°, 29°)

People will gossip and talk about your relationships a lot. They may idealise your relationship or draw attention to it often. They can also spread rumours about your relationships as well.

Sagittarius MC (8° scropio)

Your relationships could serve as a lesson to others lol. People might point at your relationships and say "Don't be like them" or " At least I'm not like them" People could judge your love life a lot.

Pluto retrograde in Sagittarius in 4th house

Your love life could be disrupted by your priorities or commitments. You could have gone through many issues & change within your home life. Your relationship with your parents may have been tough growing up. They may have played a part in how you now perceive romance, especially if it aspects venus, sun, moon, mercury or mars.

Mars (17° leo) in Taurus 8th house

True devotion is what you crave, giving everything to your partner showing them all of your sides; the good, the bad & the ugly. Selfishness can be an issue in your relationship. Perhaps you will want to keep your partner all to yourself & you see how much they shine and attract attention from other people vice versa. If they're not all yours, you don't want them lol. Leo & Taurus are especially stubborn in this area. Your partners may be very possessive of you and it could cause some arguments.

Mars (24° pisces) in Gemini 11th house

You live on romanticism. Emotional & mental connections turn you on lmao. Rumours, outsider opinions and assumptions based on what people say about you could cause issues in your relationship. Perhaps your partner will feel threatened or clouded by these rumours and that will cause miscommunication between you. It's important to be as clear as possible with your partner to overcome this.

Mars (8° scorpio) in Cancer 7th house

You want true commitment. Loving every inch of your partner's soul, knowing that they feel the same. Attachment issues, past trauma, past relationships and fear of betrayal or abandonment may be a cause of friction in your relationships.

Mars (22° capricorn) in Taurus 9th house

Your work, travelling or distance can be an issue in your relationships. Perhaps you do not want to be apart from your lover, but your or their work & career could interrupt that stability. It could also cause arguments if not handled properly.

ex: Nancy Spungen had this placement. Sid's job involved a lot of traveling caused a lot of issues within their relationship i.e not wanting to be apart. (& People that he works with literally wanted her gone lol)

Also, she was a groupie so most of her romantic interests were either seen as a business relationship or just didn't last (flighty ) because of money.

Uranus retrograde (26° taurus) in Capricorn 10th house

Your love life may be very public. More specifically, your erratic relationships, breakups and relationship drama will be quite public. Usually it means people will see you at your worst, but also how you heal and learn from it as it's in retrograde.

ex: Ariana Grande has this placement. Hers also conjuncts MC. All of her relationship struggles have been exposed if not monitored by the public. She herself has been very vocal about those relationships i.e.her ex-husband, and all her other exes were openly addressed by her herself throughout her career.

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***entertainment purposes only: reader discretion is advised***

Thank you for reading ♡

@northopalshore

@northopalshore 2024 all rights reserved.

[fxirybun]

🥂 PAC: what is your FS currently doing at the moment ?

FS stands for "future spouse" , the person you're going to marry and create a life together. let's see as to what they're up to at this time !

this is a collective reading ! take what resonates and leave what doesn't. i cannot guarantee 100% accuracy. take the pac reading lightly ჱ̒ ｰ̀֊ｰ́ )

ෆ⸒⸒ pile one

your future spouse is either physically or metaphorically on a journey at the moment. they may be traveling , relocating , or experiencing a transition in their life. i feel that they're currently desiring some kind of movement and how they don't want to be stuck or stay in just one place. they may also want to explore different places that they have never visited before. i'm sensing that your future spouse received some kind of letter ? perhaps a news that allows them to pursue their dreams or to leave this stagnant situation that they're facing.

this opportunity could make a significant impact on their current path. "finally" is what i'm hearing from them. i can see that your future spouse would grab this opportunity and act upon it swiftly. it's like they've been waiting for this moment to happen. there's something about an event that can give this person a sudden boost of energy within them.

i'm getting that this message came from a faraway distance ? an example would be living in a province and you receive an invitation from a city. there may be a person who lives on a different side of a country who's also close to your future spouse who decided to message them. i'm getting multiple messages. "wanna grab something for a drink ?" "there's a party over here" "you should come over".

i sensed that at first , your future spouse seemed to be thrilled to hear this exciting message yet, i'm feeling some kind of confusion coming from them. "this is new to me , i do not know this place". there's something about the location that makes them feel uncertain whether they would want to join or not. i'm also getting as to how they're wary about the people and the surrounding environment.

perhaps the kind of people who are in this place are all so "new" to them , similar to a culture shock moment. i'm receiving a scene from my head wherein the people wear very revealing clothes and how your future spouse feels a bit out of place. "blind date" it's possible that their friend is secretly setting your future spouse up with someone , not letting your future spouse know about their hidden motives.

this person could be a female or someone who has feminine qualities within them. though the "female" is more prominent in this reading. their energy leans more on the sensual side , very passionate and alluring. this person may have soft and delicate features. even so , your future spouse feels skeptical about this female figure once they meet them in person. they feel that this woman is hiding something from them or that they do not know this person at all.

after a while , your future spouse may want to know the truth from their friend as to why they're being set up with someone. they just want to have some fun and peace in their lives and not get caught up or involved with someone in a romantic setting lmao. “i thought this was supposed to be a party ? not a blind date" is what i'm getting from their energy. eventually , your future spouse would brush it off and enjoy the event throughout the night.

ෆ⸒⸒ pile two

your future spouse is currently dealing with heavy burdens in their life at the moment. there seems to be a challenging situation in their partake and how they have the urge to weigh down their responsibilities. i sensed that they were worrying about what the others may say about them ? 'cause i'm getting the word "discussion" + the show "gossip girl" and how prominent it was in this reading. perhaps your future spouse is in a stressful conversation and how it makes them feel anxious.

oohh i'm getting something about "leaked information" ? this is some high school-level drama 😭 it's like someone found out some info about your future spouse and they decided to spread it publicly , possibly being blackmailed or some sort. because of it everyone who is in the same environment as your future spouse is chattering about the so-called rumor.

gurl wait a min-- it's definitely a false rumor because whatever this information was is so far-fetched as to what that leaker may thought of. surprisingly enough it seems that your future spouse was waiting for their medical / lab results ? something that's related to health and how they've been focusing on their well-being these days yet it was misinterpreted as something else to which i cannot seem to point it out.

"one night stand". it's like they thought that your future spouse got into contact with some kind of transmittable disease that is related to sexual acts but it's not 💀 either way , i can see how they're trying their best to ignore those rumors and decided to focus on dealing with their confidential paperwork matters. i'm getting heavy themes of long-term stability , spiritual , emotional , and physical healing.

i feel that they're also grounding themselves amidst the chaos that they're currently facing. "let me do my own thing" , yeah they don't really give a damn about what others may think about your future spouse because they know themselves better than anyone else. i sensed that they're seeking balance in their life at the moment. i remembered earlier how your future spouse is dealing with too much work which lead them to feel fatigued or tired.

they may want to resolve their burdens quitely and in a rational way, a lot of reflecting for this one. all they could ever wish for at the moment is to have me-time and be in tune with themselves , being in a state of tranquility. hoping that the rumor dies down soon and everything went back to normal.

ෆ⸒⸒ pile three

i feel that there's a new female presence in your future spouse's life and how she's planning to take a visit. i'm also seeing them exchanging messages , emails , or texts with one another , discussing their plans for the future. it's similar to how someone is asking you as to what you're going to do after graduation. whoever this woman is , she seems to have something in her mind that she wants to talk about to your future spouse.

there's a swift movement of news that's coming on their way. it's possible that your future spouse may receive important information or messages from this female and how it is something to look forward to. perhaps there's a given opportunity or a project that was being offered to your future spouse that they may want to pursue.

i'm also sensing how this woman is trying to comfort your future spouse and how there's no romantic connection going on between the two of them. whatever this news may be it seems to be a negative one because i feel that your future spouse is experiencing some kind of worriness upon hearing it. they seem to be also stress , it's like they have lost something dear or important to them.

i'm leaning more so on their career side , it's possible that they may have been declined or rejected by a company or job that they wished to work with. for some of you , your future spouse could also be rejected by a university they hoped to attend yet their college application didn't meet what the university is looking for in a student.

"what am i supposed to do ?" there are a lot of what-ifs that are stirring your future spouse's mind at the moment. it was a once in a lifetime moment for them and when they heard about this saddened news they felt disheartened. thinking about it is gradually eroding their peace of mind and how it causes them to feel unease. they seem to want a change in their dynamic in life.

nevertheless , despite these worries that are consuming them , there will always be a light at the end of the tunnel. for as long as they remain an optimistic outlook , your future spouse will experience positive moments that are entering their life that may bring them short-term relief or satisfaction. it's possible that in the near-yet-distant future , they'll encounter an unexpected luck that aligns with their plans.

[lurkingshan]

Hellooo, do you have any recs for well written bls that also deliver on the romance front? My favorites that are both great shows and great love stories are Eighth sense, Old fashioned cupcake and I told the sunset about you ( the 2nd season is great but I dont f with cheating)...

Hello! I am interpreting your ask to mean you want bls that 1) are focused on a Big Love Story as their main purpose and 2) have strong writing that nails the romance, in particular. With that in mind, here's what I would recommend in addition to the ones you already listed, sorted into a few categories.

Dramatic and Swoony

La Pluie

Two soulmates (or are they?) meet, try to figure out their relationship, and decide whether they care what destiny has to say about it. Also features an equally swoony side couple romance. This show is Big Romance all around and very much in conversation with the genre.

I Feel You Linger in the Air

It doesn't get much more epic and swoony than this show about a modern gay man who gets sent back in time and falls in love with a young heir. This one has an asterisk next to the strong writing criteria because things get pretty wobbly in the final arc, but the romance stays strong throughout and it features some of the best bl romance scenes of all time.

Bad Buddy

It's gay Romeo and Juliet, but nobody dies (though importantly, someone does get shot). This one is tumblr famous for a reason!

Romantic Comedy

Cooking Crush

The sweetest romcom Off and Gun have ever made, with a simple love story between a med student and a chef. This show has some flaws--they let a drunk monkey take over the editing booth on a few episodes in the middle--but it's well written and the romance is great.

Cherry Magic Thailand

A remake of the Japanese original, this one shocked most of us by improving on an an already solid show. It's a fantastic romance, alternately funny and poignant and sweet as hell.

Semantic Error

The perfect bl romcom doesn't exis--

Light On Me

A high school love triangle where everyone is likable and the right boy gets the guy.

I Cannot Reach You

High school friends to lovers and done exactly right. This show is so goddamn charming and funny while still managing to get to the underlying angst of this trope. Perfection.

My School President

This one is all first love and high school shenanigans and a ton of original songs that will get stuck in your head.

Comforting and Cozy

Sing My Crush

Here's one for your constant rewatch list. A story of two best friends who love each other instantly but take awhile to make it explicitly romantic, as one of them is hurt and hiding and the other is oblivious yet somehow still devoted. You will love them.

Takara’s Treasure

This is a gentle love story between two lonely people who are exactly the right fit for each other but struggle with their own insecurities.

Our Dating Sim

A second chance romance for two high school friends who meet again as adults after a bad separation. Short and sweet with just the right touch of angst to burrow into your heart.

Angst Baby

At 25:00 in Akasaka

Two actors who first met in college are cast in a bl together, and the lines between their professional and private lives start to blur. This is a really beautiful and evocative show.

Wedding Plan

A gay man who is preparing to marry his lesbian best friend to protect themselves from their families falls in love with his wedding planner. It's a classic romance trope but this show does it so well, with an added layer of queer angst that really deepens the story.

My Beautiful Man

A high school story that centers on a psychologically complex relationship dynamic that will not become fully clear to you until the end (by design, the writing for this show is remarkable). It's not a traditional romance but it is a deeply moving one, and if you like it there's a sequel season and movie that are both also great.

Theory of Love

The messy angst-ridden friends to lovers drama we deserve. Don't skip the special episode, it's one of the rare cases where the special is actually crucial to the story and not just bonus fluff.

My Tooth Your Love

This one is romcom shaped but also deals a lot with trauma, so on balance it's more of an angsty romance. Warning for dentistry (which I recently learned is an issue for a lot of folks on here).

Gameboys 1 and 2

A pandemic-era romance that starts long distance before our boys can come together in real life. Definitely watch both seasons!

