#also like. please consider that TV shows don't actually do the thing where they make an entire season bad on purpose | Explore Tumblr posts and blogs

simp-ly-writes · 2 months ago

Text

The Comment Section (pt.5)

─────── · · A Social Media AU Fic

Pairing: Spencer Agnew x gn!Reader

─ · · SUMMARY: You and Spencer get invited to another convention and host a panel; the fans are ecstatic and you have never felt so high, so happy and truly carefree in your life that makes you do things you would have no considered doing...

─ · · TAGS: SPOILERS IN TAGS!! gender-neutral pronouns, angst, social media au, suggestive themes, attempt at comedy, alcohol consumption, slowburn, light swearing, kissing, fluff, mutual pinning, friends that act like lovers, friends/lovers.

─ · · MASTERLIST | TAGLIST REQUEST | PART FOUR | PART 4.5 | PART SIX

─ · · A/N: will they... won't they...

─────── · ·

🔔 angelagiovanagiarratana, just added to their story, check it out!

─────── · ·

Much Time Later...

🔔 CreatorCon just posted, check it out!

─────── · ·

Liked by spennser, ianhecox, (name)s_username and others

CreatorCon please give a warm welcome to our newest additions to this years panel roster: (name) and Spencer Agnew from Smosh! 🎉

View all 1,577 comments

username99 not to be the grammer police or anything but you should also put (name)'s last name if you are putting Spencer's down since they are both not married 😬

↳ username01 shhh let them join the ✨ delusions ✨ ↳ username84 grammAr not grammer* ↳ username99 shut up 😘

username32 please bring back Brennan Lee Mulligan again!! I am on my hands and knees begging you, please!!!

username22 spencer helping (name) up the stairs and (name) holding the door for them afterwards is just so sweet 🥹

username48 hopefully the V.I.P passes actually work this time around

↳ CreaterCon we are so sorry to hear this, please send us a direct message to let us know what we can do to further improve your experience. ↳ username48 fix your shit. ❤️

username10 what is going on?? what about the Theorists panel, does anyone know where that got moved to?? I can't find any info on the websites or socials 😭

username50 love the line up (so far!) would like to see even more members of the Smosh family though. But I am really looking forward to this!!

username43 those crowd questions about to go crazy, too bad though they will probs limit their personal life stuff.

username19 they about to make a whole 1000+ people crowd third wheel, now that is talent 👏👏👏

smosh thank you for having them both for the weekend, us parents need a break every now and then

↳ smoshpit yes, please take them for us. PLEASE 🙏 ↳ ianhecox (but seriously don't actually, they make us a lot of money) ↳ smoshgames wait, why am i just finding this out now 😭 ↳ username67 for once i am actually fine with company account commenting, what is going on?!?!?

(name)s_username so excited to attend, thank you for having me and my "husband" 🤣

username71 OMG after last years PAX and CreatorClash events I am SOOO READY FOR THESE TWO AGAIN. ORGANIZERS ARE IN THE KNOW ABOUT (NAME) AND SPENCER, (YOURSHIPNAME) FOREVERRRRR!!!!!!!

spennser we are never escaping the allegations...

↳ (name)s_username never 🤣 ↳ username44 (yourshipname) actually addressing (yourshipname) directly?? never thought i would live to see the day! ↳ username01 we take this as them admitting feelings... right... right? ↳ username39 touch grass.

username29 Does anyone know what they are willing to sign or if they are signing stuff this year??

─────── · ·

🔔 SmoshCast just uploaded! Turn off notifications here.

─────── · ·

What is the best movie? (definitively)

Smosh Cast ✓ [Subscribed] Like 128k | Dislike | ... 582K subscribers 488k views 2 days ago #7 on trending (name) and Spencer debate the greatest form of every media. from movies to tv shows, video games and music; listeners are in for a wild ride.

2,222 Comments

username56 2 days ago Really missing Amanda and Shayne doing the weekly episodes, but I guess I can survive on (name) and Spencer... username77 2 days ago Why is nobody talking about how outstandingly (name) preformed in their movie?!?! I just watched it this weekend and was floored by their preformance. I'm surprised it didn't get any further mention in the videos! ▼ 199 replies ↳ username62 2 days ago I am shocked that a youtuber, nevertheless a comedian could portray such range and subtle expressions- it was beautiful even with what little screen time they had in comparison to others. They took away every scene they were in! ↳ username88 1 day ago I really hope they receive recognition, I really think (name) could make it mainstream. I mean, their connections alone from starring in this but be crazy. ↳ username19 1 day ago Im a selfish fan I will admit, I wouldn't want them to leave Smosh for other projects. In all honesty I could not image not having them in front of or in the background of Smosh videos. I mean could you even think of how Spencer would react?? They are stuck to each other like glue. ↳ username33 1 day ago they both are adults, i'm sure they could work something out. (name) shouldn't be held back from becoming something greater (even though they are great now!) because of the "kinda" relationships they are in. ↳ username20 1 day ago I think time will tell us the answers. But I really hope that (name) considers all their options... username01 2 days ago I have been living for all these play fighting and argument videos of the two of them. Like they have chemistry, a degree of hate for one another in some ways (but like healthy silly hate)- i'm pulling out my hair more and more as to why they won't just kiss already!! username67 2 days ago Okay but (name)'s take are 100% based. homebro/girl knows what they are speaking about and never missed ▼ 31 replies ↳ username72 1 day ago Yeah but I think Spencer's take was more well rounded especially in the TV Shows argument. ↳ username22 1 day ago Couples Therapist Here, I just like how they can argue so civilly with one another and really show active listening with one another. Take the eye-contact, small head nods, and inclined seating with restating what they said and expanding upon it. Its beautiful really plus they both know a lot about their field so that helps too I guess. ↳ username88 1 day ago OMG please make a full video break down of one of their videos together, it would do really well!! ↳ username10 1 day ago Yes, Please!! username27 12 hours ago Okay, but we all known that the best video game is Purble Place. username50 30 minutes ago I can't wait to hear from you both in person, have it marked on my calendar!! username91 1 hour ago cringe. username43 5 hours ago Okay but now I need tier lists on them together. Video Concept #1: (name) and Spencer rank every time they almost fell in love and the one time/multiple times they really did. ▼ 10 replies ↳ username66 1 hour ago Officially am deceased XD ↳ username21 1 hour ago Video Concept #2: (name) and Spencer rank every hangout that was actually a date username74 30 minutes ago why am I crying when the video ended?? Like I want whatever this is.

─────── · ·

🔔 (name)s_username just posted, check it out!

─────── · ·

Liked by spennser, co_mill, anthonypadilla and others

(name)s_username it was awesome meeting everyone, same time next year? 😄❤️

View all 2,334 comments

CreatorCon let's make it a date? 😉

↳ (name)s_username noooo, not again! 😩 🏃‍♂️💨 ↳ username41 bwahahahhahahah!!! ↳ chickenshopdate oi!! 💢😡 ↳ (name)s_username ummm, now this is awkward... 😬

username88 was not long enough, i could listen to the two of you speak all day. defiantly worth the money!!

tomeybones i don't think florescent lighting was anyones light but you shine beautifully in it!

username48 glen powell's character should have gotten back with you at the end of the movie, you both had better chemistry!! Its giving La La Land all over again 😭

co_mill wished we could have made it but great work bestie, you killed it up there!! ❤️❤️

↳ (name)s_username aww thank u! would have loved having you there too ❤️❤️

username40 okay google, play "can't help but falling in love with you." move out of the way spenser, if you don't want them- i'll glady take (name)!

spennser good job fellow "spouse" 👍

↳ (name)s_username yes, you as well, "spouse" 👍 ↳ username01 okay, but this is just straight up cruel 😭

anthonypadilla i didn't see anything appear in the news so good work team!

damien_haas so as I was stuck in the signing booths you both were playing with paper airplanes and arm wrestleing?? What fairness is this?? /sarcastic positive

username71 OMG how did I just discover you now and miss a chance of meeting you?!?!?

username60 please tell me that there's a sequel coming out, I refuse to accept that you didn't re-marry him in the film 😭

phatchance excuse me but I know these two people packing out a 2000 person panel and they are the coolest ❤️

username31 I was too scared to ask anything because you both are just such pretty people like holy crap I love you both so much, you all mean the world to me and thank you so much for the hug. I am never washing the coat now

↳ username77 so that went progressively down hill lol

username12 Day 1.4 million of asking, just get together, or fuck, or something, anything but this (or breaking up for that matter) with Spencer. Like get it together.

─────── · ·

🔔 spennser, just added to their story, check it out!

─────── · ·

🔔 alex_tran's story is no longer available.

─────── · ·

🔔 (name)s_username's story is no longer available.

─────── · ·

🔔 SmoshPit just uploaded! Turn off notifications here.

─────── · ·

Sneaking into Concerts??? (Two Truths, One Lie)

Smosh Pit ✓ [Subscribed] Like 79k | Dislike | ... 8.29M subscribers 370k views 1 weeks ago

7,889 Comments

username31 1 week ago I know I sound like a broken record but it feels weird not having Spencer or (name) in front of camera for once. I got so used to them always being part of the cast like Courtney or Ian. ▼ 10 replies ↳ username29 1 week ago I think around the 12 minute mark, Courtney said something about them both calling in sick. ↳ username73 1 week ago I mean... did you see their stories with one another last night? They both were properly wasted LMAO ↳ username90 30 minutes ago (name) is such a cute drunk, just complimenting and flirting with everyone until Spencer asks them to shut up or hugs them. Damien and Alex really had their work cut out for them hahahha! ↳ username20 4 hours ago Okay but external videos also show they dancing together and grabbing waters its so wholesome that even when heavily drunk they are constantly thinking about one another username88 1 day ago Would have never thought Anthony would have been the one to sneak into a festival! username28 12 hours ago Did anyone manage to catch (name)'s or alex's story last night or was I just seeing things before it got taken down?? ▼ 301 replies ↳ username90 30 minutes ago OMG YES! I threw my phone in shock!! Should've taken a screenshot I am kicking myself rn. ↳ username01 30 minutes ago I. am. not. okay. physically and emotionally after this. username55 4 days ago HAHHAHA "sick." hmmm sure (name) and spencer, sure...

─────── · ·

🔔 (Yourshipname) Updates just uploaded!

─────── · ·

"Drunk Minds Speak A Sober Heart:" A (yourshipname) Edit

(Yourshipname) Updates [Subscribe] Like | Dislike | ... 1.12K subscribers 499k views 1 week ago #2 on trending click to expand

14,119 Comments

⚲ Pinned by Creator (yourshipname)updates ✓ 1 week ago I will take this video down if requested by either (name) or Spencer but for now... MWAHAHHAHA they have kissed with photo evidence!! ▼ 173 replies ↳ username97 1 hour ago I think I have just ascended. This is truly one of the best days of my life. Take this all your non-believers and haters!!! Amazing edit BTW! ↳ username11 1 week ago I don't think they are going to bring it up anywhere but a small victory is a victory nonetheless. I see this as a mission success boys!! ↳ username01 1 week ago I am happier for them and their still non-relationship than my own long term one hahahhaa ↳ username27 12 hours ago I am in disbelief, I never thought they would. I don't care if they were both hella drunk, they actually kissed?!?!? Like I don't know how to process this information. ↳ username13 12 hours ago fwehd0dfygdkospfhjhgf ↳ username44 just now eloquently said. username23 1 week ago 12 years of pining for one drunk kiss, I'll take it gosh darn it! username90 4 days ago Am currently re-watching all the edits and past moments while having this picture on the side monitor. I am living in a peak moment rn. username80 2 days ago I called my mom to tell her about this and she cheered as well. usernmae32 just now (name) just confirmed on their twitter that them, spencer and the rest of the smosh crew are all going to the oscars! ▼ 4 replies ↳ username13 just now Yes!!! LETS FREAKING GOOOOO!!!! username60 4 days ago This will go down as one of the greatest love stories in the history of the internet; i need movies, more fanfiction, music, and more fanart!! username78 10 hours ago happy for them, truly.

