#also yes i changed his design a bit AGAIN

[thevoiceofdesertbluffs]

Cecil when. When the funny bone man says a funny

Anyways I just think they would actually get along. Why? *shrug*, they just would

[nattikay]

OC lineup! All the characters that currently exist in this "story"

[taddymason]

I realized that I never drew shirtless Jay and I corrected my mistake

[citricacidprince]

Could you draw that "I trust you" scene with Mabel and Stan but with the relativity AU? (The stan twins and pine twins swap ages au)

OF COURSE, I WILL GLADLY DRAW THEM!!! 💥💥💥

I’m gonna post a long winded thesis about my thoughts on this AU, my take on the AU, and two additional arts under the cut because ooooh boy it’s a tad bit long lol. Also, please please forgive the formatting, I’m writing this all on the fly and it’s extremely disjointed, sorry- 💥

I know there’s the ‘canon’ Relativity AU designs and character dynamics, however I don’t really like them that much ngl. I feel like it mostly just ends up with ‘Mabel and Dipper get switched with Stan and Ford with no nuances once so ever’ and that BLOWS!!! There’s so much potential there and no one is playing with it!! YOU GUYS DON’T EVEN HAVE MABEL PRETENDING TO BE DIPPER, WHATS THE POINT????

Not only that but I feel like making Dipper and Mabel’s dynamic just Ford and Stan’s when they’re adults is a HUGE simplification of their characters. Like, Mabel and Dipper fight, but they don’t fight like Stan and Ford, they’re not as hard headed and stubborn. Mabel would commit some crimes yes, but I don’t believe she would get into some of the heavy shit Stan had in his past. I refuse to believe Mr. Dipper ‘Undiagnosed Anxiety Disorder’ Pines would fall for Bill’s flattery as easily as Ford did.

The Pines Twins are very different from the Mystery Twins. Mabel and Dipper didn’t grow up with a father constantly comparing the two and pinning them against each other, outright telling one kid they’ll always be a failure while the other is going to have the burden of making their family rich. They never had that tension. They wouldn’t be walking on eggshells around eachother as adults.

I know that makes the concept sound boring to some, ‘Where’s the fun in the AU if you take away the sibling fighting’. You cowards, you can still have it, young Stan and Ford are RIGHT THERE. During the second half of the show when Dipper comes back through the portal, instead of having the older set of twins, something that doesn’t male sense with their characters, have a building tension that’s going to explode soon and keep it between Stan and Ford, don’t take it away from them. If anything, I think taking away the resentment and anger growing between the two and giving it to Mabel and Dipped is a butchering of all the characters.

Sure that means some of the episodes would have to change or be completely erased, but that’s fine!!! Make up some new ones!!! Get silly with it!!!

Mabel and Dipper talk about feelings, Stan and Ford don’t. Mabel and Dipper can’t stay mad at each other, Stan and Ford will try and stay mad for decades because being angry is easier than being upset.

In my idea of this AU that fight at the end of Weirdmageddon HAS to be between Stan and Ford, and Stan HAS to still be the one getting his memories erased.

💥 Post Not-What-He-Seems Relativity AU Rambling Below 💥

Dipper is a paranoid man, fool him once you’re never going to fool him again. He would never in a million years ever work with Bill again. Ford however is an extremely lonely child, both he and his brother are desperate for any type of positive attention. I think Bill would see him as a potential protege, especially since Ford is a ‘freak’ like he is and the kid is extremely smart for his age. He’s malleable, Bill probably thinks he could shape him uo to be the perfect lackey.

Ford, being the lonely kid he is, probably does fall for the praise initially. He craves attention and Bill pushes all the right buttons and says all the right words, tries and gains his trust even if time has proven again and again that he shouldn’t be trusting the demon.

The tension between the Stan Twins would grow after Grunkle Dipper comes back because Ford is upset that Stan didn’t listen to him (even if it was for the best that he did) and that Grunkle Dipper forgave Graunty Mabel so easily because if Ford was in those shoes he wouldn’t have. It grows more and more as Ford becomes distant and Stan tries to connect with his brother to no avail. Which, of course, comes to a boiling point when Ford says he’s going to stay in Gravity Falls and learn under Grunkle Dipper. Stan is rightfully upset. He can’t go back to New Jersey by himself. It’s always just been the two of them, he needed Ford, he couldn’t handle school or their father by himself. He can’t be alone.

Unlike Mabel who just wanted one more day of summer, Stan wishes that he wouldn’t be alone, which indirectly causes Weirdmaggendon.

Stan’s prison bubble would probably be a fake New Jersey-esc town full of a bunch of little Stans running around. Town O’ Stan. A place where no Stan is left behind.

Ford says some nice words to Stan there to get him outta there but there is still this intense tension between the two.

During the Cipher Wheel Ford is the one who tackles Stan. The two fight, whining out hurtful words neither of them mean and only stop when Bill shows up and captures them. Graunty Mabel and Grunkle Dipper run off and distract Cipher in hopes that they can keep the attention on themselves long enough that their great nephews could come up with a plan to escape.

The younger twins don’t find a way out and instead, finally, have an actual talk about their feelings, one that definitely ends up in tears as the two talk about the pressure that’s put on them or how worthless they feel. After that the boys get a rush of determination to escape when Stanley has a plan. Ford immediately hates the plan but Stan insists that they do it, in his own words, ‘Let me prove I can do something right for once.’

When Bill comes back and threatens to kill either Mabel or Dipper just for the hell of it, Ford calls out that he’d like to make a deal.

He wants to work with Bill, let Bill into his mind willingly. Bill immediately jumps on that offer. Ford is a promising young kid, perfect henchmaniac potential, not to mention it would absolutely devastate Dipper is his great nephew willingly turned to Bill’s side.

He goes into Ford’s head, revealing Stanley just in time to reveal that he was trapped, panicking as he was erased with a swift left-hook along with a kid who was happy to prove he was good for something after all.

Everyone was devastated after Weirdmaggedon of course, a child had his mind completely wiped. Stanford took it the worst, he just managed to finally break down those words that others built in his head, that he was too good for Stanley or that he didn’t need a knucklehead like him dumbing down his brain, and now his brother was gone. Just like that.

We all know what happens after this, Stan gets his memory back, everyone celebrates and the Stan twins are sent home, promising each other that they’ll never let anyone try and tear them apart ever again. Dipper and Mabel stay at the shack, after all, all they could ever want is there, where else could they possibly go?

Sorry this was… extremely rambly and long, I am extremely tired and can’t think straight I have a bunch more ideas and concepts so if anyone’s desperately wants to hear them just ask I guess, sorry you read this dumb of ass essay haha 💥

[deconstructthesoup]

One thing I absolutely adore about Dead Boy Detectives is the immaculate costume design. Specifically, how it perfectly encapsulates who the characters are, both as a whole and who they are in the moment.

From the very first scene of the show, we know immediately that Edwin is a bookish, somewhat stuffy guy from the Edwardian era who attended a boarding school, and Charles is a punk from the 1980's who's most likely the wildcard between the two of them, just going off of the way that they're dressed. Both of them have distinct color schemes and different styles, but the general shape of their outfits is actually relatively similar---both of them have collared shirts (Edwin's dress shirt, Charles's polo), something over those shirts (Edwin's vest, Charles's suspenders), a jacket of some kind (Edwin's suit jacket, Charles's flannel thing), a longer overcoat (Edwin's traveling coat, Charles's peacoat), something around the neck (Edwin's bowtie, Charles's necklace), slacks, and nice shoes. They're distinct, yet matching, two clearly defined separate characters yet part of a set.

Edwin's prim, proper, buttoned-up personality lends itself to the way he dresses throughout the season---in the first episode, he only dresses down when he's in the office with Charles, aka his safe place and his safe person, and he doesn't really dress down like that again for a good long while after getting stuck in Port Townsend (though, if my memory serves me correctly, he does take off the suit jacket while watching TV with Niko). But in episode six, he's changed up his usual look for a cozier, casual-looking sweater and a little bit of collarbone, and in episode seven... well, he's in his nightclothes, and he's about as open, raw, and vulnerable as you can get. Edwin's color scheme is also predominately blue, which lines up nicely with his logical and practical, yet deeply sad and closed off personality, and the only time he really wears anything other than his normal blue-and-brown outfit (willingly, that is) is when he's in that green sweater in episode six. And, uh... all I can say is that it's quite telling how blue and green---or, well, teal---are the main colors of the gay/mlm flag.

Charles, by contrast, dresses down a lot, and that makes a lot of sense when you consider the fact that unlike Edwin, he feels comfortable pretty much anywhere. On any given episode, he goes from wearing his peacoat to just wearing his flannel to ditching the flannel to not even wearing the freaking polo---though, again, the latter is something that only happens when he's in the office with Edwin. Safe space, safe person. And, well, plenty of people have analyzed Charles's polo shirt going from red to burgundy to black over the course of the series, and there being a little bit of red under the collar of his coat that's only visible when Edwin fixes it, and then it goes back to burgundy, and then it's red again when Edwin's out of Hell... for good reason! It's color symbolism at its finest! Not to mention, the red and black not only perfectly contrasts Edwin's color scheme, but it also lines up with Charles's personality---he's a rebel, he's hotheaded, he's bold and brash and loud... and yes, he's angry, but he's also so, so loving.

When we first meet Crystal after she loses her memories, her outfit choices feel very deliberate. They're stylish and vaguely trendy, they're arty and a little bit witchy---pretty fitting for a psychic who's also a showbiz kid, even if she doesn't know that last part. But all of her clothes appear thrifted, or at the very least vintage, and the patterns and the general vibe all feel natural and comforting. Her makeup's always fairly simple, her hair's either down or up in a couple of cute space buns... overall, this Crystal looks like the kind of person who'd make you tea when you're in a bad mood, who'll listen when you just need to vent, and who may not always know the right thing to say but will understand what you're going through. But when we see her in the flashbacks, her clothing's flashy and prioritizes high-end trends over comfort, she's either got her hair up or has it straightened, and she not only has dramatic makeup, but acrylics. This is a girl who talks shit about you behind your back, who's bitter and cynical and wants everyone to feel the same way, who makes up for the lack of love and stability in her life via material things. It's also worth noting that Crystal's color scheme has a lot of purple, which is a color that connects to wealth and luxury, but also creativity and magic---which, yeah, fits her two conflicting sides pretty damn well.

You cannot talk about Niko Sasaki without talking about her outfits, and the meaning behind each of them has already been talked about at length. However, one thing that really stands out to me is that the reason they're so iconic isn't just because of the monochrome color schemes, but because they're out there. They're weird, they're eclectic, they're a little mismatched in style sometimes, and they're so unapologetically her. Niko wears heart-shaped sunglasses, unironically. Everything about the way she dresses speaks to how, even though she's a recovering shut-in who initially doesn't want to be perceived, she's still very sure of who she is.

Jenny's design, like Charles and Edwin's, is a design that gives you the key information you need the minute she first appears onscreen. The dark makeup, the silver jewelry, the leather apron, and the hairstyle all point to a person who's tough, doesn't take anyone's shit, and has long since given up on caring what other people think---in other words, she's a badass. But the butterfly tattoo hints at a softer side, a side that we see time and time again throughout the series as she shows that she cares about Crystal and Niko, and even the boys... eventually. Also, Jenny's design is perhaps one of the most clearly queer-coded in the series, to the point where her being a confirmed lesbian is pretty much a no-brainer.

Esther's design oozes camp, from top to bottom. The fluffy coat, the bustier, the boots and the cane and the everything, speak to a woman who's kept with the times and yet has seen it all. There's really not a lot I can fully say about her design, other than what Charles has already said: "She looks like a witch... like, kind of a sexy witch, who smokes a lot." (Or maybe I'm just tired and running out of steam at this point, idk, I love Esther's design and I can't really put it into words.) It's also pretty fitting that her color scheme has a lot of yellow in it---after all, she's always striving for more, so what better color for her than the color of gold?

Everything about the Night Nurse's design speaks to a woman who follows rules and discipline above all else, from the pantsuit to the pinned-up hairstyles to the tie to the heels. She's also the most muted out of the main cast in terms of color, dressing mostly in browns, dull greens, and duller browns---and while I don't have a lot to go into detail about there, I feel like that's kind of a symbol of her narrow-minded and bureaucratic worldview.

And the animal characters... Jesus Christ, I fully forget that they're all being played by human actors. Tragic Mick dresses like a man who's always spent his life by the sea, layered denim and all, and it's never a stretch to see this sad, bushy-bearded, baggy-clothed fisherman and imagine him as a walrus lounging on a beach. Monty, at first glance, seems to only wear black, which would be perfectly fitting for a crow, but when he's in better lighting, you see that he dresses in layers of red and blue, calling to how he envies Charles and Edwin and clearly longs for something more---and this might just be me, but I think that even though his outfits seem fairly normal at first glance, they feel kind of like a costume for Monty more than anything else, like he's trying to emulate a teenager that he's seen on TV more than someone in real life.

The Cat King fits this just as well, with all of his outfits aligning perfectly with whatever his cat form is at the time---when he's a fluffy ginger, it's always sequins and fur coats and clothing pieces that are specifically designed to take up space and call attention, and when he's a black shorthair, it's sleek styles and shiny leather and pieces that are designed to cut an intimidating yet more subtle figure. And while I could go into detail about all of those, what really stands out to me is how clearly queer everything is---more than Jenny's alt lesbian attire, more than Esther's campy coat and corset. From the very first scene he's in, he's wearing a skirt, and it looks natural. Nothing about the way the Cat King presents himself is exaggerated, nothing about the way he dresses is played for laughs---he's flamboyant and feminine and flirty, and he looks so fucking hot while he does it. It's gorgeous.

So... yeah, uh, all the awards for the Dead Boy Detectives costume designers!

[textmel8r]

[ SMAU + DRABBLE ] 𝐒𝐔𝐆𝐀𝐑 𝐁𝐀𝐁𝐘 ! ( fifth installment ) in which you find toji fushiguro’s number off a sugar baby site .

୨୧˚ part; one. two. three. four. five. six. seven. eight. nine. ten. eleven.

୨୧˚ incl; toji fushiguro

୨୧˚ cw; sugar mommy! reader , sugar baby! toji , mommy kink , drug + alcohol usage , smut drabble , submissive toji , soft sex , profanity

୨୧˚ an; guys… i don’t know what took over me when i wrote this one….im sorry ,, also yes drabble time, you all knew this would happen eventually don’t act surprised 🙄🙄🙄

come over and show me then

The last message Toji had sent you. He was bold, heart racing just the slightest bit when he thumbed that frightening, little arrow icon to send a text that would most likely change his whole relationship chemistry with you. You, the kind hearted woman who graced him with your undying benevolence and wealth. 

You, the woman Toji called mommy not even twelve hours ago during an idiotic, drunken stupor. 

You, the woman who graced his bed, peering up to him with the softest gaze Toji’d ever been observed with. It was an odd sight–you splayed on his mattress. Dawning a lavish top; silken, Toji absentmindedly recognizes the fabric ( then proceeds to grimace at the fact that he can actually discern between different breeds of fabric. Your lifestyle was rubbing off on him ) and thinks you look out of place. An expensive jewel among the dank cave of his shoddy bedroom.  

Toji crawls in after you, winding up your side, clinging akin to a baby koala bear. Still, he doesn’t speak, preferring to let the sounds of sheets sliding against each other fill the gaps of silence. You take his hulking body in those loving arms and break the quiet. “I’m not buying you for the night.” You cradle his cheek; you make him look up to you and Toji nods under your hand. “You know that, right?”

He nods again. “Sure,” and for once, it comes out without a modicum of sarcasm. Because Toji believes it when you tell him that you’re not looking to gain access to his body through flimsy transactions. Your sincerity is displayed through the months of torturous anticipation. Months of him on the cusp of begging–and Toji Fushiguro has never begged for anything in his goddamned miserable life. Your sincerity is displayed through the gingerness in which you hold his face. Because how could someone with such gentle hands ever tell a lie? And your sincerity is displayed through your words. You tell Toji things that nobody has ever told him before. Nice things, reassuring things despite his insistence on being an asshole to you.

Toji pushes his torso to be propped up on an elbow before he leans in. It’s not a tame first kiss by any means; Toji is mammalian in the way his teeth gnash yours and his tongue laves your cupid’s bow. “Slow,” you whisper in the short absence of his lips. “Slowly.” A command that he feels inclined to follow like some kept mutt, swapping out the animalistic pace with a more refined, controlled tempo. Your face was swallowed by two massive hands; they clamped on either side of your jaw, calloused and dry and forcefully pulling you closer. “Just like that, Toji.”

The way you say his name… Fuck. Toji grunts, swinging a heavy thigh over your own to situate between your legs. “I’ve never,” there's a pause when he leans in to suck the tip of your tongue, “been so desperate to be inside a woman.” His thick tongue worms back into your mouth, pushing smoky saliva down your throat. You were writhing; your hand slides over his, the one still tending to your cheek, and you guide it lower. He let you drag his hand down the smooth slope of your neck, over the hill of your delicate chest, across the plain of your soft tummy to meet the waistband of your designer pants. 

Your head tilts, something devious glinting in the colored rings of your eyes that have Toji so enchanted. He plucks at the brass button of your pants, nudging the point of his nose to the high of your cheekbone. Breathing in the luxury branded perfume that overpowered the cigarette stench still lingering in his room from his morning smoke; evidenced by the stub crumbled in the glass tray on his wobbly nightstand. “What about the girl…Girl from last night?” 

Toji smiles at the breathy question. “What girl?” He hums cheekily against your mouth, letting his tongue slip back through the seam of your delicious lips. You slap his face rather playful, but his breath hitches all the same.

“Dick.”

At last, he pops the button. The acrylic of your nails sink into the meat of his forearm, legs widening, ass shifting; all of the signs that Toji hyperfixated on. The way you tell him to keep going without so much as saying a word has him hotter than anytime another woman has begged for his touch in bed. Toji kisses you as he dips beneath the ajar slacks, then those sheer panties, slipping down to where you needed him most. You’re wet, he notes to himself. Wet, squelching and red hot when his thick middle finger sandwiches itself between the labia. 

Both pairs of legs tangled together amidst the desperation. While Toji touches you, you’re hiking your leg up–the one snuggled between two of the man’s built thighs. It presses to his clothed crotch, and you reach around grab a handful of his ass. “Hump it,” you dictate, using his ass cheek as leverage to pull his hips down against your awaiting thigh. Toji jolts; never had his ass been grabbed like that, but he thinks he likes it.

So he grinds. His groin crashes against your leg with rough enthusiasm, so rough that it should be a threat to your poor femur bone. But he doesn’t let up. Toji’s arm tenses and shakes with exertion as he fingers you, forearm burning from the intensity at which he moves. But he doesn’t let up.

“Fuck,” he huffs. “Fuck.”

What is he, some kind of dog? Chasing his high against a leg, licking your neck, barking obscenities into existence. Had you been anyone else, Toji would have had them bent at the waist over his bed, forcing their face into his lonesome pillow and taking what he needed. But you had this certain authority–you’d always had–as if you owned him. Not that you would ever admit that, nor did you believe it, but Toji did. You pay for his living quarters, his meals, his clothes, his car, hell, his time. The leash was cuffed at his throat, leather digging into his flesh, and he fucking loved it. Toji would wait for your instructions like a well behaved puppy. 

“Take my pants off,” you utter, and it’s only then does Toji realize that the both of you hadn’t bothered shedding any layers, taking favor in rutting clothed bodies together like a couple of immature teens. His hips pause their humping, and his tongue finds one long, last lick to your jugular before pulling back.

Two thumbs hook beneath both layers of material at your hips. “Can’t believe you made me wait this long,” he mutters offhandedly, dragging your pants down. 

You’re bare. His mouth waters at the sight of glistening moisture between your legs, encapsulated by a dusting of hair. Toji stares, nestled on his knees, straddling your thigh. He just stares.

“I told you my reasons,” you say.

He doesn’t respond to that. “I want to fuck you.”

Your chest rises. Are you arching for him? “Ask me.” When he cocks a confused brow, you lightly elaborate. “Show me some of that respect I taught you and ask me nicely.”

The sole of your foot caresses his pec over the black tee shirt he sports, a gentle notion that he is allowed to take his time. Toji doesn’t need time though; he’s got your twisted little request all figured out. It’s funny, he shouldn’t have expected any less. To him, respect didn’t exist in the bedroom, but Toji would make an exception. “Will you let me fuck you tonight?” You’re not letting him get off that easy, your pointed eyes say it all. So, in an uncharacteristically piteous voice, the man adds “please, ma’am” and strokes your calf for good measure.

That does it. 

Your legs spread, arms racing up to coil around the thick post of his neck. He lets you pull him down, lets you kiss him tenderly, lets your tongue curl behind his teeth. Toji groans, reaching a sticky hand down to clumsily shove his sweatpants around his ass. “You have no–” kiss “idea what you–” kiss “you do to me–” kiss, kiss “when you call me that.”

His length drags over your core, hot and heavy and thick and raw. He doesn’t move to grab a condom knowing damn well there’s a box that sits in his nightstand to the left of them. A box that has been forgotten, left untouched in the waking months of his realization that he doesn’t want to fuck other people. Why would he? When you take such good fucking care of him, what’s the point in sleeping around anymore?

“Be grateful,” Toji husks, rubbing up against the warmth beneath him. “‘M never this nice in bed.”

“I’m not, either.”

He throbs at that. A small hand snakes behind his head, weaving into the raven shag of his hair, and tugs. “I really never meant for this to happen.” Toji narrows those steely eyes at you. “To end up in your bed, I mean. I thought I had more resolve than this.”

Too bad money can’t buy resolve, he thinks inwardly. Hand still between bodies, Toji jerks himself slowly, soaking his tip in your entrance. His gaze is glued to your face, flitting amidst all the gorgeous features it had to offer. “I knew I’d get you here eventually,” he speaks with a lilt of confidence, prodding the point of his nose to yours. And then he pushes inside without warning. You’re gooey; a hot, wet heat encasing his body from head to toe. He feels you shudder, feels nails in his nape. He feels your sticky breaths on his cheek, feels your pillowy thighs squish against his hip bones. Toji serves you the entire length in one slow thrust, holding himself inside. “Fuck.”

“Slow,” you warn once more in a broken voice. His hair was grabbed again, you used it as a makeshift handlebar to yank Toji’s head down. His handsome face plummeted into the divot between your breasts, still gift wrapped in that undoubtedly overpriced shirt. His nose pressed to your sternum, taking deep inhales. 

Slow. 

Slow sex was unfamiliar territory to Toji, one among the list of foreign concepts you had introduced to him during your time together. Fucking was animalistic practice between two people, fast-paced and greedy and surprisingly lonely. Toji fucked with the intention of climaxing; intimacy is irrelevant. Was irrelevant. 

Toji slips a hand beneath your back, locking a grip on the underside of your shoulder to weld your chest to his face. Slow, timely thrusts met your cunt, watery squelches filled the room. “Oh, fuck.”

Your hands wander. Crawling down the base of his spine, breezing over his tail bone, clutching his bare ass. Guiding him in a way, and he doesn’t entirely mind. “My boy,” you moan in the throes of pleasure, a free hand blindly feeling for the back of his sweaty neck. Fingers stroke the precious skin there, sensitive flesh that nobody has ever paid attention to, not even himself. Toji trembles.

“Take it,” he whispers back, as if he still had any semblance of control. But you let him, and he thinks you’re too fucking nice for sparing his pride like that. “Take it, goddamn it.”

“Yes, my sweet boy.”

Idiotic. He is no longer a boy, nor does he even slightly compare to anything sweet. God, if you knew him. If you knew what he did for work… How many people he’s gutted and bled like livestock for quick cash… You would leave. He knows this to be a fact of life, you’re simply too moralistic and caring and selfless to keep in contact with a monster like him.

“Let mommy take care of you.”

Oh Jesus Christ, he’s done for. You wax praises so sincere that Toji starts to let himself believe he’s good. He pretends he’s worthy of being here with you right now in this bed, with your lithe fingers petting his damp hair and your breasts against his cheek, and fucks you harder. The toes of two socked feet bury into the mattress.

