#also i don't completely understand the concept

[avelera]

Ok, I feel like there's three writing concepts that Tumblr needs to get reacquainted with when it comes to understanding fiction:

Catharsis - Sometimes, fiction engages with horrifying, disgusting, painful, or scary concepts in order to bring about a positive experience for the reader. This can be through the hero defeating a disgusting evil, like defeating an abuser for example. One might also get catharsis not out of the defeat of something bad or uncomfortable, but simply from the experience of living it vicariously, such as joy at successfully hiding the body of a murder victim. There are literally countless examples of catharsis in fiction, but most importantly it must be understood, it is completely harmless to real people whether you're experiencing catharsis at something good happening or something bad happening that you get to live vicariously because it is literally fiction. Indeed, there's a lot of evidence that getting to experience catharsis through fiction at evil things, say, living vicariously through a fictional character committing adultery, even if you would never want to cheat on your own partner, actually helps purge the desire to do evil things oneself.

Pleasures of the genre - some genres have expectations that go with them. If you, as a writer, don't include those pleasures, you might turn off the audience. For example, the Western genre has a certain expectation of being set in the 19th c American West. There's usually cowboys and horses involved. If you write a story that's advertised as a "Western" that takes place entirely in a New York City apartment, it might be novel for the genre, but it might also piss off a bunch of readers who were expecting horses. You can do it, obviously, but don't be surprised if readers are confused and perhaps disinterested in the work. More salient to Tumblr perhaps - Marvel believes it is creating action/adventure superhero stories. If a Marvel movie suddenly became a psychological exploration of the internality of a character's relationships, without a single laser beam or fight scene in sight, Marvel expects its audience to be confused and unhappy. We, as fanfic writers and readers might be dying for that story, but that is not the pleasure of the genre that Marvel thinks its audience wants when it walks specifically into a superhero film.

Power Fantasy - this might be one of the most misunderstood or perhaps narrowly applied terms. Yes, sometimes a power fantasy is a 16 year old boy watching a superhero dude with 8 pack abs destroy the bad guy, get the girl, and save the day. Living vicariously through that character is definitely a power fantasy. BUT, a power fantasy can also be fantastical things that the audience wishes would happen in a way that would empower an audience member or make them happy. For example, a billionaire industrialist merchant of death like Tony Stark getting hit by his own weapons and deciding to become a crusader for justice in a way that actually helps normal people is, in fact, an audience power fantasy. We want to believe that if the right bad guy like a billionaire got the right comeuppance like a near-death experience at the hands of their own evils, they'd learn their lesson and become a better person. This is a power fantasy. This is not a thing that actually happens. It's honestly not that different from the power fantasy many gun owners have that if they own a gun, they're more likely to stop a crime in progress with their perfect marksmanship, rather than that they're more likely to kill or be killed by a member of their own family. Understanding the application of power fantasies in terms of good things you hope would happen happening in fiction is not only important for dissecting fiction as an intelligent viewer, it's also important in terms of recognizing when you're being influenced by certain stories and choosing what lesson you take away from it and what lesson (if any) you want to take away from it.

I just feel like these 3 terms are what I see most lacking in a lot of "discourse". Fiction is trying to engender emotion in the audience. Great fiction engenders a wide range of emotions in the viewer, not simply good emotions. Thoughtful fiction might (but not always!) try to impart a lesson. But great fiction can also just want to give you great emotions and make you think outside the usual box of your usual experiences. It's also completely fine for great fiction to just want to give you a great emotion experience like catharsis, or the thrill of a power fantasy. And I really wish these three separate but interrelated concepts were discussed more when it comes to dissecting fiction here on this site.

[paraphwrites]

so obviously the time period a character comes from impacts them. but i adore the analysis of dbda and loneliness so now i want to analyze the characters + their time period + loneliness

edwin. so, edwin is from the 1900s. he was raised with the knowledge that he would join the military, that he would get married. this was an accepted part of life. now, i do not wish to analyze the full scale of edwin's relationship with violence (at least, not here), but i do think it's interesting that edwin goes out of his way not to inflict harm on others. this is potentially because he was raised in such a way where that was the norm, and he always knew he did not fit traditional male standards. he has always preferred knowledge and books to fighting and sport. this would have been incredibly isolating, especially as a young boy in a school for children of military members. additionally, as a queer person, edwin would have been entirely socially isolated from his peers. whether they picked up on it like simon or just thought he was un-manly, the point stands: edwin would not have fit in with his peers and seemingly had no friends when he died. which is very sad. and very lonely.

crystal. crystal's parents neglected her for their work. she lashes out. she lashes out and pushes people away (or in front of traffic). she is volatile and destructive and she is like this because she lives in an age when parents are expected to care for their children, and her parents still actively chose not to. crystal is especially traumatized because even tho she is in upper class which may have a higher rate of willful parental neglect, the expectation is still that parents love their children. moreover crystal is psychic, and that's never really been fun. she'll be completely different from all her peers in a fundamental way which she probably never talks about with any of them! so, like, of course when david, a demon, comes along, she lets him in - she's finally with someone who understands and makes her feel less lonely. someone else who's weird and angry and pretty and supernatural. and then he, too, betrays her. there is also almost certainly a race element, which may further disassociate her from her peers, seeing as the upper class is usually very white.

jenny. so jenny grew up as a lesbian in the 90s. now, i don't know much about washington state, but i do know that they legalized gay marriage in 2012. which means for over half of jenny's life, she was living with the knowledge that she would never get to live the same type of life as her peers; though the white picket fence americana dream may have been less prevalent by the 90s, it still was very ingrained in american society - especially small town society. i wonder if part of jenny's gothic fashion is to distinguish herself from other people - if she cannot have the same lives as them, then no one will make the mistake of assuming she will.

so the night nurse is lonely in a very unique way. she is lonely because she does not have a proper conception of an actual human life. she has no friends or relationships - nor does she want to; she does not know what they are like. and, i think, because she exists so outside of time and removed from society, that it makes her inherently lonely. she is lonely because somehow she was created and somehow someone convinced her that her only purpose in life is to collect lost children and she is satisfied with this but she is also alone. she has no time period to be contextualized in, and that in itself is the context.

niko is lonely because her dad is dead and her mom lives in a different continent. and i think that because she is able to utilize manga and cartoons as a form of escapism, it allows her to fill that void of devastating loneliness a bit more. she lives in a world where if she doesn't want to think she does not have to. she is not obligated to be courageous. however, she also lives in a world where she is able to choose to self-isolate, even if that isn't good for her. so when she is sad she hides away because she can and it's scary and she doesn't want to do it alone but she doesn't want to do it with her mom. i've seen people saying crystal is such a teenage girl but niko? niko wants her mom to comfort her but doesn't want to talk to her mom. niko is horribly lonely and it's only a gay victorian twink who can get her to smile again. niko is lonely because she exists in a world which allows her to be and it takes someone who is not from this time to help her move past this

charles. god, we all know how lonely charles is. biracial, abused by his father, probably bisexual, good with people yet killed via hate crime, morally upstanding. charles is the epitome of loneliness because he grows up in such a particular moment of time. he lives in the 80s. feminism and queer rights have been radically shifting in the past two decades. the 80s have huge amounts conservative pushback from these movements. so, yeah, being gay isn't a crime anymore, but gendered expectations are being reestablished in a new harmful way. so, yeah, charles is growing up in a time of progress, but he's also growing up in a household which will absolutely be anti-progress, and ergo charles is stuck in this dichotomy of he could hypothetically have everything but that would mean losing everything, too. he's lonely because his dad beats him. he's lonely because his mom doesn't say anything. he's lonely because he has a piercing but his dad locked him in his room for three days after it. he's lonely because he attends a boarding school which rich racist pricks. he's lonely because never once in his life has he admitted how the intersection of all his identities puts him in a situation where he is completely alone. and he isn't alone -he's got edwin- but their experiences with loneliness are vastly different.

as i have said a stupid number of times, dead boy detectives is a story about loneliness. and the writers made these characters so damn brilliantly because they all make so much sense in the context they were raised in.

we are all shaped by the context's we're raised in. everyone is raised at a different moment in history in different environments with different families. human experiences are so unique that everyone is inherently lonely. but lonely does not mean alone and lonely does not mean forever. it means when you were fourteen you cried yourself to sleep but now you're twenty and know how to play cricket and your friends come to all of your matches. it means you were raised in a world that was cruel and unforgiving, AND it means that because of that you don't have to be. dead boy detectives teaches us that we're all horribly lonely, and maybe that makes each other a little less lonely

i'll take some of your burden if you'll take some of mine, and whatnot

[coffeegnomee]

Bacon saying "yes. [I watched] the entire thing" about having seen Kab's new video "I watched it for entertainment purposes, but I also think I took some things from it as well"

KAB: "fair enough, I put things in there knowing people would watch it and take things from it"

she brings up how Clown never offered her a team, and that she is close to getting his full trust. Which I think is a lie rooted in the truth that she was so "my son could never hurt a fly he's just misunderstood" in the video to get Clown to trust her more irl/in lifesteal. Like how he trusts Branzy and Ferre.

