#also if this whole end to this arc is underwhelming

[finely-tuned-line]

RP:

EMERGENCY TRANSMISSION

FTL: FTLR-3, the Rot I had accidentally created a few cycles ago has proven itself to be part of the Great Cycle.

FTL: This is extremely dangerous due to the fact that no matter what actions are taken against it, they will be futile. FTLR-3 will continue to spread - though in which fashion, I do not know. The reason it even is part of the Great Cycle is due to its peculiar intelligence and awareness. It currently is taking the form of a cyan lizard, similar to that which it originated from.

FTL: I have figured out a way to attempt to eliminate it, but if that plan fails, everyone and everything is doomed.

FTL: This transmission is a warning to everyone: I will do my best to stop it, but the end may be imminent. And not a pleasant one either.

FTL: Though I will be putting my plan into action, any and all suggestions are appreciated.

FTL: I suggest you prepare for the worst - though I will send out another emergency transmission if that does happen. If you hear nothing, then it's all fine. Still, do not hesitate to contact me if you have any questions or suggestions. I

FTL: I apologise for this mess that I have created. I will do my very best to fix it.

[flower-boi16]

I Don’t Really Like How Season 3 Handles Hunter’s Trauma of Losing FlapJack

Thanks to Them shows the grand finale of Hunter’s whole character arc throughout the series; he’s healed from his past trauma and abuse he underwent from Belos, and finally stood up to Belos cuts him out from his life. It’s a solid ending to his arc…until you remember that Hunter now has some brand new trauma of his abuser coming back, being possessed by that abuser, and then having that abuser kill his best friend while possessing him meaning that he was essentially forced to watch himself kill his best friend.

And this…never gets addressed. Ok, that’s a bit of a lie, For the Future tries to resolve this but execution is…eh. Hunter spends a lot of For the Future grieving over what happened with FlapJack, with him being more dead set to catch up to Belos then ever. The resolution that the episode tries to give to this is Hunter gaining new powers that he got due to FlapJack’s sacrifice.

Now, I do like what this represents, as it represents that FlapJack will always be with Hunter deep down even when he’s gone, it’s pretty sweet. But….at the same time, it’s also still fairly rushed and doesn’t really fully resolves or addresses Hunter’s grief. We never get to see Hunter come to terms with what happened, his grief still goes unaddressed.

Watching and Dreaming further continues to gloss over Hunter’s grief over what happened and at that point it doesn’t really get much of a resolution, it’s, again, entirely glossed over and not really resolved. The show effectively added in new trauma for Hunter at the last minute in the final season when it didn’t have much time to really address it, so now we’re supposed to just assume that Hunter came to terms with it off screen which doesn’t feel particularly satisfying to me.

I don’t think FlapJack’s death was pointless and it did serve a purpose, but it seemed that writers didn’t have much time to address Hunter’s grief and the resolution we got felt…very underwhelming. Season 3’s ending for Hunter was decent overall but when it came to this aspect I think they kinda fumbled the bag.

[ven0moir]

tw; rant. Once again here to remind everyone that byler not being endgame is, at best, negligent queerbaiting

this is the show where one of the producers said "the UD mythos is important but the heart of the show are its characters and their interconnectedness/family dynamics" or something along those lines AND also said that "very few things are coincidences in this show."

i'd have been ( and i bet a lot of other bylers too ) COMPLETELY FINE without byler even being a possible card on the table. i'd HAVE STILL BEEN A FAN OF THE SHOW without byler! in fact, i WAS--i cared more about el and hopper's rs than i did mike and will's. it wasn't until S4 that i REALLY got invested in the show bc of the promise of will's arc, WHICH INCLUDES MIKE. the way they handled the painting arc, if byler isn't endgame, is literally the most underwhelming thing i've seen.

the only difference that byler makes in my case is that if it hadn't come across as a real possibility, then i would've remained a casual viewer and not think about the show again until it came out, like yknow, most people. so this whole "will they won't they" thing going on makes it feel like a marketing technique to keep people who enjoy byler hooked at the promise of something significant developing there.

this isn't about "oh your ship didn't become canon? tough luck" it's legit that they would ruin their show for me FOR. NO. REASONNNNNN. I WAS ALREADY A FAN!!! I HAD NO BYLER EXPECTATIONS!!! not to mention how shitty it is on the lgbt community. and also, the mass hate bylers would get.

and before you say "its ur own fault for being delusional, they didn't queerbait--" I'm sorry but what Noah is doing IS QUEERBAIT even if he doesn't mean to and the duffers should tell him to stop hinting at byler until post s5 or whatever

im not even going to talk about the show IMPLYING BYLER for ages. for example; dustin telling lucas that he saw him and max holding hands and that meant there were feelings between them even if lucas denied it/said she was just scared vs mike holding will's hand AN EPISODE PRIOR

or the song "on the bus" playing during a lumax scene where they connected vs it playing on a byler scene in s4 using very similar phrasing it's like they're subtly winking at the audience.

the shitty way that mileven finally got their 'i love you' like im sorry it feels so rushed and awkward if this was supposed to be the culmination of mike's arc

i could literally go on and on and on and other bylers could as well so yeah. ugh im sorry for the negativity in the tag but i just REALLY need that to be very clear that byler vs mileven isn't an argument that is ocurring on equal ground and that byler isn't 'just a ship that people analyze too much'

if it was never going to be canon, THERE WAS NO NEED TO HINT AT IT **AT ALL** and THAT is what really grinds my gears. most bylers would still love ST bc our favorite character is WILL. we would've been fine if will's whole thing was telling his best friend he was gay and that's it. like, the bar is on the FLOOR ... me personally? i'll be satisfied with will getting a completed arc in the supernatural and having his moment to shine and bringing the story full circle like WE WERE PROMISED ( unless yknow, people want to call us stupid and delusional for expecting will to be important at all )

what i will NOT tolerate is people being mean to bylers for being upset about byler not being endgame in the end bc WE HAVE A RIGHT TO BE. and if you're one of those people sincerely: FUCK YOU. i wish you get exactly what you deserve. thank you for reading and that's it from me

[loycos]

my head's a bit clearer, some thoughts about act 3

-my biggest gripe is episode 7- cool idea, love the concept of peaking into a different universe and seeing what our characters couldve been under different circumstances, but a WHOLE episode. when you only had 9 episode in this season, that already feel like theyre moving at a neck's pace. for a universe that ultimately doesn't matter to the main universe where the story takes place. the fact it had timebomb made it feel extremely fan service-y.

-no emotional resolution to a lot of characters. viktor and jayce are the only ones i can think of that felt like they got the screen time and care for an actual emotional closure.

-isha wasn't even mentioned in this act. in general she was already a martyr for jinx's character development but guys can you make it less obvious.

-it started in act 2, hence why i was so jaded on it, but it continues here: just where the fuck the political drama between 2 cities go? the conflict between zaun and piltover took a back seat since episode 4 and never came back. the resolution to it isn't bad per say, but when u got so little focus on it in the finale it just feels rushed.

-i loved the cait and jinx scene. but like, that was the resolution to it??? after act 1 thinking about it disappoints me. im not against a conversation being the climax to a story, but that is, and im not joking, the ONLY conversation these 2 have in the show one on one. in general the jinx\cait\vi arc ends with 1 conversation per duo (well caitvi got one fight and one very steamy sex scene but u won't catch me complaining). and after act 1, idk i think i wanted just a little bit more. im biased though- the jinx\vi\caitlyn dynamic is my favorite part about arcane. the teasers for s2 always had them front and center so i assumed it'll play a bigger part in the story???

-i felt like what the show was at its core, which is the conflict between the sisters and the cities, was completely sidelined this season. in general i can't really tell what the main theme of the show is anymore. but yeah look at the resolution to the jinx and vi story.did it feel like it had the emotional impact u expected? cause i felt like it was underwhelming.

-sevika?? didnt speak since episode 4???? huhh???

