#also asking me to elaborate on my thoughts

[ohmy-gojo]

geto suguru falling for an underclassman reader ෆ (no curse au) pt.1

it was a new year— geto was already on his 2nd year at jujutsu high with the same two friends, not that he really cared about making friends. satoru just appeared one day and called him his 'best friend' and shoko tagged along. it was actually a quite comical group he thinks; a rich kid, a chain smoker and a boy who just wanted to die. but he supposes they were also popular around the campus (though he doesnt understand why)

he was casually strolling near the pond in front of the campus during break (actually hiding from gojo bc a new episode of digimon aired and he really doesnt want to hear his rants) when he saw a trail of... chips? leading near the back of the campus

his first thought was 'this is too weird imma dip' but alas curiosity got him and he decided to follow the trail of.. chips. who knows if thats how they lure people and kidnap them nowadays? if so hes sure people like satoru would surely fall for the trap (he thinks as he himself follows the said trap)

after reaching the end of the trail, he was surprised to face a young girl instead of an old beefy hitman. this was his supposed kidnapper? she was pretty cute so he wouldnt really mind he guesses. but the girl actually looked equally surprised to see him. the two stared at each other and owlishly blinked.

"um.. what are you doing.. here? if i may ask." geto broke the silence

"oh uh i am waiting?" she spoke softly and didnt elaborate further

'maybe for a friend?' geto thought and didnt ask for more details. though the reason he was even here— "do you know who placed these chips in the grou–"

before he could even finish his sentence, the girl pulled him and hid behind the concrete plankets. okay, this girl was nuts

"i was the one who placed the chips," she whisper-answered. "for him" she gestured to their front. geto followed her gaze and saw a.. puppy? he raised his brows at that, if she wanted to feed the puppy why not just give it that directly instead of doing whatever the hell that was.

she probably understood what he was thinking and finally told him, "that little guy was actually trapped in one of the slabs. i tried helping him but he was probably afraid so i decided to lure him with these chips and into safety."

oh, he thinks. that makes sense. they both then sat in silence watching the puppy eat the chips. it was a comfortable silence though. this is not a bad day, he muses. the nice weather, watching an adorable puppy eating chips with a cute girl sitting beside him.

after some time, the puppy left and he realized they were still holding hands from earlier when she pulled him. she let go of his hand after realizing herself and blushed lightly (he was a little disappointed).

"what you did was kind." he smiled at her.

"oh its nothing. i felt bad for him and i dont even like chips that much."

geto laughed at her reasoning. he was getting enamored by her weird charm and awkward mannerisms. they were starting to walk back inside their campus. "well.. whats your name?"

"i am (name)," she bowed her head lightly "please take care of me."

"of course, nice to meet you. i am geto." he smiled. "are you a 1st year?"

"yes i am. are you one as well?"

"no," he shaked his head. "i am a 2nd year."

"oh!" she suddenly stopped. "youre a senpai!"

he laughed at her matter of fact tone and nodded his head. this girl was actually weird but in a.. cute way.

before he could ask more about her, his white haired friend appeared and he just sighed heavily

"suguru??? what are you doing?" he looked at (name) and gasped "do you have a secret girlfriend? oh my god! shoko!"

"lord help me," he sighed again. he looked at the girl with him and saw her blushing and looking bewildered. as much as he found her blushing face adorable he decided to help her

"this is not my girlfriend you doofus," he slapped gojos back of head. "shes an underclassman, be nice to her."

"ohhhh?? shes a kouhai?" he gasped once again. "i always wanted one!"

geto deadpanned at that. look at this weirdo talking about the girl like shes some shiny rock. he was starting too feel weirdly possessive over her. after all he was the one who found her first so she should be his kouhai only, it's only natural.

with gojo blabbering about himself to her and her politely nodding at his words, they made their way to their classes. geto wanted to ask her about herself but found himself being cut off by gojo everytime. he was starting to get pissed but then saw (name) smiling reassuringly at her which made him calm down a little (he was almost pouting). then she had to leave for her class and waved at them bye. 'oh well,' he thought while waving back. he could try to meet her after school maybe? but this time without that blue eyed freak he huffed.

[marlynnofmany]

Cave Space

The mechanic’s shop was the loudest and dirtiest place I’d seen on this space station so far, and somehow that was comforting. All the ritzy retail stores and elaborate restaurants tried to look as fancy as possible, even the cheap ones. But this place felt honest and straightforward. It had bare concrete floors and the kind of shelf displays that didn’t bother with signs to actually explain what you were looking at. A real mechanic would know.

I had no idea, but I was just here to help haul things. Blip and Blop might have been a better choice if the things in question proved to be heavy, but they were off wrangling jumbo tubs of food and medical supplies with Eggskin, and anyways we had the big hoversled this time. It would probably be fine.

Mimi was talking fast with an employee about manifolds and vents and lots of other words, waving a couple green tentacles while he stood on the rest. The employee was the biggest Heatseeker I could remember seeing, which was still only mid-rib-height on me. He reminded me of the short gym guys from back home, able to build muscle in every direction but up.

A box thumped onto a counter near me. “You here to help lift and pull?”

I found an older human woman grinning at me, wearing a tank top covered in grease and long white hair held back in a ponytail. Also the kind of arm muscle that said she yanked engines out of spaceships for fun.

“Something like that,” I said with a smile. “Gotta make sure nothing falls off the sled.”

She waved a hand. “Ah, we’ll strap it down for you. There’s enough ramps around here to cause problems if we don’t.”

“I bet,” I said, thinking back to the last time I’d chased something important down a hill. “Don’t want to risk any explosions or chemical spills.”

“Or slamming a gear shaft into the side of a building,” she agreed. “There was a bit of a mess the last time someone was sure they didn’t need their stuff tied down.”

I winced. “Ouch.”

“Yeah, it’s standard procedure now,” she said, opening the box to pull out multiple smaller boxes, all labeled with arcane terminology and numbers. They rattled as she stocked them on the shelf under the counter. “If they’d asked me, it would have been standard from the start, but what do I know? I’ve only been doing this kind of work for decades, on more planets than I care to count.”

