#also incredibly silly

[jsmifty]

I know its af but i drew these guys and had to make my fnaf post

(this is Micheal and Jeremy Fitzgerlald from my WIP five nights at freddy's rewrite. This image would probably be more accurate to like wayy later in the fic considering their scars)

[evgar]

agathario but it's a cowboy!au where agatha hires rio to work at her ranch and rio's a sexy annoying little shit (they want each other so bad and occasionally have hate sex until they inevitably fall in love)

[xxplastic-cubexx]

something about first impressions idk

bonus:

[poorly-drawn-mdzs]

Do you like sci-fi and indie animation? Check out Monkey Wrench!

[rowrowronnie]

this movie has literally been on my mind 24/7

[razzafrazzle]

my love for foppish fictional men truly knows no bounds

[image description: two drawings focusing on flavio from paper mario: the thousand-year door. the first picture of flavio singing, drawn in a simple, sketchy style. the second drawing is a comic. the first panel shows mario and goombella sitting across from flavio, who has a dreamy expression on his face and is saying, "we shall gather a crew and set off on a journey of romance!". the second panel is of goombella replying by saying "yknow that there are only male sailors in rogueport, right?", with a note below that panel saying "shes a lesbian shes just also homophobic". the third panel is of flavio looking confused, followed by the final panel of flavio in front of a rainbow background as he says "yes? does flavio stutter??". end id]

[peacockrulz]

oooooOOOOOooooo digital circus upon ye!!!!!!!! (these characters are SO hard to draw ;;) ((Stupid-er doodles under the cut))

I love Cain I swear dsfklksldkflsdkf

[moeblob]

Gavin mentally: wait... that doesn't add up........

[hotvintagepoll]

this is a poll for a movie that doesn't exist.

It is vintage times. The powers that be have decided to again remake the classic vampire novella Dracula for the screen. in an amazing show of inter-studio solidarity, Hollywood’s most elite hotties are up for the starring roles. the producers know whoever they cast will greatly impact the genre, quality, and tone of the finished film, so they are turning to their wisest voices for guidance.

you are the new casting director for this star-studded epic. choose your players wisely.

(no contestants slated for Round 6 of the Hot & Vintage Women Tournament have been included to avoid tipping the vote.)

Previously cast:

Jonathan Harker—Jimmy Stewart

The Old Woman—Martita Hunt

Count Dracula—Gloria Holden

[royalarchivist]

Luzu: Yeah, you know, I told people that I would happily make some dictionaries so that you guys have expressions to use, like you can have a book in your inventory that you open to have like basic Spanish stuff, I'm gonna mess his one, like his -

Phil: Oh yes, please.

Luzu: - book up, and I'm gonna make all like, have no meaning.

Phil: Please give him like, a - a silly book, a - give him a silly one.

Luzu: Yeah. How do I pronounce his name, Wilbur, or Wilb? Or Wil?

Phil: You got it right the first time! Yup, it's Wilbur.

Luzu: Oh yeah? Alright.

Phil: Yup yup! Or just Wil. Either - either works.

Luzu: I wanna have to find a way to, yeah, have a cold revenge. Like, he - he may be laughing today, and, "heehee, haha!" we did like this small joke, and in 20 days I'm gonna destroy everything that he loves in this server.

[jadecantcreate]

been watching s1ep6 of uprooted! some bad doodles of a few of my favorite moments thus far

[coldzonkprofessorturtle]

An Affair to Remember

Alright, let's get into Affair the Series, which has been giving me brainrot the past few weeks so feels like a good time to get into an analysis of why I find it so fascinating. Eventually I'd love to do a deeper dive into Thai GLs and that industry (that's a whole other thing though) but after having seen my share of them (Gap, Show Me Love, TSOU, The Loyal Pin) I've really found myself falling into the rabbit hole with Affair the Series and the way it depicts friendship, love, and acceptance.

Deep dive below and also thank you gif makers for your work 🙏🏽

(also will go over events from episodes 1-5, so spoilers ahead if not up-to-date)

So first off, I have read the novel, which is the first time I've finished one of those for a GL and quite frankly, the translation wasn't that great but the story still came through. I won't refer to it much and will base this on the show as I think they've done a fantastic job with the adaptation and fingers crossed continue to do so.

