#also fun fact about dark

[kuronikki]

Today is valentine's day in my contry (dia dos namorados/lovers day) so... happy lovers day i guess

.

.

.

.

Rambling + more clear version under the cut

Clear version:

I did this in like three hours and I did that ship cart in SEVEN. WTF

Anyway please woman date me please please pleqse

[inkskinned]

hey btw if you're in the USA at  2:20 p.m. ET on Wednesday, Oct. 4, they're testing the emergency broadcast system. your phone is probably going to make a really loud noise, even if it's on silent. there's a backup date on the 11th if they need to postpone it.

if you're not in a safe situation and have an extra phone, you should turn that phone completely off beforehand.

additionally, if you're like me, and are easily startled; i recommend treating it like a party. have a countdown or something. be surrounded by your loved ones. take the actions you personally need to take to make yourself safe.

i have already seen mockery towards any person who feels nervous about this. for the record, it completely, completely valid to have "emergency broadcast sounds" be an anxiety trigger. do not let other people make fun of you for that. emergency sounds are legitimately engineered to make us take action; those of us with high levels of anxiety and/or neurodivergence are already pre-disposed to have a Bad Time. sometimes it is best to acknowledge that the situation will be triggering for some, and to prepare for that; rather than just saying "well that's stupid, it's just a test."

"loud scary sound time" isn't like, my favorite thing, but we can at least try to prevent some additional anxiety by preparing for it. maybe get yourself a cake? noise cancelling headphones? the new hozier album? whatever helps. love u, hope you're okay. we are gonna ride it out together.

[shrimpricebowl]

oh thank god

[necrotic-nephilim]

@sasheneskywalker i love when you enable me to ramble about things because oh my god do i have thoughts.

so recently, i made a post discussing the phenomena of DC x DP and DC x MLB crossovers and why they exist and part of that post was discussing how largely speaking, at least half, if not more of the Batfamily fandom doesn't read the comics. if they interact with canon DC material, it's adaptations that are their own sequestered universes and oftentimes not remotely comic accurate or seeking to be. the most obvious example is the Young Justice cartoon. i'm adding a cut to this post because it just got so long i'm so sorry.

a lot of times, when people are discussing the "why" of this oversaturation of fanon-only fandom, they blame Wayne Family Adventures. and i think, to a point, i agree WFA is responsible for a boom in this fandom. but as someone who's been in the fandom long before we had WFA, to me it's the other way around. WFA was DC's way of meeting the demand for this easy-to-get-into, easy-to-consume content about the Batfamily that predicates itself on the comics just enough to be vaguely the same characters, but has a more sitcom, slice-of-life sort of vibe so DC could profit off of this section of the fanbase that otherwise wasn't consuming its primary material. and well, it's definitely worked. not only that, but i have a weird theory that the decline in the MCU also led to the rise in the Batfamily fandom. when you consider the fan content that made the MCU popular within fandom, it's that 2012 "they all live in Avengers Tower and Thor is eating poptarts and Clint is in the vents and there are movie nights every Friday" sort of vibe. those were the fics that were a hallmark of the fandom. and as the MCU has strayed from well... quality content in general, but specifically well-thought-out crossover content where characters can have their own arcs but also exist in a wider story where they clearly care about each other, that fandom was sort of homeless. so where do you go, if you like a superhero found family where you can have villains for angst but also stick them all in one big family-like home for silly crack and have a plethora of options for gay ships? well. you go to the Batfamily. if you write a crack/fluff Batfamily genfic with silly vibes and low stakes instead of say, a fic about a very specific comic issue even if it's a popular comic, you're *going* to get more traction for the former. because the fanbase largely just isn't reading the comics.

and i feel... complicated about this. because on one hand, Don't Like Don't Read has been a tenet of my fandom experience. i'm very pro-fandom and that includes fandom content i don't like. and to an extent, i do think this sort of should apply to Batfamily fanon. i enjoy having my moments with other comic purists, giggling over exceptionally painful OOC headcanons or even facepalming in pain over some content but it is on me to not interact with that content. you don't make fandom a better place by being hostile to fans who engage with canon in ways you don't approve of. and frankly? we as comic readers are not going to get non-comic fans to read the comics by being asshats to them. no one is going to want to pick up any comic if we get a superiority complex about it. and also, i feel like we're all lying to ourselves a little bit insisting comics are so, so easy to get into. they're not. we can just all agree, they're really not. i've been single-handedly helping my sister get into comics, specifically Wonder Woman and no matter how simple i make it, i watch her get frustrated trying to understand what pre-Crisis and post-Crisis and New-52 and Flashpoint and all these things mean and what a retcon vs a reboot is and what a Crisis Event is and what the hell Diana's current backstory even *is*. sure, you can give someone a beginner list of comics to start with and slowly dip their toes in the water but sooner or later, *something* is going to confuse them. comics as a medium straight up aren't going to be everyone's cup of tea. and if someone *just* wants to read silly fluffy fanfiction about the Batfamily, i can't entirely begrudge them for not wanting to take the hours and hours out of their day to understand this medium. it's not an accessible medium to get into. "read this and this, but this run is out of print and this run wasn't collected in trades at all but also make sure you read that event in order and this is a good comic but the backstory in it is retconned and you *have* to read this it's so important but it's also really bad because the author kind of sucks" sounds. ridiculous for someone who like. just wants to read some stuff about Nightwing. sometimes, we all make reading comics sort of sound like a chore, not a hobby.

so my point is, i do extend some grace to Batfamily fanon for existing. i think my biggest gripe is, as i said in my other post, misuse of tags (if you're not creating content about comics, maybe you don't need the comics fandom tag on Ao3, just the all media types umbrella tag) and my far bigger gripe: when panels are taken out of context to support fanon only headcanons. if i could impart *anything* onto the Batfamily fandom as a comic fan it'd be this: if you haven't *read* the comic, don't spread the panel. if you don't even know what comic it's *from*, don't spread the panel. it's fine to use comic panels to discuss your headcanons, but so often i see someone spreading a comic panel from a comic they haven't read, and when asked where it's from, they can't source it. a silly example that comes to mind is a post going around, taking a panel where Dick, in his internal monologue goes "here comes the sun. do do do do." and the post is claiming it's from him getting buried alive. when that panel comes from Nightwing (1996) #140, and he gets buried alive in Nightwing (1996) #127, two completely different moments frankensteined together. if you're going to not read the comics, that's completely fine, but unless you're sure of the source and the context, panels shouldn't be spread around. i'm sick of this specifically happening to Red Robin (2009), with ppl claiming Tim has totally killed people because he blew up some of Ra's' bases, when those panels within context, make it clear he gave everyone time to escape. and in a later arc in that very comic, Tim grapples with the idea of murdering Captain Boomerang, and *specifically chooses not to*, because he doesn't agree with murder, even against the person who has hurt him the most. if you'd like to write fanfiction where Tim is pro-murder and has done some sketch things, i'm totally on board and would probably like to read it. but there's no need to pretend it's canon from a few panels you saw out of context.

