#also some conditions make it hard to be an artist

[flightyquinn]

I'd like to share something with you, Tumblr.

When I first played D&D 3.5, many years ago now, I played a bard named Wren, using a homebrew race that you could find on the official Wizards forums around that time called the Kassuri. He was a goofy little manlet with the ears and tail of a fox who knew no fear. He got to ride on the back of a luck dragon.

He tamed a shocker lizard and named it Tazer. He once drank a whole bucket of dwarven ale without getting drunk, and then shouted, "I said a large glass!" and another time bluffed a group of elven soldiers that the Half-orc paladin was his pet. When a demon killed his mentor, he avenged them and made a coat out of the demon's wings.

He fought his former friend turned enemy, almost died, and won. He got knighted by his king after starting the campaign exiled from his homeland, and then prayed so hard to be a better person that his alignment shifted right before going to face the final boss. When he realized the BBEG was sensitive to sounds and played a heavy metal lute solo so sick that it literally caused their Fortress of Evil to collapse.

It was a silly game, played fast and loose by a group that only half understood the rules, but it was a blast to play. After having some not-so-good experiences with AD&D (may I never forget The Exploding Cleric), it was the first game I ever played to the end of a campaign. I loved the game, and I love my group from back then...Hothgoth, Lios, Pixie, Elena, Leif, and even the others who came in later and didn't stick around as long. I've held onto those memories, and my beloved "first successful character", ever since.

Until the tail end of last year, I never had any decent art of him.

This is Wren, almost perfectly as I envisioned him all those years ago.

The sad truth is, unless you're an artist yourself, it can be hard to get character art for TTRPGs. Most people I know in the hobby don't have a lot of money, and even if they do you never know how long a character may last before getting killed by bad rolls. Back in the day, for the game Wren is from, we just used a text description and imagined the character. These days, most people I know use a virtual table top. Characters need tokens (and usually profile pictures for when other players check the sheet), and for hardcore players like me that are in several games a week, that's a lot of art that could need swapped out on a moment's notice.

The sad truth is, people just steal it. Even the people I know who are artists steal art, only really drawing characters they get attached to. We discuss what images would be good for characters, show one-another what we've found, and it's not uncommon to decide details about a character based on what kind of a picture you can find for them. So...when AI art started becoming a thing, I got excited.

Artist Tumblr probably noticed right away that the picture up there is AI generated. It's a pretty good output, but there's still telltale signs. Yes I notice them, and no they don't bother me. It's better than any of the attempts I ever made at doing a picture myself, and even if I could afford a picture of that level of quality, who knows if the artist I found would be able to fully understand my description the way I see it in my head, or if they would be willing to put in the time and effort to revise it to my satisfaction. It was going to be imperfect either way, but I was able to take time (a frankly ridiculous amount) to tweak things and start over and try different approaches until it was to my satisfaction.

...and like I said, I make a lot of characters. Now, instead of just finding some picture I like and stealing it wholesale, I end up generating a lot of character art. It's just for my personal use either way, and thanks to AI, I get to express my own ideas.

I know some people out there are abusing the technology to make a quick buck, but please remember that's a fault of those people. There are people abusing just about every technology out there. For other people, who are only trying to use it to express themselves or to do things without needing an additional skillset they don't have, AI art is a godsend.

[vanessagillings]

I’m posting the ever-so-rare photo of myself alongside one of my characters based on my childhood because today is World Autism Acceptance Day, and I wanted to show my little corner of the internet who this particular autistic person is:  

I was officially diagnosed in February, at age 38 (I’m now 39). A lot of people thought I couldn’t be autistic.  Some people who know me in real life still don’t.  And until around 10 years ago, I didn’t think I could be either, because I was nothing like the stereotype media portrays. I was told that autistics lacked empathy (untrue), and never played make-believe (also often untrue) and only enjoyed STEM.  I was — and am — an empathetic artist -- and make believe?  I can spend days sketching finely bedecked bears brewing tea or carefully choosing the right words to weave tapestries of fiction — though perhaps my hyper focus was a bit of a red flag.  Even so, how could autism describe me?  I was a good student.  I got straight A's. I didn’t act out in class.  I can make eye contact…if I must.  And lots of girls hate having their hair brushed with an unholy passion, right?  Clearly I swim in sarcasm like a fish, so autism couldn't be why I was so anxious all the time, could it?

If someone had told me when I was younger what autism ACTUALLY is — instead of the nonsense I’d seen on screens — I would have seen myself in it.  I didn’t hear that autistics have sensory issues until I was in my mid-twenties, which is when I first began to really research autism symptoms, and I had almost all of them:  sensitivity to light, smells, fabrics, temperatures, textures, and certain touches, all of which make me feel anxious, I fidget (stim), I never know what the hell to do with my hands or where to look, I talk too little or too much, I have special interests, I have entire animated movies memorized shot-by-shot and can remember the first time and place I saw every movie I've ever seen but I often forget what I'm trying to say mid-sentence, I echo movies and tv shows (my husband and I have a whole repertoire of shared echolalias, making up about 20% of our conversations), I was in speech therapy as a kid, I have issues with dysnomia and verbal fluency, I toe-walk, I can't multitask to save my life, I like things just-so, I’m deeply introverted but not shy, I need to recover from all social interaction — even social interaction I enjoy — and I find stupid, every day things like grocery shopping, driving and making appointments overwhelming and intensely stressful, sometimes to the point where I struggle to speak.  It turns out, I am definitely autistic. My results weren't borderline. Not even close. And while these aren’t all of my challenges, and not everyone with these symptoms is autistic, it’s definitely something to look into if you present with all of these things at once. 

So why did it take me so long to get diagnosed? The same bias that exists in media threads through the medical community as well, and because I'm a woman who can discuss the weather while smiling on cue, few people thought I was worth looking into. Even after I was fairly certain I was autistic, receiving an official diagnosis in the US is unnecessarily difficult and expensive, and in my case, completely uncovered by my insurance.  It cost me over $4000, and I could only afford it because my husband makes more money than I do as a freelance illustrator — a job I fell into largely because it didn’t require in-person work; like many autists, I have been chronically underemployed and underpaid, in part due to physical illness in my twenties, which is a topic for another day.  But it shouldn’t be like this.  It shouldn’t be so hard for adults to receive diagnoses and it shouldn’t be so hard for people to see themselves in this condition to begin with due to misinformation and stereotypes. Like many issues in America, these barriers are even higher for marginalized groups with multiple intersectionalities. 

It’s commonly said that if you’ve met one autistic person, you’ve met one autistic person.  This is why it’s called a spectrum, not because there’s a linear progression of severity (someone who appears to have low support needs like myself might need more than it seems, and vice versa), but because every autistic person has their own strengths and weaknesses, challenges and experiences, opinions and needs.  No two people on the spectrum present in the same way.  And that’s a good thing!  No way of being autistic is inherently any better than any other, and even if someone on the spectrum struggles with things I don’t — or can do things I can’t — doesn’t make them more or less deserving of respect and human dignity.

But speaking solely for myself, the more I learn about autism, the happier I am to be autistic.  I struggle to find words and exert fine motor control, but my deep passion and fixation has made me good at art and storytelling anyway.  I find more joy watching dogs and studying leaf shapes on my walks than most people do in an entire day.  More often than not, the barriers I’ve faced weren’t due to my autism directly, but due to society being overly rigid about what it considers a valid way of existing.  My hope in writing this today is that maybe one person will realize that autism isn’t what they thought — and that being different is not the same as being less than. My hope with my fiction is to give autistic children mirrors with which to see themselves, and everyone else windows through which to see us as we actually are.

If you’re interested in learning more about autism or think you might be autistic, too, I recommend the Autism Self Advocacy Network  autisticadvocacy.org and the following books:

What I Mean When I Say I’m Autistic by Annie Kotowicz

We're Not Broken by Eric Garcia

Knowing Why edited by Elizabeth Bartmess

Unmasking Autism by Devon Price, PhD

Loud Hands edited by Julia Bascom

Neurotribes by Steve Silberman

(trigger warning: the last two contain quite a lot of upsetting material involving institutionalized child abuse, but I think it’s important for people to know how often autistic children were — and are — abused simply for being neurodivergent).

Thanks for reading 💛

[not-quite-normal]

hi!!!! there been news articles saying that the working conditions of spiderverse were rlly rlly bad to the point of 100 ppl quitting or someting…. sorry to be liek an annoying reporter and b kinda invasive but is this tru D:

the big article that came out, for anyone curious: https://www.vulture.com/2023/06/spider-verse-animation-four-artists-on-making-the-sequel.html

there are some aspects about the article that i don't feel comfortable commenting on, but yes a lot of animators did quit. a lot of it had to do with the issues mentioned in the article, but a lot also left because disney opened a studio in vancouver (where sony imageworks is located) and had to hire an entire crew. i don't blame people for leaving spiderverse to get in on being a part of establishing the disney vancouver studio

i will also say that some of the information going around is incorrect; we did not work 11 hours a day, 7 days a week for over a year. working 7 days a week is illegal, and though some people worked sundays, they were clearly told that they could not work the next saturday if they worked a sunday. we encouraged people to not work ghost hours, and OT was always optional (except for saturday work towards the end, but nobody was punished or anything if they couldn't work a saturday). we also get paid for OT. i was on the movie for over a year but we certainly weren't crunching that whole time. like the article said, we were idle for a long time

it was undeniably a hard movie to work on and with such a large crew, everyone had a wide variety of experiences. the anonymous animators in the article aren't wrong, but i will say that there are people that felt differently, or not as strongly as them. it's a complicated issue that doesn't have a simple solution

i just hope this doesn't tarnish your view of the movie. we worked hard on it and everyone's immense celebration of the animation is making all that hard work very worth it!

[cripplecharacters]

I was wondering: I noticed that in art I almost always see limb stumps that are, for the lack of a better word, thick and with a rounded end. But observing amputees around me, what I noticed is that their stumps are more tapered, they also are often uneven instead of perfectly round, and the rest of the limb is often thinner as a result of less muscle mass.

Is this coincidental, or do you think stumps are represented in a way that is assumed to be more aesthetically pleasing to abled folk? How common is the "perfect round muscular stump" thing, if at all??

Hi!

As an artist that seeks out art of disabled characters, it's 100% trying to make the character look "less disabled and more pretty". It's usually not a conscious decision, most people just have pretty=good and disabled=ugly ingrained into them and don't think about it ever. Positive depictions of disabled people will do everything to portray them as conventionally attractive as possible, and there is no disability that is exempt from this.

This applies to everything. Most art showing disabled people will try to keep the disability to the absolute minimum - it's not coincidence that positive disabled characters have to be white, thin, young, if they use a prosthetic it has to be really cool and/or unrealistic, if they use a wheelchair it has to be a manual that has to be really cool and/or unrealistic, and they have to look as abled as possible; an abled model who just happened to be holding a cane is preferable since gait disorders are ugly. Good luck trying to find a drawing of a character using an ostomy bag, with congenital skeletal conditions, with severe spasticity, in one of these big powerchairs, I won't mention facial differences and how non-existent realistic representation of them is. Hell, it can be hard to find art of blind characters who aren't wearing blindfolds and eyepatches (since disabled body part ugly), let alone using an aid like a cane or a brailler (since that's Disability, and not just a quirky character trait).

With stumps, it's the same thing. Most often you don't see them, since they are Clearly Disabled. Usually they're behind a cool prosthetic that's called something else that sounds less disabled. If they aren't, they're probably bandaged, since they are Surely Scary. If they aren't that, they will be perfectly round, scarless (or with that big "starburst" type scar for some reason), symmetrical to other limb, and essentially look like you just erased the rest of a model's leg or arm.

Again, I don't think this is done on purpose, I think artists just don't think enough about how they choose to portray minorities. No one is researching anything, everything is a game of telephone from how someone else draws it, who cares that that person didn't bother to check anything either.

[Disclaimer that we don't have amputee mods]

How common is the "perfect round muscular stump" thing?

Not very common, but someone with a disarticulation (much more rare than through-bone) will have their muscles still attached to something and thus may not have the kind of tissue atrophy like someone with an above the knee amputation will. Even weightlifters with an above/below amputation will have some degree of atrophy (you can look at guys like Max Okun, etc.) so it's not like you can just "exercise it out".

A residual limb can be fairly round, but it mostly depends on where it actually is. A lot of people will have excess skin from skin flaps + tissue atrophy which gives it a different shape, BE amputees can have the actual bone shapes visible on the stump, etc. And of course there is scar tissue (unless it's congenital) which can affect how the limb looks like beyond just the sew line being visible; it can leave the stump with an indent around it, etc.

But all of that is of course Disability and Different, so it gets omitted in art. It'd be cool if this wasn't the case, but what can you do.

mod Sasza

[darantha]

How to Spot AI images (Hopefully)

So, I did see GailyNovelry's excellent post on this (Link here), but saw that there also were some confusion and they were using a environment image as their example, so I thought I'd do a breakdown that was more character centric.

The key thing with AI images is that the program does not know what it is making. And, arguably, they thrive on that we are currently conditioned to not really look at things for too long before we hit that engagement button and/or just scroll onwards to whatever next the algorithm feeds us.

It's hard to fight that urge, I know, but if you just pause and look, you'll soon start spotting things that just do not make sense, and I don't just mean that the pretty booby elven fighter is sporting seven fingers on one hand. Those are the obvious things. I'll try to cover the general sort of artefacts that tend to tip me off to the fact that a image is generated rather than actually hand-made by someone making informed design decisions as opposed to trust what amounts to RNG. I think this is important as there's those who do not tag their images as AI generated, and try to scam people with commissions.

And, as the saying goes... The devil is in the details.

To start with I picked this image from deviantuser CeiEllem. At first glance, it looks... very impressive. Sharp looking elf lady with killer hair. 10/10 wish I could rock that haircolour.

But, it is AI generated. Aside from the general tell that is this hyper rendered, near photorealistic style that AI images often have, there's a lot of details that tips it off to just not having been made by a human who actually made the decisions.

Since AI is just working off patterns and not actual decisions, things like hair is a immediate giveaway that you're looking at a AI image.

(Deviantart users: daralyth, DavidZarn and lunayokai)

In all these three images you can see just how hair whisps off into weird nonsense shapes or even meld into the background or clothing. Because, again, the AI doesn't know what its doing, just working with shapes. Similarly, background elements that just stop and start randomly is a dead giveaway, like the tail in the first image.

As I've said, details is the key to spotting these images, and another giveaway is the sheer density of details that is just noise.

This is from users Rigtorok7, and the details are so noisy, absolutely miniscule in scale, and hypersharp, yet have no actual design to them. Artists imply details all the time. We don't render out every single nook and crevice, and since we actually know what we want the viewer to look at, we'll pull back and simplify things so you don't want to look at the big chunk of very noisy hair ornament or necklace instead of the face of the character.

For comparison, this is how it looks when I, personally, indulge in doing 'overdetailing' of something (because I am forever weak for painting jewelry).

BUT I want to stress that the key here isn't that detailing equals AI generated. The key is the lack of design choices IN the details. There's a lot of artists out there, and someone painting out all those nooks and crannies in something doesn't mean they are a AI user. This painting by Leighton is super detailed but you see the intent with all the details. You have a focus with the people in the boat and secondary read of the figure in the door, where the details are a lot more implied and less sharp.

AI can't do that, because AI isn't making any decisions.

I couldn't find any good example once I went looking, but if you're into fantasy art: look for people just holding weird 'swords'.

AI is rapidly evolving, so who knows how much this'll help in 3 months, but for now, this is how I spot things.

But, in the end, the biggest giveaway that someone is using an AI generator is that they've filled up page after page on deviantart/artstation/wherever in the past like... six to nine months, and often swing between wildly different styles. If you're unsure, look up the source of a image. Another clue can be generic 'untitled' or just 'elf lady' sort of titles, since someone uploading 30 images a week isn't going to make unique titles for each image.

Also, commissioners. ... you should ALWAYS get a sketch and progress image from a artist that you hire. My art directors would have my head on a plate if I didn't send them a rough sketch and progress shot before finalising the image.

[sukunasdumbestchef]

way how i see you.

True form!Sukuna x Blind!Fem!reader

꒰You are the one and only wife of the King of Curses, but you don't just have this peculiarity… you are also blind. And painting is your way of painting and trying to represent what you see, even if it's just a little.꒱

Fluff, but cheesy.

BAD ENGLISJ SORRY😭

It was actually a secret… blindness. No one suspected…not even the King, Sukuna Ryomen. You hid it so well.

For obvious reasons, your life changed drastically after your vision got worse, the world around you lost its colors and beauty every day. Your world became just silhouettes moving around, almost colorless and blurred. But, you were aware of some things, just by looking at the silhouettes, you know how to differentiate an animal from a human, or if someone uses hair accessories. You weren't completely blind, but you were blind enough to be considered blind and have difficulties.

Uraume was the first to suspect, they were going to your room to hand over your newly cleaned kimonos. Uraume pushed the door open with an elbow. It was at the same time that you were combing your hair, your room lacked a little light, the candles had run out at the moment. You placed the comb where you thought the table was, but the comb ended up falling. You crouched down, trying to look for the lost comb on the floor, as the comb was clearly next to you. But they did not talked, nor did they mention this to the king.

Sukuna became suspicious when you two were at the table. In an attempt to get the chopsticks, you put your hand in a completely far place. It wasn't your fault, the chopsticks were the same color as the table! You tried again, nervous and hoping your husband wasn't looking at you. You went wrong again, you swallowed hard. You only realized where the chopsticks were when you turned your head drastically.

"…" Sukuna obviously noticed this. So the dots connected in his cruel head: Didn't she see where they were? Maybe… it makes sense, this woman is "strict" with how Uraume serves her food, she asks that the rice be placed in a light-colored bowl, if possible, in a light yellow bowl… and things like that...

"Wife. Are you blind?" Sukuna asked, without further ado. You felt your heart lock… could it be now? The truth?

"Sukuna…I, yes I am blind, please my king forgive me for keeping it a secret!" You soon explained yourself, standing up and crouching in respect. You thought he was angry, but he was surprised. He realized that you were not a silly woman, you are a very smart woman, no one suspected that you were blind… not even the king!

And that's how your life changed, Sukuna didn't even ask and you already explained your condition. You explained that you weren't completely blind, but you made her life difficult. Sukuna, like a husband who doesn't say 'I love you' but would burn the world for you, did everything he could to help you, Uraume helped you more.

You were an artist too, you painted several pictures. First, Sukuna thought they were cute and that was it. However, upon discovering your lack of vision, he began to see your paintings differently… it was you representing the world… through your eyes, how you imagine the colors, from the memory of when you could still see the colors…

Sukuna was stuck, looking at his painting where you had made him. He remembers saying in the past how different their brands were, but now he understands. "I'm more surprised, woman, you actually almost managed to draw my marks… Did you do what you imagined they would look like?" Sukuna asked, you next to him nodded.

"I could see the spots on your wrist, they stand out against your skin. The ones on your face are harder to see…" you explained. Sukuna took you in his arms, you were confused because you didn't expect this all of a sudden. "Sukuna?"

"Um, give me your finger." He took her index finger. Her heart warmed as she felt him trace his marks with his finger. You got closer to his face, getting a better look.

"Wait… you have a mini eye underneath? I thought you only had 3 eyes…" Sukuna smiles.

"It's small." Sukuna replied, getting her down from his arm.

"Oh, Kuna! I need to paint you again!" She said, looking at him with a cute smile. Sukuna saw her pull out a painting, and sit at her desk. Sukuna sat right next to her, very close to her. "Kuna… this tone looks strange, does this pink look like your hair?"

"Yes? I don't understand anything about this color thing… I don't care." You sighed, but started painting. You approached him very closely, to see his features up close. He gives you a peck, "You're so close." He complained, you laughed.

He pulled you onto his lap, so it was easier for you to see him. He felt her soft hand contouring his sharp features. Analyzing, Sukuna held her closer. It was such a rare moment, so warm…

But Sukuna closed his eyes in pain when she accidentally stuck her finger in his eyes. "Stupid, woman. Do you want to make me like you, you bastard?"

"I didn't think it was funny Sukuna, it was by accident…"

"Whatever, get it over with. My ass is going to hurt if I sit here for so long."

"HUSH!"

I have a version of this same theme with a longer story and angsty in the middle… do you want me to post it?

long story version

[fireflysummers]

Good Omens S2

Okay so.

Excellent Job, Gaiman

Ouch???

I don't like to publicly talk about my personal life. My academic life is my professional life is my artist life. But my personal life? Not so much, outside of vignettes.