Where in most GLs the core conflict is external. The main couple can't be in love typically due to familial/cultural pressure or a man interfering (that still exists to an extent here) the main conflict in Affair is simply that Wan and Pleng love each other too much but they do so in different ways.

When we meet Wan and Pleng they're 17 years old and have spent their entire lives together. They're sisters but not and while Wan seems to have a social circle, Pleng really has no other friends outside of Wan. The spoiled rich girl and the maid's daughter. Couldn't be more different if they tried and yet by circumstance their lives are as intertwined as it gets.

At 17, they have different ideas for their futures. Pleng is musically talented, wins every contest and is financially set. She can live the life she wants. If she wants to be a musician then so be it. Her parents love and support her and there's no pressure. Wan on the other hand has an overbearing mother (and a resentful father), no prospects for her future but at least she has Pleng.

Despite her parents, Wan loves wholly and openly. She knows she loves Pleng and while she doesn't yet know it she does know that Pleng loves her too. I would argue that Wan truly knows herself, which is why she comes across as so self-assured in their younger years. She's slowly trying to guide Pleng to understand herself too.

Pleng, however, has never had to sit with her emotions in the same way. Take this as differences of personality, class and upbringing. Now that they're 17 and entering adulthood, Pleng has to start engaging with the world (and her emotions) rather than hiding behind the rich, insular lifestyle she's had up to this point.

As the idea of boyfriends comes up, Pleng starts to lash out. She's jealous, she's pushy but really she's just in love with her best friend and doesn't know it. Everything starts happening too fast. Wan meets a boy at an art gallery, Aunt Wi pushes Pleng to help Wan get with Ek, Pleng's dad is extremely stressed and she doesn't know to what extent and throughout that Pleng is dealing with her feelings that for some reason just won't go away. Feelings that Wan keeps bringing up in her over and over.

Pleng is a mess. She doesn't know how to connect with her peers, she knows something is wrong with her dad, she sees that Wan is seemingly moving forward in a way that she's not (dating a boy) and whether she realizes it she continues to isolate herself.

From Wan's perspective she couldn't care less about dating Ek. She's already completely devoted to Pleng (in ways that Pleng doesn't even know).

They're 17, hormonal, gay, and incapable of seeing each other's perspective. Wan wants Pleng to let her in. Pleng can't help but push everyone away.

As soon as Pleng starts to really come to terms with her feelings about Wan. That's when everything falls apart. Her dad kills himself, her mom goes into cardiac arrest, all of her family's assets are seized and she's now orphaned and staying with Wan's parents who clearly and vocally have no space for her. Pleng who was already struggling to find her footing before that fateful night now has absolutely nothing to stand on.

The break point is when Pleng finds out about Wan's academic achievements and that Wan had been hiding that truth about herself their entire lives. Wan has always been intelligent and capable but hidden herself behind a veil of ineptitude. Wan in loving Pleng puts her on a pedestal to her own detriment. She has no issue blighting her own light so that Pleng can shine but from the moment we meet 17 year old Pleng in the show we see her pushing Wan to better herself. Wan thinks loving Pleng means her own success doesn't matter whereas Pleng loves Wan and all of her potential.

They both love each selflessly but while Wan would burn the whole world to keep Pleng warm, Pleng loves Wan despite her own existence. So when Pleng leaves she writes,

"Your parents will feel at ease. And you'll finally get to live your life as your true self... I know you love me but I also want you to love yourself. And be proud of who you are."

For Pleng, her leaving is the ultimate way to show her love to Wan. A clean break. She runs away so Wan can thrive but here's the thing Wan needs Pleng to keep her grounded. Pleng does too but she can't see it at this point. Too much has happened and so, in her desperation she removes herself. She is her father's daughter after all.

So when 13 years pass and Wan has spent that entire time holding on to whatever she can to keep herself close to Pleng (becoming a doctor, riding a bike to work, marrying Ek, separating herself from her parents); Pleng has become a ghost of herself. Wan has imbued herself with all the things she thinks/knows Pleng would like while Pleng is stuck in a cycle that she can't get out of: play music, make a bit of money, pay rent, rest, repeat.