You successfully conquered his flimsy pride. “Mom… my…,” Toji breathes out, stifling down the impending whine caught at the back of his esophagus. He bucks deep inside, pubic bone to pubic bone, and grabs a handful of tit. So fucking soft even under this stupid shirt.

The sex plays out this way until the very end. A gentle tango that reminds Toji he hadn’t actually fucked in missionary position for some time. But at last, you came around him. “Toji, baby I’m here.” As if you were charged with electricity, you twitched and jumped beneath him. Toji fucked you through it, grinding his hips in a trajectory that caught your clit with his pubic hair. The friction was passionate, and you came with your jaw unhinged on a silent yelp.

“Give it to me,” he rasped, tongue lolling out to lick at your cleavage through your shirt. Drool rolled down the palate, collecting into a small puddle and dampening the fabric. A messy puppy, drooling all over you like that. Toji fucked harder, much too hard to be considered ‘slow’ anymore, but you didn’t stop him.

“Come on.” A hand dips beneath the collar of Toji’s tight shirt, scratching the ever loving fuck out of his upper back. “Cum baby boy.”

“Oh fuck, oh fuck, oh fuck, oh fuckfuckfuck.” The thrusts halt abruptly; Toji rams himself deep inside and holds onto you for dear life. There’s a brief pause before he empties himself into the deepest depths of your pussy, twitching as he does so. You coo, talking him through it with an inoffensive hand raking his bangs back. They stick, his sweat acting like a sort of natural gel, and Toji’s forehead is on display. You drag him up and press your lips to it—he flushes and drops back onto you, hiding in your neck.

Toji gasps on his come down, gulping in air through his nose. He’s weak and it’s strange. Despite the stupid amount of strength trapped within that Herculean body, Toji cannot find it in him to hover anymore. His entire weight drops onto your much tinier frame, but he hears no objections so he keeps himself there.

“Worth the buildup?” You ask at last, rubbing soothing circles into the plates of his shoulder blades. Your voice is a little strained, no doubt the effects of a two-hundred-and-something-pound man crushing your lungs, but Toji likes the funny grate of it in his ears.

“You already know the answer.” It’s written in the way your cum mixes together and wets the crease of his inner thighs. He’s not exactly going to say that was the most intimate and passionate sex i’ve ever had, but he’ll show you how much it meant to him by letting you cradle him to your chest.

likes and reblogs are appreciated !

tags . • @4imhry @sugurubabe @mastermasterlist1p1 @mikisspeak @fluttershyfangs @iluv-ace @xstom @bratbby333 @mizzfizz @sserafin @wo-ming-bai @maexc @r0ckst4rjk @aesukuni

[thylacines-toybox]

Hey, I found a beanie boo that I liked the design of but I can't stand those giant uguu eyes. Do you think it would be possible to replace them with smaller safety eyes akin to the old beanie babies? If yes, do you have any advice?

I was gonna answer this in a normal way, but then I got curious about trying it for myself and thought I might as well demonstrate!

So, I went and picked up a guy from the supermarket. The selection there was pretty barren today but I found a decent test subject:

Eye replacement procedure below!

(First of all, to my friend who loves beanie boos, I am so sorry for this lmao)

So! First I opened up the closing seam on his back. However, I found an extra mesh barrier inside! Clearly this is to prevent bean escape since this is the most likely seam to accidentally pop open through play. This would be a bit annoying to work around so I just sewed it back up and went in the back of the head instead…

Opened and unstuffed the head…

…And turning it inside out to get to the backs of the eyes. Whoa, these plastic washers are the biggest I’ve ever seen!! Cutting through them will take some work!

Please be very careful of your fingers cutting through these!! Be careful not to cut the fabric around the eye too, but mostly be careful of yourself!

Anyway grrrrrrr attack attack slice slice grrrr

They’re out! With a little glue I think the washers would be able to hold on perfectly well again. I’ll keep these eyes to reuse on something where they’ll be a bit more proportional!

The washers on these eyes are particularly cup shaped, fitting around the back of the eye and holding the fabric tightly against them. Now that the eyes are removed, this has left imprints on the fur!

Plenty of brushing and rumfling will help to fix the creased and flattened areas of fur, and wetting the fur or gently steaming over a hot cup of water should help too. It might take a little time!

(Also, I did make a little cut in the cheek while removing a washer, oops! No worries, that can be stitched up.)

Now we can try on a few new eye styles! Restuff the head for now so you can see how they’ll look.

I have a few sizes of solid black, from teeny dots to absolute tbh creature…

These blue eyes were a little scary… no thanks!

I even have some glittery ones like the original, but smaller! Pretty nice actually!

And even some googly eyes hehehe!

But my favourite eyes were some basic 9mm black ones! They are placed a little funny here, but the position will change a little bit…

The holes left by the original eyes were very big, so a couple of stitches are needed on each one to tighten them up to fit the new eyes. I stitched the top outer corners, to move the holes down and inwards a bit. If you wanted, you could even sew them closed completely and make new eye holes elsewhere!

Unstuff again and pop those new eyes in!

Restuff! You might actually need to add a little extra stuffing, as the fabric not being so pulled around the eyes any more will mean it is a little ‘baggier’.

Then sew the head closed again and that’s about it! The fur is still a little creased around mine, but I’ll keep working at it and it should become less visible.

To add a tiny bit more shape to the big round head, I also did a touch of threadsculpting. I ran a thread from the corner of each eye to below the chin and back, just pulling the eyes in a tad more. You might decide you don’t need this!

And there we go! Hope you’ll try it yourself!

[kyri45]

PREV / NEXT ALL / FIRST (ISAT Sky: Cotl!AU!)

MY BOY SIF IS NOW IN MULTICOLOR THANKS TO THE POWER OF MUSICAL FLASHBACKS!!!! (pls listen to the song while reading)

I'm giving you all emotional damage bc yes, you guessed it, that's his mom, and also bc I can and I cried drawing this

Also YES that is the design I headcanon they had pre-wish (minus the eyepatch of course) FIGHT ME. And you all have no IDEA how much I waited to draw an inch of Color!Sif. And yeah I again changed the lyrics a lil bit to not repeat the same lyrics twice

Updates on my arm: i don't need surgery for now (yey!) but i might have to keep the cast longer though :(

we will be back to our usual grey-sh world soon unfortunately. Apparently, The Wish doesn't like when someone is trying to remember something from their past (cut to the earth trembling)

[13thdoodle]

[ EctoberHaunt 2024 Banner ]

Hi hiii~ I get to draw the banner again for @ectoberhaunt this year~ It was a lot of fun :DD

I wasn't sure how to incorporate the gold and silver at first but I think it turn out pretty good

Also thank you to Enn for helping me with the flats I would've pewished ksjadnaksj Sketches and some ramblings under cut

Here's the initial sketch for the banner. I tried my best to keep it close to the sketch or at least have the same energy (hopefully qwq)

As you can see, I drew Sam and Tucker riding a scooter bike originally. But the banner, I try to get as close to canon design as possible. I could not for the live of me remember what episode has the scooter bike. And.. turns out I might've just misremembered the scooter as a motor bike? so I just draw the scooter lol

(This is from the Killer Garage Sale episode btw. I couldn't find the scooter's pict on the wiki so I gotta screenshot it from the episode)

Also speaking of couldn't find reference pictures in the fandom wiki,

I couldn't find pictures of the college trio full body screenshots there. Only the Vlad leaning into the portal while Maddie and Jack looked away. Very useful references, yes.

I used to think that Jack was the worst one here about lab safety (considering he was the main reason the portal exploded on Vlad's face), but Maddie is no better after watching the episode again. Girlie wear big round earrings and leg warmers in the lab. Pretty sure that's... not very safety. Vlad is not better since he does lean very close into the radiation portal so... lol

Anyway, I tried to incorporate their dynamics in the banner. Jack the very excited one and leading the ghost hunt, Maddie following along with more ghost gears, and Vlad... well, I was thinking Vlad could be the 'rational' of the trio and like brings stuffs the other two wouldn't have thought to bring out of excitement (i.e. flashlights in case they need to go through pitch black tunnel so they don't fall off etc etc)

But... you know, that's giving Vlad too many points than he deserves lol. So, I draw Vlad still bringing the bag of extra stuffs, but it's not fully closed so some stuffs fell off on their trails. They all should share braincells and Vlad does not get a turn lol

Also changed Maddie's clothes and give her the teal suit to match Jack and also looks better when she's running

There's not much I can say about the main trio process? I mostly just want Sam to be the one driving the scooter while Tucker handles the navigations or sth. They get to ride scooters to catch up with Danny~

Danny and Tucker's colors a bit ashy bc I color picked them from low res screenshots askjdnaksj I fixed em on the final tho so yea

O yeah, I don't know if it's visible on the final art, but I initially try to give the kids warm shadings and cold lighting (Silver), and the college trio cold shadows and warm lighting (Gold) to fit the themes.

Also the light source.. sorta? The adults has the light source from behind them bc they are in past/past the age in the drawings? And the kids has their light source from in front of them, going into the future and the many things ahead of them kajsdnaksd

[angelwithdemonictendencies]

my palms ran red turning over jagged rocks, thought i'd find some kind of sign; you pressed your mouth to my wound, weren't your bloody lips sign enough?

qh43 x reader: you really have to stop meeting like this.

(warnings: mostly plot, but also blasphemous filth (yes, we're back on the smut train), unprotected penetrative sex (m on f), fingering, hair pulling (i haven't changed), choking (i really haven't changed), descriptions of self-doubt and shame and all my typical stuff. mostly tension building (10k words worth), general debauchery.  please be warned, don’t read if you’re not 100% sure.)

(a/n: oh my god, favorites. i hadn't read this one in so long, so thank you for allowing me an avenue to rediscover it. i'm so happy you're getting to rediscover it now, too. if you want a song to listen to that i think goes with this story really well, give BONES! by girly teeth club a try :) i do genuinely believe that this story was a real turning point for me, and it holds a very special place in my heart because of that (i had the line then who was i praying to? well, who answered? taped to my computer for a long, long time. personal favorite of mine). i hope you enjoy this one again, and also hello to the followers and readers who have no idea what i'm talking about when i bitch and moan about my old account. i see you, and i love you, and i'm so eager to hear what you think. enjoy mechanic qh43 and all of the mythical divine powers that he inspires within me. to the seven people who care, more ol and rus coming momentarily. sunday is now my designated tumblr day, so if you want to chat, sunday is your best bet. i love you and your snakes! be kind to yourself).

like most all-consuming things, it started with something insignificant.

if your tail light had never gone out during the summer before your third year at university, perhaps none of it would have ever happened. part of you wanted to believe that some determined power would have guided the two of you together no matter what, but most of you thought the powers of the world to be nonchalant at best, hostile at worst.

regardless, your right tail light went out a few weeks before school started, and despite your intense unwillingness to spend money on your car, your mom insisted that you get it fixed.

"that family auto shop will do it quickly," she suggested, "the one a few streets down from school."

so here you were, standing uncomfortably in the lobby of the mechanic's, less than soothed by the harsh noises that echoed through the small garage.

you cleared your throat, attempting to get the attention of the teenage receptionist, probably the daughter or cousin of the owner, currently on her phone.

she looked up immediately, smiled wide, full of braces and friendliness. "sorry," she said, only a little guilty to be caught on her phone. "how can i help you?"

you smiled right back at her, immediately put at ease by her presence. "my mom called earlier," you said. you went to continue, but were enthusiastically cut off.

"miss tail light!" she exclaimed, to which you laughed and nodded. "have a seat," she urged, "quinn should be out in a minute, and that's a quick fix."

you nodded and sat down, then crossed your legs as you waited, bouncing one foot against your other calf. you looked at your hands, twisted one ring around your finger.

"you're the tail light?" a low voice called from the lobby entrance, forcing your gaze up from your hands to meet a pair of eyes that somehow swam with both steel and uncertainty.

this newcomer, quinn, supposedly, confirmed by the embroidered patch on his breast pocket, seemed to be immediately off-put by your matching gaze, as he shoved his wide hands in the pockets of his coveralls and blinked several times, a bit too fast.

his confusing mannerisms, combined with his curious combination of handsomeness and beauty, forced a small smile to your face as you stood up.

he really was pretty like you had never quite seen before, tall but not menacingly so, broad across the chest in a way that just looked warm, his coveralls hanging off of him, drawing attention to his frame, his thighs, his arms.

his hair was messy, curling only slightly at the tops of his ears, his cheekbones and jawline so, so sharp, but his nose and mouth softly curved.

you cleared your throat again when you realized you were probably staring.

"i suppose i am," you said, answering his question, approaching him and the door, by extension.

he gave a forced nod before turning to leave, urging a fluid reaction from the muscles in his neck and shoulders, which you pretended not to notice as you walked behind him.

in a choppy, sudden motion, he made to hold the door open for you, arm extended but gaze averted.

"thank you, quinn," you said, trying out his name, surprised to find how natural it felt on your tongue, something like a hymn a past-life you must have sang with unmatched conviction.

he seemed just as surprised as you, practically tripped over his own feet before quickly recovering. you bit your lip to stifle a laugh.

"should only take a second," he said as he crouched down next to your car, his voice a bit rougher than before, pulling a couple of tools and bulbs from his many pockets.

"take your time," you said, sitting down nearby as he got to work, and you meant it, feeling a somewhat shameful urge to just watch him. just look at him.

you fumbled to distract yourself, settling on looking interested in your phone. in reality, it took real effort to keep your eyes down, away from him, when you felt as if he emitted some kind of magnetic force suited only to you.

it felt like an eternity, but it took all of ten minutes, a couple swift motions, and he was done, rising again to his full height and turning to face you.

you allowed yourself to meet his eyes and it felt like a heaving exhale. "all done?" you asked, rising as well, willing brightness into your voice.

he nodded in affirmation, and you could have pouted. a man of few words, it seemed, and how you wished he would give you a few more.

he wiped his hands with a rag, and you refused to let your eyes follow the motion. "so i should pay..." you started.

he nodded towards the lobby. "you can pay with bean," he said, gruff.

you grinned right at him, and anyone else would have seen his gaze soften from stone to molten rock. "bean?" you asked.

the slightest smile took over his mouth. "my cousin," he said, slowly, "at reception."

you hummed, comforted by his sudden ease. "well then," you said, "i'll go check out with your cousin bean."

"i'll walk you," he blurted out, a blush coming to tint the tops of his ears in a positively dreamy sort of way.

so you walked the several steps back to the lobby together, the silence so comfortable you could have sighed, fallen asleep wrapped up in it.

already you felt some sense of loss creeping in, knowing you were probably never going to see him again, knowing this was all you were going to get. just a couple of glances and words and blushes, that's as far as this would go. and it made a lot of sense, but logical reason grew over your hazy, momentary crush like ivy on a brick building.

he held the door open for you again, and as you walked past him this time you looked up into his eyes. stone and steel and ivy.

you thanked him again.

"quinn?" came that delightfully girlish voice from behind the desk, this time intensely confused. "what are you doing?"

he stood in the door frame, his swallow almost cartoonish. "just making sure she checks out okay," he mumbled, not quite looking anyone in the face.

the girl smiled so wide, you could see she had chosen to make her braces purple last time she visited the orthodontist. "you've never done that before, is all," she observed with all the subtlety of a volcanic eruption.

was that pink tint creeping past his ears to his neck, now?

"do it plenty," he muttered, less than convincing and more to himself than anyone else.

the girl shot you a knowing look before turning to her cousin again. "if you say so," she relented. "miss tail light is in good hands with me, now, so you're all set, mr. random acts of kindness."

quinn muttered something under his breath before making to leave, embarrassment still flushing just under his collar.

the knowledge that this was it, this was all this would ever be, that's what made you reach a hand out to lightly grasp his forearm, stopping him where he stood.

you swore some kind of divine warmth rose to meet your hand.

he looked down at where your fingers met his arm before meeting your gaze. molten, yet again. he didn't move, didn't dare to scare off your touch.

"thank you again, quinn," you said, just to him.

a pause charged by meaning sparked between you both.

maybe some minuscule fraction of your heart feared he would push you away and roll his eyes, mumble something about personal space. or maybe that disgust would flood his lovely gaze, and he would say something much meaner.

you should never have touched him, you scolded yourself, stupid, desperate, foolish girl. you began to lift your hand away when his rough voice became a whisper, just for you.

"anything, doll," he said. and then he walked away, leaving his words to rattle around in your head like the whirring noises around the garage.

you paid, laughed playfully with the young receptionist as she insisted she had never seen her cousin so embarrassed, and especially not so bashful.

"i'm sure that's not true," you said, trying in vain to force your sky-rocketing hopes back to earth.

"oh, it is," she said as you made to leave, giving you a big smile and a wave as you bid her goodbye.

as you drove back home, those tendrils of reason crept back again, began to suffocate the dreamy romance that had settled like a glittery mist in your head.

you gave a single exhale, breathing out any unrealistic expectations. you'd probably never see him again, you admitted to yourself, and you tried to convince yourself that you were fine with it.

and so you let the image of steel and stone and ivy become a phantom in the back of your mind, along with the scorching solidity of his forearm underneath your delicate palm.

you'd never see him again, you believed.

in theory, you knew you could have had one of your friends find him on social media, it probably wouldn't have been too hard. a first name, an occupation, they'd tracked down fleeting flings and past crushes with much less information to go off of before.

but you didn't like the idea of interference, much preferred the way he looked in your memory to the fear that he would be someone very different online, that he would be someone different than the person that now existed exclusively in your head.

you were never supposed to see him again, and yet you did, and just as you had almost forgotten the way his shoulders moved when he walked, too.

three weeks later, just before you went back to school, you were eating dinner outside with your family at the country club they belonged to. you had been there maybe twice in the last couple of years, as your mom worked long hours and your dad only really used his membership for golf.

now, though, sitting outside, overlooking the course, in the pleasant air of the late summer, you were glad you were here, enjoying these last few moments with your family before you began your third year.

you were laughing at a joke your mom had made when you heard someone close by call out, "that's my marker, quinn!"

something distant fluttered in your stomach as you registered the name, tried so hard to not care if it was him or not. trying so, so hard to not care, but you cared so much it felt as if you might have willed him into existence yourself, wanted him enough that even the uninterested powers were forced to relent with a bored sigh.

so, in truth, you knew it was him even before you turned and focused on the hole just below the patio.

you knew it was him, and yet you were wholly unprepared for the way your head spun when you registered his familiar figure.

as if compelled by your gaze, or by something else worth worshipping, he turned, too, and there you were, staring at each other. did he recognize you the way you did him? the way you recognize your first lover's cologne? the way you recognize what's waiting behind a door with a scalding doorknob?

but then he took a hand off of his club and gave a timid wave, and you felt your body relax as you waved back. he paused for a moment as if in thought, then motioned towards him, silently asking you to come down.

"who is that?" your mother asked, not critical, only curious.

"my mechanic," you answered, "be right back, promise."

so, even though it was probably (definitely) against the rules, you made your way down to the impeccably cut grass, holding your shoes in one shaky hand.

you waved again as you approached him at the edge of the green, his friends gathered closer to the hole, talking animatedly amongst themselves.

he tilted his head and gave you a small smile, which gave you wings. a smile, and you hadn't even done anything!

"hi, quinn," you said, getting your first good look at him up close, and this time not in coveralls. this time in a polo that brought out his eyes and shorts that had you straining not to stare at his thighs.

"doll," he greeted, that ghost of a smile still on his full lips. "thought that was you."

heavy uncertainty suddenly settled between the both of you. what were you supposed to say? what was he supposed to say? what do you do with time that feels stolen?

"didn't think i'd see you again," you landed on, then physically cringed at yourself. "not that i was thinking about you, or anything," you added, then pursed your lips in a line.

awesome save.

he let out a laugh, though, and it shook his shoulders and lit up his face in a way that made it impossible to regret your rambling.

his laugh made him look human in a way he hadn't really, before, at the garage. it stripped back all the flowery expectations your imagination had buried him in and set him down here, in front of you, a real person.

a real person, who, in this summery light, was much more unabashed and generous with his smiles. his eyes had a softness to them that you hadn't noticed before.

"i wish you had, then," he said, in that deep, low, voice with a confidence that didn't quite suit him, like he was just trying it on.

it almost made you drop your shoes, regardless.

"yeah?" you asked, tilting your head and letting your satisfaction drench your face like sunset light.

he gave a little nod.

"c'mon, huggy!" one of his friends called. what do you do with time that feels stolen?

he looked back at them and his jaw clenched, for a second.

you knew you had to be the one to walk away, or it would haunt you like some ancestral debt.

"maybe i'll see you again, then, quinn," you said, your tone not conveying the desperate hope you felt.

he looked you up and down, amusement alight in his eyes. it seemed his nervous demeanor existed only in his coveralls. "you willing to take your chances on a 'maybe,' doll?"

were you?

you silently begged those distant forces to prove your hopes were not futile, but you didn't really believe that. you were headed to school in just two days, and who knows where he was headed, this mysterious mechanic who liked to golf and had eyes like a deity.

you knew you were on stolen time, and that this, again, was as far as this would ever go.

"we're going!" his friends called.

"i hope i see you again, quinn," you amended, already feeling a sense of loss again. but you had to be the one to walk away, so you began to.

his face was unreadable, some mixture of disappointment and interest and knowing.

"think about me some more this time, yeah? until you see me again?"

your smile glowed. "if 'm honest, quinn, that'll be hard," you said, thinking about how he had been a constant in your mind for the last couple of weeks. you leaned into your flirtatious side since you were both moving apart. it was always easiest when you were on the way out.

he ran his tongue along the inside of his cheek. "try extra hard for me, would you, doll?"

and for a moment, time seemed to ooze like amber. a blink felt like eternity, like you were both suspended in an hourglass.

"promise," you said. it came out like a whisper, but it felt like you screamed it across an open expanse.

and so you parted ways a second time, practically daring the universe to stop you from meeting again.

do whatever you want, universe, you seemed to say, i don't care! i'm fine with the story ending here!

oh, sweetheart, the universe seemed to say, yawning, barely looking at you, then why do you clutch at the book until your fingers bleed?

you could have scowled.

and, just as he wanted, and just as you were afraid of, he was there, in the back of your mind, for several weeks into the school year.

everything started smoothly. you were happy to see your friends again, to be living with them. classes started well. you went out when you wanted to. you began your regular job, tutoring other students in classes you had already taken. it was nice to see the students you had helped out last year, to continue helping them.

teachers referred you to help students who were struggling in their classes all the time, so it wasn't anything significant when one set up a time for you to meet at the library with someone who wasn't quite getting intro to calculus.

it was significant, however, when you opened up the reserved study room door to see quinn sitting at the table, textbooks out in front of him.

so significant, actually, that it genuinely scared you. "jesus," you muttered, exhaling and placing a calming hand over your heart.

he looked up when he heard the door open, and you were frozen in place.

this is what you wanted, right? the universe probably asked, bored. now will you leave me alone?

"i was not expecting you," you admitted, willing your heart back to beating normally.

you couldn't read him, yet again. and yet again, you felt as if you had wanted him hard enough that even the fibers of the universe were annoyed enough to comply.

ugh, they probably said to each other, just give that desperate fool what she wants! i'm tired of hearing her pleas!

but you could have sighed at how beautiful he looked, this time different again - sweatpants and a t-shirt and messy hair. soft looking and sleepy after a day of class and whatever else.

"yeah?" he asked, although he hadn't expected you either. he wasn't shocked the way you were, though. only pleasantness played across his full features. "who were you expecting?"

not you, you wanted to say. things just don't work out like this for me. "i didn't know you went here," you said, simply.

"i didn't know you were a tutor," he replied, leaning back in his chair.

i didn't know your smile gets lopsided when you're tired, you thought to yourself. you could never forget that, now.

