#also no background because i suck at backgrounds

[specialgradefckr]

tw: explicit content. sukuna/reader. female!reader, heiain era sukuna. reader is a former courtesan (and not a fancy one, either). sukuna doesn't give a fuck.

It's not uncommon for Sukuna to summon you to his throne room to pleasure him. What is uncommon is for the throne room to be empty when he does.

Today is, unsurprisingly, no different.

Sukuna had ordered you on your knees at his feet, where Uruame stood aside you, plain-faced.

He watches, bored, resting his cheek on his knuckle as foolish lords and sorcerers alike come to him with entreaties for aid, for mercy, for whatever else.

"My lord," one curse user intones, with far too much confidence, "Is that the whore?"

Sukuna tilts his head to the side. You're allowed to glance up at his face while you suck him - he likes it when you do.

Right now, he looks utterly bored.

"This is my whore," He drawls. "Unless you're suggesting I would share?"

There's murmurs, but no one dares answer him. It's not your concern either way.

You gaze up at him, wide eyed. Taking him all the way to the root, stretching so your throat is straight for him, suppressing the urge to gag as you swallow down his cock.

Blinking up at him cutely. Swallowing around his throbbing cock. Am I doing a good job, Su-ku-na~?

Sukuna's lips twist in what other people would call a sneer, but you know the crinkle of his lower set of eyes, the amusement bubbling forth as he snickers menacingly.

(You can also tell that his cock is twitching, ready to blow. Come to think of it, that is quite the advantage, isn't it?(

The curses and curse-users in the room, though, they cower from it. You know to lean into the hand in your hair that pushes you further onto his cock.

A noise of disgust in the background. Feet shuffling, as if impatient.

Let them watch. Let them think what they want, call you what you want.

There's only one person in the room who matters, and his cock is in your mouth. You're a thousand times safer than any of them, even if they don't know it.

His load is hot and salty and a little gross, if you're being honest.

"My lord, are you quite done with that whore already? We've important matters to disgust."

But the utter disdain on his face, the narrowing of red eyes onto the peons before him, the disgust and sensation of his cursed energy -

The sound of his curse slicing through the air. Severing head from body. Gasps and shuffled and bloodied, crunching noises.

Sukuna does it all with one hand petting gently over your head. He doesn't even move, doesn't get up.

He's bitter on your tongue. But you've never felt more safe.

And the power. The knowledge that the most dangerous man in the world would stroke your hair while he slaughtered men too noble for a whore like you.

That is, unmistakably, the sweetest you've ever had.

What is surprising is that the man who visits you later is not Sukuna.

Rather, it's one of the lords who you'd caught lurking silently in the banquet hall.

He wants to know how to earn Sukuna's favor.

"Lord Sukuna is not a difficult man to understand," you say with an indulgent smile. "If you are going to approach him, it should be to offer him something. Otherwise, your life lasts only as long as it amuses him."

This lord is wise, you think, because he pauses a moment before he speaks. "And what does Lord Sukuna desire?"

You shrug. "He likes power, he likes knowledge. I know he has a cursed tool or two that he favors."

Eyes narrowing at you. "What else?" A demanding tone.

"He is a man like any other. You could offer him fine food or drink, but Uruame does that already." You give him a smirk. "You could always offer him entertainment. I do well enough. Would you like to know his favorite positions?"

And at last, the leashed disdain breaks loose, a snarl on the lord's pretty face, "You whore," He raises a hand, "You dare suggest-"

In an instant you drop into the lowest possible bow, head pressed to the floor.

It spares you from the spray of blood that bisects the lord's chest cavity. From what you know of Sukuna, perhaps it would have slashed you, too, had you not knelt in time.

There's silence, for a moment. Maybe he's considering wasting a second slash on you after all.

"What did he want?"

"Your favor, my lord," You answer without hesitation, "He thought I might know a way for him to earn it."

"Hmn." A grunt, half-annoyed, half-mocking; your sign that he is not upset, and you may raise your head to confirm his expression.

There's a light twitch on his lips. "And he thought he might find my favor in the private quarters of my personal possession?"

You shrug. "Most men are not particularly attached to their whores."

"Hmph." The scoff is his dismissal of the topic. When he turns to leave, you know to follow.

It's a short stroll until you reach the courtyard, a well-curated garden. Sukuna strides through it, wordlessly, a giant out of place amongst flowers.

Ever faithfully, you trail behind him. All the way to a great tree at the edge of a path, one he leans back against.

You stand there, waiting.

"What do you want?"

It's not a question you ever expected to hear from him. "What do I want... right now?"

"Hmph," Sukuna crosses his arms, still looking over on the garden. "What do you want from me? You have my favor. Unlike them."

In truth, you have no great desires. You're fed, sheltered. You can buy things you want. All you have to do is please a single man, a thousand times easier than being in a brothel. He's a better lover than most men you'd encountered.

There's not much more you could ask for - which is good. Sukuna has a marked tendency to kill people who ask him for things.

But he's told you to, now. And you've never denied him.

"If I should be so daring, my lord," You say with a low hum, "When you no longer have any use of me, I would like to be dismissed instead of disposed of."

There's a pause. A stillness to him. Cold.

"When I no longer have use of you? When do you expect that to be?" HIs voice is strange in a way you haven't known before.

"I don't know. Of course I'll do all I can before then, but I've seen many women in my time at the brothel. We all lose our beauty and our charm eventually."

Sukuna turns to you. He does not come any closer. Four eyes stare at you, piercing.

"You think I keep you around because you're pretty? I couldn't care less what you look like. I keep you around because you're amusing, and you please me." He snorts, pushing himself off the tree.

You don't know what to say to that. "...I'm glad you enjoy my services?"

"You must be, if all you want is to retire peacefully." Sukuna begins walking away. "Make no mistake, woman. If you want to leave, do it. I don't need you."

You have to hurry to keep up with his long strides. But you catch a glimpse on his face, just a dusting -

"Hurry up."

With a smile, you trail him - all the way to his bedroom.

[corviiids]

hello thank you for asking i am very flattered. i would be most honoured to give some advice that i am most certainly unqualified to give!!

ok advice 1: hey why does everyone keep telling me to read and write a lot

i think this is the most commonly given advice. i have always found it true but incomplete, because on the face of it this kind of focuses a little too much on volume. which by itself just isn't going to do that much for you, or it will, but it'll do it very slowly and ineffectively, because the second part of this advice i don't see nearly as much (and the part that makes it work for me) is that after you read or write something you need to do The Why Interrogation. what are you looking for?

when you like something, why do you like it? not just in terms of copying and learning an author's stylistic quirks or techniques, but in a more abstract way:

is it the narrative? that the premise is novel, that the progression of the story is unexpected and thrilling, that the stakes are high?

is it the characters? what is it about them? do they have compelling backgrounds? does the author spend a lot of time in their heads? is the pov internal in a way that lets you experience the story from their shoes? does their biased narration tell you more about them? or is it a detached narration that lets you see the characters in a way they don't see themselves, so the gap is intriguing?