Pleng never reaches out to Wan because why would she? Her loving Wan means staying away and on top of that there's a sense of shame of what her life has become.

So when they finally meet again it's too much. Wan is successful but she's still clearly in love with Pleng and while it was all Wan's doing, in a way her success is a direct result of Pleng's influence. In removing herself, Pleng slowly begins to realize not just that she took Wan's smile with her but the why and how. Wan's changed and devoid of the joy and innocence that Pleng loved most.

They slowly fall back into their natural rhythms but Pleng still can't accept her own presence in Wan's life. Wan is back to pushing (albeit more aggressively then before - time was wasted) and in pushing Pleng, Pleng pushes back. If they take their relationship that one step further, what then? What if it falls apart? Why not just stay in a cycle where nothing shifts? What if there's another ringing shot in the distance and everything changes in a moment?

If there's one core trauma to Pleng as a character it's her desperation to not feel like a burden to anyone. Especially Wan. And then she finds out that Wan (though separated) is still married to Ek and she can't accept that she could have ruined Wan's potential happiness. Not understanding that Pleng herself is Wan's happiness. Pleng feels like a disruption because at the root of it the thing she wanted above all for Wan, "I also want you to love yourself. And be proud of who you are" is not something that Pleng accepts for herself.

I'll leave it there and hope the show navigates the situations that are about to come as well as they have so far but kudos as Affair manages to oh so gracefully skirt what could otherwise be an incredibly toxic relationship. Somehow they manage to give these two characters so much grace despite their flaws. And truly that's also a huge credit to Sonya and Lookmhee's abilities.

It's chaotic and messy but in coming back together these two might just realize that's how they both best shine.

[i-made-a-bg3-blog]

Look, it’s not like Astarion intended on becoming a Harper, it’s just - well, burglary and pickpocketing are a little more difficult when you can’t enter homes without an invitation or go outside during the day, and he’s grown rather accustomed to a certain elevated lifestyle. There are other places he could turn to for money: the city owes him an estate and a title at the bare minimum. But, there’s something to be said for self-sufficiency, and, though he hates to admit it, he wouldn’t make it through three weeks as a noble without being bored out of his mind.

The Harpers need warm bodies (or cold ones, as it were) to rebuild their ranks after Orin’s doppelgangers, and Jaheira’s a savvy old crone who never learned to take no for an answer. She pinpoints Astarion’s two weak spots: a heavy coinpurse and kidnapped children, street kids, the kind no one would miss.

They’re decidedly amateurish criminals, and it doesn’t take him long to track them down and dispatch them, messily and painfully. Four children sit huddled in a cage, and Astarion knows he must look every bit the monster as he picks the lock with hands covered in gore, but they don’t shy away in fear when he opens the door. One of them slips his chubby little hand into Astarion’s and refuses to let go until they reach the safehouse. It’s…odd.

“Good work, Harper,” Jaheira tells him after, and Astarion makes it explicitly clear that he’s simply an independent contractor, an expensive one. 

Jaheira just smirks like the witch she is.

So he contracts. He infiltrates the Guild (and feels insulted when Nine Fingers doesn’t recognize him; he’d like to think he’s rather unforgettable), foils an assassination plot or three, even teams up with Minsc and a turncoat Thayan to stop a gaggle of Red Wizards from doing…whatever it is they do. It’s a good business, he supposes. A hero’s reputation is a small price to pay for a hero’s coffers.

Jaheira’s wise enough to know when to hang up her blades, and it makes her more of an insufferable busybody than ever, which - somehow - becomes Astarion’s problem. First, it’s his own cell, then suddenly he’s the field contact for four others. He’s dragged to the most dreadfully tedious logistical meetings imaginable. The only reason he agrees to any of it is that Jaheira can turn an offhand comment and a raised eyebrow into the kind of challenge that itches beneath Astarion’s skin. It should be all too familiar and just as unwelcome, that burning need to prove himself, but it’s not. It’s different, perhaps, when he isn’t being set up to fail.