-maddie was pointless. why was she there?? i don't understand the point of that character. i dont understand her motives. she ended up not mattering at all to caitvi's story. the only thing i got from her inclusion is "caitlyn fucks" but is it that THAT important??? of a character trait??? to add to caitlyn of all people?? in THIS season??? this belongs in the realm of fanfiction.

-a lot here felt like fanfiction actually. every silco inclusion (except of him in the cell with jinx), the whole "nobody dies au" they threw in the middle, even the caitvi sex scene (IM NOT COMPLAINING THO). the caitvi scene at the end was dialog out of fanfiction, wtf was that.

-why did caitlyn lose her eye? im not like against the idea on a base level but losing an eye is very symbolic, and im not sure what its supposed to represent here. caitlyn is an observant person, its a big character trait for her. so youre basically saying she sees less now? that she's more laser focused? i sure hope not. wasnt her whole arc with giving up of revenge about seeing the "bigger picture"? her sacrifice didn't feel in character, because caitlyn is not really a "fight to the death" type of character like ambessa is. if she made that sacrifice for something like love, or for the betterment of other people, that would be more in line. idk, you couldve made me on board with it but im just very meh on it. also caitlyn only really emotes through her eyes, it sucks that we get even less of it now?? though i guess it doesnt matter at this point.

-what was the point of the enforcer that looked like vander?

-ambessa was so wasted in these last 2 acts its crazy. where's the "you have to be the fox and the wolf" mindset from her? she felt like she was wolfing only with no wit anymore by the 3rd act.

-mel????????????? it was. uhhh. maybe you shouldve saved it for another series, riot. but in this show, waste of time. the fight she had with caitlyn against ambessa was cool tho.

-i sound like im a hater but u have to understand. s1 of arcane was a political drama and a character study show. seeing all this discarded for magic and time travel shenanigans on like 4 different fronts was so jarring it took me out of the show multiple times.

-cant believe im saying that, but i wish they'd try to stick closer to the characters' current state in the source material (the cursed game). someof it felt out of left field and done for shock value, which isn't why we love the story or these characters to begin with.

good stuff:

-caitvi sex lmao ill take it babyyyyy

-jayce and viktor's scenes at the end were powerful.

-as usual, the visuals were phenomenal. the animation is gorgeous. fortiche u made this show what it is and youre still its saving grace.

-thank god they dropped the warwick\vander plot

-i liked the implication of the conclusion to jinx's story, even if it felt a little inconsistent with the character.

-the ending to jinx\vi\caitlyn was poetic and i did love it, even if it was rushed and didn't really hit the emotional highs i wanted it to.

[bibibbon]

MHA chapter 426

4 more chapters until MHA ends and wow!!!

Honestly this chapter was mainly the conclusion of the todoroki family arc which I still hate how it played out and ended. The whole todoroki family NOT INCLUDING ENJI deserves so much better than what horikoshi gave them.

Hawks is the new HPSC leader?!?! I feel like the system should of just been destroyed considering how much it hurt everyone and hawks by no means has any proper character development to take this role. Hawks hasn't really broken down his flawed beliefs or truly developed from his mentality that ended up getting one of the most redeemable league of villains members aka twice killed. Also he barely reflects on his actions and all of this feels so underwhelming and unprepared for.

Todoroki family deserves better. The ABSLOUTELY vile ending the todoroki family received is horrible like I really feel like they should just runaway and live in a house without endeavour and actually take up on endeavours attornment bs. Like the only one who gets it is natsou who has every right to live with his girlfriend and keep her far away from that environment and oh my Rei deserves so much better both narratively and by the fandom.

Enji still sucks. Yeah I can't lie nothing this man can do can make me like him and it doesn't help that hori has written all of those retcons to humanise him and make him pitiful. I feel like when it came to the todoroki family arc enji took on a whole lot of screentime WHICH HE SHOULDNT OF!!! That should of gone to shoto and the rest of the family and an easy way to fix it is to simply have killed enji in the first war arc (as was initially planned but hori changed it later on) ALSO I SAY LET TOUYA REST AT THIS POINT!!! having him just mechanically alive and stuck is horrible honestly I think that death is much more of a merciful fate for him at this point.

So lady nagant chose to go to jail?!?! Her reasoning for it is actually so sad though and it really shows how much hero society traumatised her. Like the woman didn't want to be free so she can't be used by anyone and would rather spend time in prison over it. I wish that she was hawk's mentor from the begining because the vibe those two give is absolutely amazing and it would enhance the parallels and relationship they have if they were. Honestly I hope hawks actually does a good job but Iam still all for the destruction of hero society and I doubt hawks is actually going to reform it properly also the hero society is so deeply flawed that I don't think there is a proper way to reform more like just scratch everything out and start fresh.

Spinner is back. I hope I don't see him have a breakdown when he realises what happend to the league because I can't handle that. Also that begs the question I thought that spinner had become somewhat brain dead after all he's been through so how did he turn back from being a giant nomu?

I can't handle the sibling angst too bad that touya and shoto didn't have a better arc. The whole shoto trying to know touya better and him revealing that soba is also his favourite food softens my heart. In another universe where enji doesn't get a redemption touya gets one while justice is served to the todoroki family.

Gentle criminal and la brava getting justice. (The only good part of the chapter fr)

in conclusion this chapter was horrible if we look at it from a story perspective due to how badly MHAs already established plot points and themes are handled!!!

Also what happend to the random character in the last chapter!!! I hope we get closure on that soon

[coraniaid]

I wish that Professor Maggie Walsh had been the true Big Bad of Season 4. And I wish that she hadn't been unceremoniously killed off halfway through the season. And I wish that -- over the whole history of the show -- she wasn't one of only three human women aged over 25 who were allowed more speaking time than the creepy sex robot Warren Mears builds in Season 5 [and note, by the way, that neither of the other two are alive at the end of the show either].

But most of all I wish -- I really, really wish -- that I could persuade myself that Maggie Walsh was even the slightest bit interesting. Because I'm sorry, but she's just not.

Is there any villainous character on the show where the difference between how compelling they could have been and how boring they actually are in canon is this stark? The show has had some pretty underwhelming arc villains, sure, but Adam is about as interesting as a rejected Doctor Who villian with a floppy disk drive in his chest could ever have been and the First Evil was originally created to be a disposable monster of the week to begin with so it's hardly a surprise she doesn't manage to transcend this and Caleb very obviously only exists at all because the writers panicked when they realized the First coudn't offer any sort of personal physical threat.

But Professor Walsh should have been different! This was the start of the post-high school seasons; a start to establish the tone of the whole show going forward. She would have been the first antagonist fully grounded in the world of the real; not a vampire or an immortal man who sold his soul to become a big snake, but a fully human villain who never stops being human. She could have been written as a juxtaposition of Principal Snyder and the Mayor and Gwendolyn Post; or as a more explicit foil of Joyce Summers or Rupert Giles. She could have been a villain who could challenge Buffy in both the supernatural and regular worlds. She was a successful woman in her fifties in academia in the 1990s! Wouldn't a show whose "feminism" was anything but surface deep be even a little bit interested in exploring what that meant?

Professor Walsh could have related to Buffy and her friends in ways no previous villain ever did. What does it mean for Buffy -- who we've seen worry so much about her own future prospects, and her fear of ending up like her mother -- to have a possible role model who managed to combine a sucessful career with knowledge of the supernatural? What if Walsh's attempts to win Buffy over to her side lasted for more than half an episode? Or, failing that, what sort of threat could a smart and capable human who knew about Buffy's secret identity as a Slayer have posed her, given her own pronounced reluctance about hurting ordinary humans? What would it have meant for Buffy's fears of not being fully human if an expert in the supernatural had looked at her and seen a monster? And why is Willow suddenly interested in studying pyschology all of a sudden, and does it have anything to do with the fact her own parents are both succesful academics who work in this field?