is it the telling? maybe the prose is beautiful - what makes it so? sentence structure? unconventional use of grammar and punctuation? elegant, sophisticated vocabulary? or maybe the dialogue is sharp and human so conversation flows naturally. is the story paced carefully? does the author linger more in certain moments?

the same exercise is useful for what ISN'T working.

if your attention is drifting, what's making it drift?

purple prose? clumsy prose?

does the narration drag?

do the characters feel stagnant, and why?

plot doesn't make any sense?

maybe this sounds obvious, but imo it's a crucial piece of the advice that i just don't see as much because people tend to focus on volume of works consumed/created. the reflection and analysis is what makes that volume useful, otherwise you're just churning through content. the question should always be why, why, why. why did that work, why didn't it work, why did i like this, why does it suck. then proceed to: if i were doing this, how could i make it work?

advice 2: don't forget that all the words you need already exist.

this is more subjective advice. this is something that works for me personally. so ymmv. have you ever tried magnet poetry? you should try magnet poetry.

i always see writing as kind of a puzzle. if i have an idea in my head, the idea exists. the job is actually a translation exercise: how do i express the thing in my head as a thing other people can see? in this way it's like visual art, but it's also not like visual art at all. in visual art you choose where all the lines and colours go, completely freely. any line you draw is a brand new line.

in language, all your parts already exist. all the words already exist. (you can make new ones if you want but that's a whole different thing.) you are plucking symbols out of a collective understanding. it is like lego. all you are doing is selecting the most effective pieces and placing them in order. so for me, i am simply trying to find the 'right' words to fit each context as best as possible. it becomes a game of arrangement, which determines your expression.

then syntax and punctuation become your rhythm, which is how you determine flow. sentence length, word length, whether you omit words or use more, whether you want to be a bit unconventional. character also plays into this - i am not writing an advice 3 because i am getting self conscious but advice 3 would have been consistency of voice.

so i would prioritise vocabulary and timing. what are you trying to say (which words do you pick) and how do you want the reader to experience your words, how do you want the words to feel and sound (how will you pace your sentences)? remembering that all the parts are already there. it is the world's biggest game of magnet poetry.

advice 3 which doesn't exist: keep your voice consistent.

this advice doesn't exist. im not writing this i got embarrassed and stopped at 2. but if i did write this it would say, remember who you are. (remember who is writing your story. are you a character or are you god? remember how much you know. remember which feelings you have access to.)

[mainalias]

repeatedly in datv rook will just say things with no player input. I just watched an entire back and forth occur with a companion in which I had no dialogue choices. I'm far enough into the game that this is obviously A Thing. not having agency to roleplay in this roleplaying game is already incredibly annoying, but the prewritten version of rook that I have limited ability to deviate from is also garbage. all of your dialogue is immature and annoying. it's terrible! if they were railroading the players into being someone interesting it would be at least more bearable, everything about this sucks. and I don't understand why give rook a set personality but then not give them a set backstory? giving you variable faction backgrounds but then not integrating them into the world or story in any meaningful way (one of the many ways this game has cut writing and costs in this allegedly narrative focused final installment of a 15yr franchise) just means that rook has no place in the story despite being the protagonist. in da2 hawke has a set backstory due to time constraints in the development, and that was controversial, but it really works with the narrative. you have a backstory and background npcs with relationships and stakes and you are rooting for the hawkes and leandra's death scene is absolutely gutting, while still giving you options to RP hawke differently. I would rather they have just done that again then give us the false choice of backgrounds and factions that DO NOT MATTER. give me a set character that's interesting if you want to cut off all our RP options because you're paring down dialogue into nothing

[hyperions-light]

Making Fanfic Banners/Collages with Canva for FREE

Hello friends! Canva is an online software tool that mostly gets used for creating social media advertisements, but YOU can use it to make pretty, custom banners/collages/images for your fanfiction! For FREE!

WHY should you do this?

Fun

Custom art thing for your fic!

If you put pictures on your fic posts, sometimes you get more notes (sometimes)

The joy of creation!!!

I will walk you through it (with pictures) below the cut!

STEP ONE: GO TO CANVA, MAKE AN ACCOUNT

You can sign up with email, gmail, or FB. Gmail is the most convenient, but I think they do 2FA no matter what, so take that into account.

STEP TWO: DON'T PAY ANY MONEY & IGNORE AI

Every time you login or make stuff or do ANYTHING, Canva will try to get you to pay for Canva Pro. Don't do that. I've had access to the Pro and free versions and there's no reason to pay for anything on here. Also, they have an AI that's supposed to make things for you, but it sucks & isn't fun. Ignore it.

STEP 3: CHOOSE A TEMPLATE

Okay, so if you're a graphic designer... I mean I'm not sure why you're reading this tutorial, you can definitely make cooler stuff than I can! You should just use the 'create blank [post type]' button and go to town! But if you're not (like me) what I usually do is pick a type of template that Canva has (like blog banners, instagram posts, facebook covers, etc) and go browse their designs. My advice is not to look for something that you completely like, but something that has the right vibe-- you're going to be messing with all the individual aspects of the post anyway, so just pick based on aesthetics. Try to make sure that if you're going to put your fic title on your work that you pick/create a design where the text is clearly displayed/in an easily legible font.

NOTE: Some of the designs will have a little crown in the corner, and these designs are only available if you pay for premium. If they have a little $ on them, instead, that just means they have individual paid elements in them that you can get rid of, so feel free to use those, too!

STEP 4: CHOOSE YOUR PICTURES

Okay, so I like this screaming seagull one. I clicked on it, and selected 'customize template'. So now I want to get rid of the seagull, and replace him with my own stuff. You can do this a couple of ways: if you have screenshots from your game/show/other media, you can upload them by clicking on the little cloud icon on the left side that says "Uploads". If you DON'T have pictures, or you don't have ones you need, there are a couple options:

You can try to browse Canva's selection of pictures. It is in the "Elements" tab; you type in a search, and then select the "photos" filter from the little marquee below the search bar. My advice is to only use one word search terms, because Canva loves showing you all the photos that you can use if you pay for them, and if you use more words, they do that more often. There ARE free photos in there, but you have to scroll a bit.

If you don't want to deal with the search system or can't find what you're looking for, sites like Pixabay, Pexels, and Unsplash provide free photos that you can use without attribution, and do not require you to have an account to download. Please DO NOT just search using google/other engines and take things from there-- those photos are often not licensed for free use. The sites I linked will try to sell you pictures, but not as much as Canva, and there's usually a lot of free stuff to choose from. Download the pictures you want in a good resolution and upload them to Canva!

STEP 5: MESS AROUND WITH STUFF!

Okay, so now you can add your stuff and mess around with it!! Just click on the element (like the seagull) and delete it. Then go to your uploads and click + drag the image you want onto the canvas. You can use them as the background by dragging them to one of the corners, but you can also just put them on the canvas and mess around with them. In the left picture, you can see some of the options you have to resize and move around the image, so different elements appear on top of or behind it. If you click on the button that says 'edit' on the little bar menu that comes up when you select the image, you'll get the menu in the right picture, where you can mess with filters and colors, etc. It's not a completely comprehensive editing software, but you can do a lot of things! I encourage you to mess around and see what looks cool!

