#also; another problem with this: there are only. two characters. AND. one of them. is invisible.

[quibbs126]

And this here is today’s attempts at drawing Transformers, specifically TF One

I had this idea when I started today, since I knew the faces and noses were giving me trouble yesterday, to try this paintbrush style. The logic in my brain was that the movie was made in 3D, so logistically a more lineless style should work better, right?

I do admit, I think that the lineless style works far better in terms of the eyes and noses being the right shape, but I also admit my lines are probably a bit too soft and I may need to darken them. As well as get something good for the actual thin lines, since the paint brush on its own feels too thick, even at the lowest size

And you know what, since we’re here, does anyone have any Procreate brushes they can suggest for this sort of style? Right now I’m just using Flat Brush, but I wonder if I should use something else

Anyways, so this canvas was supposed to be more D-16, but partway through I figured I should try someone else to draw as well, so I decided Orion, so we could have the yaoi

Honestly my big problem with Pax here is that I don’t have a good comprehensive reference for him, while I can get by just fine with D-16. These were about the best I could get, and that last one I only got because these other two weren’t cutting it

I need high quality references of these characters, or at least specifically their faces. And I’m gonna need even more if I plan to draw Megatron and Optimus as well

But yeah, Orion’s here, and I was also having trouble getting the correct colors for him, because I’m stupid and used to flat colors. D was pretty easy considering he’s just greys, and a yellow tinted grey works just fine there as a grey (though I do admit I’m struggling with his eye color), but I feel like blue tinted Orion looks too blue by comparison. But I don’t know how to give him his proper face coloring without it being the same shade as D-16

I feel like my words aren’t making sense. But just get that Orion colors are a struggle. And still are, because I still don’t think that other grey is the right color

Also Orion has a significantly more complicated helmet than D, so that’s fun

I really wasn’t planning on Orion taking up so much of the space, but I needed to actually practice how he looked so that I could draw him easier. I had numerous attempts at D-16 prior, I could sort of understand his look, but I was flailing in the dark on Orion and needed the practice

I think another problem is that I don’t make him wide enough. But sue me, my character designs usually don’t have their bodies that wide/their heads that small. I’m working on it

I capped off this canvas by just deciding to make a small doodle of Orion kissing D, since why not and also I was too lazy to think of anything else to add

Where do we go from here? I have no clue, but hopefully it’ll go good

[impactrueno]

let's talk about shoes (stick with me here for a sec)

beetleboots beetleboots beetleboots.

what's up with the three of them wearing combat boots? they go well with each of their character designs so it's not like they look out of place with the rest of their outfits, but knowing this is tim burton and colleen atwood, these things are not mere coincidence.

(spoilers for Beetlejuice Beetlejuice below)

a common complaint i've seen people mention about Beetlejuice Beetlejuice is that "there's too many villains," but today i'm here to talk about why each of them matter in the narrative tim wanted to present here. yes the boots are related we'll get to that in a minute

delores, rory and jeremy all have one thing in common: the use of romantic betrayal in order to achieve their own selfish goals, destroying their victims in the process.

this, in turn, makes beetlejuice, lydia and astrid have another thing in common: they were the victims of these romantic betrayals.

you may think "okay but why is that necessary?"

this sequel made the interesting choice of nudging beetlejuice out of the villain role. he's now just a weird ally/deuteragonist...or perhaps even...a protagonist? but that's not enough! why should we as an audience care about him or sympathize with him?

that's where delores comes in. delores is less of a character and more of a plot device. her purpose (besides serving cunt) is to give beetlejuice backstory and be to beetlejuice what beetlejuice was to lydia, only worse. i talked a bit more about it in this post. thanks to her, we now learn that beetlejuice was a victim. not just that, she's also the looming threat beetlejuice needs to justify his marriage to lydia (he seems to be under the impression that this would help him escape delores more easily, but personally i'm not so sure, i think she's more powerful than that.) her return in combination with lydia's return to winter river is what sets his plan in motion.

rory is a pretty self-explanatory villain so i don't think we have to go into that. he wasn't out to kill lydia...but he's a golddigger, so i don't doubt he would've set something up to lead her into having a fatal accident and claim insurance benefits.

jeremy's role in the plot was to make astrid realize that she was wrong about the supernatural, as well as put her in danger in the afterlife, which is the drive lydia needs to turn to beetlejuice for help.

the role of an antagonist is to oppose or be an obstacle to the protagonist's goal. these three are the three obstacles beetlejuice needs to overcome in order to marry lydia.

first, he needs to save astrid as part of the deal with lydia. so he gets rid of jeremy to give astrid her life back. he knows exactly what it's like to be romanced into a death trap. you can tell this was satisfying for him. later, fucker.

then, he needs her fiancé rory out of the picture if he intends to marry lydia. since he knows this guy is a total piece of shit and is lying to her to lead her into the same trap he himself fell into with delores, he simply gives lydia the tools she needs to kick his ass herself. teamwork!

third comes delores. he just needs to survive delores, basically. he tries to pair her off with rory to try and kill two birds with one stone, but the stone that ends up killing them both is the sandworm that astrid summoned, which beetlejuice then guided straight to them. teamwork once again! (beetlejuice and astrid got rid of each other's problems, that's kind of cool)

these three things being taken care of means that beetlejuice can finally marry lydia.............

............except he doesn't. why? because he helped lydia. by bringing her into the afterlife to look for her daughter, he violated code 699. and he did it immediately after signing that contract. hoist by his own petard, this dumbass.

sorry i got sidetracked again. we were talking about boots, right? right right.

beetlejuice, lydia and astrid all walked in each other's shoes.

everything in this movie comes in threes. names, villains, victims, obstacles and pairs of combat boots.

[kurigohan0909]

Rewatching Link Click: Easter eggs in your noodle soup?

So I've just finished watching both seasons of Link Click/Shíguāng Dàilǐ-rén, which means that obviously I'm watching it all over again. What did you expect me to do, sit around waiting for Bridon arc while the Bilibili official account taunts us with replays??

Besides, Link Click is one of those dishes that is best served twice. The early episodes are packed with hints and foreshadowing that only become clear once you've gotten up to date, so I've made it my mission to catch 'em all.

You don't say.

It's well known that certain early mini-arcs (for instance Chen Xiao's basketball match, and Doudou's kidnapping) have implications for the larger plotline or at least contain important exposition/character insights that the story would not feel complete without. There are also several that get written off as filler, or are generally considered to not have any purpose beyond familiarising the audience with the characters and setup, and lulling you into a false sense of comfort before everything goes to shit. Episode 2: Secret Recipe, AKA the Noodle Lesbians episode, beloved as it is, tends to fall into the second category.

Or does it?

On a rewatch, I still don't think it does anything to advance the main plot. We don't even really know where it fits into the timeline, because we're never told what day it is and Lu Guang's watch is never shown on screen (I'll get around to a longer analysis of this another day). However, I'm instead inclined to believe that it's one of the most important episodes in the show - if not THE most important - because it's essentially an allegory for the story of Cheng Xiaoshi and Lu Guang, and gives you a bird's eye view of how the relationship between them is going to develop - which, as you know, is what the show is all about. And the fact that it's not situated in a specific time, in a show that cares heavily about timeline construction, makes it better.

The episode starts with this quote from German photographer August Sander, who believed that, through photography, he could reveal the characteristic traits of people. "The portrait is your mirror. It's you." It's pretty explicit, when you think about it. This episode is a mirror of the entire series, specifically of its protagonists.

Moving on. The episode's storyline is quite simple: two college "roommates" start a noodle shop together, and as time passes, they drift apart and eventually fall out as their priorities change. Yu Xia, the business-oriented one between them, wants to get hold of the secret ingredient used by Lin Zhen, to whose cooking the shop attributes its success. Does Yu Xia really want to steal the secret recipe? Or is it just one of the many things that the quieter Lin Zhen keeps hidden from her that she desperately wants to know, along with everything that went wrong between them? Your guess is as good as mine. Either way, there are lots of indirect parallels between Xialin of the noodle shop and Shiguang of the photo studio, even if for now they're very distinct individuals with their own personalities and struggles. It does, however, give some indication of what's to come.

This question isn't purely rhetorical, as we find out in the very next arc, where Cheng Xiaoshi has a fight with Lu Guang over letting his client's loved ones perish in the Wenchuan earthquake. Even if they eventually come to a consensus, they have fundamentally different life philosophies and approach their missions in very different ways. Cheng Xiaoshi is a hyperempathetic idealist who keeps trying to use his forays back into the past to fix his clients' personal problems, while Lu Guang remains utterly indifferent and staunchly against interfering, even in life-or-death situations. Which turns out to be a facade, because we later learn that he's just as much of a meddler as Cheng Xiaoshi - except he's focused on a singular, selfish goal, which is to keep Cheng Xiaoshi alive at any cost.

Let's go back to the noodle shop. After ten years of running the business together, it becomes clear that the ladies' aspirations are no longer compatible. Yu Xia has big plans for the shop. She wants to broaden their customer base - for profit, of course, but also so that more people can be made happy by the chance to taste their noodles. Lin Zhen's dreams, however, are on a smaller scale - perhaps only on a personal scale. Throughout the episode, it seems that she only really cares about making noodles for one person.

Sound familiar?

At the risk of digressing, it needs to be said that Yu Xia and Lin Zhen are absolutely very much a WLW couple. This isn't bait, it's elegant and really quite unsubtle queercoding that says 'to hell with censorship' loud and clear. Honeymoon jokes, the taxi driver assuming Lin Zhen had fought with her husband, and Lin Zhen's very bold attempts at flirting... we see you.

More to the point of this post, I think it's important to point out that Lin Zhen does not actually care for too many people other than Yu Xia. She's all worn out from making noodles for customers, but she forgets all about that when it's time to make a bowl for Yu Xia. She also keeps her special ingredient - which is one of the secrets she shares with Yu Xia, as we find out - highly guarded. She's never going to let these pesky reporters in on something so intimate.

Why is this important? Because, as it turns out, the episode's storyline - and Lin Zhen's motives - are all about saving Yu Xia.

We learn that the secret ingredient is a local specialty from Yu Xia's hometown. Lin Zhen has been using it for years, keeping the taste of home alive while Yu Xia's drifted further and further from home to the point where she can no longer remember where the ingredient came from. At the end of it all, when Yu Xia returns home, she finds Lin Zhen there waiting for her. Lin Zhen, mind you, does not hail from the same town. The girls met in college. It's home to her simply because it's Yu Xia's home.

This comes directly after a pilot episode that establishes the contrast between urban isolation and rural/familial warmth, through Emma's eyes, and in a show that continually reinforces the concept of longing for home and loved ones. By forcing Yu Xia to reevaluate her priorities, Lin Zhen manages to bring her back home - which is a place that includes herself.

Perhaps it's too early to say. But to me, it's a pretty neat thematic parallel of Lu Guang's solo quest to save Cheng Xiaoshi from death; which is intertwined with a greater goal of giving Cheng Xiaoshi a home, one that is safe and secure and surrounds him with those that love him and are there to stay.

But in the process of achieving this, one of his biggest obstacles is Cheng Xiaoshi himself - his insistence on interfering with the timeline so that Lu Guang can't predict events with certainty, his objections to the way Lu Guang does things, and the definite resistance Lu Guang will come up against if Cheng Xiaoshi learns about his plan. Pretty much every minor mission they undertake is a rehash of the same argument; Cheng Xiaoshi wants to use their combined powers to make a difference to other people's lives, and Lu Guang just has one goal in mind which means that he's going to ignore absolutely everyone else.