The writers aren't interested in even pretending to address any of these questions. [Did they even remember what career they gave Willow's parents?]

Depressingly, the only reason Professor Walsh is actually here is to answer the question "what if your new boyfriend's stuck-up mom didn't like you because she was a jealous bitch and then she immediately got herself killed anticlimatically because she was also really fundamentally stupid about it?".

What a waste. And they hired Lindsay Crouse for this?

(Also: if they were going to make Professor Walsh a "world renowned" pyschologist the writers should maybe have bothered to look into how seriously the field took the ideas of Sigmund Freud in 1999. Although her character's second career of experimenting on and cutting up demonic creatures for fun and profit would have made a lot more sense if they'd set her up as some kind of biologist, right? Or just make her an English literature teacher, if her teaching career is meant to be a front anyway and you want her to deliver themtically relevant monologues about Freud and Jung. At least I'd believe Buffy and Willow wanting to go to her class then.)

[danyyytarggg]

my many complaints about hotd that no one asked for (i have not read fire&blood):

- isn’t there supposed to be a war going on? besides episode 4, i feel like we’ve only gotten very small snippets of war taking place. give us more snippets of war, death, despair, of the effects of this fight for the throne (besides that of king’s landing) please. even the emotions are off. i wish there was a greater sense of urgency that comes with a war being waged. i feel like jace is the only one capturing this urgency.

- going off of the first point, why isn’t rhaenyra showcasing any of this urgency? or anger? true determination? she doesn’t even do anything and then states something along the lines of “i don’t think i can win this war.” what? why isn’t she fighting tooth and nail for her throne? why isn’t she fueled with more rage that her son was murdered, her throne usurped? i’m sorry but she truly has not been doing anything except begging to go off to fight on syrax which is admirable but very much not helping. she needs to be making moves and barely any moves are being done. and then she complains about the way the others view her. i’m not a fan of her council but also you have to prove them wrong by actions not just by words, and there are no actions but plenty of words on her end.

- rhaenyra’s hesitance to do anything. i understand her hesitance for war but its just been taken way too far in the show. by continuing to paint rhaenyra in a good light by making sure she doesn’t do anything that could be seen as bad takes away from her character and how interesting it could have been.

- overall, not a fan of aegon’s characterization and while i haven’t read fire and blood, from what ive heard about his character in the book, it is infinitely better and more interesting. he’s supposed to be the opponent of rhaenyra and yet his character is very weak and almost brushed aside in favor of a more rhaenyra versus alicent front which makes me upset. i am absolutely not a fan of aegon at all. i truly wish they did not make his character the way they did as it would have been so much more interesting if they went with his book characterization instead.

- daemon. his harrenhal arc was interesting initially but has dragged on far too long. i understand that they’re trying to flesh out a character arc for him however when there are only 8 episodes and a supposed war raging on, spending so much time and energy on this arc seems like mistake when they could have spent this time advancing and fleshing out the war more. if anything, i feel as though it was purposefully done in this way in order to give an excuse to NOT flesh out the war considering the war doesn’t seem very fleshed out in almost any front except for the happenings in King’s Landing. also, he is chasing away all possible allies, which is frustrating.

- the whole “a misunderstanding started the war” is lame. the greens were already in opposition of team black way before this misunderstanding, why is it now suddenly this one misunderstanding is the driving force for what is taking place when it never was before? trying to paint alicent in a good light by making the whole thing seem like a misunderstanding takes away from her character and how interesting it could have been.

- how locationally-isolating the show has been. everything seems so isolated to driftmark-king’s landing-dragonstone-harrenhal. i wish we could see more of what’s going on in westeros

- helaena. her character is nowhere near as present or fleshed out as i would like it to be.

- the way jaehaerys’ and lucerys’ deaths feel very much forgotten. everyone got over the deaths very quickly with little mention besides the first few episodes.

- the overall reactions to rhaenys’ death was underwhelming in my opinion.

- reaction to aegon and sunfyre being injured: team black’s reaction to aegon and sunfyre potentially being dead was underwhelming and further drives the point that despite aegon being the direct opposition to rhaenyra, the writers truly do not view him as a major player at all. team green’s reaction was also so so underwhelming. this is the guy you all have been saying is the true heir to the throne, the whole driving force behind your team’s actions, ambitions, etc - and yet, there’s barely any true, substantial reaction to him being nearly killed. it’s just been overshadowed by aemond’s ambitions and the secret of aemond being the one to nearly kill him and sunfyre. also you guys are basically down a whole dragon and there’s no reaction to that?

- i’m sorry but mysaria x rhaenyra. it’s just the idea that bothers me - the writers can’t give us a proper queen!rhaenyra arc, but they can give us another rhaenyra romance. the show continues to build rhaenyra’s character around her romantic partners. without daemon by her side, i would have liked to see her come to herself and develop without a romantic partner to fall back on. instead, she has another romantic interest to fight her battles (mysaria being the mastermind behind the plans helping rhaenyra win the throne/win over the people of King’s Landing). it just makes rhaenyra seem entirely incompetent on her own.

- alicent x criston cole. i feel like the show has been putting so much attention and tension on alicent’s relationship with criston cole when i would have preferred more focus on alicent’s relationship with her children. also, for a woman who is so strongly against sexual relations outside of marriage, about duty and honor, i feel like showing us exactly how alicent x criston cole came to be is very much important for alicent’s character? instead of showing us that they’re in a relationship without any information on its progression, making it seem so out of character for alicent.

- yeah otto left but that doesn’t mean they shouldn’t be showing us his POV.

- the very much lack of unity in team green.

- the very much lack of unity in team black.

what i like:

- my girl alys

[kuschelkissen]

So uh. Episode 6, huh? I mean, I knew I'd be disappointed when I saw that it was only 26 minutes long, and that fear became true. I absolutely think this ep would've been A LOT better if it had had time to BREATHE.

Like. No scene was really long enough to have actual impact? Even those that I liked were just at least 1-2 minutes too short.

The photo shooting? Cute! Love that Lu Guang could just lift Cheng Xiaoshi like that but didn't account for the change in center of gravity. Would've loved it a lot more if it had been longer, though?? Give me more of that wholesomeness, give me some more of the bonding with Xia Fei! (Cxs has a picture of both of them as his chat background??)

The scene with Wang Qing? The beginning was OK, I guess (wtf was that story Vein told her?? It would be funny if it was his own lol), but as soon as the mum took over, I felt like the rug was pulled under me?? It was NOT serious at all, and while it's kinda 'nice' to see that he apparently has his silly side from her, there was NO emotional impact, at least not for me. And again, it could've worked, if the scene had just. Been. Longer!! Give him time to process that this is his mum!? Give him time to be angry at her! Like he gave a whole speech to his dad, and he didn't even know it was him, so his mum should've gotten it worse??

I also high key hate her more than the dad?? Like?? Idk where she is in this moment, but she has to be at some place in the future to be able to dive back, but even if she were just 10 min into the future from here, at this point she was gone from her son's life for a decade and she's behaving like she just left for a week of vacation or so???

I feel so sorry for Cheng Xiaoshi... and the poor loyal soul is STILL waiting!!

The talk of Lu Guang and Vein also was... a bit underwhelming tbh? So you're telling me Vein asks him "Why do you look at me with murderous intent lol", Lu Guang answers "I have my reasons", and Vein then just leaves it at that? 💀

(Do you think Lu Guang said the Detective set the forest on fire? Since it was the same that Vein said and somehow that answer fits him)

The fight with Wang Qing was also... well. The fight was OK, BUT WHY DID SHE GO AND GET THE DAMN BOOK?! wtf?

And of course, the sweetie line was said to her 🙄 biggest letdown, but I expected it.

And then. Uh. What happened?

Does Lu Guang have another power? Is he able to remote-kill people? 😅 why did Wang Qing's eyes glow blue?? Does Vein's real name have anything to do with this??? And why does he (seem to) know that this is Lu Guang's doing????

