#also also maybe stop after you read the original comic because it apparently takes a nasty ass dive in every conceivable aspect | Explore Tumblr posts and blogs

just-some-random-blogger · 2 years ago

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Like i have not read the comics nor have i read anything by neil gaiman but if i do say so myself, i think the first part was so detailed and well described it could have been an excerpt from the original text 💖 now allow me to quote and react to a bunch of parts of this fic

(Also-also I've been staring at this fic for so long now I don't even know if it makes sense anymore)

First of all, this!! HAHAHAHAH REAL

Felt been there done that

You bite your lip as you consider this, stories of human trafficking ploys and hitchhiking serial killers appearing at the forefront of your mind. It’s dangerous, and probably stupid, but something in you knows that this isn’t a scheme to kidnap you. Your eyes were on the road the entire time, and this being was literally dropped down right in front of your car. Grabbing your phone, throwing your hazards on, and unhooking the pepper spray from your keys, you cautiously open your car door and walk to the front of your car.

THIS IS ALSO SO REAL. My biggest fears rolled into one. I enjoyed the fact you wrote that in

The next thought that crosses Dream’s mind is that he shouldn’t be able to stretch any of his limbs, considering he’s meant to be curled up in a glass ball.

She begins to approach him, but the glower he sends her way is enough to stop her in her tracks. It does not matter that she was stating the obvious when she said what she did, referencing his physicality. He will not be told what he can and cannot do, where he is allowed to exist. Not anymore. “Do not come any closer, mortal.”

DAMN. 👹😔

“Okay, I won’t.”

Me HAHAHA

He looks at her warily, but slowly takes the glass that is apparently designated for him. After over a century, he’s more than a little parched. Though he will not show any gratitude before it is earned, he is thankful that at least one of his needs is being met.

😔😔😔😔😔😔😔😔

Contrary to his belief, she looks at him in surprise. “Why?” When he nods, she shrugs. “I guess…because if I were naked and unconscious in the middle of the road on a rainy night, I’d want somebody to help me to relative safety.”

aWWWW but also kinda scary to do irl lol,,, like hell a stranger

She doesn’t stop rambling even as she returns and hands Morpheus another glass of water. Though, even if she were to stop long enough to take a breath, Morpheus doesn’t know what he would say. He’s so bewildered at this entire situation that the Prince of Stories himself is at a loss for words.

🤣🤣🤣🤣 me and dream fr. I like to think this scene is somehow comforting for him

Destiny himself must surely be breaking his stoic demeanor to laugh at his younger brother’s misfortunes.

😭😭😭😭😭😭😭😭real sibling behavior

“It’s nice to meet you, Lord Morpheus, Dream of the Endless, King of Dreams and Nightmares,” she smiles after saying all of his titles, apparently finding it amusing to be in the presence of a king, “I’m Y/n.”

GIRL YOU DID NOT

You’re in the kitchen chopping vegetables for a soup, still working on building Morpheus up towards being able to eat actual meals, when he actually comes to you seeking companionship. He hovers at the edge of the kitchen, watching silently as you go through the familiar motions. Finally, he moves just a couple of steps closer, like a feral cat being enticed by food from a human who’s determined not to look at them. It’s not that far off from reality, you realize.

AS SOMEONE WHO HAS CATS I WANT TO SAY THIS IS VERY REAL ALSO i want him in my pocket

“Yes, have your laughs at my expense.”)

💖💖💖💖💖💖💖💖💖💖 I WILL THANKS

“Throw me off a bridge, maybe? That’d surely get your sister to show up.”

AT FIRST I WAS LIKE thats funny if you do that to dream, then i realized she was talking about HERSELF 💀💀💀💀💀💀💀HAHAHAHAH SHE REALLY WENT THERE I MEAN SHE'S NOT WRONG

It’s here, on the floor of the library, that things majorly change between you. It’s here that Morpheus kisses you for the first time.

HUH

“Do you think that I am incapable of making my own decisions?”

Girl you did not just stop this man from kissing you you clown you absolute candlestick

You can feel Morpheus smile under your touch. “It is chivalrous of you to refuse me because you believe that you are taking advantage of me. However, I can assure you that you need not worry.”

IM SAYING

“Are you sure? What about, like, power dynamics?”

⁉️⁉️⁉️⁉️⁉️⁉️⁉️⁉️⁉️⁉️⁉️⁉️⁉️⁉️⁉️WHAT POWER WHERE

“Y/n, I’m eons old. If anything, I have all of the power here based solely on that.” Oh, yeah. Before you can actually beat yourself up over the stupidity of that statement, he continues. “I can promise you that I have my wits about me, and there is nothing clouding my decision-making. I care for you, and I would very much like to continue kissing you.”

IMMMMM SAAYYYINNNGGGG THIS RAT THINK SHE DID SMTH OR WHATEVER ////:

(He’s also very happy to be sleeping in bed with you instead of on the couch.)

Same

In the dim light, Morpheus looks at you. “What is what like, beloved?”

eveRYONE CALM DOWN HE JUST CALLED HER BELOVED BE STILL MY BEATING HEART

“It does not make me sad to talk about it. Rather, I love the Dreaming so much that it overwhelms me sometimes. I am the Dreaming, you see. It is a part of me.”

“So it’s perfect, then.” You don’t mean to say that out loud, but the way that Morpheus looks away bashfully makes you glad that you did.

WHEN YOUR OTP SAILS

Her head falls against his shoulder, and he smiles down at her when he sees she’s fallen asleep. In moments like these, he wishes more than anything that he was connected to the Dreaming once more. What he wouldn’t give to be able slip into her mind and give her the sweetest dreams that she deserves. As he closes his eyes and leans his head against hers, he imagines that he can feel that link to his realm.

Morpheus takes great care not to wake her up when he moves her off of him to lay down on the couch. His fingers trace the slope of her nose, down to her lips and across her cheeks, mapping out her face. If this is to be the last time he sees her, he wants to remember everything about her. Knowing that he will have to depart without telling her where he is going or knowing if they will be together again grieves him. He has not felt pain of this kind since he helplessly watched Jessamy be murdered in front of him.

HO WHAT DONT DO IT DONT DO IT HES GOING TO DO IT ISNT HE HES JUST GOING TO LEAVE AND HE LEFT

When you lunge forward, it’s not to hug him, which is what you always expected you would do if you were to be reunited with him. Instead, you say, “I can’t believe you fucking left me!” and shove at his chest in anger, which, if the look on his face is anything to go off of, he hadn’t been expecting either.

THATS RIGHT BEAT HIS ASS CHEW HIS HEAD OFF BREAK HIS NOSE I WANT BLOOD

“You couldn’t have left, I don’t know, a note or something? Just to let me know that you were going to disappear without a trace?”

RIGHHHHTTTTTTT 🙄🙄🙄🙄🙄🙄🙄🙄🙄🙄🙄🙄🙄🙄 HE LIVED THAT LONG AND RETAINED 0 COMMON SENSE GILR

ANYWAY THIS WAS A TREAT I STAYED UP LATE AGAINST MYSELF AND IM SO EXCITED TO GO TO SLEEP NOW THAT IVE READ AND REBLOGGED THIS IM SO HUNGRY I CANT WAIT TO WAKE UP TOMORROW AND EAT BREAKFAST AND READ SOME MORE FICS THAT MAKE ME FEEL

Hopes, Dreams, and Everything In Between (Morpheus x Reader)

Summary: Just when Morpheus finally escapes capture at the hands of the Burgess lineage and begins to make his way back to his realm, his weak connection to his power disappears completely. Left stranded in a world with no knowledge of what has transpired for over a century, no powers, and no clothes, Dream of the Endless must let down his guard and place his trust in a human whose path he was quite literally dropped in the middle of.

Word count: 10.7k

A/N: So! Here we are, with what is arguably the longest oneshot I've ever written. @glitchmeharder had left a comment on a post I made, pointing out that they wanted more fics of Morpheus getting stuck in the Waking World and needing to live with Reader for a little bit.

My mind took this sentence and RAN with it. Like, I apologize in advance for how long this is. I'm pretty pleased with it though, especially for my first Morpheus fic. I hope you're pleased with it too.

(Also, the POV jumps back and forth between Morpheus and Reader, but it alternates every other section and is pretty clear which POV is which)

(Also-also I've been staring at this fic for so long now I don't even know if it makes sense anymore)

Let me know your thoughts! Likes are appreciated, comments, asks, and reblogs make my world go round! My inbox is always open for you guys :)

*This fic uses she/her pronouns and includes the use of Y/n*

Freedom.

After being held captive for 106 long, painful years, Lord Morpheus, Dream of the Endless, King of Dreams and Nightmares, is on the precipice of securing his freedom. The younger Burgess’s lover had erased a small part of the runes encircling his glass cage with the wheel of the old man’s wheelchair, sending little more than a sorrowful glance back towards the prisoner. So this was how he would attempt to secure his safety, by breaking the circle of runes surrounding him. Barely a scuff, really, but it’s enough.

It’s enough for Morpheus to feel the faintest bit of his power return to him.

It’s enough that it’s all too easy for him to influence one of the security guards, waxing poetically about his upcoming beach vacation, to close his eyes for just a moment.

It’s enough for a dream to form, one of sun and sea and sand. Sand that Morpheus is able to gather a handful of, right in front of the horrified guard’s dreaming eyes.

The guard, lost in his dream nightmare, shoots at what he thinks is Morpheus. In the Waking World, he’s shooting at the orb that he’s meant to be diligently watching. A bullet hits, and a crack forms. Another, and another, and another, even as the other guard screams at her colleague to stop.

The glass explodes, and Morpheus fills his lungs with his first huff of fresh air in over a century. He can’t get lost in the joy that threatens to burst like a dam at finally seeing and feeling freedom. Not when he has a job to do, not when he has a kingdom to return home to.

He steps past the broken runes, now useless at keeping him trapped, and towards the two that are commanding him to stop where he is. He does as they ask, standing still in front of them. When the female orders him to open his closed fist, he is nice enough to listen to that command as well, lifting it to his mouth and blowing the sand in their faces.

A portal forms above him, and all Morpheus can think of is home. The Dreaming. He can feel it calling to him, a kingdom beckoning its ruler back. His power lifts him, and Morpheus welcomes the sensation of traveling through realms.

Then, just as quickly as he had his power, he loses it again.

Like a spelunker who’s just had their trusty rope give out on them, Dream finds himself free-falling with no way of stopping or controlling where he’s going. He tries desperately to clutch onto the tendrils of power that have abandoned him, but they refuse to obey.

He lands harshly on cold pavement, weak and disoriented with no idea of where he is. There’s a flash of blinding lights, the sound of rubber squealing, and then…

Darkness.

•••

It’s late at night, late enough that the few traffic lights that you pass are continuously blinking red and yellow. You hadn’t intended to be out so late, but catching up with friends at a restaurant had led to all of you losing track of time, talking and laughing and reminiscing until a manager politely informed your table that the restaurant had closed ten minutes prior.

Large tips had been left as apologies and your group hustled out of the door, leaving one another with hugs and goodbyes and promises to do this again, sooner than the months it had taken to get together in the first place. You got into your car, locking the doors immediately after, and you were happy.

Still, as you watched those you know and cherish depart with their significant others, you can’t help the pang of melancholy that taints an otherwise-wonderful evening. You’re at the age now where everybody that you know is in relationships, getting engaged and married and settling down and coupling up. You, however…are not. And you’re happy with being single, truly; the best company you can have is yourself. But knowing that you’re going to return home to your quiet apartment, where you’ll go to sleep in your empty bed and wake up to eat breakfast alone before repeating the monotonous cycle that is working a full time job and being an adult in general is making you just a little bitter.

You dwell on this as you drive the deserted roads home, even though you shouldn’t be. Shaking your head at your tendency to mope, you decide to do something about it and turn your radio up with the hopes that something good is playing on the random playlist that had begun when your phone automatically connected to the car’s sound system. Hell, maybe even something bad. Anything to get you out of this thought pattern that is quickly attempting to derail your mood.

“Now here I go again, I see the crystal vision

I keep my visions to myself

But it's only me who wants to wrap around your dreams, and

Have you any dreams you'd like to sell, dreams of loneliness?”

Ironic, considering you were just lamenting your own loneliness, but you’ll forgive Stevie Nicks for almost anything, so you let it slide. Tapping your thumbs on the steering wheel, you hum along to the song and stare out at the empty, rainy landscape ahead.

Empty, until it’s suddenly not.

You don’t look away from the road, you know that you don’t. But in the literal blink of an eye, a white figure appears right in front of your car. Slamming on the brakes with a scream, you watch as the figure collapses ahead of you. You don’t hit whatever it is, thankfully, and after lurching to a harsh stop, you peer through the windshield at what your headlights illuminate.

It’s a person, or at least you think it is. They’re pale, paler than any person you’ve seen before. They’re also stark naked, which, for a number of reasons, can’t be comfortable. Should you get out and help?

“Are you okay?” you ask, looking down at the man.

He’s laying on his side, his face tucked into the crook of his arm. A mop of unruly, jet-black hair covers any other facial features that might have made him distinguishable to you.

He doesn’t answer, and you swallow harshly. Oh God, is he dead? You thought you didn’t hit him, and your car doesn’t have any damage, but maybe you did.

Crouching down next to him, you take note of just how skinny he is when you lay a hand on his wrist to check his pulse (which is thankfully thrumming steadily beneath his near-translucent skin). No, not skinny. The man in front of you looks emaciated. What happened to him?, you wonder as you move your hand to his bony shoulder and begin to shake him.

“Hey, can you hear me?”

This time, a muffled groan answers you. Okay, that’s better than before. At least he’s semi-conscious. Still, he doesn’t look well at all, and you should probably get him to a hospital to be checked out. When you voice this thought, you finally elicit a reaction from him. Long, ice-cold fingers grip your wrist weakly, and you stare at him in shock as he mumbles something unintelligible.

“What?” You lean down next to his covered face, trying to hear what he’s saying.

“No…” he mutters. “Please…no…hospital.”

He’s delirious, that much is obvious. Still, you find yourself mulling over his request. He really does need some sort of medical attention, but he managed to muster up enough strength to specifically tell you that he didn’t want to go to a hospital. As you think about it, you also start to come around to the “no hospital” idea.

After all, what are you going to do? Show up at the hospital and dump a naked, starving man on their doorstep while claiming that you have no idea how he got like this? At best, the authorities would probably be called and you’d be questioned for kidnapping. No, it’s probably for the best to keep away from the hospital.

Logically, you know that you’re so stupid for even considering the idea that you’ve had. But really, what is this man going to be able to do to you? Even if he weren’t in and out of consciousness, he’s so frail that you could easily take him down were he to try and attack you. Against your better judgment, you decide what you’re going to do.

“I’ll be right back,” you assure the man, who you’re not even sure can hear you, before you stand up. “I think I have a blanket in the trunk of my car.”

A quick search through your mess of a trunk does reveal a blanket, hauled around at the insistence of your mother who preached needing an “emergency kit” in your car at all times. Now, you silently thank her as you grab it and hurry back to the man, though you definitely will not mention to her what the emergency kit was finally used for.

You haul him to a sitting position, his head falling back limply as you fix the blanket over his shoulders. “Do you think you can stand? I’ll get you to the car, I just need to get you on your feet.”

He makes a slight movement that looks like a nod, so you move his arm around your shoulder and wait until you feel his light grasp on your shirt before slowly bringing both of you to stand. Once you’re sure that you’re not going to drop him, you struggle with him towards your car. He’s lighter than most adult men, but considering he’s dead weight, it’s still tough to walk with him. You fumble with the handle of the car door, nearly throwing it open so that you only have to let go of him for a brief moment.

You cringe when he falls backwards onto the seats, landing harshly across them. It doesn’t seem to hurt him at all, the only sign that he even felt anything is a groan in the back of his throat. Whispering out a “sorry,” you cover his body with the blanket and make sure all of him is in the car before closing the door and getting into the driver’s seat.

Sighing heavily, you think about your life choices as you glance into the rearview mirror to look at the unconscious man in the back of your car. You’re really going to do this, aren’t you? Taking home a naked man that passed out on the road in front of your car so that you can hopefully wake him up and get him well enough to be on his way without killing you?

Yes, you are.

•••

The first thought that crosses Dream’s mind when consciousness finally returns to him is that his limbs ache. They really, truly ache. It’s not often that an Endless has lingering pains, but it does happen. He stretches his legs out in front of him, feeling his muscles twinge as he attempts to loosen them.

The next thought that crosses Dream’s mind is that he shouldn’t be able to stretch any of his limbs, considering he’s meant to be curled up in a glass ball.

His eyes snap open when he realizes this, and he’s bewildered to find that he’s not staring at guards looking at him disdainfully from the table they’re always perched at, nor is he looking at the wrought-iron bars separating the large, underground room from the staircase upstairs. No, instead, he’s looking up at what looks to be a ceiling fan, spinning lazily around and around.

The events of what happened before he ended up here (wherever “here” is) begin to come back to him in fragments. First the runes being erased, then securing the sand from the guard’s dream. The orb shattering, sand being blown, and beginning to make his way home. That’s where his memory becomes muddled.

There were lights, and a voice. He thinks he remembers the vague sensation of being moved, but he’s not too sure. Whatever happened, he ended up here…on a couch, under a number of blankets. Certainly not in the same basement that he had been in for over a century, with its familiar cold seeping through the very glass he found himself trapped in. No, this room is warm and inviting. Comforting, almost.

Wherever he is, it’s not in the Dreaming. More alarmingly still is that he can’t sense the Dreaming at all. After that small glimpse of his power that got him out of the Burgess basement, his power has completely abandoned him. A not-unusual feeling, considering he spent the last 106 years without it, but being “free” and powerless is not something that he’s used to.

He has had a lot of time to think about what his lack of power feels like. After a few decades, the best he could liken it to is missing a sense or losing a limb. It’s something functional, something that he should have, but that he doesn’t. Cruelly, he was granted a taste of what he should have for a mere second before fate or karma or the universe itself decided to play yet another cruel joke on him.

Dream slowly takes in his surroundings, his thoughts sluggish and confused. There’s a table next to the couch he’s laid on, a glass of water placed on it. A black screen sits on a stand across the room, and he stares at his reflection in it for a moment before the sound of humming draws his attention away.

A figure – the person humming, he assumes – comes through a doorway, eyes immediately meeting his own. Curiously, she smiles at him when she notices this. Dream’s muscles tense, on guard in the presence of an unknown being so soon after escaping Burgess. Has he escaped one prison, only to land in another?

“You’re awake!” she exclaims, as though she’s happy to see this. “How are you feeling?”

He ignores the human’s question. “This is not the Dreaming.”

“No, this is my apartment.”

“I must go.” Dream attempts to stand up, but finds that he struggles to just barely sit up. “I need to return to my realm.”

“You’re not going anywhere, look at you! You’re too weak to even move.”

“Okay, I won’t.”

She puts her hands up in the air, presumably to show him that she means no harm. The move reminds him of what one might do in the presence of a frightened animal. In her mind, he is a frightened animal.

“Have you drank any of that water? I don’t know where you were before I found you, but you look like you haven’t had anything to eat or drink in a while.”

The woman waits patiently for him to make the next move, choosing to sit on a large chair near the couch and tap at a rectangle she holds in her hands. Morpheus appreciates not being watched as he greedily drains the water that he’s been offered. Only after he places the now-empty glass back on the table does she look up at him and wait for him to make the first move.

“How did I end up here?” Morpheus asks slowly.

“When I found you, you basically appeared in the middle of the road from out of nowhere. You were passed out, and you only really came around so that you could tell me not to take you to a hospital.” She nervously plays with her hands, which rest in her lap. “I wasn’t about to leave you out there, so I brought you here.”

“Why?”

It comes out harsher than he intended, but considering the only interaction he’s had for so long with other beings involved threats and pleas for immortality, riches, and power, he isn’t expecting much. In fact, Morpheus is preparing himself to listen to her list of demands before acting. Though he’s powerless right now and unable to manipulate her dreams the way that he did the guards at Fawney Rig, he still has millenia of experience to draw on when it comes to escaping a captor.

Ah. It’s at this point that Dream realizes that he is, in fact, very much still naked. Though he’s hardly shy about his form, he is aware that most humans have a more puritanical point of view when it comes to the covering of bodies.

“Are you hungry? You look like you’ve been starved, so I’m guessing it’s been a while since you’ve had something to eat.” The woman stands and takes the glass off of the table, musing to herself as she walks to another room. “We’ll probably have to start you on something light so that you can get used to eating again. Maybe toast?”

He’s been left completely powerless in the Waking World, and he would have to fend for himself were it not for this random human whose path he’s been literally dropped in the middle of. A human who, apparently, has no devious intentions towards him, though he finds it hard to believe that all humans aren’t evil and heartless like Roderick Burgess and those complicit in his captivity. He finds it especially hard to believe that the first human he comes across after the Burgess affair would be the exact opposite of those he’s been around for so long.

Destiny himself must surely be breaking his stoic demeanor to laugh at his younger brother’s misfortunes.

“Seriously, when was the last time you ate something?” After a moment of silence, Morpheus realizes she’s asking him a question.

His attention is brought back to the woman, who’s reclaimed her seat in the chair across the room. Lifting his chin, and with what he hopes is a voice befitting the ruler he once was, he says, “One hundred and six years ago.”

She laughs at what she assumes is a joke, until she realizes that the expression on his face doesn’t change. He can see this mortal begin to make the connections in her mind. His mention of his beloved realm, the fact that he called her “mortal” to begin with, the century plus of imprisonment. The Waking World is so quick to dismiss magic and the supernatural as “fairy tales;” if it is beyond their comprehension, then it therefore doesn’t exist.

Yet, even with what they believe to be sound logic, humans just know when they encounter something that they can’t quite explain. Morpheus has always seen it in the way that people back up when he or his siblings or any of the many other preternatural beings that wander this plane walk past. The fear in their eyes as something primal activates within them, something telling them that they are no longer the apex predator.

Even with his lack of powers, he still carries his innate abilities that are woven into his very being. He can hear the woman’s heart beat faster, see her pupils dilate in apprehension. She knows, even if she does not want to admit it.

Quietly, she asks, “Who are you? What are you?”

“I am Lord Morpheus, Dream of the Endless, King of Dreams and Nightmares.”

A long minute passes as she takes in the information he’s given her. She does not run away from him in fright (which has happened to him a couple of times), nor does she call for someone who will attempt to capture Morpheus and use his powers to their own advantage. Instead, she thinks over what she’s heard and nods.

Morpheus is not used to thanking others, especially mortals. However, this woman’s helpfulness seems to warrant that he learns how to do so, so he nods. “I thank you for offering me aid in my time of need, Y/n.”

“I’m going to get you some food.” He hardly opens his mouth to make a rebuttal before she’s pointing at him accusingly. “Don’t argue with me, you need food. Then after that, we’ll get you some clothes. Sound good?”

She doesn’t wait for an answer before she’s back through the door, presumably towards the kitchen. Though Morpheus is still wary of relying on anybody, let alone a human, he doesn’t exactly have a choice. Not when he’s this weak, and certainly not when he’s powerless. No, he has no choice but to place his trust in this strong-willed woman who was crazy enough to rescue a stranger in the rain.

Fates help him.

•••

So, the random, naked stranger you saved out of the middle of the road turns out to rule the collective unconscious of all of humanity. And he now lives on your couch for the time being (with clothes, thankfully; you had procured a shirt and a pair of sweatpants for him when he had finally agreed to let you help him), because he’s apparently lost the powers that connect him to said collective unconscious. No big deal.

You didn’t want to believe Morpheus at first. After all, just the mere idea of some being who is eons old and is, in his words, “the anthropomorphic personification of the concept of dreams” sounds insane. But the same sense that told you that it was safe to take him home tells you that he’s telling the truth. And as you get to know him more, you find that that sense was right.

From the way that he talks to the memories of empires long gone and the recollections of those great figures of history that he’s met and inspired, all of which he shares with you as the days go by and it becomes obvious that he can’t just ignore you and hope that you go away, you find it very easy to believe him. He hasn’t given you a reason to not believe him, and until he does, you’ll continue to trust what he tells you.

It’s at least a week before your new roommate is strong enough to move easily around your apartment, though he still looks half-starved. On his second day of staying at your apartment, you had offered to help him to the shower. After all, if you had been deprived of showering for 106 years, it would be one of the first things that you wanted to do. After thinking it over for a long couple of minutes, Morpheus had begrudgingly agreed. The moment he attempted to stand, he had been unable to support himself and had fallen to his knees. This left him no choice but to take your outstretched hand.

It was very obvious that the proud king felt humiliated at needing to use you to support most of his weight as you maneuvered him through your apartment and to the bathroom. You couldn’t exactly blame him, because you’re sure that it is humiliating, especially when you’re a being that’s normally more powerful than a literal god who has to rely on a mere human for help walking a few feet.

According to Morpheus, if he had his powers, he would have recovered at a much faster rate. Since he doesn’t, though, and he’s effectively human for the time being, he has to recover as a human would. When you come home from running a couple of errands one day to find him sitting up on the couch without needing to lean on anything for support, reading a book from your collection, you’re extremely glad to see that his “human” recovery is progressing nicely.

As time passes, though, you’ve found an odd companionship with him. He’s slowly become less wary of you, and you of he, which has allowed you both to trust the other and actually, dare you say it, form a tenuous friendship.

It seems like he’d been expecting you to basically tiptoe around him and ignore him throughout the duration of his stay with you. Considering you don’t want to wake up to a corpse on your couch because you abandoned him in his time of need, and because you’re a person with a conscience, you’ve done the exact opposite, much to his chagrin and bewilderment.

“What are you doing?” he asks.

Though it’s pretty damn obvious what you’re doing, you decide not to be sarcastic with him. “Making soup.”