But for the past several months, I've been deconstructing a lot of personal baggage and trauma surrounding both family and religion, after leaving the cult I was raised in (mormonism).

It's terrifying to realize that the framework you built your entire self on is false. It's exhausting and painful to deconstruct that framework, to disentangle your identity in the way that won't destroy you.

And it's slow.

Nobody ever tells you how slow it is to heal. You can't control the rate you heal either. You just have to be patient with yourself, and give yourself an environment where that healing can occur safely and naturally.

Anyways.

Good Omens, and its weird tendency to be exactly what I need when I need it.

I first read Good Omens in high school. And honestly, I didn't quite get it, at the time. I only knew it was different from every other book I've ever read, one that didn't treat religion as stupid or trivial, but also one that called out the blatant hypocrisy and control tactics involved. It helped me safely challenge a status quo I hadn't even realized existed.

I first watched Good Omens partway into my Master's Degree. It was everything that I could've hoped for. I understood the book a lot better, but the TV adaptation captured my struggles with mental dissonance, trying to understand and accept the parts of my identity that I was taught God didn't want.

I watch S2 a year into my doctoral program. I'm out of the cult, and it's exhilarating and painful and scary and fun, but I can still feel the scars its hooks left when they were torn out.

I feel like S2 Aziraphale is in about the same place. He's exploring his freedom, but also trying to reorient himself. He's trying to let himself be. He's healing, but his boundaries got overridden due to circumstances out of his control (naked Gabriel). He's been pulled back into the gravity of the abusive system he tried to escape, given a carrot on a stick, and isn't yet healed or strong enough to resist.

On top of that, Aziraphale is still holding onto the hope that the problem was bad individuals, not a corrupted system. He thinks if the leadership is different, things can change. He thinks if he had more authority in the system, he could make things change. And... that's not how it works.

And Crowley. Dear Crowley.

He wants Aziraphale to be farther along in his healing than he is. Honestly, Aziraphale wants it too. But again, you cannot force this kind of healing, even when it results in a loved one making some truly stupid decisions.

Crowley sees the system for what it is. He's already deconstructed that part. But he hasn't really started addressing his own trauma. He's hinged his entire existence on Aziraphale, on being what Aziraphale needs, that he hasn't allowed himself to heal either. And Aziraphale, who is vulnerable and healing, is not able to provide the support that Crowley would need to recover safely.

Which is why them separating is probably the best thing for both of them.

It won't be permanent.

But they don't communicate, and their relationship while delightful and beautiful risks unhealthy codependency that prevents either from really growing or healing.

Anyways, what I really hope to see next season is Aziraphale's realization that the system never had his back. That the system is what's wrong, and that he can't win by playing at respectability politics or gaining a higher status within it.

I want Aziraphale to get angry.

He deserves it. He's tried so hard. He thinks he's lost Crowley over it.

I want him to feel the gut-wrenching despair of realizing how conditional and fleeting the system's version of love is, and I want it to turn into a rage.

But not a destructive rage--the sort of anger that Pratchett ascribes to himself and many of his works. The sort of anger that fueled Discworld and Good Omens. The sort that can be finessed into a weapon and a shield, that can be used to protect the people who truly love you.

For millennia we see Crowley fighting for Aziraphale.

For Season 3, I want to see Aziraphale fighting for his demon.

For him to apologize, without the expectation that Crowley will come back, but because he was wrong and Crowley needs to know it. To not expect forgiveness, not even think he deserves it.

And then for Crowley--who is trying to hide his heart eyes at seeing his avenging angel coming to save him for once, who he can tell immediately has changed, and is finally going Crowley's speed)--for Crowley to give that forgiveness, without strings attached.

[mikareo]

౨ৎ⋆ ˚｡⋆ A LOVE LETTER TO: THE LOUVRE ⠀⠀⠀⠀⠀⠀⠀⠀呪術廻船; geto suguru x fem reader ⠀ ꒰ . . org. writing repost ꒱ . . . word count; 12.9k

⊹ ⠀⠀ for as long as he can remember, geto's world has been black and white - giving him no reason to appreciate his mother’s profession as an artist and the beauties that art can provide. however, an accidental meeting with you gives him reason to doubt his former beliefs - proving to him that there may be true beauty in a world that’s void of everything bright, that beauty being the sunshine that you provide. 

contains; colorblind!geto, painter!reader, geto's mom is reader’s art mentor, he hates art, strangers to friends to lovers, major crushing from both sides, slow burn but also not slow burn, swearing, fluff, reader acts like she’s on an adrenaline rush 24/7, jealousy, angst, explosive arguments, lowkey toxic, extremely inaccurate depictions of colorblindness!!, geto sucks at flirting author's note; repost of a bllk fic i have, titled 'rationalism'. if there are any plot errors pls let me know,, the original fic is still posted, i just wanted this up for jjk too,, enjoy!

Whenever the sun meets its peak at the high dawning point in the sky is when Suguru knows it's a perfectly acceptable time to visit his oh-so-beloved mother. If he could, he would spend every waking moment with her - he’s a momma’s boy through and through - not only because she birthed him and taught him everything he knows, but because she’s kind and good. She’s also one of - scratch that - she’s the only person he can stand to be around for more than twenty four hours - and he takes great pride in having such a wonderful woman in his life.

However, despite how dearly he holds his mother to his heart, the issue with visiting her at this time of day is that she’s in her art studio. A place he loathes more than having to wear wet socks with sneakers. While it’s a beautiful space, with high wooden beams and floor to ceiling windows, he finds himself nauseous at the mere sight of the countless tubes of oil and acrylic paints. It’s not that the smell or colors are distasteful, it’s the fact that no matter how hard he squints and struggles, he cannot fathom what the simple color red looks like.

Complete black and white color blindness isn’t a life threatening condition in the slightest, but for Suguru, it feels as if he’s being stabbed through the sternum at any notion of the changing leaves or colorful streaks of light across the sun-setting sky.

He doesn’t hate his mother for being an artist, he simply hates the art itself.

And he especially hates pieces of art like the one sitting before him, now. With the blobs of squares and triangles against the supposedly white canvas, sitting perky on the easel as if to mock him - he decides to reach his hand out - and remind himself how emotionally detached acrylic paints make him feel. It’s wet, he observes, rubbing his thumb and pointer finger together to mix the possibly different hues. Suguru hopes he didn’t ruin the artist’s painting in any way, he wouldn’t know if he’d accidentally smeared shading or contrasting primaries - but surely the artist could fix it in a jiffy.

“Do you like it?”

Well, that certainly isn’t his mother’s voice.

“I tried using cooler tones in the corner here, and then migrated towards warmth in the lower portion.” You’re beside him now, standing shoulder-to-shoulder with his position, and completely ignoring his personal space - all while he’s never met you before this day. Your finger is extended, pointing towards the artistic decisions you’re elaborating on that, in all honesty, he doesn’t give two shits about. “I’m thinking about sketching some paper cranes on top of it all, I want it to represent the change of seasons.”

“What do you think?”

You’re staring at him now, bright eyes shining with curiosity. Suguru is at a loss for words, mostly due to your unannounced appearance in the studio, but also because you’re possibly the most beautiful woman he’s ever laid his eyes on - which is shocking, considering the sight of thick paint smudged against a person’s face typically sends him running the opposite direction. He’s never felt an immediate connection to the women of his past - however you, a strange girl who resembles a dog waiting for its treat, has his heart beating at twice the rate.

“I like this shape.” Suguru purses his lips into a straight line, never having felt so awkward in his whole life. “This square is nice, too.”

You look utterly unimpressed with his evaluation. Your nose is scrunched in distaste and the fold beneath your right eye seems to be twitching in disapproval for your own artwork. “That’s all that you like?” You step ever so slightly closer to him, chin tilted up to meet his gaze, before retreating quickly and coddling your painting. “Perhaps I overestimated my color palette. I really thought it would be the outstanding moment of this piece, but I guess I could rework it if the shapes are all that matter—”

“Did you touch my painting?”

Oh boy, he’s in for it now.

A nervous laugh leaves his mouth, embarrassing him further as he reaches up to scratch the back of his neck in an attempt to look casual, only for you to grab his wrist out of thin air. “Oh my god, you did!” Your mouth is agape, inspecting his tattered skin in shock - yet somehow he knows that you aren’t truly upset with him - you don't seem like that kind of person. “Did you not realize that you’ve got scarlet red all over your palms?”

Suguru’s mind is blank, his ability to form coherent sentences is gone, and he can only muster up the cheesiest, most terribly dreadful joke that he’s said in the twenty three years he’s been alive.

“I guess you caught me red handed?”

There’s a moment of silence, with the two of you displaying the most aloof expressions either of you have ever made, until your face lights up with laughter. He doesn’t understand what could possibly be so funny - his joke was awful - but the sound of your contagious fits of giggles make his heart feel a little bit warmer in a place that he commonly feels suffocated in. For the first time, the studio gives him a sense of comfort rather than distress - and he knows it's because he’s developing a very clear crush on the pretty girl beside him. 

You’re hysterical, resembling that of insanity while Suguru is simply stuck in time. He can’t tell if he should be steadying you before you trip over your own feet or if he should simply take his leave and forget this day ever happened. 

“I don’t mean to be rude,” he begins, watching you wipe a tear of laughter from the crinkle of your right eye, “but why are you here? Do you have an appointment, because I could’ve sworn there weren’t any other people that were allowed in the studio at this hour—”

“Oh, I do know you!” The volume of your voice just seems to get louder and louder. “You must be Miss Geto’s son! She always mentions how lovely her little boy is, I can’t believe I’m finally meeting you! Though, I expected you to be like six or seven, not my age. She should’ve mentioned that you were handsome, not cute - she really chose every adjective other than the ones that wouldn’t make you sound like a primary schooler.”

Does she ever stop talking? Suguru doesn’t think he’s ever heard another person ramble on-and-on like you do. Normally he’d have ended the conversation by now, walked away without a second thought of whether he acted rude or not, but he knows that his mother would strangle him if he was to blatantly disregard her current favorite student. The student that she loves telling him stories about at the dinner table every Sunday night as he’s just trying to eat his fingerling potatoes in peace.

The same student who he’s somehow enjoying talking to - though it’s mostly just you talking to his blank face - and is causing a soft yellow blush to form on his cheeks. He doesn’t actually know if yellow is the color related to blushing, but he thinks he’s read it somewhere before. 

“Anyways, to answer your question—”

Suguru feels like he’d asked you hours ago.

“—I’d walked all the way to the train station and realized I’d forgotten my wallet here - which is strange because normally I never forget anything. I’m a very organized person—”

Yeah, he doesn’t believe that. 

“—and then I had to run all the way back here—”

Your shoes are scuffed. You definitely tripped on the way.

“—where I accidentally ran into a stroller…poor baby—”

Yep. Tripped.

“—which led me to you!”

You’re smiling now and Suguru doesn’t think he’s seen so many teeth shining at him in all of his life. God, do you ever run out of energy? No matter, he knows exactly where your missing item is. The anonymous wallet had been the first thing his eyes had grazed over when striding towards your artwork - good thing it’s only an arm’s reach away.

He snatches the wallet from the art easel and is pleasantly surprised by the quality of the possibly monochromatic leather. The clasp is simple, requiring just one twist before the contents of your identity are laid out before him. “Well, it’s nice to meet you,” Suguru recites the name written on your license and holds the items out to you, to which you reach out, eager to reunite with your belongings. However, at the last second he waves it in the air - away from your dying fingertips - and clicks his tongue two times. “Try not to lose it again. It’s a luxury brand, isn’t it? I like the black color.”

“Black?” Shit. The tilt of confusion your head makes indicates that your wallet is not, in fact, black. “I’m either stupid or color blind, but this is red.”

Before Suguru can respond, he’s saved by the bell. Well, technically his savior isn’t an actual bell, but you get the gist. “Miss Geto!” Thank god she’s finally here to distract you. He’s been fighting to maintain his pride throughout your entire interaction. “I made an extra trip to the studio and ran into your son, here! You weren’t lying when you said he’s a little quiet - honestly, I feel like I’ve been talking to myself this whole time.”

You quite literally have been doing that very thing for the past ten minutes. 

“Oh, Suguru! Have you been acting rude?” His mother’s expression is tense, stricter than the time he ‘accidentally’ took her (grey?) Kia Soul on a joyride that one weekend he and Satoru decided to go on a midnight run to the department store. “Please don’t mind him at all, dear. You see, he doesn’t exactly get out much - his social skills might be a little underdeveloped.”

She can’t actually be saying this right now. This is exactly why he hasn’t had a girlfriend in months - his mother embarrasses him in front of every pretty girl they come across in the first two minutes of saying ‘hello’. It isn’t that Suguru is a terrible flirt - which he is, but he likes to deny it - it’s that he loves his mother so much that he can’t bear to tell her that her attempts at ‘hooking him up’ are always bound to fail. 

However, you don’t appear to be phased by her words. If anything, you’re actually pleased by the sound of him being socially impaired. 

“That’s actually perfect!”

What.

The.

Fuck?

“He can be my portrait model!” You’re still talking. Please, for the love of God, stop talking. “You know how I’ve been trying to become better skilled in the emotional aspect of my paintings, he could definitely help me out by showing anxiety and embarrassment - and you’ve been telling me it’s about time that I found myself a model.”

The endless trail of words that continue to string from your mouth seem to reach their end. Rather than speaking in spitfire, you’re now crazily staring at Suguru, himself. Both of your fists are clenched together in a pleading hold and he doesn’t think that you’ve blinked since the start of your conversational rampage - but despite the absurdity of your proclamation, he believes you have good intentions. There really is no reason to deny the request - after all, he’d be helping out his mother in the process, she does love having successful students - but he just can’t imagine himself spending any more time in the dreadfully grey studio than he already does. 

“I don’t think that would be a very good idea.” His mother catches your words before he has a chance to give you his own oral letter of rejection. “Suguru’s never been one for art.”

“Oh.”

All you have to say is ‘oh’? 

“I wouldn’t want to make you uncomfortable,” you continue. The expression on your face is suddenly stern. Has he offended you in some way by saying no? “I’ll figure something else out, Miss Geto. I apologize if I overstepped.”

You’re bowing your head before him now, and Suguru is shell shocked. His first impression of you was undoubtedly a dud, considering how you actually do seem to have a rational bone in your body despite the hyperactivity you displayed just moments before. While he’s mustering up a response, you lift your eyes - lashes fluttering like upwards brush strokes on a canvas - and send a small smile his way. It’s as if you’re silently apologizing to him for the undivided attention you tormented him with, but he doesn’t want you to apologize. 

He just doesn’t know how to say that he actually liked your personality. 

God, he’s so bad at flirting. 

“Thanks for finding my wallet, though.” Your fingers are suddenly touching his, momentarily grazing against his skin as you pluck your wallet from his hands. There’s no chance that you haven’t noticed the rising heat that’s currently warming the blossoms of his cheeks, and he hopes that you find it endearing. While he isn’t great with words, he likes to think that he may be at least a little bit cute. His mother always calls him a ‘cutie’ - which he appreciates, but it’s also so degrading for someone of his age. “Maybe I’ll be forgetful more often, now.”

He hopes you’ll start being more forgetful, too.

You’ve left your entire bag this time. 

He can’t tell if you’re trying to be subtle and coy with the budding feelings that’re growing between the two of you, and you’re just as awful at flirting as he is - or if you’ve just given up on leaving small signs of attraction. Honestly, in the past few weeks of you leaving paintbrushes and lanyards in the studio, he’d assumed it was all naturally an accident. This, though? How do you expect him to believe that you left your entire satchel in the studio? Sure, you can be a little dense, but not that dense. 

It’s obvious that you’ve begun to lose track of your belongings for the simple reason that you enjoy partaking in the awkward exchange of items when you ‘hastily’ return to the empty renovated greenhouse and get to act surprised to see him standing there with his arms full of things with your name written all over them. In fact, this instance has happened so often that Suguru is beginning to believe that he actually enjoys it, too. 

Sometimes he thinks that maybe you should just write your name on him to speed up this dreadful ‘will they, won’t they’ process that you’ve been pacing together. 

He likes you. He really really likes you, and you both know it.

You’d picked up on his feelings from the second time you met - when he willingly stayed behind in the studio for an extra two hours just to hear you ramble about the difference between heavy and soft body acrylic paints. There was something about the way you grinned at him. How your chin would angle upwards to his height in order to have a proper conversation. How you weren’t afraid to say anything and everything that was on your sporadic mind. How your eyes would sparkle at the dedicated eye contact he was making - letting you know that he was hanging on to every word that left your lips (which he just recently found out are pink - and boy does he wish to know what that undoubtedly lovely color looks like against your skin). 

He hates to compare you to a painting - which he still finds a positively dreadful blob of nothingness - but to him, you are one. You’re a captivating piece of art hanging on the walls of the nationally acclaimed museum in his mind. 

A captivating piece of art whose art of subtlety is extremely lacking, considering that your phone number is quite literally painted on the largest white canvas your easel can hold, in bold lettering that he would have to be visually blind to miss, plastered behind the hiding place of your bag.

‘P.S. It's written in red paint. I know you have a thing for red.”

As much as he likes you, you can be such a pain in his ass. The bane of his existence, if you will. 

It pains him to notice how he hadn’t thought twice about typing the digits into his text bar, smiling to himself at the sight of your make-shift contact with the horrid selfie you’d taken on his phone to be your future contact picture. Your hair is an utter mess, with flecks of paint scattered across your hairline - which, to be honest, look like dandruff to him with their lack of vivid color, but he told you that they resemble snowflakes. He lied - but what you don’t know doesn’t hurt you. 

Without hesitating, he types a singular ‘hey’ before backtracking. What if you don’t know that it’s him texting you? What if you think that it’s a random stranger who just so happened to be in the art studio and thought to add your contact information to their phone? He better be more clear. 

‘Hello. You know me.’

Perfect. 

In less than a split second, you respond. He can feel his nerves itching at the sight of the grey text bubble popping in and out of view. Suguru can’t even remember the last time his heart beat so fast. Perhaps when he was standing in front of his secondary school health classroom and he accidentally mistook a photo of the urinary system with the ovaries during a speech about the female menstrual cycle? The stream of liquid projected against the white board was in fact not what he thought it was (how was he supposed to see the difference between red and yellow?), which turned into a horribly disgusting presentation that Satoru still bothers him about to this day. That was dreadful - but this is definitely equally as dreadful, if not more.

‘Stalker much?’ Huh? ‘Hi though, Suguru. That text was very…you.’

‘You added my number pretty quickly.’ Man, you text really fast. ‘You just couldn’t resist me, could you?’

He doesn’t know what to say back. It’s as if his mind has been scraped raw of all romantic material that one would usually use in this situation - the situation in which an unbelievably pretty girl is talking to him through a phone screen. Suguru is completely frozen in place, time, and thought. The only part of him that isn’t paralyzed is the hole in his chest that is beginning to be thawed by you. His frozen heart of past relationships has found its fire - and oh does it burn for you. 

“Cat got your tongue?”

Where the fuck did you come from?

Swiveling on his heel, he turns to face your approaching figure. Your footsteps are lighter than air, likely being the reason as to how you managed to stealthily sneak in so quietly while he had been distracted with his phone. The light denim jeans that cover you from waist to ankles are perhaps his favorite pair you own. You’ve painted on them over time, sketching out a garden of patterns that don’t require color to appreciate. Your artistic ability is uncanny - he can’t deny the fact that you’re incredibly skilled - and he believes that you should be given an award for making ‘art’s number one hater’ a growing fan. 

“You left your bag.” No shit, Captain Obvious. “Do you want it back?”

He’s so bad at this. 

You skip towards him, your left foot following your right in a rhythm of peppiness, and lean up towards him with a shine in your eyes. God, you look so pretty. Sure, seeing you from a comfortable distance with an easel separating your bodies was nice and all, but when you pull stunts like this - with no room for him to scurry off and run - he actually takes the time to digest your features in their true beauty. You’re the artist, yet he seems to be the one who’s always studying you.

“Do you have any plans for today?” You ask in a curious tone. Your hands are held together behind your back as you send him a beaming grin with an upturned lip. “—because I was thinking about grabbing some tea, and it would be so unfortunate if I had to go all alone and sit by myself with all of those strangers around me. Who knows what could happen? If only there were someone who could protect me in case a sleazy guy asks for my number…”

Are you trying to manipulate him, right now?

“I’ve got nothing to do today.”

—because he’ll gladly let you do so. 

