#also the “I KNOW WHAT YOU ARE” scene is cinema

[rutlancecf]

The Batpoors: Bruce, Alfred and the Boys. Introduction.

"In a world darkened by corruption, crime and villains with postgraduate degrees, a figure who watches from the shadows is in charge of bringing them to justice and marking terror in their lives...

-Master Bruce, I think you should get rid of this cape, last time the police mistook you for a beggar."

Several decades ago, the Wayne family had prestige, a fortune built on excellent real estate management; Thomas Wayne was a respected doctor and his wife was a lady of society. They were returning from the cinema with their son Bruce when fate played their cards against them and, not having a will ready to protect the little boy, some relatives and partners took advantage of the situation to fill their pockets and leave the boy and his butler on the street.

With this change of circumstances, Alfred Pennyworth did his part to protect Bruce, helping him with his studies and teaching him to defend himself, to respect life and appreciate art, among other things. But he could not get the little boy to forget the pain for the loss of his parents and the injustice, not only the one that was committed against him, but the one that affected hundreds, if not thousands of people. Someone had to do something.

And there they were, in a small food local store during the day and in the evening, pretending to be ordinary people that nobody would think that at night, without exception, they were the vigilantes who were in charge of facing crime and saving the poor citizens of Gotham City, even if they didn't want to.

-Good afternoon! -Depending on the hour rather, it was common for anyone who entered the door of the small restaurant to be received with a very cheerful tone and a big smile from the oldest of the young people who were under the care of Bruce Wayne. And that his name was Richard John "Dick" Grayson. -How can I help you?

And what many people couldn't imagine was that this young adult with black hair, blue eyes, naturally flirtatious and with a pleasant appearance, was Nightwing himself who served them in person. But what they didn't know wasn't going to hurt them, right? Mainly if some other criminal or goons stayed to see in the restaurant to plan the robbery, coup or crime that they would carry out in hours or days. It was not for nothing that there were microphones hidden under the tables or chairs.

Timothy Jackson Drake, or Tim as the others called him, was a boy with blue eyes and black hair, who if you saw him for the first time or the umpteenth time, you would think that the boy had not been fed well in his entire life, that he required special ... care and cut his daily supply of coffee at least in half, which he wouldn't even do it if his life depended on it. A lot of people liked him because he knew how to get along with others, except for a couple of acquaintances of course. The boy came into the life of Bruce and company thanks to a flyer from the restaurant, which he found lying in several of the scenes where there were sightings of the bat and Robin, discovering their identities by going to the food place one afternoon and confirming it with his own eyes. Bruce agreed to integrate him into both his life and his night job to prevent him from going public with his discovery while serving him a strawberry shortcake and a chocolate milkshake.

Jason Peter Todd was the second of the boys to take refuge under the bat's wings. His short, sometimes on-and-off criminal career worried Bruce so much that he decided to turn him into Robin, thinking it would help set him on the right track. Which was not fully achieved after he was left in a coma from a beating, trying to do things on his own, being prohibited from acting on his own. His personality changed a lot after waking up in the hospital, and realizing that Bruce had not only integrated Drake as the new Robin, but he also turned down the opportunity to get his hands on the boy's fortune, just because he said his money wasn't something he had to handle.

- What a fool. -Thought Todd as he cleaned the floor that he had dirty without letting go of the soda that hadn't finished yet. -Uh?

Damian Thomas Wayne Al Ghul's presence came as a surprise not only to Bruce, but to everyone who knew him. No one could explain it, least of all him, as the 10 years old boy appeared in the restaurant kitchen from one day to the next saying, and confirmed by his mother, that he did not expect his father to not be as tall as he thought, as well as learn about their socio-economic level. Luckily, Alfred made it out of his sleeve that the child's conception possibly occurred during a "vacation" Bruce took a while back.

Talia Al Ghul almost had a fainting fit when she saw that her Beloved was not what she thought he was. Although almost immediately after, to the date, she proposed to him to give him an infinity of riches that no other man could dream of in exchange for him marrying her. Jason to this day still thinks that Bruce should accept, or at least be his "Sugar Baby"

Seriously, Jason.

But back to Damian, the boy with brown skin, black hair and green eyes had a couple of ... difficult days to adjust to what would be his new ... life. Actually, he's still struggling a bit to transition from a life as the heir to the League of Assassins to ... a life as the son of the Night's Vigilant, who sometimes has nowhere to drop dead. At least from day one, he secured his place as the King of the Playground of the public school he currently attends.

https://archiveofourown.org/works/45874048/chapters/115904713

[midnight1nk]

i think about this every day

he's just a silly guy :)

[braceletofteeth]

Get out! Get out of here!

[mainfaggot]

just watched challengers at the cinema w my little sister. it was so intense wtf

[unproduciblesmackdown]

would have too much to say that inevitably repeatedly breaking things up into tweets wouldn't be a pain but already going back like, lets check out andor episode one again in full true connoisseur mode and i'm not pressed if i make it into a proper in order rewatch, also when the bonus for me is that i'm always more likely to better keep track of names or faces or pick up on something that was supposed to be like a straightforward plot moment or whatever else, right, though i didn't have any especial problem with that. anyways i'm just already like oh this entire first sequence fucks, and i didn't really go into this that skeptically but do remember like yeah first time around it was like with this intro premise alone like ah i see this fucks then

like first of all an initial shot choice that is stylish, which tells us that there will be stylishness. fun that the couple evil [police procedural] characters are great at being pathetic zero charisma soaking creepy & wet disgusting in their own special ways, but cassian is getting rained on all the time he's cutting the plumbing line he swam here soaking wet literal treatment

things feeling figuratively and literally grounded (walking, only seeing that walkway, streetview, no soaring establishing shot to show This Isn't Your Ordinary City (scifi edition)) like, also still clear enough it's scifi but really with the Magical Realism type of approach, which i do imagine i enjoy more

the scoring is so good. BANGER of a track used when walking into the bar, also used later when dropped into the introduction of his beach getaway new life scene, brief as it is. the sexy edm style track, and it Is also like "well i mean. sure then" getting so far into this scene before it's evident like oh you're not actually here to have sex. pretty flirtatious w/this proprieter but it's like, maybe discreetly acting natural, maybe just acting naturally for real and it's just like that, we've all been there re Blend In, Follow Their Lead as a rule for operating anywhere ever, presumably relevant here, the Everyone's Wary nature of the whole series....tbt talking about jyn like yeah idk maybe her brand of wariness that's not charismaticly intense enough nor closed offedly intense enough is like, itself confusing or whatever but absolute "what's not to get or like" sense from me, and naturally cassian cropping up like it's your wary kindred spirit

anyways then having fun in there. looking at the required sexy hologram dancer like hmm they're a little space androgynous. a little space gnc af. the guys who are just immediately pissed off b/c the supposed new customer is getting preference. the delay after the proprieter lady is like Behave to them and cassian looks at her, then them. his immediate brooking no nonsense w/the two as soon as they're all hostile mode at him about all of it, at least in terms of like, not playing it utterly neutral. the It's Political times of him asking about a woman from kenari, proprieter lady going for both a) how about this other planet of origin and [names an inferred similar feature] as well as this kind of establishes already that [from kenari] can be space racially profiled, since cassian doesn't have to explicitly confirm that's where he's from too, and her inferring this is a Preference that can be catered to around physical features, and certainly once cassian's Wanted about this, the urgency around maarva & co asking who they've ever told that cassian's from kenari is sure like ah, space borders, space immigration, space [indeed the racial profiling when the soaking is he creepy or wet pathetic heinous cop pulls up an Image], the repeated like space colonialism and space indigeneity and space resource extraction that gets to come up more with [i've been in this fight since i was six years old] flashbacks....it's great like, the magical realism aspect where it's like [yeah Real Life but slight au] feeling immediately relevantly recognizable and as viscerally dramatic as you'd want, like, everyone's daily lives involving this inherent lack of safety that can turn into the stress of imminent danger on a dime. also the eventual b) asking if he's a Boyfriend or Husband like, space gender, magical realism style where it's like of course the space misogyny power disparity they'd be on the lookout for, might be vulnerable to a partner who is a space man. oh and then also the shift when he says it's his sister he's looking for, from more guarded to sympathetic when it's like, the context then isn't the woman's vulnerability being heightened if this is someone here out of like, a possessive angle, and rather that he's now not only presumably sympathetic to her as well, but potentially some of that vulnerability being extrapolated to him as well. which is not inaccurate

obsessed w/the Long Shot where cassian's getting held up by the two company sentry guys and it's him close up center frame slightly from above and just tearing it up acting while we only hear the other two for a good while until they wander in out of focus, that at first we also can't see and thus can't immediately Know they're talking to him....as well as again establishing like, yeah this is a prequel where we know our protagonist won't die no matter how [people are definitely dying] the situations are, yeah we know he's cool action guy even, but he's not operating in a story here where it's all about his protracted solo epic action sequences, he wants to avoid those, other people want to avoid those, everyone's better off operating more stealth mode if they can help it, but also that it doesn't matter to him that We know he's not gonna die, he doesn't know it, and Everyone knowing those stakes and reacting to the stress rather than being like stoic too epic to be at all fazed badasses. d luna crushing it, everyone's great but yeah sure acting as hell huh

also this time around i was just so much more noticeably affected by like oh i feel bad for this guy who's realizing his buddy who also sucks is dead and now that he's in over his head majorly life and death....everyone acting in every part is just going ham like bevy of these varied performances in varied roles and nobody dropping the ball in the least. while it's obvious too that like, feels bad for the panicky source in rogue one intro as well but cassian can't give much away then b/c he's not the protagonist and it's all very mysterious at this point. and that in addition to upping the surprise, it's presumably nonzero meant to be a kindness from him to take the time to comfort the guy before then blowing him away. whereas here the guy sees it coming and like, really brought this upon yourselves and you made this potentially life or death for cassian from the start, as he was aware, but this time it's like yeah cassian wasn't expecting that to turn into [bad luck, that headbutt killed you. and/or also the fall] and is Not so mysterious to us so can be clearly surprised and less than thrilled about things as well....but feels apropos that also w/ this intro of these two rando sentry guys from the bar who the proprietor was like yeah they're not really cops but they annoyingly like to act like it, it can be a bit more genuinely pathetic vs the Pathetic(tm) quality of the like imperial space feds characters. like oh i do feel bad for this guy and all the time he has here to plead for his life :( but doesn't feel like it's meant to be some [dun dunnn?] moment re cassian b/c it's like, tells us the stakes, tells us he's not fucking around and Will shoot someone but we've also been told he's not like here to be, or feel, badass invincible, is not unaffected by fear of death nor of having killed someone / death in general, but also Will be blowing you away if need be, also speaking to like, he's run calculations before abt like, whaddaya gonna do, what are the risks and which are you willing to take, and obviously has fought before and if he's ever killed someone before it wouldn't be surprising, some like "my god i've never done that before / now i'm out for blood, never look back" factor does not seem to be relevant. but fr was fun to be surprised by like oh i feel bad for this guy this time around lol noticeably much more than affected me the first time around. true [oops in over your head] vibes but which also then speak to like, yeah probably would've stopped pretending to be cops, just feels like yeah he's more distant from [uh oh, attention from Empire cops now] figures so it's like, ah, you bring it upon yourself but. i'm not quite sure what got me this time around lol, again i guess just more ability to focus on details and thee moment b/c i'm not like, needing to intently devote my attention to potentially following names and faces and plotlines b/c it's the opening scene here and don't get lost before things even happen. maybe it's having subtitles on where i'm all the more sure of the dialogue and him talking about "we'll go in together" has me like "there but for your fucking around, no need for this, i remember the vaguely friendly acknowledgment before your egos were bruised and you got hostile about it and escalated it to This" maybe it's even him offering a story and phrasing it like "we played too hard in hitting" when i have this like, vulnerable association lol like if anyone's upset / distressed enough And there's the immediate proximity / presence of something meant to be like, purely fun, where even talking about Playing may be enough to be like oh no lol, even when that's not really what happened. again, the acting from everyone, maybe it's just focusing all the more on that, wherein truly epic seeming distressed and miserable, maybe it also helps that we also get shots of more diego luna acting which is also to the effect of: pretty distressed and miserable, soaking wet. i dunno but i'm like hell yeah being all the more caught up in whatever.

also that this was like, oh a seeming potential thread establishment? and of course "whoops killed two guys" is indeed an established thread, the [looking for his sister] remaining latent as the setup to that inciting event and otherwise like, just something he does, characterization and [backstory thread] relevant, but only that. and yet, the way that opening scenes are generally meant to do, this whole sequence conveying plenty about how things are going to be, establishing overall contexts, thee vibe, that the soundtrack fucks, that nobody's messing around here in the least like. just as these first minutes didn't have to go so hard, so neither will the rest of the series have had to. i also didn't have to say all this or post at all but i get hype and when i have anything to say i really do. no concision. oh shit and we end with like the directional reverse of the first opening stylish shot but w/cassian in frame as well yeahh boyyee

[vampirian]

there's a lot of homoerotic scenes that should be put in a museum for most legendary cinematic scenes of all time

but that scene between daniel craig as james bond and javier bardem as silva in skyfall is easily in the top 3

like i don't think james bond as a franchise should be recommended for everyone to have watched in their lifetime but at least that scene is a must-watch

the acting, the lines, the delivery....divine

[ophelialoveshandsomemen]

Say what you will about Van Helsing 2004; hate it, love it, be indifferent, But the All-Hallow's masquerade ball went sooooo hard and it had zero right to do so! It's a fun, campy, monster mash movie with wonderfully dated ( and expensive) cgi and non-stop action meant to be a popcorn flick one takes out to watch around spooky season. And it has this* chef's kiss* GORGEOUS 6 minute sequence plopped arbitrarily in the second act, which unexpectedly surpasses nearly every other ball in the last 30+ years of film( notable exception being the Cinderella 2015 ball) for literally no reason other than to be dramatic af.

