#also im learning my art style right

[hinamie]

playing around w slightly different hair renders

[nordidia]

having a very rough night so raph doodles needed to be made

when in need, mash two interests together

[eloscore]

distant flickering, its greener scenery

obligatory no filters

[dandyshucks]

heres a quick Philby sketch !! just pretend all their clothes are rainbow coloured 🌈 :]

[suburbanbonfire]

I love seeing the progress pics on your work!! I feel like I'm hovering over you and soaking up digital art knowledge

OHH yes!! I'm so glad!! I take so many screenshots because i bombard my friends with constant updates, so i will absolutely include more going forward! i love to share.....

i'm happy i'm an artist you feel you can learn from!! <3 <3

[phantompeaches]

Tumblr exclusive drawing because I have no followers here and don't know how I feel about it. Amy Rose Gijinka ♡ ill redraw it better at some point prommie

[pencakesstuff]

when i first started drawing, i did it for fun and just for myself, but recently i feel like ive been drawing much more to impress?? i guess >> to impress who, idk, but it makes me not enjoy drawing as much xd i rlly need to get back to drawing for fun and not worry so much about what people think of it ^^

[felassan]

Snippets. 🐺💜 DA:TV spoilers under cut.

Kala has heard rumors that there may be merch pins coming of Assan and Manfred [source]

(Previous comment for context - Dev Brenon: "You can sprint, there is also a dash/dodge move you can do for short range mobility - though I don't tend to use that much when exploring.") A user asked on this, "Will it be a push-to-sprint key, a sprint toggle, or other (to be explained later)?". Brenon replied with some more detail on this feature: "Right now it's a pseudo-toggle, you press it once (while moving) to start sprinting and then as long as you keep moving you keep sprinting. If you let got of the movement controls, you stop sprinting." [source: the official BioWare Discord]

User: "if a choice i made 30 hours ago affects me.. best believe im restarting the whole game". Brenon: "Uh oh''. User: "UH OH???". Brenon: "I mean... we do have "decision saves" before big choice moments, but there are still a bunch that depend on a whole mess of stuff you've done earlier... so... yeah... RIP :P" [source: the official BioWare Discord]

They hope to get a bunch more BioWare-themed emojis for the Discord [source: the official BioWare Discord]

Trick Weekes has been signing DA:TV stuff with "with love and appreciation for your patience" [source]

Carly: "theres so much id love to say, but i unfortunately can't , that being said, i hear y'all and love working on a game for such passionate people and hope y'all enjoy when it does come out 💕" [source]

Actor signing attendees report that it was amazing and that we're in good hands with this acting cast. You can see more photos from it here [source].

Dev signing attendees report that it was packed. You can see another photo from it here [source]. and here is a photo of the sign from it [source]

Another photo of the booth [source]. Sometimes at the booth the devs had a Solas statue [source] (this is done by Dark Horse). I think Dark were also displaying somewhere a Varric and a Cassandra statue too, and I think these were the ones that Dark Horse do too (Varric, Cass), but I can't find the image or video where I originally saw this anymore, sorry >.<

The companion tarot-style art from the website was shown on the big screen at the acting panel [source]

A few more details from the actor panel, from an attendee: John Epler said that this is the best group of companions written because of their relationships with each other, not just Rook. They can become friends, lovers, rivals with each other. Zach thought that Lucanis was the coolest character he gets to play. It sounds like he mentioned Illario [I'm assuming] by name. Lucanis is quick-witted. Neve is a bit of a romantic. Jessica found voice acting freeing as it felt like playing pretend when she was little. In her role, she felt like she could embrace being very powerful. Neve is passionate. On Emmrich, "wisdom, calm to group, warm-hearted, loves learning". Emmrich has some fantastic lines. Along with working with Varric to track down Solas, Harding has also been working with Rook and Neve. Ali talked a lot about how much collaboration there is between BioWare, the actors and the material they're given to work with. Harding has been through some things and has more of an edge to her, but they can't talk about it! [source]

A few more details from the actor panel, from an attendee - Jessica Clark: "A lot of the time, we kind've really all bonded in the way that we were intended to, you know? And that's why we've been so excited all week and all weekend, because we can be like 'oh my god you're here', 'oh my god you're here, you're here, you're here', finally, you know? You know, I know on a lot of projects people are like 'oh yeah, we're all like, we love each other', but we really do, we really really do, and it just evolved so organically, and there was something magical about it just being our voices in the beginning, you know, like, sort've taking anything else out of the [equation.]" [source]