Notice how Yu Xia's looking to the future, while Lin Zhen's dream is to go back to a point in the past? Neat.

And when they finally part ways because it's clear Yu Xia is not going to support Lin Zhen's goal? Yu Xia asks her where she's going to go after they part ways, and Lin Zhen says:

I wonder where we've heard that before.

And if you need any more proof that this episode is in fact intended to be a mirror, do consider:

Their seating positions are mirrored too. Yeeeeaaaaaahhhh.

In conclusion: if this allegory is to be believed, then trust that Lu Guang will eventually succeed in his mission and Cheng Xiaoshi will find his way home to him. It'll happen, guys. In the meantime, at least our beloved noodle ladies will be living a peaceful life out in the countryside.

Since I don't know how to shut up and this website seems to be giving me infinite space to yap, let me include some more details about this episode that I found cool. There are so many.

Lin Zhen and Lu Guang are both shown while this line is being said. What with all that the fragrant flowers represent, it makes you think about what these characters' best memories might be and how much they treasure them.

This is such a tiny detail that you'd almost definitely miss it on the first watch, and it seems insignificant - until it isn't. When Cheng Xiaoshi hops into the girls' picture taken during their college days, he screws up and suggests they'd be better off dabbling in tech stuff like apps or intelligent management than running a noodle shop. Lu Guang makes him quickly eat his words, but they seem to have still struck a chord with Yu Xia - because later we see that she works over years to integrate an intelligent supply chain management system into their business. In fact, one of the reasons for Lin Zhen to alienate herself from the business is because she feels like it's gotten too techy and lost its human touch. Not really fair considering it was her own idea, is it?

I mean. This is probably a stretch. Digitization is pretty inevitable for big businesses nowadays, so Yu Xia, being as enterprising as she is, might have gone for it whether Lin Zhen suggested it or not. But it's interesting to think that it might be Cheng Xiaoshi's tiny alteration of the past that unfurled outwards like a hurricane from the beating of a butterfly's wing and catalysed their falling out. Especially because these kinds of bootstrap phenomena very much occur in later episodes and are a core feature of Link Click's time travel model.

Some suspicious behaviour on Lu Guang's part. He's quite certain there are no useful clues in the last picture Yu Xia and Lin Zhen took in front of their shop, despite it being the only one taken by Lin Zhen (seriously! you could go to her house, look through her phone, the possibilities are endless!) and the fact that this is the photo Cheng Xiaoshi did end up solving the mystery in, thanks to the ticket stubs he found in her purse (see?) Secondly, they outright miss a picture in the envelope - the most important picture of all which would have given them the answer right away, since this was when the fragrant flowers were first used. Not your best work, Lu Guang.

...or is it? Lu Guang is pretty meticulous, and it's unlike him to slip up in such obvious ways. He's also skilled at slipping things back into envelopes when he doesn't want them to be seen, as we know. Could it be that he didn't want Cheng Xiaoshi to solve the mystery? But why? Maybe it's metaphorical, like so much else of this episode: he doesn't want Cheng Xiaoshi to uncover his true intentions. The fact that all this is ultimately for his sake.

Interestingly, Lu Guang was very dejected at the idea of them seemingly being out of luck - they'd tried so many times and failed to fulfill the mission. Was he, perhaps, thinking about another mission he'd hate to fail? Anyway, it falls to Cheng Xiaoshi to cheer him up and give him hope for another try, which he accepts, with a small but genuine smile. My heart.

If you've scrolled this far, I'm glad you enjoyed my ramblings! I must say I don't know much about how Tumblr works so apologies if I mess up on formatting or tags, but I'll probably get the hang of it soon enough. I'll also probably end up enjoying Tumblr more than Twitter since it allows me unfettered yap space and won't feed my writing to the machine (yet). It's late and I should probably stop stop thinking bout it around now... but look forward to more random ramblings and thank you for reading!

[mylifetherant]

Literally 90% of the issues with the moclan episodes stem from the fact that they never bothered to actually figure out how any of it worked in the begining.

Due to the shows starting roots of being a parody, they didnt super put in a lot of work into the actual worldbuilding until waaaay later. Moclans were just "haha what if there were klingons but they were all gay?". And then they never bothered to actually do any work on asking how that would actually develop and function.

Like why do moclans even have females? They obviously dont need them to reproduce, why wouldnt their evolution have completely bred them out by now? And moreover since they do exist, how does that tie in to moclan reproduction since females arent a nessecary part of it? How did the male biology evolve to accomodate birth, and for that matter the production and laying of eggs (another thing they did for a giggle without bothering to consider the implications biologically).

This offers even more questions when you remember the one fact OP didnt mention in this (which i dont blame them for because its barely focused on in the show either) But Klyden was also born female, much like their child topa. The whole reason Klyden freaks out about Topa being born female isnt just because hes a regressive conservative dicklord, but because he doesnt want topa to experience the shame he did of being born female. Which not only makes this messaging even more convoluted, but also begs the question of "how did he impregnate Bortus then?" And yea sure the answer could easily be that the whole species is actually intersex but thats literally never mentioned or even insinuated (likely because the writers know jack shit about it)

The whole problem is that the entire thing started as a poorly thought out joke that they then tried to turn into hamfisted serious reflection on current issues. Which they cant actually accurately do because they slapped it on the "what if being cis was illegal!" Joke Characters who fuck up the whole message because no one bothered to actually ask how any of this would actually work. And by the time it became actually relevant we were 3 seasons in.

At any point in the 3 seasons of run time they couldve taken the time to hash this out in a way that made more sense. Or they couldve just made up an entirely new race instead of constantly slapping all their "gender issues episodes" around moclan society. Literally any episode that has to do with sexuality or gender always revolves around moclus, despite every other socio-political issue they talk about having a whole new planet made around it.

For fucks sake they gave the "what if facebook ruled the world" planet TWO episodes!! They had a whole episode dedicated to Astrology Planet!

Just make another transphobic planet to clean up instead of stumbling over your season one joke characters!

Let's talk about The Orville.

Alright. My STEMbo ass needs to have a certified Media Analysis Moment, and I hope this doesn’t all come across as too dumb or missing something obvious.

Let’s talk about the TV show, The Orville.

Genuinely. And I do mean genuinely.

What the actual fuck is Topa’s storyline saying about transgender issues?

I watched seasons 1 and 2 of The Orville a long time ago, and I’m now working my way through season 3. I just finished s3e5, “A Tale of Two Topas”. I know there’s more to come about it, but I’m just kinda venting up to that point.

I need some kind of “cis eye for the queer guy” to analyze clumsily written “ally” media- I’m far less concerned about what the showrunners tried to write, than I am about how it comes across on the screen to the "typical" cis audience. The storyline is treated with bewildering confidence in a way that doesn’t seem to realize how fucking weird its messaging is, and I feel like the fact that its so contradictory is something the show itself is trying to hide.

Gimme a moment to collect my thoughts, I’m typing out a lot of shit. I'll post a ramble as a reblog to this.

[viric-dreams]

A Study in Viric

Being out of Parabola for so long hasn't been good for Ockham, who's been progressively fading away as the months wear on, leaving Ockham desperate and hungry for some taste of Parabola, something to regain hishertheir strength and not disintegrate to Nothing. A chance meeting with an interesting character (@ticktopsworld) led to Ockham being offered an entire box of honeyed cosmogone.

What happens when you give an excess amount of cosmogone to a creature made of viric? It tries to convert it as quickly as possible into something usable. Ockham's body goes into overdrive trying to process that much cosmogone. It has unfortunate effects.

Anyone within an immediate radius of Ockham is sent to sleep. Plants grow explosively, soon taking over Ockham and Tamara's home. Warden (@oneirotecture) visits, unaware of the situation and bringing a pineapple grown in Parabola, only to be knocked unconscious by the viric haze.

Overjoyed by the newfound energy and life, Ockham visits Arnaud (@eddie-dearest), determined to celebrate hishertheir miraculous recovery in the way the two of them do best. Ockham's viric radiation only grows more and more powerful as time passes, eventually sending an Arnaud--begging Ockham to stay--into a dream-filled sleep.

It's getting harder and harder for Ockham to focus, each sight, each sound, each new sensation drawing hishertheir attention at the expense of anything else. Friends and strangers alike are sent into slumber by hishertheir presence alone, even when, in moment of lucidity, Ockham begs them to stay awake. Warden, the victim of yet another one of these encounters, decides to get revenge, entrancing Ockham with a cosmogone ink tattoo and leading the parabolan on an extended chase through the Pavilion of Butterflies.

Ockham's most recent employer, Shaw (@zeebreezin) has also not been spared from sleepy Ockham sightings as the holiday progresses. Surmising that the issue was an excess of viric, he attempts to remedy the situation by exposing Ockham to an irrigo-irradiated artifact. This backfires spectacularly, when the exposure to irrigo--not targeting the excess of cosmogone causing the problem, but the viric leaking from Ockham's body at the rate hishertheir body's trying to convert it--cancels out all of the ambient viric, partially dissolving Ockham in the process.

The injured and afraid Parabolan runs out into the streets, viric escaping hishertheir body like sand from a broken hourglass. The trip has decidedly turned Bad, and unable to parse what's going on, only that there are people trying to hurt himherthem Ockham runs, without purpose, just to get away, no matter the cost.

If there's anything to be learned, you do not run from a predator. The Scrimbeast (@t6fs) gives chase, mauling Ockham. Ockham's body and the guilded rot attempt to heal the damage, as the Poet's silks hold it in place.

Ockham sits up to say something, blinks, then blinks out of existence. Between the drugs, the adrenaline, and the strain of healing wounds, it proves too much for hishertheir heart, and it gives out.

A creature of Parabola, however does not go to the Slow Boat. And there is one ophidian hivemind who knows precisely where Ockham is, and who'd been waiting for this moment to finish the job.

[eff-plays]

What are your thoughts on some of the wording that is used to describe Taash's gender dysphoria in Veilguard?

Anytime their gender identity crisis is discussed, it's always called "non-binary stuff." There is also one character in the wetlands who is non-binary and they say that another character helped them with their "non-binary" stuff.

Surely, the terms gender dysphoria, gender identity crisis, or even just saying "helped me figure out that I was non-binary" would have been better writing.

It feels like they didn't have faith in people to understand other terms or context clues.

Please note that this ask is not meant to be in bad faith and there is no pressure to answer.

I am generally curious if this is an example of bad writing or if non-binary stuff is the correct term over gender dysphoria or gender identity crisis in this context.

I think it all goes back to just using "non-binary" in the game itself. And while I get how some enbies think it's important to use our language to describe us in fiction, and that's a justified opinion to hold, I'm going to disagree. Games with heavy and extensive lore and actual conlangs shouldn't just fall back on hyperspecific modern terms when we all know they're capable of delivering the same message in a way that doesn't lean on the fourth wall or break immersion. Krem, for all the clunkiness that surrounded him, got a whole in-universe explanation for how he fit into the Qun.

Now, to be clear, I'm not saying I value immersion over representation, or that nonbinary people are immersion-breaking. That's an insane opinion to hold. It's just that I, personally, feel more out-of-place and alienated when a fictional world's attempts at including me uses modern terminology. It doesn't tell me that I belong in that world and there is space for me in it, but that there isn't. This vast world, which has fantastical locations and magic and Blighted old gods and dragons, which has room for all of those things, but doesn't have room for language and identities unique to it that might reflect mine? It has to use language that doesn't belong there to explain people that supposedly do? Do you get my issue here? There is an inherent contradiction in this approach.