Like feast your eyes on this Gothic masterpiece!!! Who doesn't want to immediately live in this picture?!??

They used those candles with oil in them so that they would have real candles, real string orchestra( I believe), probably around 100 real life extras( something which is tragically absent in modern film), said extras are all in beautiful fully decked-out costumes( which are in luxuriously dark colours, but nearly no fully black, another thing you cannot say for much modern cinema), REAL CIRQUE DU SOLEIL PERFORMERS for all the acrobatics!!!! Hell, instead of filming in a sound stage, where they could control the reverb and the acoustics and the size of the set and the bloody lighting ( they apparently had a heck of a time emulating the firelight for this sequence) and the temperature( it's very cold in stone churches!) better, they filmed in a Baroque church in Prague! As I said, peak dramatic splendour, jfc...

Think about that a second...They filmed a vampire masquerade in a Baroque Catholic Church( St. Nicholas' in Lesser Town, if you were curious) with amazing over-the-top acoustics and marble statues and real, tiled floors and marble pillars and a choir loft which they very much utilized, covered the pipe organ and the altar with a grand brocade curtain so it wouldn't be so obviously a, you know, a church! And there's a gold gilt elevated and canopied pulpit into which they put two vampire kiddies for, again, the sake of being dramatic.

And the costumes! They remind me of the 25th anniversary Phantom of the Opera Masquerade costumes. Same quality, like they're old, well-cared-for costumes pulled out of a warehouse, instead of fast industry churn-outs. With lots of trim and colour and masks and lace and feathers and..just...ugh.. they are all perfect! Just look at all the head pieces on the ladies and the hats on all the gentleman ( save Dracula of course) and the powdered wigs on the musicians. ANNNNDD! The dresses are historically correct!!!!!! It's the 80's bustle era! Nobody does the 80's bustle era in film anymore and it's a bummer. Oh and one other thing! Anna's ( and other women's) hair, at least here in the ball, is also historically accurate because it's all pinned up! None of those fucken modern beachwaves at a ball! Everybody's got updo's!

Gah, I swear, Dracula in his gold cloak really does things to me in this scene!

By the way, the acrobatics are bonkers in here for just background stuff!! Especially the random guys on unicycles and the dude playing the violin whilst standing on a ball...Like....WHAT?

Anyways, all this to say, that this masquerade ball feels sooo real and tangible and because of that it blows every other film out of the water, and no, I will not change my mind!!!!!

Here's a few more gifs, bcuz, why the hell not, this scene is sexy as fuu*ck?

Alright I need to go to bed now.

[astridellejo]

Kitab - Robot Girl

So where does the desire to become a robot girl come from? Well...

Transcription below the fold:

1. I'm in my Baroness stealth armor (I don't really have Baroness stealth armor, but anything is possible in comics.) and addressing the reader. Me: What kind of weirdo would want to become a robot? Me: Um … me.

2. Artistic rendering of a scene from Superman III when Vera gets assimilated by the supercomputer. Me: The television debut of Superman III happened in the spring of 1986, and there was that scene toward the end… Me: You know the one.

3. Little kid me sits in front of the television and takes in the robot girl visions. Me: I was 11 years old and awash in the hormones of puberty. Young Me: Okay, that's … scary. But also weirdly kinda hot.

4. Little kid me sits in the theater, MST3K silhouette style, looking up at Arcee on the silver screen. Me: Later that summer, Transformers: the Movie hit theaters, and I was introduced to Autobot girl Arcee. Young Me (excited): Girl Transformer!

5. Assimilated Seven of Nine in her Borg alcove, illuminated by the green zappy behind her. Me: Then there was the Borg and their heavy rubber kinky cybernetics. Specifically Seven of Nine.

6. The glossy white Björk-bot from her video for "All Is Full Of Love". Me: Björk's "All Is Full Of Love" video did things to my brain. Me: That was the same year I came out as transgender.

7. Sepia-ish black and white artistic rendering of Maria the robot girl from Fritz Lang's Metropolis. Me: With the help of the early internet, I discovered the original robot girl of cinema, Maria from Metropolis.

8. Speculative glossy white robot me with pink and blue highlights. Me: How cool would it be to be a girl and a robot?! Hmm! Girl Transformer! Arrow Text: Design still in alpha.

9. Back to me again, looking a bit forlorn in my Baroness stealth armor. (Which is still awesome, don't get me wrong!) Me: Sadly, at age 50, I'm still made of meat. Arrow Text Left: Sexy, jet black, body hugging stealth armor Arrow Text Right: doe create a passable robotic look.

[jymwahuwu]

BARKINGN WOOF WOOWF DOES HE LIKE DOGS?? I CAN BARK!! GOOD HEAVENS MR. RECA. MISTER MISTER!! HELLOOO SAILORRRR!!

cough cough, my apologies for that outburst but here are my thinking thoughts on Mr. Reca..

Thinking of him holding you in a headlock to make sure the camera could capture your face. Maybe press down on your tongue with some of his fingers so the camera can capture those lil mewls and such.

He loves to keep going until he sees that doe-eyed blank stare you get whenever he goes too far. Face tear-stained while you drool mindlessly against his fingers. In fact, he always tries to get that one clip in whenever he wants to record(which is always.)

Bondage but it's him tying you up with old film from your previous commercial/scenes of you in other movies. Just so he can see the before and after his special films. He loves you dearly, look at how footage he kept of you from your previous acts!!

(Also on a more romantic topic, thinking him of making roses out of his favorite film tapes of you on the first date. You don't know because it's pitch black but they're actually from the films that you have acted as a romantic love interest. He's very sweet..when he's not insane me think.)

I passed out…Mr. Reca…his movie-related kink, and the way he expressed his love…😩💖💖💖

cw: yandere, dub-con, obsession, humiliation, oral sex, ooc because the official plot has not been released yet

Headlock may be a little rough, but that's the way to get your face on camera! He enjoys making low-budget movies for his own entertainment, without any regard for commerce but only his art and desires. The camera is right in front of you. Are you a little too shy? His arms were draped across your neck, holding your face in place as you bounced on his cock. Now you can't avoid the camera no matter what. He presses his thumb against your tongue as you swallow those sobs. No reason to hide them!

Mr. Reca doesn't show restraint. He pushes you to your limits to see how far you can go. Disappointing that you only need 5-6 orgasms to be brainless. The dazed look on your face is priceless (eyes melting out of focus, tears all over your face, and trembling legs. No quick reaction, just a subconscious whimper as your lips wrap around the cock). He often fails to part with these precious films and adds plots that have no obvious connection. In a movie about human loneliness in the universe, the scene of your orgasm is played. This is what happens at film festivals and cinemas. Anyway, if the audience complains, he will say it is a montage.

He keeps every movie that includes you. Those are his treasures. Even with the technology here, he still keeps these physical movie discs in his collection box. There are handwritten marks on it, such as: "1:15:32 blowjob part", "A must-see during the holidays", "3 hours without breaks version" and so on.

This stems from Mr. Reca's romantic moment. He created a CD collection of movies about you, decorated with fresh flowers and a cosmic gemstone.

Tucked inside is a card:

"To my favorite actor, legend, and sun. (Beautiful cursive writing, but at the last word, the person who wrote it seemed a little emotional, and the ink melted) Only when the sun shines on him, the moon will glow.”

[deeplyshalllow]

An in depth study of the Lion Cub Scene in the Wicked Movie

Elphaba and Fiyero's meeting

Dancing Through Life

Sorry it’s taken a little longer than I expected to come out with this essay, I’ve been busy general pre-Christmas stuff and then recreating the entirety of Heather the Musical with Funko pops – you know, the usual. In any case, in a way I’m glad that it’s taken slightly longer as it’s meant that the movie screenplay has come out in the meantime so I can make the odd reference to that.

[Elphaba practices her ‘toss, toss,’ Fiyero notices.]

“You’ve been Galindafied.” [smiles at her fondly,] “you don’t need to do that, you know. Come on, let’s get to class.”

This is essentially the same line as in the musical (though my best friend was quick to point out removed Fiyero imitating the ‘toss toss’ and I’m pretty sure she nearly walked out of the cinema in outrage), and I think it serves the same purpose. The idea that Galinda is indeed continuing on her mission to make Elphaba popular and Elphaba is somewhat receptive to it. Fiyero, though fondly, kind of thinks the whole thing is a little ridiculous and finds Elphaba fine the way she is.

This scene is actually the one most impacted by what was cut from the screenplay. In the screenplay version we do not have the “Let’s get to class” line as it’s actually set a considerable amount of time (potentially a few months) before the Lion Cub. I go into much more detail here but basically there is a montage between the “toss toss” scene and the Lion Cub scene that shows time passing and  Elphaba, Galinda, Fiyero, Nessa and Boq becoming friends.

Elphaba is wearing different clothes when she enters Dillamond’s classroom than in the “toss toss” scene, so I am going to take this as canon that there is still the same time jump, as it makes a lot more narrative sense (otherwise there’s very little time before Elphaba goes to the Emerald City for anyone to become friends). Therefore, by the scene in Dillamond’s classroom we are to assume a few months have passed, and Elphaba regards Fiyero as somewhat of a friend that she’s comfortable enough being around, if in a bit of a superficial “my best friend’s boyfriend” sort of way.

The scene continues mostly as it does in the musical, Doctor Dillamond tells the class he’s no longer permitted to teach, Elphaba is cross and tries to stop it, Doctor Dillamond is taken away. All this is expected and as expected of Elphaba’s character considering her previous scenes.

What is new is Fiyero’s reaction to Doctor Dillamond being taken away, he also stands up and shouts “hey!” he’s clearly not the only student distressed, but aside from Elphaba he appears the most distressed. It’s immediately clear that “Nothing matters but knowing nothing matters” is not as true as he makes it out to be. In my opinion, this is a very good change from the musical, as it sets up his actions later in the scene, he’s on Elphaba and the Animals’ side, he’s always been on their side.

Fiyero, however, does not react like Elphaba. After the initial outburst, he is silenced and sits down like the rest of the class (albeit he is one of the last to do so) and does not respond to her challenge to the class of “Are we all just going to sit here in silence?”  

Elphaba, never one for staying silent, like her musical counterpart, continues to challenge the teacher and get increasingly distressed through seeing the Cub in the cage (the premonition of seeing Dillamond in a cage here is, obviously, new to the movie and I think mostly serves to show how distressed she is – I don’t think she’s really realised what she’s seeing is the future, but it may haunt her later).

“Can you imagine a world where Animals are kept in cages and never learn to speak. This Lion Cub seems so frightened. What are we going to do?”

“I’m sorry, we?”

And here we see the dichotomy between Elphaba and Fiyero, both care, both are upset, but Fiyero is not one to spring to action in this situation without outside provocation – again, he’s sung an entire song about how he’ll get less hurt if he pretends not to care. While Elphaba wants to do something no matter what the cost, Fiyero is stuck on the practicalities of the situation: they are powerless students, they will immediately be stopped so, at least for now, he does not try.

“Well someone’s got to do something,” [Elphaba slams her hand on the desk, causing poppies to float in the air, putting everyone to sleep]

[Fiyero, stares around, not falling asleep but somewhat bewildered, Galinda falls asleep on his shoulder] “hey, hey, c’mere,” [lays Galinda’s head on the desk].

The spell going from making everyone crazy dance, to poppies putting everyone to sleep is a change for the movie, and I think a good one. I don’t think the crazy dance would have worked as well in film format, and the poppies is obviously a lovely reference to the Wizard of Oz – ultimately though, I don’t think it changes much about the narrative.

What I do find really interesting about this scene is the inclusion of Galinda and Nessa. In the musical, neither are in the class, so the casting of Elphaba’s spell seemed to imply that she didn’t magic Fiyero because he was the one person she liked. In here, the two of them are present, and are spelled too, so Fiyero being left out has got to be for a different reason – I read somewhere on Tumblr that apparently they’ve said this will be explored in part 2 and I hope so, because my reading is that it’s another sign that Fiyero alone cares as much about this as Elphaba.

“What is happening?”

“I don’t know, I got mad and...” [Elphaba notices that Fiyero has already got up and is heading towards the Lion Cub] “Fiyero, what are you doing?”

[Fiyero, having already got the Lion Cub out of the cage like the amazing, kitty saving, hero that he is]

“Well, are you coming?”

I love this. I love this so much. Script wise this is not very much of a change from the musical, in fact only one line of Fiyero’s is cut, “Alright just don't move! And don't get mad at me!” but the fact he moves the beat before, that the moment he realises there now is something they can do, which won’t get them stopped or in more trouble than the good they can do, he springs into action – does so much for his characterisation. It’s so very clear from this that he’s doing this because he cares about the Cub too, he’s doing because he wants to himself rather than to help Elphaba, I also like that the removal of this line takes away any idea of blame or frustration at Elphaba’s powers – Jonathan’s Fiyero never really judges her for being unusual.