Jack O’ Frost

The only bl that has ever used the amnesia trope well. A romance gone wrong that gets an unexpected second chance after an accident forces a reset of their relationship. I found the themes of generosity and forgiveness in this one really moving.

Seven Days

This one is what it says on the tin--spend a week with two teenage boys as they try out dating each other. I really love the structure of this one, and the romance is well done.

[meraki-yao]

RWRB Full-Cast Audiobook Imaginations

So with the sequel on the horizon, we’re not that far from a full-cast re-recording of the audiobook, right?

I listen to the audiobook more than I read the book, mostly because I can listen to it while doing other stuff, and no offence to the original narrator, but while it’s good, it’s not the best. I kind of cringe at his British accent for Henry.

So I have a lot of thoughts.

The thing is with an audiobook, we can get both the wonderful vocal performance of the movie cast, and the iconic book lines, the ones that didn’t, and frankly, could never have made it into the movie due to format restrictions:

Sexy explicit sex scenes

Sexy explicit sex lines “For fuck’s sake, man, you just had my dick in your mouth, you can kiss me good-night”, “I want you to fuck me”, “I’ve been thinking about your mouth on me all well”

Emails in their entirety

Email openings and endings “Huge Raging Heache Prince Henry of Who Cares”, “First Son of Shirking Responsibilities”, “Horrible Revolting Heir”, “First Son of Founding Father Sacrilege”, “Haplessly Romantic Heretic Prince Henry the Utterly Daft”

Email historical quotes “The whole is a mass of fools and knaves; I could almost except you”, “I meet you in every dream”

Swearing and explicit language “fucking shit” “I fucking love you, okay?”

Internal Struggle

Iconic lines that didn’t make it into the movie for adaptation and story purposes “I’m never gonna love anybody in the world like I love you” “I love him on purpose”, “America, he is my choice”

Like, imagine hearing all of this in Taylor, in Nick, in Sarah and Uma and Ellie and Rachel and Thomas and Aneesh and Cfiton etc etc 's voice. Just imagine it!!!

Another thing to add is that to put it in simple terms, the current version of the audiobook does the dialogue lines closer to theatre acting: more enunciated, more inflection, and slower. Which is fine in its own right (I’m a theatre kid). But with the cast audiobook, hopefully, we can get them to do something closer to film acting, i.e. closer to reality, reading the lines as they would if they were to shoot those scenes.

Which is gonna make big moments like sexy times and confrontations a lot of fun :D

And something really entertaining to think about is now that we also know the cast and their dynamic is thinking about how much fun they would have while recording the book, especially when they have scenes together. And it’s not necessarily just Taynick, it’s group scenes with the whole Super Six, like the karaoke scene in chapter seven, or the Texas Holiday Scenes with Firstprince and Junora.

Like, Imagine it, the actors in the same recording studio, maybe even on the same couch:

Taylor and Nick laughing while reading off the insults from the earlier frienemies days of their relationship

Taylor and Nick squirming and playfully hitting each other when recording lines for sexy scenes like the first night, or the tack room, or Wimbledon

The cast shouting and booing (playfully) whenever someone messes up a line in their group scenes

The chaotic fun that is the LA karaoke scene, everybody’s laughing, Ellie gets to be the singular sober person while everyone else acts drunk, Nick singing Don’t Stop Me Now shittier (Nick has the voice of an angel but book Henry can’t sing for shit),

Taylor and Nick giving each other hugs after screaming at each other for the Kensington confrontation

Nick grinning smugly at every book height difference mention (:<

More of Taylor speaking Spanish!!!

Thomas gets to be a proper asshole villain who later turns into awkward older brother who's trying

Ellie gets to do the pie metaphor grief monologue  

Taylor gets to do another speech (he’s really good at delivering speeches)

 I want to quickly reiterate that I am in no way unhappy with what we got in the end for the movie; I love it to pieces. However, as Matthew and Casey said, there are two “canonical” versions of the story now, and since audiobooks are an option, it would be really nice to connect this aspect of the movie verse with the book verse in some sort of middle ground.

So yeah Audible? Amazon? Get on with it!!!

@almightaylor this was the long post I mentioned, I literally started this in July lol

[ironworked]

Hen Begins timeline

"Ah, since the meltdown in '08, everybody's been cutting back.", says one of Hen's co-workers (2.09)

"Gina dragged me to that vampire movie." (2.09): New Moon was released on November 20, 2009 and remained in theaters until at least the end of March. Eclipse came out on June 30, 2010 and lasted on theaters until at least mid October.

"Senate votes 63 to 31 to repeal 'Don't Ask, Don't Tell.'" (6.06): Hen and Karen celebrate the repeal (December 2010) when they're already living together.

"I'm a Black lesbian that joined the fire department at 30" (4.03); "Last time I saw Clive was 1978 [...] I couldn't walk out on the father of my child." (5.09) -> Hen was born in 1978 or 1979, so it's likely she'd be 30 in 2009.

"After 13 years in the same firehouse, why would I know - what supplies we need?" (5.03)

“When I first entered this department, Captain Gerrard didn't even see me as a firefighter. And now, 12 years later," (6.01) -> this is a quote that doesn't quite fit, because it would put Hen starting out in '11, but it's not far off.

Circumstantial 'evidence': It's raining on every call and every time we can see the outside from the firehouse (and they make a point to note how 'rare' it is "it's nice in the sunroom when it's raining. Which is, like, once a decade now."). They don't imply or mention a 'significant' passage of time; we only see Hen meet up with Athena and her friends once ("Three of us we get together once a month, swap war stories."), no montages or timestamps or mention of holidays, and on the contrary, many scenes are connected in time:

Hen arrives during the day, there's a 'raining outside' transition shot, then they all arrive at the station after a call:

Next they're eating, a fade to black, and another transition (still raining, as we can see thanks to the window and the transition shot) this time to night and into the next 9-1-1 callers:

We follow the mudslide call, fade to black, another 'raining in LA' transition shot, and come back to Hen and Chim doing the dishes:

Next up, another transition shot showing a lightening sky with, you guessed it, more rain. From there we get Gerrard berating Hen (gif edited for length; also notice it's still raining!) followed by the 118 leaving on another call, without her. Jump to her dinner with Athena and friends:

The end of that dinner segues into Hen's speech, and then straight to the next call (limo accident). The end of that call fades to black. Lastly we get Hen arriving at the station the next day ('Yo, Wilson. Nice work yesterday') to find Gerrard gone:

After her talk with the Commander and then with Chim, they get called to another accident (and, poetically, it has stopped raining).

--

So we have a period of time from end of November 2009 to December 2010. In that time, Hen worked under Gerrard, and later made friends with Chim, and 'met-dated-moved in' with Karen. Which part of that lasted longer?

Next we have this:

"They're trying to recruit women now, you know?" + "8 women were recruited, and 3 of them make it through the academy" + "the mayor wants to say that female recruitment is up" "Since you've started working here, we've received numerous complaints. [...] It's not just complaints we're receiving. Your colleagues all have some pretty complimentary things to say about you. You've made quite an impression. [...] Why would we do that [fire Hen]? You're the future of the LAFD."

What makes sense to me, is that since the LAFD was making efforts to increase diversity they probably acted fast to oust Gerrard when the 118 started making noise, to avoid the possible bad publicity.

See what happened with Buck's lawsuit:

Bobby: You're gonna get a call tomorrow from the Chief; You're being reinstated to active duty. The brass didn't want the headache, they're afraid of the bad press. [3.05]

So, I would say Hen worked under Gerrard for a few shifts.

Thoughts? corrections?

I know that 911's timeline is hmm dot-on-Jeremy-Bearimy-coded, but this one actually made sense to me.

-

9-1-1 Episode Transcripts

[lesbianmarrow]

augh. rewatched btvs 5x22 scene where spike & buffy go to buffy's house to get weapons before the big showdown. them having to retrieve weapons is such an amusingly flimsy excuse to have them go to her house so we can have the scene where she invites him in + he promises to protect dawn + "i know you'll never love me" speech. i love a paper-thin excuse to put 2 characters in a room together. especially when those characters are buffy and spike!!!!!!!!!!!!

it really is so striking the way spike refrains from asking buffy to let him in even though he would be perfectly justified in doing so as it's obvious that buffy has forgotten he's not allowed in. i think part of it is that he wants to make it clear that he will respect the boundaries she has set with him. but i also think part of it is that he doesn't wanna feel the pain of being rejected again, because that fucking hurt. if he doesn't ask then he doesn't have to hear her say no again. it shows how head over heels he is for her and how much he has changed since the beginning of the season, when he was challenging her boundaries so much.

spike's expression when he's walking thru the doorway......it's so endearing and some really great acting from james marsters. first surprise and disbelief, then glee which spike is trying very hard to restrain because these are grave times. and yet he can't help feeling so joyous that buffy trusts him. he glances as the doorway like he's thinking "ah yes what a nice house" which makes me laugh because it's so stupid but also sweet. i think it's him trying to play it cool and doing a not so good job of it. there's such a lightness to him - it reminds me of the feeling when you think you did something to upset your friend a few days ago and you're anxious that they've been angry with you all this time and you finally gain the courage to ask them about you and it turns out they were never angry or upset at all. the giddy relief you feel.

and then there's that little moment of tension where they're standing so close together and you think something might happen but then spike breaks off and goes to the weapons chest and starts rambling about what they should take. it's so notable that it's him who gets nervous and moves away. so different from the way he behaved with her in fool for love, getting up in her space and trying to make her admit she had feelings for him. he's accepted that she'll never love him back, and moments like this where it feels like maybe there could be something between them are too painful, so he disrupts the moment. moves away.

jumping to the end of the scene - i love that buffy is on the stairs when spike does his little speech. she's physically above him. "you're beneath me." not only that, she's ascending, just as she ascends at the end of the episode, accessing a level of heroism that spike will never be able to meet. rewatching this part, spike's expression really surprised me. when he says "i know you'll never love me," he doesn't look at all bitter or resentful. his face is open, understanding, compassionate, and thankful. because that's what this speech is - he's thanking her for treating him better than he deserves. he's so grateful for the respect and trust she has given him. it has been truly transformative, as we've seen. only he doesn't get to the actual thanking part, because he cuts himself off, saying he'll wait for her down here. i think he cuts himself off because he realizes that this isn't what buffy needs to hear right now. she's got an enormous battle to prepare for, and a sister to save, and spike's feelings simply aren't important. so he stops mid-sentence for her sake. i think we're meant to understand that the only reason he started to say this at all is that he really thinks he might die tonight and it could be his last chance to let her know what it has meant to him to be treated like a person capable of doing good.

i've focused on what's going thru spike's head in this post bc i think buffy is a lot harder to read here. which is interesting bc sarah michelle gellar as buffy is so expressive that usually you can always tell exactly what buffy is thinking. but when she's with spike in these episodes toward the end of season 5 it's difficult to tell how she regards him. i think a lot of the time even she doesn't really understand how she feels about him. their relationship is so paradoxical. she relies on him but she reviles him. she wants him around but she finds him intolerable. i might rewatch the scene again and make another post about what might be going thru buffy's head, but for now i'll leave it at saying that i kind of love how spike's feelings for buffy are crystal clear to us and buffy's feelings for spike are much murkier. spike started out as this cool mysterious antagonist, whereas buffy has always been the protagonist and we're constantly seeing things from her point of view and being made to understand how she feels. so it's kind of fun to see that flipped a little bit. and it also rings really true for me how buffy in this moment is like, i have 5 billion things to be worrying about right now, i cannot even begin to process whatever feelings i may or may not have regarding spike. and with all of that said........there really is a softness to the way she treats him in this scene. and it's nice.

anyway. these two ✌️ gonna go jump off a tall tall tower

[cosmicjoke]

Levi is What Historia Pretended to Be

One of the things that the fairly prevalent claims I see about Levi "forcing" Historia to become Queen, or "forcing" her to accept eating Zeke, or just the general complaints I see about how Levi "treated" Historia, gets me to thinking is how Levi is everything Historia only pretended to be.