(even though it is SO WEIRD for her to have been like that about Clown in the video. Like it was an exposé about how right the Mice were to be cautious about her affiliation and assume she was telling him things. She was. Maybe not base coords, but she just leaked that she absolutely told him things about them and that she was not for the team at all. And she left that all in. why? WHY Kab? I can only assume it was to endear her to Clown more? That's the only thing that makes sense? Unless she did it to "prove" to the Mice that they were wrong to assume she was teamed with Clown, "see I was just telling him to be careful and you guys were making him into a villain" or smth. I genuinely don't know. I don't understand her at all.)

But she's bringing it up to Bacon and downplaying it so that he thinks she isn't as close to Clown as she is. She's trying to manipulate him here I think.

then Bacon brings up the google doc of Mapicc's personality, which apparently Mapicc dmed her about (which is hilarious for the record)

To which she says it wasn't real [the doc itself], she made it for the video. She only articulated Mapicc's personality and Mapicc's alone.. which obviously means it was him very much on purpose. So did she do it to stoke Mapicc's ego? Or to see what he would say about it and confirm or deny if she was right? I can so easily imagine her writing it up being like, now Mapicc will think I understand him but this is not really what I think about him and he will be easier to manipulate.

But the analysis, like I wrote about, was right for the wrong reasons, AND YET I saw how they were rooted in very plausible assumptions she would have made bc of talking to Ash.

So I struggle to see how that writeup wasn't what she genuinely thought. This whole video just feels like exactly what she genuinely thought throughout the whole first week.

And it's completely rooted in the concept that she knows what she's talking about, even though her only evidence is that she can read Clown. (the only other moment being that she was right the empire would betray them in the End. Which was the softest of softball throws. It was an allyship against the other team. Obv the beef starts up the second that is over.) Like congrats. You've known Clown for two years very closely. It would be weird if you didn't. And on THAT note,

She called Woogie a dipshit for having his own opinions about Clown based on his interactions with him for the past FIVE whole seasons. THREE YEARS.

She took his words as saying that you shouldn't trust Clown instead of what he was really trying to say, which was we as a team should not trust Clown. Kab knows Clown won't kill her but she just fails to understand that other people have their own valid experiences of the members. She's just so focused on her singular view of people and how they will interact with her that she completely misses the opportunity to learn what other people think of other people without it being an attack on her own opinion.

I know I get on here and analyze everyone to death. I know that that's how I love to watch and enjoy lifesteal. And that not everyone observes the lifestealers like bugs to be pinned down and dissected. Watching vods is a listening-only experience. I cannot talk or add to the convo, right?

But it still boggles my mind that she doesn't see the manipulative value in silently listening to every word that comes out of someone's mouth in order to learn what they think about others. And let that tell you what to think about others.

If she just listened to what people said, especially what they say about people she doesn't understand, she would learn SO much.

Like she completely called Woogie an idiot for wanting to ally with the Empire for the purpose of killing Clown Mane and Flame.

And she said it because she doesn't understand how Mapicc and Spoke think.

And because she doesn't understand them, she thinks Woogie doesn't understand them.

Like I know Woogie isn't always the most active and integrated member, and he's also an unreliable narrator and has assumptions rooted in a subjective path just like she does.

But Woogie AND Mapicc AND Spoke have all been playing on this server since Season ONE. You would think that that would be an excellent learning opportunity to ask Woogie how he views Mapicc and Spoke.

And then from there, sure! Take it with a grain of salt. Take your personal experiences with them as the most important opinion to value for your own safety (bc nobody can tell you what your gut says) but then also take their opinion and use it against them if you want to be such a great manipulator. Or at the very least catalogue their opinion away for further study at a future time.

It's just. She just has her assumptions about herself towards every member and completely and totally discounts what anyone has to say about their assumptions of themselves with other members. And she gets so damn triggered by people saying they have more experience than her, thinking it's a personal attack on her intelligence. Where that comes from I cannot know but that sounds incredibly deeply rooted.

So back to the Bacon conversation.

She said she knew people would watch it and said stuff on purpose.

And yet she completely left in the whole scene about lying to Woogie about being sorry for discounting his opinion. “Sometimes you need to be sopping wet for people to trust you chat”

Everyone on lifesteal is going to watch this video. WOOGIE might watch this video (though I have a feeling he won't tbh) and you're just leaving in that when you apologize you are never sincere about it and are 100% using that to manipulate them later.

INSANE to leave that in. You leave that in the drawing board. You keep that shit hidden. ESPECIALLY if you know your enemies will watch it. Girl was the most open book ever.

And then to end the video saying I'm a liar and manipulator bitch I know what I'm talking about. Insane. You are just BROADCASTING that you should never be trusted ever. (for the second video in a row!)

Also in a video about you desperately trying to prove that you should be trusted. It's two different kinds of trust, funny that we use the same word for both.

Trusted in that you tell the truth vs trusted that you know what you're talking about.

I am so interested to know what Bacon thought of that. What will he think if she does apologize now? He's not dumb. He saw the video.

She just thinks she's playing 4D chess. And yet 4D chess would be being silent and listening to what everyone says. Like how Spokes does. and Clown. No talking, just silently listening in vc's and coming to conclusions about the members.

And Bacon too. He's been asking people so many questions about what they're doing and why and then just listening to what they have to say, and then forming his own conclusion about it and going off to try something. He's becoming great at listening and thinking and this whole little arc was founded on using that information to do something interesting on the server.

Though I suppose he wasn't always that good at it. And therefore the final conclusion you can take is the same every time: Kab needs experience in order to gain experience. And it will be a long and painful process.

[thenamesblurrito]

so. Transformers ONE was a good movie

i HIGHLY recommend going in blind, i do think it's incredibly effective with as few spoilers as possible beforehand! seeing it on the big screen is really really nice too, i encourage you to watch it in theaters without reading up on it first if you can!

