#also this is why i love tumblr you can post things like this here

[mingtinysworld]

How would the ateez members react to you writing fanfiction?

Me and my bestie @bananayuyu had this convo, so it’s inspired by her also hehe. I hope you enjoy this headcannon

Hongjoong

Hongjoong would love it so much. He would make it a challenge that every time you post something new, he would do exactly what you wrote that night. He would make every night so enjoyable for you, and it would honestly give you the motivation to keep writing every day.

“I liked what you wrote in the last chapter baby.” He says as he leaves soft kisses along your neck.

Seonghwa

Seonghwa would love it, and he would be flattered, but he would be so shy. SO shy. He would blush, and he would stutter, and he would cutely ask to read it. As he reads, his heart would flutter, and he has to take a hand to his chest to calm his racing heart.

“You’re ok Seonghwa, you can survive this, it’s ok.”

Yunho

If Yunho found you writing fics about him, he would “scold” you. Saying how you have the real thing right in front of you. However, as soon as you’re out of sight, he grabs your laptop and opens up to your writing, where he starts to read, intrigued. At some details, he gets fired up.

“What do you mean I have black hair?? I clearly have brown hair, geez this girl can’t write.” And then he goes right back to reading until it’s early morning.

Yeosang

Yeosang would be totally horrified. He reads one sentence and he immediately runs away, needing to shield his eyes.

“WHAT ARE YOU WRITING MY GOD”

“Yeosang chill, it’s not that crazy.”

“No no no no where’s the bleach please I need to unsee this help meeeee.”

Yeah he’s a bit dramatic

San

San would be a wildcard. He would either absolutely love it, or he would absolutely hate it. He most likely would get jealous, even if the story is about him.

“What, I’m not enough for you so that you have to write about other men?” He says while folding his arms, cute pout prominent.

“San, baby, I’m literally writing about you! Why are you jealous”

“Well you have me right in front of you.”

Mingi

Mingi would pretend like he doesn’t love it, but he’s downright filthy. He takes out a note pad and sits you down and has you read to him, while he takes notes on exactly what you like.

“Ok so here we have bondage, temperature play, primal play, sir kink”

“Mingi hold on, what are you even doing?”

“Taking notes babe, what does it look like I’m doing?”

Wooyoung

Wooyoung would absolutely love it, he wouldn’t even hide it. As soon as you admit you write fics about him, his eyes would light up, and he would feel flattered. He follows your tumblr and ao3 blog, and regularly reads your fics, and even gives feedback.

“Wow Y/n, you did so good on this one. What I would do differently is use a different adjective here maybe?? And then these typos here…etc etc”

Jongho

He is secretly a FREAK. He acts disgusted by the idea of you writing filthy scenes. His lip curls in disgust and he rolls his eyes, but deep inside he’s so unbelievably happy. He loves that you’re writing about him, and he even takes some inspiration from them.

“I had no idea Y/n was into this, I might give it a try.”

[rnadett]

Here is your Big Fat Hero- Cailtyn 'defender' post

I somehow get that you think Caitlyn went too far, but so did the fandom. A lot of you talk about her as a 'dictator' and compare her use of The Grey to make her sound like Hitler, it seems people forget that she purposely used it only on her targets, not on civilians or all of Zaun. In fact, she even did a bit of a favor for Zaunites in the long term.

So let’s start analyzing the important aspects in a somewhat objective way. (Don’t mind my profile picture—I promise I'll try to be objective… or maybe not, who knows?)

EVEN after her mother died, Caitlyn still tried to protect the innocent in Zaun and tried to convincing the council not to start an invasion.

She even disagreed with Vi’s opinion on using the gauntlet (Hextech as a weapon), which we saw when she discussed it with Jayce.

This was her last scene before the attack on the memorial.

After that, we can clearly see how much it affected her; it fueled her anger (Good job, Ambessa—a true politician! No wonder Mel learned from her - except she is using it for better reasons). Yet, her anger wasn’t directed at civilians or all of Zaun.

Even then, she managed to call off the invasion, which she didn’t support in the first place. And after the attack, Vi talked her down in just two minutes—a point that hasn’t gotten enough credit, especially since it was her mother’s memorial.

This scene is also telling: there’s a storm brewing inside her, and while she wants to do the right thing, like protecting innocents from war, events escalate too quickly for her to reason through them and find a solution alone. Vi staying as her only remaining pillar in all this madness.

But yeah, her anger hasn’t faded just jet, but with Vi, they found an alternative—morally gray, but still better than risking a massacre between Zaun and Piltover.

And this is what they did. In the clip at the beginning of Episode 3, we see that they targeted ONLY gang members, not civilians in Zaun. I need to mention this a few times because there's already a misconception that Caitlyn and Vi are targeting or harming civilians.

But if you look at every frame, you’ll only see them going after gang members responsible for suffering and exploitation—Margot's and Chross's gangs, for example.

Oh, and let’s not forget, these were the people Isha was running from in the first place. A children!

So, Overall, this is just a continuation of what Vi tried to do in Season 1, but now with Caitlyn instead of Jayce (or alone).

So why does Caitlyn get all the blame?

As I see it, these actions were not hers alone; Vi was part of it too. In fact, this was Vi’s original plan (except the Jinx part, of course).

So, the point of my post is this: Yes, Caitlyn is heading in a bad direction, and killing—even gang members— with gas isn’t a good thing. But at this point, she and Vi haven’t harmed innocents. Despite how it looks, at least these actions prevent more innocent children, like Isha, from being harmed. Another question is where things will go now that Caitlyn has pushed Vi away (which I think was her only truly wrong action in Act 1).

Now Ambessa has taken Vi's place (in meaning of influence, not in any other way you little pervert) , and rather than calming her, Ambessa will fuel Caitlyn’s anger, grief, and self-hatred even more.

Oh my god, I love this scene. You can see the micro-expression on Ambessa's face, how satisfied she is, knowing how good she’s pulling the strings so far.

But I think we all feel that this match is far from over.

I also leave this here:

In the end, though, I believe that Caitlyn, no matter who’s currently influencing her, will have to decide her own path and who she truly is—without relying on anyone else. Even if we love her with Vi, this is something she needs to figure out ALONE.

Anyway, I might have written more in detail if Tumblr didn’t have a 10-image/post limit. Maybe I’ll make another post about the things I left out or would have expanded on.

[rafesbabyg1rl]

The Watcher ~ Part Two

Part One

Summary: Rafe Cameron x Reader, Stalker!Rafe x Pogue!Reader Your parents work late on Friday nights, which you spend alone. Except you haven't been alone in a long time, not that you know of at least. Rafe has watched for years, he's very good at it. His idea of staying an anonymous stalker is ruined when you catch him in your bedroom one Friday night. Rafe has to figure out how to fix his mistake before he loses the only thing that makes his life worth living. After you find the surprise he had left for you, you choose to believe that his threats were empty and try to turn him in. But, your plans are interrupted and you take an unexpected visit to Tannyhill.

Warnings: Rafe stalks reader...that's literally the plot. Strong & descriptive language, suggestive themes, death threat(?), manipulation, kidnapping (?). If I missed anything from this part that I should include in the warnings, please let me know!

Word Count: 3.5k

Author Note: Part Two is here!! I know this chapter is shorter than the previous, but I figured it's better to get what I had out. Also...I'm not sure if I like where this is going, so please share your thoughts about this part and ideas for future parts. Thank you all for the support on the first part of this story. Especially with this being my first work I've published on tumblr, I am very pleasantly surprised with how everyone has reacted to it. So, please enjoy and feel free to leave feedback! I love you all, thank you so much!!

CREDITS: The foundation of this fic was heavily inspired by/ based off of one of @faiszt 's bots on character ai. So, if you like this and you like character ai, I greatly suggest that you check out the bot!

The blinding morning light shines into your room through your curtains. You sit up and rub your eyes. You glance at the digital clock on your nightstand which currently reads: 10:34 am. Those sleeping pills really worked, you think. Your parents are already at the restaurant, probably just getting over with the morning rush. 