When we first meet Historia, she's going by the name Krista, and she presents a personality and image which, on its surface, appears to be exceptionally selfless and compassionate. She's constantly asking after others, going out of her way to inquire as to their well-being, standing up for them and seemingly sacrificing her own comfort and self-interest to their benefit. But, in the same way we eventually learn that Krista isn't her real name, we also come to find that Historia's personality is just as much a facade as her false name. We get our first exposure of the selfish and self-serving girl underneath during the scene between her and Ymir, during their training exercise through the mountains in winter, when Ymir calls Historia out for her secretly selfish behavior. Historia tells Ymir to go ahead by herself to base camp, while she carries Daz by herself, and Ymir points out that if Historia really wanted to save Daz, she would have asked Ymir for help, since Ymir was stronger, and thus had a greater chance of saving Daz than herself. But she doesn't ask for help, because she wants Ymir to tell people about about her selfless, final act, sacrificing her life to save another's. Here we see exposed for the first time Historia's willingness to sacrifice others for her own, selfish gain. She pretends to want to save Daz's life, but in reality, she sees him as an acceptable sacrifice for her own glorification.

Of course, this is all wrapped up in Historia's childhood trauma and the feelings of rejection she faced from her mother, tied in with what Frieda told her about how to ingratiate herself to others by being a "good person". But the fact remains, Historia is exceedingly selfish, and we get our first glimpse of that selfishness here. Something that she herself at last admits to in the scene with Eren, in the underground cavern beneath the Reiss family compound. She calls herself "the worst girl in the world" as she finally casts off all pretense in trying to win her family's approval and love, rejecting her father's offer and embracing her own, selfish desires. She tells Eren that she doesn't care if all of humanity perishes, something that we come to realize is foreshadowing, when Historia's selfishness culminates in her standing by and doing nothing to stop Eren's genocidal plans, simply because it allows her to continue living.

I think Historia and Levi are a perfect study in contrast precisely because there are some similarities between the two of them in terms of their childhood's and trauma.

Both experienced abandonment and rejection as children. Historia by her mother, Levi by Kenny. Both, I think, suffer from fear of abandonment and this pervasive sense within them that they were abandoned due to some lacking quality in themselves. We see this with Levi in him questioning Kenny about why he left him, and later, in his comment to Armin about how if he sleep's any longer than he already has, they'll all forget he even exists. We see how both Levi and Historia's sense of self-worth is wrapped up in this idea of being useful to others. How their lives will only be of worth if they're able to somehow be of benefit to others.

But while Historia's abandonment issues manifested in her pretending to be a good and selfless person who, in truth, only "helped" others so long as it benefited her somehow, and who's selfless acts served as cover for her self-serving desire to be accepted and loved, Levi's selflessness was never an act, and his desire to help others was never rooted in some secret scheme to get others to like or accept him. While Levi might feel he's of no worth to others unless he's useful to them in some way, that was never the actual motivation behind his selfless actions, never the motivating drive. I think Levi's low sense of self-worth, in fact, only serves to highlight the genuine quality of his selflessness, because he never uses his actions to win himself praise, even as, surely, he feels bereft of love or acceptance, the same as Historia.

I think this is most clearly demonstrated by the fact that Levi, in sharp contrast to Historia, never engaged in behavior that was designed to ingratiate him to others, and in fact, is markedly the opposite of that, often behaving in ways that serve only to win him people's ire and, at times, even repulses people from him. People see Levi as rude and cold-hearted and without feeling. They see him as uncharismatic and crude, and often display lowly opinions of him, or even disappointment upon meeting him. Zeke even comments on this, accusing Levi of being "unpopular" because of his blunt assertions about what sort of person Zeke is, accusing him of being a "know-it-all". We see other soldiers accuse Levi of being heartless, accuse him of getting other scouts killed, accuse him of being insane and a bad person, and Levi never fights these accusations, never defends himself. He accepts all of this criticism without complaint or personal offense, and without ever trying to convince anyone otherwise about his character. He's never tries to convince anyone he's a good person.

Where Historia had pretty much made an art of ingratiating herself to others, of wearing a mask of humility and generosity and kindness, fooling people into believing her to be all of those things, Levi has never been able to do the same, and further, he never tried, because, unlike Historia, whether he was well-liked or not was never something that mattered to him. It was never the underlying motivation of his selflessness or compassion. It doesn't matter to him what people think of him. What actually matters to him is helping them.

The fundamental difference between the two, then, is that Historia's selflessness was always an act, always a ruse to win her approval and acceptance, whereas Levi's selflessness always just was what it appeared to be. Actual selflessness, acts committed for no reason beyond the benefit they would have for others.

And we see that fundamental difference between the two demonstrated, also, by the fact that Historia is willing to let harm befall others, particularly, other people who never did her any harm or posed her any threat, so long as it benefits her in some way, (i.e. Daz, and the entire human population on earth) while Levi has never been willing to let harm befall anyone for any sort of self-gain, again, particularly, anyone who wasn't already threatening his life or the lives of others, and, in fact, often sacrifices his own well-being for the benefit of others.

It's just amusing to me how often people will criticize Levi for being "mean" to Historia, or how many people make the false claim that Levi forced Historia into any sort of position or burden that she hadn't already committed herself to previously, because Levi is everything Historia only ever pretended to be. He's selfless to an extreme fault, not only not seeking recognition or acknowledgment for his selfless acts, but outright rejecting it when he does receive it (i.e. Erwin trying to thank him for helping capture the Female Titan, Hitch trying to accuse Levi of thinking he's a hero, his disdain for his title as "Humanity's Strongest"). His compassion is such that he'll sacrifice his own comfort and peace of mind if it means easing the burden placed on the shoulders of others (letting Erwin die, giving Petra's patch to Dieter, torturing Sannes, killing for the sake of saving others lives...), his belief in the worth of other people's lives so powerful, that he actively seeks ways to ensure those lives are proven to have value by imbuing their loss with meaning, and is absolutely unable to abide the thought of anyone dying a meaningless death, his care for his comrades so immense, that he would destroy his own body to protect theirs. He has no dreams of his own, but instead dedicates himself fully to the dreams of others, fighting with all his strength toward that end, not to win acceptance or praise, but simply for the fact that he feels it's his obligation to help, a sense of obligation born out of a deep, inborn compassion.

Historia was always purely motivated by people liking her and seeing her as "good", her altruistic behavior and actions designed to garner her that image and acceptance, never out of any, genuine desire to help, and we see that core truth about her eventually manifest in her willingness to let so many innocent people die for her own life.

Levi, by contrast, was always okay with people hating him, with people thinking he's a lunatic or a monster, as long as it meant those same people would be okay, would be protected from having to experience the same horrors he had.

[musicalmoritz]

Why does tsukasa seem to not care much about himself?

I had a hard time figuring out what you meant by this because to be honest, I don’t focus on the Yugi twins as much as some of the other characters. I still try to read analyses on them and understand them, and I have been talking a lot abt Tsukasa lately, but I haven’t rly grasped their characterization as quickly as I did with some of the others

However, after giving it some thought I believe you’re referring to scenes like these

If this is what you mean, then the explanation is that Tsukasa simply doesn’t want to exist. He is a yorishiro and existence for them is essentially hell, just look at what Sumire went through being stuck in a time loop for 100 years. It is not a reach to assume Tsukasa went through something similar, seeing as he alludes to being trapped in a place before escaping near the start of the series when we first meet him. He reached out to Hanako for years, but Hanako never answered any of his calls. So Tsukasa wanting to be destroyed isn’t really out of any self-sacrificial nature, it would be a peaceful ending for him. He’d be able to move onto the afterlife, or otherwise accomplish any conniving goals he might have with the entity (idk as I said, not a Yugi twins expert)

He views Hanako as selfish for wanting to hold onto the people he loves at the expense of their wellbeing. Part of Nene’e fate is to die young, it’s sad but that is the natural path her life is meant to follow. She herself even tries to come to terms with this and make peace with it, but Hanako won’t let her. He loves her, so he wants her to live a long and happy life. This is completely understandable, but it is also selfish. It is part of human nature to be selfish, and part of Hanako will always be tied to the human boy he once was. Selfishness isn’t always bad, sometimes it’s necessary. But from’s Tsukasa’s perspective, Hanako is robbing Nene of an escape

Tsukasa makes this a personal issue because Hanako treats him the same way. It would be objectively better and more natural for him to let Tsukasa go, especially if the theories abt him killing Tsukasa to free him from the entity are true. That is what Tsukasa wants, to be free, to no longer be a yorishiro. But Hanako is selfish, and he loves Tsukasa too much to grant him freedom

Now, if you’re talking about Tsukasa’s lack of self-care in regards to Hanako “hating” him, that’s a bit different

Tsukasa seems to conceptualize relationships in a very black and white way. You either love someone, or you hate them. He’s interested mainly in how other people feel and react to things, so he’s constantly asking them how they feel about others. I don’t think he differentiates much between platonic love and romantic, it is simply “love vs. hate” to him. The two are opposites and cannot intersect

The most genuine statement I could possibly make about Tsukasa is that he loves his brother. Both versions of him, no matter how you interpret his current existence. The possessed Tsukasa we know now is the one who grew up with Amane, he spent ten years of his life with him whilst Baby Tsukasa only knew Amane for three. Ofc that was still his brother so time isn’t rly relevant to how much love/attachment Amane still holds for the original version of Tsukasa, but that doesn’t change the fact that the brother he knew for most of his life was the possessed Tsukasa. They shared holidays and birthdays together, lived together, walked to school together every single day. Through and through, they are brothers and it would be impossible for Hanako not to see him that way, even if he claims not to. It must be a complicated situation for him, on one hand he grew up with this Tsukasa but on the other he blames this Tsukasa for the old one’s disappearance

Back to how Tsukasa feels, he loves Amane fully. He does describe them as rivals, so I would say the feelings are complex on his end as well, but overall he loves his brother. He loves his brother so much that he doesn’t care if Amane hates him. And he must, he threw him across the room once when they were kids when Tsukasa was bothering him. He knew something was off when Tsukasa returned, and his attitude towards him likely reflected that throughout the 10 years they spent together. He killed him, he freezes up when he sees him, he consistently sides against him. For a character that views love in black and white terms, that sure looks a lot like hate. He recognizes that Amane is sad without him, but he also understands that Amane hates him. At least, from Tsukasa’s perspective, that’s what it looks like

But Tsukasa’s love for Amane is unconditional, he doesn’t really care if Amane hates or loves him. Baby Tsukasa says he wants Amane to be an astronaut with their parents, somewhere far away from him so Tsukasa can never make him upset. He believes Amane hates him, but he doesn’t care as long as Amane is happy. That’s all he wants, for Amane to be happy. His brother is the most important person to him, as long as Amane is happy he doesn’t care what happens to himself. Until it reaches a breaking point ofc, and Tsukasa realizes that the best situation for everyone would be for him to disappear

I’m pulling a lot of this out of my ass so I apologize if I got any information incorrect! Also just to be clear I don’t mind being asked about the Yugi twins at all, people were asking me a lot about Tsukasa yesterday so I get why the questions keep coming. Just beware that I am a self-proclaimed Not Expert lol. I do plan to look more into them whenever I start that series of character analyses tho so stay tuned for that

[delicatebarness]

cry baby | UPDATED prologue

Summary: Meet The Avengers, the infamous friendship group. Known for causing trouble all around town, and being feared by all. Expect the youngest member of the group, she was different and she was protected.

Warning: Implied Violence | Physical Injury | Alcohol Consumption | Smoking | Emotional Distress

Word Count: 1184

Spotify Playlist | Support: Ko-FI

Series Masterlist | Next Chapter

A/N: Since I have been very quiet recently, and haven't really posted any new content- I thought I'd start updating what's been taking up all my time. The Cry Baby rewrite! So, here's the first part. I hope you like it - B

PS- There most likely will be the old 'her' and 'she' but we're going to ignore that, it's hard to change the entire person.

Tags: @buckys0whore | @thezombieprostitute | @lanabuckybarnes | @mishkatelwarriorgoddess | @softieekayy | @noonespecial90 | @hello-therree | @randomawesomeperson102 | @whoreforbarnes | @thejutvtsupport | @somnorvos | @cjand10 | @plasticbottleholder | @birdenthusiastez | @am-3-thyst

Everything: @hallecarey1 | @pattiemac1 | @uhmellamoanna | @scraftsku35 | @ozwriterchick | @sapphirebarnes | @rach2602 | @thetorturedbuckydepartment | @mrsnikstan

Prologue 

The bar hummed with music, laughter, clinking glasses, and the occasional roar of a motorcycle outside. In the corner booth, among the haze of cigarette smoke and the dim glow of neon lights, sat a group of friends, claimed as The Avengers.  