STEP SIX: ADD MORE STUFF, IF YOU WANT!

I love adding more stuff. You can change and add text by clicking on the textboxes that are already there, or you can use the "text" section on the left menu to add new blocks. They have some fun combinations and a lot of fonts! A thing I like to do is go in the elements tab and search for 'patterns'; you can add them on top of your image or elsewhere! The opacity setting is your best friend; you can overlay a bunch of stuff and create interesting/unique collages! You can also add basic shapes, frames, moving elements, and clipart, if you want!

STEP SEVEN (FINAL): DOWNLOAD YOUR THING!

When you're done, the 'share' menu in the upper right corner will let you download your image in a bunch of different formats (I'm pretty sure you could make a looping GIF for your fic here on Canva, too!) I usually do PNGs for the quality. I haven't had any issues uploading on Tumblr (or on Twitter, when I used it).

Anyway, I hope you'll try making these! I didn't show it, but there are a lot of different templates you can use, so if you want to make a collage instead, just look around! I think it's super fun to do for my fics! If you have any questions, you can bother me on my blog or in the replies section of this post, just please be polite! Thanks for reading!

[ugh-yoongi]

the great british fake-off | xmh

you thought the guy in the hawaiian-print shirt who seems physically incapable of being quiet would be the most annoying person here, so imagine your shock when it's xu minghao, who has seemingly decided you're the enemy and keeps sabotaging you. a baking competition for charity might have others on their best behavior, but what's a little sugar without some spice?

❆ pairing: minghao x reader ❆ genre: great british bake-off, holiday au; crack, fluff ❆ wordcount: 5.5k ❆ rating: e for everyone ❆ warnings: some swearing, minghao is a saboteur, idiots abound. ❆ credits: this netflix psd template for the banner. this recipe for the yule log; this recipe for the gingerbread house; and this recipe for the entremet. divider from here. this post for the divider. this was roughly edited by me, so any and all mistakes are my own. ❆ written for: the winter with you collab hosted by @camandemstudios. thank you for letting me participate! please make sure to check out the rest of the stories as they're posted. ♡ ❆ author's note: i had this rotting away in my wips since literally 2021, so even though it started as a completely different story, i'm so glad it's finally seeing the light of day even if it's not what i originally intended. (also, i know the banner says 12 contestants but the holiday specials only had a couple, okay. i forgot when i made it and i wasn't going back to fix it.)

The obnoxious one is wearing an aloha-print shirt.

He’s also extremely loud, his raucous, fake laughter filling every corner of the large warehouse you’ve been assigned to for filming. Makes a show of batting his eyelashes, throwing his head back every time someone cracks a joke that’s not even funny, comes up with nonsensical nicknames for the entire crew just to suck up to them.

“John Davies? Mind if I call you Joe?”

Joe doesn’t even make sense as a nickname for John, but John fucking loves it, apparently. Looks at the annoying guy like he just watched him string the stars in the sky.

But it’s the shirt—god, the shirt drives you absolutely crazy. He’s about to go on national television, be a household name, and some ill-fitting, charity shop Hawaiian print shirt is what he woke up and chose to wear. What’s his angle here? Appeal to the public with some sob story about only being able to afford second-hand clothes so that’s why he’s competing? Needs the money to care for a sick relative?

(The expensive watch on his wrist and his limited-drop sneakers tell an entirely different story, but you’re keeping that to yourself for now. No reason to play your hand so early.)

As much as you hate the shirt, you have to admit it suits him. The colors are garish and unsightly, just as obnoxious as he is, and you can’t stare at it too long because you start going cross-eyed. Looking at him feels about the same as stuffing your mouth with a bunch of sour candies: you get that same burn in the back of your jaw, same scrunched-up, grossed-out look on your face; have to squeeze your eyes shut to blink back tears.

You don’t even know his name, but you hate him immediately.

Your eyes scan the other contestants. None of them inspire the same level of animosity within you as the annoying one does; all of them nearly unremarkable. A variety of ages, appearances, backgrounds. You hear one say they’re a retired investment banker. There’s an accountant, a teacher, a fucking aerospace engineer.

And then it’s his turn to introduce himself. He clears his throat, speaks with an easy, practiced confidence. Completely void of nerves. Makes eye contact with everyone in your conversation circle. Gesticulates wildly as he speaks, immediately endears everyone to him.

“I’m Tim,” he says, and you nearly recoil at how honeyed his voice is. “But you can call me Tim. I’m thirty-eight, originally from a small town. Work as a…”

You can barely stand to listen to it anymore, each “Nice to meet you, Tim!” like another punch to the gut. How can’t these people see right through him? How are they falling for his bullshit? You should’ve known. Producers always throw in at least one bomb to up the ratings—a secret millionaire, someone rude and confrontational, a flat-earther. Even if you’re competing in a charity baking competition, of all things, it’s still reality television at the end of the day.

Just because the bunch of you are going to spend the next few days creating confections out of sugar, spice, and everything nice, doesn’t mean you have to be part of that ‘everything.’

Tim thinks he’s got this in the bag. Thinks he’s going to show up and win easily, the rest of you be damned, and even if you are typically a very nice person, you’re also highly competitive. There’ll be no rolling over done by you, and if Tim wants to play dirty—

Game on.

As you introduce yourself, you feel his eyes burning a hole in the side of your head. Probably because you don’t bother with the faux-humility the rest of the contestants have. Polite and charming but firm, just the way your mother had taught you. You’re not boisterous, don’t crack silly jokes to play up to the cameras the way Tim loves to do, and you know he’s scrutinizing you the way you’d done to him, trying to figure out your angle.

Well, joke’s on him—you don’t need one.

And you really, really hope it drives him crazy.

Except maybe the joke is on you, too, because you don’t account for Xu Minghao.

In true reality television fashion, the tent is boiling hot.

As if the universe itself had looked down on all of you and decided what you all needed was a heatwave uncharacteristic of this time of year, just to up the ante. Not even ten minutes in the tent and you’re all fanning yourselves and wafting air up your shirts. Which is great, really, because it isn’t like you need to use ovens or stand over hot burners. It’s not like you aren’t going to be soaking through your clothes with anxiety sweats, either! Sweat dripping off your brow into your eyes won’t matter because you don’t need to use them.

Everything’s going to be fine!

But everything is not fine. Not only has the universe gifted you with sweltering heat, it’s given you the work station directly next to Tim’s. You’ll have to feel his annoying, off-putting aura near you for the entire competition. There’s always the possibility of him bungling it and making an early exit, but you know that’s unlikely. Obnoxious he may be, you also know a strong opponent when you see one, and something tells you you’re going to be stuck with him for the long haul.

Think of the cats, you tell yourself. All of this is for the cats.

It’s not like you never would’ve returned here of your own volition. No, your first go-round with feel-good, competition-based reality television had gone fine. You hadn’t won, of course, because you wouldn’t be here again if you had, but you placed respectably in the top three. Became a fan favorite, too, which was arguably more lucrative than winning. People make a living on social media these days.