beyond that, i think it's not *entirely* correct to say that fanon is harmless. whenever i see very WFA-positive posts, they often default to the argument that WFA is fun and silly, and comic fans are killjoys for not liking it. which. i think is complicated because the issue is, WFA and fanon don't exist in a vacuum. if you like WFA power to you, i don't think it's the worst thing ever, but i do think it's degrading to these characters because honestly? they feel incompetent in the webtoon. it's one thing if WFA was solely a slice-of-life sort of deal, just having silly episodes where Bruce is taking on a PTA mom or they're all fighting for the last cookie. but when WFA attempts to take on more serious plots with these characters, it *fundamentally* falls flat in understanding them. i get it, Bruce comforting Jason having a panic attack because a noise reminded him of the crowbar felt cute in a microcosm, but i'm so serious when i say that storyline destroyed how like. half of this fandom understands Jason Todd's relationship to his trauma. it doesn't understand how he reacts when he's triggered, what coping mechanisms he seeks out, and how he would handle Bruce comforting him. even if i can believe for a brief moment Jason *would* be triggered by something like that, him running and trying to hide and then getting a hug from Bruce to make it okay is just. painful. WFA needs everything to be wrapped up in a nice, neat little bow. so even when it starts to tackle interesting concepts, it makes them fall flat with its need to be soft, low stakes, hurt/comfort. there was a two-parter episode that dealt with the complicated mutual hatred/jealousy between Tim and Damian that *almost* really interested me because for once, it felt like the webtoon wanted to explore canon messy dynamics. but of course, it had to be fixed with one conversation and a hug. you don't mend the *years* of issues these characters have like that. WFA isn't in character because these characters are hyperbole cartoonified versions of themselves to fit within the medium and be a cute happy family.

because that right there, is the crux of it. the Batfamily fanon seeks to simplify the Batfamily and force them into a nuclear family. there are so many fantastic posts on here discussing how the nuclear family-ification of the Batfam is eroding decades worth of complex histories so i won't go too far into that. but what i will say is that there's this need, in the Batfamily fandom, for the Batfamily to exist as a unit. they are a *family*. (honestly i think calling it the Batfamily is a misnomer and has been for years but we're in too deep now.) they exist to each other first, and any teams or friends they have come secondary to this family unit. you can *specifically* see this demonstrated in what headcanons are becoming popular these days. i have an entire lengthy meta in my drafts about how i *loathe* the "the Batfamily meets the Justice League" genre of fanfic because it makes no *sense*. in order to have this genre of fic exist, you must operate under the assumption that no one in the League, or adjacent to the League, knows the Batfamily exists and are thus utterly shocked to discover Batman has kids. and to make *that* work, you have to strip *every single Batfamily member* of such important dynamics and friendships so you can lock them all in Gotham for their whole lives. Dick can't have the Titans, Tim can't have Young Justice, Duke & Cass can't have the Outsiders, Jason can't have the Outlaws, Damian can't have the Supersons, Babs can't have the Birds of Prey, and so on. because if they had these relationships, they would be known to the League. the Batfamily fandom doesn't care about this, it's just "silly fanfiction", it's not trying to be serious. but how can you say you like Dick Grayson as a character if you don't understand the Titans *are* his family? at some points of his life, moreso than the Batfamily even is. it is constantly repeated to us in most comics with Dick how much the Titans mean to him. he *needs* them to be who he is. the same extends to every other Batfamily member, most of which have been full League members at this point. but in fanon, that doesn't matter. the Batfamily are a sequestered unit first, and all of those side relationships are secondary and easy to toss away, if it makes your fanfic work better.

and because they have to be a unit first, you have these forced relationships that dump years of actual canon material for the sake of making them get along. the Batfamily fandom has its favorites and well. it's no secret it's usually the boys. Jason and Tim by *far* stand out as fandom faves so, their dynamic is a heavily explored one. it does matter that in canon they don't tend to get along and especially don't see each other as family. what matters is that you can push dynamics onto them. and so fanon gets all twisted up about which Robin Tim actually idolized as a kid (Dick) and what member of the Batfamily is pro-murder but still an older sibling figure to him and looks out for him (Helena, or if you want the dynamic of once tried to harm Tim but they've reconciled, Jean-Paul) in favor of who's the most popular. Dick, Jason, Tim, and Damian are always going to be the standouts for popularity, but it's specifically Jason and Tim who are getting fanonized the most. and that's because really, we don't have much canon content of Tim that *isn't* the comics. for Dick you've got Young Justice (tv), for Damian you've got the DCAMU, for Jason you've sort of got the Under The Red Hood movie, but Tim sort of lingers in this limbo. (yes, he's in Young Justce (tv) and Titans (live action) but in neither is he the main character nor given much depth) so, he gets a *lot* projected onto him and has become fanonized. and even with Jason's animated movies, you don't see him interact with Tim, so people build it from the ground up how they want to see it, disregarding of canon comics. i think it's what makes him so popular in the first place- he's malleable into whatever you want or need him to be.

and of course, the fanon ignores other characters in the Batfamily it doesn't know about. i feel like you could create a tier list of Batfamily characters by their popularity, going from the fandom main characters: Tim, Jason, Bruce, Alfred, Dick, Damian. to the underrated: Steph, Duke, Babs, Cass. to the forgotten about unless they're convenient for a story: Kate, the Foxes, Helena Wayne, Carrie, Selina, Harper Row, Maps, Minhkhoa Khan. to the absolutely unknown: Helena Bertinelli, Jean-Paul Valley, Onyx Adams, the Clovers, Julia Pennyworth. it's not lost on me that the ignored characters tend to be women and people of color. which is both a canon and fanon problem, DC will continue adding interesting characters to the Batfamily, play with them for a few years, then drop them to default to the "Batboys" again. and it's a vicious cycle of the fandom only caring about the "Batboys", and thus people entering the fandom via fanon osmosis won't have content about the other characters, therefore, they won't be interested in those characters enough to create it, and it's just this ouroboros consuming itself, no matter how much canon content we have of these other characters. and it's ridiculous just how large the Batfamily is becoming because of this, which is why i'm a pre-Flashpoint fan, because then the Batfamily was contained enough to actually feel like a family with every character having nuances relationships with each other, but i digress because those thoughts could be their own post.