The peaks of your eyebrows raise in surprise, not expecting him to accept the offer so quickly. Over the short time you’ve known one another, you’ve noticed that Suguru’s reluctance to spend one-on-one time with you has dwindled. He’s slowly becoming more comfortable in your presence and whatever inner turmoil that he’s facing is fading into the tide of your raging tsunami. There’s a peaceful gaze behind his brown eyes, now. One that you love to study whenever he isn’t looking your way (which isn’t often). 

“Then it’s a date!” Surging forwards, you take his arm in yours and link yourselves together. He’s initially shocked by the immediate physical connection you’ve managed to make within mere seconds, but he thinks that he likes it. It’s been so long since he’s even held hands with a girl, so he’s understandably tense, but you’re giving him time to adjust. After all, scaring him away would be your last intention. “I’ll even pay for your drink, since you were kind enough to find my lost satchel.”

“Yeah, your lost satchel was so hard to find.”

“I have no idea what you’re talking about.”

He smiles to himself.

Yes, you do.

He isn’t sure how, but he’s somehow burned his tongue again. 

“Shit!” Suguru hurriedly places his mug down onto the circular wooden table that separates the two of you, while attempting to be gentle since he doesn’t want to waste the perfectly tasty coffee that you paid for. He groans, dabbing the corners of his lips with one of the complimentary paper napkins. “Why does it get me every time?” 

This is perhaps the third week in a row that you and him have ditched the studio and decided to claim the neighboring cafe as your designated date spot - though you’re still an unofficially exclusive couple. Unofficial as in Suguru hasn’t found the nerves to ask you to be his girlfriend, and exclusive as in neither of you are nor want to see other people. It’s a confusing situation for both parties to be in, but he just can’t seem to take that next step with you no matter how hard he tries to push himself towards the ideal solution. 

Suguru is a rationalist. He takes in the information given to him through interactions and associations, working through it with logistics on his mind, and tries to find the best outcome. It’s how he’s lived every hour and every day of his adulthood, and he’s fairly set in stone with his mannerisms at this point. He always known who he is, what he wants, and how to obtain those things. What he didn’t know, though, was that an unpredictable variable (you) would crash into his life and disarray the routine that he’d been building for twenty-three years. 

The hypothesis born of the situation isn’t a difficult one to solve, after all he’s had it written down for a month: if Suguru finds the courage to ask you to be his girlfriend, then you’ll likely say yes and the two of you will live happily ever after. Easy, right?

Wrong. He’s a chicken.

“Here. This might help you cool down.”

Your arm is extended, offering him your drink of the day without hesitation. Every time you come here, arm-in-arm, you order something different. ‘There’s no fun without surprise’, is what you tell him after the consistent strange glances he sends your way when you’re ordering, and he can’t help but disagree. You’re very different individuals - and that difference is extremely apparent with the light, mint garnished tea in your glass compared to the dark roast coffee in his. 

“Thanks, you’re a lifesaver.” He sighs in relief as the cool liquid flows down his throat in an internal waterfall. “Holy shit, this is actually so good.”

You laugh, “I would hope so. I only got it because of the photo on the menu. It’s like a rainbow of color.”

And there it is. The thing that isolates him the most from your world. 

As much as he likes you, which is more than he can explain, he can’t help but have that itching thought at the back of his mind that you’ll never truly be able to connect with one another. You bask in the beauty of the world around you. From the apparent golden sun showers and bouquets of stark red roses - two things that you’ve described to him in great detail amidst your walks through the farmer’s market on Saturday mornings -  to the countless brush strokes against the white canvas at his mother’s studio, you adore a world in color. 

It’s a viewpoint that’s shaped who you are, from infantry to your current age of twenty-two, and it’s something that you’ll never be able to let go of. 

To be quite frank, it scares him. It keeps him up at night knowing that seeing the world through your eyes is impossible. That it’s a far off dream that is unobtainable, taunting him in his mind and heart like a bone dangling in front of a dog’s face. He wishes that he could admire the blue streaked skies and emerald green ferns that line the streets of the city. He yearns to feel overcome with pride at the sight of your watercolor drafts - which you attempt to show him after every class session to no avail - and congratulate you on the progress you’re making. There are so many things that he dreams of doing with you, dreams that exist solely in your world, as they’ll never be possible in his. 

He hasn’t officially asked you to be his yet, because how could he?

How could he bind you to him? You’d be miserable looking through his eyes - having to see only hues of black, white, and grey, similar to the pencil sketches that you’ve openly shown your hatred for in front of him. ‘There’s just nothing there,’ is what you mumble to yourself. ‘No life, no anything without color.’ To which you then drop a single ounce of paint against the seemingly dreadful piece of art - and the sparkle in your eyes as it comes to life is something that he loves to see but can’t understand… 

…as you see the world in a way that he can never understand. 

Suguru doesn’t think he’ll ever be able to tell you about his condition. It would end everything all at once, and he isn’t sure how he would recover from that kind of heartbreak. You’re so blissfully unaware of how much conflict runs through his veins on a daily basis. Hell, you don’t even notice how he orders a singular black coffee every time you approach the counter together. You don’t see how he struggles to agree with you as you admire the assortment of blended beverages with a forced smile on his face. You don’t understand why he chooses to indulge in such a bitter drink and make sure to comment on it every single time.

He can’t blame you, though - it really is disgusting - but he also can’t tell you that he orders his coffee black since it’s a universal drink that appears the same to everyone who sees it. At least when he’s holding the steaming mug between his large palms, he knows that it appears to you as it does to him. That the divide that’s ripping a ravine through your connected hands is lessened in a sense - and you’re truly viewing one thing as the same. 

Which is why he sits pretty and appreciates the short time that you do spend together, and suffers through piping hot coffee three times a week with no interruptions. 

“I think I’ve made some progress on my portfolio.”

Your drink has been returned to your hands now. The small, clear glass is ringing as you tap the sides with your fingernails. It’s somewhat soothing, the rhythm following the tune of one of your favorite songs that Suguru happens to know very well after walking in on you in the middle of ‘art therapy’, in which you blast the music at full volume and deafen all other sounds. You have a tendency to be impatient - art being the only thing that can really pin you down for a long period of time - yet you’ve made room in your heart for Suguru despite this. 

“Really?” Suguru dabs his mouth carefully, being ever the proper suitor in your presence. “My mom hasn’t given you any recent critiques?” 

“No, she has.” As your words continue, you take a long sip of your tea. He can feel his cheeks flush while you swallow. He loves anything you do. “Just little comments about negative space and color theory, but I’m getting there.”

“Nice.”

He doesn’t know how to respond to that.

“Yeah, nice.” 

Despite his seemingly rude reaction, you’re still gazing at him with a smile on your face. It isn’t an exceedingly joyful smile or one of excitement, but something of contentedness. You’ve become comfortable around him - shedded the hyperactive layers of skin that you display to onlooking strangers - and have begun to share the side of yourself that only your bedroom walls know. Seeing this side of you has made him fall even harder. Knowing that someone so confident, so bold, is just like him - caring so much about first impressions and likeability - and has their own insecurities is validating. Validating in the sense that you find him special enough to throw away the filter and be your true self in his presence. 

“You know,” you begin in a wistful tone, “you aren’t a man of many words, Suguru - and if I’m being totally honest, my patience is running out.” 

He hopes this isn’t going where he thinks it is.

He’s not letting you ask him out before he can—

“What am I to you?”

Oh.

Your eyes are giving him an expectant look, now. 

What the hell is he supposed to say to that?

This is the quietest you’ve ever been, you aren’t even swirling the star-shaped ice cubes in your strawberry lemon tea. 

Why can’t he think of anything to say?

His silence is causing you to furrow your eyebrows in concern. 

This is so embarrassing. Just say something. Anything. 

“You’re my mom’s student.”

Anything but that.

“I’m…” the words at the tip of your tongue seem to dissolve like damp sugar cubes, “I’m your mom’s student.”

Your sentence is more of a statement than a question. It’s as if there’s a machine in your brain, working through his given answer and comparing all of the other possibilities he could’ve said. There were endless responses to your inquiry, and he somehow managed to pick the worst one. 

He needs to fix this. How can he fix this?

“You’re not just a student, though.” His words are tumbling over one another in somersaults and you seem to perk up at his continuity. The hope in your heart grows a little bit larger, pulsating and yearning for him to say exactly what you’d been wanting for weeks-on-weeks. “You’re my mom’s special student.” 

Oh God, he made it worse.

“What?” Suguru tries to reach for your hand in an attempt to compensate for his actions through physical touch, but you retaliate and instinctively jerk away. You quickly stand, drink in hand, and back away from him as he follows like a lost puppy. Your head is shaking from right to left, disbelief exerting from the pores of your skin like poison - sentencing him with death while it seeps through his gaping mouth and empty palms. “I’m a special student?” 

How the hell are you so fast?

Within seconds the two of you are at odds outside of the building. The weather is somewhat chilly - springtime having just come around with the cherry blossoms in full bloom - and it’s probably a beautiful day with the petals raining down on the pavement. You’d usually make a comment about how wonderful the horticulture was outside of the shop, but now you’re stomping over every fallen flower and budding stem that lies in the way of your rage-filled path. He’d always thought of you as a gentle soul, but apparently even gentle souls have their breaking points - and he never dreamed that he’d be yours.

“If I’m so special, what makes me different from the girl before me and the one before her?” This is the first time you’ve ever raised your voice at him. “Did you take all of them out for drinks? Did they all get to spend one-on-one time with their mentor’s ‘handsome’ son? Did you lead all of them on, too? Suguru, what kind of answer is that?”

You’ve found yourselves in an alcove now - about a block from the cafe in a small garden nestled between two buildings. The blossoming trees continue to surround you from all sides, perfectly framing the tragic picture of him saying anything and everything you absolutely do not want to hear. A large sigh leaves your lips, heaving from your chest as if he’s popped a balloon and is pushing all of the air out with the strength of his smooth hands. 

“That’s not what I meant!” He pauses as you halt in place, slowly turning to face him like you're something out of a horror movie - a monster who’s ready to murder their prey. A gulp runs down his Adam’s apple. You’re terrifying when upset. “Please, just let me explain!”

“Explain what?” Suguru flinches at your volume. “If you want to explain yourself so badly then tell me why the hell would you say something like that?”

“Sure, you aren’t the best with banter or having a crush - but dear God, you cannot possibly be that dense.” This is getting bad. “I’ve left hundreds of hints! Every single goddamn day - and you’ve picked up on all of them! You know, I thought that when you’d hold my hand or kiss my cheek that you actually meant something by it. I figured ‘he spends so much time with me, he can’t possibly not like me’, but no. I’m just a student.”

Your face is fuming with every dreadful word that comes out of your mouth. “Oh, sorry. I’m a special student.”

If this were a scene in an animated film, your hair would be on fire now. Flames as high as mountain tops would be spiking in sharp peaks at every end of sentence and statement spitting from your mouth. Your normally warm irises would be drawn as ice cold, not leaving any room for life as they skate across his timid features - wishing for him to reach freezing level so you could smash him into a million pieces. 

You’d always told him that red and blue - fire and ice - were two things that you admired most. With their ever changing states of matter and forceful power amidst the seasons, he found himself believing as you do. Suguru actually learned to appreciate their vast palette as if he could see it with his own eyes - but now? Now he thinks that they’re the two worst things in the universe - as their destructive nature has decided that their target is him, and he has absolutely no defenses prepared. 

“I should’ve caught on sooner, shouldn’t I have?” You’re still going, hot tears building up and threatening to stream down your cheeks. Never in his life has Suguru been at the receiving end of such anger - and never in his life has he learned how to manage a situation as such. So, he does what any clueless man would do - he returns the anger. 

“You’re not even listening to me!” His hands are violently moving while his words cut like knives. “You never listen to me!”

“I never listen to you?” He’s apparently hit another nerve. “Is that some kind of sick joke? Suguru, all I do is listen to you! It may not look like it, but I see the way you tense whenever I talk about my passions and dreams. I notice the way your face drains when I’m asking you for your opinion on my works in progress. Sometimes it’s like I can physically hear your eyes rolling when they see me walk into the studio with my bag of brushes and materials. Yet, you think that I don’t listen? I take note of every single thing that you do when you’re around me, because I don’t want to miss out on a single moment with you, and you don’t even care!”

He can’t believe that you’re pinning this on him.

“How could you even say that?” Suguru can’t tell who’s in the right or wrong anymore - all he knows is that if he doesn’t stop speaking, you’ll walk away forever. “I’ve never cared about anyone as much as you! I’ve done my best to entertain your interests and the absurd things you ask of me—”

“Well, your best hasn’t been enough.”

You’ve got to be fucking kidding.

“Are you being serious, right now?” 

Your eyes are stoney, rock solid with stubbornness as you refuse to accept his side of the story and he knows that you won’t be budging from the beliefs that you’re choosing to hold against him. Suguru doesn’t know how everything went so wrong so fast, but he does know that he doesn’t have what it takes to save the situationship that he mistakenly put the two of you in. 

“What the fuck did I do wrong that you resent me this much? Not even an hour ago all you wanted was to see me get down on one knee and profess my ‘undying’ love for you.” He’s so angry. He doesn’t think he’s ever been this angry. “Now I’m some asshole who doesn’t give a shit about your wellbeing? If everything I’ve done hasn’t been enough, then I might as well go fuck myself, right? I’m sorry I’m not perfect like you! I’m sorry I can’t see the world through crystal lenses like you! I’m sorry that I’m not good enough for you!”

His face feels wet. When did he start to cry? Was it ten minutes ago? Five? Just now? The hurricane of emotions that he’s putting himself through is more than he’s endured in years - his mental blockage of his condition finally coming to light as his heart runs off of the rails - and you’ve definitely seemed to notice considering the concern etched into your expression. 

“I was never going to be perfect for you,” he begins with a softer tone. Perhaps his hot bundle of rage has subsided for a few moments. “I can’t be with you. I can’t understand how you see the world. I couldn’t spend the rest of my life listening to you ask me all of these questions and opinions on your work when I can’t even see it fully.”

You’re so close to him. Somewhere in the flurry of words, you took a step in his direction. “Suguru, what’re you talking about?”

As he bites his bottom lip with the fear of judgment raging in his mind, his secret is set free. 

“I’ve always liked this shirt on you,” he solemnly smiles, “This shade’s my favorite color that you wear.”

You look up at him, pulling at the fabric against your chest in confusion. “Red?”

“Grey.”

He’s laughing lightly, making up for the thoughtful silence that you’ve found yourself in. It’s like he can physically see the gears turning in your head as they attempt to make sense out of his statement. “It’s more of a rich grey - almost black - and it compliments your skin tone. You know, my mom used to tell me that the way to a woman’s heart is through compliments. I’ve always tried my best to do that, but it clearly hasn’t been working.”

His hands somehow find yours as he shares the inevitable truth he’d been hiding so hard - and with a deep gulp, his secret is finally exposed.

“After all, how could I ever reach someone’s heart without even knowing what color their eyes are?”

He misses you. He can’t help it, but he does. 

The memories he has with you are a cassette tape on autoplay - constantly running through his mind on repeat, and always ending with the awful confrontation that you’d left each other with. Suguru wishes he hadn’t raised his voice. He wishes that he would’ve been honest with you from the very beginning, but he hadn’t, and there’s no changing the past. All he has now are two empty hands that would much rather be interlaced with your paint-covered fingers. 

“How much longer do you think you’re going to be moping?” Satoru’s call is distant from the turning gears within Suguru’s brain. He’s sure that his best friend has grown tired of his constant state of melancholy - having been forced to be his support system after you walked out the door - and Suguru feels awful about it. If he could, he’d rip his heart from his chest and allow you to step on it. To stomp and tear through the organs just as you’d done to those poor bystanding cherry blossoms on the sidewalk. 

“As long as she’s still upset with me.” He groans as his forehead hits the marble of the island counter. “I’m such an idiot.”

“Yeah, well we already knew that.” The bright-eyed man beside him scoffs while taking yet another drink of his apple juice - which he has unfortunately had to drink for the past hour and a half since Suguru had somehow consumed his small supply of alcohol within the past few weeks that the two of you hadn’t been speaking. “I was really rooting for you, man. I thought she was the one to break your cycle.”

“Cycle?”

What the hell does he mean by ‘cycle’?

“Oh, you know,” Satoru continues without even taking a breath, “The cycle of life you’ve got going on with your inability to actually attract girls.”

Suguru hates him.

“You’re so funny.” He grumbles, taking his own swig of the pint of orange juice he found in the back of his fridge. Is it expired? Likely yes. Does Suguru care, at all? Definitely not. Is he even more pissed off that he doesn’t understand the irony of why it’s called orange juice? He doesn’t want to answer that question. “An unhelpful funny guy who should definitely stay over and cook dinner for me since he wants to make up for being so unhelpful.”

Satoru scoffs, shaking his head whilst the thin, soft strands of his hair flit back and forth. His right eyebrow raises in a mocking expression, “You need to get yourself back out there, man. You’ll be old and grey if you keep waiting for the perfect girl to come knocking on your door, so just talk to her. Just talk to her and put me out of my misery.”

“Are you trying to make this about you, right now?” Suguru stares at his best friend in utter disbelief, but he’s not truly upset. He knows that Satoru holds good wishes for him in all manners of life - this being no exception - and takes his words to heart. He’s right. Of course, he’s going to lose you if he doesn’t even try to get you back. “The sun must be falling out of the sky because I’m actually considering following your advice.”

“That’s a pretty picture to imagine,” his friend chuckles, causing Suguru to roll his eyes. What’s the sensation that everyone has with mentioning imagery every five seconds? “Just talk to her, man.” Satoru continues, “Please, I’m all out of advice.”

Suguru takes his friend’s pleas to heart. It is quite ridiculous that he’s spending his time depressed and lonesome when he could be reconciling with you. Perhaps it’s his fragile masculinity acting out and refusing to take blame for the situation, although he’s fully aware it’s completely his fault that you’re upset with him. 

It’s difficult for the gears to begin turning in Suguru’s head. They’re covered in brittle rust that’s been creeping deep into the crevices of his mind for his entire life - slithering down his spine towards his blackened heart that you had only just begun to breathe life into. He misses the feeling of spring that came when you called. The freshwater rain of your laughter and budding blossoms of your smile that washed away his loneliness and replaced the awful emotion with an overgrown garden of bliss. He still doesn’t understand how he managed to mow that garden down with one sentence. He might as well have taken a chainsaw and brutally hacked into every connection that he’d managed to make with you in your time of knowing each other. 

Now he’s going to be on his knees begging for forgiveness with his hands stained by the minced grass. Does grass stain green or yellow? Hopefully not brown, dear lord. He’ll be buried deep into apologies that should definitely be rehearsed, but he knows he’s not an artist with words and he won’t bother to waste your time with crumpled-up ‘I’m sorry’ notes and improvised tears. 

You deserve nothing but the best - so much more than he’s been giving you and he needs you to hear those words come straight from his mouth. 

When did you begin to mean so much to him? Suguru doesn’t even know. 

It could’ve been when you showed up to his community soccer game unannounced, with first row seats and a booming cheer that he never knew he desired. ‘C’mon number ten! I know you can do better than that! Beat their asses, Suguru!’ He nearly tripped at the sound of your voice, and falling on his face was the last thing he wanted to do in front of the opposing team - but to be completely honest, he doesn’t remember much of his qualms with his rivals from that day. Suguru was solely focused on playing well for you. The world stopped and he was given all the time needed to impress you. You give him a reason to be better, a selfless reason to do good. 

Perhaps it was when you’d shown him around your homey apartment, with maple art easels and splattered canvases lining the walls, and watched with glee as he made his best attempt at a finger painting (which may or may not have ended up looking like two worms kissing). ‘It’s abstract’, you’d say every time he found something new that was wrong with the art piece, ‘All it needs is a home. See?’ You hung his shitty little sketchbook paper on your living room wall, right next to your TV for the whole world to see. The way you stood there staring in awe still rattles his brain. You’ve always been able to find beauty in even the smallest things. 

Or maybe his heart had begun to beat a little faster that Saturday night on the way out of the theater. The romance of the film the two of you just witnessed was still on Suguru’s mind, provoking his alcohol-induced body to make a pathetic attempt at holding your hand - which resulted in him accidentally knocking you over into a street puddle that swallowed the heel of your shoe. ‘I needed to take a shower anyway, Suguru, it’s fine!’ Your smile continued to be bright despite the low temperature and sprinkling rain, and he can recall wondering how you managed to stay so positive in such a dreary situation. As you discarded your soggy heels into a nearby trashcan and skipped barefoot on the pavement, you called, ‘Come on! Dance with me!’ The shared laughter between the two of you echoed through the seemingly empty streets that surrounded you - hands connected as you swung in circles around each other and fell over one too many times, until he carried your sleeping body home. He doesn’t think anyone’s ever been able to make him laugh as hard. 