“Sounds exciting,” I said as she finished stocking. “I haven’t been out here all that long by comparison, but there’s always something new to see.” A glance around the shop took in rows of alien technology, a Heatseeker with scales painted silver, and one of those centipede-like people whose species name I didn’t remember. I was pretty sure they were looking at a jetpack display.

“Oh sure, plenty of weirdos out here,” the woman said easily, ripping tape off the box and flattening it. “Though it’s easy to tip over from marveling at the wonders to feeling the kind of intense homesickness that you get when you’re light years away from home.”

“I suppose so.” I’d been pretty lucky on that front, since my alien coworkers were friendly sorts who made me feel welcome. But there were times when the sheer amount of empty space between me and Earth was a little too much to think about.

“You’ve got to find ways to remind yourself of where you come from, and take pride in it,” the older woman said with a pointed finger, like a grandparent giving career advice. “Recreate bits of home while you’re far from it.”

I thought back to the potted plants and sun lamp in my quarters, kept high enough that the cat couldn’t chew on them. “I like to think I do that,” I said. “Do you have a preferred method? Classic Earth songs, googly eyes stuck in funny places?”

She barked a laugh. “Ha! Nothing I’d admit to. But I’ll show you my current favorite touchstone to humanity.” She dug in a pocket.

I stepped closer, curious, as she pulled out something palm-sized. She rested her elbows on the counter and held it up, framed by splayed fingers with appropriate drama.

It was a rock, smooth and shiny like it had been polished by a river and then by a thick layer of varnish, and it was covered in minuscule handprints. All in earthtones, like a cave painting reduced to pocket size: some in silhouettes like tiny hands had pressed mud or ash against the cave wall, and others shadowed by color like the prehistoric artist had chewed charcoal and spat it carefully around their fingers.

(I’d done that in school one day, with one of the cool teachers, who taught us the basics of humanity’s oldest style of airbrushing. It was incredibly messy and trickier than I’d expected. It gave me renewed respect for the artists from eons ago whose artwork had survived into modern times.)

And this was that same thing, made small enough to carry around the galaxy, a tiny reminder of home. “That’s fantastic,” I breathed.

“Isn’t it?” she asked, rubbing at the shine. “I got it from a traveling artist awhile back. If I was in a different line of work, I’d sell clothes with this pattern on them. It’s the kind of thing that makes other Earthlings smile.” She stood up and put it back in her pocket with a wink. “Not like googly eyes, but still good.”

“Yes, still good!” I agreed, smiling. I would have liked to talk more about it, maybe find out where that traveling artist had gone, but Mimi was wrapping up his conversation. A door opened to admit a trio of Heatseekers carrying a huge cylinder that was probably destined for somewhere in the guts of our ship.

“I’ll get the tie-down straps,” said the woman, rummaging under a different section of counter.

“Thanks,” I said, though I don’t think she heard me. The air was full of talk and the sound of clawed feet on concrete. I hurried to take up a position by the controls of the hoversled, making sure it stayed locked in place.

The team worked quickly, and in no time they had it strapped down well enough that it wouldn’t budge even if the gravity cut out completely. (Which had better not happen; I’d had more than enough of that kind of nonsense at the last station.)

Mimi processed the payment, tapping a screen with one tentacle tip and thanking the employees for having this whatsit in stock. I got the impression that it wasn’t the one he’d actually come to get, but it was better in some way or other.

“Thanks again!” I said as we tugged the sled toward the door. I waved at the other human and she waved back, two hands signaling kinship briefly across the room. Then she took her flattened box into the back and I stepped out into the artificial sunlight, looking for signs leading back to the spaceport.

The gravity behaved, and the ramps were no trouble. Blip and Blop were there to help unload the thing. I asked Mimi if he wanted three people to maneuver it into wherever it went, or if I should go put the hoversled away.

He was busy climbing inside of the cylinder with a flashlight, for whatever reason. “Nah, not enough space for everybody,” his gravelly voice echoed. “Let me just — really? Another one?” A faint squeak sounded like he was rubbing a tentacle against the side.

“What is it?” I asked, bending to look inside. Blip and Blop crowded behind me, a jumble of curious muscles and silks.

Mimi grumbled, “This is the third engine part that I’ve gotten with these annoying marks. All from different sources, too. If I ever find out which finger-having species is doing it, we are going to have words.”

Deep inside the cylinder, in a spot that likely would never have been seen by anyone but an agile mechanic, was a patch of handprints. Mimi had already smeared the ones made in grease, but the others looked like they might have been paint. All in earthtones. A cave painting in the depths of a spaceship.

Blip and Blop chorused, “Not it.”

I bit my lip to hide a smile. “It’s a mystery.”

~~~

Inspired by this excellent artwork by @letmeinimafairy! It deserved at least one story, if not several.

~~~

These are the ongoing backstory adventures of the main character from this book.

Shared early on Patreon! There’s even a free tier to get them on the same day as the rest of the world.

The sequel novel is in progress (and will include characters from these stories. I hadn’t thought all of them up when I wrote the first book, but they’re too much fun to leave out of the second).

[mochasucculent]

Well your "Dumb thing that wouldn't leave your brain" nearly made me wake up my partner who is asleep next to me lol

Honestly this fandoms artists making Viktor and/or Jayce (honestly usually both I've noticed, its awesome) is so good. Makes me very happy to see so often, being transmasc myself.

I'm so honored by people legitimately laughing out loud at it lolol thank you

And yea I feel like trans Jayvik is such a beautiful self sustaining ecosystem cause I have seen so much trans Viktor stuff that whenever I see cis Viktor I'm like "where are his top surgery scars???" forgetting that he is not, in fact, canonically trans

[theylovevenus]

Updated relationship chart for my Naruto 2000s au!!

[hexxingcode]

doodles from the convention day 2 is entirely Mirage Ultrakill and the sidekicks. here goes their cooking stream

they did it. they made a cake

[ratcandy]

Big Huge Irritated Rant About The Latest COTL Update's Story Choices and the Implications

So the lore drop in the new Cult of the Lamb update, Unholy Alliance, pisses me off. The writer's confirmation of what that lore drop means pisses me off more.