long full-spoiler review and dissection of elements below (i reached the text block limit a couple times oops):

general stuff:

gorgeous. just genuinely visually gorgeous. so many details, colors, textures, everything was so beautiful. the stylization itself may not be my favorite but it was executed so well that i ended up loving it. their optics! their colors! their movement! the way the visuals serve the lore and the story is extremely well done too, i felt like everything i was seeing was deliberate, relevant, and a treat for the audience instead of just "ooo visual noise look at how powerful our cgi rendering is" (which is how i felt about the "live action" Lion King prequel(????) ad they showed before). all the little cameos and repaints and everything in the background? mwah. GORGEOUS MUSIC TOO AAAA THE WAY THAT TFP'S MOTIF IS IN THERE AAAA

the visual effects and action, the way they USED their roboticness/transformation sequences/vehicle modes in fighting and moving and emoting, it was VERY GOOD. Orion grabs a Death Tracker and RIPS THEM INTO PIECES BY TRANSFORMING AROUND THEM AND FORCING THEIR FRAME TO SHATTER. insanity

this is ABSOLUTELY the origin story movie the fandom has wanted. even if it wasn't your preferred origin story, this movie SHONE with love and respect for the franchise and drew on so many influences to craft a powerful version of the beginning we all wanted to see

in some ways i wish we had more, i think it would've been extremely effective to see things expanded upon, especially D-16's emotional descent and maybe some more Quints. actually looking at the content and pacing of the movie though, and the audience it's aimed at, i don't think there's anything they should've cut in favor of other stuff. i understand why it wasn't dwelt on more, but hooooo i would've liked to see Dee breaking apart a little more thru the middle of the film. apparently the novelization has more scenes of this and i would love to read it

i had so much fun watching this movie. it was a rollercoaster. it was a TREAT. i was sitting there enjoying every second both times i saw it because it was a good film that rewarded me greatly for being a Transformers fan, giving me so many easter eggs and injokes, while also being perfectly understandable and fun for a complete newbie. excellently balanced appeal to old and new fans alike

there was no wink to the audience about how stupid and childish a movie about robots is, there was no lampshading of how silly sci fi is, there was no betrayal of the emotional tone of the film. so many stories now kneecap themselves by mocking their very concept, and the audience watching them, in a very cinema sins-style irony poisoned way. this movie never does that. its humor is fitting, its drama is real, its emotion is all SINCERE and i love how i was never mocked by any part of the movie for engaging with it sincerely

this movie loved being a Transformers movie

anyways. specific stuff:

love how Wheeljack managed to explode everything despite not even being a scientist. he's just THAT good

THE INJOKES AND REFERENCES. "you don't have the touch OR the power." calling them Gobots. the corny More Than Meets The Eye bits. "don't be a glitch" is a headcanon swear i've been using for years now and they canonized it!! "High Guard, eject". "paging doctor Ratchet." the new take on "all are one". the really interesting way that the term Transformers is an actual significant in-universe name, and how Orion and Dee ARE NOT Transformers at first!

the sheer number of cameos is ASTOUNDING. what an excellent mix of masc/fem designs too, they really made it normal on this Cybertron which i appreciate! apparently Blurr exists here, his name was on the leaderboard!!!!!! good job Chromia i am so proud of you for winning. and the shots of the bots getting cogs at the end was aaAAA!!! <<33 my HEART! Jazz's little smile looking at his new doorwings!!

I GOT ALL MY SILLY OLD DEMIGOD FAVES I GOT THE THIRTEEN EVERY SINGLE ONE OF THEM AAAAAA ALPHA TRION MY GRANDPA god i'm so sorry you're dead but i can't believe you showed up on the big screen <<333 you and your rockin rhino unicorn lion alt mode. and your superpowers. god you're so cool. "old timer" NUH UH HE'S STILL BETTER THAN YOU!!!!! using Zeta for the thirteenth was an interesting choice! i did think he was Overlord for a hot second. it's the lips. Solus wasn't fridged by virtue of everyone else died too yippee!! ALSO MEGATRONUS THE COOLEST ONE WOOOO HES NOT JUST A FIERY EVIL GUY!!!!

the way Dee himself was, in a way, the Fallen of this continuity.... 😭

the way Sentinel was handcrafting his downfall with each touch of the blowtorch. carving the sigil of the Decepticons into the one who will kill him. dooming Cybertron in a moment of petty mockery. AND HE DOESN'T EVEN DRAW IT WELL IT'S LIKE A MESSY CRAYON DRAWING CMON

planetformer Primus in a blockbuster movie? CANONICAL EXPLICITLY STATED PLANETARY ROBO MPREG BIRTH IN THE FIRST FIVE MINUTES???? THEY USE THE WORD BIRTH. BORN. we are never escaping the reproductive insanity in this franchise

Shockwave you whiny tantrum throwing wuss. let Elita beat him up more. it's good for him. also love how that could be construed as a ref to her G1 resistance force

CASUAL MIND READER SOUNDWAVE???????

Elita was perfect, no notes. i would not like her if i met her but i respect her so much. she really is better in every way and down to business. Best First indeed

so much cool implications and fascinating timeline confusion. 50 cycles since the Primes were slaughtered? the way Sentinel leveraged their reputation to make himself beloved, casting himself as their peer? the way he didn't choose to villainize them, the way he apparently openly admitted to the loss of the Matrix and how it impacted the planet? when did cog theft start, and how old is Orion since in the novelization it states his entire generation is cogless? who remembers the og Primes? who is in the know about it all?? hoooghhghhh fascinating.

the implication that the High Guard worked with the og Primes?? the possibility STARSCREAM was a loyal guard for Cybertron's DEMIGODS????

okay i was not expecting a backstory for STARSCREAM'S VOICE in this movie but holy. god. the shippers will be going insane over this one. hoogh holy fit. what is wrong with you. the utter contradiction of being both an instigator and a coward when he gets in over his head and immediately backpedals

also obviously this is the I Love Divorce movie and megop shippers will be having a field day but i DEEPLY appreciate just how solid a friendship Dee and Orion have and how badly they fall apart, even thru a strictly platonic lens. i also appreciate how there was no forced comphet attraction/romance!! i was dreading the possibility of it, i mean Oplita was RIGHT THERE but they didn't force it at all thank youuuuuu. i would rather have this dynamic with its zero intended romance than awkward, OOC attraction shoehorned in to detract from the plot

Bee was actually good! like yeah he's def the kid appeal character and i prefer it when he's in a younger gen and not OP's peer, but he was wayyyyy less annoying than i was expecting! i think he fit the movie and did his job in it well, and i absolutely laughed at him multiple times. "i get to work for the GOVERNMENT! :DDDD" bee. please. the fact that he's been going insane and desperate after isolation for so long really helps make his character work instead of being just irritating

Airachnid you are so cool. you are TOO COOL. PLEASE TONE DOWN YOUR COOLNESS. i adore how she is not good at facial expressions thank you evil autism moments. love how her signature move is stabbystabbystabbystabbystabbystabby

Sentinel. god. Sentinel. SENTINEL!!!!!!!!!!!!!

i need to draw him getting ripped in half. it's like they distilled the worst parts of every single iteration and combined them into a SuperBad version. horrifically realistic kind of guy. i love to hate him. real Metro Man from Megamind energy. and megachurch pastor energy. the IRONY that Orion and Dee were probably actually helping him, that he was probably being genuine in the medbay when he said he loved what they did by racing, that he may have been honest when he said he was gonna have them fixed up in his own facilities and had them tour the mines! because them racing increased energon production by 150% and Sentinel needed that!!! he needed that for the Quintessons!!! i think he was being genuine when he first met Dee and Orion and then Darkwing ruined everything!!!

Darkwing is the curly straw of this continuity

the Quintessons were hoooooooooooooooo. whoooooooooogh. hoohhhhhhhhhhhh. the biomechanical. the shapes. the textures. eugh. icky. creepy. excellent. the way their ships looked like the Nemesis. the way they're STILL a looming threat. i wanted to see more of them but i get why the movie wasn't about them. i hope we see more in the future

the way Orion is the kind of guy who, in an attempt to be selfless, keeps making selfish or thoughtless decisions was SO INTERESTING. it set up the dynamic of his and Dee's friendship very well, with Orion always wanting the best for his buddy but ultimately overwriting or ignoring what Dee says!! the way Dee clings to the social contract of protocol for safety because that's all he knows and his ANGER when it's broken, even when it's Orion breaking it, because that's not SAFE it's an UNKNOWN it has CONSEQUENCES WHEN YOU DEVIATE. and then it's revealed that the social norms have been a lie the whole time and Sentinel has "broken protocol" more than ever and Dee has no safety left because it was always broken. Orion wanted to be more, he could feel there was more. Dee just wanted security