The way the corners of your eyes crinkle amidst fits of giggles is his favorite image to replay. He doesn’t need to know the color to be able to see how beautiful they are - to appreciate the blinding sparkle that overwhelms your irises when he accidentally trips over the uneven sidewalk or knocks over your painting station - or even when he unintentionally makes a sexual innuendo that you just so happen to pick up on. ‘That’s a love hotel, Suguru! Why would I have stayed there before?’ It was almost as if you were conducting a symphony of glorious laughter that night. The violins played the tune of your voice in a higher octave and the cellos added a punch everytime you’d bite your lip in an attempt to calm down. He hadn’t known what a love hotel was intended for before that night, but he’d also made the mistake to say, ‘I wouldn’t mind going to my first one with you, it could be a first for both of us.’ and you still haven’t let him live it down. Suguru’s honest with himself for the most part. He’s awkward, insufferable, and a bore to be around - yet, for some odd and unknown reason, those are your favorite things about him. Why?

Why is it that he can’t function like a normal person when your eyes meet his?

Why do his words rearrange themselves and become complete gibberish when he attempts to woo you with his charm?

What is it that keeps him coming back to you, despite holding such deep hatred for the things that you love most?

“I need to text her.” Suguru feels his chest vibrate as he finally makes a decision, the words pouring from his mouth in a short word vomit - forcing Satoru to piece together the jumbled mess and attempt to comprehend whatever it was that his big brother was trying to say, to which he jumps up from his seat at the island and aggressively pats Suguru on the back. 

“That’s what I’ve been saying, dumbass! Get those fingers movin’!” 

His phone falls into his hands in a millisecond, with Satoru eagerly awaiting to hear his poetry. He’s grateful to have such a supportive friend. Suguru knows that there aren’t many people who would be willing to put up with him for so long - having been moping around and complaining day-and-night of relationship problems that were solely caused by him - and he can’t imagine not having his support. Hopefully he’ll be able to introduce you, one day. You’ll both give him so much shit for his attitude. Oh well. It’ll all be worth it having two people he loves get along. 

…

Did he just…

What did—

There’s no way.

Did he really just use that word? That godforsaken word?

He’s trembling. Suguru’s phone is shaking in his hands as he finally comes to the realization that he does, with his entire heart and being, love you. In an instant, his entire world scrambles together with rapid dashes and line art that he can’t even comprehend. There’s no rules to follow with these types of feelings - this insistent need to see you. Hold you. Kiss you.

Fuck, he wants to kiss you. He can’t think of anything else he’d rather be doing. 

Like tapping raindrops that never cease their fall, his fingertips move against the keypad in a rhythmic motion - singing a song of love that can’t be contained into a simple lullaby. His heart pours out into the message, apology after apology being pasted in paragraphs, and hopes with his whole soul that you’ll find it in yourself to at least see him in person. There’s no way you won’t. Suguru knows you well enough now that he’s certain he’ll be seeing you again. All he needed to do was take the first step towards forgiveness, and he’s finally willing to be vulnerable and own up to his inability to be honest about his feelings, because he loves you. He loves you and he wants to tell you a hundred times, a thousand times, and a million times until you beg him to shut the hell up and kiss you. 

‘I’ll be at the studio tonight. I miss you, and I’m sorry.’

He ends the message with a final apology, begging fate that you’ll read it in time to meet him while he still has courage - and with that, he’s on his way to the place he hates most, awaiting the person whom he loves most.

An hour has passed - well technically it’s been fifty-seven minutes, but who’s counting?

He’s counting.

The sun went into hiding ages ago and the moon now stalks him as he sits in his chair, lonely with two vacant eyes that wish they were gazing at yours. Suguru can’t even tell if you’ve read the text or not - the grey speech bubbles look the same as they always have, and the delivered sign is posted at the bottom with no response. He wants to send a follow-up message, just a little ‘hey, you there?’ but he knows that’s a little bit much. If you want to see him, you’ll see him and he’ll confess his feelings once-and-for-all - though, he’s feeling much less confident than he was an hour ago. Ahem, sorry. Fifty-nine minutes ago. 

Suguru has a plan of what he’s going to say to you, and hopefully it makes sense when the words begin to fall from his lips. He’s said it many times before, but he’ll say it again, he’s never been good with words or feelings or anything of the sort. He wants to get better, though - to become more emotionally aware for your sake, because he knows that’s a priority for you. You have an image of your dream guy that’s been in your wishes since primary school - tall, handsome, daring, dashing, yada, yada, yada - and he’s trying to be that guy. He needs to be that guy. He’ll be anything for you. 

Anything and everything…even the desperate guy who can’t get a text back. 

Y’know, for a moment - a brief and fleeting moment - the world seemed a little more beautiful in his self-realization of love. The stars glistened brighter and the street lights sparkled in their reflections. Before tonight, Suguru hasn’t ever been able to appreciate the natural beauty of what surrounded him. He never understood your fascination with replicating real life into paintings and sketches, but he seems to have digested the concept - at least a little bit. The only thing that could undoubtedly make his world more dazzling would be the sight of you, and holy shit there you are. There you are opening the front door - and your gorgeous, perfect reflection in the glass is looking straight at him. 

He doesn’t need the ability to see color to know that you’re the most fascinating and jaw-dropping sight in the entire universe - and that the rainbow should be rearranged in the letters of your name in honor of your ability to captivate attention and inflict a multitude of emotions on him that he’s never felt before. 

“Suguru?” Your melodious voice is the remedy that his ears have been yearning for. “Suguru, is that you? Why’re you in the dark?” 

This means you haven’t read his text, right? Otherwise, why would you be confused as to why he’s here? Wait, why’re you even here?

You begin to explain yourself without him needing to ask, “I left my phone in here earlier like an idiot and I’ve been looking for it all day. Isn’t that so dumb?” You let out a little laugh, amused at your inability to keep track of your personal belongings. Why aren’t you acting like you’re upset with him? The last time you talked, you could barely look him in the eye - yet now, you’re so casual, almost as if nothing happened. “Here I am looking for my lost phone, but instead I find a lost Suguru Geto.”

“What are you doing here? Sitting in the dark?”

The repeated question is met with a pregnant silence as Suguru fails to piece together the rehearsed words he had come up with earlier, settling on a bear hug that nearly suffocates you. 

He’s so overwhelmed by the feeling of touching you again that he barely notices how stiff your posture is. You’re practically a piece of rock in the midst of being carved by its maker, frozen and unable to formulate an action in response - which, in this case, means that he’s your artist. Suguru relaxes his hold, urging you to reciprocate his warmth by nestling his face in your neck. Your right arm finds its place wrapped around his waist and your left around his neck, allowing him to engulf you further into his hold. You smell so nice. He notices the lavender perfume that he bought you is still rubbed into your skin, and he’s glad that you’re finally using it. 

“I’m so sorry,” he whispers.

Suguru’s fingers run through your hair in smooth waves, gently kneading out the small knots and helping you relax - and he can tell that your full attention is on him. For the first time in knowing you, there aren’t any distractions or excuses to avoid this conversation. It’s just you, him, and the bare truth. He just hopes he can execute this right. 

“There aren’t enough words to explain how sorry I am, genuinely. I shouldn’t have ever belittled you like that.” He takes a deep breath, one of many, and closes his eyes. The scene of you stomping away from him has no end in his mind. It constantly plays at every hour of the day, re-run after re-run, to torment him and remind him how horribly he screwed up with you. Please, please forgive him. “You’re not just my mom’s student. You’re not just a friend that I get coffee with. You’re so much more than that and I’ve been such a fucking chicken and haven’t been able to be honest with you.”

“You couldn’t have possibly known about my condition and it was wrong of me to take my frustration out on you.” Suguru can feel himself begin to cry, his tears raining down his cheeks in cascades of pent up anger and hatred for how he made you feel that day. You didn’t deserve it. You didn’t deserve to be treated like shit by him. “Your work is important to you and I know it should be appreciated. What’s important to you is important to me, okay?”

“You love your art, and I love you.”

He says it over and over again. Those three special words rapidly become six words, nine words, eighteen, forty-two, and onwards as you look at him with an empty expression. Please, please say something. For every second of no response, he confesses his love to you. He confesses as if it’s his source of air - the only way that he’ll be able to survive this encounter is if he bares his emotions with no regrets. If this were a movie, he’d be the desperate protagonist in the climax of the story who fucked up his love life and is begging for a second chance - hell, this is real life and that’s exactly what he’s doing. Just, please, have a happy ending.

You open your mouth, yet nothing comes out. No words. No statements. No confessions. You’re simply staring at him like he’s just told you the most absurd news in the existence of the universe…

…and then a tear falls. 

One tear slips from your eyes, followed by another, and another…until your face is drenched in salty rain with black mascara creasing your eyes. You look like a raccoon. Suguru almost starts laughing. No. He is laughing; laughing because your false lashes have fallen into your hands as the glue refused to be waterproof - and now you’re standing before him in a puddled mess of makeup and disheveled hair. You’ve never looked more beautiful. 

Suguru brushes his fingers across your cheek, attempting to wipe away your tears like an artist covering up a beautiful mistake. If he were a painter, he’d paint you a million times and more - hanging every portrait on every single wall of his apartment, until there was literally no space left for a scrap of paper. You’re the most gorgeous girl he’s ever laid his eyes on, and the smile that suddenly bursts from your sobs confirms it. 

“What’s going on? I’m so confused, are you happy or are you sad?” He’s so concerned and his inability to read emotions correctly only makes him more helpless. “Talk to me, beautiful. C’mon.”

You lean into his touch and he instantly knows that everything is going to be okay. 

“I just never thought I’d hear you say that.” Your smile is directed at him now, and he feels a warmth that is so familiar yet unfamiliar and he can’t get enough of it. It’s similar to the feeling of being showered in sunlight or snuggling beneath a comforter in the winter - an overwhelming comfort that’s a gift from you to him. “I feel like I’ve been waiting forever. Fuck you for that.”

Now you’re both laughing, giggling, and beaming at each other. His heart feels so at peace. The civil war between his divided emotions, love and loneliness, has finally ceased. 

“I love you.”

“I love you.”

“I love you.”

Neither of you can stop the flow of confessions that slip from your tongues and in an instant your lips are on his - clashing and colliding in a furious kiss that rivals the strength of a hurricane. It’s almost as if he can physically feel your love pouring into him and warming his heart into a heated flame, stoked by the embers of your touch. God, he missed your touch. The feeling of it is addicting. It’s his personal heroin and he’ll never get enough of it. 

Your lips are just as soft as he imagined them to be, perhaps they’re a rosy pink color with the slightest touch of strawberry lip balm that he keeps getting a fleeting hint of taste from. Never in his wildest dreams did he think you’d love him too. Thank you. Thank you. Thank you. He silently repeats over and over - grateful that he’s been so blessed to know you…feel you…and love you in the awful world that he hated living on his own  - the world void of color that you’ve somehow brightened by simply breathing beside him. 

His hands are everywhere. Your hips. Your waist. Your breasts. Your neck. He can’t get enough of the feeling of you. With every passing second he’s falling deeper and deeper in love. You’re utterly perfect, he would kiss you for years if that was an option—

Aw shit, he knocked over an easel. 

“Goddammit,” he mumbles while briefly pulling away from you. Of course he had to interrupt the moment he’s been waiting months for with his clumsiness. He’s such a dumbass. If he could punch himself in the gut, he would - but that would be way too embarrassing in front of you - hold up, this painting is familiar!

“Well I'll be damned.” He chuckles and turns the canvas towards you, to which you burst out laughing. “I thought you’d have thrown this out.”

“No,” you gaze at the painting with love in your eyes. “I could never, that’s how we met.”

The painted streak he accidentally inflicted upon your artwork remains in the same position. It seems that you never even bothered covering it up and embraced the imperfection. While Suguru cannot decipher the magnitude of colors on the canvas, he’s sure that the various strokes look gorgeous and masterful. You’ve always been so talented. He’s so lucky.

As he places the painting upon a now-standing easel, you rest your forehead against his. He loves you. He loves you so much. So much so that he can’t help but take a step closer, not just one but many, and embrace the overwhelming love and passion he holds for you. There are so many words he wants to say, confessions that can carry on for an infinite number of lines, but there’s no need for that now. You have forever - and he decides to start that forever with his favorite thing…

…a kiss. 

“I love you.” You whisper.

“I love you more.” He replies.

This is a fancy-ass venue. 

Suguru can’t help but feel underdressed for the occasion, despite being clad in a fitted white button up and black tie, whilst his dress-shoes cramp his feet in the worst ways imaginable. He almost looks like that one moviestar in the romantic comedy you love so much. Was it the one with the rich guy in Singapore or the one where they worked in an office and he was a businessman? Suguru can’t remember. Whatever, it doesn’t really matter either way. He’s distracting himself too much, he needs to focus— tonight is one of the most important nights of your career. No, it is the most important night for your future career. His mother contacted every big art distributor and critic that she has professional relationships with. It’s your night…and wow did you kill it. 

It’s almost as if you’ve plastered yourself across the walls. Every art piece that his eyes roll over is exceptionally you - your personality, your passions, and your heart - and it’s obvious you’ve spent months curating the most perfect array of paintings a person could muster. 

He can read your story like an open book while he slowly makes his way through the gallery. There are paintings depicting your childhood, ones that remind him of the stories you tell him of your primary school drama and premature interests. That one must be when you broke your arm while learning to ride your bike. You’re particularly stuck on that story— strongly stating how upset you were because it was your dominant arm, halting your ability to paint for seven weeks. Referencing your painting passion, there’s a whole array of canvases dedicated to your love for art; beginning with inspirations of immaturity to skillful selections of texture techniques. Suguru is obviously no art critic, but if he were, he’d write a whole expose on how amazing you are. 

With his mind so engaged with your talent, he’s oblivious to the people passing by; so oblivious that he doesn’t even notice his own family approaching. 

“She’s talented isn’t she?” 

Holy shit. The familiar voice of his mother startles Suguru, but he instinctively wraps a loose arm around her waist and greets her with a grin. She returns the affectionate expression and it’s painfully obvious that he got his smile from her, and even more painfully obvious that they’re all trying to embarrass him when Satoru walks up with his teeth beaming.

“Your girlfriend’s a pro at this stuff, Suguru.” Satoru ruffles his best friend’s hair and lightly nudges his shoulder. “I told you something like this would happen one day! You’ve found yourself a dream girl.”

Suguru rolls his eyes in amusement at his friend’s quips, completely ignoring him and focusing on his mom. Satoru’s always been his number one supporter. Though he’d be surprised if Satoru actually kept a girlfriend longer than a month with his constant busy schedule and inability to focus on one girl at a time; but that’s a story for another day. What matters now is his mom’s praise of you.

“Y’know I always knew she had an innate ability.” Miss Geto has a faint smile on her face, gazing at her son with nothing but pure happiness. It’s a true display of a mother’s love for her child, and Suguru doesn’t know what he’d do without her guidance. She squeezes his side and presses a gentle kiss to his cheek. God, he’d be so embarrassed if his friends saw this. “Though, I always thought she specialized in artwork.”

Hm? Suguru sends a puzzled glance in her direction. What is she going on about?

His mom continues, knowing her son well enough that he needs a clear explanation in order to understand anything at all, and presses her hand against his chest. “I didn’t realize she was so skilled at touching hearts.”

His heart is beating faster at the mere thought of your beauty.

There are tears behind Miss Geto’s eyes and Suguru can feel the waterworks attempting to break his own dam. They’re an emotional duo, him and his mom, Satoru gets tired of their antics sometimes— but Suguru knows he loves them. His mom always knows the right thing to say. “I never thought I’d see you like this, Suguru.”

Satoru smiles, nodding in agreement. “You seem so at ease. It’s cute.”

Reflexively, he pulls them both into a big hug— which is the first girl-related hug he’s given Satoru since he was a teenager, seventeen years old and inseparable. Suguru finally understands what it means to love and be loved, all because of you; and now he can apply that same love to his perspective on life, which was dreary for so long. The overwhelming comfort he feels in his family’s arms is the same warmth he felt when he was a child, to which he ran into his mother’s arms at any moment for a grasp at joy. For a long time, Suguru believed that it was only possible to have a singular love. Oh how wrong he was. 

“I get it now.” he says softly into their ears. “She helped me understand.”

“And we’re happy for you,” Satoru pats him on the back as hard as he can, eliciting a threatening glare from his best friend, to which Suguru’s mother laughs. 

“Check out the centerpieces down the hall.” Miss Geto nudges Suguru on, standing beside Satoru. “I think you’ll love them, sweetheart.”

With their encouragement, he carries on with the gallery and down the straight hallway of evolving paintings. Every step he takes, seems to carry him into a new era of your life. It’s almost as if he’s time traveling through memories that seemingly morph from abstract to realistic art; and he learns more and more about you with each passing second, ultimately leading towards one large painting in the center of the room. 

Holy shit. You’re breathtaking. 

Never in Suguru’s life has his world stopped due to paint on canvas— but right now, it feels like every single brush stroke is a frozen second that he gets to relive again and again, just basking in the presence of your beautiful skill.

The way you’ve outlined your hair with thin lines and highlighted your lovely cheekbones, is nothing short of masterful. If he looks close enough, he can understand the comforting feeling of cupping your face with just his eyes. He didn’t even know you did self-portraits, but now he wishes he could hang this very one right above his couch; to show off the talent of his amazing girlfriend for everyone to see (not that he actually has many friends other than his former classmates). 

Where are you? He needs to let you know how special it is to be with someone like you—

“Cat got your tongue?”

Speak of the devil.

“Do you like it?” You raise your eyebrows at him expectantly. “What do you think?”

You said the same thing when you first met.

Suguru looks between you and the painting, now realizing that no matter how masterful your skill is, it’s impossible to capture just how gorgeous you are in any form of art. You’re simply exquisite. The most talented painter in the world wouldn’t know how to appreciate your beauty. Davinci? No. Botticelli? No. Di Angelo? Not even he could sculpt your features to perfection. However, despite his high standards, Suguru believes that your self portrait is the greatest thing he’s ever seen. 

The familiar feeling of flusteredness grows on his cheeks as he holds eye-contact with you, wondering what color it is you’re wearing. He bets it’s red, you always wear red around him. “I love it.”

As your right hand finds his palm, the left reaches up and cups his cheek. With a gentle touch, your lips are on his and Suguru feels his head take a spin on the merry-go-round of love. He can’t get enough of you. If he had a choice, he’d spend every waking second of his day peppering you in light kisses on every part of your body— and he’d make sure that you never felt loneliness again. You deserve nothing less than the absolute best, and he’s made it his life’s goal to give that to you.

Slowly, he begins to feel your smile against his lips and you pull away with a lovesick gaze. He pulls you into his chest, cradling your head and kissing it softly before whispering how proud he is, and it’s almost unbelievable how far Suguru’s come. Somehow you’ve lured him into a bottomless ravine where the only resource to live is to be hopelessly in love with you— and truthfully, he never wants to escape. You’re everything to him. 

“You love it?” your eyes are shining brighter than the sun. “You haven’t even seen my best work yet.”

“Oh?’ Suguru raises his brows, mocking surprise at your statement. “Well now you have to show me. It’s only fair.”

You place your hands on his chest and peck his lips before spinning him around. He’s confused for a moment, wondering what you’re doing when you could’ve just led him to the canvas instead of guiding him around like it’s a dance class…but then he sees it. 

He sees himself. 

Never in his life has he completely understood what being in love is. Yes, he's felt love. From his mother, who raised him to be the man he is; caring, thoughtful, and compassionate. From his best friend, who helped him understand ambition and sacrifice. From his community, who challenge him to be the best he possibly can and to support one another without holding grudges. He's felt different types of love from so many people in his life. Familial. Platonic. Admiration. This is different, though. The love you show him is true love. It's the kind of love that movie stars win awards for portraying. It's the fantasy that kids dream about having when they grow up into big adults. It's the thing he thought was impossible to obtain, but was lucky enough to stumble upon you in that empty art studio on the best day of his life. 

He didn't know love could be expressed in this kind of way. Through the very same paint strokes and brush marks that used to make him nauseous with hatred. Seeing your masterpiece, he doesn't understand how he could ever hate something so amazing. Art is spectacular. No. Your art is spectacular. You are spectacular. 

"You love it right?" You're trying your best not to giggle at his awestruck reaction. "Want to know the best part?"

Suguru can feel himself nodding, desperately reaching for your hand in an attempt to ground himself from the air he's walking on— and you begin to explain. "It's a dual piece. Notice how we're facing each other?"