    Bucky Barnes leaned back in the booth, his eyes constantly scanning the room, his gaze as piercing as the edge of his knife that he carried everywhere. His presence commanded respect wherever he went, without even raising his voice. He was an enigma wrapped in leather dark jeans. 

    A smirk played at the corner of his lips as he observed the scene at the bar. Your presence was a stark contrast to the rough ambiance of the bar. Dressed in a delicate flowing dress, out of place amidst the chaos and tattoos, she was the embodiment of vulnerability in a world that praised itself on toughness. Your eyes darted nervously around the room as she waited for the newest bartender to pour your drink– your signature, a cherry cola.  

    Bucky’s grip tightened around the beer bottle he had been nursing as he watched the bartender lean over the bar, closer to her. His jaw clenched with a quiet intensity, an instinct urging him to intervene, to protect you from whatever the guy had been trying to do. But, before he could move, he noticed Steve, your older brother and his best friend, standing close. It was obvious from Steve’s expression and assertive stance that he was about to tell the bartender to step back. 

    Bucky turned his attention to the booth; he caught Natasha’s knowing smirk and Sam’s amused glance. They had also been watching the scene at the bar and offered small nods of approval toward Steve as the siblings both made their way to the booth with drinks. They were a tight-knit group, and there was an unspoken understanding that they would always protect one another. Mostly, they would protect you. 

    Your emotions began to bubble to the surface, and tears threatened to spill over. The reason for them, she was unsure of. Was it the presence of the new bartender? Perhaps Steve’s protective demeanor had caused them. Or maybe it was simply the atmosphere of smoke and dust. Regardless, as she settled back into the booth, the sight of Bucky’s eye-rolling toward you only worsened the urge to cry. 

    “Spill the beans, crybaby,” Bucky’s voice cut through the chatter of their friends around them. “What’s the verdict today? Tears of joy or sadness?” his tone dripped with sarcasm as he leaned forward. 

    your cheeks flushed, and she tilted your head up in the hope that gravity would stop the tears from spilling. “I, I don’t know,” you mumbled softly, your voice barely audible over the noise from the bar. 

    As the night wore on, the bar grew increasingly rowdy, and you found yourself retreating into the safety of your thoughts. No matter how hard she tried to hide your weary eyes, she couldn’t escape Bucky’s watchful gaze.  

    As closing time drew near, a subtle shift settled over the group, a silent acknowledgment that their night was coming to an end. With reluctant sighs, they started to get their belongings—packets of cigarettes and leather jackets, as you picked up your sketchbook and pencil. Preparing to leave the warmth of the bar for the cold embrace of the night, the friends made their way to the exit.  

    Bucky remained rooted in his spot in the booth, his gaze fixed on some unseen point around the bar. “Hey, Eth, are you coming?” Steve called out; his voice tinged with concern as he glanced back at his friend.  

    You could almost see the gears working in his mind as he hesitated, clenching his jaw. “I think I’ll stay a bit longer,” he finally replied, his voice low.  

    Wanda arched an eyebrow. Confusedness took over your features as Natasha spoke for them all. 

    “Everything okay, Barnes?” she asked, your tone laced with curiosity.  

    He offered them all a tight-lipped smile, a silent reassurance that didn’t reach his eyes. 

    “Yeah, I’m fine,” he beamed at them with an uncharacteristic glee. For a moment, his gaze flickered over to you before returning to the rest of his friends. “I’ll catch up with you tomorrow,”  

    With reluctant nods and murmured goodbyes, the rest of The Avengers made their way out of the bar, leaving Bucky alone. 

    As the door swung shut after them, Bucky sighed heavily, he stood from the booth and placed a cigarette between his lips.  

    You had returned to your apartment an hour earlier. With a heavy sigh, Bucky climbed the stairs to your apartment door, his footsteps echoing in the empty hallways. As he reached the familiar door, he hesitated for a moment, his already grazed knuckles hovering over the wood, before finally summoning the courage to knock.  

    The door swung open, revealing your concerned expression as she took in the sight of him standing on your doorstep, a black eye already beginning to form.  

    “Bucky? What happened?” you exclaimed, your voice filling the air with concern as she ushered him inside. 

    He offered a weary smile, his gaze meeting you with a mixture of gratitude and exhaustion. “You should have seen the other guy,” he replied, and a playful smirk appeared across his lips. 

    You arched an eyebrow skeptically, as she gestured for him to take a seat at the kitchen table. “Let’s just get you patched up,” she said, giving him a reassuring smile before she moved around the kitchen to fetch the first aid kit.  

    As you began cleaning and dressing his wounds, he couldn’t help but marvel at the tenderness of your touch. Your hands moved with practiced precision while you stood in between his thighs. Despite his attempts to downplay his injuries, he winced slightly as the antiseptic stung, his jaw clenching.  

    A wave of emotion washed over you, and tears began to well up in your eyes, a silent testament to the guilt she carried from causing him more pain and discomfort.  

    Bucky’s heart clenched at the sight of the tears, forgetting about his pain momentarily as he reached out to gently cup your cheek, wiping away the evidence of your distress. A gesture as gentle as it was instinctual. 

    “Hey, what’s wrong?”  he asked softly, never breaking the skin-to-skin contact. 

    You swallowed hard, your gaze flickering away from him as she struggled to find the words she wanted to say. 

    “I– I don’t like when you’re hurt,” she admitted, in a voice barely above a whisper.  

    A pang of guilt twisted in his chest as he realized the hurt he was causing. Without hesitation, he pulled you down into a gentle embrace, his arms wrapping around your waist. “I know, sweetheart,” he murmured, his voice filled with regret, feeling the tears dampening his t-shirt. “I’m sorry.”  

    Within the warmth of his embrace, there was a calming comfort, and the weight of your worries subsided by the rhythm of his heartbeat. you nuzzled your face into the crook of his neck, calming your emotions with every passing second.

---

Series Masterlist | Next Chapter

[black-flag-if]

Sooo...I'm not good at these. Not even sure if people like to be updated but for those that send in messages asking how its going, this ones for you.

I am still on Chapter One. I know, wow ...crazy. What have I been doing? A lot, actually! Coding just takes up a lot of time. 😒

But, I've been working crazy on the prologue and I'm much happier with it. The non-Lanemancers might not like it but I think it explains some of MC's turmoils back then. It starts with a flashback during first meeting. Then the qualifications, like it is now, except MC gets small flashbacks and quotes from that time and the impact it had on them.

Also, there's a very early choice for non-Lanemancers to turn off their romance route completely.

I'm also trying something new with the relationships. Not sure how it'll go but I'll update that when I figure it out myself. All in all, I'm super excited to continue. Coding is super time-consuming. So, I'm wondering if I should just write scenes and worry about coding later. Maybe it'll be faster? I don't know. It's a learning process. 😮‍💨

I hope to be done with the rewrite by the end of the year and finally leave the two chapters behind!! Even better if I start on Chapter 3!

Hope you're all well! 🫶

[ann-atar]

Was watching parts of season 1 and now can clearly see Sauron's mind at work when he meets Galadriel and the Numenorians:

Meets Galadriel and they're fighting for resources on the raft, and since she's stronger than the others he puts her in the temporary ally category (much like that poor old soul he took the heraldry from despite that man's kindness)

They get to Numenor and he tries telling her to fuck off because he wants to reinvent himself, which works for about five minutes because

... surprise, surprise, he can't reinvent himself (join the Smith's guild)!

It's Deceiving Time! Manipulates Galadriel's need to find a cause, in this case saving the Southlands and returning them their king

And during the Southlands episodes you can see his shitty little smirk when he sees how readily Galadriel and the Numenorians buy into that cause.

Does he give an actual crap about Galadriel, the Numenorians, or the Southlanders? No, but he sees a concentration of orc (Uruk!) power and that *does* intrigue him

Further manipulates Galadriel by faking a more human connection with her, why? Because despite her trauma-informed response to the idea that she can save the Southlands through him she's very smart, and Sauron's not stupid either and knows that at some point she will smell a rat

Meets Celebrimbor and hears about the elves' potential project. And now in those early scenes I think we do see some of the best of what [good] Sauron might be capable of because he is genuinely excited about making something new, unique, and powerful. Creation does thrill him, which is why he went in so hard for the smiths' guild in Numenor. If there is any light left in him we get to see it during those early days at the forge in Eregion, but ...

Galadriel is smart as hell and she finds out the truth, and Sauron tries to murder her in cold blood, then cuts and runs.

When I watched the "reveal" scene with Galadriel I was even more infuriated than I was the first time because he does everything he can to put an illusion in her mind and deceive her in that scene, and why? Not because he actually thought she would join him, no: he wants to pull her into a dream not to win her over, but because it would make her easier to kill. Easier to dump in the river like trash, so he could get away.

And he feels nothing about that except momentary irritation, and maybe a little thrill at Galadriel's horror when he impersonates her brother. It's almost too creepy.

I have to say that I was unprepared for how hard that hit during the rewatch even though in retrospect it was obvious that any bond they had -- or would have had if Sauron was anyone but Sauron -- was carried entirely by Galadriel.

Like, Sauron put hardly any work in, was just smirking on the sidelines while she elevated him into the position of Lost King of the Southlands.

Any then? Oh well, Sauron's little game is over, time to go! If Elrond hadn't saved her she would have been cold and dead.

All this to say: they really set everything up so well because when you go back to those early episodes his otherworldly coldness is right there. And so is Galadriel's pain; she was an easy mark, was low-hanging fruit for Sauron and it sucks, but also makes one really appreciate these actors.

And now in season 2 you can see those moments of disgust and self-loathing where Galadriel must be thinking: why didn't I see it, when the truth was right there?

I hope next season's Galadriel can forgive herself because this season has been rough.

[asirensrequiem]

Why are Anthony and husk living with alastor and why hasn’t he killed em yet?

I’m sensing he has a soft spot for nifty, Anthony and husk

Anthony and Husk live next door in their apartment complex! Husk in this universe has simply seen too much and Alastor is aware of this. Husk, knowing that Al is a threat, obeys his requests without question and isn't afraid of getting his hands a bit dirty.

Niffty lives on the bottom floor of the building and works as a maid/room service. I imagine she found traces of Alastors nightly activities while cleaning his apartment and spoke up about it. Alastor attempted to threaten her, but she seemed unfazed and almost excited. So in turn she offered her services to assist him for... whatever Niffty's reasons are haha!

I definitely feel that over the years, Alastor has grown quite fond of the both of them and would definitely be torn if something were to happen to them.

I haven't had much of an opportunity to show the layout of the buildings, rooms, and the town in general, nor do I think I will since I want to focus more on that sweet sweet romance and lore, but I may post a map or layout picture at some point for different locations in between chapters~

I'll provide a brief description of some of the places we've visited thus far: Alastor lives on the top floor of an apartment complex. The unit itself consists of 3 rooms (4 if you count a bathroom). The first room is the combined kitchen and living room directly when you walk in the door as shown in "Meet".

Pretty everything in the unit is connected to this room. I have never been too great at backgrounds but hopefully this comic will slowly change that lol.

The next room would be the bedroom. This room is located in the attic. The ladder that Lucifer fell down can be folded up and closed like an attic. The way the ladder goes into the kitchen is similar to how it is in Miraculous Ladybug if any of y'all get me--

The roof of the bedroom is slightly slanted and there is a window above a desk that was positioned out of frame from the already shown shot of this room. There is a queen-sized bed, a bedside table, and a closet in the corner, also out of show from what has been shown thus far.

The rest of the apartment has not shown up yet, but it will be where a lot of scenes take place so that will be shown more and more throughout the chapters~ The remaining rooms are the obligatory bathroom and Alastor's radio studio. I will not share too much about said studio since it will be making an appearance next chapter ;) I WILL however share that there is a step-out balcony attached to the apartment as well.