and the thing about fanon is it doesn't exist in a vacuum. DC has started turning the comics to accommodate for what fans are asking for, because fans will beg and beg for content they're not going to consume. Tim Drake: Robin had Tim as a coffee drinker because that's the fanon accepted headcanon. and the resolution of the recent Gotham War arc was for Bruce to buy this new manor for everyone to move in and call him. nevermind that most of these characters have their own homes and have zero reason to be moving in with Bruce. Tim had his marina in Tim Drake: Robin, Dick has Bludhaven, Cass and Steph have their little side of town in Batgirls (2022), and so on. these characters are being forced together as a unit, as one big happy family living together, to appease what non-comic fans want and it's damaging comic relationships. Robin: Knight Terrors saw Jason and Tim team up and working together, which i've seen varying opinions on but i personally despised. their interactions made zero sense for any of their canon history, but it appeases them being this close sibling relationship that fanon acts like they are. also the fears they faced in their respective knight terrors didn't make sense for either character and *only* worked as a moment of bringing them together so they could reassure each other and have this weird dreamscape bonding moment. the canon is bending itself to the will of fanon rather than building on the pre-existing complex relationships. Tim barely even gets along with his most important team in Dark Crisis: Young Justice because it seems the only important relationships the Batfamily can have is with each other. and when we do see them outside of the Batfamily, it only seems to be to relive the glory days like with World's Finest: Teen Titans, instead of developing them as they currently exist. this isn't recent in the comics, it feels like you can trace it back to the New-52, but it does feel a *lot* worse over the recent years. WFA is fine when it exists in its own bubble, but the simple truth is, DC content never exists on its own. the adaptations will reflect back onto the comics. (the damage the Young Justice cartoon has done to some characters should honestly be studied) and so it does frustrate me a bit when fanon-only or adaptation-only fans act like we're being nothing but killjoys for being frustrated with this. since they don't read the comics, they don't see how the comics are suffering as a result of this.

people argue about what's out of character for the comics they don't even read. i'm sorry, but "bad dad Bruce" is consistently canon. that man is just kind of shitty. when you take someone who has the drive he has, who has this need for the Mission first, who needs a teenager in spandex next to him to keep him off the ledge, that guy is sort of going to be a shitty father figure. he just is. not on purpose or with malice, but when you compare him to any other dad in a big DC family, he sure takes the cake. it's why characters like Oliver Queen tend to *really* fucking hate Bruce for how he treats his kids. Bruce loves fiercely, but he doesn't do well with putting that love first. and his love is a controlling one, he is very particular about controlling how others in the Batfamily are "allowed" to operate. it's what drives the wedge between him and Dick, it's why Steph is never a true daughter to him. (besides the reason of her needing to be a love interest to Tim first, anyway-) i've never understood the massive outcry of people reacting to Bruce kinda being shitty in comics they're not reading. there are some moments that get ridiculously OOC with how cartoonishly evil he is (the whole Gotham War arc and that... complicated mess with Jason) but largely if you want sitcom loving nuclear father Bruce, you have to accept that is a fanon thing, not a canon one. the Batfamily being a nuclear family in *general* is fanon. most of the "Batkids" don't actually see Bruce in a particularly fatherly light and begging for moments where he calls them his kids or they call him dad outside of incredibly specific circumstances is just OOC.

it's getting harder and harder to exist peacefully in this fandom it feels like, if you don't comply to the standard fanon has set. i'm happy people are having fun with their blorbos, even if in ways i dislike, but that "harmless fandom fun" does ripple it's way back to canon, eventually. so i end up pretty tangled with my feelings because are fans at fault for DC making these poor decisions? probably not, but it certainly feels like an unfortunate cause-and-effect situation whether at the end of the day, nobody is happy. and of course, i know some fanon-only fans are striving to be more canon accurate and care about canon dynamics more than others, but for them it's always going to be an uphill battle with the above-mentioned out-of-context panels thrown around and ever-pervasive fanon overtaking anything that's truly seeking to be canon compliant. so really, it sometimes feels like we're all losing.

[d8tl55c]

oh boy !! ! ! ! !!! ! thANK y0u all for the kind words on my last art posts. you all get it and i was/still am so happy about it

as promised, here's some close-ups of the comic for image quality's sake, and other screenshots i rescued from the community whiteboard (and something else)

first up another sketch of mystery gender-ambiguous being. (please send me more name ideas for them if you got one- i like to hear em! (reminder it's the side character that appeared for <10 seconds in AvM Ep. 30))

a few fav scenes

emotional support cwab

they weren't meant for this purpose exactly, but i do have countless "fluffy sticks" loose in my notes and homework sheets from the school years.

papery critter.

even when i wasn't confident in fur or feathers, they helped me practice posing and create some satisfying gradients/flowing poses. (im a sucker for good tail poses) (oh yay! i found a good pic...)

and finally, little sneak peak for you for reading so far ;3

i realized that whiteboardfox is pretty great for my working needs. simple and to the point and all. feels nice with the mouse and the tablet.

so i started hashing out a big project idea just to see if it holds up and

[

several hours later ...

]

oh

oh man

it's a little bigger than i expected

<next>

[astrobei]

for @quinnick: kiss prompt #4 - lips barely touching

The car is out of gas. Will is about ten seconds away from maybe-dying (again). Mike Wheeler has been abnormally quiet today.

At least of late, one of those things is more abnormal than the others. 

The car is always out of gas. Will doesn’t know when the last time they’d filled it up was, but he does know that it’s not his problem trying to figure it out. That’s Hopper’s deal. Or his mom’s, maybe. Or Nancy’s, or Jonathan’s, or–

Whatever! The point is that the car is out of gas, Mike and Will are stranded at the currently closed general store, and they’re probably about to die.

Again.

“Mike,” Will tries, for maybe the hundredth time. “It’s not your fault, okay, it could’ve happened to anyone–”

“Yeah,” Mike grumbles miserably, as they round the corner, from aisle four – cleaning supplies and household items – into aisle five – canned goods. Most of the shelves are empty, turned over. Mike picks up a can of pickled green beans, pulls a face, and puts it back on the shelf. “But it didn’t happen to anyone. It happened to me.”

Will takes a long, deep breath in through his nose. God forbid Mike Wheeler ever let anything go. “You didn’t know,” he huffs anyway. “It’s not your fault.” The store is dark, which is great for being able to roll your eyes without Mike seeing. Will’s flashlight sputters, briefly, the bright circle of light flickering in and out of view. He smacks it against his palm once, twice, and it steadies. “Seriously,” Will adds, as Mike slows to a stop in front of him. “Stop beating yourself up. So we have to wait for a ride. Big deal.”

Mike turns around to face him. His expression is mostly unreadable in the dark, but Will’s flashlight catches the edge of it – worried, a little guilty. “Yeah,” Mike says softly. “Except there are things everywhere and waiting for a ride is just– we’re sitting ducks here, okay,” Mike frowns. “I don’t like it. It feels like tempting fate.”

