#also they’re relatively short books
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gods-favorite-autistic · 5 months ago
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Actually I think 4 books is not overkill thank you very much I’m just being prepared
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nightsmarish · 7 months ago
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HELLO! Could I request a wolfstar x reader where the reader is really into makeup and maybe the boys love watching her do her makeup or Sirius want her to do his or they’re shocked by the prices of it haha idk just some things I thought were cute!! <3333
Poly!wolfstar x reader (Remus Lupin x Reader x Sirius Black) | 400+ words
A/n: I am so sorry this is so short. i see the boys as both wearing makeup frome time-to-time (siri more), so I wrote r doing Sirius' makeup before a party. Also a lil bonus at the end. And since reader wasn't specified as fem, I tried to keep it relatively gender neutral.
Tw: Sirius is mentioned as drunk, barty mentioned, Remus is a pathetically in love man
⋆.˚ ᡣ𐭩 .𖥔˚⋆.˚ ᡣ𐭩 .𖥔˚⋆.˚ ᡣ𐭩 .𖥔˚⋆.˚ ᡣ𐭩 .𖥔˚⋆.˚
When Remus walks through the door of the dorm room he shares with three of his friends (one of which is his boyfriend), he didn't expect to see you already there. 
Sat with Sirius (on Sirius' lap) on his bed. Two separate make-up bags with multitudes of products now splayed out.
The lycan walks to his own bed, next to Sirius' and drops his book bag down, catch both your attention.
"Hi, moony." You talk for the two of you, the hand you have on his jaw making it impossible for Sirius to talk. This is probably the quietest he has been the past month, not wanting to mess up any of your hard work. When you look over your shoulder at the taller boy, Remus notices the make-up you have on, likely done by Sirius. Considering how similar it is to what the boy often does on himself for parties. 
"Hello, dovey. Having fun?" The corner of his lips quirk up, looking from you to Sirius.
"Mhmm, I am." You turn back to your project on his face, liquid eyeliner in one hand, as you draw the smallest stars you can manage on his face. 
Remus can tell your shared boyfriend is having fun too. His hands on your hip rubbing small shapes as he looks up at you like your one of his most prized possessions. 
"Did Sirius do your make-up?" He takes a seat on Sirius' bed as well, favoring the area near the headboard where he can lean back and admire the both of you.
"Yes! Isn't it pretty?" You turn to him again, as if said boy isn't even there, showing Remus the make-up he did. And honestly, Remus thinks Sirius might be into that.
"It is, he did a very good job."
"Now, stop interrupting my work." Your smile never leaves as you continue doing Sirius make-up, and inadvertently making both boys melt even more.
ᯓ★
The work the two of you put in doesn't go unnoticed by others. Both having put on glitter before leaving to the part in the Ravenclaw tower, the enchanted lights have been reflecting colors off of you all night.
And despite the fact Remus has had to stop you and Barty from climbing banisters and convince Sirius to keep his damn pants on after too many drinks, he is so in love with you two. 
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metamorphesque · 22 days ago
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Short Story: "Why do flowers die so soon?", Vardges Petrosyan
(translated from Armenian by Tathev Simonyan)
…I remember the last days of my life, which were unlike any that had come before. To the world, I seemed so happy: I had brothers, a sister, a family, a child who was a bell and a brook’s murmur. What else could one need for happiness? And yet, something was missing, for I was not happy. And then, out of nowhere, she poured into my life.
Has it ever happened that, on a hot summer day, while you’re standing there, dazed by the sun and dreams, someone playfully poured cold water on your neck? At first, you might startle, maybe even scold the one who did it, but then you suddenly feel that’s exactly what you’d been standing in the sun for, perhaps you’d been standing your whole life just for that.
That’s how she poured into my life—wild and astounding, asking for nothing, careless as could be. Now I can’t even recall if she was beautiful. In her eyes, there was an inquisitive sadness, a sliver of sky, and a bit of rustling. It felt as though those eyes were always gazing at life, asking, “Why...?” She came uninvited, wrapped herself around my days like a grapevine curling up its wooden stakes, offering me all the clusters of her youth—everything she had. And she asked for nothing. Nothing at all. Until the very end, I couldn’t convince her that I loved her too. Perhaps I didn’t truly believe it then, for I kept reminding myself every moment: I have no right to love her. And maybe that’s why, when she laid her whole life at my feet, I kept glancing at my watch; she brought me the full nakedness of her youth, while I closed the curtains and turned off the light. I never went out in public with her, and the world never found out that I was finally happy. Our love was akin to a fire we tried to cover with our hands, though the flame was scorching and uncontainable.
I’m afraid my beginning is dragging on too long.
I was ill before I died. All day long, my mother, my brothers, and my wife—sorrowful and pale—remained by my side, though in those last days, we no longer understood or recognized one another. Only she was missing, the one I waited for and loved most. She couldn’t come to our house. My brothers knew I would die; the doctor had told them so. They believed it, perhaps even expected it—sad and resigned. Only my mother didn’t believe it, though not because she was unaware of what the doctor had said…
Perhaps it’s best if I tell you about my last day. By then, I already knew I would die that very day. That’s why I wanted to laugh when the doctor tried to give me an injection, examined my stomach, and then prescribed some medicine: “Give him this twice a day for a week.” I didn’t blame him—this calm, warm-handed man; he just didn’t understand me, and no doctor understands that people only die when they’re truly exhausted. Someone might grow tired at eighteen, and another at seventy. I was tired. But I wasn’t sad. My bookshelf was in front of me, though I didn’t think about the fact that my fingers would no longer touch those books. I knew that other fingers would, and for books, it makes no difference. Books are a bit like gossipers—they reveal their secrets to anyone, so I knew that they’d share them with someone else, too. With sadness I only looked at the acacia tree rustling below my window and at the sky in the distance. I wished I could take with me, to that place beneath the ground, just a bit of that rustling and a sliver of sky. But I knew it was impossible.
“I��ll go grab some cigarettes,” I suddenly heard my older brother say, even though I knew he didn’t smoke. He was either heading out to send a telegram to our relatives or he simply didn’t want to see me pass. I understood and said goodbye with a glance, knowing we would never meet again in this world. He left. I asked my wife to take our child outside for some fresh air. “I’ll take him,” she replied, not realizing she’d never hear my voice again. I also said something to my mother, but she didn’t leave. This saddened me deeply, and I slowly closed my eyes. I don’t know how much time passed, only that I suddenly heard my mother’s gut-wrenching scream and knew I had already died. Through my closed eyelids, I saw everyone come rushing in, saw them carry my mother out—the first to sense my death, though the only one who hadn’t believed it was near.
After that, everything unfolded as it always does.
For two days, people gathered around me, and I saw many familiar faces I hadn’t seen in years. They cried or stood somber and silent, then left. Sometimes, those sounds or that silence wore me out, and I wanted to ask them to talk or be quiet. But there was such calm within me that I didn’t dare to open my eyes. With a strange sense of wonder I began to observe people—many of whom I thought I knew well. Not knowing I was watching, they felt no need to pretend. I recalled what I used to think of them when I was alive, and, truthfully, at times, I felt embarrassed by those old thoughts and judgments. But that wasn’t what preoccupied me the most; every day, I searched for the one who never came. I knew she couldn’t simply come and stand quietly by my side like the others. I knew that as soon as she entered, everyone would know. My heart ached with longing; I missed her deeply, even thought of asking my mother to call her, but I was too worn out to open my eyes. I was so tired, and for the first time, I could think of her in peace, knowing no one would interrupt—not with a phone call, nor a glance, nor love, nor hate. I thought of her even when they carried me down my street, the street where I’d grown up, loved, and grown weary.
The street was full of sunlight, but for the first time, I didn’t feel hot; instead, I wanted even more of the sun, bigger and warmer. I looked at my street: trams, cars, people stood with a kind of sadness that wore my heart out. I didn’t want to be the reason behind anyone’s sadness; thus, I didn’t feel bad at all when I saw a boy and girl under a tree, holding hands and smiling into each other’s eyes. At first, I thought they hadn’t noticed the procession, but then the girl looked directly at me and smiled again. The boy looked too, with kind and happy eyes. I wanted to smile back, maybe even wave, but I was too tired, and besides, if I lifted my hand, the flowers would fall.
Then we walked into the cemetery, and that’s when I saw her. I saw her and smiled—or rather, that smile had been there on my face the whole time because I’d been thinking of her in my final moments. For two days, through my closed eyelids, I saw that no one understood that smile; some even looked at it strangely and confused. But at the graveside, she understood; I even saw her smile back at me. Then her figure was obscured from my view by my relatives, my loved ones, and I remembered our last night together…
We were walking through the darkness. Only in darkness could we love each other freely in the open world, which is why we despised not just electric lights but even the stars when they shone too brightly. We were walking through the dark, and she wanted me to say that she was the one I loved most in the world. I was silent, perhaps already sensing that I was too tired of keeping that sentence unsaid, one I longed to cry out through all the speakers of the world. I was tired—tired of this darkness, of the lights, of everything—yet she waited. And later, under the ground, I deeply regretted that I hadn’t said those words meant only for her, belonging only to her, but it was already too late.
As I reminisced about our last night together, they started to lower me into the ground. I caught a final glimpse of her between my relatives' feet and heard her gaze. "Should I come with you?" she asked. "Should I?" That’s how I used to hear her voice through the receiver back then. In that final moment, I realized that if I just nodded, she would come, but she was only twenty-one, so I replied, "Stay." She heard my gaze, heard silently, just as she always had. Soon, she was obscured from view, and I realized I was already beneath the ground. After that, I heard the familiar sounds of stones and soil. And then, nothing more; only the thick fragrance of flowers lingered, frozen between me and the earth, then, thinking of her, I grew numb: I tried to recall the date and the day, but could only keep track of the calendar for a week or two.
Thus, days turned into months, and perhaps years went by. And I remember the words I never said to her, to the world, which is why I began to murmur this belated confession from beneath the earth. I began to exist through those unsaid words. Each day, I tried to remember how long our love lasted. A few... months? days? years?…
One day, I looked up and saw the sky once more; they had torn down our cemetery and replaced it with a garden of grasses and flowers. I had become a flower. I looked around in excitement, eager to find her and give her the words that were meant for her, belonged only to her... But she was not there; all around me were unfamiliar flowers that I did not recognize. I realized I must have been beneath the earth for perhaps an entire century, and she, too, might now be a flower, a blade of grass, or a handful of grain—who knows where in all the fields of the world... I was ready to search the globe for her, but I was just a flower, and I died as soon as I tried to lift my feet from the soil. I died for the last time. When I once more turned into soil, only then did I understand why flowers die so soon: all flowers might once have been people who rose from the earth in search of that someone, only to not find them and wither away, dying one last time. I realized that nothing in this world can be found twice, and I longed to cry out with all my floral voice, “Don’t let go, people, don’t lose what you have!”
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caffedrine · 2 months ago
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Matias Asbrink - Fake Lovers for a Day - Event Summary
This is mostly a summary for me - I make no promises on the accuracy of what’s happening. I’m not nearly fluent enough to get half the jokes/innuendo much less accurate plot points.
As a warning - this event goes into some dark things with Matias. Beware.
Matias, the First Prince of Achroite, the Land of Snow and Laws was a serious man who deeply respects the laws. Yes, he has some rather eccentric aspects to his personality, but deep down, he was honest and good. However, when he appears in court as a Judge, he only embodies the face of the cold impartial justice of the law. 
After finishing her role as Belle with no romantic entanglements, Emma went to Achroite with Akatsuki. Akatsuki, too young to be her father, travels around various countries to their bookstores, buying and selling rare and valuable books. 
Since coming to Achroite, Emma has grown accustomed to the sight of snow falling like flower petals, but the sight still makes her heart jump with joy. Snow was rare in her home country of Rhodolite, so she has never had a chance to get used to the fairytale scenery. Then again, the person who truly looks like he stepped out of a fairytale illustration is walking next to her.
Up close, Matias looks even more fantastical, with hair the color of fading twilight and eyes the color of snow in the shadows. His aura is as pure and beautiful as the white snow falling around them.
Matias notes that Emma has been exploring parts of the city and asks if she has some favorite places yet. 
While marveling over how approachable and personable he is, Emma tells him about a bookstore in the center of town. She’s been visiting almost every day and can’t stop. Matias recognizes the place; he’s been visiting it since he was a schoolboy. They both agree that the owner is what makes it so welcoming, with his cheerful, friendly, and all-around decent persona. 
Emma heard recently from the bookstore owner about a museum that specializes in romantic exhibits. She asks if Matias has ever been there.
