#also the art style looks so appealing

[persepor]

Enlisting the help of Jojos Bizzare Adventure fans.

I want to start watching/reading Jojo but idk where to start, are some parts better than others? Are there specific ones I should start with?

I'm a big fan of shonen if you couldn't tell by the fact my current layout is Dragonball related, I've always wanted to start watching/reading Jojo but I don't know where to start or how to approach it.

[canisalbus]

I’d invite machete and vasco to my animal crossing village

They're a package deal, you have to take them both.

[wisteriasymphony]

would you guys call me crazy if i said archetype wise that marinette's status as a Plucky Girl-Next-Door takes priority over her status as an Aspirational Everywoman. cause i have thoughts about this

[dblsoul]

i tried tweaking the design of proto soul's helmet ... hmm 🤔

[bishonenspit]

im excited that rov is getting a new anime movie but everything is so severely backlit with the modern anime Background Void Glow that the charm of ikeda's artstyle is like. drowning in it almost

[xamaxenta]

Tragic how ive forgotten how to draw him already

[gifti3]

whenever i get through a vn i feel so out of it

[enchantrum]

unrelated to anything but I can't stand the art style of One Piece and I don't understand how anyone can look at it without being vaguely grossed out. everything and everyone looks so ugly and it weirdly messes with my synesthesia in a way where I feel like the whole cast just smells of dirty old feet gdsfj;oigdhsfj;oigrsfdj;io

[moinsbienquekaworu]

Entranced by a new man once again

[monsterbroth]

i woke up early today and am way too energised my brain is like spilling in circles but I still have not the right energy to be coherent or focus on actually doing anything with it

[shame-kink]

jimmy and the pulsating mass NEVER appears in those fucking rpgmaker motheresque game circlejerk posts and i’m SICK OF IT.

[murphysiblings]

im gonna reread crime & punishment except this time with the oliver ready translation

[sharpmolars]

i js finished mob psycho s1......shigeo is soooo me.......and the art is soo pretty oml

[parisoonic]

How the hell do you manage to superimpose the hilariously exagerated proportions of the tf2 mercs into a cohesive 2d style? I always struggle SO much with like, the way the mercs' models have huge hands, the way they have relatively low-poly definition on things like arms, shoulders, and legs... and Especially the way like, the models are kinda janky when you pose them for art purposes- when using movement tools, things like armpits and seams between body parts get all deformed... Which makes the study of form and silhouette rather difficult.

I assume that a lot of your ability to translate the concept of the mercs from their original mediums into your own works of art comes to you quite naturally- through experience you have with drawing and art style stuff, as well as through intuition. I was simply wondering if I could poke at your mind and get some insight into your process, any thoughts you have about the proportions and silhouettes of the mercs, any quirks you've found while drawing the mercs, or simply what you enjoy drawing about them. Like, don't be afraid to infodump about something just because you think people wouldn't find it interesting- I am here, I am sitting, and I am listening- if you so choose to speak.

I am utterly fascinated and enraptured by the more behind-the-scenes aspect of art. The mundane things that come second nature to great artists yet seem so revolutionary to less experienced artists.

I love your work, I look forward to seeing more of it, and I hope you have a nice day :]

Sorry for the late reply! I've been a little…stuck on how to answer this but that's mainly because to me, drawing is composed of SO many different little skills - you have form, anatomy, shape language, silhouette, appeal, rhythm, acting and posing…not to mention everything AFTER your raw draughtmanship like line style, rendering and colour theory. Trying to distill a multiude of small skills into some pithy advice is overwhelming to my brain. So I'll take the invitation to ramble instead :))

I don't think I have any new or revolutionary insight into the tf2 guys specifically - more I'm using them as work horses to excercise general silhouette/posing/shape-language and further my skills when it comes to drawing characters!

I do agree though the proportions are rather silly when you stop and think about them realistically…they can be kinda tricky if you follow their 'actual' proportions. what looks great individually was maybe never meant to be directly compared (ie: Heavy's hand size against Spy's lol). It would've been funny if the TV show exsisted and we had more content to review…would the animators have had rules like Spy and Heavy can never shake hands? Would they cheated the proportions for shots? Or would they have said WHATVER it's gonna look weird and embraced it? (Like Kingpin in Spiderverse lol)

Paul Lasaine for 'Into the Spiderverse' This is AWESOME. But it's also one of the silliest designs I've ever seen comitted to screen. The varied scales of the characters work because of the unifying treatment (lighting, rendering, consistant hand anatomy, consistant clothing fold treatment etc) and because they are sort of proportional within themselves. A common mantra is that hands should be about as large as a characters face....which they all are here!

