#also this is an excellent example of if you want me to write more literally just shoot me an ask

[chiprewington]

Character Analysis on Chip Revvington, the Chainsaw Consultant.

Genuine Long Post Warning, as well as a LOT of images. This is going to cover literally everything we know about Chip (as of April 25th, 2024) and my take on what's provided In Canon (being his Cogs Ink profile, his Interview, the 1.3 News Article, and In-Game). This is my first try at an In-depth Character Analysis. Screenshots used are from the official Wiki.gg, In-Game, and from the Corporate Clash News Archive.

Prior to being brought on to lead the Deforester Force, it's shown he's clearly a confident Suit, and has a genuine passion for his line of work as a consultant. With his personal statement alone this can be seen on full display with how he writes about himself, including noting how he's not swayed by bribery in any manner. (also the fact he outright pokes fun at one of the bribes will never not be funny to me)

Not to mention his lack of discipline records throughout his 19 months having already worked for C.O.G.S. with his usual job as an external consultant, this plus the fact he has "positive remarks" from his previous places of work shows he's probably in very high demand and really does excel at his job.

This is also shown in his interview, where he also equally shows a lot of passion for his job and genuine interest with answering questions relating to it. Before we get into that though, I feel like it's important to also point out a couple other things that I think about a lot with his profile.

This, being referred to as the "Temperamental Terminator" in the 1.3 trailer, and considering the average age of a Consultant is ~40+ years (and I personally hc him as 48), I think it's safe to say Chip just always was a quick-tempered individual throughout his life. It's one of his less favorable traits that I personally find charming.

And these read to me like Chip's always been considered "scary" among other suits. His behavior isn't the issue (yet) though, he's just a massive guy who happens to have a chainsaw for a snout.

Which. Makes this very interesting. Jennifer, stated something similar above, but I feel as if her intentions are more... unaware than the actual company's. Jennifer sees a guy with a big Chainsaw and thinks "Oh! He can cut down trees with that!" Jennifer ily. The company on the other hand probably has had this idea of what Chip could be a candidate for. They hired him to lead the Deforester Force. His job consists of him sitting in an office. Nothing relating to physical labor in cutting down trees, he just oversees the process. "Chainsaw apparatus will be helpful [...]" suddenly takes on a much darker meaning, in my mind.

Which is how we get here. Chip being modified with a clearly experimental hardware which we all know as the Personality Override. The fact that it was only "partially successful" is a very fun thing to consider.

Note the fact that from a canon standpoint the Override was implemented "2 weeks ago". This will be important later.

(The toon who got the above screenshots is not mine!)

Another fun side-note is the fact that the Override is experimental. It's experimental hardware. Chip is the only one with it. They are using him like a guinea pig. And not to mention "Dealing with Toons far more efficiently" paired with the above company-sourced "Chainsaw Apparatus will be useful [...]", you can't make this stuff up. They turned this guy into a living weapon likely without him knowing the full scope of what would happen if he did get this position in the first place.

Okay. Now we can talk about his Interview. Which even through glancing at it you can see just how passionate he is regarding his work. He is driven and confident that his plans for the Deforester Force will work. He wants to believe that he'll set an example for the rest of the departments to execute a similar plan.

And then this question comes up. And then I have to remind you it's probably been only a couple days since he's modified. And he already has rumors circulating about him.

And the moment the subject is changed, he perks right back up into being passionate about his work.

I also feel like it's worth mentioning the fact he's been actively requesting and wanting Spruce (who recommended him to begin with!!!) to join him in the Deforester Force and keeps being turned down on it. The way this and something else I'm about to touch on are written feels like he's barely been able to see him. These two have a brotherly bond and they're being separated. He misses his brother, man.

That's not even getting into this. Even as I'm writing this I just realized the implications of something at the end of this and I'm going to have to pace around my house thinking about it. But also you can see that even though just the slightest amount of time has canonically passed since the interview, you can already see the toll the Override's been taking on Chip's behavior. While he was once passionate, he's now actively complaining about his job. It's not even about the job itself, it's about what's happened to him.

Not to mention, I feel it also displays his temper in full swing once again- even if he's justified in this sense.

I also need to pay special mind to this ending bit right here because the implication of this with everything else surrounding it fucking broke me. uugghhhhh.

Now this is something I feel is so, so, so important to his character. He actively does not like toons. He clearly shows a certain disgust for them and views them like Animals. Pests. He doesn't hesitate to proudly state his opinion on them. And then you see him in-game.

He hasn't changed his mind about toons at all. Ignoring the fact that "you critters again" insinuates this isn't even his first contact with toons (will get to this later), he's... Restrained. I don't know, this reads to me like he's actively restraining himself from blowing up. "You don't want to see what happens when I get angry." is a warning to just comply and leave.

And then because he doesn't remember he fired the rest of the Deforester Force (another thing I want to touch on), he actively gets upset and angry at the remaining flunky because of course someone as high-rank as himself wouldn't want a Flunky on such an important team. Once again, additionally showing his active temper. His active temper he just tried to restrain and bottle up.

And that's what breaks the camel's back. The Override most likely activates from excessive anger/distress, something that Chip Actively Struggles With. He has to bottle himself up because if he tries to be his usual hot-tempered self, which is who he naturally is, he's just going to lose himself. Lose himself to cog knows how long as being a lifeless machine that perfectly and efficiently complies with the commands its given.

He begs for help when he's able to partially regain control (emphasis on partially, considering the most he can do is speak and prevent Deadwood from happening), but like. Again, to me this reads as the fact he is currently Incredibly Fucking Terrified because he's completely aware the whole time the Override is active. He can see himself acting against his will. It's mortifying. He's willing to beg anyone for help because the Override is genuinely traumatizing for him.

Which makes this all the more harrowing. He can't keep the Override at bay forever (likely the only reason why he partially regained control is from the sheer amount of pain he put himself in by ripping out one of his bulbs. You can see him brace himself and wince when that happens). Once again, "save yourselves" in this context feels more like he's scared. He's terrified. Because the Override sucks. And the implication of "ALL RAM CLEARED" doesn't leave much room to assume anything other than the Override likely clears out Chip's memories in order to make more processing room for this janky hardware to run at a constant overclocked state. I wonder how much of Chip's memories have been removed because of that thing, honestly.

By the way did you know that a normal chainsaw runs an average of 12,000 RPM. Do you think about how the little RPM icon is his saw smoking as if it's overheating. What the hell is the Override doing to him internally.

Another added touch I think about a lot is how his battle as a whole is, for the most part, very predictable. You control what cheats he does. Even in technical battle terms, everything is out of Chip's control. As long as every gag hits, you're really just manipulating an enemy's AI to to make the most optimal choices to your benefit. The Override perceives "X", and responds with "Y". You're not fighting an actual individual, just a program.

Clearly, whatever it's doing to him, it's painful (not mentioning the agonizing scream he lets out during this). And thank Cog he was able to regain control at the last second because it's way too obvious that the Override's "final fallback procedure" likely involved some kind of lethal force when it lunges at the toons. (The Chainsaw Apparatus will be helpful.)

There's no sorrow in Chip's words, that's what I think. Everything here is bitter. It's numb, to me.

He's clearly been through this song and dance multiple times by now. He's pissed at the toons, at the company, and at himself. But he can't properly let it out. You know what will happen if he does. The most he can do is throw a chair and scream into the air. (which that line gets its own custom voice clip, fun fact!)

It's clear he's been isolated ever since he's been upgraded, and it seems like he's bitterly accepted it. The only thing he has left to lose is Spruce, which is why he tells the toons not to tell him. If he loses Spruce...

I don't think he'd have much left. It'd make sense why he's grown so restrained and numb and stilted in his speech. He's quickly grown to learn that he can't let himself express anymore, all because of the override.

The fact that everyone else around him views him poorly doesn't help. His employees fear him. Most of them probably don't realize something is wrong, spread rumors about him, or outright attack him through hatemail. Written in Cipher.

"Chip has some anger issues. I would be careful around him. Don't worry about the Cogs though, I'm sure they'll be fine. Might get demoted back to their initial tier, but that's what happens when you work with Chip. Good thing that Toons can't get fired-- or wait, they can, can't they? Do Toons LIKE getting fired? I will never understand those animals. And you seen Spruce around lately? I haven't. I wonder how his deforesting expedition is going. There is a secret message up ahead in Chip's room. Can you find it? If you are stuck, have you considered looking around your surroundings?"