Jaheira passes away peacefully in her sleep at the ripe old age of one hundred and ninety-two, and Astarion’s convinced he can hear her grumbling about that all the way from the Fugue Plane. She would have rather gone out fighting, but, privately, Astarion feels like she deserved something gentler than bleeding out on a battlefield. He never did tell her how much he admired her (though he doubts she would have appreciated such open sentiment: ‘I did not realize I looked so terrible that you’ve already started my eulogy.’), but she must have known. He thinks he’s really going to miss her.

Right up until the moment Rion is handing him a pin and leading him to a library full of dossiers and documents. Then, he’s ready to cross the Astral Sea just so that he can bring her back and kill her again. Independent. Contractor. What part of that did she not understand? 

He goes home and locks the door with the full intention of ignoring every Harper that comes knocking. But Harpers are nosy little shits, and after he nearly disembowels one who surprises him by breaking into his house just to tell him the most idiotic plan to dismantle a smuggling ring he’s ever had the misfortune of hearing, he realizes hiding isn’t going to be an option. Besides, Astarion cannot be privy to such levels of incompetence and sit idly by. 

So he helps. Provisionally. Just long enough to find a decent replacement, and then he can wash his hands of the whole thing.

Unfortunately, it’s not as easy a task as he had hoped. Every potential candidate lacks something: consistency, creativity, confidence, the common sense to understand Astarion’s eminently logical filing system. It takes him three decades to accept that not only is he excellent at the job, but that he enjoys it immensely. 

When they make him take a title, he chooses Spymaster. It suits him - dashing, mysterious, questionably moral, because he’s never been a hero, and it would be foolish to pretend that he is.

They all call him High Harper anyways.

[uncanny-tranny]

Whenever people who are entrenched in diet culture talk about how terrible chemicals are, I just want to whip out this:

[lunar-years]

Jamie spending so much time with Roy and visibly being so close to Roy that even Roy’s little niece takes note and ensures he’s invited to their Uncle’s Day celebration as Uncle Roy’s best friend, YET Jamie still being surprised, flattered and excited several episodes later when Roy does something as simple as invite him out for a beer, because that’s clearly something that’s unprecedented—the first opportunity to hang out as friends without any guise of it being for football—is just soooooo!! The implications are so silly. Roy definitely spent the entire season framing every interaction he had with Jamie around “work” and “training” even when he really just needed to be around someone (well, specifically around Jamie) because his ass couldn’t just admit he likes having Jamie around. We know from the show he showed up at least once in the evening for “once more before dinner” (Roy…it was literally dark outside and you’d already had Jamie running around twice that day. be forreal)

…so anyway! Roy bringing dinner over to Jamie’s 4 nights a week and it’s really because he doesn’t want to eat alone and having his meals with Jamie is just better, but he still disguises it every time as “well I obviously need to make sure your nutrition is sound and you are eating enough and the right things this is a very important part of your training. I am doing you a crucial service.” Roy bringing Jamie along with him when he watches Phoebe because Phoebe and Jamie adore each other, but Roy “makes” him show her some footie tricks in his back garden and claims it’s because “being able to explain it to someone else is how you become a leader on the team this is very important” or else has him haul phoebes around on his back or whatever as “strength training” to make himself feel better about just wanting Jamie to be there to hang out. Roy following Jamie back home after matches because he needs to “assess his post-match routine and make sure he’s not overdoing it,” but really it’s just them plopped on Jamie’s couch watching bad reality tv and judging it together. And then *obviously* he might as well stay over, so that he can also observe and give Jamie his helpful advice on a morning wake up and stretch routine. Totally necessary!

And look, part of Jamie understands what’s really happening here and at least sort of knows Roy really does like spending time with him outside of just work and training (hence all his best friend teasing on Uncle’s Day), but Jamie is also a bit of an idiot (affectionate) who in equal measure sort of believes he’s just deluding himself and that all of this really has been an elaborate and effective training scheme from Coach Roy.™️ They perplex and bewitch me. s

[meamiki]

vaguely based on a stream silly from the first stream. when my friend KEPT INTERRUPTING LOOP DIALOGUE.

vvv vague context clip below vvv

aaand. well. apologies for layers of links because 18+. if you are intrigued by that clip and want to watch the full streams there' s a link to the full vods channel in this linked post right here.

(there are 11 streams.... mainly because we did all the optional content except the ghosts event i think? because RNG)

i promise my audio quality gets better ASFSAFASFA