Why? Because it's unnecessary recontextualization that was made pretty obviously in favor in one character in particular, and somehow in that process makes that very same character way less interesting. I think it's incredibly detrimental to the story and I will Explain Why in a second.

But before I do, I just want to put this out there: Prior to this update, my opinions on the Bishops and Narinder and that entire plotline were pretty neutral. I'm an NPC enjoyer, I spend my time thinking about that moth with two lines of dialogue. I did not previously have strong opinions on Narinder or Shamura outside of mild dislike for fandom treatment. So I'm not coming from a place of bias here (or at the very least I'm not trying to be). I genuinely, wholeheartedly, 100% believe this writing decision was unnecessary and the Wrong one to make, and I think it severely undercuts the original plotline because this was a retcon and one that sucks pretty bad.

Ok we're on the same page here? Ok awesome. Long rant ahead, and obvs spoilers for the Unholy Alliance update

So first, what the hell am I talking about? What part of the update do I not like? Let's clarify that first.

It's Shamura's dialogue. Like, all of it. For ease of understanding, here is all the dialogue I will be talking about:

"Ah... we gathered here, the four of us, a council of war and I the general. I have not forgot. I did not tell them that chains to bind a God must be forged of Godly matters. What matter of Gods? What matters of Gods? I have not forgot. The betrayal of kin, the breaking of spirits, blood spilled, his and ours. ...the sacrifice of what we had sacrificed so much for... ...shaped into shackles for our own brother. And our wounds always to weep. Such sharp claws..."

--

"He sought to break nature's own laws. Death was his, yet he placed his sacred duty in peril. His experiments... Experiments I encouraged. I am not... blameless. My soul, stained... yet I do not... Ah, The story. Yes the story... He wanted to open the doors between Life and Death, to... to allow their return. Those mere... mortals. Even though he knew their sacrifices, their faith, their fears sustain us. Death must be the end. Otherwise, what use would they have for Gods? They began to flock to him. What he promised, we could not match. He swelled with devotion... while we waned. Would he have let us perish? I could not take... the risk... the hunger... You are lucky there are none left to force such a choice on you. Hail, Lamb. Last God... lonely God... Ah... I feel... unburdened..."

And for fun, before anyone tells me I'm misinterpreting any of this or that it's left up to interpretation or is intentionally vague, Word of God (the writer of CoTL):

And it's this being Word of God that's spurred me into making this post to begin with. Because prior to this, I just seethed about this dialogue's implications in my server and hoped I was wrong. But now it's been confirmed what this means, and I'm . Disgruntled, to say the least!

And since I've started writing this post, there's been another addition made to further clarify parts of this. But I'm going to go over that addition more towards the end, because it also irritates me for separate reasons.

So, let's get this straight.

Prior to this update, the specifics of what happens between Narinder and the Bishops were pretty vague. We were told Narinder was "gluttonous in his ambition," per Shamura's previous dialogue, and that they "introduced him to ideas of change" but "Death cannot flow backward." Heket somewhat elaborates on this by saying he preached "heresy" and "noxious ideals" that would not be tolerated. Heket also notably refers to Narinder as a flat-out "monster." Narinder attacked his siblings and left them each with a big, symbolic wound. Then he was chained by the four of them, with Shamura the one to lead it (in their own words).

There's a lot of talk of betrayal, but before this update, it was unclear if the betrayal was meant to just be Narinder's experimenting with death (which even then was pretty heavily suggested to be resurrections) or the wounds inflicted upon his siblings. There's also a lot of talk of sacrifice, i.e. from Leshy if you kill Heket before him: "After everything we did. After everything we sacrificed. He will not be satiated."

Regardless, the picture this painted was of Narinder being this ambitious, evil, violent God that even his fellow Gods (Kallamar) feared and felt needed controlling. The idea that the wounds could have been in the nail in the coffin to this entire ordeal made sense; as they were obviously planned by Narinder to some extent (otherwise why be so intentional about who got what wound?) and a fair reaction to Being Mutilated would of course be to chain him.

Then of course there's the idea that the wounds were given while he was being chained and in self-defense, which only seems possible if you think Narinder could take on all four of his siblings at once like that and only manage to lose his claws in the ordeal (which was only revealed in this update to be something he's implied to have lost thru the relic). I thought this at first too, but realized it seems pretty impractical for that to have been the case if the wounds were also purposeful in who got what. I mean, sure, they could all be coincidentally symbolically appropriate for each Bishop, but I have doouuubts?

but now we're here, with this update, and all has been revealed.

And what's been revealed exactly?

Narinder's thing he was doing was indeed resurrections (we knew that)

Shamura encouraged him to do it (we also already knew this)

It seems like he did literally nothing else outside of that

His siblings got pissy about this because it made their domains purposeless and got all their followers to flock to him

"Would he let us perish? I could not take the risk" - Implies they literally did not even ask him

Shamura knew that in order to forge chains that could keep Narinder down, it would require a sacrifice of their bonds AND their flesh

They DID NOT tell the other Bishops this

Their wounds were requirements to chain him. They had to get the wounds they bear now in order to chain him. ONLY Shamura knew this. That means they allowed their siblings (and themself) to get attacked knowing full well what would happen. They may have even encouraged it, perhaps provoked Narinder into it, seeing as they knew the wounds were necessary to have him chained. (Or they just knew he would retaliate. Which, like. Yeah. They're condemning him after he went down a path they encouraged and, as far as we can tell, nothing else.)

And for... what?