Your eyes begin to focus, your brows furrow as your eyes land on one of the posts of your footboard. You lean forward to grab the pair of panties you had just worn yesterday which are hanging from your bedpost. You’re pretty sure you had put these in your hamper last night and wait, why are they sticky…? You wonder, you examine them and come to the realization of what it is. Immediately you toss them away, that was not from you. It was your stalker, it had to be. Of course, the first night you spend alone since four weeks ago and he already breaks in. And he does this? You think about his words, “tell anyone and I’ll come back and fuckin’ kill you”, shivers roll down your spine. 

You hadn’t even had time to realize how horny you had been when you had woken up; and now that you have you feel so wrong. But your dream…oh god your dream. You can still remember it vividly, even more so the longer you think about it; you can see the face of the man who fucked you stupid in your dream. You know who it was, who your subconscious mind let you fuck while you slept. It was your stalker. 

Without another thought, you’re in the shower scrubbing the shame and disgust from your skin—or at least attempting to. When you feel somewhat satisfied, which also happens to be when the water begins to run cold, you finally get out. Wrapping a plush towel around your freshly clean body, you lean over the bathroom sink and wipe the condensation from the mirror leaving just enough space to see yourself. Before the glass fogs back up you’re able to see a small part of what appears to be a bruise poking out from underneath the towel wrapped around your chest. You lean in closer using one hand to re-wipe the mirror and using the other to pull your towel down past your boobs. Looking back at the bruised area on your chest, you can see that the closer you look at it, the more it looks like a hickey. You just about stumble backwards at the realization. 

You’ve had enough. After you quickly toss on some clothes, you grab your keys off your dresser with a shaky hand. You rush out towards your car and get inside, pulling out of your driveway carelessly and speeding off. When you arrive at your destination, you take a few moments to rethink this plan. You have to do this. You can’t keep living with some creep sneaking in your bedroom and touching you as you sleep. You twist the keys in the ignition and pull them out, you confidently strut towards the entrance of the building. When you feel the vibration of your phone in your pocket you pause, sighing as you reach back to take it out. When you read the random number, with the same Outer Banks area code as you, your brows furrow. Typically you wouldn’t answer a call from an unknown number, but something in you is telling you to answer. As you press the green button and bring your phone to your ear, you glance up at the building you were about to enter which reads, ‘Kildare County Sheriff’s Office’. 

“Hello?” You ask warily.

After a few long seconds, the person on the other side of the line answers you. “Stop.” The man’s voice sends familiar chills down your spine. 

“Excuse me?” You respond, your voice audibly shaky. “Who…who is this?”

“C’mon pup, you already forgot what I sound like? It’s already been that long?” Your eyes widen at the realization of who this voice belongs to. You’ve heard it one other time, well one time that you remember.

As your head darts around the parking lot looking for your stalker, your voice comes out in a tone that easily betrays you, revealing your fear, “No…no…what the hell do you want?”

Rafe smirks from his truck as he watches you from afar. “I want you to turn around and get back in your car, m’kay princess? And I highly suggest you do what I want.” 

“Or what? What’s stopping me from walking in? Or from yelling for help?” You take a step closer to the building’s entrance.

“Stubborn, stubborn girl…” the man chuckles, “If you don’t get back into your fucking car right now, you’re gonna really fuckin’ wish you had just listened to me. I’m gonna get what I want no matter what, baby. You’re mine.” And with that, Rafe hangs up the phone, still watching you from a distance. 

As much as you want to just run into the building and beg for help, you know that unfortunately since you’re a pogue, the cops aren’t going to believe a single word that comes from your mouth. In their minds, all pogues are liars and thieves. And since you don’t have the slightest clue on who the man you saw in your bedroom is, you figure there’s not much they’d be able to do even if they did believe you. So you reluctantly turn back to your car and get inside. The moment your door shuts you inside, your phone buzzes yet again with another call. It’s coming from the same number, but this time you don’t answer. This was your second mistake. 

Rafe’s already pissed off. You went against his rules, you didn’t listen to him, none of this will work if you don’t listen. He thought he had been threatening enough that you’d behave, but clearly you need another scare. You need to be taught that disobeying him does nothing but hurt you more. When you don’t answer the phone when you definitely know it’s him calling, this is just the cherry on top; the icing on the cake. Rafe is fuming. 

You drive out of the parking lot, breath heavy as you stay on high alert–searching for him. A truck suddenly pulls behind you, tailing right on your ass. You can’t see through the truck's front windshield due to the dark tint. You being paranoid, step on the gas and speed up a bit, well exceeding the speed limit. A few quick seconds pass by and you jump at the sound of sirens. It doesn’t take long for you to check your rearview mirror and realize that the sirens are coming from the truck behind you, which is flashing its red and blue lights. You let out a breath of relief. You’re being pulled over yet you’re relieved because it means you aren’t being trailed by your stalker. The feeling is short lived as you flick your signal on and pull off to the side of the road. You roll your window down and shut off the engine.

The officer approaches you and goes through the typical routine and you try to calm your nerves. All sound is drowned out as you get lost in your thoughts. 

“Ma’am?”, the officer repeats. “Do you know why I’ve pulled you over today?”

The sharp and unintentionally threatening voice of the deputy snaps you out of wherever the hell it was that your mind had taken you to. “Yes, sorry sir, I…I was going over the speed limit.” You submit, wanting to get this over with. You can’t help but worry what your stalker would think if he saw this, he’d probably think you’re turning him in. But, you’re not. Really this whole thing was a misunderstanding, but you can’t explain that to the cop. 

“And why is that?” He questions you ever further, his gaze staring at you intensely. You get nervous and want to look away, but you worry that might make you look guilty of something. You’ve been pulled over before, it’s not usually a big deal for you. However you’re just so goddamn nervous and need this moment to be over. You feel like you’ve done something wrong; like you’re hiding something. But you aren’t.

“I–I thought…I just got distracted sir, wasn't thinking about speed. I apologize for the inconvenience.” You catch yourself, technically you aren’t lying; you just aren’t explaining why you were distracted. The threatening words of your stalker still echo around your head. The deputy gives a small lecture as he writes up a ticket for you. Once he gets back into his truck and drives off, you rest your head back against the seat and let out the breath you’ve been holding. When you start your car back up and finally open your eyes, you look straight out across the road. You can see a tall man leaning against a truck parked across the road, staring right at you. The familiar grin on his face has you sick to your stomach. 

After making direct eye contact with him, you pull off the side of the road and do an illegal U-turn so that you’re heading in the opposite direction, leaving the man behind. You know that he’s following you, so you drive around aimlessly until you get another call from the same unknown number. You want to decline, but you’re too afraid to face the consequences that might follow. 

“What do you want?” You ask, voice full of faux confidence. The only thing you hear on the other side of the line is a heavy breath that causes your skin to become full of goosebumps. 

After you’ve had a few moments to panic, he finally speaks, “Keep driving”. His words are not said lightly. This is undoubtedly a command, not an option. 

“Keep driving to where?” You stammer with nervousness. 

“Tannyhill.” He replies strictly. 

“Tannyhill?” You question before being able to stop yourself. You can’t help the attitude that slips into your voice. When a few more moments of silence pass, you get more and more anxious for his response. “Hello…?” You ask quietly, wondering if you lost connection. Still nothing. “Hello?” You ask again with more volume. After another minute or two, you hear the phone beep; the call disconnects. 

Why the hell does he want you to go to Tannyhill? It doesn’t make any sense. But you don’t exactly have a choice. He’s following you either way and it’s not like he doesn’t know where you live…and just about everything about your life. So, it’s probably best to just play along and obey his commands. 

When you get close to the general destination, your phone rings with yet another call. You answer, already knowing who it's from. This time you don’t speak first, you wait to hear what he has to say. It takes a few moments, almost like he’s trying to wait long enough that you’ll talk. The silence starts to get unbearably awkward, but your mind is set on waiting for him to speak and Rafe doesn’t have the time to wait; having to give you directions and all. When he finally talks he doesn’t greet you. His voice breaking the silence startles you as he instructs you with the directions to get wherever it was he was forcing you to go. 

“Wait…turn left h-here?” You ask, confused at his directions. You had missed the beginning of what he said since you had to collect yourself after being frightened. 

He sighs in impatience, “No dammit, the next one. Were you not listening?” 

“I…no I-I was listening–” you stumble over your words as you turn onto the street he wanted you to. 