Human brains are very flexible and forgiving though. It's totally fine for you to put a character with huge hands and head next to a teeny tiny character! Vanellope and Ralph from Wreck-It Ralph look grand next to each other! And in that film you even have varying levels of stylisation sitting against each other (unified by the look dev treatment of the shaders and lighting). I think as long as the chracter is proportional within themselves it sort of works out. IE: a general rule is that a hand should be as large as the face so…you can have some large arse hands as long as their placed on a body with a big arse head. Unifying characters with the same treatment (ie: lineart brush, colouring style will also help them look cohesive next to each other :) )

I don't actually reference the 3D models/animations very much at all and instead draw their proportions based on my tastes for stylisation following their general vibes/silhouette profiles. I don't stick THAT close to their in-game looks and there are artists who do that are so so so much better than me (Creedei and Flapjack come to mind). I'm not amazing at body-type differentation and TBH they're all wearing chunky clothes all the time so I usually draw the guys as one-of-three body shapes: Heavy is the uniquely wide guy; Sniper/Scout/Spy are all tall and slim and Demo/Soldier/Medic/Engie have a little more of the generic 'hero' bodytype with varying tallness and broadness of the shoulders

Something like this! You can vary all these individual elements in terms of size, thickness, taper amount etc to create different characters. If you ARE going to reference the 3d works though you'll need to apply some anatomy knowledge to overcome the weird shoulders, armpits and knees which desperately need blendshapes to correct the 3D volumes and approach it a little more like an animation supervisor. There's a reason why you see in making-ofs and art-ofs character designers, character leads or animation supes doing drawovers of the models. These are character models that have had great effort put into their 'base' silhouette but it still needs to be reinforced in every frame for maximum appeal.

Shiyoon Kim for 'Raya' This sort of thing will occur at multiple stages during the animation process. Shiyoon Kim's notes are post final model but pre-animation. Most likely for internal rig tests, exploring what blend shapes and alt shapes are needed for the rigs etc. If your production has time, this will continue all the way to final anim. IF! But it's interesting to see how he emphasises the shapes and enhances the character acting of the 3d model.

As for 'mundane things' - I wouldn't say they're second nature! (If that makes you feel better!) I have to actively really persue certain advice and try to figure out how to best apply it. This can sometimes involve redrawing and redrawing an element of the drawing until I've grasped the nettle of whatever I'm after or…..until I get frustrated and either delete the drawing or just call it done lol

Here, I'm looking for a really specific flow of the head that sells both the acting and a subtle head tilt. I'm also trying to apply the general mantra regarding faces that converging lines (set by the eyebrows and mouth) are more appealing than parallel. It's tough! I also tend to use a drawing I've already done as a template/reference on the page too. Oh! This page is an amazing example of why I'm not an animator or storyboarder…consistancy? Who is she? 💅

Converging lines (that form tapered shapes) are always more appealing than parallel. Using this logic you can loft the facial features across converging lines to create dynamic appealing espressions. Combining this with anatomy, perspective and rotation is the tough part though. I'm still learning o7

The things I probably think about MOST are always flats vs curves, simple vs complex and general line of action/flow...and then eliminting tangents. Each of these can be a dedicated visual-essay on their own - hence my stumbling as to answer your question. Anyhow, not sure if it's ever come up on this blog but I looove dinosaurs :)) so i'm using a wee piece to demostrate these ideas! (but also to demostrate these concepts apply to everything from humans characters to animals, props and background design)

Okay, I'm getting self-aware that this is getting really long :') I have a wee tutorial tag for my blog if anyone wants to comb through my garbled art-thoughts. Learning, studying, repetition and practice will always be the greatest teachers! I'm glad you like my art- thank you so much for the lovely comments - I feel like such a noob still and not qualified to give people advice but we're in it together learning! High-five! 🙌

[yamujiburo]

The art style for the pokemon anime and manga has shifted and changed quite a lot over the years. Is there a specific series or era style that you particularly prefer or that you think your art style is inspired/affected by when drawing the characters?