ACK so many questions. Kinda wondering what that means for Lu Guang and how he will end up...? Like. Killing someone in cold blood isn't really a hero kind of thing, so I wonder if he will get punished for that 🥲

Either way, the whole death scene, or rather the aftermath of it, felt short again. Not even a real grieving moment for poor Xia Fei 😭

The kitty hat is back?? How??

Xia Fei telling them that he'll get the one who killed his boss, oh well, I guess we will see him again, but not as a friend anymore 🥲 i mean, that was to be expected, but... still 😭

I guess my biggest disappointment was finding out that this is the current timeline because wtf. So we just ignore that Cheng Xiaoshi didn't know that he could dive by himself in s1. Okay, cool cool.

Xia Fei disappearing in the end, uh, I guess I'll interpret that as him going underground on his hunt for the killer of his beloved boss. (Why did the other guy disappear? Who knows. Maybe Xia Fei finally snapped... (was that one of the guys that tried to drown him? Didn't have time to check, but he looked similar? Need to check the credits for names maybe))

And then Vein did a Bella Swan impression, I guess.

So who's the one with the fake death ability, since director Li apparently confirmed that Vein didn't have powers in the Yingdu arc? Is it Wang Qing, since the code was on her id? But how is Lu Guang involved then? ARGH.

Tldr:

Too much stuff happened in not enough time. The episode would've profited IMMENSELY from just 10 more minutes, though more would've been better imo.

Cheng Xiaoshi's parents are awful. Even if in the future we will learn that they had a good reason to leave him alone without a word, the way they were portrayed is not on their favour 💀

Looking forward to seeing the hot headed trio again in s3, but I'm also scared of it. (Did Vein have any agency in his fake death? Because I don't think so. And if that's the case, how did he come back? We all know the "came back wrong" trope etc, so what if he came back as Liu Xiao's puppet? Hah. There's potential for drama here, but at this point I'll just not get my hopes up lol)

So. I guess now the waiting begins 💀

[aihoshiino]

chapter 158 thoughts

i lied the hyperfixation took over and reanimated my body

Chapters Since The 143 Kiss Happened And Went Entirely Unacknowledged And Unaddressed Count: 15

Aqua Hoshigan Status: N/A

Usually when an OnK chapter ends on a bombshell like this one apparently does, I usually play a little coy as to my thoughts on it but I don't really see much point in doing that this time. This chapter basically is its final moment, with some swings taken at basically every other character on the way down so I don't see much point in separating it from the rest of the work. That said, my ultimate feelings on it will ultimately depend on how the story progresses past this moment so don't expect me to go too deeply into it for now. All I'll say at the top of the post is that I think this is deeply contrived and continues Akasaka's trend of seemingly beating every character with the dipshit stick in order to make a certain dramatic plot beat happen.

But it'll be pretty messy to follow if I get into the chapter's final scene right here and now, so let's rewind to the start and break down the rest of this chapter too. Don't worry, I have plenty of unpleasant things to say about it as well!!!!

Akane's here!! Actually in truth I had somehow forgotten that she'd cut her hair in the weeks since her last appearance so seeing her turn up with it so short kind of startled me for a second LOL

More AKKN yuribaiting… usually I eat up this kind of queerbait with a spoon because I am a simple creature but it doesn't really hit this time. I think it's because we're running through the Tokyo Blade arc in the anime right now and being reminded of how utterly electric their rivalry used to be makes the lack of meaningful follow-up and ultimate state of their relationship just kind of sad to me.

Seeing Akane and Ruby talking also feels kind of surreal given that it's almost 60 whole chapters since they've actually properly interacted onscreen… Like, obviously they were acting together in the Movie Arc and we can infer they had some offscreen chats then but… well, that's things we can infer, not something that's actually in the text of the story. Akane's involvement in the movie really was a total waste of potential, huh…

that said, wtf is akane even doing in miyazaki. girl who are you stalking this time.

Speaking of things that are weird, Ruby's hostile reaction to the idea of Akane getting a new boyfriend is… kind of bizarre, to the point where I literally have no idea where it's coming from?? Like, regardless of what this chapter tries to pretend, Ruby and Akane are absolutely not close enough for Ruby to feel upset at the prospect of Akane blowing her off in favour of boyfriend time. If anything, you'd think that having Aqua's ex-girlfriend definitively Out Of The Way would only be good on her eyes because it means one less obstacle between her and getting to shlonk her brother, but… apparently not???

The only way I can really make any sense of this is assuming this is the old and crusty "single girl getting jealous that her friend has a boyfriend at Christmas" joke, which I guess indirectly answers the question of whether or not anything AquRuby related has resolved in the Offscreen Dimension.

Anyway, Akane's chatter in this scene leads into something I've been kind of holding my tongue about in favour of waiting until it was addressed in the story and we're finally here - as previously predicted, this chapter starts on the note of attempting to assert that Ruby has 'become an idol who surpasses Ai' and you'll notice the way I phrased this because uh… no, she very much hasn't!

This idea of Ruby 'surpassing' Ai has been floating around in the story for a while now and as I've said before, unless OnK puts a huge amount of legwork into supporting that idea, I simply wouldn't believe it. It didn't, so I don't.

Not only is this assertion just half-heartedly plunked into the narrative - incredibly underwhelming for what should be a huge moment of triumph for Ruby - but the visual storytelling of the manga fails it as well. Like, compare this to similar moments from the very arc the anime is adapting this season - hell, in this very chapter, we see a panel of Kana's dazzling acting during Tokyo Blade. In comparison, the panels we see that supposedly show how Ruby has become an idol beyond compare… they just look like literally every other panel of any of the girls doing idol stuff. Hell, she looks distinctly less striking than some of Kana's performances as an idol and they certainly don't match or exceed the panels we've seen of Ai's spellbinding performances, which really undermines what the story is trying to say.

This is made even worse for the fact that the story has repeatedly pointed out that Ruby is the subject of incredible amounts of favoritism in the new B-Komachi - their boss is Literally Her Actual Mom who was explicitly called out by Ichigo for favoring work opportunities while leaving her fellow members out to dry. Members who, I feel the need to remind everyone, were scouted by her twin brother, not Ruby. Members whose careers as idols suffered during Ruby's clout chasing BH era because of her clout chasing and whose hurt feelings on this are framed as something Ruby is graciously forgiving about.

Like… I'm not saying it's impossible for Ruby to become an idol who outshines her mom, but this narrative as it's currently being presented in the manga falls flat for me because we never actually see Ruby face any kind of struggle on her road to doing this. Ai, Kana and Mem all face significant structural, social and industry-wide issues and toxicity that they must grapple with and overcome but Ruby just… does not?? Ever?? And given the way the narrative has framed Miyako's involvement in her career, the only conclusion I can draw is that Ruby is being shielded from all this by Miyako at the expense of the other girls. Especially because Ruby literally said so in 156!

Idk man. This whole chapter just sucks for basically every B-Komachi girl - that panel of the girls on stage where you literally can't even see Mem's face is so fucking miserable lmao. There was so much weight was placed on B-Komachi's togetherness as a trio of not just idols but friends who genuinely care for each other that seeing the story end up in this place of unironically indulging in all the same favoritism of Ruby and sidelining of her fellow members that Ichigo and Miyako did with the original B-Komachi is honestly just upsetting. Not only does it drag down Mem and Kana's stories, but it ends up making Ruby come off as a tremendously self-centered person in a way the narrative clearly does not understand and is uninterested in unpacking.

And like… bro, I don't want to be pissed off at Ruby!! Pre-BH Ruby is one of my favourite characters in the series!!! But the way she's been coddled by the narrative is deeply frustrating to read! It's frustrating to see everyone else's arcs compromised in favor of forcing this bizarre narrative about Ruby that doesn't even do any good for her either.