“Well, the simple fact of my existence feels like tempting fate sometimes,” Will jokes. It works, for a split second – Mike’s furrowed brows smooth out into something halfway amused, and he makes a noise that might be a laugh.

“Not funny,” Mike says anyway. His lips twitch.

“You laughed!” Will insists, smiling. His voice carries down through the hallway in a vibrant echo. “I know you did!”

“Shut up,” Mike whispers, looking away. “Would it kill you to keep your voice down?”

It might. Somewhere in the back of Will’s mind, he’s vaguely aware that they’re not safe here, out in the open, and that the whole point of them coming inside instead of waiting in the parking lot was to hunker down until Jonathan and Nancy could get another car here to pick them up. And also, preferably, get some gas.

Somewhere significantly closer in Will’s mind, though, is the knowledge that this is the most Mike has said – and the closest he’s come to laughing – since the car had stalled on the way from the cabin to the general store ten minutes ago, and Mike had just barely had time to pull into the abandoned parking lot before it had stopped altogether. He knows Mike doesn’t like this – being caught off-guard, out in the open. Even minute changes in the plan – which you’d think they’d all be more prepared for, considering the way things have been going lately – get Mike a little keyed up.

And the sorry, borderline pathetic part is this: despite it all, despite the ever-present threat of danger, and the impending sense of doom that’s been hanging over their heads for what seems like forever, Will feels vaguely pleased with himself anyway, seeing Mike hold back a smile instead of forcing one on his face.

So yeah, it might kill him, if he kept his voice down. That’s okay. Will thinks it would be worth it, sometimes – the danger and the doom and everything else – to hear Mike laugh.

God, what’s wrong with him? That’s embarrassing. That’s so embarrassing.

He shakes the thought off. “Whatever,” Will says instead, praying the cover of darkness is hiding the blush that’s rapidly rising to his cheeks. He angles  the flashlight away from them anyway, just in case, and Mike’s face falls back into silhouette. “You know I’m right. You’re doomed just by being here with me.”

Mike shakes his head. “You know I don’t think of you like that.”

Will frowns. “Like what?”

“Like– like a bad luck charm,” Mike waves his hands around. “Or whatever.”

“I didn’t say bad luck charm,” Will exclaims. “Ouch! Stop putting words into my mouth.”

Mike grins. “Would you rather have, uh,” he picks up the nearest can to him, something small and vaguely gray, “tinned sardines in your mouth? Tinned sardines in water? Oh, gross. Never mind, actually.”

“I would rather not,” Will decides, even though the shelves are so bare that they might have to suck it up and take home the tinned sardines in water after all. “Would you like some, uh. Tuna?”

“I guess we know why there’s so much fish,” Mike sighs, leaning heavily against an empty shelf. “Nobody wanted it.”

“You mean the ten people outside of our circle of friends that are still left in Hawkins? Yeah,” Will scoffs, then sets the can back down with a soft clink. “I guess not.”

Neither of them say anything for a moment. It’s quiet in the store, the room dark and lit faintly by Will’s flashlight and the display in the corner. It lights Mike up a faint blue, catches the edges of his jaw and where his hair is curling softly over the hood of his jacket. 

Will’s flashlight sputters again. 

When it comes back on this time, it’s more faint than it was before. It’s dark in here, Will realizes, a bit belatedly. Like, really dark.

He takes a deep breath and shuffles closer to Mike, just a little, like the shape of his body all leaned against the empty shelves is a grounding force. Mike gives him a look that Will can’t quite decipher in the dark.

“Everything okay?”

“Yeah,” Will breathes out. The proximity is helping, a little. “Just– waiting for our ride.”

Mike leans in a bit closer too, places an arm under Will’s elbow. It’s a light touch, nothing forceful, but the semblance of support is there. “You sure? You look a little pale.”

Sometimes, Will hates how well Mike knows him. He doesn’t get antsy in the same way Mike does in situations like these, but he’d be lying if he said they didn’t affect him at all. It should be expected by now, the automatic fight or flight. 

For some cruel reason, it still isn’t. “You can’t even see me,” he says, but lets himself lean into the touch anyway.

“I can see enough,” Mike says easily. “Do you want to sit down?”

Will shakes his head. The only thing worse than waiting out in the open is sitting out in the open. At least when you’re standing, you can run. “No. I’m fine.”

Will can’t see Mike either, but he’d be willing to bet real money – that he doesn’t have – that he can tell exactly what Mike’s expression looks like. The pause grows, swells and swells and swells, until Will is sure Mike is going to say something–

There’s a clattering outside.

Instantly, Mike’s hand tightens its grip on Will’s elbow. “Did you hear that?”

“Yes,” Will hisses, twisting around to try and see through the windows. “Of course I heard that, Mike.”

“Do you think that’s–”

“No idea,” Will whispers. With no small amount of reluctance, he tugs his arm out of Mike’s grip. He misses the warmth of it almost instantaneously, and the tugging in his stomach is only amplified by the way Mike automatically leans in behind him, places a hand on his back to replace the absent touch, like it was never gone at all. Will swallows, and flicks the flashlight off. “Now be quiet.”

“The windows are boarded up,” Mike says, decidedly not being quiet. Will wonders where the Mike Wheeler of fifteen minutes ago went – the one that was sulking and fidgeting in silence the whole way down the first aid aisle. “They’re boarded up, so nothing can get in. Right?”

“We got in,” Will points out, which Mike seems to realize at approximately the same second he does. It’s getting a little hard to think, with Mike so close to him.

Will really wishes Mike would pull his hand away.

“Right,” Mike whispers, breath ghosting gently over the back of Will’s neck. “Okay. That’s fine. That’s fine.”

Fine, Will thinks. That’s one word for it.

Another clattering. It’s closer this time.

Will freezes.

Jonathan and Nancy are probably about ten minutes out. Twenty if they had to go back to the Wheelers’ for the other car. So they’d probably be fine if they stuck it out here, because the chance of something happening across them now, in the brief period of time where they’re stuck without a ride, in a building equipped with close to nothing that could help, is small.

Small, but not nonexistent.

Will isn’t really feeling inclined to take that chance. “Come on,” he says, then spins on his heel, grabbing Mike’s hand and tugging him in the opposite direction. “Come with me.”

Mike follows easily, stumbling slightly with the sudden movement. “Wh– where are we going?”

“Just come on,” Will says, then tugs Mike around to the back of the store. He yanks open a door, and shoves him inside. “Get in.”

“Whoa,” Mike says, as Will tumbles in behind him. “Will, what–”

“Would it kill you to be quiet?”

“Sorry,” Mike says, then does, at last, fall silent.

Immediately, Will wishes he hadn’t said that. It’s dark in here – even darker than out in the front of the store – and the only noise is the faint hum of a generator, somewhere behind the walls. It’s grating and stilted. Will wonders when the last time it had been repaired was.