He nods, leaning against the counter to watch. You feel a bit like you’re on a cooking show with the way that he’s viewing your actions so intently.

“What’s so interesting?” you ask after another moment of unwillingly being on Iron Chef.

“I suppose I’ve never really watched someone cook before.”

The knife pauses in midair, and you turn to look at him. “I’m sorry, what? You’ve been alive for as long as beings have had consciousness, but you’ve never watched someone cook?”

“It’s not often that I have to eat. If I choose to enjoy food, the palace staff typically prepares it for me.”

Oh yeah. It’s easy to forget that Morpheus literally has a castle when he’s standing in your kitchen with bedhead. You would make a joke about him being spoiled, but you suppose that if you were in his position, you also never would have taken the time to actually step inside a kitchen.

“Do you want to learn?”

“How to cook?” You nod. “Are you sure that you want to teach me?”

“I’m literally just going to have you cutting vegetables,” you say with a laugh. “It’s a pretty easy task, even for you, your highness.”

His lips just barely move upwards, and you stare at him, stunned. Did he just smile at you? You didn’t even know that he knew how to do that. You’re about to try and convince yourself that it was just a trick of the light when he says, “Being that I am a king, it’s ‘your majesty,’ not ‘your highness.’”

He did smile! And he made a joke! It’s such a small accomplishment, yet you can’t help but to feel immensely proud of yourself. Hiding your own pleased grin, you step back from the cutting board. “Okay your majesty, come over here so I can teach you to cut vegetables.”

Morpheus definitely isn’t going to be on any cooking shows of his own anytime soon. Actually, you don’t know that you’d even trust him to be in the kitchen by himself anytime soon. He nearly cuts off a finger a couple of times, and he struggles to figure out how to hold whatever he’s cutting so that it can actually be cut. The vegetables he’s been in charge of cutting are uneven, but you can see how proud he is of having completed this task himself. You’re proud of him too; though you can tease him for having never done something like cooking before, it must be hard to learn a new skill after so long.

After this, Morpheus becomes less of an unwilling house guest who’s only putting up with you because he physically can’t leave and more of a friend. It became inevitable that you would have to spend time together, since he’s living on your couch until he can figure out how to get back to the Dreaming, but it’s become actually enjoyable to be in his presence, and vice versa. Though he can still be cold, distant, and haughty, that’s to be expected. Your relationship has changed, and he’s changed.

It takes a couple of weeks, but Morpheus finally starts to feel well enough to re-enter the land of the living. At least, he’s well enough to insist that he can start researching how to regain his powers or go home. Naturally, you join him. Morpheus has long-since given up on asking you why you help him, finally realizing that this is just how you are. If he wanted to be left alone, he should have landed in front of the car of someone who didn’t care about his well-being.

You’re sitting in your local public library with him, one of your now-regular visits as you search through book after book to try and find answers. The both of you are tucked in a corner near a set of windows, enjoying the way that the sun warms your skin. Books from a variety of subjects are scattered all around you; religion and history, mythology and occult. Anything that could potentially give you an idea of how to help an Endless regain the powers that they were created with. Needless to say, there’s not a lot of material written on this topic.

Yet another book with no answers is tossed to the side in frustration, and you begin to just fire off random ideas off the top of your head. Most of them involve seeking the help of any magic contacts that Morpheus has here in the Waking World, which is made difficult by the fact that Morpheus has no way of contacting these beings. Both because of his lack of powers, as well as the fact that he’s not the most open person for one to make a contact with.

(“You? Not friendly? I’m shocked, truly,” you had said with obvious sarcasm coloring your tone. Morpheus simply sighed, turning the page of the book he’s reading harsher than needed.

“Yes, have your laughs at my expense.”)

It’s more than a little discouraging to have absolutely no answers, and you’re starting to get desperate. You tap your fingers against a book you’ve already looked through, hoping that maybe you’ll learn something through osmosis.

“You could…”

You pause, trying to think of a good idea. Your mind is racing as you turn from logical plans that could actually work to the illogical. After all, if you can’t find something that works, you’re at least going to have some fun.

“Throw me off a bridge, maybe? That’d surely get your sister to show up.”

Morpheus only looks at you. “That is not funny, Y/n.”

“I didn’t say it was!”

“I know your sense of humor well enough by now to know that you find this suggestion of yours at least slightly amusing.”

Your lips twitch, because he’s right. The mental image of Morpheus chucking you off a bridge and then eagerly waiting for his sister, literal Death, to appear while you’re screaming and falling to your end does make you want to laugh.

“Well, it’s the only idea I’ve got,” you say with a shrug.

“A terrible idea, truly.”

You roll your eyes jokingly and mutter, “Jerk.”

When you first met Morpheus, he would have taken your words and actions quite seriously and been offended at the perceived insults. Now, he simply rolls his eyes right back at you and smirks. Just one of the many things that have changed between you.

It’s here, on the floor of the library, that things majorly change between you. It’s here that Morpheus kisses you for the first time.

You had taken a solo walk around a few of the shelves under the guise of seeing if you had missed any research, but really you needed to get away from the corner of no answers before you started shredding books out of anger. It helped enough that you were able to return to the research with fresh eyes, and it seems like it’s paying off.

In a book about pagan rituals, you find the first promising information that you’ve seen in the last three library trips. You lay your hand on Morpheus’s shoulder to get his attention. “Wait, listen to this! This book talks about summoning the Fates.”

You point down to the passage.

“‘It is fitting to begin December with an offering to the Three Fates, the weavers of destiny. Put out three small cups of red wine, fruit and bread, along with three knives. This is a way of honoring the powers that will bring more provisions during the coming year. Have ready three candles, red, black and white.’ It’s not December, but I would think this could potentially be done year-round? We give them an offering, they recognize who it’s coming from, and they give us some answers. What do you think?”

When you look up at Morpheus, you find him already looking at you with his beautiful blue eyes. He’s told you that, when he has his powers, his eyes resemble two stars. With the way that they always twinkle when they catch the light just right, you’d argue that they already do. You smile at him, unable to stop the awkward giggle that escapes you as he continues to look at you with something you can’t quite name.

“What?”

His eyes look from your eyes to your lips and back again. Your breath catches in your throat as you realize what he’s about to do, a mere moment before he leans in and presses his lips to yours.

Morpheus is a really good kisser, which is to be expected since he’s been alive for longer than you can fathom. He kisses you softly and sweetly, and the butterflies that flutter in your stomach make you feel a bit like a teenager receiving her first kiss from a beau. You sigh against his lips, bringing a hand to his cheek while he places one of his on the back of your neck.

Then, it actually hits you what you’re doing. Though you don’t want to (like, you really don’t want to), you need to put a stop to this. What if the only reason he’s doing this is because he feels some sense of gratitude towards you for saving him in the first place? You can’t take advantage of him like that, even if he is a very attractive man that is currently kissing you.

“Wait.” You put a hand on his chest to put some space between you, though you still rest your forehead against his. “I don’t want you to kiss me just because I’m letting you crash on my couch.”

“Do you think that I am incapable of making my own decisions?”

“No, of course not! I just–I worry that you feel like you owe me, or something. You don’t.”

You can feel Morpheus smile under your touch. “It is chivalrous of you to refuse me because you believe that you are taking advantage of me. However, I can assure you that you need not worry.”

“Are you sure? What about, like, power dynamics?”

“Okay,” you whisper, unable to believe that this is actually happening.

He laughs lightly. “Now, may I kiss you again?”

You nod. “Yeah, you can definitely kiss me again.”

Morpheus is more than happy to reclaim your lips with his.

It would almost be embarrassing, how quickly you’ve fallen in love with Morpheus, if it weren’t for the fact that he’s fallen just as fast. You’ve lived blissfully in your own little corner of heaven with him for almost four months now. Though getting him home is still important to both of you, it’s also become less of a priority as you’ve fallen more in love with each other.

(He’s also very happy to be sleeping in bed with you instead of on the couch.)

Laying in bed with him one night, you’re transfixed with mapping out every inch of his skin that you can touch with your fingers and watching goosebumps form in their wake. You don’t think you’ll ever get over just how unreal Morpheus seems to be. You understand, of course, that this is due to the fact that he’s an Endless, that he is physically more than a human, and thus a human form can not truly contain all of him. But to be up close and personal to such a phenomenon really drives home just how ethereal he really is. You can easily see why he’s been mistaken as a god so many times throughout history.

“What’s it like?” you whisper to him, unwilling to fully break the tranquility you’re experiencing.

In the dim light, Morpheus looks at you. “What is what like, beloved?”

Your heart jumps at the pet name, so sweet and unexpected. Fighting to keep your wits about you, you ask, “Your kingdom. The Dreaming.”

“I don't even know where to begin when I tell you that it is the most wondrous place you will ever lay eyes upon.” He closes his eyes briefly and sighs wistfully. “It has been over a century since I have been home, and yet I can still see it as if I were merely there yesterday.”

“If it’s hard to talk about, you don’t have to.” You should have realized that asking him about the home he currently has no way of getting back to would make him upset.

“It does not make me sad to talk about it. Rather, I love the Dreaming so much that it overwhelms me sometimes. I am the Dreaming, you see. It is a part of me.”

“So it’s perfect, then.” You don’t mean to say that out loud, but the way that Morpheus looks away bashfully makes you glad that you did.

“That is what some believe, yes. It’s a vast plane, considering all the universe’s dreamers use it when they close their eyes at night. The area around the palace, my direct kingdom, is stunning. Imagine the most beautiful landscape you can. That beauty would pale in comparison to Fiddler’s Green, with its orchards and valleys and rivers and mountains.”

“Really?”

“Mm. My personal favorite is a small clearing ringed by trees that make it seem as though you’re completely blocked off from the rest of existence. There’s a waterfall there, too, and I believe you’d quite enjoy the mermaids.”

All of it sounds wonderful, but that last word has your mind sparking with excitement. “Mermaids? Like…actual mermaids?”

“Of course. Mermaids are creatures of dreams. And nightmares. They are subjects in my realm.”

“That’s amazing.” You pause for a moment. “Would I be able to meet them?”

“You will be able to do anything you wish when I finally get to bring you to my realm. Though, it may be difficult to get you out of the library once you’re there.”

“I should have assumed you’d have a library.”

“Yes, and it is my sanctuary in the Dreaming. The library holds every book that has ever been written, every book that will be written, and even books that have merely been ideas in the minds of authors. It is overseen by Lucienne, without whom I fear the library would fall into permanent disrepair.”

“That sounds wonderful.” You yawn, your eyes too heavy to keep open for much longer. Morpheus notices this and pulls you closer to him. “Tell me more about it. Then maybe I’ll get lucky and be able to catch a glimpse of it while I sleep.”

It’s merely wishful thinking, considering dreams since the night that Roderick Burgess trapped Morpheus in his basement have been nothing more than fragments of scenarios. But his voice is so deep and calming, and you can tell that it makes him happy to talk of his home. Maybe tonight will be the night that the Dreaming decides to welcome its king back home. And even if it doesn’t, you’ll enjoy falling asleep in your lover’s arms.

•••

When Morpheus first woke up after his captivity, alone and confused and without his powers, he thought that he would never be able to feel anything except anger. Anger at his situation, anger towards those that had captured them. And for a few days, anger was all that he felt. But slowly and surely, Y/n had managed to chip away at the anger that had threatened to harden around his heart. Though he was not looking for love, nor did he expect to ever deserve love again after everything he had done to ruin every relationship he had been in, he had found it with her. The anger became replaced with an incandescent happiness, happiness that threatened to swallow Morpheus whole if he allowed it.

And he was certainly tempted.

It’s been approximately four months since the night he was freed, but it certainly hadn’t felt that way. Where he had spent the past 106 years counting day after agonizing day, four months with his beloved seemed to pass in the blink of an eye; an impressive feat for an Endless. Morpheus has, dare he say it, enjoyed getting to be a human, learning more about humanity and all that he had missed. Though he still lamented the loss of something so integral to his very being as his powers, his realm, he was able to recognize the gift that he had been given in spending the last four months with Y/n.

He’s sitting with her on the couch where it seems as though everything began, reading yet another book in the hopes that he might find a way to regain his powers, while she watches a movie on the television about some sort of battle in space (yet another aspect of humanity that she enjoyed teaching him, modern technology and everything along with it). She had meant to show him this movie, claiming that it was one of her favorites and that she believed every being needed to see this. Of course, it took a total of five minutes before he found himself hopelessly lost among the plot and had turned to the book next to him.

She had pouted for a moment, more to try and make him feel bad than from actually being upset. He had simply smirked in her direction, kissing her forehead before laying his arm around her and drawing her closer to him. Yet another thing that he loves about her, among many things, is that he can just exist in companionable silence with her. It’s rare, at least in his experience, when one finds another where this is possible.

After a moment, Morpheus opens his eyes and jarringly realizes that he can feel it. Her dreams, and the Dreaming itself. After 106 long years, the Dreaming returns to him as naturally as if he had simply blinked. His power suddenly twining through his veins again, something which he had taken for granted nearly his entire existence, has tears pricking at his eyes. Oh, how he has missed this.

Morpheus can return home now to reclaim his mantle and rule the Dreaming once more. He should be thrilled about this. He is thrilled about it. Thrilled, until he looks at the sleeping woman leaning against him and realizes that a decision must be made, and soon.

His power has returned, yet it’s still incredibly weak. Weak from not using them so long, and weak due to his not having his tools–his sand, his helm, and his ruby. Thus, he cannot be at his full strength until he recovers them. Will his power disappear yet again if he waits too long? If he wakes her to relay the good news, to take a moment to say goodbye, will the Dreaming escape from him? If his power does leave again, will he ever have another chance such as this?

It’s something that he cannot risk. And yet, he finds himself unsure, even though he knows what he has to do. This woman, this mortal, has managed to ensnare his heart so completely that Morpheus considers potentially forsaking his kingdom just for the chance to properly part with her in the way that he wants to, in the way that she deserves.

He lingers when he kisses his beloved’s forehead, not sure when, or if, he will have the pleasure of seeing her again. If she’ll forgive him for what he has to do, how he has to leave her. He whispers this in her ear, a simple, “I love you. Forgive me.”

Then, he closes his eyes and feels that tug that has always connected him to the Dreaming. He envisions the sandy dunes outside of the Gates of Horn and Ivory, the way they melt into the rolling hills of Fiddler’s Green in the distance. He sees his castle and his library, Lucienne and Mervyn, Cain and Abel, the seas of dreams and nightmares. He places himself there, and when he opens his eyes to see Lucienne leaning over him, when he feels the sands of his realm against his back, he knows…

He’s home.

•••

Waking up on your couch that day with no sign of Morpheus anywhere had confirmed your worst fears. Just as suddenly as he had appeared in your life, he was now gone without a trace. And as the hours eventually turned into days without him, you had to come to terms with the fact that he was really, truly gone.

Life without Morpheus, after having had him as yours for a few glorious months, just felt dull. Literally, it felt as though your senses were dulled now. Colors weren’t as bright, songs weren’t as beautiful, things didn’t taste as good, flowers didn’t smell right, and things that were once soft now felt harsh against your skin. He was gone, and you were alone. Things were as they were before that fateful night when he landed in front of your car.

It’s not even that he left you. Rather, it’s how he left you. Never would you have expected him to just completely abandon you, with no note left behind or anything to explain where he had gone. You assumed he had gotten his powers back, which was wonderful, truly. After all, that was the end game, wasn’t it? But for him to just…leave, after everything you had been through and shared with each other, hurt worse than you could have imagined.

You became intimately familiar with the five stages of grief in those first few days after his departure, cycling through each stage until you would come back around to the beginning and do it all over again. It felt pathetic that you were this heartbroken, but how could you not be? Morpheus had held your heart in his very hands, only to discard it as if the gift you gave him, of your love, meant nothing. You couldn’t even mope for as long as you wanted to, because you just reminded yourself of fucking Bella Swan in New Moon, and god forbid you share any similarities with her.

Eventually, you settled on feeling angry. Angry at him, angry at the circumstances, angry at yourself, angry at the world. You’re so mad, but then you feel like you have no right to be mad, because he got what he wanted! He has his powers and his realm back, which was the only reason he was with you for as long as he was. You both knew that, and still…

You really wish that you could hate Morpheus.

He hadn’t even come to visit you in your dreams, which had really sealed the deal for how little you meant to him. If he had gotten his powers back and returned to his realm, surely he would have spoken to you while you were asleep to at least let you know that he was alright? But no, you didn’t even receive that from him. And so you were left without closure, which made getting over him really difficult.

Still, you try your best to get over him, even though you really don’t want to do so. Two months after Morpheus vanished without a trace, you’re finally returning the last library book from your research sessions with him. You felt silly, holding onto it for as long as you did, but it proved that he had been here, and that what you had experienced was real. It was a tangible link to him; it was your only tangible link to him. Unfortunately, the library has only let you renew the book so many times before needing it back, and today is that day.

You stand in front of the book deposit box in the library, holding onto the book and feeling the cover that you’ve mapped out time after time as you attempt to work up the courage to let go. Let go of both the book itself, as well as the hope that Morpheus will come back to you. It’s obvious that it’s not going to happen, and you’re doing nothing but hurting yourself by continuing to hold out hope that it will. You need to live your life again, even if it means letting go of the best thing to ever happen to you.

Somebody clears their voice behind you to draw you out of your inner monologue, and you realize that a line has started to form. Smiling sheepishly at the grandma waiting for her turn, you whisper “sorry” to her before taking a breath and finally dropping the book inside. The flap of the box closes with a finality that signifies that you aren’t getting that book back. Stepping away from the deposit box to allow the line to progress, you take a deep breath as the finality of the situation hits you.

That’s it. All that you’re left with from your four months with Morpheus now is memories. You were hoping that this would feel more freeing, that you’d feel a weight lifted off of your shoulders and go waltzing out of the library like the main character in a coming-of-age movie as the end credits played to signify that you were turning a corner in your life. Instead, you just feel a pit in the bottom of your stomach, a sickness that this is really it. Now, you have to figure out what to do next.

Even as you turn to leave, you can’t help but think of Morpheus. You glance into the corner of the library that you spent many days with him in, the corner of the library where he kissed you, and you just want to cry. You miss him. You really, truly miss him, and it seems like it’s going to take more than returning a library book to get over that.

You wish you had pictures that you could burn, like every other normal relationship.

As you exit the library, you find yourself making eye contact with the fucking crow sitting in the tree across the street that seems to follow you around now. You’re probably just paranoid, because you don’t even really like birds, but it feels like you see that giant black bird everywhere you go. At first, for a hopeful second, you had allowed yourself to believe that maybe it was a sign from Morpheus. But when you had quietly said hello to it and it just did crow things, you realized that you were being stupid. Of course a random bird isn’t going to be a messenger from the lover that had left you.

Because this is already a terrible day, it gets worse when you harshly knock against someone when you’re walking in the parking lot to find your car. You stumble backwards, nearly falling from the force of it. The only reason that you don’t fall is because the person who you’ve just inadvertently assaulted grabs onto your forearm to steady you.

“Shoot, I’m sorry,” you mumble, squinting against the sun.

“I believe I’m the one that should be apologizing.”

That voice. You know that voice. Could it really be, or have you just finally lost your mind and are imagining what you want to happen?

But then your vision clears, and you look at him, and no. It’s real. He stands in front of you two months after you last saw him, looking down at you like you’re the one that left him suddenly.

Your mouth opens, then closes, then opens again. There are so many things that you want to say to him. After all, how many times have you imagined this exact scenario and all of the things that you would say to him in said scenario? Now you’re here, with his hand around your arm, and all you can think to say is, “Morpheus?”

He looks better than he did even at his healthiest when staying with you, which goes to show just how drained he was without his powers. His lips are lifted just slightly, his version of a smile, and he looks good. His coat fits him perfectly, as though it were made just for him (it probably was). He’s dressed in all black, of course, from the coat down to the black boots he wears. You finally meet his eyes, and you gasp when, for a split second, you see the stars that make up his eyes before you blink and they’re back to the blue you’ve known.

“Hello, beloved,” Morpheus says. The deep timbre of his voice sends shivers down your spine, a side effect of not hearing it every day like you used to.

You want to be mad at him. You are mad at him. He left you with no warning and disappeared from your life without a trace. He had left you so suddenly, in fact, that sometimes in the middle of the night when you were out of tears and hadn’t yet cried yourself to sleep, you wondered if you had simply imagined everything about him. Yet, seeing him again, all you want to do is fall into his arms and tell him how much you missed him.

The shove hardly moves him, but it fills you with satisfaction to be able to physically assert just how upset you are, so you shove and hit his chest again and again. Morpheus, to his credit, just stands there and takes it, hopefully because he knows he deserves it.

Even the patience of an Endless, however, is not endless. Morpheus grabs your wrists with one of his large hands and stops the physical manifestation of your rage in its tracks. You fight him for a moment longer, but eventually the hot tears building in your eyes spill over, and you look up to face him defiantly. If he’s going to make you cry, he’s going to have to see it.

“You couldn’t have left, I don’t know, a note or something? Just to let me know that you were going to disappear without a trace?”

Morpheus looks pained at this, and a sick part of you whispers ‘good, he deserves to feel bad.’ “When I realized that I could feel the Dreaming after you fell asleep that night, I was not sure if that would be my one and only chance to reclaim my throne. I had to make a choice, however difficult it was, to return to my realm through your dreams.”

“But you didn’t think to let me know that you were okay after you made it back?”

“You remember my tools? My helm, my sand, my ruby?” He waits for you to nod. “I had to retrieve those before I could return to you.”

“Don’t forget about the whole ‘dream vortex’ thing after that! Ugh, that was a mess.” You look up when another voice chimes in, only to find yourself looking at the crow that you had been mentally cursing minutes ago.

“Did–did that crow just talk?”

“Raven, and yes.” Said raven flutters down to land on Morpheus’s shoulder, who glances at his corvid companion like he’s a nuisance.

“This is Matthew, my emissary,” Morpheus introduces.

“Uh, it’s nice to meet you, Matthew.” You feel a bit stupid saying hello to a raven, but it’d be rude not to. “I’m Y/n.”

“I know!” Matthew says cheerfully.

“You may return to the Dreaming, Matthew. I no longer require your assistance.” You stifle a laugh at how obviously Morpheus wants his raven, who is apparently enjoying being a third wheel, to hit the road.

“Right, right, you don’t have to say another word. I’m off!” Matthew flies from Morpheus’s shoulder and presumably back to the Dreaming, though you’re not quite sure how the logistics of traveling between dimensions work.

Left alone now, Morpheus stares at you, and you he, for a long moment. He seems to be waiting for you to make the first move, to see if you’re going to react with anger again. Finally, you rip your hands from his grasp and throw your arms around him. “Fuck, I missed you.”

Though slowly, Morpheus returns your hug, pulling you to him and pressing a kiss to your forehead before resting his chin on your head. “I missed you as well. I have ached for you and your presence since the moment I had to leave. Believe me, if I could have taken you with me, I would have.”

You close your eyes, savoring the feeling of actually having Morpheus here and being in his arms. It’s all you’ve dreamed of, for lack of a better term, since he left, and it feels just as good as you imagined it would. You could stay like this forever, and you almost do…until a car honks at you and you remember that you’re standing in the middle of the parking lot.

Sheepishly, you wave at the car and mouth “sorry!” as you grab Morpheus’s hand and pull him towards the actual parked cars. The driver that you’ve now royally pissed off glares at you the entire time that they slowly drive past you, making you giggle nervously. When you look over and see the bewildered look on Morpheus’s face (you would love to know how he would have reacted had you been flipped off), your laughter increases.

Your laughter is cut off when Morpheus leans down and kisses you. Whether that be because he’s trying to get you to shut up or because he actually wanted to kiss you, you’re not sure. Either way, you enjoy finally getting to kiss Morpheus once more.

When you pull away, you look him in his piercing eyes and say, “I’m still mad at you, y’know.”

“You have the right to be so. However, if you are amenable to spending more time with me as I attempt to win back your affections, I would like to show you my kingdom.”

“You wanna take me to the Dreaming?” Morpheus nods, smirking at the way you try to act nonchalant and not excited. “...Can I meet the mermaids?”

This makes him chuckle, a rarity for him. “Yes, you can meet the mermaids.”

The excitement at this prospect wins out, and you grin. “Okay then. Woo me, your majesty.”

•••

Morpheus had feared the worst when he had decided that the Dreaming was rebuilt well enough to receive its (hopefully) future Queen. He worried that Y/n would have taken another lover, or that she would not love him at all anymore. A frequent criticism by his siblings is that he gives too much of himself to romantic relationships, and that very well may be true. But Morpheus knew for certain that, were Y/n to turn him down when he finally reappeared in her life (and he would not even blame her for doing so; not with the way that he left and remained away for so long), it would crush him in a way that no other rejection ever had.

He thinks it would hurt even worse than the Nada affair.

When he finally coaxed his beloved to smile in response to something that he said–a sight which he will never take for granted again–those fears were assuaged. When she agreed to accompany him to the Dreaming, Morpheus allowed himself to hope.

Hope. A word so simple, yet a word that carried so much within it that it could defeat Lucifer themself.

Hope blossoms within Morpheus as he holds out his arm for Y/n to grasp onto so that they can travel safely to the Dreaming, and it turns into a flame when she instead grabs onto the lapels of his jacket and allows him to wrap his arm around her waist.

#morpheus x reader #morpheus imagine #dream of the endless #dream of the endless x reader #love care

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creative-time · 2 years ago

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The Guardian Interview 2022 (Simplified Bullet List Version Because Its 1 am)

Major Spoilers ahead so read at your own discretion

(They mention the 2019 pilot so I’ll go over that first)

Alright so someone has given me a link to the pdf of this interview, I’m not gonna say who did because I don’t want anyone going after them but they have given me permission to talk about this.