So, it’s not the competition itself that has you white-knuckled gripping onto the edge of your station. It’s the man at the one beside you, cracking all these stupid jokes about the weather and how it’s a horrible day for tempering chocolate, so he bets that’s going to be the first challenge!

You suck in a deep breath. Try to remember the breathing exercises from that one yoga class your sister had dragged you to. It had been about the same temperature then, too—well duh, it’s hot yoga, your sister had said, which was news to you, because you never would’ve signed up for something called hot yoga willingly. Still, you endured it, just like you’ll endure this, and a little sweat is not going to get in the way of you delivering a check to all those poor, sad cats without families.

“Psst, hey,” you hear from behind you. When you turn, a man is smirking at you as he finishes tying his apron around his waist—has to wrap the strings around twice, you notice, because only someone hand-picked by the gods themselves would have that shoulder-to-waist ratio.

You don’t really recognize him. Can’t recall his name or where he’s from; can’t remember what he mentioned doing for a living. Probably something artsy, if you had to guess—he definitely has the style and demeanor of a creative, with his trendy shag-mullet and the multicolored, glitter-y snowflakes decorating his nails.

You aren’t sure he introduced himself at all, but the confidence with which he holds himself—easy, like it’d take a national emergency to rattle him even a little—implies he doesn’t really have to. Most of the people here already know him, if you had to guess, and he gives the impression that he’s not fussed with impressing any of them.

If only Tim was so inclined.

You clear your throat, vaguely aware you need to respond. “Yeah?”

“Are you nervous?”

“Ah, I don’t think so? We’ve done this before, after all. We should be seasoned veterans by now.”

He smirks. “Should be,” he emphasizes. “Feels different when it’s for charity. Extra serious, you know?”

“Right,” you agree, taking a look around the tent. “Anything for the cats.”

There’s an immediate shift in the atmosphere. What was friendly and carefree is now tense; where a smile and a floral giggle sat on the man’s lips has been replaced with a crooked scowl. And it doesn’t make sense, all you’d done was agree with what he said, but then the producers are yelling something at the front of the tent, cameramen are rushing to their equipment, and a woman appears at your side and starts clipping equipment to your clothes, and there’s no time to question it. On your right, Tim’s laughing and joking around with some crew members like they’re old drinking buddies. It drives you nuts, has annoyance pricking at your skin, flushing your cheeks—

So much so that the woman at your side leans in and asks, “Should I get hair and makeup over here?”

“I—no, it’s fine.”

The unnecessary members of the production team scatter away after a loud countdown. Hair and makeup don’t come to wipe the sweat tracks from your skin. You already know Man Behind You is standing there looking perfect because he’s equally as attractive as he is mysterious. God truly has favorites, and this guy somehow made the top five.

You stare down at the instructions in front of you, confident in your ability to read but not so confident in your ability to make sense of any of it. And it’s your own recipe, which is the worst part. You’d typed this recipe yourself. These are your hand-written notes in the margins. You’ve conceptualized, tweaked, baked, and eaten this recipe more times than you can count, and now all you can do is thousand-yard-stare into the ether.

In the time since you were on the show, you’d somehow forgotten about the chaos. Not unlike that hormone women have that makes them forget about the pain and agony of childbirth, you reckon.

In addition to being one of the most bothersome people in history, Tim apparently doubles as a prophet.

Because it is a terrible day to temper chocolate, and you’ve got a bûche de Noël on the horizon that requires you to do so. You can pivot, maybe make some kind of buttercream, but a basic chocolate buttercream is not going to win you a world-renowned baking competition even if it is Swiss meringue. A child could make that.

You sigh. Push that wave of panic to the back of your mind. In a setting like this, you have approximately ten seconds to come up with a back-up plan and execute it and you wasted your time thinking, so you’re just going to have to temper the stupid chocolate and stick to your original plan. God, you have a headache.

But the show must go on, so you do too.

Step 1: Preheat the oven.

Easy enough. If nothing else, you can preheat an oven.

Step 2: Make the sponge.

Not as easy, but you’ve made so many sponge cakes throughout your life you could probably do it in your sleep. Whisk attachment on the stand mixer. Four eggs. Sugar meticulously weighed and added to the bowl. Sugar and eggs whisked together until the mixture is the color and consistency you’re looking for. Flour, cocoa powder, and salt sifted in. Metal spoon to fold it all together as delicately as possible. You won’t have a sponge cake if you beat all the air out of it, now will you?

“Good enough,” you mutter to yourself, staring down at the bowl.

At least you’d had the foresight to grease and line your baking tray, because the entire entourage arrives at your station just as you’re meant to be pouring the batter into it and sticking it in the oven.

“Ah, we meet again,” the group choruses, genuine smiles peeking through as if you’re old friends separated only by time and distance.

That’s the weird thing about being on television. For as long as you’re able, you exist within a microcosm of daily life. A world exists outside of your bubble, you know, but you don’t see much proof of it. All of your meals are eaten together; all of your conversations are had with one another. You share temporary living quarters and oftentimes too much of yourselves, and you’re thankful the show encourages teamwork and kindness because that’s the kind of thing that can grow sour if you leave it unchecked too long.

And then it just—ends.

Bubble burst, you all go back to your regular lives. You look back on that time fondly, but the friendships are thinned out by time and distance. Eventually it all starts to feel like a dream, except every now and then something breaks through the haze to remind you it actually happened: a stranger recognizing you at the store, a message on social media, the casting team contacting you to ask if you’d be interested in competing in a holiday special for charity.

“We certainly do,” you retort, smile matching everyone else’s.

All things considered, you are happy to be back. Even if the tent is crowded and far too warm, the atmosphere is unmatched, especially when it’s decorated for the holidays.

“What are you working on?”

You explain the general workings of your yule log: chocolate sponge, hazelnut liqueur cream filling, and chocolate icing to top it off. You aren’t sure how you’re going to decorate it yet—you’ll figure it out once you get there, depending on how much time you have—but you guarantee them it’ll look festive and professional.

Satisfied with your plan, they wish you luck and move on to the man behind you. It’s so great to see you again, Minghao, someone says, and you’re grateful they’ve spared you the embarrassment of having to ask for his name. It still doesn’t ring a bell, and you can’t recall what season he’d been on for the life of you, but he speaks with a patience and a gentleness that is so unlike Tim that you nearly drop to the floor in thanks.

But as the commotion of the tent reminds you, you don’t have time to waste thinking about Minghao. You’ve only been given an hour for your signature, and you’re going to need all sixty of those minutes if you have any hopes of presenting a finished product.

It doesn’t register at first.

It doesn’t register at second or third, either.

In fact, you’re sure you’re hallucinating when you open the oven door to pop the sponge inside and you aren’t hit with a blast of hot air. Room temperature. Perhaps a bit on the cooler side, if you’re being honest.

And that can’t be, because you know you preheat your oven. It was the first thing you did, because it’s always the first thing you do. It’s just… automatic, like opening your mouth to eat or washing between your toes in the shower. Instinctual. Not something that needs to even be considered, because it’s always the first thing you do.

No, this cannot be. Forgetting to preheat the oven is a rookie mistake and you’re not a rookie.

…Could it be?