Dee spent so much of the movie complaining and arguing and it was very funny and good characterization but it was also a hint at how much bitterness was under there the whole time. so much of his complaints were threats of violence. he always had Orion's back and then when he learns the truth he abruptly. stops. do you notice he doesn't really have Orion's back after this? he's no longer by his side? he's there, but he's not... there. he was the first to shoot an enemy and took joy in it. all of his emotions were so justified and then what he does with them is what makes it a tragedy. he didn't have to do this. augh

i really, really like the fact that they managed to pull off the ending without it fully turning into a "boohoo if we do anything violent we're as bad as the bad guys waaaa". the specific phrasing of "rebuilding cannot start with an execution" went HARD. and it's demonstrated in their actions too like, Dee was out for REVENGE and it was PERSONAL, Orion was fighting for JUSTICE and it was UNIVERSAL. Sentinel was beaten, everyone knew the truth. it was over. but Dee in his (very justified!) anger and broken trust was too overcome to back down. they were given the power to change their worlds, but Dee was thinking only of his world. Orion was thinking of everyone

ironic that as soon as Orion starts thinking of other people and considering what they need instead of forging ahead, Dee decides to center his own feelings and actions to the point of murder. even after Sentinel was dead, he just kept shooting, he did NOT AT ALL care that some of those shots were clearly hurting innocent civilians/going wide and shooting out into the city/damaging actual important infrastructure and not just Sentinel statues. i believe it's Bee who said "he's gonna kill everyone" and he proves it by attacking Elita and saying "I won't stop until every last one of his followers is dead". THE FACT THAT HE FELL SO FAR AS TO SEE ELITA, HIS PEER AND FELLOW FREEDOM FIGHTER WHO WAS THERE WORKING AGAINST SENTINEL WITH HIM FROM THE START OF THIS QUEST, AS ONE OF SENTINEL'S FOLLOWERS.... by the end of it, Dee really was nothing but blind anger

and the way kneeling was a common thread!!!!! aaaaaaa. Sentinel betrayed the world by kneeling to the enemy. Dee won respect by refusing to kneel. Orion gained followers by willingly kneeling to his peers. hooghh

Orion jumping and stumbling and falling this whole movie because he just THROWS himself into things because he BELIEVES in things, he's the one to take leaps of faith, to take that step out into the unknown! and Dee refusing to save him as one final nail in the coffin, so clearly feeling like Orion jumping in front of the blast was yet ANOTHER way Orion is forcing his hand, corralling him into doing something he thinks is best but did not consult him on, finally FINALLY saying NO and leaning in to the tragedy!! and in the exact same way Sentinel handcrafted his enemy in Dee, Dee has now handcrafted his enemy in Orion!! AAAAAAAAAAAAAAA and now that Orion took that last leap of faith and fell, now is when he RISES. ONE SHALL FALL AND ONE SHALL RISE. god. it reminds me of Spiderverse, the way they use falling and rising

the way the tragedy is worse for how well everyone was working together.... for one shining moment, the miners and the High Guard, the rescue mission, it was going so well. they were doing it. they were winning. it didn't have to turn to slaughter. if there was to be an execution it should've been by trial, by the voice of the people, not Dee deciding for Cybertron as Sentinel decided what truth was. augh.

in an abruptly different note, the way they have characters move and fly is so cool. i love the jetpacks. i love how flight is not "flyer" exclusive. it's fascinating and i think really fitting for the general city of Iacon itself. all those towers going up and down

THE TRAINS!! THE MOVING ROADS!! HOW COOL IS THAT!! LOOK AT THAT WORLDBUILDING IM OBSESSED WITH THIS CYBERTRON HOOGH. this movie was VERY good at building a rich, functional world of detail and making it very alien in a way i want to chew on forever. the moving mountains and greebled energon mines. the living planet. the deer!!! ooghghh. PRIMUS LOOKS LIKE A STAR

i do like this Primus actually, yeah it was a deus ex machina but that's the POINT. Optimus himself is an act of god and his presence heralds miracles. Dee couldn't bring justice to Cybertron because justice is restoration. justice is healing what was hurt and doing right by the wronged. yes that often means consequences upon the perpetrator but that's NOT what Dee was doing, he wasn't even THINKING of anyone else!! would killing Sentinel get ppl out of the mines? would it restore their cogs? would it bring equality to a clearly oppressive society? like he LIVED this (cogless bots with limited options, the talk of tiers as if they are social castes you can be demoted from, lower city levels where ppl can be banished, etc) but it was Orion who ultimately addressed this. i'm sorry if it feels like insult to injury to rub his Primacy in your face, Megatron, but stealing a cog just like Sentinel and declaring the age of Primes over, when it was the age of Primes ending that made you cogless and oppressed in the first place, is only an extension of your trauma, anger, and violence, and is not solving the problem!

a cog stolen from him at birth! and then he steals it from Sentinel in symbolic revenge, stolen again, but even that wasn't Sentinel's, it was stolen too! the way he discards the cog from Onyx, willingly gifted to him, to continue the trend of desecrating the dead! man. MAN. the name he took, the cog he took, the symbol he took, all from his hero, the one he looked up to, the coolest Prime, and THEN DECLARED THE AGE OF PRIMES OVER

the gilded pompous showmanship of it all was so gross, the way Sentinel's face was everywhere, the way he had instant access to everyone in Iacon via announcements that took over the media. but this was clearly derived from the previous Primes!! we see their statues, we see their stately tower, and unless Sentinel had all that built in "mourning" (which is totally plausible imho) he was really just setting himself up as an inheritor of that hyperwealthy standard! we don't know anything about the rule of the og Primes beyond that they're favorably remembered and loved (possibly because of propaganda but i think it was also genuine) and that they may have been losing the Quint war (considering that info was from jerkwad supreme i find it suspect) but just by comparison to Sentinel i think they HAD to be better rulers. there weren't cogless bots forced to mine for 20 shifts in a row back then!!! Sentinel is stealing their aesthetic as if that gets him the same power and acclaim. he's trying to steal their legitimacy. he paints himself across the face of Iacon to hide the fact the planet itself went into a coma because of him. he has ALWAYS been rejected. i call him a megachurch pastor but really symbolically i could say he's a fallen angel, and his visual design really fits too

i'm coming back to the deus ex machina thing bc i know it may be considered weak in a plot construction sense but i want to engage with it as literal. like, there is a literal in-universe god in the machine. they know it. they worship it, at least a little bit. i would consider this story to be analogous to Prince of Egypt, in that the deific is a real and tangible character with impact on the plot, and not a meta excuse to save the day. Orion made his choice, and as a result Primus made HIS choice. it's not necessarily a happy ending but if even Megatron acknowledges that GOD mandated this guy to be a Prime and the planet itself responds by COMING BACK TO LIFE.... i keep thinking of it like a cityspeaker, how they're the ones who commune with Titans to know their needs and tell them what needs to be done. is a Prime just the cityspeaker of Cybertron, able to help it remain healthy and functional?

the divine right to rule is REAL on Cybertron. you can like it or not but you have to contend with that when discussing fair leadership, political accountability, and representation of the masses re: Cybertronian government and Primacy

god i'm still so obsessed with the Thirteen i need to see them better i need to look at them. i love them. insane. i really need to invest in a chewtoy

also i know it may be a throwaway line but i'm very curious why Primus had to transform and sacrifice himself to save the universe. Unicron, maybe???

also how did Alpha Trion narrate the archival stuff telling the fake story of how the Primes died and the Matrix was lost. did Sentinel get a deepfake of his voice?? is that part of how he made the transition to power?? AUGH THE DISRESPECT KEEPS COMPOUNDING

Alpha Trion. my blorbo. my old man. holding you so tight. like an ancient rescue dog. im gonna groom you and give you treats and buy the biggest plushest dog bed from costco for you

anyways

good movie, guys

[smile-files]

nickel and balloon stuff from spring on the breakfast!!! i'm keeping in mind that in the previous episode, both of them were under the impression that their friendship wasn't real...

in a way, ii3 balloon is a lot like late ii3 cabby. of course, balloon did something indisputably immoral (manipulate and exploit others), and cabby only did something thought to be immoral (keep and use files about her fellow contestants) -- but both did something wrong and had to subsequently undergo a disproportionate amount of abuse and malignment for it, ending up with them being apologetic and submissive to avoid any chance of being framed as bad again. the biggest difference is that cabby has internalized the guilt others have attributed to her, while balloon largely hasn't -- he understands the concept of rolling with the punches for the sake of keeping good connections, but he doesn't believe he deserves it.

nickel brushes off ii2 a LOT this episode. to rid himself of his guilt regarding that time, he necessarily has to delegitimize the hatred he felt towards balloon then, thus also ridding balloon of his guilt. he expresses this all vaguely, choosing to remember ii2 fondly and saying off-hand that its baggage should be laughed off -- implying that balloon has been forgiven. reasonably, balloon is happy that nickel seems to actually believe he's changed for the better, so initially this makes him happy.

of course, though, it becomes clear that nickel just wants to shove his own actions under the rug, and balloon reasonably gets pissed off. nickel treated balloon and suitcase like complete garbage in ii2, and balloon clearly hasn't forgotten that.