"safe to say we know very little about each other, doll," he added, as if he could hear your thoughts.

and he was right - you hadn't asked him anything about himself the last two times you saw him, and he didn't know anything about you. how easy would it have been at the course to say you were going to the local university in a couple of days. why had you not?

why had you relinquished control so easily?

it practically pained you to think about that, just as it was practically painful to look at his face head on, eyes weary with sleep yet bright with amusement, so you decided to solve both of those problems.

"well," you said, sliding into the seat next to him at the table, excruciatingly aware of your closeness, "what do you know about derivatives?"

he gave a huff of a laugh. "probably even less," he said.

you gave him a smile and started to go over your notes with him. the more you spoke, and the deeper you got into the topic, the easier it was to be close to him.

you were still hyperaware of his warmth, his presence, his beauty, his being, but you could do this. getting lost in your purpose here instead of getting lost in him.

after about an hour of you explaining derivatives, you looking at your notes, and him looking at you, you shut your textbook.

"i think that's good for a first session, hm?" you asked, turning to face him and hugging one knee to your chest.

he held your gaze as if studying your face. it felt like being center stage, under a white hot spotlight.

he spread his legs out and reached his arms up, stretching after sitting in the same position for a while. you had to look down at your hands.

"five more minutes?" he asked like a kid begging for an extended bedtime. only now he was asking for more time with you.

you scrunched up your nose, which made him smile, a bit. "can i ask you a question, quinn?" you asked. "since we don't know anything about each other."

"only if i get one, too," he answered.

you thought carefully, flexed your hand on your knee as your gaze met his sleepy one. "it's not that late," you started, "why are you so tired?"

he laughed again, making your chest sing. "busy day," he answered, "had two classes, practice, and a lift."

and as he elaborated you added to the carefully protected vault in your mind of information you knew about him. he played hockey for the team here, he was a defensemen, he was always busy.

"my turn," he said after he was done, low like a secret.

you nodded, forced away the flush his tone alone was able to pull from you.

"did you keep your promise?" he asked.

of everything he could have said, you were least expecting that. of course you knew what promise he was referring to immediately. of course it felt like something abominable to tell him the truth.

suddenly the space between the two of you felt much too little, much too dangerous. so small that you could see each of his eyelashes, he could see the way your eyes dropped to his mouth for a second.

there was something in his eyes that surprised you, though. there was a trace of those nerves you had seen in him that first day - that instability and uncertainty. he wanted you to say yes, you realized. he wanted it so, so much.

"of course i did, quinn," you soothed, leaning forward onto your knee just a bit. it was always easiest on the way out. "did you have any doubts?"

did he let out a breath? his silence spoke for him. still, you had to be the one to walk away. you couldn't afford any more ghosts.

"same time next week?" you asked, gathering your things.

"not gonna leave it to chance this time, doll?" he asked, getting his things together too, but in a lazy sort of way. his hands moved slowly, reluctantly.

you tried not to stare at them.

you gave him a last look before you left.

"do you want to leave it to chance?" you asked, genuinely.

ugh, chance seemed to say, can't you just do it yourself?

his molten gaze dripped over you like honey. "no," he decided, "no, i wouldn't say that's at the top of my wishlist."

you didn't ask what was.

so, each tuesday night, you tutored him in calculus. and each tuesday night, you learned more about him, and he learned more about you.

you learned about how he got into auto mechanics (he never grew out of his childhood truck phase), why he liked golf (really just an excuse to talk with his friends for a couple of hours), what was so special about hockey (it felt like he could see things that others just couldn't). his favorite candy (sour skittles), his favorite color gatorade (red), his favorite t-shirt (a worn in concert shirt from high school).

but you also learned that he got shy when you complimented him, that he ran his tongue along the inside of his cheek when he was about to say something that made you blush, that he got more confident as he got to know you.

his nerves only came out when he grew unsure, and you did your best to make him so, so sure.

and he did get to know you. how you got into your major (data analysis was the family business), why you applied yourself so vigorously in your classes (you didn't know any other way), all about your close friends and family. your favorite soda (cherry coke zero), your favorite frat (pike, only because a couple of your friends were dating brothers there, and they had the goofiest themes), your favorite snack (pretzel goldfish).

he was nothing if not observant, too, so he noticed that you had a special smile for when he got a question right, and that you only wore your hair up when you were extra tired, and that, towards the end of the session, when you were caught off guard, you would lean a little closer to him without realizing.

that was his favorite. when you would lean into his space, just a little more, as if you were pulled towards him by a magnetic force.

and each session, you made him a little more confident, and he made you blush a little bit more. until you both felt utterly comfortable with each other, like you had known each other for ages.

well, as comfortable as you could feel with a person who made you feel like every inch of your skin was on fire. as comfortable as you could feel with someone whose voice made your throat go dry, whose hands made you stutter, whose mannerisms made your stomach flutter.

one tuesday night, late into a session where he had told you he had passed his quiz with flying colors, he twisted his pen in his hand.

"you know, doll," he started, "you should come to a game sometime."

you looked up. "one of your games?" you asked, searching his steely eyes for meaning.

his lip quirked. "yes, one of my games."

here, he might as well have said, have a little more of me.

"unless you don't want to," he added to your silence. "which would also be fine. i don't want to force-"

you stopped him with a hand on his forearm, transporting you both back to that first day. did you imagine him relaxing into your touch, this time?

"i'd love to come," you said, looking him square in the face.

"good," he replied, content.

but nothing could have prepared you for what awaited you that friday night, standing with your friends in the student section of the rink you had never been to.

"how have we never been to a hockey game?" one of them asked, looking around at the crowd.

"basketball's just better," another said, although, to be fair, she was on the club basketball team. "what the hell is icing, anyways?"

"we never had a reason to, i guess," your best friend said in a teasing tone. you shot her a look, to which she raised her hands in surrender. "hey, no judgement," she said, and you laughed.

as soon as quinn was on the ice, though, he had your complete and undivided attention. he skated with a mesmerizing fluidity, hit with a concrete, undeniable kind of force. and he was right - he did see things no one else could see, made connections that you, nor anyone on the ice, could predict until they were already completed.

he was all over the ice, all over this space, he was everywhere. and you were transfixed.

walking back to the house with your friends, they noticed. of course they did.

"oh god, i know that look," one said.

"this is gonna be trouble," another added. was this trouble? was trouble when everything someone did felt like some great treasure you had discovered? was trouble this kind of fire, of comfort, of excitement, of rest?

you shook your head. "calm down, guys," you said. "it's not that serious."

"right," someone said. you didn't believe yourself, either.

"what did you think of the game?" he asked the following tuesday after you had covered enough material to be satisfied.

you were so close to him now, it probably would have been easier to just share a chair. so close you could feel the warmth radiating off of him, could all but feel his chest against your back.

"what did i think of the game?" you repeated lazily.

you could hear his smile in his voice. "yes, doll."

you hummed. how honest could you be, here? what could you get away with?

and maybe it was your closeness to him that made you bold. maybe it was the heat you saw in his eyes that had you leaning your head on his shoulder and looking up at him. you felt his breath rumble through him and into you.

the air sparked.

"thought you were incredible, quinn," you said honestly. "like nothing i've ever seen."

his exhale was shaky as he peered down at you. "yeah?" he asked.

"mhm," you hummed, your body buzzing with his contact, the most you had ever had. something unspoken settled between you like dust.

"you would come again, then?" he asked, hopeful but drowsy.

you couldn't help but smile, a bit, gaze up at him through your lashes. "think i'd have a hard time saying no to you, if 'm honest."

something like wonder misted across his heated gaze. "i like knowing you're there," he said. "like knowing you're thinking about me."

dangerous desire swirled around the two of you, melting your gaze and blurring the lines.

things don't work out like this for you, a voice said, bitter and mocking, drawing the lines up again, sturdy and menacing.

you cleared your throat, lifted your head from his shoulder. if you could look at him, you would have seen that uncertainty swimming in his eyes again, along with something like hurt.

but you couldn't look at him. at the drowsy slouch of his shoulders, the rugged line of his jaw, the glossy want that practically dripped down his face like starry tears.

i'm always thinking about you, you wanted to tell him. i'm sorry.

but you gathered your things, stood up. "i should go."

he was silent for a moment, looked you up and down, gave a small sigh. "okay, doll," he conceded. "on one condition."

you scrunched up your nose in confusion.

"you agree to come golfing with me tomorrow," he said in a completely satisfied tone. "then, you can go."

a million excuses flooded onto your tongue.

"i'm busy tomorrow," you tried, your voice coming out tight.

he waved that off lazily. "me too," he said, something like a smirk growing on his pink lips. "but we're both free at four, so let's plan on that. next?"

you sputtered.

"but i don't know how to golf," you tried.

he ran his tongue along the inside of his cheek. trouble.

"don't worry, doll," he offered. "i'll go real slow for you."

you flushed, almost walked into the doorframe, quickly decided you needed to leave immediately, if you wanted to maintain any level of mystery or dignity.

"fine," you said, already on your way out. it felt like flames were nipping at your heels, biting at your nose. "i'll come."

his smirk deepened, a different look on him. "don't put up much of a fight, do you, doll?"

"i'm leaving," you choked as you walked out, turning to face him one final time. "what if i just didn't want to come?"

he seemed to ponder this for a moment. "i think," he started, "if you really didn't want to come, it wouldn't make you blush like this to say so."

he didn't ask you to think about him, but by the look on his face, you knew he could tell he didn't have to.

so, the following day, you found yourself on the course with quinn.

a terrible, terrible idea, really.

especially considering the want that filled his gaze when he first saw you, catching on your legs before returning up to your eyes.

"showed up for me, did you, doll?" he asked, a hope you recognized tinting his voice a shimmery pink.

you rolled your eyes, but smiled. "you knew i would."

"thank you anyways," he replied, and his genuineness, his honesty, his straightforwardness, it all made you melt. made you want to know what his smile felt like against your neck, what his hands felt like in your hair.

so, as you both made to tee off, you turned to him. "can you help me with my swing, please?"

his gaze softened. liquid steel. "sure, doll," he said, then lined up next to you and explained his way through it.

you bit your lip. "i'm a hands on learner," you said, which was a lie. "i think i need you closer." that part wasn't.

he didn't adopt a cocky smirk, like so many would have. he didn't lean into your act, didn't pounce on the opportunity to show his superiority. he only approached you from behind and reached his arms around you to grip your driver with you, his hands on top of yours, warm and rough.

you could feel each breath he took in your back, felt the solid plane of his chest on your shoulder blades.

"close enough?" he all but whispered into the space between your neck and your shoulder.

something sinful must have possessed you then. "for now," you breathed out.

he went through a swing with you, slow and fluid. you weren't paying attention, not really, but how could you, when he was just so, so close? was this dazed sensation, was that what he felt when you touched him, that first day? or later, in your study room?

but, of course, the swing was soon over, and he reluctantly retreated off to the side.

"your turn, doll," he said.

you took a breath to shake the phantom of his embrace away, then teed off - beautifully straight and hard, arcing through the air like a physics textbook problem.

you looked at him to find a knowing, teasing look on his face. he ran a hand through his hair, displacing the curling ends as he gave a quick laugh.

you smiled. "call me a natural," you offered, shrugging.

"oh yeah?" he said, tilting his head. "how about i call you a liar?"

you leaned forward onto the end of your driver, grin widening. "how about i call you gullible?"

he shook his head, let out a playful scoff. "like you'd ever have to trick me into touching you."

the rest of the round went by quickly, both of your guards down, lost in conversation and high on each other. too soon, it was over.

it was this realization that urged you to act uncharacteristically - in that, you acted according to what you truly felt.

"can i see you tomorrow?" you asked him as he loaded your clubs into the trunk of your car. you didn't cringe as much as you would have a few weeks ago.

he wiped his hands on his shorts, looked at you with something that looked like relief. "think i'd have a hard time saying no to you," he parroted. his ability to remember things about you warmed you from the inside out.

"meet me at the sig nu party tomorrow?" you asked hopefully. "maybe you can meet some of my friends?"

he looked truly touched. "some of the guys are going already since we don't have a morning lift on friday," he said, "so you could meet some of them, too, if you want."

you nodded, flushed with expectation. "see you then," you said, making to get in your car. "and yes, i'll think about you."

his smile as you shut your door was something of dreams.

sigma nu was not one of your favorite frats. their basement was especially dirty looking, their brothers were on the sketchier side, and the never seemed to have enough alcohol to make it through the night.

but one of your friends was talking to one of the brothers, who also played club basketball. so you and the rest of your group were going for moral support. and also because no one else was throwing. it was only a thursday.

you were nervous. you had only just begun to accept that you were really, really into quinn, and you had only just begun to accept that he might, possibly, probably, be just as into you.

it still didn't make much logical sense to you. when had it ever been so simple?

don't talk about logical sense around me, chance would say, that bitch knows what she did.

when you first saw quinn across the crowded room, chance and logical sense and all those divine powers, they all melted away.

it was just him. his hair was messy and his gaze was relaxed and the lights made it look like his face was glowing as he laughed with his friends.

but the crowd got the better of you, for a little while. you danced with your friends, politely escaped several "so, what's your major?" conversations, and actually spent a while talking to your friend's new talking stage.

as you laughed at something, you were internally surprised. this guy seemed perfect for your friend - they shared so many interests, and he was able to laugh at himself easily, which was something that was at the top of her priority list.

after a while of learning enough about him to approve of him graduating from the talking stage, you looked up. of course your gaze was immediately drawn to quinn, closer than you had seen him last.

closer, and yet farther than he had ever been, because he was leaning against the wall, talking to another girl.

you couldn't really see the girl, but it wouldn't have really mattered. it wasn't about her. she was just a girl talking to a guy at a party. a guy who was, in all technical senses, single and available.

it was more so about him, and how close he was to her, how he leaned down to hear her, meaning she could probably smell his all-but-worn-off cologne.

your grip tightened on your red cup as you swallowed.

before, quinn had only ever been yours, because even when you doubted that he could ever return your feelings, he had never given you concrete evidence that he was interested in anyone else. so even though he hadn't been yours, he had been almost yours, probably going to be yours, or something like that.

but here he was, giving you concrete proof that he existed to others, too, that other people could be interested in him and he could be interested back.

and of course that had always been the case. how could you have been so narcissistic? of course people would foster crushes on him, like you did, and of course he was bound to reciprocate eventually, to someone.

you had let yourself believe that you were the center of the world for a moment, of his world, and you hated that.

so, honestly, it was barely even about quinn. this struggle, this was about you.

but if you stripped back everything external, oh, how downright jealous you felt right then.

so jealous that you had to leave, that you couldn't watch anymore. when you got home, you shut the door and exhaled.

what did i tell you? that bitter voice said, things just don't work out that way for you.

you could have growled, now, at how lazy, how self-centered that sounded.

don't look at me, chance would have said, hands raised in surrender, this was all you.

he was just talking to another girl, logical reason would say, that doesn't mean he's not interested in you. you have what, a couple months of history?

and of course reason would be right. of course, you knew, deep down, you didn't have to let this consume you.

but now a tendril of doubt had woven its way into your heart. if you had been so misled by your own ego before, how could you tell if any of it was real? how could you trust yourself to know if this wasn't much more to you than it was to him?

time. you needed some time.

thankfully, that was doable. you went home for break on friday after class, and planned to stay there for the week.

so you stayed home, caught up with your parents, ignored his numerous texts.

it hurt to do so, but you told yourself you needed some distance.

which wasn't that hard, considering he was playing a series of games across the country. you still put on his games though, which your parents noticed.

"didn't even know we got this channel," you dad observed one night as you watched quinn stickhandle around a sloppy winger.

"when did you get into hockey?" you mom asked, never critical. "we could go see a game sometime, if you want."

you started to settle down a bit, really enjoyed the time at home. before you knew it, though, break was almost over.

"sweetheart," you mom called to you on your second to last day, "would you mind taking the car in?"

you were skeptical. "why?"

"they just called," she explained, "said we're due for an urgent oil change."

you thought it was weird that they would call for that, but quinn was supposedly still away, so you figured it wouldn't be that much of an issue.

"sure," you responded. "i'll bring it in now."

you knew it was a trap as soon as you opened your car door at the garage.

the young receptionist approached you quickly with a guilty smile.

"hi, miss bean," you said, trying to gauge what she was about to say.

"look," she rushed, "i didn't want to, and i'm thought the plan was stupid, and i'm sure you're ignoring him for good reason-"

you sighed, knowing what was coming. having walked right into it. "i'm not, really," you stopped her, then felt the need to clarify. "it's not really a good reason."

"what is it, then?" that low voice asked from your side, and everyone else disappeared.

just him, standing there, looking the same as you had last seen him, but so, so different.

the same, because he was just as lovely as you last recalled. was it insensitive to say that he wore his weariness beautifully?

so different, because he just looked so tired. his coveralls did little to hide the slight slouch in his shoulders. a subtle stubble now shadowed his face, making his jaw sharper. and his eyes. that steely stone that had occupied your mind all this time - it was cracking, desperate for something to hang on to.

"just needed some distance," you mustered. you were jarred by his appearance, by being close to him again, just the two of you.

"yeah?" he looked you up and down, that desperate disappointment now running down your figure. there was no malice in his tone. "why, doll? so you can say you were right?" you could have hissed. "so you can go on knowing everything went exactly as you told yourself it would?"

things like this don't work out for you. who had been telling you that, again?

you sucked on your teeth, had no idea what to say. what do you say to someone that sees right through you? the pause settled like sludge. "i thought you were away," you eventually whispered, ignoring his question.

he ran a hand through his hair, let all his grief flood into his eyes. "and i thought it would be a lot harder for you to forget me," he said, "so i guess we're both at a loss."

you took a step forward, then stopped yourself, almost dizzy. "you actually think i would forget you?" you breathed, practically choking on your words.

he scoffed. "what was i supposed to think?" he rubbed his palm against the back of his neck. "i think everything is going well when you ask me to come to this party, then you spend the whole time talking to some other guy-"

your brow furrowed before you understood. "my friend's new boyfriend," you interrupted. to his confusion, you clarified. "i was talking to my friend's boyfriend."

he blinked, registered this information, appeared a bit lighter. "regardless," he sighed, "you were supposed to be talking to me, doll."

"hold on," you said, the memory of jealousy seeping into your bloodstream, "you were talking to someone else, too, quinn." you crossed your arms, images flashing in your mind of him leaning down, his ear much too close to her lips. "and i don't think that was your friend's girlfriend, unless they're trying out an open relationship."

"i just-" he gave a frustrated gesture, looked down at his feet for a moment.

"you what?" you pressed.

he sighed, now flushed. "i just wanted you to look at me."

you both were silent for a beat as you processed his words. you exhaled, took a few steps until you were right in front of him. his eyes flickered down to your mouth, took the long way back up.

you took his face in your hands, his stubble rough under your palms. you knew you didn't imagine the way he softened into you touch.

"surely by now you know you're all i think about," you said, an offering. like some sacrifice at a long-abandoned altar, so terribly desperate, shamefully honest.

so terrible, the way he grabbed at your hip, pulled you forward, against him. so desperate, the way his other hand twisted into your hair.

so shameful, how he captured your lips with his, all brute emotion, sleepy resignation, a million pleas of "look at me" answered with "i never looked away."

so honest, how he just barely whimpered into your mouth when you tightened your grasp on his jaw, kissed him harder. he pulled so slightly on your hair, you slid a hand down to his chest, gathered the collar of his coveralls in your first, trying to get him impossibly closer.

here, you both were practically screaming, here, have some more of me.

someone whistled across the garage. you pulled away from each other with a jump, having gotten a little carried away. quinn flushed on the tips of his ears and shot the culprit a look, which made you let out a light laugh into his chest.

the little rumble made him look down at you, wrap his arms around your waist and clasp them on the small of your back.

you stayed like that for a moment, just looking at each other. stone, molten.

"i have this thing next week," he said eventually, barely anything more than a rasp. "a formal for the team."

you nodded, reached up, twisted a strand of his hair around your finger.

"come with me," he asked, soft. "please."

you didn't have to think about it. "yes."

and so, about a week later, you found yourself at the hockey formal, an event you hadn't known existed a couple of months ago.

the past week had been blissful, but frustrating - you both were so busy, you with schoolwork and tutoring, him with the team. so much so that you could barely see each other outside of your scheduled tutoring session.

needless to say, you were very much looking forward to a weekend away with him. a whole night, just for the two of you.

and the whole night was wonderful. you were introduced to his teammates, saw a new side of him, heard his laugh so many times it made your head spin.

it was all just so easy. even the mess ups, the uncertainty, the silences, those were easy too, because they were with him.

when he stuttered over telling you how beautiful you looked - easy.

when you didn't know how to introduce yourself to his friends, so you just said you were "quinn's..." and then faded out, unsure - that was easy, because you weren't even really lying. your laugh was instinctual, and everyone else's was, too.

when he asked you to dance, reaching his hand out to you, there had never been an easier yes.

you danced with all the beautiful awkwardness of two people who weren't quite sure what they were yet - weren't quite sure how far they could go. there was not a question of how you both felt, but how slow were you taking this?

how slow could you bear?

every touch felt electric, like a gentle flame ignited whereever his hands had been. you felt a shiver erupt when his hand grasped your waist as you both moved together to a simple rhythm.

so up close and personal, you could smell his worn cologne, feel the warmth from his chest.

he gave you a sly smile, something close to a smirk. "okay, doll?"

you bit your lip, peered up at him through your lashes. "you just look so lovely, quinn," you told him, squeezed his hand, gave him a flushed smile. "it's distracting."

he pulled you a little closer, so that your chests were almost touching as you moved across the floor. "yeah?" he asked, his smile lazy, almost shy. "love a suit, do you?"

you tilted your head, met his gaze entirely and absolutely. oh, how much, how deeply you wanted. hadn't your want seemed to fray the fibers of the universe before?

babe, they seemed to remind you, we never cared.

then who was i praying to? you could have asked.

and they would have only shared a look, laughed like two girls at a sleepover.

well, who answered? they would have responded.

what you did do is give a slight shake of your head. "not the suit," you said. "you're distracting."

you watched his eyes become hooded, felt the underlying heat ignite between you. his grip on your waist tightened. "careful, doll," he breathed out, a warning, a plea.

"don't wanna be," you replied. there was a moment of understanding, a pause of anticipation.

"how slow do you want to take this?" almost drowsy with desire, his voice was slow, rough, only for you. "you know i'd go so slow for you, right, doll?"

you nodded. "i know," you assured him, "but i don't want you to."

you thought you heard him mutter a fuck before he was pulling you from the floor, out of the elaborate event room, upstairs to your room at the hotel. everything was a blur as his hand clasped around yours. a desperate escape, fleeing from everything, everyone except him.

and then the door was shutting and he was pushing you up against it, a hand on your hip and the other on your jaw as his lips met yours in a heated kiss that was every bit as desperate, as longing, and terrible and horrible and shameful as the first one.

you were both too far gone to hold back any longer.

you tangled your hands in the hair at the nape of his neck, felt the curls between your fingers.

he tasted like mint and salt and something earthy.

kissing him felt like barbed wire made of gold, flowery rust, somehow the most violent act you had ever committed, yet also the most gentle.

like removing your heart with a cookie cutter, offering it to him on a painted porcelain plate.

you moaned into his mouth, he hissed just a bit as you pulled at his hair.

he pushed his hips up against yours, hiked your leg up around his thigh, making you gasp at the hardness you found across his front.

"more," you murmured against his lips, felt his sly smirk grow against yours.

he moved his hand from your hip to slide up your dress, glide his fingertips along your inner thigh, just barely skirt across your folds. "like this, doll? so wet for me already," he asked, his voice gravelly. "this must be enough then, yeah?"

you shook your head, moved your hips to try to get some friction.

"no?" he said, obviously teasing, "greedy girl, hm? wants even more?" he brought his other hand to your mouth, pressed his thumb against your bottom lip, smirked when you closed your lips around him without a second thought. "what do you say?"

"please," you whined around his hand, in a voice you barely recognized. "please, quinn."

he answered you by dragging his fingers through your folds once before pushing two into you, slow and deep, making you arch your back up off of the door.