Unfortunately, no. It’s a relatively new museum, but the owner is an eccentric with particular requirements for people to even enter. For one, all his customers must be in a romantic relationship, and come as a couple. 
Since Matias is single, and unless he misunderstood, Emma is too, they are both out of luck. 
That’s a shame, Emma heard that one of the limited exhibits would be centered around her newest favorite novel (set in Achroite). It’s a shame she’ll probably never get a chance to see it.
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(Now she knows what it’s like in Keith’s route when you want to read a romantic book/see a romantic scene but can't)
Matias pauses, deep in consideration. They both want to go visit the museum, but they’re both woefully single. Maybe . . . Maybe they could work something out?
Matias quickly assures her that he doesn’t intend to break any rules. But, if they become a couple for the express purpose of visiting the museum, and then break up right after, that wouldn’t be technically breaking any laws. Right?
Also, Matias isn’t the type to normally rush things, he knows the social etiquette rules around becoming lovers, and he doesn’t intend to have a whirlwind romance. 
After a fateful encounter, they would slowly grow closer over an appropriate amount of time. As they fall deeply and helplessly in love, they finally confess and soon, are united as one . . . 
Emma gives him a good shake, calling his name. This brings Matias back to reality, and he coughs uncomfortably, centering himself. Anyway - before he got distracted - he was saying that he’s not the type of person to push boundaries and rush into relationships. 
However, the exhibit they’re both interested in is on display for a limited time. Without wishing to offend, perhaps they can be lovers for a short amount of time, just to visit the museum?
Honestly, Emma is the only one he can depend on in this situation. As a friend, does she agree?
Emma understands completely. Matias is very popular with the women, and if he were to propose being temporary lovers, she has no doubt it will end with the other person in tears. Honestly, this arrangement works out for both of them. 
Emma agrees to Matias’ proposal. Even though they’ve been friends for such a short time, she knows that deep down he’s a good man. Besides, there is nothing weird about friends being fake lovers. Right?
Matias beams at her, his expression suddenly switching from friendly to sexy. He assures her that he will take good care of her.
Emma thought the princes of Rhodolite had prepared her on how to handle attractive men. However, their collective attractiveness could not hold a candle to the radiant sun of Matias’ charms. Emma has to take a deep breath to steel herself and then bows politely to Matias. She is in his (temporary) care as his lover.
Suddenly Matias holds out his hand to her. At her confused expression, Matias explains that he wants her to hold hands with him.
Wait a minute. Are they starting right now?
Yes, Matias doesn’t think he can escort her adequately on the day of their museum trip without some time to get used to thinking of her as his (temporary) lover.
From this moment until after they visit the museum, he intends to be lovers with her. That should give them enough time to go on at least one outing as lovers too. 
Wow, Matias does not do things by halves. Looking into his earnest eyes, Emma can tell that he is absolutely serious. 
Well then, they’ll be lovers for only a short while, but she will give it her all too. She timidly accepts Matias’s hand, and he grasps her fingers, rubbing them. As her lover, he noticed that her hands were cold, even though she was wearing gloves. He grows worried, Achroite is famously much colder than Rhodolite - is she having any trouble adjusting?
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(Now he cares)
Emma assures him that she is fine - it’s cold but she doesn’t mind. The country of Achroite is very beautiful, so to her, the positives far outweigh the negatives. 
Matias is relieved, Achroite is the land of snow, it would be difficult to stay here without enjoying it. So that she can enjoy the scenery even more, he grasps her other hand to warm it in his.
Matias is truly doting on her. Emma looks away bashfully as he brings her hands to his face to blow hot air on them. 
He touches her hands like they are precious treasures. The edges of his mouth lift in the beginnings of a smile as he exhales over them.
Forget her hands, the rest of Emma is growing uncomfortably warm. Maybe it was a mistake, to agree to be his temporary lover. 
They make plans for a date later in the week, and part ways to return to their respective duties. 
On the day of their date, Emma arrives at their prearranged meeting place a little early. She is still surprised by the events of the last few days; she has received a letter from Matias every day since she agreed to be his (temporary) lover. Andrea what Matias wrote . . . Her face grows red remembering. She knew that he was a romantic at heart, but those letters . . . 
Emma is taken out of her reverie by the sound of the people talking next to her. They’re discussing the bookstore in the center of town, and how it is running a fraudulent business. Their book prices are outrageous, and the owner has a nasty temper just because one of the two was a bit rough with his books. They agree to warn their friends to stay away from the bookstore.
Emma recognizes that store as one of her favorites. Yes, the prices are high, but the owner sells rare books. Also, as a fellow book lover, her heart sinks at the thought of a book being handled roughly.
Emma starts to interject gently, telling the two men that there must be a misunderstanding.
The two men immediately accuse her of being an agent of the bookstore owner. They ask if she’s in on the fraud and close in around her, threateningly.
Matias asks if the two men are prepared to make that statement in a court of law. He reminds them that perjury and defamation are very heavy crimes in Achroite, and they will need to be prepared to pay for any crimes. 
The two men fall silent, only now noticing Matias. He continues, that if the bookstore owner wanted to, he had two witnesses to them making false statements. He warns them that while they are free citizens of Achroite, they are still responsible for behaving in accordance with the law.
Emma rarely gets to see Matias like this, as the impartial arbiter of justice. 
Matias ends by adding that he personally will not tolerate continued disrespect to his girlfriend. Who totally loves him, as much as he loves her. Which is a lot.
Smiling beatifically at her, Matias drapes his arm around her shoulders and leads her away from the two thugs.
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(Step one of dating - make sure the local thugs spread the news)
After they leave the area, Emma thanks Matias for protecting her back there. Matias assures her that it was fine, besides, she did the right thing back then. Emma is confused and Matias elaborates. Like he said, those men were slandering the store owner. Granted, it’s not a crime if the victim, the store owner, doesn’t report it, but those men were still behaving criminally. He is proud that his ‘girlfriend’ can recognize and call out criminals so quickly. 
Oh, how awkward. Emma wasn’t calling out those men to uphold the law, she just wanted to clear up any misunderstandings about the store owner. She’s not a champion of justice or anything, and probably wouldn’t have intervened if those men weren’t talking about someone she personally knew.
But Matias seems happy with it, and it’s such a small matter that Emma decides to leave it be. She promises Matias that she will do her best to be a woman worthy of him.
After that, they went to the various places Matias had planned out on their date, and Emma’s appreciation for the country of Achroite grew. She tried candy with frozen fruit, admired the intricate woodwork, and freaked out when Matias seemed to look at her too closely. Matias immediately backed down from the last bit, explaining that he’d never had a girlfriend before and that this was a new experience for him as well.
Matias was also able to explain Achroite culture to Emma, which helped her gain a deeper understanding of a scene in one of her favorite romance books. Matias admires the fictional couple, as he too wants to find a love that he would risk his own life for. 
He adds though, that he thinks the male lead is entirely unreasonable, letting the main character get into all these dangerous situations. If he could switch places, he would keep his princess in a safe cage place free from all danger where he could keep her pure.
Matias notices the side eye Emma is giving him and apologizes for saying all that in front of her. His girlfriend. 
No - that’s not the part Emma was worried about. What’s this about a Princess? Is Matias cheating on his real lover with Emma?
Oh, no, not at all. Matias is talking about his future wife whom he has yet to find. 
Matias begins to describe his ideal future wife: a woman full of noble dignity, a warm heart, and an honest appreciation for things. 
As he continues, Emma is amazed at how specific Matias’ ideals for his future wife are. It’s almost as if he’s describing someone he knows.
Eventually, Matias winds down his explanation, finishing up that his future wife would be a lot like Emma herself. 
Emma gives him a puzzled look and Matias coughs uncomfortably. 
Wow, he is really looking forward to seeing the couple’s museum. Isn’t Emma?
They continue their date long into the day as the sun begins to set, dying the town red. 
Suddenly the air around Matias seems to change, and he pulls them both to a stop, staring at the crowd of people. Looking at him, Emma thinks he has gone as cold as ice.
Just as she starts to ask him what is wrong, Matias apologizes and asks her to wait just a moment. Before she can respond, he sprints out into the crowd. He jumps a man walking through the crowd, pulling him to the ground and pinning his arm behind him. Matias has recognized this man as a criminal who intends to break into Ultima Thule, free some of the prisoners, and escape the country. Matias knows everything, and this man will pay for his crimes.
This man has enacted illegal means to acquire restricted information, bribed some of the guards, and, worst of all, had made contact with an individual in Obsidian for his escape route.
The man is shocked at how much Matias knows. Matias tells him not to underestimate the National Guard, they haven’t apprehended him yet only because they were looking for his hideout. Thanks to this man, this criminal, walking through town, the investigation can be brought to an end. 
The man wails that ‘her’ body is failing and that she can’t take it anymore.
Matias nods, the man was waiting for the right time to strike but became impatient and moved ahead. 
Of course, even if Matias hadn’t just found him, the man would have failed. Ultima Thule’s security would have stopped him, no one can escape. 
The man screams that it’s not ‘her’ fault. She was just trying to help someone; she didn’t realize that person was connected to Obsidian. 
In a monotone voice, Matias pronounces that anyone who breaks the law is a criminal.
Matias notices Emma watching and a small thaw in his demeanor appears. He assures Emma this will all be over shortly. 
The man on the ground has heard that Matias has a lover. Matias tells him that his relationship status is none of the man’s business. 
The man shouts that if Matias has a lover, he must know exactly how he feels. The wish to do anything for your lover, even at the expense of yourself.
Yes, the man has committed grave sins, and he will commit them again and again for ‘her’ sake. He will bear any punishment, even if it costs him his life, just please show his lover mercy. 
Matias tells the man not to lump in his girlfriend with criminals. Unlike them, Emma is a pure and righteous woman. 
By this time the city guard has come, and Matias hands the man over to them. Then, as if nothing out of the ordinary happened, he comes back to where Emma is standing.
He immediately notices that she’s shaking and smiling gently and asks if she’s okay.
Emma assures him she is and asks about Ultima Thule.
Ultima Thule is Achroite’s forced labor prison. Criminals who’s crimes are not so bad that they’re executed are sent there to work off their debts to society. It’s in the coldest, most remote, and most desolate place in Achroite. 
Matias apologizes for the scene that Emma just saw. He understands that she isn’t one for violence. Would she mind continuing the date with him and giving him the chance to apologize?
Matias is trying to cheer her up, but Emma can’t shake the realization that Matias is being so kind to her because he thinks she is someone that she is not. Emma isn’t a crusader for justice, if anything, she’s sympathetic to that criminal’s plight. She couldn’t say for sure that she wouldn’t break the law if she and that man’s places were switched. 
Emma is one misstep from being hauled away to prison under Matias’ cold, unforgiving gaze. 
She realizes that Matias is dangerous.
Matias gently strokes her back as if trying to soothe her. He tells her that he made reservations at a nearby restaurant and suggests they head there for a break.
The food, which Emma had no doubt tasted delicious, tasted like nothing at all.
Sweet End 
On the day of the museum date, Emma looks at the exhibits with Matias, but she is still trembling with fear. The joy of the exhibits fails her as she focuses on the man next to her.
Matias stops her from going to the next one - he’s noticed her state and wants to apologize. He understands that what she saw during their date frightened her, and he wants to apologize for subjecting her to that scene. 
Emma thinks that it must be difficult for Matias, who is just doing his job, to have everyone afraid of him. She apologizes too.
Matias shakes his head and assures her that her feelings are natural. It must be a blow to realize how far into the country criminals connected to Obsidian can infiltrate. As a member of the criminal justice system, the fact that the criminal got so far in his nefarious plot is a stain upon his honor. It’s not only her whom he should apologize to but to all the good citizens in the square that day. He came so close to failing to protect everyone.
Er . . . Matias doesn’t quite get how she feels after all. Those words the man had flung at Matias, about having to understand him since he knows what it’s like to have a lover, ring in Emma’s ears. She wonders if Matias was unable to understand that man at all. Matias is nice and fun, but she truly has no idea what is going on in his head.
And that is what she’s afraid of.
In reality, Matias apologizes to Emma for failing to protect her. Emma shakes her head, reminding Matias that she wasn’t hurt at all. In fact, no one at the square was hurt. 
Matias disagrees, as her lover, it’s his job to protect her physically and mentally. And right now, she is full of anxiety and fear. 
Matias wants her to feel safe and have a fun time. He wants her to only feel happiness.
For that goal, he will put everything he has, everything that makes him Matias on the line. He tells Emma to relax and enjoy herself and reminds her of that exhibit she wanted to see. 