"it keeps things easy." it keeps things easy to roll with the punches, to endure nickel's abuse and accept his sudden friendship. note, also, that nickel is still placing the blame on balloon: he's saying that balloon didn't want to "make things better", as if nickel and balloon ever having a rift was entirely balloon's fault, and his problem to fix.

and as we can see, nickel still hasn't fully forgiven balloon for ii1. as i've discussed before, nickel seems to secretly feel incredible guilt about how he treated balloon in ii2 (which is why he goes to such lengths to repress the whole memory of it) -- but that guilt is about the way in which he expressed his disdain and distrust of balloon, not those opinions themselves, nor the motivations for them. this is all very interesting, then -- if he still believes balloon can't change from his old, bad self, why did nickel start being friends with him at all?

i think a large part of it is his projection onto balloon. nickel sees himself in balloon: someone who screwed up big-time and isn't able to become a better person after that (according to nickel). we tend to gravitate to people similar to us, after all. i wouldn't be surprised if nickel was also trying to overcompensate for his hostility towards balloon in ii2 by being very friendly with him in ii3, thereby helping him forget that he was ever hostile to him at all.

the most fascinating thing to me about balloon and nickel's relationship is how impersonal it is for balloon. he seems to value what nickel's affection represents rather than nickel himself -- and it represents that he's been forgiven. anyone who saw balloon and nickel's conflict in ii2, which was a product of balloon's nastiness in ii1 and nickel's subsequent inability to forgive that nastiness, would likely come to accept balloon and forgive him themselves if they then saw nickel being friendly with him -- because nickel is the epitome of the ii contestants' anger at him, and nickel of all people (seemingly) forgiving him would imply that he's really changed. the relationship is almost entirely a symbol in that regard. i don't think balloon has much residual guilt about is actions in ii1 -- he feels like he's adequately addressed them and changed -- but nickel having a positive relationship would be helpful in affirming that stance and proving to himself that he really has changed.

i wouldn't say it's cruel of balloon to keep this relationship going on under that pretense, but it is backhanded, and it helps explain why he was ever willing to accept nickel's friendliness unchallenged. he wanted his crimes to finally be laid to rest once and for all, and keeping nickel on good terms with him would let that happen. people would finally shut up about it. up until now, nickel wasn't explicitly denying his past cruelty towards balloon anyway, so balloon would be able to ignore that he neglected to ever bring it up; now, though, nickel is denying not only what he did to balloon but also to suitcase, which balloon is not able to tolerate. now that he's confronted nickel about that though, nickel snaps back with his condemnation of what balloon did in ii1, thereby uprooting the social stasis balloon had been able to maintain precisely because nickel refused to bring anything up before. in a way, then, balloon is purposefully shoving the past under the rug, just like nickel is.

we can't forget, though, that nickel has his own complex about fearing that he's incapable of change and incapable of forming positive, genuine relationships with people. balloon is essentially revealing that, in a way, he wasn't really friends with nickel -- at least not in the way nickel wished and fooled himself into thinking they were. if balloon truly were friends with nickel like that, then that would mean that balloon had forgiven him for his cruelty in ii2, and perhaps that he really has changed... but no. balloon hasn't forgiven him. why should he? nickel never apologized -- and given how he never apologized, it's impossible that he could've changed anyway: nickel doesn't want to apologize because that means addressing his guilt and allowing himself to feel it. he wants the forgiveness to be handed to him on a silver platter, without him having to do all of the painful work, and he's incredibly upset when it isn't. he wants to not be a bad person, but in order to do that, he has to feel like one, and he really doesn't want to. he hates who he was and doesn't want to associate with it at all.

(note how it's the suitcase robot who says "you can say sorry" when nickel says that nothing can be done about making things better...)

there's clearly an immeasurable amount of resentment these two have been harboring for each other throughout this season, which they'd only been hiding for the sake of fooling themselves into thinking they've changed (nickel) or thinking that others think they've changed (balloon). and now that they've let themselves explode with anger, partly related to the lies they'd been telling themselves falling apart, they yell at each other and balloon drops nickel down a hole!

ah, balloon and nickel's relationship... it's bizarre, it's toxic, it's convoluted, it's shady, and it's incredibly sad. i'm glad i'm revisiting ii3, especially this episode -- i used to be utterly baffled by nickel's writing, particularly in spring on the breakfast, but now it makes complete sense to me. also, i used to think balloon was entirely the victim in this relationship, while now i know that he has his own faults and own baggage in that regard. it's weird -- they hate each other, but at the same time they're dying to be liked by one another. god i love these freaks...

[warning-heckboop]

I really love your changeling dev au 🤌✨️, i was thinking does this make dev the youngest in fairy world ? then that means there is a fairy who accidently had a baby but beacuse of da rules, it cause them to give it to dale as a gift? Im sorry don't know how the gifting works 😅

Okay, first off. Apologies for the late reply. Writing the fic on top of work and other plans took a lot out of me.

On to the actual question! To be honest, I hadn't actually thought too much about Dev's origins regarding who his actual fairy parent(s) would be. So let's brainstorm now, shall we? I'll be putting this under read more, because it got kind of long :')

Full disclosure, I never watched the entirety of the original FOP, especially after Poof/Peri was born, so I don't have a full grasp on the canon lore. I know before Peri, fairy babies were against the rules for thousands and thousands of years, but I guess I kind of assumed that after the dam was broken, they just kind of let fairies have babies whenever they wanted again--especially considering there's a "fairy shortage" in the later episodes (that's my understanding, at least, from what I've read. Again, I've never watched the later episodes, especially not the really later ones with Chloe). Even if this wasn't necessarily canon, I consider it canon in my head, especially since I like seeing people's OCs who are younger fairies born after Peri! Just gives more possibility for world building, I guess.

Regardless of the above, however, I think I'm leaning towards going more the route of Dev being an especially unique case. As I mentioned in my previous posts, Dev was given to Dale as a sort of compensation for Dale's lost childhood, where a fairy could have intervened and helped him escape Vicky's wrath, but he was just somehow overlooked. As I mentioned as well, I see this as a sort of cover-up that would have been handled very high-up in the fairy hierarchy, possibly by the Fairy Counsel themselves. Not only is giving a human a Changeling Baby an outdated and frowned upon practice that they want to limit the number of fairies knowing about, but I also think they'd just want to hide the fact that they so largely failed Dale (and the other children who worked with him) to begin with. They can't let the populous know that their all-powerful and all-knowing leaders screwed up like that, so instead they'd rather just pay off those affected in secret, and pretend like it never happened.

(Does this imply that there might be more changeling kiddos out there that were given to the other kids who suffered under Vicky alongside Dale? Maybe. I'm probably not going to ever expand upon that myself, but if that piques anyone's interest, feel free to build on it yourself!)