─────── · ·

─ · · A/N: 😉

─ · · TAGLIST: @lisiliely @missflufffanfics @little-stitious-studios @thejourneyneverendsx @sibsteria

187 notes · View notes

familyvideostevie · 1 year ago

Text

a kind of hunger | chapter 1

joel miller x fem!reader

series masterlist

joel miller walks into your life just as it starts to fall apart. surely some hot nights with the bar's newest regular can't hurt, right?

length: 9.2k

warnings: 18+, mdni, smut, fem!reader, unspecified age gap, fingering, oral (m and f receiving), doggy style, missionary, slightly painful sex, dirty talk, size kink if you squint, joel is a liiiiiiiitle mean if you squint, general feelings of loneliness and angst from r in her free time

a/n: huge thank you to @strangerfreaks without whom this would never have gotten off the ground. also to all the joel writers on this site, i love you, i am in awe of you. please allow me to give it a go myself <3

navigation | 𝗺𝗮𝘀𝘁𝗲𝗿𝗹𝗶𝘀𝘁 | 𝗴𝘂𝗶𝗱𝗲𝗹𝗶𝗻𝗲𝘀

The first time you sleep with Joel Miller you know it won't be the last.

But that's not where this story starts.

It starts in a bar. Nothing special about it, really. Staffed half by college kids who come and go, half by drifters who, for some reason, stopped drifting once they found this dimly lit, sticky-floored hole in the wall. Not quite a local institution but not forgettable, never totally empty. It's got pool tables and a jukebox but also clean bathrooms aside from the graffiti and two new-ish TVs showing whatever the first guy who gets there wants to watch.

Point is, you work there. One of those drifters who stopped drifting. The guy who owns it, some crotchety old fuck called Bill, rents you the apartment above the bar for a decent price considering it's loud until 2am on the weekends and midnight all the other days. Loud enough that even on nights you don't work it feels like you're there anyway. But you get used to it. It's called Frank's, which you don't totally understand, but you're not about to ask questions of the guy who has finally allowed you to slow down and take a breath who is also your boss and landlord.

You've worked there long enough to have learned the names and orders of all the regulars who've been coming in since long before you walked through the door and to have seen some new regulars enter the rotation. In truth, you've worked there long enough to basically be running the place. It's still the bar in your head, not your bar because getting attached will do you no good. This is how it always goes: you care too much but it never seems like anyone cares back. You cut and run before you can be disappointed and you’ve already been here longer than you’d expected to be because it’s something close to comfortable.

Almost no one messes with you despite being younger than most of the clientele and on the off chance some frat boy from the city decides to take a cheap shot you've got a small army of imposing customers on your side. Between them and your coworkers, it's almost like you're not alone.

Almost.

The hours you spend away from the bar are spent alone. You don't have many numbers in your phone and the ones you do you don't call. You go on drives in the shitty truck you bought off some guy when you moved here. You browse used bookstores and suffer the heat of the day on long walks and wonder if this is all there is. You think of what it might be like to feel something other than rootless.

One thing that helps is…sex. Being close to someone for even a little while, letting yourself be seen in a way that doesn’t require you to totally show your hand. You try not to make a habit of actually fucking your clientele. It can get messy quickly, guys coming in and expecting more than a good pour. Being offended when you don't give them a free round, don't make eyes at them over the oiled wood. It's easier to be alone, that much you've learned. It's easier and it's simpler and it means you've only got yourself to blame for the hurt you sometimes feel laying in bed, staring at the ceiling as some rock song thrums up through the floor.

And if you do fuck someone from the bar, you keep it simple. You do, however, try really hard not to sleep with regulars. And no staying over. A classic, unspoken rule of sleeping with strangers that you rarely verbalize but make sure to enforce every time. It keeps things neat. The last thing you need is mess. Who knows how long you'll stay in this town, in this little apartment and this shitty bar. You've got a lot of years left, a lot of years you should probably spend in classrooms or an office or falling in love with some nice guy with a nice family who can give you a nice life.

But you're here.

And then, one day, so is Joel.

Being a good bartender is memorization, paying attention, and keeping a level head. You know how to make pretty much any drink even though your regulars are mostly the simple beer or Jack and Coke kind of people. You swear you can tell when a glass is going to fall a second before it shatters, spot a punch before it can be thrown. So you notice when a man you've never seen before walks through the door.

You notice how the energy of the room changes, how multiple pairs of eyes follow him as he settles at the end of the half-full bar. Dark hair shot through with grey, green shirt rolled up over chorded forearms that he rests on the wood. It feels like you should know him but you don't. You've never seen him before.

You finish pouring beers for some giggly girls before making your way over to him. His eyes track you.

You wonder what he'll order. A shot, maybe, based on the tense line of his shoulders. Or a dark beer. Maybe something strong. You hope he won't be one of those guys you have to peel off the bar in a few hours. "Can I get you something?"

"Whiskey, rocks," he says. You can hear the Texas drawl even from so few words. Deep, low, measured. "Cheapest you got."

For some reason, it feels like he's returning and you're the new one. "Wanna start a tab?"

"I'll do cash at the end," he says. Ah, one of those. Guy getting away from his wife, maybe. Tough day at work. Doesn't want to leave tracks. You can relate to that.

"Joel fuckin’ Miller," one of your regulars says as you turn to grab a glass. He claps the man -- Joel -- on the shoulder. "Heard you were back up this way," he says. "Good to see you, man."

Joel simply inclines his head once like he's not thrilled to be recognized. The dismissal is clear. And, weirdest of all, it works. You've seen insults hurled between friends for less.

You set his drink down, the amber liquid sloshing around the ice.

"Thanks," he mutters. The dismissal is...less clear, but you've got other customers to tend to. And Joel doesn't seem particularly chatty.

Your eyes return to him for the next hour or so but he never waves you over for another round. Heat trails up and down your spine and you have to tell yourself that he's not watching you. That would be too optimistic, right? At one point you take a bathroom break and when you're back he's gone, wrinkled bills stacked under the glass. Enough for his drink and a decent tip.

Joel comes in three more times over the next month before you sleep with him. Each time he orders the same drink, leaves the same tip. He sits alone at the bar, occasionally saying hello when someone approaches but no one ever sits next to him. He's gruff but only ever polite to you, doesn't get impatient when it takes you a minute to get to him.

And he's really something to look at. The tick in his jaw, the veins in his neck. His skin is tanned, dotted with small scars that must come from a lifetime of hard work. He wears a watch and jeans that hug his ass in an almost indecent way, a way that has you watching him when he's not on a stool. Sometimes you catch him smirking to himself when there's some shit going on at the bar, gossip or people being loud for no reason. You wonder what his laugh sounds like and scold yourself for it. No harm in looking but there's the possibility of harm in thinking too much. You know better.

The third time he comes in is a bad night. It's busy for some reason and everyone is a fucking asshole. You weren't even supposed to work tonight but one of the seasonal kids had banged on your door begging you to come help, promising you all the tips for tonight if you did. You knew it would make you look good to Bill and despite yourself, you didn’t want to leave them hanging, so here you are, sweaty and pissed and smelling like beer, doing your best to empty the dishwasher in between drink orders and praying the keg doesn't need changing.

You don't even notice when Joel comes in, only spotting him once he's managed to scare some college kid from a seat at the bar. For some reason, his presence makes you a little calmer in the chaos.

"Be with you in a sec, Joel," you say to him when you're near. You don't call him by his name since he never actually introduced himself to you but it slips out in the rush. His nostrils flare but you don't have time to linger on it even as you feel the hot weight of his gaze.

"No rush."

You manage to get him what you know by now to be his usual only to be called over by your least favorite customer of the night as soon as he's thanked you.

"Honey," the asshole says. This fucker's name is Seth and he's a pain in your ass. "Gimme another, will you? Make it a heavy pour." This would be his fifth and he's already slurring his words.

"Don't think so," you tell him firmly. "I'm cutting you off for tonight, Seth." He's liable to start some shit or at the very least throw up on the floor and you don't want to deal with either. You don't have time to deal with either.

His bloodshot eyes narrow and he slams a fist on the bar. You manage not to flinch, though pretty much everyone else does. "That's not good fucking service, sweetcheeks," he leers.

"Good thing I don't give a fuck," you snap. "Get the fuck out of here before you do something you regret, sweetcheeks.” The venom in your tone seems to surprise him before sheer rage takes over. You've thrown out plenty of assholes in your time here but it's not always a smooth experience.

Seth leans forward over the bar, reaches for you -- to do what, you have no idea -- and you prepare yourself to yell for backup and then kick him out for good and maybe get a punch in as he goes. His fingers manage to hook in your shirtsleeve before a hand closes around his wrist.

Before Seth can scream he's got his outstretched arm behind his back, face twisted in pain. Behind him is --

Joel?

The bar is almost silent. You can hear a few whispers over the blood pumping in your ears.

"I'd get out of here if I were you," Joel hisses. He glances at you, jaw tight and eyes narrowed. Are you okay? he seems to be asking. You nod.

Seth whimpers. "Let me go," he says weakly.

"Just gonna show you the door." Joel all but drags him through the parting crowd.

"Jesus," someone says behind you. One of the seasonal kids. "You okay?"

"I'm taking my break." You leave the kid behind the bar to fend for himself and barrel into the back and through the side door into the alley where you always take your 15. It's one of those weird cold fall nights, just the wrong side of chilly to be here without a jacket but you left it in the bar office.

The milk carton you sit on has been turned over so you kick it back with a thud and slump down onto it. The light above the door flickers. "This shit is getting old," you say to no one. You kick aside cigarette butts that aren't yours and wonder how long you can do this. What would be next, anyway? You've got a laundry list of failed dreams and no one wondering if you're going to make something of yourself. Long nights at a bar you care about more than you should and rowdy customers and handsome men who barely say a word to you can't last forever, can it? Would anyone here even notice if you left?

The door flies open, startling you out of your thoughts.

Joel steps into the alley. Somehow he manages to yet again look like he was meant to be here and you're the one who is out of place. You blink at him and he stares back like he wasn't sure he'd find you here.

"Got lost?" you ask. "Pretty sure you know where the front door is."

He lets the metal door swing shut and crosses his arms. "Was lookin' for you."

That catches you by surprise. "Why?"

Joel shrugs, a small lift of his shoulders. His expression doesn't budge. "Sorry for makin' trouble."

Oh, right. Seth. You wave him off. "Just another night," you say. "I'd have handled it." You stand from the crate and lean against the brick wall. It's true. Seth isn't the first asshole you've handled.

"I bet you would've," Joel mutters. He takes one step closer. You're reminded all at once how good-looking he is, how you've wondered what his hands would feel like on your skin. There's no way he's ever thought of you, right? You're just some girl who pours him drinks, too young and too forgettable. He was just having a man moment, wanting to save the day or some shit like that.

"I don't have a cigarette or anything if you want to smoke," you say. This close he doesn't smell like tobacco but you don't know what else to say. "Sorry."

"So you just sit in alleys on your break for fun?"

"I like this alley," you say, suddenly a bit defensive. "It's a nice alley." You take a step towards him. He uncrosses his arms and his hands flex at his sides. You shiver. "No one bothers me out here."