"fuck, so tight," he rasped.

you whimpered against his thumb, closed your eyes as you felt his hand move from your mouth to your throat.

"open up, doll," he demanded. "look at me."

you obliged with effort, wrapped an arm around his neck for support, another one bracing the door as he increased his pace, pushing his fingers in and out of you, grazing your clit each time.

your nails dug into his neck as you lost yourself in the sensation, barely registering the way he groaned at the delicious shot of pain.

"this enough, doll?" he cooed, annoyingly smug at how audibly wet you were.

you vigorously shook your head, so desperate to get him to keep going. "no," you pleaded, "fuck, please, quinn, don't stop."

he tightened his hand around your throat just a little, only barely squeezing as he flattened his other palm against your clit, making you moan loudly. "must be ready for me then, yeah?"

you fisted his dress shirt in your hand, pushed yourself off of the door and pulled him onto the bed. "please, need more of you," you begged, nothing more than a prayer, "fuck, want you so bad."

something lovely flooded his gaze as he moved his clothes aside, pulled himself out as you further hiked up your dress.

he spat into his hand, pumped himself up and down in a way that made your mouth water.

you were practically pouting. "please, fuck me, quinn," you said, pathetic and just so fine with it, "'s all i've been thinking about."

and you knew you had said something magical when he groaned and tugged you towards him by the undersides of your thighs, his grip hot and rough, a working man's grip.

"shit," he hissed as he ran his cock up and down your folds once, twice, collecting your wetness there, "'d never say no to you."

you whined when he first pushed into you, so, so deep that you swore you could feel him in the palms of your hands, feel him rattling around in your teeth, behind your eyes.

he moaned like a sinner, clutched at the flesh of your hips so tightly you knew his fingerprints would be left behind later.

as he began to thrust in and out of you, his rhythm hard and even, both of you could barely form words, so lost in the feeling of each other, finally as physically close as you could be.

"fuck," he bit out eventually, his rhythm picking up speed, "so tight, doll. so wet for me, hm?"

you nodded, clenched around him, reached one of your hands forward to rub at your clit, increasing the pressure quickly building inside of you.

he choked out a grunt at the sight of you touching yourself, only making you squeeze him harder. "feels so good, quinn," you whined, "so deep inside me."

he moved one hand up to your calf, hoisted one of your legs up to change his angle, thrusted down into you in a way that hit a dizzying spot inside of you. he kept going, bringing you both closer every minute.

"shit, feel so perfect," he bit out at some point. "made for me, hm?" he asked as you rubbed your clit faster. "squeezing me so perfect, yeah?"

you hummed something like affirmation, your breathing becoming ragged as he hit that spot over and over, his chest rising and falling, his thrusts becoming broken and messy.

"fuck, quinn," you moaned, "fuck, 'm so close."

he groaned. "gonna cum for me, doll?" he asked, letting your calf rest on his shoulder as his hand travelled down to apply only the slightest pressure to your lower stomach.

the sensation, that unique pressure making you feel him impossibly deeper, sent you soaring right to the edge.

"feel you squeezing me," he breathed out, his own voice tight and rough, his chest and stomach flexing as he fought off his own orgasm. "cum for me, doll, yeah? wanna feel you cum on my cock." he squinted with effort. "be good for me, hm?"

and his words sent you spiraling, a wave of pleasure finally crashing, clenching and spasming around him in a way that triggered his own high.

he moaned as he came, his breathing labored as you both collapsed back onto the hotel bed.

effort and satisfaction glowed on your faces, realized desire settling along his cheekbones and on the cupid's bow of your mouth.

there were several moments of easy silence in the warm air, his hand throw lazily around your middle, one of yours resting on his chest.

"can i ask you for something?" you said eventually, looking up at him with tired eyes full of possibility.

"anything, doll," he said, and you remembered back to that first day, in the garage. how easy it was, now, to remember it fondly.

"can i have a kiss, please?" you asked, almost shy, more so gentle.

a smile already played across his mouth. "especially that," he said, eager to comply with your request.

he leaned down to press a fluttering, beautiful kiss to your lips.

well i definitely didn't see this coming, chance stage-whispered to logical reason behind her hand.

i don't really deal with this lovey-dovey kind of stuff, logical reason said, not my thing.

all the divine powers and the fibers of the universe and such, they were silent. perhaps they always had been. perhaps this was much too far out of their jurisdiction.

perhaps it was just none of their business.

fin.

[ittsybittsybunny]

ATLA Live Action Series Review:

The Good

Aesthetically this show felt right. Sure sometimes the outfits didn't quite feel lived in, but I always felt like I was watching a fantasy world with decent effects and interesting design. Also, I really enjoyed the sets!

Bending: Yes some of the fights feel very quick, but the bending looks cool. It is certainly better than 10 benders lifting one big rock. I can honestly say the opening bending fight scene gave me so much hope for this show.

Kyoshi Warriors: I loved seeing them in live action, and I thought Suki's performance was great!

Omashu: I think the mashup of the mechanist made sense since that is an important character overall and I would hate to see him cut. However, both Jet & the secret tunnels felt sloppily thrown in.

Northern Water Tribe: I really loved the way it looked, and appreciated the two episodes we spent here. I think Yue gained more agency in this interpretation, and why shouldn't the moon spirit be a waterbender. Also, episode seven felt the most in tune with the original show's spirit.

Zuko: I think he was one of the most fleshed-out and best parts of the show! Dallas Liu really captured Zuko's spirit, and the scene between him and Aang in episode 6 was wonderful!

Soundtrack: Hearing the original soundtrack bits is always great, and when I first heard the ending music I was so excited.

Is the show perfect, no - but I wouldn't mind a season 2.

The Bad

Pacing: Turning 20 episodes into 8 was bound to lead to some cuts...but oftentimes times things felt too quick or disjointed. I think there were editing problems contributing to this for sure, but sometimes things skipped around too much without a clear purpose as to why. Also, why bring in plots from later seasons when you barely have enough time already?

Writing: This show definitely suffered from exposition dumping, though it did get better as time went on. I think the biggest example of this is actually opening in the past rather than the present. We do not get to learn along with Aang that the world has changed, instead, we get to learn that 100 years have passed....which doesn't hold the same tension or worldbuilding.

Clunky Dialogue: Along with exposition, clunky dialogue is another example of bad writing. I think sometimes I felt like the acting was kind of meh in the beginning, but then over time I began to realize it had far more to do with the lines characters were trying to deliver. The actors themselves are not bad, just cursed with awkward writing and lines that feel out of touch with the setting they're in.

Main Trio: I don't entirely know that I believe Katara, Sokka, and Aang are friends as opposed to 3 people stuck together to save the world. Aang feels a little too somber for a young kid running away from his responsibilities, Sokka is protective, but not exactly the heart of the team, and Katara is sort of just there until the last two episodes. Where is her struggle, her desire to learn so strong she steals from pirates? Also, while Gordon Cormier did a great job, Aang does zero waterbending on his own, is overly serious, and tells Katara not to fight. Where is his desperation to protect his friends? It feels like they all lost emotional depth.

Tension: Bringing Ozai, Azula, and Zhao out in the beginning immediately causes us to lose the realization there is an even bigger bad. Part of why Ozai is so terrifying is he is a primarily silent villain until the third season when we finally see the face of the "big bad evil guy" behind it all. Yes, they add to Zuko's backstory, but again, they are revealing the villains too early. Azula is the antagonist of season 2 and one of my favorite characters, so I hope they do more with her in the future. Finally, Zhao is supposed to be an example of the uncontrollable nature of fire unrestrained, instead, he comes off as vaguely threatening with the supposed true power being Azula.

Characterization: While all characters are bound to lose something in a shorter show, it still felt like certain characters were more mutilated than others. I am sure there are 100 different opinions on who, but I think the biggest victim was Katara.

Katara: Katara manages to go from a complete novice to a bending master in what feels like a matter of days. The journey feels short, and that makes the results feel largely unearned. Katara is one of the strongest personalities in the show, determined, kind, and fiery. In many ways, she is the unpredictability of water - equally dangerous as it is necessary to live. She is the child of a war who lost her mother, forced to grow up too soon, and even raised her older brother. Yes, Katara often gets stereotyped as the mom friend, but overall she feels underutilized in this show. We really don't see enough of her journey until the very end.

Iroh: Iroh was always comedic but most importantly wise. Even when Zuko is trying to give himself advice, he mimics Iroh. Instead, he seems to be used more as comedic relief without the underlying experience. He just doesn't feel right. Also, he kills Zhao instead of Zhao getting himself killed - which is less about Iroh and more about the writing than anything.

Ozai is weirdly a little too nice. Yes, he burned Zuko and pits his kids against each other, but he feels toned down in a show claiming to be more mature than the original cartoon.

Azula is perhaps more realistically worried about losing her status as the golden child, but she is also missing the cruelty she and her father share. I understand worrying about making your character cartoonishly evil, but the Fire Nation is currently a deeply nationalistic empire trying to control the world. Where is the deep-seated belief that they are better than other people, not just trying to bring balance to the world? There is a line between creating complexity and toning down the very real evil inherent in this plan.

Roku: I can only say what the fuck was that. He was barely there, and not the serious master to Aang's youthful exuberance.

The Ugly

Show, Don't Tell: The show's single biggest issue seems to be speeding through story parts by simply stating things. Instead of allowing the audience to discover, trusting that we are smart enough to understand, let's just blatantly say things like Zuko is the only reason the 41st division is alive to their faces. Even though in the context of the story Ozai literally already said that.... it's the division, the division for Zuko, Zuko's division.

Thematic Misunderstandings: I think this show makes several minor changes with major implications, such as airbenders actively fighting the firebenders, when airbenders are known for their pacifist nature and the lie of an Airbender fighting force is actively propaganda. Similarly, Aang very quickly accepts his role as the avatar and doesn't even run away in the beginning. Without this conflict between his desire to be a carefree child and the fact that the world needs him - the show loses a key aspect of Aang's character. Also, the obsession with downplaying the avatar state as something dangerous feels like a disservice to the tradition, connection, and strength of the avatar, which can be permanently destroyed as the trade-off for that kind of power. It's dangerous for the balance of the entire world, not just because it's powerful!

The Agni Kai: Zuko's fight against his father is one of the defining moments of Ozai's cruelty, not just because he is willing to fight his child, but because Zuko tried to do everything right. Zuko shows deference to his father, apologizes, and most importantly refuses to fight! The determination not to upset his father and still be grievously injured and banished is a hugely important theme for the fire nation and Zuko's life as a whole. He tries to do everything he is supposed to and only regains his father's acceptance after he "kills" Aang. Zuko's struggle between moral vs. social right and wrong in contrast to his family is hugely important to his character.

-----

TLDR: ATLA was a fantastical animated television show that was never afraid to show character development and flaws. When you turn 20 episodes into 8, you are bound to lose something. You hollowed out the middle, leaving the shell of important moments and events without ever wondering if all the times in between formed the true spirit of the show.

Rating: 6.5/10 It's perfectly fine and worth a watch. Not a disaster, but certainly falls flat of the original.

[lesbomaticlove]

ive talked about it before but i wanna talk about it again and that's

body types in drawing especially in terms of one piece characters

and i know its because official art presents them all the same but it just does not feel right to me, y'know? especially when i look at fanart and it looks like they just drew the same body multiple times with different faces (talent in that yes but god change it up a bit PLEASE)

like with my style i like to draw semi-realistic cartoon type beat, and that means im thinking about an abstract of shape language in the way that i present the characters. i consider their fighting styles and workouts when i think about what their body type would be, not just for op ive done this with mha and jjk characters too because god dammit gege, maki deserves bulkier muscles for her efforts

so here it is. my analysis of more semi-realistic designs for these characters. all my opinion and not meant to be a call out to anyone.

also, not including the women because we all know how unrealistic they look and i dont need to explain that to you im begging just use reference.

LUFFY

rubberhose arms are ESSENTIAL in his design so when i draw him, i never put too much definition in his muscles. real definition should be reserved for gears that alter his muscles

noodly arms and stick ass legs that is his Charm thank you i dont need super definition

ZORO

on the opposite end of the spectrum, zoro.

though, i see many people draw him more bodybuilder silhouette when he should be powerlifter silhouette, youve SEEN how this man works out. stereotypical bodybuilder physique that's all muscle and no fat is EXTREMELY UNHEALTHY TO MAINTAIN and you know theres no damn way sanjis letting someone on the ship watch their weight for the sake of visuals. he should be defined and bulky, but softer edges on the abs.

USOPP

Speaking first on pre ts, what does he excel at most? long range weapons and running.

obviously he gets proper strength training during timeskip, but i really think the best representative for him is olympic sprinters

muscular, but still pretty skinny

SANJI

hear me out. ballet physique.

i see him drawn w the same physique as Zoro and it just feels so wrong. he doesnt train his upper body, so most of his definition would be in his core and legs. not to mention his flexibility tracks with that.

maybe ill come back with a figure study on these later to fully show how it translates into my drawings but. for now. tumblr wont let me add any more images to this post

[bunninophia]

Hi! I'm Bunny and I'm redesigning the whole cast for hazbin hotel

{PLS READ THE WHY SECTION BELOW}

Anyway.... Onto my designs! I'll be detailing the stuff I changed/added

First is.,..!! Sir pentious! Weird right? You would think it's Charlie but uh nah, he's my favorite character and I wanted to make him similar to my tastes.

Yes he is trans! I have a small little HC that the egg boys are his boys...

And he is much longer/bigger due to this because of sexual dimorphism! But we love him for who he is now he's so silly :). He also has a barbed tail that I would say is used as a 5th hand! To grab stuff. He already has 4 arms cause why not? He needs to push himself around already..

Next is.. Angel Dust!, he doesn't have an alt version because I feel it's not needed but here he is!

I added pedipalps, those are the mandible looking things. They are a part of spiders I think are so cool and I wanted to add them! Unfortunately they're not counted as legs and adding another set of legs to angel I couldn't figure out... But good enough!

I also changed his eyes! To include a spiderweb, I'm not entirely sure why he has that black eye, so I thought I would change it up a little bit.

A friend gave an idea that his sight from that eye is kaleidoscope-like so I'm implementing that too! And how could I forget! The spiderbutt! Without it it's kinda weird looking so I wanted to add it in cus it's so cute

Next up.... Husk! He's one of my favorite characters so.. kinda went all out on him

I didn't change much about him besides his patterns and colors, but generally his silhouette is the same!

I wanted to add a lot more feathers and fluff to him! And putting on the casino style bringing back the spades and hearts to his wings again!

I thought the spades were funny

Up next.. Vox!

I found his design interesting that he is a flat screen TV even though he died in the 50's? So I decided to change that! Turning him into a box TV again!

And giving him a cable tail, I thought it would be clever that when sleeps he charges himself up for the day!

Next up... niffty! She's the last character I've designed so far!

Also while looking up her historically accurate date I found out she's 22??? Weird... But yeah she did end up looking a little older here I'm glad, but I really wanted to give her a bigger needle! What's she gonna do with that small thing?

And her dress is based on 50's maid outfits! With the addition of an embroidered poodle!

.

Why?

Well first I'm crazy and second, I've been now made aware that the show itself does a certain type of representation so disgustingly that I'd rather make my own designs and fix what they couldn't do.

I don't support viv or the show.

If you want to read into it yourself I advise a trigger warning for S/A. It happens in episode 4.

[imagine-a-fictional-boyfriend]

Penny For Your Thoughts

Pairing: Billy Russo x F!Reader

I saw this gif and got super horny for Billy again, so this is what happened. You can also blame @becauseicantthinkwritings, @frying-panties, @dreadfulxives18 for encouraging me 😜

Warnings: 18+, minors do NOT interact, smut, explicit sexual content, alcohol consumption, super dirty talk, use of pet names (darling, baby), Sugar Daddy!Billy vibes, oral (M receiving), PIV, reader has multiple orgasms, creampie

“Darling, my leg’s falling asleep.” 

You pouted, not that he could see, and snuggled your face further into Billy’s neck. You were sitting on his lap, with your butt mostly on one of his thighs, cuddling up to his chest. He was still dressed in a full suit and had merely sat down on the couch for a drink, but you’d crawled onto his lap. You needed to feel his warmth, smell his cologne, and just be close to him.  

You’d been lonely without him, spending the day feeling empty after waking up with his cock inside you. He’d left you blissed out, cum seeping between your legs. He wanted to clean you up, but he was late for work, and you assured him that you could clean yourself up. 

The sound of Billy setting his glass down shook you from your memory. “Darling,” he said again. He ran his hand through your hair and pulled on it slightly. 

You let him pull your head back so he could look at your face. 

“Hi, Billy.” You said. You hadn’t even spoken since he’d gotten back. You just needed to feel him.  

He smiled gently. “Hi, baby. I need you to get off my lap. I can’t feel my toes.” He let go of your hair and smoothed it back in place. 

“Kiss first?” You bargained. 

Billy grinned. “For you, of course.” He leaned in and placed a chaste kiss on your lips. 

You pouted as he pulled away.  

“What’s that face?” he asked. He knew what it was, though. 

“Nothin’,” you said, knowing better than to push him. 

You got off his lap and slid to the floor instead, resting your chin on the knee of his other leg as he stretched out the one you’d been sitting on. 

“Penny for your thoughts?” You asked, looking up at his pensive face. 

“Just thinking about my day.” He rubbed a hand over his beard. 

“How was work?” You asked. 

Billy shrugged. “It was hard to focus, with the image of my cum leaking out of your little cunt constantly flashing through my head.” 

You felt your cheeks flush, but more pertinently, you felt arousal pool between your legs. You bit your lip for a moment, before you released it. “Maybe that’s something you need to see again.” 

A beautiful, sexy smirk took over Billy’s lips. “Oh? You think that’ll help?” 

“Maybe. Or maybe you need your cock in my mouth?” You trailed a hand up his leg and over his groin, which was starting to grow hard. 

He grunted at your touch. “Maybe I need both.” 

“Maybe you’ll get both, if you ask nicely.” You batted your eyelashes.  

Billy’s tongue darted out to wet his lips. “I ain’t nice, though.” 

“Yes, you are.” You disagreed. You continued rubbing your hand along the outline of his cock over his trousers. “You bought me those shoes I really wanted last week, even though they were full price.” 

“They weren’t that expensive.” He grunted. 

“They were two grand.” You scoffed. 

“Pennies.” Billy quipped. 

“You wanted to take care of me this morning. Almost made you late for work.” You said, still trying to tell him that he was nice. 

“Well, had to do something for the excellent pussy I got.” He drawled. 

You rolled your eyes.  

“Well, you’re quite nice to me. You’ll never change my mind.” You said. Despite your many attempts to refuse him, Billy had been very generous to you. All the money he’d given so far had been used – in addition for pleasurable items like a new phone, or non-necessities like those designer shoes – for student loans, medical bills, and even your rent before you’d moved in with him. 

You unbuttoned his pants and did your best to free his cock, but he ended up lifting his hips so he could pull his trousers and underwear down his legs instead. You pumped him a few times in your hand as you gathered some saliva in your mouth, before you let it dribble out onto his cock. 

“Fuck,” Billy said.  

You then lowered your head and took him in your mouth, moving your head down until your nose touched his skin. You let his cock tickle the back of your throat for a few seconds before you pulled back and started sucking on the tip. You teased the slit with your tongue and stroked him with your hand before you started bobbing your head. 

Billy groaned. “Now I’m remembering why I’m so nice to you.”  

The corners of your lips turned up, but you couldn’t give him the smirk you wanted to with his cock in your mouth. Billy always seemed to enjoy getting head from you, and with the way he treated and pleased you after, you didn’t mind giving it. 

It was difficult to take all his length in your mouth though, so you stuck to using your hand near the base to stroke and squeeze what you couldn’t fit past your lips. Every now and then you would stop to suckle and lick at the swollen head, tasting the precum that was starting to spill.  

Billy’s fingers wove into your hair, and you started to take him back in your mouth. You knew that he liked it when you struggled to take him all. 

“Lemme feel that little throat choke on my dick.” He said, voice thick with arousal. 

You fought your eyes from rolling back in your head as you felt yourself soak through your panties. You focused on breathing steadily through your nose, as Billy slowly thrusted his hips to fuck your mouth. Your fingers dug into the cushions of the couch, your pussy ached, but you let Billy use you. You wanted him to use you. 

You were finding it harder to breathe and were getting a little overwhelmed trying to continually disengage your gag reflex, and tears had started spilling down your cheeks. When Billy noticed, he trapped his bottom lip between his teeth. 

“Fuck!” Despite his roar, his rhythm slowed until he eventually pulled your mouth off him.  

Your used jaw hung open for a little bit, and some drool slid off your tongue and onto your lap before you could close your mouth. 

Billy delicately cupped your face and wiped away your tears. “Are you okay?” His voice was dripping with fake sympathy, but you loved it. 

You tried to speak, but you could only nod. “Poor thing. Your brain’s probably leaking out of your little cunt, just like your mouth. Can’t even talk.” 

You whimpered. You were so wet. Your panties were absolutely drenched. 

“Fuck, baby. Get up here, lemme fuck that wet little cunt.” 

Your legs were stiff from kneeling, but you sat down on the couch and pulled your dress off. Billy kissed you immediately, hands expertly ridding you of your bra and tossing it behind him, so he could twist your nipples with his fingers. One hand went up to wrap gently around the front of your throat and he pushed you so that you would lay back. 

He moved his kisses down your throat to your tits, giving both of your nipples a wet suck, before he kissed down your stomach. 

He looked up at you, his eyes menacingly dark with arousal. “I can smell you, baby, and I haven’t even taken off your panties.” 

“So wet. Just for you, Billy.” You whined. 

“Let me see.” He said. “Take ‘em off.” 

You lifted your hips and pushed your panties down and pulled them off your feet. You dropped your panties to the floor, a little embarrassed at how you’d soaked through them when all you’d done was suck his cock. 

Billy took one look at your glistening center before he slammed his cock inside you. He didn’t even bother to get undressed, but you felt the heat of his skin through his clothes. 

You gasped hard at the intrusion. Usually, he warmed you up with his fingers, so now it felt like he was splitting you open. “Fuck, Billy... ‘s too big.” You practically sobbed. You realized you were still a little sore from this morning. 

He gave one thrust, but then settled deep inside you and remained still. “What’s that?” He kissed your lips once, then your cheek, then began sucking on your neck. 

“You’re too big!” You whimpered. Your hands clutched at his suit desperately in an attempt to ground yourself. 

He chuckled into your neck. “You’re a big girl, you can take it. Can’t you?” 

You whined as he pulled back and pressed in again. He was everywhere, it was too much, yet you wanted more. 

He looked up at you and saw the single tear slipping past the corner of your eye. “Oh, darling. If you’re gonna cry, I can just stop. Don’t want to hurt the little baby with my big cock.” He kissed the trail left by your tear. 

He started drawing back, but you cried out, “No!” 

He held still, looking down at you with a smug smirk he was trying poorly to hide. “No? But I don’t wanna hurt your little pussy.” 

“Please, don’t stop. I can take it. You made me so wet, Billy. I can take you, I promise.” 

“Are you sure?” He asked, cupping your cheek sweetly. 

You nodded vigorously. “Promise, I promise.” 

Billy tapped your lips with two fingers, and you opened your mouth immediately. You sucked on his fingers, lathering them with your tongue before Billy pulled them out. He used them to press against your clit, and your hips arched up into him and your cunt clenched around him. 

Billy grunted. “Such a tight little pussy. And it’s all mine.” 

You nodded in agreement. “All yours.” You sighed, enjoying the way he was stroking your clit.  

He started thrusted again slowly, but only for a few beats before he started fucking you earnestly. His hand abandoned your clit, so he could push one of your legs up against your chest and grip the arm of the couch in his other hand to allow him to rail you into oblivion.  

Little sighs and moans were leaving your mouth unconsciously. You wondered if they could be heard over the sound of Billy’s skin slapping against yours. You were certain that they could, when you gave a particularly high-pitched whine as the tip of his cock hit that precious spot inside you. 

Billy grunted. “Sing for me, baby. Let me take care of you. Like I always will.” 