Based on this line of thought, I don't see this as a scenario where Dev was born first and then they decided to give him to Dale afterwards. I think Dev would have been created specifically for Dale. We've seen that fairies can reproduce like humans do through birth, obviously, but since they are magical creatures, who's to say there aren't other methods of creating more of their kind?

A fairy's human form appearance isn't completely detached from their natural form appearance (based on my own headcanons which are based on those created by @bunnieswithknives, who originated the 'natural form' concept I'm using in this au, for context), so in this case, in order to create a child that the world and probably even Dale would truly believe is his own flesh and blood, they'd have to create a fairy who would have traits that resemble Dale's. Maybe it was even a process of using magic combined with something of Dale's, like a lock of hair or something like that, to create a fairy child that to some extent really is related to Dale, although less in a "biological child" sort of way and more in a "slightly-modified-by-magic clone" sort of way.

I guess that's all just a really long-winded way to say: I don't think Dev has fairy parents! He's just a product of magic, and the closest thing he'll ever really have to a technical parent would, in fact, be Dale. I hope that's not a disappointing answer, haha.

[heartsforkento]

why you may be putting shifting on a pedestal and how to not do so

today we're talking about putting things like shifting or the void state on pedestal.

we'll mainly be talking about what it means to put something like shifting on a pedestal and how you can take it off the pedestal as well.

note: you can shift under any circumstances, whether you put shifting on a pedestal or not. however, if you do feel like it may be hindering your confidence in shifting, then you can work on it. also note that putting shifting on a pedestal is not the same as using shifting for escapism. they are completely different.

what does it mean to put shifting/the void on a pedestal?

let me give an example first. say you have exams coming up, lots of assignments to complete and it's really hectic. you think, "it's alright, i'll just shift to my IR. i'll be fine." or you think "i'll just try entering the void today." what you're doing here is depending too much on shifting or the void. but see, that's not the problem here.

the problem is you consider shifting to be something that's placed above everything else. something you give a special status to. and that's literally the definition of placing something on a pedestal. considering it to be an activity that has "higher class" than all your day-to-day activities.

and what has this reality taught us about things that are of more importance than regular things, or things that seem to good to be true?

it requires hard work. yes, that's what THIS reality taught us. everything that's good requires a good amount of hard work.

so naturally, when we place something on a pedestal, in this case, shifting or the void, we tend to associate it with something that requires hard work. by placing it above all our work, we may tend to assume that shifting is this tremendous activity, because our work required a lot of effort, think about shifting!

now, how can we not place shifting on a pedestal? how do we stop viewing it as a big thing?

firstly, grasp the concept of shifting properly. you do know that you can shift during the day as well, right? like you could blink and then be in your IR. it's not necessary that you're going to shift at night, or while you're lying down for a method. heck, you could shift while you're doing your assignments as well.

there's a reason why i'm mentioning this. this is so that people understand that you do not have to "make time" for shifting. so that you realize that you don't have to NOT do your assignment, so you can utilize that time for a shifting meditation or whatever.

shifting may be of high importance to you but is it something you put a lot of conscious effort and time over? no. it's like drinking water, which is essential, but i don't really put too much effort into it, it's just something that i do, something that happened.

now, how do i really take shifting off this pedestal? think of shifting as a hobby. a niche one that too. like maybe, taxidermy! it's just a little something you do in your free time and is always something you can do at any point in time, given you have the resources. which in the case of shifting, you already do. all you need is your consciousness right?

by associating it with something else, you'll change the way you feel about shifting. with changing the way you feel about shifting, you can effectively take it off the pedestal.

and of course, do what you have to do. know that shifting is going to go anywhere. you can shift in any point in time. under any circumstances as well. here's where i preach about the LOA as usual. but really, it's all low effort once you understand the LOA.

love,

rin.

[stars-n-spice]

Brat Batch.

Ummmm silly little dumb drawing after seeing some incorrect quotes about Crosshair and brat summer.

I didn't know which background I liked better :/

If I had the time, talent, and patience I'd animate them doing the dance with Omega but alas.

Individual shots (+headcanons) under the cut :)

Echo only knows about brat summer because Crosshair and Omega explained it to him after Omega asked him to hold the phone so she could record a video of the dance.

Hunter had no idea what "brat summer" is. He still doesn't understand it after Omega and Crosshair explained it to him.

Wrecker didn't get it at first but now he's all for it - he's still learning the dance

Of course Tech already knows about it. No he won't do the dance or anything but he's aware of the concept.

Any excuse to wear a baby tee, Crosshair is going to take it. He knows the dance but he won't do it in front of anyone, no matter how much Omega begs him to. Does he know all the moves? That's classified. Also this kind of pop music is like a guilty pleasure for him.

[ghost-proofbaby]

It's summer for you, winter for me. Warm me up with strawberry fluff! As always, my muse, your muse, the one and only, Eddie.

Midsummer's night, because I don't have a lot to inspire you with. I'm thinking something cute but weird? Maybe some human body softness where Eddie is a bit of a freak and we love him for it. And we're told our bodies are lovely, even when they're doing weird shit.

I lalalove youuuuu. xo Rhi

RHI!!!! <3 i adore you. thank you for this prompt - i had far too many ideas for it, but ended up on settling for this one, which coincidentally feels like the most subtle of them all? either way, it definitely turned out being the softest. give me an eddie munson who just wants to sniff me like a dog. this definitely got a bit long but i hope you enjoy, my dear <3

the smell of you

warnings: weirdos in love? idk. i have a skewed sense of what is actually weird i think. mentions of death and coffins jokingly. eddie 'manhandles' reader sort of. not edited.

wc: 2.2k+

come enjoy a sweet summer treat with me <3

“Eddie?”

The entire apartment is quiet – too quiet – as you drop your keys into the old crystal bowl on the counter. The clink resonates through the air, louder than the soft murmur of the stereo static you can hear from down the hall. 

“You dead?” you call out again, slipping off your running shoes and tossing down your headphones onto the counter as well now, “Do I need to call the coroner?” 

Your tone is lilted, teasing with airiness as you continue to wander deeper into the apartment and head straight for the room you know Eddie has to be in. Like the waves pulled by the moon, there’s an incessant string tied around one end of your soul that connects you to his, and you follow it all the way down the hallway. The bedroom door is wide open, and you can hear his mumbled yell of a response without clarity before you even cross the threshold. 

You wouldn’t have even needed him to verbally respond to find him in this tiny apartment. You two could get separated on the streets of a bustling city, of a buzzing New York sidewalk, and you still wouldn’t properly lose him. It’s more than just soul ties and his gravity that keeps you pulled to him. 

Something unspoken. Something homely. 

“Sorry, what was that?” you hum as you spy him face-down in the bed, pillow muting him by the mouthful, “Say it one more time, and this time not into the pillow.” 

When he finally properly turns over, he’s a vision. Sleep lines folded into his skin and a bit of drool in the corner of his mouth, eyes squinting in irritation not at you but the sunlight flooding in through the bedroom window. Messy hair, messy shirt, messy everything. A kind of mess you just want to collapse into currently, curling up in all that he is from the day’s exhaustion. 

He’d mentioned wanting to take a nap before you’d left for the gym. Something about the summer heat draining him, trailing off as he’d rambled about how he’d probably thrive as a vampire. 

“I said,” he huffs, sitting up, the frizz of his hair becoming a makeshift halo, “If you call the coroner, request the comfiest coffin possible.”

“Why do you need a comfy coffin if you’re already dead?” 

“You dare deny me of being buried in tempurpedic memory foam? In my hour of need?” 

You roll your eyes as you huff out a little laugh, forcing yourself to turn away from him long enough to strip out of your socks. But just as you reach down for the pieces of clothing, you catch sight of the source of that stereo static flooding the room. 

Your shared record player, spinning a blood red pressing of one of your more recent vinyl purchases. The album has been played through, but the player no longer had an automatic stop mechanism, probably from years of use. 

The center of the record is probably scratched, and Eddie knows it, from how sheepish he looks when you glance over your shoulder at him. 