In this version of the story, Narinder was experimenting with resurrections, and Shamura told him to keep doing that. Then he was successful, mortals turned to him, and his siblings (including Shamura, the one who told him to do it) got mad. That's it. That's their reasoning for chaining him. There's nothing else given. "Would they perish?" We have no idea. Is that how it works? Seems like Shamura doesn't know either. Or at the very least doesn't know if Narinder intended for that at all. Gives the vibe that literally no effort was made to talk to him and figure this out. They don't even really go down the "it puts nature out of balance!" path, which would at least have some merit, maybe. It's literally just "we are no longer sustained. What's the point of Gods in this world?" <- idk babe you had all the other ones slaughtered. So you tell me

And then Shamura just took it into their own hands, leading their siblings to their shared wounds (WITHOUT consulting them) and their inevitable destruction because of........... reasons, I guess. (I mean, if you think about it really hard, they probably also already knew what would happen following all this. With the lamb genocide and Narinder's resurfacing and etc. And they had their siblings wounded anyway. For no god damn reason)

And now why does this make me mad?

Because, honestly, in and of itself, there's not anything necessarily wrong with this added context. It's not contradicting anything in the main game. Shamura knowing what was needed makes sense, after all.

But it's... unnecessary. It screws up the motives and makes them more shallow, less nuanced, more... petty. Making gods petty is cool and all, I love doing that honestly, but in this case it just feels like a waste of potential.

But beyond all that. But most importantly.

This entire recontextualization of events REEKS of being made specifically to absolve Narinder.

I mean, come on. He's made out to be the victim, here. Shamura knew what he would do, knew what he would become, and knew exactly what would happen to their siblings if they sought to chain him (without doing so much as talking to him beforehand), and yet they encouraged it.

All blame is being shifted on Shamura. All Narinder did specifically against his siblings was inflict the wounds, which at this point seems to be hinted as self defense or a retaliation against threat or insult (assuming he was provoked into attacking, somehow). Because the wounds were part of the process.

And almost equally irritating, this seeks to arbitrarily absolve Leshy, Kallamar, and Heket as well, as they had no idea what the plan was and were just strung along. Which is just kinda worse, right? As far as they are aware, Narinder did just randomly attack them for no reason, and this wasn't foreseen, and surely couldn't have been stopped. All because Shamura didn't tell them any of it.

Shamura is being made into the big bad. Shamura is at fault for everything, for all of it. Narinder is a victim of Shamura encouraging him down a path they later condemn him for, their siblings are victims of Shamura and Narinder both (the latter of which could have been resolved at any point prior), and now any possible intrigue about Narinder being this big bad guy who tore apart his siblings due to his own ambition getting the best of him is ERASED.

It's GONE. All in favor of making him more sympathetic.

And sure, about a million different excuses could be made for Shamura, or could be used to headcanon whatever you want about exactly what happened. But with what we're given right now, just from the source, no attempt as made to stop Narinder before it got to this point. It is literally suggested they didn't even talk to him.

"Maybe they were too scared" - For the other three, maybe. Shamura is the eldest and clearly the most respected one, by Narinder as well (he holds some amount of respect for them even STILL. After EVERYTHING). They at any point could have stopped this.

"Narinder could still have been a bad guy outside of the attacks" - Sure, but we're given little to nothing on that front. In the old dialogue, literally all that's mentioned is the resurrection stuff and the wounds. Shamura is the one who said his ambition made a glutton of him, by the way. And hell, this isn't even touching the very real possibility that all of the Bishops (Narinder included!) are unreliable as hell.

"But Kallamar feared him even before his chaining, that suggests he was still a bad guy beforehand" - Sure, it could! But that's about all we get! And hell, in this new update, Kallamar's fears are fucked with, too. He states:

"Once, long ago, Followers would worship at my altar just to glimpse the beauty of my temple… of course, it could not last forever. Perhaps my siblings did not understand this, but I have always known. It did not make me less afraid. Cowardly Kallamar, ha…"

Here, it seems Kallamar's fears have been changed to be more about the decline of his temple and the loss of his followers, which was happening because of Narinder. He refers to Narinder's plans as "foolish" as opposed to... idk, horrifying, or threatening, or whatever. He also fully takes on the 'cowardly' title, giving the impression that his fears were somehow unfounded, which wouldn't make a lick of sense if Narinder indeed sucked ass outside of the wounds.

Not to mention he "didn't want to hear it" when Shamura "revealed the plan," but we know because of Shamura that they didn't mention anything about the wounds, so Kallamar didn't want to hear that they... had to chain Narinder? That's literally all he could've been told about the plan. Why wouldn't he want to chain Narinder if he was scared of him up until that point?? Doesn't make any sense!!! EDIT AFTER I POSTED: On reconsideration this might just be referring the lamb genocide plan, but that's hardly better, because now this update absolves Narinder, Leshy, AND Kallamar by making them blameless in everything (both Leshy and Kallamar expressed not fully understanding the plan for the slaughter or, in this case, not wanting part in it). What's up with THAT. Why is Shamura getting the blame for LITERALLY EVERYTHING.

Anyway, my point is

This was a story decision made to make Narinder sympathetic. It's so blatant. And it's so, so irritating. It gets rid of so many potential cool flaws of Narinder and replaces it with "Actually, Shamura was the bad guy the whole time! Huzzah!"

And honestly, had the entire game come out like this to begin with, released at the start how it is right now, I don't think I'd care this much. But being added now, as an afterthought, after the fandom and devs alike have grown to favor Narinder above all others, it just...

It reeks of favoritism. It smells of revising the story to make Narinder more likeable. It's just erasure.

And for what. Like, I don't want to be That Guy, but I cannot help but notice that one of two nonbinary characters (outside of the Lamb/Goat themselves) is being this heavily demonized in favor of absolving a Man of his crimes. What's, uh. What's up with that.

Oh, and that addition by the writer I mentioned was made while I was writing this.

This was made after Jojo was questioned whether this was a retcon as to who caused the wounds, as this whole thing could also certainly be read as Shamura being the one to directly wound their siblings (which I didn't think was the case, but still).

"I don't know if they thought it would be so severe" - How do I put this in a nice way. This feels like a weaseling out answer. This feels like giving Shamura an out only after being questioned on this writing choice. How could they possibly not know how severe it would be. This spider is Knowledge. This spider has Foresight of some kind. And how do you not know what they thought. You are the Writer. If you want to clarify something like this you gotta say it with your full chest.