His words were what drove you to your orgasm, even more than the feeling of his thick cock dragging against your walls. Your body did indeed sing for Billy as you came. 

Your vision kind of blacked out, and you could just barely hear Billy’s strained chuckle as he continued fucking you. “So gorgeous when you cum all over my cock like that. Your little cunt is fluttering all around me, baby. Feels so fucking good.” 

You whined, getting a little overstimulated by his continuous thrusts. “Billy.”  

“Yeah?” 

“Mm, Billy.” You couldn’t say anything else. 

Your vision came back into focus and there was a smirk on his lips. “I see your brain is still leaking out of your cunt.” 

You opened your mouth to try to speak, but his hand when back to your clit and you gasped at the contact. 

“Cum for me again, baby, then I’ll fill up your little cunt.” 

Your back was arching from the attention to your clit and the building of your second orgasm. Your bare nipples brushed against the smooth fabric of his suit jacket and the peaks tightened even more at the friction. Everything was too much. 

“Oh, don’t know if I can.” You mumbled. 

Billy kissed your lips and slid his tongue into your mouth to tease yours for a moment. When he pulled away, he pressed his forehead against yours. “You can, baby, I know you can. You’re so good for me, aren’t you?” 

You nodded, almost reluctantly. You didn’t want to do anything but please him. 

“Yes, you are.” He said proudly. With that, he started rubbing your clit rapidly and he didn’t stop until your walls were convulsing once again. 

“Oh, Billy, ‘m cumming.” You cried, fingers digging into his back. 

“Fuck, yeah, baby.” His rhythm stuttered a little bit before he gave some hard thrusts and came inside you. His hair was out of place and fell in front of his eyes, which were squeezed shut in his bliss. He’d never been more beautiful. 

You wrapped your arms tighter around him, so that he would settle against you. You needed his weight to ground you because you felt like you were going to float into space. Billy planted a few soft kisses on your cheek, jaw and behind your ear. 

He pulled away then, and you groaned when his cock slipped out of you. You watched him watch his cum drip out of you. His dark eyes sparkled. 

“Goddamn.” He said, his voice deeper than ever. 

You bent both your knees and brought them close to your chest, opening yourself up for him. You ran your fingers gently through your folds and swiped at your entrance. You brought your fingers to your mouth, glistening with the combination of your cum and his, and sucked them between your lips. You moaned, mostly for show. 

“Penny for your thoughts?” You teased. 

Billy smirked. “You’re something else.” 

You released your fingers, smiling up at him sweetly. “Think that will help you be less distracted tomorrow?” 

He chuckled. “Definitely not.” He tucked himself back in his trousers. 

You grinned. 

“Come on, darling. Let’s take a bath.” 

“Can’t walk.” You said simply, not even trying to move. 

He shook his head, still grinning, but took you up his arms anyway. 

You smacked a kiss on his cheek. “Love you, Billy.” 

“Love you, too, baby.” 

~

Author's note: I hope you enjoyed reading this as much as I enjoyed writing it 😌

Taglist: @kayhi808 @idaoftheburningmind @quellmythirst  @kahlanmars @catherinnn  @crowssixof  @musicalggirl  @insssanemind  @loubombshell @misscaitygrace @ashlynhasmanyhyperfixations

(please tell me if you want to be removed from my everything Billy Russo taglist, I just kinda look through everyone I have tagged on other stuff consistently)

[stagefoureddiediaz]

We’ve been looking at this all wrong the entire time...

So my brain is a weird place that I don’t fully understand, but sometimes it connects dots and I figure something out that has been staring us in the face the entire time! Lets just say it explains so many things - right down to the very pointed use of tommy calling Buck Evan!

This all stemmed from me looking at colour theory and costuming for Buck and Eddie (and by extension Tommy) season 7 again, because I was going to try write the buddie costume metas for episodes 9 and 10 that I never managed to get done before we started season 8 I will hopefully get to those posts, but this post - while technically about Tommy and his costumes (yes me ant Tommy person writing a post on him I know!) it does also look at the costuming for Buck and to a lesser extent Eddie more widely across the season and what the colours used actually mean - getting some distance and some time on the season has been a blessing!

Im not going to go into it in detail, but, broadly speaking the show has given each character a signature colour - this doesn’t mean they wear it all of the time - but they do wear it a lot of the time and especially in key scenes - characters can have more than one key/ signature colour, and it can change and develop over time. We can ignore season 1 because it was a pilot season and very often shows won’t choose to establish a signature colour for a character (911 s1 is all over the place from a costuming perspective - because they had several designers working across the 10 episodes but since s2 we’ve had much more continuity with Alayna Bell-Price at the helm for most of it). So for example Athena’s signature colour is mostly black with white and khaki green also in the mix. She’s moved away from that subsequently - wearing less black and more white/creams but both colours are still staples of her wardrobe.

Eddie we all know mirrors Athena from a costuming perspective - his signature colours are also black and khaki green with some white/cream as well. The khaki green was much more dominant than the black to begin with - which played into his military past -  that had evened out on the black and khaki front whilst the cream had stayed fairly steady, but now we’re also starting to see a little bit more of it as well as some darker blues. this mirrors Athenas own journey t healing - the more she heals the less Khaki we see and the more white/cream - Eddie is starting to follow the same path from a costume perspective. 

Bucks signature colour has always been blue, but he also wears a fair amount of yellow and grey, so those are his three colours. He obviously wears a lot of other colours, especially white, but white has its own specific use in Bucks costumes that sits separately from his signature colours. 

We all know about yellow/ blue and green blue colour theory - I’ve gone on about it enough (especially yellow blue colour theory and its queer coding) and others such as @lover-of-mine have as well. Well both yellow/blue and green/blue continued to play out in season 7, I’m not going to go into them in too much detail - there are posts on my pinned post that cover that much better and I want to get to the good stuff (and I know you all do too!) 

We do need to remember that Buck and Eddie very very rarely wear blue and green in scenes together - if Eddie is in green Buck won’t be in blue, and vice versa - this is because of the ties to blue/green being Buck and Eddies break up colours - the colours they wear opposite their respective girlfriends when the relationships are ending. This is a little less set for Eddie - who actually wears white/cream much more when he’s ending relationships than blue or green - but the one time he has actively done the breaking up he was in green.

As I was starting to do a bit of work on the 7x9 and 7x10 metas, I ended up going back and looking over the Buck and Eddie costumes for the season as a whole, and how Tommy fit into all of that as well - as we’ve all been billing him as Eddie lite.

While I do still think there is an element of Tommy being Eddie lite, I don’t actually think that is what the show has been doing -that concept is a bit of a red herring. I’m sorry that this is likely to get a bit convoluted and wordy - but my brain is  still reeling and incoherent so bear with me - I hope it all makes sense.

Right this post is super long so the rest is going below the cut! I hope you enjoy!

Because I was looking for Eddie and Tommy parallels in the costuming for the season, I had been looking at the choice to put Eddie in red/black for his dinner date with Kim and Buck being in green for the scene at Bucks loft, and the fact that back in 7x04 Tommy had been dressed in the same colours - a red henley which was shot with black giving it a red/black colour way. I naturally started looking at the other Eddie - Tommy costume parallels - and there are plenty - lots of the khaki green we see Eddie in - playing into Tommys own military background.

These are Tommy’s scenes - where he wasn’t in uniform of some description (which is a good chunk of his scenes to be fair) 

7x04 

at the hangar - white tee, greenish stone coloured shirt and a tan jacket with stonewash jeans

at the court - light grey marl cut off hoodie and bright blue shorts

at Bucks loft - red/black short sleeve henley and stone wash jeans

7x05

at the restaurant -dark khaki green shirt (I would also like to point out the blue green colour theory here with the addition of tommy having a blue phone case - which is relevant later I promise!)

coffee meet up - light grey henley and navy blue hoodie with mid wash jeans

7x06

karaoke club - navy blue short sleeved henley

7x10

light grey marl tee and greenish denim shirt 

So what you can see from this is that besides the use of henley’s, the only time we get actually get direct reference to Eddies costuming is through the use of khaki green and his first outfit at the hangar. There is of course the direct parallel of the red/black colour way I spoke of before, but, beyond that if you look you’ll see that Tommys outfits actually parallel Bucks far far more. I would even argue the Henley’s are more similar to Buck than Eddie - because they are short sleeved and Eddies are invariably long sleeved.

Bucks colours are blue and grey - and so are Tommy’s - particularly in scenes that are 1-1 with Buck. What I’m trying to get at and will explain is that this has never ever been about Tommy being Eddie lite - this is all about Tommy being Buck - Buck’s subconscious if you will. (I know you all this I’m completely mad at this point - but stick with me!) I have a lot to say about all of this which will explain the why of it all and how we ended up here so we’re going to go through it Tommy costume by Tommy costume!

Lets start with the hangar scene - the most Eddie like Tommy looks throughout the entire season. this is very much intentional - this is about the red herring of it all, but it is also about Eddie (I’m not discrediting anything we’ve talked about regarding Tommy being Eddie lite etc - it is all relevant - but that’s what makes it such a good red herring!) and about Buck being an unreliable narrator. This is in part why we also still see Buck in his too short trousers and his white sneakers. This is his journey (the sneakers), but he’s still trapped in his old self at this moment in time - but aware that he doesn’t fit his skin anymore (as an aside I will be writing a post about Bucks trousers and their changing fit throughout the seasons at some point soon!)

Script wise the key lines are plentiful - the entire scene is full of double meaning. We get Buck stating that he is ‘happy where he’s at’ and Tommy’s response of ‘you’re thinking of changing things up’. viewed through the idea that Tommy is a version of Buck, this then plays out as an internal conflict - a battle about wanting what you already have - being happy with what you have, but also wanting to change things.

Eddie saying ‘you aren’t thinking of leaving us are you’ and Bucks response ‘I’m keeping my options fluid.’ Eddie needing reassurance that what they have isn’t going to change, while Bucks reply is about him not really being sure of himself - of who he is - keeping his options open because he’s figuring out if he wants to change - the line is said to and directed at Eddie so its about Buck keeping his options open about possibly changing their dynamic - becoming something more, even in the face of Eddie not wanting things to be different.  Tommy stating in this scene that Buck doesn’t need to leave the 118 to get certified to fly - that its something he could do for fun on his days off - becomes even more loaded through the internal monologue lens - Buck considering how he can stay at the 118 and have the joy, fun and benefits of ‘flying’ when he isn’t at work - that he could fly with Eddie (Eddie going flying with Tommy to do something fun and date like is a very literal visual metaphor for Bucks internal monologue - showing him what it could be like if he changed things up). There not being three tickets - only two is also important - its again a metaphor this time about how if Buck and Eddies relationship changes - it would only change for the two of them - it would become a relationship that doesn’t have room for another in it. When I say that’s about Chris not being involved it sounds really harsh, but the reality is Chris cannot be a a part of Buddie - he cannot be a part of something romantic. it isn’t saying Chris isn’t important or central to Buck and Eddie - simply that he cannot be a factor in a romantic relationship - that has to be just between Buck and Eddie alone - its kind of about Eddie (and also to a certain extent the same is true for Buck) not being able to hide behind Chris anymore when it comes to Buck.

Fundamentally its all tied back to his death in season 6 (we even get the being struck by lightening reference from Buck just to bring that aspect home) and subsequent resurrection and rebirth  (post linked on my pinned post if anyone wants to read it!). we have to keep at the front of our minds that Buck has died and that is still playing on his mind - its still influencing who he is and who he is becoming and it was all throughout season 7 - even if it wasn’t obvious or stated.

The basketball costume is actually the one that has always stood out for me - Its the most Buck outfit of all Tommys outfits. The bright blue shorts especially. 

So in that scene, which we know is supposed to read as being from Bucks view point, not only are we getting golden haloed super happy bouncy Eddie - Eddie the way Buck sees him -  but Buck is also projecting and seeing Tommy in the place he (Buck) has always existed in. It’s a visual representation of what Buck talked about with Maddie and Tommy replacing him in Eddies life.  Its unreliable narrator buck in visuals he’s seeing Eddie replacing him with Tommy - occupying the same places Buck has and more - from the calendar to the basketball court.

But that’s actually wonderful, because not only does it give us information on how Buck views himself (as expendable/replaceable) and how he thinks others view him - because if he thinks he’s similar to Tommy (which for a purely visual stand point he is - Lou looks more like Oliver than Ryan) but it also gives us information about the reality of how much Buck is actually intwined in Eddies (and Christophers) life - its telling us that Buck is in fact on Eddies calendar (and therefore fridge - fridge magnet theory for the win!) and how much space and conversation he occupies in the Diaz’s everyday life.

So he isn’t actually seeing Eddie in Tommy at all - he’s actually seeing the version of himself he doesn’t think he is but wants to be in Tommy. The version of himself that takes Eddie to vegas etc - that’s the Buck that Buck wants to be - the one openly flirting with Eddie and taking him on dates etc. That’s why the vegas fight is so seemingly ott (especially when you think about the fact Tommy and Eddie have known each other a week or so at most by this point) its the grand gesture Buck wishes he could be making.

All of this also makes Bucks ‘attack on Eddie’ more telling (it’s still the boy pulling the girl he likes pig tails in the playground concept) because Eddie is being receptive to all of these advances by Tommy - adding further weight to the Buck being jealous of and threatened by Tommy. 

Tommy is this version of Buck swooping in and doing all this stuff that Buck wants to be doing (subconsciously still at this point - willful ignorance be winning) but either didn’t know how to or didn’t know Eddie if would be receptive to. Remembering that this is all Bucks viewpoint of things its essentially Bucks brain showing him what dating Eddie would be like and Buck being Buck misunderstands what his brain is telling him (forever misunderstanding the assignment).

There is a second aspect to this and it ties into Tim’s comments about the hamster wheel Buck has a been stuck on and it being time he got off it - the hamster wheel is actually multifaceted and has more than one meaning. The most important is that the hamster wheel hasn’t ever been about his relationships or about the women he’s dating (or men now). The hamster wheel he’s stuck on is actually the fact that he’s built this strong relationship and family with Eddie and Chris - (you don’t find it son you make it) and its something safe and stable and predictable in his life. Getting off that hamster wheel is about being brave and moving that relationship - that family dynamic onto the next level - removing the platonic aspect of their family and making it a fully formed family for real - romantic love and all - so the ‘platonic’ family is the hamster wheel he actually needs to get off of. 

The other aspect of Tommy actually being Buck and the hamster wheel of it all is that hamster wheels are solitary pursuits - the implication is that Buck is the one standing in his own way - and coming back to the basketball game we see that played out in the moment where Buck tries to literally run through Tommy - only you can’t act out at yourself, and Tommy is a literal solid unmoving barrier and Buck won’t get past himself by just trying to bulldoze his way through.

This all then plays into the final Buck and Tommy scene of the episode - in bucks loft. I already spoke above about the red/black of it all, but now with the added concept of Tommy being A version of Buck things start to become more interesting. The red/black of it all is a warning (and the poker date red/black velvet suit and eddies red and black suit from s6 actually play into this as well!) - its dark romance - ‘forbidden’ dangerous romance or love. So for Eddie and his date with Kim that meaning is very self explanatory. The two season 6 suits are also fairly self explanatory - for Eddie again its the dangers of looking for romance that isn’t on your own terms and for Buck at the poker game its about the danger of falling in love with the person you are when you aren’t being truly yourself. Tommy being a version of Buck and this concept is a little more murky - essentially is about a similar thing to his poker suit - with a twist - its about the danger of seeing more value and loving a version of yourself that ‘used to exist’ as well as a version of yourself that you think will make you more attractive to others.

We do also need to Talk about Bucks costume here as well - the fact that it fits him almost perfectly - he’s in well fitted if slightly loose jeans and a navy shirt that isn’t tight with buttons not clinging on for dear life (to the same extent). The colouring is still on the dark side - so its not entirely positive - much in the same way that other scenes with buck in a dark navy shirt are moments where things go a bit askew for Buck (think the  taylor ‘I kinda love you for it’ scene from s5 as an example). The implication is that - before Tommy comes along Buck is at his most content with who he is - he’s fitting into his skin better than he has in a long while but it’s not perfect. This is key, firstly because of how the scene unfolds and secondly, because of how he is then costumed from here on out for the rest of the season.

I do also want to mention the yellow blue colour coding in this scene and that is mostly done through the lighting - Buck is in blue and the light behind him is always yellow - he is surrounded by yellow light. In contrast - Tommy is barely touched by the yellow light - not until Buck starts to figure things out - then we get him briefly touched by the yellow light - the rest of the time he is lit very cooly - which is in contrast to the warmth of the loft - and further plays into the idea of Tommy being a stand in for Evan - Evan who isn't loved and accepted in the same way Buck is - Evan who Buck needs to learn to love.

If we look at the script for this scene, it also fits in perfectly with the idea of Bucks internal monologue.  Tommy and Eddie being ‘buddie’s’ making perfect sense is a literal aside to the audience telling them that Buddie makes perfect sense - but it is more than that. This is where I have to bring up the ‘Evan’ of it all. I know a lot of us shudder with horror because of the fact Tommy only ever calls Buck ‘Evan’ and how both jarring and rude it is. How it shows how little Tommy knows Buck. We’ve always known it was being done intentionally. Well, if we view the use of Evan through the lens of Tommy being a version of Buck and things become clearer.  Because Tommy is basically the old version of Buck - the Buck who existed before he knew Eddie - before he joined the 118. And this is where the choice to bring back Tommy specifically for this role becomes a really smart one - because ‘Evan call me Buck Buckley’ was Tommys replacement at the 118. Tommy who has a problematic past that has never been dealt with on screen. This isn’t about the nature of the problematic past. This is the show playing on the idea of Buck’s software upgrades - before Buck 1.0 there was Evan, and using who Buck replaced at the 118 as a plot device to actually dig into Evan more so that Buck can deal with, accept and move on from Evan and become who Buck is meant to be.

Tommy saying he couldn’t replace Buck furthers this - because Buck cannot go back to being Evan - Evan can never replace Buck. invoking Christopher adds weight to this - because Chris never knew Evan - he’s only ever known Buck and Buck is ‘his Buck’ and irreplaceable. Tommy then stating his jealousy is about Evan feeling the lack of family that he grew up with - the recognition that as Buck he has made a family for himself - Bucks assertion that Tommy (Evan) was a part of it is valid - because without Evan Buck couldn’t build the family he has. The entirety of this conversation is about Buck choosing to ‘get to know’ his past (remember this is coming of the back of Buck crossing out the ‘LEY’ on his nameplate in s6 and his struggles with his parents acceptance in that season before the lightening strike), choosing to learn about Evan and embrace him as a part of Buck.  

Bucks assertion that he was ‘trying to get [Tommys] attention and it being exhausting’ is part of that as is the confusion Tommy expresses. The choice for Buck to use the word ‘exhausting’ - it’s Bucks subconscious trying to get his own attention - its his subconscious telling Buck that he’s exhausting himself by not listening to what his inner voice is saying. It’s of course a play on Buck being called exhausting by other people (and is perhaps why he doesn’t have the confidence to listen to that inner voice) and that also plays into the Evan of it all and how Buck views himself. Tommys confusion also plays into that - bucks own mind is confused - it was getting ready to ‘pursue’ Eddie but now we’re pivoting into what is essentially self love.

The continued bringing up of Eddie also makes sense with the contact of Tommy being alt Buck - because Eddie Eddie Eddie fills Bucks heart and mind - Both Evan and Buck recognise Eddies importance if not his full relevance in this moment. The resulting kiss then becomes less about Bucks bi awakening (I am not diminishing the importance of that in any way shape or form - its a vital aspect of Bucks journey) and more about Bucks decision to pursue loving himself - this ties into his statement ‘it wasn’t about me wanting to leave the 118 - it was about wanting to get to know you’ - its about Buck wanting to get to know himself - on the other side of his death and resurrection. It’s a continuation of his comments about Natalia ‘seeing him perhaps better than he sees himself’ - it’s about Buck starting to see himself better now he’s died and essentially been reborn and bout Buck now being in a place where he feels ready to confront that idea of being reborn and becoming someone new.

At the restaurant in 7x05 we have Tommy in an Eddie colour, but in a shirt that is much more Bucks style. There is also the green/blue colour play with Tommy stating Buck isn’t ready and Tommys ‘mismatched’ clothing bears that up - the play is on Bucks lingering confusion and uncertainty about what he wants - is it the Eddie side of things we’re pursuing the self love of Evan aspect we’re looking to explore? The entire scene is not just about Bucks first ‘date with a dude’ its also about Bucks fumbled attempts at self love - at not getting it right - its why Bucks outfit doesn’t fit him- why they’re now too big and baggy (I wrote about this in my costume meta for that episode - which like all the other costume posts can be found linked on my pinned post).  The innuendo about closets and Buck going into masculine bro mode is as much about his nervousness about being on a date with Tommy and being seen as it is about the fact that a man practicing self love is still taboo and so often met with derision - hiding that you are pursuing that is a kin to hiding queerness - at the start - until you get to a good place with it.

We side step into the Buck and Eddie loft scene briefly to look at Bucks confession to Eddie - I could write a whole thing on Eddies acceptance of Buck and its importance - but that is for a different post that isn’t already a million words long! what I want to mention in this scene is the why Buck can’t stop thinking about Tommy of it all - how it is essentially establishing the idea that Buck is starting to listen to himself.  He can’t stop thinking about Tommy because it isn’t Tommy he can’t stop thinking about it’s actually himself - Evan - in a learning to love himself and embrace who he is and was kind of way - all being done through a bi lens. it is essentially about Buck doing the thing he needs to do to be ready for a forever relationship with Eddie - which is love and accept himself - all of himself and acknowledging that to Eddie.

Buck switches back to better fitting clothes for the coffee date - and tommy is now dressed back in Buck colours and no trace of anything resembling Eddie in sight - making it clear that Buck has chosen to pursue himself. To get himself to the place he needs and wants to be first - the line about not knowing what it is he’s ready for but being ready for something is key - its a very self love line, but it also puts a very clear time frame on things - it makes it clear that Tommy is not endgame - because Bucks choosing self love and embracing and understanding ‘Evan’ isn’t his end game but a part of his bigger journey - a part of becoming who he needs to be to achieve what he actually wants - to get him to his endgame.

Then we have the Karaoke - brief scene(s). There isn’t really a huge amount in these scenes. But I do want to point out two things - the awkwardness of Buck and Tommys hug - and how that plays into the tentative nature of Bucks self love journey - and also Eddies behaviour towards Tommy - and the way it was very very clearly a lot cooler than we saw in 7x04.

We all jumped on the Petty Eddie train - and I agree there is an element of that. But - there is also the fact we are not seeing that scene through Bucks eyes - its through external eyes and we are therefore seeing the actual reality of Eddie and Tommys friendship - in that it isn’t this heightened date like - flirty new love type relationship - its simply two people who are loosely friends. Its remarkably normal and no threatening - only furthering the entire purpose of 7x04 being from Bucks viewpoint and Tommy being an alt Buck rather than an alt Eddie. It also therefore serves to further establish the Buddie of it all (but we all already knew that!). Tommy is still in Buck colours and the short sleeved henley is still something I would put more into the Buck costume camp than the Eddie one - especially in this season! 

The final Tommy scene and costume is the date at Bucks loft and the conversation about daddy kink. I still don’t like this scene (which has a lot more to do with execution and the script than the actual daddy kink of it all) but I am much more sanguine about it now that I understand what it is setting up.

Bear with me here I probably won’t make sense, but with the knowledge that Tommy is actually buck lite - a less good and developed version buck (Evan and in part the version of Buck that Buck himself thinks he is) the daddy kink scene actually becomes about setting up Buck addressing his past and his actual real daddy issues - because bucks past self sees his worth in those issues and without them it means both Evan and Buck have no worth. Buck confronting and dealing with them and choosing to forgive and move on means the end of Buck and Tommy because Tommy is no longer needed - he has served his purpose and Buck would be ready to start his future - Evan stays in the past and Buck completes his rebirth and closes his lightening strike arc.