A few more details from the actor panel, from an attendee - Nick Boraine: "I think I've been preparing for Emmrich all my life. I was very attracted to the role initially, and I was so, I was so, I was overjoyed when I got it, because I think it was, the writing of Emmrich is really fascinating, it's this, this man that is obsessed with death, on one hand, but on death as a comfort, death as a transition, death as something that is not scary, and that, that ability to enable people to transition and the investment that he gives in that sphere, which we don't give in our own lives. I was immediately attracted to that and I thought that that was, I'd never seen that before, so to go in these two ways, to talk about death and to talk about it in a way that is kind, and that the transition becomes a kind transition, that was fascinating to me, and I think, will be fascinating to you too." [source]

A few more details from the actor panel, from an attendee - Zach Mendez: "[before they started shooting] I did kinda get an idea about how passionate the fanbase was, which made me really excited. I don't wanna say nervous, because I don't say I'm nervous, I say I'm excited. And so, before the first day of shoot, I was very excited. And luckily, you know, Ashley and them, didn't have me do too much on the first day. I played a lot of darkspawn. I darkspawn-ed my ass off, though. I want you guys to know, I really. And when I got home, I thought to myself, 'Zach, did you darkspawn hard enough?' I was just worried. You know, and within an hour I got texts from Jeff, who's a part of this cast as well, and G, telling me what a great job I did, and then I'll never forget, I got a call from Ali Hillis down here, and I'll remember that conversation, because for thirty minutes she made me feel like I was welcome in the Dragon Age family, and it gave me so much confidence moving forwards. So thank you, Ali, so much, I still remember that." [source]

[Character limit text break!]

Varric and Manfred: "not romanceable" [source] ?

Neve mostly eats deep-fried fish [source], it makes up the bulk of her diet [source]

Bellara loves pan-fried fish [source]

John on SDCC: "thank you to everyone who came out to the signing. thank you to everyone who came out to the panel. thank you to everyone who said hi, swung by the booth, or otherwise expressed how excited you were about the game. absolutely amazing experience. was wonderful to see you all" [source]

There's a lot of lovely concept art for DA:TV [source]

Trick Weekes: "One of the things I was proudest of was inviting leads from other teams/departments into writing peer reviews and having them later say, "Wow, those critiques went deep, but everyone stayed professional and compassionate the whole time." My junior-most writer knew she could tell me I was wrong." [source]

Violet: "As we get closer to DATV, I just want to send out a reminder Var lath vir suledin 😭" [source]

Derek on the casting department: "They really did an incredible job! Every single one of these folks deliver such amazing performances." [source]

Derek: "a lot of great talent doing awesome stuff from KY nowadays. I count myself extremely lucky that I can work on such an amazing project with such a wonderful team straight from my home state!" [source]

Michael Gamble: "i know a few people on the DA team, and i want them to have a nice time." [source]

User, on the recent word count news: "Sooooo , when will I (we) get to hear all these words". Michael: "hopefully when the game is out." [source]

User, on the news of no microtransactions: "This is great news that I hope survives past the review period". Michael: "it will" [source]

User: "What class have you been playing as in DAV mostly?" Michael: "mage. i light everything up. everything." [source]

DAMP / multiplayer mode is not returning [source]

Ghil: "Im very sorry for the teasing tweet but to be very real, i really miss playing veilguard and to stop THERE and have to wait over a year is killing me tbh. Im bothered. My crops are dying. I am withering. I want to know what happens" [source]

A user asked a question around if there are dialogue options and choices available in the game that indicate a mixed or less favorable positive perspective on Solas. Bria, a Councilmember, shared: "As an Egg Cracker, I was pretty satisfied with what we saw. I don’t want to go into spoilers but I was able to play my Rook the way I wanted when it came to the Sad Egg Man." [source]

User: "would you be able to tell us if you can change your perspective while in a fight? Those circles we saw on the video were kind of hard to see from that angle". Ghil: "Like a bit- no promises but they told us a lot of stuff like that would be in an accessibility feature. I get pretty motion sick so I remember talking about backing it up a bit." [source]

Kala: "The amount of gasping, screaming, @/ElbenherzArt having to lay on the floor, @/hattedhedgehog and @/chaosbria having to stand up from excitement and us just being in shock the whole time. Yeah 🔟 😎" [source]

Kala shared that there are moments in the game that she knows people will freak out about [source], that in terms of marketing, she knows that the devs have more things planned [source], and that she found Bellara endearing, despite not usually vibing with optimistic and energetic characters [source]

Kala shared that she feels that the Lighthouse is way cooler than Skyhold [source]

Also, in early May 2024 Zach appeared on a podcast:

Zach: "I'm very excited because it looks like at the end of this year, the video game that I've been working on for about three or so years is gonna come out, and I'm really excited for that. I'm gonna come back on and I'm gonna promote that, you guys, you will have no choice, I'm coming back on." Host: "Does the video game feature dicks?" Zach: "I can't say too much about it, but it, it doesn't ignore dicks, you know what I mean? It doesn't, you know what, there might be, yeah, there's, it's a sexy video game, it's a hot video game." Host: "So are you a character?" Zach: "I'm a character in the video game." --- Zach: "I'm gonna come back on to promote the hell out of that, because I'm really excited about that. I'm still working on that, and that's been, like, I'm super grateful for that, because that's been going on for like three years and it's been consistent work." --- Zach: "I'm super excited about it [...]" "Other people help you make really amazing things, when humans get together they make pretty stuff, and this game looks amazing"

[source (acting career segment. source link isn't work-appropriate. I don't recommend the podcast)]

[akanemnon]

Last question before I once again leave you to rest and recuperate for the rest of the hiatus.

Do you know color theory by any chance?

(And if so, can you teach me some techniques…? /nf)

Your most recently posted piece is so amazing that I can’t even put it into words. It’s cool how you can switch between styles like that. However, I hope you’re taking of yourself in the process!

If there’s anything to learn from the anon attacks, it’s that even though some people unfortunately don’t see it, being an online influencer of any sort is more of a sacrifice than it looks, and it can the tiring to the creator when others don’t understand. Im not half as popular as you are and I too am starting to feel the effects of posting almost everyday for the sake of the fans.

You’re probably the first online artist I’ve been a BIG FAN of. Not just because of your AU, but because now I’m know I’m not the only easily anxious artist out there. You’ve really inspired me, and lots of other people too, but to keep up the good work, you have to make sure you’re also okay.

Take care!

- The Kogetai Kiddo.

I know some color theory in terms of creating designs. For painting, not so much. It's a pretty complicated subject to explain, so that might take quite a bit to get into...

And no worries, I am taking care of myself and take plenty of breaks in between when I'm getting too frustrated. As for the style thing; I like to try different things once in a while to prevent stagnation. I can switch between styles thanks to practice, but changing mediums does take some getting used to. Digital painting is not exactly something I'm that good at because I don't do it that often. It takes a lot of time and energy. But it's a good challenge.

Honestly, I don't want to be titled as an "influencer" or "content creator". I'm just some person who likes sharing their work and comics that people seem to like them a lot. I'm no authority figure and I don't like seeing myself as something greater than others just because of some numbers. Numbers don't mean anything. It's the person that matters. I just wanna make art, and if it happens to make people happy, I'm happy too. Still anxiety and internal pressure can make things hard. There IS that underlying feeling of having to perform and do well. Because those are your own standards. In the end, you are your own worst critic. Anxiety is the worst, and it's an endless struggle against it. But it's possible to live with it. At some point, taking a step back and realizing you need a break is the right call.

Hoping the best for you and all the other anxious artists out there!

And with that'll be off on my last few days of break. Asks are closed now. See you back on Sunday!

(Little teaser from the next page for good measure)

[pien-art]

-FAQ-

Hello! I've gained a whole bunch of followers lately and I've been getting a lot of questions about commissions, what my setup is, what brushes I use, etc, so I thought I'd make a post about it to answer everyone's questions at once !

Putting them under the cut <3

Commissions:

Commission prices are listed in my pinned post. You can send me a private message about your commission idea and we can get to talking :) It is helpful to have enough references handy (character, outfit, descriptions etc)

I am generally a fast drawer but I also have a job and a physical disability so there might be moments I can't work on your commission. But that is never longer than a few days at most.

Payment is upfront, the full amount and via paypal only. I know this might seem a bit scary but unfortunately there are a lot of people who end up not paying for commissions and I want to avoid that.

During the process I will send you frequent updates and will ask for input, to see if it is going in the direction you want. You can ask for changes during the sketching progress but once I've started on line-art and coloring, no big changes will happen. (You can for example ask for a different color for a shirt etc, but not for a different prop or pose or expression)

When it is completed, I will send the drawing to you via email. The drawing will remain mine and it is not to be sold or profited of by the person who commissioned me. If the commission is for something commercial/for selling, that needs to be discussed. I prefer to do drawings only for personal use!

For more questions, my dms/asks are open :)

How long have I been doing digital art:

I've been drawing digitally for about 5 years now i think? But before that I've been drawing and painting traditionally literally since the moment I could pick up a pencil.