Matias wishes she would smile.
Emma is still afraid, but Matias’ passionate speech has touched her heart. She looks at him, trying to shake off the fear, and smiles. He smiles back at her, relief on his face.
And, oh, that smile. Emma can feel her face heat up.
Oh no. Emma can’t take her eyes off Matias. Not just her face but her whole body is heating up. She’s about to explode from the heat boiling up in her.
Suddenly Matias grabs her by her shoulders, and Emma realizes she was listing to the side. He asks if she’s okay, supporting her.
Emma snaps back to herself and shakes her head, trying to return to normal. She assures him that she’s fine and lets Matias lead her through the museum. 
That charm of his is something else.
Emma has seen a few ladies her age standing in a daze next to Matias, but she never thought she would be one of them. Ugh, how humiliating - Emma wishes she could just crawl off into a hole somewhere. As she considers cutting the date short to save whatever is left of her dignity, Matias catches her attention and directs her gaze at a painting.
Oh. That painting. The one Emma wanted to see more than anything else.
Matias had said that this painting was supposed to evoke the feelings of spring love, but that description falls flat. Emma’s heart leaps at the sight of it, entranced in the beauty before her.
Matias nods, this isn’t that far from how he imagined the scene. The man was fine, but he thought the woman should be smaller, like Emma, with long brown hair, like Emma. Hmmm . . . Oh, he gets it now.
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(Does Emma have a single/available sister by chance?)
The woman in the book was described as the most beautiful woman in the world, which is why he thought of Emma. 
In Matias’ imagination, her hair would sway in the southern wind, and her eyes would sparkle in the sunlight. She would turn towards him, smiling as if the whole world was celebrating. 
Emma cuts him short - he is praising her too much. Matias disagrees, as his girlfriend, it is no exaggeration to say she is the most beautiful woman in the world. 
Well, Matias sure has a strong imagination of his girlfriend. 
Matias suggests they move on to the next painting. He has created an itemized list and flowchart to look at the paintings he thought Emma would like the best. Emma agrees that this sounds like fun.
You know, Matias was looking forward to the paintings, but he thinks the best part will be seeing them together with Emma.
They walk through the paintings, admiring the exhibits. Before long, they find themselves at the exit.
Emma peers at the exit - it appears there are rules to leave the building. They must demonstrate how their love has deepened before they leave.
Matias muses that the rule leaves it open for interpretation but wonders about the various ways people can demonstrate their love. Emma thinks words or declarations of affirmation would probably be the most popular, though she grows flushed at the idea of saying such things to Matias.
Well, rules are rules. And Matias, who researched this in advance, is prepared.
He wraps a cute, fluffy pastel scarf around Emma’s neck. He explains that even with her gloves on, sometimes Emma looks so cold. 
He also has gloves for her, which match his own. They go past the wrist and are waterproof so should keep her warm longer. 
Matias’ idea to prove his love for her is to protect her, in this case, from the elements. Emma thanks him, now, not only is her body but her heart warm. 
And now it’s Emma’s turn. Her heart is fuzzy and warm, she takes a deep breath and begins.
When they leave the museum, the city is red with the sunset. Matias thanks her for being his temporary lover, he had a lot more fun than he expected.
So much fun that he doesn’t quite want their time together to end just yet. Didn’t they agree that they’d be lovers until the end of the day today? He asks if she wouldn’t mind grabbing dinner together. 
Emma’s heart pounds in her chest as she looks into Matias’ snow-colored eyes. They were endlessly kind when they looked at her, but she has seen them become frozen at a moment's notice. She’s curious about Matias, about the way he thinks. Maybe if she spends more time with him, she’ll find something that will satisfy her and wipe away the fear that lingers in her heart. Feeling hopeful, Emma agrees to spend the rest of the day together.
Premium End
On the day of their museum date, Matias arrived early at their prearranged meeting place and had been waiting for Emma. She apologizes for keeping him waiting and he waives her off - she was waiting for him last time and he hadn’t wanted to make her wait for him a second time.
Emma thinks that Matias really is a nice person. That time at the town square, he had just been fulfilling his duties as a guardian of the law. If anything, Emma should be relieved that he was truly impartial and egalitarian in dispensing justice.
But she is still afraid.
Emma tries to stuff the fear somewhere down in her stomach and smiles at Matias. 
Matias pulls out a notebook from his pocket and proffers it to Emma. He explains that he was researching the exhibits, and thought there were a few that depended on a deep cultural understanding of Achroite. He thought she would like to look up and understand those points at her leisure. 
Emma accepts the notebook and opens it, realizing that it is all in Matias’ own handwriting. Matias explains that while he hoped that it would be useful to her both as a reference for the museum and as something to aid her grow accustomed to Achroite.
Just as Emma begins to open her mouth to thank him, Matias beckons her closer, he wants to give her a souvenir from their last date. He takes out a package and starts touching her earlobes. Afterwards, she looks at her reflection in the window of a nearby shop and admires the wooden earrings. He also gives her a package of sweets from the coffee shop they visited.
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(This man is the reason why women's clothes should come with more pockets)
These gifts remind her of the good times they had yesterday and show his care towards her. Really, she had been having a great time until that scene at the end. 
But she’s still afraid.
Emma resolves herself to face Matias without being trapped by fear. The gratefully thanks him.
Matias’ snow-blue eyes narrow slightly and he reminds her that they’re lovers. These gifts should be as natural as breathing. Emma shakes her head, a lover wouldn’t take their partner for granted, and she can feel the time and effort he put into these gifts. She might not have experience with a lover before, but she is certain Matias would make his partner the happiest woman in the world. 
Matias assures Emma that she has been the perfect lover, the time he has spent daydreaming about her has been too perfect for words. 
Uhh, what?
Matias quickly assures her that he wasn’t skipping work to daydream about her, just when he had a quiet moment to take a break. He would picture the smile she would give him, and every moment basking in her radiant prescience.
Oh, that’s what he meant. Yeah, that’s okay then.
The feeling of fear hasn’t left Emma completely, but she thinks that she can enjoy their museum date. Seeing her smile, Matias smiles back. They haven’t even started their date, but Matias is having a great time already. That said, they probably should start making their way over. 
Matias courteously holds out his hand and Emma accepts it without hesitation.
After the museum date, Matias brought them to the dance hall in Achroite Castle. It was completely different from the one in Rhodolite, with soft wood tones and candles illuminating the national crest carved into the wooden floor. 
Matias admits that he hasn’t had many good experiences in this place, but he has always fantasized about dancing here with his lover. He thanks Emma for coming with him and asks if she would like to dance with him. Emma agrees and accepts Matias’ hand. 
Matias is impressed, Emma is a much better dancer than he was anticipating. Emma admits to practicing hard in the past. She is happy it worked out for them, after all, if she couldn’t dance then she wouldn’t be able to be his lover, right? After all, Matias is a member of the royalty, and his beloved would need to be a noble.
Actually, not necessarily. It would be better if his queen could dance, but it would be fine if she learned how to between their engagement and the actual wedding. Achroite is less class-conscious than other countries, so his wife could come from any class. 
Besides, the Asbrink family rules are very vague on the qualification for their wives. The only real rule is that she be worthy of the distinguished Asbrink family. Which is why Matias wants someone he can love and cherish and make happy. Emma notes that Matias looks so happy when he talks about his future wife. 
Choosing his wife is technically one of the few personal choices Matias can make in his life. He wouldn’t be constrained as a keeper of the law, or as the scion of the Asbrink family. He would be able to just be Matias and choose and love someone just for himself.
Emma understands that as both the keeper of the law and the first prince of Achroite, Matias has many responsibilities and rules he must follow. The time spent with his lover is probably the only time he gets to be himself.
Matias begins describing his ideal lover to Emma. Emma nods, she understands why he speaks so enthusiastically about his future lover. Matias adds that since his lover would be marrying a guardian of the law and the first prince of Achroite, the most important thing is that she is righteous and pure.
Emma thinks that his definition of the last bit would be that Matias’ wife would never violate the law no matter the circumstances. Emma doesn’t have it in her to live up to those standards. But she is his lover until the end of the day, so she should enjoy it while it lasts. She asks if they could dance a little longer, and Matias mutters that he wishes he could dance with her forever. She hopes that at least until the end of the day, Matias feels a little bit of freedom.
Suddenly Matias grabs her waist and spins her around. Emma is surprised and impressed, she never thought she’d be able to spin like that. Matias admits to trying it with her for the first time, he’s only read and fantasized about it.
Surprised, Emma asks about all the dance parties he’s been expected to attend as a royal. Matias reveals that he has always tried to keep a certain distance between himself and the ladies. If he gets too close, he will suddenly find it difficult to get away.
While Emma would normally think it’s nice to be liked, she can see the downsides. But with Matias’ seductive aura, she’ll need to be careful too. Subtly, Emma tries to move away from him, at least so she feels less of his body heat.
Oh no! Matias has noticed and asks why she’s pulling away. The hand on her waist tightens, pulling her closer to him. 
His snow-colored eyes exuded such sensuality that it made chills run down Emma’s spine. The shock of his face so close makes Emma lose her breath and forget how to breathe. A heat stirs in her body, and she suddenly can’t look away from his face. 
Her head was full of Matias, just Matias, and she climbed onto him and his heat. She wants nothing more than to cling to him.
A sudden image of a young woman dazed and confused next to Matias flashes through Emma’s head. She remembers that Matias doesn’t like women like that and awkwardly tries to push him away. Emma explains that she’s trying to put a little distance between them. She pushes at his chest again, but the arm around her waist only tightens. 
Matias reminds Emma that she’s his lover, so he needs her close to him. Emma refuses, if this continues, she’ll get in trouble.
With the saddest eyes, Matias asks what kind of trouble she is talking about.
Oh, that did it. The last of Emma’s strength leaves her body as Matias calls her name.
Epilogue
During the last night as Matias’s lover, she and he attended a dance party. Unfortunately, the prolonged exposure to Matias’ seductive aura overwhelmed Emma, and she came close to fainting. Thankfully Matias was able to steady her, and she was able to pretend that she simply missed a dance step and injured her ankle. Which did happen.
Suddenly she is in Matias’ arms as he lifts her. He tells her that they’re done dancing, instead, he’ll bring her to her room. And, since it’s late, he’ll arrange for her to stay in a guest room tonight.
Matias bridal carries Emma into a room and places her on the bed. He fetches a small box of medical supplies and begins tending to her ankle.
Emma apologizes for the trouble, but Matias assures her that he’s used to doing this in the National Guard. Weirdly impersonally, Matias rolls up Emma’s skirt, so her leg is exposed up to her thigh before he starts manipulating her ankle. Emma wants to preserve some modesty and lower her hemline, but she doesn’t want to get in his way.
Looking at Matias, it is clear that he has barely even noticed her state, and instead is focused on her ankle. She reminds herself that this is just a medical treatment, something that Matias is used to and has done to his fellow soldiers before. She tries to think of something else, but her thoughts just keep on returning to Matias bent over her ankle.
After what seemed like a small eternity has passed, Matias pronounces his field treatment as complete. He instructs Emma to keep her ankle elevated so the swelling will go down by tomorrow-
Matias suddenly freezes, as if realizing the position he and Emma are in. He immediately apologizes, explaining that he moved by instinct and had no ulterior intentions toward her. 
Oh, even though she’s his lover, he has gone too far to pin her down to a bed, and even touched her bare skin with his ungloved hands- 
Matias’ panic is making Emma feel embarrassed all over again. She quickly assures him that she understands he had nothing but the best of intentions and concerns over her injury. Honestly, she’s grateful that he was so quick and efficient in his medical treatment. Emma bows her head and Matias snatches his hands away from her leg.
Well, okay then. Matias nods to himself, regains his composure, and sits next to Emma on the bed. Once again, he is close enough for her to feel his body heat.
Well, there’s only one last thing for a couple to do on a night like this. Suddenly, Matias’ face draws closer to Emma’s. She begins to protest.
But why? They’ve just finished their second date, so shouldn’t they do the proper thing? Sit close to each other and talk about the parts they enjoyed and what they want to do next. And, as they talk, the bond between them grows and the feelings they have are reflected in their softening gazes and then-
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(Besides, according to the Asbrink family rules, no sex before the third date)
Oh, okay, Emma gets it now. She feels embarrassed - Matias apologized for touching her just to treat her injury, of course, he wouldn’t expect to go further physically. Emma sighs in relief and tries to objectively look at Matias. He seems to really enjoy being a ‘temporary’ lover, to the point that he’s forgotten that there will be no ‘next’ for them. 
Matias asks Emma to tell him more about herself - for future reference.