I’m also not going to be linking to this pdf, because tbh I don’t know if that is legal and I’m not taking that chance… but I believe you can find it if you look for it. (For legal reasons this is a joke)

Here are some things that I feel are important takes from this interview

The 2019 Pilot:

Becky Sloan states that Clayhill was “a bit South Park”

Baker Terry adds that they made an attempt to get an element of current affairs, but he whispers it “because it almost sounds like a dirty phrase”

They felt the timelessness and claustrophobia of the originals were missing

So, I guess this means that nearly everything in “The Key to The City” is not going to be present in the tv show, which is a bit sad but I guess is understandable.

They also did not mention if they were ever going to officially release the pilot so we are still on that can of duck organs 🙃

Alright, this next bit is gonna get into the tv show so you have been warned, it does get a little… interesting to say the least.

The TV Show

They wrote this during the pandemic (obviously), over zoom and they felt that is may have helped recapture the oppressive vibe they felt was missing from the Pilot, Joseph states that it was strange writing a show about characters stuck inside while they were also stuck inside, “so maybe there are points where we did actually go insane”

This interview states that Baker does “About 80%” of the voices, and yeah that adds up

Jamie Demetriou, Lolly Adefope and Phil Wang have come on board to voice new characters

Sam Campbell and Natasha Hodgson have joined as writers

Megan Ganz is the story editor

Lolly Adefope is playing an intercom (An intercom character or a character that just so happens to be using the intercom???) and singing a “vocoder-packed pop number about workplace stress management”

Terry says that they have spent their whole adult lives doing this (also adds up)

Just the sentence, “On TV, the homemade ethos remains - which will please fans who have been patiently waiting six years for it to appear.”

Hugo Donkin makes a brief cameo appearance in this interview along with Charlie Perkins

Apparently they went ham on the props, there’s a background prop of a travel pamphlet and inside are felt pictures of holiday locations and that’s actually kinda cute

The trio share a comically large wallet that’s only shown for a second, Joe says there’s gonna be a number and date on the credit card “that no one will notice”

“Everyone’s gone insane of set” -Joseph Pelling

There is a stop-motion area on set where they are working with clay (LETS GOOOO)

… the urinals… are gonna have eyes… and limbs… the urinals are alive and I don’t know how to feel about that tbh…

The prop making area has also been dubbed “The Puppet Hospital”

There’s gonna be a vending machine full of cigarettes and bottles of “Mysterious dark liquid”

Also a robot dog! Hopefully it is wholesome and not bad at all

there is a quiet dark stage dubbed “The Void”

Red and Duck are going to be confused and try to make out felt objects “Through the encroaching gloom”

Josh Elwell is Duck’s Puppeteer and contorted themselves on the floor behind a felt fridge to get out of shot!

Perkins says that bringing in professional puppeteers has added, “so much personality and emotion”

Becky says there’s gonna be scenes with Yellow Guy where the people might cry (what is this a call out post??)

They actually had to stop using real meat for this show and had to use silicon replicas because there was an incident where they used actual beef to fill a “horrible vending machine” and it apparently smelled so bad that crew decided to switch to fakes

Terry’s favorite dhmis theory involves Bosnian Serb war criminal Radovan Karadžić

Becky’s is a huge fan of the “conspiracy-level scrutiny they have attracted”

There is a mention of the Ed Tucker Duck Tree anagram

“They refuse the debunk any of the theories”

The trio says they put a ton of Easter eggs in this show because they know the audience has the appetite for “dissecting things” (yet another callout post)

There is a life-size felt car sitting on stilts, Becky said that the crew dumped the car “in hope that the show’s supersleuths might one day discover its location” (CIPHER HUNT 2 ELECTRIC BOOGALOO)

You’ll apparently have to swim through a swamp to get to the car, but Becky says that people can find it

Joe says that they had to give the characters little desires to fit with the runtime of a tv show, even it the desire was “I don’t want to be in this room anymore”

All the props and puppets are in storage, but the trio hope to exhibit them one day

“At some point, we’ll have built everything in the world out of felt,” says Pelling. Sloan pipes up: “No one can stop us!”

And that’s all I can think of right now, I took me an hour to write this and it’s now 2 am I’m going to bed

#dhmis #don’t hug me i’m scared #dhmis spoilers #the guardian #dhmisspoilers

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soundsfaebutokay · 3 years ago

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youtube

So I've recc'd this video before, but it deserves its own post because it's one of my favorite things on youtube. It's a Tedx Talk by comics writer, editor, and journalist Jay Edidin, and I really think that it will connect with a lot of people here.

If you live and breathe stories of all kinds, you might like this.

If you care about media representation, you might like this.

If you're neurodivergent, you might like this.

If you're interested in a gender transition story that veers from the norm, you might like this.

If you love the original Leverage and especially Parker, and understand how important it is that a character like her exists, you will definitely like this.

Transcript below the cut:

You Are Here: The Cartography of Stories

by Jay Edidin

I am autistic. And what this means in practice is that there are some things that are easier for me than they are for most people, and a great many things that are somewhat harder, and these affect my life in more or less overt ways. As it goes, I'm pretty lucky. I've been able to build a career around special interests and granular obsession. My main gig at the moment is explaining superhero comics continuity and publishing history for which work I am somehow paid in actual legal currency—which is both a triumph of the frivolous in an era of the frantically pragmatic, and a job that's really singularly suited to my strengths and also to my idiosyncrasies.

I like comics. I like stories in general, because they make sense to me in ways that the rest of the world and my own mind often don't. Self-knowledge is not an intuitive thing for me. What sense of self I have, I've built gradually and laboriously and mostly through long-term pattern recognition. For decades, I didn't even really have a self-image. If you'd asked me to draw myself, I would eventually have given you a pair of glasses and maybe a very messy scribble of hair, and that would've been about it. But what I do know—backwards, forwards, and in pretty much every way that matters—are stories. I know how they work. I understand their language, their complex inner clockwork, and I can use those things to extrapolate a sort of external compass that picks up where my internal one falls short. Stories—their forms, their structure, the sense of order inherent to them—give me the means to navigate what otherwise, at least for me, would be an impassable storm of unparsable data. Or stories are a periscope, angled to access the parts of myself I can't intuitively see. Or stories are a series of mirrors by which I can assemble a composite sketch of an identity I rarely recognize whole...which is how I worked out that I was transgender, in my early thirties, by way of a television show.

This is my story. And it's about narrative cartography, and representation, and why those things matter. It's about autism and it's about gender and it's about how they intersect. And it's about the kinds of people we know how to see, and the kinds of people we don't. It's not the kind of story that gets told a lot, you might hear a lot, because the narrative around gender transition and dysphoria in our culture is really, really prescriptive. It's basically the story of the kid who has known for their whole life that they're this and not that, and that story demands the kind of intuitive self-knowledge that I can't really do, and a kind of relationship to gender that I don't really have—which is part of why it took me so long to figure my own stuff out.

So, to what extent this story, my story has a beginning, it begins early in 2014 when I published an essay titled, "I See Your Value Now: Asperger's and the Art of Allegory." And it explored, among other things, the ways that I use narrative and narrative structures to navigate real life. And it got picked up in a number of fairly prominent places that got linked, and I casually followed the ensuing discussion. And I was surprised to discover that readers were fairly consistently assuming I was a man. Now, that in itself wasn't a new experience for me, even though at the time I was writing under a very unambiguously female byline. It had happened in the letter columns of comics I'd edited. It had happened when a parody Twitter account I'd created went viral. When I was on staff at Wired, I budgeted for fancy scotch by putting a dollar in a box every time a reader responded in a way that made it clear they were assuming I was a man in response to an article where my name was clearly visible, and then I had to stop doing that because it happened so often I couldn't afford to keep it up. But in all of those cases, the context, you know, the reasons were pretty obvious. The fields I'd worked in, the beats I covered, they were places where women had had to fight disproportionally hard for visibility and recognition. We live in a culture that assumes a male default, so given a neutral voice and a character limit, most readers will assume a male author.

But this was different, because this wasn't just a book I'd edited, it wasn't a story I'd reported—it was me, it was my story. And it made me uncomfortable, got under my skin in ways that the other stuff really hadn't. And so I did what I do when that happens, and I tried to sort of reverse-engineer it to look at the conclusions and peel them back to see the narratives behind them and the stories that made them tick. And I started this, I started this by going back to the text of the essay, and you know, examining it every way I could think of: looking at craft, looking at content. And in doing so, I was surprised to realize that while I had written about a number of characters with whom I identified closely, that every single one of those characters I'd written about was male. And that surprised me even more than the responses to the essay had, because I've spent my career writing and talking and thinking about gender and representation in popular media. In 2014, I'd been the feminist gadfly of an editorial department and multiple mastheads. I'd been a founding board member of an organization that existed to advocate for more and better representation of women and girls in comics characters and creators. And most of my favorite characters, the ones I'd actively seek out and follow, were women. Just not, apparently, the characters I saw myself in.

Now I still didn't realize it was me at this point. Remember: self-knowledge, not very intuitive for me. And while I had spent a lot of time thinking about gender, I'd never really bothered to think much about my own. I knew academically that the way other people read and interpreted my gender affected and had influenced a lifetime of social and professional interactions, and that those in turn had informed the person I'd grown up into during that time. But I really believed, like I just sort of had in the back of my head, that if you peeled away all of that social conditioning, you'd basically end up with what I got when I tried to draw a self-portrait. So: a pair of glasses, messy scribble of hair, and in this case, maybe also some very strong opinions about the X-Men. I mean, I knew something was off. I'd always known something was off, that my relationship to gender was messy and uncomfortable, but gender itself struck me as messy and uncomfortable, and it had never been a large enough part of how I defined myself to really feel like something that merited further study, and I had deadlines, and...so it was always on the back burner. So, I looked, I looked at what I had, at this improbable group of exclusively male characters. And I looked and I figured that if this wasn't me, then it had to be a result of the stories I had access to, to choose from, and the entertainment landscape I was looking at. And the funny thing is, I wasn't wrong, exactly. I just wasn't right either.

See, the characters I'd written about had one other significant trait in common aside from their gender, which is that they were all more or less explicitly, more or less heavily coded as autistic. And I thought, "Ah, yes. This explains it. This is under representation in fiction echoing under representation in life and vice versa." Because the characteristics that I'd honed in on, that I particularly identified with in these guys, were things like emotional unavailability and social awkwardness and granular obsession, and all of those are characteristics that are seen as unsympathetic and therefore unmarketable in female characters. Which is also why readers were assuming that I was a man.

Because, you see, here's the thing. I'm not the only one who uses stories to navigate the world. I'm just a little more deliberate about it. For humans, stories formed the bridge between data and understanding. They're where we look when we need to contextualize something new, or to recognize something we're pretty sure we've seen before. They're how we identify ourselves; they're how we locate ourselves and each other in the larger world. There were no fictional women like me; there weren't representations of women like me in media, and so readers were primed not to recognize women like me in real life either.

Now by this point, I had started writing a follow-up essay, and this one was also about autism and narratives, but specifically focused on how they intersected with gender and representation in media. And in context of this essay, I went about looking to see if I could find even one female character who had that cluster of traits I'd been looking for, and I was asking around in autistic communities. And I got a few more or less useful one-off suggestions, and some really, really splendid arguments about semantics and standards, and um...then I got one answer over and over and over in community after community after community. "Leverage," people told me. "You have to watch Leverage."

So I watched Leverage. Leverage is five seasons of ensemble heist drama. It's about a team of very skilled con artists who take down corrupt and powerful plutocrats and the like, and it's a lot of fun, and it's very clever, and it's clever enough that it doesn't really matter that it's pretty formulaic, and I enjoyed it a lot. But what's most important, what Leverage has is Parker.

Parker is a master thief, and she is the best of the best of the best in ways that all of Leverage's characters are the best of the best. And superficially, she looks like the kind of woman you see on TV. So she's young, and she's slender, and she's blonde, and she's attractive but in a sort of approachable way. And all of that familiarity is brilliant misdirection, because the thing is, there are no other women like Parker on TV. Because Parker—even if it's never explicitly stated in the show—Parker is coded incredibly clearly as autistic. Parker is socially awkward. Her speech tends to have limited inflection; what inflection it does have is repetitive and sounds rehearsed a lot of the time. She's not emotionally literate; she struggles with it, and the social skills she develops over the series, she learns by rote, like they're just another grift. When she's not scaling skyscrapers or cartwheeling through laser grids, she wears her body like an ill-fitting suit. Parker moves like me. And Parker, Parker was a revelation—she was a revolution unto herself. In a media landscape where unempathetic women usually exist to either be punished or "loved whole," Parker got to play the crabby savant. And she wasn't emotionally intuitive but it was never ever played as the product of abuse or trauma even though she had survived both of those—it was just part of her, as much as were her hands or her eyes. And she had a genuine character arc. My god, she had a genuine romantic arc, even. And none of that required her to turn into anything other than what she was. And in Parker I recognized a thousand tics and details of my life and my personality...but. I didn't recognize myself.

Why? What difference was there in Parker, you know, between Parker and the other characters I'd written about? Those characters, they'd spanned ethnicities and backgrounds and different media and appearances and the only other characteristic they all had in common was their gender. So that was where I started to look next, and I thought, "Well, okay, maybe, maybe it's masculinity. Maybe if Parker were less feminine, she'd click with me the way those other characters had." So then I tried to imagine a Parker with short hair, who's explicitly butch, and...nothing. So okay, I extended it in what seems like the only logical direction to extend it. I said, "Well, if it's not masculinity, what if it's actual maleness? What if Parker were a man?" Ah. Yeah.

In the end, everything changed, and nothing changed, which is often the way that it goes for me. Add a landmark, no matter how slight, and the map is irrevocably altered. Add a landmark, and paths that were invisible before open wide. Add a landmark, and you may not have moved, but suddenly you know where you are and where you can go.

I wasn't going to tell this story when I started planning this talk. I was gonna tell a similar story, it was about stories, like this is, about narratives and the ways that they influence our culture and vice versa. And it centered around a group of women at NASA who had basically rewritten the narrative around space exploration, and it was a lot more fun, and I still think it was more interesting. But it's also a story you can probably work out for yourselves. In fact it's a story some of you probably have, if you follow that kind of thing, which you probably do given that you're here. And this is a story, my story is not a story that I like to tell. It's not a fun story to talk about because it's very personal and I am a very private person. And it's not universal. And it's not always relatable, and it's definitely not aspirational. And it's not the kind of story that you tend to encounter unless you're already part of it...which is why I'm telling it now. Because the thing is, I'm not the only person who uses stories to parse the world and navigate it. I'm just a little more deliberate. Because I'm tired of having to rely on composite sketches.

Open your maps. Add a landmark. Reroute accordingly.

#Jay Edidin #LGBTQ #autism #mind and body #gender norms #why humans need stories #Leverage #Parker #Abby posts Leverage #my faves #Youtube #I did my best with the transcript #sorry for any mistakes

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ikroah · 4 years ago

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The strangest gal I ever had never happy ‘less she’s mad. Oh, I got a woman mean as she can be, sometimes I think she’s almost mean as me. —“Mean Woman Blues,” Elvis Presley (1957)

It Keeps Right On a-Hurtin’ #16 - Crimson Caravan

Collaborative Issue! Guest Artist: Esseress

Archive Links

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Read IKROAH on Archive of Our Own

Notes / Original Pencils / Transcript:

Notes:

Girls’ night! Girls’ night!

I want this issue to speak for itself so I’m going to cut right to gratuitously thanking our latest guest artist, Esseress, who did a completely phenomenal on these five pages. We’ve been working on it for a long time and I’m over the moon to finally bring it to you now on this blog. I love writing this comic, and I loved doing the lettering and composition for it, but my goodness do I love Esse’s art. It was a real privilege to have that art as part of It Keeps Right On a-Hurtin’, especially since the artist was such an immaculately pleasant collaborator. If you’re reading this, thank you again for such a fun project (and talking about Naruto with me lol).

Original Pencils (click for full size):

This issue was one of my most fun composition challenges yet because something that you want to avoid in comics as much as possible, I think, is talking heads. You want to avoid shots that are static, overly repetitive, and uninteresting. Now the challenge is, how do you do that when your whole comic takes place in a small storeroom and is nothing but a conversation between two characters?

Playing with angles and expressions, and using repetition intentionally with the percussive referent of Agnes cutting into the floorboards, made for some really suspenseful page layouts that complemented the script in a major way. I’m especially proud of the third page, with its quick cutaway to the exterior of the office and the cutting continuing beneath Agnes’ dialogue. Also, did you notice that you only ever see Agnes’ left side this issue? You never get to look her in the eye this issue, and given how cagey she’s acting, that evasiveness was an intentional compositional choice. It was satisfying to pull off, but hear me, it took a lot of planning in the thumbnail stage to pull off well.

The other fun challenge of this issue was lighting. When you’re in a closet a night and don’t want to be seen, how do you see? The delightful answer was to have Agnes actually use that damn flashlight she wears on her shoulder; attentive readers will notice that this is the second time she’s used it in the comic, with the first time being back in Boulder City at the end of Volume 1. Hmm…guys, I wonder if it’s a bad omen that she only seems to turn it on when she’s about to commit or assist in a murder…

Speaking of lighting! One last fun hiccup about this issue was the final page. The script I wrote called for it to transition from night to morning between the first and second panels, but in a case of unforeseen and magnitudinous pedanticism, it was while coordinating the lighting on that page with Esse that I looked up the actual time of sunrise in the Mojave Desert for the time of year this issue takes place, which is November 5th if you’re curious. Turns out the sun shouldn’t be rising until after 7:00 AM, which hardly makes McLafferty the exceptionally early riser her planner says she is. That’s not to say it’s actually 7:00 AM in the comic…go ahead and play the CinemaSins ding for the wrong sunrise time, or whatever. And it’s not like any of you would have known or cared if I didn’t say anything! It was just too weird of a writing quirk to not bring up. The lesson, folks, is to always remember your temporality when writing. It’ll help you sleep a lot easier.

Transcript:

EXT. CRIMSON CARAVAN, night. The lights are out and everyone in the caravan compound have retired to their barracks for the night. From inside one of the compound buildings comes a soft sound.

SFX: SKRITCH SKRITCH…

INT. CRIMSON CARAVAN OFFICE. AGNES SANDS is bent over on the floor of a storeroom, carving into the wooden floor with her bootknife. ROSE OF SHARON CASSIDY leans against the door behind her.

SFX: SKRITCH SKRITCH…

AGNES: So…have you ever killed anyone before?

AGNES continues cutting into the floor without looking at CASS as she speaks.

SFX: SKRITCH SKRITCH, SKRITCH SKRITCH, SKRITCH SKRITCH…

AGNES: And I don’t mean a raider or fiend or something, nothing in self-defense. I mean in cold blood.

CASS: You mean like you killed those Khans?

(NOTE: *IKROAH #14—Lou.)

CASS: Hmmm…no, I guess I haven’t. When it comes to bloody vengeance just for myself…

CASS: …be gentle, it’s my first time.

AGNES doesn’t react to CASS’ joke. CASS becomes equally serious.

CASS: …I’d imagine this ain’t your first rodeo, the way you asked.

SFX: SKRITCH SKRITCH, SKRITCH SKRITCH, SKRITCH SKRITCH, SKRITCH SKRITCH…

CASS: I mean…this Benny guy, in Vegas. When we catch him, which notch on your blood-spattered bedpost is he?

AGNES stops cutting into the floor, raising her knife. CASS’s expression tightens with concern. The silence is uncomfortable.

AGNES: Second.

CASS: Oh, thank God.

AGNES: What?

CASS: No offense, but the way you got all serious, I worried for a second you might be some kind of serial killer nutjob.

AGNES: No, no, I’m sorry. I was just…thinking. I really know how to meet the wrong men, apparently.

CASS (smiling): Dead men, right?

AGNES frowns. Her knife plunges back into the wooden floor.

SFX: SKRITCH, SKRITCH, SKRITCH SKRITCH…

CASS: Wanna talk about it?

SFX: SKRITCH SKRITCH…

CASS: Not like we have anything else to do.

SFX: SKRITCH SKRITCH…

AGNES: I really don’t.

CASS: Fine. That said, though, I did imagine this whole revenge thing being a bit more…exciting. Can’t say I like being stuck in a closet.

AGNES (smirking): You get used to it.

CASS: Why, though? You picked the lock to her fucking office like a cheap office toy. Why not break into her barracks and we shoot the bitch now?

AGNES: First, because that’s a great way to get us both killed.

AGNES keeps cutting as she speaks, deeper and deeper into the floor.

AGNES: Second, you want her to know it was you, so we have to get her awake and alone.

SFX: SKRITCH SKRITCH, SKRITCH SKRITCH, SKRITCH SKRITCH…

AGNES: Third, her planner on her desk confirmed what I already suspected—that she’s an early riser—so we’ll see her sooner rather than later, while the rest of the company is still asleep.

SFX: SKRITCH SKRITCH, SKRITCH SKRITCH…

AGNES: Fourth, we want to send a message to everyone else. So it has to be at least a little spectacular.

SFX: SKRITCH SKRITCH, SKRITCH SKRITCH...

CASS: Oh…you’ve really thought this through.

SFX: SKRIT-

AGNES stops cutting. She slowly lifts her knife out of the floor.

AGNES: Yeah.

CASS: Where’d a medic get so good at murder?

AGNES rises from bending over the floor to a kneeling position, turning back towards CASS and frowning.

CASS: Sorry. You probably don’t want to talk about that, either.

AGNES: Maybe another time. For now…

AGNES leans back, kneeling over an intricate cross-hatch, about three feet in radius, of deep cuts and gouges into the floorboards in front of her.

AGNES: …just trust me.

EXT. CRIMSON CARAVAN. Night turns to early morning, and ALICE McLAFFERTY, the boss of the caravan, walks up the steps of her office and enters.

AGNES (from inside, whispering): Alright. Now. Quickly.

From inside her office, a door is kicked open.

SFX: DTHUMP

ALICE: What the hell, who are you—!?

CASS: Rose of Sharon goddamn Cassidy, of Cassidy fucking Caravans, you bitch!

ALICE: No, you’re—

SFX: KABLAM

The sound of a shotgun going off in the middle of the compound wakes up the whole caravan. Crows scatter from the courtyard while guards start rushing towards the office door.

AGNES: Alright, now let’s go! Shoot the floor here where I—

SFX: KABLAM

The guards close in on the office while wooden shrapnel falls from a new hole in the floorboards of the office, and AGNES and CASS drop through to the ground outside, and crawl away from the caravan guards under the hut just as they reach the McLAFFERTY’s front door.

#fallout #fallout new vegas #courier six #rose of sharon cassidy #alice mclafferty #crimson caravan #volume 02 #16 #ikroah archive

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kaypeace21 · 4 years ago

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What's in a name? (Analysing all the names in stranger things)

*I'll be repeating some names more than once as I break down categories .

Show , book, and tv easterggs

Alot of character names may have deeper meaning but some are also refs to stories they liked. The stranger writers twitter posted a list of movies said to inspire s4 (which I’ll be referencing).

Dart- dustin names him this after d'artagenean (a 3 musketeers book character) and one of Dustin's fav candies (3 muskateers). Similarly his pet turtle yurtle is implied to be named after the dr Seuss’ story 'yertle the turtle'.

Brenner- main character from 'the birds', which was on the st s4 list.

Byers- john byers from x files. The duffers mentioned x files was an inspo for the show. Although John byers (from x files) resembles Murray as an unhinged conspiracy theorist. The documentary paradise lost was also cited as inspo for st- john byers and his son, terry, Michael, and Steve were names in said film

Jim Hopper- in Predator (another st inspo) he was a soldier who was flayed to death in the woods. Another character in the film with a similar fate was “Hawkins”.

Detective Wheeler and elle Holloway- from silent Hill franchise. Another ref mentioned by the Duffers. Holloway was the surname of st's Heather. Elle (is el) and Wheeler is Mike's surname. Wheeler was also on the ep of twiglight zone (another cited ref by the duffers) . In the ep 'mute' sheriff wheeler takes in a mute psychic girl as his foster daughter. So some hints at hopper too . Hopper even mentions el-anor (gilipse) in s1. The surname of a main character in the silent hill series.Lt. Colonel Sullivan (s4) could be a eastergg of silent hill 4 which had a Sullivan character.

Henderson- st twitter mentioned how all the bond films were on the s4 inspiration list . So Dustin's surname being the same as one of the bond characters is a nod. Duffers also mentioned ‘freaks & geeks’ as inspo- and 1 character’s surname was also Henderson (another nod).

Mrs Driscoll (from s3) - a nod to invasion of the body snatchers which was mentioned as inspo by the Duffers. And clear inspo for s3.

Powell (cop and partner of hopper ) - diehard films also on s4 list. He's named after the cop powell.

Callahan (cop and partner of Hopper) - father Callahan ref. He shows up in many of Stephen King novels. The Duffers have cited over 10 novels and books from him as inspo for st

Nancy- she's called ‘Nancy drew’ (from the novels). And the duffers have mentioned they are fans of elmstreet - who's main character was Nancy. Nancy also references 'Oliver twist" ,and that book has a character named Nancy in it. Nancy was also a first Lady in the 80s similar to her friend Barbara- who was also a first Lady in the 80s.Nancy's name might also be inspired by "Nancy Wheeler", a secondary character in the 1970 book Are You There God? It's Me, Margaret written by Judy Blume.

Fred (s4)- apparently a high-school journalist who may be friend or foe. This one is a stretch but given nancy maybe being an elmstreet ref- and her enemy being fred-die kreuger. Fred may have animosity to Nancy and that's why his name is Fred. I mean ... they even cast a new s4 character with Freddie kreuger's original actor.so...