Joel tilts his head to the side. "That so?" His eyes are dark under the dim light. When did he get so close? When did your face get so hot?

"Except guys who drink whiskey on the rocks, I guess," you say. It comes out much softer than you'd like, your voice cracking. The air doesn't have the same bite as it did seconds ago. Joel's expression hovers between something you recognize and something you don't, something you desperately want to figure out. "Good thing I don't mind." The adrenaline from the small altercation hasn't left and the swirl of emotions about your whole shitty life has you on edge, has you wanting to play with fire.

You're so close now that you can feel his breath on your face, feel the heat of him in the still night. Joel's eyes rake over your face, looking for something, something you try very hard to show him so that he might fucking do it, meet the want that is suddenly uncontrollable halfway, or at least tell you if he's not interested so you can --

Your name is a groan in his throat and then he's kissing you. His palm cups the back of your head as he presses you into the wall, his other hand firm on your hip, fingertips pressing into your skin through your shirt hard enough to bruise. He tastes like the whiskey you served him. You fist one hand in his collar and wind the other into his hair.

Joel controls the kiss but you give as good as you get. He licks into your mouth and you suck on his lower lip. His beard rubs against your face in a delicious burn and when you tug on his hair he makes a noise you must hear again. The brick behind you scrapes a bit but you hardly notice when he presses against you, slides a thigh between your legs and you feel him hard through his jeans.

"S'not right, you lookin' so good yellin' at that asshole," he grumbles into your neck, teeth nipping at your pulse. You cant your hips and he hisses.

"Speak for yourself," you manage. "Always got your eyes on me, don't you?" It feels like a risk to call him on it. Control of the situation is slipping from your grasp, this man who you never thought would actually touch you now holding you in his arms, his lips on your skin. He pulls back from your neck and smirks, eyes dark.

"'Spose I do."

You can work with that. You surge forward to kiss him again and this time he lets you call the shots while still meeting your bruising caresses with his own.

"Joel." You tug on his hair.

He makes that noise again.

It might be five minutes, it might be an hour. You have no idea. All you know is you can still feel his cock through the denim and you're so turned on you might combust in this alley. Or at the very least let him fuck you in it.

"I don't close tonight," you pant. One of Joel's hands has worked its way into your back pocket and the other has rucked up your shirt to rest on your bare back.

"What?" he growls.

"My shift. I'm off at 11." You tap his watch. He glances at it and sees it read 10:30. "Half hour. I live upstairs."

For a second you think he'll say no. Walk away with a nod of his head and out of your life forever. Wouldn't be the first, wouldn't be the last. You're already breaking one of your rules by even considering sleeping with him but there's just something about him. The way he looks at you, the way his hands feel on your skin. You want to know what he'll feel like inside you. Maybe you’re still in this town because you were waiting for him to walk through the door.

"Alright," he says. He clears his throat and releases you. You fuss with your hair and straighten your shirt and he adjusts himself in his jeans. "Half hour." His dark eyes narrow as he glances down the alley back towards the street.

"Take a walk around the block or something," you tell him, swallowing the urge to laugh at him so handsome and disheveled from your hands. Never in a million years would you have predicted that tonight would go this way. "My door is on the other side of the building. I'll let you up."

The urge to flatten the damage your hands did to his hair is so overwhelming for a second that you step away from him towards the door. His eyes follow you, expression unreadable. How many nights would it take for you to know what he's thinking? Careful, you think, or you'll be tempted to find out.

Joel watches you until you give him a little wave and slip back into the bar. The metal door clangs shut behind you and you lean against it, knees still wobbly. Is this actually happening? Are you really this overwhelmed by making out with some guy in an alley? You check the clock on the wall and curse. Your break ended ten minutes ago though since no one came looking for you it's probably no big deal. Being mostly in charge has its perks.

The bar is a little less crowded than when you left so you grab a rag and start wiping down the bar. Joel's seat is empty, his glass gone.

"Oh, hey," the seasonal kid says. "That guy, uh, Joel? He said to make sure you get this." He pulls out Joel's usual tip from his apron and holds it out to you.

Considering you're planning to go upstairs and fuck him until you can't walk, you don't feel like taking his tip tonight. "It's yours," you say. "Thanks for handling everything while I was out back." The kid blinks at you but knows better than to refuse, pocketing the cash and going back to loading the dishwasher.

You finish your shift. Your blood feels electric, your skin hot. Can anyone in this bar tell what happened in the alley? You haven't felt this way about a hookup in ages. Like you were wanted, not just convenient. It's just one night, right? Maybe he'll never come to the bar again, which makes your chest tighten for a second. Maybe you're about to ruin something you don't totally understand. But you haven't gotten this far in life by worrying about shit like that, so you clock out and wave goodbye and make your way to the other side of the building.

Joel isn't there. You unlock the door to the stairwell so you can at least wait for him inside when you hear footsteps, the crunch of gravel under boots. You fist your key between your knuckles just in case but before you can turn around you hear your name in that Texas drawl.

"Just me," he says. You don't know if Joel Miller is capable of looking nervous but this is probably close. He shifts from one foot to the other, hands in his pockets. A thrill runs up your spine. Are you really doing this? Are you really about to bring this man up to your apartment and hope to god he does whatever you want to you?

"Come on up." Yes. Yes, you are. You give him a smile and he follows you up to the landing.

"S'loud," he mutters once you shut the door. The bar's music wasn't that loud when you were in it and up here it's a dull hum, people's voices and laughter slipping through the cracks like a TV left on a little too high in the other room. These days it's background noise to you but you figure Joel lives in a house somewhere with lots of land and open windows and silence. He seems like the type to like silence.

Jacket on the hook, shoes clumsily thrown on the mat, keys in the dish. Your normal routine except there’s a man in your living room, too. He looks around the space, hands still in his pockets. You try not to be self-conscious about your place. It's small, sure, the bedroom visible through the currently open French doors in the small living room. Your kitchen is tiny, bathroom tinier, but it's all yours. "You get used to it," you say. "I hardly mind it anymore."

"Didn't say I did," he says. You both stand there for a few moments before Joel takes two big steps and crowds you against the door, one hand on your hip and the other next to your head. "Means they won't hear us." You swallow a gasp as he drags his nose along the curve of your jaw, breath hot on your skin. You were going to ask him if you could shower first since you undoubtedly smell like sweat and beer but clearly, he doesn't mind. His tongue darts out and he sucks on your pulse point, your own hands clutching desperately at his shirt. If he moves you're sure you'll melt into a puddle on the floor. "Means you can be as loud as you want," he growls. "That sound good?"

Any breath remaining in your body rushes out and you jerk your hips to make contact with the hardness in his jeans. "Yeah," you gasp. You can feel something like a smile against your neck. "That sounds good."

It's a dynamic you don't mind stepping into -- whatever this is. Every second of your life you feel like you're waiting for the other shoe to drop, for everyone around you to get tired. Your eyes are always on the exit, always wondering where you'll go next, what you'll leave behind this time. Even when you're fucking strangers you're always wondering how you'll get them to leave. You’re better off alone. But right here, right now, with Joel's heavy scent of sawdust and whiskey and something earthy, something grounding, in your nostrils, his hands and his mouth on you, nothing else matters. Your brain shuts off and you're just here.

You grab Joel's jaw and guide his lips back to yours. He allows it and you moan deep in your throat as he tongues back into your mouth, your own trying to give as good as you're getting. He pops the button on your jeans and you help him with frantic hands, shoving them down your hips along with your underwear so he can ghost his fingers through your coarse curls. He pulls back from the kiss to watch as he drags two fingers through your folds. Your eyes lock and he smirks as your lids flutter.

"Soaked," is all he says. You tip your head forward and rest your forehead on his shoulder.

"Don't be smug."

He huffs. "I ain't trying to sound like an asshole, but --"

"Already failed." He nips at your earlobe.

"Gotta work you open a bit, sweetheart," he says. His fingers circle your clit once, ever so slowly. Your grip on his bicep tightens and you wonder if you'll leave bruises. You hope so. "Gonna be a tight fit."

"Heard -- fuck -- that before," you gasp. Joel really fucking knows what he's doing. "I -- bed?"

"Smart girl," he says. You're pretty sure you get wetter. He pulls his fingers free but keeps a hold on your hip like he knows your knees are jelly. "Sit on the edge."

You leave your jeans and underwear behind and make your way to the bed through the French doors, sitting heavily on the quilt, knees bent and leaning on your hands behind you. Before you can say another word, Joel lowers to his knees between yours. He pries them apart even further and runs his hands up and down your thighs.

For a few seconds, you can't find the words. This man, older than you and impossibly handsome, face lined with years he's lived and hands callused with work he's done, this man that you hardly know anything about but can't get out of your mind, is on his knees before you.

"You gonna be okay down there?" is what you come up with.

"You always talk this much?" he mutters, though his mouth tugs up at the corner. Joel's forearms wrap around your legs and he tugs. You fall flat on your back in surprise and your ass almost hangs off the bed. He draws one of your legs over his shoulder and kneads the flesh of your thigh, eyes dark and jaw twitching as he spreads you open and just looks. "Might have to help me up but I think I'll be just fine."

"Joel --"

The end of his name becomes a high-pitched moan when he leans in and buries his face in your cunt. He drags his tongue up and down through your folds, nose catching your clit in a way that makes you squirm. His beard scrapes against your skin deliciously, leaving a sting that you know you'll be able to see evidence of when he's done. He laps at you before finally taking your clit in his mouth and sucking like his life depends on it. It's only his hand on your outstretched thigh keeping you from suffocating him between your legs, though you're not sure he'd mind.

"Should be a crime," he says. You look down the length of your body at him. His chin is wet with you, eyes meeting yours when he feels your stare. "Cunt this pretty tastin' so good."

How do you reply to that?

He's back at it before you can even try. Joel gets messy with it, the sounds of his attention loud and filthy. He tells you how wet you are, how good you taste, and your eyes flutter shut again.

"How're we doing?"

"Don't stop," you manage. "Just, don't stop--"

He prods your entrance with one finger. "Reckon you can take it, hmm? You're so wet it'll be easy." There's a bite to his tone, a sense of amusement mixed with awe like he can hardly believe it either.

"Two," you gasp. "I can take two." You need two, in fact. His hands are one of the few parts of him you've been able to study and you know his fingers are long, much thicker than yours and you need them to fill you up, need them to stretch you out. You need something to clench around because right now you feel like you're on the edge of the pleasure building in your core and if you don't get a release soon you'll just…just…combust.

Joel hums but you feel a second finger nudge into you. He slides them in and curls them as he goes. Your back arches off the bed.

"Dunno," he coos. "Pretty tight, sweetheart." The slight meanness to his words is in complete contrast with the gentle, attentive way he handles you. Who knew he'd be such a fucking tease.

"Well get to work, then." He scissors the digits inside of you in reply and returns to sucking on your clit. You reach down and bury your hand in his silver-streaked hair, tugging a bit harder than you intend to. Joel just moans into your cunt, the vibration making it feel like your very pelvis is rattling as he continues to fuck you with his fingers.

Sweat beads on your brow as you try to hold on. He picks up the pace and presses into your walls with his fingertips like he's looking for something. His tongue wreaks havoc on the rest of you, sucking bruises into your inner thighs when he's not abusing your clit. If this is just the foreplay you don't know how you'll survive actually fucking him. And he hasn't even asked you to touch him, hasn't shown even a hint of expectation. He's doing this to get you ready but based on the blown state of his pupils he's enjoying it almost as much as you are.