Plus, it’s really–

It’s really fucking dark in here.

Will lets out a long, slow exhale, and reaches out to feel for the wall beside him. His palm comes into contact with chipped paint and he follows the shape of it down, lowering himself onto the ground.

“Will?” Mike says, and Will is in half a mind to say that thing about being quiet again, but–

It’s dark. It’s really dark.

“Yeah,” he says, barely audible even to himself over the faint hum of the generator, and the louder hum – demanding, prominent, persistent – of his blood rushing through his ears. “I just– sitting. I’m sitting.”

There had at least been some light out in the front, but this storage closet might as well be a void. It smells vaguely of dust, something stale and unknown and probably untouched for who-knows-how-long. Will takes another deep breath in.

“Where?” Mike asks. “I don’t want to step on you.”

Will cracks a smile. “Here,” he says, and holds a hand up in the air. “Right here.”

There’s a quiet shuffling sound as Mike moves closer, and then Will feels fingertips brushing against his. Mike latches on immediately, gripping tighter onto his hand and sits down in front of him. 

Will still can’t see anything – he can’t see anything – but he can feel Mike’s presence like it’s a tangible thing.

Mike could let go of Will’s hand now. Now that he’s found him.

He doesn’t, though.

“Hey,” Mike says, then there’s another faint shuffling noise. “Where are we?”

“Storage closet.”

“Huh. How did you know it was here?”

Will cracks another smile, despite himself. “My mom worked here, remember? For, like, years.”

“Right,” Mike laughs, and then he’s moving closer, knees bumping against knees in the dark. “I forgot. It doesn’t feel like the same place.”

“Tell me about it,” Will sighs. He’s probably breathing in dust and debris and soot and all sorts of gross stuff, but he can’t find it in himself to care. He presses his knees against Mike’s a little harder, just because he can.

“I remember,” Mike starts, readjusting his grip on Will’s hand – fingers interlocked, a firmer grip – “she’d give me free candy from the front counter. Whenever I came in with my parents, I mean. My mom was so confused about why I kept asking to tag along to Melvald’s with her.”

“That’s not fair,” Will laughs. “She never let me have any candy.”

“You were a menace all hopped up on sugar,” Mike points out. “I knew how to behave myself.”

That’s a damn lie, and they both know it. “Liar,” Will says quietly, leaning his head back against the wall. “You’re such a liar.”

“Maybe so,” Mike hums. “But I’m still the one who got free candy, so–”

“Mike!” Will shoves lightly at his knee, and Mike’s answering laugh fills the small space instantaneously. It’s loud – too loud, because they’re supposed to be hiding, goddamnit – but the nagging little voice at the back of Will’s head is vanquished almost as quickly as it came. “Shut up.”

Mike, as always, ignores him. “Why don’t we turn on a light?”

“The fuse is probably blown,” Will responds. “If there’s even a light in this stupid closet.”

“I mean this, idiot,” Mike says, and then clicks the flashlight back on. The batteries must be dying, because it flickers to life weakly, steadying out into a dim yellow-white. “Obviously.”

“Don’t waste the batteries,” Will says at once, trying to grab for it. “Come on, Mike–”

“Jonathan and Nancy will be here any minute and then we can go put in new batteries,” Mike says, holding it easily out of reach. “No point sitting in the dark, right?”

“Mike,” Will tries to protest, but it’s useless. Mike’s made up his mind.

Slowly, and a little far away, Will realizes what Mike is trying to do. He’s not being subtle about it, but subtlety has never been Mike Wheeler’s strong suit. He’s always been exuberant, quick and spontaneous with his actions, and this is no different. Sitting up close, closer than would be strictly necessary in any other situation. Turning the light on, despite the dying batteries. Telling Will about coming here as a kid, all those years ago. Making him laugh. Diffusing the tension.

Jesus, and he’s still holding Will’s hand.

A wave of affection washes over him, sudden and overwhelming enough for Will to feel borderline nauseous.

This isn’t fair. This isn’t fair. Mike can’t just sit here and touch their knees together and hold Will’s hand, and–

“Look,” Mike is saying, and then he’s holding the flashlight under his chin and grinning. “Don’t I look freaky?”

In all honesty, Mike looks fucking hilarious. The direct light casts long shadows across the dips of his cheekbones, the shapes of his eyelashes distorting wildly as he blinks. “No,” Will snorts, rolling his eyes. “You look ridiculous.”

“Really?” Mike grins, in a way that means he knows just how ridiculous he looks. “Not even a little?” He waggles his eyebrows, and the resulting effect is so comical that Will can’t help the laugh that bursts out of him, sharp and sudden and real.

“Mike,” he chides, for the millionth time. “You’re going to kill the battery.”

Mike looks way too pleased with himself. “Worth it,” he says anyway, as he sets the flashlight down. It evens out the sharp angles of his face, now that it’s farther away, lights his cheeks and nose and eyes up into something softer, more open.

Something about the steadiness of Mike’s expression is brighter than any source of light. Suddenly, it’s too much. Suddenly, it’s blinding. 

God. He’s so screwed.  “For what?”

“Getting you to laugh,” Mike says, simple and easy, like he’s reciting times tables instead of proceeding to turn Will’s entire world upside down on its pathetic little axis.

Will feels his lungs stutter on his next inhale. He looks away. “Don’t do that.”

The gleeful expression falters on Mike’s face. “Don’t do what?”

“Don’t,” Will says, “don’t– you’re being so– so–”

Mike looks caught somewhere between confusion and amusement. “So what?”

“So,” Will tries again, and then Mike moves closer, and the difficulty of articulating a halfway decent sentence immediately increases tenfold. “So.”

“So,” Mike echoes, shifting so the side of his thigh is pressed up against the side of Will’s. He’s being slowly backed into the corner, but the thought isn’t terrifying like it might have been five minutes ago. Suddenly, Will is overwhelmed in a completely new way. “So what?”

“Nice to me,” Will gets out. “Stop being so nice to me.”

Mike pauses, then says, incredulously and half-laughing– “What? Why?”

Bad choice of words. “You heard me,” Will says anyway, because he’s nothing if not stubborn. “You’re being too nice.”

“I should hope so,” Mike says. “I mean, you’re my friend.”

Maybe Will is imagining it, but the sentence feels unfinished. Like there’s a second half to it that Mike is keeping for himself: You’re my friend – right?

The obvious answer here is that yes, Mike is his friend. But that answer feels unfinished too, like a lie by omission. Will tries to imagine it, doing these things with anyone else – what it would be like if Dustin was holding his hand, or if it were Lucas sitting next to him this close.

The conclusion he comes to, almost immediately, is that it would be weird.