“Bullshit. You need to learn how to fucking listen to me, don’t you?” When you don’t respond, trying to focus on remembering the directions he gave you, it only serves to piss him off even further. “Huh?! Don’t you?!” He shouts into the phone as he follows behind you.

You whine in fear, “No..I can listen. I promise I can listen to you.” You practically beg. “J-just tell me where to go?”

Rafe directs you to his house, which you of course recognize as the Cameron’s mansion. You’ve heard about the Cameron’s, but you wouldn’t be able to point them out in a crowd or anything. Besides from the father, Ward Cameron, whom you’ve seen on the news several times. Is he a Cameron? As you park in the large driveway, you rack your brain trying to recall the name of the Cameron son. 

His truck parks behind you, blocking your car in. He quickly kills the engine and exits his vehicle. You don’t notice him walking up to you until he’s yanking your car door open and pulling you out by the arm.

“R-rafe?” You mumble insecurely. He pauses to look at you, chuckling at your words. He mutters a quick ‘smart girl’ before retightening his grip on your arm and continuing to pull you into the large mansion. You start to cry, getting overwhelmed as you imagine the many possible scenarios that may occur. “P-please,” you manage to choke out. “What do you want?”

Unlike the last time you cried to him, this time he doesn’t stop. He drags you up one level of the large, spiral staircase; pulling you into his bedroom. As soon as you see the bed, you’re already feeling it beneath your back when he shoves you down just a few seconds later. As if you hadn’t already embarrassed yourself enough, you can’t help the tears that begin to stream down your flushed cheeks at a flooding rate. 

“Wait…no, please, please!” The way you keep shouting and choking back sobs causes you to gag from how worked up you’ve gotten yourself. All the Cameron son does in response is lean back to get a full view of you as a smug grin spreads across his face. “Please, I—oh god, I’m gonna be sick…” You mumble, which is quickly followed by another gag that interrupts your constant sobs. 

Rafe snakes his hand up from your arm to your hair, wrapping his first tightly around a large section of it. He tugs on your hair to force your head to look up at him, causing a small whine to escape your lips. “Shhh…baby, shhh…” He mumbles, his ‘worried’ tone working to oppose his previous amused expression. “Calm down, alright? Calm down. Ain’t gonna do nothin’ you don’t want, m’kay pretty girl?” The way he says that last part…you’ve never heard his voice sound like that before. You didn’t even think he was capable of talking in that tone. He sounds like he might actually truly care about you. You’re relieved; maybe even a bit…comforted by the fact that he might be telling the truth about not doing anything you don’t want. Well, besides having you basically held captive in his home. 

“What…what are you gonna do?” You manage to choke out between sobs, trying to catch your breath so you can calm down.

“I just wanna talk to you baby. Alright?” Rafe mumbles your name into your ear, allowing you to feel his hot breath against the side of your face. Immediately you’re taken back to the first time you had met him, in your bedroom a few weeks back. You try to push that aside and bring yourself back to the present; the memory only brings back the feelings of complete and utter fear you experienced at that time. Not that the present was any better, hell, it was worse. 

Hesitantly, you nod. He waits a few minutes to speak; waiting for you to catch your breath. Once you’re calmer, at least on the outside, he finally starts to talk. “I wanted to talk about my proposition…” He looks down at you, bringing his hand up to cautiously run through your hair. “Last time I got cut short…remember that?”

You nod. “I…I tried to warn you my parents would come home. I-I swear I didn’t tell them anything.” You say frantically, trying to prove your innocence.

“Hey, shh…it’s okay babe. I know. I know.” Rafe speaks slowly, his eyes never leaving your lips. He pauses to momentarily dart his tongue out to wet his parted lips. “I know. You haven’t told…you’ve been a good girl and listened to me, hm? Haven’t you baby? Haven't you been a good girl?” 

You nod frantically. “I…I’d never turn you in…” The false seductiveness in your voice turns him off, if that’s even possible. 

He pulls back from you and sighs, “Shut up.” He runs a rough hand over his buzzed head and begins to quickly pace across his bedroom. 

“B-but you wanted to talk…” You remind him. The way his attitude was constantly shifting in great amounts had you furrowing your brows as you tried to figure him out. 

“Yeah, I do. But not to a goddamn filthy, lying whore.” He retorts, a large grin appearing on his face while he watches your beautiful features move on your face, displaying your thoughts  as you take in his words. “Just be yourself alright? I can always tell when you’re not you.” He says almost sincerely. “I want…I need you to want this. Don’t try to pull that fake crap on me ever again, yeah?” 

Immediately you nod. “I…yes-”, you stammer, instantly regretting even trying to talk in the first place. Rafe chuckles, making your cheeks heat up in embarrassment. He stops pacing and lets out a long sigh, turning to face you again. His steps pause when he’s standing just before you. 

He leans down to whisper in your ear. “I really need this to work, okay…? This is good, this can be good for the both of us. I can help you; we can help each other, baby.” A silent tear rolls down your cheek from the fear of what’s to come. “I know…I know I messed up, alright? I know. But, you don’t have to be scared, baby. It’s all gonna be okay.” He brushes a stray strand of hair behind your ear.

“Please…I just wanna go home, let me go home!” Your cries are ugly, and very, very real. The fear in your voice only worries him. Worries him that you may never get past this. But you have to. You don’t have another option. And he really, really doesn’t want to have to hurt you. That was never his intention. 

“But you are home, baby. You are home.” He mutters as his fingers brush over your cheeks, smearing your tears. Your breath hitches at his words and your eyes slowly move up to meet his. This cannot be happening. Why is this happening? You think.

“No…please I…just let me go home. I won’t tell. I promise I won’t. I’ll…I’ll never tell anyone about any of this okay, I’ll never say anything about you.”

“I can’t do that, baby…you know I can’t do that.”

“Why not? I swear, I’ll never ever breathe a word of this to anyone.” You say enticingly.

Rafe sits down besides you, causing the mattress to dip and make you lean towards him. He puts an arm around you and his hand lands on the back of your head, pulling it into his chest.

He leans down to speak into your ear while his hand pets over your hair as you cry into his chest. “Because I need you baby, I need you. And I need you to let me take care of you, yeah? I know…I know you’re scared, but you don’t have to be. Just trust me okay…we’re gonna be so good together baby.” He tugs at your hair, gently guiding your face to look up at him. “Just listen to me and nothing will happen, I don’t wanna have to…do anything. I just need to know that you’ll listen to what I say.” Immediately you nod, going along with what he says. He tugs on your hair harder, eliciting a gasp to fall from your lips. “Ah ah, I know you can talk. You’re a big girl, now fucking act like it.” He says forcefully.

“I-I’m gonna listen, I’ll listen to you, just please, please don’t hurt me.”

He smiles softly as his eyes dart across your face, unable to pick a feature to focus on, everything about you is just too damn perfect. “Don’t worry I won’t hurt you, not as long as you listen.” His grip loosens on your hair again. “But you’ll be begging for it soon enough.” Rafe’s whispers are enough to make your sobs start again; in which he pulls your head back into his chest. Your tears soak into his shirt as you have no choice but to cry into him.

To be continued...

Thank you for reading! I hope this was enjoyable. This part took quite a bit for me to finish, since life has been a bit busy and I haven't had much time to plan or write. I apologize for the short chapter, I'll try my best to make up for it with the next part! I never really feel done with anything and as I said before I'm not sure if I'm a fan of this part or not. So, if you have literally ANY feedback, questions, or suggestions, PLEASE feel free to let me know! I don't really have any solid plans for this fic so if you have any ideas I just might include them in future parts. And there's not much I won't write!

[gay-disabled-characters-showdown]

LGBTQ+ Disabled Characters Showdown Round 4, Wave 2, Poll 3

A character being totally canon LGBTQ+ and disabled was not required to be in this competition. Please check qualifications and propaganda before asking why a character is included.

Check out the other polls in this wave and round here.

Korra-Avatar: The Legend of Korra

Qualifications:

Korra is not only bisexual, having dated both Asami Sato and Mako, but was and still is disabled by the end of the series. She doesn't magically get better from being poisoned, she's forced to relearn a lot of things: how to walk, how to do things for herself, and even how to fight properly. Her physical disabilities are mixed with extensive trauma and PTSD that prevents her from doing her job as the Avatar throughout Book 4: Balance.