Not to mention a good portion of the fandom probably won't even see these tweets, so this context is all missing from the story presented in the game. This is Tacked On Context on top of already Tacked On Context. It's unnecessary retconning all the way down.

Anyway. I realize the fandom at large will not care about this, because (and I mean this in the nicest way I can manage) the Narinder favoritism in this fandom is already impenetrable, but for me personally? This retconning that was so clearly done out of that favoritism?

It ruined Narinder's character for me. More than the fandom possibly could have. I mean, if it's fanon, it can be ignored. But this was canonized. Because Narinder is the dev team's favorite guy.

And I can't stand it.

[dailyjasontodd]

Hi! I saw your last post's tags, and I was wondering, what was your favourite theory for Robin Lives? How did it get debunked? Somehow I haven't seen proper speculation for this comic, only criticism 🥲

Oh my very early first theory (like literally thought about it after reading the very first issue) was that Jason's therapist would kill the joker, there was a page that could've been really neat foreshadowing if it went that route, but well. -🐅

[necrotic-nephilim]

Give me your most controversial dc opinions!!!

HA YES GLADLY I WOULD LOVE TO (added a read more because i had a lot of words oopsie)

The Titans Tower Incident was in character for Jason Todd. at worst, it's a *bit* over-dramatic and a little cringey, but if you consider his actions, his motivations, and what he *actually* does, i honestly don't think it's OOC for him. he's just kind of a dramatic asshole in that era and i stand by that comic. the issue isn't the comic itself, it's how people interpret it.

i think the DC fandom, specifically the Batfamily fandom, really likes to claim to be progressive for brownie points, but then will have the one token woman that everyone decides is acceptable to hate. like, it's one thing if you dislike Carrie Kelley, i get it. Frank Miller isn't a great writer of women and she can be a lack of a character in the original Dark Knight Returns. but if you go out of your way making constant edits and posts shitting on her, it's *weird*. especially when most of the people shitting on her haven't even consumed her source, and their reasons for disliking her can apply to any other Robin, especially Tim. but as long as you put say, Steph or Cass on a pedestal, you can talk on and on about how you want to kill Carrie for the crime of existing. it feels like acceptable misogyny. i also think this extends to writers. if you put say, Gail Simone on a pedestal, you're free to blame everything under the sun on Devin Grayson. (to be clear i think you can and should hate Devin Grayson for a lot of things, but most rumors about her are untrue and if you look at every badly written comic and go "sounds like something Devin Grayson would write" that's really weird bc everything she's done, men like Chuck Dixon, Tom King, Tom Taylor, Marv Wolfman, etc have done in tenfold.) like, misogyny = bad unless it's That One Woman We've All Agreed To Hate. it's weird and i keep noticing it. and no one seems to unpack it. (i mostly see this on TikTok, not Tumblr tbf)

i don't care if you ship BruDick or not, but it's not weird for canon content to imply or state Dick had a crush on Bruce when he was first taken in. even in canon where Dick sees Bruce as a "father figure" in the most generous sense, that bond took years to build and when Dick was freshly orphaned, he *had* the memory of loving parents and didn't want Bruce to fill that role. you don't have to ship BruDick, you don't even have to like batcest, but if you're vitriolic toward just the idea that "hey maybe a young kid on the cusp of puberty might have some weird feelings to work out about the canonically very attractive mysterious playboy who took him in before seeing him as family because that bond took years to build" is nasty and terrible and wrong to you, you don't like the Batfamily, you just like the nuclear "neat" version of it in your head

the Batfamily characters are *all* too hypercompetent. like all of them are just *too* good at what they do that in order to write them in interesting arcs together, you have to willingly make some of them OOC in order to not immediately have the Problem wrapped up. i get it, Bruce is the greatest detective, Tim is wicked smart, Jason's a heavy hitting brawler, but we've reached a point where all of these characters have so many buffs they're not *fun* anymore. especially not in a group setting where you need to justify them needing each other's help. and even worse-so when they interact outside of the Gotham, you end up making every non-Batfam character seem useless just to make the Batfamily look cool. it's exhausting. i want to see these characters lose fights, look stupid, and not be the best for once. they're all getting so good they're just kind of. boring. which is the worst sin for a character, IMO.

i think we should go like. a good year of all Justice League-related teams not having a single Bat on the roster. just as a cleanse so *someone else* can shine. i get why non-Batfam DC fans are sick of the Batfamily bc jesus. it's oversaturation of the market.

power scaling "who would win" fights are fucking boring and i don't care. that's the least interesting thing about the fandom. you're missing the point of all of these characters if you only care about who could win a brawl. also it's just a stupid debate because the answer will *always* be: whoever the author of the comic wants to win.

the Batfamily is too damn big. i love every single one of them do not get me wrong. i'd die for the little niche characters who are likely never going to be relevant again like Julia Pennyworth or Kate Spencer. but it's too fucking big at this point. it's insisted to us that these characters are family but like. half of them have barely existed on the same page together more than once. it's ridiculous and it cannot sustain itself. none of these characters are allowed proper shine because they'll just get dropped for the next new shiny character. i think Maps Mizoguchi is a cool lil lady, but i know in my soul in like. three years she will fade into comics limbo and we'll have a new shiny character to fawn over. it's a brutal cycle bc DC doesn't know how to give any of these characters follow through, just wants to wave around cool new concepts.

both Under The Red Hood and Death In The Family are mediocre adaptations and strip the most important emotional elements of Jason's story from the plot. you can't properly adapt Jason's death if you leave his mother out of it. like they're phenomenal movies as their own pieces of media, but they lack the necessary emotional weight for Jason.

on the note of adaptations: the Young Justice cartoon is i think the best case study of "how do you react to a piece of media that's amazing on it's own, but is a fucking horrible adaptation?" because like, i can't discredit it. it's a good show. but it's a bad adaptation and i think people using it as an entry point for DC can make their views of certain characters and teams *very* warped. the Harley Quinn: Birds of Prey movie falls into a similar vein for me. if that movie was it's own thing with original characters, it'd likely be a top five movie for me. but because it's *such a fucking bad adaptation* i can't help but hate it for brutalizing the characters and the general concept of the BoP. it should've been a Gotham Sirens movie, and Young Justice should've been a Teen Titans show. and sure, adaptations don't owe us accuracy, but they have negative effects on the comics when they gain popularity. so i struggle to like Young Justice bc of how badly it's affected certain characters.

also on the note of adaptations: the best adaptation of how comic media operates is the Sandman tv show. adapting comics to tv shows or movies is difficult bc comic arcs don't operate the way show/movie arcs do, but the Sandman show proves it's absolutely doable to adapt the storytelling style while still making the typical adjustments you need for an adaptation.