Jason (s4) - is in the 1986 Nancy drew novel (when s4 takes place). He is similar to the duffers description. In the novel he's a rich, popular, arrogant jock and blackmailing students at the high-school . S3 even named one of its episodes after a nancy drew novel- so wouldn't surprise me.

Christie carpenter (s4/reffed in s1 by hopper)- christie is the main character in the hellraiser series (which is on the s4 st list). Carpenter is the surname of the director of 'the thing' name dropped in s3. (The flesh monster in s3 also resembles the thing) , and in s1 mr clarke watches it ,and mike has the thing movie poster in his basement.

Argyle (s4) - die hard 1-2 were on the s4 st list. And is a name of a diehard character.

Max- her name is 'mad max' like the 80s film. But since the Duffers like videogames. Her name may be a ref to max caufield from the ‘life is strange’ game as well. She has a 'never Maxine rule' similar to max in st. But the game character is similar to jonathan as she is a teen photographer and says similar words to jonathan in s1 saying she would rather watch people through a camera than interact with them.

Eddie munson (s4)- not going to lie. I have no proof of this but I immediately thought of the TV character Eddie Munster (the friendly monster ).

Possible comic book easteggs

The duffers are no stranger to comic book references. The duffers have already directly reffed xmen, wonderwoman, and green lantern. Kali's place also has a comic book ref to 'the invisibles' on the wall. While the s4 movie list mentions thor ragnock , age of ultron, and 2 batman films. Some of these refs will go over your head if you haven't read my DID theory. But a lot of this analysis will still be enjoyable. :)

Jane st ives (jane ives aka el). marvel. (jane st ives sees her dad k*ll her mom and vows revenge against him.Sort of similar to what brenner did to terry).

Stephanie harrington (Steve harrington)- 80s marvel comic. DP.7. Will DID ref. Antibody, is a medical resident who can project from his body a dark figure of himself (also called an "antibody", a word play on the medical term) that flies, can become intangible, and transfer its memories to another person by physical contact (mindflayer). He later merges with the antibody. like how susie refs ‘wizard of earthsea’ -the novel where the young wizard Ged releases a shadow monster (said to be an ancient evil) but it turns out to be the dark aspects of his personality and the only way for the chaos to stop is to accept his darkness and merge as 1.

Barry bauman (Murray bauman) . marvel comics - Will did easteregg.Bauman lived in never ending darkness. He felt, that there was a realm outside the darkness and started to explore the entire content of his brain thus using now more than the usual 10 % .Also had telekinesis.He turned his attention to the stars in order to exact revenge on the human race which spends billions of dollars to kill each other, but wouldn't spend the mere million or so it would have cost to cure him. For his vengeance he transported the suns near our galaxy into his omnipotent brain. As the people of Earth would learn of the disappearing of the suns they would panic and feel Bauman's loneliness before he would destroy Earth.Despite the death of his physical body, Bauman's consciousness somehow survived and began hopping from body to body throughout the galaxy, his powers growing until the Star Thief was recognized as a major threat to galactic society.

Sinclair- last name of xmen rhaine. Will Did ref. storyline Rahne Sinclair is mentally bonded to Havok against her will(Will/mf).She is subsequently manipulated by the Shadow King. Her bond with Havok causes her to act irrationally, sometimes threatening teammates, sometimes by flirting with them. She undergoes more than one attempt to undo the bonding, with varying results. Her instability also manifests in many odd dreams, in which her identity is merged into pop culture figures. What’s funny is charlie heaton (jonathan byers) was just in an xmen movie with this Rhaine character.

Victor creel (s4)-sounds like mutant victor creed of the xmen comic. x men Mutant with ab*sive dad and poor socioeconomic background. He had a "birthday tradition" of ab*sing his young relatives on their birthdays. Which reminds me of Lonnie making jonathan cry for a week (because he forced him to k*ll a rabbit on his b-day). Not to mention Lonnie is prob coming back for Will’s b day in s4... so... the name is prob a ref to that ‘birthday tradition’. Could also be a stephen king reference -since Duffers love him. The Creel family was in sk’s book “pet cemetary’-which fun fact (the actress who plays El’s aunt is in the recent remake)!

Yuri (s4)-Yuri Topolov (Russian: Юрий Тополов) was a Soviet scientist and the first foe of the Hulk.

Dimitri (s4)-Dmitri Bukharin was born in Kuibyshev, Russia (some sources say Moscow). First appeared in Iron man.

Peter ballard ( s4 character) may just be a hellfire ref . since I guy with last name ballard was a double agent for the hellfire club (name of st s4 ep 1). And ballard means bald which the actor is certainly not lol. I don't think he's literally associated with hellfire but its just a ref. And because its implied in his st character summary despite working for the mental hospital-where brenner is most likely at- he's horrified by the treatment of the psych patients. So that may be where the double agent aspect would come into play.

Ian Hargrove (billy hargrove)- batman comics. had a history of mental health problems dating back to childhood, which his parents were unable to afford treatment for. His brother John hargrove tried to keep him out of trouble but Ian developed an uncanny talent for explosives (will the wise fire powers). He ends up at Archam asylum. Cough billy is Will's alter. Why he has the name billy (a nickname for William) . Jonathan in s2 mentions how he likes the writer vonnegut- who wrote slaughter house 5- the main character was Billy. Already mentioned how it connects to my did theory .

Jason carver (s4)- carver is the last name of the comic hero thunderbolt (in the flash)-the first name of thunderbolt is Will and his brother is named Lonnie. There was also a John carver in the comic.

Holland (barb's last name) last name of Swamp thing. I think its plot has quite a few s4/5 spoilers but Im not diving into it right now.

Names associated with religions or mythology

(if you’ve read my DID theory- some themes will appear relevant in relation WIll’s alters or to WIll’s past/tr*uma).

-‘Kali prasad".Kali is the name of a Hindu goddess . Kali’s iconography and mythology commonly associate her with death, violence, s*xuality, but also paradoxically -motherly love. In myths ‘she only k*lls demons’ and is described as ‘overflowing with incomprehensible love for her children’ - (aka ST’s Kali k*lling people from hawkins lab for hurting kids). Her third eye stands for wisdom (like Will the wise).Kali is called at times ‘ the bright fire of truth’ (will the wise/fire powers).The devotee makes her image in his heart and under her influence burns away all limitations and ignorance in the cremation fires. This inner cremation fire in the heart is the gyanagni (fire of knowledge), which kali bestows (cough Will the wise-fire powers). The goddess also could create a darkcloud of lightning (similar to the mf). The phrase “brilliant as a dark cloud” is a snippet of one such prayer dedicated to Kali.The name Kali is derived from the Hindu word that means “time”. Kali receives her name because she devours ‘kala’ (Time)- like clocks ticking when El sees demogorgan/clock being wonky when Will see mf/clocks in s4 promos.’ After devouring time she resumes her own dark formlessness. “This transformative effect can be metaphorically illustrated in the West as a black hole in space” (cough mf cough hopper blackhole/time refs). Kali’s s2 butterfly-“Kali is the Hindu goddess associated with eternal energy. ... The cocoon, butterfly and the karmic golden wheel reflect Her deep connection with life.”And Prasād (her last name) is a material substance that is a religious offering to gods in Hinduism .

-While, EL is the name of a Cannanite (male) god associated with “salt water “ (pool filled with salt in s1) who “dwelled in a tent” (in s1 Mike’s blanket fort) .And his gray-beard was described as " "full of wisdom.” él’ in Spanish means ‘he’- which could be a nod at her ( androgynous) presentation in s1. El can also be translated to "God" or 'god'. The el character has various mythologies depending on which culture/ religion is using the term 'el'. In the post-biblical period, "el" became a regular element in the names of angels such as "Gabri·el," "Micha·el," and "Azri·el," to denote their status as divine beings.And Jane translates to " Yahweh (god) is gracious/merciful". The cannanite god El was also dubbed “Compassionate God of Mercy.” Earlier, a ninth century B.C.E. inscription identifies Ēl- the name of the Babylonian water god Ea, lord of the watery subterranean abyss (cough watery dark void in st). Terry (el’s mom-aka Teressa) was originally used in the Middle Ages for a “child baptized in holy water” (El in the sensory water tank/Terry used it too,according to Becky in s1). Eleanor (called this in s1)- can mean "sun ray" (possible the opposite of the ‘shadow monster’ or Kali who can represent a “black hole”).

-Will-the s4 st movie lists (‘red dragon’, gods of monsters, & ‘blade runner’ ) mention the artist and writer William Blake (specifically his painting of the angel michael fighting a dragon in revelations - reffed in st s1). He was one of many painters part of the exhibition of “ The World Turned Upside Down: Apocalyptic Imagery.”The World Turned Upside Down explores the myriad ways that artists in England visualized the apocalypse in a period fraught with political, religious, economic, and cultural change.

During this period Blake was commissioned to create over a hundred paintings intended to illustrate books of the Bible along with revelations . He also drew illustrations for the novel Dante’s inferno. Blake’s brutally satirizes oppressive authority in church and state.He said those who proclaim restrictive moral rules and oppressive laws as “goodness” are in themselves evil. Hence to counteract this repression, Blake announces that he is of the “Devil’s Party” (cough hellfire club ref-and dissing the satanic panic of the hellfire club and other marginilised groups) . He also says “men forgot that All deities reside in the human breast.” So Instead of looking for God on remote altars, Blake warns, man should look within.He produced a diverse and symbolically rich œuvre, which embraced the “imagination as “the body of God.” He wrote his own stories based on biblical writings- one includes the fire wielding character of Los (will the wise) who represented jesus. Los (like jesus does in revelations) causes the destruction of the world and the second judgment unfolds. The poem ends with Los’s unfallen state rising up and shepherding in science and removing the dark religions. I also talked about how this story ‘book of los’ hints at the DID theory-but this is getting long-so you can just read the explanation here if interested. Also, hellooo Both names are William B(yers/lake). Billy (a alter of Will-sharing the name William) in s3 he even wore “lady of pillar” medallion- i.e about jesus/mary.

JOHN (supposedly Jesus’ blood relative- who wrote ‘revelations’.) In scripture John was called “the disciple whom Jesus loved as a brother” .Fire is the most typical element associated with the Saint John's Eve celebration (Jonathan did light the demogorgan on fire). Many scholars consider John & Jesus ("apocalyptic prophets"). Jonathan itself translates to " yahweh (god ) has given" in Hebrew.

Michael- Similar to kali, he’s a religious figure known for killing demons. He’s the arch-angel from the book of revelations (Apocalypse). A evil Beast (with seven heads usually translated to ‘satan’ or ‘dragon’) appears .“it was a 7″ causes Will to be attacked by the demogorgan ( which in d&d is a demon with multiple heads). The Archangel MICHAEL fought and defeated this 7 headed beast/satan. Corresponding with Mike at the end of s1 writing a fictional d&d story for Will (based off defeating the demogorgan) which was about helping kill a 7 HEADED MONSTER! Michael is also the archangel who oversees on Earth the natural element of fire (Mike telling Will the wise to use ‘fireball’ to defeat this same 7 headed monster in the game, at the end of s1)! Ironically though Jesus /Christian god is also associated with 7s a lot (he has 7 angels and during the apocalypse causes 7 plagues , he has 7 candles etc .)cause the number seven, represented ‘perfection’ according to ancient numerology . Will’s b day is March 22- (3) +2+2 =7 (“it was a 7”). Will’s bday even falls in what christians call “the holy week”( the week immediately preceding Easter.) At the end of s1 they even defeat this 7 headed monster because Will rolls a 14 (which can be broken down into two 7s). Michael & William also have 7 letters in each of their names respectively- equating to this 14. This dragon biblical story (of Michael) is also William blake’s most popular painting. Also, random fact in revelations god has a rainbow throne (with thunder /lightning -will the wise powers- coming from the throne, and seven lit torches next to it ) . He also wears a rainbow halo. Lol. Michael also roughly translates to ( 'Who like el?' The answer being roughly translated to ' no one like el' ... which i mean literally is saying there is no one similar to her. But I still think its a linguistic pun/ burn that Mike is not actually into El romantically).

Jim (James) hopper- According to the s3 script Hopper’s real name is James. JAMES (JIM) was an apostle to jesus- brother of john. And in the bible was called a ’son of thunder ’. Will’s powers/ hopper being an alter of Will's so technically brother of jonathan and thunder powers. Not to mention David on Instagram saying hopper has " he has risen. like bread" is a Jesus ref to 'he has risen"... even the bread ref could be a catholic ref to the last supper.

Martin Brenner/marsha holland- have their first name reference the roman god Mars who was originally a ‘thunder or storm deity’ (will the wise/mf powers). EL (in cannanite mythology) also allowed Baal the storm god to rule the entire earth.

ROBIN- was the God of Thunder’s- Thor’s- favorite bird. And Dustin also means ‘Thor’s stone.’The red belly robin is also an important bird in Christianity. Legend has it that the robin got its red belly from a fire in which it was trying to protect Jesus. Robin also name drops the greek god prometheus- the god of fire (will the wise) who brought human beings life and knowledge. And Steve looks at Robin and says "let there be light" a biblical passage. The robin represents selflessness for a higher truth.

Barb- Saint BARBara- dad kept her locked away from the outside world (like el/brenner) . He tried to k*ll her when he learned she didn’t believe in his religion- so the dad was punished by “god” who electrocuted him with lightning/lit him on fire. (Will the wise powers).

Nancy- is derived from a medieval diminutive of Annis, an English form of Agnes. There’s the christian saint Agnes- who was beautiful and from a wealthy family. She was the Christian saint of girls and v*rginity . And the duffers subverted this along with the problematic horror movie trope of the ' v*rgin female heroine surviving while her more se*ually liberated female friends are punished by the villain' ( by having her survive specifically because she decided to have s*x).Agnes was also led out and bound to a stake, but (allegedly) the bundle of wood would not burn, or the flames parted away from her (will the wise fire powers). Also people claimed that any man who tried to r*pe her was struck blind.

Hopper's wife’s name -Dianne- is also the roman goddess of ,nature, hunting and wild animals( and greek equivalent to Artemis) .Becky means ‘snare’ -for hunting animals .Teressa (Terry) means ' huntress'. The name was originally used in the Middle Ages for a child baptized in holy water . Name of 2 saints-Teresa of Avila and Therese of Lisieux. Lonnie’s gf (Cynthia) was originally an epithet of the Greek goddess Artemis, as well.

Power couple Angela & jake (s4) - Angela means 'messenger of God". And Jake (also means ”supplanter”) is derived from jacob. Jacob was the son of Isaac and Rebecca in genesis. El’s aunt,Becky (Rebecca) is wife of isaac.Other theories claim that Jacob is in fact derived from a hypothetical name like יַעֲקֹבְאֵל (Ya'aqov'el) meaning "may God protect".The name jacob is also where the names James/jim is derived from.

couple Steve spies on in s3- Anna Jacobi & Mark Lewinsky. Anna ( name of the mother of the Virgin Mary) Jacobi ("he who supplants"-aka same meaning as jim since both names are derived from jacob). Mark (”the god mars”-same meaning as martin brenner) .Lewinsky (lion-same name meaning as Lonnie). Also derived from the Hebrew root לוי‎ (leví, “priest”)

Joyce means "lord". Could also be a ref to the ('unofficial') saint Joyce who gave up wealth to live in poverty.

Ted-is the short form of the names Theodore and Edward. Theodore is a Greek name meaning "gift of God", Edward has an English origin and means "wealthy guard." Eddie (from s4) also means ‘wealthy guard”

Holly (nancy and Mike's sis)- Holly meanings are 'One who is pious' or 'sacred'

Karen- can be short for Katherine-one of the first christian saints.”Saint Katherine of the Wheel “(er). A 4th century martyr who suffered t*rture on a spiked wheel. Wheeler does mean ‘occupational name for a maker of wheels’ after all.

Gospel of LUKE (lucas?) , or simply Luke, tells of the origins, birth, ministry, death, resurrection, and ascension of Jesus Christ.

Sinclair- Catholic saint of computers and TV screens (i mean... he is in the av club).

MAXimilian was deemed a saint in the 1980s- saint of journalists and radios. (Both aspects of s3)

Saint stephen/steven ( STEVE)-an early disciple and deacon . Considered one of the first m*rtyrs of the church.Stephen is first mentioned in the Acts of the Apostles as one of seven deacons appointed by the Apostles to distribute food (lol icecream) .According to Orthodox belief, he was the eldest and is therefore called “archdeacon”.

Sara- Her name is a feminine form of sar (Hebrew: שַׂר‎), meaning “chieftain” or “prince." She was the wife and sister of Abraham (ew -given her being an alter of Will though, such a name doesn’t surprise me). Similar to st Barabara’s dad - Abraham tried to k*ll his son isaac in the name of god. Becky (El's aunt) - is derived from Rebecca - wife of Isaac.

Claudia (Dustin's mom)- Christian woman of Rome greeted by Paul in his second letter to Timothy (in the bible).

Sam mayfield (max's dad) - Short for Samuel or Samantha, from the Biblical name Shemu'el, which means "God has heard", from the Hebrew shama, meaning "heard" and el, meaning "God". Samuel is rumored to be argyle first name.

Marsha Kelly (s4)- Kelly means "frequents churches" or " bright headed". Given she's a counselor the bright headed pun makes sense. But maybe she's not to be trusted if she frequents churches during a satanic panic arc which was fueled by Christian religious extremism . Or she's someone who contrasts the rest of the religious people in town since she's not originally from hawkins...who knows. x files’ main character was catholic but in one ep she criticized a small town for the satanic panic occurring-and says how accusing these kids who listen to rock as satanic or being k*llers is ludicrous.

Peter ballard (s4) - Peter was also the name of an apostle.

Tina (side character s2)- like christy (s4) it’s short for Christina which translates to "follower of christ" or 'stream'. Tina was the gal who hosted the t halloween party and also the name of one of Erica’s friends in s3.

Samantha (goth girl jonathan talks to in s2 party) translates to "told by god".

Tommy (s1-2) "God's gift" or "twin".Thomas is the Greek variation of the Aramaic name Ta’oma’. It came about because there were too many apostles named Judas; Jesus renamed one Thomas—meaning "twin"—to distinguish him from Judas Iscariot and the Judas also known as Thaddeus.

carol (tommy’s gf)- Carol is the short form of Caroline and the meaning is derived from the English vocabulary word for “song” or “hymn". A hymn being a religious song or poem.

Benny ( who helped El at his dinner) - originally derived from latin bennedictus which means "blessed"

Stacey (s2-3 ) rejected dustin at dance. Stacey- "resurrection "

Grigori (the guy following and tracking hopper, Joyce, and alexi)- The name was adopted by early Christians heedful of the Biblical passage located in 1 Peter 5:8, “Be sober-minded; be watchful."grigory now means 'watchful and vigalent'

Alexi- prob based on the russian folklore story of alexy. A clever priest's son who tricks a dragon.

Harrington- similar to Robin's religious animal iconography. Harrington means 'he goat'.The most popular image of the Satanic goat dates back to the ever-mysterious Knights of Templar, who were accused of worshipping an idol known as Baphomet (a 1/2 human 1/2 goat man). Roman Catholic society decried it as a demon that demanded human sacrifice — but it would take a few more centuries before the goat became a truly occult symbol.Anton Lavey adopted Baphomet as the sigil of the Church of Satan in 1966, and it has appeared on countless metal album covers. But, Baphomet isn't the lone source of inspiration for our goat-like depictions of Satan.it's also believed that early Christians, seeking to demonize preexisting Pagan traditions, drew comparisons between the Devil and the Greek god Pan (god of nature), who happened to resemble a goat.Some cited how in revelations- during the apocalypse- Jesus separates the 'lambs from the goats'. ( supposedly Good vs bad)

Given the fact s3 alluded to the satanic panic. A Christian movement in the 80s that demonized and said d&d ,rock music, homosexuality, other religions, stephen King,horror films, wearing black,and non conservative ideology were 'satanic.' I wouldn't be surprised by this possible ref. Heck even William Blake criticized similar religious movements in his own time period. Several movies from the s4 list allude to this. The most obvious being the documentary paradise lost (named after the fictional retelling of satan/adam and eve story) - the documentary directly focuses on a witch hunt of rock loving teens (wrongfully accused of m*rders) in a small town during the satanic panic. Not to mention ironically s4 is hinted to be around easter. So Using such symbolism to address religious fundamentalism and the bigotry/hysteria it can cause isn't surprising. No i’m not lumping all religious people into this negative category- obviously.

Other Names with similar definitions

*Hunting /forests woods, nature, animals

Hunters and people in forrests

name meaning : becky - snare (a trap for catching birds or animals). Teressa-huntress. Dianne/Cynthia (Hopper’s ex wife/Lonnie’s gf) - is a roman/greek goddess of hunting and wild animals. Rhadaghast- Will's password for cb is a lothr wizard who protects forests/wildlife.martin/marsha- previously god of agriculture/plants.As an agricultural guardian, he was believed to directed his energies toward creating conditions that allow crops to grow, which may include warding off hostile forces of nature (pumpkins rotting in s2). El in phoenician culture was called Elus and its Greek equivalent Cronus (god of agriculture) steve- he goat- associated with pan- god of fields, groves, wooded glens . brenner- ‘someone who cleared forests by burning’. the blond women, Brenner worked with, Fraizer- “of the forrest men”

* FUN FACT: Kali’s name originally was going to be ‘Roman’ (which is derived from Romulus-the son of Mars... aka Martin Brenner) .

Trees

Ives and owens- ives means 'yew wood' while Owen means 'yew tree. ' bauman- nickname for someone who lived near a tree.comes from the German word "baum," or "boum" in Middle High and Old German, meaning "tree’. Jennifer hayes- Jennifer derived from Old English words "jenefer", "genefer" and "jinifer", all of which were variants of Juniper used to describe the juniper tree.Lonnie means "oak tree; or lion". Lion plushie in cb and the lion el has along with the tree establishes a connection between all 3 maybe? Oak groves were especially sacred to the goddess dianna too. Buckley (it has many different translations) - Old English "boch ley" (with boch meaning beech tree and ley meaning wood, glade or clearing).

Nature

buckley if translated from "bok lee," means meadow, or field. mayfield- open country (field) where madder (mæddre) grows. Holland- wood land, Bruce (who was also possessed) - means WILLow lands . Keith (s2-3) : woods or forrest.Hargrove- meadow filled with rabbits (Jonathan’s hunting story).Holloway is a topographic surname, which was given to a person who resided near a physical feature such as a hill, stream, or type of tree. Tina means 'river' . Burness (guy who claimed he jumped into quarry)-stream. Neil- cloud. Lowe (Bruce's last name)-This surname is derived from a geographical locality 'at the low,' i.e. the hill. Hayes means "hedged area'.

Flowers

Flo (hopper's secretary)- means flower. Suzie- lily flower. Susan (Max’s mom)- means lily, lotus flower or rose. Karen (in Japanese can mean)- flower, lotus, or water lily. Heather is also a variety of small shrubs with pink or white flowers which commonly grow in rocky areas. Erica is a type of "heather" plant. martin/marsha: in the legend of Mars,his mother become pregnant with him using a magic flower- which was given to her by the goddess flora.

Bright (aka intelligent)

Bob- nickname of Robert . Both Bob and Robert mean 'bright, shinning or fame'. Aka smart -he's called ' Bob the brain ' for a reason.

Robin- is also diminutive of Robert . And we all know robin is smart too. Being multilingual/ cracking the code.Robin (like Robert) also means 'bright, shining , or fame.'

Lucas- means "bright" or "shinning" aka he's also a smart cookie. His firework plan saving the day.

Lonnie and Larry (the mayor) can both be nicknames for Lawrence which also means ' bright one' or 'shinning one'. Well... both are cunning I'll give them that. Lonnie is unfortunately ...smart. I think this detail had other foreshadowing. Joyce to Will about Will the wise ' if he's so wise why does he need the fireballs? can't he just outsmart the bad guys? " Will: " yeah. Usually. BUT sometimes the bad guys are smart too." I never understood why on earth Joyce would be with someone as awful as Lonnie in the first place- than be with his literal opposite Bob- but maybe she just found intelligence attractive?

Names associated with thunder/lightning/fire (Like Will/mf/Will the wise)

Byers-reprsents Greek Zeus (god of thunder/lightning). Martin - references the roman god Mars who was originally a ‘thunder or storm deity’ .ROBIN- was the German God of Thunder’s- Thor’s- favorite bird. And Dustin also means ‘Thor’s stone.’Jim- “son of thunder”. Christian god- has throne (surrounded by thunder /lightning). Kali- could summon thunder storms.Nancy/Barb-both saints associated with fire. Kali-is called at times ‘ the bright fire of truth’ /and bestows the fire of knowledge. Robin also name drops the greek god prometheus- the god of fire. Mars -the keeper of Rome's perpetual flame . The Robin bird in a Christian story myth protects Jesus from hell's fire. William Blake- wrote about a fire wielding character of Los who represented jesus. Jesus during end times wields fire. Michael is the archangel who oversees on Earth the natural element of fire. Fire is the most typical element associated with the Saint John's Eve celebration (Saint John- called Jesus’s brother).

Animals (and their symbolism)

Byers- means ‘ cattle shed’.The Greeks considered the bull animal totem to be a symbol of Zeus (god of thunder and lighting - will the wise powers). He is the head of the gods and the almighty ruler of Olympus. I”n hinduism, Shiva is known as Gorakhnath, means the lord of the cows. And is also known as, Pasupathinath, the lord of all animals (similar to Rhadaghast). According to some scholars, Shiva’s association with cows and bulls might date back to the Indus Valley period. Cows have a special significance in Hinduism, as aspects of Mother Goddess and as symbols of selfless service. Mahatma Gandhi declared the protection of cows a central feature of Hinduism.Hindus worship cows as the Mother Goddess and symbol of motherhood, kindness and forbearance.”