Oh my god, you are facing each other. He hadn't noticed it before, but he can see clearly now. You've placed him in the dead center of the room, giving him a full view of both of the paintings— opposite of one another on two opposing easels. "Tell me more, baby." His voice is nothing louder than a whisper, only for you to hear.

"I'm painted in black and white."

Oh?

"You're painted in color."

...Oh.

"I wanted to show how love knows no bounds. There's beauty in how you see me and how I see you. It doesn't matter that I'm colorless to you, you still look at me like I'm the prettiest girl in the world; and I only wish you could understand how vibrant your eyes are, Suguru. You're the most handsome man I've seen in my entire life."

He loves you.

He loves you so, so much. 

A part of his heart feels like he's falling in love with you all over again. It's growing larger and larger, unable to contain the capacity of feelings he holds for you. He's so overwhelmed with joy that tears begin to fight to escape his eyes, ultimately dripping down his cheeks like watercolor on paper, and he sweeps you into the tightest hug known to man.

There's really only one thing left to do. One thing to close this chapter and carry on with the rest of your love story, something that's sacred only between the two of you. Something that he hopes to say to you everyday, every night, every hour, and every minute that he can.

"I love you."

[mclalan]

Corp Zomphis, 2020s Design Speculation

I want to talk about Corp Memphis again— that corporate style of gangly, dead-eyed characters trapped in a neoliberal purgatory, posed between pot plants and spreadsheets.

I don't need to go too far into describing it. Heaven knows there are already so many takes on it that you're probably sick of hearing about it. However, I think a succinct description of it can be found at the end of that Wired magazine article from a few years back:

Wired: Corporate Memphis: The Tech Industry’s Favourite New Art Style

"But, despite all this, it may not be worth lamenting the immense reach of Corporate Memphis or the design possibilities we’ve been deprived of because of it. The style is, after all, simply a reflection of big tech, and how it has constructed a world with users on one side and executives on the other.

A more interesting and visually rich digital space would mean more than coming up with a new illustration style—it would require a change in how the tech economy is run. Until then, Corporate Memphis is likely to stick around, bendy arms and all."

This touches on why Corporate Memphis looks the way it does: it's a reflection of the material reality it's made in and the economic conditions it serves.

To work in a design job today often involves being a "multi-practitioner"— corp speak for a jack of all trades. You might have multiple platforms to manage, need to create a mix of media (motion graphics, branding, illustrations, etc.), and produce multiple pieces of content, all for some pointless product consumed by placated consumers.

And that’s all in a day's work, to be repeated the next. It's gruelling, unforgiving, mind-numbing work—especially if you take pride in what you do. Life doesn't become easier, but it does become bearable if the medium you're working in isn't fighting against you. A style that can work across platforms, can be easy enough for anyone in the department to use, but versatile enough to allow effort when there's time and money. It's homogeneous to the point where the messy, qualitative complications of art direction don't come into play. You can download a vector stock or make it in-house with relative ease and speed, and it looks good enough. The consumer, despite being fatigued by it all, seems to find it good enough. And that's what marks the style really: it's "good enough." It's a style linked to speed and practicality in the face of intense demand and pressure, low industry wages, accessible skills for entry levels, and high corporate barriers as everything's locked within Adobe's infrastructure.

But its strength as this homogeneous vector glob style, with its lack of any real individual identity, is also its biggest weakness. Although I'm sure some designers might enjoy working in this style, it's not really a style designed for creative individual expression. It's called "corporate" for a reason. If you want something different, you might be tempted to try freelancing...

Outside the corporate design department, you might think you're finally free to create in your own style, no longer having to work in that dreaded Corporate Memphis one anymore. But it’s hard enough to work in your own individual style under the best of circumstances. That's because the whole economy is based on the same structures of endless content production for algorithmically optimised consumption that allowed Corp Memphis to thrive, so you're still facing familiar obstacles—creating vast amounts of content, quickly, for wide and insatiable consumer audiences. So, in a way, we have this algorithm-enforced market of content, favouring those who have optimised their style to be better seen by it. It's no wonder Corporate Memphis has endured past its welcome.

However, despite all that, illustrators and artists still plod on. They end up making stuff, somehow navigating these systems— either playing them like a fiddle, outright rejecting them, or going accelerationist about it, like with something such as Corecore. Self-expression can take many forms, and that potential untapped capital value is tantalisingly mouthwatering to corporate capitalists.

Corp Memphis is optimised to a fault. It's too polished, too automated, and fits too well with the well-oiled design apparatus. Thus, it's developed a semiotics to reflect this—it's cheap and it's perceived as cheap. That's why an art director (typically) won’t just stick some Corp Memphis imagine on an album cover or use it to illustrate a particular lifestyle magazine. It wouldn't suit it, it's signalling the wrong stuff. Culture, art, ideas, aesthetics are reflected in work created by practitioners with an artistic vision, or that taps into what's going on in the present. And this is reflected in their art style, something Corp Memphis can't easily do, if at all.

That's why there's still a kind of fringe freelance industry with a speciality in design identity, otherwise known in the industry as "creatives", albeit small and closely gatekept by the likes of legacy institutions such as Goldsmiths and corporate industry leaders like The HudsonBec Group. If a corporation needs design to be spiced up with some kind of creative identity, it'll turn to these agencies or freelancers from this background rather than use Corp Memphis.

But the sad thing is how a corporation doesn't have total control over the process and thus can't control the value and pricing since they have to deal with hiring these pesky freelancers. But how does a corporation even know who to hire? With moodboards, of course! It’s easier to hire someone in-house with "good taste," who can simply curate hot practitioners to hire, like a dragon collecting .png gems. Although a corporation will try to get the best deal it can, these pesky freelancers can potentially negotiate a price for themselves, especially if they’re some big shot who holds a lot of cultural capital.

But another benefit of a moodboard is that it can be converted into a design guide. Simply share the sorts of designers and illustrators that a corporation dreams of hiring but with a cheaper designer, and ask if they can copy the desired style for less. Failing that, they can just outright steal the style anyway. If the creator is small enough, who cares?

But the value and cultural capital that corporations must seek outside their infrastructure, the very thing Corp Memphis cannot do, comes at the price of what Corp Memphis can do. Freelancers are annoying to corporations. They’re inconsistent, outside their remit, and expensive—since any level of lost capital is an expense. And worse of all, they don’t own them. Work made in-house in a corporation is completely theirs to be used forever, however they see fit. A freelance gig is limited to the contract, and typically you have to keep paying for different uses, or pay a lot if it’s expected to be used for something big.

How dare these skilled workers... sorry, freelancers, leverage themselves. If only we, the corporation, could control and treat the work of freelanced art direction like we do Corporate Memphis. Well, maybe we can—with AI.

AI is a whole can of worms of its own. But I will outline how AI shares a lot with Corp Memphis in terms of mechanics, but it's not "good enough" like Corp Memphis is in terms of its aesthetics.

Let's put it like this, if Corp Memphis is above a stock image, which is above clip art, which is above a farting Elsa asset-flip mobile game, then AI-generated images are below that, sharing the same disdainful semiotics of a YouTube thumbnail. AI renders are synonymous with trash, with viewers combing over images seeking out any sniff of AI to decry it. This is, of course, unfortunate for corporations, because AI is wonderfully cheap and efficient to produce. The problem with even "the best" AI is that it still reeks of AI, because it's trained on relatively limited data sets that are the wrong semiotics that corporations typically use and that their consumers are typically familiar with. It's not consistent with typical standards and trends. But even the AI art styles synonymous with AI are really that of unfortunate ArtStation artists whose work has been stolen, scraped, and trained into these models. But none of it is directed, follows trends, or should I say, reflects trends favoured by brands.

Design industry standard work is also bolstered by their industry standing. Their "credibility" sets them apart from, as Mark Zuckerberg puts it, the worthless creators and publishers who ‘overestimate their value’. Sure Zuckerberg might say design is worthless, but let's not forget that Facebook Alegria, the design language developed for Facebook by the mega studio Buck Design in 2017, pretty much started Corp Memphis! I don't know how much that would have cost Zuck, but given how huge Buck is, I don't know, close to $1 million if I had to speculate. So what Zuck is actually saying is you are worthless, without your titles and industry standing, and are ripe for the scrapping.

I still think it would appear crass to the wider public if someone as tactless as Zuck were to steal wholesale from something like It’s Nice That's list of featured artists, due to the "prestigious" tutelage and culture capital of such trendy practitioners. Good luck if you're on your own though.

There's also the issue of copyright. I've no idea how litigious David Rudnick is, maybe he wouldn't even mind, but perhaps it would be legally safer to just hire a copycat of him rather than train an AI on his work. There's no shortage of copycats of him after all, and they'd probably do a better job than AI anyway.

No, a corporation if it wants to avoid all this mess will instead use AI this way:

Step One: Moodboardism

Directed by their little Pinterest moodboards and Instagram saves, a corporation will find the next latest and strongest trend that they want to utilise, be it Y2K or whatever's current on the human ant colony-as-algorithm site, Carri Institute's aesthetics.

Step Two: The Sellout

Hire an on trend freelancer with a large sack of money marked with a dollar sign to do a year's worth of graphic content in a particular on trend style. This is all then fed into their in-house AI database model.

Step Three: Rise and Grind

It's then handed over to the in-house sweatshop graphic designers as the latest toolset that they have to use. They're now tasked with grinding out prompts in this trendy style with the consistency, efficiency, and speed once only achievable with Corp Memphis.

So congratulations, now we have AI that isn't generic Facebook shrimp Jesus trash; it'll be its own unique trash. And sure, perhaps some AI artefacts might come through, but that's what the in-house graphic designers are for— to Photoshop those fingers. The corp no longer needs to put up with some meddlesome expensive freelance art director, as the AI model is consistent enough that someone in-house can direct it, just like Corporate Memphis. And even then, if it still comes across as AI-ish, the hope is that for the general public, it's "good enough", just like Corp... You get the idea.

And this is possible because a freelancers' perceived autonomous strength as corporate mercenaries is also their biggest weakness. They think they can dance with the devil and win, making essentially veneers for capitalists, never once thinking the corporations will one day come to extract capital from them too. Corporate Memphis is never going to die; it's going to mutate into a corporate zombie... Corp Zomphis?

Why bother hiring individual skilled freelancers to do a job in a specific style when you have a year's worth of art, seeded by one of them, to prompt out your own "unique" designs in their style. It's more efficient and cheaper to approach design as a egragore hungry for its next feed, rather than pay for a single illustration. But you'll just have to trust me when I say that I'm not making this up; annual hires to train their own ai is genuinely what big corporation are doing.

But what about the industry, are they just gonna let it happen? I don't know. But I think freelancers don't typically see themselves as a working class, but instead as individualistic, competitive even, little businesses. This is why I think corps will be able to steamroll over freelance designers and illustrators with AI driven Corp Zomphis, because there's no solidarity amongst designers and illustrators, unlike US animators with their union and perception of themsleves as workers. If one freelancer rejects that devil deal to make the annual quantity of prompt feed for a corp, then the next hire will. I remember even hearing the AoI stressing how it wasn't a union, as if union was a dirty word. Instead its existence is to help one interface with their corporate client overlord. Well, soon enough that interfacing will be about betraying your industry freelance brethren to a corporate egragore, basically turning everything into a potential Corporate Memphis reskin. If Corporate Memphis is the design logic of the economy of the 2010s, then I wouldn't be surprised to see people nostalgic for it in the future, if the speculative 2020s model I've described turns out to be true.

[nanakah]

hello hello, I took the alien stage pill. howdy fellow sufferers

Honestly, my first reaction to basically everything was "awww, they come in sets and are all without exception horribly doomed no matter their specs (loops cool music and vids)"

I'd seen some of VIVINOS' team works without realizing it was the same artist (my favorites being Beloved and Otomeroid) so it was rather shocking to learn of a "series" with a fandom as active/relatively large as Alien Stage without ever actually stumbling upon it before...

Anyways. I like the concept, and Hyuna+Luka in particular, a whole lot. In spite of all the jokes about only yuri and yaoi losing, my spider sense says they'll get their turn of crashing horribly soon and I wanna stay here to witness it burn beautifully, of course.

TL;DR OMG HYULUKA IS SO DELICIOUS

general yapping about all alien stage duos under the cut and some Hyuna/Luka considerations and theories

disclaimer: long, chaotic post ahead - i wrote most of it during revenge bedtime procrastination so I'm kinda just rambling/discussing my general impressions and vibes here instead of formatting it nicely or properly illustrating my points. good luck if you choose to stick around and make yourself comfy

alien stage impressions under read more - also SPOILERS SPOILERS SPOILERS

funny thing - I got into alien stage completely by chance after checking out some related vids to my Love and Deepspace twitter spree and avoiding my responsibilities. Ivan's Black Sorrow made a very strong impression and I loved his eyes, so I kept going deeper down the rabbit role and felt fascinated by the web of dynamics between the characters each time I took in a little more of the plot.

(His eyes are so cool and expressive.....I was already loving everything prior and was excited to continue, but Ivan was definitely the one to sell me on the concept more strongly and eat up the rest.)

It was interesting seeing "love" portrayed under such dire conditions and I kept wondering how come the aliens are so stupid they chose a 1vs1 PVP combat format with their beloved pets instead of the optimal formation of idol units and at least duos versus each other to utilize their feelings of love. Why would they do that?

That first innocent musing made me realize how clever the team behind ALNST is. The whole thing seems to be operating as a metaphor/commentary about how predatory the real idol industry is (the concept of anakt garden really sounds like the average idol trainee camp experience and the bonds they form with their group mates) and how heartless guardian (parental) figures can be in a society that is heavily utilitarian and barely gives agency to either their own children or sentient beings like animals that we keep as pets.

So in that world, the sacrifices of being an idol are literal and humans themselves are "pets" - with all the implications that come with "being dependent on a species that does not properly comprehend them". At times, the way they refer to the fandom of each character even seems to be tongue in cheek as to how "we" too are watching the story for entertainment and making fanbases for each character and reacting like some of the in-universe alien fans.

Therefore, it's no brainer that the answer to my initial question was: aliens/Segyein don't understand how to utilize human bonds and emotions to their maximum efficiency in the first place. They know interaction between humans seems to be important and produces more beautiful songs. However, they probably experience those feelings differently and most of them are likely unable to truly empathize with human pain, ethics or feelings. (And believe me, even some people have a hard time believing other species benifit from socialization, so aliens being that way is understandable). Perhaps the awful acts of the Segyein mutilating their pet human is no different from pulling a butterfly's wings to a human or injecting colored fluid into a flower. The glimpses of their buildings and tv show that they have the same sort of "do they have rights?" feelings and similar moral conflicts to what we have in the real world about species we don't understand fully.

I think it's really challenging to analyze a work attempting to guess future developments when you don't know the creator too well. In spite of looping OTOMEROID I wouldn't say I know VIVINOS and her team deeply as an admirer. But from the overall tone of the videos in her channel, I could pick up on a fascination with "extremes" of emotion and exploring the hypocrisy of society. Human/animal experimentation and materialism/religion/consumerism are topics that come up often. Love is also hardly ever portrayed as a simple or benevolent feeling alone - there's unrequited love, obsession, insanity, many facets of that feeling on the channel. Some works are more straightforward and focus on the visual presentation, others seem to have a deeper story behind it.

The technical quality of the Alien Stage MVs is extremely impressive, I had a blast looking at the patreon storyboards and feeling like "wow, a person actually made this". It seriously got me inspired to feel like drawing more to get out of my own artblock and to pick up on old OCs to show them some love. In the era of AI, this is a joy to get to feel. It all definitely feels like a well-put together labor of love. I'm super weak to things brimming with passion like this, it's contagious!!!!

Now that I've tried my best to make an eloquent opening and act like I'm not at all just a fangirl foaming at the mouth with this intense concept (I keep crying that I wanna see either Aka or Ohkawa try their hand at a death game scenario) and at the sight of a tragic toxic duo with a backstory of a deeply rooted mutual obsession/love and fall out (wiping drool out of the corner of my mouth as we speak), let's talk a little more about the story. In order to make sense out of my ramblings and projections, let me explain my thoughts on the other duos besides my bias first.

Mizi and Sua set the tone to their universe as well as serve as an explanation as to why "idols" work well to represent their conflict and struggle - I'm fresh out of Oshi no Ko here, so this feels equal parts like a comfort zone and everything but comfortable and hellish to go over again. But, to put it briefly, the adoration of someone as an entertainer that you want to support also overlaps with the word reserved for adoring "an image or representation of a god used as an object of worship" - idol.

Humans, stripped of their power and autonomy after arrogantly believing they were superior to everyone else and were the only beings in the vast universe, have been subjugated by other species. Because of the bleak, unforgiving circumstances they were faced with afterwards, the surviving ones were turned into luxury pets and stripped of their freedom. Free will made them children of God before, so people have forgotten all about the "God" who couldn't answer their prayers/save them. But, as Mizi says, the belief in God is innate to human nature. You are more likely live in this world successfuly if you have someone to look up to or a reason to survive.

When God seems so far away and so cruel...what they can do is look to each other as their "Gods". Because a belief in God is ultimately, a cry for salvation and acceptance...."The Bible makes it clear that “God is love” (1 John 4:8). He isn't just loving, but he is the very definition of love."Therefore, all characters are, in some way, looking for salvation and being constantly tested and brutally being forced to show off their humanity through the lens of how love affects them - and not at the privacy of their inner thoughts or anything. All of that in order to portray different aspects of "love", adoration and what it means to be human. To have a belief on the unseen - "what is essential is invisible to the eye".

IT'S ALIEN AMERICAN IDOL MEETS DANGANRONPA. WHOO.

(gOD I wish we could have gotten Luka vs Sua or vs Ivan in some way. That feels like it would be extremely close and entertaining to see. Am I losing my humanity? Why is my keyboard slimy? Am I becoming a Segyein ....?)

Of course, because I fell for all those deliciously doomed themes like the good CLAMP/Akasaka foolish nerd I am, I bought patreon access day one. Although some setting details were unexpected, I was pretty satisfied with my overall initial grasp on most of the characters. If you found me through the tags and didn't already follow me, my disclaimer here so you get to know me is that I easily gravitate to polarizing characters or doomed ships like a curse. There are also certain Themes that follow me like a plague and I could see some of my favorite characters' shadows on the doomed kids I liked right away. Like an itch to spot something more to what is being shown.

Therefore right away, Luka and Hyuna caught my eye big time. (literally, when I watched sweet dream I kept pausing and going - whOA WHO IS THE COOL GIRL WITH THE CIG. Wait wait wait show me more of the boy that looks dead inside overstimulated by the flashing lights!)

I don't really have any pretension to be quoted on anything here or say things verbatim (Patreon says it's fine to produce derivative content based on what's there, but as expected, it's enforced not to directly share it so I can't really go argument-evidence here by presenting it) and have only seen pictures of the artbook secondhand by a friend, so I'll have my fun here making commentary loosely based on extra content and sporadically showing off pretty MV captures.

Anyway.

We're introduced to this universe through the jarring cruelty of ROUND 1, contrasting a harmonic, beautiful, lullaby-like melody with a harsh outcome. Like Mizi, unless we got spoiled beforehand, we don't really know anything about what's about to horrifically transpire. And though she got education, it feels like the teachings about what death or the Alien Stage would be like were horribly sugar coated or distorted to her, as incentive to give their best performances - like sacrificing themselves was a good thing. The extra materials back this up with Mizi's first interview about "My Clematis" - it's like they're told they're simply going back to their "origins" entity (The Grand Ankt) and it's a pretty and peaceful thing. We're shown how bad humans have it in their society and simultaneously get a montage of a cute, healthy, heartwarming relationship between the two girls and a deep "pure" love, as well as feel the weight of Sua's sacrifice and how badly it hurts Mizi. You're told that Sua is her God, her Universe in a Godless world - only to have her ripped away and "God" basically slaughtered for cheap entertainment. Some of the extra materials put it as a certain "mutual love" between Sua and Mizi.

It's interesting how we're shown a stage and don't know what to expect at first - since the girls seem "calm" and happy to express their love, but there's an increasing sense of dread until the finality of Sua's death hits and the pretty, shining girl we see in the flashbacks becomes an empty husk. The MVs seem all to be roughly designed around creating a surprise at the end or recontextualizing something we have seen previously.