DC needs more Deaf representation. in most areas, DC either matches Marvel or outperforms Marvel with representation of marginalized identities, but it's fucking tragic we have no deal Deaf rep in DC whereas Marvel has quite a few to pick from. this one is personal bc i'm Deaf but it does fuck me up the only option we have is a side character from Tim Drake: Robin who doesn't appear anywhere else and isn't a great character overall. DC i'm in your walls.

on the note of representation, if i see one more person say Titans had "perfect casting" while in the same breath admitting Dick was whitewashed, you are weird and i dislike you. it's really fucking weird that whitewashing is permissable to this fandom if the actor cast/fancast is hot. Dick should've been a Roma actor. Damian should not be fancast as a white actor. it's the bare minimum.

i have so many more but i will end with this especially controversial one: Dan Mora's art is overhyped. that man has the worst same face syndrome i've ever seen and i will not lie half the time i can't tell which Robin he's drawing. his art is technically gorgeous and it's so pretty to look at, but begging for every comic series to be drawn by him is boring and terrible. the art style of a comic reflects it's genre. wanting all comic art to look like Dan Mora's art is sucking the style out of comics. i miss art styles like Todd Nauck's that clearly reflected the genre of the comic.

i lied i have one more i'm REALLY passionate about: Tim's vigilante name after Red Robin should not be bird-themed. naming him Sparrow or Cardinal is *just* as bad as naming him Red Robin longterm. they're *just* as derivative and they *sound* cool but don't hold any real unique identity for Tim outside of Robin. like it baffles me we all agree he needs to move on from Robin and then decided "let's name him Robin Lite". if he has a bird name, it should be Jackdaw so at the very least, he's not red anymore. and Jackdaw could be a fun callback to Drake, in that it uses part of Tim's real name (his middle name, Jackson) while standing out a bit. but if i really had creative control i'd give him a completely unique name. if it has to be Batfamily related, Gray Ghost. but in my head, his name should be Conspiracy. i could write a lengthy meta on why and tbh it is based in my love for the Question and wanting Tim to have a similar detective noir-esque gritty solo, but i genuinely don't think he should be Cardinal or Sparrow. those names only continue his identity issues of being trapped as either Robin or a Robin knockoff.

[americankimchi]

thinking about how both tfa (2015) and rogue one (2016) came out post-disney's acquisition of lucasfilms (2012) and both those films live on so fondly in my heart but have also, somehow, been earmarked in my head as the last true additions to star wars canon to have come out ever since

[vee-lociraptor]

ask game for jarthur, go.

[kit-screams-into-the-future]

looking at the dialogue i wrote up for the next comic strip and the sheer amount of sketches (sketches. not even the lineart itself) to go along with it........ at this point i may just have to start writing fanfiction. it would be a lot less tedious methinks

[kyouka-supremacy]

Why are you tagging posts with dates from last year? Did you queue them last year?

… I did.

[hadesknockedupintheunderworld]

Hi! Phantom Fleetway here! I've been wanting to ask for a bit, but Tumblr is being weird, so I'm on Anon for now.

But, I wanted to ask you, any opinions on Surge/Elias, Silver/Mephiles, or Infinite/Fleetway Super Sonic?

Sure thing!

ㅤ

Surgelias

Honestly, I didn't really get this one at first, but it grew on me.

A friend of mine shared with me a fanart piece they found on tumblr of Elias covering a sleeping Surge and Kit with blankets and kind of just looking at a sleeping Surge with the purest love in his eyes about it, and then we scenario talked.

And I think my sweet spot for an au of them meeting would be something like just after he exhiles himself. This is a point where Elias is still feeling pretty bad about himself in terms of how he ran the kingdom of knothole, but before he's been living his small village life long enough to be stronger and more jaded than before. Then for Surge and Kit the sweet spot would be just after the overpowered arc. Kit is retreating with Surge in arms to try to get her to a safer place. Ideally (as my friend and I worked out) the three would meet in the middle here, Elias wouldn't know enough about them to judge them harshly, and the three would sort of lean on each other (after the event where they agree to help each other out) for the time being.

I can see Elias coming to care for Surge and become interested in her in a way that's a bit similar to how I see him becoming interested in and caring for Sonic. And if he gets to know her well enough (and they go through enough together) I can see him coming to love all her edges as well.

As for Surge, I'll be frank. I see her on the aroace spectrum to begin with, and to me she doesn't really express or feel feelings like love in the same way most people do. When it comes to Elias, more than likely her brand of attachment will show itself not through fluttery feelings and soft love and care. Rather, on the surface he kind of just seems like a guy who is her companion whom she only relies upon when strictly necessary, but in reality I can see her being just...a bit possessive. Her brand of attachment here would be shown by her being unwilling to just let him leave her life now that he's become a part of it.

In the end though, ideally for me there would be some onesided kitlias on Elias's end as well. If the scenario was right enough for him to fall for Surge, I think he would naturally start to grow a bit attached to Kit as well.

Of course, there are plenty of ways an au like this could be taken, especially if Elias learns about things they've done or they try to kill Sonic in front of them.

My secondary ideal dynamic between them would probably take Elias's characterization about the time he starts the secret freedom fighters. I think it would be neat for (kind of Geof/flias style) Elias to have more tension with Surge (potentially after witnessing something like her actions during the overpowered arc?). On one hand, I think they could have a lot of neat tension as enemies to each other (with Surge being the trickster type who isn't a good person but also will help save the world at the end of the day and Elias being highly suspicious of her), and, on the other hand, I think they could have something closer to the surg/isper style of tension in a scenario where they used to be enemies (and possessed the previously mentioned tension about it) before Surge decided to join the restoration/freedom fighters/etc and Elias has. Thoughts and feelings about that.