"I can't stand Chip anymore. I know I'm a Yesman, but I have to say NO. He used to be cool up until his sensors flared off. After what he did to my fellow coworker, I don't know if I can continue working under him. Sure, he's one of the most organized managers I've ever worked with, not to mention the flowing passion he has for the Deforester Force. His personality issues can single-handedly cause all of our projects to collapse. One of my former coworkers had raised concerns about Toons taking over our buildings and ultimately undoing all work that was done on our end. That poor Pencil Pusher overstepped his boundaries with Chip when he admitted his failure to secure "our" project from the Toons. Up until this point, I have never seen a Cog fire another Cog. With a cannon."

"It grinded my gears when I saw that happen. Him and I worked nonstop for days straight, while this pile of bolts just sat there doing his paperwork. I wouldn't be surprised if he was just doing crossword puzzles or writing letters to his little buddy. If you are reading this Mr. Revvington, you are the reason for our decline. We are running out of Deforester Force members because of you. As someone who has gone through close-call battles with the Toons, I hope you experience what it's like to have boulders and anvils fall from above you. You can try to fire me with that shoddy cannon of yours, but you would have to track me down first. I've already left the area and was recruited to a new organization far more stable than you will ever be."

------

...I genuinely love Mr. Revvington. He's a Suit who's been dealt the worst hand he could possibly ever get in life. He was just like anyone else, and then everything happened ever since joining C.O.G.S.. He's isolated, he's temperamental, he's pissy, he'd genuinely be someone hard to get along with because of the fact he's struggling with all sorts of issues and would be incredibly difficult and annoying to even start talking to and forming a bond with unless you're both stubborn and have patience. He's awful, and I love him for it.

I genuinely believe he's one of the most complex, beautifully written, and depressing characters in Corporate Clash. Maybe I dive way too deep into things about him, maybe he's not that deep at all. But I like to think about him. He makes me emotional, but he also makes me happy. Thank you for making him exist.

[shhrrroooommmmmyyyyyy]

HB Generational Trauma: Paimon → Stolas

→ Octavia

*Before I get attacked, nothing I say is to defend the actions described. I am simply trying to explain and make sense of it.*

Many fans approach the topic of Stolas being a good or bad father with either black and white-good or bad or completely gray answers. The black and white are pretty straightforward, usually going something like "he says this but does this anyway" or "he's neglectful", which are all valid opinions here. As well as the gray opinions, usually saying "he really tries, he just doesn't get it right".

Honesty, I can't say I disagree with any of these opinions honestly. I don't have evidence to back this up, but I have a feeling I know where the writers are going with this. I think they will, maybe sometime soon after hearing via's line in the trailer, have Stolas sort of "wake up" in a sense and realize what exactly he does. Get hit by the good ol' self awareness train, if you will. It's called character development.

I've seen many people call this bad writing but I disagree. I think that's the direction they're going for Stolas's character development. I think with the episodes so spread out, people forget we're only three episodes away from only being halfway through the series as a whole. There's still plenty of room for development.

Anyways, back on topic. Let's look at Paimon and Stolas from the Circus episode. I love the Loo Loo Land parallel with it.

Paimon enjoying himself from home while Stolas is miserable and clearly doesn't want to be there. The only thing that gets him through it without crashing out is Blitzø. Paimon seems to not notice he's even there at all until he starts enjoying himself watching Blitzø. And when he figures out what's making him so happy, he literally buys Blitzø later to keep himself from having to deal with him all day. Of course Stolas is too oblivious and distracted by Blitzø to realize, but that makes complete sense seeing how oblivious he is as an adult.

So now let's look at Stolas and Octavia in the Loo Loo Land episode.

Stolas is enjoying himself, but actually present. Him actually being there is an improvement; however, Octavia's not enjoying herself. She already didn't want to go because she was too old to enjoy it. And on top of that, Stolas flirting with Blitzø the whole time made her uncomfortable (which he was also too oblivious to realize).

I think the parallels here are interesting. Overall I think the writers ave done an excellent job of writing generational trauma, hence the title of this post. Now let's look at Stolas' line from Western Energy:

This line made a slight change in their dynamic from my perspective. It's clear he loves her and would do anything to protect her. Much different from Paimon. I think he tries so hard to be better than Paimon that he subconsciously ends up doing what Paimon does. This is called the ironic process theory or ironic rebound (psychology nerd here, as you can tell). However, the difference between him and Paimon is that he apologizes and recognizes that he made a mistake. He's trying. And even so, what examples of a good dad would he have had growing up that would've guided him in the right direction?

Although he keeps making mistakes, he is still trying. He's not prefect. I think Via knows this; nevertheless, it's hard for her not to get frustrated at him for making them sometimes. Especially when he promised he would do something with her and didn't in Seeing Stars.

No matter the extremity of the efforts made toward doing so, generational trauma will never be completely healed in one generation (look at me using smart words). While Stolas has made a pretty big dent in the healing process, it takes more than one person to erase the trauma. Although Via is as far as the line will go with her being confirmed asexual, I think Stolas has done a lot more for Via than people realize.

I have a few notes about Blitz and Loona on this topic as well. I might wait till after Ghostfuckers in case it gives more info to put in that post

[miraculouslbcnreactions]

I’ve always wondered why I’m so harsh on Zoe outside of just her character being used to it’s simplest degree (ie just being a replacement for Chloe) and I think I get it now.

Zoe is a perfect example of the “good/perfect victim”. The writers literally used her to downplay Chloe’s own abuse experiences by saying “See? Here’s a teen who was also abused at school and she turned out to be a sweetheart who’s so much better than Chloe in every way” blatantly ignoring She and Chloe possibly different home lives because Zoe had a different father.

As someone with experiences of toxic home lives I don’t appreciate it when abuse gets undermined especially parental and Zoe being used as a mouthpiece for what I guess can be summed up as abuse apologia made me think so lowly of her as a character.

Thoughts?

I actually just got another ask about my thoughts on Zoe, so I'll schedule this to post the same day since it's topical. In that post, I talked about why she bugs me and it's because she reads like the main character in an escapist self-insert power-fantasy fanfic. Once again, to be extra clear, those types of fanfic are FINE! Power fantasies and escapism are extremely valid things that are popular in professional works, too. For example, they basically dominate isekai and romance stories, but Zoe showcases exactly why characters like this only work as main characters in escapist fantasies. If you try to make them work as a normal side character, they just feel weird. Make them the main character or don't write them. Since she's not the lead, why is she even here?

I didn't consider the perfect victim angle in that other post, but now that you've brought it up, I'm wondering if that was indeed why she was introduced. Is she here to show that someone could have Chloe's mom and still come out to be a good person? The writers do seem really obsessed with that idea as we see from this moment in Derision:

Marinette: (as she goes down the stairs) I just got three more hours of detention on Saturday, and it's all because of Chloé. Rose: Don’t be mad at her. She's this way because her mother left her when she was young. Mylène: So did mine! And you don't see me having fun bullying Marinette. We've got to do something about your pants. I'm afraid they might be ruined for good.

This isn't even why people think that Chloe is the way she is? It's not just because her mother left. It's her father's terrible parenting, her absurd wealth, and the fact that her mother didn't actually leave. Audrey is still very much around, she just ignores Chloe most of the time and insults her on the rare occasions when they're in the same place. That's a recipe for disaster.

Sure, some people are lucky enough to come out being a good person in spite of their messed up home life and those who come out as jerks don't get a free pass to be jerks, but it's not like it's a total shock when bad home lives lead to people being jerks. The bully with a bad home life is a stereotype for a reason.

I'll once again point to The Good Place as an excellent show to watch if you want to see a realistic journey for a Chloe-like character. A journey that acknowledges the struggles that come from a messed up home life without giving the characters a free pass to use that home life as an excuse for their actions. Part of their journey is accepting that they have to stop blaming their parents and take charge of their lives.

Miraculous could have done something similar if it wasn't a formula show. The potential was there. But it is a formula show and the writers apparently don't think that Chloes are capable of change. I get that childhood bullies suck, I had one! I am very happy that she's no longer in my life, but I also don't think that she was incapable of change. She just needed to be put in the right situation where she accepted that change was needed and that never happened when we were kids. Has it happened since then? I don't know! Some people never change, but that doesn't mean that they can't change. Most of us are capable of changing. It just takes the right catalyst and a lot of hard work. People rarely start changing out of nowhere. It almost always has an inciting incident.