More information about Husk and Anthony will pop up here and there and I do want to do a few Huskerdust mini-episodes ;) The town layout will be a project and a half if I am to solidify it, but I am more concerned about the fluff, angst, and ROMANCE!! I think the most solidified part of the town layout is that it is slightly elevated above the ocean shore with rock walls around the beach so you take stairs to get on and off of the beach. This gives me a bit more freedom in some plot points is all :))

ANYWAY thank you for the questions, I kinda went on a rant, but hopefully, this answers some unspoken questions as well. It's hard to convey EVERYTHING I want to in each panel and chapter so I am always open to clarification post releases! This is the kind of stuff that keeps motivating me and I frikkin love you guys for that! TvT

<3<3<3

[bucklway]

how mello & near fail as proper antagonists from the perspective of a mello & near fan

the most interesting thing a character can do in a story is surprise you. to be caught off guard by a character, you need to already have an idea of who they might be.

for example, if a character is introduced to an audience as the greatest detective the world has ever known, someone who’s intelligent & calculated, the viewer might be shocked when that character makes many wild & risky decisions. it might catch someone off guard to hear that character say something like “i had to test this just in case, i never thought it would actually work..”

it’s such a small piece of information but it tells us SO much about the mystery of L Lawliet. L is known by many as the greatest detective, but his first true introduction to us, the audience, is his boldness, his capacity to take risks. his genius is so great that a shot in the dark for him results in a bullseye.

to introduce a character through other characters’ opinions of them is my favourite way to challenge the viewer’s expectations in a story. i think to be curious is to be engaged, a story should be setting you up with a million questions that are compelling enough to keep you interested bc you know they will be answered eventually.

it’s not very interesting when you know everything about the series’ antagonist right off the bat.

L as an antagonist is so compelling bc he’s shrouded in mystery, not only is light desperate to know his true identity & true feelings, but we are as well. this is where near & mello fundamentally fail as proper antagonists, every part of their characters work for me aside from the way in which information is learned about them. it’s such a harsh contrast from the genius that is L, it’s insulting to the viewers who are reading/watching bc they actually care about this story & its characters.

so why is mello and nears introduction so bad? simple, we receive too much information.

the scene in which they appear for the first time is literally set in the place where they live, talking to the man who is raising them, it’s insanely personal. compare it to how we meet L for the first time: through a computer screen, held by a man who’s identity is hidden by a mask & all we see on that computer is the letter L. sorichiro tells us he’s the greatest detective but no one knows his true identity. it tells you all you need to know about him at that point in the story, L is a smart detective who is overly cautious about revealing his identity. we aren’t told why he’s overly cautious or who the man is holding the computer but it’s enough to get us thinking.

this is the amount of information we get through mello & near’s introduction: their caretaker is named roger, he works at wammys house (the orphanage watari founded, which is also information that was revealed in the last episode) where mello & near live. roger reveals that L is dead, meaning that mello & near have some kind of connection to L. mello is devastated at the news but it’s quickly revealed that this devastation is most likely the cause of frustration that L can’t “pick one of them” what does that mean? don’t worry, this scene makes it very clear. mello & near were raised to be great detectives, one of them was meant to be picked so they could carry on his legacy but he hadn’t chosen one yet. near is cold, seemingly emotionless & fixated on solving puzzles. mello is loud, aggressive & overly emotional. roger suggests that they could work together on the kira case, near seems up for it but mello is enraged. he tells roger “you know i don’t get along with near.” which is such a funny way to establish something about a character, having them explain a fact about themselves to someone who already knows it. mello reveals some deeper insecurities about not being better than near & he runs away from home. near is officially the new L, working to defeat kira.

..so that’s way too much information, right?

that scene is like.. if in episode 11, when misa is being introduced thru the sakura TV tapes, we were also seeing misa’s perspective, watching her every move & hearing all of her opinions. the introduction of misa is interesting because the audience isn’t given the information that there are 2 notebooks yet, we are meant to assume that light is the one doing all of this even if it doesn’t seem like something he’d do.

mello & near fail as proper antagonists bc the narrative doesn’t take them seriously & doesn’t give them the time they need to establish themselves as threats.

i truly do think near & mello could have been amazing, i have my own ideas for how i would’ve personally taken the story after L’s death but this post is already too long lol!

[4only1]

Best Friends Brother

Gitae Kim x Reader

------------------------------------------------------------------------------

You had just returned from meeting Bongae Choi with Jake. After stopping for a quick meal, the two of you were walking down Big Deal’s street. 

You had known Jake since childhood, having grown up with him alongside Jerry. You had mutual respect for each other, and even if you weren’t much of a fighter, he knew you could handle yourself if need be.

Jake cleaned his teeth with a toothpick while you walked beside him, your phone out, trying to call Sinu Han, who wasn’t answering. It was starting to irritate you that he wasn’t answering, I mean he didn’t have much to do, so why wasn’t he answering you?

Ahead of you and Jake, you finally see Sinu, along with a very tall and muscular man. Dare you say, handsome? (You do dare). They seemed to be fighting, but that was the last thing on your mind. You first had to complain to Sinu about him not answering your phone calls.

“Sinu, why aren’t you answering your phone? Seriously Jake, we don’t have to bring him with us do we?” You exclaim, redirecting the last question towards the man beside you, who seems to ignore you.

“We were gonna get rice sou-, hey what’s with the vibes here?” Jake says, dropping the toothpick to the ground as the stranger comes up and hugs him before saying “Found you” in a deep gruff voice.

The stranger was way better looking up close. Yep, you do dare say handsome. The scene however confuses you. Did Jake know this guy? Why were they hugging? It didn’t make much sense because you knew all of Jake’s friends and this wasn’t one of them.

“Finally, the last one” A deep voice breaks through your train of thought. This stranger is now hugging Jake to his side, holding onto one of the gloves Jake’s father, Gapryong Kim, left him. 

“Huh, last one? You mean father’s glove” Jake questions the strange man. You pipe up, giving your two cents on what was happening.

“They are nice gloves Jake, you have to admit that” This leads the stranger to finally take note of you. He makes prolonged eye contact with you as he brings a smoking pipe and lighter to his lips, where a smirk forms. Wait…you know that lighter, it’s Jake’s mothers!

“She said she would give it to me if I didn’t kill her son. Your mom requested to not shed blood amongst relatives.”. Relatives? It all clicked, they didn’t look identical but there were some similarities. The hair, the nose, that jawline, this was Jake’s half-brother, Gitae Kim!

“I’m gonna ask you a question. If I don’t like your answer I’ll kill you” Gitae states, thickening the tension that was already in the air. He wouldn’t actually kill Jake, would he?

“What do you think of Gapryong Kim?”. After hearing the question, Jake grabs Gitae’s shirt collar and looks up at him. Jake is already a big guy, but Gitae is ridiculously huge. He could crush you with one hand if he wanted to. I can only hope that Gitae hates Gapryong Kim just as much as Jake. I don’t doubt his strength, but I doubt he could fight Gitae, the man was quite literally built differently.

You weren’t listening but soon see Gitae pickup Jake like he is a baby. Holy Shit! That is the only thought that crosses your mind at what you are witnessing. That and how good-looking Gitae is, but that isn’t important right now (or is it?). You heard the man say something in what you guessed to be Spanish before saying something that sent a chill down your spine.

“The only one among his children. I didn’t like any of the other guys.” It was starting to make sense. He had the lighter and pipe, and that shirt and hat looked familiar to you as well. Was he killing his father’s children and collecting the parts of his father that were left to them! 

As soon as he put Jake down on the ground, his attention turned back to you. You held your breath as he walked over and towered over you. You had kinda hoped he forgot about you, but also, the aura this man held interested you. You wanted to know more about him.

He held his hand out towards you before asking in probably the kindest tone he could muster, that still somehow sounded emotionless “Let me use your phone.”. Your body moved on its own, placing the phone you’ve been holding in your hand all this time into his.

You saw him typing in something before a phone rang out. He pulled it from out of his pocket and declined the call. Then he returns the call from his phone to your phone. After pocketing his phone, he began doing something else. When he turned the phone back around, it was on a new contact saved as ‘Gitae Kim’.

“I added myself to your contacts, so make sure you answer when I message or call.”. In a state of shock, all you could do was nod at this information. “What’s your name?” Gitae’s deep gruff voice says. Is it possible to fall in love with a man like this after what you just witnessed? Anything is possible I guess.

“(y/n) (l/n)”. A smirk places itself on Gitae’s face as he reaches down to take the hat off his waistband. You hear Sinu, who has moved next to you whisper ‘I thought he hated romance?’ before turning to look at you baffled. 

“I hope to see you later,” Gitae says before turning around and placing the hat on his head. “I haven’t had this much fun in ages, little brother.”. With that, he walked away, leaving you, Jake and Sinu in shock. As the three of you stood there, looking at Gitae walking into the distance, you couldn’t help but speak what was on your mind.

“Jake, your brother is kinda hot”

“(Y/N)!!!!”

------------------------------------------------------------------------------

I have to admit it is kinda hard to write an x reader for a character who hates romance. I did my best, even if the romance is barely there.

There are probably a million spelling errors but I just wanted to get this out there. Idk why but this man is the one I've decided to stan. Probably because I like Jake so much too lol.

[hollyethecurious]

CS AU: Once Upon A Grimm (2/?)

Summary: The world was far more complex than most people realized. Humans went about their lives, completely ignorant of the fact that there was a world of fairytales existing right alongside them. Well, not really fairytales. Not in the Disney sense, anyway. Many, like the Grimm brothers, had woven the truth into their stories, but the creatures they wrote about were even more nightmarish than their macabre and monstrous depictions. Creatures known as wesen. Supernatural, other-worldly beings who have always lived among humans and have always been hunted by those who had come to be known as Grimms. A struggle of secrecy, balance, and power among these species has existed since the beginning of time. This is a story of a man with his own struggle. The internal struggle of being a human, a wesen, and a Grimm, and the external forces that seek to eradicate one or all of his natures, especially those he tries to keep hidden. Fortunately, Killian Jones is not alone in his struggles nor his secrets. His personal savior, Emma Swan, has secrets and struggles of her own.

A/N: This fic is inspired by and will borrow from the NBC show Grimm. I confess I did not watch Grimm when it first aired, but absolutely fell in love with the show during a binge fest years later. If you have not seen the show, no worries! My beta - who has not seen the show either - assures me that it is not necessary. If you have seen the show, then I hope you’ll forgive the huge creative license I am taking with the material. This is not a strict Grimm retelling with Once characters. This is my own spin on the lore and cannon of both shows.

Sorry I am so late with this update. I underestimated how demanding real life was gonna be now that we are back in full swing with school. I'll do my best to stay on track going forward!

I cannot express how much I have enjoyed being a part of the @cssns all these years. Thank you to the mods who have kept it going year after year. We've had a terrific run! Huge shout out to @kmomof4 for always being my cheerleader and for her exceptional beta skills. A HUGE thank you and many fangirl squeals to my artist @eastwesthomeisbest for the amazing job she did on the cover art that accompanies this fic. Please go show her some love!

FYI: Because the show took cues from the Grimm brothers’ works, much of the vocabulary associated with the supernatural creatures was based on German or German coded language. For words like wesen and woge (which will be explained in the text) the w is pronounced with a v sound on the show. I’ll be using terminology from the show and more common creature names interchangeably within the fic.

Rated E (eventually) / Also available on ao3 and ff.net / buy me a coffee / add to tag list / Curious? Come Ask Me!  / Prologue

Chapter One

Two and Half Years Later…

“What have we got?”

Killian approached the scene with his partner, Robin. Their mate and uniformed officer, Will, brought them up to speed, keeping his voice low as the men conversed on the walkway that led to the grand house towering before them.

“Grace Hatter. Eight years old. Never made it to school this morning,” Will informed them, reading over his notes. “Father says she left the house at a quarter to eight like usual. An hour later he got the call from the school telling him she was absent.”

“Do we know if he’s clean?” Killian asked, assessing the distraught man who was being questioned by other officers.

“No,” Will replied. “Dad’s name is Jefferson Hatter. We're looking into him.”

“Mom?”

“Deceased.”

“Okay. Thanks, mate. We’ll go have a talk with him.”

Killian and Robin continued up the walkway. When the father caught sight of them, he rushed down the front steps to meet them halfway.

“Are you the detectives?”

“Yes, sir,” Robin responded. “Detectives Locksley and Jones. Can you tell us more about your daughter? When you last her? What she was wearing?”

“Yeah, um…” The man took a moment to try and compose himself. His hand shook as he brought it up to run down his face. A shuddering breath filled his lungs and a sob caught in the back of his throat. “She uh, she left here about 7:45. She’s wearing purple leggings and an oversized, purple top that has a white rabbit on the front of it. She also had on a red hoodie and her backpack is pink and purple with her name on it.”

“Does she often walk by herself to school?”