Canonically bisexual, has PTSD, and spent a while partially paralyzed and using a wheelchair.

Bisexual badass who ended up going through about 5038309340 traumatizing events, one of which involved mercury poisoning that had her unable to walk for about a year and left her with lasting PTSD and depression (though again the depression is a little less clear wheras the PTSD was obviously intended to be read as such). There was also her shadow self, but it's unclear whether that was a form of psychosis or a literal spirit. In short, she's bi and has PTSD if you want to stick with the more long term, obviously canon bits.

Propaganda:

She's the Avatar, you gotta deal with it! But, seriously, Avatar Korra was the first onscreen LBGT+ character in the Avatar franchise alongside her girlfriend Asami Sato. While limited in what could be shown onscreen, the two were explictly portrayed as a couple in the 2016 Dark Horse comic "Legend of Korra: Turf Wars". Likewise, her disability never quite went away. She still struggled with trauma, PTSD, and learning how to do things for herself again for two to three years in the time between books 3 and 4 that were shown off in flashbacks during her solo episodes.

She's canonically bi and has PTSD, and disability was an incredibly important theme for her in her show's final season.

i dunno I think i covered all my bases in the qualifying bit but also its 3am and i dont feel like typing more

Anything Else?:

The creators of Korra, Michael Dante DiMartino and Bryan Konietzko, fought long and hard for their show, including taking a massive budget slash circa book 4 to avoid firing half their staff. Likewise, they took to Tumblr and other social media in 2014 to state firmly that Korra and Asami were both bisexual and in love. Here's a link: https://bryankonietzko.tumblr.com/post/105916338157/korrasami-is-canon-you-can-celebrate-it-embrace

The qualifications and propaganda paragraphs correspond, @foulfirerebel is the first submitter and also did the ‘anything else?’ section.

Lan Wangji-The Untamed / Mo Dao Zu Shi

Qualifications:

Canonically gay, pretty heavily coded as autistic (esp in the show)

Additional qualifications by @lovewanxian : I would like to add that Lan Wangji also has extremely extensive scarring on his back from getting whipped 33 times and spent an extended amount of time bedridden because of it

Propaganda:

He's an absolute badass - in a series full of morally ambiguous or outright immoral characters, he's one of the only people around to consistently show he's reliable, honorable and strong. Some examples include Lan Wangji defending Wei Wuxian, his love interest and eventual husband, against his own clan and other clans because WWX went against their rules and tried to save innocent people, or LWJ raising WWX's adopted son for years and being a great father and mentor to him. While LWJ isn't *technically* canonically autistic, (not that this word would exist in the setting), he has flat affect, fixates on rules and his difficulty in understanding people's emotions is explicitly brought up and a minor plot point.

[extensionallydefined]

Danganronpa V3 slander?? In my tumblr "For You" dashboard??? How did that get there? I gotta do something about this!

Alright before I tear into the shade thrown at v3 here, I would first like to say that the idea that dr1 and dr2 are criticisms of the justice system specifically is interesting and I hadn't thought about it like that exactly - Of course, they're games that deal with how punishment and crime are handled in a really small community, in very specific circumstances, but I hadn't connected it to punitive justice specifically. It's a very good analysis! Which is why, if the post was just that, I would be quite into it. But OP had to bring my baby v3 into it!

The argument being made here is actually kind of crazy to me. "The first two games in this series were about this thing, so the third one has to be about that too, and because it isn't, it's bad." God forbid franchises try new things! You know, one of the points v3 was making was that the danganronpa formula based on "hope and despair", like it was before, was running dry. But here's the thing: this point, despite what many claim, is not made in a cynical way. It turns around on itself and says "the formula is running dry, but it's final sendoff can be a love letter to itself." Let me elaborate.

Let's accept the claim that dr1 and dr2 are fundamentally about criticisms of punitive institutions. Great! See, the thing is, danganronpa v3 has aspects of criticisms of things, but it is fundamentally a game that wants to *uplift* something. Nietzsche said that, in his later works, there had to be a "yes" and a "no" - the Zarathustra was the yes, and everything else was the no. You could say that dr1 and dr2 are the "no", and drv3 is the "yes" for the danganronpa franchise.

Danganronpa v3's main themes are truth and lies. These manifest in multiple ways, like belief, trust, and identity.

These themes are explored through every chapter and character, much like how OP described danganronpa 1 and 2. The first chapter of drv3 is about an unreliable narrator, it takes the "truth and lies" angle and applies it to the pov character, showing how one deludes themself, through Kaede, Shuichi and the player. Chapter 2 takes Ryoma (who's trying to find something to believe in, something to keep him alive, but can't find it within himself once he discrovers the truth of his past) and Kirumi, who uses propagandistic rhetoric to try to get everyone else to sacrifice themselves for her. Chapter 3 deals with esoteric/religious belief. Chapter 4 and 5 take a theme that had been built up, belief in others and distrust, and take them to the extreme through Kokichi and Kaito, whose perspectives are sublated through Shuichi's character. And Chapter 6 is the culmination of all of this, one that I shall discuss now. But in the character sense, it makes them all deal with the fact that their entire personalities and memories have been crafted to make them how they are. They're "written characters". But that doesn't lessen their value as people.

I would say the word that encompasses the message of danganronpa v3 is, of course, "Fiction". Danganronpa v3 is a game whose final message is not a criticism: it is fundamentally about uplifting the power of fiction.

I find the argument that v3 "criticises something that doesn't exist" to be pretty bad faith, honestly. All of the danganronpas have unbelievable and unrealistic things in them: the whole thing about the tragedy and monokuma robots running around and the whole world being sent to hell by Junko is pretty unbelievable in real life, but we suspend our disbelief because we see the message behind it, we see the point being made. She played the system and fucked shit up because it was already fucked up in itself. The degree to which the world implodes is exaggerated and bombastic, but we get ir. The Neo World Program is also quite exaggerated. Just like the "Ultimate Real Fiction" is exaggerated in danganronpa v3. But that's the thing about fiction, isn't it! It uses scenarios that are not real to make points about real things. So, let's play the media literacy game, tumblr. Danganronpa v3 shows us an "outside world" that relies solely on killing game content for its entertainment. The audience accepts that a killing game could be done in real life and they are fine with it. What's the point here?

Without even getting into the fact that the nature of the outside world could be partly a lie due to Tsumugi's bullshit, what's important here is that this is a world whose sense of meaning hinges entirely on the killing game. And the characters of v3, despite that, still manage to make a change in this world. What v3 is saying fundamentally, is that fiction has the power to change people's mentalities, and that changing people's mentalities can change the world. V3 is saying: art can change the world. Art has philosophical and cultural value. Even in the most hopeless situation, this thing that is by all means "fake" is not devoid of meaning. Its fakeness shows the real world where meaning lies.

If you don't think that v3 is the best game in the series, that's fine, we can disagre. If you don't like that v3 is different to the other danganronpa games, that's fine. You're entitled to your preferences. If the themes didn't hit the spot for you, then that's really a shame, honestly. But don't pretend like it had to be like the other games to be something worthwhile. You can have your opinions, but when you make arguments to claim that a piece of media is bad and thematically bankrupt and I find those arguments to be fundamentally flawed, well, I have to bring up the counterarguments.

In summary, v3 is a really good game in delivering its message and themes, independently of their relationship to those of the previous games. It doesn't need to do the same thing as the prior games to have value in itself - and even still, through its purpose in uplifting fiction, it uplifts the previous two games too. It doesn't need to be about a real life institution that sucks to be able to change the world. It certainly changed mine, and I cherish this game despite its many flaws, which are not really relevant to this post.