By not bothering to integrate nonbinary people into Thedas, by falling back on and insisting on modern terminology, BioWare isn't telling me "you're valid, you belong" it's telling me "your presence is so incongruous with our world that we couldn't do anything but use existing terminology to describe you." In their attempt to be inclusive, they just didn't bother to actually integrate nonbinary identities into its world. Then they keep highlighting their own failure by pointing at my identity and telling everyone in their world how valid it is. Imagine you're just existing in a crowd and some motherfucker points you out and goes "YOU. YOU'RE VALID! EVERYBODY LOOK AT HOW VALID THEY ARE!" That's what's bothering me the most. It makes me feel like a freak, not like I belong. And maybe that's a me problem, but given the responses I've seen to my Taash posts, I don't think it is.

Anyway, sorry for that tangent. I don't think gender dysphoria or gender identity crisis would've been better writing, personally. I was pretty confused for why this random NPC told me about their gender identity at all, to be frank. Especially when they, in the first conversation, gave us their pronouns in a very naturalistic way, and Rook + the companions repeated those pronouns later. Like, for me? That, combined with Flynn's very androgynous appearance, was enough to clue me in to who they were. We only have two interactions with this person (AFAIK, if they show up again then I haven't gotten to that point in the game yet), there really doesn't need to be a spot where they clarify their highly personal discovery of their gender identity.

However, if you're very desperate to include this as explicitly as BioWare intends, I have a solution: have them only mention the "non-binary stuff" to a trans and/or nonbinary Rook. My Rook is nonbinary and people know this about them, and since Rook is becoming well-known, people will know their pronouns and identity. So, have Flynn be like "Yeah, my mentor helped me figure myself out. You know how hard it can be to do on your own, Rook." Ya know? Suddenly, you get what they're talking about without having them to be like "ah yes, have I mentioned I am non-binary today?"

I get wanting to make things explicit, but it happens at the cost of believability and actually representing how enbies exist as people. I don't talk to friendly strangers like "I had a hard time figuring out I'm nonbinary, but I got there in the end!" Most of my classmates only know I'm nonbinary because it says so on my Discord profile, and the same goes for the ones I know are nonbinary. Most of it is just clocking each other across the room or hearing other people use our chosen pronouns.

As for Taash's dysphoria ... That's another long-ass can of worms type post that I might make once I'm finished with the game and have a complete image of their storyline. But rest assured, I have plenty of thoughts on that, as well.

[cpvnksabm]

hey RTC fandom, i wanted to talk about disability erasure in RTC, and how the fandom (and potential future productions) can do better than canon has done so far!

What is disability erasure?

Disability erasure is, basically, finding ways to avoid acknowledging or depicting disability because of how it makes people uncomfortable. One example of this, and the most common thing that pops up in discussions of RTC, is taking a character that is canonically disabled or usually depicted as disabled, and depicting them without that disability.

When this happens in general, it is a problem because it deprives disabled people of a chance to see themselves represented in media. In theatre, it also often means that an abled actor gets a role that could have gone to a disabled actor - and this is already a problem even when the character is being depicted as disabled on-stage, due to ableism in the hiring/audition process.

We already have few enough disabled characters as it is - we don't need any less. Ricky is an important character to me and to many other disabled people. That's why I, like most of the fandom, do not support the 2022 script changes that made Ricky able-bodied and replaced his physical disability with a psychological trauma.

I won't discuss the script changes much here. Many other people, including Yannick himself, have already explained it better than I can. But suffice to say I think the new script is incredibly, inherently ableist.

But that's not the only example of disability erasure in RTC.

Disability erasure doesn't just mean taking a disabled character and making them completely abled. In fact, many people have correctly pointed out that Ricky still has a disability in the new scripts, because being unable to talk due to psychological trauma is a disability. And this is true, but it doesn't change the deliberate erasure of Ricky's physical disability.

Because all disabilities are different, it's possible to erase a character's disability even without making them fully abled. If a character has one disability, and you remove it to give them another - that's still erasure! Disability rep is not all interchangeable, and it does matter what disability or broadly what type of disability a character has.

I hope most of the fandom can understand that, for example, it would be a problem to make Noel bisexual. Even though bisexuality is still part of the queer community, it's erasure to do that for Noel - because he isn't just generic queer representation, he's specifically gay! And the same sort of principle applies to Ricky, because he isn't just generic disability representation - he is specifically a person with a degenerative disease, and a mobility aid user who cannot speak.

With the canon info that we have on Ricky's disability, based on the 2016 script, here are some examples of things that might not be making him fully abled but are still erasure:

Depicting Ricky not needing mobility aids, even if he can't talk

Depicting Ricky talking out loud, even if he still needs mobility aids

Depicting Ricky being a person who cannot speak & needs mobility aids, but having this be due to two unrelated disabilities that affect his speech & legs only (for example nonverbal autism & arthritis in his legs). Ricky canonically has a rare degenerative disease that affects both his speech and his mobility; it is very likely (all but stated outright in canon) that this is a neuromuscular disease which affects his whole body.

Removing the fact that Ricky has a degenerative disease specifically, and explaining his symptoms with a disability that will stay at the same severity throughout his life, when he canonically has a degenerative disease that he outright says will lead to an early death (even if this makes you sad to think about, which is 100% valid and understandable, it is not appropriate to erase outright)

But what about in the afterlife? What if Karnak allows Ricky to remove his disability or specific parts of it?

Pretty much every production of RTC involves Ricky, upon death, gaining some abilities that he didn't have in life. In most productions he discards his mobility aids, though there are some where he keeps them during most of the musical and only throws them aside for choreography, and some where he keeps them throughout choreography. To my knowledge every production of RTC also has him talking out loud after his death. This is all pretty easily explained by some sort of afterlife magic, or by Karnak actively choosing to remove (parts of) Ricky's disability.

And I'm sorry to say that it's still erasure.

I'm not saying this because I want to file RTC away as bad rep. I love RTC, and I love Ricky! I think Ricky is extremely valuable disability representation for so many reasons, and I also think there are some things that it could have done better.

I think having Ricky as an explicitly disabled character who becomes able-bodied due to magic later on is much, much better representation than simply writing his disability out of the canon entirely. It's a different level of erasure, because it still acknowledges him as a disabled character, and still acknowledges that as part of his backstory.

But using magic as a way to remove disability is lazy. It's a quick way to avoid having to depict a character as disabled for the entire length of a musical. And that means that the disabled fans who see ourselves in Ricky, don't get to see a character depicted as disabled or using mobility aids on-stage for the whole length of the musical.

Now, I understand that whenever you're making fanworks for a flawed piece of media (and every piece of media will have some flaws), there's a balance between being canon compliant and improving on canon. I don't think fans should be instantly labeled as ableist, or canceled, for writing canon compliant fic where Ricky's disability is erased in some way in the afterlife. I don't think it carries the same harm or weight - for one, it doesn't have the same reach as actual musical productions do, and on top of that, disabled people in the RTC fandom are already aware of the flawed parts of RTC's disability rep & we tend to be prepared for this when we go into the fandom.

I do think people should consider making Ricky disabled in the afterlife in fanworks. Many other parts of canon are changed in fanworks, so this one can be too!

And more importantly than that, I think more RTC productions (on the off chance anyone involved in a production of RTC is reading this post) should work to continue depicting Ricky as disabled on-stage throughout the whole musical. As I've said before, to my knowledge, there isn't an existing production of RTC that doesn't engage in some level of disability erasure, and that's something I'd like to see change one day.

But wait, if Ricky still couldn't speak out loud in the afterlife, wouldn't that mean cutting his song?

Actually, no!

I get this response a lot when I bring up the disability erasure inherent in Ricky consistently regaining his ability to talk upon death. I understand the concern - I think it would be awful if a production simply cut SABM in order to avoid depicting Ricky talking/singing out loud, and that doing so would also be a form of erasure in the sense that it would inevitably involve minimizing Ricky's character and removing parts of what made RTC such valuable disability rep in the first place (especially so if some of ricky's speaking lines, such as his post-SABM speech, are also cut with SABM).

But the fact is that you simply don't have to cut Ricky's song for this to work. There are real people who have performed in musicals without speaking/singing out loud, and still had major roles!

One way of doing this is with an interpreter. Ricky's actor would perform SABM in sign language, and another performer would sing the song as he signs it. It's important to note that when this is done, Ricky is still the main performer and still the focus of the song, and the interpreter is just that - an interpreter.

This method has been done in musical theatre before. One example is Joshua Castille, a Deaf actor, playing Quasimodo (an originally deaf character) in the 5th Avenue Theatre production of The Hunchback of Notre Dame. He performs in ASL, with singer E.J Cardona acting as the voice of Quasimodo. There are some clips online if you'd like to look it up!

There's another idea that I've thought of myself, though I don't know of any examples or if it'd been done. If Ricky was depicted using an AAC device on-stage, that would mean he talks using a synthesised (text-to-speech) voice. And we already have the technology to create singing with synthesised voices - it's called Vocaloid!

Of course, real world AAC devices generally can't sing, and programming a song into a vocaloid inherently takes a lot of time - you couldn't do it on the spot. But the whole premise of a musical is people singing on the spot when they wouldn't normally be able to! In RTC specifically it's explained as Karnak's doing, but pretty much every musical involves characters perfectly singing in contexts where they couldn't have possibly memorised/rehearsed the lyrics, harmonies or choreography in advance. I don't think it's that out-there to stretch this to Ricky singing using a vocaloid-like voice in a context where he couldn't have possibly programmed it into his device in advance.

I don't think these are the only ways it can be done, either - they're just some obvious examples. I just wanted to make it clear that it is possible to depict Ricky as a nonspeaking character throughout the musical, and this wouldn't have to involve cutting his song or removing his singing roles. I'd really like to see productions start to come up with creative ways of doing this!

Conclusion/TL;DR

Disability erasure is a problem in all existing RTC productions to varying degrees, and it's a problem in the fandom as well. Disability erasure isn't just taking a disabled character and making them fully abled - many cases of disability erasure in RTC involve Ricky still having a disability, but it's still erasure if aspects of the disability he canonically has are erased.

Contrary to popular belief, Ricky's inability to speak being erased in the afterlife is not just a necessary evil of the musical genre. Nonspeaking characters can be represented in musicals, and this wouldn't have to involve cutting his song!

Thanks for reading!

[have-you-seen-my-sanity]

Thank you for the tag @iolaussharpe-24 🫂💜

Something that terrifies you:

Having kids. I feel out of place when my friends start topics about having children, one says she wants 6 or more, the other says 1 or 2 and another one says maybe 1. That's when I come around the corner and say:

"Nah I don't want kids."

They all completely have no problems with that but because we're all in our early 20's, they think I will change my mind later, but I always tell them I'm 100% real not wanting kids.

Don't get me wrong, I like kids, but I feel like I'm not the right person to have some. Plus I'm an only child, thus I have never experienced what it feels like to take care of a little one for example a little sibling. The rest of my family lives in another country and the sister of my mom has two younger kids, but we couldn't visit them much and her kids have gotten older now, so there's that.

Something you love unconditionally:

Cats. I am a total cat lover. I used to spend so much time with the cat of our neighbor.