I won't discuss Till and Ivan at length at this time, because that would get too long and demands it's own post (I sure as hell rewatched Unknown, Black Sorrow and Cure many times though), but the key part for me here is - they similarly express "love", but through another facet - obsession of a one-sided love and the desire to reach salvation or a reason to endure the world because of that, too. To the point of choosing the chance of love over salvation, expressed by Till letting go of Ivan's hand when they had a chance to escape (not wanting to leave Mizi behind most likely) and Ivan's kiss and decision to strangle Till to give his own life in exchange for his/finally getting to express his "shallow emotions" he perceives as something that won't deeply scar Till (but it does, and it mattered, far more than he could ever have known). It's interesting that although Mizi calls Sua a God, they develop something closer to a balanced, mutual relationship, as much as their lack of understanding of "human relationship" allows - they connect deeply. Ivan, according to the comics, sees himself in Sua, but it's deeply frustrating how he couldn't build the same sort of connection with Till and felt like he could only maintain a bond through violence.

Mizi seems to be the only human who was raised in a "stable home" (her alien seems to actually love her closest to a mother), but that's not enough to protect her from pain - after all, the alien's reasoning was that if Mizi likes singing, she should join. Yolo! Your human baby's life is so short! Sounds like outdoor cat owners to me. Ugh. All other pet humans are going through some flavor of parental abuse, and it all reflects in how they express their emotions and what sort of decisions they tend to take.

Till, in contrast to all that, more closely resembles the definition of looking at Mizi like an oshi/idol as a comfort to run from the pains of his life - he always looks hurt or abused, but Mizi is like medicine that even watching from far away makes him feel "saved" due to nurturing that "first love" that is heavily idealized. It's interesting how his character that is first introduced as somewhat violent or wild because of the smashing guitar and "addict"/drug imagery turns out to be one of the most sensitive.

The cloaked figure of Mizi in Blink Gone seems to resemble a saint or Mary (mother) holding a child in her lap as he takes his last breaths. She rushed into the crowd in a desperate attempt to save or at least comfort him in his predicament. Till's final position even resembles that of being crucified.

All that, however, makes Till unable to see Ivan properly - who is constantly around him and yearning for his attention, protecting and loving him in desperate ways that he doesn't realize until the very last minute. He is also seemingly detaching himself from the "real" world as a very "pure" child (shown in the way he loves with full devotion and his artistic inclinations), which of course, makes Ivan painful to face - who is a grounding entity and a reminder of the real world. The one who touches his wounds, who is "there" and not unreachable like a flower at the top of a mountain. That love between Ivan and Till got expressed in a way that was painful to both, but a very human act of a clashing selfish and selfless-ness.

None of them are built for this. They're trying to survive.

So far, what I've got is...Mizi and Sua set a standard of what is closest to a mutual love that was growing together in a relatively equal and healthy way. Ivan and Till were reworked to avoid overlap with them and are chosen to portray the sense of an immature, obsessive love and clashing emotions. It's interesting to me how much the creators stress the "one-sided" and controlling nature of Ivan for behind the scenes, and I feel like this does not mean that Till couldn't possibly return his feelings - after all, the Actor AU does show great chemistry between them. It's more like, within their living conditions and because of the emotional immaturity of both of them, they literally could not see eye to eye - Till looking at an idol out of reach (Mizi), and Ivan choosing to seek out his attention through violent means that confused Till, thus he was unable to respond to the intensity of what he felt and grow into it.

NOW. TO THE MAIN COURSE THAT IS ROTTING MY BRAIN: HYULUKA.

If we've got all those bases covered so far...where does that leave Hyuna and Luka?

(This is the most Mello/Near-like I've ever seen another ship pull off. My inner 13 yo is screaming. They're both incredibly gorgeous. How is a hetero couple simultaneously so BL and yuri-like in DRAMA AND IMAGERY? CLAMP would be proud...)

You see, there's no official answer about the true nature of their bond yet.

But I have a lot of speculations. It clearly looks like a rotten, strangled-by-the-red-string-of-fate sort bond that is just up my alley. THE MOST FUN IS GETTING TO BABBLE BEFORE GETTING AN ASSERTIVE ANSWER. I'm all for making a fool of myself, so let's get down to it.

To put it simply - I believe Hyuna and Luka's role is expressing the extremes of the setting itself and what "to love" means within it, with a turn for the worse and the tragedy of "not understanding" even if there is love.

How do you conquer an oppressive world in which all odds are against you? Would you overtake it through rebellion or would you strike at it from within?

In a world in which God's teachings have become lost to time and difficult to believe, does love strengthen or weaken you? If it causes pain and destruction, can it still be called love?

I think Hyuna and Luka are standing at opposite sides of those beliefs, and cannot understand each other's mindset.

Seems simple enough to write Luka as a mere villain final boss since he seems to be enjoying himself at the evil death game and Hyuna as the nice rebel who wants to save everyone, right? But it's confirmed Hyuna wasn't really trying to rescue more people like she had an opportune moment to do for Mizi.

The artbook also says something incredibly interesting about what the "Luka Syndrome" mentioned in one of the MVs really means - Luka's prestige as a performer is raising the prestige of pet humans. He also believes "Hyuna would be safe with him" - Why is that?

I think they might actually have similar goals and a similar stubborness in which they believe themselves to be the correct one and the other to be pitiful and foolish. Hyuna is trying to overthrow a system that is well-established and has far more power or influence than them, therefore she needs to resort to drastic measures and flashy means to assert dominance over the alien society.

Luka on the other hand, feels like he is using the system against it and exercising his own humanity while at it. Rather than tackling the incredibly daunting task of being a rebel with guns blazing, Luka became a master of the stage in a way that makes humans gain influence and thus become more valuable.Even if I try to think of it as "he's just trying to survive", that doesn't feel enough - because whenever he is not on stage, Luka looks dead inside already.

Especially in the arts he looks like a younger child or teenager, except for the ones after he seems more consistently approached by Hyuna. It's hard for me to think what moves him is a survival instinct. He is also portrayed like the typical "golden kid" syndrome victim - someone so systematically beaten to satisfy their narcissist guardian figure and submitted to so much pain that they eventually absorb part of that mindset as a way to have agency and autonomy over themselves. It gives the illusion of being successful and thus that the abuse was "effective", but it's like a curse that is difficult to break from.

I think both of them are older for a thematic reason. It feels like it could represent what it feels like, as adults, to no longer be able to hold onto naive or idealistic things about the world or society due to ignorance and having to choose a path to express your ideas and reach your goals through your "work".

Hyuna is guns blazing and "adult pleasures" - singing to an underground stage, trying to scrub off the wounds of her past with alcohol, and it's interesting that her guardian alien is portrayed like an "absent" parent figure - they have an interest in humans, but doesn't care about watching Hyuna when she first was eligible for Alien Stage. I wonder if they even are the one looking for her at all - seems to me it's more of an alien police thing because of her "crimes". Under that seemingly "thick" skin though, it seems clear that Hyuna is deeply affected by Luka still, and the loss of her brother. She deals with her wounds by not really dealing with them at all and guess what - it's a weak point. Her song is uplifting and refreshing, but she clearly demonstrates that closing your eyes to trauma and purely moving forward doesn't make them go away. In that sense, Mizi is a way she is trying to "mentor" someone navigate through loss.

I love outcasts and mildly autistic-coded characters, so I gravitated to Sua, Ivan and Luka right away.

(Extroverted cutie and the doomest doomer of the bunch. As a side note, their character design alone and contrast is genius and gorgeous. I'd expect 90% of the time for Luka to be the designated BL character and hardly do I ever see his archetype paired with the sort of sharp, striking beauty that Hyuna has so I definitely got giddy with them right away. She reminds me a lot of Michiko Malando and Luka reminds me of Near, two characters I love a whole lot and funnily enough have the same mbti types the artbook describes them as - ESTP and INTJ. Ankt garden Luka looks somewhat closer to the AU versions of Luka, so gotta love both his origins and his twisted post-alnst/hyuun woo self)

I believe Hyuna bundles Luka with that trauma of grief and loss, and it's still unclear what their roles are in it and after the fact. While singing all in verses "We only get one life, so I'm living mine for me/'Cause I'm the one from your wildest dreams", Luka's face flashes through Hyuna's mind before even her brothers, like it's something that's always on the back of it and barely suppressed.

See...since VIVINOS loves the "more than meets the eye"/twist concept, something I'm expecting is for Hyuna's feelings not to be as black and white as blaming Luka and actually. It obviously was dysfunctional and isn't that....delicious???

I feel like a one-sided love or obsession wouldn't make sense to repeat as themes, and because of the heavy trauma associated in the backstory, it's not like a "healthy mutual love". To bridge the themes of MiziSua and IvanTill, I think Hyuna and Luka are being told in a way to express love as something that can also destroy instead of save, and their clashing ideologies come from a place of wanting to think "-I'M- right and want to be your god", instead of ever having been able to understand each other properly.

They have a similarly "corrupt" love that has a lot of guilt and regret built into it. Even with something awful as what happened to her brother, it's curious that Hyuna's mind first thinks of Luka in an "enamored" light - the scene looks pretty tender - but that's also attached to the weight of Hyun Woo's death.

I think It's likely that the twist is Hyuna having been the one who hurt her brother, even, considering the dynamic in these comics:

Luka and Hyun Woo compete for Hyuna's attention, and it's to be expected that none of them understand the boundaries and definitions of love too well. Hyuna and Hyun Woo seem to be naive and relatively raised in a decent way, submitted to superiority tests like the rest, but not directly abused. They seem to express their love for each other in a cheerful, healthy way, Hyuna probably because of her closeness to her brother (which is unusual for other pet humans to be able to do) is extremely physical in how she shows affection. She doesn't really reprimand Luka, and that creates an unhealthy dynamic in which Luka plays the victim - in spite of starting things - to enjoy Hyuna's attention. There is a cute comic that looks silly, but encapsulates it all:

Luka is a little shit that wants to be pampered. He knows he is physically weaker - if you come across a rabbit being hurt by a wolf, you wouldn't suspect the rabbit provoked it. So Hyuna constantly seems to take Luka's side regardless of what happened, wanting to have that protector role.

Luka on the other hand, has no reference of what it's like to be "loved". He is systematically abused and treated like an object - therefore, he perceives relationships in terms of "ownership". And I don't think Hyuna truly understands just what she is enabling when she encourages Luka to act the way he does or thinks his neediness is "cute".

Honestly, I think there's strong sexual abuse imagery in Luka's art and the presentation of his stage image as someone taking charge of their objectification. His clothing for stage always shows off his body one way or another and both Hyuna and him have this sensual imagery and approach to others, as if "reclaiming one's own body". The contrast of Luka's blank expression and the red collar indicating a mental breakdown in that artwork above featuring Heperu's shadow approaching him is truly chilling.

That boy has no reference of what a familial bond or love is like. And both his introspective nature and abuse seem to make it even worse for him to connect with his peers- in the artbook his only relationships listed are Hyuna and Mizi, in very negative ways. He is also said to have retreated deeper into his own world, because "no one can understand him". Again, checks out with the imagery of "gifted son" that is treated like a narcissistic parent's doll and that becomes desensitized to many things over time.

His alien guardian Heperu even looks vaguely phallic and Luka has body language of "trying to disappear" or soothing himself when not up the stage - hugging knees, looking smaller, sucking on sleeves, stimming with toys (rubik's cube). The scars on his chest seem related to the abuse of submitting him to pain to overcome fear and I theorize the scars on the side may have been for plastic surgery like abdominoplasty or even possibly removing ribs. Normally that would be done from the back, but hey - alien science, and he already had "tainted" scarred skin on the front, so it would make sense to try preserving his back. His waist is drawn really really thin. It's also mentioned that he had a strict diet even though he is a big eater - that is, Heperu is deeply violating his agency in accordance with Lookism.

Luka has all the makings of a really tragic character and reminds me of Kamiki Hikaru's construction in Oshi no Ko. A victim turned abuser in some ways, as a way to seek autonomy, self expression and living for their ideals and love, no matter how twisted it has become.

There's a comic that has a "flashback" of anakt garden and Hyuna being asked by Luka if she likes to sing. The POV of Hyuna's face looks as soft as Luka's does from hers. She tells him that they don't have freedom for anything else, but when she is up at the stage, it's like her life is "her own", so she likes it. The image of Luka singing as an adult suggests that even now, those are the words he pictures and that is the image of Hyuna that is alive in his mind.

In a way, both of them are deeply attached to the past, and while Hyuna wants to shut it down completely and regrets it having happened, Luka's feelings are twisted.

We don't know much about the kiss. Considering the "sucking on forehead" comics, I get the feeling Hyuna was startled by the sudden escalation from Luka acting as a passive, cute pet and jumping her with so much intensity, but may not necessarily have pushed him away. The following fight could either have happened because Hyuna became withdrawn as a result of suddenly becoming aware of the effect she was having on Luka and what their feelings for each other were (since previously, she might not have been able to tell the difference between being all over her brother and all over Luka) /or/ the scenario played out like the forehead sucking. She didn't dislike it, but Luka became insistent or they got caught in a way that Hyuun Woo had no context for, thus assuming Luka was forcing her.

And there is a third option too that now I think about it, seems the /most/ likely: the growing proximity to Hyuna made Luka's feelings of "wanting ownership and exclusivity" even deeper because of love and lust, as simply being assured he is "loved" doesn't seem to be enough for Luka. It could be that Hyuna in fact disliked his attempt of kissing her and became more distant to him. Thus, he orchestrated for Hyuna to take his side once again for validation in a reckless way - but the results were "better than he thought" when it resulted in Hyuun Woo's death. Because, that is a price so heavy that it feels like "wow, you actually chose me".

This scene is super interesting, I love Luka's expression. It's joyful in a "perverse" way. He was successful in trapping his beloved Hyuna. And it seems that the emotion is so intense, like he is finally free from the mask of pitiful wounded animal with no agency over himself that the sheer ecstasy might have caused a seizure or heart attack, hence his eyes looking glassy afterwards and his fingers finally turning the blue/purple hue we see on his older design.

Skimming through the patreon posts, I was pleasantly surprised to realize my gut feeling about Ivan and Luka having a similar core wasn't wrong. Sua in comparison is the scenario of someone who doesn't go off to the deep end as the two of them. It's often stressed that the team was worried about establishing Luka and Ivan as distinguishable - their personalities are similar, but their masks are different. Ivan presents himself as the "big bro", while actually being a boy struggling with properly expressing emotions that went as far as practicing smiles and expresions at the lake. Whereas Luka is like a porcelain doll and passive - austere, even...but what about his real self?

We're cleverly prevented from seeing an introductory MV for Luka, as round 4 doesn't happen. And for the subsequent videos, Luka shows himself partially by not disclosing his POV, but showing important sides of himself - the urge to control and the attempts to "become whatever is desired of him". A blank slate.

In a sense, that's implying to me Ivan and Luka's stage presence is an expression of their "inner selves", where their feelings and thoughts become bare. Ivan does so by casting aside his big bro warmth and stepping in as the image of a serious-faced, strongly devoted man that is coming apart at the seams with the weight of his immaturity, sadness, love and obsession.

Luka's stage presence is a distant cry from his image of passiveness and class behind the scenes. On stage, he is a seasoned performer and a calculating prince that enjoys pulling the strings to reach the ideal performance as seen in his inner world. He cunningly displays a different expression between the audience and his partners to achieve the ideal results. Luka acts like both a director and an actor while performing, in order to construct his vision - He's bold, confident and invades people's personal spaces.

(What a condescending little shit. I love him. His expression seems to be saying something like..."Done already? Hmph. I expected more of you. You need to do something for me to do my part and shine, too."

A point I theorize about Ruler of My Heart - Hyuna says in the artbook, I think, that Mizi reminds her of herself. Luka would be able to pick up on that also, especially since Mizi had just been broken by the loss of the one she loved most and formerly had that spark of "hope and dreaming high" in her eyes. Luka may have chosen the song specifically to have Mizi recreate the "role of Hyuna" envisioned for it - as in, he never expected her to be obedient at all. He was riling her up to feel what Hyuna might have responded like to this song. But the Hyuna in his idealization is probably "blazing, absolute and strong" - instead of shutting down and giving up singing. Mizi lets herself get intimidated by his provocation into silence, but when she loses it to punch him in the face with no regard for the consequences - like Hyuna surely would do - is when he finally smirks. It's also a mockery of letting emotions take her over, securing his win and further reinforcing he is "in the right". )

Another interesting tidbit is that Luka's personality isn't of the ethereal "pitiful-but-nice" character, but rather something that "fits VIVINOS taste". He is also compared frequently to Ivan in personality/mindset, who is described as a "bad boy" with a possessive/manipulative streak. If the sides of Ivan we get to see that related to Till are fairly tame and the team worries so much about contrast, that seems to imply that Luka embraces the more extreme parts left out of Ivan.

Even more interesting than that is the core of Luka's character inspiration - "the little prince", which I assume most people have read before. It's a children's book about an adult meeting a little prince from space and basically sharing life lessons.

If we look a little beyond the "cute blond kid"/moon motif...the most striking aspect about the Little Prince is probably the idea of the rose and the fox. The immature prince is taught the concept of love and responsibility by a wild fox - that to tame someone is to make them unique, and it's the time spent nurturing that love that makes it precious. The prince had been frustrated by a Rose he thought he loved, but grew annoyed by because he could not understand her. He also was confused upon realizing there were many roses in the universe, but his was too selfish and flawed. So is she not as unique as he thought? He starts missing the rose, and learns that there IS a difference - none of the roses are "his" or sound like "his" - because if they have tamed each other, going forward, he isn't just any little boy to his rose anymore - he is "the" boy, and she is "the" rose, unique in the universe.

This feels extremely relevant to a character presented as a "product" of gene editing and, basically, being created in a lab. The implication to me is that there may be many other "Luka"-like humans - the vast array of congenital diseases he manifests such as heart disease, Raynaud syndrome, asthma and chronic migraine all make him sound like their universe's equivalent of a white pug dog with dubious origins to boot.

What makes that test tube baby, raised by a ruthless alien that doesn't care about him as more than a way to vicariously live a life of success and luxury, unique in that case?

Love.

And my take is that, the fox and rose to his little prince are the siblings Hyun Woo and Hyuna.

(I'm suddenly reminded of the Vanitas no Carte Louis-Domi-Noé trio. Why do those never end well?)

IMO the rift created between Hyuna's brother and Luka wasn't necessarily there from the start. Before getting more strongly attached or opening up to Hyuna, Luka looks extremely detached. Hyuna's brother looked like the picture of excitement and youth, so it feels like he could have reached out to the quiet boy first and Hyuna tagged along. The settings mention something along the lines of Hyuna not quite being the origin of the "dreamer" outlook, but being inspired by her brother, and I can picture it.

Hyuna's MV All in and her relationship with Mizi painted to me the picture of a girl that is naturally attractive - her drive and sunny disposition are simply dazzling. But, underneath, there seems to be "something" doesn't it? I think Hyuna's charm comes from a mix of strength and vulnerability. She seems like the type of person to cope with humor and being flirty in order to lift people's moods and surprise them, but Hyuna herself can have quite heavy and serious feelings. The somber look suits her, and it's overall impressive that she didn't completely break because of her brother. It's like her innate talent for performing draws people to her, but at the same time she can sustain an illusion of "closeness", her true worries and wounds are kept deep inside and she doesn't let others truly see into her.

So.

What's shown in Blink Gone to me is that Luka's not merely surviving a death game, he is enjoying the show and trying to feel alive. To someone like him that probably already feels dead inside all the time and was "abandoned" by Hyuna, there is nothing much to look forward to. We don't know what happened between Hyuun Woo's death and their first alien stage run (quite a lot, since Hyuna even lost a leg) ot the timing of their relationship fall out. Given their memories and image of eachother, it does seem to be implied they were already going separate ways right after the incident.

It's likely that what connects Luka to Hyuna's memory the most is the feeling of performing itself - the one time he gets to be free. Luka acts like he is superior to the other pet humans for having "figured out" the system and feeding into it, and looks down on them for having no control over their emotions. But does he really have total control over his own?

In spite of all the abuse he embraced as his own will or believing he could truly get any power by playing the game according to its rules and "overcoming fear", someone as unpredictable and impulsive as Till is the natural enemy of someone like Luka. He had the upper hand as long as it stayed within his plan, but Till suddenly going as far as going back to the green light indicator was worrisome. Luka's Stamina is actually rather crappy, so if Till did decide to go all out, he might have been cooked.

I think, to Luka, it's probably about more than keeping himself alive. And Till flipping the game then would have made him waste his life on a performance that was supposed to be easy -and- it must be annoying that Till strayed off-script. My hypothesis is that he wants to reach out to Hyuna, still - either by increasing the influence of humans to shift the world closer to the one she envisioned, or by putting his life in the line at the stage as many times as possible to feel the "weight" of her presence as if she still were by his side or to grow so famous that she cannot ignore or escape him.