That's actually part of why Zoe's story feels so shallow. We're never really told why she was the way she supposedly was pre-canon or what caused her to change into her canon self. This is the backstory we get in Sole Crusher:

Zoé: I'm... really sorry about today. I thought that if I did everything Chloé wanted me to, she'd accept me. I just wanted to meet my family's expectations. Which is why I left New York in the first place. At the boarding school, I was playing a part; being someone else, hoping they'd accept me. But finally, I just couldn't anymore. That's when everyone turned against me, and one day, I found roaches in my locker. They all said I was a loser. Maybe they were right. I get that I'm different, and... I'd understand if you guys didn't want me as a friend.

So Zoe lied about everything and, when she revealed that she was a massive liar, everyone turned against her? Shocking. Why wouldn't they welcome a confirmed liar with open arms? That's so weird! (That was sarcasm.)

Seriously, why are we acting like Zoe was the wronged party here? This is literally Lila's story save for the motivation behind the actions (as far as we know). There are times when motivation matters, but this is not one of them. If you've spent weeks (months? years?) lying to people, then they're not going to trust you when the lies are revealed. Maybe you'll get lucky and someone will be willing to hear you out and give you a second chance, but that's an act of kindness. It's not an act of basic human decency.

This speed run story probably wants us to believe that everyone at Zoe's school was evil and that Zoe had to fake a personality to fit in, but I don't believe that. Writers, if you want me to believe it, then actually show us her story! You had a full New York special to do it! Why didn't you make Zoe the lead there since the specials love to introduce new characters to hog the screen? Have Zoe's school be the American school they go to and have her personality change be caused by Marinette and Co. so that Marinette and Co. trusting Zoe in Sole Crusher actually makes sense instead of feeling like something the plot forced on them! This is the scene I'm talking about, btw:

Marinette: (confused) I don't understand. When I met her this morning, she was so nice. Alya: That's crazy. Chloe's influence is so toxic that she's managed to corrupt her sister in a few hours. Alix: We gotta get her out of there.

Why are you all so sure that Marinette's two-minute-long interaction was the "real" Zoe and that her new personality is all Chloe's fault? Why are you acting like it's impossible to fake being nice but faking being evil is totally reasonable?

It really feels like this show is trying to say that people are either inherently good or inherently evil. Zoe was inherently good and just played at evil, so she's fine, but Chloe is just evil so she's doomed. That is really not how the world works, but now that I think about it, it does match the way the miraculous are often used. There are "evil" and "good" versions of some of the powers instead of just powers that can be used for good or evil. I've never liked that because it makes no sense. Why do akumas need a good form? Why is there an evil transformation phrase? Why do the miraculous even have an evil mode? Who programed that in???

While were on the topic of things that were possibly done just to show that Chloe is evil: is this why they made Jagged Stone an absentee parent to Luka and Juleka and then made the "twins" totally cool with it? Is the show trying to say, "Look! Luka and Juleka are nice! Therefore this is a Chloe problem. Stop blaming her parents!"

Who knows, but your idea certainly has merit. I wouldn't go so far as to claim that this must be what's going on, we don't know and I don't like to treat educated guesses as fact because they're not, but the text certainly has evidence to back this read.

[mylittleversaille]

Every day I see more and more pop myth takes that make me want to pull my eyelashes out. No, Ares was not a protector of women. No, Aphrodite was not a war goddess (and you know what, being the goddess of sex and lust and beaut is okay!). No, Hera is not an irredeemable villain. No, Zeus is not evil incarnate. No Achilles isn’t without fault or some ‘gay softboi’ icon (he’s literally presented in the Iliad as someone who is proud to a fault. You’re supposed to recognize that he’s selfish and arrogant). No, Demeter was not an overbearing mother nor was Hades some sort of misunderstood, brooding knight in shining armour. Medea is allowed to commit heinous crimes and still be a sympathetic character. Jason… deserves all the hate he gets, respectfully.

Off the top of my head, I think Helen is one of the few people who gets complex, interesting characterization in modern retellings and discourse, ironically enough. She’s allowed to be vain and aware of her own beauty while also often having a great deal of agency. At the same time, she is frequently depicted as both victim and as offender. She’s allowed to want to be in Troy, but also to miss her husband and daughter.

Some days I feel like I could write essays about pop mythology and the way people reduce mythological figures to one dimensional caricatures. And how these retellings are never as progressive as people think, fixing some issues but exacerbating others. I do think retellings end up being an excellent resource for identifying what social issues bother us and how we would like to address them.

For example, we see a lot of feminist retellings that want to show women as capable of the same things as men, and in so doing they reject or deride their own femininity. But a retelling that is ultimately saying that masculinity is more interesting or valuable than femininity isn’t a truly feminist retelling, but it does show us that our society struggles to find femininity compatible with strength or courage.

[thankskenpenders]

I'm a huge fan of Ian, but one criticism of him that I've seen that I kind of agree with is that he sometimes falls into "look how much I know about Sonic" in his writing. For example, a number of references in Frontiers like Tails namedropping Dark Gaia out of nowhere. It's a nice change of pace from Sega not knowing where they wanted to go with Sonic for like a decade, but it might be too far in the opposite direction. What do you think?

There's definitely a thin line between Ian's love of references and lore and lyric quotes being fun and grating, yeah. I think he tends to do it well, choosing things that will support and enhance the story he's trying to tell rather than just dropping random references for the sake of it, but sometimes it can kinda make me roll my eyes and go "okay, Ian, settle down buddy." He readily admits that sometimes he just really wants to play with all the toys in the toy box.

I think an example I might point do would be some of the Classic Sonic comics for IDW. The Tails special in particular felt like it relied very heavily on Ian being excited to use the Witchcarters again, and to use Flicky Island as a setting, but I felt like the story left me wanting a little more beyond just "this obscure old stuff is back again." (The art in all the Classic stuff is phenomenal, though, of course.)

Frontiers absolutely is jam packed full of references, but I think it works there because acknowledging and building off of decades of continuity is one of the main points of the story in Frontiers. It's part of a greater effort Sega has been making to acknowledge Sonic's legacy after much of the late '00s and early 2010s were spent being kind of ashamed of that stuff and trying to streamline the series. Frontiers, meanwhile, wanted to look back on all those past adventures and their inconsistent writing and figure out how to wring some proper character arcs out of them, so that the cast can reflect on those arcs and figure out what they want to do next. Mining hit-or-miss old material for a compelling throughline like that has always been something Ian's excelled at - it's literally what he did to the Archie comics when he started out - and having the characters acknowledge their past adventures is a part of that. It gives us a sense that Sonic and co. really have gone through a lot together, and that those experiences have shaped who they are today.

It's also worth remembering that a ton of more casual Sonic fans aren't as immersed in the state of the canon or Ian's referential writing style as we are. When Frontiers came out you'd see people say stuff like "OMG, Sonic mentioned Jet the Hawk!! I didn't know Sonic Riders was canon to the main series! I loved those games!" That kind of reaction is probably a big part of why those references are there. Sega wants fans to know that Sonic DOES have continuity, unlike a series like Mario where every game and sub-series is kind of its own thing, and that all the old stuff still matters. And if that's what you wanna do, then Ian's the guy for the job.