At Emma’s puzzled look, Matias explains that while they won’t be lovers, they’ll still be friends. Besides, now that he knows her a little better, he thinks they could be great friends. So, he wants to know more about her.
Emma understands that Matias’ words are saying that he wants a deeper friendship, but something about his sensual gaze makes her feel like what he really wants is something else.
Still, Emma agrees, and Matias smiles like the sun reflecting off of ice crystals. Maybe he’s still in the headspace that they’re lovers since the night isn’t yet over.
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dallasgallant · 16 days ago
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Time period post: Soc’s
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I just did one of these recently going over greasers and so I thought I’d go over Soc’s! Something to keep in mind is they aren’t really a subculture(really neither are our greasers) but are a defined group, clique might be the best word.
Ponyboy explains soc himself in the book by explaining its short for ‘Socialite’
Socialite:
is a person from a wealthy background who is prominent in high society. Who generally spends a significant amount of time attending various fashionable social gatherings, instead of having traditional employment.
Rich > popular
Soc does not automatically mean popularity and shouldn’t be seen as a stand in for a “popular kids”, however there’s an overlap and high likelihood they are popular but it’s not a requirement or the only aspect. The Soc’s are the rich kids.
In the sixties that likely means a two story house, two car garage, full kitchen, finished basement, central air etc. Nice new clothes and a nice car, they’re able to keep up with modern trends in just about everything. They’ll get records and stuff they like with relative ease.
There’s also the social aspect to being a social!
Being social-
Their entire life is about knowing the right people and being in the proper circles, they’re being reared to be the next proper socialites. Typically the women, men too but they’ll get a marketing, sales or board job that’s also primarily knowing people and cutting deals.
They throw ragers now but it’ll soon turn into garden parties and charity luncheons or company picnics. Building relationships and passing money around to each other and to whatever cause of the week they’ll pretend to care for or perhaps genuinely do but are so separated from everyone else it’s still tone deaf. We’re talking that kind of rich here.
For now Soc’s are still young, they may attend family events when needed but are largely left on their own to throw their own things… beer blasts, ragers. Getting in the news for their insanity but being praised in it the next day like cherry says. It’s a weird duality.
Appearance
To be a soc one has to be hyper-vigilant. One has to be presentable. One can never really be themselves or even know themselves. It’s hard to turn it off even when they’re alone, is there anything beneath that smile? Has it ever got a chance to develop? Bringing up Cherry again because she describes it so perfectly in a book that they’d talk without listening to themselves, just to talk, don’t even really know any of their friends but they’re friends because well— no one remembers.
They keep ramping up their antics just to feel something, anything. So you’re jumping greasers. You’re getting wasted. Wreckless, violent etc. might as well get it all out of your system now, it’s harder to burry when you age. They’re losing their minds a little constantly before they learn to completely harden. This is something still prevalent today amongst upper class kids.
Which, again don’t misunderstand me. They do have feelings and they are people I’m just explains how the pressures and demands of who/what they are often leads to completely losing yourself to the collective (there’s so many movies on this lol). Or just simply are lead not to care, too busy either networking or having fun to have a chance to think. Cherry mentioned something on this too, I think if they ever had a moment to stop, for silence or a sunset they’d explode. Need to fill themselves with noise and action to feel.
A lot of their more general behavior, that’s not influenced by the pressures of being Uber rich, overlaps with just plain and regular ‘popular’ kids in school. Not really knowing your friends or what you’re doing but you’re young and hot and you have fun so who cares really?
Soc = prep
While a soc isn’t interchangeable with Popular, they do tend to be. A better synonym would be the Preps/Preppies of the 1980s
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Prep:
an American subculture associated with the alumni of college-preparatory schools in the Northeastern United States.
A prep is essentially a soc, just with more focus on the style of clothing and less the social aspect. It’s sort of the overlap with Soc and popular, as if you’re middle/upper middle class but popular and dress in the style you’d be considered a prep.
In the end, Soc refers to the “rich bully” whereas a Greaser is the “working class bully” as specified in my post on them. This is speaking in the stereotypical sense as the entire point of the story is people are more than the surface or stereotypes.
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sanctus-ingenium · 10 months ago
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I’m really inspired by your world building and the creatures you use. I’m trying to kickstart my own world using Celtic, Norse and Scottish myths (it also involves werewolves because they’re cool)
But I’m stumped and a bit overwhelmed. How’d you start your project and what were huge sources of inspiration for you as you worked on The Black Horse?
hi there!!! this will probably get wordy i have a lot of thoughts on this but here's how i built up my inver setting
i had the characters first, and the werewolf establishment was basically the first thing invented about the world. I wrote a decent amount about the characters in the pre-1st draft slush pile just getting a handle on their voices, their history together, etc. the first slush draft was in painstaking chronological order telling of their lives from birth to like age 40 - it wasn't pretty to read but it meant I knew what big moments formed their worldview, their relationships with others, things like that. and then i got to pick and choose which ones would feature in the actual 1st draft, and which i would leave unsaid, in flashback form, or only in the form of vague allusions. the plot and world events changed significantly as i wrote the actual 1st draft so this ended up only being useful for backstory stuff and not book plots, but it was still good to have.
There was an important moment of a character being kidnapped into a faery realm, which is what started me off thinking about fairies in general. they weren't originally a part of this world - it was an undefined space before just for the characters to exist in, because i was (and still am) more interested in the characters than the worldbuilding. but i still like for there to be SOMETHING there in the background, and it gives a lot of opportunities to inform characterisation, so i started to make my setting. I picked the Púca as a pivotal being & major inspiration source to include because of its relatively large presence in the fringes of my childhood in stories told by my older relatives and i like the unusual aspects about it as well, how it has been both heroic and malevolent in different stories. you have to remember i grew up in this culture too, i knew a lot already, and that's what got me thinking of alternate Earth history - as in, the setting of Inver as alternate history, not wholly original fantasy set in a fantasy land.
So then I had to think about the implications of that, and here is where I think a lot of authors adapting extant mythology fall short. A world where faeries/mythological monsters/gods based in real cultures exist and people interact with them is indistinguishable from our own. We already live in a world where people interact with faeries in their own way; I've heard many older relatives recount stories of being trapped in their fields by faeries, how you can only escape by taking off your jumper and putting it back on inside out. There was no question as to whether they believed this was a concrete, meaningful interaction with a supernatural being. We have a motorway that was diverted while it was being built because the builders didn't want to risk cutting down a hawthorn tree. There is a deep stigma against harming hawthorns. Now, tell me how things would be any different if faeries were real irl? ftr I do not believe in the supernatural whatsoever, not even a little bit, but it is impossible to deny that I live in a world deeply shaped by it - I need only look out the window at the stands of whitethorn around my house to know that. because the main expression of that supernatural element is in how the people of that culture react.
you cannot, you cannot pick and choose only the monsters from a legend and leave behind the people who made & propagated that legend. you're only taking a single thread from a rich tapestry. I'm not arguing that other cultures should be untouchable, far from it, I'm just saying that to truly appreciate it, you need context for everything you adapt. you gotta know what you're writing about
in that sense, the people are more important to building Inver than the faeries. a citizen of Inver not immediately affected by the main plotline would likely never see or interact with magic in their lifetime, but their society is still shaped by it. so is mine (though that's more on the catholic church than anything else)
So now that I'd had that realisation, I decided to dump a lot of the traditional fantasy tropes I'd been working with. Think basic fantasy setting stuff, pop culture "The Fae" tropes, even the terminology of 'Fae' at all - that is not something I've ever heard the older generation in my life call them. It's just 'fairies' to them (although I did shift the spelling to match the Yeats poem because I could not handle writing characters making accusations of being A Fairy and have it not come across as a unintentionally homophobic accusation lmao). I did some research; mostly on JSTOR, using my institutional access, because my own university is mostly science and didn't have a big library of anthropological texts. I read An Táin Bó Culainge which is honestly one of the greatest stories of all time PLEASE READ IT if you are at all interested in Irish myth. It is a fantastic story and extremely comedic as well (a canon mmmf foursome lol). In terms of academic sources specific to the Púca, I have a drive folder of pdfs I will share with anyone if they ask.
I decided I was not going to include anything from what people actually think of as pre-christian Irish mythology - no fianna [rangers notwithstanding], no Ulster cycle, no Tuatha Dé, no Irish gods. All the things I include are post-colonial aside from the notion of the Otherworld in general. This decision wasn't necessarily accurate to what might have happened in this alternate history (given that christianity still has no real foothold in Inver) but it is a colonised society after all. It's why I got slightly steamed once when someone filed my Púca art into their irish deities/irish polytheism tag (I have my own issues with iripols/gaelpols for the same reason I dislike people taking myths out cultural context and in this case contemporary cultural context), because the Púca is in fact a postcolonial being - it comes from the UK, and likely the mainland as well
One of the last things I did before starting on my 2nd draft, which is what turned into Said the Black Horse, was decide to always capitalise the word 'Púca'. Because what really clicked from doing my research and remembering what I'd heard as a child was that the Púca is a specific character. Not a species, not a class of monster. A character, one guy. And you'll find this everywhere - the obvious example is the Minotaur being one specific guy, the son of Minos, not just 'a minotaur'. One very funny consequence of speciesifying mythological characters is dnd ppl saying their character is A Firbolg (fir bolg is plural!!). Fantasy bestiary books like Dragonology or Spiderwick Chronicles have done some amount of damage to how people relate to myths and legendary creatures, and I am not immune as someone who loves speculative biology, but in Inver I decided to cut all of that out.
Next once I got that out of the way I had to think about tone, atmosphere, and intended results. I didn't achieve my holy grail of a very atmospheric, undefined, and uncertain story that provides no answers, due to limitations in my own abilities, but I tried. I have given less than 1 second of thought to how magic or faery biology in Inver works because that is not conducive to the atmosphere of a fairytale. Many of these source myths and legends are really about the fear of the unknown. They are rationalisations to explain away something unknown, some mystery of life, and you cannot explain the unexplainable and expect it to carry the same punch as the original myths that you are drawn to adapt. That's also why I try to never actually give facts about fairies, but instead I talk about what people think of them. The word 'considered' does some insanely heavy lifting in that linked post lmao. Is any of what I wrote true with regards to the Red King?? It is for the people who believe it.
I'm saying all of this because these are all points I had to think about before writing that 2nd draft, but also because I think they're worth considering for your own story as well. I'll admit I invented my werewolves from scratch, they have no mythological basis, because they pre-date the faery stuff and also I wanted them to fill a very specific role and appear a little more concrete than the other supernatural elements. It is what it is; I wanted a werewolf element that didn't match myths and legends (and honestly was partially inspired by me rolling my eyes about those posts going around moaning and whining about 'the doggification of werewolves missing the point of werewolf stories'. I thought, well, there's more than one story you can tell with a werewolf - it isn't always 'i fear the beast within', sometimes it's something else! sometimes it's daddy issues! it's okay to make something new)
ok i think that's all i have to say.. modern Inver is a bit different, that worldbuilding is largely the same but with a big dose of actual ecology because the main characters are rangers and in Inver in 2017, rangers mostly do environmental monitoring. and that's a whole different sort of worldbuilding lol
good luck with your story!!