Something you hate unendingly:

Bad written characters like:

Rey from the star wars sequels. I love Daisy Ridley but Rey is so op its sickening. She even had the audacity to call herself a Skywalker when all she did was being a mary sue. Daisy tried her best to make Rey likeable but sadly she couldn't do it for me.

I'm getting slamdunked for this.

The best interaction you've had on tumblr:

Reblogs I guess...

The strangest ask you've ever received:

Not necessarily an ask but rather bots starting chats with you, asking them to join certain adult websites.

Something nice about yourself:

I am as loyal as it can get. I have alot of sympathy for others even if I seem like I don't show them.

Something nice about someone else:

@iolaussharpe-24 @nekoyin @steven-grants-world You guys are top tier friends on this site💜🫂

@my-secret-shame-but-fanfiction Fen you're also top tier!!!🫂 plus some of those reaction pics we reblog eachother are wild, I love them, hehe.💜

No pressure tags:

@nekoyin @iolaussharpe-24 @steven-grants-world @my-secret-shame-but-fanfiction

tag game!

Something That Terrifies You:

deep water and having children. pregnancy causes dysphoria, deep water is spooky and there might be a shark in there (I am landlocked) (never know though)

Something You Love Unconditonally:

Slightly melted ice cream. the best. my partner leaves it on the counter for ten minutes before bringing some to me and I love him for it. soft serve is amazing too but only if it's chocolate.

Something You Hate Unendingly:

People who drive stupid. It's so dangerous and for what, to beat me to the red light? We're both stuck at the stop now, fuckhead.

The Best Interaction You've Had on Tumblr:

I remember vividly when Mushi first reblogged one of my fics (it was a blue j fic of course) with like a whole slew of compliments and I about exploded because I'd been reading her fics and stuff for literally forever and i was like w o a h. and now I abuse her with apocolypse 😘❤️ besties

The Strangest Ask You've Ever Received:

literally had no verbs just a bunch of nouns. was like "character x character smut no violence angst." and nothing else. ??? not even a character I wrote for either.

Something Nice About Yourself:

I think my hair is a pretty shade of red.

Something Nice About Someone Else:

@ominoose! very kind and funny and a good person to have on this hellsite.

tags, no pressure: @iolaussharpe-24 @bulletgoth @llumetrii

[featherymainffins]

Sometimes I think I must be a weird author because everyone keeps making "haha writing the middle part of the story is so hard haha the start and the ending are so easy baba" jokes but I never know how a story will end.

I start and then I write the middle, and then a logical conclusion happens.

[vaugarde]

havent read tbc but i think its so funny how shadowsight seems to be popular to the people i follow just because “the narrative treats him like all the female characters do so hes an honorary girlie”

[lastoneout]

one thing I do have to remind myself when working on my ocs is that I'm trying to avoid the whole "the female character is deemed the one with the braincell and thus turned into the Team Mom and no longer allowed to be interesting" pitfall, but it's actually fun to keep that in mind bcs it turns out writing cringe fail female characters who have no fucking idea what's going on is fantastic

[zecoritheweirdone]

girl help i’m feeling the urge to make a drawing/comic about a friend’s fic instead of working on my own god damn fic orz

[friendshiptothemax]

I was on a plane this weekend, and I was chatting with the woman sitting next to me about an upcoming writer’s strike. “Do you really think you’re mistreated?” she asked me.

That’s not the issue at stake here. Let me tell you a little something about “minirooms.”

Minirooms are a way of television writing that is becoming more common. Basically, the studio will hire a small group of writers, 3-6 or so, and employ them for just a few weeks. In those few weeks (six weeks seem to be common), they have to hurriedly figure out as much about the show as they can -- characters, plots, outlines for episodes. Then at the end of the six weeks, all the writers are fired except for the showrunner, who has to write the entire series themselves based on the outlines.

This is not a widespread practice, but it has become more common over the past couple of years. Studios like it because instead of paying for a full room for the full length of the show, they just pay a handful of writers for a fraction of the show. It’s not a huge problem now, but the WGA only gets the chance to make rules every three years -- if we let this go for another three years and it becomes the norm? That would be DEVASTATING for the tv writing profession.

Do I feel like I’m mistreated? No. I LOVE my job! But in a world of minirooms, there is no place for someone like me -- a mid-level writer who makes a decent living working on someone else’s show (I’d like to be a showrunner someday, but for now I feel like I still have a lot to learn, and my husband and I are trying to start a family so I like not being support rather than the leader for now). In a miniroom, there are only two levels -- the handful of glorified idea people who are already scrambling to find their next show because you can’t make a decent living off of one six-week job (and since there are fewer people per room, there are fewer jobs overall, even at the six-week amount), and the overworked, stressed as fuck showrunner who is going to have to write the entire thing themselves. Besides being bad for me making a living, I also just think it’s plain bad for television as an art form -- what I like about TV is how adaptable it is, how a whole group of people come together to tell a story better than what any of them could do on their own. Plus the showrunner can’t do their best work under all of that pressure, episode after episode, back to back. Minirooms just...fucking suck.

The WGA is proposing two things to fix this -- a rule that writers have to be employed for the entire show, and a rule tying the number of writers in the room to the number of episodes you have per season. I don’t think it’s unreasonable. It’s the way shows have run since the advent of television. It’s only in the last couple of years that this has become a new thing. It’s exploitative. It squeezes out everyone except showrunners and people who have the financial means to work only a few months a year. It makes television worse. And that is the issue in this strike that means everything to me, and that is why I voted yes on the strike authorization vote.

[physalian]

How To Make Your Writing Less Stiff 5

Movement

Dredging this back up from way back.

Make sure your characters move, but not too much during heavy dialogue scenes. E.g. two characters sitting and talking—do humans just stare at each other with their arms lifeless and bodies utterly motionless during conversation? No? Then neither should your characters. Make them…

Gesture

Wave

Frown

Laugh

Cross their legs/their arms

Shift around to get comfortable

Pound the table

Roll their eyes

Point

Shrug

Touch their face/their hair

Wring their hands

Pick at their nails

Yawn

Stretch

Sniff/sniffle

Tap their fingers/drum

Bounce their feet

Doodle

Fiddle with buttons or jewelry

Scratch an itch

Touch their weapons/gadgets/phones

Check the time

Get up and sit back down

Move from chair to tabletop

The list goes on.

Bonus points if these are tics that serve to develop your character, like a nervous fiddler, or if one moves a lot and the other doesn’t—what does that say about the both of them? This is where “show don’t tell” really comes into play.

As in, you could say “he’s nervous” or you could show, “He fidgets, constantly glancing at the clock as sweat beads at his temples.”

This site is full of discourse on telling vs showing so I’ll leave it at that.

Epithets

In the Sci-fi WIP that shall never see the light of day, I had a flashback arc for one male character and his relationship with another male character. On top of that, the flashback character was a nameless narrator for Reasons.

Enter the problem: How would you keep track of two male characters, one who you can't name, and the other who does have a name, but you can’t oversaturate the narrative with it? I did a few things.

Nameless Narrator (written in 3rd person limited POV) was the only narrator for the flashback arc. I never switched to the boyfriend’s POV.

Boyfriend had only a couple epithets that could only apply to him, and halfway through their relationship, NN went from describing him as “the other prisoner” to “his cellmate” to “his partner” (which was also a double entendre). NN also switched from using BF’s full name to a nickname both in narration and dialogue.

BF had a title for NN that he used exclusively in dialogue, since BF couldn’t use his given name and NN hadn’t picked a new one for himself.

Every time the subject of the narrative switched, I started a new paragraph so “he” never described either character ambiguously mid-paragraph.

Is this an extreme example? Absolutely, but I pulled it off according to my betas.

The point of all this is this: Epithets shouldn’t just exist to substitute an overused name. Epithets de-personalize the subject if you use them incorrectly. If your narrator is thinking of their lover and describing that person without their name, then the trait they pick to focus on should be something equally important to them. In contrast, if you want to drive home how little a narrator thinks of somebody, using depersonalizing epithets helps sell that disrespect.

Fanfic tends to be the most egregious with soulless epithets like "the black-haired boy" that tell the reader absolutely nothing about how the narrator feels about that black-haired boy, espeically if they're doing so during a highly-emotional moment.

As in, NN and BF had one implied sex scene. Had I said “the other prisoner” that would have completely ruined the mood. He’s so much more than “the other prisoner” at that point in the story. “His partner,” since they were both a combat team and romantically involved, encompassed their entire relationship.

The epithet also changed depending on what mood or how hopeless NN saw their situation. He’d wax and wane over how close he believed them to be for Reasons. NN was a very reserved character who kept BF at a distance, afraid to go “all in” because he knew there was a high chance of BF not surviving this campaign. So NN never used “his lover”.

All to say, epithets carried the subtext of that flashback arc, when I had a character who would not talk about his feelings. I could show you the progression of their relationship through how the epithets changed.

I could show you whenever NN was being a big fat liar about his feelings when he said he's not in love, but his narration gave him away. I could show you the exact moment their relationship shifted from comrades to something more when NN switched mid-paragraph from "his cellmate" to "his partner" and when he took up BF's nickame exclusively in the same scene.

I do the same thing in Eternal Night when Elias, my protagonist, stops referring to Dorian as "it" and "the vampire" instead of his name the moment they collide with a much more dangerous vampire, so jarringly that Elias notices in his own narration—the point of it being so explicit is that this degredation isn't automatic, it's something he has to conciously do, when everyone else in his clan wouldn't think twice about dehumanizing them.

—

Any literary device should be used with intent if you want those layers in your work. The curtains are rarely just blue. Whether it’s a simile with a deliberate comparison or an epithet with deliberate connotations, your readers will pick up on the subtext, I promise.

[innerfare]

You’re Jealous

 Summary: You get jealous of someone else in his life.

Characters: Luffy, Zoro, Sanji, Ace, Sabo, Law, and Kid

Genre: Slight Angst // Fluff

CW: None // SFW

——— 

Luffy:

He never told you Boa Hancock was in love with him, and when you find out, you have to remove yourself from the situation before you have an emotional outburst and start something with the Pirate Empress. The problem is, you don’t even know which emotion will spill out of you. Finding out the world’s most beautiful woman, and a powerful Warlord, no less, is desperate to marry Luffy is a whirlwind, to say the least. Luffy can seem clueless at times, but his emotional intelligence is through the roof, and he picks up on what has you upset almost straight away. He knows to give you some space, and when he senses you’re ready, he approaches you with a handful of wildflowers he picked. He doesn’t really say much, just pulls you into a hug, presses a few kisses into your cheek and temple, and says in your ear, “you’re my girl.” 

Zoro:

He didn’t mention Perona was also at Mihawk’s castle for those two years until a few months after the crew gets together. He tells a story that features her, and you realize there was a woman keeping him company. Your heart drops into your stomach. Zoro insists he didn’t mention her because he didn’t think she was relevant; the only thing Perona did those two years was annoy him. He’s actually the one who won’t let it go, not you (even though you are pretty jealous). Whereas you’d prefer not to talk about it, Zoro is wracked with guilt because he’d never considered the whole thing in a relationship context. Him fretting constantly over it actually heals your jealousy because you realize you’ve never seen him panic over the prospect of hurting anyone else’s feelings. 