Perhaps you were so caught up in the lights and buzz, the thrill of returning to the tent, that it had slipped your mind? Perhaps you’d pressed the wrong buttons and turned the wrong dials? While it’s not likely you’d somehow bumped into the oven and turned it off, nothing is impossible, so… maybe?

“Shit,” you hiss through your teeth. The producers are not going to be happy about your swearing. “Shit, shit, shit.”

“Everything okay up there?” Minghao asks from behind you. When you turn, he’s got a flour-dusted towel thrown over his shoulder as he nurses a cup of tea, and his composure in the face of your hysteria has your head spinning.

Your mouth opens and closes like a goldfish. Minghao is drinking tea without a care in the world and your oven isn’t even halfway to the temperature you need. “I—yes? No? I don’t know. I could’ve sworn I preheated the oven, but—”

“Don’t panic,” he offers, his top lip catching on the rim of his mug. “You got this. Work on something else while you wait.”

Something else. Right, you can work on something else. Both the filling and the frosting still have to be made, and quick mental math tells you there should just be enough time to get everything done if you’re efficient. Of course, that’s a big if, but that’s why you’d chosen a yule log, after all: sponge cake doesn’t need that long to bake, and anything can happen (and go wrong) in this tent.

So, you get to work on something else. Measure out a sheet of parchment paper, dust it with cocoa powder, and set it to the side. Decide to get to work on the frosting, because if one thing has already gone wrong, you don’t trust the universe to let you temper chocolate correctly.

The chocolate is halfway melted when the oven dings. A small harrumph of victory and you’re finally good to go, setting a timer for twelve minutes. Minghao offers you a discreet thumbs-up, fingers covered in something sticky you assume is marzipan.

Time flies after that. You get both the frosting and your filling made, and it’s only through divine intervention that your sponge cake comes out perfectly and with enough time to score and cool. When you dare a look around the room, everyone seems to be in a similar position as you: frazzled and covered in powdered sugar, making frantic trips to and from the refrigerators, chucking seized-up caramel into the trash and starting over for the third time with a pained expression.

A holiday special—it was supposed to be more laid-back, more for the vibes and festivity than actual competition, but it looks to you like everyone’s taking it just as seriously as your first go-rounds.

“Fifteen minutes!” someone calls, and your competitors fade out of focus. You’ve got a yule log to ice and fondant to roll out.

You make it by the skin of your teeth.

It isn’t perfect, of course, as few things on this show ever are, but it’s more than acceptable. It looks great and tastes even better which is all you can hope for. Much to your dismay, Tim also gets top marks, but it’s Minghao that shocks you all. His stollen wreath earns him a handshake and a lot of clandestine, private glares, but he’d been kind to you earlier, helped untangle that knot of pandemonium, so you return the thumbs-up he’d given you earlier with a smile that feels akin to getting away with murder.

Something is wrong.

On its own, this is not necessarily surprising. Gingerbread, tasked with bearing the weight of an entire house, can be fickle. On any other day you wouldn’t blame it if it wanted to rebel and go sideways, but the thing is—you’ve made gingerbread before. Tons of times. Another thing you could probably make in your sleep if you absolutely had to. So it doesn’t make sense when you look down in your mixing bowl and it just… doesn’t look right.

You tell yourself it’ll get better when you knead it. Maybe the color just looks off because it’s underworked, and a few good punches will set it straight.

But it doesn’t. The dough sits at your station like a sad, formless lump, giving you no indication it intends to become anything at all. Which is, admittedly, a problem. Your technical challenge is to build a gingerbread house—one complete with little windows and golden-toned nightlights, a scalloped roof dusted with powdered sugar to look like fresh snow, a working door!—and you’re far from an engineer, but you don’t think you can have a gingerbread house without gingerbread.

You sneak a peek at Tim’s station, where he’s well into measuring an immaculate-looking dough with a ruler. The contestant in front of you is in a similar place, too, so it’s with an oh fuck I’m doomed sigh that you turn around and hope to find a comrade in Minghao again.

“Hey,” you whisper, trying not to draw attention to yourself. “Does this look right to you?” You jerk a thumb in the direction of your dough-lump. Minghao, bless him, looks around you and tries his best to hide his grimace.

He does not succeed.

“Um. Well, no.”

You sigh. Place one flour-dusted hand on your waist and pinch the bridge of your nose with the other. “I can’t figure out what’s wrong with it. I’ve made gingerbread a million times.”

“Looks pale,” he offers. Of course, this is the exact moment he dumps his own dough—his beautiful dough, flawless chestnut brown—onto his station to knead it. “Was the sugar right?”

A strangled, disbelieving laugh escapes you. Was the sugar right—of course the sugar was right! Dark muscovado sugar. Everyone knows that's what you use for gingerbread, so of course the sugar was right because no one, both in their right mind and at this stage of competition, would use anything else.

Before you can respond, Minghao’s pointing at your jar of sugar. Your jar of pale, producer-supplied sugar, which even a blind person could tell does not resemble dark muscovado sugar.

A million thoughts race through your head at once, but it boils down to instinct, you think. Your brain had seen flour, butter, and sugar and went into baking mode, not stopping to take in the color of anything. Maybe a smarter, more perceptive person would put two and two together and get sabotage, but you don’t have enough time to play detective.

“Here, here,” Minghao says, hurriedly handing over his (correct) sugar. “It’ll be close, but you should have just enough time to redo the dough.”

You’re going to throw up.

In the end, a chunk of chocolate buttons is missing from the roof and the piping around the edges is far from your neatest work, but it’s passable. You already lamented your loss during the signature bake, because anything less than perfection was not going to win you much of anything, and you’re now 0-for-2 on showstopping, unbelievable, awe-inspiring confections.

Just like the devil, your fall from grace will be studied.

Overthinking isn’t going to get you anywhere, but you can’t help it.

You collapse sideways into a chair, immediately face-planting into the catering table. Everyone else buzzes around you—animated conversations that have your head spinning, words that jumble together and start to sound like nothing at all—but you’re a million miles away. One mistake is out of character for you, but two? It’s unheard of. Something you would’ve said was impossible if it didn’t happen to you just a few hours ago.

This is something you need to file away for later so you can think about it just as you’re about to fall asleep, horror and embarrassment there to keep you company when it keeps you awake until the wee hours of the morning.

A chill runs down your spine.

“Hi. Do you mind?” You startle. Bang your knee on the underside of the table. “Sorry,” Minghao apologizes, but he doesn’t look sorry at all. You shake your head. Gesture to the empty seat across from you as if to say it’s all yours. “I brought you some tea,” he continues, setting it in front of you. “I find it’s easier than coffee when you don’t know how someone takes theirs. Less chance of getting it wrong.”

You smile. Wrap your hands around the Styrofoam cup and delight in the warmth. “Thank you. This was very kind of you.”

“Seemed like you had a rough day.”

Groaning, you try to wave away his words. “Please don’t speak of it.” Minghao jokingly salutes you before miming his lips sealed. “Anyway. Let’s talk about something that is not reality television or baking or a reality baking competition.”