Tigers: (Sarah’s plushie/ Hawkin’s macott/ Will & Mike have tiger posters in their rooms): The goddess Kali & God Shiva wore a tiger skin (this fact was actually mentioned by Kali in the prequel novel ‘suspicious minds’ ).”In many tribal traditions of India, the tiger (or lion) is worshipped as a god. In some Hindu hymns the domestic fires are compared to the tigers that guard the house.Tigers also figure prominently in many Indian folk-tales, Jataka-stories, and the Panchatantra.”

Lions:(Lonnie means ‘lion’ and el and Will have matching lion plushies)- In the Bible, the lion has two opposite meanings: it is compared to the Devil (1 Pet 5:8) and to Christ (Rev 5:5). Aka: Lonnie is the devil. The kids are the opposite. Nancy also compares the demogorgan to a lion. “In many tribal traditions of India, the lion is worshipped as a god.One of the ten incarnations of Vishnu is Narasimha, who has the head and shoulders of a lion, but the torso of a human.Goddess Durga, a fierce form of Parvathi or Shakti, has a golden lion as her vehicle, while Rahu, a planetary guard, rides upon a black lion as his vehicle.Lions form an important part of Hindu religious art. The face of the lion (simha-mukha) is used in images and sculpture in many Hindu temples to decorate the doors, walls, arches, and windows.The memorial pillar at Saranath contains four beautifully carved standing lions at the top on a round abacus representing the imperial power. They now constitute the official emblem of the government of India.”

El almost k*lling a cat- “Some superstitious beliefs are also associated with cats in Hinduism. For example, killing a cat is considered a grave sin, for which one may have to offer prayers and give in charity at least seven golden images of the killed cat. “

Harrington- he goat. Buckley- has various translations. Anglo-Saxon: ‘bucc and leah’ meaning goat and wood respectively. And obviously there’s the robin-bird. And I've already discussed their symbolism. Goat= baphomet/pan.

Robin- thor's fav bird/ helped Jesus from hell's fire.

Buckley- can also translate to " field filled with deer" (like the deer attacked by the demogrogan or the bambi film jon reffed in relation to the hunting story about lonnie).And Karen ( when from it’s Hebrew origins) can mean- antler or horn. Also the caananite God el was usually depicted with animal horns on his head.Diana in Roman art usually is accompanied by a hound (demo dog) or deer. Because of the story of her turning an attempted r*pist-hunter into a deer/ and then causing dogs to attack him. Deer is also one of the symbolic animals accepted since early Christianity as an allegory of Jesus Christ and the Christian Disciple. And when associated with Shiva (kali's husband) in Hindu iconography, the deer omen denotes sovereignty over nature and symbolizes the lord of all animals, humans, and the King of the Forest. In many visual and written illustrations, human beings and deer appear as close companions and in some cases, humans adopt the face or antlers of a deer, in images more common in stories of human strife. Deer also have a supernatural significance and appear as apparitions of divinity and in legends of spiritual awakening.

Hargrove- meadow filled with rabbits (like the rabbit lonnie made jonathan k*ll.) Hopper sounds like thumper the rabbit- which jonathan mentions in relation to bunnies . And ... idk... Hopper did make that pun in s3 about bunnies to Larry (lawerence) ? We also have rabbit refs elsewhere like with- el in Benny's. They play the song 'white rabbit' a song referencing Alice in wonderland and in el's room at Terry's house is the white rabbit from that story. Also paralleling to jonathan- el was almost made to k*ll a cat by her father (Cheshire cat aka Alice in wonderland ref + cats are associated with magic powers/witch craft).In Celtic folklore, the rabbit is seen as a supernatural being from the Otherworld.The rabbit symbolism in Christianity has found its way through the Germanic deity Eostre from which the name Easter came to be (s4 will most likely have the Easter holliday).One tale describes the rabbit as the pet of Jesus Christ. And rabbits were often inserted into art of jesus' mother .

Creel- basket or container of fish.fish is taken as symbolizing Christ’s faith, charity, and abundance. A biblical story goes how Christ fed his disciples with 2 fishes and called them “fishers of men.” The Christians made an acrostic from the Greek word for fish, “ichthys” as early as the first century and it is, “Iesous Christos Theou Yios Soter”, meaning Jesus Christ, Son of God, Savior.

Names hinting at character traits (which are very literal)

Mr clarke (science teacher)- clarke means 'scholar'

Dottie (in kali's gang)- she was in an insane asylum . And ‘Dotty’ is a very old British slang term for 'crazy'

War (usually relates to ‘villains’)

Troy- means ' foot soldier'. Martin brenner: Martin means 'war like'. Lonnie is diminutive of Alonzo or Lawrence. Alonzo means 'ready for battle'.

In contrast to Lonnie, Will can mean "desiring peace. " Axel who is part of Kali’s crew (who i think Will created along with others ) even means "father is peace."

Twin

Tom (Heather's dad) and Tommy mean ‘twin’. Robin's crush Tammy ('twin') Thompson ( 'son of tom’).

* Besides similar/identical name meanings.There’s also a lot of other repeated names that go into this whole twin/mirror imagery which i find strange... makes me wonder about @strangertheory ‘s version of the did theory. If not...maybe it’s just a allusion to the whole Will vs Will the wise arc (possibly) coming up?

Jennifer hayes (popular girl) & Jen (Mr clarke’s gf). Tina (highschool gal) & Tina- erica’s friend- Tina & christy are also nicknames of christina (s4 character). Susie (dustin’s gf) & susan (max’s mom). Sam (max’s dad) and Samantha (girl at party)/ samuel (possibly argyle). Billy Hargrove, Bill (dianne’s new huband), and Will-all being nicknames for William. Robin & Bob-nicknames for Robert. Lonnie & Larry-nicknames for Lawerence. Ted & Eddie being nicknames for Edward.James (Will’s bully), Jim Hopper (real name James), jacobi, and jason- all 4 are derived from jacob . Marsha Holland (barb’s mom) and marsha kelly (therapist s4)/martin relate to mars. Tom (reporter), tommy (highschooler), thompson (other highschooler).

it’s definitely peculiar to repeat names like this in a story. Unless it means ...something... I talked about how David was mentioning alot of doppelganger/twin imagery recently-here. So the name mirroring could just be an allusion to the Will/WW arc coming up ...possibly?

#will byers #mike wheeler #el hopper #nancy wheeler #jonathan byers #jim hopper #steve harrington #lucas sinclair #max mayfield #murray bauman #robin buckley #byler #kali prasad #martin brenner #lonnie byers #stranger things #stranger things theory #billy hargrove

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why-this-kolaveri-machi · 3 years ago

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just because you’re afraid it doesn’t mean you’re broken.

Titans 3.05

once more into the cold dark void of the internet with my stream-of-consciousness take on a superhero tv show...

spoilers ahead.

1. i cannot believe that among the first things i get to hear in this episode with my own two ears is the line 'eluded our overdudes'. why must you give me such pain along with so much joy, show?

1.5. scarecrow stringing jason along on this path to red-hood-dom is not something i would’ve ever expected, but does kind of make sense.

1.55. i don’t know all the details of the original resurrection arc in the comics but i like that jason, weirdly, has a greater role to play in his own demise and rebirth? i think it makes it easier to draw a line between his past trauma, the demonstrably shitty and terrifying responsibility of being robin, the ways bruce and the titans wronged him, his responses to that, the reasons he turns to scarecrow, and his final evolution to red hood. it makes for a smoother character arc rather than a one that was interrupted for two decades before somebody went oh hey let’s resurrect that kid that the audience once voted to kill and make him an anti-hero!

1.75. what’s crane giving him? anti fear toxin? anyway, crane is a fucking creep and i’m not sure i want to see a whole lot of him on my screen.

2. oh, um, heads up: there’s a long sequence of unsteady cam + flickering lights right after the title card upto the 3:16 mark. it’s a bit headache-inducing so if you want to skip, you can go ahead and do that.

2.45. that’s... weird... why would he dream about... donna...

ok, who am i kidding. i’m going to jump right into my theory about Why Titans Makes Sense Actually because the show itself is apparently not interested in explaining itself:

a) it makes no sense for jason to be conjuring up donna--who famously did not care much for him!--in his dreams. (he wasn’t even there when she died.) or for her to be telling him don’t go or there’s still time.

b) this leads me to think that that’s actually donna, in some sort of limbo between life and death, the kind of place where jericho used to be

c) rachel has demonstrated that she has the power to link the minds of the titans across great distances--she called jason and hank/dawn for help in 2.01, she linked up everybody later in the season, projected dick’s hallucination of his father into their brains without even realising she was doing it, and in the finale, she managed to get dick into conner’s brain. she’s in themyscira now. is this how she gets donna back to life? but reaching out to her in that non-space between life and death?

d) the next obvious question is: why isn’t donna appearing in the dreams of the other titans? she probably is, but they have better reason to be dreaming about her since they were actually close to her, unlike jason.

e) but why would she warn jason in particular? does she foresee jason entering the afterlife--however briefly? does she have an idea of what jason plans to do and what he will become?

f) anyway, more trippy mindscapes and weird psychic powers, yay!

2.5. my heart clenched when bruce comforted jason post-nightmare: clearly i’ve been reading way too much batfam fic. this is a side of bruce we haven’t really been told to expect by all the characters on the show calling him a ‘psychopath’ (*cough*unreliablenarrators*cough*) and him getting jason to speak to a professional speaks volumes about the kind of self-reflection he’s done post dick’s departure, and maybe some of the regrets he has with regards to how he dealt with dick’s traumas.

i mean, just look at him when jason dismisses his concerns! BRUCE IS TRYING JASON

anyway, i have a whole lot more i want to say about this, but i’ll save it for later.

also: LESLIE THOMPKINS!!!!

3. i really like molly--and i love that she’s a friend from before jason got taken in by bruce, the implication that they meet up regularly and that she’s a grounding influence on him (tho clearly not grounding enough to not go along with his dumbass idea about confronting a child trafficker alone).

3.5. aw, jason. robin was his armour against everything in the world that would throw him down and chew him to bits, but san francisco proved that even robin wasn’t enough to protect him. it’s really interesting how ‘disillusionment with the idea of robin’ is so integral to the traumas of both dick and jason but in such different ways.

4. LESLIE!!!!!!! i even forgive her office being so goddamn blue because leslie!

4.5. it makes so much sense for titans!verse leslie to be a therapist, because this show is so inward looking anyway, and therapist sessions are a useful tool to showcase this character work in a story. besides, at least in fanfic, leslie often seems to double up as a counsellor anyway.

4.6. oh man. i’m not terribly convinced by walters’ red hood (tho i think that may be the point--argh. i’ll come back to this thought later. have to stop getting distracted!) but he plays the asshole kid that’s trying not to let any real emotion seep through really well.

“you’d like me to punch you, wouldn’t you”

5. not sure what to think of batman’s little trophy case other than the show winking unsubtly at us and going look look - catwoman! the riddler! two face! you excited yet?! it’s like the scene from the end of amazing spiderman 2 when they were trying to drum up excitement for a sinister six spinoff by having harry osborne walk by a bunch of display cases with stuff from iconic villains in them.

... but then again, bruce does like to display a lot of shit in his batcave, including his dead robin’s bloodstained costume, so.

5.5. bruce is so soft with jason it’s killing me. beyond just trying to learn from his mistakes with dick, it speaks to his own genuine desire to balance his dedication to gotham with doing the best by his sons, although he’s often not successful with that.

i love that titans is really playing the long game with bruce wayne, with each season and character-perspective sliding in fresh pieces of a bigger puzzle. titans’ bruce has always been a phantom of other peoples’ making, but now we’re getting the idea that he’s a whole lot more complicated than other people make it seem.

5.75. it really recontextualises some of his actions from previous seasons: the fact that he locked dick out of his security systems in 1.06 is likely his way of respecting dick’s independence and his desire not to be associated with batman/gotham anymore. jason knowing about bruce’s tracker while dick doesn’t is probably bruce trying to be more honest and upfront with his charges. bruce sending jason packing off to sanfran to spend time with the titans is probably not him passing on a big responsibility to dick (as i first uncharitably thought) but him trying to get jason out of the toxic influence of gotham for a while and a sign of his trust in dick as a leader and a mentor,

5.8. i mean, bruce is a prick, but he’s also human.

6. i think leslie is doing some good work with jason here, though she may have overstepped the line with her line about robin as a construct being projected by a man with BPD. her speculations about bruce’s diagnosis have no place in her session with jason, and if bruce confides in her, an egregious violation of patient-therapist confidentiality.

(about the diagnosis itself... i don’t know. i can’t really confirm or refute this without a whole lot more information, and i’m not sure if the writer of this episode means BPD in the same way an actual professional might.)

6.5. i think a huge thing that gets missed out in a lot of recent comics as well as movies/shows is that bruce didn’t create the robin persona out of whole cloth. dick did. he’s the starting point of that legacy and to call it entirely bruce’s creation is blatant erasure of that. in fact, i’m surprised that dick doesn’t feature more in the conversations they’re having about the pressures of being robin. after all, the guy had been robin--bruce’s partner--for such a long time before jason.

6.8. (and here’s the primal part of me that resonates the deepest with dick grayson--the Eldest Daughter part--that’s sort of resentful: that jason gets the therapy and softness and the learning from mistakes when it took years and years for bruce to reach out in any meaningful way to dick.)

7. oooh that was a great scene!

it’s fun to do these stream-of-consciousness live reactions, because the moment you step down from your soapbox, the episode goes right into tackling what you were just complaining about. bruce means well, he’s learning, but he goes about exactly the wrong way to help jason: taking away robin now can’t be read by jason as anything but a devastating judgment call from bruce. and iain glen really sells the moment that bruce realises this--too late--and his helplessness in trying to get jason to see that it isn’t jason’s fault that he’s trying to do this. he loves jason enough that jason is enough.

7.5. aaaah so jason brings up the elephant in the room at last. dick got everything makes sense from his perspective, where getting to put on a costume and fight crime means approval, means being something stronger and better than you are. dick got to be robin, then nightwing, and a leader of a whole team of other costume-clad heroes.

8. ... how did jason just walk into arkham????? this is ridiculous.

8.3. i mean, clearly jason’s not thinking straight, but betraying batman like this puts his possibilities of being robin again even further away.

8.5. watching that chemistry experiment montage was strangely funny. this guy is looking for an antidote to fear? well, constantly mixing up and inhaling gases concocted by a mad-scientist supervillain is something only the very fearless--reckless to the point of foolishness!--would do. what’s to say crane’s not given you a formula for a drug that will keep you tethered to his every will and whim? hmmmm?

8.7. so he sought out the joker to... test the formula???

9. wow the “loud and clear... boss” hits different after a whole episode of them referring to each other as father and son.

9.3. waitwaitwait HOLD UP. wait a DANG MINUTE. you’re telling me that scarecrow had enough resources that he could not only have folks on the outside steal jason away and dunk him in a lazarus pit (i TOLD you that this show would bring up and dismiss ra’s al ghul in a ten second aside! I TOLD YOU) but also have his own little chemistry lab in the basement, AND have enough resources for jason to build his red hood persona???????? all of this in barely twenty four hours?

well there goes my ‘jason orchestrated his death’ theory. it was nice while it lasted. *cups hands to the sky* fly away, my baby.

9.6. a part of me is gleeful at the rushed nature of such an iconic transformation though, especially when compared to all the character work that went before it. we’re so used to getting the opposite that it’s fucking delightful to have a show that’s more interested in exploring its characters’ minds rather than battle scenes or recreating transformations from the comics. that’s taken such bold and exciting steps to fully convey all the nuances of its most recognisable character, bruce wayne, from casting an older actor to play him to unflinchingly showing just how damaging the vigilante lifestyle has been to him and the people he loves. BRILLIANT

*sporfle*

10. again, heads up: a whole lot of flashing lights between 40:28 and 42:00.

10.3. i guess it’s the super-compressed timeline that’s really throwing me off. where did he have the time to get/develop the mind control thing from? or is it something that he got from the cabal of villains that he intimidated at the beginning of 3.02? very messy.

10.5. i love molly, i hope she shows up again this season.

11. aaaand that’s it! that was a solid episode as flashback episodes go, but now i can’t wait to return to the present.

#titans #titans spoilers #meta #jason todd #bruce wayne #leslie thompkins #a tragic jalebi #robin #red hood

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driftverse · 4 years ago

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ok guys. here’s the deal.

I’ve been putting off making this comic for a very long time telling myself “I’ll do something with it eventually” and I KNOW that I’m literally never going to finish it and I have no motivation to finish it. it sucks, because I was kind of happy with what I came up with for the conclusion back in 2019, but I just have no desire to dedicate time working on something that just isn’t vibing anymore for me and also caused me a lot of stress in trying to crank it out.

some of you probably saw this coming, seeing what happened to my other utmv comics, but I’m just not in the game anymore. if I had somehow managed to get this all out while utmv was still in the exploding process and while I was still into it (which also happened to be while I was still in college, which made it impossible as it was), it might have taken off more, but life just didn’t work out that way and I want to not worry about this anymore.

anyway, here’s basically what was going to go down. I didn’t plan to make the comic long, but at the point that it got to, it was about halfway done.

- the driftverse story -

nightmare and dream have been mysteriously combined into one person, under the identity of drifter. unconscious of this, they coexist as a single individual, until suddenly, they remember that they were once separate and split into separate consciousnesses with shared control of the body.

the two of them decide to venture forth and figure out the truth behind this mystery. how did they combine? was someone responsible for this? protagonist syndrome conveniently leads them exactly where they need to go, and after wasting time in underswap for 2 seconds and arguing the entire time, they go to xtale to discover that it isn’t a wasteland, and does, in fact, still exist.

after bumping into some teenager presumed to be cross, nightmare, who is in control of the body, attempts to make conversation, and then xgaster shows up and reacts kind of violently to their presence. dream takes over and makes them run away. nightmare and dream continue to internally bicker, and now they’re being chased by mystery boy, whose name is apparently wing and not cross. after dream insults nightmare to his face, nightmare gets very mad and basically gets them caught on purpose and also tells wing that his name is nightmare instead of drifter because dream and nightmare are both immature and stupid.

now we’re all caught up. the drifter condominium gets pushed into xgaster’s house, are told to take a seat at the table, and after a few tense greetings between two people who both talk like rich snobs, xgaster tells nightmare (who is still in control) that he knows who he is, and that his name is “drifter”. nightmare laughs it off. wing mentions that he was told that his name was nightmare, not drifter. xgaster’s expression has turned indescribably murdery, and nightmare continues to try playing it off while dream has a goddamn stroke in his head. xgaster tells wing to leave the room, and though he does, he waits outside the door and listens.

nightmare keeps trying to act like he doesn’t know anything even though xgaster vaguely interrogates him, mentioning that he should be “guarding the tree like he’s supposed to.” nightmare doesn’t budge until xgaster asks him why he’s ‘on a break’ for the first time in five centuries, and why he visited his world of all places, suggesting that he may be looking for answers.

nightmare and dream realize, by convenient memory plot glitches, that the reason they are one person is because of overwrite, and that xgaster is responsible for everything.

xgaster comments that he’s disappointed this outcome hasn’t worked out either, but he believes that progress is being made, although he’s saddened by the fact that he needs to start over again. nightmare explodes, demanding what gives him the right to toy with his and dream’s lives.

“you’re very naive, aren’t you? tell me, was it not my work and effort that saved you from your own incompetence? tell me it has not saved you from your inevitable mistake–a mistake that would affect the entire pitiful multiverse forever to come,” xgaster says, and it strikes a nerve in nightmare. “the only way you two will ever coexist is by coexisting by force.”

nightmare doesn’t even know what to think. he suggests that, perhaps, he has been saved from his mistake, but now he’s learned his lesson, got his memories back, and he can be separated from dream again. xgaster denies this, telling him that they can only coexist if they’re not aware of the past–aka continuing to live as one identity. xgaster brings up overwrite, about to reset everything again.

plot twist, wing was, in fact, listening the whole time, and xgaster’s villainous monologing has recovered all of his memories too. he runs in and stabs xgaster with his magic, and his personality suddenly seems different. xgaster starts blabbering about how wing was supposed to be the perfect son and that his coding had never failed him before. if you haven’t figured it out already, wing is a combination of ink and cross, just like dream and nightmare getting mashed together, and now ink has taken control and he’s not very happy that xgaster turned him into this against his will. “give it up for the world’s greatest asshole, and for once, it isn’t me!”

xgaster, after healing himself with overwrite, continues his villainous monologing, calling all of them fools for disregarding his judgment, telling them that what he’s doing is for the better of the whole multiverse. ink tells him yeah, sure, maybe things could be better, but then calls xgaster out on his perfectionism and tells him that perfect doesn’t exist, and it’s not funny anymore.

ink continues to suggest the possibility of taking overwrite from xgaster somehow to split them all up again. the three of them have a brief one-sided fight scene while xgaster teleports around the room and they pretty much destroy everything. xgaster is like “I have the power of a god, you can’t stop me,” and while this is going down, dream, still in the depths of subconscious, has a realization. they have access to the power of a god too.

dream and nightmare argue about this, dream suggesting taking the power of the tree and nightmare calling him an idiot, especially because xgaster could probably just undo it. dream says that, if they manage to get overwrite away from xgaster with it, they can just turn themselves back to normal. watching wing fight xgaster and get his ass kicked, nightmare is conflicted, but eventually concedes and tells dream that this is his responsibility only and he refuses to be the one who makes that choice.

dream takes control and they leave, xgaster and ink noticing and continuing to talk. after xgaster tells ink that there’s no point to resisting him, because ink knows inside how this is going to end, xgaster reveals to ink that none of this was even his idea.

putting nightmare and dream together, and putting ink and cross together, he says, was all dream’s idea in the beginning. to stop nightmare from taking the tree’s power, and to stop ink and error from fighting–error, who was implied to have never been created–they were all put together, and dream was to blame. ink takes this with a grain of salt, but this was all true.

from this point onward, the narrative gets foggy, because the script ends here. after fighting through the angry mobs of dreamtale that exist for some reason, dream consumes the power of the tree and plans to fight xgaster, but unfortunately he’s consumed by the overwhelming power because he’s kind of weak-willed. while he hunts down xgaster again, destroys him and likely takes overwrite for himself (note that he has the full power of the tree, and not just a percentage of it, so he’s basically in godmode), he and nightmare regain all of their former memories. turns out dream is partially to blame for nightmare’s original ‘life-ruining’ decision, thanks to his ignorance and insistent insensitivity.

their thoughts still separate, and nightmare still horrified at the events that have been taking place for the last while, he wonders why dream is silent and why he won’t tell him what’s happening. without a word, and a solemn expression on his face, dream overwrites everything again, creating a new rendition of the rewritten timeline rather than turning everything back to normal, and that was where the story was going to end.

so, yeah. the story wasn’t ever planned to have a happy ending. the cycle repeats, memories being lost, lives being manipulated and unqualified people playing god.

anyway, thank you for reading this comic while it was in the works!

#driftverse #I haven't decided what I'm going to do with this blog yet

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songbirdsingingthings · 4 years ago

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Pretty Little Symphony

Disclaimer: I do not own any of these characters, they belong to Hajime Isayama

AOT Masterlist - Main Masterlist

Requested by @tanukiprints :

Imagine Armin but he plays ukulele and often likes to play it for a female y/n.... THATS SUCH A CUTE FIC IDEA 🥺

Umm HELL YES that’s a cute fic idea! I’m so sorry that this took so long to complete - I had a bunch of unexpected school stuff to deal with and I wanted to make sure that this was as good as it can be!

Word Count: 1.5K

The world was a dreary place. You already knew that since you were little, what with titans running rampant, but the moment you stepped foot into the Yeager’s basement was when you decided that the sun would never feel as warm as it once was again. Between the, what was it called… photograph? And everything that was perfectly detailed in the diaries of Eren’s father, you and your fellow comrades’ world was turned upside down. Not only was the royal family of the walls lying to them, and had been for the entirety of all their lives, but it was revealed that another, more advanced, civilization was out there somewhere. Captain Levi had quickly gathered everyone back up again to set off on the long journey outside of the walls, urging his squad to bring only the essentials: One tent for every three people, sparse rations, and whatever you could fit in the tiny little rucksack that was given to each scout.

It was easy to fill yours given that you, nor really anyone else for that matter, had much in the way of personal items. You packed a change of clothes, some extra hair ties, and your mother’s necklace, and then slung the bag over your shoulder. You were one of the first people to be done, so you decided to wait by your horse and double check that everything was correctly buckled and fastened to the saddle. The only other people who were out there with you was Captain Levi, who was a ways away with his horse, and Armin, whose bag seemed to be bursting at the seams.

“What have you got stuffed in there?” You asked, walking so you could be standing next to him. With an embarrassed grin, he shrugged his bag off of his back.

“I guess I did go a little overboard, but I wanted to bring some things to pass the time.” His words piqued your interest, causing you to lean closer to him and peer down into his bag. There weren’t a ton of things that the scouts were privy to, so what Armin had his hands on was pretty special. Inside his bag were about three books - of course - and a clean pair of clothes folded neatly. You accidentally caught a glimpse of his boxers, causing you to get a bit flustered. Moving on quickly from that, your eyes landed on an object that you’ve never seen before. It was a weird shape, the body of it like a peanut and then it had a flat elongated part sticking out. There was a small hole in the middle of the body, making it hollow. There were also strings that were connected from end to end. You picked it up carefully and inspected it more closely, in awe of how unique it was.

“Armin…” you began, lifting it so it was eye level, “do you know what it is?” A smile spread across his lips as he gently took it from you and held it in his arms.