[hopecomesbacktolife]

recently read the time magazine special edition “Star Trek: inside the most influential science fiction series ever” a good portion of it is stuff a lot of fans probably already know, but there was some info in there that was still new to me, and lots of gorgeous photos that were amazing to see in print, too, so still definitely an enjoyable read! (apart from a couple instances of weirdly superiority, bro-esque writing, but that only occurred in one of the articles, thankfully)

one thing I really enjoyed about the visual aspect of the magazine though was some of the costuming visuals! For example, these crisp shots show not only the tailoring and seams but literally the construction and stitching on the TMP era uniforms 😍😍 (check out the stitching on the sleeve ranks in particular!!!)

next up, some extremely cool science things I didn’t know about and love that they exist:

this shot is excellent both for De fans (me) and also for seamstresses and costumers (also me!) because of that excellent, and rare, shot of the back of a TOS women’s uniform with seams and construction visible… positively a seamstress dream!! such a good garment structuring reference 👏🏻

also, an up close on one of Quark’s outfits that shows definitively that this outerwear jacket is, in fact, rainbowy tweed!!, a fashion statement I vote we bring back:

(it reminds me of this couch and blanket from my childhood, it was extremely 1970s and I loved it)

this little Kirk & Spock character comparison panel appeared next to an excerpt of Shatner’s writing, and to me it would fit in perfectly with those “who’s dating who” activity panels etc in magazines like seventeen, which, excellent execution, that’s such a good vibe to have considering The Premise 👏🏻

speaking of— I wish they’d mentioned slash fic, The Premise, early fanfic mail chains etc waaay more than they did (and for that matter, highlight way more just how important and vital the women Trekkies were!) but hey, at least they mentioned Spirk shippers, along with other parts of the magazine mentioning queer and nonbinary+trans rep in trek. could’ve/should’ve been more, but—

anyways! It’s still a fun magazine to read through and has lots of fun images even if you’re already familiar with the stories. (did you know there used to be an Enterprise shaped landline phone you could buy? I didn’t, and now I very much want one lol) it also highly benefits from having article writers of multiple genders, so there’s that, too. 🖖🏻

[bison-appreciation-club]

So I am aware that I am the only person making Edward II content as far as I can see, bUT if you are writing/drawing my guy then here is some advice from a MASSIVE Edward II nerd:

let's discuss Edward's appearance in excessive detail (yay)

Ok so. The basics: he had blond curly hair that reached his shoulders, parted in the middle in the style of the time. And a beard. Or at least he does in his effigy, in which we can imagine he is 43, his age at the time of death.

I mean. Let's take a moment to appreciate his hair. It is A Look that I want to emulate with all my heart ands soul. Just me? Fine.

In earlier depictions of him he is clean shaven. For example, this drawing of him when he was accepting the title of Prince of Wales from his father

look at my little guy (literally little, because the picture turned out tiddly and I don't know why). Lmao. Anyway, here are some more pictures of Edward II.

I sometimes see people say that this is a young Edward III, but as this was produced in 1326 I doubt it. I rarely see drawings of royalty before they become active in politics, which Edward III at the tender age of 14 had not yet become. So it's more likely that this is just a very youthful looking Edward II.

Again, this is probably Edward II. It's not specified, but it was produced during his reign so we can safely assume it's the man himself.

ok, so those are some drawings of him, what next?

unfortunately we don't know what his eye colour or complexion was. I'd imagine his eyes were probably blue or grey as it's quite rare to have blond hair and dark eyes. Also (and yes, I am looking too deeply into this, but shush), both his parents had dark hair, so for him to have lighter coloured hair would suggest a lack of pigmentation in hair and eyes, which would also lead to poor eyesight. (I can confirm this because I have the same problem. Both my parents have dark brown hair and dark eyes but I am blond and blue eyed as the pigmentation in my hair and eyes didn't develop as quickly as normal - it's common for white people to be blond when born and then for their hair to darken, but with me this is happening much more slowly than it did for my parents. As a result my eyesight is so bad that I can't buy glasses frames thick enough to contain the lenses lmao.)

here are what some of Edward's contemporaries had to say about him (quotes taken from Kathryn Warner's excellent blog)

"tall and strong, a fine figure of a handsome man"

"fair of body and great of strength"

"of a well-formed and a handsome person"

"one of the strongest men of his realm"

(To be honest the fact that he was super hot seems to be his only redeeming feature in the eyes of the monks.)

Edward enjoyed 'unkingly' activities such as digging ditches, thatching roofs and doing blacksmith work, so we can imagine that he was really strong (the quotes back this up). His father, Edward I, was six foot two so Edward II would have been pretty tall too.

So, in conclusion, if you're writing/drawing Edward II give him awesome hair. Give him dirt under his fingernails. Give him muscles. For the love of God don't turn him into the Braveheart version.

(also, when I look up references to the muscular structure most of the drawings that come up look like they're on steroids. don't put Edward on steroids. The strongest men in the world don't have ridiculously defined muscles. They just look 'bulky' or 'barrel chested'. So yeah :).)

Hope this helps!!! If not, at least this has been an excuse to ramble about Edward II.

[ruiconteur]

li lianhua's final letter to di feisheng

i hear the official eng subs weren't great so here's my own attempt at a translation (under a read more bc fuck it's Long)

edit: translated qiao wanmian’s letter to li xiangyi as well, which mirrors this one!

十年前

Ten years ago,

东海一决

during the duel of the eastern sea,

李某蒙兵器之利

this unworthy Li made benefit of whetted blade

借沉船之机与君一战犹不能胜

and capsizing boat whilst battling thee but was yet unvictorious.

君武勇之处

Thy martial prowess and valiance

世所罕见

are unexampled in this world.

心悦诚服

Mine heart delights in it, and by mine own will yields to thine eminence.

今事隔多年

The affairs of today are by many years separated.

沉疴难起

By pains alone would a lingering malady be cured.

剑断人亡

The sword hath broken—the man hath perished,

再不能赴东海之约

and can no more honour the accord to duel by the eastern sea.

谓为憾事

Such is the cause for most sincere regret.

余感念君所赠之忘川

I recall in deepest gratitude the flower of oblivion bequeathed by thee,

然终有负君之所望

yet did forsake all thou hadst longed for in the end.

江山多年

The rivers and mountains of this land have many years endured,

变化万千

their changes reckoned in the tens of thousands.

去去重去去

Partings upon partings, farewells upon farewells;

来时是来时

the coming times shall be the coming times.

方多病习我之功法

Fang Duobing hath been studied in my skills,

资质上佳

and his own endowments of the utmost excellence.

不暇多日

Shouldst he not keep idle days,

定不在明月沉西海之下

he shall surely be not beneath the bright moon sinking into the western sea.

君今无意逐鹿

Thou hast not now any desire to pursue the throne,

但求巅峰

but instead to seek the height of skill.

李某已去

This unworthy Li hath since gone;

若君意不平

if thy desire be not appeased,

足堪请其代之

he shall suit, shouldst thou bid him succeed me.

李相夷绝笔

Thus end the last words of Li Xiangyi.

footnotes

i've translated this letter into (my best attempt at) early modern english to try and reflect the formality li lianhua is writing in. also because he uses 君 for di feisheng throughout, which is a literary second-person pronoun, and i wanted to emphasise that. i know thou is actually the informal pronoun, but given how archaic it sounds in comparison to you, the actual formal pronoun in early modern english, i thought it a better fit. (for all the feihuas out there: 君 was also used by women to address their husbands, so actually i thought the informality might work in my favour here LOL)

if you saw this post before, you might have noticed that my translation of the third and fourth lines changed slightly lmao. ty to @/presumenothing for the reminder and ofc my fav @/bat1lau4can4 for talking through it with me and being the 文言文 expert i need <3

for the purposes of my goal in the above footnote, i've had to take some creative liberties in my choice of vocabulary. for example: unexampled is not quite an accurate translation of 罕见, which actually means rarely seen.

i phrased 心悦诚服 as mine heart ... yields but that's a somewhat liberal interpretation of the phrase lol. there is a heart in it; it's just maybe not the thing that's yielding, to be precise. close enough imo though!

江山 literally translates to rivers and mountains but is often used as a metaphor for a country as a whole, hence my translating it as the rivers and mountains of this land.

grammar is not as important as Vibes.

逐鹿, which i've translated as pursue the throne, literally means to chase the deer, and stems from the 《史记》 / records of the grand historian.

绝笔, rendered here as last words, specifically refer to the last words written by one before their death.

[monstermoviedean]

Omg ur so real for the whole “should jimmy novak be cas’ biggest/greatest regret”. i have a whole laundry list of things he could insert instead but if ur willing id love to know what you think should be up there as things he regrets most lmfao. (totally feel free 2 ignore this no matter what!!! obviously free country free website etc etc but also i promise im not trynna stir the pot im genuinely just curious as well as… drunk And therefore possibly entirely tone deaf... 2 b honest)

4 me it would be the whole purgatory thing and the leviathans getting loose as a result (as well as cas and dean getting stuck in purgatory) like. Lowkey. i don’t blame cas for Bobby dying i truly don’t hold that resentment in my heart but it’s an unavoidable fact that leviathan dick roman would never have killed Bobby if cas didn’t do what he did despite warnings from not just dean sam and bobby but also from Balthazar and the Fate girlie (i forget her specific name lol something with an A) and tbh there may be more characters who warned/cautioned/told him not do it (there also may not be other characters but yk gotta cover my bases)

also cas breaking the wall in Sam’s mind was because of the whole busting open purgatory situation so that’s a 3rd consequence of that decision. andddd also cas’ whole staunch refusal to deal with the consequences of HIS actions (episodes Reading Is Fundamental - where he wakes up in the hospital - until essentially halfway through the finale) by saying he doesn’t fight anymore etc etc just avoiding everything Negative even though all the Negative things he’s avoiding are literally his responsibility (and Crowley’s , to be fair, but Crowley is also the literally king of hell we expect this behavior and disregard for humanity from him so I don’t rlly think it can be held against him. It’s essential to his characterization).