"Getting close?" he asks, breath ragged. Your skin is starting to feel deliciously raw from his beard and the hook in your belly is pulling tighter and tighter.

"Yes -- fuck -- I'm close, Joel, keep --"

His hand moves faster than before and he latches back onto your clit. Your legs start to shake and you feel your orgasm coming, it's just right there, you just need him to --

His fingers find the spot he must have been looking for and your only warning is a sharp tug on his hair and then your back arches and you come all over his face. He fingers fucks you through it and you feel it as your walls clench around him, your mouth open in a high whine as your muscles finally relax and you flop back onto the bed. Joel keeps his face in your cunt, gently lapping at your release while avoiding your sensitive clit. You push his hair back from his face and try to get your breathing under control.

He manages to get up on his own with a grunt as you pant on the bed. "Okay?" he asks. "Lookin' a little tired." You show him your middle finger and he...laughs, lips shiny with your slick. So he can laugh.

"Are you going to keep your clothes on?" you ask him. His eyes travel slowly over your bare bottom half, the redness of your thighs from his beard and the way your shirt has rucked up to the wire of your bra.

"Nah." He sits heavily on the edge of the bed to take off his boots and socks. You want to ask him if you can undress him, slowly peel off his layers button by button and explore every inch of him but you won't be able to take it if he says no so you just watch. Already you know you'll be thinking about this night for a long fucking time. The way it seems like he cares about how you're feeling, how he wants to take his time with you, how he enjoys your pleasure. It's nice. It's...making you feel wanted.

His denim button-up is tossed on the floor and he stands, shirtless, to undo his belt. The forearms and small triangle at his throat that you've been treated with thus far when he sits at the bar in no way prepared you for the rest of him. Broad shoulders, thick, muscled arms from years of hard work. Graying chest hair that travels all the way down the slight softness of his belly and in a darker trail his jeans. Your mouth waters.

"You're starin'," he says softly before unzipping his fly and pushing his jeans and boxers down in one motion.

"Taste of your own medicine." The words come out with much less bite than you intended as his cock springs free.

Well, he wasn't lying. He is big. You knew he would be based on what you felt through his pants, but seeing it is something else.

You sit up and scoot to the end of the bed to be closer. Is he really going to fit? He's bigger than anyone you've fucked before, that's for sure. A ruddy color, a little darker than his tanned chest, the tip a little lighter and already leaking. A few veins run the length of him and the hair at the base of his shaft is clearly taken care of though a little wild and a shade of deep brown that hasn't grayed much yet. His balls hang heavy, one slightly bigger than the other. He twitches under your gaze. You look up at him and wait for him to call out your staring again but instead, he's just watching you, pupils blown.

"You are...so beautiful," you breathe. He makes a dismissive noise but a flush travels up his chest and to his face. It's true. There's something about him that makes you think you could look every second for the rest of your life and not get enough.

"Should be sayin' that to you." He strokes himself once and you lick your lips. "You got a condom? Should be one in my pocket if you don't." Does he always carry one? Or did he hope to get lucky with you, just like you've been thinking about him?

"Bedside table drawer." He goes for it and you remember too late that the drawer has...other things in it, too. His eyebrows raise and he eyes your small collection of toys but says nothing, though his cock twitches again. If you asked, would he use them on you? He seems like the type to be into that. But right now you need him inside you so badly you might combust.

"Can I?" He pauses before handing the foil square to you. You take him in hand and stroke him from root to tip. He makes a noise low in his throat and you lean in to trace the vein along the bottom of his shaft with your tongue. His hips twitch forward just a bit like he's trying to keep control and failing. You know the feeling. He's warm and heavy on your tongue and the slightest bit salty. You kind of lose the plot for a second, thoughts of him fucking you fading with the desire to make him feel good like this, to blow him until he's moaning your name like you were moaning his.

Joel slides his fingers into your hair and you manage to take him about halfway before he tugs gently. "I'm not complainin'," he says, voice tight. "'Specially when you look so damn pretty like this. But I've been hard as a fuckin' rock for an hour and I ain't as young as I used to be, so..." He trails off.

You place a dainty kiss on his tip and pat his hip. "Another time," you say, realizing too late what you've implied, but Joel just smirks. You tear open the foil and slide the condom on as gingerly as you can but he still hisses your name like he's scolding you, that hand in your hair pulling once again just a little. You feel the arousal pooling in your gut, sticky between your thighs.

He tugs on the collar of your shirt. "Off," he says. You're quick to obey, whipping it to a corner of your apartment along with your bra. Joel just looks for a second before reaching a calloused hand to palm one breast, thumb sliding over your nipple. "Look at you," he says, breathy, with a squeeze. "Christ."

"You gonna fuck me, Joel Miller?" You blink up at him. He swallows visibly, throat bobbing before that smirk is back.

"Only ‘cause you asked so nicely."

You scramble back up the bed on your hands and knees, leaning down on your elbows and presenting him with your bare cunt. "Cause I'm such a lady."

"That so?" he murmurs. He drags his fingers through your folds slowly, brows furrowed. You fist your hands in the sheets. "You want it like this?" he asks. He palms your hip, traces the curve of your ass and presses his fingertips into your skin. You wiggle at him a little. Most guys you hook up with want it like this. You don't mind being fucked from behind, don't mind being able to close your eyes with your face shoved in the sheets and just feel. God knows with a dick his size you'll be feeling it regardless of the position you're in. But part of you does want to look at Joel, to watch him, his expression, his handsome, rugged face. Feel his arms around you, feel the warmth of his breath on your lips as he fucks you. See what his eyes look like when he comes. But this is enough.

"Do I need to say please?"

The head of his cock presses against your entrance in reply. You crane your neck to see as much of him as you can. He's focused on your ass with a light frown, hands resting on your hips.

"Gonna go slow," he grumbles. His gaze meets yours. "For my benefit as much as yours."

Words don't come. You're breathless and dripping, desperate for him to just get on with it.

"Joel, are you gonna just stand there --"

He slowly, torturously slowly, starts to slide into you. The stretch is immediate, has you face down in the sheets, eyes fluttering. Each inch of painful stretch fades quickly to throbbing pleasure, a fullness that has you keening.

You press your hips back into him but his fingers grip tighter, holding you in place. "What did I say?" he grits out.

"Feels so good, so big," you babble. There's nothing left in your brain, your body, but this. But Joel. You have to have all of him. "I can take it, I can take your cock, I --"

"Got quite the mouth on you, huh?" he says. He keeps pressing into you, filling you up inch by inch. "Okay?" he pants. "Look at me, tell me it feels good --"

You crane your neck again, tears gathering at the corner of your eyes and look at him. His own are lidded, mouth open in an "o" like he can hardly believe it himself. A flush runs down his chest and if you didn't know better you'd say he's trembling.

"Yes, I -- god, Joel, keep going, please --"

"Doin' good, sweetheart," he coos. His hand strokes up and down your spine. "Almost there. Almost takin' all of me."

He bottoms out and you see stars. You feel lips on your back, the warm puffs of his breath on your skin as he waits for you. It's a fine line between pain and pleasure and you're walking the tightrope but the stretch is delicious. You can feel every inch of him. Your heartbeat is loud in your ears and you shift your hips a little, loving it when Joel moans.

"Alright," you manage. "Move, please." His fingertips are back on your hips and give you a squeeze before he starts to drag his cock out of you. The tip of him catches the spot inside of you that makes your back arch as he pulls out and then again when he thrusts in.

"All that work, my fingers and my tongue and you're still so fuckin' tight. Christ."

The only thing you manage to say is a litany of his name.

"Lemme hear it, baby," he grinds out. Baby. "Be so loud those fuckers downstairs hear you--"

You meet his thrusts as best you can and even though it feels so good, even though you're so full, it's not bringing you to the edge like you need. Your neck is starting to hurt from the way you're twisting to see him, your fingers gripping the sheets as hard as you can because you want to be touching him instead. But this is good, this works, maybe if you touch your clit, you'll --

You reach between your legs and Joel pulls out. You get off your elbows and turn around, almost gasping at the loss of him. "Is something wrong?"

He's frowning at you. "Should be askin' you that."

You don't know what to say. Your cunt throbs a little from being empty, the ache settling in now that he's not there to literally fuck it away. "What?"

"You stopped makin' those noises," he says softly. “The ones you were makin’ before.” You turn around and sit facing him, suddenly a little self-conscious. "Ain't gonna fuck you in a position you don't like."

"I --" You try to fight through the haze of your brain for words. "I liked it fine."

Joel waits. He just stands there at the edge of the bed and waits.

"Maybe..." you try again. "Would on my back be okay for you?"

His eyebrows raise like he can't believe you'd think otherwise. "That'll work for me," he says slowly. "Grab a pillow." You shift back on the bed as he kneels on it, positioning himself between your legs. You hand him one of your pillows and he taps your hip. "Up." You obey and he slides it under you so your lower half is lifted a bit before he presses one leg to the side, spreading you open. He slowly bends the other so that your thigh is pressed against your torso in a deep stretch without being painful. You feel bare, exposed in a way he somehow hasn't yet achieved.

Joel fixes his gaze on your face. "Let's try that." He strokes himself once and then leans over you, bracing himself on one hand near your head. He lines up to press his cock into you again. Faster than last time, you wince a little but you dig your fingertips into his back to tell him to keep going. He bottoms out and you immediately feel the difference, eyes fluttering shut. Before it was like he was plowing into you, like you were so full you could hardly handle it. But like this it's like he's melting into you, like there is no space between you anymore. You're full but it's not so harsh. You don’t know where you end and he begins.

"That better?" he croaks. You force yourself to look at him and find his face closer, closer than you thought he'd get, breath warm on your face. His forehead is beaded with sweat and his eyes search your face. This close you can see they’re grey, the lines at the corners deep with strain. Even like this, stuffed full of his cock, you could look at him all day.

"Move, Joel," you tell him. He takes that for a yes and starts at a punishing pace. You have no idea how he's kept it together this long, considering you've felt on the edge of another orgasm this entire time. You anchor your arms on his shoulders as his thrusts make you see stars.

"Ask for what you want, you hear me?" His balls smack loudly against you and he presses his lips to your ear. "You ask and I'll do my damn best."

You don't know what it is -- the overwhelming sensation of his cock dragging in and out at this angle, how close he is, his words -- but you feel tears at the corners of your eyes again. You nod frantically, hands grasping for purchase on his back.

"C'mon," Joel says. "Gotta use that mouth, sweetheart."

"Yes," you pant. "Yes, yes, Joel, yes --"

"Fuckin' perfect for me," he moans. His lips trail up your cheek, tongue catching your tears before he presses them to yours in a messy kiss that's more teeth and breath than anything else.

"Joel, Joel, Joel --"

"Gonna come for me? Gonna soak my cock like you did my face?"

Your orgasm comes like the snap of a rubber band. You hold him as tight as you can as it washes through you, the waves almost painful as he keeps fucking you fast and hard, your name a series of broken sounds from his mouth until his hips stutter and he groans deep in his chest. You try to keep your eyes on him as you come down from your high and are rewarded with the scrunch of his brow and the slight part of his lips as he comes. Beautiful, you think.

The room is all of sudden much quieter without the sounds of your fucking. It's just the dull sounds of Frank's through the floor and your combined panting as he pulls out of you and flops on the bed beside you. You wince this time, the soreness really settling in. Joel finds your hand and kisses the back of it in a move so unexpectedly tender you can't look at him, raw as you are already. The bed shifts and you figure he's throwing out the condom.