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wander-wren · 9 months ago
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sometimes i wonder about what fandom is going to look like in 5 or 10 years. i think we might have already started to see a shift.
because, look, most of the oldest, biggest fandoms are from tv shows and movies, in particular ones that go on for years and scores of episodes. star trek, star wars, stargate (is everything star?), doctor who, supernatural…even sherlock really got its biggest popularity boosts in the modern day from tv adaptations. marvel and dc were comics first, too, but movies made them more accessible; their “cinematic universe” tags are the biggest on ao3 by far.
but what tv shows are we getting now? short, 8-episode things that get canceled two or three seasons in, that are usually less-than-faithful adaptations of other media anyway.
what movies are we getting? well, marvel turns more to slop every day, and everything else is remakes and sequels no one asked for. the general populace will still go see them and find some good movies that they like, but there’s not much really for fandom to grasp onto.
the best shows for fandom that we’ve had recently, that i can think of, are stranger things, game of thrones, and maybe our flag means death. stranger things is dying off, especially since they’re looking at a 3-4 YEAR gap between s4 and s5. game of thrones’s popularity plummeted after its final season, we all know that. our flag means death is still chugging fairly okay, but after that second season a lot of the fandom dropped it, and with it now being cancelled, i don’t see it sticking around.
yes, we can chalk part of this up to a new generation to of fans having this growing idea that fandom is super temporary, to be abandoned as soon as its not on trend. but media used to be on trend for a whole lot longer than it is now. seasons were longer, we had filler episodes, things were lower quality sometimes but at least they came out on a consistent schedule. i don’t mind if supernatural isn’t an artistic masterpiece, but if i was a stranger things fan waiting until 2026 for the final season, i would be annoyed if it wasn’t damn near perfect. that’s assuming i watched it at all—we’re all so used to not getting endings and moving on, so why would i bother?
i think there are two types of shows doing sort of okay about this. one is procedurals—9-1-1 is a popular one i’ve run into, and it started in 2018, around the beginning of the decline, but it’s managed 7 seasons in those six years, most of them with 18 episodes. the other is, honestly, anime—though we can and SHOULD talk about the terrible working conditions that make the fast turnarounds there possible. look at how big some anime fandoms are.
judging by the relative fandom popularity of other procedural dramas (grey’s anatomy, law & order, criminal minds), i think that’s going to remain sort of niche. fandom likes fantasy and scifi best, and they just don’t tend to have as strong of an overarching arc to dig into. at least, that’s why i wouldn’t watch them. i think there’s also a good chance these will start to die out in the coming years as well.
anime could also die out a little bit. better working conditions would necessitate less/slower content, and it’s true that most of the popular anime fandoms have been around for years, even decades.
so, what, no new, lasting tv show or movie fandoms anymore?
what will the biggest fandoms be in 5-10 years?
podcast fandoms have a shot. the magnus archives is still going strong, and i’ve been seeing a lot about dungeons and daddies. i think we’re kind of almost past the golden age for podcasts, but i am an outsider, so maybe that will change.
book fandoms seem like a kind of obvious choice, but they just don’t get as big without, you guessed it, a movie or show adaptation. and the downsizing has hit them, too—can you think of anything from the last 5 or 10 years that rivals harry potter, percy jackson, warriors, lord of the rings, hunger games, acotar…even game of thrones (asoiaf) again? i can’t. the collapse of the publishing industry is another post entirely.
2020 is really what cemented these changes, though they were starting in the late 2010s, at least. with actual industries shutting down, there was room for indie creators making things alone in their houses to pop up, and people had more time on their hands to try new things out and get into them.
the two things that have really been on the rise since 2020 is rpf and video game fic—often both combined. we’ve got genshin impact, call of duty, minecraft of course being huge, rpf of various youtubers, and k-pop rpf. now, i think rpf is contentious enough that it won’t really become the main fandom, but video game fic…might be it.
even video blogging rpf can often be a blurred enough line that people are more comfortable with it. and the thing is…youtube creators are actually more reliable than mainstream television these days. they need to be, to maintain their platforms. they need to not cancel series and to live up to their own hype as best they can and to not abandon the channel for 3 or 4 years at a time. and again, you can talk about burnout and unrealistic expectations and all of those things, but it’s still true.
maybe i’m completely wrong. maybe in 10 years the film and publishing industries will all sort themselves out and we’ll go back to the status quo. but i think this position fandom is finding itself in is interesting, and i wouldn’t necessarily be surprised if what’s most popular (both in the specific source material sense and the medium/genre sense) is different some time down the road.
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imasradiantasthesun · 5 months ago
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i was inspired by this post by @evessupersecrettumbler to create a comparison chart for my headcanons for the D12 gang’s heights :D
i accidentally put Peeta as 5’11 instead of 5’10 lol whoops but point still stands, he’s a lot taller than Katniss. in the first book, she has to stand on her tip toes in order to kiss him on the jaw after the tribute parade. when he's first introduced, Katniss also describes him as "Medium height, stocky build." average height for men in the US is about 5'9. historically, average height has increased over time, and the books take place far in the future, though how this may be affected by the droughts, floods, and other environmental disasters (that a) no doubt affected access to nourishing food, and b) canonically lowered the human population in North America) is unknown to me. so i erred on the side of caution and decided that Peeta's full height is about 5'10, 5'11ish (likely after growing a bit after the 74th Games due to being much more well-fed).
through others’ words about Katniss as well as her own descriptions of herself (including the example above), we know that she is definitely small. off the top of my head i can remember: almost all of the male tributes and at least half of the female tributes in the first book are bigger than her (she also says, "Though I may be smaller naturally […]" in the same scene); in the first book she's small enough to be swallowed up by her sleeping bag; and Peeta says that Katniss, "isn't that very big" in Mockingjay.
while height is primarily determined by genetics, it can also be affected by other factors like medical conditions and malnutrition. in my opinion, both of Katniss's parents were on the shorter side, so she would've been as well anyway, but i think the fact that she was malnourished during a critical period of her childhood (aka after her father died when she was 11) sort of secured it. the average height for a woman in the US is 5'4, though in general the average height range is about 5'0 to 5'7, so the girls' heights vary a lot more than the guys' here. so i put Katniss squarely at 5'3 (on a good day lol)
we know that Gale was taller than 6’0 by the time he was 14, so i imagine him as 6’4; both of his parents are probably quite tall, and he was pretty much done growing by the time he was most heavily hit by malnutrition anyway (again, after his dad died when he was 14). Madge’s father is described as a “tall, balding man”, so i think she would be tall like him as well. she is also the most well-nourished kid in the district, so that probably helped her grow too.
Thom, Bristel, Delly, and Leevy are all basically based off of vibes and my own imagination. we know that Delly was described as (relatively) overweight, but that doesn’t really say anything about her height, so i just put her as 5'5, which is in the middle/slightly higher end of women's average range. Thom and Bristel were able to carry Gale along with Peeta (and i think Haymitch as well?) after he was whipped, so we at least know they’re strong. also, considering the fact that Gale was lying on a board at the time, i think the three of them (Peeta, Thom, and Bristel) were all roughly around the same height so they wouldn’t be uneven when carrying Gale. i also headcanon Thom and Bristel as being first cousins (their fathers are brothers), so they both got their dads' good genetics in terms of height.
there is absolutely nothing to indicate Leevy's height other than the fact that she's from the Seam, so she's malnourished. i headcanon that Leevy and Gale are second cousins through their mothers (specifically, their mothers have the same paternal grandparents), so Leevy's mom could be on the taller end for women, or at least medium height, but i also imagine Leevy's father being pretty short for a man, hence why Leevy is 5'2. heights can vary a lot even between full siblings (for example, my older brother is 8 inches taller than me because the men on my dad's side are always >=6'0 while the women on both sides are average/short), so it's not a stretch at all to say that Gale is more than a foot taller than Leevy despite them being cousins
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imbadatwrighting · 2 years ago
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Hi love, I was wondering if you could do the Yughi-oh boys realizing they’re in love with you and how they act in a relationship
Ofc I love this <3 I did kinda the full thing from meeting you to dating you but oh well 🤷‍♀️ also kinda cringy and I think Seto’s was a little short but oh well
Yu-gi-oh boys in love with their S/o
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Yugi Muto
How y’all met was wild-
Instead of the black cat and golden retriever trope you were more like a blunt angry bear and cute little golden retriever puppy trope
You met when you both were younger and became close friends
That’s when he got a crush on you but honestly it was relatively small
He would always try and be around you but eventually you started to see each other less and less
There was a particular reason for it
It just kind of happened that way
Now you two met again around season two which made Yugi ecstatic
Yami was cool with you relatively
Joey not so much-
The moment he fell in love with you though
Some random person tried to steal his deck from his belt so you chased after them and not only did you get his deck back but you beat the hell out of them and got them to apologize to Yugi
His heart bursted out of his heart after seeing how much you care about him
He was smitten
He was definitely not the one who asked you out
He got to scared every time he tried because he knew if you didn’t like him back you wouldn’t be super nice about it lmao
It was you who asked him out
But it wasn’t anything to fancy
You came up to Yugi at the end of school and offered to walk home with him
Which he said yes of course
When you finally got to his house you told asked him to go on a date with you
Bro almost bursted into tears
In a relationship he is the sweetest boy alive
He definitely has scary dog privileges
You come to every one of his duels because while you don’t play, you care about his interests
You always come with him on his little journeys with his friends
Then you were forced to play which you hated but won really easily even though you knew nothing
He likes physical touch with if you like it as well he’ll cuddle up to you at night and fall asleep
He always buys you food too
He is ok with the causal pda like holding hands but doesn’t want to attract attention so anything subtle he’s ok with
And quick pecks on the cheek
He tells you he loves you every night even if he doesn’t expect you to say it back
Bought matching necklaces for you to wear for Christmas
Expect him to make you breakfast whenever he can even though he is a terrible chef and you end up going to a cafe
He’ll stand up to anyone that’s rude to you and when they start to try and get physical you pretty much appear out of thin air and step in which he doesn’t like because he wants to stand up to your bullies
“Hey you don’t get to say anything about them!”
“Who the hell are you? Their plaything?”
“No! I’m their boyfriend! You don’t get to talk about them that way!”
“Why? You have a problem with it, punk?”
“He might not, but I do.”
“You don’t have to step in. I got this!”
“No, Yugi. I think I’m going to be dealing with them this time.”
“But I wanted to…”
“We’ll talk about this late babe.”
“Fine! Be nice! Love you!”
“Love you too, Yugi.”
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Yami Yugi
You two met pretty randomly
You came up to him while he was at the arcade with his friends and you kissed him
He heard a couple Oohs but he was more concerned on who you are and why you’re kissing him
Once you broke the kiss you just walked away leaving him baffled at the situation
He followed after you and demanded to know why you kissed him
He doesn’t know what he expected but the answer ‘it was a dare’ was not definitely not what he thought
It made him disappointed ngl
He let out a little oh and then let you walk away
He thought about you ever since that day
Then he met you again
He came up to you while you were sitting at a cafe reading a book and sat down right across from you
He expected you to remember him but alas you didn’t lmfao
But even though you didn’t remember him you still offered him food and didn’t insist on him leaving
Honestly it was a little concerning considering the fact you thought he was a stranger
Somehow through all of this you guys became friends
Whenever he is in Domino City and not on his little journeys he goes out to a cafe with you
He tries to do this every Saturday but it doesn’t always work out with both of your schedules
You and Yami had the slowest slow burn known to man
He didn’t realize he was in love with you for a while
Until he saw you kissing someone else
He was so confused at what he was feeling that he went back home and just sat oh his bed
He asked Yugi about it and he was the one that made Yami realize he was in love with you
He wasn’t a big fan of the feeling
He tried to avoid you as much a possible but that did last to long
You cornered him into an alleyway and made him explain his behavior
And while he tried to lie… he isn’t a good liar‏
When he was trying to play cool you kissed him and he quickly forgot about everything and kissed back
During the little make out session you asked him to date you causing him to stop
He told you about seeing you kiss someone else and didn’t want to be in a relationship with someone who likes someone else
Then you had to explain how the guy kissed you and it would never happen again because you had your eyes set on Yami since the first day you met him
He believed you and became your boyfriend
He is much more closed off and private about pretty much everything to do with you
His friends didn’t even know about you until Yugi told them how Yami is dating someone
He doesn’t say it out loud that he loves you or engage in to much physical affection but he does always bring and buy you stuff
Anything he sees that he think you’ll like he’ll buy
Unlike Yugi, when he makes you food he doesn’t mess it up
Honestly probably the best food you’ll ever have in your life
It’s usually for special occasions only
When you two do cuddle it’s mostly in bed with you both about to go to sleep and spooning each other with you as the big spoon and him as the little one
Every new place he goes to he brings something back for you if you don’t want to go along
He invites you to every one of his matches
He is very quiet and reserved speaking wise but you can usually tell what he’s thinking based off his body language
Will watch anything you want with you while eating popcorn and other unhealthy food
He also got you this really expensive ring for Christmas
“Yami… you shouldn’t have.”
“I wanted you to know how much you mean to me.”
“I know but this! This is so…”
“Lovely? I don’t understand do you not want it? I can get you another if you would like.”
“No Yami. It’s just so expensive looking I mean have you looked at me? It’ll be like a shining red ferrari in a haystack.”
“Do you not like it?”
“No. It’s gorgeous, but you’re going to be really disappointed with what I got you.”
“Anything you get me I will treasure with my life.”
“Thanks Yami, but just know it’s not a expensive ass ring.”
“I kind of already figured.”
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Joey Wheeler
This man fell for you the moment he met you… literally.