So yeah I can see the potential for them if their relationship is crafted just so

ㅤ

Mephilver

Although Mepha/dow is my favorite Mephiles ship, I think at this point I can confidently say that Mephilver is a close second

Ironically, I'd thought at first that it would be my #1 favorite based on what I'd seen of the ship from an outside perspective (from fans and antis alike). What had drawn it to me was this description I kept seeing of Mephilver as this toxic ship where Mephiles would be grooming/manipulating Silver to a great degree, making Silver dependent on him. I had thought that their relationship was that of a hedgehog and his trusted mentor who'd been manipulating him to do his deeds all along, and who was ultimately not very good to Silver (see: people talking about how the ship would be inherently abusive or saying that it straight up is).

Or, in short, I thought that when I finally played Sonic 06, I would see that Mephiles was a major figure in Silver's story who had been emotionally manipulating him, taking advantage of his naivety/trust to drive him to do ultimately dark deeds (while making Silver believe he was only enacting justice), and even perhaps been at least lowkey abusive to Silver.

And by god was that an incorrect assumption. Kids, never assume you know what a Sonic game's story, canon character relationships, or characterizations are like based upon fans or anti fans talking about the thing publicly. Take the sonic fandom wikis with a hint of salt too.

At the end of the day, I was actually disappointed by the lack of Silver and Mephiles having any kind of relationship in Sonic 06. Mephiles just kind of shows up to convince Silver and Blaze to kill Sonic (asserting that Sonic is the reason Iblis was released), and then maybe shows up again in Silver's story once or twice after that to be like "Hey, did you kill Sonic yet". Like. There's nothing there. Not even a miniscule part of me could understand how people who had played the game or watched cutscenes could so confidently assert that Mephilver was a "bad problematic abusive ship" based upon their canon relationship which is why I just assume most loud Sonic fans haven't seen 06 outside of clip compilations to laugh at, the sonic fandubs, or jokes about it in general

And so it was actually Mepha/dow who entered my heart as #1 due to their canon relationship dynamic (the fact that Mephiles puts significantly more work into trying to convince Shadow to join him).

But...that doesn't mean it was over for Mephilver for me. While they sadly just don't have the canon interactions to back up any kind of interesting relationship for me, I do believe there's a lot of potential for them. So I like to imagine scenarios in which Mephiles HAD turned himself into a trusted figure in Silver's life (manipulated him, and had less than a pure relationship with him). I like to imagine post canon au scenarios in which Silver (who is very vague on the events that occured in 06) takes in Mephiles, and the two become closer while Mephiles grows in power once more in the background. I like to imagine aus in which they're both a bit unhealthily attached to one another. There's also the potential of an au where Silver sees their relationship as God x his most devoted believer and number 1 guy, and Mephiles playing into this (examples being Mikami/Light, Ixis Naugus/Geoffrey, etc). And I also like to imagine scenarios in which Mephiles explicitly wants to keep Shadow by his side as his partner, and Silver as his...pet more or less (his agents of chaos who would ideally (in Meph's pov) assist him in the destruction of space and time).

There's just so many possibilities with them. And where Mepha/dow is interesting in the way they'd ideally be closer to equals/a power couple, Mephilver is interesting to me for its lack of balance and potential unbalanced power dynamics.

ㅤ

Fleetfinite

Okay yeah this one compels me

While it's neither my favorite Infinite nor my favorite Fleetway SS ship, I read one really good fic about them and saw some fanart that won me over pretty fast.

Two people who want to kill each other and do try to rip each other apart but also kissing about it is...kind of my jam. And that works with them, since Infinite loves having a good fight with someone who can stand up to him and Fleetway SS (I should mention now that I haven't yet finished StC so take my Fleetway SS thoughts with a grain of salt) seems to enjoy killing and maiming (especially while hyped up on a great deal of chaos energy).

I think I've also seen depictions of these two on tumblr where Fleetway SS often annoys Infinite (essentially being the kind of hedgehog who is willing to fight and claw into Infinite as well as just around to annoy him and ruin his day).

For me, no matter whether Infinite wishes Fleetway SS would leave him alone, wishes to kill Fleetway SS so badly it makes him look stupid, or is genuinely that afraid of him and wants to get rid of him, their potential dynamic is interesting to me. Likewise, whether Fleetway SS just gets enjoyment out of tearing into Infinite within an inch of his life (or potentially actually trying to kill him) for funsies or becomes specifically attached/attracted to him (and. Does everything short of killing him about it), it's interesting to me.

ㅤ

Thank you for the ask! It was really fun to get to think about these pairings and talk about them for a minute🥰

[kineticallyanywhere]

Tell us more about Doodler Normal Kinetic i beg of you

First thing to note: Doodler Boss Normal would not survive contact with Canon Normal

Cause the thing with this version of Normal, I think, is that the situation to create it is so specific; and in a way that I've never thought about before, for a narrative? I'm sure it exists somewhere, because what story framework doesn't already exist somewhere but like.

this version of Normal only happens in a world where all 4 anchors are broken with violence and not a single other person is questioning that decision by the end. (which I don't think is going to happen! for the record!) in this world, Normal presents himself as a last bastion of empathy, but where in any other story that would look like a shining knight with their Chosen One sword and shield and righteous strength, in this story it looks like a kid ready to turn into an eldritch monster because the eldritch monster is the only other creature he can find that makes any sense to him. a character who, written in words, is a paragon hero who's virtues refuse to crumble. but because of the Ao3 CSS skin of the world he's in, he gets all the style and flair and trappings of a villain.