"You okay?" he says. You open your eyes and find him standing at the edge, looking at you. He's holding your robe from the bathroom. You stretch and let him look.

"Yeah," you reply. You give him a smile as you scoot to the edge and wrap yourself in it when he holds it out. "Thank you." Joel grunts.

You go to the bathroom yourself to pee and see the damage. Hair a mess, your mascara gathered around your eyes like you've been working hard. You've got hickies forming on your neck and chest, the skin rubbed a bit raw from his beard around your mouth. You love how you look right now.

You look like you got fucked well. And you did.

But now you want a shower and a snack and to go to bed.

You half expect Joel to be gone when you go back into the bedroom. You remember belatedly that you don't let hookups stay the night. Will he leave if you ask him to? If he's already left then you don't need to worry about it. A small part of you worries you won’t ask him to go.

Instead, he's sitting on the edge of your bed putting his boots on. His shirt is unbuttoned but other than that he's dressed. He looks up briefly. His own hair is going in a thousand different directions and if this wasn't a one-night stand you'd fix it for him, a hand pushing it back like you did when he was between your thighs. But things are different outside the heat of the moment.

"You want some water or anything?" you ask instead.

He shakes his head and finishes his boot, stands and buttons his shirt. "Nah," he says. "Should just head out."

You wonder belatedly if there's anyone at home missing him. Maybe he's got a wife. Maybe he's got a life that he's running away from and into your arms.

"Bar'll be closed by now, or as good as," you say. You spy his jacket by the door and bend to pick it up. "No one'll see you."

Joel's face does something funny that you don't quite know how to read. He takes his jacket from you and shrugs it on. "Alright," he says.

He looks awkward in a way you didn't know he could so you throw him a line. "Thanks," you say. For fucking me. For listening to me. For making me feel good. "It was fun. See you around?"

His expression softens. He steps close and gently holds your chin with his thumb and forefinger before kissing you once, firmly but chastely compared to what you were doing before.

"See you around," he says. And then he opens the door and disappears down the stairs.

You hear the outer door close and only then do you let out a breath. Your entire body feels like you just spent hours at the gym. But your mind? It's going a thousand miles an hour. You don't know what to think about first -- how Joel looked, how he spoke to you, how his hands felt. How he implored you to ask for what you wanted, how he made you feel good because it made him feel good. How you desperately, desperately want to see him again, to know him in every possible way. How you want him to walk back up the stairs and hold you until you fall asleep.

And that's not how you expected to feel. It's not how you should feel after a one-night stand with a guy you serve a few times a week at your place of employment. Like he saw right to the core of you, like he gave you something you didn't know you needed.

You need to get a hold of yourself. This is how it starts -- this is how you get hurt. You care. Well, you always care, but no one has to know that. You let someone care about you. Not that Joel does, but he could.

But isn't that the one thing you want most of all?

You sleep in the next day. There's not much that needs to be done at Frank's besides bookkeeping and inventory which doesn't take you long. When you finally make it downstairs, three Advil popped to ease the soreness of your entire body, you're surprised to find Bill himself sitting at the bar.

He looks just as you remember, hair a little longer and a little grayer. Shit kickers and jeans, a hunting jacket and trucker hat. You'll bet his actual truck is parked around back where no one from the road can see it.

"Uh, hi?" Bill hasn't come around for at least a year, which is making your stomach sink a little. The last time was when there was a fire because some dumbass tried to smoke inside and he wanted to make sure you weren't going to quit on him for having to throw water on the nasty curtains.

"Heard about Seth," he says. Always right to the point, this guy. He's drinking what looks to be Coke with a lemon. "Sit." You do as he says. So much for bookkeeping.

"Yep," you say. You have no idea where he heard it and know better than to ask. "No big deal."

"I want to retire."

What? "Do you...work here?" Bill appreciates honesty and he's the kind of asshole that respects you if you're an asshole back.

"No," he says. "But I own the fuckin' dump. And me and Frank want to retire."

"There's a Frank?"

"My partner, dumbass. Keep up."

You were already groggy and still muddled from last night but this is forcing you to bring everything into sharp focus. Bill wants to retire. Which means he wants to...

"So my options are to sell this dump or find someone to take it."

If he sells the bar you're shit out of luck. No way another owner would let you live upstairs the way you do for next to nothing and let you work here and run the show. This is...a lot to take in.

"Are you listening to me?" Bill says. You blink a few times.

"No," you admit. "Can you say that again?"

He sighs. "Do you want it?"

"The bar?" you ask incredulously.

"No, idiot, the dumpster out back. Yes, the bar." He raps his knuckles on the bar top. "You could keep everything the same. It's just paperwork, really. I'll just give it to you. God knows a young person like you could make it nicer, turn a better profit." He says it like it's an insult.

"Are you fucking serious?" This goes against most every rule you've had for yourself for the last who knows how long. Don't get attached, keep moving. No one really needs you so you can disappear whenever. You haven't gotten bored yet, haven't gotten restless, but you know it'll happen. There's no way you can do this forever. But owning a bar? That would make you stay. You'd have no out. You’d have to let yourself be seen, let yourself be needed. You’d have to commit. You’d have to not fuck it up.

"Why not?" he shrugs. "I know you said it was temporary back when you moved in, but you practically run it."

He's right. Everything is temporary for you. But would sticking around be so bad? Would trying to actually make a life for yourself, have a home base, a thing you care about be the end of the world? And then there's Joel...No. Not going there.

"I..."

"Either you take it or I shut it down." Bill gets off his stool and looks around. "No one cares enough about it to try to sell it."

"Then why me?"

"Do you care about it?" he asks. His piercing stare pins you to your stool, compels you to be honest with him where you're rarely honest with yourself.

"Yeah," you say. "I do."

"Then there's you're fuckin' answer. I know you do. You clean the shit out of this place and train the seasonal dipshits and learn the names of the fuckin’ drunks and live upstairs and make this a good place for good people to come. You think no one notices, but I notice. We all notice." It's possibly the most words Bill has ever said to you in a row.

"Can I...think about it?"

He shrugs. "Sure," he says. "Not too long, though. Gotta decide by the end of the year. Maybe earlier."

That gives you three months, give or take. To figure out what the fuck you're going to do.

With one conversation Bill has shattered your entire life here. Now there’s actually a timer on it, this little piece you’ve carved out and started to enjoy. Could you make it a real thing? Could you finally admit to yourself that this is what you want – to be wanted? To be needed? To have something that’s yours?

The bar door shuts and you realize Bill has left you alone with your thoughts. You shift in your stool and a wave of soreness rolls through you from your core.

You thunk your forehead on the bar. “Fuck me,” you say to the empty room.

thank you for reading <3 reblog, send feedback!

#joel miller x reader #joel miller smut #joel miller x you #tlou fanfiction

1K notes · View notes

adachimoe · 3 months ago

Text

Atlus, please tell me the lore behind Adachi's mp3 player

Even just looking at Adachi, he doesn't exactly have the image of someone who gives a shit lol.

And this is intentional. Soejima talks about this aspect of Adachi's design in the P4 Design Works. Adachi is said to be an elite officer, one of the best of the best, and Soejima thought an elite might be smart, but lacking in other areas. For this reason, Soejima designed him with that crooked tie and messy bedhead.

That's certainly a common thing in fiction - someone who's good at one thing, but a complete space case in something unrelated. Though he comes off as incompetent in-game, to the extent that him showing competency in December surprises Dojima lol. And even when you get into the real dumb plot stuff that I write 10k words about, it took him like 4 months to figure out that "people can come out of the TV". Ma-Maybe his record was better at his old station.

Even in what Atlus has mentioned about the setting for P4 that doesn't get discussed in-game, Adachi's red tie is something Dojima gave him, and only because Dojima got tired of seeing him wear the old shabby tie he wore before and gave him one of his spare neckties.

If Dojima had never just given him a different tie to wear, I imagine Adachi would still be wearing his old shitty tie until it completely fell apart... Is Adachi pathetic enough to try and like... tape a tie together? Probably.

Him not caring too much about appearance and being a messy guy seems to extend to other aspects of his life. Even in his character profiles for P4 and P4AU, both say he's terrible at cleaning his room and the P4 one also says he sucks at filing paperwork lol.

This continues in his P4AU narration. The investigating detective pulls out 3 pieces of "evidence": A TV which ends up being used to get Adachi into the plot, a model gun which fits with his hobby being doing gun maintenance at home, and some kind of random off brand iPod-esque thing.

The actual music player itself is unimportant. Instead, it's used for a little characterization moment where Adachi confirms that it is indeed something that's his (he even remembers how he got it!), but he didn't particularly care about it and just left it wherever.

All things considered, I get the mental image of Adachi being the kind of guy who uses that meme 13-in-1 ~for men~ product, and his room is just a mountain of cup noodles and piles of random bullshit. Maybe there are more iPods and model guns to be unearthed from underneath his other stuff.

All of this is only talking about the more physical and material aspects of him, but I think you can extend this to who he is as a person and his mentality as well. Granted, some guys in real life end up being useless slobs as adults because they're used to their mom/sister/family/etc babying them, but uhhhhhhh from what Adachi says about his past, we can instantly rule that out with him.

(Edit: As a comment pointed out, upon re-reading this this does sound weird. When I wrote this, I was thinking more about doormat pushover moms. I don't see Adachi's mom doing domestic stuff as her babying him as a child because it strikes me as the Default Gender Role thing where the dad makes the money but the mom takes care of the household. And from how Adachi talks about it, you get the impression she wasn't hyper attentive towards him, as if she did like the bare minimum lol. Adachi's attitude towards the whole thing also strikes me as different than the dudes who grow up as spoiled little kings in their households.)

It seems pretty sensible to correlate his physical state and the way he uses it to express a lack of care for himself to something going on in his brain. Adult burnout, depression, lack of self-esteem & self-worth, all of the above.

I like the random anecdote about the music player, especially since it's him. A bingo game at a New Year's party............... A bingo game at a New Year's party???????????? Adachi, you went to a New Year's party? Hoooly shit dude I don't even do that.

Since he was in jail during New Years 2012 and only arrived in Inaba during spring 2011, for him to have won it during New Year's implies this is from before the events of Persona 4. E.g. it's not something Dojima dragged him to. I assume it was some work-related New Year's party when he was still stationed in Iwatodai. Keeping up appearances for the higher-ups? Did he just want free food? A bit lonely and wanted company and absolutely not gonna say that outloud? (All of the above?)

In both his P4 dialogue and his P4AU inner thoughts, he tends to look down on others. He's annoyed by the old woman at Junes (...though his voiced line on rank 6 expresses he liked her doting on him), he calls the protagonist a dumbass (...but only after admitting he misses him, Dojima, and Nanako), he doesn't think he'll ever get married (even tho I'm available).

And yet, as little blurbs like this go to show, we know he still participates. ♪(´▽｀)

Did he even use the iPod thing before chucking it? What did he put on it? Idols or something? Answer me, Atlus.

#adachi is a sufferer of stupid dumb bitch ass coward incel babygirl malefailure brain #persona 4 #tohru adachi #persona 4 arena ultimax #adachi brainrot #persona 4 golden #p4 #p4g #p4au #p4u2

77 notes · View notes

kateeorg · 7 months ago

Text

Please tell me I'm not the only one who thinks "Magneto was right" is bullshit? And really dangerous rhetoric to be spreading? I'm not really an X-Men fan, so maybe my opinion is invalid, but... (a venting rant, please ignore unless you are curious, not judgmental)

Look.

It's one thing for Magneto to be right within the universe of X-Men -- any X-Men iteration -- which gives a lot of evidence that the humans of that universe WON'T change and WILL see mutants dead before they are accepted.