Anyways like I said feel free to ignore this I just saw ur post/tags and it made LOL

oh my gosh THANK YOU! no i'm so happy to talk about this and so happy you sent this.

you hit some big ones for me! and i want to be clear that i don't want to assign feelings to cas. i am not saying "cas should feel bad" or "cas not feeling 'bad enough' indicates he himself is bad." i am saying, if i were cas, there are things i would regret as much or more than the novaks. and while i think some of these are things cas regrets in canon, others are not. i am also totally okay with the "bad writing" excuse to explain why the novaks are stated to be a bigger regret than any of these things, given it's somewhat of a throwaway line in a buckleming episode.

anyway, in no particular order:

breaking sam's wall. 100%. here is an excellent recent post from @scoobydoodean regarding how that decision was cruel, and intentionally so. you could say that cas "redeemed himself" by taking on sam's hell trauma, but 1) that's not the same as regret and 2) that doesn't undo the suffering sam (and dean and bobby to a lesser extent) endured as a result of cas' decision.

the leviathans getting out. that's a lot of carnage and i don't think it's unfair to say this is cas' fault. unintended, for sure, but a consequence of his actions. (i don't blame cas for bobby's death either but i get what you're saying)

everything you said about refusing to deal with the consequences of his actions. YES. i don't have additional examples atm but i think there are others.

the fact that by season 13 there are only a dozen or so angels left. that's not 100% on cas. heaven lost angels in seasons 4 and 5, and angels fought for and against cas in the war against raphael in season 6. but he also killed angels for not bending the knee to him. he killed angels like balthazar for questioning him. angels were lost rescuing him from purgatory. angels were lost in the fall, which was sealed with his grace (though not his intent). and more angels fought for him in season 9. he does have some angel blood on his hands (though certainly not all of it!).

i'm still mad about him torturing aaron birch.

also maybe not something he should regret, but i think it would be nice if he apologized to dean for abandoning and running from him in purgatory. i'm also iffy on whether to include lucifer - cas does bear a lot of responsibility for everything that happens with lucifer after cas says yes to him, but i also know that cas suffers greatly because of that decision. i am not suggesting cas needs to "do penance" but i think cas thinks he does, and being possessed by lucifer would feel like penance enough for letting him out.

[emtheanxiousdragon]

Our Hæth: A Wanderhome ARG

Ok so if you are any sort of game designer, whether that be a programmer for a mobile app, an artist for an indie TTRPG, or a top-tier producer at a AAA-game studio, you should read Reality is Broken by Jane McGonigal, it inspires you to make games that don’t just form digital communities or entertain, but allow a deeper connection to your real life.

And one game that I think, with a twist, could really fit McGonigal’s idea is Wanderhome, the excellent pastoral RPG by tumblr’s very own @jdragsky . This game is beautiful, simple, and a tool for telling these lovely stories about anthropomorphic travelers exploring a recovering society and finding themselves along the way.

Now, let me introduce my idea, tentatively titled Our Hæth: A Wanderhome ARG.

You make a Wanderhome character, just like in a typical game. You also make a separate Wanderhome profile that represents yourself. (this can be your actual Wanderhome character if you want to take on an alternate persona). This secondary Wanderhome character doesn't actually travel the Hæth. They represent your journey in the real world. Your second character's playbook should fit yourself and what you hope to get from this experience. My secondary character will be a Peddler, because I want to grow my personal career.

Then you get connected to a Hæth. These are shared worlds/servers that begin like all Wanderhome games (at the start of Tillsoil very soon after the end of the war) and progress from there. You can start with other players or begin on your own and find others later.

When you wish to travel to a new area, instead of randomly deciding what it should be, you base it on your current location. It can be as simple as your bedroom or as grand as the Great Wall of China! I’ll show you what I mean with where I am now.

A beautiful pond, right? Let’s turn it into a spot in the Hæth! Our first nature is based on a literal take of the area. I’m by a pond, so the first nature will be Lake! The second nature is more metaphorical; based on what you know about your location, choose a nature that describes its personality. A lot goes on around this pond, so I’ll pick Carnival. The third nature should describe the place as it is when you arrive. The calm nature of the pond today means the third nature is Field. Build the location with the rules of each nature, combined with the traits of the season, and you’ve made a Place!

In Our Hæth, each location is permanently saved into the world you created it in. If other players want to visit this location rather than create a new one, they’ll replace the third nature and the seasonal traits and set off! They can see what you’ve written about the place and the adventures you’ve had here. If you know them in real life, you can share what the real-world inspiration is. If not, you can discuss as much about it as you feel comfortable sharing.

Once you're in a Place, great! Start playing Wanderhome. If you're alone, write down what your traveler does in this place. If you're with friends, get together in person and roleplay it out, or chat together over Discord or your online forum of choice. Their characters may travel with you for a while or your paths may diverge and reconnect later. Just remember what happens so you can share it as part of your character's story. When you make a Kith, go through the regular Kith creation process and add them to your Hæth. If other players visit this Place later, they may meet your kith and will want to know what happened.

The other big ARG element of this version of Wanderhome comes with using tokens. When your character does something to create a token, you need to do something to make a token in real life. Have a list of what different actions in Wanderhome mean for you in real life. For example, when my character Camper gives away something he holds dear, that means I have to complete some professional networking. Your token action should be challenging or good for you. Change your token action as your challenges and needs change. Make them fit your life and your goals.

Take a break to complete your token action, or write it down for after the session. You won't be able to spend your real-world token until you complete your task. Once that's done, the next time your character spends a token, you can spend one too! Your token rewards are something positive to reward yourself for putting in the effort and caring for yourself, your relationships, or the world. In my Hæth, when Camper keeps someone safe from the difficulties of the world, I get to take a nap rather than work!

The months can change in small groups when you agree to change them. In bigger groups, you may set a real-world date for the change in the months. Ask the month's question to yourself and your Wanderhome character. Consider your answer a "yes" regardless of which one of you says so. When the time comes for the seasons to change, set up a party with others in your Hæth or throw your own private celebration. Just as the holiday marks a moment of personal growth for your character, take a major step forward with your own goals. As Camper celebrates the new year, I'm going to start searching for a summer internship. I'll adapt my token actions and rewards as needed, and I'll continue playing.

So long as you have Wanderhome, you can play this game. You can keep track of your Hæth in a notebook, on a google doc, whatever. My perfect version of this project would be a little website where players can join different Hæths, watch their world grow on a virtual map, see all the information neatly organized online, and connect to a wide range of people in the Wanderhome community.

Thoughts?

[saikolikes]

Aki’s P5R  fanfic recs! (part 2)

Hi and welcome to another one of my recs posts! As you can see, this is part two: part one of this post can be found HERE and includes fics I bookmarked between April 2019 and December 2020. This second post will deal with everything I bookmarked during 2021 and 2022 (... so yes, part 3 is bound to happen some times in the future)

Here a brief disclaimer:

Everything in here is spoiler for either P5 vanilla, Royal, or Strikers;

I won’t report the tags, as it would take too long, so if you’re interested in a fic, please open the link;

Fic recs obviously reflect my tastes and preferences. For example, I love suffering and I don’t like fluff or domestic works, so browse this list knowing that;

The stark majority of the works here is shuakeshu

If you want more recs you can find them in my bookmarks, most of them are public!

MY ONGOING RECS Again, I don't read a lot of ongoing works (although, admittedly more than in the past) and these are the ones I'm subscribed to that I'm adoring!