“I found it in Mr. Yeager’s basement.” He says, a light wistful tone to his voice. He drags his index finger along one of the strings, feeling its odd tensile strength. When he pressed down lightly and then flicked his finger away, a pretty sound came after. Your eyes widened comically, bringing about a light laugh from Armin.

“It’s called a ukulele. Apparently it’s an instrument from wherever Mr. Yeager originally lived.” He explained, giving it back to you and pulling out a small book from his bag. “This seems to be a guide to how to use it.” You were about to look through it when your captain’s voice rang clearly.

“Everybody on your horses. I want to go as far as we can until night falls.” Captain Levi shouted roughly. Armin stuffs the book and ukulele back into his bag and puts his arms through the straps.

“Maybe we can talk more about it tonight? I’m really interested in it.” You say, smiling as you put your foot through your stirrup and swing yourself up onto your chestnut-colored horse. Armin nods in his signature shy nature, settling onto his own horse.

The ride was long and your legs were sore by the time the sun was starting to set. Sure, you’ve been on long expeditions before, but nothing like this. You felt sluggish and completely out of it as you pitched your tent, earning harsh words from Floch, however, you didn’t really care for what he had to say.

“Wait outside while I change,” you grumble, side-eyeing Floch. He rolls his eyes and scoffs, marching away to go talk to other new cadets. You drag your bag behind you and open it, taking out the cotton shirt and shorts that you’ve been using as pajamas for god knows how long. With a stretch of your back that does nothing to relieve the whole body ache that you developed, you stepped back out of your tent. You jump back in surprise when you do, though, because Armin was standing right in front of you.

“Ah, sorry if I startled you!” He apologized softly, his cerulean blue eyes now swirling with concern. You raised a hand to motion that it was no problem. “I just, um…” He started, not sure how to continue.

“Are you done with your tent?” You ask, trying to get the flow of conversation going. His shoulders seem to relax.

“Oh, yes. Mikasa and Eren are already asleep though,” he says with a warm smile on his face. Something about him talking about his friends seemed to like a flicker of comfort to rise in Armin, which is why you did it so often. He was always so happy when conversing about them. “Who’s sharing your tent?” This causes you to groan and chuckle sarcastically, your eyes flicking towards where Floch was talking with a group of people.

“I got stuck with Floch and another new cadet,” you say, earning a pitying look from Armin.

“I’m… sorry about that too,” he laments, a sad smile on his face. You sigh and shoot back a tired smile, stepping forward a bit to nudge Armin gently.

“So you came here for something?” You ask, trying to gently coax his intentions from him.

“Right!” He says excitedly, his eyes lighting up. “I was able to read a lot of that book about the ukulele and even practiced some with it. I was wondering if you wanted to see it…? I dunno, I just thought since you said beforehand that you were interested in it and-”

“I’d love to!” You confirm lightly, grabbing onto his arm softly and tugging him kindly towards his things. He falls into pace with you quickly and soon you make it over to where the ukulele sat. He was about to sit down and start playing, but noting that many of your comrades were asleep, he pulled you over to a more secluded space. You sat down, criss-crossed, and leaned your back on a fallen tree. Armin does the same, and you are painfully aware at how close he is to you. If you moved less than an inch to your right, your knees would brush against each other. He takes a deep breath before meeting your eyes and giving you a bashful look.

“I’m sorry if it might sound sour,” he prefaces. You shake your head and smile.

“I’m sure it’ll be lovely.” Armin inhaled sharply before placing his fingers in specific places on what he called the fretboard, and hovered his other hand over the parts of the strings that crossed over the hole. He strums it softly and a few notes filtered from it, pleasing your ears immediately. As he continues to play the instrument, you begin to feel more at peace than you had in awhile. The end of the little song came too quickly, and when Armin looked up to see your reaction, he was met with your awestruck face.

“So…?” He asked, wincing in preparation for what he believed would be a beration from you.

“Wow…” you breathe out. Your hand finds itself on top of the one that was previously strumming, causing Armin to blush. “Armin that was beautiful.” You confess, your eyes meeting him again. You hadn’t registered that you had, indeed, moved more than an inch closer to him. You were even more grateful that he had decided to pull you into more of a private area, thankful that it was just the two of you. Both of your heads moved unconsciously closer to each other, only stopping before your noses could touch. Armin raises a shaky hand towards your cheek, cupping it softly.

“May I?” He asks meekly, a furious blush on his face. You nod instantly.

“Please.” It was more tender than you could’ve ever imagined. His lips were soft and light when they met yours, just like his personality. Like the song, it ended too fast.

“Play for me again sometime?” You quip confidently, earning a quiet laugh from the blonde who was merely inches from you.

“Anytime.”

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musette22 · 4 years ago

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no attack to you because I know you're still bitter about endgame which is valid but stop using the word straighwashed. I ship stucky but Bucky has only ever dated women in comics and the mcu and that's real. the situation with the "straightwashed" word is that some people are really turning it into a "wanda situation" in which they're saying that they changed basic things about Bucky when that's not true. they're attacking the character and sebastian for things that arent real, which never were. again, bucky has only ever dated women in both comics and the mcu. our headcanons really have nothing to do with real canon

Hello! Thank you for sharing your concerns, I appreciate it. I’ll admit that ‘straightwashing’ wasn’t the best choice of words here, though mostly because we have to be careful with terms like that because using them callously might diminish their value and impact in instances when they’re really applicable. So my statement was a little too bold, and it’s good that you pointed that out. But let me try to explain what I meant in a slightly more nuanced way, because I do feel strongly about this. I’ll put it under the keep reading tab though, because of course it’s long lmao

So, first of all, let me say that I’ve never read the comics and I don’t know original comic Bucky well at all, so everything I’m saying here is with regard to MCU Bucky, or at least the character as it was re-invented/re-introduced by Ed Brubaker in the Winter Soldier comics, which was then adapted for the big screen by the Marvel Cinematic Universe.

I understand what you mean when you say that MCU Bucky was posited as straight, but I some reservations about your use of the word ‘real’ here. I get that you mean ‘canon’, and on a surface level, canon Bucky is indeed straight. But if you even so much as scratch that surface, you’ll find plenty of reason to wonder if maybe he isn’t actually completely straight after all, right? It’s what drew a lot of people to ship these two characters together, you and I included. That’s subtext, and a lot of it was put there or endorsed by the creators themselves (Ed Brubaker himself even supports the reading of Bucky and Steve as romantic, so that says quite a bit, I think). Subtext is ‘real’ too, and so is homophobia, sadly, so they deserve to be treated as such, in my opinion. A romantic reading of the relationship between Steve and Bucky was frequently hinted at, initially even encouraged, and then violently shut down by Marvel/Disney when it became too mainstream of an opinion and it didn’t suit them anymore, and even started to present a real issue for them in terms of distribution to certain parts of the world. In a nutshell, that’s what led to Steve’s ending in Endgame, because Captain America (at least the MCU one, that brings in the money) cannot outwardly be anything other than straight, or he would be rejected by a significant part of their audience. That’s more or less what I meant by the word ‘straightwashing’, although ‘straightened out’ might be more accurate here.

Whether the same thing is happening to Bucky’s character remains to be seen (more than it already did, I mean – remember “Dot”?) and I’ll wait until the whole show has aired and we know exactly how they develop Bucky’s character in it before I make any more bold statements about it. I read an interesting take today that suggested they may have actually dropped a hint at Bucky being bi in this first ep (also, note how they’re like “there are even entire blogs dedicated to this pairing!” And then actually link to @steveandbvcky’s amazing tumblr blog lol). I’m pretty skeptical about this take, because even if they’re right and that really was a hint at Bucky being bi, I doubt they’re going to be exploring that any further, and only people “in the know” will have even picked up on that. It’s easy enough to ignore, and it’s very clear the date was with a woman, so in that sense Bucky is still Straight, to all intents and purposes. So while it could be an act of what you might call fanservice and we’ll probably gratefully lap it up anyway because we’re starved for crumbs and representation, if this is all it is, then it’s even more meaningless than Gay Joe Russo. But again, I’ll reserve judgement on all this until the whole show has aired and we know exactly what we’re working with, because maybe they’ll redeem themselves! (one can only hope)

Let me also just make it clear that I in no way support or endorse attacking the actors for their portrayal of these characters in a way that we’re not entirely happy with. They’re just doing their job, they’re on Marvel’s payroll – and even if they just don’t personally view the characters in the same way we do, that’s valid and fine as long as they’re not actively homophobic or anything like that. I also realise that fandom has a tendency to ‘demand’ certain things they want to see and throw a tantrum if we don’t get it.

But I really don’t think that’s what this is. It’s more than that. Marvel has a notoriously bad track record when it comes to LGBT representation (although they’re working on that in the next phase, apparently) and in this day and age, that really won’t fly anymore (it never did of course, but you know what I mean). Moreover, read any given article about Bucky, or the relationship between Steve and Bucky, and 8 out of 10 times you’ll find some sort of acknowledgment of a romantic reading of it. It’s that apparent and pervasive. So I don’t think that being disappointed and frustrated with Marvel/Disney reinforcing a ‘just bros being bros’ reading of Steve and Bucky’s relationship time and time again since the end of Civil War (the movie, not the historical event) is outrageous or unjustified. That’s basically what I’m sick and tired of, and what led me to make a disparaging comment about not being surprised if Bucky were being ‘straightened out’ again.

P.s. A few people have mentioned Arnie Roth too, which could be a good point too although I don’t know enough about it to comment on it, but I’ll leave it to you.

#stucky #anti endgame #fws opinions #minnie answers #Anonymous

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x0401x · 4 years ago

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Febri Talk Interview with Jin (Complete)

Commissioned by the lovely @sodasexual again!

Part 1: overwhelmed by the power of friendship in “The☆Doraemons: Kaitou Dorapan no Chousenjou!”

Musician and creator Jin has been bringing countless topical works to the world, including “Kagerou Project”. In the first part of this serial interview, we had him talk about a work from the series “The☆Doraemons”, which he experienced in his childhood and continued to be influenced by for a long time.

A work that unexpectedly became one of the origins of “Kagerou Project”.

——Jin-san, we would like to ask you about anime shows that have had an influence on you, following in order from your infancy onwards, so would the first one be “The☆Doraemons: Kaitou Dorapan no Chousenjou!” (hereon, “The☆Doraemons”), which came out in the year 1997?

Jin: That’s right. I watched this one in the theaters when I was either 7 or 8 years old. It’s an animation short that was screened together with “Doraemon: Nobita no Neji-maki Toshi Bounen-ki”, and it had one hell of an impact on me. At the time, I was living in an isolated island in Hokkaido called Rishiri Island, so just getting to watch a movie was quite a spectacle in itself (laughs). Actually, not many animes were broadcasted in Rishiri Island to begin with. There were few channels, and other than that, they aired those black-and-white period dramas in cable TV, I guess.

——No, I think that last one is a stretch (laughs). Did you watch “Doraemon” because you liked it from the start?

Jin: I liked it a lot. But the so-called “The☆Doraemons” is a spin-off about six friends of different colors. If I were to talk about the contents of “Kaitou Dorapan” in a summarized way, it’s the story of the Doraemons receiving a letter of challenge from an mysterious enemy called Dorapan, then completely getting caught into his trap and falling into a pinch... And, surprisingly, Doraemon isn’t active at all in this movie (laughs).

——Aah, it’s a work where the Doraemon friends are the main characters, right?

Jin: That’s right. A duo that didn’t have much popularity among the friends, Dora-med III and Dora-rinho, were set as the main characters in this one (laughs). Of course, I didn’t go watch it thinking that Doraemon would participate actively, but he almost doesn’t do anything. Instead, we were shown these two, who are something like sub-characters, in a big scuffle. But when it ended, I began to really like Dora-med III and Dora-rinho.

——Ahaha. So you totally got into it.

Jin: They had something called a “Friendship Telephone Card”, which was introduced as a key item, and this “friendship” thing made the back of my nose sting – that was the kind of feeling I got from it. Dorapan, the one who plays the role of villain in this movie, attempts to take control of robots from all over the world using the power of the Doraemons’ Friendship Telephone Card. However, there’s actually a mastermind behind the scenes, and one heroine is taken hostage, so Dorapan is doing bad deeds because he has no choice. We find this out in the middle of the movie, and at that moment, Dora-rinho goes, “I see; so that’s what was going on” and voluntarily tries to sacrifice himself. By believing in self-sacrificing friendship, everyone was able to reach a happy ending. That kind of storyline was truly wonderful... To tell you the truth, the initial motif of Kagerou Project (hereon “KagePro”) was this movie.

Making KagePro out of wanting to create his own “Doraemons”.

——Eeh, is that so!?

Jin: I created KagePro because I wanted to write about friendship, or rather, I wanted to make my own “Doraemons”. I started KagePro when I was about 20 years old, as I was vaguely beginning to realize that friendship apparently doesn’t exist at that point in life (laughs). Also, same goes to music, of course, but among the books I was reading back then, quite a lot of them had cynical views. Although these stories were my own taste, I also had the impression that there was a generational trend in them, like “people shouldn’t look at this if they’re dumb” and “those who understand this thing are admirable”. Therefore, I did my best to pretend to be like that at first, but I gradually grew tired of it...

——Ahaha. You were getting out of breath.

Jin: That’s right. So, when I looked back, I thought, “I do like ‘Kaitou Dorapan’ after all”. Therefore, if I was going to make something by myself, I decided to use it as the theme. In that sense, amongst the things I watched in my childhood, this work was a turning point. After watching it in the theater for the first time, I watched it over and over again as rental video, and because of this, I even now remember the moments when the sound effects come in.

——Generation-wise, you’re precisely from the generation of “The☆Doraemons”.

Jin: Yeah, spot-on. Also, the Doraemons from “The☆Doraemons” are comical and cute, but on the other hand, they show us that they are extremely strong-willed characters. Moreover, the Doraemons are rich in individuality – as in, everyone is irregular and there are some characters that make you go, “Isn’t that a problem?” amongst them. For example, the wolf Dora-nichov can’t speak human language (laughs).

——I see! Thinking that way, I feel like I can see the points in common with KagePro.

Jin: Also, all of them are purely good guys. The fact that they’re all good people and only have one enemy is pretty awesome. I believe that this kind of thing has an influence on the KagePro series as a whole.

Part 2: paralyzed by the hardboiled worldview of “Cowboy Bebop”.

In the second part of this interview series, where we ask Jin about anime works that influenced him, we have “Cowboy Bebop”, a masterpiece still loved by many fans even now. Here, Jin, who works as both a musician and creator, discusses thoroughly about the appeal of it.

Learning the attitude and stance for creating things.

——You talked about how not many animes were aired in your homeland, but did you keep watching anime after that?

Jin: If you mean watching on TV, anime was what I enjoyed most. However, the shows on broadcast were limited, so when it comes to series that left an impression on me, it would be things like “Card Captor Sakura”, which I used to watch with my little sister. “Kinnikuman” was also re-aired and I liked it a lot. As expected, I was weak to “friendship” (laughs). When they were fighting for the throne or whatever, man, I cried, for real. This happened around the time I was in grade school, but when I got into middle school, I stopped watching anime entirely.

——And when you came back to it, it was right on time for...

Jin: For the series that I pointed out as second in line, “Cowboy Bebop”. Because my father had made up his mind to get his hands on a satellite television called SKY Perfect TV! I think he probably wanted to watch Discovery Channel, but back then, he also included Animax in the contract. And, by sheer coincidence, a re-run of “Cowboy Bebop” began right at that timing, around 2004 or 2005, I guess. I was a middle schooler then, and there were lots of CMs that went like, “Broadcast begins on X day of X month!” together with that opening theme by Kanno Youko-san.

——So that’s what caught your interest.

Jin: There was also the fact I’d been disconnected from anime for a while, so I watched the first episode not knowing anything. And the contents weren’t aimed at children at all (laughs). Dude sprayed an eye-drop drug into his eyes, went, “UWAH—!” and died, like.

——Ahaha. It was a shock.

Jin: “Cowboy Bebop” was my first time coming in contact with a hardboiled worldview. I was like, “What’s this? It’s so cool”. Until then, I had this impression that “anime was made for kids”, but for the first time, I felt like I was watching a drama. Plus, the story was interesting, so I was super hooked as I watched it, and while doing so, the episode “Jamming with Edward” (episode 9) had an impact on me.

——Satou Dai-san was the one who wrote the script for it, right? You later came to work together with Satou-san in “LISTENERS”.

Jin: That’s right. It was such an impact that it had me thinking, “You wouldn’t be able to do that in a TV drama”. And so, this ninth episode had me completely addicted to it, and in the end, I watched it up to the finale. Later on, when I began my own creations, I noticed that what I was doing overlapped with “Cowboy Bebop”, and when this happened, I realized I was doing something quite risky (laughs). To top it off, just when I thought, “There must be lots of animes like that out there”, there was surprisingly none.

The coolness of affirming that KagePro has both pop and hardcore songs and that this is what it is about!

——Ahaha. Did “Cowboy Bebop” have any influence on you? For example, on the music side...

Jin: Hmm... if you put it that way, maybe not (laughs). Only in the variety aspect of the narrative, as people call it. Each one of the 26 episodes has wholly different colors, so to say. They felt like a gashapon from which you couldn’t tell what was coming out next.

——Like, although there were episodes where they threw in comedy to their hearts contentment, there were also episodes that showed vigorous action.

Jin: When I think about it, there are also episodes that go through a simple approach by way of genres that even I would know. I think the creators must’ve had a lot of fun when making them. So when it comes to what influenced me, it I think it was the variation of songs. I think there probably aren’t that many composers like me, who make songs one by one and have no idea what song to write next.

——As in, you do it while intentionally deciding to change the tone and genre?

Jin: Rather than that, I guess it happens naturally. I was always the type who doesn’t listen to the same genre all the time – it’s like, “Today is rock day; tomorrow is punk day”. I believe it’s possible that “Cowboy Bebop” made me think this kind of feeling was valid. The themes also don’t have to be consistent, and even if you turn upside-down the things that you had been asserting in a previous episode, their value and meaning will still hold. Moreover, I didn’t think that the people who made “Cowboy Bebop” had to plan this stuff up in their heads and study about it so that they could put it to action. It just so happened that when they drew out the things they like and lined them up, it turned out the way it did.

——So they didn’t do it while aiming for that, but rather, it turned out to have a sense of variety to it when it was finished.

Jin: And I think it’s amazing because it validates itself with that. So I guess being able to say all we have to say is what actually matters (laughs). If I were to affirm, “This is what KagePro is about!”, then that’d be pretty much it. Even though there are both pop and hardcore songs in KagePro, nobody can say, “That doesn’t feel like KagePro”. That’s why I think that the coolness of proudly declaring, “That’s what it is!” is something I learned from Bebop. Like, “This is what’s cool”. It feels like, on my own accord, I accepted something that was like a stance to be taken when you create these kinds of things.

Part 3: obsessing over “Tokyo Godfathers”, which had developments where one couldn’t predict what lay ahead.

This is the third part of the interview series where the creator Jin talks about works that influenced him. Here, he discusses about a hidden masterpiece from the director Kon Satoshi, which also had a great influence on “Kagerou Project” and which he encountered during his vocational school years, while living a wasteful life.

——The third work is “Tokyo Godfathers” by Director Kon Satoshi, but when was it that you watched it?

Jin: It was during my vocational school years. After graduating from high school, I attended a vocational music school located in Sapporo, but my upperclassmen from that school taught me many bad ways of having fun (laughs). I used to buy lots of sick equipment. Then, obviously, I’d run out of money, so I worked to death in part-time jobs, and well, lived a wasteful life (laughs), but during that time, a friend from my class lent me a DVD of “Hidamari Sketch”. At first, I told him, “Nah, I’m not too into this kinda stuff”, but when I took it home and watched it, I wailed aloud.

——Ahaha.

Jin: That’s why I asked Asumi Kana-san (who voices Yuno) to play KagePro’s main heroine... Anyhow, “Hidamari Sketch” became the cue for me to start watching anime again. And Director Kon Satoshi was from Sapporo, so it was probably being featured in a video shop. “Tokyo Godfathers” is a 2003 movie, but I saw it in the video in 2008 or 2009.

——What piqued your interest about it?

Jin: It was tremendously well-done and fun, and on top of that, it was sharp – a work like no other up until then, I thought. A dramatic production with parallel storylines focusing on different characters is incorporated within the span of about an hour and half as if it weren’t enough. During that same time, there were also works by Mitani Kouki-san and Isaka Koutarou-san’s “Golden Slumber” was being made into live action, so I believe that the so-called multi-protagonist story kind of approach was being used in all sorts of places. But even among them, “Tokyo Godfathers” was outstandingly interesting. “Where the heck is this story heading to?” You can’t tell at all until the end. Three homeless people pick up a baby on Christmas night and try to take her to her mother, but as the story goes on, it gets to a climax like, “Does she even have a mother in the first place?”. Plus, we find out that the person who they thought to be the mother and handed the baby over to is actually someone who kidnapped her from a hospital. The story just keeps changing over and over.

As the story progresses, the characters’ pasts become visible. It was interesting that the past and present were firmly bound together.

——We can’t predict what comes next at all, huh?

Jin: So, the topic will go back to KagePro now: when I thought of writing a novel, first of all, I decided that I “wanted to do a multi-protagonist story”. To make a story like the one from “The☆Doraemons” into a multi-protagonist story. Back then, I really liked the type of novels that went on in first person – such as works by Isaka-san or Morimi Tomihiko-san, and also Yonezawa Honobu-san.

——I see, I see.

Jin: On the other hand, “Tokyo Godfathers” is structured so that the characters’ pasts can be seen more and more as the story progresses. As if the story progresses with the past mini-arcs as the main focus. Like, “Person A and Person B were actually parent and child!” – it was interesting that the past and the present were bound together so firmly. Moreover, the developments go on at an incredible speed, and there’s a proper catharsis at the end. Also, all the characters that show up in it have rich facial expressions.

——To begin with, the fact that the three main characters are homeless is a twist.

Jin: In the first place, it starts with the main heroine spitting onto people in the streets from a rooftop (laughs). I really like those sharp-edged points of it too. “Tokyo Godfathers” has a content that can be written even if the protagonists were parent and child from an ordinary household. But through making the protagonists homeless, it became extremely vivid.

——It’s as if it turns them into down-to-earth characters and gives you a sensation that they connect with the audience’s “present”.

Jin: If I were to speak of other words by Director Kon Satoshi, I also think that “Paprika” and “Sennen Joyuu” are amazing. But on the other hand, I end up thinking, “They’re so wonderful”. As in, “Awesome, aren’t they? I don’t get them very well, though” (laughs). But “Tokyo Godfathers” is a candid form of entertainment that even an idiot like me can instantly get hooked on. The fact that I indeed want to keep doing entertainment resides strongly inside me.

——Listening to you talk like this, Jin-san, it makes me think that the books you read and movies you watched because you liked them reflect straightforwardly in your own manner of expressing yourself.

Jin: I myself think that I’m usually straightforward (laughs). Rather than “I want it to be seen like this” or “I want people to think of it like that”, I prioritize “I want to do this” and “this is fun”, so to say. By multiplying “The☆Doraemons” to “Tokyo Godfathers”, it turned into “Kagerou Project” (laughs). I feel like that’s my foundation.

#kagerou project #kagepro #mekakucity actors #kagerou daze #jin #shizen no teki p #interview #my translation #cowboy bebop #doraemon #tokyo godfathers #satoshi kon

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ectonurites · 3 years ago

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Conner Kent in Suicide Squad/the Infinite Frontier era: wtf is going on

Alright lads hello I just need to type out some theories/thoughts about what’s going on with my boy Kon right now. This is more for myself than anything else (just trying to organize my thoughts) but since some of y’all like to hear me talk about comics (and some of this discussion has already been happenin in my inbox) I figured i’d format it and put it on here too! its like 4k words and written over the last few days mostly at 3am. sorry <3

this is basically just me going like

Also fair warning that like, I can be wrong and misinterpret things just as much as anyone else can, like I use panels to support why I think what I do but a lot of this stuff is subjective/complicated to understand so like... in general somethings should be taken with a grain of salt, especially because exactly what changes to the universe were made by Death Metal/Infinite Frontier haven’t been super super clearly defined yet. Also sometimes comic writers make the most random nonsensical shit happen, so I as a fan am also allowed to theorize about random nonsensical shit.

But to start: let’s backtrack!

Many months ago when Infinite Frontier was first announced they dropped some promotional art, and I remember being a little confused because. Well:

(Variant Cover spread for Justice League (2018) #59)

(Variant Cover spread for Superman (2018) #29)

Notice how Conner is back to his Teen Titans 2003 look up top, but in his YJ 2019 look at the bottom? This seemed weird to me! But then they announced that Conner would be part of the Suicide Squad ongoing title, in the T-shirt look, so I wrote this discrepancy off in my brain as ‘oh I guess that cover was just the last hurrah for punk Kon’ and moved on with life.

In Suicide Squad right away we learn he’s very much so there against his will:

(Suicide Squad (2021) #1)

Which corroborates more or less what we were also shown in Future State: Suicide Squad, although admittedly it tells... a slightly different version of the events. When I first saw both of these together I just chalked it up to being a bit inaccurate as it’s shown as a memory in Future State:

(Future State: Suicide Squad #2)

Issue 2 we saw him in action with the Squad, trying to do his best to still be a hero despite the team, but things get a little more interesting in the following issue. It starts off with an account of his history

(Suicide Squad (2021) #3)

This page gave me a few immediate red flags, mostly minor things that had to do with coloring, so more irl problems than things to take seriously in-universe (Kon’s pants are the wrong color in the first Superboy shot, and Bart’s Impulse costume is in Kid Flash colors instead of the correct Impulse ones) but then also it just bugged me the phrasing “he joined Young Justice” when he was a founder of the team, he didn’t join it he made it with Tim and Bart.