(which, again, I don't have reason at the time of this writing to think that this situation would happen; that there isn't going to be at least one other person on Normal's side. It's all but impossible to predict any of these kids and I think they all have good hearts, even Scary. Link right now is an unsettled weather vane in a storm, Taylor for all his swagger doesn't seem on the side of brutality, and then like... Hermie???)

that said! In a world where sometimes you can't decide if you want to sit in your disappointment or scream at the top of your lungs, there's falling back on your new frienemy-of-the-family monster bro

(anyone with a writing bug and time, feel free to use any, all, or none of these ^^)

for thoughts on where this AU would end up, anyone can obviously take it anywhere but I know the version I would make would have a happy ending (I am allergic to writing tragedies, sue me). I guess it would be a story where finally snapping and letting out some Oak Anger and not apologizing (because while it's not okay to be cruel it is okay to be angry) is what gets characters to come to terms with each other and better understand each other and meet each other in the middle and even come to terms with themselves and what version of expressing themselves makes them happy and comfortable and best able to love themselves and the people around them.

all of that admittedly wrapped in a gift box with the catharsis of a character saying "I'm not okay with how you're treating me" in a very badass fashion, as we all wish to do one day.

also for those of us who would die for Scary but also want to take her by the shoulders and shake vigorously there's the Rule of 3s for swiping the Goth Crown from Scary a THIRD TIME

all of her put-on apathy and tiredness and lashing out but from a genuine place, simultaneously forcing her in front of a mirror and asking her to reach back for the part of herself that started the day of the debate "bright eye-ed and bushy tailed" so that she could even stand a chance at getting through to Normal??? The ways to talk about Scary skyrocket even higher. to be clear, I don't want this as a form of stealing Scary's narrative, I want it as a way of taking Scary's narrative and hitting the NOS. give her just about everything she wants, for everyone to agree with her and listen to her and think she's right and enforce the belief that she has any power over what's going on and then see if she even likes it. See if she likes herself and see how far she's willing to take the identity of goth punk seeker of darkness. ask her where the line is. show her the road she she's taking and ask her where the line is. canon parallels and connections between normal and scary are a whole other post I can have and will drive to work in the morning writing the meta in my head, the way Normal is a previous version of Scary cranked up to 11 and the way Scary makes herself into a person that Normal has every right to be but isn't becausehe'shumanandflawedbutsogoodatheartandnevergivesuponothersnotevenherandAUGH

[todayisafridaynight]

would it be okay if u told me why u like aoki😭/gen😭😭😭😭BEEN TRYNA LIKE HIM FOR SO LONG I JUST CANTT but i love ur art so much so i still consume it otherwise lol

i liked tohru adachi in high school and tbh i think that alone is enough of an explanation for why i ended up liking aoki

[bibiana112]

Kinda weird question- do you have any links to people talking about Mira from ZTD and ableist stereotypes? I mentioned that I was uncomfortable with her portrayal but kinda fumbled it and made some other ND people in chat uncomfortable. I searched for various keyword combinations but most of what I'm finding is like "and not to mention the ableism with Mira" and doesn't elaborate lol.

Not weird at all! And uh, you see, there's a recent post I made where what I complain about is the very fact I've never seen anyone post too in-depth about her at all, I'd love to see posts that do elaborate on that but I do not have any that I know of right now, sorry :/ hopefully someone else who sees this can point to one? Okay!! After some tag searches I have found exactly one post who kind of gets into it I like this take still would love to see. more than just one but hooray

And like though I complain I couldn't elaborate much on it myself I don't think, I believe most of the posts people make about Saito from aitsf would apply since it's a different uchikoshi take on the very same trope of "emotionless characters who cannot function without killing others" I guess he's a worse portrayal though since she's at least not stated to get reward brain chemicals when killing people and I guess her case also has the added layer of "femme fatale" to it? Which either makes it less bad or worse depending on where you approach it from As I said I am not doing a good job of being coherent on this oh and also there's her being "redeemed" and "cured" in the epilogue which in on itself is kinda not great to imply it just goes away like that and honestly I personally don't even buy it I think she'd just be like oh okay Akane over here has like a thousand reasons to hate me after all that oh and what's that she's the leader of a super wealthy underground organization who's organized one of these death traps before yeah no I'm better off going to prison I'll be fine there lmao bye

But I'll say as an autistic person with relatively low empathy I usually see a character who just doesn't understand other people's feelings and wants to feel them too and is just trying to survive despite getting no help and I just kinda go hm. yeah. shout-out to roxas kingdom hearts shout out to mary from ib shout out that's why I started hyperfixating on media art helps me with understanding others a great lot and Mira is just in a story too badly executed for me to care or even begin to wrap my head around tbh like god she's so fucking terribly used as a plot device in every conceivable way that it makes it difficult to see past it and into what she could possibly be if it weren't for the stereotype of equalling low empathy with no compassion what's with her killing off screen in ways that wildly deviate from her stated m.o? why or how was she even in cahoots with Zero why was that a thing? Honestly her dynamic with Sean could have been better fleshed out could have done something interesting about robot child and his aspd big sis but we just kind of don't get any attention brought to the subject of emotions and the authenticity there of except for the "reveal"...

YOU KNOW WHAT that's probably one huge reason it feels so fucked up actually! Like the whole fucking game is written so you could experience it in whatever order you want and therefore Mira being a serial killer at all is something that though not very well hidden it also cannot be a topic of discussion or explored Ever ever because the player may not have seen the fragment where that is revealed yet- problem being the menu design of that game sucks so bad and practically everyone gravitates towards the same few more interesting looking thumbnails first and then the rest is kinda just there, I mean that is part of the reason A Lot of characters feel half-baked I think but also I think it definitely does impact perception of her character specifically probably The Most and then there's just the general not being given nuance not being able to see the minutiae of how that disorder manifests in her character aside from the killings about how she acts aside from being overly flirty trying to lure in Eric but that affects pretty much all of the new cast we don't have last names and in her case we barely have any backstory at all like Saito is a harmful stereotype sure but we get So Much Context for him that people still love talking about him and delving into different aspects of his life since we have that very well telegraphed in the narrative meanwhile for Mira all we can do is fill in the blanks guesswork that only highlights the worst aspects of the surface level portrayal we got and ultimately that people just don't care enough to dissect because there isn't much there character wise once you remove it