This scene, both in show and film, is always excellent at showing why Fiyeraba suit each other. Elphaba is all passion and fire, she cares and will fight, but will also go in headfirst without thinking of the consequences. Fiyero, meanwhile, needs the spark of passion and push to act, but when he does act he is careful and tactical, he gets what he wants but in a way that smoothes the consequences of Elphaba’s rash actions and gets at least the majority of them out safely (see also: Throne Room Scene, Corn Field Scene).

There’s nothing particular to note in the bike scene, but I appreciate the cute reference to Mrs Gulch and Toto in the Wizard of Oz (that reference alone made me pleased I watched WOO a few days before I saw Wicked).

[Madame Morrible enters the classroom and sees everyone asleep] “What in the name of Oz?” [immediately writes a letter to the Wizard]

Not Fiyeraba related but I think it’s important to note what’s going on here. Madame Morrible has seen not only that Elphaba has cast a spell, but what she has cast the spell to do (to free an Animal). She’s not writing to the Wizard because she sees Elphaba is already talented enough to see the Wizard (as a first time viewer is led to believe), she’s speeding up the process so Elphaba is safely at the Wizard’s side before she can become any more pro Animal rights. It’s another great addition to canon, showing how much Morrible is in control even in act 1.

Also, Fiyero, who is also not in class, is completely overlooked, because being seen as a himbo often puts him beyond suspicion (she probably assumed he was just skiving off).

We have a few lines cut from the show here:

Elphaba: Careful! Don't shake him!

Fiyero: I'm not!

Elphaba: We can't just let him loose anywhere, you know. We have to find someplace safe...

Fiyero: Don't you think that I realize that? You must think I'm really stupid or something!

Elphaba: No, not really stupid.

These lines are in the screenplay so they’re a recent cut, but I think it’s still important to see the impacts of them being taken to. Again, we see the Fiyeraba relationship being a little less antagonistic than in the show. They still wind each other up a bit, because they defend themselves from the world in such radically different ways that they don’t quite understand the other at times (which we’ll see later in this scene), but they’re not actively sniping at each other in the movie. It’s times like this where we see their similarities, they are supporting the same cause, they have the same end goal in mind and, when they are both sure what they’re doing is right, they’re both very focused on getting it done.

It’s probably important to note that from here on out the musical and movie script is almost identical, so this becomes more of an analysis of the scene in both works, though I will point out where I think the movie particularly differs.

[Elphaba puts Lion Cub down so he can drink water] “I didn’t mean to scare you.”

“Why is it you’re always causing some sort of commotion?”

“I don’t cause commotions, I am one.”

“Yeah, well that’s for sure.”

Now the Lion Cub is somewhat safe, and resting Elphaba and Fiyero are finally given some time to think and interact.

These are musical lines, but again they hit differently with the meeting scene in the movie. Fiyero constantly uses derogatory humour about himself/his persona, so offhandedly that I’m not sure he even realises he’s doing it anymore. So it’s natural for him to think that Elphaba’s response is the same semi-joke at her own expense as he so frequently does to himself, so he plays into it.

“So you think I should just keep my mouth shut, is that what you’re saying?”

Elphaba, however, does not share quite the same self derogatory humour, any time she insults herself she truly means it. While Fiyero is desperate for people to see him for who he pretends to be, Elphaba wants people to like her for whom she really is. So she doesn’t see Fiyero’s reaction as him laughing at her joke, but instead as him also insulting her and, again, she goes on the defensive.

I get a feeling this also harks back to Elphaba’s relationship with her father, and the general reaction whenever she talked back or accidently did magic. Elphaba is used to being told to shut up, used to be seen as lesser and it’s just happened again with a boy she’s beginning to like and trust.

“What? No, no, I’m saying-”

And, again, Fiyero answers back, because he didn’t mean that – Elphaba puts him on the back foot once again when interacting with her – for all his smooth talking and easy charm Elphaba cuts right through it, because she simply will not let him act like that with her. If she is to trust him she needs to see his true feelings.

“Do you think I want to be this way?”

“I th-”

 “Do you think I want to care this much?”

“I mean-”

“I know that my life would be much easier if I-”

There’s so much self loathing in Elphaba’s feelings about herself, so much of an assumption that everything she does is the wrong thing, that she could be better. Fiyero has basically said nothing against her, even less than in the show. This is all her criticising herself.

But it’s interesting what she says. It’s not the usual “no your opinions on why I am green are stupid” stuff, it’s vulnerable stuff. It’s her admitting that all the things people say to her, and the way she’s treated hurt, that she would dearly like to just be normal. Without really realising it, she’s allowing Fiyero to see a lot more of herself that she usually lets on.

“Do you ever let anyone else talk?”

This is a mask slip for Fiyero. Not in a big way, but it’s him suddenly having to be direct and real with her. Elphaba makes Fiyero have to express real feelings and emotions (even if at the moment it’s mostly frustration).

“Sorry.”

Fiyero letting his mask slip breaks Elphaba out of her rant. Again, it’s the same in the musical, but I do think there’s an added part in the movie where it references Fiyero calling out her defensiveness in the first scene. It gives Elphaba a second to reassess and realise it wasn’t an attack. She apologises, she’s also out of her natural comfort zone of unrelenting defensiveness.

“I just-”

“But can I just say one more thing?”

[Fiyero motions for her to go ahead]

“You could have walked away back there”

The realisation the Fiyero isn’t attacking her has allowed Elphaba to rethink, and for it to sink in what Fiyero has actually done, that he didn’t just freak out and run away, that he cared, that he helped her. And I think this sobers her up a little, to question and to see Fiyero in a new light.

[Fiyero shrugs] “So?”

I always find this line so interesting, because Fiyero hasn’t noticed yet that his mask has slipped. He acted on instinct to help Elphaba, to save the Cub, we see here that Fiyero’s natural instinct to care about things has never been very well hidden (which is why the mask is completely off by the time we hit Act 2).

“So, no matter how shallow and self absorbed you pretend to be.”

“Um, excuse me, there is no pretence here, I happen to be genuinely self absorbed and deeply shallow.”

I love this line. Obviously I love this line. I’ve loved it for 15 years. Have you seen my username?

But anyway, now he’s been made aware of what he’s been called out for Fiyero pulls himself back, tries to put his walls up again.

It’s interesting, because this line is obviously an old one, but it fits very well with Jonathan’s movie Fiyero persona, it’s more self derogatory humour, it’s more deflection, but it’s also something so dumb that someone genuinely dumb probably wouldn’t say it. It’s not really up to his usual standards of charm, Elphaba has, once again, put Fiyero on the back foot.

“Oh please. No you’re not, otherwise you wouldn’t be so unhappy.”

[awkward silence as they stare each other down]

Elphaba is not buying Fiyero’s words. She tells him straight out that he’s more than that, completely rejecting his happy, carefree, persona. She’s seen that he wants more out of life than this.

Again, such interesting parallels to Fiyero calling out Elphaba’s defensiveness in their movie meeting.

“Fine, if you don’t want my help.”

Fiyero is scared. And for the first time we see him react in anger. His normal act of charm and stupidity has not worked at all, so he falls back to having to try and push her away without this.

“No, I do.” [Elphaba grabs Fiyero’s hand]

I mean obviously there’s supposed to be some kind of electricity here, but I think it’s more than that. I think it’s Fiyero and Elphaba having realised they’ve found a kindred spirit. That both of them have suddenly found themselves vulnerable, without masks, and really seeing each other for the first time. They have let each other into more of their feelings than they expected to and it’s both elating and terrifying.

[Back in the classroom Galinda wakes up, notices both Fiyero and Elphaba are gone]

I feel like this is supposed to be the first niggling hint Galinda gets that there are feelings between Elphaba and Fiyero, especially because the “I’m not that girl” chords in the background start here rather than in the background of Fiyero and Elphaba’s scene. Like nothing right now enough to truly alarm her, but something she’ll look back on and realise this was the start.

“What did you mean to do back there? And why was I the only one you didn’t do it to?”

[long silence]

“You’re bleeding.”

Suddenly Fiyero is the one challenging Elphaba, asking her questions she’s scared of answering. And she, like Fiyero, isn’t quite ready to face what it means, so she changes the topic.

“Mhmm” [Elphaba reaches out to touch Fiyero’s scratch, at first Fiyero flinches, but then lets her], “there. It must have scratched you.”

“Yeah, or maybe it scratched me or something.”

This change of topic does not work at all, just ends up bringing them closer. Although, I must say, I miss how much it was an almost kiss in the musical. I feel like this version had a bit less chemistry, which was a shame. Still, it is the pinnacle of the sexual tension, where something more could happen and they both know and want it.

 [Fiyero retreats] “I’d better get to safety, the Cub.”

With this line and the last we see Fiyero go back to full on saying dumb shit when Elphaba flusters him (we saw it when he first met her, and will see it again in the throne room). Fiyero is often very smooth with words so it’s always telling when she renders him unable to use this.

“Of course.”

“Get the Cub to safety.” [Fiyero grabs the Cub and runs away]

[Elphaba gets up and shouts after him] “Fiyero!”

Fiyero chickens out, scared by his feelings. Elphaba calls out after him. Both of them are changed by the day and the challenge to their personas but both end up, in their own ways, talking themselves back into them. Fiyero goes back to Galinda, who loves him for his dumb playboy persona, while Elphaba sings a song essentially saying she’s not good enough for him because of who she is and how he’ll like Galinda better. But we know for the future that it is obviously something that sticks with them and will alter their actions and perceptions of each other going forward.

Fiyero and Elphaba have always been a story of two people afraid to show the world who they really are, who dislike the other’s persona but who discover that they both love the other for the traits they hide from the world. While this scene isn’t necessarily that different from its musical counterpart (which is also excellent), I do think the softening of Fiyero and some of the antagonism from Elphaba, puts a little bit of a different spin on things. It makes it very clear that they are two people that share ideals and, while they hide from the world, both, when push comes to shove, will do anything to make it a better place. I think the movie does an excellent job to show why they suit and are attracted to each other, and also a good job of foreshadowing that neither of them will ultimately shy away from giving up everything to do what is right.

An In Depth Study of Elphaba and Fiyero in the Train Station Scene

[giveamadeuschohisownmovie]

There’s a Variety article I read today that summarizes how I felt about “Deadpool and Wolverine”. It’s a movie that was made by a genuine Marvel fan, from the fanservice to the disses.

The fanservice in this movie feels like it’s targeting the fans that are really into Marvel. Of course, you have yellow suit Wolverine. But there are references that casual fans probably wouldn’t understand, like Channing Tatum playing Gambit, the Wolverine crucifix, and Henry Cavill Wolverine.

The disses in the movie feel like they also came from a Marvel fan. When Wade says stuff like, “You joined at a low point” and “You’ll be playing this role till you’re 90”, those are the kind of jabs that the fanbase would make. Think of it like this. A hater would probably say something along the lines of superhero movies are the death of cinema, or that we should be watching A24 over anything Marvel related. You know, surface level criticisms. A fan would make digs that they could only do if they’ve been following the universe for a long period of time.

For example, I’m a fan, and I know I’ve made jokes in the past about the whitewashing in Doctor Strange. Or that Agents of SHIELD is better than anything in the main movies. Or that the Netflix Marvel shows were so poorly organized that they failed to properly build up to the Defenders miniseries. Or that the people behind the Fox X-Men movies don’t know how to make a good story without Wolverine. Those are critiques, but I could only make those critiques if I’m a genuine fan who consumes this material.

That’s why I like how Variety described Deadpool as if he was a Marvel fanboy. Because he is! He spends a great deal of the movie fanboying over Captain America and Thor, he views the Avengers as the gold standard of what it means to be a hero, he jokes at the expense of Fox and Disney, and he winks at the audience when he knows that the next scene is something that the Marvel fanbase would truly love. Again, the movie is a love letter to Marvel and the Marvel fanbase and it shows.

[stagefoureddiediaz]

911 and the Wizard of Oz!

So I’ve written a couple of times about the wizard of Oz connections that 911 has had in the past. Well after 8x03 and the trailer for 8x04 - everything has become much clearer to me and boy oh boy is Tim pulling a blinder with this one!

I need to start by saying he is playing on lore from both the original books as well as the film, so much of this wouldn’t be evident if you had little to no knowledge of the book series. I however do - because I loved the books as a child and I have also long been interested in the link between the books, the original film and the queer narrative that runs through them. Especially because of my yellow and blue and then blue and green colour theory and its use in telling queer narratives in cinema and television in the aftermath of the 1939 film.

For those who don’t know the background of it, you can read my post here about the wizard of oz and its queer narrative and the yellow/blue colour theme, but for a brief run down the wizard of oz and its themes have been a key part of the queer narrative since they first appeared in print and then on film. Yellow blue colour theory stems from Dorothys dress and the yellow brick road and became a film short hand for queer narratives in film, during the hays code era (1934-1968), and has continued on to this day. the most recent and most obvious use of the blue/yellow blue/green coding has been in heartsotopper - where it is very heavily and very cleverly used to help tell the queer narrative, but it is its use in films during the hays code where it was doing a lot of work to ‘secretly’ provide queer narrative in film. (this is a specialist subject of mine and I could write about it all day - I really would love to do a phd in it, but I do not have the money or time to do that so I write about it at any opportunity on tumblr!)