Set-up:

It's just me and my ipad and apple pencil laying on my bed. I wouldn't even know where to begin for those whole multi-monitor/screen setups ;-; I draw only with Procreate

Brushes:

I tend to play with different brushes from time to time to get different textures, but generally i use the same few for most of my drawings/styles. My favorite one is the Peppermint Brush, for sketching. I use it in every drawing i make! I always sketch with it, and often do the line-art with it as well! And it makes for a nice textured brush for rendering as well! (i used it for a lot of rendering of the armor in this drawing)

The (procreate) brushes i use a lot are

for medieval style: inking - Ink Bleed (for line-art) artistic - Quoll (for coloring)

for general style: calligraphy - Chalk (coloring/rendering) sketching - Peppermint (line-art/sketching)

for realism: calligraphy - Shale Brush (full rendering) Also using the shale brush for smudging and erasing when drawing realistic

for lineart: smooth pencil from this pack by Heygiudi

How/why do you choose a base color:

I tend to look at a few different things when deciding on a base color/color palette.

the overall color of the reference pic

the color i associate with who or what i am drawing

the feeling/vibe i want to give off with that drawing

color has a BIG impact on the vibe of a drawing, so it is something i keep in mind when im drawing.

Using a color as a base to start, helps a lot with my drawing process. It helps me pick out other colors so they match better. It helps me get light/dark values right. And the chalk brush i use, has gaps between the strokes, so the base color will always come through a little. Having the same color come through in the entire drawing, helps pull all the colors together if that makes sense? I always start with a solid base color when i am painting traditionally as well!

Advice:

PRACTICE!!! just keep drawing and practice. I know this is such generic advice but truly practice is The Way. Learn from other artists but don't compare yourself to them. Everyone's artistic journey is different and there's no "good" or "bad". And most importantly make sure that you have fun when you're making stuff :3

I also learn a lot by studying art I admire and love. Figuring out what it is I like about it. (for example, the line thickness or the shapes or texture etc), and try to incorporate that in my own style in a way that is not directly copying or stealing.

[dustykneed]

Got any advice on drawing McCoy? I hear people all the time saying how hard Jim is to draw (and he 100% is almost impossible i don’t deny) but McCoy T-T that wrinkley old bastard just completely eludes me for some reason lmao

ANON hiiiii!! i gotcha buddy. hope this helps!

obv this is just how i interpret them in my style. there's no right way to go about this and another thing that helps is to, aside from referencing the source material, look at how other artists (off the top of my head, toboldlymuppet's trek art on tumblr definitely had some influence in how i drew them when i'd freshly gotten into trek!)

also forgot to mention but mcspirk definitely has really distinct silhouettes!! so don't be afraid to mess around with stylisation and emphasize the features that characterize each of em :]]

for this references are your good friend! (i'm a hypocrite bc i only use refs when im completely stuck LMAO it's a bad habit. use those refs liberally. don't be like me 💀💀)

learning to stylise blorbos always takes some work but i promise you'll get there<33 here's a side by side comparison of one of my earliest bones scribbles and one of the most recent-- you can really see the evolution of how i was able to get more comfortable with characterization (even though I used refs for neither of these LOL).

you got this!!!

[beatcroc]

a year!!! as of today i have now been drawing these funny little pizza freaks, to the exclusion of almost everything else, for!!! an entire year!!! i wanted to do a nice group shot/lineup of everybody to compare to when i first started trying to draw them because oh boy were they bad. i never even posted most of them anywhere because they were so bad. but im posting them here, now, to see how everything's changed/evolved.

this is probably the hardest time i've ever had trying to figure out how to work with a style, but we got there eventually; i'm pretty happy with the handle i've got on everybody now...dont let ur memes be dreams. lots of unimportant journaling and idle thoughts abt it below.

older pics

the first one is the VERY first time i drew them, before i thought i was going to actually have any interest in drawing them [lmao]; it was just the one isolated image, for my friendserver, to illustrate the funney message, so there was no attempt to make it Good or actually understand anything going on w/ the designs or style.

second is the original run of practices sketches to start trying to figure them out for real; done after i started having ideas for the comics and such and realized oh god maybe i am actually gonna draw fanart for this. [again, lol, and lmao.]

third one is the first pt art thing i posted on here. there were a couple weeks of sprite studies between this one and the previous image. the one on the top right wasn't part of that post i just threw it on as space filler; i'd intended to shift to doing Sprite Redraws But Stylized to explore tings more, but that was the only one i did. ¯\_(ツ)_/¯

individual characters

peppino: by far the hardest dear god. bro what ARE your shapes how DOES your face work. jesus christ. everything i have trouble with this style for, peppino has it in excess. i draw in polygons! i need consistency! and that is the last thing this kind of style is concerned with. they are made of squarshy clay and i do not understand how to mold them. i was really hoping trying to learn this game's style would GIVE me that kind of flexibility for fun exaggerated facial expression but i don't think much came of it in the end 😔. anyway on the bright side all this means once i got peppino figured out a little bit everybody else clicked way easier.