The man, Jefferson, nodded, tears welling in his eyes. “Ever since the beginning of the school year. She wanted… She wanted to be a big girl this year.” He took out a handkerchief from his pocket and wiped the freshly fallen tears drops from his face. “I was reluctant, but the school isn’t far and normally she walks with another little girl and her brother down the block.”

“But not today?” Killian inquired.

“No,” Jefferson answered. “Ava and her brother are both out sick this week. Grace walked alone yesterday, so I didn’t see an issue with her walking alone again today.” His face reddened, the tears now cascading down his cheeks as he pleaded, “Please. You have to find my little girl, please!”

“We’re going to do everything we can,” Robin promised him, digging a card from his pocket. “An officer is going to stay with you as we canvas the neighborhood, but if you think of anything else, give us a call.”

“Th-Thank you, detectives,” Jefferson said, taking the card then following one of the officers back to the house.

“So, what do you think?” Robin said under his breath as they turned back towards the street and surveyed their surroundings.

“If he’s involved then he’s an excellent actor,” Killian replied. “I think it more likely she was grabbed on her way to school. The question is… where?”

The street was lined with houses on one side, facing a wooded park area. The little girl would have made her way to the end of the block then turned to go around the woods. The school was located on the other side, about seven blocks away.

“We’ve spoken with all the neighbors who are home along the route she would have taken,” Will said, joining the detectives. “No one saw anything.”

“Maybe she didn’t take the usual route,” Killian said, jutting his chin towards the woods. “Maybe she took a shortcut.”

“Dad was very specific about the route,” Will told him. “He said Grace wasn’t allowed to cut through the woods.”

“Yeah, and we all know you did everything you were told when you were a kid,” Robin quipped, slapping Will on the back before heading towards the woods.

The three of them followed the worn path, carved out of the foliage by those who had used the woods as a shortcut over the years. Although focused on the task before him, Killian could not help but acknowledge how fortunate he was to do this job with his two best mates at his side.

It had been a series of unfortunate events that had led them here. Two and half years ago, he and Robin had been uniformed officers at different precincts and Will, after washing out of the academy years before, owned a local bar. After being attacked and having his life, once again, turned upside down, Killian had spiraled a bit. Neglectful of his duty and spending too much time at Will’s bar had made him a less than stellar candidate for detective, despite his high scores on the exam. However, everything changed once more the night Will’s bar went up in flames.

Though it had been deemed arson, they still weren’t sure how it had happened. The explosion and fire claimed the lives of more than a dozen officers and detectives from both Storybrooke and Glowerhaven. In the aftermath, personnel had been reshuffled, reassigned, and reevaluated, giving Killian a second chance at a detective slot and transferring Robin to the Storybrooke precinct. Will, determined to bring the perpetrator to justice, had reapplied to the academy and finished top of his class before being assigned to the Storybrooke PD.

Although the arson case had gone cold, Killian and Robin, with an assist from their favorite uniformed patrolman, had managed to garner the highest number of closed cases of any rookie or veteran detectives within the city or its outlying suburbs. Robin often joked that the reason the three of them were so good at this job was because in another life they would have been criminals themselves - and therefore knew how their perps thought - dubbing themselves the pirate, the bandit, and the thief.

Of course, he had no idea that Killian possessed abilities beyond those of a normal human detective which gave him an advantage. Abilities he was currently applying in the hopes of bringing this little girl home safely.

When the trail forked, the trio branched off in separate directions. Once out of sight from his mates, Killian crouched down and closed his eyes, homing in on the sounds around him as he inhaled deeply. Over the years he’d made peace with his wolf side. It wasn’t always easy to keep the wesen reined in, or explain away how he’d been able to accomplish some of the things his supernatural abilities allowed him to do, but as time went on he found ways to balance his human and wesen side.

Not able to pick up anything out of the ordinary, Killian resumed his search further up the path. A moment later, Robin’s voice called out.

“I’ve got something!”

Killian rushed towards Robin’s voice, arriving alongside an out of breath Will. Both men were too focused on the pink and purple backpack laying among the ferns to notice Killian’s lack of exertion.

“Grace Hatter.” Will read the name where it had been monogrammed in bright pink, confirming it belonged to their missing girl. “She must have been grabbed somewhere in this area.”

“Careful where you step,” Killian reminded them. “Will, call it in and inform the others that we have a crime scene in Wonderland Woods Park across from the victim’s house.”

Will stepped away to radio it in, leaving the detectives to peruse the area.

“Killian, we got boot prints here. They look fresh.”

Killian noted the direction of the prints and commented, “He took her this way.” Setting off down the path, he shouted over his shoulder, “Stay with Will until CSU arrives. I’ll see where the prints lead.”

Once out of sight, Killian crouched down again and took in a deep breath. The hairs on the back of his neck stood at attention and a primal growl rumbled in the center of his chest. He could tell the scent was wesen, although he wasn’t sure what species. There was something vaguely familiar about it, but he couldn’t quite put his finger on why.

Never before, since his transition, had he ever wished for the moon to be in its full cycle. If it were, then his sense of smell would be stronger. He’d be able to discern the little girl’s scent better, as well as her abductor’s, and he’d be able to tell which direction the two had gone once they’d reached the road on the other side of the woods.

Cursing under his breath, Killian made his way back to Robin and Will. The Crime Scene Unit had already arrived and the area was being cordoned off so they could work making casts of the boot prints. Killian eyed Grace’s backpack as it was being bagged and tagged so it could be processed for fingerprints. He wished he’d gotten a chance to scent it, but the K-9 unit was already seeing to the task.

“There isn’t much more we can do here,” Robin told him. “Will and the other officers will follow up on the neighbors they didn’t get a chance to speak with earlier. Maybe one of their security cameras will have caught them coming out of the park.”

“Aye,” Killian said with a resigned sigh.

Clapping Killian on the back, Robin suggested, “Let’s go get some lunch. By the time we’re done, more evidence will have been collected and processed, then we can focus on whatever they found.”

“I suppose I could eat,” Killian relented. Robin was right. There was nothing more they could do that the other officers didn’t already have handled. They’d need their strength and their wits about them for the long afternoon and evening ahead. “Where did you have in mind?”

“How about Aesop’s?”

Killian cocked a brow his partner’s way. “Aesop’s? A bit swanky for lunch isn’t it?”

Robin shrugged. “I hear they have a great burger menu.”

“Mhmm,” Killian hummed. Something in Robin’s demeanor had him dubious as to whether that was the real reason. “I suppose we could check it out,” he replied with a shrug of his own, followed by a wolfish grin. “So long as you’re buying.”

~/~

“So that’s the real reason you wanted to come here,” Killian ribbed in a sing-song tone. “The lovely and elusive Miss Mills.”

Robin’s cheeks flamed pink behind the bun of his burger as he took as long as he possibly could to bite off then chew a mouthful.

“You know this constitutes stalking, right? Why not just ask her out?”

Robin swallowed and chased the bite with a sip of water, once again taking his time running his napkin over his mouth before placing it back in his lap.

“You’re hopeless,” Killian exasperated, getting up from his seat. He shot a wink over his shoulder to his mortified partner as he approached the nearby table, teeming with lawyers in their power suits. “Miss Mills?” he said in a feigned tone of surprise.

“Detective Jones,” she said in a friendly yet reserved greeting. “Funny running into you here?”

“Aye,” he said. “The lunch burger menu was recommended to Robin and me, so we thought we’d give it a go.” He gestured back towards the table Robin was metaphorically trying to hide beneath. Miss Mills - Regina - gave him a wave which he awkwardly reciprocated. “I won’t keep you,” Killian continued. “I was on my way to the facilities when I spotted you and just wanted to say hello. Enjoy your lunch.”

“Thank you, detective. A pleasure seeing you,” she replied, though her attention was not set on him but rather still subtly fixated on his partner.

When Killian exited the lavatory hall on his way back to the table, he slowed his steps and his lips twitched up in a smile. Robin and Regina were standing at the table conversing as the prosecutor’s colleagues were filing past, on their way out the door. Regina slipped Robin her card, her painted lip caught between her teeth, and he accepted it with a full, bright smile. Killian chuckled to himself, eager to take the mickey out of his friend, when something in Regina’s countenance shifted.

She’d turned towards the door, prepared to follow her colleagues, when her entire body went rigid. Something rippled through her expression and Killian was taken aback by what he saw.

She woged.

Regina Mills was… a hexenbeist?

No. He had to be seeing things. She couldn’t have woged. If she had, the entire restaurant would be in an uproar, especially Robin. There’s no way anyone would have missed the gruesome sight of a hexenbeist revealing her true form. Unless…

No. That wasn’t a possibility either. The full moon wasn’t in cycle yet, so there was no way he could have witnessed a demi-woge. Could he?

Regina’s features returned to normal, but her posture was still stiff and on guard. He followed her eyes to try and determine what had prompted such a response and was stunned to see another woged hexenbeist casually standing by the hostess stand. She had flaming red hair and was dressed in a tight, green dress. When her human face presented itself once more, she wore a smug, slightly challenging smirk.

Finally collecting herself, Regina marched past the woman without a word or backward glance, but the red-haired witch watched her all the way out the door and down the block.

“Did you see that?”

Robin’s question shook Killian from his shock, but a fresh, confused panic spiked within him. “See what?”

“The text,” Robin said, lifting his phone for Killian to see. “We’ve got a body.”

“A body?” Killian parroted, attempting to get his racing heart under control while processing what his partner said.

He didn’t see it, then. Didn’t see them change. Then why did I?

“Not Grace Hatter?” Killian’s heart dropped a little as his mind finally caught up.

“No,” Robin assured him. “Not the missing girl, but the captain wants us to take point on this one, too.” He beckoned Killian to follow him through the tables towards the exit. “I’ve already settled the bill. Will’s waiting for us at the scene.”

Before heading out the door, Killian scanned the restaurant for the red-headed hexenbeist, but saw no sign of her. He tried to shake off the unnerving feeling her and Regina’s woge had elicited in him. The mystery of why he had been able to see it at all would have to wait. He had more pressing issues to concern himself with.

~/~

“Are you sure this is even a homicide?” Killian heard Will ask under his breath. “Looks more like an animal attack?”

For the second time that day, Killian’s hackles rose. The scene before him was familiar. Too familiar. He could remember, as though it were yesterday, making the same inquiry to the detectives working a similar scene. A scene that had led to Killian being attacked and transformed. A scene that had been declared an animal attack after the DNA had come back as inconclusive. A scene where no other evidence had been left behind except…

“We got a boot print!”

Killian’s entire body reacted in a ripple of goose bumps and a sharp inhale confirmed the truth as a familiar scent penetrated his sinuses.

It’s him! He’s back. The blutbad who attacked me. The blutbad who made me. He’s back and he’s killed again. He’s killed again and… HE’S TAKEN GRACE HATTER!

“Oi! Kill, er… detective. You alright?”

“You look as though you’ve seen a ghost, mate.”

Killian’s Apple apple bobbed painfully. “We need to go see the Captain. Now.”

It was a quick ride back to the precinct, though Killian’s silent stewing had probably made it feel longer to his partner. Robin knew him well enough to not pepper him with questions when he was like this, allowing him space to get his thoughts together. It didn’t mean his mate didn’t side-eye him with furtive glances the entire way back to the station, though.

“Captain Gold, do you have a minute?” Killian asked at the open doorway of their captain’s office.

“For my two best detectives? Of course,” Captain Gold said, gesturing them forward. “How’s the investigation going into the missing girl? Or is this about the body we found? A jogger who was a student at the local university?”

“Actually,” Killian hedged, still unsure how he was going to convince his captain and his partner of what he knew to be fact. “It may be about both.”

“Go on.”

Killian and Robin took a seat in front of the captain’s desk. Leaning forward, Killian began to fill them in on what he’d pieced together.

“A little over two years ago, there was a hiker who was attacked in a similar fashion to how we found the jogger today.”

“I remember,” Gold said, nodding his head. “That was ruled an animal attack, wasn’t it?”

“Aye,” Killian said. “The DNA was inconclusive, but that wasn’t the only evidence left at the scene.” Flicking his eyes towards Robin, he said, “There was a boot print. Just like the one at the scene today. And that’s not all…” Sitting back, Killian wiped his hand down his face and let go a heavy breath. “The same day the hiker was attacked and killed, a little girl went missing in Glowerhaven.” Robin’s eyes widened and Killian knew he didn’t need reminding, but the Captain still needed to know. “I know because Robin helped work that case and we were mates back then.” Setting his attention back on his captain, Killian continued. “Look. I’m not saying all these cases are connected, but we did find boot prints where we suspect Grace Hatter was abducted, and it all feels a little suspect to just be coincidence.”