Now since I sometimes can't tell I really hope the original post was serious because if it wasn't... lmao

my pet theory is that any danganronpa media worth its salt has to be a little bit about a corrupt bullshit orginization and how much it sucks. the first 2 games are literally about how the punitive justice system sucks fucking shit. first game shows this by every blackened having a Reason for kilking outside of "murder yaaayyy," yes even celestia, her desire for money is explained in depth from her free time events and how she grew up, everyone had a Reason. sakura's suicide was the result of societal punitive justice instead of institutional and how people who think their moral outrage is good bc its aimed at the "correct targets" will just end up hurting people. second game takes this even furthur and goes "in the first game, punitive justice was bad because all these people were victims of circumstance. can you keep those same morals when the people being subject to punitive justice ARE actual criminals of their own free will?" with the added part about the nwp explicitly being a rehabilitative justice program. kamukura's inclusion and honestly dr:0 as a whole since the whole catalyst was kamukura is just a little bit about how any kind of exceptionally smart child is propped up as Something Amazing and is basically forced to use that talent for the greater good despite any feelings the child themself may have about it or how stuck they feel or how traumatized or tortured they become in the search for and nurturing of that talent, and any child thats not that is constantly told theyre inferior to the former and Why Cant They Be Like That and are seen as lesser-than by everyone around them. ultra despair girls is also kind of about that with the warriors of hope and their backstories. dr3 and v3 fall short because they are not about that at all. dr3's future arc is a bit stronger than despair because it actually is about an institution that sucks and despair's feels too much like an interpersonal thing and All Junko's Fault when the whole point was junko just took advantage of unrest that was already there. v3 is about an Institution That Sucks however the institution is "what if you loved a murder game so much you made it real" which doesnt fucking happen. you can make approximations like comparisons to true crime, reality tv, and for a more specific example that squid game reality show. but they didnt even kill people on that. v3 is critiquing something that does not measurably exist and also it doesnt connect to even a single theme from the rest of the series. my other pet theory is that kodaka is scared of the number 3 and thats why the ones with 3 in them are like that

[hacash]

'I genuinely think I wouldn't find Adam Nagaitis all that attractive in anything else, it's just how he plays Hickey,' I say, trying desperately not to think too deeply on what that says about me.

[therentyoupay]

im completely feral over all your jelsa stories!!!!!! do you ever write established relationship jelsa or have any headcanons about what they would be like together in a serious relationship or marriage????

THANK YOU SO MUCH. 😭😭😭😭😭😭💕💕💕💕🙏 thank you thank you nonny for this super sweet ask and this really lovely question and all of your love and support!! 💕💕💕💕💕

i have... never actually written established!relationship (in any fandom), now that i'm thinking about it? that said, i guess i can come up with a quick list of some headcanons, maybe? 😂 i will have to think about this more, but for now, here's a quick drop:

elsa is an early riser; elsa helps jack create more sustainable sleeping patterns and habit formations 😂

when jack gets Impetuous Urges to Do Something Rash and Impractically Spontaneous, elsa will ground jack, reminding him to think before acting. (he occasionally Still Does It, anyway.) elsa knows what she signed up for, lol.

jack loves to play Harmless(!) Pranks, just to watch elsa’s reaction. (he is no longer allowed to sneak up on her after The Incident).

they also quibble over the definition of "harmless" and the specific logistical implications of that; for a while, jack was banned from further pranking, but then he got more creative at showing elsa that pranks could be wholesome and genuine, in which they could both be in on the joke. however, due to elsa's deeply-rooted Need to Excel and her (Not-so)Secret Competitive AF Streak, her retaliation in escalating the Cleverness Prank War quickly resulted in jack's prompt implementation of the Prank-Free Zones and Time Periods. (no, he was not scared.)

elsa, usually reserved, has learned to let her playful side show more often with jack. she might still pretend to be exasperated by his antics, but sometimes it's part of the game (or habit).

elsa sill struggles with opening up emotionally sometimes, but she progressively feels safe enough to share her innermost thoughts and fears. with time, she confides in him more about her worries. she still never likes the idea that jack sees her Imperfect Parts, but at least she can tolerate the discomfort (and, yes, take comfort in it) now

(jack loves elsa's Imperfect Parts, and jack admits that he is Weirdly Proud and Competitively Honored to be one of the only people, even including anna, who gets to see them. he also is strangely Comforted and Validated that elsa is, in fact, not perfect because for a while there, he was pretty freaked out and intimidated by how fancy she is.)

until he realized that no one ever let her actually be a Weirdo before, and once he realizes the Truth of Elsa Also Being a Secret (albeit perhaps more Subdued) Weirdo, the Universe Aligns.

jack listens to elsa's Big Conversations intently, activating varying levels of Serious Mode.

jack is getting better at recognizing the moments when elsa needs him to play and needs him to listen or Give His Opinion or any combination of those things.

jack learns that it's not always about Saying the Right Thing (which he is not very good at, anyway, or so our Serially Unreliable Narrator thinks), but rather being able to read elsa's mood and anticipate what she might need (even if she is not aware of it herself yet).

elsa is meticulous about planning and preparing for special occasions.

elsa likes traditions! jack likes tradition only because elsa likes them, lol, and hey, okay, these are more fun than he thought?? (who knew fun could be organized??!!?)

so he really wants to show (off to) her by pulling off Incredible Planning Feats in her honor, too (they do not go as smoothly, lol).

jack will often go out of his way to spontaneously create something meaningful, a moment or a gift or a gesture, that reminds elsa that he cares. he is big on words of affirmation, gift giving (but like, souvenirs that he collects on adventures like, "i saw this rock and it reminded me of your cousin olaf, we should put it on the window after we paint his face on it"), and acts of service, as well as physical touch and quality time. HE WANTS LOVE. he wants TO BE LOVED. he wants to prove that he is worthy of being loved.

(and elsa has to get him to Chill Out sometimes, remind him that he doesn't have to Do Things For Her/Anyone in order to be deserving of care; he is more than what he provides for other people.)

(jack gets its, and appreciates it, but also, the Urge to Provide and Protect is still strong, even after so much time, and sometimes Old Habits Die Hard.)

i get the sense that he'd be the type to he wake elsa up in the middle of the night to take her on a surprise adventure, or convince her to Do a Fun Thing without any preparation (/warning).

and she would Be Alarmed at the Lack of Plan (especially if/when jack Did Not Think This Through), but he also took precautions to ward off Concerns by pacifying her with tea, or reassurances that yes, he did call ahead to make sure the restaurant was open before they left the house, of course he did, he would never just leave home without double-checking beforehand (and frantically googles it two minutes later when he thinks she's not looking; she is, naturally, and even occasionally pretends not to be).

elsa approaches conflict with a desire to resolve things Calmly and Logically. she tries to understand jack’s perspective, even when she disagrees, and she’s careful with her words, not wanting to escalate the situation.

however, she can sometimes withdraw emotionally, fearing that she might say something hurtful if she’s too overwhelmed.

jack was initially (and, honestly, still is, even though he understands more now) hurt by her tendency to shut down when she Feels Too Much, and understands (although it's still hard) that elsa needs time to process her feelings and organize her thoughts.

jack also helps elsa actually Feel her Feelings, instead of just trying to intellectualize and analyze them. (she hates it, BUT sees the value. jack lives for these moments in which he realizes that he's actually contributing positively to her life and helping her in some way, rather than just being a burden or a nuisance, as was/is his fear.)

his initial reaction might be to push for a resolution quickly, but he’s also deeply afraid of Creating Distance between them, so after the first few fights, he really makes an effort to find the right balance between Pushing Hard Enough and Not Pushing Too hard, so that he doesn't drive a wedge between them as they work things out.

jack FEELS intensely, and can be so stubborn. he does not always have the most precise vocabulary or tools to describe his thoughts and feelings, or identify the root causes of what is actually going on inside him; sometimes elsa asks a lot of insightful and guiding questions that help jack come to the conclusions himself, and other times, she Puts Into Words the very thing that he had been thinking or feeling, but could not name, and it is very reassuring to have someone who understands him well enough to be able to do that.

after conflicts or arguments, they take time to Decompress and reassure one another (especially if at least one of them, if not both, was Overthinking again).

when they argue (and healthy couples do, remember!), it’s a dance of patience and understanding: elsa might need a moment to Collect Herself, and jack learns to give her that Space while also making it clear that he’s ready to talk whenever she is, and that he is going to try very hard to be Rational and Patient About It.

in the end, they both prioritize their relationship over any disagreement, always finding a way back to each other.