The Lovers, Reversed by salexectria, Terra5 (E) | Royalty a/b/o AU | akeshu | series in three parts, ongoing "A Thief is caught stealing from the Northern King, and is sentenced to death for his crimes. The Alpha Prince intervenes, but at what cost to them both?" What I love about this AU is the amount of politics and worldbuilding put into it, as well as the uniqueness of double povs who constantly switch from Akira to Goro creating one back and forth that acts literally like poking into their minds. Plus the slow burn and the pining are just on point.

never die when I'm dead by threerings (E) | Royal & post-Royal | akeshu | series in 2 parts, ongoing Two one shots featuring one of my absolute flavors of this ship: sad, intense and unhinged

IDC FOR UPDATES I resolved to defeat my abandoned-wip trauma one excellent fic at a time so here's a list of works that haven't been updated in a while or the author straight up confirmed they won't keep writing them, but they are so good you just have to read them and let them remodel you. Do it. Do it now.

the year of the knife by theexistentiallyqueer (M) | No powers AU | shuakeshu | 2 chapters "The plan for Akira's junior year of high school was to keep his head down and his nose clean, but he hadn't counted on his new high school having more trouble than it was worth--and he specifically didn't plan on Akechi Goro, the haughty, machiavellian vice president of Shujin Academy's student council, dragging him face-first into political scandal and a series of encounters that would change his life." Please let teq bring you through a journey of spot-on characterization and stunning prose that will rewire your brain chemistry completely. Their take on machiavellian Akechi is really good, and the snark Akira spits in this fic is really something I cherish.

kiss & cry by MajorGodComplex (T) | Figure skating AU | shuakeshu | 2 chapters "Goro’s first thought when he hits the ground is some combination of the words ‘shit fuck hell fucking bullshit bitch fuck motherfucking hell.’ His next thought is wondering whether Akira Kurusu, senior debut, constant thorn in Goro’s side, and the only person anyone this season seems to talk about, is also trying to land a quad axel at the moment." I don't know what to tell you, the prose of this one is so witty and funny you just have to read what's published of it as of now!

honeybrains by succubused (T) | Time loop | shuakeshu | 4 chapters "a chronicle of the twenty-fourth time akira kurusu lived through the month of january 2017" What can I say, I am really a sucker for time loops and this fic took me by the heart. Tagged as character study and with rights because the characterization here is very interesting!

in the snow globe by aminami (E) | Time travel | shuake | 1 chapter "It’s your heart,” Joker says like it’s the most obvious thing. “Your desires, your hopes, your fears. I’ll carry them with me always. My little snow globe." This fic will hurt you so badly but it will be so worth it, I swear. It's just so melancholic and tender and angsty and it carved a place in my heart.

my love has never lived indoors by rhodophytae (E) | a/b/o | shuake | 1 chapter "Ren Amamiya knows he's an alpha, and he's comfortable with that, but he's pretty sure that being an alpha is, well...different for him than it is for other people. He resigned himself a long time ago to the fact that he'd probably go his whole life without finding anyone else like him. And then he meets Goro Akechi." This fic has such an interesting take on omegaverse! Paired with a stellar characterization and delicious pining, it's no surprise it's a fic I will never forget.

GENERAL RECS The fics I’ve enjoyed the most and that I go back to reading sometimes.

how joker and crow survived the coronavirus pandemic of 2020 by shntlvs (T) | Royal | shuakeshu | series of 2 works "Escaping from Maruki's false reality gets interrupted by the Coronavirus pandemic." Could you have ever imagined reading a fic centered around the pandemic? Me neither, but this one and its sequel work so well and have very compelling bits of characterization for the boys. Unexpected premise, but I utterly loved it.

straw house, straw dog by caelam (T) | 3rd sem | gen | one shot "In the saccharine utopia of Maruki’s reality, Goro Akechi’s mother is still alive." I admittedly don't read too many fics with mamakechi so I won't claim to be an expert, but this one really left me impressed with how clear and tangible the tangle of feelings is.

Knight of Pentacles, King of Spades by Naometry (M) | Medieval AU | shuakeshu | 11 chapters "“Hifumi passed on your greetings,” Akira Kurusu says, fury simmering beneath his conversational tone. “And I’m polite enough to give you my own in person. So greetings, General Goro Akechi. I am the man who will kill you.”" I started reading this fic for the war captive trope but this story has so much more to it than just that. Nao's superb skill with writing violence and viciousness will have you thrust into a cruel world where two boys seem to be bound to kill each other... unless?

Ripples by Riona (T) | gen | canon compliant | one shot "Ten people know exactly who the news is talking about, and now they’re going to have to deal with that." A peek into the heads of 10 of Joker's confidants upon learning about his death. The fic I would never imagined myself reading, but I did because it was recced to me, and now I'm recc'ing it to you, too.

When Your Eyes Meet Mine by seths_dream (E) | no powers AU | shuake | one shot "The way the bellboy lingered on him made his heart jolt, made him think that maybe, maybe the bellboy was looking at Goro the same way Goro was looking at him." I've lost count of how many times I read this fic because the horny is just so juicy, it's unironically one of the fics I come back to when I need to remind myself how to write horny stuff. (the same author also wrote this delicious pegoryu that you have to read)

a study in what not to say by succubused (T) | 3rd sem | shuake | one shot "Akira has finally had enough of Akechi's bullshit; they resolve it the only ways they know how." If you like the boys being really nasty to each other, this fic is a must. It has excellent dialogue, dynamics, and a tad of homoerotic wound tending which can't hurt no one!

MY ALL-TIME FAVOURITES The fics that rewired my brain chemistry, took my heart out, slapped it, put it back, and left me a whole new person.

27 steps to seduce a crow by relationshipcrimes (G) | Royal | shuakeshu | one shot "A handy bullet-pointed list on how to flirt with, seduce, and keep your local Akechi Goro." Still to this day, I think of this fic in terms of Goro's characterization. If I have a thing for post-canon shuake chasing each other, it's probably due to this one.

The Brigverse by TzviaAriella (E but most works are M) | Pirates AU | akeshuake | series, ongoing I admittedly don't care that much about pirates but the og fic from this series (A Brig Too Far) was being passed on so much that I gave it a try and. Oh boy. Not only is the characterization impeccable, the story compelling, and the action thrilling, but at least one scene and/or line from each work in this series has altered my brain permanently. I am a new person after reading Brigverse.

wild and free by bangandawhimper (E) | a/b/o | shuakeshu | one shot "Akira Kurusu hasn’t always been an omega. But now everyone he meets in this city assumes he’s an omega. He’s treated like an omega. He feels like an omega. He knows he feels like an omega because he remembers what it was to be an alpha." This work might have my favourite take ever on shuakeshu omegaverse, it's so fitting for them, so thought out, and the characterization is so on point... my god. Read this fic now.

The Diamond Chest by kinneas (E) | post-Royal | shuakeshu | 3 chapters, complete "Who says you have to see Morgana speak in the Metaverse before you can hear him in the real world? Not the few hundred officers who arrested Ren in Sae’s Palace two years ago, that’s for sure." Honestly everything kinnes writes is gold but I'm shouting this fic out because I reread more than a few scenes from this fic more than once, and it's a 100k-words baby. I am a sucker for heist stories, I am a sucker for dealing with trauma in very tangible ways, and I'm a sucker for kinneas' characterization of the boys.

before midnight by specterthief (Not rated) | 3rd sem, canon compliant | gen | one shot "“I—” Swallowing past the lump in her throat, Sumire sets down her chopsticks and rubs her face with both hands. “Um—who told you I was going to training camp?” (On January 9th, Sumire goes home.)" This is the stellar Sumire characterization fic you're looking for. Read this. Read this right now.

I HOPE THIS DOESN'T AWAKEN SOMETHING IN ME (DELUSIONAL) I clicked on these fics solely due to my trust in the authors/the summary/one rec and now I find myself with a new kink. Thanks.