Deliciously hypocritical of him to look down on others so much, when Hyuna's unannounced presence shook him so badly he turned his back to the stage and stared at her with an expression we'd never seen before.

My take is that her walking in like this is seriously the worst scenario to him. Luka expresses in the artbook that he pities Hyuna and that her safety would have been guaranteed with him, so - because of his influence - I think he might actually have gone to the Alien Stage again to secure his power status AND request to keep Hyuna out of it. A condescending sort of domestication we know she would hate, but would keep her safe.

But see. Even if she wasn't under his care, being out there causing a ruckus is one thing - she's alive and kicking, not really in the slaughterhouse. He can live with that. So, he sings to his heart's content. And...

His sneering that people are suuuch rookies at controlling their emotions...

Sooo weak to let their emotions and regrets dominate them and make them lose sight of the stage, compared to his Super Competent self that can overcome fear and control his own heart rate...

All came back to bite him in the ass, like an idiot.

All other characters were pitted against their worst case nightmare scenario, and I doubt the Prince will be an exception. I really don't think his type of obsessive is wanting to be superior to or beat Hyuna at performing either, even if it's his guardian's mindset (it seems Heperu feels inferior to Hyuna's guardian and adopted Luka simply as a means of beating him - so seems very possible he will push for having the two face off and prove Luka's "superiority").

No matter what he does now, it's either Hyuna against Mizi at the risk of death or Hyuna against him. Hyuna's a wanted criminal - there is absolutely no talking a way out of that one. Not only that, Hyuna's bleeding from her wound already. Luka facing against Hyuna as the second time champion would mean being forced to choose - keep rulling the stage, or chose the one who was his guiding light in the first place?

The imagery from the sweet dream opening (as well as Luka having covered that song) is "release" - Luka dying at Hyuna's hand even if it's not something she can truly do with pleasure, no matter how much she copes with her past wounds by hating him. I wonder if it's a red herring or if it will play out, I particularly want whatever will allow to explore their character, feelings and motivation the deepest.

I don't think Hyuna wandered onto the stage for his sake - it seems like it's for Mizi, who is completely frozen. Hyuna probably has up until now coped with hating Luka because he represented everything she was rebelling against - the "system" itself. A nasty cog in the engine of the aliens who, even if not directly, ultimately were the cause of the entire context that stripped her away of her freedom and lead to her precious brother's death.

However...

My guess to what's happening here isn't "wow your outfit is so slutty" or "you've grown". It's more like...Luka suddenly looks too human.

He wasn't supposed to.

...Phew. That's all for now. The ADHD gets strong when I'm talking about something that tickles my brain, so I hope that wasn't too messy/unintelligible to follow with the back and forth jumping timelines or repeating points of interest I did.

Well! I really, really wish there was more for me to keep going, but for now I'll live with overthinking with what we have. I might do separate analysis/speculation for the MVs if I have a deadline I'm procrastinating on come up the time.

Bottom line is, I think all those characters are very interesting, but Hyuluka are the ones I'm rotating like a rotisserie chicken in my mind. Plz hurt me more VIVINOS team and thanks for the good fucking food

[chimielie]

i swear that i will hate you 'till forever

summary: Yaku x F!Reader. sometimes divorce is what you really need to strengthen a marriage

word count: 1.2k

cw: angst, alcohol, pr marriage gone extremely wrong, yaku is older by six years, reader is a socialite with no life skills or healthy coping mechanisms, yaku also has no healthy coping mechanisms, no one in this story is doing well, The Judgment of God Himself, also blasphemy

a/n: heeey long time no see. i actually genuinely don't know when i wrote this, i'm just emptying my drafts of all the half-written fics i have locked in jail. i do still like this concept a lot so shoot me an ask if you want to know more about what i had planned for the full thing :)

Morisuke hates weddings.

He stares up at God, who is trapped in a little circle in a bigger circle, surrounded by gorgeous, centuries-old paintings of angels and saints and little red devils. Everything is gold, the flickering light of hanging chandeliers shining down to gild a rapt audience, even as the real people seem to pale in comparison to their artistically rendered counterparts. Standing here, surrounded by ornate displays of divinity, Morisuke has never felt so wealthy in spirit and physicality. He wasn’t raised in this religion, nor was he ever baptized into it as an adult, but he doesn’t find a seed of objection in himself he’d though he would. The icon he thinks is God looks both mournful and benevolent. All the shining things make Morisuke feel as though he’s looking into a mirror.

The people rustle, whispering among themselves. A stray string instrument sounds, alone and twanging into a silence far greater than itself, and Morisuke almost misses it when the orchestra starts up moments later. He has a headache, the kind that gets worse because he’s so irritated that he has one at all.

He looks down and away from God, straight into the blinding flash of a camera. His only reaction is a slight narrowing of the eyes, the closest he’s come to flinching in years. When the spots clear from his vision, you’re there, an angel from the fresco come to life, a goddess in the church.

Morisuke folds his hands. It feels only right to pray, the way he’s seen it on television, the way some of his teammates do before matches. You stare at him as you walk down the aisle, light playing over your dress in shining bursts that make his head throb harder. He can’t find any bridal tears in your eyes.

He shifts in his dress shoes, fights not to run his hands through his carefully-styled hair. The air-conditioning is too strong, meant to keep a thousand pressed-together people from overheating, or perhaps it’s the winter air leaking in through the great doors. You reach the stairs to the altar, wobbling a little on your first step up, though the movement is so minuscule anyone but him wouldn’t have noticed. Without thinking, Morisuke reaches a hand out to steady you. Your fingers press hard into the flesh of his palm, gripping him bruisingly tight. He can barely pull his hand away fast enough. The music stops, and Morisuke takes in a deep breath, while your chest doesn’t move to inhale or exhale. This is the last moment before you are knotted together irrevocably for life. A groom who hates weddings for a bride who doesn’t cry.

one year, eight months later

If you tilt your head up and almost close your eyes so that you’re looking through your lashes, you can pretend that you’re floating among the stars. You do so, walking backwards, tipping champagne down your throat as you go, trying to envision yourself as a constellation. You’re pretty sure you are one—Morisuke’s gift to you on your birthday, the first one after you’d married. The tabloids had eaten it up. You, watching him board a plane through the social media stories of your so-called friends, hadn’t felt quite as romanced as your picture in the news claimed.

You had forgotten about the constellation. Perhaps it had stuck in your subconscious, though; it was awfully romantic. Perhaps that’s why you had chosen the planetarium as a venue for tonight, though in the light of day it had been the midnight blue velvet and shadowy, domed ceilings that had cinched it for you. But you throw a lot of parties, and you don’t need any more sentiment in your life than what you’re currently suffocating under. You’ll come back on your own, you decide, finishing off your glass and plucking another from the nearest hand to you. You like being lost amongst your guests, freewheeling in space even without oxygen to breathe.

You stumble as you continue your backwards, meandering path through the party. You kick off your shoes, lab-grown crystals chipping off as they bounce. You don’t notice. You’ll buy more. You could buy the whole stupid world, with your husband’s money that he throws at you so he doesn’t have to come home and face you. Your husband who leaves you alone to do whatever you please. Alone, dancing among the stars.

Morisuke was twenty-eight when he proposed to you; you had just turned twenty-two when you said yes. You had been officially seeing each other for three months and acquaintances for nearly a year prior.

The story of your first meeting the interviewers knew was one you and your husband had told many times. A mutual friend had introduced you at a high-profile event and said, blatantly, that the two of you should “make babies.” Morisuke was smooth; you were flirtatious. The story played out like a romantic comedy, ending in a fairytale wedding.

You and he had kept the real story for yourselves, to take out and admire in times of trouble, to tuck away in your pocket like a note between secret lovers.

You were running through a rose-garden maze, eyes over your shoulder, hands fisted in your skirts. He had been walking a perpendicular path to yours (looking for someone else, another lover, you’d later learn) when you had tripped right over him, tumbling head over heels through the flora and into a new sector. Your breath knocked out of you, it was all you could do to stare up at the sky and try to laugh.

“Miss?” He’d called, ducking through the opening, pushing stray rose canes away. “Miss! Are you alright?”

He sounded so formal. You accepted his hand up, but only pulled yourself into a sitting position, trying desperately to catch your breath. He was so handsome, it was making things much harder. Inconsiderate of him, you thought

“I’m fine,” you managed, eventually. “Are you?”

“No more bruised than usual,” he’d returned, teasing. You cocked a brow. “I’m an athlete. I dive face-first onto hardwood floors all day."

For reasons you couldn’t recognize, you’d taken his hand, pushing up the sleeve of his shirt. His forearm toward the elbow had a nasty bruise, as he had said. You ran a careful finger over the discoloration, and he hissed.

“How was my form?”

“Awful,” he said frankly. “But—“ He’d seemed to get lost there, watching the way the sunlight filtered through the clouds and played across your features. With all the raw honesty of someone saying something they hadn’t even known they were thinking, he opened his mouth and said: “I think you’re the most beautiful woman I’ve ever seen.”

On a slight breeze, the petals you’d knocked off drifted around the two of you, catching on his shirt, in your hair. They pooled between you, and when you ducked your head down they were all you could see.

You fell in love during that first meeting.

He never fell in love with you at all.

[sardonicdoll]

able-bodied artists (or artists who don't have the relevant disabilities even if they are physically disabled in some way) really need to start checking themselves because i have seen more than enough ableist garbage on my TL recently. i don't get any traction on twitter though so i'm posting this here instead.

1. i'm not giving my thoughts on "AI art" because i do not have the patience and energy but bringing up physically disabled artists with limb differences, motor impairments, etc. (the ones that able-bodied people put on a pedestal because inspiration porn, anyway) as a gotcha is just as bad as the "AI art" bros you're arguing with who aren't disabled themselves (or disabled in these ways) but also tokenize these forms of disability. we're not ammunition in online discourse, i bet 10-1 that you people never uplift and empower and give a platform to disabled artists w/ limb differences/motor impairments/etc. in your online art spaces otherwise, and any logic that amounts to "this disabled person can do [x] so you're just not trying hard enough/what's your excuse?" is always always ALWAYS ableist no matter how you try to spin it, sorry.

if you don't have these conditions and consider yourself an ally to us then you do not have any business speaking with any kind of authority in conversations involving limb differences, motor impairments, etc. and art-making, or bringing artists with these conditions up when people are talking art-making and accessibility. full-stop. speaking from experience, being an artist with coordination and motor skill impairments when i'm surrounded by artists who aren't hindered by those things (even if physically disabled) really takes a mental toll on you and being all "oh this guy learned to draw with his teeth, so" does not help that whatsoever.

2. speaking as a horror artist/author - critically examine what you consider monstrous or horrific and the overlap between that and visible physical disability. not only have i had the above nonsense shoved in my face but then semi-popular art account posted a few photos (from online assumedly) that they called "monster eyes" when one of those images was leukocoria and another looked something like tonic pupil and/or coloboma (the pupil looked atypically large and out of place.) structrual eye conditions that cause visible differences aren't "monstrous." one of the images had crystals growing out of the eye, which, yeah! do more with that. but consider that images of "freaky" eyes you find on the internet are in fact eye conditions that real people have and what you're doing is associating how their bodies look with "monstrosity."

people have talked about this quite a bit with limb differences, bodily proportions, gait differences, motor impairments, etc. but i've never seen it talked about nearly as much with eye conditions. stop associating aspects of visible bodily differences with horror and monstrosity. even if it's unintentional that's purely due to your ignorance of the wealth of conditions that cause disability. exploration of disability and bodily difference within the context of horror and monstrosity can and honestly should be explored but that should be left to to those of us who actually understand what that is like rather than those who only have an outside perspective.

generally i'm very tired of able-bodied artists and then any physically disabled ones who lack respect for those of different experience to their situation.

[cripplecharacters]

hello! so, i currently have an oc in the works. i dont have much for his character yet, and hes kind of a blank slate at the moment, however, whilst trying to develop him i had the idea to give him a disability; its something i dont do with my characters very often, and i feel like it could give some depth and realism to his character. however, i..... dont know where to really start with it? i have the vague idea that i think id like him to have crutches, so some sort of leg disability, but just going off that its been hard for me to find any condition that feels quite right. im unsure about making him an amputee either; seemingly the "go to" for anyone who wants to make a physically disabled character. i want to try and represent a disability thats less fetishized by the general public, and looking through this blog here its definitely apparent that a lot of people are tired of seeing basic half amputee characters with overly functional prosthetics; i wanna avoid that. sorry this has gotten a bit rambly, but basically what im asking is,, do you have advice for what i could use as just. a general starting point in this? im terribly uneducated and lost at the moment and id love some help. thank you :]

Hi!

It's great that you're interested in writing a disabled character (with care)! I'm always happy to see more writers/artists/creatives do that.

You mentioned wanting to give him crutches, which is cool! Mobility aid users in media make me happy. However, you mentioned crutches as meaning a leg disability, which isn't always the case — and while I don't have statistics on it, I believe that most crutch users do not use them for leg-only problems, and a lot of them have the not-so-fetishized conditions. Here are some suggestions of what you could give your character, which hopefully gives you some ideas. If you need, you can get back to us with a more specific question after you figure out what exactly your character has! :-) (smile)

Cerebral palsy — probably the most common reason for using crutches in non-elderly people, and the most common (physical) disability in younger people in general. If your character has diplegic (meaning lower limbs affected) CP, he could use crutches and if he has hemiplegic (one arm and one leg affected) CP, then he could use a single crutch or a cane. Cerebral palsy is generally extremely underrepresented when compared to how many people have it IRL! Just be aware that there is a lot of research involved just about the condition itself — multiple types (spastic/ataxic/dyskinetic), different kinds of body involvement, tons of different mobility aids and orthotics to learn about. There is also hereditary spastic paraplegia, which is not the same as CP but similar and progressive.

Spinal cord injury — the general assumption is that all people with spinal cord injuries are fully paralyzed below the neck or waist, and that's not the case. If your character has an incomplete SCI on any level or just a very low level injury, he could be using crutches or switch between a wheelchair and crutches. It's essential to research SCIs to have them be more than “legs don't work, but that's literally it”. SCI can come with severe nerve pain, spasticity, atrophy, and a lot of other things. Worth noting that spinal cord injury could be traumatic, but could also be congenital (spina bifida) or illness related (polio, transverse myelitis, spinal stroke, or cancer, for example). You could think that it's overrepresented in media, but SCI is generally just used as a “default condition” for why a character is in a wheelchair, and a lot of these representations are unfortunately very shallow.

Paralysis — in the monoplegic sense here. Much more rare than the rest of the things here, but your character could have a single paralyzed leg, largely due to nerve damage. Could be traumatic or illness-related (e.g., cancer, infection, or multiple sclerosis).

Stroke (and other traumatic/acquired brain injuries) — stroke can cause a million different symptoms and depending on what happens to your character exactly, he might need crutches! A big portion of stroke survivors deal with hemiplegia and could use a crutch on their non-affected side, for example. Some kinds of stroke might cause your character to have troubles with balance and require a mobility aid to not fall. Of course stroke will also cause other symptoms for your character (it wouldn't be too realistic to only have him have problems with his legs) for example speech issues, headaches, or seizures. Stroke can happen to anyone, and it wouldn't be weird to have a younger character with it. Very common in real life but very rarely represented in fiction.

Limb difference — you can definitely write a character with a limb difference or an amputation without fetishizing it! The main concern with the fetishization is the concept of the robotic limb that works just as well as or even better than a meat leg, and thus the character is “fixed”. But your character could just… not use a prosthetic. A lot of congenital amputees, people with limb differences, or with high level (above knee) amputations might do that. He could also have a leg length difference, which could cause him to need crutches (for example, Morteza Mehrzad has one of his legs significantly shorter after a pelvic injury, and he uses crutches among other mobility aids).

Chronic pain — very broad category for too many specific conditions to count. Neuropathy in the legs and/or lower back could be a reason for using crutches, for example. Unhealed, or poorly healed past injuries. Arthritis in knees or hips. Hypermobility that makes him unsteady or dislocate joints. Pain in bones or muscles where he can't fully weight-bear.

Gait disorders — another broad category (sorry). Your character could have problems with his gait and need aids for that. It could be caused by dyspraxia (I have it), ataxia, progressive muscular dystrophy (there is a lot of different types), Parkinson's disease, or a lot of other things! Could also be injury related.

And of course you could have multiple characters that are disabled to make sure that there is some variety :)

I hope that the above list gave you some ideas for your character :-) (smile) if you have more questions, feel free to send another ask

mod Sasza

[katerinaaqu]

Menelaus Headcanon: A small analysis based on a moment in the Odyssey

Random Headcanon: Menelaus having heart problems

So if people remember, in the Odyssey Telemachus is advised by Athena to travel and ask questions about his father. After being advised by Nestor to travel to Sparta and meet Menelaus, Telemachus engages in one of his most emotional conversations about his father, with Menelaus who was always greatly fond of Odysseus. In fact the conversation became so emotional for the men that Helen went to prepare wine for them all and she poured a drug in the wine so their pain would subside.

But why did she do that?

Surely no matter how emotional the conversation was, it wouldn't be THAT necessary to do that right? It seems pretty extreme on the outside that she should drug the wine to help the men relax.

Unless she feared that Menelaus couldn't handle it.

I am immensely inspired by amazing artists that draw Menelaus such as @thehelplessmortals who created pieces of art in regards to Menelaus and the peers connected to him. Menelaus is probably in the same age group as Odysseus or maybe a little younger if we take into account that Odysseus was probably at the age of his older brother Agamemnon if not a bit older so that means that if he wasn't already entering his 50s, he was at least in his final 40s. Many people had their health deterriorating by that time yet alone someone like Menelaus.

His health could have had reached a small curve given how his heart was broken when Helen left with Paris, 10 years of hard war to get her back, the slaughter of Troy and finally the shipwreck before getting back home. However what if Menelaus was suffering from some heart condition? That could make Helen even more aware and even over-protective of her husband. Hence being ready with the drug to calm her husband down from getting too much emotion and sdrain for his heart.

Besides the original homeric text goes:

"But then Helen the daughter of Zeus had another idea; she took the wine and poured in medicine/drug and mixed it in the crater so that it would counter the tears flowing from their cheeks not even if their mother or father died or even before their very eyes a brother or a friend or son were killed by bronze spear. Such were the cunning drugs the daughter of Zeus knew, given to her by Polydamna, wife to Thonos, in Egypt, for the life-giving earth has many medicines, some are mixed with cunning and some for healing, known to the physician who knows more than the other humans, since they belong to the bloodline of Paeon. After she had poured the wine, she said:"

(translation by me)

Interestingly in ancient greek the term "drug" and the term "medicine" are actually signified by the same word (φάρμακον) which is also used for "poison" as well. However not only does the word also significes the healing medicine but also he brings Helen knowing medicine and the physician into the talk.

Homer almost calls Helen a "physician" in here. And whom is she curing?

Menelaus!

If Helen was aware of Menelaus having health issues especially related to his heart, she would always have medicine in handy and she would try her best to treat her husband as well as have drugs ready so that she would calm her husband if he ever got too emotional to protect him from further strain to his heart

But what do you guys think? Agree or disagree please let me know at the comments/reblogs below! ^_^

[604to647]

Safest with You - Ch. 3 (The Drycleaner)

3.2K / Modern AU Retired Mob Enforcer!Din Djarin x fem!reader

Summary: You listen to a sign from the universe and it leads you to Din.

Warnings: Some pining and then more fluff 💕 although Reader is a bit of menace as she straight up ogles Din like a piece of meat 😂, brief mention of female masturbation, reader is described as shorter than Din, first use of pet name “Pretty Bird”.

A/N: The series is slow but sometimes falling in love be like that. I pinned a series masterlist, so you can always jump to the smutty one shots that happen later in the timeline when these two are in an established relationship if you need a fix. The fact that Din boxes is 100% attributed to @djarinsbeskar's Boxer!Din AU which was the very first Din fic AU I ever read on Tumblr and remains one of my favourites and one I revisit often; making Din a former boxer/owner of a boxing gym is my small but humble homage to Rachel's genius. Also from that same AU is this piece of art from one of my favourite artists, @kate-komics that I think about often also. Thank you both for the inspiration!

“He bought you books?!?”

“Well, technically, he bought us all books.”

The whole table laughs; your friends were delighted when you handed out the books, but they’re entralled at the background story that comes with.

“And he didn’t leave you his number or anything?”

“No! Told the cashier he didn’t want to want me to feel ‘obligated’.”

“It’s okay, babe.  We’ll find him,” nods Katie, whipping out her phone. 