So, you do. Most of the talking comes from you, to be fair, but Minghao is a good listener: nods along, chimes in when appropriate, keeps the spit in his mouth where it belongs. You talk about your hometown and what made you apply for the show the first time. He tells you about growing up in Haicheng and all the things he grew up baking with his mother. You swap stories from your respective seasons; Minghao shares anecdotes with a straight face that have you clutching at your stomach.

Hours pass this way, and you end the night feeling like you’ve made an honest-to-god friend.

Xu Minghao ends the night feeling the guilt weigh him down like an albatross.

In retrospect, it is probably a bad idea to make another sponge, but no one can accuse you of learning from your mistakes.

“It’ll be a patterned joconde sponge with two mousse layers—chocolate and raspberry—and a raspberry jelly. Then I’m going to attempt to top it with chocolate and raspberry decorations.” The judges blink. Are you sure that’s a good idea? you know they want to ask, but this is a holiday competition for charity, so they’re trying not to be pessimists. “Anything is possible through holiday cheer,” you tack on, hoping your smile doesn’t look crazed.

They nod. “Right, right,” they say in unison. “Well, good luck!”

And then they’re off.

Determined to nail this, you triple-check your oven, which is preheating to a crisp 400 degrees; you double-check all your ingredients and confirm they’re correct; when you can spare the time, you watch your refrigerator like a hawk, making sure no one tries to sneak their own work in there and displace yours when you aren’t looking, but everyone’s engrossed in their respective showstoppers.

Tim’s planning a shadow box of sorts, with blown-sugar baubles and isomalt fire. Someone else is stressing over their three-tiered cake, asking the presenter if they think they’ve taken on too much. From what you can piece together, Minghao is making a three-dimensional house, also made from cake that he imported special pistachios for.

“Special pistachios?”

“Mm, from Iran. They have a better color.”

“Iranian pistachios! Can you believe it!”

But you don’t have time to worry about Minghao and his special Iranian pistachios. You have so much to do and not enough time to complete it. Your paste is in the freezer and the sponge is in the oven, but you’ve still got two mousses to make, a jelly to infuse, and little chocolate trees to create—and all of this wouldn’t be so bad if it wasn’t pointless, but you don’t want to disappoint the cats by half-assing it. They deserve your whole ass, and your whole ass is what they’re going to get.

The result is stunning—not necessarily in stature, but rather craftsmanship and effort. This is what you’re capable of. This is why you came back to the tent. For all your complaining and wanting to put your head through a concrete wall, there’s nothing like seeing the judges ooh and ahh when you present your work to them. There’s nothing like the ego boost of someone taking a bite and watching their eyes light up. There’s nothing like carrying your cake back to your station feeling proud of yourself.

“Great job,” Minghao says, a genuine smile stretched across his face. He also exceeds expectations, of course. Must be those special pistachios, you think, but your congratulations are also sincere.

Production makes a spectacle of judging, much like they always do.

The set is decorated to look like a winter wonderland, even though you’re still in the midst of autumn: a giant Christmas tree in the center decked to the nines with garland and baubles; warm, golden bulbs strung from every awning they could find; all the participants bundled up tight in festive sweaters and scarves all the way to your chins, cheeks and tips of noses dusted with red-pink blush to mimic the cold that’s nowhere to be found. Fake snow falls from the sky, and it doesn’t feel real, but it does feel magical.

One of the hosts catches you by the elbow, asks who you think is going to win. “Oh, I’d have to say Minghao,” you answer, because you’d rather die than give Tim the satisfaction. “His showstopper was incredible, but he was really great the whole competition.”

In the end, however, neither of them wins—it’s Jeon Wonwoo, three-tiered cake guy, who comes out of nowhere to claim first place. He’s bashful as he accepts his prize and says he’s going to donate the prize money to an organization that provides underprivileged kids with video game equipment. No one has a whole lot to say about that.

Once most of the hubbub dies down (and you give Tim a half-assed you did great, so sorry you didn’t win), you find Minghao near the refreshments table. He’s frowning around another mug of tea. “Alright?” you ask, helping yourself to some cider.

“For some reason, I’m no longer feeling very festive,” he replies, which is a very funny thing to say while wearing a hat with a little pom-pom on the top.

You roll your lips to keep from laughing. Sidle in a little closer and knock his shoulder with your own. “Ah, I know how you feel, but you really did do great. You were my pick to win, for what it’s worth.”

“Please don’t tell me that. It only makes me feel worse for losing.”

“Yeah.” You sigh. “Would’ve been nice to donate some money to the cats, but shit, if I didn’t know better, I would’ve sworn some dark force was sabotaging me. Like, come on—forgetting to preheat the oven? Using the wrong sugar? Not even a kid would’ve made those mistakes.”

Two things happen in rapid succession: beside you, Minghao goes very, very stiff, and you realize you had been sabotaged. And not by some dark, evil force, either. You were sabotaged by the very man standing beside you—the man you shared thumbs-up with and thought was your friend. The man whose cake you complimented and picked to win. The man who is now standing ramrod straight, as tense as a corpse, and the thought of sabotaging someone in a charity baking competition is so ridiculous and unbelievable that you just—

You just laugh.

At first, it’s a bark of stunned laughter. Then, the more it sinks in how absurd, how nonsensical all of this is, you can’t stop. Tears are rolling down your cheeks. You gasp for breath as your stomach begins to ache. People are staring, including Minghao, who sort of can’t believe what he’s seeing, but none of it does anything to deter you.

“Oh my god,” you wheeze, “I can’t believe it was you—”

Minghao groans. “In my defense, it was for the cats!”

This was not the answer you were expecting. It makes you laugh harder. “What do you mean it was for the cats?”

He swallows. Removes the mitten from one hand to run it through his hair as if that one tic was enough to distract you from everything that’s happened in the last sixty seconds. (It is.) “Listen, you told me you were going to donate the money to a cat charity if you won and I just—so was I, was the thing. I was also going to donate the money to a cat charity if I won—”

“Okay, but which one, though?”

“The Cat’s Paw-jamas.” Much to Minghao’s horror, this sets you off again. “What? What’s so funny?”

“Minghao,” you try to choke out, but you can barely breathe around the cramp in your stomach. “Minghao, that’s the charity I was going to donate to. Oh my god, you sabotaged me and I was going to donate to—to the same fucking place. Jesus Christ, this is some Gift of the Magi shit.”

Your saboteur, who has gone deathly pale, is quiet for a very long time. Every now and then he’ll open his mouth like he’s going to say something before it snaps shut again. When he does manage to speak, what comes out are mangled apologies that sound like gibberish, and you wave all of them away. “It’s water under the bridge.”

“I—I really don’t think it should be?”

“Minghao, it’s fine, trust me, this was just for fun—”

“No, I really insist.”

You sigh, good-natured and exasperated. Something about the fake snow has you feeling romantic and a little bold, so you turn, grab him by the lapels of his coat. “Please tell me if I’m misreading this, but if you insist, maybe you can start by taking me to dinner…?”

This was clearly not what MInghao was expecting you to say. Dazed, he recovers quickly, the corners of his mouth tugging upward in a half-smirk. “Dinner, hm?” You nod. “I think I can manage that.”