Containment Breach by salexectria (E) | Space pirates AU | akeshu | one shot Akira gets stranded on an abandoned spaceship seemingly infested by a terrifying creature. He finds the lonely survivor of the crew and they begrudgingly start to work together to contact help and survive. I am just going to say that I clicked for salex's name, I stayed for the stellar characterization, pining and top-tier bantering, and got overwhelmed by the tentacle sex. (/pos)

it takes two by lumensd (E) | 3rd sem | akeshu | two-shots By all means, this series has some things I usually am not interested in (phone sex, degradation) but Jay is so skilled and his akeshus are so fucked in the head that now I've signed up for the masochist Joker agenda. Hurray!

i dream of you draped in wires by rime (E) | 3rd sem | akeshu | one shot "Maruki's Shadows don't want to fight; they just want to collect data. Wait, are those cat ears?" You would think a work with the tag "catboy shibari gunplay fuckordie" can't be too serious. Wrong! Excellent character study attack 🔪🔪🔪 (from the same author there's also this P5 vanilla fic that is excellent)

Darken my doorway by EnlacingLines (E) | 3rd sem-post canon | akeshu | one shot ""I don’t need to test my theory. You should be thanking me, really. Opening this door for you.” “A door to what?” Akira says, exasperated by just how self congratulatory Goro still sounds.“ Submission.” Or: I am a firm switch shuake shipper, I don't vibe with too-extreme dynamics *proceeds to go ballistics over this fic regardless*, *awakens to the wonder of d/s a lil fucked up dynamics*

[pardonmydelays]

Hi so i only recently got into hamilton and really liked lmm in it but ive been seeing a lot of pjo fans talking about not wanting him as hermes and you are a lmm expert so i wondered if you knew why people are hating on him for being casted in pjo?

first of all, i am actually flattered that you called me an expert (i am literally not but i do know a lot, i observe, i go through lmm tag every day, i get mad when i see people talk shit about him, basically i'm super loud about my love for this guy so there's that some call it dedication, i call it obsession lol).

there are a lot of reasons actually but all of them are just so silly to me. for example, some people say he is a bad actor (if hamilton is not enough for you, please go watch his dark materials, he is excellent and i will fight). others say he can't sing (he can, he may not have the most incredible vocals ever, not like most broadway stars and i know a lot of people compare him with the best singers out there, but it doesn't mean he can't sing, also, he is much better now than he used to be years ago, for example i'd recommend listening to vivo soundtrack, especially keep the beat or one more song, i mean EXCUSE ME BUT MY MAN CAN SING). another reason: some people say he is annoying because he puts raps everywhere. ok, and? he is a great rapper, i'll say more: he is also a freestyle rapper, very talented indeed (i recommend checking literally any freestyle love supreme video on youtube or you can just go through my fls tag here. making up rhymes on the spot? pretty insane if you ask me). there is also a group of people who think he is cringe, his rhymes are cringe, some of his songs are not good, etc etc (i bet those people can write better songs). i think he is one of the greatest composers of our generation and i will, of course, fight (haters, please shut the fuck up about the scuttlebutt, this song was supposed to be annoying, you just don't get it apparently? same with my own drum actually. can we just stop pretending that he is talentless because of those songs you guys literally have no taste and you hate fun and also shut tf up). oh, and also, people these days very often say he is everywhere and it's annoying (this is literally his job but whatever). and my all-time favourite: some people are mad that he was playing hamilton because they think he didn't deserve it (he literally wrote the whole thing but ok). one more thing: i have never read pjo, i literally just started reading it only because of lin, so i know nothing about hermes, but personally i really hope he will sing/rap, just because i want to see them all suffer.

there were also other controversial stuff (with in the heights, hamilton and puerto rico) but we are not going to discuss it on my blog, sorry (mostly because i have my own opinion about it and i know i will get a lot of hate for speaking my mind). one thing i can say is that nobody's perfect, we all make mistakes sometimes and i will always fight for him, no matter what.

[promptsbytaurie]

do you have any good references for kiss scenes 🥲

of course!! let me know if you want/need more :D

fics for reference: good kiss scenes

the art of missing the ground - not too exaggerated of a kiss, feels very natural, sweet

paths are made by walking - a bit spicier ig?? i dunno these are more lighthearted

where you go, i will follow - kiss has meaning!!! kiss as a plot device!! good example of more 'negative' reasons ig (still soft tho)

but you saw enough - more climactic? also kinda spicier soooo...? (help me)

pick me up and dust me off - literally so soft you will get cavities. top tier fic. natural kiss too, not too exaggerated

shrapnel - good example, shows that not every relationship has to begin with or star a kiss

(ain't nothin' like) the real thing - definitely spicier. nice example of buildup and that good ol climactic approach where you're literally just screaming 'oh my god kiss already'

listen (he's already told you five times) - another good example of when kissing is not the only form of love!

i counted days, i counted miles - excellent buildup, the kiss has... meaning? it isn't just a kiss yknow it has emotional depth

but we can try - also has meaning. i'm not a huge fan of the trope where like 'oh they aren't in love/dating until they kiss' but this fic actually writes it really well!

[theladyyavilee]

This episode frustrated me how dare they say that about she she sees him more then he sees himself and how she’s different no that’s not what was shown. What was shown is that she’s not into him at all for the person she’s into him cause he died. I really truly hope buck wakes up quickly and realizes this relationship is going to go nowhere. She doesn’t care about him and the writers want us to seriously think she’s a viable love interest nope sorry not working.

love I am saying this with all the kindness in my heart (like, genuinely, it sounds like most of your disappointment and frustration might be self-inflicted!), but you literally answered your own question here - it is not working and she is not what buck is trying to make himself believe she is to him and that IS THE POINT and the writers are making that point on purpose

I do not know why you (and so many others) are so convinced that everything buddie happens on accident and that the relationships with the various love interests are trainwrecks on accident as well, like, they are telling a story here, and it is not a straight (haha xD) line from point A to point B, it's a winding path with dead ends and wrong turns and obstacles like in real life, which I personally think is a way better and more intersting story <3 and that means trying things and failing, which includes relationships that aren't endgame, but which are an important opportunity for you to learn something about yourself and what you want from a relationship and who you want to BE in a relationship

and so these relationships feel off because they are SUPPOSED to! if they wanted you to actually like and get on board with a love interest, they WOULD get you there, I promise you, the way they are handling the relationships of madney, bathena, henren and even more background couples like david and michael and toni and clive and even sue and her husband and couples on calls like the amnesia couple in 5x18 or the lesbians from 5x9 or mitchell and thomas from waaay back in 2x8 for example should tell you that they absolutely know exactly how to write healthy and beautiful and lovely relationships that feel right and satisfactory -like even for the background couples, with just a handful of scenes they got me so invested in those couples and I was rooting for them sooooo hard!!! so if they wanted us to feel that way about a buck or eddie LI, I am pretty sure they absolutely would do an amazing job convincing us (and would have started doing so waaay before this point in time if we are being honest xD), but they very much ARE NOT, BECAUSE THAT IS THE POINT, those relationships are not meant to be taken as endgame options and we are not supposed to be rooting for them and I promise your experience with this show is going to improve soooo so so much when you start trusting the writers on being able to tell you whether or not to get invested in a couple, because it will spare you so so so much anxiety, I really really promise!

also, side note, 'they' (as in 'the writers' I assume?) did not say anything at all, Buck said that she sees him, because he is an unreliable narrator and he is misunderstanding a MULTITUDE of things in very unhealthy ways at the moment, but that that doesn't make it true that she sees him in any way, shape or form, they are indeed literally showing IN THE SAME scene that what buck is saying is bullshit, because Eddie is the one who actually sees him and Buck is missing it (and they told us he WOULD miss the point this season, when in episode 1 he had that line about 'excellent options right under his nose' and 'like he is choosing not to see them'! buck is very much missing the obvious and reaching all the wrong conclusions!)

so yeah, to summarize - the relationship is feeling off on PURPOSE because that is the kind of story they are telling and if they wanted you to actually root for them, they would go about it very differently (which we know they can pull off!) and so I would recommend to have a little more faith in the writers and let yourself look at what they are really actually putting down instead of giving too much weight to bad faith conspiracy theories here on tumblr about how the writers are forcing buddie appart and trying to force us into believing in love interests that are very unsubtly and in text already heavily doomed!!!

[lryghe]

MXTX thoughts; conventions

The long awaited (not) analysis of MXTX conventions is here! I’ve literally been meaning to talk about this for months but it got sidelined in favour of vicious arguing on PDB about MBTI. Anyways! Obviously this post will contain spoilers, and something I wanted to touch on was 3rd person limited in MXTX, but I already have a post on that here, so feel free to check that out for a better explanation of it. Beware of mediocre analysis ahead, I’m a little rusty (also shoutout to the person who liked some of my posts this morning, you reminded me to actually write something!).