fake peppino: honestly i never did anything with him on purpose except for how his eyes work + the perma-smile thing. i figured ok hes supposed to look weird and off model so whatever happens with him happens. and it did. and it kept happening. it is still, in fact, happening.

noise/ette: somehow, for every bit that peppino was the least natural thing i've ever tried, these two worked pretty much right off the bat. i still don't understand it, seeing as pretty much all the things at play for peppino are also at work for them. i think the new sketches are actually a little worse than older ones but not enough that i care.

gustavo: really funny bc i drew him on model twice and just went 'okay, cool nice, easy, um. he doesn't have any fucking legs?' fortunately he was the only one i had a strong idea for how to stylize him [square] and it worked exactly as i was hoping so wahoo.

brick: is an animal and therefore 5000x easier and more natural for me to draw/stylize than anything else in the cast. that is Just a rat bro. i can draw a rat.

gerome: i think the funniest one here. the most drastic and least necessary change imo. i was gonna have him be really small at first, like smaller than the noises, but then i just... didn't. he's just peppino-sized now. also i gave him like. actual human facial structure, which is funny bc in most cases i'd do anything to avoid, but it works well for his being A Rock to give him some angles and definition like that+ to differentiate his vibe from the rest of the cast who are all very squishy. also since he is essentially Just A Head it's good to emphasize that too ig.

john: i only drew john a couple times but he gets to be here because i like him. and because most of the stuff i applied to gerome was readily applicable to john, though i did try to keep him a little more uncanny because he is a Huge And Lanky Freak. i hate that he is barefoot btw but idk how to make his color balance look right with shoes.

pizzahead: i did not want to put him on here honestly but i Have drawn him a handful of times and more importantly i didn't know what i was gonna do with john's pose if i didn't have him there to be glared at. the only thing that's different with him is giving him wider-bottomed pants, which i got from when i tried to draw these guys in clone high style [i never posted that one either][i will eventually]

snick: he gets to be here because 1. he's like 6 lines 2. i like him and 3. ive scribbled him a few times offhand and it went pretty well

misc

there are some guys missing because those are guys i didn't draw enough [or at all] to have gotten comfortable with them. sorry

i would have Liked to shade these but for the time being i have accepted that my grasp of light/shadow has decayed to the point im not going to be happy with anything i try there, so For Now i am working on my presentation with flats i guess. gerome has a shadow only because he's shaded like that ingame and looks naked without it

anyway if you are still reading [hi?] i get to shamelessly plug now. i'm over the hill of my pizza run now, and while i still have plenty of things i want to make here, most of the bigger more in-depth ones have passed. pizza tower was the first thing in THREE YEARS to get me out of my oc groove to doing fanart, and once i am done with my ideas here i will be going right back to it. if you like my art or how i write characters/interactions you should check out my oc/webcomic blog @jamverse . i can't promise people who like pizza stuff will be terribly into my designs, but i can guarantee i treat my guys with the exact same sort of tone i handle the pt guys with. and hell, i've mentioned it a few times before, but like 70% of my characterization for fake pep is just copied off one of my characters, so if u are going to miss him... he will still be there in spirit >;p

and if you dont care about any of that and are still reading thank you anyway. actually making these comics + seeing how shockingly well-received they've been has done a lot for my confidence, and for seeing that my kind of stuff IS something people enjoy :')

[epiicaricacy-arts]

without the sour the sweet wouldn’t taste

why are you as a man eating another man’s ear after you failed to make him eat his ex girlfriend. 🤨🏳️‍🌈⁉️

im allowed a bit of toxic yaoi. as a treat

process discussion utc ⬇️

for those familiar with my work you’ll know that i like trying a lot of new styles and experimenting in order to achieve a certain vibe. usually those are heavy painterly styles such as the sunday art inspired by Yuming Li, which is what i’m familiar and comfortable with, both traditionally and digitally

what im NOT familiar with is watercolour. i’ve never had a good time with it 🥲 i just cant seem to wrap my head around the process since its requires me to work backwards (light to dark vs dark to light)

for this piece i just couldn’t imagine myself rendering it in my usual style. i needed to do something new so that i’d stay invested enough in the piece considering that it has two people, meaning double the work. for some reason i thought it’d be fun to do double the work with a style i am completely uncomfortable with but oh well!! i managed to do it 🤷‍♀️ i was specifically looking at the works of Ko Byung Jun, an artist i’ve seen all over my pinterest feed

while i didn’t end up really following the style super closely i still learned quite a lot just by looking at it while i drew. i tried my best to stick to watercolour brushes and an ink pen but as i was nearing the end i needed to make some alterations that i wasn’t bothered to try fixing with the watercolour brushes so i just went over it with my digital ones 🫡 i did my best that’s what matters!!!