Fine. Whatever.

But considering how so many see X-Men as a reflection of real world issues... we're really going this route? We're really saying violence and war is the only option?

Because people WILL map this onto real-world issues that they really shouldn't be. But the real world isn't a comic book. The conflicts are not oversimplified, and the "oppressed" and "oppressors" aren't always as clear as people think. More often, there is real hurt on both sides, and multiple facets the news can't capture.

Sometimes, both sides are violent assholes. And they will hold on to their rightness, to their feelings of being the only "oppressed" ones, to justify horrible things.

And who gets caught in the crossfire? We do. Ordinary people just trying to get by.

And the other thing is, violence and extremism makes for a better story, doesn't it? Better comics, better photos, better news readership. Peace... real peace is hard. It doesn't photograph well, like protest does. It needs to constantly be maintained, constant compromises. It doesn't make for a good movie, does it? Not a superhero movie, anyway. Or TV show.

It requires a maturity that most people? Will never reach.

Including the writers.

So screw your "Magneto was right". Maybe I'm wrong. I probably am! I'm probably letting my emotions about real world events get in the way. I don't like conflict or picking sides by nature, even when it's justified, and some will see that as a weakness of my character. Fine.

But I'm sorry, I just ... I refuse to accept that. Because I worry who is going to use that phrase as a rallying cry in the real world. And who will get hurt as a result because someone decided they "deserved" that.

This is also why I'm frankly not excited to bring the X-Men into the MCU. Because where there are X-Men, irrational hatred must follow, and I just... I don't want to see the MCU devolve into that. It will, of course, the die has been cast, but... I'm sad it came to that, because I'm not sure I trust the MCU writers as things stand to get this right.

In a world of superheroes and flying ships, the thing that takes real imagination is to see a world where peace is possible.

I'm not sure I'll ever have the writing chops to do it myself. But I endeavor to try harder than the X-Men writers clearly ever have.

Actually, I think Wonder Woman said it best: "It's not about deserve. It's about what you believe. And I believe in love."

#rant post #x-men #magneto was right criticism #x-men 97 #peace #overthinking #speculative fiction #please ignore me #magneto was right

53 notes · View notes

trek-tracks · 10 months ago

Note

hello! I am also diabetic (type one). I’m curious if when you think of star trek or yourself in Star Trek if you imagine having diabetes still? I think either way is valid, just curious. I go back and forth trying to figure out if they would have cured it or just advanced insulin pumps to the point of being practically seamless with day to day life. For me being diabetic is so integral to my personality I kind of don’t know if I would like to think of it as being cured? It’s cool if you don’t want to answer too! Just thought I’d ask :)

This is an interesting question.

I've always thought about my type one diabetes as being solidly on the second end of the disability "spectrum," so to speak, where the first end is "this is integral to my personality and who I am, accommodate but do not 'cure' me," and the second is "this brings nothing but pain to my life, please cure me immediately."

The only accommodation that would fully make my life better, in my opinion, (which is only my opinion about my own disability), is either a functional cure (artificial pancreas) or actual cure (no machinery necessary), the latter of which I would prefer, because frankly I'm sick of wearing a pump and a cgm 24/7 and the sheer amount of waste it produces, which is not my fault because I need to live, but still weighs heavily on me (and takes up a large amount of space in my apartment). Not to mention the scheduling--this message brought to you by me being woken up at 5am by an empty insulin pump and realizing that, no, I don't seem to have any unused cartridges left, so I have to use an old one and pray that the pump accepts it while waiting for the delivery of the supplies I just now ordered, which cost $750.

When I think about a life in the Star Trek universe, I can really only think about being transferred there now, as I am, with the life I have led, and I think that's what also shapes my decision. If I had been born into the Star Trek universe, there are so many aspects of my personality that might have been different, considering I wouldn't have to worry about scarcity and affordability of, for example, housing. Instead of being a theatre critic as a second job that feeds my soul but doesn't pay the bills, I'd probably be a playwright/dramaturg/critic full time. However, I might find not having a job outside of the theatre world to be detrimental, because when people don't have lives outside of theatre, their writing tends to get smaller and more insular.

This is a digression, but what I mean is: I can only see me as I am now joining a Starfleet world, rather than trying to envision the person I would be if I'd begun my life there. I mean, I certainly wouldn't be known for making memes about Star Trek, the TV show, if Star Trek were reality instead of entertainment, so things would be different in a number of ways. I can't even think about all the ways my life could have been different in this reality without getting a headache.

In that case, I have learned a lot from being diabetic, including patience and empathy for other people, and a strong sense of social justice. I've learned a lot about food and exercise and how they affect the body. I've learned responsibility and self-management. I've made more peace with aging than many of my friends, because I've felt prematurely "old" (aches, pains, contemplation of mortality) since I was a preteen. I think I would have some form of these things without diabetes, but my worldview would likely be different. In a way, I'm grateful for these lessons, and I don't know if born-into-Star-Trek me would be insufferable.

That being said, I firmly believe that having diabetes for more than 25 years means that diabetes has taught me all about life it's going to teach me. I'm done. If I were to wake up tomorrow without it, I'd, in the words of Beyond McCoy, "throw a party." A party with plenty of cake. Or, to misquote The Voyage Home, "The doctor gave me a pill, and I grew a new pancreas!"

Now that it's part of me, its absence might leave me somewhat adrift, but I think of all the time I've lost to it where I could have been enjoying life and been allowed to be the unfettered me I desired to be, and I say, good riddance.

#star trek #star trek tos #leonard mccoy #star trek aos #diabetes #type one diabetes #this is only my opinion about myself #i can't decide for anyone else #but honestly fuck diabetes it can be gone yesterday

65 notes · View notes

toneelspeelster · 1 year ago

Text

ethics of motherhood: the jane / charlie spring essay

ever since the release of the second season of heartstopper i've seen so many different opinions on jane spring as a parent; she's the absolute devil, overbearing, completely against understanding charlie and his relationship with nick etc. etc. but i would like to delve into why i think the way alice set up jane spring in s2 is a /great/ gateway into a deeper, nuanced storyline between jane and charlie because, quite honestly - it's clearly long overdue. once again, i'd like to use backstory from the comics to infer what might be happening to jane in the series and how, maybe a bit surprisingly to some - charlie is in some respects a lot more like her than you might think.

please note: this is not an apology, or an excuse to jane's behaviour as a mother to charlie; i just want to give her actions a context and i think, show the room for growth which I think would be a beautiful, very nuanced, storyline between parent and child to take on in charlie's mental health story in s3/4.

(tw for parental abuse, discussion of eating disorder)

one thing that really informs jane spring as a character and as a mother in general is her own mother. we see in the comics that her mother is a. physically abusive and b. does not allow jane to have any criticism against her and uses that as a reason for the abuse.

jane later tells charlie the following on her relationship with her mother, acknowledging the effect that her mother had on her - to an extent. she softens the things that happened to her.

jane knows this of her being a mother: she's overbearing, her mother was too, and she was also hoping to be very different to what her mother was to her.

now what i think is a vital thing to consider is the following: jane grew up in a household where she was physically and emotionally unsafe. she was hit for expressing normal teenage behaviour. it should be okay to sometimes not agree with your parents and pushing back at them. they should provide you with a safe method of communication for doing so but they never taught jane that. as a result, i think it's a very human response of people to try and make sure they deal with things differently when they get older; but that also can result in overcompensating behaviour.

my feeling is that jane is overly focused, i think unconsciously, on keeping in particular charlie safe, and in that sometimes loses sight on making him feel actually (emotionally) safe. because safe means to jane: performing well in school, not doing anything that might be dangerous, but also: keep in line with expected social behaviour. what is the safest thing, jane thinks? that your behaviour is perfect. because if you don't give others any reason to think you're being out of order (in whatever way), you will not get abuse. safe is being perfect, doing everything perfectly. you can and should control your life in such a way that it will be possible for things to be perfect.

and guess who feels that way too?

kids learn a lot more from their parents than they would think (or even like).

one of the most interesting changes from novel to tv series i think, is the change of having jane not being immediately supportive of nick from the get go; as it fits in quite well with jane's character trait of being focused on charlie's safety (and by extension julio's character, but he goes about this differently and quite honestly... can be quite of a wet wipe lol) and exercising control over his behaviour to make him safe in her own eyes. she wants him to be socially presentable ("please change out of your pyjamas to meet guests"), to focus on school work, and for him to listen to her when she says he needs to come home; in a sense i think she wants to be aware of where charlie is at a given time and not too stay out too late, because the night? that might be dangerous.

we have to remember that charlie was severely bullied only a year ago, and julio's constant reminders of charlie in s1 of please calling him when the situation gets out of hand with nick's circle of "friends", indicates to me that his parents were aware of the bullying, maybe being informed by ajayi bc i don't see charlie being able to tell that to his parents himself. so: nick's "sort" (tao mentions his circle as "exactly the sort of people who bullied [charlie]") are in jane's eyes boys to be weary of.

so when charlie tells his parents, jane doesn't totally trust it.

this is worsened when it turns out nick is also going on the paris trip. for charlie, that's not the only reason to on the trip at all, but the way the conversation goes with julio's comment that's the reason why he wants to go, this is where nick gets associated in her mind with charlie as something that she needs to be aware of and perhaps even intervene. to make sure he's safe. she needs to control the situation if it goes wrong.

which she does. almost immediately. when charlie shows behaviour out of the ordinary for him and the only cause she sees is nick; he's the new factor in all of this.

it's like she thinks if she doesn't completely nip this behaviour in the bud in a very hard way, all the bad things imaginable will come immediately. like charlie would flunk school within a few weeks. charlie, who's been a high achiever! julio's response is actually quite appropriate, i personally think: it's not a wonder that you're unfocused bc you have been spending time a lot (which we've seen! on screen!) but also i don't want ban you from seeing him completely, just set some boundaries.

interestingly enough, this is also due to charlie overly focusing his efforts on keeping nick essentially perfectly safe in his coming out as well; unfortunately, in that final scene shown above, he's just realised that he's got no control over nick's coming outs being perfect, as david has shown to be very biphobic and dismissive of nick in a way that neither nick or charlie had any say in or could even prevent from happening. jane has the option of trying to control things because she's his mother and has some authority over his life.

jane disappears in the show after this issue of charlie handing in his course work gets resolved for a while, so it does seem like she very much keeps to her word afterwards.

she comes back in time for some growth. tori rightly mentions that the family dinner is not something that their mum would totally enjoy bc tori has seen the criticism jane has regarding nick. but charlie does know nick, feels emotionally safe with him, especially after their convo in the louvre and nick being open about his dad, so charlie is right in saying nick, as a person not the idea that jane has of him by association, might convince her.

and he does.

nick can be trusted; nick has come out to his neglectful parent, chastised his older brother for being an asshole, mentions he feels happy with his life with charlie and living openly as his boyfriend and apologises to his mother for ruining the dinner (a sign of a well mannered boy!). and when sarah tells jane that this is something that she's never seen nick do and that must be of nick's deep care for charlie, jane thinks..

and comes around (a bit).

unfortunately, her overt focus on charlie's grades slipping being due to nick's influence in his life completely makes her neglect the signs that charlie is not eating well (that's something that is building up so gradually that i don't think she sees it as an option). there are some great metas on here by @ finnicksannie regarding this being one of the biggest reasons why charlie's grades are actually slipping.

all in all, i just want to close by saying this is a deeply traumatised mother parenting a deeply traumatised son and they both need time and therapy for a better understanding of the communication between them.

and i think the end of season 2 sets up a nice storyline about that quite nicely. jane accepts nick in their circle, but her communication with charlie has not been resolved; it's just a little tick towards her needing to trust charlie more. he's got good instincts. she's starting to realise.

this is all not an excuse. it's a set up for a responsibility on jane's part to work to communicate with charlie better. but life is life. and we're humans. sometimes we need to learn to grow.

and in the mean time, in the small moments, maybe with what you would say is the bare minimum, with not agreeing with charlie's self deprecation, jane does show her love of her son.

i don't think it's without reason that this was shown.

i have not read the novel solitaire / nick & charlie / this winter. feel free to add in comments if there's something in there too! but i do feel the series might incorporate jane's storyline maybe a little bit differently than from in the books; but it sounds like her controlling behaviour is a throughline to it all.