But again, chalked that stuff up to just.... writers/artists being inconsistent/unaware of things that they should be aware of, or even Nocturna just not being specific with details. But it did still strike me as a little odd considering the very accurate use of villains in those same shots, Scavenger who was a reoccurring bad guy from Kon’s solo days and showed up basically nowhere else (even holding the Spear of Lono and everything!) and Billy/Harm (Greta’s brother) from Young Justice.

But then a few pages later we got this:

(Suicide Squad (2021) #3)

Which is interesting. My first instinct was to think he’s being drugged w kryptonite or something thats leaving him hazy/out of it, but my thoughts on that have kinda changed, we’ll get there in a bit. But in general the context of ‘something’s wrong’ made the slight discrepancies on some details of his own history make more sense.

I also want to then bring up the next part to this story, the crossover issue in Teen Titans Academy.

(Teen Titans Academy #3)

So a few things. Does it feel weird to anyone else that Conner Kent, a known previous Titan who literally has a framed picture of himself in a case there, would set off alarm sensors like that? Wouldn’t he be... recognized as a Titan not an intruder by their sensors? Interesting! Anyways.

He looks really pained looking at that picture, and sad, and almost frustrated, which ya know makes sense and hurts my heart because he misses them! He misses his friends and being happy.

But, importantly for a criticism I wanna make thats less theory related and more just me bein annoyed at Tim Sheridan, that’s a picture of Conner. Right there. That’s Superboy, on display at Teen Titans Academy, so the people who frequent this building would know who he is and what he looks like and be able to recognize him, he’s even in the same outfit and everything. Alinta recognized him at the end of Suicide Squad #3.

So why does only one person during this big fight then comment on his presence?? Why doesn’t it get a bigger reaction???

(Teen Titans Academy #3)

And after the fight we don’t see any on panel moment of Wallace going up to the staff Titans (who weren’t present for the fight) and saying like “HEY NIGHTWING UHHH SUPERBOY WAS WITH THE SUICIDE SQUAD?” we just see him talking with his friends upset about Crush leaving. We see Alinta talking to them but we don’t see the exact dialogue. So I do just wanna take the writer by the shoulders and shake him a little bit and ask WHY because that just feels like... something you’d wanna address on panel! This is like the first time since joining the squad that Kon’s at all in contact with people from his life before Waller got involved, I feel like not addressing those people’s reactions to it/not discussing it at least a little bit on panel (especially when Conner CAME UP in the previous TTA issue, Dick brought him up and everything!!!) is a really odd choice. Maybe it’ll happen next issue and i’m just impatient, but who knows. Anyways, gripes with Sheridan aside, lets move on.

I wanna bring up how Conner... doesn’t really respond to Wallace’s question? At all? Except to just fight him off, not even an attempt at a ‘Sorry’ or anything? (the ‘Ha! That all you got?!’ seems to be coming from Culebra not Conner, although the placement of the bubble is vague enough it could be that it was supposed to be Conner? but it seems more like what she’d say, especially as she’s grabbing Emiko like that) That just feels weird. It feels off. In general he speaks so little in Suicide Squad #3 and this issue. Tbh it almost feels like he doesn’t really recognize Wallace which I mean I suppose they never exactly met (they would have theoretically during Death Metal, basically all past/present Titans were together for a while during that), but Kon’s been back in existing long enough he’d have a sense of who current heroes are anyways.

But right, so, lots of little things that feel weird... that gets us caught up to the most recently released comics... but in this household we look at solicits as they drop. Which gives us some info on what’s coming up a few months ahead of time, albeit without full context obviously. Issues #4 and #5 don’t mention Conner in their descriptions or show him on the covers at all, because there’s just other plot things going on, so ya know seems things will be quiet for him for a bit.

But then we got the August solicitations and oh BOY it’s a doozey for him! And some things start to kinda connect perhaps!

I want to just take a moment to look at that specific wording. “The teen calling himself Conner Kent” I’m probably reading too much into it but that feels deliberate, like why wouldn’t you just say ‘Conner Kent’? Usually these kinds of descriptions are trying to keep a low word count, not add in extra words that don’t need to be there. It makes it feel like that’s a name he’s using that... doesn’t actually belong to him.

So the theory I want to propose (that has been floating around already) is that based on these covers and the description, and how the Conner we’ve been seeing in Suicide Squad apparently talks about his own personal history like he’s ‘reading a wikipedia entry’ and had little response to people he should be aware of like Wallace and apparently isn’t recognized as a Titan through a bio-scan and also bearing in mind those initial promo arts with two separate looks at the same time for him... I think we're looking at a situation where the Conner in Suicide Squad so far has actually been a clone of original Conner (like... like he’s Match 2.0 or somethin) the whole time, that’s just not aware he’s not the original.

Now that’s the base theory I wanna work with and build off of, but there’s MANY different directions that could go in/ways that could work.

For example, one idea is that the Conner we saw in #1 who was chained up is the original Conner, and he’s been being cloned and held captive, so everything else with Conner in Suicide Squad so far has been this Match 2.0

Another idea could be the original Conner in #1 is also the Conner in #2 who Waller had then commented wasn’t ready during the mission in Arkham and had zapped with a lil Kryptonite, and after that moment she took him off the field because his spirit hadn’t been broken enough to be obedient (as he was a lot quieter in Issue #3 & the TTA crossover compared to #2, and #3 is when the Nocturna thing with the history happened)

Or it could even be original Conner in #1, then in #2 was one clone that wasn’t ‘ready’ that after that point she stopped using him, and switched to a diff clone for #3, because like that first cover did show a LOT of clones. That could be more just ‘artistic interpretation’ or something, covers sometimes do exaggerate/mislead, but it also could indicate we’re looking at a lot of clones.

(Suicide Squad (2021) #2)

With all of those in mind I also wanna bring up this little bit from Future State Suicide Squad:

(Future State: Suicide Squad #2)

Again Future State is a ‘possible future’ so stuff from it isn’t set in stone, but the idea of ‘she still has his YJ 2019 outfit somewhere’ makes me think it could be something along the lines of like, Clone!Conner finds original Conner and frees him and he gets back his YJ outfit, which could lead to like the imagery on that variant cover/the idea from my very first part of this post where I was talking about Kon being shown in both outfits in different places.

Alternatively entirely from all that, another option is that she maybe got ahold of what was needed to clone Kon, but doesn’t even have the original Kon in her possession. (again with the Future State thing, she could be lying since elsewhere in Future State we did also see a copy of YJ 2019 Kon’s costume in one of the Jon-focused Future State comics in a display case 🤷‍♂️) Which could also lead to that confrontation on the variant cover & the promo art thing... and could also explain why we have seen nothing about anyone looking for him, because in that sort of scenario he wouldn’t have even been missing in the first place.

There’s a lot of possibilities! It’s still too early to solidly know anything, but I feel pretty confident we’re entering another cloning related plot with our Clone Boy so it’s... ya know. Clone time. On the one hand it’s annoying because god we have done clone/multiple Kons plots before. We’ve done them so much.

BUT on the other hand, I think it could be interesting to use this situation to tie into some older stuff from pre-reboot that I can see some connections to, because due to Infinite Frontier altering the world and people’s memories it’s all technically fair game storytelling-wise again (and like, the use of Scavenger specifically in that flashback way above, who’s not a super well known villain in general, makes me think maaaaybe the writer did do some of their Kon homework)

Something also just dawned on me that i’m not quite sure what it means but still is worth mentioning: The Conner here in Suicide Squad is back in his Teen Titans Vol. 3 outfit, and his history as he tells it stops during Teen Titans Vol. 3. And doesn’t... mention when he died? It feels like it... stopped before that, because like I feel if he was telling his life history (even the wiki version LMAO) the part where he died and came back would be pretty important to bring up?? And Nocturna specifically says that he didn’t explain how that stuff from TT Vol. 3 then led to him in his current situation. That’s a pretty big gap (like uhhh everything from resurrection until he got lost on Gemworld + all the rest of the Young Justice 2019 stuff?) So like.. there could be something funky going on here that has to do with that.

Similarly when he flashes back in Future State: Suicide Squad to his past it also goes right from Teen Titans Vol. 3 to the current Suicide Squad run? Like I get it’s one page so they can’t show that much, but the fact that there’s now two places that flash back to that same specific time period and nothing past it until the Suicide Squad feels just... noticeable! Not concretely indicative of something, but noteworthy.

(Future State: Suicide Squad #2)

Like...this almost has me thinking maybe it could be something where like, they tampered with his dead body and cloned from that? BECAUSE, for those of you who may not be familiar with how Kon’s resurrection (during Final Crisis: Legion of 3 Worlds) worked, when he came back there was time travel involved! He was brought back to life in the future (like. Legion of Superheroes era) because it was a process that took that thousand or so years to work/heal him (essentially because of his hybrid dna the process that healed Clark when he had died back in Death of Superman/Reign of the Supermen in the 90s just took a lot longer, but its the same Kryptonian healing chamber thing) meaning when he came back to the present alive again, his dead body was still also in the present just in it’s process of healing. Meaning especially if we’re bringing back stuff from before the reboot, Kon likely has his dead body just vibing out there while he’s goin around living life 🤷‍♂️

SO them doing something related to that could explain the choice to put him back in the T-shirt (since thats what he wore in the era his brain would be caught up to if we’re relating this to when he died) and why he’d recognize himself in a group photo with Bart, Cassie and Tim but maybe not someone like Wallace who didn’t exist back then. I don’t know, this branch of thought is still half baked. Will maybe come back and elaborate on this later. But I’m now really thinking there might be a connection to the early Teen Titans Vol. 3 era specifically because of it being referenced twice in stuff with this Suicide Squad.

ANYWAYS moving on, this is probably a shot in the dark and I only thought of it because I just was reading 90′s Superboy, but right away when thinking about ‘Amanda Waller’ and ‘Cloning Kon’ I was reminded of some stuff about the circumstances around the first clone that was made of Conner: Match.

(Superboy (1994) #35)

Match was created by an organization called ‘The Agenda’, that was after a while primarily under the control of The Contessa, Lex Luthor’s ex-wife, aided by Amanda Spence who had a personal grudge against Kon bc her dad was Paul Westfield the guy Kon was originally cloned from (before the Lex/Clark retcon). They were the big bad guys of an arc called The Evil Factory in Superboy (where Cadmus personnel got replaced with clones) which also then tied into the Sins of Youth event over in Young Justice (Remember how Match was posing as Superboy for a while there? yeah). After those plot lines finished the Agenda was pretty defeated (Amanda Spence was still out there and came back later but still) and... who got their hands on the remaining Agenda tech?

(Superboy (1994) #87)

Why none other than Amanda Waller herself!

If they re-canonized pieces of this (which also tied into Young Justice which ya know, YJ 2019 was all about re-establishing stuff from YJ even before Death Metal happened soooo) it would totally make sense for Waller to have complete access to the exact technology used to clone Conner before.

Now, a thing to consider here though is what happened to Kon after he’d been cloned that first time, where his DNA got all destabilized by the process (and he needed to go through a procedure with Roxy as a genetic template to keep him together, which was how he got stuck at age 16 for a while). This was something where he was fine for a period of time before the side effects began to kick in. Now, I think it’s worth mentioning that was also back in the days where he was not yet Lex & Clark’s clone, but still Paul Westfield’s. So there could easily be a ‘now that certain Kryptonian genes have kicked in as he got his newer powers it doesn’t destabilize him the same way’ reasoning or something along those lines to avoid this problem. Alternatively, it could be an interesting thing to embrace rather than retcon away, especially if we’ve been seeing Clone Conner in action and Original Conner hasn’t been in our focus, things could be wrong with him that we just don’t know about.

Another branch of thinking that I think is even MORE a shot in the dark but could be interesting (or again even related to what I just said, could be a combo of things) is if this somehow ended up related to those clones that were reverse engineered from the remains of Match from the very end of Teen Titans Vol. 3

(Teen Titans (2003) #99)

All of them were then taken down with Kryptonite and killed in battle (by Rose & Damian)

(Teen Titans (2003) #100)

But like... idk man if Waller got her hands on those corpses or even just the data from Dr. Caligan that he extracted from Match to make them... that could also be a potential way to make some new Conner clones, and that could be why the bio-scan thing at Titans Tower wouldn’t work properly because of the thing he says above about it not being a “complete match’

One thing I don’t think is the case, but has been brought up to me, is stuff with New 52 Kon. I’ve talked extensively about New 52 Kon in recent weeks because I read through all his stuff, but the thing that makes me shy away from him being part of this situation is the fact that... he’s not interchangeable with Kon the way I think some people think he is. He wouldn’t visually be recognized as Original Kon because he is literally on a genetic level a separate person. They’d prob look related, sure, like they’d pass for brothers because they both have Clark’s DNA, but New 52 Kon has Lois’ DNA and Original Kon has Lex’s. New 52 Kon would likely look more like Jon, rather than Kon. Lois specifically commented in an Action Comics issue that Kon had some resemblance to Lex, even. So like, things like Wallace recognizing him or him looking at his own matching reflection alongside the group picture at the Tower... those wouldn’t happen the same way if this was New 52 Kon.

Now I think it coooould theoretically be possible for Waller to have gotten her hands on that future N.O.W.H.E.R.E. cloning tech that had been used to make New 52 Kon, like I wouldn’t rule that out. Because she knows where the remains of their bases are as shown in Red Hood and the Outlaws (2016) #16-17, and like, Harvest is dead so she could easily just send teams out there to gather shit if she wanted.

Onto some other things I don’t think are actually related but that I was reminded of/wanted to address:

I feel i’d be a bad timkon fan if during all of this discussion of past stories with cloning Kon I didn’t even bring up Tim’s cloning attempt stuff, but I think it would ultimately be unrelated. His tech was stolen from Luthor, and his attempts didn’t succeed because he was trying to build from scratch without Cadmus’ the data about how they altered the DNA from the original process.

(Teen Titans Vol. 3 #34)

Then that initial cover for the annual really reminded me of part of the Hollow Men story from Superboy Vol. 5 just with like... Kon in a room full of copies of himself. I don’t think this story would be related either because it was more magic Tannarak stuff rather than regular cloning, but ya know. It’s the imagery.

(Superboy Vol. 5 #9)

It also really reminded me of the stuff from Hyper-Tension which was hypertime stuff not cloning but again just... visually.

(Superboy Vol. 4 #62)

In general I don’t think we’re EVER gonna see Black Zero or any of these multiverse Superboys again LMAO.

To try to sum up all of this in a way that might make sense here’s kinda a... flowchart of some of my main ideas for what the cloning situation could be/how the logic could work. Again this is borrowing stuff from across continuities because Infinite Frontier means theoretically anything’s fair game. (Also I don’t think I mentioned this earlier but I do mention it in the chart, but I think it’s also reasonable that Waller could get her hands on Cadmus tech if Cadmus is like properly made canon again. She just has funky government connections!)

Also I just now thought of this now several hours after I already made the chart and I don’t wanna remake it so sorry not incorporating it there but I remembered there was also that bit during House of Kent where Clark took Kon to the Hall of Justice and they were running some tests on him, so I’m thinking it’s also possible Waller got ahold of that data/that might be how she found out about Kon in the first place for this timeline. And they indicated that there was something wrong with him there, where he might eventually lose his powers or something, so maybe she tried to do cloning stuff to be able to have a copy of Superboy in his prime or something??? before that started kicking in. I don’t know, just more things to consider:

(Action Comics (2016) #1028)

ANYWAYS in conclusion: there is clone fuckery of some sort happening, I’m curious where it’s gonna go, and I just want Kon to be okay.

If you actually read this uhm. props to you bc this probably makes no sense to anyone but me its just word vomit <3

#this is very long! and disorganized! i am sorry #this doesn't have one theory abt things it has like. many #its basically just brainstorming/spitballing ideas #i could also be entirely off base! with much of this! i just feel i need that disclaimer #grandpa max is god? i go to church now #i need a kon talk tag bc i swear i write more analysis stuff like this for him than anyone else

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taiblogcomics · 4 years ago

Text

I Can’t Pet Force You To Read This One, But...

Hey there, high school crushes. Well, it's finally here. Can you believe it? Yes, counting from the original Xanga site (which, yes, still counts. It's like our own Golden Age publication or apocryphia), this is our 10th anniversary of reviewing comics. That's fantastic. I'm excited, can't you tell? I can tell, since I'm writing this preamble a good two months before the actual anniverary~

So, last year we reviewed the absolute pile of dreck that is Heroes in Crisis. And while that was worth ripping into, I'd rather not spend the 10th anniversary hating on something. I'd like to do something actually meaningful to me. I've teased about this one for many years, probably for as long as I've been doing this blog, and I think it's time we stopped pussyfooting around and reviewed some Garfield. But not just any Garfield. It's finally time, my friends. This... is Garfield's Pet Force.

I dunno how many people will remember this one. Maybe you recall the direct-to-DVD movie adaptation from 2009, or at least advertising for it. I never saw it, but apparently it differs a bit. They also appeared a few times in those Garfield comics from back in the day. We even reviewed a couple (some were on the Xanga blog). But what we're looking at here are the original novellas published between 1997 and 1999. So yeah, these really are from my childhood. And since I've long espoused that Garfield was always funnier 20 years ago, this must be actual premium Garfield content, yeah? By golly, I hope so, because we got five whole books here today. So we should probably get into them~

Book 1: The Outrageous Origin

This is a classic sort of superhero cover. Standard team shot of poses, and that's fine for a first volume. In fact, that's great. Later editions of this would replace the lightning-filled gradient background with a pure white one, but I have this original version. We'll get to specifics about these characters in the meat of the story, but let's talk about the costumes for a bit. Very classic early-'90s sort of look, before the Dark Age kicked in. Reminds me a lot of Jim Lee's X-Men designs, actually. Making all your characters visually distinct is important in a team book. The heavy lean into secondary colours is unusual for heroic characters, but not unwelcome.

So we actually start with a cold open in the superhero universe. This is pretty much to introduce us to the characters as soon as possible, and thus I'll do the same for you here.

*Garzooka, team leader, super strong, has a razor-sharp claw, and can shoot radioactive hairballs from his mouth. That's... at least a unique power, I don't think anyone on the Justice League can do that~ *Odious, the dumb muscle with the accent on the "dumb". Possibly even stronger than Garzooka, and possessing a "super-stretchy stun tongue", an elastic tongue that can scramble the minds of whoever it adheres to. *Starlena, the team girl. She can fly, and she has a siren song that can put those who hear it into a hypnotic trance. Garzooka is the only one immune to its effects, for reasons that are never explained. *Abnermal, the kid-appeal character. He has ice powers, forcefields, and an ill-defined "pester power" that means he can annoy people on a greater scale than normal folks. It's pretty much only used for comic relief, but that could be a brilliant power in the right hands. *Compooky, the brains of the operation. Other than flight, his powers are limited to super intelligence, which means he's usually the exposition guy. There's probably a reason they left him out of the movie adaptation~

You got all that? Don't worry, we'll introduce you again later in the book. What actually happens in the intro chapter isn't really important, it's just setting up the universe. In fact, it's all taking place within Pet Force #99, a comic just enjoyed by Nermal. Yes, we quickly cut over to the main Garfield universe ("our universe", the narrator calls it), where Pet Force is just a comic book. The Garfield gang is all outside, enjoying a cookout prepared by Jon Arbuckle. Nermal is extremely enthused by his comic book, and brags about how he has all 98 previous issues sealed and polybagged, and this one will soon join them. Sorry, Nermal, this came out in 1997, the speculator boom already went bust~

Garfield dismisses comic books as stupid because you can't eat them or use them as a blanket, and declares that none of the stuff that happens in the comic could possibly happen in real life. Uh oh, irony! Because these things can happen, and do! It's a parallel universe, baby! This might be one of my earliest introductions to a "parallel worlds" concept. Much like Earths 1 and 2 in pre-Crisis DC, the events of the comic are essentially the real life adventures of their super-powered counterparts in another dimension. Most of the action in these stories will take place there~

So here's the setup: Vetvix (the parallel equivalent to Liz the veternarian) is an evil sorceress and scientist, who essentially wants to experiment on animals in peace, and possibly subjugate the universe while she's at it. You could argue that Liz is an odd choice for villain, since our universe's Liz isn't particularly evil. But then, our universe's Garfield isn't particularly heroic either. She operates out of a deadly space station called the Orbiting Clinic of Chaos, and at present she's waiting for the arrival of her henchman, Space Pie-Rat, who is a six-foot-tall anthropomorphic rat dressed in stereotypical pirate getup. Vetvix has just finished inventing a levitation ray, and she'd like Pie-Rat to go out and use it to steal all the food in the universe. Vetvix doesn't think small, is what I'm saying.

The counter to Vetvix is Emperor Jon, ruler of the planet Polyester. He's kind and benevolent, even if he's a little dippy and his fashion sense atrocious. Having gotten wind of Vetvix's latest plan, he contacts Pet Force in their ship, the Lightspeed Lasagna. Upon learning the problem, Pet Force gives chase to Pie-Rat. They eventually corner him on some desolate planet, landing and entering an abandoned factory. Unfortunately, they're not safe amongst the dangerous machinery, because this turns out to be a trap. Vetvix has been busy as hell, because she's also invented a metal that's impervious to their powers. And that's not all, because she's also basically invented the Phantom Zone, where she traps Pet Force forever. It specifically mentions it doesn’t kill them, because it wouldn't be kosher to murder the heroes in a Garfield book~

The Lightspeed Lasagna has both onboard cameras connected to the heroes' belts as well as automatic return protocols, so within two days, Emperor Jon knows exactly what's happened to Pet Force. He needs help, so he calls upon his most trusted and powerful advisor: Binky the Sorceror. Binky's just as loud and obnoxious as in the main universe, but he's also a powerful magician. He conjures up a spell for Emperor Jon that lets him pierce the veil between universes. It's basically Equestria Girls rules: parallel universes have similar characters between them. So to replace Pet Force, they need the nearest genetic equivalents from another universe. And that's the versions of Garfield, Odie, Arlene, Nermal, and Pooky that we know and love~

Back in the main universe, it's another day entirely. Another cookout is taking place, and Nermal has received his special anniversary issue of Pet Force #100. The cover's really special, dripping with '90s cover gimmicks like glow-in-the-dark and embossing. A rarely used one, though, was "portal to another universe". That was pretty expensive to print, so you won't find many comics like Nermal's. Maybe he had something there with the collecting after all. The cover glows, and while Jon is distracted by the grill, Garfield and Friends disappear~

They reappear in Emperor Jon's wood-paneled throne room, now transformed into Pet Force. Emperor Jon and Sorceror Binky try to explain the situation, but Garfield--now Garzooka--is disbelieving of the whole thing. In fact, even the idea that Jon can now hear him talk absolutely floors him. Since he's about to deliver the exposition for everyone, can we talk about Compooky for a minute? This spell has just granted sapience to Garfield's teddy bear. I don't expect deep philosophy from a children's novella, but the ramifications of this are really under-explored. Like, never mind the whole idea of a teddy bear having the same genetic makeup as an alternate universe equivalent. He goes from inanimate object to fully conscious being, and he just rolls with it.

Anyways, once everybody gets caught up on what's going on and accepts the new reality, a training montage ensues so the group can all learn to use their powers without killing each other. Once at least reasonably trained, the reborn Pet Force is sent out to stop Pie-Rat. He's gotten sloppy in the times with Pet Force dead, so they track him down easily. After a brief scuffle where Garzooka takes his eyepatch, Pie-Rat flees in his ship. They follow Pie-Rat back to the Orbital Clinic of Chaos, but they can't go in the front. That led the original Pet Force into a trap. Finding an unguarded maintenance hatch--standard on any big space station--they enter Vetvix's lair for a final confrontation!

After dealing with the Waiting Room of Doom, which slowly fills with outdated magazines, they enter Vetvix's inner sanctum. Frustrated with Pie-Rat's failure, she uses her magic to turn him into an ordinary mouse. Vetvix then attempts to use her same weapon on this new Pet Force, but thanks to story contrivance, it only works on beings born in this universe. As other dimensional visitors already, they can't be banished to another dimension. She then pulls a Dr. Claw and runs off cursing Pet Force's name while her base self-destructs. Vetvix is a very "discard and draw" sort of villain, it seems. Pet Force, of course, makes a harrowing escape just in the nick of time.

Returning to Emperor Jon, they vow to be ready to return whenever they're called on, since evil never stays dormant for long. Odious even gifts Emperor Jon with the mouse-ified Pie-Rat as proof of their victory. Well, I'm glad they remember that, so they didn't accidentally murder a major villain in their first superhero outing. They're returned to their own universe, and the time differential between them places them back with Jon having not had time to even look up from the grill. Garfield begins to doubt the adventure even happened--until that night, when he finds Pie-Rat's eyepatch still on his person. Ah, definitive proof of... eyepatches, I guess~

Book 2: Pie-Rat's Revenge!

You have to wonder where, in a space-faring superhero setting, Pie-Rat got the inspiration for his classic pirate motif. It's a little incongruous is all I'm saying. And hey, remember when I said earlier that Garzooka's purple-and-green colour scheme was odd for a hero? Well, here he is as a villain! That'll catch your eye. This would be a terrific comic cover, which is what you want in a series like this.

The book opens with a brief recap of the previous story's events, then moves into the new plot. See, Emperor Jon has opted to keep the polymorphed Pie-Rat as his pet. How very Ron Weasley of him. That's pretty apt, actually, because similarly Pie-Rat has maintained his intelligence in his new mousey form. Pie-Rat gets sick of being Emperor Jon's pet and plans a daring escape, exploiting the emperor's dimwitted and loving personality against him. Pie-Rat jams the lock with a food pellet and makes his escape that night.