i had to repaint rody a few times cause i just couldn’t get it right and the colours never ended up matching vincent. i painted them separately and i think i got possessed while painting vincent cause it happened in like. 40 minutes. and i couldn’t get it to happen again 😔 it didn’t really matter cause i ended up going ham with the curves tool as always but you know 🤷‍♀️

here’s the image without all the effects:

i find lately it’s been more and more common for me to be sketching several iterations of a concept for days, even weeks before i land on something i like. i have an entire separate canvas that i’ve spent 5 hours just doing thumbnails trying to figure out how i wanted to pose these two in a way that would showcase the characteristics that mattered in the story of this piece.

that’s my process for coming up with drawings: i find inspiration somewhere, i figure out the key concepts/characteristics/symbols etc i want highlighted, and i work around those. sometimes i have a composition in mind or just a general vibe i want to portray. for this one i wanted to make sure the towel, rody’s injured finger and vincent’s face could all be clearly seen, while also portraying the fight scene and the vibe i get from the reference song. almost all of my work revolves around a specific lyric from the song which drives the story of the piece. here i interpreted the line “without the sour the sweet wouldn’t taste” as a connection to all the little actions vince takes with rody that can be seen as “sweet.” drying rody’s hair, bandaging rody’s cut. i then asked myself how i could take those actions and make them “sour” or show them in a different light, in which vince is biting the finger he bandaged and pulling rody closer, preventing his escape with the towel he used to dry his hair. what im trying to communicate in this illustration is the idea of “if it weren’t for how i’m treating you now, you wouldn’t understand how kind i was to you then” in an attempt to illustrate the complexities of the way vincent acts towards rody.

i’m truly in love with the story telling of this game. it’s hard to really say anything about how the characters acted during the story because it’s so complex in how it’s done. it’s very hard to summarize their relationship because there’s so much about it i can’t explain without just quoting the game directly. i think it’s such a beautiful portrayal of obsession and just being fucking weird about someone. i wanted to ensure the elements i mentioned in the above paragraph because i didn’t want to be portraying vincent as solely a villain and rody as a victim. i wanted the storytelling of this one illustration to live up to my impression of this beautiful game and i hope i did it justice.

thank you for reading this if you’ve made it this far. i love rambling on all my art posts cause i think it’s so valuable for artists to expand on their work outside of the result alone. i hope what im saying is at most helpful to someone and at the very least a good read. i’m probably gonna take a bit of an art break after this since it took a lot out of me, plus im on the last days of my trip. thank you again for reading!

here’s my dog

[cookii-moon]

BE WARY OF ART STEALERS!

can’t stress this enough but I’m sure some of you have seen this person around lately

DO NOT LIKE OR REBLOG THEIR POSTS.

this account basically takes ninjago art (or what they think is ninjago art) from artists all around the internet without permission and posts them on their account in batches. When asked if the art was theirs, they said yes

This is a bold faced lie. Whoever this person was didn’t take the time to remove watermarks and it’s incredibly obvious they’re stealing other peoples work. Some watermarks are blatantly obvious.

One of them wasn’t even ninjago art, it was ATLA art I believe.

Included the full image for this one so y’all can see the account for proof (though honestly you could easily go to the account and find one with somebody else’s watermark within seconds) and also see how this person is gaining off of other peoples work. This stolen art should NOT have 35 notes.

Don’t support this person. Support the actual artists the art belongs to. Many of them can be found by the watermarks!

I recommend people block them, or if you want to keep an eye on the situation I recommend you always check the account posting the art before liking or reblogging right now. Going off of style or recognizability will NOT help you because they’re stealing from other artists with various art styles - and some of them are also here on tumblr.

I don’t like doing this and I don’t know how many people it’ll even reach but PLEASE be careful of who you support right now.

It also goes to show that you might want to do background checks if someone is acting suspicious! Obviously don’t make your judgement off of a vibe but if someone is posting with little to no words and just posting art at insane frequencies with watermarks or styles that don’t seem to line up, maybe you should look into it before supporting them. Of course, sometimes it’ll be a false alarm, but it’s better to be safe than sorry!

It’s not just this person, I’ve noticed other instances of art theft recently, so I would also like to remind artists to watermark their works!