It what gots your attention so he’s not really complaining
He honestly thought whenever you two would meet you were flirting with him but in reality you were being normal
He would always flirt back which you noticed but decided on not saying anything
While he had a ‘flirty’ relationship with you and like you he didn’t love you
Until you and him went to the arcade-
You were competing against him in one of the games and when you won you let out a deep laugh making him start to laugh as well
It made him realize how much he enjoys you and he wants to be with you forever
You’re the person that makes him happy after all
As soon as he realized that he asked you out which you replied with a short yes and told him you’re going to be at one of the shooting games
He honestly didn’t know if he should be happy or sad
I mean you said yes but then you acted like him asking you out wasn’t a big deal
When he confronted you on it probably more angry than he needed you just told him you knew he liked you and expected it
He got a little bit embarrassed over that
When you two start dating he’s really sweet and dresses to impress but as time goes on he becomes the type of boyfriend that will come into your home grab your chips and watch tv with you with his stained shirt and sweatpants
Not that your complaining
He always buys you gifts when he can but he’s kind of broke so there definitely a little bit trashy
He’s usually staying at your house at night and will sleep in holding onto you tight so when you wake up you can’t go anywhere
He’s a very cuddly person and always wants your arm wrapped around him whenever and wherever
He introduced you to his sister a moth or so after you two started dating and it was safe to say she loved you
Even if she didn’t understand you
He’s also nervous that you’ll leave him for someone else so he gets jealous really quickly
If you are involved in sports like football or soccer or wrestling he’ll be cheering you on from the sides yelling something like ‘WOOOOO IM DATING THE ONE IN WHITE YEAH BABE YOU GO’ ‘Joey they’re all in white…’ ‘YUGI SHUSH’
Whenever he’s dueling the thing that keeps him going is you
You and him go out to dinner whenever you guys can
You’re the one that pays for it though
He will honestly cheer you on if you decided to beat someone up
As long as you had a good reason
“Yeah Baby you got this!”
“Didn’t you say you were heading home Joey?”
“Don’t focus on that focus on those pedos!”
“Will do hun. Do you want to join me? Your getting very close.”
“No way in hell!”
“Ok then.”
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Seto Kaiba
He hated you when he first met you
You two got off to a bad start
He was working at a cafe when you came close and tripped spilling your coffee over him and his computer
You were dared by Mokuba even though you had no idea who either of them were
Since you were pretty much broke and couldn’t afford to pay for the stuff (which was over $7000) he just hired you instead
That honestly did not help
You just kept bugging him and asking him questions about the job
The only reason he didn’t fire you immediately is because he thought you were suffering while working for him (even though you were having a great time and he was the one suffering)
It was unexpected to fall in love with you
You were walking home when you saw a couple boys surrounding Mokuba
When you saw one of the boys hit him you stepped in scaring the kids off
You saw that Mokuba had a bruise forming on his check and his clothes were ripped
Since your house was so close you just took him home to get him fixed up and gave him some clothes that were to big for him so he ended up looking like Jesse Pinkman
You called Seto and when he answered he was a little agitated because Mokuba was no where to be found and he thought you would be asking about how to work the printer again
But when you told him how you had Mokuba all the agitation in his voice decimated
He let a soft that I you a hanged up only 5 minutes later he showed up at your door even though you never told him your address
When he saw you he just got this feeling that he couldn’t explain
It wasn’t until you asked him if he wanted to get coffee did he realize what he was feeling
He wouldn’t be surprised if he had hearts in his eyes for you
He told you he liked you a day later and you two started dating
The beginning of the relationship was a little awkward because of how little both of talk
It helped that you understood Seto’s schedule so you ok with him coming home really late in the night
He buys you a lot of things that you probably don’t need
You always watch over Mokuba instead of the guards when he can’t
When he does come home on time he always leaves super early in the morning
Whenever he comes home late he always climbs into bed with you
“Seto?”
“Did I wake you? I’m sorry go back to bed.”
“It’s fine. I was waiting for you but I got tired.”
“I can see that.”
“Mokuba is asleep in the other room.”
��I’ll bring him home in the morning.”
“He can stay I don’t mind.”
“We’ll talk more about this in the morning.”
“Ok.”
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mashithamel · 1 year ago
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When I first heard Rand would be working in a sanitarium in season 2 and he’d have a friend named Errol, I was kind of annoyed. Why would they spend precious time in a location and on a character that aren’t in the books, when there is so much ground to cover and so many characters to introduce?
But they used this setting and this character so economically, and so efficiently, that I have been completely converted. They didn’t waste a moment of screentime for Errol, and in only a few minutes justified his creation as a terrific vehicle for exposition and to introduce so many important concepts.
As soon as Rand walks in the door we’re introduced to the Aiel War (specifically—I means we got Blood Snow last season but it wasn’t put in a lot of context). We get a personal view into how much Cairhein specifically was affected by it (the effects of which are mentioned a couple more times this season), as well as giving it a relative timeframe—Errol is much older than Rand, so it wasn’t just a few years ago.
We are reminded that Rand looks like the Aiel even with shaving his head, reminding us about his adoption and that he’s an outsider. Here in Cairhein, even when people know and like him, the citizens are likely to have a gut reaction of surprise or fear when they first see him, something that may contribute to his difficulties ruling the place down the road. We are reminded that they are considered fierce fighters, and introduce that their women also fight and are considered deadly.
We are introduced to sword forms! We didn’t get Lan training Rand in either season (although it sounds like we will finally get it next season!), so it’s nice to learn he’s been getting at least some introductory training if he’s going to be a blademaster eventually. It’s also very consistent with the books for Rand to take advantage of opportunities to learn whatever and from whoever he can. We’re reminded about Rand’s heron-marked blade (before it does its important thing and melts in episode 8) and make the connection that it is carried by blademasters.
So importantly, we see how kind Rand is. He clearly knows and likes this crazy old man who’s calling for the guards. He speaks to him kindly without a trace of annoyance that they’re having the same conversation they do everyday (anyone who cares for people with dementia can probably understand that is really hard at times!). He puts Errol’s shoes on for him. This isn’t quite washing feet, which Biblically speaking is an act of humbling one’s self, but it’s definitely the sort of thing you wouldn’t expect the Promised One to be doing routinely. Right now it’s his job to do, but he does it with the care and compassion you might have for an elderly family member. He defends and comforts Errol when another employee is cruel. At heart Rand is kind and loving. Killing, ordering executions, sending people into danger where some will definitely die are all things he will need to do as Dragon Reborn, and his struggle with this will inform a large part of his arc over the next few seasons.
We see the inequality of the Cairheinin system (and then more blatently at the dinner party). Unsurprisingly the Cairheinin separate their health care by wealth and power, and it sounds like the poor ones may not even have a garden to walk around in? The Two Rivers doesn’t really have this type of inequality, and some of the first things Rand does in the books as the Dragon Reborn is make the elite start treating the poor and lower classes more fairly.
And of course we get PTSD and mental illness. Both PTSD and fears of going mad are important for Rand later, so this early introduction helps define the stakes for him.
It was such a short scene, and I’m sure there are other details those with more skill could expand on (the horse that Rand sets upright? the color palate?). I just really appreciated how much the writers crammed into an original character to help lay the groundwork not just for this season but for seasons (hopefully) to come.
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jimothy-hopkins · 2 months ago
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This is my girl Maria. She’s cool as hel and super fun to draw cause of her hair :3
Info about Maria!
General Description:
Maria is a short girl with a slightly stocky build. Her face is a rounder shape. Her most defining feature is her large brown eyes. They give her a similar appearance to Twiggy. Maria’s lips are small, and are somewhat pouted. She has a downturned ‘sad puppy’ looking appearance. Her hair is usually styled in a beehive and has blonde chunky highlights.
Maria is a generally nice person. She is easy to talk to, but lashes out when jealous or threatened. She will do anything to get what she wants, whether it be just some homework answers or revenge on someone who has wronged her. Her sweet outer appearance masks how malicious and selfish she can be on the inside.
Interests and whatnot:
Maria loves fashion and makeup from the 1960’s. It is her entire aesthetic. Most of her clothes are thrifted or handed drown from older relatives. Occasionally she will tailor her own to fit. Maria takes pride in how her style sets her apart from other students.
Hearing gossip is one of Maria’s favorite past times. She usually sits in on conversations with the other cheerleaders or eavesdrops on other students to get the scoop. She occasionally sneaks these rumors into the school papers to cause more drama. Maria enjoys watching people have cat fights.
Classic literature is one of Maria’s biggest interests. As shallow as she is, Maria enjoys going in depth into the themes of these books. She likes to dissect the characters and ideas that are written. Sometimes she can go on hour long tangents about one character or even just one scene in a book.
Reputation:
Despite her status as a nerd, the jocks somewhat accept her. This is because Maria is very good at doing stunts in cheer. She is also one of their best flyers. Other than that, she gets ignored and is given a hard time.
She does not get along with the greasers. Maria doesn’t have an appreciation or true understanding of how they live and why they work. She just thinks they’re annoying and cause unnecessary drama by fighting with the preps.
Maria has a similar view of the preps. She thinks their fashion taste is terrible, they’re all spoiled brats, and that they’ll never have any individuality since they’re always relying on their parents for support.
The bullies often target Maria. She if forced to give up homework and test answers and take the fall when they’re inevitably caught cheating off of her. She hates the bullies and hopes one day they’ll all go to prison or end up in the streets.
Maria settled in with the nerds well. She usually just keeps to Beatrice, Bucky, and Cornelius. She tries her best to encourage hygiene amongst the others, but it’s really in vain.
Quotes:
“Like you’ll get anywhere acting like a Neanderthal.”
“I could take your boyfriend in a heartbeat. Be lucky that I don’t want him.”
“I mean, at least they can’t take my knowledge from me like that can my money..”
“It’s not my fault your boyfriend kisses every girl BUT you!”
“Get over yourself!”
“Does my hair look big enough? I think it needs to be bigger.”
“I do not look like a skunk!”
“If you wanna give Earnest a Christmas present, make sure it’s deodorant.”
“I HATE IT HERE!”
“I heard that Kirby Olsen was sneaking around the movie theatre with Trent.”
“Did you hear that rumor about Gary being a werewolf?”
“I heard the prefects were so drunk at that Halloween party that they made Galloway look sober.”
“The greasers and the preps should honestly all leave. We’d be better off without all their whining.”
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lemon-natalia · 5 months ago
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Nona the Ninth Reaction - Chapter 19
poor Nona, she has been through a hell of a lot not just in her relatively short life, but in the past few days especially. it’s been mentioned so many times about Nona having to push down a tantrum, and here it is finally
also maybe its because of the fact that necromantic-related-body-horror has been in relatively short supply in this book so far, but how Nona is essentially unstoppably strong and, although its not overt by just saying that pulling through the plastic ties makes everything a ‘mess’ and wet’, is presumably completely covered in her own blood while storming through the building, is uh. something. like holy shit Nona is both incredibly sweet and incredibly dangerous. 
also the ocean, and thus salt water is back, explicitly as a way that Palamedes and Camilla used to keep Nona calm. i wonder if that has anything to do with why the tomb is surrounded by salt water, maybe as a way to keep Alecto asleep/calm inside
between these Hot Sauce and BoE, how long is it going to take for people to realise that Nona literally cannot die via being shot. Hot Sauce gets a pass for being fourteen and emotional but you’d think BoE would at least realise its kind of pointless 
‘she heard her mouth say, savage and distinct [...] Fool. you’re killing her’ so there is someone else either talking through Nona or part of her soul. hmm. Alecto maybe, talking about how they’re killing Harrow’s body?
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I love comic book murder logic. Like, it’s not killing someone if you don’t watch them die.
Like the goon /might/ have hemophilia and internally hemorrhage and bleed out from the jab to the gut. But if we don’t watch or intend for him to die it doesn’t count. Someone will probably call 911 while we walk deeper into *insert supervillian*s lair.
I know people love heroes’ no kill rule because it makes them heroes, but like combat against relatively untrained individuals is gonna cause damage. It’s like an adult beating up small children. Also, even if the attack on cripples and not kills them, they still won’t be able to go back to work (even the legal kind) and improper treatment can cause lifelong pain and damage. And it’s not even self-defense because a protective suit and years of specialized training is already a major upper hand.
This was supposed to be a haha short funny post, but I ended up rambling. Anyway, maybe I’m like being a cynic. I’m not saying what they do is as bad as murder, but like bffr. They’re like def hurting and contributing to the death of a TON of people.
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vinylfoxbooks · 5 months ago
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July 17 - Fee | @jegulus-microfic | wc: 1621 Part 13 of Medium!James AU Previous Part | First Part
“Hey, Reg.” James asks, knocking on his door, “Can I come in?”
Regulus puts his book down and hums, “Yeah, you can come in.” Just a second later, James pushes the door open. They look as charming as usual, in their plain, worn, muggle shirt and jeans. Their hair is mussed like usual, and they’v got an easy grin on their face.