Ugh amazing question I have 3 answers (for the anime since im an anipoke girlie)

I'm a big fan of the OS anime style. The colors, the sharper style and the grainy look. I also really love the proportions from that era. Everything just felt so solid and blocky in a nice way. I also really love the expressions. There was a lot more subtlety at that time and it was really effective.

Next one and maybe the bigger influence on my own style is the SM anime. I LOVED the design change. Incredibly simple, bouncy, round fun to draw, less tied down, etc. It's just so fun! I feel like my default style has always been a bit of a mix of anime and modern western cartoons and this is the pokemon series is the closest to that vibe. Also those EXPRESSIONS. I have so many random screenshots saved from this series just because of how bonkers the expressions would get.

My #1 influence without doubt is not a specific series style or era but rather a specific artist! His name is Akihiro Tamagawa and he was one of the animation directors on pokemon from OS to I beliiiiive XY? He also did a lot of the movies! Everything about his style is just so appealing to me. The proportions, the posing, the composition, the expressions, EVERYTHING. I've definitely taken inspiration from how he draws eyes and mouths. I draw a lot of low mouths and big smiles because of this guy. I feel like once you see it you won't be able to unsee it in my work hahaha. I made a post about it before!

And here's a guide of all the episodes he directed on!

[1000sunnygo]

Law's artist side isn't talked about enough, so here's a smooth brain ramble.

He prefers abstract arts over realism. Unlike Kid who forms animal or skull figures with metals, Law creates strange 'sculptures' with his victim's bodies/belongings:

And, of course, the tattoos.

I like how all of his tattoos accentuate the shapes of his torso and arms, especially the joints and muscles. Combined they look like a single stylized drawing of human upper torso.

Seen theories that the tribal style could be a lost trend from Flevance (as seen on the arm of a miner in his flashback), but it could just be his personal style. That said, his upper arm's heart tattoos look similar.

(Something that artists probably noticed long ago but I'm only noticing recently: Law's upper arm's tattoos have been simplified over time. There used to be two spiral-like protrusions, but Oda has been omitting them in later arts)

The "DEATH" tattoos have a straightforward message. According to the Law novel, these were his first tattoos.

Speaking of death, ghosts and spirituality have been implicitly a theme for Law, especially during Dressrosa. Doflamingo referred to Law as Cora's 'vengeful ghost'. Law's (cursed) sword Kikoku's name means 'wailings of a restless ghost". Ironically, Law having a hidden name was also a tradition that related to dead people.

The orange jolly roger (red in the sail) could be many things, I think it's a stylized way of drawing the sun.

Sun symbols are everywhere in the One Piece world. Law's lower arm tattoos are different types of 'suns'. Law might've subconsciously carried those symbols from his hometown for their aesthetic appeal.

The tattoos on the back of his hands reminded me of the church lady's cross, which is slightly different from the cross seen at Kuma's church. It's possible that various faiths in One Piece world are interconnected, leading to a prophecy about the sun god and Dawn. Law, at the very least, believes in the will of D and his own fate being tied to a purpose.

The chest tattoo, clearly a tribute to Corazon, could have some elements of catholicism. Kikoku also has crosses all over its sheath. Originally this wasn't my observation, but Law seeing Cora as a sacred being makes a lot of sense.

Carving a heart at the dead center of his chest by creating small wounds - the process itself reminds of Cora doesn't it

The custom-made Dressrosa coat is another tribute to Corazon, but IMHO he designed it specifically for Doflamingo, as a mockery.

A cross and circle like dangling a pistol target for Doflamingo's shooting practice, with a grinning face copied from Doflamingo's own jolly roger, but it's Corazon. Like his brother has returned to face his pistol again. A vengeful ghost indeed

And boy did it work...

Doflamingo shot it until the mark was completely drenched and unrecognizable.

Assuming he draws for all of his clothes himself, here's this masterpiece:

Or maybe it's gifted by his crew mates. Either way, it's adorable.

Since he's a surgeon (and a comic nerd), he should be skilled at drawing human anatomy. How does he draw realistic arts? Does he doodle while taking notes?

We've seen his handwriting in punk hazard arc and it wasn't particularly stylized. Regardless, it'd be nice to take a proper peek at his notebook.