THE AGENDA since this post is long:

Non-linear storylines

Dying and resurrection

Colour symbolism

Character tropes

NON-LINEAR STORYLINES

An interesting thing that follows MXTX’s more thought out works, is the non-linear plotlines she follows in them. This itself is a really good convention of writing in general, especially if it’s done well, and I can safely say that MXTX did it astoundingly well in TGCF. The clear cuts between time periods in relation to each book is an incredible feat, and is something that easily trumps MXTX's other examples of non-linear storylines. Through the use of the jumping back and forth in time, specifically in TGCF, creates an excellent cause and effect, something that is definitely central to the novel. Everything done has an effect, whether that be on the continuation of the plot, or even as a characterisation point, so the non-linear narrative cements that sense of foreboding hanging over everything. A simple sentence said when Xie Lian 17 somehow amounts to a complete upheaval of the heavens 800 years later, unveiling a conspiracy well over 2000 years old. A friendship group dissolving due to difficult circumstances results in a really horrific friendship confession later in the novel. Shi Wudu trying to save his sibling ends his own demise, the crippling of said sibling, and a vengeful ghost with nothing to do anymore. This nonlinear storyline is definitely used in MDZS as well, but I found it a bit more complex, and actually, now that I think about it, is a really good reflection of Wei Wuxian in general. The thing with MXTX, is that all her novels are in 3rd person limited, so they follow our protagonist in 3rd person, but it’s tinged with their own personal views and biases that limit the omniscience of 3rd person. And with MDZS it would be a fair assessment to say that the unordered mess of time leaps in the novel are an excellent indication of Wei Wuxian’s bias leaking through the 3rd person. The incessant jumping is difficult to follow in places (don’t say otherwise), but it’s actually a genius idea because it’s an accurate assessment of the thought process that Wei Wuxian probably follows anyway. I wouldn’t say that this was definitely on purpose however, as MDZS was written before TGCF, so it could just be MXTX growing alongside her writing, but hey, maybe it is a stroke of complete and beautiful genius! Don’t bother mentioning SVSSS, it’s definitely an interesting novel, but it’s not non-linear, at least not as wholly as MDZS and TGCF are. The most you’ll get in SVSSS is like a two line flashback, plus the extra’s, but I think that’s a reflection of when MXTX wrote it.

DYING AND RESURRECTION

Moving on from serious conventions, MXTX’s trope with one of the main characters dying and then coming back later is a really funny kind of convention, because it’s not funny in the moment obviously, but the fact that it’s done at least once per novel is hilarious. Wei Wuxian’s initial resurrection after 13 years of being dead, Shen Qingqiu’s return in his plant body 5 years later, and then his return back to his ‘original’ body, and Hua Cheng’s little death defying stunt at the end of the novel. Then there’s the use of cliffs and such, like Binghe’s fall into the Abyss, Hua Cheng’s fall off that wall (forgive me its been like 3 years since I read TGCF), and if we’re being inclusive, then there’s always Wei Wuxian’s death in The Untamed. Maybe there’s a hidden meaning in there somewhere, but it’s fine to look at it from a surface level, which amounts to ‘MXTX got bored and needed some drama’. A perfectly reasonable deduction. 

COLOUR SYMBOLISM

Another thing I wanted to touch on was the colour symbolism that MXTX uses because I think it’s pretty cool, AND it has the added benefits of adding symbolism and contrast to each novel's main character and their love interest. It’s mentioned in the novel’s obviously, but it really shines in fan content and fanarts. I like the symbolism of Luo Binghe and Shen Qingqiu’s robes both being green before the time-skip, because Luo Binghe was a disciple at the time and a little white lotus, so the green was used to directly align him with Shen Qingqiu. After the timeskip he’s obviously got his big boy pants on and swapped to a stunning black and red ensemble, fitting of the protagonist, and that itself contrasts Shen Qingqiu’s majestic and lofty green robes, because Binghe means business with this fit. A fun thought is how green and red fit together on the colour spectrum, because they don’t, they’re contrasting colours which is some real obvious symbolism. Do I really need to spell out Lan Wangji and Wei Wuxian? I feel like this one is rudimentary. White equals noble and virtuous, pure and holy, and black is evil, demonic, cruel, and scary. Simple! And Hua Cheng and Xie Lian’s red and white are a very cute mixture, because although it gives them a Bingqiu style christmas tree vibe, it’s interesting in comparison to the previous two love interest and main character dynamics, considering red and white are a lot more complimentary than black and white or red and green. And it’s a testament to how similar Hualian are with their complimentary robes, how like-minded they are throughout the novel, especially considering their predecessors. Or maybe I’m overthinking it, who knows?

CHARACTER TROPES

In regards to tropes of MXTX, I think her character tropes are incredible and have the addition of being really funny. She’s consistent enough with her conventions that clear links can be drawn with her side characters across all 3 novels. To begin with, there’s Mr Angry. I think you can guess who that is, but it's Jiang Cheng, Liu Qingge, and Mu Qing. All have a really close relationship with their related main character, all are angry or harsh where they probably didn't need to be, and all three are good fighters. Then there’s the guy who’s always smiling, like Yue Qingyuan or Lan Xichen. Complacency is a key part of their characters, and excuses aside, it’s interesting how it played out. You could argue for Jun Wu to be a part of this circle, but I’ll keep that to myself. Finally, there’s the fodder characters, only useful to further the plot in a miniscule way. Gongyi Xiao (MAY HE REST WELL), Xiao Xingchen, and once again, I don’t have a very good TGCF equivalent. Gongyi Xiao dies after the events of the water prison, and Xiao Xingchen was really just there to highlight how fucked up Xue Yang was. Rest in peace our beloved fodder, especially Gongyi Xiao, MXTX should have treated you better…

I think I’ve typed myself out honestly. Kudos to whoever reached the end of this post, I haven’t written this much since my Team 7 analysis when I got back into my Naruto phase briefly.

Word count: 1271

Reading time: 4 ½ mins

[dieletztepanzerhexe]

Hey! What is your thesis about? Im genuinely curious (aka feel free to infodump everything please)

hi!

i write my thesis about artefacts from 2 pits from the Wilczyce site (it means she wolves... isn't it cute). initially i wanted to focus solely on flint artefacts bc that's what i want to specialise in and i'm slowly learning about it, however after encountering many obstacles while trying to find a reasonabky sized assemblage of flint artfecats i settled on 2 neolithic storage pits...

it's one of the most importnt sites in Poland, dating to the upper paleolithic!!!! (although on this site there are also features from much younger periods, from the neolithic and the early bronze age.)

it's a late Magdalenian winter hunting camp, radiocarbon dated to 13 500 BC. it was preserved in excellent condition bc the material slipped into something that is described as an ice wedge cast, a crack in the ground caused by very low temperatures literally ripping the ground open. the site in Wilczyce is known for perfect preservation of organic artefacts, for example a burial of an fetus/infant, who was given a necklace made of 80 teeth of an arctic fox.

it's also known for over 50 simplified female figurines, made of flint and mammoth ivory. so called Venuses. they appear on other magdalenian on magdalenian sites, although these from Wilczyce are very schematic.

here are some of these figurines

but they can also look like this

but that's not the subject of my thesis :) just wanted to show you what a fascinating and rich site it is.

let's get to the point. here are my 2 pits

it's mostly pottery, 20 or so flint artefacts, similar number of animal bones (i will have to recognise from what animals species they come from :(((( terrifying perspective...) , few grindstones and river mussels that were used as tools, maybe scrapign tools, and a sandstone slab used for polishing.

as you can see some of my pottery is in pretty good condition, it looks like a whole vessel was uhhhmmmm flattened. so i will glue the potsherds to reconstruct its original shape. there are also at least 2 more pots that are almost complete so the reconstruction will be possible

jawbone

very nice ornament. i will have to make a replica decorated with this ornament one day :)

i'm learning how to draw artefacts and will try to document them not by photography (the easy route) but by drawing. wish me luck heh.

stamp ornament

i have to measure the the wall thickness of each potsherd, check the admixture used and similar stuff, and then on the basis of this information make statistical analyses.

so these pits are associated with the globular amphora culture but one of my tasks is determinign if this potttery is stylistically and technologically more similar to what their pottery typically is like or maybe if its characteristic point more to a different cultural unit. there is a chance that these artefacts belong to the corded ware culture bc their burials were found in close proximity to where my pits are located. we will see. i'd prefer it to belong to the globular amphora culture bc it's a very interesting cultural phenomenon. they were building megalithic tombs and had very weird funerary rituals, including cannibalism, human sacrifice, cutting off human heads and burying them separately, cutting the skulls open to get to the brain, so called cattle burials, when 1 person (uhmm.... unfortunately always a man) was buried with up to 10 animals. or with young ppl whose bodies were messily thrown at the feet of a carefully placed person. there are also cattle burials without any human burials associated with them. they were highly mobile herders and had only very rudimentary farming. also there are barely any spindle whorls found on sites associated with this culture so it seems like they didn't have much textile production going on.

globular amphora :)

reconstruction of a megalithic tomb