They make their way to Regulus’ bed, sitting down on it and reaching for his hand where it’s resting on his book, “Sirius, Remus, Pete, Marlene, and I are going Christmas shopping. Did you want to come with us?”
The younger hums, “When are you guys leaving?” “When everyone gets here. Remus is going to take the longest because he has to walk to somewhere he can floo from. They’ll probably be here in like ten minutes.”
“Yeah, I’ll go.” Regulus nods, “Give me a couple minutes to change into something warmer and I’ll be downstairs.”
“Perfect.” They smile, leaning forward into the younger’s space, “Can I?”
“You don’t have to ask.” Regulus smiles softly, inching closer until they're kissing. It’s soft and short, and James pulls away after a couple seconds so Regulus can get ready and James can head downstairs where Sirius is waiting for their friends. They press a kiss to his cheek before standing up and walking out of the room, closing the door behind them. Regulus gets ready quickly and is downstairs in just a couple minutes. 
James, Sirius, Marlene, and Pete are all waiting and James smiles upon seeing him, beckoning him to sit with them. He does so, leaning into their seemingly-never-ending body heat. The older wraps an arm around his shoulders, but doesn’t otherwise say anything, continuing their conversation with their friends. 
Eventually, Remus shows up and Sirius is the first to stand up, taking his boyfriend into an embrace, “Hello, my Moony.” “Hi Sirius.” Remus smiles, pecking Sirius’ lips but not letting the shorter take it any further than that before he pulls away, looking around the room, “Are we ready to go?”
James nods, standing up, “Let me just let mum and dad know and ask if we need to get anything for them.” And with that, they’re heading into the kitchen, Regulus just behind them as James conjoined their hands when they stood up. Effie and Monty are both in the kitchen, dancing around hand in hand to music that they’re playing from the muggled record player they have sitting in the corner of the room, “Hey, we’re leaving now. Did either of you need anything?”
Effie hums, but doesn’t pause her movements with her husband, looking over at her child, “I need more cinnamon sticks and oranges if you don’t mind.” Her gaze flits to where their hands are conjoined before she turns away and looks at her husband, “Did you need James to get anything, Darling?”
Monty thinks for a moment before he shakes his head, “Not as far as I know. The only thing we need other than the cinnamon is to gather the flowers, right?” Effie nods and Monty turns to James, “Then nothing else.”
“Yeah, can do.” James smiles, “Also, Regulus is gonna help us with the bouquets tomorrow if you don’t mind.”
“Of course not, honey!” Effie cheers, “I’d love the extra help. Now, you two run along. Don’t make your friends wait any longer.”
James nods, “Of course, love you mum, dad.” Then they’re walking out of the kitchen, Regulus once again following. When they get into the living room once again, “Alright, we’re good to go. Did we want to start at the muggle mall before we went to Diagon Alley or did we want to start at Diagon Alley?”
“Probably the muggle mall.” Pete hums, “That way it’s easier for us to floo around.” Everyone agrees and they set off, heading out of the house and into the cold streets of London, coats and extras adorned.  
It’s a relatively short walk, with the group walking in lines of Pete, Sirius, and Remus behind James, Regulus, and Marlene. 
“So, mum said that we need oranges and cinnamon sticks?” Marlene checks, “We can stop by the corner store near the mall to see if they have it.”
James nods, “I don’t know if they’ll have cinnamon sticks but we can check. There’s that one store in the mall that might have them… She asked specifically for oranges but I think we could pick up a couple blood oranges as well, I’m sure those would be nice.” Marlene hums and nods.
“What are those needed for?” Regulus asks, looking between the two.
“We use cinnamon sticks as seasoning for drinks and stuff, and them and dried oranges for decorations.” James smiles, “Yule starts tomorrow so we’re going to start decorating today and tomorrow for it, which is why we were talking about the flowers.”
“The most delicious decorations known to man.” The girl adds, “Do you think we could convince her to dip some of the oranges in chocolate?”
“I think so, especially if we get two different types of oranges.”
Marlene makes a sound akin to a moan, throwing her head back, “I would fuck up some blood oranges in dark chocolate right about now.”
“You’ll be pleased to know that mum also made candy the other day.”
“Why didn’t my family get a tin?” 
James smiles, “Yours and Pete’s family always get your tins last, because we like to give you more than their coworkers. You should know this by now.”
“Yeah, but I’m on my fucking period and I would kill for chocolate right now.” The girl whines. 
James laughs, throwing their head back, “We’ll get you some chocolate and chips while we’re out, just for you.”
“This is why I love you.” Marlene smiles. She elbows Regulus, “You should consider yourself lucky. Your partner is out here buying treats for a girl having cravings. That’s how you know they’ll treat you well.” Regulus gives her a small smile. James may not know about his whole… anatomy problem, but just knowing that they’re so comfortable with talking about periods and immediately thinking of ways to help is nice -- even if Marlene is the type to use her period to get what she wants, both Dorcas and Pandora do the same thing.
When they get to a corner store, James tells the others to go ahead, that they’re just going to grab a couple things, then pulls Regulus inside. The warmth of the small store is almost euphoric to Regulus, who is absolutely frigid even with the short amount of time that the group has been outside. 
James pulls him around the store for a while, grabbing a bag of oranges, blood oranges, dark chocolate, a bag of caramel chocolate, and a small bag of hot chips. They check out and are walking out of the store in record time.
“Do I have to buy things for everyone?” Regulus asks tentatively, “I don’t know Pete or your parents very well.” 
James shakes their head, “You honestly don’t have to buy gifts for anyone. Just being there is enough for all of us, and don’t feel bad if you don’t get something for someone that gets something for you. Don’t worry about it.”
Regulus nods, “Alright. I’ll- I’ll probably get a couple things but I’m not good at gift giving.” “That’s fine. I’m going to have to leave you for a bit at some point so I can get you something.” 
By the time that they get to the mall, all their friends are standing just inside the entrance of it, waiting for them to show up. James reaches into the bag and hands Marlene the caramel chocolates and hot chips, to which she loudly celebrates and immediately breaks open the chips. 
The group head from shop to shop, breaking from each other and randomly running into each other at different stores before they meet up at the entryway at the agreed upon time, hauling their bags with them before James brings them all to the shop near the entrance, hidden in the back corner. They subtly tap their wand against a small lock on the desk and mutter a spell which allows a door to slide open only long enough for the six to get into the back room. Everyone pulls out their wands and casts their own spells on their items before flooing to Diagon Alley.
They spend another hour there before James finds their way to Regulus, “Hello, love. Are you finished?”
Regulus hums, “I need to stop in a shop and pay a fee, but that’s my own personal thing before we leave.”
“Ooh, what fee could Regulus Black need to be paying?” James teases, pushing his shoulder with their own. Regulus rolls his eyes and grabs at James’ hands -- something that James was tentative to do because they didn’t want to do anything Regulus didn’t want them to do in public, especially in a magic area like this -- before pulling them into a store. 
“Mr. Black.” The woman standing at the counter says when they walk in, her eyes glancing over to James for a moment, “And friends. What can I do for you?”
“I’m here to pay the transfer fee.”
“Ah yes, of course.” She glances at James, then their conjoined hands, one more time before she does a couple things behind the desk then accepts the money that Regulus offers her. She grins at him, thanks him, and with that, Regulus is heading out of the shop. 
“What was that?” James asks when they’re out, guiding him to walk to where their friends are waiting.
Regulus shakes his head, squeezing their hand, “Doesn’t matter.”
Next Part
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autumnmobile12 · 11 months ago
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I’m hoping that as Nocturne continues, that there might be some eventual parallels between Alucard and Richter.
I’ve mentioned in another post I don’t really like Richter.  I’m not going to reiterate the entire thing, but the long and short of it is I found his character unnecessarily mean-spirited.  Some of his dialogue really rubbed me the wrong way and I didn’t find his lines all that funny.  But it’s this specific line to Tera that sealed the deal with me disliking him.
“And you just happened to stumble upon it one day while you were out picking flowers?”
Um, what the fuck?  She raised you, gave you a safe place to grow up, has been a surrogate mother to you, and has shown you nothing but kindness and support, and you’re going to talk to her like that?  What an asshole.
And this is the difference between Richter and Trevor’s characters.  Trevor is an asshole, but did he ever talk to Sypha or her grandfather this way?  No.  Did he talk to Alucard this way?  Well…yeah, but also observe Alucard also woke up snarky and began insulting him from minute one, so we can argue they are delightfully matching each other’s energy with a vengeance.
But I’m not gonna lie…for the first two seasons, I also didn’t like Alucard’s character all that much and for the same reasons.  I’m a little biased as I generally don't like protagonists who are just mean for no reason.  We all know someone like that in real life, whether they’re a relative or a co-worker or a boss, so why deal with it in fiction?  Okay yeah, I get that it’s often part of a character arc and symbolism for growth and finding maturity.  I understand why storylines like this are necessary, but I’m still gonna hate the little shits for the duration they’re assholes.
So Alucard…the way he treats Trevor in the first two seasons is also pretty crappy behavior.
“I imagine one sacrifices a chicken, and divines the location of the book you want from the intestines. Maybe Belmont has a crystal ball in here you could ask. ….  Your ancestors were apparently mentally ill hoarders.  I fully expect to find family cats mummified under some of these shelves.  Unless your family preferred to eat them.”
You’re gonna talk to your comrade like that…in his own home…where his entire family was brutally slaughtered by a mob....possibly right in front of him?  Yeah, real charming, Alucard.  And this is the tone for his character in the beginning.  There is the point where Sypha calls him out and tells him to stop testing Trevor, but I think there’s another element at play.  “…and he’s a drunk and he’s self-destructive and anyone trying to hold on to him may as well be dragged down with him.”  He isn’t just testing him, he’s judging him and he’s already decided he’s a useless drunk who got lucky and happened to win a few fights.
All right, now that I’ve dragged him through the mud, I’m going to pull back and assess the wider perspective of Alucard’s full character arc.  Alucard’s growth follows the line of the spoiled brat who experienced hardship and had to grow up because of it.  I think Alucard lived a very sheltered life before his mother died, and his actions and dialogue in the Belmont Hold are the strongest indicator to this.  We clearly see he’s disgusted by the trophies and the history of murder against the vampires, and he is not shy about voicing his contempt towards the family’s entire purpose.  He’s right, though.  With the presence of the infant skull in the display case, we do get the very subtle nod that the Belmonts, for all their claims of virtue and protecting humanity, have also committed atrocities.  He does have a right to his anger against Trevor and his family.
But what’s absent from Alucard’s character here is the fact he doesn’t seem to consider the atrocities the vampires have committed against his mother’s people.  To the vampires, humans are food, livestock, and a lesser species.  Godbrand brutally murders several humans in his flashback with no clear intent on actually eating them, so he kills for sport.  Cho torments the humans in her court by amusing herself with duels to the death that only she can win.  Not a humane way to treat the vampire equivalent of livestock.  And exactly how long does Erzsebet Báthory keep those girls chained up while she drains them of blood?
Why does Alucard condone what the vampires do to humans and at the same time condemns the Belmonts for hunting the vampires?
The answer:  I don’t think he did because I don’t think he was fully aware of these scenarios.  Think about it, he had no knowledge of Dracula’s Generals and the only thing he talked about regarding his father was the tragedy of his madness and how killing him would be destroying centuries of knowledge.  I think Dracula wanted him to have a peaceful life and fed him the more rosy-colored version of their history.  Maybe he intended to tell him one day, and that day kept being put off by the sentiment,  “He’s a boy.  Let him continue to be a boy.”
Alucard lives his peaceful childhood until it comes to a screeching halt when Lisa is killed, so I honestly think there is an innocence behind his upbringing that gave him a very clear bias against the Belmonts that was completely justified in some elements and not so much in others.  There’s also the point that he keeps referencing Trevor as a drunk, which is very much condescension.  It’s not until Season 3, after he’s experienced his traumas and has fallen into his own slump of grief that his attitude towards Trevor changes.   There’s still ribbing between the pair, but it’s not the same cutting remarks that we saw back in Season 2.  Alucard walked a mile in Trevor’s shoes, and that mile was bitter.
...
So where I stand with Nocturne:  Richter has started off in a way similar to Alucard.  He lost his mother at a young age, but aside from that, he grew up safe and loved in a stable home, has a good relationship with Tera and Maria, and has otherwise led a relatively peaceful life. Even in the midst of the French Revolution, they don't seem like suffering peasants.  Like Alucard before his world truly went to hell, Richter also didn’t have a full concept of what real hardship looks like.  This is apparent when he’s all confidence and bravado, going around and yelling he’s the ‘last of the Belmonts’ and he ‘kills vampires’ and “Who’s next?”  And then Olrox shows up and he cows him right back into the scared, little boy he’s pretending he’s not.