You smile. “Great. How do you feel about cat cafes?”

[digitalarr]

Writing at the corners are music recommendations. I hope you enjoy!!!

I also used my plushie as a reference [sorry if it’s cut weirdly, the background removal in ibis paint sucks so I did it myself lol.] I more heavily used the reference for the centered drawing, but combined my own art style with it at the left side drawing.

The twirled pink and yellow is writing saying “hahaha [etc.],” with each letter alternating from pink to yellow. This is inspired by a page from Cucumber Quest, shown in photo two. This is page 455 of Cucumber Quest. [also it’s SO underr8ed, even though it’s literally by Gigi D.G. omg.] I made the writing twirled or spiral like because I felt that it matches well.

The contrasting writing colors of “[STAY]” and “[[LINE]]” are also inspired by the use of contrast in Cucumber Quest in general, since lots of the writing in it uses contrasting colors in panels, especially in the referenced chapter.

Sorry for the mouthful, that’s all about it!!!! ^^

[therottenkingsreckoning]

[TRANSCRIPT]

Ozzy: Hello Hello, what's going on here? Are there more of you now? Oh uhh…I guess there's more of me too.

Walter: (watching the scene) Damn, now that's hot. Wish I could be working on that right now.

Eddie: Uhh…Pardon?

Walter: What, have you never seen a limo before? Wait, DID YOU FU-

Yol: F-Friend William! We are holding a feast in honor of our guests later, if you should like to join us.

Walter: (instantly calm again) Oh, sure thing man!

Ozzy: Yeah, we're always down for what the crab is cooking.

Yol: Excellent!

Eddie: crab?

Yol: I shall see you there then.

(In the background, Wally can be seen approaching Sally)

Wally: Where were you? You had me spooked for a minute.

Sally: M-My apologies darling, I ah…I needed some air. Psychic work is quite exhausting.

[END TRANSCRIPT]

Finally, after 7 months of artblock sucking out all of my energy, we've finally got another page of the comic! Moving forward, the panel layout and greyscale color will be more like this, which I think is much more appropriately comic-book. I've also added a few details you might've noticed, and which we'll pretend have always been there:

-Julie has a tail now because reasons

-Eddie has a Tgate (essentially a chest-mounted Bag of Holding) along with the smart glasses & gloves for it. He got it from a volunteer delivery job he's signed up for, tho for the moment it's being used to hold everyone's stuff.

-she isn't here for this page, but Barbie now also has the digi legs. They're just too fun not to draw, and I feel like it's more authentically dog to have them.

Work has already been started on page 12, so we're (hopefully) looking at a return to a semi-regular posting schedule. Stay tuned!

[THIS IS AN AU. NONE OF WHAT I POST IS CANON TO THE WELCOME HOME UNIVERSE.]

[nomadic-star]

journalist drawing redraw feat. grumpus yaoi

original:

[sunnythedawg]

Waterfall

[fantasykiri5]

Ticklish

[starwarjotta]

Day 5 - caf since my scribbles can be totally illegible, here’s a transcript Obi-Wan: Here you go, Cody Cody: Oh, thanks, sir Cody: this... it’s caf? Obi-Wan: Ah, yes! I’ve noticed my teas are not really to your tastes, so I stocked up some caf for you instead! I hope it’s okay Cody: ... oh Cody: ...thank you.

[unfinishedslurs]

The boy stops in his tracks. “I know you,” he says, tilting his head curiously. He’s not tall, but he’s regal nonetheless, dressed all in white. Something about him makes Leia’s hair stand on end, and although she hides it she feels a stirring in her own chest. I know you like I know my own soul, she thinks wildly, and wonders where it came from. Has she gone insane?

“That’s nice,” she says, and shoots him anyway.

He deflects it in a flash of light, a glowing blue laser sword appearing in his hand like magic. She’s only seen one of those before, and it’s Vader’s. If this boy is anything like Vader, she realizes, she’s in deep shit.

She’s smart enough to know when she’s outmatched. Leia makes the tactical decision to run for her life.

Later, as she’s getting the hell out of there, she wonders why he didn’t try to stop her.

She remembers being young and tugging on her mothers skirts, demanding to know why their guest was so sad. “Does he not like it here?” She’d asked, and then, trembling, because Kenobi always seemed saddest around her. “Is it…because of me?”

“Oh, Leia,” her mother sighed, lifting her into her arms. “It’s not that, I promise.”

“Then what is it?”

“Master Kenobi lost a child under his care, years ago.” Breha’s eyes grew deeper, darker. “It was not his fault, but he blames himself. You remind him of that child, that’s all.”

Leia had quieted at that, contemplative.

The next time she’d seen Master Kenobi, she had given him a hug. He didn’t seem to know what to do with that, so she resolved to give him more of them. “He’s lonely,” she’d told her mother. “No one should be lonely.”

Looking at Obi-Wan Kenobi now, the memory seemed so far away. He’d aged thirty years in the ten it had been.

He looks, Leia thinks with a small twinge of regret, very lonely.

“Leia,” he greets. “It’s been a long time.”

Out of the corner of her eye, Leia sees a glint of white.

Kenobi freezes in his tracks. “Luke?” He whispers, and through the distance Leia can hear it as if he’d been speaking directly into her ear.

Master Kenobi lost a child under his care, her mother whispers in her head. He blames himself.

In an instant, Leia understands everything.

Kenobi is still staring at the boy he’d lost so long ago when Vader cuts him down.

Later, as she’s pacing around on the Falcon to Han muttering darkly about Princesses and supernatural abilities, she rememberers the way the boy collapsed, as if all his strings had been cut. Vader was too occupied with him to even look at her as she shot at him desperately.

Luke. She hates him more than she hates herself.

“They know where you are,” he hisses frantically. “They’re coming for you. You have to run.”

“Wait!” Leia quickly pulls up their sonar. Nothing yet, but it would explain the distant queasiness she’d felt since they’d landed. She tended to trust her gut. “How do you know? How much time do we have?”

“Not important, and not enough,” he says. “I have to go, and so do you. You need to leave yesterday.”

“How do I know I can trust you? I don’t even know who you are.”

He pauses. “Call me Skywalker.”

“That’s not an answer, Skywalker.”

“Yes it is.”

She opens her mouth to argue, but there are faint voices on the other end, drawing nearer.

“Shit,” Skywalker mutters. “I have to go. I’ll be in contact, okay? Don’t ever tell me where you are, or where you’re heading. Vader and Palpatine aren’t shy about reading minds. Just leave as soon as you can, and figure out the rest.”

“But—“

It’s too late. The comm has disconnected.

She stares down at it, disbelieving. How would the Empire know they’re here? Why should she trust a stranger who somehow got her personal comm code?

Gut feeling or not, on paper this was a perfect location. Supplied, armored, and most importantly, extremely well hidden. There was no real reason to think it would possibly be found out.

It’s probably a trap. Almost definitely a trap.

Han sticks his head in the door, a sour look on his face. “Hey Princess, can you tell these idiots—“

She makes a decision then and there.

“We’re leaving.”

“What?”