Sanji:

Even with a third eye, Pudding is stunning. And Sanji almost married her. It was before you two were together, but listening to the stories from Whole Cake, hearing how close he came to marrying another woman, knowing she really did fall in love with his kind heart and wonderful cooking, turns you into a little green monster. You know you shouldn’t feel jealous of a woman you’ve never met before, a woman Sanji chose not to marry, but you can’t help it. Sanji is completely shocked that you would feel jealous over his relationship (if it could even be called that) with Pudding, though after thinking about it some more, he does realize why you might be jealous that he had a fiancé. His solution is to bring you a bouquet of roses and walk you through the dark details of his life, telling you things he’s never outright told anyone, so you understand the special place you have in his life. 

Ace:

He collects people without trying, and often times, without realizing, either. Ace thinks he’s just making friends, but you see the way the women he laughs and shares drinks with are drawn to him like plants to the sun. He promises them freedom and adventure (and he has a very nice laugh), and you can see how it excites them. You don’t really mind it, knowing Ace well enough to see the way he holds those women at arm’s length, even if he seems close with them (such is the magic of Fire First Ace). But Yamato makes you jealous. It’s not hearing the way they laughed together but hearing the way they fought that gets to you. You know how Ace lives to fight and even just roughhouse, you know how he’s a rough and tumble guy, and you worry you’re not tough enough. Should you be punching his arm when he makes a joke? Should you be trying to trip him out on deck? What should you be doing? When you finally come clean with Ace about what’s been bothering you, he actually laughs. “If I wanted to be with someone who gives me hell, I’d be sleeping in Marco’s cabin every night. Besides,” he says, scooping you up in his arms, “I like being able to manhandle you.” 

Sabo:

Sabo is a flirt, and you knew that going into your relationship. It actually doesn’t bother you when he flashes that charming smile of his at someone else or swoops in to save a damsel in distress (a speciality of his) and even serves to entertain, especially on the rare occasions his flirtations are rebuked. What does bother you, though, is his tight relationship with Koala. You know it’s ridiculous to be envious, you know Koala would sooner saw off her arm than kiss the man she considers her irksome big brother, but they’ve known each other since they were little kids, and Koala has been through so much with Sabo that the pair have such a close bond. It’s not the angry kind of jealousy that bubbles up in you when Koala mentions something about Sabo’s past that she assumes you know but you don’t, just the sad kind that you try to keep to yourself. Surprisingly, Sabo notices, though you don’t realize until he hugs you from behind and mumbles in your ear that he’s glad you’re the only one who knows he has a skincare routine, his silly words diffusing your mood and acting as the exact affirmation you needed. If it’s not enough, though, he’ll happily prove his loyalty to you by challenging Koala to a karate match, though.  

Law:

Dr. Law and Dr. Robin sure do get along well- so well, in fact, you can’t help but wonder if they are better suited to each other than you and him. Even if they didn’t have such good chemistry, it would be impossible not to feel a touch of jealousy toward the archeologist. She’s intelligent, beautiful, fiercely loyal, a member of the Straw Hats, and has an impressive bounty that she earned even before she became a pirate. Needless to say, you find yourself brooding when the Robin brings him a beer and sits down beside him to discuss the immune systems of fishmen, a topic both are rather interested in. Of course, you’re interested in that, too, thus the reason Law realizes something is wrong when you don’t participate in the conversation. He ends up excusing the two of you and taking you to bed, worrying you had too much to drink, the thought you may be jealous never once occurring to him. You end up not saying anything (many thing in your relationship with Law being unspoken) and just sleeping it off, the fact that he excused the two of you proof enough of his loyalty. 

Kid:

He doesn’t ever talk about his first love, Victoria. In fact, you didn’t even know she existed until Killer got drunk one night and began speaking of his dearly departed. What he didn’t mention was that Kid, too, had been in love with her. It only comes up the next night when you mention it to Wire, who mentions it was the death of his first love, Victoria, that put Kid on the war path and united the first four members of the Kid Pirates. Realizing Wire messed up, Heat chimes in to say, “he’d do the same for you.” But you’re not convinced, mainly because Kid never told you any of this. It tears you apart, leaves you tossing and turning for nights on end, until you finally burst into Kid’s workshop one night ranting about how he doesn’t trust you and holds you at arm’s length. “Heat says you’d do the same for me, but-” Kid cuts you off and says, “I wouldn’t do the same, I’d do worse. Much, much worse.” And from the wicked gleam in his eye, you’re inclined to believe him. 

———

Hope you enjoyed it! If you want more, you can check out my masterlist here!

[yuujispinkhair]

Mine

Megumi loves you. He loves you so much that he wants to spend the rest of his life with you. But past experiences taught him that everyone always ends up leaving him. He cannot let this happen. He will make sure the two of you get your happy ever after!

Halloween Masterlist 2023

This story is my contribution to @nagumoan 's Dance with the Dead Collab. Thank you so much for organizing this lovely Halloween event, Loni!!

Pairing: Megumi x Reader (female) Genre: Yandere Romance, smut Word Count: 9k Warnings: 18+, dark content, yandere Megumi, unhealthy relationship dynamics, possessiveness, murder (Megumi kills someone, but it's not Reader!!), smut, manipulation, gaslighting, baby trapping, breeding, pregnancy. All characters are of age. This story is 18+. Minors don't interact.

Mine. Mine. Mine.

The same word keeps repeating over and over again in Megumi's mind as he looks at you lying in his lap. So beautiful. So perfect to him. You look up at him, a small smile playing around your lips, and Megumi's heart throbs.

He smiles back at you while his long fingers pet your hair. His dark blue eyes gaze deeply into yours, letting himself drown in your eyes, in your love, in your trust. You are his. His wife, his lover, his everything. You belong to him, and he belongs to you.

Mine.

Megumi likes that word. It holds a special power. Because what is love if not possessiveness?

If you truly love someone, you should give yourself to them fully. You should commit yourself to them. True love is only true love if it lasts forever. It's the only kind of love Megumi can accept. Everything else is just a lie.

Megumi doesn't think he is a good man.

He believes there is something flawed about his existence. An inadequacy. It lives in his bones, in his blood, in his soul, filling every fiber of his being.

He grew up thinking that there must be something wrong with him. Why else would his father have left him? It must have been because Megumi was lacking something. Because he was not enough.

He always thought he was undeserving of love. That he was cursed to spend his life in the shadows, rejected and lonely.

Until you came into his life and filled his darkness with your light. You showed him another world, another life. A life full of love and affection. It is safe to say he adored you right from the start.

You didn't let him scare you off with his aloof act, with his sarcasm and eye-rolling and rude comments. You saw beneath that act. You refused to let him push you away. You just smiled even brighter at him, took his hand, and pulled him into your world of laughter and warmth and love.

But the problem with stepping into the light is that you don't want to return to the dark afterward. At least, that's how it is for Megumi. You changed him in a devastating way. You gave him everything but also burdened him with the risk of losing everything.

Ever since the day you came into his life, Megumi has been working on keeping you there.

He put a huge diamond ring on your finger after only one year, staking his claim, giving you a promise, and asking for a promise from you in return.

Megumi doesn't do anything less than forever. Lifelong devotion, lifelong commitment. That's what he offers you and what he needs in return. His dark blue eyes searched for your reassurance when he knelt before you, holding your hand gently but firmly in his, offering you all of him. His life, his heart, his loyalty until the end.

He liked what he saw in your eyes. The love and warmth in them had become his everything. When you said yes and became his wife, Megumi knew he would do anything for you and for this love the two of you shared.

Megumi thinks he isn't a good man in general, but he tries his very best for you. He wants to be good for you. He wants to be the man you seem to see in him.

There is something religious about the way he adores you. There never was a God in Megumi's life. No one deserved that title after what life had thrown at him since he was little. But you, you are godly to him.

And Megumi is dedicated to worshiping you like a Goddess. He is dedicated to offering sacrifices at the foot of your altar. He is committed to protecting you, to care for you, to cherish you. To kneel before you, his pretty face pressed against your wet cunt, his strong hands caressing every inch of your skin, his soft lips kissing you, loving you, worshipping your body.

He is there to make your life easier with an endless row of little acts of service, one after the other. Driving you everywhere, preparing a hot bath for you after work, buying your favorite snacks, giving you backrubs and orgasms. Making sure to catalog all of your reactions to his touches so he learns how to fuck you the right way. The way that makes your eyes roll back and cling desperately to him, moaning how good he makes you feel.

Megumi thinks he isn't a good person, but he is a good husband. Maybe not everything about him is flawed. Maybe there is something that's worthy of love. Because that's what you tell him when you cup his face with both your soft hands and smile at him,

"Oh, Megumi, you're doing it again. I can literally see how you are overthinking. Don't worry that much, darling. Don't make everything so hard for yourself. I love you, Megumi. You're the best husband I could ever wish for."

He huffs softly, but a gentle smile lights up his face as he wraps his arms around you and pulls you against his tall, lean-muscled body. He rests his chin on the top of your head, loving how your breathing syncs with his as you snuggle against him.

"I love you too."

And yet, even as he says them, Megumi knows that the words alone aren't enough to convey his feelings for you. But he hopes he can show you how much he loves you.

Fear is a part of Megumi. It was put into him at a young age when the people who were supposed to love him and care for him left him. A mother who died too soon. A father who went to get cigarettes and never returned. A long row of different foster families who only endured little Megumi's grumpy nature and his outbursts of violence for so long before they dropped him. An older sister who did her best to love him and help him, only to get into an accident that made her fall into a coma, leaving an angry, lost, and scared teenage Megumi behind.

It taught Megumi early on that there is nothing in life he can rely on. It taught him that everyone would leave him eventually. It convinced him that some cruel fate was always walking in the shadows beside him, always waiting to dig its claws into Megumi and drown him in loneliness again.

Your light has chased away most of that darkness that haunts Megumi, but a part of it will always remain.

It flares alive when Megumi sees the way your eyes sparkle when your favorite idol appears on the TV screen. When he sees you mouth the lyrics to that guy's song, and you have that little smile on your face and sway your hips gently to the music. A song about love. Do you think about Megumi when you hear it? Or do you imagine a romance with the singer?

It makes Megumi shove the limited edition of the new album you brought home into the trash when you are at work the next day and act innocent when you search feverishly for it. He tells you that he saw it just yesterday evening lying on top of the books you wanted to return to the library after work today. You might have accidentally put it in the bag, and it must have slipped out while you were at the library. You know how clumsy you can be. But it's ok, don't worry about it. He loves you, and now let him kiss you so you forget about that CD!

The darkness flares alive when Megumi sees you carefully applying your makeup and styling your hair in the morning before work. Why do you feel the need to make yourself look so pretty for your coworkers? You shouldn't care about what they think of you.

"Darling, you've already taken up the bathroom for twenty minutes."

He walks up behind you and slings his arms around your waist, long fingers sprawling possessively over your hips as he leans down to kiss your neck. He gets a whiff of your perfume, the sexy one, the one he always associates with you under him, moaning his name and looking up at him with heavy-lidded eyes as your legs rest on Megumi's shoulders and he turns his head to kiss your ankle and breathe in the soft traces of perfume.

Cold fear forms a knot in his stomach, and his fingers tighten on your body.

"You dress up like you are going on a date... It's only work. Don't waste so much time on your makeup. Join me on a morning walk instead. Hm? What do you say, my love? The dogs would be happy too if you join us."

He sounds calm, a bit amused even. Carefully constructed criticism, so it won't make you think he is jealous. Megumi knows jealousy is a reason for many relationship problems and breakups. So, he is careful to hide his genuine emotions. He is careful to veil his true intentions behind this mask of playful teasing.