“Speaking of death,” you walk over quickly, purposefully, before carefully lifting the needle and cutting the static finally, “Care to explain why you’re burning scratches into my Momento Mori vinyl?” 

“I’m sorry,” he quickly apologizes, nearly flinging himself off the bed as he scooches quickly to the end, clearly fully awake now, “I put it on and thought I’d just lay down for a quick second, but then the bed was so comfy, and I thought it wouldn’t hurt to take a quick nap, and then…” he trails off, looking up at you through his lashes with big eyes already pleading for forgiveness, “I’ll buy you a new one. Swear it.” 

It’s impossible to be mad at him when he’s looking like this, inhumanely soft and easily forgiven, “You’re lucky you’re cute, or you really would be dead.” 

He doesn’t respond with words, but instead the outstretch of his hands, fingers flexing as he beckons to you. The needle rests on its perch, the vinyl left behind to gather dust for a few extra moments, as you go straight to him. 

When his palms slip beneath your old t-shirt and meet your skin, they’re pleasantly warm. 

“You were right,” you admit as his knees spread, delegating even more room for you to stand in front of him as your hand wanders to cradle the side of his face, fingers tangling in sweaty curls from his rest. Your thumb mimics his on your own skin instinctively, tracing a large arch right up over his cheekbone, “It’s hot as balls outside.” 

“Told you so,” he murmurs, smiling softly in satisfaction as he leans lazily into your touch. 

“You did,” you agree quietly, half-entranced by his relaxed face, no sight of pride in the room currently. 

He resembles a cat as he continues to preen under your gentle hand, and you almost expect him to start purring right before you find the strength to pull away, removing his hands from where they'd wandered to your lower back. 

One swipe of his finger along your sweaty spine, and you’d remembered what your original intentions had been immediately upon getting home. 

“Wai- Where are you going?” he’s seemingly brought back down to Earth the moment he loses the pattern your thumb had been tracing, the press of your fingertips into his scalp. When he reaches back out to latch onto you again, you take a step back, “Get back here-”

“I need to shower,” you laugh, shaking your head and smacking his hands away as he continues to barter, “I’m all sweaty and smelly, let me go clean up and then we can nap togeth-” 

“You can shower after we nap,” he nearly whines, finally catching your shirt between his fingers and tugging, uncaring for if he stretches the fabric. A small price to pay to have you close to him, “C’mon, sweetheart. I know you’re just as exhausted as I am.” 

You swear you meant to take another step backwards, but somehow, you end up back between his knees, “Did you not hear me, Munson? I stink.”

“Good.” 

He doesn’t give you any time to react – in an instant, he’s throwing his face forward, burying it against your stomach as you let out a gasp and immediately try to pry him away with far too gentle of hands in his hair. 

“Eddie!”

If it were anyone else, you’d probably be mortified. But Eddie just takes a dramatic deep breath in, nose buried just shy of your belly button, and when his shoulders start to shake with muted laughter, you can’t stop the smile from breaking. Your fingers are still twisted in his hair, still pulling back in an attempt to get him away from you, but he’s resilient. 

And all your faux resistance is weak in comparison. Soon enough, you’re back to melting into him. 

Only once you’re relaxed once more, no sign of trying to pull away again any time soon as his hands once more evade the space beneath your shirt to wander up and down your sticky skin without a care in the world, does he lift his face away from you long enough to breathe and speak, “I’ll have you know – I love your stink.”

“Shut up.”

“I’m serious.” 

“You’re an idiot.” 

“I’m your idiot.” 

The game of banter is cut short when he goes back to pressing his nose into your clothes that surely can’t smell good. No amount of deodorant or perfume could erase that underlying stench of sweat. Hell, the shirt is still a bit moist from it all: from the walk to the gym, from your workout itself, from the walk home. It’d been through the ringer, and you’re back to tugging him away from you. 

“I refuse to believe you like how gross I smell right now,” you reinforce, eyes darting towards the bathroom connected to your master bedroom, “I promise I’ll be quick with the shower.” 

“Baby,” he fights back, wrapping his arms around you securely, no intention of losing this battle, “You remember that time we went to the fair, and you were complaining about how you were sweating, so I tried to lick your face?” 

Your nose scrunches quickly at the memory, “I do, unfortunately.”

“You really think I’d be willing to lick the sweat off your body but be afraid of you smelling a little bad while we cuddle?” his shoulders drop as he looks up at you, head tilted, almost as if amused with the conversation, “What kind of man do you take me for?” 

“The kind that gets off on annoying me.” 

His jaw drops, putting on a fake look of offense before he dramatically throws himself back onto the bed, laying flat as he makes a fist to mimic stabbing his chest, “You wound me.”

You’ve heard those words a thousand times in a hundred different ridiculous voices. You’ve seen this scene enough to have it mesmerized at this point, down to the over-exaggerated pout of his lips and the lingering of the fist against his sternum. 

You never grow tired of it. You never will. 

“Need me to kiss it better?” you joke as you prop a knee up on the bed, following the same script as always. 

And he hits his queue perfectly when he lifts his head eagerly at the expected response, wiggling his brows a bit. “Absolutely. Doctor’s orders, in fact.” 

“Great,” you see an opportunity, and take it, “I’ll get right to it, after my showe-” 

You don’t even get the final syllable of the word off your tongue before he’s clenching his thighs around your own, knees pressing hard before he wraps his legs the rest of the way around your waist to pull you in. A squeak of surprise leaves your lips as you begin to fall forward, but Eddie is quick to break the fall with ease. Catching you with his eager hands, maneuvering for you to half drop to the mattress while some of you still lands atop of him. 

He has you right where he wants you, turning his head to be face to face with you, noses nearly brushing, “Unfortunately, the doc said you have to kiss it better now, or else you’ll be comfy coffin shopping.” 

“A fatal wound?” you gasp, nearly mocking him. It doesn’t offend him – if anything, his boyish grin only grows wider, “First, I’m smelly-”

“Again, I like when you’re smelly.”

“-And then I inflict a fatal wound upon my lover? Oh, how dare I.”

Slowly, all your insecurity of how you currently smell is simply fading. The entire ordeal has become an art of childlike, whimsical jokes – and Eddie is an artist. A professional at the dance, locked and loaded with his incomparable skill set equipped for disarming you this way. The ability to make someone feel loved, imperfections and weirdness aside. 

He likes you, even when you claim you don’t smell your best. And you like him, even when his hair is tangled beyond recognition and one of his socks is half-hanging off his foot from a nap.

You like him when he’s embarrassing you in public, tongue chasing after you with the threat of licking your sweat away, and he likes you when all you can do in response is a weak palm to his chest (that isn’t even making an effort to push him away) as you giggle relentlessly. 

You like each other on the good days, the bad days, the weird days. 

Disarmed entirely, you don’t even notice when his face conveniently slots itself far too close to your armpit as you two scooch further up into the bed. You’re more occupied with the way your legs tangle up, toeing each other’s socks off properly as he slings a heavy arm across your torso. 

“We’re gonna have to wash the sheets,” you mumble, exhaustion catching up as the two of you finally settle. 

He hums absentmindedly, nuzzling into your skin a bit further as he makes himself comfortable. “And wash away your sweet, sweet stink? I don’t think so, sweetheart.” 

“Oh, fuck off,” you laugh, unbothered as your fingers start to trail up and down his back over the t-shirt, smoothing out wrinkles along the way, “I’m serious. We need to change them soon anyways, I think I got crumbs in the bed the other night with those crackers.” 

“Bury me in the crumbs of all your midnight snacks,” he almost slurs, clearly drifting back off. 

You snort in response, relaxing and letting your own eyes shut. Matching all your deep breaths with his own, a million different last words crossing your mind to whisper to the boy you’re sure is once again asleep. 

I love you.

I adore you. 

I would like to spend the rest of my life with you, if you’ll have me. 

And maybe some of those unspoken thoughts slip out without you realizing, because he squeezes you just a little bit tighter, presses his face just a little bit deeper into your skin as his scruff tickles you. 