I can so easily see a better version of this story where Ruby surpasses Ai because she has so much support and faces none of the obstacles that Ai did, where the story is making a point of just how much further Ai could have gone and how much more she could've done if she hadn't been treated like such utter shit by everyone around her. But the point the story settles on seems to just be that Ruby is a better idol than Ai because she arbitrarily is not affected by societal and systemic oppression for no clearly articulated reason, I guess! You go, girl!

huffs. anyway.

Ruby's little monologue about the short-lived life of an idol also feels like the final nail in the coffin for the story being able to even pretend to do any meaningful industry commentary. Compared to how biting it was in the early arcs, it's a pretty standout representation with OnK's bizarre relationship with idol culture as of late, especially as pertains to Ruby's place in it. I can sort of get what I think Akasaka is going for here - it's part of the theme the story is leaning into lately of letting go of your past and moving towards a brighter future and this is how Ruby is coping with Kana's time in B-Komachi coming to an end. The point being made here is that change is inevitable no matter how you try to hold onto things and the only way to freeze yourself in stasis forever is to die.

But having this framed through the lens of Ruby talking so warmly about the impermanence of idols is just kind of… hello?? Ruby's framing here almost seems to treat the issue as some beautifully tragic but inevitable thing… and is very much is not! Idols age out of the industry because of its obsession with youth and beauty and the fetishization and commodification of virginial purity. Seeing Ruby frame it as this sad but natural thing when these fucked up purity standards literally killed her mom is just. What is going on here.

Speaking of baffling! Nino my girl, what are they doing to you…

I mentioned this in my chapter 155 thoughts that I felt extremely cold about the way the story was choosing to characterize Nino in the actual pages of the manga. I won't repeat myself too much but compared to the messed up but deeply human character we saw in 45510 and the RBKN conflict, this Nino honestly feels like a mean-spirited caricature, amped up to such dramatic extremes that she stops being a person and instead becomes a flat cartoon character used for moving the plot along. I loved Nino in 45510 and the Movie Arc so seeing her reduced to this psycho lesbian stereotype really stings.

also wtf is the manga trying to say with the 'since we killed ryosuke' bit. that was a whole ass suicide. this manga gives me such a headache sometimes.

Anyway. I can't talk around it anymore so. RIP Ruby, I guess. It was nice knowing you, but-

no but seriously, I'm holding my tongue on anything to do with this twist until next chapter because my actual thoughts will depend on how it plays out or if this is even really happening at all - which is NOT something i would even entertain as a possibility if oshi no ko was not the manga it currently is lol

But there's also the fact that, as others have pointed out, that panel of the stab is presented with faded colours and overly dramatic lighting in a way that is consistent with how OnK sometimes presents flashbacks or otherwise unreal visualizations. Given how incredibly dumb the entire cast - including Ruby - would have to be for this to actually, really happen, I'm withholding judgement until I see how this pans out.

That said. Man. I was really taken aback by how not just underwhelming but outright Not Good the actual panel of the stab is. The attempt to mine an emotional reaction out of the pre-existing iconic panel of Ai's murder just falls entirely flat because this version of it is worse in just about every regard. Ai's panel is composed beautifully, with the white petals and the motion of her body perfectly drawing the viewer's eye to the knife and the uncharacteristic expression of total shock on her face really hammers home the 'oh shit' moment. By contrast, Ruby's panel is flat with oceans of dead space despite being a much smaller panel and the actual stab has no weight to it, visually or otherwise. Ruby's body and face aren't reacting to it in the least - her expression is totally lifeless and she just looks like she's mid-stride, not that someone's just stabbed her in the gut. And to add insult to injury, the fucking layering on the killer's hand isn't even right. It's so obvious these two characters were drawn totally separately and pasted together afterwards and the entire moment falls flat as a result. Mengo, girl, what happened here!!!

and to add insult to injury. break next week. because why woudn't it be.

any of yall got ibuprofen

[scruncheduppaper]

i find it interesting that this little revived dsmp era doesnt really talk about c!wilbur as a character anymore because obviously the issues with cc!wilbur (ALSO FOR THE RECORD I DO NOT FUCKIBG SUPPORT HIM AT ALL)

but like genuinely he’s actually one of the most interestingly written characters on the server (might i say the most interesting?) and like. even though cc!wilbur is a piece of shit i still think he was a brilliant writer and his character on the smp changed my life kinda

i think people tend to conflate character morality/character writing flaws/character likeabilty/creator’s status and while those things can influence each other its not like those are the same thing

i definitely feel like after his revival he became a little bit less interesting, i think ghostbur was kind of unnecessary and i also think his ending was incredibly underwhelming, but the recontextualisation of his character and relationship with quackity with tntduo was an absolutely insane move

honestly i kinda also feel like cc!wilbur being a dick irl makes me kind of reexamine c!wilbur’s character and overall arc in a whole new light, like both within his character flaws and writing flaws — i wouldnt call it wasted potential because i genuinely dont think this could have gone any other way

anyways all im saying is, if you truly want to make dsmp separate from the ccs, please dont be afraid to make more content of c!wil lol. like. dont rewrite history or whatever. i hardly even think abt cc!wilbur these days and i didnt really care for him back then, but just because hes outed as a dick now doesnt mean his art didnt have an impact on you back then

sometimes bad people make good art and thats okay

what matters is what you take out of it

[exrasworld]

i just finished the dragon prince, and i have so many thoughts. mostly disappointing.

first of all, i don’t think that the showrunners were prepared for the show to be this long, i felt like all the arcs and whatnot were reallyyyy drawn out, and honestly, they built up this entire world just to focus on three max regions? like huh? there is so much magic and different elves that could’ve been explored, but it still focused on the same characters. i really would’ve just liked to see the show move on with uniting the elves and dragons back together and whatnot, but the entire focus was on aarvaros, which is fine, but i felt like his motivations were underwhelming.

i’ll just do a list of positive and negative

negative

1. karim was actually so useless omg. i understand why they introduced him the first time but honestly after he got banished, that entire arc was useless when he failed TWICE. there were so many long, drawn out scenes focusing on him and the whole mini arc where he and his wife were having a baby and whatnot, AND BRO STILL DIDNT CHANGE. WHAT WAS THAT FOR. stop wasting my time omggggg. but it was super hilarious to see him get crushed by aarvaros.

2. the power of love and friendship: look. i get it, this is a kid’s show and love is supposed to overpower all, but it doesn’t really make sense in this universe because they touch really serious topics and they are not afraid to do that. i don’t understand how ezran was manipulated into forgiving his father’s literal murderer, but that actually pissed me off so much. ik they saved it at the end with harrow being implied to be alive, but im so over it.

3. death of callum’s character: i love raylum, but i abandoned ship after the runaan arc in s7. all of callum’s actions were dictated by his love for rayla, which can be cute or whatever, if he didn’t fucking BETRAY his brother. the fact that he betrayed ezran made me so upset. this may be personal, but i would never let romantic love get in the way of an invaluable sibling relationship that has lasted for years longer than raylum ever has. the fact that callum ignored ezran at the council meeting and acted so uninterested in those affairs was so out of left field and really soured my perspective on his character.

4. aarvaros’ motivation: okay so his whole thing was that he was mad that the council killed his daughter, which makes sense. but if the council was in charge of the cosmic order of all things…couldn’t they just kill aarvaros?? also, why is he so persistent? like at the end he dies but he’s gonna come back in 7 years, but literally why? just to cause chaos? to see claudia? bro quite literally lives in the stars, choose another place to wreak havoc on.