Many of the nods to the story are subtle, but they are there and I am going to go through a good number of them with you - especially the ones we’ve had in season 8 so far, the main thing to note right off the bat though is that they all connect in to Eddie and that is very telling to me - especially when we take 5x01 - 5x04 into account. the rest is below the cut becasue it's long!

The very first reference to the Wizard of Oz we get is in 202 - 7.1. We have the entitled woman (that is the name they gave the character in the credits!) with her dog - Paisley.The entitled woman is wearing red shoes and we get shown her with just her feet sticking out from under the rubble in a clear nod to the wicked witch of the east being buried under Dorothys house in Oz.

Kat the little girl who gets separated from her family and ultimately reunited with them is a nod to the overall story of Dorothy in the wizard of Oz - and Paisley is a nod to Toto - Dorothy’s dog. I will also mention the fact that we get a heart metaphor during this disaster - Jeff - the heart of a champion. 

We get a further nod in season 2 in 207 - Haunted - where we have the girl at the halloween parade dressed as the film version of Dorothy. I don’t think there is a huge amount to read into from a Wizard of Oz perspective, beyond the fact that it is referenced - we don’t actually need to see anything further in regards to the Wizard of Oz - its all about making the connection.

This episode is a big episode of Eddie and his storyline and this is a way for 911 to link Eddie into the Wizard of Oz theme without being massively obvious about it and his absence from this scene is a key part of that.

There are other key elements in this scene that we’ve been seeing come into play over the seasons for Eddie and that is what makes the wizard of Oz reference especially interesting. First up it's important to note that this is the episode we see the return of Shannon in. We have the horse and his rider - being separated by the death of the horse and the officer describing the horse as his friend. There are two things this is playing on here - the first is the foreshadowing of Shannons death, the second is that the show has then reused this metaphor of partners being separated by death, this time making use of the police aspect as a part of Eddies breakdown in season 5 - Mills’s - Eddies partner while he was in the army and her death. These two elements are why Eddie absence is key - Eddie becomes the officer and Shannon or Mills becomes the Horse and having Eddie present in the scene waters down the metaphor.

The fact we get a lot of wizard of Oz references in season 5, makes this a really interesting and clever connection to draw. The other aspects of this scene in 207 is the pretty important reference about the horse needing a sedative to stop him thrashing around until his heart gave out. Bearing in mind this is the first really intentional heart metaphor we see on the show and it’s a pretty key episode for Eddie in relation to his heart, his absence from this scene becomes louder, especially as he is off with his heart (Christopher) enjoying halloween. It makes it clear that the Eddie and hearts metaphor has been there since very early on - and has been (at least loosely)connected to The Wizard of Oz.

Remembering what I said above and in my other post about the wizard of Oz being very heavily connected to queer theming and storytelling in media it makes it likely that this is the show putting in early building blocks for a queer Eddie arc gif they wanted to then go down that route later on. (this makes the season 5 theming I’ll talk about shortly even more interesting to me!)

The last thing to mention is the is the emphasis on the devil, a priest and a drag queen at the parade- all things we see appearing in Eddies arc through season n7 and into 8. The drag queens from the bachelor party - in which we really see Eddie letting go and have fun for the first time. The priest and the devil are a metaphor for Eddies struggles with his faith - the idea of temptation (in the catholic church - especially the devout catholic church, being queer in any way is seen as being tempted by the devil), and with us having knowledge of Eddie going to church and likely talking to a priest in some capacity in the next few episodes, we have yet another tie back to this storyline from 207.

Now I obviously have no proof with what the intentions were for ~Eddie in season 5, but I’ve long had my theories and now, knowing that they had originally intended to have Bucks bisexual arc take place in s5 but it got shut down by the higher ups, I can make some pretty educated guesses based off what we did get early on in the season.

Season 5 opened with the blackout and then we led straight in to 5x04 ‘Home and Away’ with all its yellow and blue colour theming. Can you see where I’m going with this? How does the opening of the film version of the Wizard of Oz start? Yup that’s right - in black and white and then when Dorothy finds herself over the rainbow everything is in colour and the use of yellow and blue is very strong with Dorothy’s blue gingham dress and the yellow brick road with the green colouring coming later on when they reach the emerald city.

So I think 911 was intending to play on that concept in season 5 - the idea that the black out is a nod to Kansas being in black and white (not to mention the use of green for the hackers!) and then 5x04 is a play on Dorothy following the yellow brick road - hence the heavy use of yellow and blue and the way it winds through the narrative of the episode (along with the use of the bluejay as the schools animal emblem - which is a symbol of communication, curiosity and confidence - seeing a bluejay is telling you to be bold and chase your goals!). What is the other thing we get a huge number of references to in season 5 - especially connected to Eddie - hearts and heart metaphors.

We do also get a nod to the wizard of Oz in season 6 and the zeppelin disaster - which is a nod to the hot air balloon the wizard crashed into Oz in. The zeppelin is yellow and blue and the conversation on board refers to one of the pilots mother in law - whilst she isn’t stated to be a witch, the implication is there. the 110 is also closed in roughly the same place as we get it closed in 8x03. along with the fact that Eddie is the one to go into the zeppelin - Chim and Buck only partially go in - and the parallel storyline in the episode is about a heart issue, we once again have The Wizard of Oz being tied into heart metaphors.

Let’s move on to season 8 now and look at the vast number of Wizard of Oz references we have seen so far and appear to have coming up in 8x04. I will say the sheer number of references in season 8 compared with the more subtle ones from seasons 5 and 6 is one of the reasons I’m so very sure we have a queer Eddie arc going on - that they’ve finally been able to pull that trigger and move things forward for him.

Just remember that things don’t have to exactly follow the story of the wizard of Oz to be relevant - its not about the narrative following the same path, but more about the use of recognised aspects and tropes from the book and film to convey information and aid the storytelling. It is often more about the concept and meaning behind something and a 911 character may share the traits of more than one wizard of oz character because it is their traits that are relevant not necessarily TWoO characters full journey through the book or film.

The bee-nado is a literal reference to the tornado that sent Dorothy to oz - its one of the reasons we don’t see more of the bees - they serve their purpose in the same way the tornado does so we don’t need to see them again.

Gerrard building ‘his 118’ with a security fence around the firehouse and cast iron plumbing is a reference to the wizard building the Emerald city - which has a wall around it for security. In Oz it is the place full o the most up to date technology etc. So Gerrard is building his Emerald City.

The mother in the car falling asleep due to anaphylaxis is likely a reference to the poppy field in the film version of TWoO, along with the flowers at the perfume launch and Bucks statement that ‘smoke worked last time’ - because the smoke did make the bees sleepy like the poppies made Dorothy and her friends sleepy.

Bucks plan to have Eddie run and attract the the swarm of bees is a reference to an event that happens in the book. The wicked witch sends a swarm of bees to sting them to death. The tin man and scarecrow had seen them coming and scarecrow comes up with a plan - he has Dorothy, toto and the lion covered in his straw to hide them from the bees who only find the tin man - they try to sting him but it breaks their stings and kills them instead without hurting the tin man as he is impervious to bees by nature of being made of tin. What we see happen in 801 is very clearly placing Buck into the role of Scarecrow and Eddie into the role of tin man - Buck comes up with the plan and Eddie undertakes it successfully - his turnouts protecting him from the bees just like the tin man being made of tin protected him.

Gerrard hitting his head is a reference to Dorothy hitting her head in the tornado and waking up in Oz - its a reference to Dororthy’s line  ‘Toto, I have a feeling we’re not in Kansas anymore’ - its a play on the fact that the 118 is a very different place to when Gerrard was removed first time. Gerrard represents the black and white world - outdated and not up with the times (which he wasn’t back in the day either but that’s kind of the point), the world (the 118) is now in glorious technicolour since his departure and Gerrard will end up back in a black and white world in the end while the rest of the 118 will remain in colour and move forward. This places Gerrard in the role of the Wizard, but it is more akin to the book wizard than the film wizard - originally in the books (it was later glossed over as it didn’t go down well with readers) the Wizard arrives in a hot air balloon and becomes ruler of Oz by usurping he King and handing over the princess to a witch (more on this later!). As is shown in the film, he leaves Oz to return home in a hot air balloon.  If Gerrard is the wizard, this makes Bobby the king (usurped from his throne at the 118) and Hen becomes Ozma (this is something I will talk about a bit later as it deserves its own section!) which fits with how we are being shown Hen being given the 118 captains role on a more frequent basis - suggesting the show is transitioning her into becoming the captain down the line.

Tia, her dog and Jordan are an interesting trio - they are a very clear parallel serve as a multi layered allegory as they play on several aspects of the film and books, as well as linking to aspects of 911 and especially on Buck and Eddies storyline. 

Firstly we have the dog - who is the same type of dog as Paisley from season 2 - right down to the red bow in the hair (which is encouraging us to draw parallels with the earthquake disaster). Both dogs are a nod to Toto - Dorothy’s dog in the Wizard of Oz. The dog is also a representation of Buck, but I’ll go into that when I talk about Buck below!

Tia represents both Dorothy and the tin man, we see her initially as, not heartless, but guarded, but she softens especially when we see her following the instructions Hen gives, and bonding with various people on the plane including Jordan, in much the same way we see the tin man do for Dorothy and scarecrow. She is also a representation of Eddie (again I’ll go into this more later on) 

Jordan is a reference to both the flying monkeys (through his telephone conversation he is implied to be a business monkey which is in turn a play on monkey business - behaviour that causes discomfort our annoyance) and the cowardly lion. He is also a reference to Chopfyt who only appears in the books and is a man made from the parts of others and is a reference to Tommy, which I will explain later as well!

its worth pointing out that Jordans viagra fuelled boner is hidden under a rainbow towel and when they get off the plane Tia, Jordan and the dog are sat on a yellow tarpaulin - the implication being that they are still in Oz and over the rainbow, but that isn't real life - its fake - a dream - and reaity will set back in once they are able to go home.

Buck has 2 red flares to bring the plane home - symbolic of the red slippers - click three times and say there’s no place like home.

There is a lot of yellow and blue lighting used in combination - especially around Buck and Eddie.

The green lighting on the plane after it has landed - a reference to leaving the Emerald city and Oz and going home.

Im sure there are others that I may have missed, but these are the key ones, and most of them will likely remain in play in some capacity in the upcoming episodes.

As for the potential upcoming oz references, we have the following

the tiger in 804 is likely a reference to lions and tigers and bears. Oh my! from the film, but may also be a reference to the hungry tiger from the books - who is a tiger who is never full and desires to eat a fat baby but never would as his conscience would never allow him to. He is described in the books as the largest and most powerful of his kind and is one of Ozmas chariot drivers and is friends with the cowardly lion. The Tiger reference coming in no place like home and the books connection of the tiger with Princess Ozma and the cowardly lion makes me feel like Karen may be represented by and paralleled with the tiger, and the idea that Karens conscience won’t allow her to metaphorically eat Ortiz (the fat baby) but that is purely speculation on my part!

the pumpkin stuck on a head storyline that’s been hinted at coming up in 805 - in the books there is a character called Jack pumpkin head who is made by the Princess Ozma when she is Tip and then brought to life by magic (Ozma is the rightful ruler of Oz and was given to the Witch Mombi of the North by the wizard in order to prevent he rightful ruler of Oz ascending the throne. Ozma is transformed into a boy called Tip by Mombi, but is later turned back when Glinda discovers what has happened). Im expecting this arc on the show to play into Jack’s storyline in the books. Jack refers to having lost a father when Tip is returned to being Ozma. I think we’ll see it played as a reference to Mara, Chim and Hen, because Hen is Very Ozma coded which I’ll explain a bit more later on!

Masks. with 805 being titled masks it feels very loaded towards the Wizard of oz and the fact he wears different masks (in the book) depending on who he is meeting with. He appears to Dorothy as a giant head (as we see used in the film), to the Scarecrow as a lovely lady, to the Tin Woodman as a terrible beast, and to the cowardly Lion as a ball of fire. He does this with the intention of scaring them all, but in all cases has chosen the wrong image to make the desired impression. there is of course the fact that the mask slips (the curtain gets pulled away by Toto) and the truth of the Wizard is revealed - that he is a fraud -  merely a man who has been using magic tricks to make himself seem great and powerful.

these are just the ones we know about, there may very likely be more revered once we’ve seen the episodes, for example we might get a play on Eddie in church and going to confession - the idea of hiding ones identity behind a screen.

I want to talk a bit about the specifics of the firefam, and how they fit into the concept in a more detailed way. Obviously all members of the firefam fit into multiple aspects of each of the 4 main characters in Oz, but they each have one that has a stronger pull than the others. Each one of the characters in the books and film have specific traits that form their personality and a key part of their narrative - Dorothy wants to get home, The lion wants courage, the scarecrow a brain and the tin man a heart. These are all allegories for the bigger picture. 

Dorothy wants to go home, yes, but that is part of her bigger desire to belong - the books reveal much more about her past and upbringing in Kansas. She is also the first person in the wider story - it is her journey that sets in motion all of the other ones.