Onto Bucks season 8 journey - Bringing Gerrard in to Bucks arc rather than the others who have far more connection to Gerrard now begins to make much more sense. Tommys past under Gerrard actually echoes Bucks past - in different ways and to vastly different degrees, but the parallel is there.  S1 Buck being a play boy and sleeping around and not treating women especially well (objectifying them etc) because of his own hang ups - is a pale echo of Tommy being closeted and racist sexist and homophobic under Gerrard. Like I said before - Buck is a pale imitation to Tommy here and that’s intentional (more in a sec) because once Tommy is under the wing of Bobby when he takes over the 118 we see him begin to grow and change. Buck follows the same pattern - Bobbys guidance pulls him away from his destructive behaviours and sets him onto the right path (Bobby is arguably the birther of Buck - Look I could write a whole thing off the back of my death and resurrection of Buck post about Bobbys role as God - the heavenly father - in Bucks life and how that is the overarching theme of Bobby and the show but I don’t have the time tbh!) to ‘redemption’.

Bucks behaviour is very intentionally not as bad as Tommys behaviour, because if Tommy is the plot device meant to essentially represent Bucks subconscious and how he views himself, then the reason we haven’t been shown Tommy atoning for any of his past sins and behaviours is because Buck hasn’t forgiven himself for his own. Buck is his own worst critic and will self flagellate to a ridiculous degree - and again with him being an unreliable narrator - he views his past indiscretions as being the equivalent of Tommys - therefore in his mind he hasn’t yet done enough to deserve absolution (Buck and Bobby being father and son in this as well!). 

Which brings me to s8 and the return of Gerrard and what Bucks arc is going to be (this is slightly incoherent and not fully formed - I’m still percolating!). Gerrard being central to Bucks arc - and Bucks push back is imo going to be about Buck taking a good look at himself and recognising/ facing up to and accepting his past. And that actually does come down to the daddy issues of it all. Because if Bobby is as good as Bucks dad - and allowed him (and his subconscious in the form of Tommy) to develop and grow - then Gerrard is Phillip Buckley (obviously a heightened more terrible version of reality in the same way Tommy is a much worse version of Buck) who parented Evan through apathy and taking the easy route - we saw Evan pushing back against Phillip in Buck Begins and being rewarded for it and thus establishing Bucks self destructive and self sacrificing pattern of behaviour. Acting out and getting hurt got him attention - so Buck acting out against Gerrard is this reduced and will ultimately have the same results just in an essentially more destructive way.  This is is a good thing - because this is about Buck recognising that he is worth and acting out etc is detrimental to him progressing as a person - its going to actively prevent his self love journey to flourish (and this is why in part I maintain my belief that Tommy is going to, if not encourage Bucks behaviour, then at least tell him to go along with Gerrard demands - for an easy life and also part of why I don’t think we’ll see a huge amount of Tommy - at least to begin with - until we get to a point where Buck is really motoring on the self love journey and getting to the point where he needs to do some pre break up face to face conversations that move him forward!).  It’s about forgiving and accepting his father for how Evan was raised - Bucks arc is going to be about forgiving himself and allowing himself to be happy, and he cannot do that if he doesn’t go through the Gerrard stuff - which is essentially a type of therapy. That’s also where I think the golf comes into it - it’s a metaphor for Buck building bridges, gaining understanding and accepting his past with his father - the metaphor of the driving range being the idea of standing side by side and performing the same thing, but landing in different places. There is also the concept of improving ones self and choosing to not repeat the mistakes of the past.

It also means the thing Tim said about Buck and Tommy becoming more comfortable with one another makes much more sense, and why he’d flip the question to talk about Eddie and about Eddie feeling a bit left out in the cold but not out in the cold! Buck is becoming more comfortable with himself and while he’s doing that and learning to be happy etc as I described above. Eddie is going to feel left out - because this is about Buck not Eddie - because it’s about Buck being ready for forever with Eddie - and Eddie ultimately cannot be a part of that journey - Buck has to do it for himself in the same way that Buck cannot help or be there while Eddie goes through his reckoning with the Catholic Church, and faiths place in his life and also dealing with the ghost of Shannon and his mother issues(because he has those and they are all set up to go in s8 - Chris being in Texas really sets that up nicely!

Bahaha Tim I’ve finally figured out your question answering methods and how they tell us all we need to know!! 

All this to say - Tommy is actually alt Buck - not Eddie lite (I mean he is still also that but it’s a bit of a red herring) he is a plot device for the biggest thing about Buck as a character and it all means Buddie here we come!

Thank you so so much if you have read this epic piece of waffle - I hope you enjoyed and I truly look forward to hearing all your thoughts on this and to you being as insane about it as I am!

Tagging some people who asked (and some who didn’t but might be interested anyway!)

@spotsandsocks @exhuastedpigeon @lover-of-mine @fruityfirehose @leothil

@bewitchedbewilderedbisexual @theladyyavilee @livingwherethesidewalkends @craigyxo

@izzysbeans @buddiediaz118 @inell @hotshotsxyz @winterskydragonx

[leclsrc]

more than anyone ✴︎ cl16

genre: childhood friends to enemies to lovers (a mouthful), smut, humor, Fluffff!!!!, angst

word count: 13.7k  

You moved out of Monaco at fourteen with an unrepaired friendship hanging by a thread. Ten years and a whole lifetime later, you’re forced to work with him confront it all over again.

auds here… hi hi hi!!!! HAPPY 4k to us guys!!!!! i am so insanely thankful for all of u and i will make this a longer note when i wake up tomorrow because i have so much to say but have this for now. i hope u like it,i love love love u guys forever also i changed the banner because i wanted to

nsfw warnings under the cut!

18+ because... penetrative sex, semi public sex, praise central, size kink (pretty tame smut in auds world)

You know it’s bad when your assistant-and-friend-aka-friendsistant (her vernacular) Rachel walks in with a free coffee without a quip about how dependent you are on this exact order of coffee (she’s a millennial, so caffeine and lack thereof are in her arsenal of Funny Jokes). You fear you didn’t correctly anticipate just how bad it was going to be when she stays instead of leaving to work on your schedule, combing a few fingers through her fringe and sitting herself on your couch stiffly. Maybe you’re intuitive, maybe you spend too much time with Rachel and you can spot the way she scratches at her eye, maybe both—but it’s bad.

You don’t take a sip from the Starbucks that sits idly on the coaster, opting to watch the latte sweat instead. You do stare, though, at Rachel’s stagnant posture, scrutinizing her every movement. She takes a few deep breaths and drops the bomb.

“David sent me to tell you he has good news. But there is, um. Bad news.” Dread writhes through you at the mention of your manager with bad news, and you clear your throat to compose yourself.

“What’s going on?”

She purses her lips. “He’s on his way over here. Just…” She cocks her head sharply to the glass door of your home office, expression antsy. “Sorry. Wait for him. I can’t tell you anything yet.”

You take a swig from the pity coffee. “Am I getting blacklisted?”

“God, you dumbass, no—” She makes an incredulous noise, but before she can open her mouth to elaborate, your manager walks in with an excited expression on his face, pocketing his Juul to take a seat by your table. His smile is the radiant one of a man over forty with a comical amount of Botox.

“Rachel told me you had”—you stifle the adjective—“news.”

“That I do, yes.” He hums, tracing the edge of your table. “Did you enjoy Paris Fashion Week?”

Beside the brash Frenchmen, God-awful timezone differences and consequent calls at half past three, hungover show attendances, posing for pictures until your ankles blistered, and a temporary diet of black coffee, cigarettes, and stale croissants—sure, it was fun. It was your job to attend anyway, your obligation to shake hands with important people and be photographed in designer clothing and benefit from the PR, but how often could people call work fun? 

“Sure.” You take another gulp off your coffee. “It was… fun.”

“Well, since your movie’s doing well,” David pauses and hums, “how do you feel about another few weeks of fun?” 

“Like Paris Fashion Week—weeks… this month?” You frown, eyebrows knitting together. Is this a new Vogue thing? You’re not sure how many updates they give the schedule, but you wouldn’t mind too much if you could travel again for a little bit. “So soon after spring? Did Anna want this?”

“Iiiit’s, er, Vogue’s new project. Capsule shows in Europe, coastal and summery. She wanted an exclusive guest list. She asked for you by name,” David says smugly. “Well, she called my office, granted. But to ask for you—”

“Are you fucking serious?” You stand up, and if you hadn’t had some fix of coffee you would’ve gotten dizzy. “David, tell me you’re serious.” Time seems to have suspended itself as you await his answer—which, if affirmative, would be a pretty big deal to you. 

“Yeah, I am.” He plays off a grin. “She loved your movie with Greta, and would love to send you to Europe to do PR on a few shows and pair up with some guests on a couple features. Exclusive stuff.”

You sit back down, mouth slack. “Oh, my God. I can’t believe it.” Your eyes dart to Rachel, who’s caught between a smile and an awkward purse of her lips. “Fuck! This is huge, David.”

“Yeah—okay, yeah, it is.” David shifts in his seat and crosses, then uncrosses, his legs, then his arms. He stutters for a second. “Good and bad news, remember?”

You blink a few times. You’d nearly totally forgotten the fact that this good news—and it is overwhelmingly good—comes with a bout of bad news, so bad apparently that it’s noteworthy enough to state alongside this massive deal. But it’s. Fine. It’s whatever. Worst case scenario, you’re going to need to fucking swim to Europe sans oxygen canister.

“So… the shows? Events, and shit?” He watches, waiting for you to signal that you follow. When you nod, he continues, averting his gaze to the face of his Patek. “They’re all in Monaco.”

Wrong.

“Monaco.” You repeat, deadpanning your delivery. It’s not out of the ordinary, the glitz and coast of the city being a perfect venue for high fashion. But Monaco is different for you, vastly different, and you tend to avoid the place to the best of your abilities. “Monaco. Are—you’re sure?”

“Mmm,” he hums in affirmation. “I know, I know you’re not exactly privy to Monaco because, bleh, childhood shit, whatever. But this—like you said, this is huge! And I don’t think we should jeopardize that.” He pulls a piece of paper from the folders tucked in his arm and waves it around.

“Well—yeah, I suppose. I’ll deal with it.”

“Yeah.” He sucks his teeth, eyes gliding over the scenery of L.A. that your window offers. “Okay, that’s it, so. Byeandhaveagoodlunch.” He slams the paper onto your desk, jostling you a little, but as he makes his exeunt, Rachel raises her arm to stop him.

“Is that it, David?” She asks, an edge to her voice.

You pick up the paper as they make hushed, stifled conversation, and find that it’s a call sheet of sorts, listing all the collaborators traveling to Monaco and what or who they’re in charge of, or paired up with, there. Models, athletes, celebrities, influencers—all making TikToks, or appearances, or brand deals, or interviews, or YouTube videos, the whole shebang.

“Yeah,” says David dismissively—nervously? “That’s it.”

You search for your name. “Okay. Um, hey.” Rachel turns to you, trying to catch your eye, which is busy scanning the sheet. “Did, um—did David mention you’re paired up with Charles Leclerc for a feature? Because you are. Paired up with Charles Leclerc for a feature, I mean.”

David sucks his teeth. “Thank you very much for graciously reminding me of that, Rachel.” 

Still half-distracted and growing increasingly worried with the exchange happening in front of you, you make haste in your search—eventually, you find your name, printed in plain letters beside one you’ve wished to never read over ever again.

“Wait, my Charles?” You pause and look up, suppressing a yell as your eyes widen, and you blunder over a pathetic self-correction. “I mean—no, sorry—Charles, as in Charles Leclerc? I can’t work with him, you know this!” 

“Wh—well, Vogue apparently wanted a really good Monaco-born pair and they seriously lucked out on you two. Also,” Rachel says, adamantly defending herself, “you’re always saying you can work ‘with anyone’!” She raises two comically vigorous air quotes to further her (moot) point.

“I didn’t ev—I never say that,” you lie straight through your teeth, mouth dry. You definitely do. You can place all the exact moments. “I would’ve known if I did. Rach—David—I cannot, absolutely cannot work with Leclerc. He’s my… we…” You shut your eyes and sneak two fingers upward to massage your temple, slowly caving into defeat.

David makes an oh well face and shrugs passively. “Fine. Then it’s either Anna Wintour’s special job that will help the Academy campaign or not meeting the ex-bo—”

“—friend.” You look up to cut him off, eyes narrowed. “Ex-friend.”

“Alright, kid. Suuuure.” David leans against the back wall of your office as Rachel comes to comfort you, her eyes already sympathetic and droopy. It shouldn’t be so bad, right? She asks sweetly, nudging the latte closer to your catatonic figure. You have seen him since, anyway.

With a despondent gaze, you just remain silent, refusing to state the negative aloud, opting to stare at the latte. At your disagreeable silence, Rachel continues, tone anxious: You have seen him since. Right?

You moved out of Monaco at fourteen, right after the school year finished and your father had gotten the opportunity to transfer out. The whole thing would’ve—should’ve, even—been a sentimental affair, full of tears and dramatic caresses of your bedroom wall, whispering thank yous to the city air in French and Italian, but it wasn’t. Months prior, you’d been preparing yourself for this kind of goodbye; but when it came to it, you merely kissed your extended family goodbye and slept en route to the airport, silk sleeping mask pulled taut over your shut eyelids. The only thing you left in the city was a letter written only to Gi and Cha about how much you’d miss them, with your email address scribbled at the bottom for an added touch, in case they felt like sending you longer messages.

“Do you two at least get along?” David asks, noting how genuinely aghast you appear.

“It’s not that simple.” You tap a nail against your desk a few times. “But I think it’ll be fine. I hope, at least. We used to be… good friends? As teenagers.”

You feel like an alien hearing yourself talk about it, talk about him and the whole circumstance a decade later. Your friendship with Charles was the only thing that mattered to your adolescent self, all lemonade stands and long car rides and stealthy conversations about your futures (racing and acting, respectively). It was happiness, in what you consider to be its truest form, it was lovely and real. And it ended abruptly, no goodbyes, no nothing.

“So it’s a no.”

“I’m just saying it’s impossible for me to work with him, and in Monaco no less?!” Your eyes are wild with frustration and anxiety at the prospect of your past whipping you in the face, full-fledged. “I don’t even talk about the guy or the city, how can I spend time with him there?”

“Are you seriously going to junk this amazing fucking opportunity just because of some petty childhood fight?” David’s tone is comparable to that of a dad’s, scolding and horrified, almost. “Look. If you don’t take this, career-wise, it doesn’t mean much. You get paid a shit ton, you’ll survive—you’ll do well. But emotions-wise? Maturity-wise? Be the bigger person and do it—I mean it.”

You stare back at him because you know he’s right. “Maybe it won’t be a big, long feature?” Rachel offers as some advice, some comfort. “If you reject it, his team will know, and so will he.”

And yes, you were fourteen, and yes it was petty and unexplainable even for fourteen—but there was a catalyst to all of this, a reason why the move became easy and forgetting childhood memories became second nature. A reason why you’re selective with who you make contact with from home. A reason why Giada and Charlotte are selective with topics they choose to bring up with you.

So, fuck it, really. That’s how you end up in Monaco, booked for the next three weeks, sharing a studio and public appearances and a 24-hour shoot with the last person you’d ever want to be in a room with. Ten years later—the person still is, and no doubt will always be, Charles Leclerc.

—

“MAMAN!” Charles’ voice was loud, loud, and so incredibly loud. You followed not far behind, legs running at full speed to try and leap onto his lanky figure and wrap an arm around his head to quiet him. It’d been futile: he ended up at the dining table facing his family with a victorious smile on his pink face. He breathed heavy, waiting for everyone to turn their attention to him.

“Charles,” you chimed in warningly, breathing even harder with the effort you had exerted to chase him from the sidewalk to here. “Don’t.”

“Guess who got the lead spot in the recital.” He slowly turned to point at to your angry face, and then bent, rifling through his already messy, grubby knapsack for something that he raised with glee: a headress that read…

“But-ter-cup.” Hervé sounded amused when he looked at your fuming expression. “You?”

“Yes, Papa! Maybe, just maybe,” he sing-songed, using the term wrong yet again, “she got the titular role!” He walked over to you and placed the headress square on your head, beaming. 

“There is no titular role in a school recital,” you seethed, burning with embarrassment. Your stellar academic record had apparently granted you incentive to be centre stage during the routine year-end recital, where years were lumped into twos or threes (in your and Charles’ cases, Years 8 and 9) and the student body would dance or sing a variety of teacher-selected music.

In your case, it was Build Me Up, Buttercup, complete with choreography you’d be practicing over the next month and a half. Charles laughed at your pouting expression, didn’t stop laughing even when you’d both sat down and twirled through forkfuls of spaghetti, didn’t stop chuckling even when Lorenzo got the turn to speak and he started talking about how Bringing Up Baby was his movie of the month.

You allowed him to laugh—even laughed yourself at some point—because all day, you’d been absently wondering how you’d break the news about your moving away to him.

—

Charles is not okay. He’d gotten off a red-eye from a short vacation stint, and now he’s back in Monaco, sleepy and a bit jetlagged, being briefed on brand deals and press junkets he has to accomplish by three p.m. today. “On the dot, sharp,” said his assistant, like the two didn’t just mean the same fucking thing. He’s patient, though, smiling through the exhaustion, through the dressing room, the tape around his waist and legs to measure clothes for this fashion… thing.

“A meeting for Ferrari, two TikToks, a vlog for your personal YouTube channel, three stories by noon… oh, and in the next few weeks, you’re going to film a Vogue-sponsored 24 Hours With… with—”

“D’accord, thank you,” he cuts in, already exhausted from the spiel alone. He’s a professional; no matter what people believed or what gossip rags liked to say about him, he maintains a well-kept reputation of being polite and kind to people he works with. Maybe it’s the jetlag, maybe it’s the lack of sleep, maybe it’s the heat outside, but today he just wants to close his eyes and sleep for days.

But the assistant follows, clipboard and Excel sheet and all, still spouting all his media obligations lest he forget (and mark his words, he definitely will). “Sorry,” he says. He’s new, probably assigned as a part of the Vogue team, lanky and tall and nervous looking. “I’m new. I’m Greg.”

Briefly, Charles is left alone to stare at his tired reflection while the assistants reconvene and connect. There’s several of them, each assigned or already committed to a different celebrity. Charles should know more details, but there’s only so much reading of a call sheet he can do before he’s conked out on Ambien; he trusts he’ll be around people much more famous than he is, probably American or English, actors and athletes alike. He’ll figure it out.

Yeah, she’s almost ready. Is Charles here? One of the assistants says, a bright-eyed American. They need to be introduced before 11. Her voice is quiet, quick and hushed, and Charles has to focus to hear what she’s saying. Greg chips in with something he can’t decipher; in response, the American whispers, Yeah, I’ll get her to sign it for you. Bring Charles out in five.

In five, he is indeed being brought out to the lobby of this hotel; the outdoor area is decked out with models, cocktail tables, Vogue signage and a carpet for pictures. It’s even busier inside, wait staff and event coordinators conversing in angry, aggressive French—table settings, mineral water, extra forks are needed. Greg keeps a steady pace transporting Charles through the indoor throng, and at 10:59, Charles is outside, by the pool.

“Um, right, yeah. Okay, uh—wait here. Your partner—not really partner, but like, mate? Fuck, definitely not. Um, partner. She’s on her way heeere…” He checks his phone. “Okay. You caught her name, right?” Charles nods to fend him off. “Okay. So, wait here.”

There are cameras taking pictures of him when Greg departs, some microphones waved his way; in the distance he spots fans waving crazily, sporting Ferrari merch. Charles is doing what he’s told (waiting, maybe posing a bit) when an even bigger crowd appears, surrounding one person; with their arrival, ameras click even faster, and an uproar follows. Greg waves him over, pointing at the person frantically, so Charles smiles, extends a hand, and when the crowd parts—

There you are, in all your glory. Pink dress, hair clipped into a bun, a tanline on your exposed skin, lithe hand coming up to shake his. Your eyes are flat but the lack of expression doesn’t inoculate them from beauty; they remain sparkling and pretty all the same. Cameras snap the interaction, seemingly innocent, seemingly the first.

He fights, he really does, to keep his hands shaking yours. He forces himself not to hug you, press a kiss to your cheek even if that might look friendly, caress a hand across your cheekbone, brush the tendrils of hair out of your eyes. It’s a valiant effort.

A valiant effort that pays off because, as soon as you’re ushered into a room by yourselves, your smile turns into a scoff; your hands are kept to yourself, slipping a pair of sunglasses on, and; underneath them, your eyes begin to roll. “I need a drink,” you huff, not even looking at him. 

You’re on two couches opposite each other, in what he assumes to be a foyer to a hotel room that’s much bigger than the one he was in earlier. A-list fame and that. The girl he’d seen earlier scurries off, mumbling something about a martini. Greg, beside him, goes: “Do you need a drink, too?” But he shakes his head.

“Are you voluntarily working for this guy, Greg?” You refer to his assistant by name, offering a sarastic, honeyed smile. You adjust the strap of your dress and he blinks his gaze away.

“Oh, no. I mean—yeah. Kind of. I was assigned to him.”

“It’s okay, I don’t expect you to do it of your own will,” you joke, crossing your legs.

Charles laughs dryly. “Who asked?”

“So he speaks…” You ping off his retort without missing a beat, a sardonic smile playing at your lips. 

“In the two minutes we’ve been around each other, you’ve insulted me and my assistant. I’d prefer silence, your highness.”

“Aww, did my joke and asking Greg a question piss you off?” You suck your teeth. “You must be fun at parties.”

“Do you two, um. I don’t want to, like, overstep, but do you know each other?” Charles notices that Greg’s forearm is signed by you and realizes he has no allies here, with an inward grimace. “Or if you don’t, like, are you two just… not in good moods or something?”

The girl comes in then, saying here’s the martini and catering you a sweaty glass with a smile. You offer up the empty space beside you, patting the white leather for her to sit down on. Your eyes meet his again briefly, catty and a bit challenging, before you turn back to the girl. “Sit.”

Maybe Charles spends too much time with Max, because he’s starting to become more and more inclined to getting the last word in lately. “Bossing people around, eh? Fame really does change you.” He offers a smile of his own.

“She’s my assistant, Rachel,” you say sweetly, but your smile is gritty. “We need to check my schedule.”

He wants to slap himself. “Too busy to open your calendar?” Nevermind, he’s a god.

Your sarcastic smile drops. “And what’s on yours? P6 this week, P7 next, DNF after?”

Fuck. The tension is so thick at this point, it’s almost steaming hot. Both the assistants stare at you, waiting for Charles to wedge something in, but he bites himself back. Thankfully, right as the silence just begins to settle like oil on water, the door swings open and one of the coordinators steps in, noisily rattling off the week’s plans and proclaiming you’re both free for the remainder of the day before things pick back up—Schiaparelli show at noon, both of you, front row—tomorrow.

The four of you filter out of the room, and you make a quip about your autograph on Greg’s arm, which grants your assistant some face time with Charles. She turns to him, combing a hand through her hair and furrowing her thick eyebrows. “Hey, I’m Rachel, by the way.”

“Charles.”

“I know,” she says sheepishly. “Listen. I know you two have history, she—we—she’s, um, told me about it before. I don’t know the whole story, and I’m not… like, I’m not saying I do, so I respect it, whatever it is. But I hope you can find it in you to work with her properly. It’s a huge gig for you both. So—yeah, uh. Great job, and good luck.”

She smiles with a nod before exiting the room, leaving Charles alone and stirring with thoughts and memories woken from wild unrest.

—

“Alors,” Charles had said, not turning from his position in front of your vanity mirror. He’d been picking at his face, stopping only when you tsked at him not to. “What is the problem?” His eyes flicked over to you, your lying figure on the bed exhaling little puffs of frustrated air to the ceiling. “Are you missing the recital?”

“Quoi? Non.” You gnawed at your lip, accepting your defeat. You couldn’t lie for much longer, not when you’d been keeping this under wraps for two months. “Listen. Charles.” He nodded, clearly preoccupied with something. “Charles.”