5. runaan and kotolis: literally why the fuck would he return there. he just got out of a curse, which took years to break, and he just agrees with rayla that he needs to go back to kotolis? without protest? this guy quite literally killed the king and he just doesn’t seem to know that fact. i’m thinking maybe the writers did it to put a wedge into ezran and callum’s relationship or to to progress raylum? idk

6. claudia: RAHHHH i actually loved her sm but then by the end of s7 i actually just wanted her to die bro. she literally deserves it. i would’ve actually liked to see claudia either kill soren in the end or soren kill claudia. the show really wants her to be this evil person but then totally ignores that and plays the trauma card. pick a lane dude. also there was literally no reason for her to join aarvaros but she did anyway but the show for some reason kept hinting she was gonna change. i also honestly don’t think she ever cared about terry, which is sad bc he is such a sweetheart.

7. elf apocalypse: chat if there was a cosmic elf, the most powerful being in the universe that’s immortal and WILL come back in less than a decade, while he killed literally all the most powerful beings on your planet, i would just take the L atp honestly 😭😭😭😭 like there is quite literally nothing you could do that would stop him 😭😭😭

positive

1. viren’s arc: i think that he might be the best character in the entire show. his ending and his struggles into madness were really well done and his guilt was portrayed well. the whole thing where he wrote out his backstory to soren and then burned it AGHHHHH so good. his sacrifice at the end was such a good way to complete his journey as a father and as a mage. viren my goat i love you.

2. ruthari reunion: even though i do have my gripes on how it was done, their reunion was SOOOO worth it. the angsty speech ethari gave when he thought runaan was a ghost- dude i ain’t even lying when i say i started tearing up. they are actually so cute together and deserve the world.

3. jamaya wedding: self explanatory. WORTH THE WAIT I LOVE THEM

4. soren and corvis: though i think they are just friends, i see why people ship them. their interactions are so perfect and funny.

5. rayla choosing runaan: though it was a difficult decision, im so glad rayla chose runaan because he raised her and he is her true family. love their family dynamic.

that’s all i have to say rn but i probs have more. happy new year everyone :3

[skruttet]

What are your thoughts on Moominvalley's comet special?

I talked a little about it in this other ask response, but overall I was disappointed. I think it's quite telling that the part of it that made me the most emotional was the opening credits 😅

Someone else said it was "underwhelming" and I think that's a good descriptor for it. The rest of the season as a whole already didn't really feel final enough to me, and you'd expect the finale to make up for that and give you that big feeling of wrapping up the whole series in a satisfying way, but it just didn't hit that mark for me.

The actual journey in the first half just wasn't as epic and exciting as I was hoping it'd be, and I think that's partially due to them using elements from Comet in previous episodes so they didn't wanna reuse them again, like the stilts (though surely they could've brought them back...). The cave Moomintroll and Snufkin end up in also feels like a missed opportunity - it's such a beautiful setting, but all they do there is panic, then see the Hemulen, then he leads them out. Idk what exactly they could've done instead, but surely there was something interesting the writers could've come up with to utilise that space more.

The way Snufkin brought up the sun oil was so awkward and forced; I know it was to establish it so that Sniff could have his whole stinky salesman arc in the latter half, but it's really weird how he explains its origin to his friends again even though all of them apart from Snork were there in Fire Spirit! Speaking of, that was a real step down for Sniff, and I would've preferred him to have an arc surrounding the kitten instead. Maybe he spends the time trying to gain its trust or something, and then at the end, finally manages to do so and rescues it to bring it back to the cave.

And speaking of the cave, I didn't like that change, either (honestly I just think I disliked most of the changes they made from the novel tbh lol. like I get they don't just wanna rehash it and want this to be new and original to an extent, but sometimes that can go too far, or just in the wrong direction). It's just really stupid for them to be like "we need to face our fear and face the comet!" it's a COMET! It's not a mysterious noise you hear in the middle of the night that you can investigate, it's a big hot rock that'll kill you all!! And then Groke moves towards it, and ~something~ happens, but this is a family show so they have her moan again at the end to show she's still alive and I love Jack but his delivery of "I'm so relieved" is so weirdly flat that it doesn't help how awkward and unnatural this ending is lmao.

Now this is more of a personal gripe, but I don't like how Snufkin is positioned at the end. When they're facing the Groke, he's right next to Moomintroll, which I like (and also brings to mind Night of the Groke when they faced her together), but then after the white flash, he's not only nowhere near Moomintroll, but not even near their friends? And he walks away WITH THE POLICE INSPECTOR?! Like thank god Joxter doesn't know he's his dad he'd have a heart attack if he found out his son was so chummy with the cops smh. You could maybe argue this isn't even just a personal complaint, and that Snufkin has objectively been one of Moomintroll's most important relationships in this series, so for them to not have some kind of moment or interaction at the end feels wrong.

Something I was going to discuss in that other ask reply but I ultimately deleted because I couldn't find the words at the time was Little My's characterisation. This season in particular made me feel as though she's so, like, mad all the time. And I understand that anger is her thing, but it's usually a cheery kind of angry, you know? But in this series she sometimes just seems so frustrated and upset and although I like that it explores the more emotionally dramatic side of her, I was hoping that by this final season at least she'd be in a more comfortable and happy place. But in this Comet special she's so exasperated and moody with Moominpappa and I wish they just made it feel more like daughter-light-heartedly-poking-fun-at-her-dad, I guess?

Snork is interesting in this special because he plays quite a big role in it, but I also feel so sorry for him cause he's always getting cut off or used by Pappa and Sniff who don't properly listen to him and I just want to give him a big (figurative bc he hates hugs) hug my poor smart boy let him infodump. There's also a moment where he says "I can explain-" and his sister says "Thanks, Snork, but we really need to carry on!" which is so obviously the writers trying to squeeze in Snorkmaiden's characterisation from the book where she's practical in the face of her brother's long-winded meetings, and is a great example of the feminism of her character there, but it just doesn't quite work the same here. Once again just not as natural as it should feel.

On a positive note, I LOVED the look of the comet itself - every shot of it looked so cool and it changed the lighting of the valley in a fun and interesting way. I also liked how Jarmo and Samuli gave the score of the episode a funky sci-fi sound, which helped set it apart as something special for the series. And despite all my negatives, it's still entertaining! It's enjoyable to watch! Just, for someone who had expectations based on the whole series and the novel, underwhelming.

[tossawary]

Everything surrounding Orihime's kidnapping in the Hueco Mundo arc of "Bleach" feels... weird and underwhelming to me. Like, I'm not fully certain what happened there. Did Ulquiorra hold those two random soul reaper escorts hostage until Orihime returned from saying her invisible goodbye, or was he just threatening her friends generally...?

The invisible goodbye thing has some interesting elements, but... I don't want to call Orihime a pushover for being threatened by genuinely scary people when she's feeling especially isolated, but it does seem to immediately and directly prove Urahara and others right when they said that Orihime is probably unsuited for the battlefield. Even medical / support people have to triage and improvise under fire and work within a greater structure! She (fairly!) does not like weighing lives!

(Though I do think that Urahara and others were very wrong to just tell Orihime to go away. She has no family! All she has left are her friends! And she's too self-sacrificing to ever willingly leave for her own sake! It would have been far better to keep her close and let her train for a medical / support position, so that she wouldn't get kidnapped like this (and would have had the confidence to work out some way to get around Aizen's weird mind games), when Ichigo is fucking notorious now for going apeshit if anything happens to even distant friends.)

When Ulquiorra first appeared in that space between worlds for an ambush, I was like, "OH SHIT, THAT'S COOL." This place is famously dangerous and if she and her escort disappear without a trace here, no one will know what happened. Perhaps Ulquiorra can destabilize whatever safety technology exists here and make it look like some mechanical failure. It's clever! (It also made me imagine Ulquiorra as some kind of deep sea leviathan, cleverly feeding on the plus souls and hollows passing over this trench, where the soul reapers don't think to look. Ulquiorra potentially first meeting Aizen by attempting to ambush him and swallow him whole in this inbetween place would be a great first encounter.)