The only actual thought you can know for certain that you say, though, is, “Do you think they actually make coffins with memory foam inside?” 

To your surprise, even despite the almost-snores that had been escaping him, he answers in a heartbeat. 

“Oh, definitely. We’ll order two.”

[sysig]

He was a human pirate, which you wouldn’t think you’d have to specify and yet (Patreon)

[yvtro]

not to code gotham as eastern europe but eastern europe is the gothic literature locus classicus so i'm in full right to do it and it's just such a good parallel because. for westerners/outsiders it looks like a literal nightmare but the locals find comfort and humour in all things that throw the foreigners off. you have to find hope in a place that the others claim to be unlivable. if you give up and leave, it will always stay in your heart like an open wound.

also it just never ceases to amaze me how there are so many similarities between gothic lit & eastern european lit of the period that we would never call 'gothic' because our ghosts and our supernatural elements are not portrayed as the Other most of the time. they're there to bring you closer to your culture and heritage. they are horrors that bring you home and connect you with your people. tell me this is not the perfect approach for gotham.

i think this is also why i hate the portrayal of the city as some unsalvageable monstrosity with no kidness to be found. often places where the circumstances seem the most dire, the cultures that are branded gruesome because of the focus on the dead produce the most loving communities, as they are needed.

[blackwaxidol]

I want to draw architecture from the Throne Worlds, but unfortunately my best work with buildings or landscapes is purely by using paper and pencil and that is hard to show off as a photograph I think. I suppose I could try and make a paper drawing and then trace it digitally, that would be fine.

[princess-of-purple-prose]

i wanna get into ORV but i still don’t understand it 😭😭

CACKLES SO FUCKING LOUDLY (Caps: cackles so fucking loudly). Ahem. [cracks knuckles]

Okay so ORV (Omniscient Reader's Viewpoint) is a webnovel which is currently being adapted into a webtoon, and I really enjoy both!! But if I had to pick one, it's the webnovel no question <3 I talked about accessing both here!

I went into it completely and entirely blind except for the main character's name, which was probably the best thing I've done for myself all year, but my summary for you (which I had to stop myself halfway through and cut down for size THRICE):

ORV follows Kim Dokja, an isolated and lonely office worker whose contract is expiring and whose only (and I mean only) joy in life is a massively long, horrendously convoluted webnovel called "Three Ways to Survive in a Ruined World". He is the only reader in the entire world of this novel, as everyone else had long since fallen off about ten chapters in due to the fact that it fucking sucks-- but that means that when his subway ride home is interrupted by the world ending in exactly the way it does in his favorite story, he's also the person with the best chance in all the world to see the apocalypse through to a happy ending.

The novel, as indicated by the title and premise, is SO meta, and never in a cheesy or grating way-- ORV chews you up and spits you out with how incisively, brilliantly, and beautifully it works its themes, and every single character and character dynamic will grip you by the motherfucking throat. It is the funniest thing I've ever read and I've almost cried about it in public multiple times and I keep zoning out and staring into the middle distance during dinner because I keep having new belated realizations about its ending. It may look long and intimidating, but it doesn't FEEL long because the pacing is incredible, and also it constantly lampshades itself by acknowledging that the in-universe apocalypse is incredibly stupid and by having multiple scenes where the characters lay out past plot points in great detail and then go "wow this sucks and is stupidly overcomplicated." ORV is complex and beyond intelligently written, but it never takes itself too seriously, and it's better for it <3

ORV is hard to explain because it is so much all the time. In the best possible way, half the time it sounds like a fanfic-y fever dream. Kim Dokja IS bisexual and he IS autistic and he IS INSANE. It is impossible to encapsulate because everything I could say about it would fall short of its actuality, and Tumblr functions on recommending things through hyperbole but ORV is literally just like that. ORV is about the power of fiction and it's about meeting your blorbo in the flesh and immediately annoying him so bad he tries to kill you and it's about staggering, world-defying love of every kind and it's about your friends kinkshaming you and it's about learning to live with the fact that you deserve to live. I will, very genuinely, never be the same after reading it. This is the worst rec post in the world and I sincerely apologize. Please read ORV

[pomellon]

Welp today started off a bit messy

[lucy-ghoul]

Your point about the only thing Rey people being interested in was her relationship with Kylo and how that paralleled the Luke/Vader relationship is interesting. It would have added a lot of depth to the story if they'd been twins. Rey goes for the kiss. "No Rey, I'm your brother." lol. Awkward. Insanely awkward.

Hey, sorry but since I ship them and SW has already had enough soap opera-like "i'm your secret twin" last-minute revelations for my tastes I prefer them to be a romantic enemies to lovers pair - something that in SW (at least the movies; the EU was a bit different with Luke/Mara Jade and Revan/Bastila etc.) has never been seen before, so it adds an element of originality in what is basically Poor Man's OT. Same themes as Luke+Vader (love and compassion as a redemptive force) but not make it a family thing, please. That would have been uselessly redudant imo. What I meant with the Luke+Vader parallel is they're a similar brand of "the protagonist shares their most important relationship with an antagonist who turns to the Light thanks to their influence; said dynamic also challenges the main character's naive and black/white beliefs on evil&good, it challenges them to see the world under a different light". Rey didn't need to be a literal Skywalker, Kylo/Ben could have been enough for that as "one half of the protagonist/one side of the coin" - also because he has had to live with that legacy/lovable dysfunctional family for all his life while Rey struggled in a desert and Luke was "a myth" to her. She doesn't even know them; Vader&co. mean nothing to her (that's one of the many reasons the Rey Palpatine revelation feels so hollow - are we even sure she knew what a Palpatine was? lmao). The Vader Is Luke's Father plot works so well because he's the antagonist Luke has been fighting since Film 1, and Luke has been idolizing his dead dad since forever. This forces the kid to grow up - his world shatters, so he has to find a new sort of belief code. Similar to what her relationship with Kylo does (or should do) to Rey, but in a romantic key. Maybe a romance that redeemed the original star-crossed space lovers (Anidala) - this is all about Vader's legacy after all. In fact, it's all about that and how Leia couldn't (understandably) cope with it, and her son getting targeted by Snoke. Anakin's ghost should have definitely made an appearance in TROS and had an overdue talk with his grandson and his daughter but alas, "Palpatine somehow returned" but Anakin can't be bothered about his family I guess lol (that's deeply OOC of him - I'm saying this as a fan of the character).

But I agree with your point about Rey never failing/fucking things up/needing others' help. That's one of the reasons the audience feels like she's never really matured and changed. She needed to face her own demons, not someone else (specifically a man)'s. The angst about her parents abandoning her and treating her like shit should have sufficed: if she's shown her parents were Good People All Along and they were really coming back for her - well, that only reinforces her childish beliefs and never really puts her in the position to challenge them. Same as if Luke's dad had been a good guy, like he dreamed, and not literally Satan's right hand man. That's How To Write Protagonists 101 but I don't think Disneylucas ever cared about creating a somehow coherent story.

[rise-my-angel]

Stannis screams autistic who doesn't understand his fixation on a specific guy. Maybe ace? Something something connection with autism. Something. Gayromantic Stannis. Autism. Yes there is a point there somewhere.

Oh 100%, he just unfortunately also has the personality of a lobster which means he in no way recognizes any of this. Hes just like, sex outside of minimal contact procreation? No.

Women? No. Men who are not Davos? No.

And then just thinks everyone else is debauched and inappropriate for feeling anything beyond that spectrum of emotions which is even funnier because Renly is literally the exact opposite and you just know he spent so many days on the small council finding any and every way to mock him for it.

Only to have Stannis come out with the biggest slap of "in your bed she's like to die that way." About Margaery being a virgin.

He just as no grasp of sex and no care for romantic love unless its exclusively about Davos. But hes just like "no hes my hand of the king I'm supposed to be obsessed with him that's totally normal your the weird one for treating your hand like an employee"