And so not only is there a parallel between Richter and Alucard, but there is also a big one between Trevor and Annette.  Both of them have suffered through their own individual hardships, both losing their loved ones in some of the most brutal ways imaginable, but those same hardships gave them their pride and their poignant maturity and cynicism in how they see the world.  Granted, the difference between Trevor and Annette is she never lost her purpose or her will to fight despite having been dealt the worse lot of having been born a slave, but still…Trevor never ran away from his nightmares like Richter did.  Even though Annette and Trevor have their moments when they are scared, both of them stood up and said,  “Fuck it, I have a bastard to kill and if I die killing them, so be it.”  They don’t give an absolute damn.  They took their pain and they wore it like armor.
“Killing you was the point.  Living was a luxury.”
“If I let my past terrify me, I’d never be free of it.”
Compared to them, Richter is a spoiled brat who has yet to grow up.
And I think Alucard’s going to be right there with him saying,  “Don’t worry.  I was like you once and we’ll get there together.”
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meear · 2 years ago
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The state of siblings in HP&the Deathly Hallows
Deathly Hallows is the book that shines a (new) light on every sibling in the story.
This is where we see Lily and Petunia's childhood, we learn about Aberforth and Albus' story, we read about Regulus' death, Percy's return (and even, to some extent, Harry and Dudley's goodbye, though of course they were never raised as siblings nor did they ever consider each other as such, but they did grow up under the same roof). This is the book where Ron finally confronts his insecurities, by destroying the locket who was throwing all of his family issues back into his face.
We finally meet Andromeda, the last Black sister, and we have Bellatrix mention her ("We—Narcissa and I—have never set eyes on our sister since she married the Mudblood"). In HP7, Molly even tells Harry that Fabian was her brother, which is something the reader never knew
I often see people drawing parallels between Sirius&Regulus and Lily&Petunia, both of these pairs being estranged siblings, but... They really don't have that much in common.
I've never seen anyone commenting on the Blacks' similarities to the Weasleys (by which I mean Percy) and the Dumbledores, when these three families have SO much more to offer. I think about them so often you do not understand. I don't even know where to begin. I've ended up putting a bunch of dialogue from the book, so it's a bit lengthy, but long story short:
Albus, Aberforth, Sirius, Regulus and Percy make me feel insane
Percy and Albus, two brillant, ambitious and arrogant young men, who felt trapped, who thought they were destined for more than the condition their family had condemned them to, who were desperate to leave their home and get their chance to shine despite their father's awful reputation, even by supporting corrupt ideals. Read what Dumbledore tells Harry at the end of HP7, and tell me it couldn't have come out straight of Percy's mouth:
"I resented it, Harry. I was gifted, I was brilliant. I wanted to escape. I wanted to shine. I wanted glory [...] So that, when my mother died, and I was left the responsibility of a damaged sister and a wayward brother, I returned to my village in anger and bitterness. Trapped and wasted, I thought!"
"[Percy] said he’s been having to struggle against Dad’s lousy reputation ever since he joined the Ministry and that Dad’s got no ambition and that’s why we’ve always been — you know — not had a lot of money"
Mind you, there's a bit of Sirius in it too, Sirius who also left. We learn about Percy and Sirius at around the same time (the beginning of Ootp, chapters 4 and 6) and I don't think it's a coincidence (edit: forgot to mention it but there's even a chapter named "Percy and Padfoot" in that book). Here's what Ron says:
"And if Mum and Dad were going to become traitors to the Ministry [Percy] was going to make sure everyone knew he didn’t belong to our family anymore. And he packed his bags the same night and left."
" 'You ran away from home?' 'When I was about sixteen,' said Sirius. 'I’d had enough.' "
"As far as I’m concerned, they’re not my family. She’s certainly not my family. [...] D’you think I’m proud of having relatives like her?”
Fred and George were angry at their older brother for putting his ambitions above his family and morals (I'm Percy's #1 fan and defender btw), and Aberforth was furious with Albus for the same reason. Again, this reads like something that Ron could've said about Percy, the pompous little snob (i love him):
Sirius and Percy are also not present on the family pictures:
"A photograph of the Weasley family stood beside the in-tray. Harry noticed that Percy appeared to have walked out of it."
" “I used to be there,” said Sirius, pointing at a small, round, charred hole in the tapestry, rather like a cigarette burn."
"Not Albus, he was always up in his bedroom when he was home, reading his books and counting his prizes, keeping up with his correspondence with ‘the most notable magical names of the day’ "
It's just that Percy and Albus betrayed their family by supporting wrong causes and Sirius betrayed his family by supporting the right one. but Regulus' support was an act of loyalty to his family. Aberforth and Kreacher tell Harry about Albus and Regulus' former goals:
"Didn’t I understand, my poor sister wouldn’t have to be hidden once they’d changed the world, and led the wizards out of hiding, and taught the Muggles their place?"
"For years [Master Regulus] talked of the Dark Lord, who was going to bring the wizards out of hiding to rule the Muggles and the Muggle-borns...."
I know I've been comparing Albus to Sirius, both of them being the oldest brother, but really Albus' ideological progression and death most resemble Regulus'. (both Black brothers share traits with both Dumbledores really). though of course, Harry didn't let Ron and Hermione make excuses for Dumbledore just because he was young:
" 'it’s an awful thought that Dumbledore’s ideas helped Grindelwald rise to power. But on the other hand, even Rita can’t pretend that they knew each other for more than a few months one summer when they were both really young, and— '
'I thought you’d say that,' said Harry."
" 'Dumbledore being pals with Grindelwald, but now it’s just something to laugh about for people who didn’t like Dumbledore, and a bit of a slap in the face for everyone who though he was such a good bloke. I don’t know that it’s such a big deal, though. He was really young when they— '
'Our age,' said Harry"
" 'He was a Death Eater,' said Harry. 'Sirius told me about him, he joined up when he was really young and then got cold feet and tried to leave' "
(i would like it on record that the exact expression "really young" is found thrice in HP7, two of them being about Albus, the last one about Regulus. i'm so incredibly normal about this)
"and when he was sixteen years old, Master Regulus joined the Dark Lord"
"[Dumbledore] changed, Harry, he changed! It’s as simple as that! Maybe he did believe those things when he was seventeen"
"I know what you’re going to say, she went on as Harry began to protest, that Regulus changed his mind . . ."
Albus and Regulus were two misguided brothers who both drank the drink of despair in the Inferi cave before dying, the only two wizards to have done so. Not only that, both of them had actually planned their own death; though it was a secret only known by the one who had assisted them (the chapters revealing the truth about Regulus and Albus are literally called "Kreacher's tale" and "the Prince's tale", like they're referencing each other, I'm in my incredibly delusional era right now). They started something (the same thing, in fact) they could not see through to the end, and "faced death in the hope" someone else would finish it:
"We want to finish the work Master Regulus started, we want to—er—ensure that he didn’t die in vain"
"he left me a job [...] Your brother knew how to finish You-Know-Who and he passed the knowledge on to me"
Both Sirius and Aberforth hated their brother's choices, but actually (as Harry told Aberforth) neither of them fully understood their brother's last moments. and because they didn't have that knowledge, neither of them ever gained a complete understanding of their brother:
"And Albus was free, wasn’t he? Free of the burden of his sister, free to become the greatest wizard of the— '
'He was never free,' said Harry."
"From what I found out after he died, he got in so far, then panicked about what he was being asked to do and tried to back out."
"And he drank— all the potion— and Kreacher swapped the lockets"
"The night that your brother died, he drank a potion that drove him out of his mind."
"He thought he was watching Grindelwald hurting you and Ariana... It was torture to him, if you’d seen him then, you wouldn’t say he was free."
"Kreacher and Regulus’s family were all safest if they kept to the old pure-blood line. Regulus was trying to protect them all."
You know who ELSE "was never free" though??
I ask, but you already know.
" 'I don’t like being back here,” [Sirius] said, staring across the drawing room. 'I never thought I’d be stuck in this house again.' "
"I returned to my village in anger and bitterness. Trapped and wasted, I thought!"
Albus was never free. Sirius was never free either.
But wait! there's more!
"But Harry, his mother had just died, he was stuck alone in the house— '
'Alone? He wasn’t alone! He had his brother and sister for company, his Squib sister he was keeping locked up— ' "
Of course, knowing this about Albus Dumbledore, this scene at the end of OotP might hit a bit different:
“ 'I was trying to keep Sirius alive,' said Dumbledore quietly.
'People don’t like being locked up!' Harry said furiously, rounding on him. 'You did it to me all last summer —'
Dumbledore closed his eyes and buried his face in his long-fingered hands. "
Now do I think there's a link between Albus&Sirius being stuck in the house and Dumbledore keeping his sister locked up to protect her life and keeping Sirius locked up to protect his life... maybe it wasn't intentional, or maybe it was; either way, it's very juicy to think about, and Dumbledore's reaction after what Harry says? if there's even the slightest possibility he might have been thinking about Ariana...I'm EATING this up.
Let us not forget about Percy Weasley though. In the end, both Percy and Albus came to their senses, though not without losing a younger sibling, Fred and Ariana. Is it possible that Albus saw a bit of himself in Percy at the time? Maybe, maybe not, but he did try to comfort Molly about Percy:
" 'Dumbledore says people find it far easier to forgive others for being wrong than being right,' said Hermione. 'I heard him telling your mum, Ron.' "
"Reality returned in the form of my rough, unlettered, and infinitely more admirable brother. I did not want to hear the truths he shouted at me."
So yeah, they made wrong choices, but again, that doesn't mean they can't change:
" 'I was an idiot, I was a pompous prat, I was a— a— '
'Ministry-loving, family-disowning, power-hungry moron, said Fred. "
"Stupid idiot . . . he joined the Death Eaters."
" 'Don’t worry about Percy,' said Sirius abruptly. 'He’ll come round.' "
Remember the previous comparison between Albus and Percy, about both of them being the stuck-up pretentious brother?
"It was a porapous little sign, neatly lettered by hand - the sort of thing that Percy Weasley might have stuck on his bedroom door: Do Not Enter Without the Express Permission of Regulus Arcturus Black"
I think about this description a normal amount, the exact amount of thought warranted for such a short, inconsequential description, in fact
Another thing Deathly Hallows did was challenging our perception of Sirius and Albus (granted, mostly Albus) by developing a younger brother who, against all odds, might have been more admirable than them in certain aspects. when Regulus and Aberforth are first mentioned, one is a cowardly Death Eater and the other is implied to be a goat-fucker. alright. and yet, if you only read the last book, you end up having a more positive impression of Aberforth and Regulus than of their older brothers, to the point where Albus and Sirius even get compared to Voldemort. Interestingly, I feel like Albus makes an indirect reference to Kreacher here:
"That which Voldemort does not value, he takes no trouble to comprehend. Of house-elves and children’s tales, of love, loyalty, and innocence, Voldemort knows and understands nothing."
of course Regulus was not brought up in his last conversation with Harry, but there really isn't anyone else this comment could refer to, and it does echo "Kreacher's tale" nicely:
"Of course, Voldemort would have considered the ways of house-elves far beneath his notice . . . It would never have occurred to him that they might have magic that he didn’t."
"I’ve said all along that wizards would pay for how they treat house-elves. Well, Voldemort did . . . and so did Sirius."
"Sirius was horrible to Kreacher, Harry, and it’s no good looking like that, you know it’s true"
"He’s loyal to people who are kind to him, and Mrs. Black must have been, and Regulus certainly was"
"my rough, unlettered, and infinitely more admirable brother"
"Was I better, ultimately, than Voldemort?"
"Master Regulus always liked Kreacher."
"The barman face was impassive. After a few moments he said,
'I’m sorry to hear it, I liked that elf.' "
Sirius and Albus really wanted to distance themselves from the reminders of their home, and as a result, they weren't always decent people. Of course I don't believe for a second Sirius and Albus were actually as bad as Riddle. they both did fucked up things, so did Regulus who joined the Death Eaters and Aberforth who suggested using Slytherin students as hostages (tf), so I'm not saying one amongst these four is obviously better than the others, but. this reversal is still really interesting.
The fact that Aberforth was helping Harry through Sirius' mirror. The fact that one of Albus' names is Percival. Hell, let's reach even further, Albus meaning "white" and Sirius&Regulus' last name being "black".
Like I'm sorry, but to me this is cinema.
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