The cowardly lion is in fact not cowardly, but incredibly brave, and a loyal friend, he is just full of self doubt because he believes his fear makes him inadequate as lions are supposed to be the king of beasts. we see him overcome that self doubt and go onto succeed - becoming a well respected and important member of Ozma'z court.

The scarecrow wants a brain but is in fact shown to be the smartest of the group - coming up with clever plans and sharing a great depth of knowledge the also becomes the ruler of the Emerald city - appointed by the wizard when he leaves, and it is stated by the tin man in one of the later books the he is ‘probably the wisest man in all Oz’

The Tin man wants a heart, but in fact is one of the most tender, emotional, considerate and caring people in Oz as well as being extremely competent and practical.  He is also shown to seize up and rust due to either the rain or his tears. In the books he is given more backstory - his axe was enchanted by the wicked witch of the east and it causes him to chop off his body parts limb by limb. The witch does this because he is win love with her ward Nimmie Amee. when he chops out his heart he feels his could no longer love her and so left. he does later try to find his long lost love but is left disappointed when he finds her married to a man made up of his body parts and those of another tin man called Captain Fyter who had also been enchanted by the witch for the same reason. she refuses to leave her man of parts and tin man and scarecrow return to the emerald city together.

The Tin man and the scarecrow sit very much in parallel with one another in both the books and the 1939 film, they are very much a pair and shown to be each others foil and in the books especially spend a long time debating with one another about the relative importance of the brain and heart, but in combination with one another form a perfect whole. 

With the main characters of Oz covered we can explore the way 911 is using their traits to tell the stories of our firefam, but before we do that I want to look at a few other key 911 characters and how they relate to the wizard of oz!

Bobby in my opinion is Glinda the good witch - he shares a lot of traits with her. It is Ginda who helps restore Oz (the 118) to its fully unified state - something that had ceased to be under the Wizard and the wicked witches rule in separate counties. She also tends not to meddle or interfere in Ozian matters unless requested to do so. This fits with bobby’s traits very well - he doesn’t tend to get involved in things unless pushed to do so or asked directly. Much earlier in Oz’s history Glinda also helps redeem the tyrannical king of Oz through the creation of the forbidden fountain and the waters of oblivion - the king drank the water and then forgets his cruel and nefarious intentions. bobby replacing Gerrard at the 118 fits fairly well into this theme.

Ortiz is an interesting one - she fits into bot the role of The wizard, as well as the wicked witch of the west. I think that Ortiz is the wizard in part because the name Ortiz can loosely be read a s a play on ‘wiz’ as in wizard, but also because she is the most powerful person in the show right now - and it is all built on lies and corruption - much like the wizard is in Oz! However as the film unfolds we are shown that the witch is in fact more powerful than the wizard, but is also eventually easily brought down. This is why I think she is also a reference to the wicked witch, but also because the witch controls the flying Monkeys - who serve as her lackeys and undertake her bidding.

Gerrard is both  the Wizard of Oz and a flying monkey. I wrote above about the wizard hiding behind screens and masks and and Gerrard and I wrote about Gerrard building fences around the 118 being reference to the wizard building the emerald city. The flying monkey connection is obvious - he is working under Ortiz.

Tommy fits into a couple of different characters. He is in my opinion most closely connected to Chopfyt and Nimmie Amee, but he also fits into the meaning of the flying monkeys. Chopfyt is made up of the parts of the Tin woodman and Captain Fyter (the tin soldier) who are rivals for the attention of Nimmie Amee who is married to Chopfyt but was at one time courted by the tin man and the tin soldier.  Captain Fyter and the Tin Woodman  become friends during their journey to find Nimmie Amee. The flying monkey connection is perhaps a more obvious of the three, the monkeys are subservient to the wicked witch of the west and in the begins episodes we are shown Tommy being very much under Gerrard wing through his behaviour. It is also worth nothing that the flying Monkeys in the book drop the tin man over shape rocks leaving him so dented he could not move and they pull the scarecrow apart, scattering his straw and throwing his clothes up a tree - Dorothy is able to repair them both with the aid of the Winkies (the people under the control of the wicked witch of the west) and Dorothy then commands the flying monkeys to take them to the Emerald city. 

The meaning of these character connections is clear to me - Tommy as Nimmie Amee courts first the tin man (Eddie) and then the Tin Soldier (Buck) but chooses Chopfyt in the long run. Tommy is made up of parts of both Buck and Eddie in the same way that Chopfyt is made up of parts of Tin man and Captain Fyter. The fact neither Tin man or the Tin soldier succeed with Nimmie Amee and that she choses Chopfyt is telling and possibly gives us clues about the eventual demise of Buck and Tommys relationship and suggests that as tommy fits both characters parts (both characters who are fairly small roles in the books and are plot devices - much in the same way as Tommy is in 911), he will ultimately choose himself (as we’ve already seen him do in 705).

Onto the 4 remaining members of the firefam, and I believe Chimney is for the moist part, meant to be Dorothy - he is the first member of the firefam in the same way Dorothy is, he fits a lot more of the Dorothy tropes from the book than the film shows, he is described as the heart of the 118 - which is basically what Dorothy represents in the books and film - she is the one who keeps everyone together, or brings them back together when they have been separated. And if we follow the theming of Gerrard being the wicked witch of the west, it becomes more apparent - in the books Dorothy is enslaved by the wicked witch and forced to carry out menial cleaning tasks - in much the same way we see Chim being treated by Gerrard in Chim begins. It is Chim who we are shown supporting Hen, Buck, and Eddie as they begin their careers at the 118.

The other thing of note - which currently doesn’t fully work, but will if, as I suspect, the wizard of oz references around Eddie are a part of his Queer journey - is that Chimney is the only one of the four members of the team (we are not including Bobby as he is the captain) who has no queer coding in any way and is in a heterosexual marriage. The reason this is important and plays into the idea of Chim being Dorothy is that the term ‘Friend of Dorothy’ is coded speak for being queer - I explain it further in my meta which I linked at the top of this post - the play is that Dorothy herself is not queer, but that her companions on her journey down the yellow brick road are. Which fits Chimney perfectly - with Hen and Buck being Lesbian and bi respectively and with the Wizard of Oz connections to Eddies storylines across the previous seasons and again in the current season being very loud, it feels fair to assume that Eddie will also sit somewhere on the queer spectrum before too long (and really is the reason behind me writing this insanely long post!) 

Hen is the cowardly lion. We are shown Hen doubting her abilities at several points throughout the show, but she is arguably the bravest of the 118. The cowardly lion’s favoured companion is the hungry tiger (as I wrote about above - we may well see Karen paralleled with the tiger in 804)

But Hen is also Princess Ozma and this is a far more powerful connection. Ozma is the rightful heir to the throne of Oz and spent much of her childhood in the form of a boy called Tip as she had been enchanted by the witch Mombi until Glinda the good witch discovers the enchantment and forces Mombi to return her to her true form and take her rightful place as ruler of Oz. With Bobby filling the role of Glinda, helping Hen achieve her full potential and the allegory of Hen having to hide herself for much of her life until she becomes a firefighter - the wig we see Hen wearing in Hen begins plays into this idea perfectly - that Hen was disguised but has been freed from that disguise and become her true self.

Buck is the scarecrow. But he is also Toto and Captain Fyter. I explained the Captain Fyter connection above in the section on Tommy so I won’t repeat myself here. Buck is toto for a couple of reasons. Firstly we have the connection to the dog in the plane in season 8 who growls at Jordan and Tia tells him that the dog doesn’t like men, he then becomes friendly when Jordan is ill, but we see him returned to Tia when they leave the plane. this is all a allegory for Buck’s bi arc. Tia is Eddie in the scenario and Tommy is Jordan . The dog growling and being protective is akin to Buck growling and becoming jealous over Eddie and Tommys friendship, trying to keep Tommy away from Eddie, but then becoming friendly with Tommy in the same way the dog becomes friendly with Jordan in a therapy dog kind of way before returning to Tia at the end, implying that Buck will always go back to Eddie when it comes down to it. the therapy dog aspect is also interesting as it implies BUck is providing some kind of therapy for Tommy - this could be read as Buck helping Tommy learn and grown (likely in connection with his still undressed past behaviour) - makes him a better person, before they part ways and Buck ‘returns�� to Eddie. 

Then there is the wizard of oz references - it is Toto who sets much of the plot of the wizard of Oz in motion - by biting Almira Gulch in Kansas in the film version and by hiding under the bed in fright in the book version. It is Toto who reveals the truth of the Wizard of Oz being just a man, and it is Toto who leads The lion, scarecrow, and tin man to where Dorothy is after she has been captured by the wicked witch (in the film - he is less involved in the book!) and it is toto who stops Dorothy from leaving with the Wizard and ultimately leads to Dorothy learning the slippers she wears can carry her home if she clicks her heels together 3 times and wishes to go home. All of these events either play into Bucks arcs in 911 or will potentially going forward. Bucks impulsive ways could be said to mirror Toto’s impulsive actions in TWoO and it will be interesting to see if being taken under Gerrard wing leads to him gaining information that helps Hen take down Ortiz!

The biggest connection though is with the scarecrow. The scarecrow has long been associated with bisexuality - due to his line in the film ‘of course some people go both ways’. in the book the scarecrow also reveals that he lacks a brain but greatly desires one - he is in fact only 2 days old when Dorothy meets him so he is essentially just naive because as the book progresses it becomes increasingly clear he actually is very intelligent and knows many things. One of the other aspects of the scarecrow is his ability to know his own limitations and in the books he becomes ruler of Emerald city, but hands the crown over to Princess Ozma enabling her to take up her rightful position as ruler of all Oz, becoming one of her most trusted advisors. Most of these are traits that Buck shares with the scarecrow - we see season 1 buck reflected in the naijvtie of a 2 day old scarecrow, but once he hits his stride, we see that Buck is actually very intelligent, full of knowledge (random facts wiki Buck!) and comes up with great ideas - things that are being very clearly demonstrated in season 8 so far. He is also becoming much much better at knowing his limitations and that is something I think we will continue to see develop in the way it does in the scarecrow across the books.

And finally we have Eddie. Eddie is the Tin man through and through. The heart metaphors that surround Eddie - especially in season 5 are a very obvious and direct link to the tin man. and Like I said above the Tin man is the most compassionate, sensitive and tender and caring people in Oz. He is incredibly practical and competent as well and undertakes the scarecrows plans readily. He and the scarecrow pair up a lot across the book series and go on adventures together, their heart and brains combining to lead them to success in nearly all cases. The tin man also becomes a trusted advisor to Ozma and is considered to be a fair and wise person in Oz. These are all things we see portrayed in Eddie. He has this tough exterior, but inside he is very soft and tender and he only reveals that side of himself to those he can trust. Eddies heart is a key part of Buck and Eddies dynamic especially in combination with Bucks brains - we are so often shown Buck having an idea and Eddie carrying it out because he trusts Buck - the perfume bee run is just the latest in a long line of them and it is a key aspect of the Tin man and Scarecrow in the Oz books. I’ve spoken above about the other aspects of the tin man and his connection with various characters, but it really is the tin man and scarecrow dynamic that is at the heart of things in the wonderful wizard of Oz book especially (pun intended!!).

All of it plays into the Oz theming we’re being shown in 911 having an important meaning and it is very much connected to Eddie far more than any other character. One can argue that the books - at their core - are about following your heart and letting it lead you to your truth and to home and that is the very heart of Eddies story. Carla’s line about making sure he’s following his heart and not Christophers rings very true, and we’ve reached a point now where Eddie has to follow his own heart, because Christopher is not in the picture and they’ve chosen to go very very hard with the wizard of Oz metaphors - building on the foundations they already created in previous seasons and now being able to bring them to fruition.

I could literally write about this all day, but this is already ridiculously long and I'm not sure it even makes sense at this point! It was only supposed to be a short post! So I’m stopping here and letting you all go back to your lives - thank you for reading especially if you've made it this far! and let me know your thoughts!💜💜💜🐝🌪🌈

Tagging a few random people just in case they're interested! @buddiediaz118 @buddie911abc @fruityfirehose @sunflowerdigs

@spotsandsocks @livingwherethesidewalkends @satvojihusana @inell @eddiedisasterdiaz @lemotmo @courtjestermerlin @lover-of-mine @lovecolibri

[sukunasweetheart]

kimi ni todoke inspired, but with a twist?? except sukuna is suuuuper into your whole scary/creepy vibes (strange fetish) this is more just rambling, not a proper fic sorry, its a little smutty, scratching and knifeplay involved (he's quite submissive), sukuna's a whole FRREAK

sukuna in college au, where he has a strange infatuation with the horror genre-- has a deep appreciation for scary films, and is a huge nerd in this area, and many of his favourite celebrities are actors and actresses that starred in one of his favourite films. his brother yuuji is also a huge cinema nerd but he's not as obsessed with horror as sukuna is. and frankly, yuuji thinks he's a slight weirdo for being able to analyse them in a very detailed manner, whether it's the jumpscares or how realistic a gore scene looks.

and now this horror nerd discovers someone very noteworthy in his area. there's this semi-famous haunted house that operates year-round nearby his university, which he decides to visit alone, out of boredom.

...the atmosphere is alright. the decoration could use some work. the bloody sheets don't look convincing enough. it's too pink and tacky. the "ghosts" give an effort to try and scare him, but he gives them a deadpan look.