Captain Gold tented his fingers in front of him, and his eyes narrowed at Killian. “I’m inclined to agree,” he said, after a few agonizing seconds. “It’s all too coincidental to not look into.” His eyes shifted to Robin. “Locksley, reach out to Glowerhaven and see if you can get a copy of the missing girls file from two years ago. Check it for any similarities to the Grace Hatter case. Jones,” he continued, focusing his attention back on Killian. “Follow-up on the boot print. See if the one from the hiker’s scene matches the jogger’s, then compare it to the ones we found at the abduction site.” With a dismissing nod, he added, “Keep me informed.”

“Yes, Captain,” the two detectives replied on their way out of Gold’s office.

“How did you put all of that together?” Robin asked. “Remembering that girl from more than two years ago who went missing the same day a hiker was mauled? I don’t think I would have put that together.”

“I don’t know,” Killian deflected. “Something about that night just… stuck with me, I guess.”

“Well, good pick up,” Robin said, clapping him on the back. “I’m gonna call GPD, then head over to collect those files. Check in later?”

“Aye,” Killian told him. “Later.”

It took Killian less time to confirm the boot prints were a match at all three scenes than it did for Robin to make it back with the files. Although it proved the crimes may be connected, the boots that matched the prints were a very common brand. It would be nearly impossible to find their suspect that way. Frustrated, Killian shot off a text to Robin and Will, letting them know he was gonna go out for some air.

There had to be a way of finding this monster.

Not that he hadn’t already tried. He’d gone back to the scene of the hiker’s mauling time and time again in search of any clues, hoping to discover the identity of the killer and the wesen who had turned him. Once the case had been cleared from homicide, investigators believing a wolf or mountain lion had caused the grizzly death, there had been little Killian could do inside the law. He’d been too preoccupied with the changes he was facing as a newly made wesen to pursue the blutbad on his own, and too worried about what his brother’s reaction might have been if he’d turned the case over to a Grimm. A Grimm who might have been able to detect such changes in his little brother.

Now, he couldn’t help but feel as though the jogger’s death and the missing girl were his fault. He should have told Liam about the rogue blutbad or gone after it himself.

He wouldn’t make the same mistake this time.

Digging his phone from his pocket, Killian dialed his brother’s number and held his breath as the call rang.

This is Liam Jones. I’m not available to take your call. Leave me a message.

“Liam. It’s Killian. Call me back. I’ve got a situation here that might require your expertise.”

Typical.

Killian’s phone vibrated in his hand. He glanced at the screen, expecting it to be Liam returning the call. Instead, the caller ID displayed Will’s name. Killian knew he’d been pouring over videos collected from neighborhood cameras, and he was eager to hear if he’d found anything that might help them locate the missing girl.

“Will? What you got?”

“Not much,” Will confessed over the phone. “I’ve checked all the cameras we collected from Tweedle Drive, the street the perp would have exited the woods from, and there’s nothing out of the ordinary.”

“Nothing?” Killian asked, defeated. “From the whole street?”

“Well, there’s a bit we don’t have footage of, but none of the videos show any car, truck, or van he may have used to move the girl. The only vehicle on the street at that time was the mail truck.”

“The mail truck?” Killian repeated, an idea coming to him. “Do me a favor. Find out who was working that route today and whether the postal service issues a certain type of boot for their employees' uniforms.”

“You think it was the postman?”

“It’s the only lead we’ve got,” he told Will. “If nothing else, the postal worker may have seen something. We should track them down as a potential witness.”

“I’ll get right on it.”

“Text me the name when you’ve got it.”

“Will do.”

A renewed rush of hope filled Killian as he made his way back to the precinct, but it was hindered by a fresh realization.

If the postal worker did turn out to be their suspect, then he wouldn’t be going up against their usual perp. He’d be going up against a wesen. A blutbad. And not just any blutbad… his sire. The one who had turned him. Would he know? Even without the full moon bringing out his wesen characteristics, would his sire be able to tell what he was?

Killian stopped short of the station door and did an about face. He needed to better prepare himself for this confrontation, and there was only one person who would be able to help him do so.

Searching his contacts as he made his way to his vehicle, he prayed this call would not go to voicemail.

His prayer was answered.

“Hello?”

“Swan. It’s me. I need your help.”

~/~

The fingers of her left hand drummed against the counter as the nails on her right were being assaulted by her teeth. Normally, Emma Swan would not allow a situation to unnerve her this way. Of course, it wasn’t the situation, not really, it was the man involved in the situation. The man who only came in once a month to pick up his wolfsbane tonic and share polite pleasantries with her or her brother, who assisted her at the shop. The man who had agreed to keep things between them strictly professional after the one time thing incident that had occurred early on in their association. The man who had kept to that promise… until now.

He wasn’t coming here for his tonic - the full moon was still over a week away. He wasn’t coming here for tea, or spices, or herbal remedies, or anything within the purview of her business. No. He was coming here because he needed help on a case. He was coming here because he had nowhere else to turn. He was coming here because he needed… her.

Although they had managed to keep one another at arm’s length these past two years, it hadn’t been that way at first. The month following his attack and introduction into the wesen world, they had texted and chatted numerous times, having built a rapport by the time of the next full moon.

A rapport that simmered with attraction and temptation.

Fortunately, they had both understood the seriousness underlying his stay with her during that first full moon. Setting aside the obvious chemistry between them, they focused instead on the alchemy of finding the right balance of wolfsbane. Everything had gone as expected… until it hadn’t.

“Emma, sweetie,” Granny said in her admonishing tone. “Are you trying to drive us both mad with your fidgeting?”

“Sorry, Granny,” Emma mumbled, removing her nail from her teeth and flattening both hands on the counter.

The elderly woman’s soft, weathered hand covered hers and she gave it a light, comforting squeeze. “What’s got you all riled up? You said he was a regular customer.” Her eyes narrowed and her head tilted to the side. “Is it because he’s a lycanthrope?” Patting Emma’s hand she assured, “I may not look it, but I can still hold my own. If he gets unruly, then--”

“No, it’s not like that,” Emma said, cutting the woman off in a rush, not wishing her to get the wrong impression. “Detective Jones is much more disciplined than lycanthropes are believed to be. He’s… he’s a good man.”

“Then why on earth are you worked up in such a state?” Granny inquired. “I can practically smell the anxiety and tension wafting off of you.”

Emma chewed her bottom lip, then silently cursed herself. Get a grip, Emma. Tossing her hair over her shoulder, she straightened her posture and schooled her features. “It’s nothing.”

Granny let out a dubious hum. “Try again,” she said. “If you want me to help a lycanthrope - and a detective to boot - that has you all tied up in knots then you’re gonna have to give me a reason.”

Emma released a heavy sigh. She knew Granny was right. The woman was going out on a limb for her, the least she could do was give her the truth.

Given that she expected the detective to arrive at any moment, Emma quickly told Granny about her and Killian’s first meeting, and the subsequent month that had followed.

“Sounds like the two of you became fast friends,” Granny remarked, though Emma thought she could detect something slightly off in the woman’s tone. “What happened?”

Glancing at the door, Emma wasn’t sure if she was irritated or relieved that he hadn’t arrived yet. She’d never told anyone what had happened.

“He came to stay with me for the full moon, as planned,” she began.

“Here?” Granny asked, knowing the proprietor lived above her shop.

“Yes,” Emma confirmed. “In my spare room. I wanted us to be close to the workshop so I could make adjustments on the fly.”

“What do you mean?”

Swallowing, Emma told Granny about the experiments they did, testing the effectiveness of the wolfsbane. “Things like, provoking his temper and trying to elicit responses that were more primal,” she hedged, with half a shrug of her shoulder, “to see how well he could keep control under such stimuli.”

“And?” Granny prompted. “How did he do?”

“He did great,” Emma said, then winced slightly as she added, “Until August showed up.”

A knowing huff left Granny. “Yeah. I’d imagine the presence of another male might have set him off a bit. Did your brother come away unscathed?”

“Barely,” Emma replied. “Killian didn’t know who August was and when he saw him hugging me he… woged.”

“As in… fully?”

“Yeah.”

“That must have been intense for all of you.”

“It was,” Emma sighed. “I had to use magic to diffuse the situation, but once cooler heads prevailed and I was able to introduce the two of them, I thought things were resolved.”

“Until?”

Emma’s mind flashed back to the morning after he’d woged and tried to attack August. The morning after the final full moon.

“So… you made it through your first full moon.”

“Aye. Thanks to you, love.”

“No need to thank me,” she told him. “I should be thanking you.”

“For?”

“For not ripping out my idiot brother’s throat,” she said in a tone mixed with amusement and annoyance. “I told him not to come here this weekend, but does he listen?”

Killian hummed, a sultry, toe-curling sound, and sauntered forward. “Perhaps gratitude is in order then?” he murmured, tapping his lips suggestively with a raised brow and challenging smirk.

“Yeah,” she said, a little breathlessly. “That’s what the thank you was for.”

Another sinful sound echoed past his lips as he pressed further into her personal space. “Is that all your brother’s life is worth to you?”

“Please,” she scoffed with an eye roll, trying, and failing, to get her heart rate under control, knowing full well he could probably hear its erratic beat. “You couldn’t handle it.”

The corner of his lips lifted in a feral and taunting manner. “Perhaps you’re the one who couldn’t handle it.”

The crack of the t against his tongue reverberated through her, and without thought she grabbed the lapels of his jacket, fusing her mouth to his. It took him the briefest of seconds to respond, inhaling deeply before thoroughly devouring her.

It was hot. It was primal. It was all-consuming.

“That was…”

It was a big fucking mistake.

“A one time thing,” she murmured, pulling back from his chasing lips. “We… we can’t do this. I… I can’t do this.”

Releasing him, she took several steps back, unable to meet his eye or look upon his confused expression.

“Swan,” he panted, both of them still working to catch their breath. “Have I… Have I done something? I know attacking your brother was bad form. Please don’t think I’m unaware of the seriousness of that--”

“No, it’s… it’s not that,” she said. “I know you didn’t really have control over--”

“Then what?” he asked. “What’s changed?”

Crossing her arms over her chest, Emma rocked back on her heels and said, “I just don’t think it’s a good idea for us to… I mean… this is all new to you and the last thing we both need is to complicate an already complex situation. I think it would be best if we… kept things professional between us.”

She braced herself for his response, expecting him to be angry. Expecting him to accuse her of leading him on, or taking advantage of him while he was vulnerable. She hadn’t expected him to run a hand through his hair while letting go a heavy sigh before agreeing with her.

“Aye,” he said, softly. “Perhaps you’re right. Perhaps now is not the best time to…” Flicking his too blue gaze up to hers, he gave her an earnest smile. “I appreciate all you’ve done for me, Swan. I think I’ll be able to manage on my own now, thanks to you.”

“You’ll still need the tonic each month,” she reminded him with a slight edge of panic in her voice. She didn’t mean for their association to end altogether. “And you can still call or text me if you have questions about--”

“Thank you,” he interjected, cutting her off before she could continue with her offer. “I’ll swing in for the tonic in a month’s time. I’ll be sure to let you know if there are any issues regarding the treatment.” Reaching up, he pawed at a patch of skin behind his ear. “I, uh… I should go. I have a shift in an hour.”

“Right,” she said, letting him pass so he could collect his things from where he’d set them by the door. “See you next month?”

“Aye, Swan,” he said over his shoulder as he exited the shop. “See you then.”

“Only… I didn’t see him then,” she told Granny. “I chickened out and left the order with August.”

“Are you telling me,” Granny chastised, “that you haven’t seen that young man since--”

“No!” Emma replied, indignantly. “Of course I’ve seen him. We just… it’s been…” Another heavy sigh expelled out of her lungs. “After our… shared moment, I did avoid him for a bit and I know he struggled to cope with his transition, which made me feel worse about how we left things, but then there was this fire at his friend’s bar, and he made detective, and I don’t know… something about him changed. Things were less weird when he came in and we managed to carve out this nice, albeit superficial, relationship and yet--”

“The feelings are still there?”