You laugh softly and lift your head to look at him in the mirror. Your small hands land on Megumi's and interlace your fingers with his.

"Aww baby, does that mean you think I look pretty?"

You playfully bat your eyelashes at him in the mirror, and Megumi's lips lift in a soft smile.

"Of course I do. My wife always looks beautiful."

He loves the feeling of your wedding ring pressing against the matching ring on his finger. He trails more kisses down your neck with growing urgency. Maybe he should show you how much he treasures you. Maybe he should remind you who you belong to. Maybe if he fucks you good enough, he will be the only one on your mind while you're at work.

His hands slip under your skirt, pushing it up as he watches you in the mirror, blue eyes looking intently as he brushes his long fingers slowly over your panty-clad pussy, rubbing your clit tenderly through the thin fabric.

He can see your lashes flutter, can see the way your lips fall open, even as a weak complaint leaves them,

"Megumi... not now. I will be late for work..."

But Megumi knows what he's doing, and soon your resolve breaks, and you are putty in his hands, leaning against him as he kisses and caresses you. Whining softly as he pushes your panties to the side and rubs your swollen wet clit in tender circles, spreading your creamy wetness over your silky folds, driving you crazy with his tender touches.

Your hands grab the sink tightly when he pushes two long fingers into your wet creamy heat, fucking you slowly with them until you are on the brink of cumming all over his hand.

His heart feels so full, and he can't help but smile when you tremble in his arms and whine and moan, begging him to please fuck you for real.

You cling desperately to him when he lifts you up and carries you back to the bedroom. You moan his name needily when he fucks you hard into the mattress, in a mating press, pressing your knees to your chest so he can go extra deep, rolling his hips slowly against yours, basking in the sounds of your wet pussy, taking his cock. Feeling light-headed upon hearing the noises you make for him, the soft mewls and loud moans.

He tells you to look at him, so he can get the reassurance of seeing the pleasure on your face and the love in your eyes when you cum for him, pussy clenching greedily around him, milking his cock as if you never want to let him go again.

He groans in satisfaction, eyes finally closing when he feels his orgasm wash over him, his cock twitching and spilling his seed deep inside you.

Afterward, Megumi helps you put on your panties again, pulling them up, even as you complain,

"W...wait, baby. I have to wash up first."

His blue eyes are stern when he looks at you and shakes his head.

"No, go like that. I want you to be my good girl and walk around all day with my cum leaking out of your pretty pussy. Think about me anytime you feel it. Think about how much I love you, darling. And once you come back home, I will fill you up again. Will you do that for me? Will you be my good girl?"

You bite your lip and grin at him, obviously turned on by his words,

"Ok, sir. I'll be your good girl."

You let him pull up your panties again and fix your skirt for you, moaning when he kisses your cheek and praises you for being so good for him.

Megumi feels much more at ease again when he drops you at work. You kiss him goodbye a bit longer and deeper than necessary, your tongue flicking against his, whispering against his lips before you part from him,

"That was such a hot morning, baby."

He feels calm and reassured when he watches you leave the car and slowly walk towards the entrance of the large building you work in. He even sings along to the music playing on the radio on the drive home and hums a little tune to himself when he takes the dogs for a walk in the park before he leaves for work.

Megumi knows he isn't a good man, but he can't help it.

There is this wolf inside him who watches with cold, narrowed eyes as you say goodbye to your coworker before you jog over to where Megumi is waiting in the parked car for you.

There is this beast inside him that digs its claws into his heart and whispers all those hurtful things into his ear.

Didn't you smile at your coworker a bit too brightly? Didn't you stand a bit too close to him? Didn't you laugh a bit too loud at whatever he said?

Megumi grits his teeth, silently growling at the wolf to shut up and fuck off.

Leave me alone! She loves me. She is my wife.

But the wolf whispers back,

But how long will she be your wife? How long before she finds someone better?

Megumi huffs and hits the steering wheel before he grabs it so tightly that his knuckles turn white. He closes his eyes and counts to ten, trying to calm his breathing.

Just in time before you yank open the passenger seat door and greet him with a broad smile and a loud,

"Heyyy, baby!"

You climb into the seat and lean over to greet him with a sweet kiss on his cheek.

Megumi can't help but reach out to put a hand on the back of your neck, elegant long fingers caressing your skin as he pulls you closer to kiss you on the mouth, a deep possessive kiss, letting you know who you belong to. Hoping that your coworker sees it.

But when he pulls away, Megumi's mask is perfectly in place. Calm, aloof, a soft smile lighting up his pretty face, blue eyes looking deeply into yours as he asks you innocently,

"How was work, sweetheart?"

You sigh and tell him about boring meetings and a workload that is much too high to handle.

He fucks you a bit harder that night, handles you a bit rougher. Harder thrusts, firmer touches. His strong hands capture your wrists, wrap tightly around them, and fix them above your head while Megumi's tall, lean-muscled body presses you down onto the mattress. His face is buried in your neck, groaning softly, whimpering your name and how much he loves you.

He sees the bruises on your wrists at breakfast the next morning, feeling guilt wash over him. Guilt that makes him hug you gently and make your coffee extra good. He breathes tender kisses on your wrists, long black lashes flutter around his dark blue eyes, his voice is low, full of regret,

"It seems I was a bit too rough last night. I am so sorry, darling."

"It's fine, Megumi, please don't worry, baby. I like it when you get so passionate."

Megumi feels the iron grip around his heart loosen. He smiles softly into your hair and kisses the top of your head, wrapping a strong arm around you and hugging you. He likes that you are so much smaller than he is, the way your face rests against his toned chest. The way you snuggle into his strong arms, sighing happily when Megumi hugs you even tighter. The way you seek the safety of his arms and the warmth of his body. The way you trust him so completely.

When Megumi pulls away, he takes your left hand and brings it to his lips to place a lingering kiss on the large sparkling diamond on your wedding ring.

Mine.

"And then she threw her stuff into a suitcase and just left!"

Your eyes are sparkling excitedly, hands gesturing wildly as you sit across from Megumi at the dinner table, apparently finding great joy in re-telling the newest drama in your friend group.

Megumi doesn't share your excitement. On the contrary, his blood is rushing loudly in his ears. He feels sick. His hand is clutching the steak knife so tightly that it hurts.

He lifts his gaze from the red juices of the medium rare meat building a little sea on the white plate. His blue eyes narrow as he fixes you with a frown,

"And she just threw her marriage away? How long have they been together? Seven years? And she just left him?"

"Megumi! Didn't you listen? He forgot her birthday! And he spent more and more time playing his online games instead of doing things with her! She was frustrated!"

And that was enough to end a marriage?

Megumi gulps hard.

Well, that's how the world ticks, right? That's how people tick. They say they love you, but then they just leave. Promises mean nothing. Words mean nothing. They get forgotten, they get twisted, they get taken back.

Seven years.

Your friend had been with her husband for seven years, and she left him because of minor, unimportant things. Instead of fighting for her love, instead of trying to talk to him and fix things, she picked the easy way and left. Just like the way most people do nowadays.

All those breakups, all those divorces. All those single parents and abandoned kids. All the tabloids are full of celebrities who split up after decades of presenting themselves as the happiest couple ever.

How is Megumi still supposed to trust in love? In you? In your feelings for him?

What if your friends put something into your head? What if one of them voices their doubt about Megumi being good enough for you? What if? What if they give you some crazy idea about looking for someone else who is not as flawed as him?

They already advocate giving up on your partner and acting as if being selfish and throwing relationships away is something one should be proud of and celebrate.

Those people are a bad influence on you. He has to do something about this.

It's easy.

He calls his cousin Maki, asking her to meet him for lunch, using family business as an excuse. He knows she will not come alone, and of course, he is right. By her side is her girlfriend Nobara, always so chatty, always so gossipy. The perfect person to help him achieve his goal.

Megumi quickly finishes the business talk with Maki, and then it's time to set his plan in motion. A few comments here and there about you feeling down lately because there seems to be drama in your friend group, and naturally, Nobara is all ears, leaning across the table, asking him for more details, grinning broadly as she soaks up the gossip greedily.

He can stir the pot. He can make up lies. He can make them look bad. He can make Nobara become indignant and invested and already typing a text message furiously.

And nothing will ever get traced back to Megumi. No one would ever think he is the type for gossip. He is a very serious and professional man who wouldn't be caught dead indulging in petty things like that. No one will believe Nobara if she mentions Megumi was involved in this.

And the beautiful thing about gossip is that no one ever finds out who started it. Once it gets released into the world, it grows and mutates until it's so messy that it's like it has its own will. No one can tell anymore who said what.

Megumi leaves with a content smile. He set things into motion today. Now, he just has to wait.

It takes three days until he catches you standing in the kitchen, your coffee forgotten, wiping tears off your cheeks and looking miserably up at him as he walks towards you with concerned blue eyes,

"Babe, what's wrong?"

You sniffle against his chest, your warm tears seeping through the thin cotton of his shirt as you tell him about the drama that escalated quickly. False accusations, one of your friends claiming you talked about her behind her back. You apparently said that she was involved in the split up of your other friend because she had an affair with the husband and wanted him for herself. And now all your other friends bonded with that friend, not believing you when you say you never did any of that.

You are crying and clinging to Megumi, sobbing into his shirt,

"They don't want to be friends with me anymore. They kicked me out of the group chat and everything!"

Megumi's arms tighten around you. He knows he is selfish. He knows he is the worst. His heart breaks for you when he feels you shaking in his arms. But he only did what had to be done. He cannot let those bitches put their dangerous opinions in your head. He cannot let anyone come between you and him. He needs you.

He hates himself for causing you this pain. But he can ease it. He can show you that you don't need those women. You already have a husband who loves you and cares for you.

He is your strong shoulder to cry on, offering you his love, his reassurance, and his compassion as he caresses your back soothingly and whispers sweet words to you.

"I am so sorry, babe. You don't deserve that. Please promise me you won't talk to them again. They don't deserve to call themselves your friends after this. And you'll always have me, darling. I am always here for you."

Megumi hates to be that guy, but he can't stop himself from balling his hands into fists under the table when you tell him about work every evening over dinner. The way your eyes gleam, the way you laugh as you recount the funny conversations you had with your coworkers.

He feels guilty. He knows a good man would be happy for you. But Megumi isn't a good man. And so he sits there stiffly, his fingernails digging painfully into his palms as the jealousy spreads its poison through his blood.

It's not fair that your coworkers get to spend so much time with you. That they have so many inside jokes with you that Megumi simply cannot understand even when you tell him about them. It's not fair that they can make you feel so much. Do you have more fun with them than you have with Megumi?

Probably. He isn't a very fun person. He is too serious, too stern, too controlled. He gulps hard, remembering one incident a year ago when you told him playfully to loosen up a bit. You had smiled and ruffled his hair, but Megumi had felt as if you had stabbed his heart. He had once again felt inadequate. Not enough.

What if you get tired of him? What if you realize that one of your coworkers is a better match for you? That one of them makes you laugh more than Megumi can? That one of them brings more positive energy into your life than Megumi can do?

What if the process of you falling out of love with him and catching feelings for someone else has already started?

Cold fear grips Megumi's heart. He has to do something! You cannot go to work anymore!

But how can he convince you to stay home? It's not like he didn't already try. Megumi is rich. He is the heir of the Zenin family, already a CEO in his mid-twenties. He could easily provide you with everything you need! The moment you were married, he suggested that you could quit your job and become a housewife. He knew lots of women dreamed of this. 