Once free from his cage, he encounters Binky's cauldron, still left in the throne room from when the sorceror summoned Pet Force from Garfield's universe. Figuring he has nothing to lose, Pie-Rat jumps in the leftover brew. Suddenly he finds himself growing. He returns to his original anthropomorphic state--but with a twist. He's now twice his original height, a staggering twelve feet tall. He scoops up the rest of the remaining potion for later, and sneaks out of the palace as best as a 12-foot rat can sneak. Desiring revenge on both his former employer and his longtime foes, he steals Pet Force's ship and makes his escape from the planet, headed for Vetvix's newest base.

After his guards help Emperor Jon put the pieces of the problem together, they decide they must once again call upon the powers of Pet Force to recover their missing vehicle and stop the newly embiggened Pie-Rat. Fortunately, Garfield and friends have been watching movies all weekend, so Jon doesn't notice when his pets disappear from the living room in a bright flash. Of course, once returned to the alternate universe and the situation explained, they still have a problem: how do they give chase to Pie-Rat when he's got their ship?

And speaking of Pie-Rat in their ship, he's followed the trail of a mysterious energy output, and it's led him right to Vetvix's new base, the Menacing Moon of Mayhem. See, this is why you don't blow up your base: the backup base is never as good. if it was, it wouldn't be the backup. Given that it's such a shoddy base, Pie-Rat is easily able to get inside and get close to Vetvix. She's expecting a technological attack, so she's unprepared when he pulls out that vial of magic potion and sprinkles her with it. And naturally, the potion that made him grow 12 feet tall makes Vetvix shrink to 5 inches. It's magic, we don't have to explain it!

Pie-Rat takes the magic crystal that Vetvix uses to fuel her powers, which of course didn't shrink because magic is just bullshit. See previous paragraph's last sentence. And while Pie-Rat takes over the base and begins plotting a further revenge against Pet Force, we cut over to them. They're at Sorceror Binky's own castle, and it's clear he's a bit of a hoarder. This is to their advantage, though, as they eventually piece together a working spaceship out of old car parts and other things, all patched together between Compooky's know-how and Binky's magic. This seems like the sort of book where I could use that "it's magic" quote every other paragraph. But craft a new--if small--ship they do, and speed off in the newly christened Planetary Pizza.

The rickety little ship does eventually find its way to Pie-Rat's base, saving him the trouble of being proactive as a villain. The magic thing keeps happening, and Pie-Rat basically becomes Discord for a bit while he fights them, doing things like turning Starlena's siren song into actual living music notes. One by one, the members of Pet Force are taken out, with only Garzooka is left. He and Pie-Rat struggle, while Pie-Rat tries to aim the magic crystal at Garzooka. Garzooka uses his claw to rip the crystal from Pie-Rat and defeat him.

Unfortunately, here's where the cover comes in. It seems the moments Pie-Rat was focusing the crystal during the struggle affected Garzooka's mind. He puts the crystal around his own neck. which turns him evil. He helps Pie-Rat to his feet, and the pair escape in the Lightspeed Lasagna. While Pet Force pursues them in their ramshackle ship, the new criminal duo strikes the storage planet of Deli to steal their food. Pet Force manages to catch up as the villains celebrate their spoils, and use a magic blast from the systems Binky installed to short out the Lightspeed Lasagna. This enables them to dock with the ship and climb aboard for a contfrontation.

The group fights, and once again the bearer of a bullshit magic crystal subdues the heroes easily. Annoyed now, Garzooka takes hold of Starlena and prepares to kill her or something. She taps into the one thing she has left: she's not fighting just Garzooka, but Garfield in his body. She drops some heavy put-downs, which resonate with Garfield, and he hesitates long enough for her to cut the crystal off him. The crystal hits the floor and shatters, undoing its evil magics on Garzooka's mind as well as on all his teammates. With Pet Force reunited, Pie-Rat is easily subdued and locked up.

The group waits for the ship to power back up, then speed off to apologise to the planet Deli. Following that, they head back towards Vetvix's moonbase. That night, though, the magic that was making Pie-Rat 12 feet tall wears off, and he escapes from his cell. He steals the remaining shards of the crystal, climbs into the Planetary Pizza, and makes a getaway. As a bonus, he also repeats the power-down spell against the bigger ship, giving him ample time to escape. And he's not the only one. Over on the Menacing Moon of Mayhem, Vetvix also returns to her proper size, and abandons this base as well. And when Pet Force fails to find her, they simply return to their own universe, ready to be called on once again in the future~

Book 3: K-Niner: Dog of Doom!

Another very basic comic book-style cover. K-Niner is a much more typical villain in style. This one's actually a wrap-around, and features the rest of Pet Force reacting to K-Niner on the back cover. Which is good because, other than the first cover, the covers all have a heavy Garzooka focus. Which makes sense for a book series, I suppose, you wanna assure the kiddos that Garfield's gonna be in the book. But as a comic book series, this would be a bad look for a team book~

So after our standard introduction and recap, we start off with Vetvix in yet another new base, the Floating Fortress of Fear. I'm sure it's very intimidating, if she can keep hold of it for more than a single book. She's picking up from the epilogue and putting the last touches on K-Niner, mostly enhancing his intelligence. Now, you look at the cover and tell me what kind of voice you'd expect. Some sort of German or Austrian accent, like the doberman on Road Rovers? Does anyone remember Road Rovers~? Anyways, but no: he speaks with a posh British accent. You know, the "I say, good chaps, looks like we're in a bit of a sticky wicket, eh wot?" type. Trust me, you can tell. But just because he sounds refined doesn't mean he's not evil.

I also love that after the initial "trapped them in the Phantom Zone" bit, the villains just go whole ham. K-Niner here demonstrates that he is indeed evil by threatening to rip out Vetvix's throat. Let your villains be villainous is all I'm saying. She's pleased he's so vicious, but feels he needs to learn his place as well. She force-chokes him until he complies. She then gives him his assignment: she thinks dogs should be liberated. The Boy Mayor of Second Life would approve, and so does K-Niner. Turning pets on their masters is just his style.

K-Niner takes a portable evolution gun, and immediately sets off. He begins on the planet Kennel. Isn't it neat how every planet is named after an English word that describes its function? K-Niner quickly takes over the dog population and turns them against their masters, because boosting their intelligence also makes them evil, of course. They use enslavement collars on their former owners, and within a few days, the dogs now run the planet. We cut over to Emperor Jon on Polyester, where a man has crash-landed a ship. He's an escapee from Kennel, and he's here to report the events so we can get the plot moving and once more summon Pet Force!

And summoned once more they are, Garfield and Friends once more conveniently disappearing in a split second while Jon's back is turned (this time they're outside playing volleyball). And once back in the parallel universe, Emperor Jon fills them all in on K-Niner's dastardly doings. Garzooka, naturally, takes great offense to dogs being in charge, and takes his duties as a hero completely seriously for once. Pet Force takes off for a confrontation with K-Niner in the Lightspeed Lasagna. And speaking of Pet Force's ships...

The Planetary Pizza, piloted by Pie-Rat, plants its pads down on polar planet Glacia. Pie-Rat is here seeking a way to restore his magic crystal and regain his mighty magic powers. He's sought out the home of a legendary evil wizard, who's known by the name of... Barfo. I see why Barfo keeps his location a secret. But anyway, Barfo is the one who made the crystal, so naturally Pie-Rat reasons he can restore it as well. Suprisingly once on Glacia, Barfo's evil lair is pretty easy to find. His manservant, Hobart the Gnome, brings Pie-Rat before the wizard, and within moments the crystal is restored! Pie-Rat turns to thank Hobart, but Hobart suddenly turns into Vetvix!

Yes, Vetvix knew all along that Pie-Rat's quest would lead him here. And as she was once Barfo's student in the ways of evil magic, she knew she could get the old coot to go along with her plan. Barfo returns the crystal to Vetvix, restoring her powers. And so Pie-Rat, a recurring villain in three whole books, is unceremoniously done away with, as Vetvix teleports him inside an asteroid, trapping him in solid rock. Even if the asteroid were hollow or he displaced the interior when he teleported in, no doubt he'll suffocate within moments. That's pretty harsh.

With that over, we rejoin Pet Force as they approach Kennel. K-Niner's battle cruiser spots them incoming, and shoots the ship down, even in spite of Abnermal's forcefields. Pet Force bail out of the ship, and Abnermal uses his powers to make snow to cushion their fall. Upon landing, a contingent of mutant animals attack. The mooks aren't much, but K-Niner himself puts up an impressive fight. However, one of the mooks pulls a gun and points it at Compooky. This is why Compooky usually stays aboard the ship, but that wasn't an option. Rather than let their friend get hurt, Pet Force surrenders.

Pet Force is held prisoner separately from Compooky, with both the cell's technology making it freeze-proof and threats of "don't break out, or we'll shoot your compatriot". Their imprisonment is not long, though, as suddenly the power goes out. Pet Force takes advantage of the situation and make their escape, quickly running into Compooky. K-Niner didn't think the hyper-intelligent teddy bear needed a high security cell, and just locked him in the basement. It was easy for him to then break out and shut down the local power grid. This also has the side effect of turning off the control collars the humans were wearing. How convenient!

With control of the planet now tilted in their favour, Pet Force now has time to both fix their ship and reverse the polarity of the brain-boosting weapons, turning the dog population of Kennel back to their normal selves. Though the experience did change the pet owners of Kennel. Having experienced life in their pets' shoes (so to speak) for a bit, they've resolved to treat their canine companions a bit more equally. More being allowed on the furniture, less stupid tricks for treats. Still, Pet Force can't stay long, and they head off in pursuit of K-Niner's battle cruiser. This is why most superheroes don't have spaceships (Jedis don't count): if your enemy also has one, they can flee way more easily than on foot.

Not willing to let another place go to the dogs, as it were, Pet Force catches up with K-Niner. With his previous success, Vetvix has stepped up the timetable and sent him after Polyester right away. Emperor Jon is in danger! They enter the planet's atmosphere, and are attacked by fighter craft. They fend them off, but their weapons system is damaged in the fight, so they can't simply use the reverse brain-rays and solve it quickly. The team splits up instead: Garzooka and Abnermal will go after K-Niner, while the other three will find the planet's power source and knock out the collars, since that worked so well the last time.

The two heroes quickly make short work of K-Niner's guards, and then turn the battle to deal with the Dog of Doom himself. While the struggle goes on, the rest of Pet Force reach the planet's power grid. Using a clever tactic, Compooky overloads the power and causes and electrical storm that simultaneously undoes the brain-boosting effect and shorts out the enslavement collars. There's only a few pages left, after all, and we have to wrap this up. K-Niner is reverted back into an ordinary dog, and the emperor is reverted to an ordinary non-enslaved person. The day is saved!

And now once again, Pet Force prepares to return to their own universe. However... when the spell clears, the five heroes are still standing there. Something is blocking the passage between dimensions, and Pet Force is trapped. And while Pet Force's adventures have taken place between mere moments in their own universe, they have always returned quickly enough that Jon didn't notice a thing. But this time, as Jon retrieves the volleyball and turns around to his pets, he's surprised to find they've all vanished into thin air...

Book 4: Menace of the Mutanator

This one's very striking because of its more painted look compared to the heavy black outlines the rest of the covers have. Does this one count as having the whole team on the cover? Because, spoilers, that's what the Mutanator is: the rest of Pet Force mashed up into a villain. Again, though, that's definitely a striking image that'd draw in readers to a comic cover. In fact, while Garzooka may be over-used as a cover focus, several of these also show him imperiled in some way, and that's nice for character stuff. That helps balace it a bit~

I wanna say, before we start, that I'm impressed by the continuity for the series as a whole. They could've just written each story as a standalone, but for a series of 100-page children's novellas starring Garfield characters as superheroes, things happen in these books. Like, maybe not sweeping status quo changes, but events affect the plot of each next book down the line. And that's where we pick up! Right where the last book left off, with Pet Force now stuck in the alternate universe, unable to return home to Jon. But if they can't go home to Jon, well, maybe then events will conspire to bring Jon to them~

Yep, because Jon happens to wander into the room where they keep the copy of Pet Force #100 that acts as a portal to their universe, he gets transported into the Pet Force universe. And since Emperor Jon is still an extant entity, there's just two Jons now. Jon, of course, is a bit freaked out, and it takes several pages to explain the whole deal to him, and also have a showcase of all their powers to pad out the book some more. Eventually, they decide to call in Sorceror Binky to examine the problem. When he has a go of it, a sudden tornado emerges from the cauldron and whisks away Pet Force--save for Garzooka, whose prodigious strength keeps him anchored.

Garzooka heads out in the Lightspeed Lasagna to track Pet Force's signature, glad to get away from a double trouble Jon. And while he's searching, the scene cuts to Vetvix's Floating Fortress of Fear. Hey, one of her bases actually lasted more than one book! This is where Pet Force has been transported to, once more in a power-proof cell. Vetvix monologues to the heroes, as she is wont to do, explaining that she's the one who cast the spell to keep them from returning home. And further, she's brought them here to mutate them into her servants.

While Emperor Jon exposits about his backstory (turns out he is not of royal blood, and has about as much legitimate claim to the throne as you or I do), the search continues. Sorceror Binky detects Pet Force, giving them all a view of what happens next. The trapped members of Pet Force are literally broken apart and reassembled: Odious' body, Compooky's brain inserted into the chest, Abnermal's hands, and Starlena's head. She christens this beast "Mutanator", and it is soullessly obedient. I also wanna say, Mutanator's kind of a non-binary icon, aren't they? (The comic uses "it", but it was 1998 and alternative pronouns weren't really a thing yet.) Muscular, masculine body, but confident enough to still wear lipstick. It's a look, is all I'm saying~

Mutanator continues to possess the combined powers of Pet Force as well. Vetvix sends them to attack the planet Armory to gear up before attempting to conquer Polyester. And meanwhile, thanks to the convenience of being able to scan all of Compooky's memories now that his brain is part of Mutanator, Vetvix has the perfect trap to spring on Garzooka--or should she say Garfield. Yes, she really knows the whole origin for Pet Force now, and now she knows all Garfield's weaknesses, likes and dislikes, and probably blood type and other dating profile stats~

Thus, when Garzooka receives the coordinates from Emperor Jon and arrives at the Floating Fortress, he finds himself menaced by giant spiders. Vetvix couldn't think of a way to get Mondays to attack him, so the Giant Spider Invasion will do. Spiders are apparently very formiddable foes, Garzooka's personal fears aside. They can swat gamma hairballs out of the air, they can construct webs as quickly as certain Marvel heroes, and their hairy exoskeletons are resistant to both claw and strength. But despite his fear and Abnermal's running commentary, Garzooka manages to trounce the spiders with a carefully applied flame--taking Vetvix's blueprints with them.

Garzooka heads out once again to track down the Mutanator, leaving his less-than-all-together friends in the safety of their forcefield prison. While he's off, we return to the perspective of his target. Using their combined powers, the Mutanator swiftly conquers the planet Armory and sets their sights on Polyester next. It's not a bad plan, honestly. With the stockpile from Armory, not only will the Mutanator be more powerful, Polyester won't be able to use the planet for backup. Fortunately for the two Jons, though, Garzooka intercepts the Mutanator before they can leave Armory.

The fight's actually pretty good. Very back and forth. But even despite Garzooka's great strength, the Mutanator wins in the end. Thankfully, Vetvix puts her conquest of Polyester on hold to take the time to retrieve Garzooka and add his power to the Mutanator. This, of course will be her undoing--in a completely ridiculous way, of course. For back in the palace, our universe's Jon is watching Pet Force's struggles with the scrying cauldron. And he leans in a bit too close. Sowhile Vetvix is prepping the machine to divide Garzooka's body like she did the rest of Pet Force, Jon suddenly tumbles through the dimensional warp caused by the cauldron and lands on Vetvix, which causes her to put the machine in reverse. A real Jonnus ex cauldrona there, eh?

The Mutanator disappears, their existance as a unique being wiped out as their pieces return to their proper Pet Force owners. With Pet Force reassembled, Garzooka takes out Vetvix with one of his gamma-radiated hairballs while she's distracted by Jon. Pet Force decides that the vile veternarian should have a taste of her own medicine, and stick her in the body-splicing machine with some of her guards. This divides them all up and mixes them into bizarre combinations. It also has the side effect of disabling Vetvix's magic, so they can return to their own universe now.

The book wraps up here. Pet Force first returns to Armory to both return the stolen weapons and also make repairs on the buildings that were damaged in Garzooka's fight with the Mutanator. That's the sort of thing I'd like to see in more superhero stories in general. The two Jons part ways, with the Emperor believing the other Jon's heroism to have been deliberate. And thus are Garfield and friends returned home. And just like the end of their first adventure, where Garfield couldn't be sure if it really happened, so too is Jon's memory fading. Had he really witnessed all that? Only his pets know for sure--and in this universe, they can't talk~

Book 5: Attack of the Lethal Lizards

This one's another wrap-around, showing the rest of Pet Force engaging the remaining Lethal Lizards on the back cover. This is one advantage books have over comics: a front and back cover you can use for your story-telling. The Lizard designs are pretty good for a villain group too. Like Pet Force, they don't adhere to a particular theme, but they do look good individually. Garzooka roasting a hot dog on a stick might be a bit too comedic for a superhero story, though. It sets the tone wrong. How "lethal" can they possibly be if Garzooka is out here roasting hot dogs in the middle of battle?

So here we go, last book. After the usual recap, we open with Jon explaining to Garfield and friends his latest plans: they're going to WackyWorld, a theme park dedicated to Jon's favourite cartoon, The Wackies. Both Garfield and Nermal think the show is lame, and if those two agree on something, you know it must be so. In less lame universes, however, trouble is once more a-brewing. So it turns out Vetvix's Floating Fortress of Fear has been orbiting the swamp planet Reptilius this whole time. And her various experiments in the last two books have been radiating the planet in magical energy...

From that magical power, three reptiles find themselves uplifted in intelligence and granted fantastic powers. Please say hello to our three main villains for this book: Snake, an enormous snake (the only one without an anthro design) with stretching powers; Chameleon, who can shapeshift; and Dragon, a komodo dragon with fire breath and the bad attitude to match. While Snake and Chameleon figure out their powers, Dragon declares himself the leader as he's clearly the smartest, strongest, and most powerful. They name themselves the Lethal Lizards and start plotting how to rule the planet.

After that exciting intro, though, the book kind of slows down. First we get a whole chapter of Emperor Jon also deciding to go on vacation, to planet Funlandia. With Vetvix out of commission for a while, there's no better time. In short, he's out of the castle and Sorceror Binky is in charge. This is followed by a chapter of Jon and his pets at WackyWorld. It's certainly an accommodating amusement park to allow pets on its grounds. Garfield at least gets along with the food, but if you know anything about amusement park food prices, the amount Garfield eats will make your wallet weep. Jon takes his mind off it by dragging the pets along to a ride. Surely they have to be under the height restriction~

Fortunately, we get back to the actual stars of this book, and we see a bit more of their dynamic. Snake is the sort who sucks up to whoever's calling themselves "Boss" at the moment. Dragon is power-hungry, and it's clear he'll sell out his allies at the drop of a hat. Chameleon is Starscream. Anyway, they trek through the jungles of Reptilius until they find a downed spaceship. Reviewing the logs reveals it was a scout ship from Vetvix, and they also learn of Vetvix and her mission. However, they don't know where Emperor Jon lives, so they crowd into the the newly christened Rapacious Reptile and set course for the stars.

The first planet they come across is a world called Klod. Quickly the Lethal Lizards beat up the populace and find the local government. Chameleon shapeshifts into a dignitary, pretending to be an advance entourage for Emperor Jon, schmoozing with the governor until he learns both what Jon looks like and the name of his planet. With this information secure, Chameleon nips out suddenly, and the trio sets forth towards Polyester. Governer Klutz calls up the palace as soon as the reptiles depart, and reports the incident to Sorceror Binky.

Binky wastes no time, and he dials up Pet Force. Since all five are in one place, he's able to pull them through even without them being near the gateway through issue #100's cover. Convenient! Pet Force, however, does waste time, as a lengthy comedy scene eats up several pages before we just get on with it. Eventually, the situation is conveyed, and they figure it's safer to keep Emperor Jon on Funlandia for the time being. Compooky stays behind to help plan some strategies, while the rest of Pet Force boards the Lightspeed Lasagna to intercept the Lethal Lizards before they even arrive.

Pet Force spends the next few minutes both scanning for incoming ships and bickering with each other, so I'm very glad when the Rapacious Reptile appears on their detectors before too long. Dragon threatens the ship, telling them to move or he'll knock them aside. It's a spaceship, dude, you can move in three dimensions. The ships trade shots, and while Chameleon's piloting is actually pretty good due to his independently-rotating eyeballs, eventually both ships crash land on whatever planet is nearby.

Both ships crash right next to each other, which is improbable but less ridiculous than some of the contrivances in these books, so I'm okay with it. Now you'd think what with the enemies being reptiles and Abnermal having freezing powers that this battle would be over really easily, but no. In fact, Garzooka and Dragon are pretty evenly matched. Snake turns out to be immune to Starlena's siren song because snakes don't have external ears. See, now there's a contrivance I find a bit weird. Snake swallows Abnermal whole, and Chameleon and Odious get literally tongue-tied. The Lethal Lizards actually live up to their name pretty well.

As the fight continues, half of both sides are laid out when Compooky comes rushing up, saying he has an urgent message from the emperor. And that's when he sucker-punches the team. It was actually Chameleon in disguise, having gotten knocked away when he and Odious separated. So yeah, round one goes to the Lizards, and they make their escape first. Pet Force regroups, and they give chase. The Lizards have enough head start to really lay siege to Polyester before Pet Force arrives, though. They even get access to the palace using Chameleon's shapeshifting, leading to Sorceror Binky letting slip the real location of the emperor just as Pet Force arrives.

Another fight ensues--see, now it's really a superhero story--and the Lizards leave again 2 and 0. This time Snake uses his venomous fangs to attack Starlena. This leads to the weirdest contrivance yet. Maybe not the worst, but definitely the weirdest. They have only minutes to save Starlena. So how do they do it? Well, they notice that Odious drools quite a lot. It's very "fluid output". So they have Binky magically reverse Odious' drooling, so that he has "fluid input" on his tongue instead. It becomes a big suction sponge and sucks the poison out of Starlena. They then restore the drooling, and he just harmlessly drools out the poison. What.

With their teammate saved, Pet Force pursues the Lethal Lizards to Funlandia. They get there just in time to rescue Emperor Jon from their clutches, with Garzooka and Odious combining their strength to literally rip a kiddie ride out of the ground. Starlena corners Chameleon in a hall of mirrors, turning his own trick against him. Snake is undone by Odious' strength. And Garzooka fights Dragon to a standstill, finally trapping all three on a roller coaster still operating. When the ride comes to an end, Abnermal freezes them all until the authorities can retrieve them.

Naturally, Emperor Jon thinks it's all part of the show (because Jon is dimwitted in any universe). The Lizards are sent to a lizard-proof prison (seriously, it specifies this), and Pet Force returns to their own universe. As usual, Jon didn't notice his pets go missing during the dark amusement park ride. The book concludes on an ominous note, however, as the ship carrying the Lethal Lizards makes its jump to lightspeed just as it passes the Floating Fortress of Fear. The shockwave knocks over some debris that reactivates the combining machine, restoring Vetvix to her full evil might once more!

The end!

No, really. Those five books are all there was. I hear it may have continued into the comics, but I don’t know how accurate that is. I didn’t really look into it.

But boy, what a ride, huh? Let’s dissect the books one at a time, since it only seems fair to take them as individual stories.

The Outrageous Origin: It’s a fairly basic origin story, I’d say. It kind of has to be. I guess my main gripe is that, like Rita Repulsa’s entire run on Power Rangers, the heroes never fight the main villain directly. In fact, there’s barely even an evil plot in this one. You have henchmen and some traps, and that’s about it for the menace.

Pie-Rat’s Revenge: A cautionary tale about why you treat your minions with respect. This one’s pretty good, but the events depicted on the cover make up such a small part of the book. Wouldn’t it have been more fun if Garzooka was turned at the beginning of the story? Book 4 would at least do the reverse of that, so it’s not a major complaint~

K-Niner, Dog of Doom: I think this one’s about as middle of the road as you can get. What a coincidence that it’s also the middle of the series! Like I said in the recap portion, it’s a shame that Pie-Rat’s story ended here. This one definitely feels more “villain of the week” than most.

Menace of the Mutanator: This one might be the best book in the series. Garzooka, alone, battling against the best parts of his team? That’s gripping stuff. I guess the main problem is that the Mutanator isn’t really a character in and of themselves. Like, K-Niner, he may have been a generic rent-a-villain type, but he had a personality. Mutanator is little more than an extention of Vetvix’s will.

Attack of the Lethal Lizards: I’m a bit split on this one. The bits with the titular Lizards are great. They steal the show! But the parts where it focuses on either Jon kind of drag, and Pet Force is a bit too jokey here. Like, I get the point is that they’ve relaxed into their roles now, and there’s not much point of doing it as a Garfield story if they don’t actually use the character personalities, but... I dunno. It’s good, but it could have been better~

And that’s it! Like, I dunno how to wrap this up. Pet Force was neither my first exposure to superheroes nor my first introduction to the Garfield brand (you can thank Saturday morning cartoons for both of those). But for some reason, maybe just the absurdly goofy premise, it always kinda stuck with me. And I think that’s a good enough reason to make it my 10th anniversary review, don’t you~?

#books #reviews #Garfield #Pet Force #Garfield's Pet Force #Taiblog

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