Emma laughed a rather hysterical sounding laugh. “Uh, no. No feelings. I mean, obviously I care about him, as a person, but my current demeanor has nothing to do with feelings.”

“Oh? What does it have to do with, then?”

Emma didn’t get a chance to answer the woman’s smug question. The bell over the door chimed and the two women's heads snapped in its direction. In walked Killian Jones, as handsome and alluring as ever.

“Swan,” he greeted with a reverential nod. “Thank you for seeing me.”

“Of course,” she managed to choke out, her mouth having gone dry. Clearing her throat, she gestured towards Granny and introduced, “This is, uh, Granny Lucas. She runs the new B&B and diner up the street. I thought she might be able to help. Granny, this is Detective Jones.”

“Please,” he said, taking Granny’s hand and offering it a polite shake. “Killian will do.”

“A pleasure to meet you, detective,” Granny said, obviously sizing him up. “You’re not at all what I expected.”

“Meaning?”

Her gaze still assessing him, Granny quipped, “Most lycanthropes have me wanting to rip out their throats within seconds of meeting them, but you… you’re different.”

Killian’s brows shot up and his eyes flicked to Emma even as he continued to address Granny. “It seems you have me at a disadvantage,” he said a little too calmly. “You know about me, yet I have no idea why Swan brought you in on--”

“Granny’s a blutbad,” Emma blurted out, causing his brows to raise even higher as his head snapped back to the elderly woman. “I thought, seeing as you said your case had something to do with a blutbad, and that you needed more information about them, that you’d like to have your questions answered by someone who--”

“Not just any blutbad,” he said, cutting her off in a tone laced with menace and anger. “The blutbad.”

Emma gasped. “The one who turned you?”

“Aye.” His gaze turned dark and his features hardened. “He’s back and he’s killed again. He’s even taken a little girl captive.”

“That’s terrible,” Emma said, keeping herself from reaching out to offer him a hand of comfort. “When did you--”

“Today,” he told her, catching both women up on the case of the little girl and the jogger and how he’d connected them to the cases from over two years ago.

“We found matching boot prints at the crime scenes, but I also detected his scent at each location. I knew there was something familiar about it, but didn’t put it together until I smelled it mixed with the jogger’s blood. It brought back the olfactory memory of that night,” he said, momentarily getting lost in thought until he shook his head and added, “Of course… I can’t enter that into evidence. Fortunately, we have a lead, but I am wary of confronting him without knowing more.”

“More?” Granny said, her countenance a bit stand-offish and very imposing. “Like what?”

“Like,” Killian hedged, wetting his lips and taking a moment to assess Granny as she had him. “Whether I’ll be able to know him by scent even if he isn’t woged. Typically, I can’t detect wesen by scent whilst they’re in their human form or see them demi-woge unless it's the full moon, so I can only assume he was in full woge when he abducted the girl and attacked the jogger.”

Granny remained stoic and stone-faced, still unsure whether she should trust the gemacht wesen in front of her.

“Look,” Killian said with a tone of authority Emma imagined he employed often in his line of work. “I know there’s a code among wesen. This desire to look after one's own kind. But this guy is a killer. He’s killed two people that we know of and may, even now, be holding a little girl captive, so please. Help me find him. Help me find her.”

The reminder of the little girl softened Granny’s features. “If he’s done what you say he has, then he’s putting us all at risk.” Quickly, she flicked her gaze to Emma then back to him, conceding, “You’re right. There is a code among wesen, but it only extends so far. It sounds to me like this blutbad has gone feral, and his behavior is only going to escalate the longer he’s allowed to run wild.”

“Then… you’ll help me?”

Her posture relaxed further and she stepped up to the counter, bringing her closer to both Killian and Emma. Nodding, she said, “Yes, I’ll help you.”

A relieved breath fell from Emma’s lips and she took Granny’s hand, giving it a squeeze. “Thank you, Granny.”

Granny patted her hand then straightened her shoulders, getting down to business. “Now, I’m no expert on lycanthropes, but unless he fully woges, I don’t think you’ll be able to tell whether your suspect is the blutbad you’re looking for. If he is feral, then it wouldn’t take too much to provoke a response, but you��d have to be ready. Once he woges… he’ll be out for blood.”

Emma saw a shudder pass over the detective and she wondered if he was remembering his own experience with an uncontrolled woge.

“What about the girl?” Killian asked. “What motive would he have for taking her?”

Granny pursed her lips together then hesitantly replied. “If he’s feral, and attacked someone before, then he’s likely gotten a taste for human blood.” Killian and Emma both grimaced, sickened by the notion. “I’d wager he attacked and fed on that jogger first. Probably lost control. He knows he’ll be good for another week until the urge takes hold again, but by then it’ll be the full moon and it’ll be risky for him to be out and about. He probably took the girl in preparation of making a meal of her later. Taking her now gives him time to fatten her up.”

Emma thought she might be sick, and while she could see the shared disgust in Killian’s face, she also saw rage.

Granny caught his eye and imparted, “Having her will make him even more territorial and dangerous. So you’ll need to be ready for anything.”

“Will he, uh…” Killian began, haltingly. “Will he be able to discern who I am? What I am?”

“No,” Granny said, shaking her head. “I only made that quip about lycanthropes because Emma had already told me what you are… and I wanted to see how you’d react. You ought to know by now that wesen can only sense you during the full moon.”

“Aye, but he isn’t just any wesen,” Killian countered. “He’s my maker. Are you sure that won’t have an effect?”

“I don’t see why it would.”

Killian’s Adam’s apple bobbed as he swallowed hard, a reluctant question seemed to pause at the tip of his tongue.

“So there won’t be any… connection between us, then? No weird side effort of my turning that would make me sympathetic towards him or beholden in some way?”

Granny scoffed and cocked an amused brow at him. “Such sire bonds only exist in fiction.”

Killian’s head fell in relief and Emma could now detect how much tension he must have been carrying over that worry.

“Gemacht sometimes latch on to those who aid and guide them through their transition, and many times that is the wesen who turned them, so if you were to have bonded onto someone it would have been the person who was there for you at the beginning of and during your first change.”

Killian’s head snapped up, his eyes locking onto Emma’s. Her heart stuttered, then began pounding in her chest while her breath remained trapped in her lungs.

Granny’s gaze volleyed between the two of them, her heading tilting to one side as she quipped, “I suppose that explains the pent up tension I’ve been sensing between you two.” A warm smile lifted the corners of her mouth in response to their awkward reaction to the call out, and she assured them, “Don’t worry. The bond was temporary. I dare say enough time has passed that it would be gone altogether.” Her no nonsense demeanor returned as she focused her attention solely back on Killian and asked, “Anything else?”

Unsticking his tongue from the roof of his mouth, Killian cleared his throat and said, “Just one last thing… Do you know who this blutbad might be?”

“Afraid not,” Granny told him with obvious regret in not being able to provide him a name. “I only relocated to Storybrooke a few months ago, and I find it best to avoid my kind as much as possible.” Her eyes fell down to the counter and on a bit of a grumble she added, “Bad things happen when we get into a pack. Especially when we see red.”

Killian’s eyes went wide.

“What?” Emma asked. “What is it?”

Killian locked eyes with her once more. “The little girl. Grace. She was last seen wearing a red hoodie. And the jogger and hiker both had on red jackets when their remains were found.”

“So, red provokes him?” Emma said, shaking her head in confusion. “But you weren’t wearing red when he attacked you. You were in uniform.”

“Which,” Granny interjected, “along with your natural demeanor of dominance and authority, he would have seen as a threat.”

“Which means he’ll likely view me as a threat when I confront him.”

“Most likely,” Granny warned. She glanced at the clock on the wall, and Emma knew she needed to get going so she could get back to the diner before the evening rush. “My advice,” she said, rounding the counter on her way out. “When you do confront him, do it alone. You don’t want him to feel trapped or backed into a corner, and if things go badly…”

“Aye,” Killian agreed. “I don’t want anyone else getting hurt.”

Extending her hand, Granny offered him a sincere expression as he accepted the gesture. “Take care of yourself, Detective. I hope you can bring him to justice, but if not… bring him down any way you can.”

With that, she said a quick goodbye to Emma then exited the shop.

“Tough old bird,” Killian said in her wake, causing Emma to huff out an amused breath.

“Yeah. Granny is… something else.”

“Terrifying, I believe is the word you’re looking for,” he quipped with a light chuckle.

The two shared a laugh then stood awkwardly regarding one another for a long moment before Killian cleared his throat and said, “Um… thank you, Swan. I truly appreciate your help. I didn’t know who else to--”

“It was nothing,” Emma blurted out, tucking a strand of her hair behind her ear. “I mean… I was happy you called and that I could…”

Her words fell away and a wash of something akin to embarrassment or bashfulness swept over her. Her face was hot and her palms were starting to get slick.

You're being ridiculous, Emma. You’re not a silly school girl unsure of what to say to her crush. In fact… you don’t have a crush. This isn’t a crush. This is--

Killian’s phone chimed with a notification. Pulling it from his pocket, he checked the text and his grip tightened to the point that Emma feared he’d crack the screen.

“Killian? What is it?”

Slowly, Killian’s eyes lifted and met hers. The look that swirled in those blue depths made her breath hitch.

“We found him, Swan.” His voice was low, almost a growl, and it made the hair on the back of her neck stand in a way that caused her to shiver.

“Who is he?” she asked in a whisper, only vaguely aware that she was rounding the counter to move towards him.

His eyes never left hers and once she was standing before him, they flickered between her own as he answered. “His name is Quinn Adair. His address puts him outside of the city. Out in the woods.”

Emma swallowed hard as an eruption of worry filled her chest. “Are you… You’re not going to go after him now are you?”

“I have to, Swan,” he insisted. “He has Grace, remember? I have to get to her before he…”

Emma nodded, knowing that time was of the essence for that poor girl who was probably terrified out of her mind.

“Just… be careful?” she said, wetting her lips, which caused his gaze to drop down briefly. “And, um… Call me later so I know how it… so I know the girl is okay… and you.”

“Aye,” he said, pocketing his phone. “I will. I promise.”

She expected him to rush out after that, but he continued to stand there. Conflicted.

“Swan, I know this isn’t the time, but… what Granny said earlier. About us. About the bond that might have been created between us. Was that… Was that the reason you pulled away? Did you suspect?”

“Killian, I…” Emma didn’t know what to say. It would certainly be a plausible reason to give him. One that was safer than the truth.

It would be a lie, though.

“It doesn’t matter,” he said, waving off the question and sparing her from having to answer. “As Granny said, whatever was going on between us at the time, it’s likely run its course, so…”

“So?”

Stepping forward, Killian grabbed her hand and lightly held it in his. A rush of goosebumps swept up her arm when his thumb brushed over her knuckles.

“So… Maybe when this case is solved and things go back to relative normalcy, we could… try again?”

“Try again?” Emma parroted. A contradictory cocktail of hope, elation, dread, and panic collided within her as her good sense warred with her wants and desires.

“As friends, I mean,” he clarified, and in tamping down her own disappointment she missed the tone of it in his voice. “We had the start of something I was beginning to cherish and I miss…”

“Me, too,” she told him, turning her hand in his so she could give it a squeeze. Maybe it was reckless. She’d avoided close relationships all her life for a reason, and yet… “I’d love to start again. As friends.”

His smile took her breath away, but it was quickly schooled so he could focus on the dangerous task that lay before him.

“Do you want me to come with you?” she asked, filled with concern about him facing his maker alone. “I know Granny said not to make him feel trapped or backed into a corner, but I doubt he’d see me as a threat. And I doubt he’d be expecting a witch.”

His lip curled up on one side. “As much as I would love to see him go up against your magic, I won’t put you in harm's way like that.” When she opened her mouth to argue, he quickly added, “Besides. I need to try and do this by the book. I’m a cop before anything else.”

“I get that,” Emma relented, begrudgingly. “But I’m going to keep my phone close by in case you get in over your head and change your mind.”

“In over my head?” he said in feigned offense. “I’ll have you know, love,” he murmured in a low timber, edging a bit closer to her. “If there is one thing I’m good at… it’s surviving.”

“Mhmm,” Emma hummed, meeting his taunting expression of challenge with one of her own. “Well, I’m going to insist that you stop by afterward in order to prove that to me.”

He smiled down at her, another message alerting from his phone, indicating it was past time for him to go.

“As you wish.”

Chapter Two - Coming Soon!

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