“Hmm?”

“Can you ple—look at me.” Your voice hardened.

He’d noticed it then, the curt cutoff of your voice, the absent look in your eyes. He knows you even through a mirror, even in the low light of your room. “Desolé. This pimple won’t go away.”

“Charles,” you said, groaning but allowing yourself to laugh. “Listen.”

“Okay.” He turned to face you, a spot on his chin red from how long he’d been scratching at it.

You shrugged then, suddenly scared to deal with the realness of it all. You didn’t understand why you felt so torn. “It’s something to do with me,” you said.

“Yeah.”

“I’m moving.” You rubbed at your nose, the cold draft coming in through the window causing you to sniffle. “Out of Monaco.”

A beat. “What?”

You closed your fingers around your necklace, scratching absently at the divots of the pendant. One, two, three little dips in the gold locket, tiny but comforting. “Yeah. In a few months, like, after school. It’s Papa—his job. It’s a whole thing.”

“Europe?” You shook your head. America.

“What… well, what does that mean, then?” His expression didn’t waver but if anything did, it was his eyes—desperate, seeking more answers, wanting them with a guttural, belly-deep desire. You’re his best friend, so if he has to let you go in this life, he at least needs to know everything about the move. 

“We’ll keep in touch,” you reassured, kicking your leg to further your point. “You were bound to get busy with karting anyway, so it’s like. Ça revient au même.”

“It isn’t the same,” he said, his voice thin and cracking. 

“You’ll be fine.”

“You have a very misguided idea of who I am.”

“Shut up. Come off it,” you laughed, sitting up straighter. “We’ll call everyday, and I’ll meet all the famous people who’ll get me a real acting job, and I’ll come for the holidays or summer or something. Things won’t change. Not that much, at least.”

“Maybe, just maybe.” He pauses. “Will you be here for my birthday, at least?” He’d made a big deal all year of his turning sixteen on the sixteenth.

“Charles,” you sighed. 

“No, yeah. I get it.” He looked down, rubbing his thumbs together, like he’s just been hit across the face. He will tell you one day it felt infinitely more painful than that. But at the time he shook his head and looked up at you, reached his pinky to yours, a thin slip of paper around the finger that matched your interlocked one, and didn’t say anything else.

Just: “We’ll be okay.”

—

You could pin a lot of adjectives on Monaco: picturesque, without a doubt; warm, glamorous, but you’d sooner die than pin the word home over it. The city is sprawling even with the little surface area it possesses, and only few things seem familiar. Your lodging is a hotel in Monte-Carlo, a penthouse suite that requires you to travel very little. It feels like a vacation.

And you embody the role of a vacationer very well—the first five, six days of your stay in Monaco went great, mainly appearances that lasted a few hours at most and several junkets to promote Vogue and your latest film, before you were free to do whatever you wished. You’d gone the touristy route already: shopping more times than you could count, trying your immense luck at the casinos, and eating at Michelin-starred restaurants; eventually all the fun blurred into each other and you found solace in naps instead.

Your troubles are not far behind, however, and they finally come after you on Day 7. The event coordinators had informed Rachel, who in turn informed you, that the first of next week’s agenda would be a photographed tour of the Musée Océanographique de Monaco, a grand seaside building right at the edge of the water. Today is, apparently, a day for you to “fraternize with” Charles, which meant you would once again need to put a façade over your less-than-kind appearance toward him.

Those are the concluding words of David’s very firm text, encouraging (read: coercing) you to settle things with Charles into some approximation of civility. You resolve things by calling him to skip over the awkwardness that comes with texting. It takes you all of twenty minutes and twice your body weight in courage to press the green telephone button.

“B’jour,” he goes, his voice quick. French people (he will hate that you called him French, even if it was just in your head; you relish in this) always talk rapidly. After some silence, he clears his throat: “Hello?”

Butterflies—some form of them, whatever—flutter in your stomach. “It’s me.”

He drops formalities and adopts a disinterested voice. “Huh. What do you want?” The butterflies have rotted to death.

“I need to talk to you.”

“To insult me again?” He sounds a little amused even over the phone, a breath of laughter landing in your ear. “Bah, I get it. We are enemies. You have no interest in reconnecting, et cetera. C’est tout ce que tu as à dire? I gotta go.”

Your face warms at his accusatory tone. “Wow, leave it to a guy to be charming, huh?”

“Why should I be charming with you?”

“At least be polite,” you taunt, but your voice lacks its usual edge. On the other line, Charles lets his own defiant tone ebb downward.

At least be polite. It’s the least he can owe you after ten years of forgetting. It wasn’t as if you two had a mutual agreement then, in 2013 when you moved away, to stop becoming friends. For months before you moved out, he completely stopped talking to you, like he’d forgotten you two were even connected, were even friends. What little words you two shared became petty and abrasive, and suddenly Monaco lost its color. The closeness you had with him, which for so long you’d convinced yourself was once-in-a-lifetime, was ripped from you, robbed from you—by him, no less, which hurt all the more. You’d given up on finding out why at some point. You waited for him to reach out. Maybe, you told yourself, just maybe, it would take a few months, a year.

Ten years of radio silence. He owes you that: politeness.

“It doesn’t matter,” you say to nobody in particular, in an effort to segue into the topic of your choosing. “Look, we’re supposed to be friends. In… on camera, at least. It’s disastrous if we look like we, you know, hate each other. We need to be professional.”

“For the cameras,” he says back, solemn.

“Yeah.” You wind a finger through your hair. “Just… for the sake of civility.”

You hear his little hums of consideration. “D’accord,” he says after a few minutes. “Truce, then.”

“Sure.” You smile a little. “I have to go.”

—

You were halfway through your mess of clothes when your mum peeked through your door, her hair held back by a headband. “Call you yet, poppet?” 

“Non,” you said, decimating your voice to a monotonous murmur. You looked up from the dress you’d been folding and offer a half-hearted, sardonic smile. “Je t’ai dit qu’il ne le ferait pas.” You were right: he wouldn’t call. What difference did a month make, anyway? This time, though, the usual victory of being right settled into an ugly disappointment in the pit of your stomach.

You wanted so badly to be wrong. To clamber to the telephone, to your Skype, to your cellphone, any of the three, and see his name flashed across the helm or his voice in your ear. Maybe he was dialing your number now, to ask if you wanted to grab dinner after the year-end recital, or to update you on karting, or to tell you Pascale wanted lunch.

She could tell, as all mothers can, that you’d been upset. The knit in your brows that didn’t go away, the bottom lip being chewed, the tight clutch of your fingers over the already-folded dress. She sighed. “I’m sorry, baby.” 

“It’s fine.” Your voice came out sharper than you intended and you have to roll it back, recede it, to sound more relaxed, more at ease. “It’s… fine. I’m fine.” She knew better than to pry, closing the door softly to continue packing up the living room.

You heaved a dry sigh to express the nausea that came with his absence. It began a month ago, two days after you first told him about it and poked at the zit on his chin. He’d buried his head in your shoulder until tears seeped into the cotton sleeve of your shirt, and you let him. You felt guilty, after all, for keeping it a secret for so long. You would leave in September, you told him. We have time.

Two days later he walked you home as always, on the “dangerous” side of the street, lanky legs skipping to the tree in front of your house. You pointed at the beginnings of clementines on its dewy branches, smiling, inviting him in, but he remained leaning against the trunk, playing with his mop of hair that covered his forehead.

“Bah, trop dramatique,” you said, poking fun. Lorenzo had showed you both some art house films he studied in class, and with the bout of French cinema, you and Charles had grown obsessed with making fun of overdramatic stills that often included the classic leaning-against-a-surface. “Come on, Mum made bouillabasse, I smell it.”

“We need to talk,” he eked out awkwardly. “I have something important to tell you.”

You dropped your knapsack, leather scratching against the concrete of the steps to the front door as you walked over to him. “Ouais?”

“I…” His lips moved, wobbled, but nothing left, so he shut them and his eyes, like he was considering something. His breathing slowed into one rhythm you find yourself unconsciously matching, just two kids looking at each other in the dusky breeze of Monaco, the orange sun casting shadows over the clementine tree. You closed your hand over his, a tight clamp over his knobby wrist with certainty. “I…”

“Say it.”

“I want to.” His eyes were shut. Exhale. Inhale, open. “I… I’m going… going home.”

You breathed out apprehensively and relaxed. “Oh.” You blinked. “That’s it?”

“Ye—ouais. Yeah. I gotta.” Already he was climbing to the gate, waving a half-hearted goodbye. “Save some for me, oui? Bye.”

“Charles,” you warned after him, voice tinged with concern. “That’s it, promise?” Your hand flexed around air.

“Cross my heart!” The last thing he ever said with any bit of something genuine.

—

You reunite with Charles at a meeting; under the guise of your truce, he makes the barely-necessary small talk. The rest of the staff file out of the restaurant in due time, but you both stay. You ask about Lorenzo and Arthur, leaving out questions you’d rather not listen to him answer, and he tells you they’re both alright. That his mum asks about you sometimes. That makes you smile. He asks if you’re still dating the guy you’d most recently been partnered with in Us Weekly.

“God, no. We never even dated, the… um, tabloids always make shit up.” You purse your lips. “Anyway. Is Lorenzo still in film?” You ask, turning your head a little. You don’t think you’ll ever forget his affinity for cinema.

“Not professionally, but I still sit through hours-long… you know, reviews, and stuff.” He laughs when he sees you laugh, eyes half-closed and meeting the ceiling.

“He introduced me to some of my favorite movies, especially when I got into acting and I was kind of… like, I wanted some inspiration, acting-wise. But not my actual favorite movie.”

“Which is?” He segues into a more personal topic. “Is it still Bambi?”

“Oh, it was, for the longest time!” You almost squeal with excitement. “Not anymore, though. It’s been dethroned, ha ha. I think it’s… I’d say it’s maybe Casablanca now.”

“How American.”

“Shut up.” Your face warms. “It’s so romantic. When he says—when he goes, um. We’ll always have Paris. And then, God—when Ilsa goes, I said I would never leave you—and Rick goes, And you never will… isn’t it so classic? Romance movies nowadays are—I, I, I… I get scripts sent to me that are just so bad, and they’re either too idealistic or too pessimistic, or too indie or too commercial, and.” You sigh. “It’s like nobody gets love right anymore.”

“Us Weekly disagrees,” he says weakly, after a period of silence.

“Stop,” you laugh warningly. “And don’t act like you’re not being paired up with different girls, too.”

For a minute you sit with the realization that you’ve both been keeping tabs on each other all these years, even just a little bit. It’s a bit jarring, it’s a bit warm, it’s a lot confusing. You make a move to ask for the bill but Charles is quicker, opens his mouth to implore your presence.

“Come see me tonight.” He says it like he didn’t mean to, like it escaped him on a whim, a blurted out confession born out of your memories and conversation. His voice is dreamy, faraway. “Earth to…?”

“Wh—sorry. Fuck.” You clear your throat and deduce your next words. “Where?”

“I’ll text you. A club, near your hotel.”

“Yeah… yeah, sure.” You hum an affirming noise. 

—

Your name is on the list, though you’re sure it doesn’t matter whether or not it was. No ID is needed, and paps catch a bouncer being dispatched to guide you through the nightclub toward the elevated area with significantly less people. It’s low-lit, smoky, vaguely blue and purple, smelling of flows of alcohol and fresh ice. An Azealia Banks song is playing, pounding through your head.

Tabloids don’t care about nightclubs. They care if you come out drunk or with a smidge of snow under your nose, neither of which have happened to you; entering is fair game, a fun affair, especially in a district like Monte-Carlo. You don’t have any explaining to do, not even to questions like are you clubbing with your professional Vogue collaborator, Charles Leclerc?

The collaborator in question is the first to greet you, getting up and approaching you with a smile so obviously tense. The picture in front of him is like if he’d conjured up a forlorn fantasy of his to life—your hair fell loosely over black lace, a hand pinched around the hem of your dress. “Hey.”

“Hi.”

“So.” He realizes he’s in charge of the socializing, and turns to properly introduce you. “Um, guys, this is my—friend—you already know”—he fusses over your name, which everyone in the world knows, anyway—“and these are my friends. Pierre, Alex, George, Lando, Daniel… you know Joris.” He points to each guy's face as he goes, eliciting a beam every time he gestures.

You wave with a polite smile before you station yourself beside the only one you know: Joris, with whom Charles shares a longtime friendship. He greets you first, with a side hug. “Long time.”

“Yeah, it’s been.” You watch him turn toward the low table, and back around with two shots, offering them to you with haste.

You thank the Lord that he makes quick, dextrous work of it, and before long you’ve downed a glass or three of some strawberry four seasons thing, socializing with the different people around the table. One of them, Lando, talks about your latest film for five whole minutes (“I rated it five stars on Letterboxd. I left a review, if you wanna see”) before he leans close and asks: “Are you his girlfriend?” His is obviously referencing Charles, and you pull back from the proximity to shake your head.

“No,” you holler to emphasize it. “We used to know each other. I grew up here.”

“Oh shit! Native!” He whoops, offering you another glass. This must be your fifth, maybe, fifth G&T or Cosmo or something or other of the night. You take it, drinking as you walk, planning to collect your bag to take with you to the bathroom—another hand takes yours, though, dragging you down the steps. Halfway through, you realize it’s Charles.

“How’s the drink?” He asks, brows straight.

“That’s all you wanted to ask?” You raise your voice above the bass. “Someone needs to teach you fucking… proper small talk.” A laugh involuntarily bubbles past your lips, eyes crinkling. 

He laughs, too, despite himself. “Non, I was—I was just asking. We should—I brought you over here to—so we could…” He realizes he’s been talking too fast without getting to the point and pauses, resetting himself with a pinched sigh. “Dance.”

Your heart pulses. Dance? You hear yourself ask. For wh…Why?

“For the sake of the truce.” His voice is light. “We should try being closer.”

“We were close once,” you say, loose. “Did you forget?”

He’s looking right at you, and you’re warm all over. “How could I?”

It feels too real. Not the words—yes the words—but the alcohol, the alcohol is what you’re referring to, and all those shots and drinks suddenly seem not as harmless as they’d seemed earlier. You scan the periphery for the WC sign and try your best not to look deranged on your way there, offering the same pretty smile to recognizing passersby. Behind you, Charles calls out; but you wave him off, heaving dryly.

The restroom is clean because the nightclub is outrageously expensive; you push yourself into the available stall that’s in your direct path and crumple above it. You heave. Heave some more. Nothing comes. The nausea rises and recedes, so you decide to wait it out.

The bathroom door hauls open, bringing with it a few seconds of noise before it swings heavily onto the frame again, sealing the sterile silence. The momentary return of the bass from the dance floor sends your head spinning all over again and you freeze, willing yourself not to wind up hurling your guts into the toilet. It’s a futile effort, though, because you’re feeling nauseated beyond your limit again, and you need water and maybe a salve or something.

“This stall is open,” somebody says, a chipper American voice that grows in volume as it nears you. A gasp follows, and then: “Oh, my God. Are you okay?”

You turn, your face flushed and lips parted. “I’m so sorry. I just—I’ve been nauseous all night.”

“I have water,” she answers, reaching her arm outward, as if seeking it. “Carmen, the water!” A bottle of Evian is thrust into her hand by another girl (Carmen, you presume), and she doesn’t hesitate to bend next to you to feed it into your mouth. She stares for a second, then goes: “On the off chance I’m lucky, and you’re the famous actress, by the way, I just want to say I’m a huge fan of your work.”

Eyes wide, you lock eyes with her and pull away from the water. “Oh, God. Yeah, that’s me. I’m so sorry—this is so humiliating.”

“It’s not—it’s normal,” she assures, nodding. “We’ve all… y’know, puked into a club toilet before.” From the stall doorframe, Carmen nods. “What’d you drink?”

“Fruity stuff,” you recall, eyebrows knitting at the memory. “And shots.”

They both grimace at the same time, knowing the exact feeling, the exact taste, it seems. “Are you heartbroken or something?” Carmen asks; Lily shoots her a look that can only really mean don’t ask the world-famous actress if she’s heartbroken. But you laugh it off, shaking your head.

“No. There’s a guy, though, and he’s… we’re… it’s a lot. I think I thought alcohol would absorb all of it, but… clearly, it did not.” Your lips simmer into a straight line and you’re quiet for a few moments before remembering you’re on a dingy club floor being supported by two nice girls who are strangers. “Anyway! Sorry. I’m clearly, um, delirious.” You get up on semi-wobbly feet, swallowing the nausea as you go. 

You walk to the sink, and behind your back, the girl and Carmen share a telepathic exchange (should we ask her to elaborate? Yes! Should we really? Fuck, no.) You rinse your mouth out, washing your hands and focusing on your reflection—your tired eyes, your smudged lip gloss, your fussed-up hair. You turn after rinsing, offering a small smile. “Thank you.”

“It’s nothing,” says the first girl, offering her hand and a tube of lip gloss. “I’m Lily, by the way. And just so you know—I’m so sure that guy has nothing on you.” Carmen, beside her, nods in solidarity, and your heart blooms.

Your smile grows as your hand shakes hers, accepting the lip gloss. “You’re too kind. Thank y—” 

“Lil? Baby, are you puking?” Comes a disembodied male voice from the door, ajar ever so slightly. Lily visibly cringes and walks over to the door, pulling it open further. On the other side—the detective of sorts—happens to be Alex, who you’d been introduced to a few hours ago. At the sight of you, his eyes widen with recognition. 

“We’re fine. Leave us alone,” replies Lily in a conspiratorial whisper. “Carmen and I have a new friend.” She doesn’t even need to drop your name; your face alone is enough to make people recognize who you are.

Alex, however, refuses to admit defeat. “Try harder next time.” He pumps his eyebrows. “We were introduced earlier.” He looks up and waves to demonstrate his truth; when you smile back, Lily’s jaw drops as she turns to her boyfriend again, aghast.

“What the hell? How?” A pause. “No offense. It’s like. Two levels of fame, right there.”

He makes a pinched face. “She’s Charles’… friend? I don’t—coworker? Something, something. They were both vague about it. Actually, George and I were talking about it, and we both think something is up. With them.”

“Wait—you might be right.” Her eyes are hyperfocused, and her voice drops to a whisper for a second. “Let’s talk about it at the hotel.”

You and Carmen watch their hushed exchange, and eventually Alex leaves you three alone again with a loud goodbye, which allows Lily to rejoin your conversation. “Sorry,” she says with a smile. “That was my boyfriend, Alex. I didn’t know you two were introduced! He told me you knew Charles?”

“Oh.” Your shoulders relax. “Yeah, um. We knew each other as kids, but I moved away and we kind of—we drifted apart, so. I’m here on a business trip, and he’s just welcoming me.” You try to reduce the decade-long mess into a sentence.

“So you’re friends?”

“Yeah.” You feel like vomiting all over again. 

—

The sky’s a searing blue at noon, silver clouds lining the horizon. Charles has to press a finger to the high point of his cheek to test if he’s sunburned from the heat, and the cameras catch it; he doesn’t doubt the fans will spin that into something cute later. You’re somewhere else on the property, this big, massive thing of a museum that’s crashed into by the waves.

He remembers Andrea first telling him about this whole arrangement. He and the team had deliberately left out any mention of you, like they could predict the immediate veto. He wonders if you knew, or if you, too, had been surprised when seeing him, a ghost of your past looking into your eyes. He wonders if you, too, are now in this endless emotional turmoil. Inside there’s a photoshoot ongoing, with you but also with some models in varying aquatic-related poses to convey the intent of the building; he’s done his share of pictures already, just needs to sit down with you for an interview. 

“And a B-roll of you guys, um, like, walking, like—around?” Greg’s voice invades his head again, the nervous man beside him running through a to-do list like this is boot camp.

You’d left him hanging at the club—he couldn’t blame you though. A truce hardly called for the bringing forth of memories you two are now supposed to have buried beneath you. Memories he buried first. But alcohol had loosened him, and maybe you had, too, your eyes in the vaguely bluish light and your smile.

He wishes to apologize. He makes up some excuse and finds you nursing an Evian by a faraway corner, against a screen of stingrays. Your eyes widen when you see him, in recognition. He waves and then, with a thumb, gestures to the catering outside.

You end up by the water eating one of the caterer’s churros, a recommendation he deems “very special.” (“Have you worked with these caterers before?” “No.”) It’s also his excuse to cheat on his diet and eat a churro or three—chocolate dip included, always. You rave over the taste, smile, enjoy the view. Charles realizes this looks deceivingly like a date, and at the same time realizes he would not stop to correct someone if they assumed so.

“Our truce seems to be working.” You say in-between chews, voice flat but eyes bright.

“It seems so. I owe that to my personality.”

You really laugh at that. “I didn’t know you had one. It’s very fit for someone as unapproachable as I am.”

“Who said that?”

“No, noth—nobody.” You comb a lock of hair behind your ear. “Aw, putain. I’m ruining my lipstick. Pat’s going to kill me. I look awful.” There are no reflective surfaces around you to affirm your statement, but you sound so sure of yourself.

He smiles. He enjoys the illusion, the mask that you two seem to wear, albeit involuntarily. The chocolate syrup he squeezes on your little paper box of churros. The muttered back merci when he’s finished. Your flushed face, eyes darting from the delicacy to the ocean, eyelashes fluttering, lips smiling, curving into a laugh at some random realization. Briefly he imagines what he might tell somebody if they stopped to ask if you were dating.

Some old woman, French accent and short in stature. You two are so cute. Si mignon! And she would ask how you two met. Charles would tell her the story. But that is imagination. He blinks out of it and focuses on the beauty in front of him, so very real.

“No. You are very pretty, you know.” He says then, and it’s taken him all his nerves and then some just to wrangle it out of his mouth and past his lips. Anticipatory, he watches you, waits for your response.

You comb the hair out of your face messily, licking over the cinnamon sugar on your lips; then you smile up at him, turning your head in question. “Sorry,” you laugh, and his heart’s frozen because it’s the prettiest sound he’s ever heard. “What did you say?”

The wind roars in his ears, so Charles barely hears himself when he says, stuttering, “What? Nothing, I said nothing.”

You make a face—confused, suspicious—but all your allegations quell once you bite into another churro, stepping yourself a path along the area. Having blocked off the building, production staff and models are all that populate your surroundings, big headphones and even bigger cameras, rolling around racks of monochrome and Hermés, Birkins to match Loro Pianas. It’s easy to get lost in a crowd—in a city—where everyone looks the same, and knows the other’s name. Perhaps that’s also why, even at fourteen, you were excited to leave, he thinks.

“The coast was always my favorite part about the city.”

He notices. The way your eyes have softened, become more fond than when you’re in the centre of it all, in the bustle. Here it’s busy, but less busy; the distinction, perhaps, matters. Your gaze is not one of distaste, of disdain. It’s nostalgic, homesick, yearning. He supposes he describes this gaze so well because it’s the way he catches himself looking at you over the week. 

“I wanted to…” He trails off. “I wanted to talk to you because, ah. I’m sorry. It was foolish of me to put you on the spot last night. I should’ve been more… yeah. I’m sorry. I hope you’re okay.”

You stare at the sea and nod quietly. Instead of responding, you launch a story: “I always…” You’re clearly lost in a different sphere of thought, and you have to fall quiet while finding the right words to say. “I remember, um. In Year 3, we—I came here with my mum. And I was super mad, because I got, like, three mistakes on my Maths paper?” You laugh and he does, too, but more because your storytelling is so effortlessly enthralling and funny and he needs to shut himself up.

“Anyway.” You pace around again, and he follows. “So, I’m mad, and she’s trying to cheer me up, buys me glace and everything, but no. So I go sit myself on a random bench. It must’ve been around here, I think.” You look around and point at an empty area. “There. But it’s—they must’ve ripped it out. Whatever. So yeah, I’m sitting there, and moping, and all of a sudden All You Need is Love by The Beatles comes blaring into the entire area.”

Charles’ eyebrows knit confusedly. “What, the bench area?”