"can you try any harder?" sukuna keeps walking.

next, a man dressed like a typical serial killer walks in holding a real chainsaw. oh, boy. the "killer" walks up real close to him, to his annoyance. he takes the chance to inspect the mask on his face. he flicks it lightly with a finger.

"shit's made out of plastic. do better."

the man revs up his chainsaw.

"ha - that's the spirit." he continues walking.

there's suddenly eerie silence, now that he's almost at the exit of the haunted house. what, did they run out of ideas?

he thinks he catches a glimpse of someone in the corner of his eye. sukuna stops and turns back, but there's no one in sight. that gets the hairs on the back of his neck rising, ever so slightly. he likes that.

he feigns ignorance and keeps heading to the exit, wanting something to jump out at him. he hears little footsteps behind him, this time. he whips around again, but there's nobody.

"you're edging me, are you?" he says sarcastically with a chuckle.

you're hiding in a little pocket area out of view, when you hear the man mention something about edging. great. another fucking weirdo. sometimes, you feel like you should just get a new job.

the third time, you actually reveal yourself and stand still in view when he turns around. the weirdo just stands there and grins at you. the fuck??

oh, sukuna loves this one. you look terrifying. like you came directly from a horror film set. you give him the creeps.

"look at you... a diamond in the rough."

the fuck is this man talking about? you want to tell him to just leave already. but he just continues observing you silently, like someone analysing an artifact. you move stiffly towards him, even while knowing that it probably wouldn't be enough to scare him off.

"your makeup looks too real... do you do that yourself?"

you glare at him. it's part of the script anyway. sukuna chuckles, because something tells him that the disdain in your eyes are real.

"i know, i know. i'll get going. any chance i could get your number before i go?" he asks boldly, hands in his pockets. it's a half-hearted attempt, but he felt the need to really try at least once.

he must be joking. what kind of perverted man sees a woman looking like this and asks for her number? well, he probably isn't being serious anyway. silence permeates the area as you backtrack away from him, deciding you've done enough for your pay's worth.

"running away? a shame..."

you feel odd. many men have seen you and ended up running out screaming. none has ever tried flirting with you while you were in this getup. what a weirdo.

sukuna walks out feeling better than expected. that last section really saved it. not a totally worthless experience. maybe he'll swing by again, just to see you.

except, he doesn't really need to. because the next day you bump into him at uni - and he recognises you instantly, like the freak he is. you try to brush him off casually, but he can't be shaken off so easily. and then sukuna pestering you wherever you hid around on campus became part of your schedule.

"what's your deal? why do you keep following me around?" you eye him suspiciously, when he sits down next to you on the bench, unprompted.

"well, i'm interested in you, for one," he says casually, shrugging.

"listen... if this is because you have some weird horror fetish, then i'm not interested..." you tell him truthfully, shuffling yourself away.

sukuna laughs out loudly in response, which makes you jump.

"i won't deny having unusual tastes, but my interest isn't that shallow. if it were the case, i could probably seduce any other girl and dress her up instead of chasing after you."

well, you guess he's correct about that. you've received a couple of stink eyes from a number of girls after being seen with sukuna so often.

he's an annoying guy - when you ask other peers about him, they tell you he's stoic, mean, and rude as fuck. well, you understand the last two a little bit, but stoic? every time he sees you, he seems like the opposite. he's rather loud and overbearing.

"i'm telling you - you have a talent. why not make use of it?"

he's referring to your future acting career, apparently.

"and i'm telling you - stop with the nonsense! i can't be fooling around with a silly idea like becoming an actor. seriously."

you only started working at the haunted house for some cash. you're not even that into the genre itself. what's with this guy?

"why would it be fooling around? at least give it a try before dismissing it."

this back and forth continues, for quite a while. he even forces you to watch his favourite horror films, "for future reference".

and then he proposes a deal to you. that you try and audition for a small role as a ghost in a film. he guarantees you'll get picked, even though you doubt it. and if you don't he promises he'll never bring the idea up to you again. you decide to go with it, just to shut him up.

but guess what? you're selected for the role.

sukuna shrugs at you with a smug smile on his face.

"see? i'm always right."

he pisses you off.

and he somehow pushes his way into becoming your personal "trainer". sukuna revises your script with you, and gives you feedback on your acting. he sits you down and watches classic horror flicks with you, analysing every scene down to every frame. many things happen the more you spend time with him..... you find yourself getting more and more attracted to this weirdo. this horror nerd.

"are you paying attention? this part is important."

the film gets paused, and you very swiftly, dart your eyes away from admiring his jawline.

"i'm trying... i just can't concentrate. i'm hungry," you lie fervently.

"hungry for what? me?" sukuna grabs your face and makes you turn your head towards him.

"...no? whatever gave you that idea?" you ask, heart hammering in your chest.

"how is it that an aspiring actor can't even lie properly? maybe we need to go back and revise some of your acting lessons."

you know that he's studying to become a film director, and honestly you feel sorry for the future actors that'll be working with him.

"whatever. let go of my face, you ass." you swat his hand away.

sukuna chuckles deeply at you, eyes softening.

"you're lucky that you're cute. how about i give you a kiss? will you concentrate better then?"

"yeah... wait, what-?"

too late though, he's already on your lips. and damn, he's a good kisser. anyways, that embarks the start of your relationship with him. shortly after, the filming process for the short film begins, and it becomes a decent success. you're a little ecstatic. maybe more than a little. you get the feeling that a whole new life is awaiting you.

and your boyfriend is so endlessly cocky about it. "all thanks to me," he says, which is technically correct, but you don't want to openly admit it in front of him sometimes.

and...

occasionally...you do dress up scarily before sex as well. at first, you were quite reluctant and awkward with roleplaying in bed, but after you got used to it, you found that it's hot as hell to see sukuna beneath you, squirming as you press a knife close to his throat, grinding your clothed cunt against his boner, dressed as a terrifying ghoul.

a safe word was established beforehand, of course, just in case either of you suddenly feel like backing out.

you want to keep yourself immersed into the role as much as possible, but it's difficult when sukuna's cock is so big, hitting all the right spots. this time, you're choking him with one hand as you ride him like he's a toy.

sukuna's hands are guiding your hips, fingertips digging into your flesh, his dick aching from the soft pressure you apply to his throat. you look so utterly scary, it turns him on. he'd let you kill him, if you wanted. he fucks into your cervix, looking up into your eyes with a blush on his face, groaning openly at the insane look in your eyes.

choke me harder. scratch me. bite me. he provokes you through his gaze.

you do grip his throat harder. and then you dig your fingernails into his chest, and scrape them down slowly, leaving a trail of red marks down him. sukuna shudders under you and curses under his breath.

"just like that... fuck, baby," he moans, cock throbbing inside of you. your walls squeeze him so good.

he cums the hardest he's ever cum in his life that night - thighs trembling and sweat rolling down his temples, and it doesn't help that you lean down to sink your teeth into the side of his neck while he orgasms.

aftercare consists of him cleaning you up and helping you de-costume. when he's wiping all that dark makeup off your face, he tells you that you're pretty with his soft voice, flustering you.

and of course, vanilla sex also occurs regularly, to get away from that freaky stuff sometimes, with the gentle kisses and tender hand holding, in a missionary position, exchanging sweet, sweet gazes with each other. giving you the princess treatment you deserve for being so good to him.

in the future, you run around and play bigger roles until one of your films become a huge hit, and sukuna finishes his degree to become a famous film director... no surprises there! the best horror actress + the best horror film director goes hard... the two of you are already married at this point.

when the both of you finally get together to make the ultimate film, the internet explodes... sukuna is surprisingly bad at being professional. he's seen often taking care of you rather affectionately around the filming area, personally making sure your makeup is done perfectly, and bringing you food and water as if he's bragging to everyone else about his marriage. and it shows in the way he sugar coats his critique for you, when he has never done that for any other actor/actress he's worked with previously.

if there are some snooty coworkers that try to speak with him about the gap in treatment, he would simply scoff at them and say 'and? she's my damn wife.'

when he's working with you, it's all like:

"cut! honey, that was great, but i think this part can be done a bit better."

but when it comes to other actors:

"cut! what the fuck was that? sounded like you were reading off the damn script. get your shit together."

he's notorious for being relentless, but nobody has anything to say because all of his films climbed to the top of the industry. everyone is dying to score a line or two in his films.

and i'd like to think that sukuna himself dabbles into acting a little as well. there's probably one film where he stars as the killer, and it becomes a classic :) but the one featuring you and him probably becomes both of your biggest hits ✨

oh, and on days where you two finish filming together, he takes you home with his own car, but before that, some freaky car sex probably occurs around some corner with his windows tinted... (he's been hot and bothered the whole time filming, watching you act)

the end <3

Masterlist

[kutyozh]

not only langblr music resources

people irl often ask me where the heck i find the music i listen to, so i figured i might as well make a handy resource masterpost!

Radio Garden: Listen to radio stations all over the world. You can save your favourite stations, explore radio playlists, and search for stations in specific countries or cities. Love this one. You can download the app (android and apple) or listen via your preferred browser.

Radiooooo: Lets you choose a country, a decade, and a 'genre' (slow, fast, or weird) to listen to. You can download the app (android and apple) or listen via your preferred browser.

Charts: Charts can be tricky if you're looking for music in a specific language since there are multiple languages present in most country specific charts. It is nevertheless worth checking them out. Top 40 Charts or Popnable are your places to go. Popnable has some additional features like playlists that you can find in the "Discover" section.

beehype: Filter music by continent or country. Main page shows featured articles to browse.

Tunefind: Heard a song in a film or tv show that you enjoy but can't find it in the credits? This is the website for you! I use it when shazam fails me or when I'm at the cinema and can't use it or w/e. The songs sometimes come with a description of the corresponding scene for easy checking. Just very handy to have on hand.

Last.fm: Copy this link template: https://www.last.fm/tag/[nationality]/artists and replace [nationality] with a nationality you want to explore, e.g. "french", "chinese" etc.

Wikipedia: Type into the search bar "music of [country]", e.g. "music of slovakia", "music of botswana" etc.

Local events: Check for concerts etc. in your area. I know this is not an option for everyone for a bunch of reasons, but if it is for you, visiting local concerts can be a gold mine. I got like ten whole new songs in spanish and one in rapanui from one event I went to (it was like a culture fest with singing, dancing, and poetry). Also listening to live music just connects you differently to the art imo.

Friends & Acquaintances: Last but not least; sometimes my nosiness beats my social anxiety and I simply ask people what they like to listen to. If I'm being extra confident, I ask if they listen to music in languages other than english. Go forth and ask people about their music, go go go!!

Spotify specific recs:

Every Noise At Once: Sounds overwhelming - and tbh it can be. For this reason I personally prefer to look at 'Genres by Country', although there are many other interesting playlists to look at, such as 'We Built This City On' or 'The Sounds of Places'. You can find more if you scroll all the way to the bottom. Unfortunately, due to the layoff of the creator of this site, some features are not available anymore. This website is entirely based on Spotify.

Discover Quickly: This one might become a game changer for me personally. How it works: Log in with your spotify account. Choose one of your playlists, saved albums, followed artists etc. All relevant songs will show up as tiny thumbnails. You will hear a sample when hovering over them. Klicking on one of the thumbnails will lead you to the artist's overall releases as well as related artists. You can add your finds directly to a playlist!

LindsayDoesLanguages: Individual language playlists + more

Shameless self promo - my own account with individual language playlists. Also on YouTube !

700+ Languages: A playlist by Matthew Bofenkamp that contains one (1) song per language, and as it says on the tin, Matthew has so far collected songs in over 700 languages. Might be a good starting point for more music in your language of interest! Accompanying g0ogle spreadsheet with youtube links here.

One Song in Every Language: A community playlist by looky_dooky that aims to collect one song in every language. Everyone with a spotify account can contribute.

Another research tip: If you're on desktop, a good way to find language specific playlists is to go to any artist's profile and scroll down to the "Discovered on" section, then click "show all". Voilà!