[fluxweeed]

hey. hope this message doesn't bother you. I love you. I love your work. you are one of my favorite fic authors, I am absolutely obsessed with everything you write. reread everything ten times over, drarry or not, fluffy or angsty - even when it absolutely shatters my heart (e.g. for lack of wanting, SUCH a great fic btw i'm so obsessed with it). the four doors? life changing. two to lie and one to listen? engraved into my brain for eternity. what's mine is yours? what a ride holy shit, im VERY normal about it. wrapped? my comfort read. and so it goes.

if I could aggressively smother you with kudos and love I WOULD!!!

awhile ago you said that there's no such thing as "big deals" in fandom and I 100% agree but at the same time you are a big deal TO ME!!! not in the sense of any kind of hierarchy but purely based on the fact that I think you are such a cool person and your writing is amazing and poignant and your presence in fandom makes it so much better. it's been a pleasure following you here on tumblr and just reading your tags and posts.

idk I just think you rule. that's it. thank you for hanging with us. MWAH 💛

ahhhh anon sorry for leaving this message sitting in my inbox for a couple of days but !! i have zero idea how to react to this!! you're so kind!! thank you!! please discard any and all inclinations u have that i am a cool person bc i can assure you i am NOT!!

[carolinanadeau]

In Praise of Sally Ann Howes

As I've made it one of the purposes of my blog to share photos and songs and general positivity about the wonderful English actress Sally Ann Howes, I thought I'd make a post to talk in much more detail about all the great things about her and why I adore her so much!

This classy English beauty possessed a highly expressive face and eyes, an astonishingly powerful soprano, a great sense of humor, and the world's most charming laugh. One thing I cannot stop saying about Sally Ann is that she did not and does not get nearly enough credit and recognition for her immense talent and prolific career, and it's precisely for that reason that I'm here to do my part in giving it to her!

This overlong rambling post is a combination of biographical information and my personal fawning over her performances... whatever I felt I most wanted to put out there in the world and what I'd like people less familiar with her to know.

Click on Keep Reading and I'll take you on a journey!

As she preferred to work on the stage and didn't really pursue a film career, the catalog of Sally Ann's work that can still be viewed today is unfortunately small - though you can find almost all of her early films on the internet if you look hard! In her early film days, mostly made before she was able to pursue her true passion of musical theatre, her extraordinary singing talents weren't utilized by the producers at all.

However, we were fortunately blessed with exactly one musical film role from her, and it's an iconic one: the aptly-named role of Truly Scrumptious in Chitty Chitty Bang Bang (1968), the golden-haired, golden-hearted candy heiress who falls in love with and eventually marries Dick van Dyke's character Caractacus Potts after joining him and his children on a madcap adventure. She's a sweet, intelligent ingenue with hidden depths and one of my favorite sorts of character arcs - the uptight, lonely woman who becomes more and more warm and open as she discovers newfound freedom and joy in life and falls in love.

There is something about Sally Ann that just glows in every scene of Chitty, and it's not only that bright blonde hair! The way she widens her eyes sometimes, the way she raises her eyebrows, her gentle and soft presence in the happiest scenes, and the particular airy lilt she has to her speaking voice are all so distinctive and appealing, and I can't take my eyes off her. And her smile! When I say she glows it's barely even a metaphor, the woman just emits light. 

(Funnily enough, I started to realize that many of the laudatory quotes I've found about her also refer to her in this way, like this quote from a 1965 TV Guide article, from playwright Sidney Kingsley: "She's luminous as an actress. I mean that literally. In Brigadoon she really lit up the stage.")

For me, I'm weak for any actress who can do the defrosted-ice-queen trope so incredibly well. Truly starts out as closed-off and prim, and nearly reverts to that state when she and Caractacus have a Big Misunderstanding near the end, but in the scenes where she's happy and carefree, the warmth just radiates off of her.

She also has the most adorable chemistry with Dick van Dyke in an annoyances-to-friends-to-lovers relationship that absolutely shaped my young brain. Whenever Sally Ann and Dick glance at each other, whether with irritation and frustration early in the film or with warmth and affection later on, their chemistry is obvious and natural, and there's so much expressed in each one of those glances. One has no difficulty believing that these characters are going to be very happily married.

(Here's a cute on-set interview where she talks about, among other things, how easily she and van Dyke clicked.)

While I acknowledge that the character of Caractacus Potts was absolutely originally planned to be an actual Englishman, Dick van Dyke played him with an American accent, and to me they will always be an adorable English-American couple. It's a whole part of the charm of this pairing to me!

Sally Ann also had a great relationship with child actors Adrian Hall and Heather Ripley who played Jeremy and Jemima Potts, and did her best to help make them more comfortable and happy during the many very long days on set. Having been a child film star herself, she knew a great deal about how difficult and alienating it could be. The genuine affection the three of them shared is obvious in their scenes together, especially in the extremely adorable "Truly Scrumptious" number, and it really makes the developing mother-child relationship between the characters so believable.

The beach scene, where so much of the relationship between Truly and Caractacus and the Potts children is developed, is incredibly cute and heartwarming, and a lot of that rides on Sally Ann's performance and how her previously prim-and-proper character shows herself to be warm and loving, once she (literally) lets her hair down. We've already seen how happy the Potts family is together; now we see how Truly fits in perfectly and makes them all even happier.

Look at her! Literally glowing!

(One thing I should mention: I think both the plot and the love story of CCBB are greatly improved if one just treats the "dream sequence" as real events, which was possibly the original intention anyway, so just note that is always the perspective I'm coming from here. It's the only way to make some things make sense and for the characters and their relationships to fully develop.)

"Lovely, Lonely Man" is Truly's big solo moment, and was probably the least comprehensible part of the movie to me as a kid (lol), but is now indisputably one of the very best parts to me as an adult. It's an exquisitely beautiful love song, especially the bridge, and I somehow love it more and more every time I rewatch it. Sally Ann's dreamy, graceful movements and the way the whole scene is shot make her look like a princess, and the slow build of the song is masterfully done. She has this distinctive crisp way of articulating her words while singing, especially the closing consonants like N and M, that I just love to listen to. The string section and the building countermelodies are so beautiful it makes me want to weep. Everyone involved in creating this scene and song deserved an award, I'm being so serious. While it's not the highest of soprano songs and doesn't fully show off Sally Ann's astonishing range, she shows an incredible amount of vocal control here through the many diminuendos and crescendos, and she's mesmerizing to watch and listen to. One of her "glowiest" scenes, for sure!

While I've seen people call this song irrelevant to the plot, I strongly disagree - the romance is part of the plot, of course, and while I didn't fully understand the meaning as a kid, this song establishes how much Truly's outlook on life and hopes for the future have already changed since meeting Caractacus, and how much happier she is with the poor Potts family than she's ever been in her life of luxury. Plus, now we know for certain that she's head over heels for Caractacus, but he doesn't know... increasing the dramatic irony of the pining and yearning to follow!

In the reprise of "Hushabye Mountain", which was sung in a much earlier scene by Dick van Dyke alone, Caractacus loses the will to continue the song because he's overwhelmed with emotion thinking of his children being held captive. Truly comes in to aid him with the final verse - another pivotal moment in the developing romance - and Sally Ann's singing here is nothing short of breathtaking.

And of course, I can't neglect to mention the "Doll on a Music Box" number, where Sally Ann, who was not a trained dancer and in fact considered herself to be "appalling" at it, performs an incredibly precise, incredibly impressive clockwork song-and-dance number while on a spinning turntable! She practiced it so well that she managed to successfully complete the shot in a single take, prompting the stage full of extras to burst into applause.

This is another important character moment for Truly, though it's disguised in a diegetic performance: though it's another thing that went over my head as a child who only got to see the movie once, the lyrics about being trapped up on a music box and longing to be freed by love pretty clearly symbolize how trapped the real Truly's high-society life makes her feel, and how she yearns to break free from class restrictions and live happily-ever-after with Caractacus, as it's only with him and his family that she really feels free.

Then there's that incredibly warm romantic look that Truly and Caractacus share at the end of the song when she silently acknowledges the love confession he's just made while singing in counterpoint with her, though they're still in a dangerous situation and can't give themselves away by appearing too human and breaking their disguises... sadly this vital moment is cut off on all the Youtube videos of the scene I can find, because none of the people who clipped it understand that that's the whole point of it all, apparently. But here's a gif!

The character of Truly doesn't exist at all in the original (quite different) book by James Bond author Ian Fleming - surprising, I know, given her name! - and, honestly, the fact that Truly and the romantic subplot of this movie exist are why it had such a strong impact on me as a child, and very much why I fell in love with it again as an adult. Even though the score is wonderful anyway and the story is charming and magical, I can confidently say that I would not have become as completely enchanted or had such a strong desire to revisit it again and again if there'd been no Truly and no love story. The fact that Sally Ann's performance makes Truly so loveable is, obviously, a pretty crucial factor there.