And then Ulquiorra lets Orihime go to say a weird invisible goodbye? As part of Aizen's mind games to make the Gotei 13 think she left on her own and her feel like this kidnapping was partially her own choice? Unless Ulquiorra was holding those soul reapers hostage at this point in time, I'm really not sure why Orihime went along with this instead of trying to get help (besides her obvious feelings of isolation / depression + plot requires she be the damsel in distress to kick-start the Hueco Mundo arc). (There's REASONING, I'm just not fully persuaded by it.) It feels a little overcomplicated for me on Aizen's end, especially when I haven't yet seen it be paired with any other charisma or compelling persuasion from Aizen, this supposed master manipulator, when Orihime has plenty of buttons to press besides fear.

"Soul Society is broken and doesn't care for the poor people on the outside." "The Gotei 13 are corrupt and will ungratefully turn on people like Ichigo and Rukia as soon as they're no longer useful." "Hollows are people too, aren't they? And the soul reapers don't bother trying to help the people who need them most." "The Soul King is a threat to us all and I'm the only one who can stop him." There are so many lies and half-truths that Aizen could tell! This could be a point in time to showcase how he got so many people to follow him besides spiritual strength, and him being apparently nice to a vulnerable Orihime would be genuinely eerie given what we saw / know happened to Momo.

And this "making the Gotei 13 think that Orihime left of her own choice" story decision could work if Aizen had done more to frame her! But the fact that the Captain Commander immediately makes this assumption with so little evidence makes him look incompetent, when there are so many people who could immediately vouch for her and for the fact that it's way more likely she's been forced into something bad. Of course, maybe the story's point is to make the Captain Commander look bad at reading situations! Rather than simply ruthless for dismissing Orihime as lost and irrelevant. That gets a slight pass, I guess, but it's really such a wild and insulting and unnecessary assumption.

I think what I would have preferred to happen is OPTION 1) Aizen or underling kidnaps Tatsuki first and uses Tatsuki to get to Orihime.

This would bring Tatsuki fully into this arc instead of sidelining her again. It would be a nice culmination to the secrecy straining her friendships with both Ichigo and Orihime, and a nice bop to Ichigo's nose for trying to protect everyone on his own and his utter failure communicating danger to his friends and family. We could have a lot of fun stuff with Orihime and Tatsuki trying to survive together in this place. It would give Orihime some fucking motivation that isn't just "trying to help Ichigo". It would allow Orihime to find her strength by protecting the friend she has always viewed as being tougher and more confident. I need more women in this show who aren't made of relentless boob jokes.

OPTION 2) I would have preferred it if Aizen had found some way to locate Orihime's brother, Sora, and kidnapped him from Soul Society to use against her.

Aizen is supposedly a genius. It would track with the rest of the story if he could invent this technology. It would make the Gotei 13 look really bad if they have a way of helping families reconnect in the afterlife and just don't bother; and it would look really bad for them if Soul Society had utterly failed to be a safe place for Orihime's loved one. If Aizen is interested in Orihime's powers, he would probably be interested in seeing if her brother has any similar potential.

Option 2a is that Sora could be a regular plus soul and remembers Orihime. Aizen could have been experimenting on him and could be threatening to continue experimenting on Sora. Maybe being a regular plus soul in Hueco Mundo without the protection of a soul reaper's cultivation energy is dangerous. The air is toxic to him. He'll undergo hollowficafion again without special medicine from Aizen / Aizen's experiments keeping him as a normal plus soul, and he's terrified of becoming that monster again. Aizen coaxes Orihime to help him by claiming he's trying to find a way to cure hollowfication forever, so that Sora will be safe.

Option 2b is that Sora has no memories of Orihime or they've been suppressed, and Aizen has turned Sora into an Arrancar. Aizen claims that Sora was left vulnerable and starving on the outskirts of the Soul Society, abandoned to become a hollow again, or attacked by a hollow and transformed. Aizen has now used the Hogyoku to take Sora back to a mostly human state and given him Arrancar powers to "protect himself". Sora is grateful to Aizen for having saved him and as loyal as Ulquiorra. Aizen asks Orihime if she's prepared to fight her own brother. Doesn't she want to help him help Sora?

Honestly, I dig Ulquiorra so far and I'd like to keep him (he and Sora could have a weird not-twins thing going on), but you could totally replace his role in the story with Arrancar Sora and then put Orihime through the ringer torn between Ichigo and Sora. It feels so, SO weird to me that Orihime's dead brother never comes up again in this show about dead people and the story barely treats it as relevant.

OPTION 3) is that you bring both Tatsuki and Sora into it! Why not? Have amnesiac Arrancar Sora kidnap Tatsuki while Ulquiorra ambushes Orihime! Have Aizen threatening to turn both Tatsuki and plus soul Sora into hollows if Orihime doesn't cooperate!

I am feeling desperate for Orihime to have anything in her life again that is not her love for Ichigo. They don't have chemistry! The story is not taking the time to develop chemistry and bonding and partnership between them! Ichigo barely seems to remember she exists half the time.

Side note: I can barely fucking believe that Ichigo went off to train with the Visored without telling his family that he was leaving or where he would be. That's not a great sign for good mental health or healthy relationships! Which is probably (hopefully) the point! He could be dead in any alleyway for all his baby sisters know. That's not good big brother behavior! Ichigo has a real problem with not trusting anyone else to protect everyone (not without reason!), including not trusting his loved ones to protect themselves, and I'm not certain yet whether or not the story actually thinks this is a real problem and intends to have Ichigo fix his communication bullshit.

There is so much good, bloody material here if the story was genuinely willing to dig into the mess and make it hurt good. Instead, I'm watching Nel and her little hollow buddies do their fairly repetitive hijinks and Ichigo fight random nobodies who will not be meaningful to the story later. When Rukia finally ran into Aaroneiro pretending to be Kaien, I was like, "Oh, thank fuck, something with SOME emotional weight and compelling psychological turmoil again."

[kyouka-supremacy]

Again the sickness speaking but here's something that has been going through my mind since forever:

I feel like a good way to mitigate a lot of discontent with the doa arc ending and in general the whole Dazai-being-flawless issue bsd has going on is by comparing bsd to Sherlock Holmes by Arthur Conan Doyle. Please bear with me for two minutes.

When Sherlock Holmes was being published, people were intrigued and enamoured by Holmes' brilliant and charming, crimes-solving figure. People read the stories for the pure joy of being left gaping at his superhuman wits again and again; they didn't want to see him fail, they wanted to be shocked and amazed by his genius. When Holmes died and then came back, nobody lamented it being unrealistic, because realism was not what people were reading the books for! They were reading to be impressed, to cheer for the hero and then take satisfaction in seeing him turn out victorious. That's the author-reader deal that was made there: to impress and to enjoy being impressed.

As of recently I feel like we've been asking from bsd something it never promised us in the first place. Maybe it's just not that kind of series! Maybe it's more about surprising the reader with how the hero is going to make it and less about highlighting his flaws and insecurities. And like, that's okay! That's why Dazai getting away with it isn't it him getting away with it “again”, it's just how bsd is; in a way, it's what makes bsd bsd.

I think it really clicked with me like it never did before when I watched the last episode of season 5; because the arc ending felt so shocking and unpredictable, very deus-ex-machina trope, a little underwhelming in its lowering the stakes that were there the whole time, and yet so extremely on brand with bsd, I didn't even have it in me to be disappointed. It was so similar to the Guild's arc ending and even more to the Cannibalism arc ending, and maybe it really is just a pattern, maybe it really is what bsd aspires to be, and that's okay too.

Also, I can't stretch this enough: if it's not your cup of tea, that's fine. I can't say it's mine either. But I feel like criticizing bsd now for how it's always been falls quite short, because it really feels like demanding from it what it never promised to deliver in the first place. That's just as far as my current perception of the series goes, though, so feel free to disagree with me on this.

[class1akids]

Looking back at the manga now that MHA has ended, I wonder if it was HK’s intent all along to go with the ending he did.