It would be really fucking weird.

That feels like– something. An admission, maybe. Because the fact of the matter is that things with Mike have always been like this, and they’ve never been like this with anyone else, and Will doesn’t think they can be like this with anyone else without it being the most unsettling thing that’s ever happened to him.

The silence, he realizes, has gone on just a second too long.

“Yeah,” he blurts out at last. “Yeah. Obviously.”

Something settles over Mike’s face. “Will–”

“Forget I said anything,” Will backpedals, a little bit desperate. “Never mind. Be as nice to me as you want.”

Mike bites down on his lower lip. It looks like he’s holding back a smile. “As nice as I want?”

Oh, no.

“Sure,” Will tries. “Do your worst.”

Mike lets out a shaky exhale. He presses in further, leans in closer until their shoulders are almost touching. “How about this?”

“That’s not nice,” Will says weakly. “That’s just an invasion of personal space.”

“Seems pretty nice to me,” Mike mutters under his breath.

Will inhales sharply. “Mike.”

“What?”

“What are you– doing,” Will whispers, stumbling over his words, just slightly, as Mike places a hand on his arm.

Mike’s gaze does not waver. “Is this okay?”

Is it okay? Will thinks his brain might be halfway to leaking out through his ears. This is–

This is–

“Yeah,” he hears himself say. “Yeah. Great.”

“Okay,” Mike whispers. He’s so close now that Will could count all the freckles spattered across his nose, if he wanted to. He could, and the thought is dizzying, dizzying – suddenly, it’s not the claustrophobia that’s making him feel like this. It can’t be, because Mike is in front of him, and he’s so close that Will could just lean forward and–

He could just–

“Mike.” And maybe he’s a bit of a broken record, but he can’t come up with any words other than his name. He clutches at Mike’s knee and meets his gaze and prays – to whatever deity allowed him to get trapped in a storage closet with Mike Wheeler two inches away from his face – that Mike Wheeler will find the courage in him somewhere to close the fucking gap.

He doesn’t, though, which is a sign that the universe must be majorly fucking with him. Not yet, anyway. Not anywhere near as fast as Will needs it to be – if this is what he thinks it is, it’s nowhere near fast enough.

In actuality, what it is is excruciating – the way Will’s heart is beating so loud that he’s sure Mike can hear it, in the proximity. The slow circles Mike is tracing over his other hand – the hand that he’s still holding. He’s so close that Will can discern the warmth emanating off him, the familiar scent of soap, can feel Mike’s eyes trained steadily on his mouth, and yet–

Either Mike is actually moving at a speed of one nanosecond per minute, or time has slowed to a near-stop around them. Mike’s grip on his hand is agonizing, caustic in all the places where they’re touching, each slow circle of Mike’s thumb against his wrist driving him slowly and steadily out of his mind. Do it, Will thinks, like maybe if he thinks it loud enough, Mike will be able to hear him. Do it, do it, do it.

Mike’s lips touch his.

The world stops moving.

It must, anyway. Or maybe it’s just that Will doesn’t think he’s breathing anymore – he doesn’t know if he can find it in him to remember how. All he’s aware of is this: Mike’s hands on his arm, his wrist. Mike’s leg under his own palm, warm and steady and pressed up against him in a smooth, unyielding line. The pressure of the wall behind him, the strands of Mike’s hair brushing against his face, and Mike’s lips – gentle, gentle, gentle, and nowhere near enough.

It’s like Mike is waiting for something. Waiting for Will, maybe.

God, okay.

Fuck it, Will thinks, from somewhere far off in his own head. Fuck it. Fuck this. 

“Will,” Mike whispers, pulling back a precious few millimeters, and that’s it. That’s all Will can take.

Will lifts his hand off Mike’s leg, raises it to his wrist and tugs. Mike topples into him with a small gasp, Will falls backwards into the wall, and then they’re kissing.

God. Okay.

Mike steadies himself quickly, braces a hand on the wall behind them and leans in, firm and enthusiastic. His hand, Will notices, faintly and with no small amount of affection, is shaking. Just slightly. Will’s trapped between them again – Mike and the wall – but this time he can’t find it in himself to care even the slightest bit. As if there’s anywhere he’d want to go that wasn’t here, as if he’d want to be somewhere without Mike’s hand carding through his hair, or without his lips moving softly against Will’s own, or the noise he makes when Will presses forward, too fast, too eager, too betrayed by his own fluttering pulse – something like a laugh, trapped deep in his chest.

Suddenly, it’s not enough. It’s not enough. It’s–

“Mike? Will?”

Shit.

In a flash, Mike pulls away, wide-eyed and pink-cheeked and breathing like he’s just run a marathon.

Shit.

“Yeah,” Mike calls, voice cracking just slightly on the syllable. “We’re in here!”

Shit.

“So,” Will says, aiming for nonchalance. He fails immediately. His voice cracks too. Great. “That–”

Don’t freak out, he thinks. Please don’t freak out.

Mike, to his credit, is not freaking out.

“Yeah,” Mike says, voice a little high-pitched but surprisingly even. He clears his throat. “Um. Yeah. You were–”

“Yeah,” Will finishes, rather lamely. He’s grinning like an idiot. He doesn’t even need to look at himself to tell. His expression is mirrored, perfectly, flawlessly, brilliantly, on Mike’s own face.

The closet door gets thrown open, and there’s a blinding, sudden light– “What the fuck,” Mike exclaims, squinting and throwing a hand up in front of his eyes. “Nancy?”

Jonathan peers around her shoulder. “What were you guys doing in here?”

Don’t look. Don’t look. Don’t–

Will can’t help it. He looks at Mike, and they immediately burst into laughter.

Shit.

[ohitslen]

Pretty boy beard agenda

Idk what this is supposed to be but have this low effort and quality thing

[causeimanartist]

Carrie Kelley Robin for art request!! :)

This is either Carrie Kelley or Velma in cosplay, who could say

[daboyau]

I got an idea when looking at this post by @tangledinink. I couldn’t rest until I’d jotted it down. The art possessed me like an evil spirit. warnings for body horror, vomiting, general fuckery. 💚

what probably happened directly before Leo found himself in this situation:

Leo: Fairies? No way those sparkly little assholes are real.

The fae who happened to be within earshot: and i took that personally.

Anyway, here we gooooo:

Leo opens his mouth to scream, but the sound won’t come out. He gags on the feeling of it catching inside his throat, and then again when the trapped scream begins to grow thorns. It scrapes its way up, and he claws desperately at his throat, trying to tear the feeling out, falling to his knees as he gags around the forced silence.

The threat of suffocation is enough to tear his attention, however briefly, away from the horror of what is happening to his shell. His body is changing itself on the urging of some other thing’s whims, and even though his nerves didn’t seem to get the memo that a dissolving shell (you know, the thing that most of his internal organs and, like, half of his bones need to stay inside his body?) should probably hurt a lot, he can still feel it.