My recommendation is to have an obvious watermark that people WILL see if it gets stolen by someone careless (I.e like this instance) and I recommend having it overlap with several different colors and shading and such so that it’s more difficult to edit out. I also might recommend hiding smaller watermarks inside your work that are less obvious so that if more careful people do edit out the first watermark, you can still have a fail safe.

UPDATE: Im pretty sure the main person behind the theft was either banned or deleted their account. I will be keeping this up for a bit so people can learn from this instance. While the original person is gone, art theft is still something that can and will happen. Let this be a reminder that you should always watermark any art you post to the internet if you don’t want it stolen! An unwatermarked piece of art is harder to trace back to the artist than a watermarked one. Even if watermarks can be removed, they discourage people from theft. If a work has no watermarks, people can and will try to get away with it, and the only way anybody will know is if they’ve seen the original artist post the work before. Of course, some people might not care while stealing, but it will tell people something’s up.

[aychama]

I'm sorry if this is too personal but did you had/have any art trauma caused by art teachers in school? And by trauma I mean some aversion to try learning one thing, because art teacher was just a dick. I have something like that with shading and it still holds after 6 years as a adult and I want to break it, but I cannot force myself to try it again and this holds my proggres as a ,,artist" and that's make me smad. I'm sorry once again if this is too personal or too hard to answer

Yup I did! Tho idk if I can call it "trauma" tbh

Oop I kinda went on a rant sorry lol

I studied ceramics in uni but I did have nude art classes and classes that required detailed art projects.

Although most of my uni time was wasted thanks to covid, I did get harrassed by a few of my classmates and my teacher in my last year.

My classmate had said that my art level wasnt good enough to be in this uni and my teacher yelled at me in the middle of class for like a week or two because I refused his ideas for my projects (he had given me the ok on the design before he changed his mind 180 and started pointing and laughing at me with my classmates while i worked on my ceramic project)

I eventually had to give up resisting because I wanted to pass the class and let him do whatever he wanted. (He legit just put clay on top of my design, smoothed it out and that was it in fact here is the design he gave me the ok to, the middle of my project and the way he stopped me)

After this I basicly didnt do anything more for his class, minimum effort. My days in Uni weren't all bad thank god but I was extremely unmotivated.

After I graduated, I didnt really draw or create much until my love for drawing rekindled with Cult of The Lamb! I love this game and Narilamb too much lmao-

But as for something similar to your experience I would say that I used to play the bass and electro guitar in highschool and we had to perform one day which I chickened out from that resulted in the music teacher getting angry at me. I dont play the guitar anymore :/ But my love for music hasnt died and I am using my love for art diffrently!

I would say that even if certain experiences deviates you from some topics, branches of art or people, dont let it kill your whimsy and ideas. You can always try out diffrent things to find something fun like diffrent styles of drawing, shading or no shading, diffrent mediums like digital or traditional, new or old techniques, weird colors or designs. You can always try out whats popular to see if you like it or not as well. You can also consume a lot of art media, educational or entertainment.

There is so many creative things you can try out, you dont have to be stuck on the past and that one shading idea your teacher tried to teach you ır tried to force onto you. I think you can go back to it after trying out many diffrent things to see if it was the technique or the teacher that ruined it for you.

If it was the technique, there are many MANY diffrent ones that you can enjoy!

If it was the teacher, Im not a therapist so idk what would be the right thing to say but healing takes time, sometimes the things people say never leaves you and sometimes you forget it 5 minutes later. You are a person with the ability to change, learn and grow. The only thing that is in your way is your 'will'. If you are willing to change, even if takes a long time, you will change! But if you dont want to, then no one can force you.

Healing and moving on is hard but not impossible. Dont let an asshole teacher get in the way of your growth ❤️

[lemon-wedges]

Hello!!! I love your art and your style. I'd love to hear your inspirations behind how you draw and, in addition, hear a bit about your painting process (I love the impressionistic look your paintings have)

ahh!!! thank you so much ;u;

Ill tried my best to break down my thought process behind my drawing, so i hope this all makes sense aahaha

undercut cause it came out real long

SO Karl Gnass is an instructor that i took an anatomy class with. and who broke down anatomy in a way that really helped me grasp space. like space a figure occupies. and from that i think my characters feel a bit more...grounded? im not sure what the right word would be but tangible is something people sometimes say about my art.