(These showed up when I visited Haleluya Tekletsadik's page)

[elixirfromthestars]

WELCOME TO MY CINEMA! ˙✧˖°🎥 ༘ ⋆｡🎞️˚

As you all know, last August I opened a cafe (a.k.a. my cafe themed writing challenge). The response to that was so wonderful and I adored hosting it and reading every single one of your entries, and I'm thinking it's time I host a new one! ♡

This time I decided to rent out a private theater for all of us to sit and have a movie marathon! This writing challenge starts today and closes on March 30th! I will be traveling the last week of March and it would be the perfect time for me to catch up on reading all the entries (since I read & reblog every fic submitted). The masterlist of all entries will be posted sometime in the following days of me returning from my travels! (Just like my last writing challenge, if you see this anytime later or can’t make the deadline do not fret, if anything below inspires you, you are welcome to write and tag me so I can read it and add your submission to the masterlist♡)

Below are the rules, prompts, and guidelines ♡

who you can write for: all marvel characters are welcome / any fictional sebastian stan or chris evans characters are welcome too (any characters they’ve portrayed based on real life people will not be accepted though!!) I will be expanding this from my last challenge and accepting submissions for characters from Top Gun Maverick & Twisters 2024. (please keep it to x reader fics only!!)

some general guidelines: Below I’ve provided a number of different scenes, quotes, and songs for inspiration ♡ Anyone can use as many as they'd like and even mix and match however you’d like!! If you use any please let me know somewhere in the post! If nothing below inspires you, you can always submit something with inspiration from a scene/dialogue exchange from another movie or tv show, just please let us know where the inspiration came from!! :) here's the catch though -> the scene/dialogue exchange has to come from another movie or tv show that is not from the one the character is originally from. For example, if you write for Bucky Barnes, the scene/dialogue exchange has to come from another movie or tv show that is not from Marvel. 18+ fics are welcome, just please add warnings! Entries are not limited, you are welcome to submit as many entries as you'd like! Any length of fics are welcome, but if it’s over 500 words please add the “keep reading” option. If you write something as part of a bigger series, please write your submission as a standalone ♡

what is not accepted: no dark fics, anything involving minors, incest, rape, noncon/dubcon... (You can always message/inbox me to ask questions.)

how to enter: please tag me and use #elixirscinema when you post ♡ i’ll leave a like (from my main blog @saturnsflowers) to let you know I saw it and reblog it to this blog once I read it :) I love reading and leaving comments on all submissions, so please be patient with me if I don't get to yours right away! also, let me know if I haven’t interacted with your post after a few days in case I missed it! You can send me a reminder through my inbox or dm, thank you! ♡♡♡

Happy writing! My inbox is always open for any questions or comments!! ♡ 

These trailers are all so exciting! Did any of them pique your interest?

˙✧˖°🎥 ༘ ⋆｡🎞️˚ For scenes, you can use any of the ones below or use one or more from any movie/tv show you'd like! You can use the dialogue, the themes, the moments, the dynamic, etc of the scene to inspire your writing. It doesn't necessarily have to be word for word or match the scene exactly nor entirely, it just has to inspire you in some way! Below I have different scenes linked for inspiration, but again you are free to use any scene(s) from anywhere else to inspire you!! ♡

📖 ...✩ Why didn't you write me? — The Notebook

🦊 ...✩ "I love you." / "It'll pass." — Fleabag S2

⛲️ ...✩ I loathe you... — The Princess Diaries 2

🩺 ...✩ Are you telling me you love me? — The Artful Dodger

🐎 ...✩ You're the bane of my existence... — Bridgerton S2

🗡 ...✩ That's not how you hold a dagger. — My Lady Jane

🗞 ...✩ You can’t lose something you never had. — How to Lose a Guy in 10 Days

🪶 ...✩ I burn for you... - Bridgerton S1

🖊 ...✩ You are my exception. — He’s Just Not That Into You

👒 ...✩ Don't marry him. — Little Women

🏹 ...✩ I do... I need you. — The Hunger Games: Catching Fire

🌊 ...✩ I thought that we loved each other... — The Summer I Turned Pretty S2

🪵 ...✩ There is no one like you... — To All The Boys I've Loved Before

🚢 ...✩ You jump I jump, remember? — Titanic

🪩 ...✩ Doesn't what I said mean anything to you? — When Harry Met Sally

🎸 ...✩ You were paid to take me out? — 10 Things I Hate About You

🫧 ...✩ You're looking way too hot right now... — Love, Rosie

🐚 ...✩ Are you engaged to that beautiful woman? — Mamma Mia Here We Go Again

💌 ...✩ Break my heart into a thousand pieces... — To All The Boys: P.S. I Still Love You

🏛...✩ I am never going to be over you. — Scandal

🥂...✩ Oh, now I remember why I had such a crush on you… — Something Borrowed

🚑 ...✩ I'll tell you what you are to me... Criminal Minds S4

💋 ...✩ Do you really hate me? — The Hating Game

🌀 ...✩ It's okay, I've got you now... — Maxton Hall

I’m going to get some snacks before the marathon starts. Do you want anything? Here’s the menu:

🍫 ✩｡⋆⸜ "They warned me about you, I should have listened."

🥨 ✩｡⋆⸜ "No. No, stop. Stop talking like that. You're going to be fine."

🍪 ✩｡⋆⸜ "Of course I came for you. It would take far much more than that to stop me."

🍟 ✩｡⋆⸜ Realizing they're in love.

🍭 ✩｡⋆⸜ "It was just a kiss. It changed nothing between us."

🧋✩｡⋆⸜ "We're not just friends and you fucking know it."

🥤✩｡⋆⸜ "I have loved you from the moment I laid my eyes on you."

🍬 ✩｡⋆⸜ "Are you flirting with me?" — "You finally noticed?"

🍿 ✩｡⋆⸜ "Just stay. We can figure everything else out later. Right now, just stay."

🍦✩｡⋆⸜ "If there's really nothing going on between the two of you, you don't mind if I ask ___ out on a date, do you?"

🍕✩｡⋆⸜ "I cannot stand you, and yet, I also cannot stand to be away from you."

🍗 ✩｡⋆⸜ "Wait a minute. Are you jealous?"

🥪 ✩｡⋆⸜ "Do I need to remind you that we're not actually married?"

🍩 ✩｡⋆⸜ "If you don't love me, prove it then. Prove to me you've never felt something towards me. Look at me."

🌭 ✩｡⋆⸜ "You kissed me last night." — "And you didn't stop me."

🍔 ✩｡⋆⸜ "What if I told you I've been in love with you since we were kids?"

🥗 ✩｡⋆⸜ "Is this what you wanted, huh? Making me fall in love with you just—just to fucking leave? Do you really expect me to be okay with that?"

🌯 ✩｡⋆⸜ "I love you." — "You shouldn't."

🧁✩｡⋆⸜ "If you leave now, you lose everything. You lose me."

🧃✩｡⋆⸜ "I think we need to talk."

🍧 ✩｡⋆⸜ “I don’t owe you an explanation.”

🍰 ✩｡⋆⸜ “Kiss me.”

🍨 ✩｡⋆⸜ “It's storming, why are you here?"

Let's check out the songs on these soundtracks. Do you like any of them?

˙✧˖°🎥 ༘ ⋆｡🎞️˚ Feel free to use the lyrics below, the entire feel of the song, or any other lyrics in the song! The playlist is below in case you want to go through and listen to the songs while you write ♡

Black and White "Now, we're sittin' here in your livin' room. Tellin' stories while we share a drink or two, and there's a vision I've been holdin' in my mind. We're 65 and you ask when did I first know? I always knew." — Niall Horan

Cinema "Do you think I'm cool too? Or am I too into you? Tell me what you want and you got it, love. I want all of you, gimme all you got." — Harry Styles

Death Wish Love "And I'll ask the stars at night, how I can slow the time. God, I'm so terrified that I'm gonna lose you. And I'll die if I do." — Benson Boone

Exile "I think I've seen this film before, and I didn't like the ending. You're not my homeland anymore, so what am I defending now? You were my town. Now I'm in exile, seein' you out." — Taylor Swift

Happier Than Ever "And I don't talk shit about you on the internet. Never told anyone anything bad. 'Cause that shit's embarrassing, you were my everything, and all that you did was make me fucking sad. So don't waste the time I don't have, and don't try to make me feel bad." — Billie Eilish

Hold My Hand "Pull me close, wrap me in your aching arms. I see that you're hurtin', why'd you take so long to tell me you need me? I see that you're bleeding, you don't need to show me again. But if you decide to, I'll ride in this life with you. I won't let go 'til the end." — Lady Gaga

I Like Me Better "I like me better when I'm with you. I don't know what it is, but I got that feeling. Wakin' up in this bed next to you. Swear the room, yeah, got no ceiling. If we lay, let the day just pass us by. I might get to too much talking. I might have to tell you somethin'" — Lauv

Iris "And I'd give up forever to touch you, 'cause I know that you feel me somehow. You're the closest to heaven that I'll ever be, and I don't wanna go home right now." — The Goo Goo Dolls

John Hughes Movie "Maybe if I'd reined it in, you wouldn't wanna kiss somebody else. And you don't owe me anything, so I'm just gonna walk home by myself. And it's not like I've been crying, no. There's just smoke in my eyes." — Maisie Peters

Love Again "Show me that heaven's right here, baby. Touch me so I know I'm not crazy. Never have I ever met somebody like you. Used to be afraid of love and what it might do, but goddamn, you got me in love again." — Dua Lipa

Love The Hell Out Of You "I'm gonna love the hell out of you. Take all the pain that you're going through. I'll bring you heaven if that's what you need. 'Cause you've always loved the hell out of me." — Lewis Capaldi

McKay & Cassie "Console me, don't let me go, baby. Ain't nobody gonna hurt you, so feed me with those pretty lies. 'Cause there ain't no escaping those ocean eyes. Oh, baby, I'll kill anybody that hurt you." — Labrinth

Movies "In my head, we're dancing in the dark. In my head, we kiss under the stars, but we know that's not what we're doing. 'Cause, baby, this ain't like the movies... I want a love like the movies." — Conan Gray

My Tears Ricochet "I didn't have it in myself to go with grace. And you're the hero flying around, saving face. And if I'm dead to you, why are you at the wake? Cursing my name, wishing I stayed. Look at how my tears ricochet." — Taylor Swift

Slow Motion "Dreaming 'bout you sinkin' into my bed. Dizzy, I see stars all around my head. Liftin' me up to the moon and back again. You're my lucky penny, yeah, you just make sense. I like to keep my cool, but you're divine. Mother Nature must've taken her time. Come on, take me away, I'll let you drive." — Alessia Cara

So Hot You're Hurting My Feelings "And I'm out at a party, they're playin' our song. I cry on the dance floor, it's so embarrassing. Don't send me photos, you're makin' it worse. 'Cause you're so hot, it's hurtin' my feelings. I get a little lonely. Get a little more close to me. You're the only one who knows me, babe." — Caroline Polachek

The Way I Loved You "I miss screaming and fighting and kissing in the rain. It's 2 a.m. and I'm cursing your name. I'm so in love that I acted insane and that's the way I loved you. Breaking down and coming undone, it's a roller coaster kind of rush. And I never knew I could feel that much and that's the way I loved you." — Taylor Swift

Unsaid Emily "If I could take us back, if I could just do that. And write in every empty space the words "I love you" in replace. Then maybe time would not erase me. If you could only know, I never let you go. And the words I most regret are the ones I never meant to leave unsaid..." — Julie and the Phantoms

You Could Start A Cult "Lately, what I know of reality. I let go of it happily when I look in your eyes. Mm, swear it's true. No mountain that I wouldn't move or sea I wouldn't part in two. To wake up by your side is all I wanna do." — Niall Horan & Lizzy McAlpine

1 Step Forward, 3 Steps Back "It's one step forward and three steps back. I'm the love of your life until I make you mad. It's always one step forward and three steps back. Do you love me, want me, hate me? Boy, I don't understand." — Olivia Rodrigo

playlist for the songs above can be found here: 🎞️✮⋆˙

to my lovely mutuals, please don’t feel pressured to participate or share, just thought I’d share this with you all ♡  

@elvenrin @marvelstoriesepic @humanwip @flowersforbucky @whatever-lmaoo @nickfowlerrr @buck-star @navybrat817 @mercurial-chuckles @mrsbuckybarnes1917 @neverthatsirius-jo @perdidosbucky-yyo @nicoline1998enilocin @mostly-marvel-musings @vintagebuckybarnes @barnesafterglow @nekoannie-chan @stellar-solar-flare @fvckingavengers @thevillainswhore @drabblesandsnippets @amathslutsguidetofandom @multiversefanfics @thereoncewasagirlnamedjane @malum-forev @nameless-ken @writing-for-marvel

I am new to the Top Gun Maverick & Twisters fanfic communities, (I've only just recently started writing for some characters), so I will be tagging some writers whose work I have in my to be read 🥺♡♡ To those who I've tagged, please feel free to ignore and don't feel pressured at all to share!! I just thought I'd reach out to a few writers in those communities, since I mainly have only marvel mutuals/followers ♡♡

@rootedinrevisions @arcane-vagabond @sunlightmurdock @ohtobeleah @roosterforme @sehnsuchts-trunken @sunnysidevans @fireinmoonshot @rosie-read-that @seresinhangmanjake @mickandmusings @bloatedandalone04

[jbaileyfansite]

Critics Reactions to Jonathan Bailey's perfomance as Fiyero (Master Post)

“Dancing Through Life,” on the other hand, is the adaptation’s biggest musical accomplishment. Although Wicked is primarily about the relationship between these two women, the charming prince Fiyero always threatens to steal the show, and never more so now that Bridgerton heartthrob Jonathan Bailey is playing him in a dazzling blue/gold suit. Setting this song in a library full of rotating, cylindrical shelves allows the dancers to really show off their moves, while Bailey succeeds at infusing the number with his personality as he flirts with men and women alike. Unless Wicked really hits big with the Academy, it’s unlikely that Bailey will score a Best Supporting Actor nomination at the Oscars, but surely he deserves some honor for being the sexiest actor on Earth at the moment — hope you’re taking notes for next year, PEOPLE! [x]

And Bailey, from his boot-toe book choreography to ovation-worthy gymnastics, is hoofing his way through every step of “Dancing Through Life;” there will be deserved awards attention coming Grande and Erivo’s way for Wicked, and Bailey should be as much a part of the conversation. I can’t remember the last time a performance was so instantly charismatic, the kind of movie-star heist—he nearly runs away with the film during that musical number—that makes going to the cinema so exciting. [x]