Sally Ann's delivery of "Well, Mr. Potts... now you'll have to marry me!" after Caractacus kisses Truly... that slide from prim mock-outrage to the playful, warm, you-can-hear-the-smile-in her-voice conclusion is flawless. Not even exaggerating when I say that this was the moment that made me into a hopeless romantic as a 9-year-old child. Sure, this wasn't the first movie I'd seen where two people fall in love and live happily ever after, but I distinctly remember that this was the first romance story that had me in a giggling, kicking-my-feet, "I ship it so hard" state of mind. And after revisiting it as an adult for the first time last year, I have confirmed that yes, child me already had great taste in fictional romances!

Oh, I could say so much about the difference in her body language between the two scenes where Caractacus carries Truly out of her car that's become stuck in a pond. The first time, Truly is affronted and extremely embarrassed by the situation, holding herself so stiffly and awkwardly to avoid an accidental embrace that she causes him to nearly lose his balance and drop her. The second time, when they're in love and they know it, she snuggles right up into his arms without hesitation and it's the cutest thing ever. Sally Ann was 5'6" but looks so tiny in that scene!

(And that kiss! Maybe I'm getting off-topic here in terms of strictly focusing on Sally Ann's contributions, because Dick van Dyke deserves tons of credit for making this kiss so good... but wow, the kiss. Several times I have called it "the Most Kiss they could have gotten away with in a children's movie." Again, giggling, kicking my feet etc.)

While Truly's costumes and hairstyling are rarely historically accurate (the film is set around 1910), the stylized nature of her fashion is iconic and memorable in itself. Sally Ann also completely pulls off playing a fresh-faced ingenue who is 12+ years younger than her actual age - and I do wonder if the aging-down of Sally Ann is at least part of the reason why Truly wears her hair loose throughout most of the movie! Either way, it works perfectly and I was shocked when I first learned how much older she was than her character. (If you watch her in The Admirable Crichton, where she is also in Edwardian costume and was closer to Truly's actual age, she really doesn't look all that much different. If anything, I think she looks even more glowingly beautiful in Chitty!)

Also, as for Truly wearing her hair down... it may just have been an intentionally anachronistic stylistic choice, but in-story, I think it actually contributes to her character by showing a willingness to flout convention and pursue whatever will make her happy instead of what's expected of her, which happens to be a key theme of her character arc.

Another thing that led me to adore Sally Ann as a person as I learned more about her over the last year: in the 1960s, she appeared as a panelist in quite a few episodes of the game show To Tell the Truth (as well as a few episodes of Password), and these can be found on Youtube. I really adore how her personality shines through - she's unfailingly bubbly, witty, self-deprecating, and a bit quirky. Just listening to her speak is a delight and she has one of the best laughs I've ever heard. Here is one of my favorite little moments that I clipped. 

By all accounts, she was a delightful person to know and work with, witty and clever, very professional, and very serious about her craft. She also always maintained a great affection for and pride in Chitty Chitty Bang Bang and her role as Truly, which is always a wonderful thing to know about an actor in a beloved role.

Another bonus: here is a super charming interview with her after a backstage disaster at What Makes Sammy Run? on Broadway.

She was also, along with Twiggy and Diahann Carroll (as Julia Baker), one of the first three celebrities to have her likeness made into a Barbie doll.

Two of her earlier films I recommend are the comedies Fools Rush In (1949) and The Admirable Crichton (1957), if you can find them (hint-hint, you can.) You may also be able to find the 1966 TV movie of her reprising her Tony-nominated role of Fiona in Brigadoon with Robert Goulet, and although I feel like the oddly close-up way the film was shot kinda does a disservice to the actors at times, it's still amazing to be able to see and hear her in a role she performed on Broadway.

Richard Rodgers once called Sally Ann "the greatest singer who ever sang on the American musical stage." Now, I don't quote this to claim this superlative as some kind of objective fact. If you know anything about me, I am very, very strongly opposed to pitting women against each other and all the Golden Age sopranos are absolute queens who deserve crowns, no matter how much mainstream success or present-day name-recognition they have/had. I just think it's phenomenal that she received such high praise from a man who worked with many of the best musical theatre singers who ever lived... and to think, many people today have never even heard her voice. Without her performance as Truly Scrumptious, it's possible almost nobody would in the future! I am so glad that Sally Ann's lasting legacy was ensured by such a beloved film role.

Sadly for us, many of the theatrical roles which she originated (and thus, for which cast albums featuring her exist) were in shows that either flopped quickly or at least did not enter the theatrical canon, so she never achieved the level of mainstream recognition she clearly deserves. But Sally Ann also played such legendary and challenging roles as Eliza Doolittle in My Fair Lady, Fiona MacLaren in Brigadoon (for which she received a Tony nomination), Maria Rainer von Trapp in The Sound of Music, Anna Leonowens in The King and I, and, much later, Desiree Armfeldt in A Little Night Music. She received great acclaim for all of these performances and, judging by what we know of her process on My Fair Lady, was excellent at making roles distinctly her own and never merely imitating another performer.

Even in her iconic original role of Truly Scrumptious, you don't get to hear the true full power of Sally Ann's extraordinary soprano. For that, I highly recommend listening to "Another Time, Another Place" from Kwamina (1961), and "Something to Live For" from What Makes Sammy Run? (1964). I'm always sad that we don't have any recordings of her in her "fiery" star turn as Eliza Doolittle in My Fair Lady, but you can at least hear her do a Cockney accent, be silly, and sing "With a Little Bit of Luck" with Bing Crosby here!

If it weren't for the enduring success of Chitty Chitty Bang Bang, few people might have even heard of Sally Ann Howes today, and that would be a terrible loss. I cannot overstate that I am so grateful that we all know who she is because she played this role and we get to see her give this radiant performance of a character that's all her own. Maybe this sounds strange, but I think the fact that this was Sally Ann's only musical film role (and the ONLY role most people will ever see her in) makes it even more precious, and makes everything she brings to the character that much more distinctive and unique and special.

Both for all of the talent and charm she brings to the role itself, and everything else that I and many other fans have been able to learn of so much of her otherwise-obscure work because of it, the world is incredibly lucky to have the lovely Sally Ann Howes immortalized as our Truly Scrumptious, and I wouldn't have it any other way 💖

[mcybree]

Ok ok ok I'm not Tryna start discourse but bluestars prophecy was my first ever warriors book and bluestar will always be my favourite so I'm gonna make some counterpoints to you about her being a Smajor character

bluestar has always been led by an intense loyalty and dedication to those she loves and cares for - this includes her mum, her sister, her clan, eventually Firepaw when he joins the clan, and she has a VERY strong moral compass when it comes to doing the right thing - when she sees thistleclaw teaching tigerpaw to hurt a then baby scourge she very much discourages it and is against it

Afaik scott is Not like that, he doesn't have an emotional or love-driven moral code, he does things because they're smart decisions in the long term or because he wants to. Granted I havent seen a ton of his stuff but I have seen his limited life and 3rd life perspectives and he is very much a singular team player there, there to look after himself and well if people align with him that's great he's got allies (jimmy and Martyn) but he won't go out of his way to care for them

Bluestars defiance of starclan in the first series is BECAUSE she gave herself to them and what the warrior code demanded so much - yes she broke clan rules by having kids with crookedstar but she did everything in her power to make sure they'd have a happy life and felt terrible that thrushpelt was willing to say they were his to save her reputation. She didn't do it out of a selfish want, she only ever wanted to help her clan and those she loved, and her becoming clan leader is emblematic of that want. When she rejects starclan so wholeheartedly in the first series it's because THINGS KEEP GOING WRONG WHEN SHES TRIED SO HARD TO STOP THEM FROM DOING THAT - starclan has never cared about the sacrifices she made to keep her loved ones and clan safe, she lost her mother, her sister, her kits, her mate, literally everything, and things STILL KEEP GETTING WORSE. it's not a demand that she deserves to have everything good, it's a cry for help that shouldn't something go right after she's tried so hard???