And i do think when youre able to make a figure look like its really wrapping its hands around something it makes character interactions a lot more intimate.

heres a few under sketches i do when i start a drawing (i am trying REALLY hard not to use my nsfw ones tho those are pretty perfect when it comes to showing u anatomy RIP)

after i got the poses done ill turn down the opacity and rough sketch out details on top of these. and once THATS done i move onto lineart. and the most important aspect of this step is NOT TO TRACE YOUR UNDER DRAWING!!!! thats what sucks the life out of your work!!!!

instead you use your undersketch as a guide. ilI actually redraw the simple anatomy underneath very lightly, erase where they over lap and then add line weight variety + darken up the details.

examples of this are gonna look a little messy but. Left is the original pose i drew out with rough details. right is the drawing i do on top of it. you'll see theyre not one to one and theres some lines i didnt fully erase out when redoing the anatomy. i find my clean up has a lot more energy when i do this.

the thing about my style is that you'll notice i never actually do actual clean smooth lineart. and thats because i HATE DOING THAT SHIT. like i did learn how to do it and consistently forced myself to do it for over a year. and while i do think i learned a lot about line weight and drawing clearer. i realized? its just not for me. I like a textured brush and i like being able to see those small lines i didnt get to fully erase out because i think they look cool lol and thats ok!! do what you want forever man!!! its your art!!!

Also before i move onto painting ill show you this neat little trick. you know those more "loose" drawings of mine that feel more gestural? the begining process is exactly the same. the difference is i use a chunkier pen and try to see how much i can simplify details + just feel out the energy of lines

NOW PAINTING.

man. where to even start.

the thing about painting is that its an entire different set of skills that need to each be honed on their own and will slowly build up together. ill break it down like this.

VALUE, COLOR, and TECHNIQUE

I've said this on another ask before but you'll notice ill do a lot of black and white sketches. and i do that to practice choosing how to group values.

like this example. how light is laios' wolf coat compared to his skin? or kabrus skin color compard to laios coat. when do you want to really push the contrast of light and dark and when do you let values be closer to each other when you DONT want attention

the next step from this is adding a light source.

and when you're working in black and white its a lot easier to pay more attention where you want your light/how its gonna look like hitting youre characters and how far youre gonna push your shadows.

and you know if you get good at this you can play with limited color palletes

this is literally just be picking out blues and hitting the bottom with the gradient tool to light it up

NOW COLOR

is a lot harder and also very subjective. I do a ton of impressionist studies where i just color pick the fuck out of a piece to see what colors masters used + knowing the history of paint and what colors were available during that time period. +knowing what colors = what mood + knowing what colors to use when you want to be more realistic vs when you want to lean into more stylized+ what colors YOU specially incline towards + AHHHHHHHHHHHHH

its a lot and im actually still learning myself

But when i do a painting i collect a LOT of refrences of the kind of mood i want my own painting to feeling like. I've show the first example in another ask before but heres one from my latest labru too

WHen i actually start a painting tho they look like this. The top drawings are just flat colors with a simple outline of where i want the light to be hitting. like in my value studies im just trying to get the idea down, seeing what values need to be darker vs what is lighter. and how the light source covers the character.

figuring this out in the begining makes the rest of the painting so much easier because youve essentially made all the big compostion decisions NOW. from here you can start playing with colors.

my second stage, youll see with drawings at the bottom, is when i start using my texture brush to lay in extra shadows and just play with variety.

and then? i start rendering

that would be TECHNIQUE

And well....thats also something thats gonna be very subjective.

With my own style im not interested in rendering everything to perfection. Im trying to figure out how to texture hair/skin/clothes in ways that make them feel like the materials they are while also showing the energy of my brushstrokes.

I dont zoom in while i paint btw. everything i do is zoomed out so i can see the entire drawing. it helps me not tight up my strokes while also letting me build up all areas of the painting equally. the only time i zoom in is when im lining out the eyes/mouth of a character. and yeah. it drives me insane doing this because ITS SOOOOO Tempting to obsess over paint 1 area forever then zoom out and see that nothing matches lol

The other thing about my style of painting. Is that im not gonna use the exact same formula for every piece. like this isnt cell shading. you can have an idea of how to texture skin/clothes/hair and sometimes it looks great and beautiful in one painting and then it looks like shit in another. ive overhauled a lot of paintings multiple times because what i thought would work doesnt and ive had to force myself to explore and play with my brushstrokes. and you know? i wouldnt have it any other way. it means none of my paintings are gonna look alike! and i think thats pretty cool :D

ill leave you with this in the end. a painting im in the middle of doing and debating to overhaul cause im just not feeling the strokes. who knows what ill look like in the end

anyways i hope this helped a little? even if you look at all this and go. IM NEVER GONNA DRAW LIKE THIS BOZO ahahah

BUT I WISH YOU LUCK ON YOUR OWN ARTS :DDDD