But unfortunately, not you.

You had laughed and rubbed his arm, cooing at him how sweet he was. But no thanks, you wanted to go to work. You liked it there, and you wanted to have something for yourself too!

Megumi's alternate plan had been to ask you to work in his company. Wouldn't it be nice to be in his department? Wouldn't it be nice to be married to your boss?

But you turned his offer down with a smile and a sweet kiss.

"That sounds tempting, babe. But I would hate all the gossip and the accusations. You know how people are. No one would take me seriously. They would all think I have special privileges because I am your wife!"

"So what? Let them talk. Who cares what they think?"

"It would make me uncomfortable. Besides, I already have a job I enjoy and really nice coworkers. I know you only mean well, Megumi. But I don't think it would be good if I worked for your company."

So Megumi had to give up.

There is another option, though. An option that would solve all his problems and bind you even more to him: Having a baby together.

Megumi decides right then and there at the dinner table that he has to prioritize this option. His long fingers dance over his phone display, typing a quick message to Yuuji, his best friend and coincidentally a dad of two little twin boys.

He smiles when his friend replies almost instantly. Megumi puts his phone away and looks at you,

"The Itadoris will come over for coffee this Saturday."

Saturdays are always one of Megumi's favorite days. Saturdays mean you are at home, where you should be, with no work no coworkers. And this Saturday is even better because you are kneeling on the lush carpet in the living room, cooing at two pink-haired baby boys who kick their chubby legs and smile big, adorable smiles at you.

The thing with Megumi's best friend, Yuuji, is that this guy has so much charm and sunshine vibes that he can draw anyone in. And luckily, his babies are exactly the same. The perfect means to what Megumi hopes to achieve. If the Itadori babies can't convince you to become a mom, he doesn't know what else could!

And Yuuji unknowingly plays his part perfectly, too. He is sitting on the floor, laughing and playing with his twins, talking to you about how happy they make him and how amazing his life has been since he became a stay-at-home dad.

"I really enjoyed my work as a firefighter, but it is nothing compared to the joy I feel at home with the twins! This is the best thing that ever happened to me!"

You laugh and tell him he is doing such a good job, but then you add,

"Aren't you getting bored, though? I mean, as a firefighter, you had a high-energy job, with lots of physical activity and all the emergencies, the adrenalin and stuff. I guess being at home must be boring for you at times?"

Itadori shakes his head and smiles that big, toothy smile.

"Nah, I never get bored! Those two little whirlwinds keep me busy! And I can finally learn so many new recipes! I finally have time to cook and bake! And I work out at home or take long runs with the little ones in the stroller, so I am still just as active as before!"

That night, Megumi hugs you from behind and smiles against your neck as he gently strokes your stomach.

"Yuuji's twins are really cute, aren't they? You seemed to be very smitten with them."

For a moment, he thinks he has you. But then you chuckle softly and caress the back of his hand as you tell him,

"They are so cute. And Yuuji is so proud and so happy. It really makes you think, doesn't it? How would our babies look? What would life with them be like? But it's too soon. I want to work for a while longer, at least. I am so close to getting promoted. If I would take a baby leave now, I could forget that. But we still have lots of time, so it's no problem."

Megumi grits his teeth, counting silently to ten before he replies in a carefully neutral tone,

"Yes, you are right, darling. We have all the time in the world."

Megumi is a bad man, and he hates himself for it, but he can't help wishing all the worst things on your coworker. That guy with the short brown hair and the glasses. Why is it that he is chatting with you every fucking day after work? Megumi can see it all clearly from where he is waiting for you in the car.

What's that guy's problem? Why is he trying to hit on a married woman? Megumi isn't stupid. He can clearly see what those guy's intentions are! The casual touches! The big smiles and loud laughs. The overly nice farewell.

Megumi wants to get out of the car and punch that stupid smile off that idiot's face! But he has to keep cool. He has to act as if everything is fine.

Nothing is fine.

Megumi is seething with anger. His vision goes blurry as fear swallows him. It's just a short text message, but to him, it's the same as standing in the middle of the apocalypse.

"Hey babe, some of my coworkers are going out for drinks after work tonight. I agreed to join them, so please don't wait for me for dinner. I will eat something at the bar. I love you!"

His hands are shaking as he stares at the phone screen. Should he feign a sickness? He is sure you would rush home to him if he did that. But no, that will only make him look weak. You don't need a weak man. You need a strong guy who takes care of you.

There is no choice.

"Alright, darling. Have fun. Call me when you're finished so I can pick you up. I love you too."

He throws the phone onto the leather couch in his office with an angry growl. He already sees it all in his head. The chill atmosphere of the bar. The dim lights, the cocktails. The alcohol will make your mind cloudy. And your flirty coworker will use that to his advantage and steal what belongs to Megumi!

His whole day is ruined. Megumi storms out of his office, informing his assistant that there is a family emergency, snapping at her to get things managed for him when she tells him he has several important meetings today.

As if any of that is of importance! Stupid nonsense! All that matters is you!

You, who belong to Megumi! You, who is too kind and sweet and naive to realize what your coworker is trying to do!

Megumi drives home too fast, even though he doesn't even know what he can do at home. He strolls restlessly from one end of the living room to the next, breathing heavily as his mind is in a whirlwind of negative thoughts.

Evening comes, and Megumi grabs his car keys and his coat, jogs down to his car, and drives downtown. It's as if some invisible force pulls him here. As if he is some onlooker of a catastrophe that cannot look away. He needs to be there. He needs to see it with his own eyes.

He hides in the shadows outside the bar, something he has always been good at. When you are an abandoned, grumpy child who gets dismissed as a troublemaker, you learn to become friends with the shadows.

No one pays close attention to him. He isn't suspicious. He's just a tall, good-looking man in expensive dark clothes waiting for someone.

Megumi's chest feels heavy as he narrows his eyes and watches through the window. Your little group sits at a table in the middle of the bar. Happy faces, drinks get raised, laughter gets shared. Your eyes sparkle with joy. Megumi's heart clenches painfully. You are so beautiful. On the inside and outside. Everything he has ever wanted.

But you are in the cozy light of the bar, in the warm room, smiling and laughing and being loved by everyone. And Megumi is out here in the dark, in the cold of the night, all alone, someone who gets abandoned, who gets replaced. Someone who loneliness clings to like a curse.

Your coworker with the brown hair and the glasses sits next to you. Of course, he does! He leans closer to you, brushing his shoulder against yours, turning to talk to you, and you throw your head back and laugh, clearly enjoying what he said.

Megumi's hands ball into fists in the pockets of his coat. A decision is made. Megumi will not lose you. He will mold the world into one where you stay with him. He will control the circumstances, so you have no choice but to be by his side. He will erase everyone who wants to take you away from him. The first one to go will be your flirty coworker.

It's a thought that should be concerning. An idea that would terrify others. But not Megumi. He hasn't been scared of things like these for a long time. He was six when his father left. He was a little child and fended for himself for half a year before people found out he and his sister lived all alone. Megumi isn't scared of using his fists or his mind to take people down who try to hurt him. Violence doesn't scare him. The only thing that scares him is losing you.

It takes a week of planning and observing before everything is perfect.

Megumi picks you up from work and drives you home like every day. He kisses you tenderly as he lets you get out of the car in front of your apartment, telling you that he has to go back to the Zenin building because he still has to make some changes to an important business contract. He drives to his office and makes sure several people see him before he sneaks out and drives to another part of the city.

He parks his car in a sidestreet and walks the rest of the way. His heart is beating rapidly, but his mind is strangely clear. He is a man on a mission. A righteous mission. A husband who ensures his marriage will stay happy.

The black leather gloves feel soft on his hands as Megumi jogs through the dimly lit park. He spots his rival after ten minutes. Megumi follows him slowly, blue eyes observing their surroundings carefully. He feels excited. The thrill of the hunt is sending adrenaline through his veins.

Megumi feels grim satisfaction when he tackles the man to the ground behind a group of trees. He doesn't feel any remorse when he brings the knife down in several precise movements. He can't bring himself to see anything wrong with his actions. He hates bad people, and this guy clearly is a bad person if he is trying to steal someone else's wife. He deserves to die!

Megumi feels elation when he watches with cold blue eyes as the life seeps out of the man who wanted to steal you.

His heart feels light when he finally is back in his car after leaving the cold body of his rival lying in a bloody puddle. He whistles a soft tune on the drive home, feeling as if a great weight has been lifted off his shoulders.

He goes home to you, takes a quick shower, and then slips into bed behind your warm body, smiling when you snuggle against him, mumbling his name with so much love. He makes slow love to you, rolling on top of you, gentle, sleepy sex that makes you wrap your legs around him and mewl cutely as he moves on top of you, deep, slow thrusts accompanied by tender kisses.

You call Megumi at noon the next day when he is in the middle of a meeting. He excuses himself, taking your call to hear your shrill voice telling him that something terrible happened.

And Megumi smiles while he tells you,

"That's horrible, darling. I am coming to pick you up immediately. Please don't go anywhere without me."

He is a good husband, rushing to your workplace to pick up his distraught wife and take her home.

He wraps you in a warm blanket on the couch and brings you tea. He hugs you, pulls you into his strong arms, and tells you he is there for you, tells you that you are safe with him and that he will always protect you.

And you cling to him, crying, scared, and shaken up, burying your face in his chest, snuggling against his firm muscles.

"It's so... It's so crazy and scary. I mean... I have been sitting across from him in the office for several years! We got along so well! I would even say we were friends! And now he... he is... oh god, Megumi! He just went on a run in the park, and someone robbed him and stabbed him! It's like you aren't safe anywhere anymore!"

You hiccup, pressing your face against Megumi's firm chest, your fingers clutching his shirt tightly. He holds you and cuddles you while feeling elated that you need him so bad.

You call in sick for work for three days in a row, and Megumi thinks he has you. You are shaken up, scared by the fact that someone you know got murdered. A terrifying reminder that life outside isn't safe. You could get attacked anywhere at any time.

Megumi pets your hair and strokes your back, telling you to lock the door and snuggle under the blanket with the dogs.

"They will protect you while I'm at work, my love. You are safe here. Just don't leave the apartment. I will be back in a few hours and look after you."

He thinks he did it. He thinks you finally see that it's best to always stay in here. He thinks he can finally rest assured, knowing his sweet wife will only see him and no one else.

But the relief is short-lived.

You get out of bed on the fourth day, smiling bravely and telling Megumi that you feel better again.

"I can't hide away in here forever, Megumi. I have to get back to work."

He punches the wall when you close the bathroom door behind you, cursing under his breath. Why are you doing this to him? Why can't you just let Megumi take care of everything? Why must you be so adamant about standing on your own feet?

Fear is crashing over him again with thick black waves, pulling him under and drowning him in a sea of desperation.

Everything was fine for a few days! You were here, safe and sound, and letting Megumi dote on you! You were only his alone for a few days, and it had felt like the world was finally at peace, that Megumi was finally at peace! He cannot lose this feeling again!

Megumi is an intelligent man, and that is his curse! He isn't one of those naive fools like Itadori, who is, of course, a kind and amazing person, but he is too trusting, always smiling his stupid sunshine smile and not thinking much when his wife leaves the house to go to work all day and meet her friends and coworkers.

Megumi cannot be like that! He knows things! He knows firsthand how unreliable people are! People change their minds all the time. Even those closest to you might leave from one day to the next.