C!Scott isn't like that. He puts himself above others and inherently believes he will get the best if he just plays his cards right, and he is good at it, he's very competent at lasting a long time in life series and getting what he wants - the ruthlessness of gem driven by desperation kills him in secret life, Martyn's complete fucking about face kills him in limited life, and I'm pretty sure it's etho who gets him out in 3rd life by luck. He doesn't plan to look after the ones he cares about, because he cares about himself first and foremost. Yeah you can argue when he doesn't get what he wants he gets annoyed, but his is less of a 'why don't I get this don't I deserve it' and more of a 'oh fuck this didn't work. Ok new plan double down on getting what I want by appeasing to people cos they're easy to read and therefore account for'

I don't doubt Scott would make a bluestar adjacent character if he made a warrior cats oc BUT his character would honestly be closer to darktail or ashfur than bluestar and that's that on that.

(sorry you activated 13 year old me's unskippable cutscene sjdjsjsjja this isnt meant to be a serious argument I just love bluestar a lot and love talking about her)

OKAY 1. this is fucking awesome thank you 2. i am going to do something new and exciting (advocate for scott instead of beating him to death with sticks) because unfortunately this bluestar info has only made me believe she is a smajor character even more.

As a general note when I talk about smajor characters as a collective here I’m referring to characters more in the realm of esmp/traffic/rats/pirates/etc, less vampire scott or necromancer scott who are intended to be villainous.

Scott characters tend to operate under a “If I am not a Good Person I may as well die” rule, and consequently abide by a strict moral code to keep themselves feeling clean. For instance: traffic Scott will never go back on his word, he will avoid dishonesty, and he won’t take from others unless he is sure that he can repay them. He will never betray his seasonal primary ally (even when they betray him first), and will often give people things just because they asked him nicely. He stakes a lot of his own identity on this, because it is through being a “good person” that he justifies his superiority (and, by extension, his own existence); in his mind he deserves the best and *is* the best because he is such a good person. When things don’t go his way, he thinks he doesn’t deserve it because he has been nothing but good, so he tries to place a reason. He often assumes that somebody must “have a vendetta” against him, even if this somebody is the world (see: him asking if limlife episode 1 boogeyman is some kind of joke played on him for not giving in to the boogey curse in Last Life.) which is very Bluestar to me, convinced that her misfortunes are a divine punishment.

This is all to say that Scott does have a strict moral code and deep sense of loyalty. Being a “good person” and devoted partner in the ways he understands it are so ingrained into what he is that I think he definitely has the capacity to be a Bluestar if he were raised being taught clan values, even if his internal systems are often built around never letting gross emotions be fully felt rather than what those emotions compel him to do.

[daddyplasmius]

okay, so, I've collected a bunch of DP fandom stuff that I remember off the top of my head, specifically in chronological order & colour coded here in this post (fics/comics, tumblr posts, important imo) for no reason other than I saw a post asking for Phandom history & it triggered my biggest, most long-running hyperfixation & now I'm curious if anyone else remembers stuff.

this link is going to be the permanent version I will be updating, but I'm posting what I currently have (gonna go through my old laptop later for more) just to let people know. you can also find the link on my blog, but only on desktop. It isn't colour coded there, sorry.

please share more if you got anything else cuz I'm 100% sure I'm missing a lot of stuff & am too interested now. the biggest reason a lot of stuff isn't here is that I simply can't find it. second biggest reason is i forgor. things not included here aren't "unimportant," this is just the first stuff that comes to mind.

putting it under a cut 'cause it got kinda long

Mars by JadeRabbyt (2005)

Checkmate by pearl84 (2006)

Conversations of a Ghost Gabber by Cordria (2006)

The Foley Maneuver by bluemoonalto (2007)

One Thousand Years by Nylah (2008)

Lab Rat by AnneriaWings (2009)

Lost by Cordria (2010?) [1] [2] [3] [4] [5]

Phantom of Truth by Haiju (2011)

Ghost Deaths (2012)

Through Coals and Rain by Kakawot (2012)

Shadow of a Doubt by Haiju (2013)

Pink Pants (2013?)

Wes (2014) [original] [1] [2] [3] [4]

this "I'm Inevitable" gif (2014)

Space AU (2014)

Treading Water by The Full Catastrophe (2014)

Danny, you dead IDIOT!! comic (2014)

wash away the darkest days by anthrop (2014)

Reverse Trio (2014)

Inverse Trio (2014-2016) ALT

Halfas are "feral children" (2015)

Burn the Streets, Burn the Cars by anthrop (2015)

It's Not Gay if He's Dead by phantomrose96 (2015)

You Smell Like Death by starfleetrambo (2015)

Ghost Bird AU by @rest-in-peachs (2016?)

Things I Can(not) Do In Amity Park by RedHeadsRock1010 (2016)

KEtTLE by Cordria (2016)

Deeper, Darker by Silvermoonphantom (2016)

Danny Phantom Punches Butch Hartman In The Face by MistressVintage (2017)

Dannypocalypse (2017)

Ghost Train (2017?)

Ghost Physics by jayrockin (2017)

Ghost Infographics (2018)

The Taxonomy of Ghost Cores: An Observational Study (2018) Communicating with Ghosts Professionally: A Study (2018)

Species in Danny Phantom (2018?)

Diddles Piddles by diddly-darn-ghost (2018)

Broken Ectoplasm by ghostanimal (2019)

Ghost of Heroes by Enigmaris & ScarletNightFury (2019-2020)

do not stand at my grave and cry (i am not there, i did not die) by blueh (2020)

Undercover Phantom by artistfingers (2021)

Corruption is a Two Way Street by datawyrms (2021)

Things That Bleed by artistfingers, kkachis, & Perfectly_Inconspicuous (2022)

10,000 works on AO3 (2022)

Ghost Speak:

Danny's handwriting (2015?)

Cordria (2015)

Fiver-Rivers [1] [2] [3] (2019)

Rubber Chicken Sounds (2019)

[crossbackpoke-check]

nosy anon again making a return because i think what my brain did was read that i helped find some kind of writing and then did not fully process what the writing was?? but upon rereading i am very intrigued if you ever get the urge to share i will be all eyes/ears/senses required to enjoy things!!

I GET TO DO WIP WEDNESDAYYYYYY!!! the writing exists mostly in the form of a tag (fantastic! 'verse) and also a thirty-two page doc of snippets and planning, so the sense you will be using most is imagination:

don't think i have ever actually formally written out anything about fantastic! 'verse but! the tl;dr of it is that it's a semi-college au: joel is still a hockey player for the lv phantoms, but morgan is a college student-athlete. it's incredibly relevant to the plot that joel falls in love with morgan in the check-out line of a wegman's, lies a little bit, and ends up going back to get his degree.

most of it is just good fun about college kids growing up, but i think there's a lot of parallels between making your way through a development system where traditional "success" isn't always guaranteed (ahl -> nhl, completion of higher education -> pursuit of a career) because that development system isn't always designed for you to "succeed" or have opportunities. heavy quotation marks around success because part of that struggle is learning what you want in life and how you define success. are your dreams achievable? are they still the same dreams you always used to have? it's infinite branching universes of would you still love me if i was a worm (ahl player forever) (a college dropout) (a college graduate) (older) (realizing the fallibility of your body) (uncertain of the future) (human).

silly little snippet:

[crescentfool]

just put a one star review on the tumblr app 🤧

[obnoxiousarcade]

I have a longing to be understood more than anything else i think

[paimonial-rage]

My most interacted with fics:

Cocky Bastard Vibes (Zhongli)

Tipsy Tales (Anemo boys)

Why He Rejected You (pt 1)

Telling Them Off (Ayato, Venti, Xiao)

A Sight to Behold (Yae Miko)

Obvious (Neuvillette)

Simple (Alhaitham)

What Destiny Has Brought (Fischl)

Why He Rejected You (pt 2)

Blasphemous Assumptions (Zhongli)

[nthflower]

Tumblr is always like social norms are evil and stupid and hurt people that doesn't fit in (which is extremely true and I say this all the time too)

But the moment someone do something here stupid everybody is like turn into hive mind and bully them.(not racism or bigoted stuff like terfs idk I am talking about just weird things)

Like people preach be yourself, current social norms are fucked up then mock you for not following Tumblr culture or whatever.