#heartstopper #heartstopperedit #heartstopper meta #charlie spring #jane spring #julio spring #nick nelson #narlie #my words #my edits #daddy issues the essay last season with nick's dad #mommy issues the essay now!

132 notes · View notes

keikakudom · 7 months ago

Note

Lemme try and make sense of Vox's mindset, and correct me if I get anything wrong?

I think Vox in RR!au hardly actually thinks about suicide. He's too much of a busy man to do that, after all! Thinking about death is for people with too much time on their hands, who don't have to deal with a billion problems on the daily. And sure, maybe it wouldn't be a terrible accident if he was locked out on extermination day one year (not that there's exterminations anymore), but he'll never bother to actively seek it -- why would he? He has things to do. Empires to run/build. Deals to make. Resorts to run, residents to settle, princesses to talk to.

Really, everything would be just fine and dandy, as long as progress is being made, nothing goes wrong at the resort, heaven doesn't come down for no good reason, and that deer freak manage to not bother him for a single day. All dandy!

So what if he's been going through business ventures like someone going through Doritos at the back of the car? It's difficult to stay on top, in Hell, and he can't rely on tech or media forever, not when they cycle faster and faster(and he would know, of course, his whole body is made of it). He's doing what it takes, and if it's risky, what business isn't?

And re: Alastor, vox may have once had feelings for him, but now it's probably soured into maybe wishing that Alastor would just fuck off somewhere where he'll never be heard from again. I think Vox knows very well from years of companionship that Alastor considers him a source of amusement and entertainment rather than an equal, and that hasn't truly changed even after he left, and in a way that has to bite? That Alastor cannot leave it alone, has to make his opinions and disdain clear to all of hell every single day, and also make it clear that vox cannot do anything to stop him (that tv still runs on radiowaves fundamentally, that he can't get rid of Alastor's influence).

Like the way I interpret canon!vox's feelings re:alastor has a lot more insecurity and the desire to show he's stronger now, he's over it, he doesn't need him, than just being rejected romantically, and in contrast RR!vox grinned and bore it longer without letting on, and then at some point just gave up, by which time his feelings have soured so far past insecurity and bitterness into straight up nihilism. (Doomed yaoi my fav)

Ok I'm just rambling now but yeah I think vox in RR!au is really really interesting? Bc he's y'know not in the best place but also he's fine. He's not, probably never, going to actively do anything, left to his own devices he's just going to keep at his daily routine and eventually self-destruct on his own hubris by taking on far more than he is capable of (people pleasing tendencies, hm?). But otherwise he's fine.

*drops my glass of milk* yea, this all. Checks out.

(that tv still runs on radiowaves fundamentally, that he can't get rid of Alastor's influence)

I think RR!Alastor is also chasing RR!Vox because he knows something is really wrong when Vox wants to cut something *fundamental to his functions* out from his life... If Alastor had any heat to his words, he could do some serious damage to Vox.

But Alastor was not able to reciprocate back then(or in general) the way Vox ever wanted him to. Alastor might think, "What's so wrong about being amusing to me? What's so wrong in being cared for that way?" But we know that Vox, even in canon, is pretty damn emotional. A confession was bound to happen, but since RR!Vox never did, he opt'd to shut them off. It started off with distractions, and those worked too well. Eventually he gave up trying to figure out his emotions and took the "easy" way out, nihilism--but like everything Vox dips his foot into, it's never enough. Only this time it's not only power(like I interpret canon!Vox to seek) that's growing/he's greedy for, it's this all-encompassing void.

Another interesting characterization to tack onto RR!AU Vox is his strong lack of self-preservation, I did mention it here when I had some thoughts on canon!Vox, but rather than "confidence", he does not care. And on occasion, he can go irrationally, batshit crazy for the same reason.

Let's set the stage in hmm, 1980s? He starts not to care about smaller allies, the people he stomps on, eating them up to become an overlord. Recruits Valentino, doesn't care that Val is immoral. At first it's "not his business", but it starts spreading. What is it that he's looking for? Power? Love? Entertainment? People to accept him?

Which is why RR!Vox decided to jump the gun a little bit and shoot for becoming a form of "GOD", aka the original reason for all his anguish in Hell(his religious roots as a human). It's kind of...an endpoint? It's not the most sane, or sensical route-- but he doesn't care that much. He's functioning on this tired/desensitized, pseudo-robotic, logical reasoning with a combo of "oh god I'm running out of interest"(in existing/running himself to the ground). So....hm, "fine" is a tragic word, indeed.

He's not, probably never, going to actively do anything, left to his own devices he's just going to keep at his daily routine and eventually self-destruct on his own hubris by taking on far more than he is capable of (people pleasing tendencies, hm?). But otherwise he's fine.

Welllll, he did always want to go out with a bang. If he did. I don't know, something really big. Like becoming God! Yeah.....That'd do it.

IMO, the premise of RR!AU isn't in stasis-- the reason Vox picked up this project in particular is an aggressive move. He's no longer distributing the same amount of work to the other Vees either anymore, so there is....some urgency, is what I like to think....

#au: reset resort #ask #flonautilus #oh goodness this is. depressing #i like to suspend belief and think #alastor knows this #is there anyone to latch onto a sliver of hope #is there even hope left #ooooo spooky #that atticwife ask has! not! left! my mind!#lmfao as you can tell.#i wish i had the same enthusiasm for my essays as i do with hypothetical vox #“hardly ever thinks about suicide” is not inaccurate to describe him #though I would say it's also like. an overarching thing in the background creeping behind him #*aggressively plays 'Nothing Left to Lose' again*#CHARLIE HELP HIM #Edit: >“nothing goes wrong at the resort”#I think.... errors or mistakes are things that get close to being the straw that break the camel's back #Like a big wrench thrown into the system thats's like #“OH SHIT” but suspends the workaholic mode just enough to. Think about it.

29 notes · View notes

georgiapeach30513 · 10 months ago

Note

Peach, you're the best! Thank you for posting that amazing pasta art! (And thank you to the lovely artist who made it =)) - Mrs Pasta.

That being said...I have a few things to say. No words of wisdom, just some thoughts. Some people will disagree with my takes but if you're here reading it, read it carefully and really consider what I said before you disregard.

Every time something happens that gets a certain portion of fans excited that "it's coming to an end," it is nearly always (99.9) followed by something that completely disputes that hope and gets everyone angry, upset, and riled up. It's time to pick up on the patterns, guys!

Ramen and Soba attended the GG afterparty for Soba's agency but didn't show up for the red carpet or awards show. It's got some people thinking Ramen fell off on the HW hierarchy food chain but people. Please. Let's be honest with ourselves here. Did they not attend because he couldn't get an invite since he's "so irrelevant" now or did they not attend because them trying to act like they know each other in real time, for the camera, would be a feat harder than climbing Mt. Everest? Why else do y'all think Soba attended the GQ event with Cup of Noodles instead? You know, the one where she actually did pose for photos and walk the red carpet? And flash her loaned jewelry and "wedding ring" but refused to speak to reporters because she had nothing to promote? It's giving "a...weird face wife that will never do an interview" XD

Every time something happens that gives another portion of fans the chance to "gloat," something else happens to throw a wrench into the mix. You don't question why only one "director" got a random picture of soba and ramen in the same bowl but nobody else saw them? And they can only be mentioned in a throwaway line by a Condé Nast publication (Vogue, Vanity Fair, GQ) and neither Ramen nor Soba could spring for a stylist this time? Looks like somebody doesn't want to make that red carpet debut...but why not? Aren't y'all married for the 50th time in a year and also expecting for the 20th time in the past two years?

Lastly. Just because Ramen has had a few pitfalls this past year does not mean that suddenly he's dropped to C-D list and that he's completely irrelevant in the industry now. I understand having critical flops can hurt your career. Of course it can. And in fact, I'm sure these pitfalls have hurt him. But remember that just because someone is doing well now doesn't mean they'll always do well, and just because someone is having a rough few years doesn't mean they'll never get a comeback.

I'd also like to close with a reminder to those gloating on about how RDJ is doing better and Ramen is failing in life...RDJ was once a drug addict and ended up in jail. My parents still mention this about him every time they see him on TV....people do remember when the biggest news of his career was him getting arrested. Also, after Endgame? Does anyone remember Doolittle? 15% on rotten tomatoes had people thinking RDJ fell off. And then covid hit and he was just doing his own thing for a few years. Now look at him. Looks like that awards campaigning worked! Because no disrespect, Robert, but your Oppenheimer performance was lukewarm at best. IMO, You deserved it more for Tropic Thunder and I say that as someone who genuinely admires you.

I hope I didn't ruffle any feathers. It's just tiring to see people ignore certain things for the sake of running with a narrative.

Love ya, Peach!

Mrs. Pasta, thank you for gracing us with your presence twice today. I honestly, have nothing to add to this great observation. I was just talking about a lot of these points earlier with some mutual about a certain even with a super shiny watch 🤭 I honestly never thought about equating Katt’s words about weird faced wife that will never give an interview to this 😵‍💫 but your’e on to something there!

Looks like someone reached into the depths of their closet to try and scrounge up a look last week, but what do I know?

Mrs. Pasta, I always look forward to your takes and observations.

@inshelliesworld created some cute little Mrs. Pasta art 😊

#Mrs. Pasta

44 notes · View notes

forbidding-souda · 11 months ago

Note

Mod Souda!~ I have never requested fic before, this is entirely new territory so please forgive me if I misstep. ^_^; Could I please request HC's regarding Korekiyo x autistic S/O? I tried finding similar in the master list, alas I could not which is completely on me if I wasn't thorough enough.

A little afterword of gratitude also for your masterful works on Korekiyo in particular, the way you HC him is beautiful. He is my ultimate comfort character and your content is poignant for me. I also wish you the absolute best on finals and in life in general! (⁠.⁠ ⁠❛⁠ ⁠ᴗ⁠ ⁠❛⁠.⁠)♡ I hope you are faring well. Thank you for all that you do here

Shinguuji Korekiyo with Autistic S/O

I've had this blog since quarantine so I can't even remember if I've written anything like this so I'm happy to write one for you regardless or not if it's a repeat.

Hai guys I don't have my edited sprites anymore bc I deleted them awhile ago so here's normal souda. Also if this is ass then my bad

hashtag actually autistic btw for anyone reading, i think it's right to share that when I write these ofc

okay mod souda behavior here where I say random stuff before each story but I'm watching impractical jokers rn and I don't know how some people watch this because the secondhand embarrassment is insane I literaly have to look away PLZZZ. This took an hour to write because half way through I started watching impractical joker clips on youtube (while the show is playing on the tv)

-Mod Souda

♥ He isn't a stickler about your interests. A good thing about being with him is that he won't make fun of you for anything you enjoy, no matter if he enjoys it himself or not. He'll never ask you to turn a movie off or to stop talking about something. He knows more than anybody else how isolating it can feel when somebody refuses to try and tolerate other people's passions; he would never put you down.