He retches as the first flower falls from his lips. It hits the ground with a disgustingly wet sound, coated with bile and saliva. It shines wetly, rich orange hues standing out brightly against the black soil. The rest follow shortly after, a painful deluge of familiar colors, and he’s helpless to do anything but dig his fingers deep into the rich soil and try not to let the horrific impossibility of the situation drive him crazy. Tears flow freely, staining his cheeks before they fall to the ground below, greedily absorbed by the cursed earth of this place.

“Oh, dear,” a voice says, too close for him not to have noticed their presence. He tries to jerk back, but he can’t pull his fingers from the dirt. It hurts when he tries. A high pitched whine escapes his throat, but he’s too terrified to be embarrassed by that. The voice shushes him, soothes him, and warm fingers wrap tight around the back of his neck. They come to rest just above where the lip of his shell should be. He sobs at the way his back squirms as heat shoots down his spine and something begins to grow. The furred fingers drag like velvet against his scales as they squeeze, the sharp prick of claws threatening to break skin, and then release him just as suddenly. 

“So much sorrow and pain. And, oh, so many regrets,” the thing says as she circles him, humming a tune that makes his head pound in rhythm with his racing heart. His hands have sunk beneath the black soil, and it has begun licking greedily at his wrists as well. He can feel tendrils of something wet and cold winding themselves around his fingers, and he wants to scream again, but the bursts of bile-soaked colors decorating the ground keep him from opening his mouth. He can feel a petal still clinging to his bottom lip, and when the thing kneels before him, she reaches out to pluck it off, unbothered by the way he shrinks as far away from her touch as he can manage.

She slips it between her lips, and he catches a flash of a blackened tongue as it darts out to meet that single purple petal. Her teeth are sharp when she smiles at him. They hadn’t been sharp, when she’d first approached him in the Hidden City. Nothing about her had been.

In the dim lights of the underground world he and his brothers had only recently begun to explore, she had looked soft. He’d seen her approaching, and the first thought to flit through his head was, aw, bunny. A fluffy, rounded face. Big eyes, dark and deep as a still pond as they reflected the flickering neon of a sign in the shop window behind him. A pink nose had twitched when she’d smiled at him, sweet and kind, and asked him for his name. 

(What had he told her?)

Now, she would be unrecognizable, if not for the same strawberry patterned dress that drapes over her stretched out frame. He’d think to compare her to a hare now, but the hares he’d seen when watching Animal Planet with mikey had never looked like they would take delight in tearing his nails off one by one or plucking out his eyeballs. They had never made his vision swim or his body shake when he’d looked at them. Maybe she’s become more of a wolf.

The soil has reached his elbows. Those cool, slimy tendrils have circled his wrists like shackles. They’re squeezing tighter and tighter, and he feels his fingers throb and tingle as circulation is cut off. 

His mind flashes briefly to raph and how he used to tell them not to wear rubber bands on their wrists, convinced that their hands would fall right off if they got squeezed too tight. He wonders if the things that live beneath the dirt will steal what they’ve claimed, just like she’s stollen his shell. Another sound wants to bubble up his throat at the thought, and he lets it, because what use is a swordsman without his hands?

The hysterical giggles escape as big, iridescent bubbles. They glitter pink and blue and leave a bitter taste on his tongue. They only float a few feet into the air before they fall back to the ground, their attempt to flee the horror of this situation not getting too far at all. Soft green grass rises up from the dirt to catch them, but they do not pop. They rest, suspended on those tiny blades, for far longer than any bubble he’s ever blown before. He watches, transfixed, as his laughter is eventually swallowed by green. It begins to spread.

A hand cradles his chin, and his gaze jerks back to the thing that brought him here. She is watching him intently, eyes darting to take in every tiny change in his expression. She looks curious, in the same way that donnie does when he’s thinking about all the ways he can take something apart, and what he can do with those pieces to create something better. 

Her hand is soft where it touches him. She is gentle as she wipes a cloth across his mouth. It feels like water, soothing and cool, and he finds himself leaning into this tiny offer of comfort among the stomach churning violation of what is being done to him. His eyes flutter, and he distantly registers that the face she wears seems to swim before his eyes with each rapid blink, shifting back and forth between bunny and wolf and something other. She looks like she wants to devour him whole, no matter which face she wears.

From this close, he can see the way her eyes sparkle and dance when she smiles. He can’t help but think that maybe being swallowed whole wouldn’t be such a bad way to go, after all. 

The writhing shackles around his wrists tighten. 

She laughs, breathy and soft, and the sound is layered and beautiful like wind chimes. It conjures a hurricane inside his mind. Her cool breath gusts over his face. It smells like churned dirt and funeral flowers and pustulous rot. He doesn’t know if he wants to gag or breathe deeper. 

“Little blossom,” she croons, cupping both his cheeks, dragging their faces close. He doesn’t resist. She giggles, and she drags those soft hands and those sharp claws down his neck and over his shoulders, fingertips bumping against the disgustinghorriblewrongparasitetumor gathering of delicate buds that have sprouted up all across his back. She pinches one between the pads of her fingers, and he wants to screamcrybeghertostoppushherawaycutherdownandtearthemalloutbytheroots be good for her.

“Little blossom,” she says again, and those dark eyes catch his gaze and hold it as a heavy feeling settles against his skin, across his shoulders, around his neck, and he can’t look away no matter how desperately he tries. But he doesn’t want to try. Her smile stretches wider, wider, and for one brief flicker of a second he can see blood on her teeth as she asks, “Do you believe now?”

.

(Side note just for fun. The flowers that appear in this but aren’t actually described or named are:

Orange marigold, for grief and despair

Purple hyacinth, for sorrow and asking for forgiveness

Red cyclamen, for goodbye and resignation

Yellow zinnia, for missing a friend and remembrance

Bluebells, for gratitude and everlasting love 

[sanshinexx]

Here's part two of drawing my family pictures as the Bad Batch because I can and you can't stop me

[moeblob]

Amazing, take some of the side character demons from Evil Bound.

Vincie is a menace to Chuck and Chuck alone so in Hell, Chuck hexes his hand behind his back so that he isn't grabbed as much (and it's harder to pet him). Chuck is like the most irresponsible older sibling ever to demons though so Kelvin recruits him (as an older sibling vibe) to go help him get his ACTUAL older sibling from Earth. Chuck agrees. And then drags Vincie from Hell with them because no one else wants to babysit him and he refuses to unbind the hex just to re-hex when he returns to Hell.