“No—the whole pier, I guess? Like, it was loud, I almost jumped. And then this guy comes in holding this huge—this, um, board? Sign? Poster? And he’s got half the pier in on his whole thing, and I’m totally… it was just… yeah.” You smile. It’s the biggest smile he’s seen on you since you got here and the fact that he’s even around to see it gets him all warm.

“So what happened?”

“It was a flash mob. You know those—yeah, they’re usually insufferable, but that one was a little calmer. Nobody was, you know, dancing and yelling. It was just a bunch of people cheering and all, and the guy was actually proposing to his girlfriend. It was so cute.” You sigh a little, a brief exhale of air, and it turns into a smile. “I’d love that.”

He raises his eyebrows and, despite himself, laughs. “Vraiment?” 

You turn to him, ready to defend yourself, mid-laugh. “Heeey. Everyone says they find big, romantic gestures cheesy, but I think deep down, if you trust the person enough, you’ll like it. Maybe not a proposal, though—can you imagine the pressure?” You pause. “But I don’t know. There’s something so nice about just knowing that person loves you so much they think it’s worth it to share it to everyone around you. So even if it’s cheesy, I wouldn’t mind much. You?”

“It’s cheesy for me,” he disagrees, shrugging. “But I see your point.” Truth be told, he didn’t see you as a romantic type—but all he’s ever seen you do lately is work, and even back in childhood, all you ever did was study. He likes learning these little facts, ones you wouldn’t share in interviews—likes knowing you feel comfortable enough to share with him. “Dancing is a bit overboard.”

“Oh, definitely.” You throw your head back to laugh, eyes half-shut and crinkled and reflecting the sun. Would you look the same if he was dancing to The Beatles, proclaiming all the words he hasn’t had the courage to say?

—

Next question is who your first love was—we’re rolling in three…

“First love?” You laughed a little, facing the camera to continue your Screen Test interview with W. The questions had been candid and lovely, but they were about your career, which you answered with familiar ease. First love is different—uncharted, private territory. But you’d realized all this too late, and the director called go, and you let words spill out of you like a bag popped open.

“I want to be funny and witty and say acting, but that would be a lie. Um, my first love was a childhood friend. We lived near each other, our parents were friends, and I… I really did, I liked him a lot. But these—there were so many factors at tension with each other, like me moving away in 2013—that’s, what, six years ago now? And us being young and not really knowing how to communicate. When you’re a teenager, you’re kind of just like, oh, no worries, um, that’ll sort itself out, and then you grow up and look back and realize, these things never do. But I miss him a, a, a… a lot, and I think of him always.” Your smile didn’t reach your eyes when you looked at the camera again. “We learn a lot from childhood loves.”

Cut. Lovely. Just lovely.

“Thank you, Lynn,” you said with a small smile. A pause as silence creeps up onto the room, and then, quieter: “Could we omit that? I—sorry. I could answer anything else. First kiss, or something? I’m sorry, I just. Sorry.” For the first time in five years, you realize, you’ve conjured his memory again.

—

“Okay. What else do you remember?”

“I… do you remember the recital song?”

“Of course I do! The dance is… that’s a different story.” You’d been at Charles’ hotel room earlier to go over some video shoot regulations for a 24 Hours With video you’re doing in a few days. You stayed because—that’s beyond you at this point, and you’d rather not delve into the rationality of it all. You’re content with thinking about how nice this conversation is, a trip down memory lane.

“The dance, mon dieu, the dance.” He smothers a hand over his face, smiles fondly. “You were at the center!”

“Stop. Stop,” you protest, letting laughter settle into quiet. “It’s crazy, you know? How we… like, we share a life. Not—but like, we had a whole childhood together.” 

“And nobody knows.” It’s not something you keep a secret on purpose—it’s just that neither of you feel like name-dropping the other. Some stories have surfaced, but none of you have fully commented. Somehow, that’s a good thing for you.

“Do people ask?”

“People ask, yes.” His accent is a reminder of your past—you’d once had the same thick wraparound, the loose reign over English you’ve now grown to master. Now your accent is a lot thinner, to the point where it’s barely perceptible, and if it is, your coworkers and fans call it cute, chic, use it as a jumping off point to ask where you grew up. But in this hotel room, legs folded underneath you and glass of wine in hand, you have no coworkers or fans, it feels like; no one to perceive you but Charles. Charles and his accent, nostalgic and so very his, which you wouldn’t describe as anything but home.

“What do you tell them, then?” Quickly, you add: “The truth, or…?”

“That we knew each other as kids,” he says, smiling absently. “That is the truth, no?”

You cover a smile with the rim of your wine glass, nodding. There’s no revisionist history in that statement, but it hides a lot of the truth, the nitty gritty of it. You know it, he knows it, you both know it. “What would you want me to say?” His voice is soft and thin and imploring, so different from the boisterous voice he uses in public, from the slurred voice you heard in the club. This sounds real. This sounds like a conversation you would’ve had years ago in your childhood bedroom before everything went—

“Nothing, that’s fine.” You cut your own reverie off, clearing your throat. You even laugh, to alleviate the tension, but he sees right through you so many years later. “Unless you’re privy to telling people how we didn’t talk for months before I left.”

He blinks, smothers a palm over his face again, and sighs, eyes meeting yours. “I’m sorry. I don’t—I… I’ve wanted to bring it up.”

“I’m not mad.” It’s a half-lie. “Okay, no—I am, a bit. It just—it would’ve been nice to hear it two weeks ago.”

“I know.” He doesn’t even need to say it, but him saying it sends a low thrum of reassurance in you. Charles has found, in the two weeks of being in your company, that he accomplishes a sense of self—a sense of quiet, a sense of privacy—when he’s alone with you. Perhaps it’s your natural ability to bring out the best in people, to talk and loosen tongues and make everyone around you feel safe. Or, and this is on a likely front, maybe he misses being one of those people. 

He pretends he’s back to last week after another club rendezvous left you tipsier than the first time, dropping you off at your hotel room with two hands taut at your shoulders, one pinching a keycard. You’d been muttering something under your breath, stumbling as you went—you weren’t tripping too much, really; he didn’t need to hold you, but he told himself he had to—and leaning against the doorframe of your room, staring at him blankly. When he met your eyes, you said: maybe, just maybe. Just those three words. If he tries to remember right, you’d been smiling, but he was sufficiently tipsy, too, so he could just as well be wrong.

He does remember a few things right. The eyeliner smudged across your lower eye, lipstick smacked to a point where it looked like you wore none, beads of salt by your lip, your hand wrapped around your necklace. 

The silence is anything but awkward; still, he resolves to break it. “When you were drunk last week.” He looks up. “You said—you kept saying, maybe, just maybe.”

A laugh escapes you, stilted and a bit nervous. “Oh. That was—yeah, okay.”

“What’s it mean?”

“You seriously don’t remember?” You’re laughing for real now, your hair bobbing with it, eyebrows furrowed to emphasize your confusion. “Oh, my God. Charles, it’s all you ever said in Year… what, 7? I don’t… anyway. But when we were maybe twelve, I…”

Momentarily, you’re stunned by the memories of him—you’d forgotten they were even there. You press a few fingers to your lips and clear your throat. “Sorry. Yeah, I, um—I think you heard it in a movie or read it somewhere, and for ages it was your favorite saying. Maybe, just maybe.”

“I don’t underst—”

“—You were always just saying it,” you cut in, laughing, your voices layering as you discuss the origin of his former favorite term. “No, you really—”

“I don’t—I do not ever remember say—”

“—Well,” you say,  “I remember.” He stays silent for a few seconds, the intensity of your stare and the little smile on your face and everything beating down on him. For a split second he thinks of opening his mouth and getting on his knees and telling you everything, all the apologies, all the things unsaid in the months and years you became strangers. He seriously does. The pressure is almost physical, beyond overwhelming.

“I have to go.” You swallow the lump in your throat, disentangle your legs and clamber off the couch, setting the empty glass on his coffee table. “Good?”

“Yeah,” he says, blinking. “Yeah. Take care. Should I drive you?”

“God, no.” You laugh breathily. “I’ll see you tomorrow.” 

He closes the door after you leave, stares at it, as if that will conjure you back to him. It occurs to him, jolts him almost, that he’d almost let slip a quiet utterance of love you as you slipped out. His stomach boils. With thankfulness over not having said it, he wonders—or with regret?

—

“Best friends now, are you?” Lily, Carmen, and Rachel look up to the sound of your voice, their serious faces breaking out into smiles. If you could chart the time you spent here, there are definitely people you’ve spent the most time with—these three are at the top of the list. You hang your coat and drop your Chanel bag on the entryway seat, already picking up on the British noises of Love Island UK from the telly.

“Wait, so she’s hooking up with him?” Lily asks, confused; her train of thought is cut off by your flopping onto the bed. “Hiiii. Where’ve you been?”

Muffled by the bedspread: Charles’ place.

Silence. The television switches off and you hear the precarious preparation of three girls readying themselves for a debrief-or-sobfest of a lifetime, a noise you’ve heard and partaken in countless times over your life. You suddenly feel too watched, too spectated; you break the quiet by looking up, displaying your tear-streaked face.

“Talk to us,” Rachel encourages, her voice raspy with unuse (Love Island will keep one occupied and quiet for hours on end). Three of them are touching you in some way or other, reassuring grips on your hair or shoulders. “Did you two fight?”

And, oh Christ, fight? It’s not like you’re dating. You aren’t even halfway to that (not that you want to be, but that’s a discussion for another time). The idea of a fight with him is so terribly juvenile, so horribly reminiscent of secondary school and Monaco and being together and being friends. You can’t fight with a guy who’s not your boyfriend. You can’t fight with a guy you’re not close to, for Chrissake. You squeeze your tears out of your eyes and breathe hiccups out.

“Do you want gelato?” No, no.

“Love Island?” In a minute.

The truth is, you want both, but you really just want to sort everything out with Charles. It was no use—hating each other was futile, but pretending everything was fine in some pathetic attempt at a “truce” seemed even worse. You just want to talk everything out, even if it excavates feelings you’d once been able to suppress.

“What kind of crush doesn’t disappear after ten years?” You ask through tears. It’s almost funny, but the question comes straight from the heart. “I’ve dated guys, lived across the world, started a whole new life pretending he never—pretending we were—fuck. Pretending he didn’t exist. It was—I’m not lying, it was easy, pretending. But one glimpse—I see him one time and suddenly it feels like all of it was in vain. It’s the same crush I had before, coming back, like it’s never going to leave me alone.”

“Maybe it’s not a crush,” says Lily, slowly.

“So what is it then?” You ask, hopelessly. What is this—this revival of memories? This little feeling, this sense that no matter where he is or what he’s doing, you’ll be just as in tune when you reunite even if it takes a decade? A decade spurred by months of being given the cold shoulder? What kind of magic is that?

She doesn’t answer, because you already know.

—

“Hey Vogue—I’m here with Charles Leclerc, and we’re here to take you along with us on all our little adventures here in Monaco.” Your smile is rehearsed, the perfectly-orchestrated blend of fun and serious, and when the cameraman calls cut, it falls into a more natural resting face. It’s the one Charles turns to and observes for any signs of a grudge.

The day is busy, which is precisely why it was chosen as the film day: three shows in the morning, press junkets for your movie and Charles’ season in the afternoon, and then a gala in the evening, hosted and attended by Anna Wintour herself.

The day’s business is only trumped by its tension, which reaches its crescendo in the janitor’s closet of the fourth floor of your hotel. It’d begun with a fight over the color palette, then a fight over last conversation you shared, then a fight over him fucking up the color palette, and then kissing against the door. Ironically enough, this floor houses a fair number of honeymoon suites.

It’s ironic beause hardly anything about this is or should be romantic—it’s a temporary fix, a pause from the turmoil, his hand squeezing your thigh. He’s gentle but you feel his possessiveness, lingering longer, higher and higher up until he’s playing with the high hem of your skirt. You knot your fingers in his hair, smell the shampoo and hairspray and cologne in the wispy curls there.

He kisses your jaw, then downward, until he’s licking, nipping at your throat. Charles.

“Yeah?” His voice is rough against your pulse point.

“Make it—we gotta—quicker.” Your hands tremble, heart hammering loud and bold in your chest. His voice is sure, gravelly, quiet, and you have to focus on something—so you centre on his hands, up your thighs and slipping under the lace of your skirt, bunching the fabric up around your hips. His hands, big and calloused, fingers resting on your hipbones, on your ass.

He’s hard against your thigh, straining against his jeans. You could cry. “I want more.”

“I know, baby. I know.” The pet name, so new but so natural, sends you into a dopamine rush.

You squirm when he doesn’t let up on his touches, over every inch of your body, groping you. He wants to take his time—he hates that he can’t—and counts on the possibility of a next time. You pull him in for a spit-slick kiss, needy and whimpering, sloppy and tongues knotted. It feels good—fuck, it feels like this was all you were ever made for, his touch. 

You buck your hips into the air desperately. “We really—fuck. We don’t have time.” Cameras, a shoot, a video; reminders ring in your head like alarm bells. He nods, goes I know, and you pick up the strain in his voice as he tugs his jeans down just enough to rub his clothed cock under your entrance, hard and drooling through the fabric.

You moan softly. “Please, I can take it,” you breathe. You’ve never been this wet, this worked up, this teased. You need to feel him, be full of him; he presses you flush against the door with a hand at the small of your back to keep it from aching too much, and drops forward as he pushes into you. Your noses brush and he goes deeper, air thick and muffled with little moans and whimpers.

His mouth is against your jaw, thrusting slowly to get you used to the size of him. The angle gets you dizzy, draws a burst of wetness out and gets you clenching around him. You’re flushed and sweaty, moaning. Feels s’good. So good, Charles, so, so good. He fucks harder, the door rattling, dirty talk cooed from his lips to your ear: Yeah? Feels real good? You’re so good for me, baby, come on.

Your needy voice, needier movements, are driving him crazy, getting him to fuck you harder, licking over his lips as he watches you fall apart on his dick. Relax, he slurs. You squeeze around him and moan, wretched and raw. Oh fuck, fuck, fuck. You’re so big. You’re getting his dick wetter and wetter with every thrust, shiny and drooling with cum.

Yeah? He says it so well, the best kind of reassurance. Come on, we don’t have time, baby. Let me feel you cum.

I know— you whine. I’m cumming—it feels too good—

You cum first, thighs shaky around him and lip curling into your teeth. You lean forward, mouth to his shoulder, and bite at the cotton. Fuck, he grunts, and releases then, a groan spilled into your hair. You watch, laughing breathlessly, and feel the world click into something different. 

You two will do anything, apparently, but talk this all through.

—

The gala is big and extravagant and you’re seated not with Charles this time, but with a roster of celebrities straight out of an LAX red-eye. Anna is at the table adjacent, andy you were able to talk to her about the experience, though not without leaving out bits with Charles in them.

You’re beside Florence and she’s talking about something, about a new movie she’s working on, and you chip in with jokes and laughs but your smile doesn’t really reach your eyes. You’re still caught in a web of fragile confusion. “I need to excuse myself for a moment,” you say after a while, after you’ve done nothing but smile and push broccoli puree around on your plate.

Consolation comes with isolation, at least tonight, at least right now. You find an empty balcony on the third floor, stare into the black sea. You try and try to remember what life was like three weeks ago, but it’s irrevocable now, the change that’s come since then. You tap the glass of your beer bottle against the marble banister, solid and probably expensive—a match for the rest of the hotel, you realize. It’s starkingly clean and smooth, and white, the kind of things you’d only say about a marble banister when you’re trying to avoid an adult introspection.

Behind you: “Are you okay?” 

In response, you say, “We shouldn’t have had sex.”

Charles settles himself into a spot near you, not totally beside but not too far—he, too, holds onto a bottle of beer. There are fancier drinks around, but somehow the dry taste of ale is all that brings you comfort right now. Your gears turn and, without prompt or question, you spill yourself forth.

“It was hard, when you didn’t… when we didn’t talk, and you didn’t ever tell me why, so I didn’t know anything. I keep remembering it, even now, what—ten years later, ha ha, even after… I don’t know, after the fact. We’re supposed to have moved on from shit that happened to us when we were fifteen but I’m finding it to be the hardest thing in the world. It was so… like, I had no trouble saying goodbye to anything else but you. And I’m famous now, my life is a whole thing, a—this whole party, and I’m supposed to… fuck.” You shut your eyes, and you can feel, through the thick fog of embarrassment and delirium, the tears that stain your cheeks. “It’s like. You know when you’re a teenager and you see all of it in movies and TV, this, like, moment where you’re staring at someone from across a room, and you’re smiling and talking to other people and you’re happy because you know in a few hours, you’ll be with that person anyway? At home, rearranging furniture, feeding the dog, eating leftovers? That… I always thought you’d be that person for me. Maybe because you were the only—you know—the only love I ever knew, and now, what. Four? Boyfriends and ten years later, you might expect me to feel differently—hell I expect myself to feel differently, but, unfortunately for you and me, I don’t. Sorry. I’m not—I’m not drunk, or anything.”

He stares at you, his expression soft and unreadable. It feels like it’s just the two of you in the world today, twenty-somethings, ten years later, unearthing all you left buried. “I…” he says, before pausing. “I’m sorry for leaving.”

You nod in response. 

“I always thought you would forgive me.” His face is sullen and handsome and your heart seizes. “I wanted to be your person.”

“How could I forgive you without an apology?” Your voice comes out fragile. “I leave in three days. You’ve fu—you’ve… you’ve kissed me, had sex with me, flirted with me. You’ve done everything but that.”

“I did apologize. I don’t think it was enough, but—”

“But you didn’t,” you reply, a jagged response. “You never said anything.”

“I wrote you.” His eyebrows knit. “I wrote you.” 

“You wrote me.” You repeat, deadpan. Your head spins with it. “What, a letter?”

“An e-mail. Before your first film came out—2014? A year after you… yeah.” He’s quiet and timid and nervous. “I forced Gi to tell me your address.”

“I didn’t… I wasn’t using that e-mail anymore. I haven’t in years.” You pinch your nose and let the silence settle like fine dust onto the room, an unspoken bomb that explodes over the both of you, raining regret and unsaid words. “I have to go.” You push yourself off the banister, turning already to the doors of the balcony. He stops you before you can step any further, a hand closed over your wrist, rough and warm.

“If you find the message,” he says, “will you read it?”

“I don’t plan to,” you lie. “Goodnight.”

—

From: Charles Perceval Leclerc <cmhpleclerc@gmail.com>

Date: 14 October 2014

To: You

Subject: Urgent!

hey buttercup, I asked Giada for this email address. my bday in 2 days. Will you be home for Xmas this year btw? ill show you some new places that open ed + we can bike around. mum misses u a lot too. parfois je souhaite que tu ne partes pas… not sometimes but always. i think i need to edit this a little let me try ag

From: Charles Perceval Leclerc <cmhpleclerc@gmail.com>

Date: 14 October 2014

To: You

Subject: Buttercup

j’appellerais mais je ne pense pas que tu veuilles répondre. it’s been more than a year since you moved out, in two days i’ll be celebrating my second birthday w/o you. i’ve been karting a lot, things are looking up, just like we always said they would :) just want to say i miss you a lot, and i hope you’re doing good. i would say i hate radio silence but i know it’s my fault all this happened in the first place. i’m sorry i stopped talking to you last year when you were moving away. i was being childish, but the truth is it was the only way i could handle it - by pretending we werent friends at all… i don’t want to make you pity me or anything (ne pense pas que je suis) but yeah you’re my best friend and you always will be. i’m sorry for being a knot head.

i was always scared to tell you but it’s been there since forever: i love you. i should’ve enjoyed your months here instead of leaving you in the air. i know i ignored you but it’s the 1 thing i regret. should’ve done a lot more, i know.. but i didn’t. we have a lot of promises i broke because i was being selfish. i kept the paper ring to remind me. remember that? we had a “playground wedding” when we were 5/6?

tu ne me dois rien - i just want you to give me a chance to make you happy, even if it’s just in the way we’ve always been (as friends). if you write me back i’ll try and fly there. mum is always asking me if we’ve talked yet. if not, that’s ok. i love you all the same and i will love you as you reach your dreams. this will never change. 

charles

p.s: est-ce que je te manque?

p.p.s: call me if you can and wish me a happy birthday?

—

“Rachel, I would sooner die than wait another two hours for the tarmac to clear again.” You try to up the firmness in your voice but it fails, only serving to make you sound less angry and more agitated. When all you get in response is a muffled I’m coming! you grumble and hang up the phone. Your plane was delayed all of three times, and the instant it arrives and is scheduled to take off on time, your friendsistant is nowhere to be found.

Lily and Carmen had thrown you a goodbye party the night prior, with sprinklers and music and cocktails, and promised to be on the next flight to L.A. Vogue and David had emailed you for a job done spectacularly, and to watch out for the videos and interviews’ release dates. Twitter is raving about your movie. Everything should be good, and yet, it’s not.

You check your inbox. IM COMJNG LILTIERALLY IM RUNNING THRU AJRPPRT!!!!!! You scoff again, hoping the plane doesn’t somehow take off for the fourth time, and take a seat on the VIP waiting area sofa again, shaking your now-empty chai latte. The room, sectioned off from economy and business, is fairly full.

A woman paces over to you, a bright grin on her face. “Hi. I’m a huge fan.”

“Thank you,” you smile, despite your tiredness.

“This is so embarrassing—but do you happen to have the time?”

“Sure”—you tap your phone open—“half past four.”

“Great,” she says. “Thanks, Buttercup.”

You’re opening your mouth to say you’re welcome, but it catches like cotton in your throat. You watch her depart like nothing happened, a strange feeling settling in your chest. You have barely any time to answer it, because a flight attendant is tapping you on the shoulder, addressing you by name, thankfully. She maintains a tone of professionalism all throughout her announcement that the aircraft under your name will have to evacuate the runway in ten minutes or less.

“I know, I know—I’m just, um. I’m waiting for somebody. She should be near now, though.”

“Tremendous. Merci, Buttercup.”

“Wh—” You stutter, blinking and watching her leave. “What?”

She doesn’t turn, walking to the kiosk to exchange information with her coworkers. You look around the airport, for a camera hidden somewhere maybe. Perhaps you’ve been unknowingly listed in some Impractical Jokers skit.

Rach hurry you text instead, leaning back and hoping you’re in some grandiose delusion. Your phone dings. Omw promise! It reads. Then: Look up buttercup

Your head snaps upward faster than you can register what you’ve just read, matching the opening notes of a song you’ve grown all too familiar with in your lifetime. The opening beat to Build Me Up, Buttercup flows like honey through the room’s intercom and floods it with life.

Mouth agape, you watch as the staff and guests perform the routine you’d learned at fourteen, complete with hops and turns you were too embarrassed to do even then. They’re smiling and whooping themselves and each other as they go, finishing the entire first verse before turning collectively to the entrance of the room. There, in all his glory: Charles, wearing an entirely too-small headdress that reads Buttercup, worn dusty from years of being stored away.

He’s dancing, too, closer to you. You refuse to budge for the express purpose that he dance some more, which he complies with, though not without an eyeroll and an exasperated sigh. Your heart beats with something irregular and warm. You’d told him about this before. He’d listened.

The music settles for a little and the dancers do, too, so he takes the time to raise his sign. Will you forgive me? It reads. No pressure. Except kind of. You laugh, throwing your head back at the gesture, at this entire affair that must have taken some amount of effort to prepare. As the lyric comes on, so does his sign: I need you… more than anyone, darling.

He drops the sign when you approach him, arms crossed over your torso. He removed the headdress and places it gingerly on yours. “I believe that belongs to you.”

And, hyperaware of all the eyes and yet the complete lack of cameras—you’re grateful for it—you finally, finally, finally pull him in for a kiss. You’ve kissed before, done your worst, but still means volumes to the both of you.

In-between kisses and cheers (from voices belonging to Lorenzo, Rachel, Lily—so many familiar ones), he says it again: “I’m sorry. I’ll make it all up to you.”

“You better,” you tease into his lips, smiling. “I know. I love you.” Ten years later—your person still is, and no doubt will always be, Charles Leclerc.