Mangaka’s have to plan in advance right? Unless it works differently in Japan, don’t they have to provide a story board and such, along with the idea of what the end will be. Because looking at MhA as a whole, it makes it seem like there is hope in tragedy, the only issue is the execution because the pay off seemed underwhelming, even if the villains were killed. Idk how otherwise HK could have wrapped this manga off with the pay off people wanted.

As an example, looking at the Todoroki plot which is one of the more in depth aspects of the story. Looking back it does seem like Dabi was meant to die in the end, how he “stepped” in to the light with Hawks as I remember seeing metas on that symbolizing hope or such (and now I wonder if it just means Dabi literally stepped into the light.) Aside from that, HK didn’t really give us any signs in MvA, he just kept hammering in how “evil” the villains were, making it seem like they were too far gone, and in the end, it did come off that way where they had to die in order to find peace.

The point is, wouldn’t a mangaka have to have a defined goal in order to publish? Or is it solely based on the decision of an artist chapter by chapter. Apologies if what I said above comes off weird, I’m just frustrated with how it ended, and I just question if HK did intend for this ending all along. After all, why publish it if it wasn’t his intention? Killing the villains is so far on the other side of the bar compared to saving them, I wonder if he thought he was too far gone unthinking they could live in his planning unless Shonen didn’t allow it? But yet again looking at it, it would NOT have been hard to change it up at the end for them to live. He just chose not to. But like I said, maybe he intended for them to die all along with all this set up he was doing for the kids to save the villains hearts. It was never about keeping them alive and maybe people misinterpreted that? Because when exactly did people start talking about the villains being capable of being saved? Or was it just a bias that came up for villains stans.

I wish I could talk to HK and know what it was like. Because it seems like he’s happy with how his manga ended, so maybe it was his plan all along?

I think he needs to have a general plan, but it's not like the story was pre-written. Mangaka have to be ready to end it on short notice if their manga is not successful. Horikoshi at that point already had 2 of his previous manga axed and from interviews, we know he was very insecure and worried and kept changing things in accordance with reader feedback.

As for him changing his mind, we know of two examples that he talked about:

He wanted to have the Forest arc longer with more fights, and to reveal the traitor soon after, but did not do it, as readers' feedback was negative on the villains. So he cut that arc short.

He wanted Endeavor to die in the PLF war and decided to keep him alive - this is obviously one of those big swings between life or death that had impact on the entire story. And looking at Act 3, it's clear that he did not think through properly all of the impact it would have.

We also know that often he did things last minute - for example, Nagant's design and her backstory came from him watching the movie Wanted like 2 weeks before he published the chapter. So obviously that means he changed stuff about the HPSC plot as well compared to what he had originally planned.

As for WSJ meddling: I'm not sure how much influence the editors had. We know that even though he wanted originally Deku to be a quirkless tech-based character, and an adult, the editors at the time forced him to put it into the high school setting and give Deku a power.

But towards the end, he always said that his editors were basically inexperienced yes-men who just cheered him on with whatever he wanted to do. So I'm not sure that WSJ "forced" him to kill the villains, or told him to end with a hetero romance.

But the editors pre-screen the fan mail - so knowing how much Horikoshi was influenced by reader feedback, obviously an editor would be able to manipulate him depending which feedback is given to him.

And in the end, I think he was just burnt out and wanted to end it. I feel like with how abruptly the fight ended after AFO came back in 419, it's not necessarily the big epic scene he had planned, but had no energy to execute whatever he had originally in mind and just finished it. That's the only way I can read why he'd give his MC such a whimper-like ending for his big fight.

[bibibbon]

Chap 429 made me realize I can't stand Class 1A anymore, I like individual students like Tokoyami but as a whole I can't stand them. Their bond is so artificial especially when none of them gave any concern about Izuku's well-being throughout the first year and took Bakuhoe's word immediately. Plus, they are mostly flakes riding off of Izuku's heroism and hard work during the Villain Hunt arc. None of them doing were jackshit about the criminals including "Symbol of Victory" Bakuturd until they remember that Izuku exists. The fact that Hori never lets the students addresses or think about Izuku's quirkless nature after the OFA reveal is something I will never forgive Hori for.

Hori tries so hard to glaze them as this unbreakable team of heroes, but he cheats using plot armor and plot contrivances to make his point seem valid but most of these kids would be dead if the villains were allowed to kill them instead of Hori holding them back with puppet strings. I hate to sound deranged but if some of the students had actually died during the first battle then I could see 1-A actually building a bond and realizing how precious life is and the dangers of being a hero then their concern for Izuku's well-being would seem more valid after all of the other crap they were ignoring about.

Lastly, I hate that damn poem that Hori claims was the inspiration for Deku because it feels like an excuse to justify his narrative abuse of Izuku and deny him any moment of confidence or pride in his achievements. This was supposed to be the story of the Greatest Hero not Class 1-A nobodies. Meanwhile he is too busy celebrating Bakuhoe's moments for during the bare minimum and fans on reddit and elsewhere eat up like its pure cinema or something.

Fair enough it's not that I actually hate class 1A but for some reason I can't simply believe that their dynamic is one of a little happy found family. I just can't and its probably because there's too many characters and we don't get the screentime needed for them to develop such a dynamic.

That is to say I don't hate class 1A like I love the individual characters like tokoyami, iida, jiro and I even love the little groups they have or at least the potential that was in those groups and dynamics.

It doesn't help that it's class 1A that gets the whole we are all heroes thing and the whole we will be there for you Izuku in the vigilante arc. I don't know it falls flat and becomes underwhelming simply because their dynamic isn't well built neither is it well developed. Also them saying they care for izuku seems like it's quite difficult to believe considering that we haven't seen them voice concerns over Izuku's injuries or even visit him during the first war arc when he was in a coma but maybe that's me saying too much because they were in a war and everyone was busy with stuff and trauma.

When it comes to the whole thing with bakugo I personally think that he was supposed to be a minor character for izuku to surpass but him being Izuku's symbol of victory and all of that shows us exactly that izuku hasn't DEVELOPED AT ALL IN THE SERIES!! izuku has continually been an incredibly static character and the ending shows that. Izuku still thought of OFA as a gift from all might instead of his own quirk, he literally never understood the wrongs of the hero system and he never stops viewing all might as this big hero who does so much. Like ugh this could of been things that izuku develops from and becomes a better person but I guess not.

Realistically many 1A members should either be

1) expelled (how is mineta and bakugo still there)

2) dropped out (Iam sorry you're telling me all of these kids parents let them contribute in this bs like are your parents that bad)

3) dead (you're telling me in a field of naive and not properly trained first years none of them have died really?!?!)

These factors would definitely make 1A closer to eachother and would show that they would care a lot more because of what they experienced and what they might blame themselves for what happend previously and it would be realistic/make sense within the series.

Also less 1A members would show just how competitive and tiring the hero course can be (proving aizawas words right) and it would also make the characters big moments that hori gave them have more actual suspense and impact within the narrative and plot.

I have mixed feelings about the poem and the post "the uselessness of izuku midoriya" while I do think it's a good post that shines a different perspective onto things Iam also just not a fan of the concept. I suppose it's because I don't think MHA was built in a way where it's story is a tragedy, like I don't believe tragedy suits the plot of MHA especially when it's not being treated as one.

However, I do think that it could be used as something that izuku starts with at the beginning and then develops into something much more. I think that having izuku choose the name deku and then developing into the name deriku would be fitting just how I would of liked for him to develop from someone whose acknowledgements and influence aren't recognised to someone whose achievements are recognised but not overly praised or anything of the sort something like having him be somewhat of a myth someone whose influence is known but works in the shadows (not literally) but he isn't directly known and isn't like all might. Ugh I don't know how to word it but I hope you understand. I suppose the closest example I can think of is Kim dojka (minus the angst)

(for context this is the poem I assume you're talking about)

Edit

I suppose this maybe better phrasing to what I was trying to say last paragraph.👇