“We’re evacuating, effective immediately.” She pushes past him, and he follows so close he’s nearly stepping on her heel.

“Why? I think it’s pretty cozy here. Actual sunlight doesn’t hurt, either.”

“Apparently too cozy.” She grabs the first person she sees, a pilot who stares at her with wide eyes. “Emergency evacuation. Spread the word to pack everything you can and leave, I’ll let you know where we’re headed when we’re in orbit.”

He salutes and scurries off.

“Woah, hey now.” Han snatches at her elbow until she turns around to face him. “What’s going on?”

“There’s a new informant. He told me the Empire knows we’re here. They’re coming for us.”

“And you trust this person because…”

“I don’t have a choice,” she snaps. Someone runs past them, holding three packs filled to the brim with rations. “It’s either he’s lying and we’re not in danger, or he’s telling the truth and we’re going to die if we don’t listen. It’s not exactly hard math.”

It could be a trap of course, but he hadn’t suggested any sort of direction or destination to follow, and Leia wasn’t inclined to share. Especially not after his tidbit about Vader and Palpatine reading minds.

He squints at her. “That’s not it.”

“What?”

“I don’t believe you,” he insists. He’s so infuriating. Leia doesn’t know why she hasn’t kicked him out yet.

“I don’t know what you’re talking about.”

“Yes you do, and you’re either gonna tell me why, or find a different transport when we head out of here.”

“Who said I was riding on your hunk of junk?” She demands. She actually was planning on going with them, since the Falcon has more than enough room for all the supplies that can’t fit in the other ships and none of the trustworthiness of the other pilots, but Han doesn’t need to know that.

“Well?”

Damn him. Damn him for knowing how to read her. She doesn’t know when she let that happen.

“I feel it,” she admits, defeated. “Something tells me he’s trustworthy. We’ll wait and see if it’s right.”

He studies her. She holds her head high, but inside she’s jittery at the scrutiny. They don’t have time for this.

“Yeah, all right,” Han finally says.

“Really?”

“Yes, really.” He rolls his eyes, like she’s not acting absolutely insane by putting all her trust in a random man she’s never even met. “Now come on, Princess, weren’t you the one who said we had to hurry?”

What is it about this man that makes it impossible to tell whether she wants to punch him or drag him into the nearest supply closet? They don’t have time to find out.

“So there’s good news and bad news.”

“Bad news first,” she demands.

“They know there’s a mole.”

“Shit.” Of course they know, how could they not? She should have been more careful, less obvious about the correlation of their movements with the Empire’s plans. “The good news?”

“They’ve tasked me with hunting down this ‘pathetic rebel spy,’” Skywalker says, humor in his voice. “That should buy me some time.”

Leia can’t quite stop the snort she lets out. “Seriously?”

“Yep. You’re speaking to a professional mole-hunter, here.”

“Well congratulations on the promotion, Skywalker.”

“Thank you,” he says grandly. Then, quieter, “It won’t last, Princess. They’ll find out eventually.”

“I know. Just hang in there, it will be over soon.”

“Will it?” He asks, suddenly sounding very young. She realizes that she has no idea how old he is. She doesn’t know anything about the man who has saved them more times than she cared to admit, and the idea rattles her until they sign off.

Later, she looks up the name Skywalker in their archives. There are a few results, but only one sticks out.

Anakin Skywalker, Jedi Knight and hero of the Clone Wars. Killed at the hands of Darth Vader. There are gossip articles too, speculations on his relationship with the pregnant Senator Padmé Amidala, who died around the same time Skywalker did. The baby, it seems, died with her.

Unless he didn’t.

It’s ridiculous. It’s impossible. The idea is so ludicrous that Leia almost rejects it entirely.

But it makes sense. By the Maker, it makes sense.

The child of Anakin Skywalker, it seems, would be a powerful Force user indeed. Powerful enough for Kenobi to take the baby and run. Powerful enough for the Emperor to want him for his own gain. Powerful enough to send Vader after Kenobi and take the boy himself.

Maybe even powerful enough to shield his mind from Vader and Palpatine’s intrusions.

Powerful enough to hide the fact that he’s a spy.

Leia sinks into her chair, covering her face as she laughs.

Maybe Luke isn’t so bad after all.

“No, no, no,” she mutters, digging through the smoking wreckage of the TIE fighter. “Don’t be dead, please don’t be dead.”

“Princess…” Han lays a hand on her shoulder that she immediately shrugs off.

“No, he’s not dead. He’s not. Luke!”

A faint cough answers her, and she’s so relieved to hear it she could cry. Behind her, Han starts bellowing for a medic and, “Some damn help here, do you expect us to move all this ourselves?”

“Luke, it’s me,” she sobs. “It’s Leia. You’re at the Rebel Base. You’re safe.”

More coughing, and there’s a worrying rasp to his voice when he says, “You know…my name?”

“I figured it out.”

“Smart.” This time, the coughing is so bad Leia and Han both wince.

“Shit, kid,” Han says, moving another piece of rubble. “Don’t talk. We’re gonna get you out of here, all right?”

“Stand back,” Luke chokes out.

“What?”

“Stand back. Please.”

Han protests, but something in Leia knows they should listen to him. She drags him back, and motions everyone else to fall back with them. They do, albeit reluctantly.

“Clear,” she calls, hoping Luke can hear her.

The TIE explodes.

“Fuck!” Han goes back in, Leia on his heels with the terrifying feeling that she’d just allowed Luke to die, before they both stop in their tracks. Around them, the broken pieces of the TIE are floating.

And curled up in the middle is a man dressed all in white.

“Luke!” She pushes past Han to start dragging him out, and after another moment of staring around them, he helps her.

As soon as they get clear, the pieces fall to the ground with a clatter. Luke falls limp with them.

Han is still looking at the TIE. “Can you do that?” He asks quietly.

Leia pauses her examination of the unconscious man in front of her to glare at him. “Is that what you’re most concerned with right now? Really?”

“Excuse me for asking, Princess!”

“It’s white,” Luke grumbles, pulling at his hospital gown bitterly. “I hate wearing white.”

“Should I be offended?”

He rolls his eyes. “Don’t even. You look great and you know it. I just feel like I never left.”

“Well,” she says gingerly. “I guess it’s a good thing you got sick of it. If we went around in matching outfits all the time, people might think we’re twins.”

He snorts. “Yeah, right.”

[vaguely-concerned]

shathann fucked up in so many ways with raising taash but she also makes me. so so SO sad. welcome back deeply flawed dragon age mother figures in various shades of 'well. I mean you tried. I guess' (from 'not at all' to 'I can see what you thought you were going for at least' as appropriate) we tango once more

[robotsafari]

redrawing my favorite gba chain of memories scenes with my own interpretations part 1(?):

“You’re thinking about me… You’re afraid of the darkness I command.”

[flowersandcandy06]

Second time I'm making this post because my Internet connection HATES MEEEEE AUGHSGSHSHH

anyways. Merry Christmas :,D Here are some (bad) Half-Life doodles for the season

[onetwothree-moved]

what if they wore traditional french clothes in kalos? now they can go buy soap at the market together