A character I was worried about going into this. Jonathan Bailey, he plays Fiyero, who is this kind of just over the top cocky, flamboyant, kind of douchey, but in a fun way character. And there’s just so much there that it could be really easy to mess up. And I didn’t know that he was into song and dance performance, because I’ve only seen him in Bridgerton, so I didn’t know what else was in his repertoire. But I feel like he absolutely crushed that character. You cannot help but love everything he does when he’s on screen. He nails it. [x]

Jonathan Bailey oozes sex appeal and charisma as Fiyero Tigelaar in an utterly swoon-worthy performance, unleashing his West End talents with the dazzling “Dancing Through Life” sequence that cements himself as a true superstar, while his chemistry with both Erivo and Grande is off the charts. [x]

I have to give Jonathan Bailey his freaking flowers. I thought he was going to be good. He got an Olivier award for Company and if you haven't, there is a video of him singing The Last Five Years from years ago….So I was like I think he's going to do a good job, he's also so charming and everybody loves him. I was not prepared to see what we got. The perfomance, the vocals, the gymnastics, the charm, the way he says 'you're perfect' is just engrained in my brain in the right way. And he's so…like he would have chemistry with a chair, I'm convinced. Everyone in 'Dancing Through Life' is now pregnant and so am I. His entire arc of Fiyero being like the daft person and then becoming who he becomes is so clear and every choice, and look, nuances he has…it is calculated but effortless. [x]

Jonathan Bailey delights in the supporting cast as her love interest Fiyero, also offering a fantastic interpretation of someone who hasn’t been called upon too often to be serious but might be willing to give it a try. [x]

“Dancing Through Life” triumphantly translates the joy of seeing Wicked live: Dancers perform acrobatics in rotating circular bookshelves, Jonathan Bailey (who I swear has chemistry with every single person on the planet) taps his way across books with a flippancy perfectly suited to the charismatic prince Fiyero, and the ensemble works (and sings!) in harmony. [x]

Jonathan Bailey uncorks an outrageous scene-stealer as the heterocamp Fiyero, a performance to put alongside Cary Elwes in The Princess Bride. [x]

Chu's usual choreographer, Christopher Scott, delivers again with vibrant, inspired moves, particularly in the elaborate "Dancing Through Life," which takes place in the school's rotating, multilevel library. "Bridgerton" star Jonathan Bailey gets a chance to show off his musical theater background here, and he's terrifically charming as the glib Prince Fiyero, the object of both Elphaba and Galinda's romantic interests. [x]

The true surprise, even more than Grande, is Jonathan Bailey as Fiyero, the charming prince with hidden depths that both Galinda and Elphaba gravitate towards. Bailey has such a light comic touch to him and his performance of “Dancing Through Life” might be the best part of the movie, and the most ambitious set piece in the film. [x]

The true standouts are three-fold, with Grande, Erivo, and Bailey embracing the tonal shifts with unbridled glee. […] Fiyero has major bisexual vibes, and chemistry with every single character. Bailey’s take on “Dancing Through Life” lets the Olivier Award-winning actor unleash his sex appeal on a library full of unsuspecting Oz-ites. [x]

Jonathan Bailey adds renegade bravado as the devil-may-care Prince Fiyero, selling the character's journey from apathy to activism with aplomb. [x]

Elsewhere, British heartthrob Jonathan Bailey steals the show as the vain Prince Fiyero Tigelaar, a love interest for both young witches. Bailey effortlessly dances and sings his way through the film’s most demanding musical numbers. [x]

It's Jonathan Bailey who threatens to steal the show though, instantly charming during Flyero's meet-cute with Elphaba. Anybody not swooning already will be with his excellent 'Dancing Through Life' number, Bailey's palpable charisma shining through the extended number which culminates in a reimagined Ozdust Ballroom. [x]

One more: Jonathan Bailey. His dashing Prince Fiyero is one charming prince, so cheeky that he will have boys and girls everywhere swooning. And swoon they do, within the film — it’s a small thing, and not to get all #RepresentationMatters about it, but I was delighted to see Wicked make very clear that both male and female Shiz students are equally lustful whenever Fiyero’s around. There are some deliciously flirtatious moments between Fiyero and some guys during “Dancing Through Life,” and it had me thinking about the fact that, for as fabulously gay as musical theater so often is, you don’t usually see that kind of thing in a massive mainstream film. Kudos all around. [x]

The standout to me: I’m going to go with Jonathan Bailey as Fiyero. He pops up into the film and immediately comes off so cocky, but so charming and likable. Just everybody he talks to, he has this fun rapport and chemistry with them, and just brings to life every scene that he’s in, whether it is just dialogue, joking, dramatic or his big dance number in the library. He’s so good. And it’s one of those things where I am not super familiar with him outside of this, and you just see him and you go - man, that guy is a star, this guy is really good. [x]

And while Wicked is all about is two leading ladies, we must spare a moment or several for Jonathan Bailey’s virile, twinkly Fiyero, who quite literally leaps onto the screen on his horse while clad in tight britches and sturdy riding boots. He’s charming in a way I never found the rather bland character to be onstage, bringing vibrancy to the role as a big screen heartthrob who tears up the floor (and library books) with his aggressive dancing. Now it makes sense that he could turn the head of both Glinda and Elphaba. A West End veteran himself, Bridgerton actor Bailey also boasts an exemplary voice – the casting directors truly spoiled fans here – and there are no exceptions made when every number is treated as a potential show-stopper. [x]

In terms of supporting performances, Bailey’s absolutely dashing and magnetic, giving a star-making performance – a la Rupert Everett’s in MY BEST FRIEND’S WEDDING. He lights up the screen as the object of romantic affection in screwball-esque scenes shared with Grande as much as he does during the library set number leading “Dancing Through Life.” [x]

Bailey is a charming Fiyero, using all of his Bridgerton swagger in exactly the right ways. He arrives well into the term, a transfer student who has reached the end of the number of schools to be kicked out of. Fiyero is sometimes treated as a throwaway character–the generically hot love interest for two girls to feud over. But this Bailey’s Fiyero will not be so easily dismissed and his “Dancing Through Life,” plays well when accented by talented professional dancers that make the entire scene pop. [x]

Then there’s Jonathan Bailey, who manages to steal the show from his very entrance. Not since Dan Stevens first showed up in The Guest, or perhaps when Glenn Powell out-cruised Tom in Top Gun: Maverick, has there been this much tantalizing testosterone employed in such an effective way. Bailey’s bravura take on Fiyero Tigelaar, the Winkie Prince who sings about “Dancing Through Life,” is by far one of Chu’s most accomplished moments of filmmaking, managing to make the character simultaneously seductive and disarmingly silly. It’s also a moment in Wicked‘s storytelling where there’s fun to be had, and the massive sequence is absolutely a joy that by far exceeds the smaller scope of the on-stage presentation. [x]

Jonathan Bailey is so very “that guy.” His Fiyero doesn’t have the foppish facade of the original. His portrayal makes us aware he’s more complex than he appears from the moment we meet him and his talking horse, but as a Prince Charming, his rizz is high. Who wouldn’t fall in love with Bailey (and who hasn’t)? [x]

Bailey as Fiyero is the ultimate casting as the Lord becomes a Prince. He delves into Fiyero’s shallowness and his moments between Elphaba and Galinda are so starkly different as Bailey plays into both relationships organically with wonderful chemistry between all three. [x]

Jonathan Bailey has a standout musical number with “Dancing Through Life,” and he manages to have chemistry with everyone on screen as the handsome Fiyero. He’s fiercely flirtatious and fun to watch. [x]

Jonathan Bailey could have chemistry with an inanimate object. That man absolutely shines in the role of Fiyero. [x]

But, it’s Bailey’s Fiyero (surprise!) who steals the movie’s second-best scene: the elaborately choreographed “Dancing Through Life.” [x]

Galinda immediately sets her sights on Prince Fiyero (Jonathan Bailey, bringing an outstanding amount of Kenergy to his role). […] And there are certain sequences, specifically Galinda’s signature number “Popular” and Fiyero’s “Dancing Through Life”, where everything does click together nicely and the film suddenly sparks into life. [x]

Jonathan Bailey is absolutely swoony as the flirty Fiyero. While Wicked: Part One is just the beginning of his story, you can already see how Elphaba’s impact is starting to influence him to think more of others versus being shallow and self-consumed. [x]

Jonathan Bailey‘s Fiyero is a joy to watch, and you can see in his physicality and the sparkle in his eyes who he is destined to become. Once we see him dance and sing, he sweeps everyone off their feet. [x]

Fiyero gets one of the film’s most appealing numbers, brilliantly delivered by Bailey, “Dancing Through Life”, as the dashing Prince disturbs the peace of Shiz’s library to entice his classmates to join him for an evening of fun at “the most swankified place in town”, the Ozdust Ballroom. With Bailey gleefully taking on Christopher Scott characterful, silky smooth, choreography, he goes on to offer us seductive glimpses of the more substantial man hiding behind his mask of superficiality. [x]

I can’t say the word scene-stealer without talking about Jonathan Bailey as Fiyero. Give Jonathan Bailey awards, give him every role … for being so amazing in this movie. He is just so effortlessly cool and charming and funny, but I love the heart that he gives certain moments … Fiyero just lives with me now … He enters this movie giving me one of my favourite performances. [x]

The supporting cast proves equally magnificent. Jonathan Bailey’s Fiyero exudes oodles of charisma and a strong voice, easily proving he can handle Christopher Scott’s limber choreography while simultaneously putting his own stamp on it.  While his character plays a more major role in the second film, his introduction, through the stunning “Dancing Through Life” number, leaves a lasting impression and makes for a compelling counterpoint for both leading ladies. [x]

Not to be outdone, Jonathan Bailey of Bridgerton fame plays Fiyero. The heartthrob, almost brainless hunk, who arrives at Shiz and drives so many of the students crazy with lust. Now Bailey’s carefree, but passionate, and decisive in both singing and choreography. With his signature song “Dancing Through Life”, Bailey gets to showcase some awesome footwork, along with amazing vocals, for a scene that is just mesmerizing thanks to the energy and the camera work. [x]

That said, it's BRIDGERTON (2020) star Jonathan Bailey who winds up stealing most of the scenes he's in as the Prince, Fiyero Tigelaar. Bailey is fantastic as the Prince, bringing an entertaining sense of levity and delight to the film. This is to the point that Bailey's absence in the film's finale is quite noticeable, with the film feeling somewhat dull without his presence. [x]

Elsewhere, Jonathan Bailey is charismatic as the dumb-but-charming Fiyero, and there’s a campness to his song-and-dance number, “Dancing Through Life” that will stir the loins in a whole range of viewers. [x]

One standout is Jonathan Bailey as Fiyero, the Winkie prince who quickly makes a mark on Shiz after his enrollment. Bailey is not only charming and funny throughout, but exudes an energy that many of the other supporting players simply lack. [x]

Supporting roles are strong too, most notably from Jonathan Bailey as Fiyero, full of bravado and fun, as well as a hefty dose of yearning – and fans of Bridgerton will know that no one does yearning like Bailey. His 'Dancing Through Life' is a blast but he's just as powerful in the film's quieter moments as his chemistry with Elphaba burns. [x]

As for the supporting cast, Bailey absolutely shines in his biggest film role to date. Much like Galinda, Fiyero is initially privileged and arrogant, but Bailey instils him with so much undeniable charm that you can easily understand why literally everyone at Shiz is falling under his spell. The seeds are sewn for Fiyero to open up in Part Two, but, for now, Bailey nails it as a seemingly one-dimensional hunk with hidden layers to explore. [x]

The film’s biggest strength is its perfectly cast triple-threat performers – Cynthia Erivo as Elphaba Thropp, Ariana Grande-Butera as Glinda Upland and Jonathan Bailey as Fiyero Tigelaar, a handsome prince whose subplot is best not spoiled. […] The charismatic Bailey, Emmy-nominated for “Fellow Travelers,” is known as the oldest son Anthony in the “Bridgerton” TV series, but in England, he is also an accomplished musical theater performer. He won an Olivier Award as Best Supporting Actor in a Musical for playing Jamie in the revival of “Company” in 2018. Fleet-footed and a nimble vocalist, he gives Fiyero an allure that wasn’t initially apparent on stage. [x]

Meanwhile, Jonathan Bailey channels his incredible Kenergy to bring the effortlessly charming Fiyero to the screen, with his fun take on “Dancing Through Life” almost stealing the show (someone please give him his own musical!) [x]

The same goes for Fiyero as Jonathan Bailey who makes his male lead into a much stronger character by leaning into the sobering moments as strongly as the lighter ones. [x]

Another pleasant surprise was Bailey as Fiyero. Best-known for his role in “Bridgerton,” Bailey isn’t as well-known for his singing chops, but he deftly carries one the most dazzling musical numbers of the whole show, “Dancing Through Life,” serving up both impressive vocals and dancing. Beyond his musical talent, Bailey is charming and roguish as the Winkie prince, while hinting that there’s a little more to him beyond his care-free persona. Bailey also has the unique ability to have chemistry with practically anyone he’s a romantic lead with, so he has great chemistry with both Grande and Erivo. The few, briefly swoon-worthy interactions between Fiyero and Elphaba specifically will likely have fans excited to see Fiyero and Elphaba’s relationship develop in “Wicked: Part 2.” [x]