Bea starts typing on her phone as well, “Right.  He said his name is Din?  How do you spell that?”

“I don’t know.”

“Is it short for something?”

“I don’t know.”

“How old is he?”

“I don’t know.  40s?  He’s greying,” you picture Din’s soft curls and bury your face in your hands, “it looks so fucking good on him.” 

“Where does he work?”

“I don’t know.  Not downtown.”

“Well, what does he do?”

“I don’t know.”

“Babe. What do you know?”

“I know his coffee order is Ice Quad Expresso in a Venti cup with extra ice and six shots.”

“Ok, so we know he probably has a heart condition.”

Everyone bursts out laughing.  Your friends have good reason to be so enthusiastic – it’s been ages since someone has caught your eye.  You don’t date a lot, and that’s always been your preference.  You have a picky temperament to begin with, but the truth is, you’re happy and at peace with the way your life is now after years of hard work.  There simply hasn’t been room or a need for a partner, and your friends don’t push you to date (except Jen who always reminds you that there’s a guy at her firm she wants to set you up with, but even that’s more in good fun than anything).  But right now, you look flushed and besotted over this stranger; positively smitten.  They love it for you.

After a few minutes, no one has found anything on social media, any dating apps or Google – admittedly, there wasn’t much (anything?) to go on, but you’ve seen these girls work internet detective miracles before.

Oh well. 

You sigh, “I need to get drunk and forget him.  Or painfully obsess over every detail I can remember.”

And you all cheers to that.

---

Huh.

A week later on the Saturday, you’re out running errands, and you find yourself standing in front of your drycleaner which has unexpectedly closed.  A handwritten sign in the window reads: “Emergency Closure.  Reopening to be announced.”

The drycleaner’s is supposed to be your first stop of the day and you don’t really feel like carting your dirty clothes with you to run the rest of your errands.  Moreover, you’ll need a few of the items in the coming weeks.  You take out your phone to look up other drycleaners in the area when something in your mind clicks: Peli’s Drycleaning on 14th.  You search it and see it actually exists, and has a pretty good rating to boot.  But, it’s sort of out of your way, not really in the same area you’re in at all.

You shouldn’t go.

Should you go?

And what if you do?  Do you… ask about Din?  That’s weird. 

But you’ve been thinking about him non-stop all week: daydreaming about his soft smile during your work commute, remembering the flex of his strong hand covering yours as you answer emails, getting lost in thoughts of his big brown eyes while out walking the dog.  You flush at the memory of touching yourself in bed while recalling his deep and rich voice.  Every attempt to forget your handsome Quad Ice over the past week has utterly failed.

Eff it. What are the chances that you unexpectedly need a new drycleaner, and it happens to be the only thing tangentially related to Din that you know? Maybe the universe is trying to help you out.

Before you can characteristically overthink it, you flag down a cab and give the driver the address you looked up; your heart pounds the entire ride over.

When you step into drycleaner’s, a little bell above the door jingles to signal your arrival, and a short woman with a huge amount of curly dark hair appears from the back.  You think she might be Peli, but you can’t be sure; she gives you a huge smile and gestures to take in your clothes.  Finding her to be super friendly and chatty, the two of you make easy small talk as she neatly lists out your items by hand on her notepad.  When she gets to the coffee stained skirt, she lets out a low whistle, “Oof.  Been there, done that!” she quips.  You decide this is probably the best opening you’ll get, “Actually, that coffee stain is probably why I’m here.  Someone saw it and recommended your place.”  Peli raises her eyebrow as you press on, “His name is Din, he said he’s a friend of the owner?”

This gets her attention; the woman stops what she’s doing and studies you with great interest.  Her face breaks out into an impossibly wide smile and she exclaims loudly, “Din sent you, eh?  And he said we were friends?”  she lets out a deep belly laugh, “Babysat him when he was a kid, but yep we’re friends. Ha!  Hi, I’m Peli!”  She shakes your hand as you introduce yourself. “He said to mention his name and you would try harder not to lose my clothes,” you joke. 

“That scamp!” chortles Peli, “Don’t worry!  We’ll take good care of you!  You know… because of Din.” She rolls her eyes good naturedly.

“Of course.  Because of Din,” you grin back, “So…does he send a lot of… people who need drycleaning, your way?”

“Nope!  You’re the first!  And honestly, now that I think about it, why hasn’t he been sending me more business?”

You figure it’s now or never, “Do you know where I could find him?”

If possible, Peli brightens even more at your question, “Oh yeah, for sure!  At this time of day, he’ll be at his gym.  It’s about 2 blocks that way,” she points in the direction for you, “can’t miss it!  Big sign that says ‘Mando’s Gym’.”

Peli finishes taking down your information for the clothes and lets you know when everything can be ready.  You give her an enthusiastic thanks; when opening the door to leave, you have a moment of hesitation, but looking back, you find Peli already pointing in the direction of the gym.  You give her a smiling nod and head that way.

---

Peli was right.  You can’t miss the sign; it sits atop of a standalone three story building that’s set further back on its lot.  The front area of the lot looks like it might have once been a driveway of sorts, but is now used as a parking lot; a handful of parked cars lets you know the gym is fairly busy today.  The front of the building has giant windows that look like garage doors and makes you think that the building might have once been a mechanic repair shop; from the little of what you can see inside, you think the gym occupies the first floor of the building and possibly the second.  The big set of garage door windows are separated in the middle by an entry way that you walk through, slightly nervous.  Once inside, you see a reception but currently no one behind the small desk; instead, you peek around the partition wall behind the desk and see that the space opens up to a clean, spacious room that has about 8-10 people working out on various machines and punching bags lining the walls, all leading to a larger group of people clustering near the boxing ring centered at the back of the room.

You’re making your way towards the back, scanning over the group looking for Din when you spot him, right in the middle of the ring.  He’s got his gloved hands up, blocking part of his head, but you can still tell it’s him; when you hear him shouting encouraging words to his sparring partner, his familiar voice sends a shiver up your spine.  He’s wearing a sweat drenched grey t-shirt and his hair is messy and wet from his work out, but he looks even better than you remember.

Actually, he looks fucking delicious.  From this angle you can see the cut of his jawline and how it tightens as his grunts and pants.  His arms are flexed from his forearms up to his biceps, and are so muscular they’re straining hard against his shirt sleeves.  You must be straight up ogling him because you don’t even realize when Din notices you; you’re too busy looking at his legs and admiring how his thighs fill out his navy blue shorts so snugly.  You only look up when those same legs start walking in your direction and come to a stop at the edge of the ring.  Din is leaning towards you against the rope with a heart-stopping smile, “It’s you.”

“Yes, it’s me,” you grin, repeating back his words to you from the bookstore.

Din thinks he must be dreaming, or maybe he’s been knocked in the head one too many times today.  He had just paused the fight to show Jimmy the new combination again, when he looked over to see the prettiest sight.  You, standing in his gym, soft and dainty, with a wide eye expression on your face.  You’re looking in his direction, but when you don’t make eye contact with him immediately, Din allows himself the smug thought that you might be liking what you see and puffs his chest out a little before making his way over to you.

Now you’re looking at him with that same pretty smile that he hasn’t been able to get out of his head for the last week, and he can’t wait to talk to you again, “Are you okay to wait for 5 minutes?  We’re just finishing up this training session.”

You nod agreeably, “Sure, I can wait.”  There’s a bench running along the right side of the ring where you take a seat to better enjoy the show.  You’ve never seen boxing up close before, so you don’t know what to expect, but you find yourself mesmerized by everything Din is doing in the ring.  All his movements are intentional and graceful; he’s in total control of every motion he makes: ducking, blocking, punching.  His muscles are all flexed and his shirt stretches tight, barely containing them as if Din himself is an extension of the explosive power harnessed in his fists.  The legs that you were drooling over earlier are quick and agile; it’s true you don’t know his age but his sparring partner looks to be in his mid-20s and Din is having no problem out maneuvering him.

As he circles the other fighter, you think you spy some ink on a flash of some exposed skin and the idea of exploring what’s underneath Din’s shirt has you swallowing hard.  In short, you can’t take your eyes off of him. 

The 5 minutes is action packed and over before you know it.  In one continuous smooth motion, Din ducks under the rope, jumps down and grabs a fresh towel from a stack on the other end of the bench you’re sitting on before sliding over to sit next to you.  He looks at you almost bashfully as he towels off his hair and wipes the sweat from his brow and neck.  You think you could get used to seeing him like this: cheeks pink from exercise, bright eyes glued to yours and a grin so wide it reveals a deep dimple in his right cheek that you’re discovering for the first time.  He’s taking your breath away and you haven’t even been back in his presence for more than 10 minutes.

“What brings you to this part of town today, pretty bird?”

If anyone else had bestowed a pet name on you so soon after having met, you would have immediately gotten the ick, but the endearment rolling off Din’s tongue sounds so natural and sweet, it has you melting, “Some handsome guy bought me a thick stack of books and then made it nearly impossible for me to thank him.  Tracked him down to this gym.”

“Handsome guy, eh?”

“Yep.  Real handsome.  And sweet.  You know anyone around here like that?” you tease.

Handsome.  You think he’s handsome. Din thinks his heart is in danger of no longer fitting in his chest.  He holds his hand up to his brow, as if to shield his eyes from the light, and mines looking around gym in an exaggerated manner, “Nope.  Just a bunch of smelly, sweaty ruffians.  Owner’s a handsome guy though, maybe you’re looking for him,” he says, eyes twinkling.

“You own this gym?”

“Sure do.  Used to be my dad’s.”

“Well, he would be proud of you and what you’ve done here, Din.  It looks great.”  You mean it, and you look around the gym with a renewed sense of awe now that you know Din is the one responsible for its operations.

Din’s not sure how you knew the exact thing to say to make his heart swell, but he knows without a doubt that you’re being genuine and he is reminded again of your kind nature. 

You look back to see Din looking at you with a soft expression and before you let yourself get lost in his eyes, you force yourself to pull it together, “Oh Din!  I can’t believe I didn’t say this right away: Thank you!! Thank you for the books.  It was so incredibly unexpected and sweet!  My friends also say thank you – a few of the books you bought were for them.”

“You’re very welcome.  Have you enjoyed the books?”

You’re warmed by how thoughtful Din is, and you let him know the books are turning out to be great and you and your friends can’t believe how long you’ll have to wait for the next instalment to come out.

“Do you have plans to read tonight, or would you happen to be free?”

Even though you had been hoping that Din would ask you out, your heart leaps into your throat now that it’s happening.  “I think I should be!  If I finish up this list of errands I’m supposed to get to today, that is.  Giving Peli my drycleaning was only the first item,” you lament. 

“Peli!  Is that how you found me?  Clever girl.”

You beam at Din’s praise.  You realize you haven’t explained how you knew where he was, “As luck would have it, my regular drycleaner was unexpectedly closed.  Nearly derailed my whole errand day until I remembered you mentioning you had a friend who ran a drycleaning business.  Something else I need to thank you for.”

“I’m glad I could help.  Well, if you have a bunch of errands you have to finish before you can go out with me tonight, I’m going to scoot you out of here right now so you don’t cancel. Scoot!”  Din adds a silly shooing motion with his hands as he says this, so you know he’s not seriously trying to get rid of you.  You giggle, but nod, eager to get on with your tasks so that your date with Din might come sooner.

Din asks you if you need a ride, but you tell him you’ll be fine and jokingly scoff, “Hey!  I don’t want you putting off your work and then backing out either, mister.”

“Not a chance,” grins Din.

As you walk together towards the front of the gym, Din lets you know how much he’s been thinking about you,  “I’m really glad you came to here today.  I was about to camp out everyday at the coffeeshop in the morning and then that bookstore in the afternoon until I found you again.”

“Who would have looked after the gym if you did that?”

Din looks around at the gym; some of the boxers and staff that had been watching the two of you look away quickly and pretend to busy themselves to avoid being caught staring.  “Shoot.  This place probably would have burned down.  Looks like you just saved the gym.”

You can’t help but giggle again and Din feels a growing sense of pride in being able to make you laugh.  “How about tonight I take you out to dinner as a thank you?”

Giving him an incredulous look, you answer, “I should be taking you out to dinner to thank you.”

“I don’t think so, pretty bird.”

The pet name shoots straight to your core again. 

Din stretches himself up to his full height and looks down at you with mock stern expression, cocking his eyebrow.

You can’t say you’re at all intimidated even though he towers over you; you’ve long since felt that Din’s company spelled safety.  But to play along, you counter by looking up at him with your biggest pleading eyes.  Din is instantly disarmed and knows in this moment that he will never be able to refuse you anything.

He suggests a compromise, “How about we go for dinner and fight about the check there?”

“Ok.  But just so you know, I’m not used to losing,” you challenge playfully.

“Me neither.” Din tilts his head slightly to draw your attention to the wall you’re standing next to.  It’s the other side of the divider wall you rounded when you came in, and you see that it’s covered with awards, certificates, and articles lauding Din’s boxing accomplishments.

Amazed, you skim over the honours and achievements, “This is you?  Wow – you’re incredible Din!  …9 times weight division champion? Oh man, now I don’t know if I can take you.”

“I bet you could,” from the look on Din’s face, you’re sure that the double meaning is meant as a tease, but you can’t help squirming a little.

Blushing, you relent, “Ok, you can pay for dinner.  But I still have to thank you for the books.”

Din is finding your persistence on this point to be adorable, “Your ‘thanks’ is enough.  No need to feel like you owe me; it was a gift.”

“I know.  I just have an outrageous sense of reciprocity.  I really do want to find a way to thank you somehow.”  You reach up and put your hand on Din’s shoulder to hold yourself steady as you lift up onto your toes and kiss him on the cheek.  Despite having just gone who knows how many rounds in the ring, he smells incredible and you can’t help but linger your lips on his cheek.  You exhale softly and hold Din’s gaze as you slowly lower down to your normal height.

Din looks as affected as you feel, “Remind me to buy you some more books.”

Both of you laugh, now giddy about the prospect of seeing each other again in a few hours.  You exchange numbers and Din promises to text you later with the address of the restaurant he’ll meet you at tonight.

Heading down the street, heart aflutter and fingers trembling with excitement, you take out your phone and text the group chat: I found him.

[roachemoji]

A “Guide” to working with Artists with Aphantasia

DISCLAIMER: 

I KNOW ARTISTS WITHOUT APHANTASIA ALSO USE REFERENCES

This is not going to be applicable to ALL artists (with OR WITHOUT aphantasia)

I don’t speak for everyone!!!

PLEASE Read the information artists provide you THUROUGHLY

ASK ARTISTS WHAT KIND OF INFORMATION THEY NEED

I’m sorry about the typos I am dyslexic and no one is beta reading this :3c

HERE IS THE OG TWITTER POST

I made this guide out of frustration. I was having a hard time communicating with commissioners how much visual information I needed, and that giving me creative freedom doesn’t, personally, work for me. It all comes down to the why; Aphantasia. 

... I realized a lot of people don’t understand what that is, and how it might affect an artist. 

Note: I am a character artist!!! I do personal commissions!!!! I don’t do commercial work!! This guide is about things that I have found extremely helpful!! This may not work for everyone!!!!!!!!!!! 

So, here is the official written guide to what I, personally, have found helpful when getting commissions:

A healthy dose of both written and visual information is needed, but the percentage of which heavily depends on the type of commission and how familiar I am with the characters. 

- Is it an illustration of a scene between two character? Descriptive information on the scene, the emotions, general vibe, dialogue are more important to the composition - but visual references on each character (and their characteristics), the space, the palette, and any objects would be needed. 

- Is it a reference sheet commission? Descriptive information is no longer as important, and the main focus is on the visuals. Descriptive information would be limited to a brief description of personality, placement of certain markings, and/or the written information on the reference. Visuals would be EVERYTHING - every single aspect of that character would need a reference. 

Google Docs, Google Drives, PDFs, Character pages (Toyhou.se or Refsheet.net) is an easy way to compile both written and visual information in one place! 

What is some good visual information to compile for your characters? 

Physical

Age/Race/height/body type

Skin colour/ scars/ freckles/ skin conditions etc

Eye colour/shape

Nose shape

Hair colour/texture/style/decorations

Any additional details (prosthetics limbs/no limbs!/tattoos/piercings/wings)

Face Claims are extremely helpful - and it’s okay to have more than one!  It’s good to specify which parts of what reference are important to your character

Items

Clothing/Jewelry/Accessories

Weapons

Personal Items

Companions

Here is an example of how I organize my Pinterest boards for my own Ocs:

Appearance: Every single visual reference I would need for their physical appearance. Faceclaims, hair styles/texture/colours, facial hair, body types, hand shapes, nose shapes, lip shapes, eye shapes

Aesthetic: Helpful for illustrations. Palettes and aesthetics that I attribute to these characters. Art styles, symbols, colours, settings, etc...

Outfits: Outfits and accessories. Full outfits or single items, textures, colours, patterns.

NOTE: It’s important to remember that some artists can only work with certain references (ie. drawn references vs photo references). If you’re unsure/your artists hasn’t stated which works best for them - ask!  

I cannot work with drawn references in simplistic styles (anime specifically), and I struggle with using nothing but Final Fantasy screenshots. They’re important when it comes to providing colour or even outfit references - but facial features are much harder for me to translate.

Some artists are okay with things like piccrews and can translate them very well! I can’t.

What is some good visual information to compile for your characters?

Written information can vary from commission to commission; unless the illustration is based off a story, I don’t need a novel to be written about the piece. 

Being dyslexic also makes it a struggle for me to parse through written information - I tend to have to break it down outside of the initial commission submission to fully understand what. I also tend to ask a ton more questions when I’m provided more written information than visual - revisions take time and energy.

It’s important to have visual to accompany your written info; 

( shout out to @moki-dokie​ for letting me use their info as an example!! )

Commission information examples 

DESIGN COMMISSIONS:

Info given:

Outcome: 

Easiest character design commission I have ever done. The information given was so concise that the only revisions were my own suggestions on the design itself. 

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Info Given:

Outcome:

a TON of written information was given to explain the characters backstory, to further drive my understand of the aesthetic and setting of the world the character lives in. The pinterest board provided had a lot physical references, outfits, aesthetics, and colours.

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ILLUSTRATION COMMISSIONS:

Info Given:

Outcome:

I had a lot of previous information on both of these characters (I designed the top one myself), but I was provided limited written information for this; Holiday Discord call where Toad (character one) is getting a present from Zalem (character two). Zalem is barely hiding how they feel about Toad who is excited.

 All other information provided was visual; Outfits and room aesthetics. 

We discussed poses in Dms and collaboratively found references.

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Info Given:

Outcome: 

Absolute favorite example of the PERFECT amount of information given and the PERFECT amount of creative freedom given. 

I was handed character references with all angles as well as their armor + how to simply the armor. Pose + expression references. A general aesthetic + palette to work with. The setting. A doodle to lay out exactly what they were visualizing. 

I have all the information you could need! Now what?

I am very privileged to no longer need to take first come first serve commissions, and it’s given me the ability to really sit back and filter through the commissions that I want to do, and those that I immediately do not consider. 

I think it’s important that,  before commissioning anyone, you should ask yourself a couple important questions:

Does this artist’s style suit what I want?

Does my character suit what this artist usually draws?

Do the references I have provide the right amount of information for the specific artist I want to commission?

Sometimes the answer to these questions are; No.

... and that’s okay?

Unfortunately, not every artist is going to be able to bring your vision to life, or feel happy with the completed piece! 

If you’re someone who has Big Buff Demon Men characters that are drawn in a heavily realistic style - you might not ask an artist who draws smaller, softer characters with squishier shapes and a general aesthetic that doesn’t match your Ocs! 

If you’re someone who has characters and all of their references are in an anime style (including other commissioned work), and you have no realistic face claims... maybe commissioning that semi-realistic artist and not providing them with the references the need to translate your character into a semi-realistic style isn’t a good idea? 

I don’t understand when some people get upset when they commission an artist who clearly doesn’t draw characters that look like theirs and they clearly... don’t translate them as well.  I am making this extremely clear RIGHT NOW before anyone says anything:  Everyone can and SHOULD learn to draw the entire spectrum of humanity. From facial features, hair textures, body types, etc...

But some artists struggle to draw characters with certain aesthetics? Outfits? Accessories? You wouldn’t expect an artist who draws soft pastel art to suddenly translate your extremely rough, hard, and hot character properly?

Now, if all the answers are Yes? 

Read all information provided thoroughly 

Ask questions for clarity

Provide what you can, collaborate on what you can’t

Resources

@anonbeadraws​ post: Reference sheet for your commission references!

JAMIErightmeow’s video: I have APHANTASIA

Aphantasia Dot Com