In Hell, Kelvin actually doesn't appear much different than his human form! Like Kronos, the lines under his eyes are red in Hell but black on earth. Chuck however? In Hell he has wolf-ish ears and has a fur lining his neck (note the neck scars in human form). In addition to that he has four eyes in Hell (note the scars under his eyes in human form). Vincie just has horns in Hell. And! In Hell the hex doesn't have a silly looking "tied up" look, it's invisible unless Vincie strains it with movement and then its red text. But it shifts on earth to be visible.

Vincie's biggest agony for the entirety on earth is "dude it's colder here than in Hell I want a jacket to slip my arms into BUT I CANT BECAUSE IM BOUND".

[caus34concern]

more filipino bmc. if anyone cares.

[frostbytte]

HIIIII!!!! Narine got a haircut /silly

They're about 6'5" and 20 (but turn 21 soon. There's like. 4 months between their birthdays) and Hydros tends to size shift to around 10 or so feet tall in order to keep a height advantage over people, but to also be able to go places.

i have Hydros a tail shhhhshh

Narine's outfit is based on these 3:

[chalkrub]

florian my good good boy

[nyankoizumi]

Who needs normal robot replacements with arms like these?

Meet The Dark Lord 2.0. It's body was severely torn by The Second Coming, but with a little bit of technology, spider children and pure spite it turned himself into an eldritch horror. Good for him!

[revasserium]

the unofficial ultimate bungo stray dogs reading list

this is mainly for myself bc i rly do want to read most if not all of these and i'm sure it's already been done by someone somewhere. but, i thought why not post it lmao; most if not all of these can be found on anna's archive, z-library, or project gutenberg! (also, consider buying from your local bookstore!) for those that are a bit harder to find, i've included links, though some are from j-stor and would require login to access.

detective agency:

osamu dazai:

no longer human (novel)

the setting sun (novel)

nakajima atsushi:

the moon over the mountain: stories (short story collection)

light, wind and dreams (short story)

fukuzawa yukichi:

an encouragement of learning (17 volume collections of writings)

all the countries of the world, for children written in verse (textbook)

yosano akiko:

kimi shinitamou koto nakare (poem)

midaregami (poetry collection)

edogawa ranpo:

the boy detectives club (book series)

japanese tales of mystery and imagination (short story collection)

the early cases of akechi kogoro (novel)

kunikida doppo:

river mist and other stories (short story collection)

izumi kyouka:

demon lake (play)

spirits of another sort: the plays of izumi kyoka (play collection)

tanizaki junichirou:

the makioka sisters (novel)

the red roof and other stories (short story collection)

miyazawa kenji:

ame ni mo makezu; be not defeated by the rain (poem)

night on the galactic railroad (novel)

strong in the rain (poetry collection)

port mafia:

mori ougai:

vita sexualis (novel)

the dancing girl (novel)

nakahara chuuya:

poems of nakahara chuya (poetry collection)

akutagawa ryuunosuke:

rashoumon (short story)

the spider's thread (short story)

rashoumon and other stories (short story collection)

ozaki kyouyou:

the gold demon (novel)

higuchi ichiyou:

in the shade of spring leaves (biography and short stories)

hirotsu ryuurou:

falling camellia (novel)

tachihara michizou:

in mourning for the summer (poem)

midwinter momento (poem)

from the country of eight islands: an anthology of japanese poetry (poetry collection)

kajii motojirou:

lemon (short story)

yumeno kyuusaku:

dogra magra (novel)

oda sakunosuke:

flawless/immaculate (short story)

sakaguchi ango:

darakuron (essay)

the guild:

f. scott fitzgerald:

the great gatsby (novel)

the beautiful and the damned (novel)

edgar allen poe:

the raven (poem)

the black cat (short story)

the murders in the rue morgue (short story)

herman melville:

moby dick (novel)

h.p. lovecraft:

the call of cthulhu (short story)

the shadow out of time (novella)

john steinbeck:

the grapes of wrath (novel)

of mice and men (novel)

lucy maud montgomery:

anne of green gables (novel)

the blue castle (novel)

chronicles of avonlea (short story collection)

louisa may alcott:

little women (novel)

the brownie and the princess (short story collection)

margaret mitchell:

gone with the wind (novel)

mark twain:

the adventures of tom sawyer (novel)

adventures of huckleberry finn (novel)

nathaniel hawthorn:

the scarlet letter (novel)

rats in the house of the dead:

fyodor dostoevsky:

crime and punishment (novel)

the brothers karamozov (novel)

notes from the underground (short story collection)

alexander pushkin:

eugene onegin (novel)

a feast in time of plague (play)

ivan goncharov:

the precipice (novel)

oguri mushitarou:

the perfect crime (novel)

decay of the angel:

fukuchi ouchi:

the mirror lion, a spring diversion (kabuki play)

bram stoker:

dracula (novel)

dracula's guest and other weird stories (short story collection)

nikolai gogol:

the overcoat (short story)

dead souls (novel)

hunting dogs: (i must caveat here that the hunting dogs are named after much more comparatively obscure jpn writers/playwrights so i was unable to find a lot of the specific pieces actually mentioned; but i still wanted to include them on the list because well -- it wouldn't be a bsd list without them)

okura teruko:

gasp of the soul (short story; i wasn't able to find an english translation)

devil woman (short story)

jouno saigiku:

priceless tears (kabuki play; no translation but at least we have a summary)

suehiro tetchou:

setchuubai/a political novel: plum blossoms in snow (novel)

division for unusual powers:

taneda santouka:

the santoka: versions by scott watson (poetry collection)

tsujimura mizuki:

lonely castle in the mirror (novel)

yesterday's shadow tag (short story collection; i was unable to find a translation)

order of the clock tower:

agatha christie:

and then there were none (novel)

murder on the orient express (novel)

she is the best selling fiction writer of all time there's too much to list here

mimic:

andre gide:

strait is the gate (novel)

trascendents:

arthur rimbaud:

illuminations (poetry collection)

the drunken boat (poem)

a season in hell (prose poem)

johann von goethe:

faust

the sorrows of young werther

paul verlaine:

clair de lune (poem, yes it did inspire the debussy piece, yes)

poems under saturn (poetry collection)

victor hugo:

the hunchback of notre-dame (novel)

les miserables (novel)

william shakespeare:

romeo and juliet (play)

a midsummer nights' dream (play)

sonnets (poetry collection)

the seven traitors:

jules verne:

around the world in 80 days (novel)

journey to the center of the earth (novel)

twenty thousand leagues under the seas (novel)

other:

natsume souseki:

i am a cat (novel)

kokoro (novel)

botchan (novel)

h.g. wells:

the time machine (novella)

the invisible man (novel)

the war of the worlds (novel)

shibusawa tatsuhiko:

the travels of prince takaoka (novel; unable to find translation)

dr. mary wollstonecraft godwin shelley

frankenstein (novel)