♥ He's naturally off-putting. If you experience people considering you off-putting then don't feel alone because Shinguuji is considered off-putting as well. He brushes off the negative things people thinks when it comes to himself, but when it comes to you and the negativity you face, it's hard for him to conceal how irritated he gets.

♥ I know some people have hyperfixations of like medieval torture methods so imagine how much he'd love that.

♥ ^ You also have the chance to teach him about really niche things, that's pretty sweet.

♥ ^ But I imagine that with some topics, he's gonna try and teach you about your own hyperfixation and it's gonna get annoying.

♥ He loves ur reactions to things. He gets so gushy-gushy and poetic. He likes finding what words make you smile, which ones make you laugh and which ones make you want to roll your eyes.

You stared back at him for a few seconds. He held an intense, filling gaze. The two of you were sitting on a park bench, facing the trees and enjoying the sounds of the birds. In between the conversation, there were moments of silence. Usually, he'd break them with small, unrelated sentences, but he's been quiet. "Korekiyo," you said quietly, a bit worried to startle him. To you, he was either in deep thought or, more humorously, sleeping with his eyes open. It took you to say it louder before he turned away. "My apologies," he smiled with a tilt of his head. His hair cascaded down his shoulder. His eyes went to the green leaves dancing in the wind. "We sit here in such a beautiful place, so lively. Most people would give their life away to view a sight like this." With no response, you just stared at him more, already knowing what he was going to say. He looked at you. "I've been all around the world and so I do not wish to waste my time looking at something I've seen before. You, however, do not come close to any of the beauties our world gives to us." "You love me so much, don't you?" You gave him a smile while his yellow eyes developed a look of interest: "You say that but do not realize that jests can be true words, too."

♥ If you need your alone time, he isn't going to stop you because he likes his, too. He knows that obviously you can be infatuated with somebody while also finding comfort in solitude.

♥ ^ And with that, he also has his own boundaries when it comes to where he goes whenever he wants solitude. He likes reading his books and analyzing his artifacts, all of which takes place in his study.

♥ ^ Yeah and don't touch his stuff because he is very protective of his collections. Therefore, he'd also never mess with something you own.

♥ If you're the type of person to have stuffed animals, and especially make them talk, he isn't going to pick up on that very quickly as means of a thing people still do. He'll give a history lesson as to 'ah yes, i've learned about this form of imagination within cultures of story telling, oral adventures'.

♥ Most of the time, he'll put your comfort over his.

♥ He'll stay up with you whenever you have trouble sleeping and are fully awake at 2am, no matter the cost. He is going to make sure that you know he is always there for you. He always has things to do.

♥ If you need help falling asleep, he'll do things like sing to you and let you watch videos in bed, whatever will make you most comfortable.

♥ He got some crazy eye contact btw I just want to put that out there.

#Shinguji korekiyo x reader #shinguuji korekiyo x reader #danganronpa x reader #x reader #drv3

37 notes · View notes

natequarter · 9 months ago

Note

I was reading your posts about how badly most/all historical fiction and period dramas are when it comes to faithful portrayals and was wondering about your thoughts on Wolf Hall, whether you read it, watched it, or both. And also, are there examples that you feel do it well? Or are there examples where they get it wrong but you still enjoy them? (Can you tell I’ve been on a historical fiction kick lately?) I know that’s a lot of questions, so please don’t feel obligated to answer them.

oh boy, this is... complicated. i'll start off with wolf hall, because that will probably be easier: necessary disclaimer that i have not watched or read all of wolf hall, but i have read a significant chunk of the first book.

firstly, i actually enjoyed reading wolf hall a lot. there are a couple of bits that grated me when i read it (iirc it suggests that henry viii was to become archbishop of canterbury before the death of his brother, which is emphatically not true; nitpicky, i know, but it's one of the misleading "fun facts" you often hear about henry viii), but for the most part i found it rather refreshing. i have to praise hilary mantel's writing style, of course; it's beautiful prose, and a relieving change from first person present tense narratives, which are bad. (disclaimer: this is a personal opinion. i happen to think that 99% of all first person narratives are utter shit.) in terms of plot events, i think my favourite parts of wolf hall are cromwell with his wife and children, and him grieving his wife and children; the quiet reminders of their absence are heartbreaking.

now, onto the things i didn't like. i didn't love the tv show; nothing wrong with it, necessarily, it just didn't click with me - and it probably didn't help that when i watched it the screen light to room light balance was very off. and as for mantel herself... quite a few people have pointed out that her treatment of the women (notably anne boleyn and jane parker, her sister-in-law) in her series comes off as misogynistic, and i personally find the treatment of thomas more grating. essentially, she buys into a lot of the old narratives of jane parker being 'scheming' and betraying anne boleyn and her brother george; and her depiction of anne can similarly come off as that of a scheming woman and nothing more. there is an argument to be made that we're seeing this through cromwell's eyes, so naturally he's going to be biased against certain people - but mantel is the writer and she chose what she wrote. she seeks to balance out the classic depictions of cromwell as scheming and more as a literal saint, but it tips over into just making more look like a villain - things such as him choosing to educate his wife are warped into more being... evil? somehow? there's a double standard with cromwell vs the other characters: when cromwell is pious, it's devotion; when more is pious, it's fanaticism, and the same with cromwell vs the women in the books. finally, hilary mantel was transphobic. i'm not here to argue about that one.

granted, i don't think these things make wolf hall unforgivably bad, by any stretch of the imagination. i think it's a complex, flawed book and the same applies to the show. i think this youtube review summarises it well overall - and of course these things are always nuanced and complicated and so on and so forth.

there are shows which do historical fiction absolutely horribly, like the spanish princess. i have no interest in defending that, because, as far as i'm concerned, it's a mess not worth attacking; that's been done to death. i would also consider the vast majority of books by philippa gregory and alison weir to be a major waste of time. weir is also a non-fiction writer, and her non-fiction is exactly as bad, so for the love of good, please don't pick those up either. both authors like to draft in rape, magic (dear god, don't talk to me about the fucking magic), not-like-other-girls female characters, incest (???) and a bucket load of misogyny in lieu of actual plot. neither of them are good writers, either.

onto works which do an alright or complicated job. i think wolf hall belongs here - it does some things very well, some things... not so well. i'd also put becoming elizabeth here - as you've said, this is one where they get things wrong but i can still enjoy it. the show covers the reign of edward vi (1547-1553) and the teenage years of elizabeth i (about 13-19, so literally her teenage years). the good parts? it's a fantastic depiction of edward vi and mary - both are brilliantly cast and the acting from them is amazing. it incorporates black characters into authentic period roles, the clothing is really well done, and it shows most of the important parts of edward's reign. the bad parts? well, elizabeth is played by a woman in her late twenties. this lets the whole thing down, frankly. it's supposed to be a show about elizabeth, and yet edward or mary could easily replace her as protagonists - i don't think the actor playing her is great, personally. and then there's the fact that this show portrays the grooming of elizabeth by thomas seymour. the show actually makes their relationship out to be genuine and the two sleep together, a deviation from history and a particularly troubling one given that the real elizabeth was uncomfortable with seymour's advances and actively tried to avoid him. it also spends six of its eight episodes on seymour when seymour was beheaded a third of the way through edward's reign. thus, it has its upsides and its major downsides - oh, and the characters say fuck a lot, which is mildly annoying. but i can enjoy it, as long as elizabeth's not talking and they're not focusing too much on seymour... a bit of a letdown from a show supposedly about her.

there's also the tudors, which is a bit of a mixed bag - it makes some inexplicable changes from history, but it often uses quotations from tudor sources in its dialogue. the casting can be a bit... wonky, but it does have its moments, and offers a somewhat more balanced version of more vs cromwell. i don't particularly like it because it often modernises the characters a bit - and i don't want that! making characters act like modern people seriously misses the point: this is historical fiction, not a modern thriller or whatever. the girlbossification of historical women who were often seriously held back by the men around them and wielded influence in rather different ways to what we think of as strong women is exhausting.

and there is historical fiction which i really enjoy. dissolution (and its sequels) is a murder mystery series by c. j. sansom, narrated by the fictional matthew shardlake, a disabled king's commissioner working for cromwell. he ends up investigating the murder of another commissioner at a monastery in scarnsea. it deals with the issues of religion, gender, and disability in very interesting ways; matthew is not infallible and clearly holds some very tudor views of the world. it's a richly-written world and it really does feel like you're in 1530s england, and i really recommend it. i also like becket (1964) and the lion in winter, neither of which are particularly striving for accuracy - but they're good dramas and brilliantly acted, and, you know, maybe henry ii was secretly in love with thomas becket. (both are heartwrenching films and i will never be over: 'You give the lions of England back to me like a little boy who doesn't want to play anymore. I would have gone to war with all England's might behind me, and even against England's interests, to defend you, Thomas. I would have given away my life laughingly for you. Only I loved you and you didn't love me. That's the difference.') my feelings on bill (2015) are more or less the same - it's an intentionally ahistorical film, and it works because it's well-written and not trying to accurately represent the past. the '70s series like the six wives of henry viii and the shadow of the tower are really enjoyable, too - because they actually cared about making decent series about the tudors relying on the actual events which transpired during the era!

i'll leave the question of costuming out in the open; i think this youtube video has some good points on whether period-accurate costuming is essential. i like it, personally, but i'm not going to be furious at a missed french hood; the only thing that will truly make me furious is a french hood with no veil. either bother, or don't bother! don't... don't do neither, jesus christ! as for historical accuracy in general - i think that's a question which will never have one true answer. personally, i do value a rough adherence to the historical timeline, at least for fairly well-know facts like, i don't know, henry viii having two sisters? why does the tudors merge them into one person? what? anyway. i think these posts offer some valuable insight into how vague and murky a concept historical accuracy really is and how it can be wielded as a weapon against people rather than in the interests of a good story (read at your own peril - they are quite long). there is also the problem of hindsight - as readers, we know that edward vi will die at only fifteen. the average person at the time did not! well, not until 1553. the point is, books where the narrator has seemingly prophetic powers or knowledge of future events are unrealistic. what i think is most important is writing stories that more or less accord to the timeline of history in the general details and capturing the attitudes of people who lived in the past decently. this is what really brings historical fiction to life, in my opinion. these also offer up good opportunities for parody and satire - a film which intentionally gets history wrong Because Incest is frustrating, but a film which intentionally gets history wrong to parody it, like blackadder, can be incredibly entertaining. inaccuracy is not always bad. that said, if you don't make henry viii ginger, i will hate you forever. soz. as for language - it's ridiculous to expect dialogue to be written 100% in middle english or what-have-you, but the occasional 'god's bones!' instead of 'oh my god' would be nice, and an avoidance of just putting a load of fucks in there...

and finally, for the elephant in the room... misogyny. there are certainly other -isms which permeate historical fiction as they do everything else, but this is the big one. so many depictions of women in historical fiction uncritically buy into the narratives of misogynistic medieval commentators which we have inherited from centuries of men recycling them. like calling women sluts, or witches, or writing them as genuinely sleeping with a male relative - taking the slander against them literally. like boxing women into a few stereotypes - docile and submissive; scheming bitch; old hag; and whore. like sexing up rapists and groomers. like forgiving historical men for things we condemn historical women for.

i hope this helped! i have many thoughts, none of which are easily summarised. i don't know if there's a right answer to this. but i do know one thing: the white princess is bad. thank you for the ask!

#asks

12 notes · View notes