Love doesn't last. Even couples who have been together for decades suddenly cheat on each other and get divorced.

It all comes down to one thing: You cannot trust anyone. Even the most loyal soul might get weak when faced with too much temptation. And why would you stay with someone as flawed as Megumi if you ever get presented with the choice to be with someone who is perfect?

It's not that Megumi doubts your love for him in the here and now. He knows you love him. He frequently reads the texts you send your remaining friends where you swoon about him. He sees how your face lights up with affection when he does all those little acts of service for you. He sees you cry and sob and whine for him almost every night when he makes sure to fuck you so good that he spoils you for any other man.

Yes, you love him. But this is now. What will be in a year? In five? In ten?

Megumi simply cannot bring himself to be as naive as to believe in eternal love and loyalty. His father made sure to show him otherwise. People like Itadori are so clueless, so naive. But not Megumi. He is always prepared to get left behind again.

It's natural. Feelings fade with time, and then it all depends on other circumstances.

Love won't be enough.

He has to make sure you stay with him, not just because you love him because that love can vanish. He has to make sure you are dependent on him. You have to know you cannot just walk away. He needs to make sure you are financially dependent on him. And he has to make sure you don't have anyone else but him. If you have nowhere else to go, you must stay with him.

He slowly unclenches his fists, forcing himself to breathe calmly. He can do this. There must be a way! He already succeeded in isolating you from that friend group he didn't approve of. Now, if you only weren't so stubborn when it comes to work!

Megumi sighs and runs a hand through his unruly black hair. His gaze lands on a patch of color sticking out from under the carpet before the couch. He frowns and walks over, leaning down to inspect it. It's a red pacifier. Yuuji must have dropped it.

Megumi picks it up and holds it between two elegant fingers, turning it thoughtfully from one side to the next.

Maybe there is one more thing he can do.

It's a good thing he is so skilled with his fingers. It's difficult to manipulate the packaging of your birth control pills, but Megumi took the day off to execute his plan meticulously. He carefully pulls the aluminum foil off the blister packaging, flushes the contraceptives down the toilet, and then replaces them with some mild painkillers that look identical.

It takes some effort to fix the foil again, but Megumi has steady hands, and he is driven by desperation and a firm conviction.

By the end of the day, he holds the manipulated packaging proudly in his hands.

He feels a tiny wave of guilt when he puts it back into your nightstand. But it vanishes again when he reminds himself that he is doing this out of love. He just wants to make sure the two of you stay together. And he knows that even if you are shocked at first, you will learn to embrace the thought of becoming a mother.

You were so happy when you saw Yuuji's twins! You will be even more delighted when it's your and Megumi's baby that you hold in your arms! He is just giving you what you want anyway. A happy family. Megumi and you, your baby, and two dogs! The perfect family everybody wishes for! You will learn to love your new life!

Megumi waits. Of course, he keeps track of your monthly cycle. It's something he has always done. As a good caring husband, he always wanted to know at which times of the month the hormones would make you act a certain way, make you sad, or make you horny. But now it's like a countdown to Christmas or his birthday.

Megumi's eyes follow you all day, excitement tingling in his veins when he kisses you before you leave for work. You have started to ovulate. Tonight, he will breed you.

You both don't get a lot of sleep that night. Megumi pulls you onto his lap after dinner, kissing you deeply, licking into your mouth with deep, demanding kisses while his graceful hands slip under your skirt to rub your clit through your panties, driving you wild on his lap, making you mewl into his mouth and grind needily against him, so wet that you stain his pants.

He smiles when he steers you to the bedroom, his cock throbbing eagerly against his pants. Tonight, he will make you a mommy.

You look so beautiful beneath him, your face sweaty and damp from tears of bliss running down your cheeks, your eyes closed in pleasure, your mouth hanging open in loud moans and needy mewls.

Your legs rest on Megumi's shoulders, your body writhes under him, meeting every deep thrust of his needily. He can feel your cunt twitch around him, can feel how wet you are for him, how it stains the bed sheets under you. He can smell how fertile you are, that unmistakenly sweet, enticing smell your pussy has when you are ovulating. It drives him wild tonight. It makes him fuck you hard and deep, rubbing your clit firmly to make you cum on his cock over and over again, making your orgasming pussy milk him dry.

You are so good for him, such a sweet wife, such a good girl, taking all his seed so deeply into you. And Megumi makes sure to keep it in there. He lies on top of you, pressing you into the sheets, moaning softly, his heart overflowing with love when his lips find yours in a long, tender kiss while your pussy pulses around his spent cock.

He stays inside you until his cock softens and slips out of you, leaving a hot sticky trail of his seed and your cream on your inner thighs. Megumi watches you with heavy-lidded dark blue eyes as he pushes his cum back into you, fingering you thoroughly with his ring finger and middle finger, watching in fascination as your combined juices drip down his long fingers and onto the wedding ring he is wearing.

He smiles and coos at you, full of love and praise, telling you how beautiful you are and how much he loves you, groaning when he feels your pussy tightening around his fingers.

"Yes, princess, you are such a good girl for me. Cum on my fingers, sweetheart. Fuck, you're so beautiful!"

He smiles as he watches you come undone for him, letting him fuck all his warm seed back into you, stuffing you with it, making sure you keep it all inside.

For good measure, he takes you again an hour later, fucking you deep and thoroughly, rolling his hips against you, making his full balls slap loudly against you, giving you all his fertile seed, smiling when he imagines you holding a blue-eyed black-haired baby on your arm, waiting for Megumi when he comes home after work.

He comes so hard that he almost blacks out, and his loud feral moan is even drowning out your needy mewls.

Megumi watches you wolfishly. He knows your period should have started three days ago. But every time he checks your stack of tampons and pads, he can see that you haven't used any yet.

He feels a glorious satisfaction as he watches you grow more nervous every day. You constantly leave for the bathroom, probably to check whether your period has finally started, only to return with a feverish look in your eyes.

He waits patiently for several days more so as not to arouse any suspicion. Then he casually asks after kissing you goodbye when leaving for work,

"Oh babe, I'm going to grab some things at the drugstore today after work. Do you need anything? I think you are pretty close to that time of the month, aren't you? Do you need tampons or pads?"

He has to bite his lip not to smile when he sees the emotions flickering over your face. Worry, shame, nervousness. Your lips start to tremble, and finally, you spit it all out,

"I... Oh, Megumi! It should have started six days ago! I am so worried! Like I know it can't be. I... I can't be pregnant... I am on the pill! But... but it's so strange! I have never been late!"

He feigns understanding, smiling gently at you and pulling you against his chest, hugging you comfortingly to his tall, lean-muscled body.

"Aww, please don't worry, darling. It will be fine. Maybe you forgot to take a pill? It can happen so fast. Life is hectic."

He can see your eyes widen. It was a good thing to say. You can be pretty chaotic and forgetful. It's easy to cast doubt and make you believe it was your mistake. He can feel you stiffen in his arms. And when you lift your head to look at him, guilt is written all over your pretty face,

"Shit... that's a possibility, yeah. I can be such a distracted idiot! I am so stupid!"

"No, please don't blame yourself, babe. Really, it's ok. Look, we already agreed that we want to have kids someday, right? So, what if it happens a bit sooner than planned? I don't mind at all, darling. I love you, and I will always take care of you and our possible kids. Don't worry."

You blink rapidly as tears gather in your eyes, and Megumi cups your cheek and caresses it tenderly,

"Why don't you take the day off, babe? We can buy some pregnancy tests and see what's going on. And no matter what the tests say, everything will be fine, I promise you. You can always count on me, my love. We will get through everything together."

You nod wildly and smile gratefully at him as tears run down your cheeks, and you throw yourself into Megumi's arms again, letting him comfort you.

"O...ok, Megumi. Thank you, baby. I love you too."

You are so cute like this, nervous and scared, needing Megumi so much. He drives you back home with only one hand on the steering wheel. His other hand is clutched tightly between your cold fingers. A small happy smile tugs at the corners of Megumi's lips. He likes this. He likes being needed by you.

Finally, things will be in his favor. He knows it.

You are a nervous wreck the whole remaining day, pacing the living room restlesssly until Megumi gets in your way and makes you bump against his tall, lean-muscled body, and he pulls you in his arms, reassuring you, giving you all the comfort and love you need.

Megumi sets an alarm for six in the morning so you can take the pregnancy test. He is already awake, unable to sleep with how excited he is when the alarm starts blaring, and you jump out of bed at the first sound of it, shaking a bit as you look at him with big eyes,

"It's time... ok, I'll... I'll take the test now."

And Megumi is there for you, of course. He is the best husband you could wish for. Caring, loving, devoted, reliable. Megumi is someone you can count on. He smiles gently at you and takes your hand.

"You mean, we will take the test now. I am here for you, sweetheart. You aren't alone."

He leads you to the bathroom. He reads the instructions to you and hands you a plastic cup. He leans against the sink and smiles as you pee into the cup, refusing to leave your side even for one minute. A husband and wife can share every moment after all. There is no shame.

You smile sheepishly at him as you walk over to him, and Megumi takes the plastic cup out of your trembling hand.

"You're doing great, darling. Let me do the rest."

He prepares the test and pulls you into his strong arms, letting you hide your face in his firm, muscled chest, breathing in the comforting scent of the shirt he slept in while you wait for the test result.

Megumi strokes your back soothingly. His lips brush over your earlobe as he murmurs to you,

"No matter what the test says, I love you."

The sound of the alarm makes you jump. Megumi is the one who takes the test off the sink with steady fingers. He already knows what it will say.

"Pregnant."

His strong arms catch you when you sway lightly on your feet. His lips press gently against your hair, breathing a soft kiss to your forehead. You cannot see it, but the smile on Megumi's face is the happiest he has ever smiled.

You bury your face in his shirt, your voice sounds muffled, full of tears,

"I am so sorry Megumi! If only I had been more careful! I... oh god, what if I fail at being a mom? And now you will have so much more responsibility too, and it's my fault, and I..."

He silences your tearful ramblings by making you lift your head and capture your lips in a deep kiss, licking the salty taste of your tears out of your mouth. His heart feels like bursting, so exhilarated, so happy. It's lovely to see you so weak. So dependent on him. He loves to be needed.

He cups your cheek lovingly when he pulls away from the kiss. Dark blue eyes look deeply into yours, almost as if he is trying to hypnotize you and drill his words into your brain,

"You will be a wonderful mom, and I will gladly take on this new responsibility. I love you, and I love our child. I will always provide for you, darling. I will always be yours, and you will always be mine."

He finally has everything he ever wanted. A diamond ring is sparkling on your finger. Your belly will soon be swollen with his baby, showing everyone his claim on you. You will stay at home from now on, far away from anyone who could possibly steal you away from your husband.

And if you decide to return to work one day, Megumi will just knock you up again. He is obviously quite skilled at fucking a baby into you, and he will do it as often as the circumstances require it.

Yes, Megumi finally has everything he ever wanted.

You.

Mine. Mine. Mine. Forever.

Thank you so much for reading my second story for Halloween 2023!! I am sorry that it got so long, but it was so much fun to write Megumi's descent into madness ;)

I hope you enjoyed Yandere!Megumi!! Please let me know what you think. Comments and reblogs would be very sweet!!

Once again, thank you so much to Loni for hosting this super fun Halloween Collab!! I could finally write this story after having it in my drafts for two years!!